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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,482 --> 00:00:06,223 [♪♪♪] 2 00:00:35,948 --> 00:00:40,910 YOUR ATTENTION, PLEASE... 3 00:00:41,041 --> 00:00:44,305 WILL ALL FOOT PASSENGERS PLEASE MAKE THEIR WAY... 4 00:01:45,540 --> 00:01:47,629 DO I KNOW YOU? 5 00:01:47,759 --> 00:01:48,499 LET ME TRY TO JOG YOUR MEMORY. 6 00:01:53,678 --> 00:01:55,637 I LIKE YOUR IDEA OF A SIGHTSEEING TOUR. 7 00:01:55,767 --> 00:01:57,726 I RUN THIS TOUR FOUR TIMES A DAY. 8 00:02:01,164 --> 00:02:02,383 DO YOU HAVE ANY IDEA HOW THE JUDGE WILL RULE ON THIS? 9 00:02:02,513 --> 00:02:03,297 COME HERE. 10 00:02:06,430 --> 00:02:09,520 [BREATHING HARD] 11 00:02:11,827 --> 00:02:13,481 WE CAN'T DO THIS HERE. 12 00:02:13,611 --> 00:02:14,177 YES, WE CAN. YES, WE CAN-- 13 00:02:14,308 --> 00:02:15,744 WE CAN'T, WE CAN'T. 14 00:02:15,874 --> 00:02:17,398 WE'RE JUST TWO TOURISTS ENJOYING THE VIEW. 15 00:02:17,528 --> 00:02:18,399 OH, GOD. 16 00:02:20,401 --> 00:02:21,576 [ZIPPERS FLY] 17 00:02:43,380 --> 00:02:44,816 [GASPING] 18 00:03:00,919 --> 00:03:03,835 [PANTING AND SIGHING] 19 00:03:10,755 --> 00:03:15,325 [♪♪♪] 20 00:04:23,306 --> 00:04:24,612 [SIGHS] 21 00:04:26,483 --> 00:04:27,702 GOOD MORNING, DR. NICK. 22 00:04:27,832 --> 00:04:29,747 MORNING, YOLANDA. 23 00:04:29,878 --> 00:04:31,575 OKAY... 24 00:04:31,706 --> 00:04:33,273 BYE, SWEETIE. 25 00:04:33,403 --> 00:04:34,186 YOU HAVE A GOOD DAY, OKAY? 26 00:04:34,317 --> 00:04:35,231 YOU TOO, DADDY. 27 00:04:35,362 --> 00:04:36,145 BYE-BYE, DOCTOR. 28 00:04:36,276 --> 00:04:37,364 BYE, GUYS. 29 00:04:39,757 --> 00:04:40,541 [FRONT DOOR OPENS AND CLOSES] 30 00:04:44,414 --> 00:04:45,241 OH, MORNING, MISSUS. 31 00:04:45,372 --> 00:04:46,460 GOOD MORNING, YOLANDA. 32 00:04:46,590 --> 00:04:47,591 BOY, I'M RUNNING LATE. 33 00:04:47,722 --> 00:04:48,984 WHERE IS-- 34 00:04:49,114 --> 00:04:49,811 DR. JARRETTS ALREADY LEFT FOR WORK. 35 00:04:49,941 --> 00:04:51,203 OH. 36 00:04:51,334 --> 00:04:53,467 DADDY HAD AN EMERGENCY AT THE HOSPITAL. 37 00:04:53,597 --> 00:04:56,252 YOU LOOK AWFULLY PRETTY TODAY. 38 00:04:56,383 --> 00:04:57,471 NO, I DON'T. 39 00:04:57,601 --> 00:04:58,689 I HATE WHAT I'M WEARING. 40 00:04:58,820 --> 00:05:00,300 WELL, WHAT'S WRONG WITH IT? 41 00:05:00,430 --> 00:05:02,563 I HATE THIS SKIRT. 42 00:05:02,693 --> 00:05:04,173 IT'S TOO BIG. 43 00:05:04,304 --> 00:05:05,479 WELL... 44 00:05:05,609 --> 00:05:06,958 COME HERE, SWEETIE. 45 00:05:08,656 --> 00:05:11,441 WHAT DO YOU THINK ABOUT THIS? 46 00:05:13,051 --> 00:05:13,965 IT'S REALLY COOL! 47 00:05:15,358 --> 00:05:17,012 [CHUCKLING WARMLY] 48 00:05:17,142 --> 00:05:18,448 HEY, YOU'RE SQUISHING ME! 49 00:05:18,579 --> 00:05:19,754 [LAUGHING] I'M SORRY. 50 00:05:19,884 --> 00:05:21,277 COME ON, EMILY. 51 00:05:21,408 --> 00:05:22,887 YOU'RE GOING TO BE LATE IF WE DON'T LEAVE RIGHT NOW. 52 00:05:23,018 --> 00:05:24,541 [EMILY]: OKAY, OKAY. 53 00:05:24,672 --> 00:05:25,934 I DECIDED. 54 00:05:26,064 --> 00:05:28,284 I WANT TO HAVE A PINATA FOR MY BIRTHDAY PARTY. 55 00:05:28,415 --> 00:05:29,677 A ZEBRA PINATA. 56 00:05:29,807 --> 00:05:32,288 OH, ZEBRA PINATAS ARE VERY RARE. 57 00:05:32,419 --> 00:05:33,985 PETER HAD ONE. 58 00:05:34,116 --> 00:05:36,031 WELL, IF PETER HAD ONE, 59 00:05:36,161 --> 00:05:38,294 THEN YOU SHOULD HAVE ONE, TOO. 60 00:05:39,774 --> 00:05:40,862 HAVE A NICE DAY, HONEY. 61 00:05:40,992 --> 00:05:41,863 YOU TOO. 62 00:05:41,993 --> 00:05:42,820 OKAY. 63 00:05:42,951 --> 00:05:43,865 COME ON. 64 00:05:46,563 --> 00:05:49,305 [♪♪♪] 65 00:06:43,751 --> 00:06:44,708 TILLIE, IT'S BEEN A WEEK. 66 00:06:44,839 --> 00:06:46,362 I WAS STARTING TO WORRY. 67 00:06:46,493 --> 00:06:48,059 NAH, I'M OKAY. 68 00:06:48,190 --> 00:06:49,887 MY GALLBLADDER WAS GIVING ME TROUBLE. 69 00:06:50,018 --> 00:06:52,281 OH... 70 00:06:52,412 --> 00:06:53,978 HOW'D THE LITTLE ONE LIKE THE LOCKET? 71 00:06:54,109 --> 00:06:56,546 OH, I'M SAVING IT FOR HER BIRTHDAY. 72 00:06:56,677 --> 00:06:57,982 SHE WOULD LOVE THAT. 73 00:06:58,113 --> 00:06:59,636 HOW MUCH? 74 00:06:59,767 --> 00:07:00,681 UM... 75 00:07:01,812 --> 00:07:03,335 FIVE BUCKS. 76 00:07:03,466 --> 00:07:04,554 AH... 77 00:07:09,516 --> 00:07:11,082 [SHUTTER CLICKING] 78 00:07:11,213 --> 00:07:12,040 YOU TAKE CARE, YOU HEAR. 79 00:07:12,170 --> 00:07:13,737 WAIT A MINUTE, YOUR CHANGE. 80 00:07:13,868 --> 00:07:14,738 FOR YOU. 81 00:07:14,869 --> 00:07:17,872 AW... 82 00:07:18,002 --> 00:07:18,873 [KISSES BILL] 83 00:07:19,003 --> 00:07:20,440 [ELEVATOR DINGS] 84 00:07:27,577 --> 00:07:28,752 MORNING, CATHY. 85 00:07:28,883 --> 00:07:30,362 SUZANNE WANTS TO SEE YOU. 86 00:07:30,493 --> 00:07:31,538 THANK YOU. 87 00:07:34,018 --> 00:07:35,411 HEY, SUZANNE. 88 00:07:35,542 --> 00:07:36,456 YOU WANTED TO SEE ME? 89 00:07:36,586 --> 00:07:37,587 HI, UH, ANY NEWS 90 00:07:37,718 --> 00:07:38,980 ON THE MAGNOLIA RANCH HOUSE? 91 00:07:39,110 --> 00:07:39,850 I'M SHOWING IT AGAIN AT 3:00. 92 00:07:39,981 --> 00:07:41,591 AH, GREAT. 93 00:07:41,722 --> 00:07:43,898 I AM UNDER ALL KINDS OF PRESSURE TO GET THAT PLACE SOLD. 94 00:07:44,028 --> 00:07:45,073 I'VE HAD THAT LISTING FOR NEARLY THREE MONTHS. 95 00:07:45,203 --> 00:07:46,683 WELL, I'M WORKING ON IT. 96 00:07:46,814 --> 00:07:47,858 I'VE GOT A GOOD FEELING ABOUT THIS CLIENT. 97 00:07:47,989 --> 00:07:48,946 I THINK IT'S RIGHT UP HER ALLEY. 98 00:07:49,077 --> 00:07:50,731 YOU'RE A LIFESAVER. 99 00:07:50,861 --> 00:07:51,993 A PLEASURE. 100 00:07:56,911 --> 00:07:59,827 [BEEPING SPEED-DIAL] 101 00:08:01,742 --> 00:08:03,744 [CLEARS THROAT ANXIOUSLY] 102 00:08:03,874 --> 00:08:05,746 IT'S ME. 103 00:08:05,876 --> 00:08:07,661 YOU WERE AMAZING LAST NIGHT. 104 00:08:07,791 --> 00:08:09,010 SAM, PLEASE... 105 00:08:09,140 --> 00:08:11,882 YOU CAN'T STAY AWAY FROM ME. 106 00:08:12,013 --> 00:08:13,057 AND YOU KNOW WHY? YOU WANT TO KNOW WHY? 107 00:08:13,188 --> 00:08:16,800 BECAUSE WE'RE FABULOUS TOGETHER. 108 00:08:16,931 --> 00:08:18,106 I'VE GOT A LITTLE SURPRISE FOR YOU 109 00:08:18,236 --> 00:08:19,934 THIS AFTERNOON. 110 00:08:20,064 --> 00:08:21,065 NOT TODAY. 111 00:08:21,196 --> 00:08:22,589 I CAN'T GET AWAY TODAY. 112 00:08:22,719 --> 00:08:23,633 SURE YOU CAN. 113 00:08:23,764 --> 00:08:25,287 NO, SAM. 114 00:08:25,417 --> 00:08:26,984 THINGS ARE NOT GOOD AT HOME 115 00:08:27,115 --> 00:08:29,073 AND THIS MAKES IT MORE COMPLICATED. 116 00:08:29,204 --> 00:08:32,207 WELL, IT DIDN'T FEEL COMPLICATED LAST NIGHT. 117 00:08:32,337 --> 00:08:34,383 IT'S NEVER COMPLICATED WHEN WE'RE TOGETHER. 118 00:08:34,514 --> 00:08:36,298 I CAN'T THINK STRAIGHT WHEN WE'RE TOGETHER. 119 00:08:36,428 --> 00:08:40,215 IT'S AFTER I LEAVE YOU THAT IT GETS DIFFICULT. 120 00:08:40,345 --> 00:08:43,131 I DON'T LIKE MYSELF RIGHT NOW. 121 00:08:43,261 --> 00:08:45,220 I DON'T LIKE WHAT I'M DOING TO NICK. 122 00:08:45,350 --> 00:08:48,179 I'M NO THREAT TO YOUR HUSBAND OR YOUR FAMILY. 123 00:08:48,310 --> 00:08:49,964 I'VE BEEN COMPLETELY UP FRONT ON THAT. 124 00:08:50,094 --> 00:08:52,706 YOU'RE THE ONE THAT'S MAKING IT A PROBLEM. 125 00:08:52,836 --> 00:08:54,795 BECAUSE IT IS A PROBLEM, FOR ME. 126 00:08:54,925 --> 00:08:56,666 OKAY, I DON'T MEAN TO MAKE LIGHT OF IT. 127 00:08:56,797 --> 00:08:58,233 I KNOW IT BOTHERS YOU, 128 00:08:58,363 --> 00:08:59,756 BUT YOU KNOW, THIS THING WITH US, 129 00:08:59,887 --> 00:09:01,062 I MEAN, THIS WILL BURN OUT SOON ENOUGH, 130 00:09:01,192 --> 00:09:03,194 SO WHAT DO YOU SAY WE JUST... 131 00:09:03,325 --> 00:09:05,545 ENJOY IT WHILE IT LASTS. 132 00:09:08,330 --> 00:09:11,855 YOU SURE KNOW HOW TO SWEEP A GIRL OFF HER FEET. 133 00:09:16,120 --> 00:09:17,557 I... GOTTA GO. 134 00:09:27,915 --> 00:09:31,745 [BIRDS TWITTERING] 135 00:09:31,875 --> 00:09:33,050 [SIGHING WITH SATISFACTION] 136 00:09:33,181 --> 00:09:34,748 LOOK AT THIS PLACE. 137 00:09:34,878 --> 00:09:36,184 IT'S PRETTY GREAT, ISN'T IT? 138 00:09:36,314 --> 00:09:37,359 THE MINUTE I WALKED IN HERE, 139 00:09:37,489 --> 00:09:39,013 I FELT LIKE I WAS HOME. 140 00:09:39,143 --> 00:09:40,928 I THINK I'M IN SOME REAL TROUBLE HERE. 141 00:09:42,669 --> 00:09:45,628 I STILL HAVEN'T TOLD HARRY THAT I WANT TO MOVE. 142 00:09:45,759 --> 00:09:46,673 OH. 143 00:09:46,803 --> 00:09:48,109 DON'T WORRY, 144 00:09:48,239 --> 00:09:50,938 I CAN BE VERY PERSUASIVE WHEN I WANT SOMETHING. 145 00:09:51,068 --> 00:09:52,853 GOOD. 146 00:09:57,031 --> 00:09:59,816 I LOVE THE WOOD FLOORS. 147 00:10:01,818 --> 00:10:03,733 GREAT BATHROOM. 148 00:10:03,864 --> 00:10:04,865 I LOVE IT. 149 00:10:04,995 --> 00:10:05,996 MM-HMM. 150 00:10:06,127 --> 00:10:07,041 THAT BATHTUB IS FABULOUS. 151 00:10:07,171 --> 00:10:08,085 YEAH. 152 00:10:08,216 --> 00:10:09,652 LET ME SHOW YOU THE CLOSET. 153 00:10:09,783 --> 00:10:10,784 OKAY. 154 00:10:10,914 --> 00:10:11,959 AND FEEL FREE TO JUST WANDER AROUND. 155 00:10:13,395 --> 00:10:14,875 STAINLESS KITCHEN... 156 00:10:15,005 --> 00:10:16,746 LOVE IT. 157 00:10:18,182 --> 00:10:20,054 [♪♪♪] 158 00:10:32,283 --> 00:10:33,241 I'VE SEEN ENOUGH. 159 00:10:36,200 --> 00:10:38,986 SO, WHAT DO YOU SAY, NINA? 160 00:10:39,116 --> 00:10:42,424 I THINK HARRY'S IN FOR A GOOD TIME. 161 00:10:42,554 --> 00:10:43,991 GOOD NEWS FOR HARRY. 162 00:10:44,121 --> 00:10:45,209 [LAUGHING] 163 00:10:45,340 --> 00:10:48,691 [PANTING AND MOANING] 164 00:10:48,822 --> 00:10:50,127 [GASPING] 165 00:10:50,258 --> 00:10:52,042 [♪♪♪] 166 00:10:52,173 --> 00:10:55,393 ♪ LATELY MY BABY COME AND GO 167 00:10:55,524 --> 00:10:58,396 ♪ AND HE NEVER AROUND 168 00:10:58,527 --> 00:11:01,661 ♪ LATELY I... 169 00:11:01,791 --> 00:11:02,923 ♪ BEEN THINKING ABOUT THE DAYS... ♪ 170 00:11:04,402 --> 00:11:07,623 YOU KNOW WHAT YOUR PROBLEM IS? 171 00:11:09,886 --> 00:11:11,758 I DIDN'T KNOW I HAD A PROBLEM. 172 00:11:11,888 --> 00:11:13,063 [CHUCKLES] 173 00:11:13,194 --> 00:11:15,326 YOU HAVE TOO MUCH TIME ON YOUR HANDS. 174 00:11:17,459 --> 00:11:20,592 WELL, I DON'T SEE THAT AS A PROBLEM. 175 00:11:20,723 --> 00:11:22,203 IN FACT, YOU KNOW I'VE ARRANGED MY LIFE 176 00:11:22,333 --> 00:11:25,206 TO HAVE AFTERNOONS JUST LIKE THIS. 177 00:11:25,336 --> 00:11:28,122 AREN'T YOU GLAD YOU PASSED ON LUNCH? 178 00:11:28,252 --> 00:11:32,213 MM, WELL, I DON'T KNOW, I'M STARVED. 179 00:11:37,566 --> 00:11:39,786 HELL, YOU HAVE A GREAT ASS. 180 00:11:39,916 --> 00:11:42,310 [GIGGLES] 181 00:11:44,051 --> 00:11:45,008 SPEAKING OF WHICH, 182 00:11:45,139 --> 00:11:47,794 I SENT YOU A LITTLE PRESENT. 183 00:11:47,924 --> 00:11:49,752 IF IT'S NOT PASTRAMI ON RYE, 184 00:11:49,883 --> 00:11:52,320 I'M NOT INTERESTED. 185 00:11:55,584 --> 00:11:57,238 [♪♪♪] 186 00:11:57,368 --> 00:12:00,110 ♪ LATELY I'VE BEEN THINKING BACK TO THAT AND THIS ♪ 187 00:12:00,241 --> 00:12:02,678 ♪ AND OUR FIRST KISS 188 00:12:02,809 --> 00:12:06,856 ♪ LATELY I'VE BEEN THINKING WHAT'S GONE WRONG ♪ 189 00:12:06,987 --> 00:12:09,598 ♪ WITH OUR LOVE SONG... 190 00:12:09,729 --> 00:12:11,556 ♪ I CAN SEE YOU RIGHT BEFORE ME ♪ 191 00:12:11,687 --> 00:12:14,603 ♪ BUT IT FEELS LIKE YOU'RE MILES AWAY ♪ 192 00:12:14,734 --> 00:12:18,041 ♪ I CAN TOUCH YOUR BODY, BABY ♪ 193 00:12:18,172 --> 00:12:20,174 ♪ BUT YOU DON'T HAVE A WORD TO SAY... ♪ 194 00:12:20,304 --> 00:12:22,698 [CHUCKLES] 195 00:12:24,221 --> 00:12:25,266 BOY, 196 00:12:25,396 --> 00:12:26,963 I PICK THREE LOSERS IN A ROW, 197 00:12:27,094 --> 00:12:28,095 AND YOU GET FLOWERS 198 00:12:28,225 --> 00:12:29,357 ANDSEXY UNDERWEAR FROM A GUY 199 00:12:29,487 --> 00:12:32,273 IN THE SAME DAY? 200 00:12:32,403 --> 00:12:34,101 LOOK, MAYBE I'M WAY OFF-BASE HERE-- 201 00:12:34,231 --> 00:12:36,843 AND FEEL FREE TO STOP ME IF THIS ISN'T MY BUSINESS. 202 00:12:38,366 --> 00:12:39,976 I KNOW WHAT CAN HAPPEN 203 00:12:40,107 --> 00:12:40,934 WHEN THESE THINGS GET OUT OF CONTROL. 204 00:12:41,064 --> 00:12:42,065 I'VE BEEN THERE, 205 00:12:42,196 --> 00:12:44,111 AND IT DIDN'T END WELL. 206 00:12:44,241 --> 00:12:46,200 WHAT HAPPENED? 207 00:12:46,330 --> 00:12:48,855 JIM WAS A... 208 00:12:48,985 --> 00:12:51,248 A MASTER SEDUCER, 209 00:12:51,379 --> 00:12:53,076 AND I WAS VULNERABLE. 210 00:12:53,207 --> 00:12:54,774 YEAH. 211 00:12:54,904 --> 00:12:55,775 IT'S A DEADLY COMBINATION. 212 00:12:58,081 --> 00:12:59,779 HOW DID YOU END IT? 213 00:12:59,909 --> 00:13:01,911 ELLA BROWNING. 214 00:13:02,042 --> 00:13:03,783 SHRINK EXTRAORDINAIRE. 215 00:13:05,436 --> 00:13:08,135 WELL, YOU SEEM TO HAVE SURVIVED. 216 00:13:08,265 --> 00:13:12,661 ONLY AFTER I LOST EVERYTHING. 217 00:13:18,014 --> 00:13:19,320 [LAUGHING] 218 00:13:19,450 --> 00:13:20,800 COME ON, I THOUGHT YOU SAID YOU WERE GOOD. 219 00:13:20,930 --> 00:13:22,062 COME ON... 220 00:13:27,241 --> 00:13:29,199 [SHUTTER CLICKS] 221 00:13:31,985 --> 00:13:34,204 [SHUTTER CLICKING] 222 00:13:34,335 --> 00:13:35,336 NOW WHAT ARE YOU GONNA DO, HUH? 223 00:13:35,466 --> 00:13:36,511 EMILY... 224 00:13:36,641 --> 00:13:38,948 EMILY, WHERE'D YOU GO? 225 00:13:39,079 --> 00:13:40,123 MOMMY, MOMMY, SAVE ME! 226 00:13:40,254 --> 00:13:41,516 [LAUGHING] 227 00:13:41,646 --> 00:13:43,953 OH, THERE'S NO HELPING YOU NOW... 228 00:13:44,084 --> 00:13:46,347 [SHUTTER CLICKING] 229 00:13:46,477 --> 00:13:49,785 [SQUEALING PLAYFULLY] 230 00:13:52,092 --> 00:13:54,050 [SHUTTER CLICKING] 231 00:14:01,318 --> 00:14:03,233 THANKS FOR SEEING ME ON SUCH SHORT NOTICE. 232 00:14:03,364 --> 00:14:05,801 WELL, ANY FRIEND OF SUZANNE'S... 233 00:14:08,151 --> 00:14:11,024 WHAT CAN I DO TO HELP YOU? 234 00:14:11,154 --> 00:14:12,286 UM, WELL, 235 00:14:12,416 --> 00:14:13,548 I'M MARRIED, 236 00:14:13,678 --> 00:14:15,811 I HAVE A YOUNG DAUGHTER. 237 00:14:15,942 --> 00:14:19,728 MY HUSBAND, NICK, IS EVERYTHING I COULD EVER DREAM, 238 00:14:19,859 --> 00:14:22,862 YET I CAN'T STAY AWAY FROM THIS GUY, SAM. 239 00:14:25,603 --> 00:14:27,475 I DON'T KNOW WHAT'S WRONG WITH ME. 240 00:14:27,605 --> 00:14:30,434 I-I DON'T UNDERSTAND WHY I'M DOING ANY OF THIS. 241 00:14:30,565 --> 00:14:33,046 ALL RIGHT. ALL RIGHT. 242 00:14:33,176 --> 00:14:34,134 LET'S START WITH WHAT THIS GUY, 243 00:14:34,264 --> 00:14:35,352 SAM, 244 00:14:35,483 --> 00:14:37,050 HAS TO OFFER 245 00:14:37,180 --> 00:14:38,965 THAT YOU'RE NOT GETTING AT HOME. 246 00:14:41,445 --> 00:14:44,274 OH, WELL, I DON'T KNOW HOW TO DESCRIBE IT. 247 00:14:44,405 --> 00:14:47,364 EVERYTHING ABOUT SAM IS INTENSE, 248 00:14:47,495 --> 00:14:49,453 PASSIONATE, 249 00:14:49,584 --> 00:14:52,456 FROM SOMEPLACE ALMOST PRIMAL. 250 00:14:52,587 --> 00:14:55,329 HE MAKES ME FEEL ALIVE. 251 00:14:55,459 --> 00:14:58,462 IS THIS AFFAIR ONLY ABOUT SEX? 252 00:14:58,593 --> 00:15:01,074 DON'T...UNDERESTIMATE THAT. 253 00:15:01,204 --> 00:15:04,077 SEX CAN BE A VERY POWERFUL DRAW. 254 00:15:04,207 --> 00:15:06,253 WELL, IF IT WAS JUST ABOUT SEX, 255 00:15:06,383 --> 00:15:08,037 THIS WOULD BE EASY. 256 00:15:08,168 --> 00:15:10,822 MAYBE... 257 00:15:10,953 --> 00:15:12,389 YOU'RE AFRAID YOU'RE GOING TO HAVE TO CHOOSE 258 00:15:12,520 --> 00:15:13,782 BETWEEN SAM AND NICK? 259 00:15:13,913 --> 00:15:15,305 NO, 260 00:15:15,436 --> 00:15:19,222 NO, SAM'S NOT THE MARRYING KIND. 261 00:15:19,353 --> 00:15:21,050 I MEAN, HE LOVES ME. 262 00:15:21,181 --> 00:15:23,400 I KNOW HE LOVES ME, 263 00:15:23,531 --> 00:15:27,578 BUT, UH, SAM IS NEVER WITH JUST ONE WOMAN FOR LONG. 264 00:15:27,709 --> 00:15:31,582 THAT'S PRETTY DEFINITE. 265 00:15:31,713 --> 00:15:33,933 WELL, HE SAYS HE'S NEVER SEEN A GOOD MARRIAGE, 266 00:15:34,063 --> 00:15:36,022 INCLUDING HIS PARENTS. 267 00:15:36,152 --> 00:15:37,762 HE DOESN'T THINK IT WORKS. 268 00:15:37,893 --> 00:15:42,245 THAT KIND OF CHALLENGE CAN BE A REAL ALLURE FOR A WOMAN. 269 00:15:42,376 --> 00:15:44,639 ARE YOU SURE YOU'RE NOT HARBORING THE FANTASY 270 00:15:44,769 --> 00:15:46,162 THAT YOU CAN CHANGE ALL THAT? 271 00:15:46,293 --> 00:15:48,425 NO. 272 00:15:48,556 --> 00:15:50,427 ABSOLUTELY NOT. 273 00:15:50,558 --> 00:15:51,515 ARE YOU SURE ABOUT THAT? 274 00:15:51,646 --> 00:15:52,516 I'M POSITIVE. 275 00:15:52,647 --> 00:15:53,909 I LOVE MY FAMILY. 276 00:15:54,040 --> 00:15:55,606 I LOVE MY HUSBAND. 277 00:15:55,737 --> 00:15:58,479 THEY MEAN EVERYTHING TO ME. 278 00:15:58,609 --> 00:16:01,569 YET YOU RISK LOSING THEM. 279 00:16:03,353 --> 00:16:05,573 YEAH, THAT'S WHAT TERRIFIES ME. 280 00:16:05,703 --> 00:16:06,574 THAT'S WHY I'M HERE. 281 00:16:08,489 --> 00:16:10,143 SUZANNE SAID THAT YOU HELPED HER 282 00:16:10,273 --> 00:16:12,275 AND I KNOW I NEED HELP. 283 00:16:12,406 --> 00:16:13,320 I KNOW THIS IS CRAZY, 284 00:16:13,450 --> 00:16:15,496 BUT I CAN'T STOP WHAT I'M DOING. 285 00:16:15,626 --> 00:16:18,194 [PLAYING A BLISTERING JAZZ SOLO] 286 00:16:21,589 --> 00:16:23,417 [♪♪♪] 287 00:16:40,477 --> 00:16:43,002 [APPLAUSE AND CHEERS] 288 00:16:47,310 --> 00:16:50,183 [STARTS A SLOW AND SULTRY NUMBER] 289 00:16:52,402 --> 00:16:55,971 [♪♪♪] 290 00:17:15,251 --> 00:17:16,165 I DIDN'T EXPECT TO SEE YOU TONIGHT. 291 00:17:16,296 --> 00:17:17,471 HOW DID YOU GET AWAY? 292 00:17:17,601 --> 00:17:18,428 DOES IT MATTER? 293 00:17:27,481 --> 00:17:29,222 TAKE ME HOME. 294 00:17:33,443 --> 00:17:36,316 [♪♪♪] 295 00:17:46,021 --> 00:17:48,415 I WANT TO SHOW YOU SOMETHING. 296 00:17:50,852 --> 00:17:52,593 ANYONE I KNOW? 297 00:17:52,723 --> 00:17:55,161 WELL, YOU'RE NOT HERE 298 00:17:55,291 --> 00:17:57,554 SO I HAVE TO WORK FROM MEMORY. 299 00:17:57,685 --> 00:17:59,687 WELL, I'M HERE NOW. 300 00:18:09,218 --> 00:18:11,786 HOW AM I EVER GOING TO WALK AWAY FROM THIS? 301 00:18:11,916 --> 00:18:14,702 WHY WOULD YOU WANT TO? 302 00:18:14,832 --> 00:18:17,618 IT CAN ONLY END BADLY. 303 00:18:17,748 --> 00:18:19,359 OH, I DON'T KNOW, BABY, 304 00:18:19,489 --> 00:18:20,447 I'LL BET WE HAVE A SPECTACULAR END. 305 00:19:00,661 --> 00:19:01,792 THAT IS EXACTLY WHAT WE'RE LOOKING FOR. 306 00:19:01,923 --> 00:19:02,706 I WANT MY WIFE TO SEE IT. 307 00:19:02,837 --> 00:19:04,012 ANYTIME. 308 00:19:04,143 --> 00:19:04,578 OKAY, WELL, I'LL GET HER SCHEDULE 309 00:19:04,708 --> 00:19:05,840 AND CALL YOU LATER? 310 00:19:05,970 --> 00:19:07,363 ALL RIGHT, THANKS. 311 00:19:35,478 --> 00:19:36,784 LAURA, I DON'T MEAN TO ALARM YOU, 312 00:19:36,914 --> 00:19:38,873 BUT SOME GUY HAS BEEN CALLING HERE 313 00:19:39,003 --> 00:19:41,310 ASKING QUESTIONS ABOUT YOU. 314 00:19:41,441 --> 00:19:43,007 WHAT KIND OF QUESTIONS? 315 00:19:43,138 --> 00:19:45,140 JUST, WHETHER I KNEW YOU, 316 00:19:45,271 --> 00:19:47,751 IF YOU WORK HERE... 317 00:19:47,882 --> 00:19:51,190 UM, OF COURSE, HE WOULDN'T LEAVE ME HIS NAME. 318 00:19:52,495 --> 00:19:54,193 WHAT DID YOU TELL HIM? 319 00:19:54,323 --> 00:19:55,194 NOTHING. 320 00:19:56,717 --> 00:19:59,807 I WOULDN'T DISCUSS YOU WITH A STRANGER. 321 00:19:59,937 --> 00:20:01,330 THANK YOU. 322 00:20:01,461 --> 00:20:02,288 YOU'RE WELCOME. 323 00:20:02,418 --> 00:20:04,464 THANKS. 324 00:20:11,601 --> 00:20:13,560 [♪♪♪] 325 00:20:53,991 --> 00:20:55,732 [PHONE SPEED-DIALING] 326 00:20:57,734 --> 00:20:59,475 I FOUND HER, CHARLIE. 327 00:20:59,606 --> 00:21:01,825 IT'S HER, I'M SURE OF IT. 328 00:21:01,956 --> 00:21:03,523 STAY ON HER. 329 00:21:09,485 --> 00:21:10,617 WHAT'S WRONG? 330 00:21:10,747 --> 00:21:12,662 WHAT'S HAPPENED? 331 00:21:12,793 --> 00:21:14,403 [CRYING] IT'S NICK. 332 00:21:14,534 --> 00:21:17,406 HE'S HAVING AN AFFAIR. 333 00:21:17,537 --> 00:21:18,842 I SAW HIM WITH HER. 334 00:21:18,973 --> 00:21:20,496 THEY WERE KISSING IN THE STREET. 335 00:21:20,627 --> 00:21:22,672 IT WASN'T A FRIENDLY KISS. 336 00:21:22,803 --> 00:21:26,633 SO IT'S OKAY FOR YOU BUT NOT FOR HIM? 337 00:21:26,763 --> 00:21:28,939 I KNOW WHAT SAM'S ABOUT, 338 00:21:29,070 --> 00:21:31,507 BUT THIS THING WITH NICK... 339 00:21:31,638 --> 00:21:36,077 OH, MY GOD, WHAT IF HE'S IN LOVE WITH HER? 340 00:21:36,207 --> 00:21:37,774 WHAT IF HE LEAVES ME? 341 00:21:37,905 --> 00:21:40,777 WHAT'S WRONG WITH ME? 342 00:21:40,908 --> 00:21:42,649 YOU WANT TO SAVE YOUR MARRIAGE, DON'T YOU, LAURA? 343 00:21:42,779 --> 00:21:45,565 YES. 344 00:21:45,695 --> 00:21:46,566 BUT IF YOU DO... 345 00:21:48,785 --> 00:21:51,527 YOU'RE GOING TO HAVE TO BE COMPLETELY HONEST WITH YOURSELF. 346 00:21:54,487 --> 00:21:56,315 [SNIFFLES AND SIGHS] 347 00:21:56,445 --> 00:21:59,274 DID YOU PERHAPS SENSE NICK PULLING AWAY FROM YOU? 348 00:21:59,405 --> 00:22:01,885 IS THAT WHAT DROVE YOU TO GET INVOLVED WITH SAM? 349 00:22:02,016 --> 00:22:03,365 NO. 350 00:22:03,496 --> 00:22:04,801 NICK WASN'T PULLING AWAY. 351 00:22:04,932 --> 00:22:06,890 HE WAS LOVING. 352 00:22:07,021 --> 00:22:10,067 HE'S BEEN...PERFECT. 353 00:22:10,198 --> 00:22:13,984 THINGS ARE AS GOOD AS THEY'VE EVER BEEN. 354 00:22:14,115 --> 00:22:17,510 DO YOU THINK THAT NICK KNOWS ABOUT SAM? 355 00:22:17,640 --> 00:22:19,729 I KNOW I'VE HAD THE FEELING LATELY 356 00:22:19,860 --> 00:22:21,949 THAT I'M BEING FOLLOWED... 357 00:22:23,733 --> 00:22:25,126 AND SUZANNE SAID 358 00:22:25,256 --> 00:22:28,738 THAT SOMEONE'S BEEN ASKING QUESTIONS ABOUT ME. 359 00:22:28,869 --> 00:22:31,611 WHAT DID YOU DO ABOUT IT? 360 00:22:31,741 --> 00:22:34,135 WELL, WHAT DO YOU SUGGEST I DO? 361 00:22:34,265 --> 00:22:36,572 CALL THE POLICE, AND TELL THEM WHAT? 362 00:22:36,703 --> 00:22:38,226 "I'M HAVING AN AFFAIR 363 00:22:38,357 --> 00:22:39,749 AND MY HUSBAND'S HAVING ME FOLLOWED?" 364 00:22:42,404 --> 00:22:43,971 LAURA... 365 00:22:44,101 --> 00:22:45,668 WHAT DID YOU THINK WAS GOING TO HAPPEN 366 00:22:45,799 --> 00:22:46,713 WHEN YOU STARTED THIS? 367 00:22:46,843 --> 00:22:47,888 NO, LET ME-- 368 00:22:48,018 --> 00:22:50,847 WHAT DID YOU WANTTO HAPPEN? 369 00:22:52,849 --> 00:22:55,591 NOT THIS. 370 00:22:55,722 --> 00:22:57,680 YOU CAN JUSTIFY THIS ANY WAY YOU LIKE, LAURA, 371 00:22:57,811 --> 00:22:59,421 BUT THE FACT IS, 372 00:22:59,552 --> 00:23:02,206 YOU'VE BEEN HAVING AN AFFAIR, 373 00:23:02,337 --> 00:23:04,992 AND THINGS IN YOUR LIFE ARE GOING TO START TO UNRAVEL 374 00:23:05,122 --> 00:23:09,344 UNLESS YOU DEAL WITH THAT MESSY REALITY, 375 00:23:09,475 --> 00:23:12,826 AND THE WHY OF IT. 376 00:23:30,626 --> 00:23:31,584 [PHONE DIALING] 377 00:23:31,714 --> 00:23:33,368 HEY, BABE... 378 00:23:33,499 --> 00:23:34,500 ARE YOU FREE? 379 00:23:34,630 --> 00:23:35,936 CERTAINLY NOT, 380 00:23:36,066 --> 00:23:38,417 BUT I CAN BE HAD FOR THE RIGHT PRICE. 381 00:23:38,547 --> 00:23:41,158 MEET ME AT LE BISTRO, 382 00:23:41,289 --> 00:23:42,943 HALF AN HOUR. 383 00:23:43,073 --> 00:23:46,337 I'LL WEAR MY USUAL DISGUISE. 384 00:24:04,878 --> 00:24:05,879 "WOMAN WITH YELLOW HAIR." 385 00:24:06,009 --> 00:24:08,708 PICASSO'S MUSE. 386 00:24:08,838 --> 00:24:10,840 HE LOVED HER. 387 00:24:10,971 --> 00:24:15,018 AMONG MANY. 388 00:24:15,149 --> 00:24:16,933 YOU'RE THE ONLY ONE RIGHT NOW. 389 00:24:19,588 --> 00:24:23,810 LISTEN, SAM, UM... 390 00:24:23,940 --> 00:24:26,508 I CAN'T DO THIS ANYMORE. 391 00:24:26,639 --> 00:24:29,903 MY LIFE IS FALLING APART. 392 00:24:40,000 --> 00:24:43,264 AND YOU THINK NOT SEEING ME IS GOING TO MAKE THAT EASIER? 393 00:24:43,394 --> 00:24:47,964 IF IT'S NOT TOO LATE ALREADY. 394 00:24:48,095 --> 00:24:49,836 IS THAT WHY YOU WANTED TO MEET ME HERE, 395 00:24:49,966 --> 00:24:51,098 WHERE I COULDN'T MAKE A SCENE? 396 00:24:55,319 --> 00:24:56,712 YOU KNOW, YOU STILL TURN ME ON. 397 00:24:59,106 --> 00:25:01,674 IT'S NOT GOING TO BE EASY LETTING GO OF THIS. 398 00:25:01,804 --> 00:25:04,894 FOR ME EITHER. 399 00:25:12,641 --> 00:25:15,122 YOU KNOW, I MAY NOT BE THE BEST GUY IN THE WORLD, 400 00:25:15,252 --> 00:25:17,211 BUT... 401 00:25:17,341 --> 00:25:21,520 I WOULDN'T HAVE GONE ABOUT BLOWING SOMEBODY OFF LIKE THIS. 402 00:25:21,650 --> 00:25:23,086 SAM, PLEASE UNDERSTAND-- 403 00:25:23,217 --> 00:25:24,479 I DO UNDERSTAND. 404 00:25:26,437 --> 00:25:29,179 I JUST DON'T LIKE THE WAY YOU WENT ABOUT DOING IT. 405 00:25:29,310 --> 00:25:32,182 TAKE CARE OF YOURSELF. 406 00:25:37,361 --> 00:25:39,668 [SHUTTER CLICKING] 407 00:25:42,279 --> 00:25:44,499 HEY! 408 00:25:45,848 --> 00:25:47,589 HEY, STOP! 409 00:25:47,720 --> 00:25:48,895 EXCUSE ME, MA'AM, 410 00:25:49,025 --> 00:25:49,678 CAN I HELP YOU WITH SOMETHING? 411 00:25:49,809 --> 00:25:50,897 EXCUSE ME, I'VE GOT TO-- 412 00:25:51,027 --> 00:25:51,985 WAIT! 413 00:26:04,084 --> 00:26:07,348 SHE'S WORKING AS A REAL ESTATE AGENT. 414 00:26:07,478 --> 00:26:08,828 SHE HAS A BOYFRIEND, 415 00:26:08,958 --> 00:26:09,655 ALTHOUGH I THINK SHE BLEW HIM OFF 416 00:26:09,785 --> 00:26:10,656 THE OTHER DAY. 417 00:26:12,309 --> 00:26:13,789 THAT DOESN'T SOUND LIKE HER. 418 00:26:13,920 --> 00:26:15,574 WHAT DO YOU THINK, WILLACKER? 419 00:26:15,704 --> 00:26:16,705 I GOT THE WRONG GIRL? 420 00:26:16,836 --> 00:26:18,011 NO. 421 00:26:18,141 --> 00:26:20,013 NO, THAT'S HER, ALL RIGHT. 422 00:26:21,841 --> 00:26:23,016 IT'S NONE OF MY BUSINESS, 423 00:26:23,146 --> 00:26:24,539 BUT, UM... 424 00:26:24,670 --> 00:26:26,585 WHO IS SHE TO YOU? 425 00:26:26,715 --> 00:26:29,979 SHE RUINED MY LIFE. 426 00:26:36,856 --> 00:26:40,207 ♪ WE WILL SING FOR JOY 427 00:26:40,337 --> 00:26:41,774 ♪ WE'LL SING TO THE LORD WITH SONGS OF GRACE ♪ 428 00:26:41,904 --> 00:26:44,515 ♪ SING FOR JOY 429 00:26:44,646 --> 00:26:47,083 ♪ WE'LL SING TO THE LORD THE KING ♪ 430 00:26:47,214 --> 00:26:49,259 ♪ THE EARTH, THE SEA 431 00:26:49,390 --> 00:26:52,654 ♪ THE SUN, THE MOON 432 00:26:52,785 --> 00:26:54,351 ♪ ALL SHOW HIS MIGHT 433 00:26:54,482 --> 00:26:56,353 ♪ TO THE LORD WE WILL SING FOR JOY ♪ 434 00:26:56,484 --> 00:27:00,009 ♪ HALLELUJAH 435 00:27:00,140 --> 00:27:02,229 ♪ SING HALLELUJAH 436 00:27:02,359 --> 00:27:04,971 ♪ LET ALL WHO SERVE THE LORD REJOICE ♪ 437 00:27:05,101 --> 00:27:07,408 ♪ REJOICE AND SING, BE GLAD 438 00:27:07,538 --> 00:27:10,498 ♪ THAT WE BELONG TO HIM 439 00:27:10,629 --> 00:27:13,109 ♪ LET ALL WHO SERVE THE LORD 440 00:27:13,240 --> 00:27:14,415 ♪ EXULT HIS NAME 441 00:27:14,545 --> 00:27:17,244 ♪ HE IS THE LORD 442 00:27:17,374 --> 00:27:19,942 ♪ THE GOD OF ALL 443 00:27:20,073 --> 00:27:22,249 ♪ ALL NATIONS BOW BEFORE THEIR LORD ♪ 444 00:27:22,379 --> 00:27:26,949 ♪ AND SING FOR JOY 445 00:27:27,080 --> 00:27:30,213 [APPLAUSE AND CHEERING] 446 00:27:39,005 --> 00:27:40,006 THAT WAS GREAT. 447 00:27:40,136 --> 00:27:42,051 AS THE CHAIR OF THE PTA, 448 00:27:42,182 --> 00:27:43,879 I'D JUST LIKE TO QUICKLY REMIND ALL OF YOU 449 00:27:44,010 --> 00:27:45,968 THAT THE SCHOOL ART FAIR AND AUCTION 450 00:27:46,099 --> 00:27:47,666 IS IN TWO WEEKS. 451 00:27:47,796 --> 00:27:49,319 THE PLANNING MEETING 452 00:27:49,450 --> 00:27:51,234 WILL BE HERE TOMORROW IN THE AUDITORIUM 453 00:27:51,365 --> 00:27:52,845 AT 3:00 P.M. 454 00:27:52,975 --> 00:27:54,150 WE COULD REALLY USE THE HELP. 455 00:27:54,281 --> 00:27:56,762 THANKS FOR COMING. 456 00:27:56,892 --> 00:27:58,677 [APPLAUSE] 457 00:28:04,683 --> 00:28:07,555 SHE'S A PARENT AT THE SCHOOL. 458 00:28:07,686 --> 00:28:10,297 I SAW THE WAY SHE LOOKED AT NICK. 459 00:28:13,517 --> 00:28:17,608 IS IT POSSIBLE THAT YOU'RE IMAGINING ALL THIS? 460 00:28:17,739 --> 00:28:19,219 [SCOFFS] 461 00:28:19,349 --> 00:28:21,177 NO, IT'S NOT POSSIBLE. 462 00:28:21,308 --> 00:28:23,484 I KNOW WHAT I SAW. 463 00:28:23,614 --> 00:28:26,139 ARE YOU GOING TO CONFRONT HIM? 464 00:28:26,269 --> 00:28:28,054 I CAN'T. 465 00:28:28,184 --> 00:28:30,752 WHAT IF HE... 466 00:28:30,883 --> 00:28:32,885 WHAT IF HE SAYS HE LOVES HER? 467 00:28:33,015 --> 00:28:35,888 WHAT IF HE SAYS HE'S LEAVING ME? 468 00:28:36,018 --> 00:28:37,454 OKAY, NO, LET'S GO WITH THIS. 469 00:28:37,585 --> 00:28:39,979 ASK ALL THOSE QUESTIONS YOU'RE AFRAID OF. 470 00:28:40,109 --> 00:28:41,415 COME ON, LAURA. 471 00:28:43,243 --> 00:28:45,288 "HOW OFTEN HAVE YOU SEEN HER, NICK?" 472 00:28:45,419 --> 00:28:47,073 "IS SHE EVERYTHING I'M NOT?" 473 00:28:47,203 --> 00:28:49,031 "ARE YOU BORED WITH ME?" 474 00:28:49,162 --> 00:28:50,119 WHAT IS THE POINT OF THIS? 475 00:28:50,250 --> 00:28:51,251 COME ON-- 476 00:28:51,381 --> 00:28:53,035 I DON'T WANT TO DO THIS. 477 00:28:53,166 --> 00:28:54,210 SAY THE WORDS, LET'S GET TO THE ROOT OF IT. 478 00:28:54,341 --> 00:28:55,211 TELL HIM. 479 00:28:57,126 --> 00:28:58,171 WHY IS HE DOING THIS TO ME? 480 00:28:58,301 --> 00:28:58,998 NO, NO, NOT ME. 481 00:28:59,128 --> 00:28:59,955 ASK HIM. 482 00:29:00,086 --> 00:29:01,261 NO! 483 00:29:01,391 --> 00:29:04,220 I DON'T WANT TO HEAR THE ANSWERS. 484 00:29:06,396 --> 00:29:10,183 HE'S-HE'S TREATING ME LIKE I MEAN NOTHING TO HIM, 485 00:29:10,313 --> 00:29:11,314 LIKE I'M... 486 00:29:11,445 --> 00:29:13,229 WORTHLESS. 487 00:29:13,360 --> 00:29:14,274 THAT MUST FEEL TERRIBLE. 488 00:29:19,061 --> 00:29:20,802 I'M USED TO IT. 489 00:29:20,933 --> 00:29:22,064 WHY? 490 00:29:24,110 --> 00:29:26,808 WHO ELSE HAS TREATED YOU THIS WAY, LAURA? 491 00:29:26,939 --> 00:29:29,158 WHO ELSE, OTHER MEN? 492 00:29:29,289 --> 00:29:30,159 COME ON, LAURA, LOOK AT ME. 493 00:29:30,290 --> 00:29:34,424 WHO HAS TREATED YOU THIS WAY? 494 00:29:34,555 --> 00:29:36,078 LET'S GET TO THE ROOT OF IT, COME ON. 495 00:29:40,039 --> 00:29:41,692 MY FATHER. 496 00:29:41,823 --> 00:29:42,781 OKAY? 497 00:29:45,174 --> 00:29:47,611 YOU KNOW, WE LIVED IN THE SAME BUILDING, 498 00:29:47,742 --> 00:29:50,658 AND WE'RE BIOLOGICALLY CONNECTED, BUT THAT'S... 499 00:29:50,789 --> 00:29:52,442 THAT'S ABOUT ALL HE EVER WAS TO ME. 500 00:29:52,573 --> 00:29:56,359 TELL ME ABOUT HIM. 501 00:29:57,665 --> 00:30:00,276 HE WAS A BUM, 502 00:30:00,407 --> 00:30:02,713 ALWAYS BROKE. 503 00:30:02,844 --> 00:30:04,803 ALWAYS ANOTHER GET-RICH-QUICK SCHEME. 504 00:30:06,805 --> 00:30:08,458 THE ONLY THING HE EVER BOUGHT ME 505 00:30:08,589 --> 00:30:12,506 WAS A LETTER OPENER FROM ATLANTIC CITY, 506 00:30:12,636 --> 00:30:16,597 WITH A LITTLE DIVING HORSE ON TOP. 507 00:30:16,727 --> 00:30:19,948 A LETTER OPENER FOR MY 10th BIRTHDAY? 508 00:30:20,079 --> 00:30:21,428 [SIGHS IN DISGUST] 509 00:30:21,558 --> 00:30:25,258 PROBABLY HAD IT LYING AROUND IN HIS CAR. 510 00:30:25,388 --> 00:30:28,435 YOU MUST HAVE FELT SO VERY EMPTY. 511 00:30:30,350 --> 00:30:31,873 I DON'T... 512 00:30:32,004 --> 00:30:33,614 I DIDN'T NEED HIM. 513 00:30:33,744 --> 00:30:35,311 I TOOK CARE OF MYSELF. 514 00:30:35,442 --> 00:30:37,966 HOW DID YOU DO THAT? 515 00:30:38,097 --> 00:30:40,490 I DID WHAT I HAD TO DO, 516 00:30:40,621 --> 00:30:42,231 WHATEVER I HAD TO DO. 517 00:30:42,362 --> 00:30:44,146 MEANING? 518 00:30:44,277 --> 00:30:46,540 MEANING EXACTLY THAT. 519 00:30:46,670 --> 00:30:49,543 I-I NEEDED THINGS, I GOT THEM. 520 00:30:49,673 --> 00:30:52,198 CLOTHES, I GOT THEM. 521 00:30:52,328 --> 00:30:53,590 I WORE THIS- 522 00:30:53,721 --> 00:30:55,941 THIS FABULOUS DRESS TO MY PROM. 523 00:30:56,071 --> 00:30:56,942 RED SATIN. 524 00:30:57,072 --> 00:30:59,858 [CHUCKLES] 525 00:30:59,988 --> 00:31:02,338 I BOUGHT IT MYSELF. 526 00:31:02,469 --> 00:31:04,297 WHERE DID YOU GET THE MONEY? 527 00:31:10,520 --> 00:31:12,958 YOU DON'T WANT TO TALK ABOUT WHERE THE MONEY CAME FROM? 528 00:31:16,962 --> 00:31:19,616 NO. 529 00:31:19,747 --> 00:31:22,271 [CHILDREN'S LAUGHTER, PARENTS GUSH] 530 00:31:30,889 --> 00:31:32,412 WAS IT FUN? DID YOU LIKE IT? 531 00:31:32,542 --> 00:31:35,154 JESS, WE'VE GOT TO GO, HONEY. 532 00:31:51,213 --> 00:31:52,998 LAURA, I THOUGHT THAT WAS YOU. 533 00:31:53,128 --> 00:31:54,216 LAURA, HI! 534 00:31:54,347 --> 00:31:55,435 HOW FORTUITOUS. 535 00:31:55,565 --> 00:31:56,262 I'VE BEEN WANTING TO CALL. 536 00:31:56,392 --> 00:31:57,480 JULIA LANCASTER. 537 00:31:57,611 --> 00:31:58,786 YOU SHOWED MY HUSBAND AND I A HOUSE 538 00:31:58,917 --> 00:32:00,483 ON MERCER ISLAND A FEW WEEKS AGO. 539 00:32:00,614 --> 00:32:01,571 OH, YES, RIGHT. 540 00:32:01,702 --> 00:32:03,138 I'M SORRY, I'M RUNNING LATE. 541 00:32:03,269 --> 00:32:04,661 QUICK QUESTION, IS IT STILL AVAILABLE, BY ANY CHANCE? 542 00:32:04,792 --> 00:32:07,621 LET ME CHECK AND CALL ME TOMORROW, OKAY? 543 00:32:24,812 --> 00:32:26,683 [CELL PHONE RINGS] 544 00:32:26,814 --> 00:32:27,946 WHAT IS IT, CATHY? 545 00:32:29,643 --> 00:32:31,166 I CAN'T COME NOW. 546 00:32:31,297 --> 00:32:33,299 WE'LL HAVE PLENTY OF TIME TO MAKE THE COUNTER-OFFER 547 00:32:33,429 --> 00:32:35,170 BEFORE THE DEADLINE. 548 00:32:37,172 --> 00:32:37,956 CHARLIE WHO? 549 00:32:40,088 --> 00:32:41,568 WELL, IF HE CALLS AGAIN, 550 00:32:41,698 --> 00:32:43,962 TELL HIM YOU DON'T KNOW HERE I AM. 551 00:34:07,741 --> 00:34:11,049 [SOBBING] 552 00:34:20,841 --> 00:34:23,496 [♪♪♪] 553 00:34:48,782 --> 00:34:50,262 [NICK]: LET'S GO, EM! 554 00:34:50,392 --> 00:34:51,306 YOU CAN DO IT! 555 00:34:51,437 --> 00:34:53,482 [KIDS CHEERING] 556 00:35:00,228 --> 00:35:01,229 [LAUGHING] 557 00:35:01,360 --> 00:35:02,535 [WHACK] 558 00:35:07,235 --> 00:35:09,759 [KIDS CHEERING] 559 00:35:09,890 --> 00:35:11,239 GOOD JOB, KIDDO. 560 00:35:13,763 --> 00:35:15,287 GIMME A BIG BIRTHDAY KISS. 561 00:35:15,417 --> 00:35:17,071 HAPPY BIRTHDAY, SWEETIE. 562 00:35:24,209 --> 00:35:27,777 LAURA SAID SHE HAD SEVERAL APPOINTMENTS TODAY. 563 00:35:27,908 --> 00:35:29,344 SHE MIGHT NOT BE ABLE TO MAKE IT IN AT ALL. 564 00:35:31,607 --> 00:35:33,087 I'LL WAIT. 565 00:35:35,872 --> 00:35:37,091 MAYBE YOU'D LIKE TO LEAVE YOUR NAME AND NUMBER? 566 00:35:38,005 --> 00:35:40,660 I SAID I'LL WAIT. 567 00:35:40,790 --> 00:35:43,315 [CROWD APPLAUDING] 568 00:35:49,190 --> 00:35:50,887 ALL RIGHT, LADIES AND GENTLEMEN, 569 00:35:51,018 --> 00:35:54,369 SO FAR, WE HAVE A BID OF $10 570 00:35:54,500 --> 00:35:56,415 FOR THIS PRICELESS PIECE BY PETER 571 00:35:56,545 --> 00:35:58,721 FROM MRS. KREGER'S FOURTH GRADE CLASS. 572 00:35:58,852 --> 00:36:00,593 SO... 573 00:36:00,723 --> 00:36:02,595 DO I HEAR 11? 574 00:36:02,725 --> 00:36:03,596 11! 575 00:36:03,726 --> 00:36:04,597 WE HAVE 11. 576 00:36:04,727 --> 00:36:05,772 DO I HEAR 12? 577 00:36:05,902 --> 00:36:08,166 $12, LADIES AND GENTLEMEN. 578 00:36:09,428 --> 00:36:10,559 NO? 579 00:36:10,690 --> 00:36:11,604 OH, THIS IS A TOUGH CROWD TONIGHT. 580 00:36:11,734 --> 00:36:13,432 GOING ONCE... 581 00:36:13,562 --> 00:36:15,608 GOING TWICE... 582 00:36:15,738 --> 00:36:18,698 SOLD FOR $11 583 00:36:18,828 --> 00:36:20,482 TO THE WOMAN IN THE PURPLE BLOUSE! 584 00:36:20,613 --> 00:36:22,136 [APPLAUSE] 585 00:36:22,267 --> 00:36:23,485 ALL RIGHT. 586 00:36:23,616 --> 00:36:24,878 FOR OUR NEXT ITEM, 587 00:36:25,008 --> 00:36:28,098 WE HAVE THIS BEAUTIFUL VASE 588 00:36:28,229 --> 00:36:30,753 FROM AN UP-COMING ARTIST IN THE SECOND GRADE, 589 00:36:30,884 --> 00:36:31,885 AND I'LL TELL YOU, I SHOULD KNOW THIS 590 00:36:32,015 --> 00:36:33,321 BECAUSE IT'S MY DAUGHTER, EMILY. 591 00:36:33,452 --> 00:36:34,714 NOW, I'LL TELL YOU WHAT, 592 00:36:34,844 --> 00:36:37,020 FOR THIS ITEM ONLY, 593 00:36:37,151 --> 00:36:38,457 I AM GOING TO START THE BIDDING MYSELF, 594 00:36:38,587 --> 00:36:40,459 AT $5.00. 595 00:36:40,589 --> 00:36:41,547 SO... 596 00:36:41,677 --> 00:36:42,417 DO I HEAR SIX? 597 00:36:42,548 --> 00:36:43,505 $6.00. 598 00:36:43,636 --> 00:36:44,898 $6.00. 599 00:36:45,028 --> 00:36:47,596 DO I HEAR SEVEN? SEVEN? 600 00:36:47,727 --> 00:36:48,597 I'LL BID SEVEN. 601 00:36:48,728 --> 00:36:50,425 SEVEN, THANK YOU! SEVEN. 602 00:36:50,556 --> 00:36:51,426 DO I HEAR EIGHT? $8.00? 603 00:36:51,557 --> 00:36:52,558 EIGHT. 604 00:36:52,688 --> 00:36:54,429 $8.00! 605 00:36:54,560 --> 00:36:55,256 WE HAVE A BIDDING WAR, LADIES AND GENTLEMEN. 606 00:36:55,387 --> 00:36:56,344 CAN YOU BELIEVE IT? 607 00:36:56,475 --> 00:36:58,433 $8.00. DO I HEAR NINE? 608 00:36:58,564 --> 00:37:00,000 $50. 609 00:37:00,130 --> 00:37:02,481 [CROWD GASPS, CHAIRS TURN] 610 00:37:04,004 --> 00:37:06,354 I KNOW A BRILLIANT ARTIST WHEN I SEE ONE. 611 00:37:06,485 --> 00:37:07,747 [CHUCKLING FROM CROWD] 612 00:37:07,877 --> 00:37:10,445 AND I LOVE A WOMAN WITH GREAT TASTE. 613 00:37:10,576 --> 00:37:12,317 SOLD! 614 00:37:12,447 --> 00:37:16,408 FOR $50. 615 00:37:16,538 --> 00:37:18,323 [APPLAUSE] 616 00:37:44,827 --> 00:37:46,786 ALL OF THEM. 617 00:37:46,916 --> 00:37:49,267 THEY'RE GANGING UP ON ME. 618 00:37:49,397 --> 00:37:51,921 THAT WOMAN WAS WITH US IN THE PARK THAT DAY, 619 00:37:52,052 --> 00:37:54,968 AND NOW AT THE ART FAIR. 620 00:37:55,098 --> 00:37:56,752 THEY'RE CHOOSING HER OVER ME. 621 00:37:56,883 --> 00:38:00,974 YOU THINK YOUR DAUGHTER IS CHOOSING HER? 622 00:38:01,104 --> 00:38:03,281 SHE DOESN'T EVEN KNOW HER, DOES SHE? 623 00:38:05,631 --> 00:38:06,936 LAURA, 624 00:38:07,067 --> 00:38:12,159 I CAN ONLY IMAGINE HOW YOU FELT AS A CHILD, 625 00:38:12,290 --> 00:38:14,857 WHEN YOUR PARENTS WEREN'T LOOKING AFTER YOU. 626 00:38:14,988 --> 00:38:18,687 THAT WAS THE LEAST OF IT. 627 00:38:18,818 --> 00:38:20,820 I WAS PAYING FOR THEIR RENT. 628 00:38:20,950 --> 00:38:22,082 I WAS 13 YEARS OLD 629 00:38:22,212 --> 00:38:24,389 AND I WAS BUYING THE FOOD THAT THEY ATE. 630 00:38:24,519 --> 00:38:26,565 HOW? 631 00:38:29,611 --> 00:38:33,572 I HAD AN ARRANGEMENT 632 00:38:33,702 --> 00:38:36,270 WITH MY BEST FRIEND'S FATHER. 633 00:38:40,535 --> 00:38:42,450 [SNIFFLES] 634 00:38:42,581 --> 00:38:43,843 AND YOUR PARENTS KNEW? 635 00:38:46,498 --> 00:38:48,021 THEY WERE TAKEN CARE OF. 636 00:38:48,151 --> 00:38:51,154 THEY DIDN'T ASK ANY QUESTIONS. 637 00:38:51,285 --> 00:38:53,722 THEY HAD TO KNOW WHERE THE MONEY WAS COMING FROM. 638 00:38:53,853 --> 00:38:56,986 THEY DID NOTHING TO STOP ME. 639 00:38:58,640 --> 00:38:59,902 THAT'S HARD TO BELIEVE, LAURA. 640 00:39:02,209 --> 00:39:05,125 BELIEVE IT. 641 00:39:05,255 --> 00:39:06,779 DOES NICK KNOW ABOUT THIS? 642 00:39:06,909 --> 00:39:08,868 NO. 643 00:39:08,998 --> 00:39:11,610 NO, HE WOULD NEVER HAVE MARRIED ME. 644 00:39:11,740 --> 00:39:13,307 THAT KIND OF PAST WOULDN'T PLAY FOR NICK. 645 00:39:16,789 --> 00:39:21,576 BUT I THINK THAT'S WHY SAM APPEALS TO ME. 646 00:39:21,707 --> 00:39:25,754 I'M MEANT TO BE WITH MEN LIKE SAM, 647 00:39:25,885 --> 00:39:28,061 MEN WHO ONLY WANT SEX. 648 00:39:28,191 --> 00:39:30,716 BUT YOU TOLD ME THAT-- 649 00:39:30,846 --> 00:39:32,848 THAT SAM LOVES YOU, 650 00:39:32,979 --> 00:39:34,241 RIGHT? 651 00:39:34,372 --> 00:39:36,069 OW, LAURA, 652 00:39:36,199 --> 00:39:39,289 DO YOU HONESTLY BELIEE E LOVES YOU? 653 00:39:41,509 --> 00:39:43,990 I DO, 654 00:39:44,120 --> 00:39:46,296 BUT I'M NOT SURE IF NICK STILL LOVES ME. 655 00:39:46,427 --> 00:39:50,431 I WON'T LET THIS RUIN MY LIFE AGAIN. 656 00:39:50,562 --> 00:39:53,303 YOU DON'T THINK IT'S TOO LATE, DO YOU? 657 00:39:54,609 --> 00:39:59,179 NO, LAURA, 658 00:39:59,309 --> 00:40:02,835 IT'S NOT TOO LATE. 659 00:40:02,965 --> 00:40:04,140 INHALE... 660 00:40:05,968 --> 00:40:09,363 AND EXHALE. 661 00:40:09,494 --> 00:40:11,800 CYCLE THROUGH AGAIN. 662 00:40:13,062 --> 00:40:14,890 DON'T FORGET TO KEEP YOUR HEAD, 663 00:40:15,021 --> 00:40:16,631 YOUR SPINE, YOUR ANKLES 664 00:40:16,762 --> 00:40:18,503 ALL ALIGNED IN ONE STRAIGHT PLANE. 665 00:40:18,633 --> 00:40:19,852 GREAT. 666 00:40:19,982 --> 00:40:21,549 NOW WE'RE GOING TO INTO TRIKONASANA, 667 00:40:21,680 --> 00:40:23,116 THE TRIANGLE POSE. 668 00:40:23,246 --> 00:40:24,944 I WANT YOU TO PIVOT YOUR LEFT FOOT IN 60 DEGREES, 669 00:40:25,074 --> 00:40:26,380 YOUR RIGHT FOOT OUT 90, 670 00:40:26,511 --> 00:40:27,860 MAKE SURE YOU KEEP YOUR HIPS FORWARD, 671 00:40:27,990 --> 00:40:29,427 AND REACH... 672 00:40:29,557 --> 00:40:30,689 AND DOWN. 673 00:40:33,256 --> 00:40:36,216 REMEMBER TO DROP YOUR SHOULDERS, 674 00:40:36,346 --> 00:40:38,436 KEEP YOUR HEAD TURNED UP TO YOUR LEFT HAND. 675 00:40:45,312 --> 00:40:46,444 AND RELAX, 676 00:40:46,574 --> 00:40:48,446 AND BREATHE... 677 00:40:48,576 --> 00:40:50,230 GREAT. 678 00:40:54,321 --> 00:40:56,889 AND COME BACK UP... 679 00:40:57,019 --> 00:40:59,195 AND EXHALE... 680 00:41:00,893 --> 00:41:02,024 AS YOU GO THROUGH YOUR DAY, 681 00:41:02,155 --> 00:41:03,852 REMEMBER THE ENERGY YOU'VE CREATED HERE 682 00:41:03,983 --> 00:41:05,506 AND USE IT TO MAKE IT A PRODUCTIVE ONE. 683 00:41:05,637 --> 00:41:07,421 NAMASTE. 684 00:41:07,552 --> 00:41:08,553 NAMASTE. 685 00:41:08,683 --> 00:41:09,858 [APPLAUSE] 686 00:41:09,989 --> 00:41:11,599 A REMINDER, 687 00:41:11,730 --> 00:41:13,558 THE STUDIO'S BEING PAINTED TOMORROW, 688 00:41:13,688 --> 00:41:15,473 SO TAKE EVERYTHING FROM YOUR LOCKER. 689 00:41:15,603 --> 00:41:17,475 THANKS, GUYS. 690 00:41:26,745 --> 00:41:27,920 DO I KNOW YOU? 691 00:41:28,050 --> 00:41:29,922 WE HAVEN'T BEEN INTRODUCED. 692 00:41:32,141 --> 00:41:34,535 I SAW YOU AT THE SCHOOL. 693 00:41:35,884 --> 00:41:36,972 PROBABLY. 694 00:41:37,103 --> 00:41:38,974 TOO MANY YOGA STRAPS. 695 00:41:39,105 --> 00:41:40,498 DARN IT... 696 00:41:42,151 --> 00:41:44,371 WHAT GRADE IS YOUR CHILD IN? 697 00:41:44,502 --> 00:41:45,720 THIRD. 698 00:41:45,851 --> 00:41:46,721 MINE TOO! 699 00:41:48,810 --> 00:41:50,159 I DON'T KNOW HOW I GOT ROPED INTO THIS. 700 00:41:50,290 --> 00:41:52,771 LET'S JUST CALL IT A FASHION STATEMENT. 701 00:42:00,779 --> 00:42:02,432 IT'S A LONG WAY TO COME FOR A YOGA CLASS. 702 00:42:03,825 --> 00:42:04,870 I CAME LOOKING FOR YOU. 703 00:42:05,000 --> 00:42:06,611 ME? 704 00:42:06,741 --> 00:42:08,221 YEAH. 705 00:42:08,351 --> 00:42:09,701 WHY? 706 00:42:09,831 --> 00:42:12,573 TO TELL YOU TO STAY AWAY FROM MY HUSBAND. 707 00:42:15,228 --> 00:42:16,316 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 708 00:42:16,446 --> 00:42:18,579 DON'T PLAY GAMES WITH ME. 709 00:42:18,710 --> 00:42:20,276 I DON'T KNOW YOU OR YOUR HUSBAND-- 710 00:42:20,407 --> 00:42:21,495 I AM NOT STUPID! 711 00:42:21,626 --> 00:42:22,583 NO, BUT YOU'RE CRAZY. 712 00:42:24,106 --> 00:42:24,716 [CLASP LOCKS] 713 00:42:24,846 --> 00:42:26,021 I SAW YOU WITH HIM. 714 00:42:26,152 --> 00:42:26,718 [ROPE STRAINS] 715 00:42:29,808 --> 00:42:30,722 [GASPING AND CHOKING] 716 00:42:39,818 --> 00:42:40,862 [CHOKING] 717 00:43:15,288 --> 00:43:19,031 [♪♪♪] 718 00:43:25,646 --> 00:43:27,387 YOU SEEM VERY CHIPPER TODAY. 719 00:43:27,517 --> 00:43:29,824 THINGS ARE GETTING BETTER. 720 00:43:29,955 --> 00:43:32,131 ALL THAT WORRYING FOR NOTHING. 721 00:43:32,261 --> 00:43:34,394 WELL, WHAT ABOUT THE OTHER WOMAN? 722 00:43:34,524 --> 00:43:35,700 GONE. 723 00:43:35,830 --> 00:43:37,527 IT'S OVER. 724 00:43:37,658 --> 00:43:38,528 ARE YOU SURE? 725 00:43:38,659 --> 00:43:39,791 POSITIVE. 726 00:43:41,619 --> 00:43:43,185 YOU MUST BE VERY RELIEVED. 727 00:43:43,316 --> 00:43:47,581 I'M GRATEFUL, VERY, VERY GRATEFUL. 728 00:43:47,712 --> 00:43:49,539 AND SAM? 729 00:43:49,670 --> 00:43:51,150 DONE. 730 00:43:51,280 --> 00:43:53,021 I DON'T NEED HIM ANYMORE. 731 00:43:53,152 --> 00:43:55,545 MY LIFE WITH NICK IS- IS WORKING NOW. 732 00:43:57,156 --> 00:43:58,374 THAT EASY, HUH? 733 00:43:58,505 --> 00:44:00,420 THAT EASY. 734 00:44:00,550 --> 00:44:02,117 WHAT IF HE CALLS YOU AGAIN? 735 00:44:02,248 --> 00:44:03,641 TRIES TO GET YOU BACK? 736 00:44:03,771 --> 00:44:05,599 HE ALREADY HAS CALLED. 737 00:44:05,730 --> 00:44:07,166 [CHUCKLES] 738 00:44:07,296 --> 00:44:09,734 HE TOLD ME HOW MUCH HE MISSES ME. 739 00:44:09,864 --> 00:44:10,952 OH, SO ROMANTIC. 740 00:44:12,824 --> 00:44:14,129 WANTED TO TAKE ME BACK TO THE CLUB, 741 00:44:14,260 --> 00:44:16,131 LIKE THE NIGHT WE MET. 742 00:44:16,262 --> 00:44:18,830 WHEN HE BROUGHT ME UP TO THE STAGE AND SANG TO ME. 743 00:44:20,788 --> 00:44:22,572 I DON'T REMEMBER YOU TELLING ME THAT. 744 00:44:22,703 --> 00:44:24,139 NO, YOU TOLD ME 745 00:44:24,270 --> 00:44:26,098 YOU MET HIM AT THE BAR, 746 00:44:26,228 --> 00:44:27,621 AFTER HIS SET. 747 00:44:27,752 --> 00:44:28,840 YOU SENT HIM A DRINK. 748 00:44:28,970 --> 00:44:31,059 UH, NO, WELL, WE HAD DRINKS, 749 00:44:31,190 --> 00:44:32,757 OF COURSE WE DID, BUT THAT WAS LATER, 750 00:44:32,887 --> 00:44:34,759 THAT WAS AFTER HE SANG TO ME. 751 00:44:34,889 --> 00:44:35,890 SOUNDS LOVELY. 752 00:44:36,021 --> 00:44:37,500 MM... 753 00:44:39,111 --> 00:44:42,592 I DOUBT THAT IS SOMETHING I WOULD FORGET. 754 00:44:42,723 --> 00:44:43,681 THAT FIRST NIGHT, 755 00:44:43,811 --> 00:44:45,204 FROM THE FIRST INSTANT, 756 00:44:45,334 --> 00:44:48,860 WE WERE LIKE A SHOOTING STAR, 757 00:44:48,990 --> 00:44:52,037 BUT NOW IT'S TIME TO GET BACK TO REAL LIFE. 758 00:44:52,167 --> 00:44:54,126 IT'S GOOD YOU SEE THINGS SO CLEARLY. 759 00:44:55,997 --> 00:44:58,130 I ALWAYS KNOW WHEN IT'S TIME TO WALK AWAY. 760 00:44:59,653 --> 00:45:01,133 HOW DO YOU KNOW THAT? 761 00:45:01,263 --> 00:45:03,352 WELL, UM... 762 00:45:03,483 --> 00:45:05,877 GUYS HAVE ALWAYS HAD THIS THING FOR ME. 763 00:45:06,007 --> 00:45:07,792 IT'S BEEN LIKE THAT ALL MY LIFE, 764 00:45:07,922 --> 00:45:10,316 THEN THEY GET, UM, 765 00:45:10,446 --> 00:45:11,709 THEY GET A LITTLE TOO CRAZY. 766 00:45:11,839 --> 00:45:13,711 THEY BECOME OBSESSIVE... 767 00:45:17,062 --> 00:45:18,237 AND WHEN I CAN'T MAKE THEM UNDERSTAND 768 00:45:18,367 --> 00:45:21,501 THE REALITY OF WHAT WE REALLY ARE, 769 00:45:21,631 --> 00:45:23,590 I HAVE TO GO. 770 00:45:23,721 --> 00:45:25,984 THAT MUST BE VERY DIFFICULT. 771 00:45:26,114 --> 00:45:27,768 IT IS. IT'S... 772 00:45:27,899 --> 00:45:30,118 IT'S SO FRIGHTENING 773 00:45:30,249 --> 00:45:34,166 I HAVE TO DISAPPEAR SO THEY CAN'T FIND ME. 774 00:45:34,296 --> 00:45:36,472 IT'S HAPPENED MORE THAN ONCE, 775 00:45:36,603 --> 00:45:39,606 BUT THAT'S NOT WHAT'S HAPPENING NOW. 776 00:45:39,737 --> 00:45:41,739 NOW MY LIFE IS PERFECT. 777 00:45:43,175 --> 00:45:44,480 LISTEN, UM, 778 00:45:44,611 --> 00:45:48,223 I APPRECIATE EVERYTHING YOU'VE DONE, 779 00:45:48,354 --> 00:45:49,921 BUT I WON'T BE COMING BACK. 780 00:45:50,051 --> 00:45:53,054 NO, NOW THAT MY LIFE IS STRAIGHTENING OUT, 781 00:45:53,185 --> 00:45:55,100 I DON'T SEE THE POINT. 782 00:45:55,230 --> 00:45:57,276 LAURA, IT'S... 783 00:45:57,406 --> 00:45:59,452 IT'S NEVER THIS SIMPLE. 784 00:45:59,582 --> 00:46:02,890 I'M SORRY, UH, IN MY CASE, IT IS. 785 00:46:03,021 --> 00:46:04,892 NO, NO, I-I DON'T THINK SO. 786 00:46:05,023 --> 00:46:06,067 THERE ARE THINGS THAT YOU'VE TOLD ME 787 00:46:06,198 --> 00:46:08,156 THAT HAVE ME VERY CONCERNED. 788 00:46:08,287 --> 00:46:11,290 THE WAY YOU DEAL WITH YOUR RELATIONSHIPS. 789 00:46:11,420 --> 00:46:14,119 YOUR RECOLLECTIONS DIFFER FROM ONE SESSION TO THE NEXT. 790 00:46:14,249 --> 00:46:15,163 NO... 791 00:46:15,294 --> 00:46:17,078 NO, I MAYBE CARRIED ON. 792 00:46:17,209 --> 00:46:19,602 I-I EXAGGERATE A LITTLE, 793 00:46:19,733 --> 00:46:21,517 BUT I'M FINE. 794 00:46:21,648 --> 00:46:22,954 I'M REALLY FINE. 795 00:46:23,084 --> 00:46:25,043 LAURA, I-I'M NOT COMFORTABLE WITH-- 796 00:46:25,173 --> 00:46:26,566 IT'S OKAY. 797 00:46:26,696 --> 00:46:29,134 I AM. 798 00:46:30,962 --> 00:46:33,399 WELL, AT LEAST KEEP IN TOUCH 799 00:46:33,529 --> 00:46:34,922 SO I'LL KNOW HOW YOU'RE DOING. 800 00:46:35,053 --> 00:46:38,578 THAT WON'T BE NECESSARY. 801 00:46:46,716 --> 00:46:47,761 [SNIFFLING] 802 00:47:47,690 --> 00:47:48,822 HERE. 803 00:47:48,953 --> 00:47:49,823 HEY. 804 00:47:49,954 --> 00:47:50,868 HEY, WHAT DO YOU THINK, LOU? 805 00:47:50,998 --> 00:47:51,781 I WANT TO DO SOMETHING SPECIAL 806 00:47:51,912 --> 00:47:53,261 FOR THE HOLIDAY. 807 00:47:53,392 --> 00:47:54,959 YOU KNOW, IT'S BEEN A ROUGH YEAR, 808 00:47:55,089 --> 00:47:55,742 FOR EVERYBODY. 809 00:47:55,873 --> 00:47:57,875 HOW CAN YOU BEAT TURKEY? 810 00:47:58,005 --> 00:48:00,094 WELL, TURKEY'S PRETTY ORDINARY. 811 00:48:00,225 --> 00:48:02,401 I WAS THINKING MORE LIKE DUCK. 812 00:48:02,531 --> 00:48:03,184 WHAT DO YOU THINK ABOUT DUCK? 813 00:48:03,315 --> 00:48:04,185 FOR 16? 814 00:48:04,316 --> 00:48:05,708 FOR 12. 815 00:48:05,839 --> 00:48:07,885 WELL, YOU'RE GOING TO WANT TO GET 'EM SMALL, 816 00:48:08,015 --> 00:48:10,104 THEY'RE MORE TENDER THAT WAY, 817 00:48:10,235 --> 00:48:12,106 AND FIGURE ON HALF A POUND A PERSON, 818 00:48:12,237 --> 00:48:14,065 SO... TWO THREE-POUNDERS OUGHTA DO IT. 819 00:48:14,195 --> 00:48:16,328 THAT SOUNDS GOOD, 820 00:48:16,458 --> 00:48:18,025 AND THEY'LL LOOK FABULOUS ON MY TABLE. 821 00:48:18,156 --> 00:48:20,767 AND DON'T EVEN BOTHER ABOUT MAKIN' SAUCE. 822 00:48:20,898 --> 00:48:23,857 WE'VE GOT ORANGE, SOUR CHERRY, THEY'RE ALL HOMEMADE. 823 00:48:23,988 --> 00:48:24,727 OUTTA THIS WORLD. 824 00:48:24,858 --> 00:48:26,729 IT'S GOING TO BE PERFECT. 825 00:48:26,860 --> 00:48:28,731 A PERFECT FAMILY DINNER. 826 00:48:31,343 --> 00:48:33,040 LAURA... 827 00:48:33,171 --> 00:48:35,390 THERE'S A GENTLEMAN HERE TO SEE YOU. 828 00:48:35,521 --> 00:48:36,783 THANK YOU. 829 00:48:39,394 --> 00:48:40,830 HI, DETECTIVE McAULIFFE. 830 00:48:40,961 --> 00:48:42,702 SEATTLE PD. 831 00:48:44,008 --> 00:48:45,313 DO YOU KNOW THIS WOMAN? 832 00:48:45,444 --> 00:48:48,273 I THINK I TOOK A YOGA CLASS WITH HER. 833 00:48:48,403 --> 00:48:50,101 WHEN WAS THAT? 834 00:48:50,231 --> 00:48:51,276 A FEW DAYS AGO. 835 00:48:51,406 --> 00:48:53,974 UM, WEDNESDAY, I THINK. 836 00:48:54,105 --> 00:48:55,019 SHE DIED ON WEDNESDAY. 837 00:48:55,149 --> 00:48:56,281 SHE DIED? 838 00:48:56,411 --> 00:48:58,022 WE FOUND HER AT THE YOGA STUDIO, 839 00:48:58,152 --> 00:48:59,240 IN THE ELEVATOR. 840 00:48:59,371 --> 00:49:01,199 SHE WAS, UH, SHE WAS HANGED. 841 00:49:01,329 --> 00:49:03,157 OH, MY GOD... 842 00:49:03,288 --> 00:49:04,506 WE'RE JUST TALKING TO EVERYONE 843 00:49:04,637 --> 00:49:07,422 WHO SIGNED IN FOR THAT LAST CLASS. 844 00:49:07,553 --> 00:49:09,120 WELL, I DON'T KNOW WHAT I CAN TELL YOU. 845 00:49:09,250 --> 00:49:12,297 UM, IT WAS A REGULAR CLASS, NOTHING OUT OF THE ORDINARY. 846 00:49:12,427 --> 00:49:13,515 WELL, COULD YOU TELL ME 847 00:49:13,646 --> 00:49:15,648 WHO WAS AT THE STUDIO WHEN YOU LEFT? 848 00:49:15,778 --> 00:49:17,128 I-I DIDN'T REALLY PAY ATTENTION. 849 00:49:17,258 --> 00:49:19,173 I-I CHANGED MY CLOTHES AND I LEFT. 850 00:49:20,653 --> 00:49:22,176 A GISELLE SANDLER SAID 851 00:49:22,307 --> 00:49:23,525 THAT SOMEONE WHO FITS YOUR DESCRIPTION 852 00:49:23,656 --> 00:49:25,049 WAS ONE OF THE LAST PEOPLE THERE. 853 00:49:27,051 --> 00:49:28,443 IT'S POSSIBLE, I GUESS. 854 00:49:28,574 --> 00:49:30,489 WELL, DO YOU, UH, 855 00:49:30,619 --> 00:49:31,925 DO YOU REMEMBER IF THE VICTIM WAS STILL THERE? 856 00:49:32,056 --> 00:49:33,057 I... 857 00:49:33,187 --> 00:49:34,797 YOU KNOW, I SAW HER PACKING UP. 858 00:49:34,928 --> 00:49:37,975 WAS SHE ALONE? 859 00:49:38,105 --> 00:49:39,237 I DON'T KNOW. 860 00:49:41,282 --> 00:49:42,980 LOOK, I-- I HAD A LOT ON MY MIND 861 00:49:43,110 --> 00:49:44,459 AND, UM, I'M-- 862 00:49:44,590 --> 00:49:46,287 I'M ACTUALLY EMBARRASSED TO TELL YOU 863 00:49:46,418 --> 00:49:48,289 WHAT I WAS REALLY THINKING 864 00:49:48,420 --> 00:49:50,291 WHEN YOU'RE ASKING ME ABOUT SOMETHING SO HORRIFIC. 865 00:49:50,422 --> 00:49:52,946 WELL, PLEASE, INDULGE ME. 866 00:49:53,077 --> 00:49:53,947 WELL, THE TRUTH IS, 867 00:49:54,078 --> 00:49:56,036 THE HOLIDAYS ARE COMING UP, 868 00:49:56,167 --> 00:49:57,298 AND, UM, I WAS THINKING ABOUT 869 00:49:57,429 --> 00:49:58,169 HOW MANY PEOPLE WERE COMING TO DINNER, 870 00:49:58,299 --> 00:49:59,779 WHAT I WOULD BE COOKING. 871 00:49:59,909 --> 00:50:01,302 I... 872 00:50:01,433 --> 00:50:02,477 YOU KNOW, I JUST DIDN'T PAY ANY ATTENTION 873 00:50:02,608 --> 00:50:04,175 TO WHO WAS STILL IN THE GYM. 874 00:50:07,613 --> 00:50:09,093 YOU CAN BE REACHED AT THIS NUMBER? 875 00:50:09,223 --> 00:50:10,137 ANYTIME. 876 00:50:10,268 --> 00:50:12,183 ALL RIGHT, WELL, 877 00:50:12,313 --> 00:50:14,315 THANK YOU FOR YOUR TIME. 878 00:50:14,446 --> 00:50:16,796 THANK YOU. 879 00:50:25,152 --> 00:50:27,328 [♪♪♪] 880 00:50:32,420 --> 00:50:33,465 WHAT DO YOU THINK? 881 00:50:33,595 --> 00:50:35,423 THIS IS PERFECT. 882 00:50:35,554 --> 00:50:37,251 HOW SHORT AN ESCROW WILL THEY TAKE? 883 00:50:37,382 --> 00:50:38,470 I START A NEW JOB ON THE 15th, 884 00:50:38,600 --> 00:50:40,167 AND I WANT TO GET IN, GET SETTLED 885 00:50:40,298 --> 00:50:41,777 BY THE FIRST OF NEXT MONTH. 886 00:50:41,908 --> 00:50:43,301 WELL, THAT'S PRETTY FAST, BUT I'LL SEE WHAT I CAN DO. 887 00:50:43,431 --> 00:50:44,519 DO IT, 888 00:50:44,650 --> 00:50:45,825 AND YOU'VE GOT A SALE. 889 00:50:45,955 --> 00:50:47,957 YOU HAVE MY NUMBERS. 890 00:50:48,088 --> 00:50:49,263 GET BACK TO ME BY TOMORROW, 891 00:50:49,394 --> 00:50:50,308 OR I'LL MOVE ON TO MY SECOND OPTION. 892 00:50:50,438 --> 00:50:52,179 I'M SURE I CAN MAKE IT WORK. 893 00:50:52,310 --> 00:50:54,312 SMART LADY. 894 00:50:58,881 --> 00:50:59,839 [DIALING PHONE] 895 00:51:02,233 --> 00:51:04,974 SUZANNE, I'M AT THE BEACH HOUSE. 896 00:51:05,105 --> 00:51:07,934 WILL THE SELLERS TAKE A 15-DAY ESCROW? 897 00:51:08,065 --> 00:51:09,240 THE LOAN'S NOT A PROBLEM. 898 00:51:09,370 --> 00:51:11,764 IT'S AN ALL-CASH SALE. 899 00:51:11,894 --> 00:51:13,461 TERRIFIC. 900 00:51:13,592 --> 00:51:15,333 I'LL MAKE IT HAPPEN. 901 00:51:15,463 --> 00:51:16,421 WE'RE GOING TO END THIS YEAR STRONG, 902 00:51:16,551 --> 00:51:17,465 YOU'LL SEE. 903 00:51:17,596 --> 00:51:20,033 BYE. 904 00:51:22,209 --> 00:51:24,211 ALL RIGHT, 905 00:51:24,342 --> 00:51:25,038 SO I PULLED TOGETHER A COUPLE OF THE FLYERS 906 00:51:25,169 --> 00:51:26,518 LIKE YOU'VE ASKED. 907 00:51:26,648 --> 00:51:28,259 JUST TAKE A LOOK, SEE WHAT'S GOOD. 908 00:51:28,389 --> 00:51:29,564 I WANT IT TO BE A COMPLETE SURPRISE. 909 00:51:29,695 --> 00:51:31,479 I WANT TO WHISK HIM AWAY FOR THE WEEKEND, 910 00:51:31,610 --> 00:51:33,786 SOMETHING COMPLETELY INDULGENT. 911 00:51:33,916 --> 00:51:36,919 OKAY, SO WE'VE GOT A COUPLE PACKAGES TO PARIS, 912 00:51:37,050 --> 00:51:38,443 MAYBE VENICE? 913 00:51:38,573 --> 00:51:40,662 PARIS, I LIKE THAT IDEA. 914 00:51:40,793 --> 00:51:42,360 CROISSANTS ON THE LEFT BANK IN THE MORNING. 915 00:51:42,490 --> 00:51:45,798 ICE CREAM ON ILE ST. LOUIS. 916 00:51:45,928 --> 00:51:47,234 EMILY WOULD LIKE THAT. 917 00:51:47,365 --> 00:51:49,062 MAYBE I SHOULD BRING EMILY. 918 00:51:49,193 --> 00:51:50,107 NO, NO, NO, NO, NO. 919 00:51:50,237 --> 00:51:51,238 WE NEED TO BE ALONE FOR THIS. 920 00:51:51,369 --> 00:51:52,587 OKAY, CAN YOU PUT TOGETHER 921 00:51:52,718 --> 00:51:54,067 A PACKAGE FOR PARIS? 922 00:51:54,198 --> 00:51:55,982 A ROMANTIC WEEK FOR TWO. 923 00:51:56,113 --> 00:51:57,375 THIS IS JUST WHAT WE NEED RIGHT NOW. 924 00:51:57,505 --> 00:51:59,072 ABSOLUTELY. 925 00:51:59,203 --> 00:52:00,073 I WILL HAVE A COUPLE OPTIONS DRAWN UP FOR YOU TOMORROW. 926 00:52:00,204 --> 00:52:02,206 THANK YOU, LINDA. 927 00:52:02,336 --> 00:52:05,034 I AM GOING TO SWEEP NICK OFF HIS FEET. 928 00:52:09,343 --> 00:52:12,390 PATIENT PRESENTED AS AN ORDINARY UPTOWN WOMAN 929 00:52:12,520 --> 00:52:15,088 WITH A BORING MARRIAGE AND AN EXCITING AFFAIR... 930 00:52:15,219 --> 00:52:17,786 BUT, LATELY, HER BEHAVIOR 931 00:52:17,917 --> 00:52:21,660 IS BECOMING MOREND MORE INAPPROPRIATE. 932 00:52:21,790 --> 00:52:24,924 WHILE SHE DOES NOT PRESENT AS A TRADITIONAL DEPRESSIVE, 933 00:52:25,054 --> 00:52:26,969 MORE OFTEN THAN NOT, HER AFFECT IS FLAT 934 00:52:27,100 --> 00:52:29,842 AND DISPASSIONATE, 935 00:52:29,972 --> 00:52:32,323 YET HER DESCRIPTIONS OF SAM, SUBJECT OF AFFAIR, 936 00:52:32,453 --> 00:52:35,282 ARE EMBELLISHED AND IDEALIZED. 937 00:52:35,413 --> 00:52:36,675 HER DESCRIPTIONS OF THEIR FIRST MEETING 938 00:52:36,805 --> 00:52:39,982 CHANGE WITH EACH TELLING. 939 00:52:40,113 --> 00:52:41,723 I'M BECOMING VERY CONCERNED 940 00:52:41,854 --> 00:52:48,252 THAT THIS WHOLE RELATIONSHIP EXISTS ONLY IN HER MIND. 941 00:52:53,387 --> 00:52:55,563 LAURA... 942 00:52:55,694 --> 00:52:56,825 CHARLIE WILLACKER. 943 00:52:56,956 --> 00:52:58,131 WE'RE GOING TO TALK. 944 00:52:58,262 --> 00:52:58,784 NO, I'VE GOT TO GET TO A MEETING. 945 00:52:58,914 --> 00:52:59,872 NO. 946 00:53:00,002 --> 00:53:01,352 NO, NOW. 947 00:53:01,482 --> 00:53:03,441 NO MORE DUCKING ME. 948 00:53:03,571 --> 00:53:06,313 MY LIFE HAS BEEN A TRAIN WRECK SINCE YOU PASSED THROUGH IT. 949 00:53:06,444 --> 00:53:07,575 OH. 950 00:53:07,706 --> 00:53:10,230 I THOUGHT YOU'D BEEN DOING WELL. 951 00:53:10,361 --> 00:53:13,233 I-I SEE YOU'RE DOING STORIES ON THE NETWORK NEWS NOW. 952 00:53:13,364 --> 00:53:14,191 SEE? 953 00:53:14,321 --> 00:53:15,670 I STILL FOLLOW YOUR CAREER, 954 00:53:15,801 --> 00:53:17,063 EVEN THOUGH WE STOPPED SEEING EACH OTHER. 955 00:53:17,194 --> 00:53:18,978 WE DIDN'T SEE EACH OTHER, LAURA! 956 00:53:19,108 --> 00:53:20,545 WELL, LET'S NOT GET INTO THAT ARGUMENT AGAIN-- 957 00:53:20,675 --> 00:53:23,591 MY WIFE BELIEVED THAT CRAP ABOUT US HAVING AN AFFAIR. 958 00:53:23,722 --> 00:53:24,940 MAYBE BECAUSE IT WAS TRUE. 959 00:53:25,071 --> 00:53:27,378 WE DIDN'T, LAURA! 960 00:53:27,508 --> 00:53:28,901 IT WAS ALL IN THAT HEAD OF YOURS! 961 00:53:29,031 --> 00:53:30,772 THERE MIGHT HAVE BEEN TWO PEOPLE IN YOUR FANTASY, 962 00:53:30,903 --> 00:53:32,078 BUT THERE WAS ONLY ONE OF US INVOLVED 963 00:53:32,209 --> 00:53:33,732 HERE ON PLANET EARTH. 964 00:53:33,862 --> 00:53:36,125 I DON'T KNOW WHY YOU FEEL YOU NEED TO DENY WHAT WE HAD. 965 00:53:36,256 --> 00:53:37,736 YOU ARE GOING TO FIX WHAT YOU DESTROYED. 966 00:53:37,866 --> 00:53:39,477 YOU'RE GOING TO CONVINCE ALIX 967 00:53:39,607 --> 00:53:40,695 THAT THERE WAS NOTHING BETWEEN US. 968 00:53:40,826 --> 00:53:42,654 YOU ARE HURTING ME. 969 00:53:42,784 --> 00:53:44,438 I HAVE NOTHING MORE TO LOSE. 970 00:53:48,747 --> 00:53:50,227 I'M SORRY. 971 00:53:50,357 --> 00:53:52,141 I DIDN'T KNOW YOU WERE SO HURT. 972 00:53:53,795 --> 00:53:55,362 COME WITH ME TO SEE HER TO TELL HER THE TRUTH. 973 00:53:56,885 --> 00:53:58,365 YEAH, I WILL-- YOU KNOW WHAT, 974 00:53:58,496 --> 00:53:59,366 I JUST HAVE TO GET TO A MEETING, 975 00:53:59,497 --> 00:54:00,367 AND I CAN'T BE LATE. 976 00:54:00,498 --> 00:54:01,542 I'LL WAIT. 977 00:54:01,673 --> 00:54:02,587 NO, IT'LL BE HOURS. 978 00:54:02,717 --> 00:54:03,675 I'LL MEET YOU THERE. 979 00:54:03,805 --> 00:54:05,198 I DON'T TRUST YOU. 980 00:54:05,329 --> 00:54:06,634 WELL, YOU'RE GOING TO HAVE TO 981 00:54:06,765 --> 00:54:09,724 IF YOU WANT ME TO GO ALONG WITH THIS. 982 00:54:09,855 --> 00:54:11,639 ALL RIGHT, I'LL MEET YOU BACK HERE AT 5:00. 983 00:54:15,382 --> 00:54:17,123 DON'T MESS WITH ME, LAURA! 984 00:54:17,254 --> 00:54:21,040 I KNOW WHERE TO FIND YOU NOW! 985 00:54:33,705 --> 00:54:35,097 [CELL PHONE RINGING] 986 00:54:36,751 --> 00:54:38,666 HELLO? 987 00:54:38,797 --> 00:54:41,321 YOU WOULDN'T HAVE GOTTEN THAT TAXI ANYWAY. 988 00:54:41,452 --> 00:54:42,714 THE LADY WITH THE PLAID PANTS 989 00:54:42,844 --> 00:54:45,064 WOULD HAVE WRESTLED YOU TO THE GROUND FOR IT. 990 00:54:45,194 --> 00:54:46,718 SAM? 991 00:54:46,848 --> 00:54:48,241 WHERE ARE YOU? 992 00:54:48,372 --> 00:54:49,286 I DON'T HAVE TO BE THERE 993 00:54:49,416 --> 00:54:50,591 TO KNOW WHERE YOU ARE, 994 00:54:50,722 --> 00:54:52,463 WHAT YOU DO. 995 00:54:52,593 --> 00:54:53,812 [CHUCKLES] OKAY... 996 00:54:53,942 --> 00:54:57,032 NOW YOU'RE SCARING ME. 997 00:54:57,163 --> 00:54:59,557 YOU KNOW YOU CAN'T KEEP SECRETS FROM ME. 998 00:54:59,687 --> 00:55:02,342 WHAT IS IT YOU THINK YOU KNOW? 999 00:55:02,473 --> 00:55:04,083 I KNOW YOU MISS ME. 1000 00:55:04,213 --> 00:55:06,085 [CHUCKLES] 1001 00:55:06,215 --> 00:55:07,739 WRONG. 1002 00:55:07,869 --> 00:55:10,568 I KNOW YOU MISS WHAT WE HAD. 1003 00:55:10,698 --> 00:55:12,091 WRONG AGAIN. 1004 00:55:14,006 --> 00:55:16,225 AND YOU'VE GOT THE BEST LEGS IN TOWN. 1005 00:55:16,356 --> 00:55:17,923 I'M DIGGING THE TRENCH. 1006 00:55:19,272 --> 00:55:21,143 OKAY, WHERE ARE YOU? 1007 00:55:22,841 --> 00:55:25,800 RIGHT HERE. 1008 00:55:25,931 --> 00:55:28,150 RIGHT IN FRONT OF YOU, 1009 00:55:28,281 --> 00:55:31,284 RIGHT WHERE I ALWAYS AM. 1010 00:55:34,505 --> 00:55:35,767 WHAT DO YOU THINK YOU'RE DOING? 1011 00:55:35,897 --> 00:55:37,508 KIDNAPPING YOU. 1012 00:55:37,638 --> 00:55:38,422 I DON'T HAVE TIME TO BE KIDNAPPED. 1013 00:55:38,552 --> 00:55:39,597 ONE HOUR. 1014 00:55:39,727 --> 00:55:40,598 I WANT TO TAKE YOU SOMEWHERE. 1015 00:55:40,728 --> 00:55:41,860 I WANT TO SHOW YOU 1016 00:55:41,990 --> 00:55:43,557 THAT I WASN'T A COMPLETE BASTARD. 1017 00:55:46,255 --> 00:55:48,170 ONE HOUR. 1018 00:55:54,481 --> 00:55:55,656 WHERE TO? 1019 00:55:55,787 --> 00:55:58,616 PIONEER SQUARE. KING STREET. 1020 00:56:14,675 --> 00:56:18,418 FOR ONCE, YOU'RE SPEECHLESS? 1021 00:56:21,595 --> 00:56:24,729 SHE'S BEAUTIFUL. 1022 00:56:28,559 --> 00:56:29,429 I DON'T KNOW WHAT TO SAY. 1023 00:56:35,304 --> 00:56:39,308 I REALLY MISS YOU. 1024 00:56:43,617 --> 00:56:45,489 COME ON. 1025 00:57:00,591 --> 00:57:01,853 AH... 1026 00:57:01,983 --> 00:57:04,508 OH, OH...MY GOSH. 1027 00:57:04,638 --> 00:57:05,204 [CHUCKLES] 1028 00:57:06,597 --> 00:57:08,250 MM. 1029 00:57:08,381 --> 00:57:09,513 [GROANING IN DELIGHT] 1030 00:57:09,643 --> 00:57:10,209 OH, THIS IS COMPLETELY OUT OF BOUNDS. 1031 00:57:13,473 --> 00:57:14,822 WELL, YOU'RE IRRESISTIBLE. 1032 00:57:17,564 --> 00:57:18,609 I'M GLAD ONE OF US HAS A LITTLE SELF-CONTROL. 1033 00:57:18,739 --> 00:57:19,523 [CHUCKLES] 1034 00:57:21,046 --> 00:57:24,702 SO, HOW ARE THINGS AT HOME? 1035 00:57:24,832 --> 00:57:27,487 JUST ALL RIGHT. 1036 00:57:27,618 --> 00:57:30,359 THAT SOUNDS PROMISING. 1037 00:57:30,490 --> 00:57:32,100 TELL ME YOU MISS ME A LITTLE. 1038 00:57:32,231 --> 00:57:33,667 I MISS YOU, 1039 00:57:33,798 --> 00:57:35,408 A LITTLE. 1040 00:57:36,670 --> 00:57:38,716 [GIGGLES] 1041 00:57:38,846 --> 00:57:40,457 [CHATTING] 1042 00:57:40,587 --> 00:57:41,893 OH, MY GOD, THERE'S NICK. 1043 00:57:42,023 --> 00:57:43,416 GET ME OUT OF HERE. 1044 00:57:46,941 --> 00:57:49,291 OKAY, WE'LL GET TWO OF THESE. 1045 00:57:52,947 --> 00:57:54,471 [CELL PHONE RINGS] 1046 00:57:55,863 --> 00:57:57,082 THIS IS LAURA. 1047 00:57:57,212 --> 00:57:59,563 LAURA, HELLO, IT'S ELLA BROWNING. 1048 00:57:59,693 --> 00:58:01,173 I KNOW YOU SAID YOU WERE DONE WITH THIS, 1049 00:58:01,303 --> 00:58:03,828 BUT I HONESTLY DON'T THINK THAT YOU SHOULD JUST WALK AWAY. 1050 00:58:03,958 --> 00:58:05,220 I THINK YOU NEED TO COME BACK AND SEE ME. 1051 00:58:05,351 --> 00:58:06,395 I'M FINE. 1052 00:58:06,526 --> 00:58:08,310 I HAVE AN OPENING TODAY AT 4:00. 1053 00:58:08,441 --> 00:58:10,574 THANKS, BUT I DON'T NEED IT. 1054 00:58:10,704 --> 00:58:12,010 - YOU CAN'T JUST BARGE IN HERE! - LAURA! 1055 00:58:12,140 --> 00:58:13,185 YOU CAN'T JUST BARGE IN HERE! 1056 00:58:13,315 --> 00:58:14,578 LAURA, WHERE ARE YOU? 1057 00:58:14,708 --> 00:58:16,014 I'M THROUGH PLAYING GAMES! WHERE IS SHE? 1058 00:58:16,144 --> 00:58:18,277 LAURA, LAURA, I WON'T FILL THE APPNTMENT. 1059 00:58:18,407 --> 00:58:19,408 PLEASE DO TRY TO COME. 1060 00:58:19,539 --> 00:58:20,714 I GOTTA GO. 1061 00:58:22,455 --> 00:58:23,848 LAURA! 1062 00:58:23,978 --> 00:58:25,458 ARE-ARE YOU LOOKING FOR ME, CHARLIE? 1063 00:58:25,589 --> 00:58:27,808 NO, I WANT TO BUY A CONDO. 1064 00:58:27,939 --> 00:58:29,114 THANKS, CATHY. 1065 00:58:30,637 --> 00:58:31,769 LET'S NOT DO THIS HERE-- 1066 00:58:31,899 --> 00:58:32,857 WE DO THIS HERE, 1067 00:58:32,987 --> 00:58:33,771 OR WE DO IT IN FRONT OF ALIX, 1068 00:58:33,901 --> 00:58:35,250 BUT WE DO IT NOW. 1069 00:58:35,381 --> 00:58:36,382 I'M NOT LETTING YOU OUT OF MY SIGHT AGAIN. 1070 00:58:36,513 --> 00:58:37,514 YOU WERE SUPPOSED TO MEET ME 1071 00:58:37,644 --> 00:58:38,471 TWO DAYS AGO. 1072 00:58:38,602 --> 00:58:39,907 YOU DIDN'T SHOW UP. 1073 00:58:40,038 --> 00:58:40,517 YOU OBVIOUSLY DIDN'T COME TO WORK YESTERDAY 1074 00:58:40,647 --> 00:58:41,300 BECAUSE I WAS HERE. 1075 00:58:41,430 --> 00:58:43,041 I WAITED ALL DAY, 1076 00:58:43,171 --> 00:58:47,262 SO I AM THROUGH TAKING YOU AT YOUR SO-CALLED WORD. 1077 00:58:47,393 --> 00:58:48,525 LET'S GO. 1078 00:58:52,703 --> 00:58:55,532 [KNOCKS] 1079 00:58:55,662 --> 00:58:57,621 I EXPECT YOU TO TELL HER THE TRUTH. 1080 00:58:57,751 --> 00:58:59,884 I'LL TELL HER WHAT YOU WANT ME TO TELL HER. 1081 00:59:00,014 --> 00:59:01,755 I WANT YOU TO TELL HER THE TRUTH. 1082 00:59:03,365 --> 00:59:04,192 [SIGHS IN DISGUST] 1083 00:59:04,323 --> 00:59:04,932 NO, NO, NO, PLEASE, PLEASE, 1084 00:59:05,063 --> 00:59:06,455 FIVE MINUTES. 1085 00:59:06,586 --> 00:59:07,500 THAT'S ALL I WANT. 1086 00:59:08,980 --> 00:59:10,111 WHAT IS SHE DOING HERE? 1087 00:59:10,242 --> 00:59:12,070 PLEASE, JUST LISTEN TO WHAT SHE HAS TO SAY. 1088 00:59:12,200 --> 00:59:13,375 I DON'T WANT TO HEAR ANYTHING THAT SHE HAS TO SAY! 1089 00:59:13,506 --> 00:59:15,334 ST-START TALKING. 1090 00:59:15,464 --> 00:59:17,379 IT'S NOT WHAT YOU THINK ABOUT CHARLEY AND ME. 1091 00:59:17,510 --> 00:59:19,468 UM, WE MET AT WORK, 1092 00:59:19,599 --> 00:59:20,818 AND WE HAD LUNCH A FEW TIMES. 1093 00:59:20,948 --> 00:59:22,254 YOU HAD LUNCH? 1094 00:59:22,384 --> 00:59:23,647 I THOUGHT YOU SAID SHE WAS A TOTAL STRANGER. 1095 00:59:23,777 --> 00:59:26,127 NO, WE DIDN'T HAVE LUNCH. 1096 00:59:26,258 --> 00:59:27,999 WE MET IN THE COFFEE SHOP DOWNSTAIRS, 1097 00:59:28,129 --> 00:59:29,696 AT THE COUNTER. 1098 00:59:29,827 --> 00:59:32,481 MAKING SMALL TALK AT A LUNCH COUNTER 1099 00:59:32,612 --> 00:59:33,874 DOESN'T QUALIFY AS "HAVING LUNCH." 1100 00:59:34,005 --> 00:59:35,310 YOU CAN'T EVEN GET YOUR STORIES STRAIGHT. 1101 00:59:35,441 --> 00:59:36,137 NO, I SWEAR TO YOU 1102 00:59:36,268 --> 00:59:37,530 THAT IS ALL THAT HAPPENED. 1103 00:59:37,661 --> 00:59:38,400 WE CHATTED A COUPLE OF TIMES, 1104 00:59:38,531 --> 00:59:39,576 THE NEXT THING I KNOW, 1105 00:59:39,706 --> 00:59:40,664 SHE'S BLOWING OUR LIVES APART. 1106 00:59:42,491 --> 00:59:45,799 TELL HER THE TRUTH, DAMMIT. 1107 00:59:45,930 --> 00:59:49,760 CHARLIE AND I DIDN'T HAVE AN AFFAIR. 1108 00:59:49,890 --> 00:59:51,588 I WANTED TO, BUT HE WOULDN'T. 1109 00:59:53,633 --> 00:59:54,721 WHAT ABOUT ALL THE PHONE CALLS? 1110 00:59:54,852 --> 00:59:56,375 THE LETTERS? 1111 00:59:56,505 --> 00:59:57,768 THE...FLOWERS 1112 00:59:57,898 --> 00:59:58,899 THAT KEPT SHOWING UP? 1113 00:59:59,030 --> 01:00:01,772 SHE DID IT ALL, UNPROVOKED. 1114 01:00:01,902 --> 01:00:05,384 THIS WHOLE THING IS IN HER HEAD. 1115 01:00:06,907 --> 01:00:08,256 IS THAT TRUE? 1116 01:00:10,650 --> 01:00:12,739 YES. 1117 01:00:12,870 --> 01:00:14,959 YOU DIDN'T KNOW HIM? 1118 01:00:15,089 --> 01:00:16,003 NO. 1119 01:00:20,617 --> 01:00:22,444 SO YOU MADE THE WHOLE THING UP? 1120 01:00:22,575 --> 01:00:25,143 YOU BLEW OUR LIVES APART 1121 01:00:25,273 --> 01:00:28,276 BECAUSE OF SOME CRAZY FANTASY? 1122 01:00:30,017 --> 01:00:32,280 WHAT KIND OF SICK TWIST ARE YOU? 1123 01:00:35,109 --> 01:00:36,937 I CARED ABOUT CHARLIE. 1124 01:00:37,068 --> 01:00:39,200 I AM HERE NOW BECAUSE I CARED ABOUT CHARLIE, 1125 01:00:39,331 --> 01:00:40,549 WHICH IS MORE THAN I CAN SAY FOR YOU. 1126 01:00:40,680 --> 01:00:42,551 YOU DIDN'T CARE ENOUGH TO FIGHT. 1127 01:00:42,682 --> 01:00:44,292 YOU JUST RAN OUT, FIRST CHANCE YOU GOT! 1128 01:00:46,425 --> 01:00:47,948 I DID IT. 1129 01:00:48,079 --> 01:00:49,297 I SAID WHAT YOU WANTED ME TO SAY, 1130 01:00:49,428 --> 01:00:50,255 AND, FRANKLY, I DON'T THINK SHE'S WORTH IT. 1131 01:00:51,865 --> 01:00:54,694 NOW LEAVE ME ALONE. 1132 01:01:08,447 --> 01:01:09,927 YOGA, RIGHT? 1133 01:01:10,057 --> 01:01:11,363 THAT'S WHERE I KNOW YOU FROM. 1134 01:01:12,973 --> 01:01:14,496 I MANAGE THE YOGA STUDIO. 1135 01:01:14,627 --> 01:01:16,673 YOU WERE IN THAT CLASS, WHEN THE TEACHER WAS KILLED? 1136 01:01:17,891 --> 01:01:19,023 OH, GOD, RIGHT. 1137 01:01:19,153 --> 01:01:21,242 UM, YEAH, WHAT A FREAK ACCIDENT. 1138 01:01:21,373 --> 01:01:22,722 I'M NOT SURE THE POLICE THINK SO. 1139 01:01:22,853 --> 01:01:24,028 THEY'VE BEEN ALL OVER MY STUDIO, 1140 01:01:24,158 --> 01:01:25,159 CHECKING FOR PRINTS, OTHER CLUES. 1141 01:01:25,290 --> 01:01:26,030 THEY'RE SUSPICIOUS OF SOMETHING. 1142 01:01:27,901 --> 01:01:29,903 HEY, UM, 1143 01:01:30,034 --> 01:01:31,426 WEREN'T YOU THE WOMAN I SAW THERE WHEN I LEFT? 1144 01:01:31,557 --> 01:01:33,428 I DON'T THINK SO. 1145 01:01:33,559 --> 01:01:34,473 MAYBE I'M WRONG. 1146 01:01:34,603 --> 01:01:35,604 I-I THOUGHT IT WAS YOU. 1147 01:01:35,735 --> 01:01:37,389 DID YOU SEE ANYONE ELSE THERE? 1148 01:01:37,519 --> 01:01:38,433 LIKE I TOLD THE POLICE, 1149 01:01:38,564 --> 01:01:40,261 I-I REALLY DIDN'T NOTICE. 1150 01:01:40,392 --> 01:01:41,741 LOOK, I'M SORRY TO RUSH OFF LIKE THIS, 1151 01:01:41,872 --> 01:01:43,482 BUT I-I'M REALLY LATE. 1152 01:01:48,966 --> 01:01:52,056 I'M GLAD YOU DECIDED TO COME AFTER ALL, LAURA. 1153 01:01:52,186 --> 01:01:54,145 WELL, I'M NOT SURE WHY I'M HERE, 1154 01:01:54,275 --> 01:01:58,366 BUT, LATELY, I'VE BEEN FEELING BOMBARDED BY THINGS, 1155 01:01:58,497 --> 01:02:01,761 UM... 1156 01:02:01,892 --> 01:02:04,068 I THOUGHT MAYBE TALKING WITH YOU... 1157 01:02:04,198 --> 01:02:06,766 WELL, I'M VERY GLAD YOU COULD MAKE IT. 1158 01:02:06,897 --> 01:02:10,901 I THINK IT'S IMPORTANT THAT WE TALK SOME MORE. 1159 01:02:12,946 --> 01:02:14,426 WHAT DO YOUWANT TO TALK ABOUT? 1160 01:02:14,556 --> 01:02:16,645 ABOUT YOUR RELATIONSHIPS, 1161 01:02:16,776 --> 01:02:19,431 ESPECIALLY THE ONE WITH SAM. 1162 01:02:19,561 --> 01:02:24,088 I'M...CONCERNED 1163 01:02:24,218 --> 01:02:26,046 THAT YOUR LIFE ISN'T ON A STRONG ENOUGH FOOTING 1164 01:02:26,177 --> 01:02:28,135 TO KEEP YOU FROM... 1165 01:02:28,266 --> 01:02:30,747 DRIFTING BACK TO HIM. 1166 01:02:33,793 --> 01:02:36,970 WELL, THE TRUTH IS, I-I HAVE SEEN HIM. 1167 01:02:37,101 --> 01:02:38,406 HE, UH, 1168 01:02:38,537 --> 01:02:40,669 HE BROUGHT ME TO SEE A SCULPTURE HE MADE 1169 01:02:40,800 --> 01:02:41,888 OF ME, 1170 01:02:42,019 --> 01:02:43,324 OF MY BODY. 1171 01:02:43,455 --> 01:02:47,676 IT WAS IN A GALLERY NEAR THE ART MUSEUM. 1172 01:02:47,807 --> 01:02:49,374 [QUIETLY]: I SEE. 1173 01:02:52,812 --> 01:02:55,684 SOMETIMES, OUR VIEW OF RELATIONSHIPS 1174 01:02:55,815 --> 01:02:57,686 IS NOT COMPLETELY REALISTIC. 1175 01:02:57,817 --> 01:03:02,169 W-WE BECOME SO EMOTIONALLY NEEDY, 1176 01:03:02,300 --> 01:03:05,390 WE CREATE FANTASIES, 1177 01:03:05,520 --> 01:03:07,131 CONNECTIONS, 1178 01:03:07,261 --> 01:03:11,439 AND WE BELIEVE THEY'RE REAL. 1179 01:03:14,181 --> 01:03:16,140 WHAT'S NOT REAL? 1180 01:03:16,270 --> 01:03:17,881 YOU THINK I'M NOT REAL? 1181 01:03:18,011 --> 01:03:20,666 Y-YOU THINK SAM'S NOT REAL? 1182 01:03:20,797 --> 01:03:22,973 WELL, I-I KNOW THAT YOU'RE REAL, 1183 01:03:23,103 --> 01:03:24,061 AND I BELIEVE SAM IS REAL, 1184 01:03:24,191 --> 01:03:26,890 BUT I... 1185 01:03:27,020 --> 01:03:29,718 I WONDER IF YOUR LOVE AFFAIR WITH HIM IS REAL. 1186 01:03:29,849 --> 01:03:32,983 THAT'S CRAZY. 1187 01:03:33,113 --> 01:03:35,594 YOU THINK I'M IMAGINING MY RELATIONSHIP WITH SAM, 1188 01:03:35,724 --> 01:03:36,943 IS THAT WHAT YOU'RE SAYING? 1189 01:03:37,074 --> 01:03:39,293 THAT'S WHAT I'M ASKING. 1190 01:03:39,424 --> 01:03:41,078 OFTEN, WHEN THINGS AREN'T GOING WELL 1191 01:03:41,208 --> 01:03:42,601 IN OUR PRIMARY RELATIONSHIPS, 1192 01:03:42,731 --> 01:03:44,733 WE CREATE AN ESCAPE, 1193 01:03:44,864 --> 01:03:45,778 A-A CONNECTION 1194 01:03:45,909 --> 01:03:49,042 THAT GIVES US WHAT WE NEED. 1195 01:03:49,173 --> 01:03:50,827 FOR INSTANCE, YOU WANT TO GO TO ROME, 1196 01:03:50,957 --> 01:03:52,263 BUT YOU CAN'T GET THERE, 1197 01:03:52,393 --> 01:03:54,482 SO YOU PAINT A PICTURE OF IT ON YOUR WALL, 1198 01:03:54,613 --> 01:03:56,571 A MURAL, A SCENE. 1199 01:03:56,702 --> 01:03:57,485 TROMPE L'OEIL. 1200 01:03:57,616 --> 01:03:59,183 WHAT? 1201 01:03:59,313 --> 01:04:00,793 TROMPE L'OEIL, 1202 01:04:00,924 --> 01:04:01,968 THAT'S WHAT IT'S CALLED. 1203 01:04:02,099 --> 01:04:04,841 IT'S A "TRICK...OF THE EYE." 1204 01:04:06,538 --> 01:04:08,061 WELL, YOU UNDERSTAND THAT, DON'T YOU. 1205 01:04:08,192 --> 01:04:12,239 YOU DID IT WHEN YOU WERE YOUNG. 1206 01:04:12,370 --> 01:04:15,199 I DID NOT IMAGINE THAT MAN WHEN I WAS YOUNG. 1207 01:04:15,329 --> 01:04:16,635 BELIEVE ME, HE WAS VERY REAL. 1208 01:04:16,765 --> 01:04:18,593 YES, YES, I KNOW, I KNOW, 1209 01:04:18,724 --> 01:04:20,160 BUT... 1210 01:04:20,291 --> 01:04:22,075 WHAT YOU WERE DOING 1211 01:04:22,206 --> 01:04:25,035 WAS ANTITHETICAL TO YOUR SOUL, 1212 01:04:25,165 --> 01:04:26,514 SO YOU CREATED FANTASIES AROUND IT 1213 01:04:26,645 --> 01:04:28,125 TO MAKE IT MORE PALATABLE. 1214 01:04:28,255 --> 01:04:31,171 IT'S NOT UNUSUAL 1215 01:04:31,302 --> 01:04:33,695 TO RECREATE FANTASIES THROUGHOUT YOUR LIFE 1216 01:04:33,826 --> 01:04:36,394 BECAUSE OF IT. 1217 01:04:37,786 --> 01:04:39,919 LIKE SAM... 1218 01:04:40,050 --> 01:04:43,053 LET ME HELP YOU GET THROUGH THIS. 1219 01:04:43,183 --> 01:04:44,663 LET ME HELP YOU UNDERSTAND THIS, 1220 01:04:44,793 --> 01:04:48,058 LET GO OF IT. 1221 01:04:48,188 --> 01:04:51,975 WHAT YOU HAVE WITH NICK, 1222 01:04:52,105 --> 01:04:54,455 THAT'S REAL... 1223 01:04:54,586 --> 01:04:56,240 AND GOOD, 1224 01:04:56,370 --> 01:04:59,156 AND WORTH FIGHTING FOR. 1225 01:05:02,115 --> 01:05:03,116 I DON'T NEED HELP. 1226 01:05:03,247 --> 01:05:04,030 I'M FINE. 1227 01:05:04,161 --> 01:05:07,294 LAURA, PLEASE. 1228 01:05:07,425 --> 01:05:08,905 YOU DON'T NEED TO BE CONCERNED. I HAVE EVERYTHING UNDER CONTROL. 1229 01:05:09,035 --> 01:05:10,297 I DON'T BELIEVE THAT, LAURA-- 1230 01:05:10,428 --> 01:05:11,733 PLEASE DON'T WALK OUT THAT-- 1231 01:05:11,864 --> 01:05:13,039 BELIEVE WHAT YOU WANT. 1232 01:05:13,170 --> 01:05:14,823 I'M GOING. 1233 01:05:24,703 --> 01:05:27,053 [JAZZ BAND PLAYS] 1234 01:05:43,069 --> 01:05:48,118 [SCAT-SINGING] 1235 01:05:58,302 --> 01:06:00,652 [SAXOPHONE STARTS SOLOING] 1236 01:06:13,012 --> 01:06:15,797 [SINGER AND SAXOPHONE DUET] 1237 01:06:20,889 --> 01:06:22,021 [SONG ENDS] 1238 01:06:22,152 --> 01:06:24,850 VALERIE ROBINSON, LADIES AND GENTLEMEN! 1239 01:06:24,981 --> 01:06:27,070 [CHEERING AND APPLAUSE] 1240 01:06:29,811 --> 01:06:32,597 I'M NOT SLEEPING WITH HER! 1241 01:06:32,727 --> 01:06:33,946 I DIDN'T SAY YOU WERE. 1242 01:06:34,077 --> 01:06:35,208 NOT IN SO MANY WORDS. 1243 01:06:35,339 --> 01:06:36,557 I ASKED WHO SHE WAS. 1244 01:06:36,688 --> 01:06:37,297 THAT'S A PERFECTLY REASONABLE QUESTION. 1245 01:06:37,428 --> 01:06:40,387 IT WAS HOW YOU ASKED. 1246 01:06:40,518 --> 01:06:42,346 YOU KNOW, YOU SHOWED ME THE SCULPTURE, 1247 01:06:42,476 --> 01:06:44,043 AND I THOUGHT I MEANT SOMETHING SPECIAL TO YOU, 1248 01:06:44,174 --> 01:06:46,132 BUT I'M OUT OF THE PICTURE 1249 01:06:46,263 --> 01:06:47,351 FOR A FEW WEEKS, AND, TRUE TO FORM, 1250 01:06:47,481 --> 01:06:49,396 YOU'VE MOVED ON TO SOMEONE ELSE. 1251 01:06:49,527 --> 01:06:51,007 LOOK, THIS IS NOT WHAT YOU THINK IT IS. 1252 01:06:51,137 --> 01:06:52,747 OUR SINGER DROPPED OUT. 1253 01:06:52,878 --> 01:06:54,706 I CALLED VALERIE TO FILL IN BECAUSE I KNEW HOW GOOD SHE IS. 1254 01:06:54,836 --> 01:06:56,795 MM, I CAN ONLY IMAGINE. 1255 01:06:58,449 --> 01:06:59,667 I DIDN'T OME FOR THIS. 1256 01:06:59,798 --> 01:07:01,191 YOU GO HOME TO YOUR HUSBAND. 1257 01:07:01,321 --> 01:07:02,192 WAIT, DON'T WALK AWAY FROM ME! 1258 01:07:02,322 --> 01:07:03,410 HEY, HEY! 1259 01:07:03,541 --> 01:07:04,759 DON'T WALK AWAY FROM ME-- 1260 01:07:04,890 --> 01:07:05,412 TAKE IT EASY. STOP! WHAT'S WRONG WITH YOU? 1261 01:07:05,543 --> 01:07:06,370 YOU'RE DRIVING ME CRAZY! 1262 01:07:06,500 --> 01:07:07,240 TAKE IT EASY! 1263 01:07:07,371 --> 01:07:08,633 HEY-- 1264 01:07:08,763 --> 01:07:11,679 [♪♪♪] 1265 01:07:18,860 --> 01:07:19,992 WHAT ARE WE DOING? 1266 01:07:20,123 --> 01:07:22,777 THIS. 1267 01:07:22,908 --> 01:07:25,693 [♪♪♪] 1268 01:07:40,143 --> 01:07:41,187 NINA PANKER JUST CALLED. 1269 01:07:41,318 --> 01:07:42,319 SHE WANTS YOU TO MEET HER 1270 01:07:42,449 --> 01:07:44,147 AT THE MAGNOLIA RANCH HOUSE RIGHT AWAY. 1271 01:07:44,277 --> 01:07:46,062 SHE SAYS SHE'S GOT HER HUSBAND RIGHT WHERE SHE WANTS HIM. 1272 01:07:46,192 --> 01:07:48,064 LET'S HOPE SO. 1273 01:07:51,241 --> 01:07:53,939 I LIKE THIS PLACE, A LOT. 1274 01:07:54,070 --> 01:07:56,724 I JUST DON'T LIKE BEING PLAYED. 1275 01:07:56,855 --> 01:07:58,030 COME ON, HARRY, 1276 01:07:58,161 --> 01:07:59,466 WHENEVER I PUSH YOU INTO ANYTHING, 1277 01:07:59,597 --> 01:08:01,816 YOU ALWAYS END UP THANKING ME. 1278 01:08:01,947 --> 01:08:03,209 LIKE I SAID, I DON'T LIKE BEING PLAYED. 1279 01:08:03,340 --> 01:08:04,167 [NINA CHUCKLES] 1280 01:08:04,297 --> 01:08:05,820 YOU'VE BEEN SAYING 1281 01:08:05,951 --> 01:08:07,039 THAT YOU'RE TIRED OF APARTMENT LIVING 1282 01:08:07,170 --> 01:08:08,432 AND YOU WORK SO HARD, 1283 01:08:08,562 --> 01:08:10,695 AND THIS PLACE IS PERFECT TO COME HOME TO. 1284 01:08:13,959 --> 01:08:15,482 HOW'D IT GO? 1285 01:08:15,613 --> 01:08:16,701 NINA'S STILL WORKING ON HIM. 1286 01:08:16,831 --> 01:08:18,964 I THINK SHE'LL GET WHAT SHE WANTS. 1287 01:08:20,139 --> 01:08:21,227 HEY... 1288 01:08:21,358 --> 01:08:22,620 SO YOUR CLIENT WENT BACK 1289 01:08:22,750 --> 01:08:23,534 TO THE MAGNOLIA RANCH HOUSE TODAY. 1290 01:08:23,664 --> 01:08:25,013 NOT ONLY THAT, 1291 01:08:25,144 --> 01:08:26,058 BUT I THINK YOUR GUY IS GOING TO MAKE AN OFFER 1292 01:08:26,189 --> 01:08:27,277 ON THE MERCER ISLAND HOUSE. 1293 01:08:27,407 --> 01:08:28,191 WE'RE ON A ROLL. 1294 01:08:28,321 --> 01:08:29,409 YOU'RE AMAZING. 1295 01:08:29,540 --> 01:08:31,063 GET THEM BOTH IN ESCROW, 1296 01:08:31,194 --> 01:08:32,630 AND WE'VE GOT SOME BIG-TIME CELEBRATING TO DO. 1297 01:08:32,760 --> 01:08:34,153 I AM ALL OVER IT. 1298 01:08:36,460 --> 01:08:38,331 HI, SAM. 1299 01:08:38,462 --> 01:08:40,420 ARE YOU STILL THE HOTTEST PROPERTY IN THE OFFICE? 1300 01:08:40,551 --> 01:08:43,162 YOU SAY THAT TO ALL THE BROKERS. 1301 01:08:43,293 --> 01:08:45,599 ONLY THE ONES I HAVE TO CANCEL ON. 1302 01:08:45,730 --> 01:08:47,862 I'M SORRY, BABE, I CAN'T DO IT TONIGHT. 1303 01:08:47,993 --> 01:08:48,863 THAT'S OKAY. 1304 01:08:48,994 --> 01:08:50,604 I... 1305 01:08:50,735 --> 01:08:53,738 IF YOU HADN'T CANCELED, I-I WOULD HAVE CANCELED MYSELF. 1306 01:08:53,868 --> 01:08:55,392 UM... 1307 01:08:55,522 --> 01:08:58,134 I REALLY WANT TO MAKE MY MARRIAGE WORK, SAM. 1308 01:09:01,659 --> 01:09:05,053 WELL, IF THAT'S WHAT YOU WANT, THEN THAT'S WHAT I WANT FOR YOU. 1309 01:09:05,184 --> 01:09:07,143 THANKS. 1310 01:09:07,273 --> 01:09:09,145 I KNOW YOU MEAN THAT. 1311 01:09:10,363 --> 01:09:11,234 GOTTA GO. 1312 01:09:30,253 --> 01:09:32,429 [SPEED-DIAL BEEPING] 1313 01:09:32,559 --> 01:09:35,432 [RINGING] 1314 01:09:35,562 --> 01:09:36,346 [WOMAN'S VOICE]: HELLO? 1315 01:09:36,476 --> 01:09:38,043 HELLO, UM... 1316 01:09:38,174 --> 01:09:39,740 I MUST HAVE DIALED THE WRONG NUMBER. 1317 01:09:39,871 --> 01:09:41,264 SORRY. 1318 01:09:44,049 --> 01:09:46,834 [RINGING] 1319 01:09:46,965 --> 01:09:48,184 [SAME WOMAN]: HELLO? 1320 01:09:48,314 --> 01:09:49,402 HELLO. 1321 01:09:49,533 --> 01:09:50,534 UM... 1322 01:09:50,664 --> 01:09:52,275 ARE YOU LOOKING FOR SAM? 1323 01:09:54,190 --> 01:09:54,929 YES. 1324 01:09:55,060 --> 01:09:56,148 WHO'S THIS? 1325 01:09:56,279 --> 01:09:57,149 VALERIE. 1326 01:09:57,280 --> 01:09:58,281 WHO'S THIS? 1327 01:09:58,411 --> 01:09:59,369 A FRIEND. 1328 01:09:59,499 --> 01:10:00,326 WHERE'S SAM? 1329 01:10:00,457 --> 01:10:01,806 UM... 1330 01:10:01,936 --> 01:10:03,373 HE'S IN THE SHOWER. 1331 01:10:03,503 --> 01:10:04,374 CAN I GIVE HIM A MESS-- 1332 01:10:04,504 --> 01:10:05,810 [BEEPS PHONE OFF] 1333 01:10:12,512 --> 01:10:14,210 [BANGING INSISTENTLY] 1334 01:10:16,037 --> 01:10:18,953 [BANGING ON DOOR] 1335 01:10:19,084 --> 01:10:20,651 [POUNDING] 1336 01:10:23,044 --> 01:10:24,959 AH. 1337 01:10:25,090 --> 01:10:26,178 I WANTED TO SEE YOU ONE LAST TIME, 1338 01:10:26,309 --> 01:10:28,180 SO I COULD KEEP THIS IMAGE IN MY MIND 1339 01:10:28,311 --> 01:10:29,181 IN CASE I EVER WEAKEN. 1340 01:10:29,312 --> 01:10:31,357 WHAT ARE YOU TALKING ABOUT? 1341 01:10:33,229 --> 01:10:34,447 IT SHOULD NEVER SURPRISE ME TO CATCH YOU IN A LIE, 1342 01:10:34,578 --> 01:10:36,144 BUT SOMEHOW IT ALWAYS DOES. 1343 01:10:36,275 --> 01:10:37,189 WHERE IS SHE? 1344 01:10:37,320 --> 01:10:38,103 WHERE'S WHO? 1345 01:10:38,234 --> 01:10:39,800 VALERIE. 1346 01:10:39,931 --> 01:10:40,888 I CALLED YOU BACK. 1347 01:10:41,019 --> 01:10:42,063 I DIDN'T WANT TO BE CRUEL. 1348 01:10:42,194 --> 01:10:43,500 I WANTED YOU TO KNOW 1349 01:10:43,630 --> 01:10:46,807 HOW DIFFICULT IT WAS FOR ME TO LET YOU GO. 1350 01:10:46,938 --> 01:10:48,722 I OPENED MY HEART TO YOU! 1351 01:10:48,853 --> 01:10:49,897 YOU DID IT AGAIN! 1352 01:10:51,290 --> 01:10:52,944 [SIGHS] 1353 01:10:53,074 --> 01:10:55,381 STRAWBERRIES AND CHOCOLATE? 1354 01:10:55,512 --> 01:10:57,035 WHAT'S THAT ABOUT? 1355 01:10:58,515 --> 01:11:00,821 YOU'RE A LIAR! 1356 01:11:00,952 --> 01:11:01,605 I TRUSTED YOU! 1357 01:11:01,735 --> 01:11:02,693 HEY, HEY! 1358 01:11:02,823 --> 01:11:03,998 LISTEN, LISTEN! 1359 01:11:04,129 --> 01:11:05,217 VALERIE MEANS NOTHING TO ME. 1360 01:11:05,348 --> 01:11:06,174 SHE'S CRASHING HERE. 1361 01:11:06,305 --> 01:11:08,002 OKAY? 1362 01:11:08,133 --> 01:11:10,440 I SWEAR TO YOU. 1363 01:11:10,570 --> 01:11:13,356 JUST RELAX, SIT DOWN. 1364 01:11:13,486 --> 01:11:15,053 I'LL GET YOU A GLASS OF WINE. 1365 01:11:15,183 --> 01:11:17,098 I WAS SAVING THIS 1366 01:11:17,229 --> 01:11:18,448 FOR WHEN I FIXED YOU DINNER NEXT, 1367 01:11:18,578 --> 01:11:19,753 BUT, CLEARLY, NOW'S A BETTER TIME. 1368 01:11:35,247 --> 01:11:37,423 WHERE YOU GOING? 1369 01:11:37,554 --> 01:11:38,685 GO TO HELL. 1370 01:11:52,003 --> 01:11:53,004 HEY! 1371 01:12:37,614 --> 01:12:39,267 TAXI! 1372 01:12:39,398 --> 01:12:40,443 [CAR HONKING] 1373 01:12:40,573 --> 01:12:43,097 [BRAKES SQUEALING] 1374 01:13:32,016 --> 01:13:33,670 ARE YOU INSANE? 1375 01:13:33,800 --> 01:13:36,150 ARE YOU OUT OF YOUR MIND? 1376 01:13:36,281 --> 01:13:38,196 DO YOU HAVE ANY IDEA WHAT THAT HORN COSTS? 1377 01:13:38,326 --> 01:13:39,589 FORGET THAT IT MEANT SOMETHING TO ME! 1378 01:13:39,719 --> 01:13:40,807 AND JUST FOR THE RECORD, 1379 01:13:40,938 --> 01:13:41,765 NOT THAT IT'S ANY OF YOUR BUSINESS, 1380 01:13:41,895 --> 01:13:44,028 I'M NOT SLEEPING WITH VALERIE. 1381 01:13:44,158 --> 01:13:44,898 OH, STOP IT ALREADY. 1382 01:13:45,029 --> 01:13:45,943 I'M NOT A FOOL. 1383 01:13:46,073 --> 01:13:47,858 AND NEITHER AM I! 1384 01:13:47,988 --> 01:13:51,122 SHE'S GOT A BOYFRIEND BACK HOME THAT WEIGHS IN AT ABOUT 280! 1385 01:13:51,252 --> 01:13:53,037 SHE'S STAYING WITH ME UNTIL HER PLACE IS READY. 1386 01:13:55,735 --> 01:13:58,346 W-WHAT IS THIS PLACE? 1387 01:13:58,477 --> 01:14:00,871 WHO LIVES HERE? 1388 01:14:05,005 --> 01:14:06,137 THIS IS YOU? 1389 01:14:07,138 --> 01:14:08,226 GET THE HELL OUT. 1390 01:14:08,356 --> 01:14:09,923 THIS IS YOUR PLACE. 1391 01:14:10,054 --> 01:14:11,142 GET OUT OF HERE! 1392 01:14:11,272 --> 01:14:12,360 HEY! 1393 01:14:17,235 --> 01:14:19,455 YOU LIVE HERE ALONE? 1394 01:14:28,507 --> 01:14:31,336 THERE'S NO HUSBAND, IS THERE? 1395 01:14:33,164 --> 01:14:34,687 NO CHILD EITHER. 1396 01:14:34,818 --> 01:14:36,559 YOU'RE OUT OF YOUR MIND, AREN'T YOU, LAURA? 1397 01:14:38,256 --> 01:14:40,388 GET OUT OF MY LIFE. 1398 01:14:44,131 --> 01:14:45,002 BELIEVE ME, I'M GOING. 1399 01:14:50,094 --> 01:14:50,964 WHO'S THIS DOCTOR? 1400 01:14:53,445 --> 01:14:55,621 IS HE REAL, DOES HE EXIST? 1401 01:14:57,231 --> 01:14:58,581 OF COURSE HE'S REAL. 1402 01:15:00,844 --> 01:15:03,499 SOMEBODY BETTER WARN THE POOR BASTARD. 1403 01:15:13,291 --> 01:15:16,381 WAIT, SAM! 1404 01:15:16,512 --> 01:15:18,209 YOU CAN'T DO THIS! LET ME EXPLAIN! 1405 01:15:18,339 --> 01:15:19,166 I KNOW EVERYTHING I NEED TO KNOW. 1406 01:15:19,297 --> 01:15:20,472 YOU'RE INSANE! 1407 01:15:20,603 --> 01:15:21,429 NO, PLEASE DON'T, DON'T WRECK MY FAMILY-- 1408 01:15:21,560 --> 01:15:22,692 GET HELP, LAURA! 1409 01:15:22,822 --> 01:15:24,041 YOU NEED PROFESSIONAL HELP. 1410 01:15:24,171 --> 01:15:26,217 [CRYING] NO, DON'T... 1411 01:15:26,347 --> 01:15:27,523 LET ME GET YOU TO A DOCTOR. 1412 01:15:27,653 --> 01:15:29,133 PLEASE. 1413 01:15:29,263 --> 01:15:30,308 NO, PLEASE, I KNOW YOU WANT TO DESTROY MY FAMILY. 1414 01:15:30,438 --> 01:15:32,397 PLEASE DON'T. 1415 01:15:32,528 --> 01:15:33,659 THIS IS OUT OF HAND! YOU NEED HELP! 1416 01:15:33,790 --> 01:15:35,095 YOU'RE GOING TO HURT SOMEBODY! 1417 01:15:35,226 --> 01:15:36,183 I DON'T WANT TO HURT ANYBODY! [KNIFE STABS] 1418 01:15:36,314 --> 01:15:38,098 [HE GASPS IN PAIN] 1419 01:15:40,536 --> 01:15:42,363 [SOBS] 1420 01:15:42,494 --> 01:15:44,061 I JUST DON'T WANT YOU TO UPSET NICK. 1421 01:15:45,541 --> 01:15:46,542 [GASPS] 1422 01:15:49,762 --> 01:15:52,373 [CRYING] 1423 01:15:57,683 --> 01:15:59,467 [GROANS WEAKLY] 1424 01:15:59,598 --> 01:16:01,078 [SOBBING, GASPING FOR BREATH] 1425 01:16:18,965 --> 01:16:22,142 MY PIANO WILL LOOK AMAZING IN THIS CORNER. 1426 01:16:22,273 --> 01:16:24,710 OH, IT'S THE PERFECT PLACE FOR IT. 1427 01:16:24,841 --> 01:16:26,494 HARRY JUST LOVES THIS ROOM, YOU KNOW. 1428 01:16:26,625 --> 01:16:27,626 OH, WELL, I'M GLAD TO SEE 1429 01:16:27,757 --> 01:16:28,714 YOU GOT HIM TO COME AROUND. 1430 01:16:28,845 --> 01:16:30,194 I ALWAYS DO, 1431 01:16:30,324 --> 01:16:33,589 ONCE I CONVINCE HIM IT'S HIS IDEA. 1432 01:16:33,719 --> 01:16:35,416 I AM GOING TO COOK UP A STORM 1433 01:16:35,547 --> 01:16:36,853 IN THIS KITCHEN. 1434 01:16:36,983 --> 01:16:38,115 OH, THIS IS A WONDERFUL PLACE 1435 01:16:38,245 --> 01:16:39,812 FOR FAMILY DINNERS. 1436 01:16:39,943 --> 01:16:43,076 YOU'RE RIGHT. IT WILL BE PERFECT. 1437 01:16:43,207 --> 01:16:46,776 WHY ARE THEY SELLING? 1438 01:16:46,906 --> 01:16:50,170 THEY'RE NO LONGER TOGETHER. 1439 01:16:50,301 --> 01:16:51,737 YOU'RE KIDDING? 1440 01:16:51,868 --> 01:16:55,611 EVERYTHING SEEMS SO PERFECT. 1441 01:16:57,438 --> 01:16:59,876 I'M SURE IT WAS AT ONE TIME. 1442 01:17:00,006 --> 01:17:03,357 SOME THINGS AREN'T MEANT TO LAST FOREVER. 1443 01:17:03,488 --> 01:17:05,272 WELL... 1444 01:17:06,665 --> 01:17:08,580 WE WANT TO BUY IT. 1445 01:17:10,234 --> 01:17:11,757 I DID IT. 1446 01:17:11,888 --> 01:17:13,193 I GOT AN OFFER ON THE MAGNOLIA RANCH HOUSE. 1447 01:17:13,324 --> 01:17:14,194 A GOOD ONE? 1448 01:17:14,325 --> 01:17:15,326 CLOSE TO ASKING. 1449 01:17:15,456 --> 01:17:17,633 OH, MY GOSH, YOU ARE AMAZING. 1450 01:17:17,763 --> 01:17:18,459 WELL, YOUR CLIENTS WANT ME TO PRESENT THE OFFER TONIGHT. 1451 01:17:18,590 --> 01:17:19,460 TONIGHT? 1452 01:17:19,591 --> 01:17:20,592 MM-HMM. 1453 01:17:20,723 --> 01:17:22,159 OH, THAT WON'T WORK. 1454 01:17:22,289 --> 01:17:24,378 I NEED TO LEAVE FOR BAINBRIDGE ISLAND IN AN HOUR. 1455 01:17:24,509 --> 01:17:26,250 OH, HELL, 1456 01:17:26,380 --> 01:17:27,294 YOU MADE IT HAPPEN. 1457 01:17:27,425 --> 01:17:28,469 YOU CAN HANDLE IT ALONE. 1458 01:17:28,600 --> 01:17:30,210 WHY DON'T YOU MAKE THE OFFER, 1459 01:17:30,341 --> 01:17:31,559 AND I'LL DISCUSS IT WITH HIM AFTER, 1460 01:17:31,690 --> 01:17:33,126 AND WE'LL FAX THE COUNTERS IN THE MORNING. 1461 01:17:33,257 --> 01:17:34,519 SOUNDS GREAT. 1462 01:17:34,650 --> 01:17:35,825 HE USUALLY GETS HOME AROUND 6:00 1463 01:17:35,955 --> 01:17:36,739 TO HAVE DINNER WITH HIS KID. 1464 01:17:36,869 --> 01:17:38,566 WELL DONE. 1465 01:17:38,697 --> 01:17:40,612 THANK YOU. 1466 01:17:50,666 --> 01:17:53,625 [CELL PHONE RINGS] 1467 01:17:53,756 --> 01:17:55,453 HELLO. 1468 01:17:55,583 --> 01:17:57,542 LAURA, IT'S ELLA BROWNING. 1469 01:17:57,673 --> 01:17:59,022 HELLO. 1470 01:17:59,152 --> 01:18:00,676 I'M GLAD I FINALLY REACHED YOU. 1471 01:18:00,806 --> 01:18:02,373 YOU HAVEN'T BEEN RETURNING MY CALLS. 1472 01:18:02,503 --> 01:18:04,549 I'VE BEEN BUSY. 1473 01:18:04,680 --> 01:18:07,204 LAURA... 1474 01:18:07,334 --> 01:18:09,075 I READ ABOUT SAM IN THE PAPER. 1475 01:18:09,206 --> 01:18:12,600 THAT WAS YOUR SAM, WASN'T IT? 1476 01:18:12,731 --> 01:18:14,515 IT SAID HE WAS A MUSICIAN. 1477 01:18:14,646 --> 01:18:17,431 HE WORKED AT THE JAZZ CLUB ON 65th. 1478 01:18:17,562 --> 01:18:18,737 SAD, ISN'T IT? 1479 01:18:18,868 --> 01:18:21,740 THEY SAY HE WAS MUGGED IN THE STREET. 1480 01:18:21,871 --> 01:18:24,830 YOU MUST BE DEVASTATED. 1481 01:18:24,961 --> 01:18:27,746 [CASUALLY]: I AM. 1482 01:18:27,877 --> 01:18:30,009 LAURA... 1483 01:18:30,140 --> 01:18:33,143 HAVE YOU... TALKED TO THE POLICE? 1484 01:18:33,273 --> 01:18:35,623 WHY WOULD I? 1485 01:18:35,754 --> 01:18:37,364 I THOUGHT YOU MIGHT HAVE SOMETHING TO TELL THEM. 1486 01:18:37,495 --> 01:18:38,278 WHAT COULD I TELL THEM? 1487 01:18:38,409 --> 01:18:39,410 I WASN'T THERE. 1488 01:18:42,543 --> 01:18:44,458 DOES IT NOT BOTHER YOU, LAURA, 1489 01:18:44,589 --> 01:18:46,243 THAT THE MAN YOU SAY YOU WERE INVOLVED WITH 1490 01:18:46,373 --> 01:18:48,332 WAS MURDERED IN THE STREET? 1491 01:18:48,462 --> 01:18:49,594 I DON'T SAY ANYTHING. 1492 01:18:49,725 --> 01:18:50,769 THAT'S YOUR FANTASY. 1493 01:18:50,900 --> 01:18:53,076 SAM WAS VERY REAL, 1494 01:18:53,206 --> 01:18:55,774 AND, FRANKLY, I'M STARTING TO FEEL HARASSED. 1495 01:18:55,905 --> 01:18:58,603 I'M JUST CONCERNED ABOUT YOU, LAURA, THAT'S ALL. 1496 01:18:58,734 --> 01:18:59,865 THAT'S WHY I'M CALLING. 1497 01:18:59,996 --> 01:19:02,433 NO, IT'S NOT. 1498 01:19:02,563 --> 01:19:04,522 YOU WANT TO INVOLVE ME IN SAM'S DEATH SOMEHOW. 1499 01:19:04,652 --> 01:19:06,002 WELL, I'M NOT GOING THERE. 1500 01:19:06,132 --> 01:19:07,568 IT WAS A RANDOM STREET CRIME. 1501 01:19:07,699 --> 01:19:09,266 THAT'S WHAT THE PAPERS SAY, 1502 01:19:09,396 --> 01:19:10,397 AND I BELIEVE THEM. 1503 01:19:10,528 --> 01:19:11,442 WELL, I DON'T. 1504 01:19:11,572 --> 01:19:14,750 WHAT'S THAT SUPPOSED TO MEAN? 1505 01:19:14,880 --> 01:19:19,450 IT MEANS I THINK YOU NEED HELP, LAURA. 1506 01:19:19,580 --> 01:19:22,409 IT MEANS I DON'T BELIEVE ANY OF THIS HAPPENED 1507 01:19:22,540 --> 01:19:24,368 THE WAY YOU SAY IT DID. 1508 01:19:25,935 --> 01:19:29,286 I THINK YOU NEED TO COME AND SEE ME. 1509 01:19:29,416 --> 01:19:32,289 YOU KNOW, I THINK I DO, TOO. 1510 01:19:51,482 --> 01:19:52,483 [LAUGHTER ECHOING] 1511 01:19:53,701 --> 01:19:54,833 EMILY! 1512 01:19:54,964 --> 01:19:56,487 EMILY, WHERE'D YOU GO? 1513 01:19:56,617 --> 01:19:58,794 MOMMY! MOMMY! SAVE ME! 1514 01:19:58,924 --> 01:19:59,925 [FAMILY LAUGHING] 1515 01:20:00,056 --> 01:20:01,274 [EMILY SQUEALS AND GIGGLES] 1516 01:20:03,363 --> 01:20:05,235 [KIDS SINGING] 1517 01:20:10,806 --> 01:20:13,417 GOOD JOB, EM! 1518 01:20:23,731 --> 01:20:25,429 [FERRY HORN BLARES] 1519 01:20:45,057 --> 01:20:45,536 [GASPS IN FRIGHT] 1520 01:20:45,666 --> 01:20:47,451 [SPLASH] 1521 01:20:54,197 --> 01:20:55,807 WELL, HELLO, MISSUS. PLEASE COME IN. 1522 01:20:55,938 --> 01:20:56,808 HELLO, YOLANDA. 1523 01:21:02,422 --> 01:21:03,423 DR. JARRETTS? 1524 01:21:03,554 --> 01:21:04,381 LAURA PHILLIPS. 1525 01:21:04,511 --> 01:21:05,512 OH, HI. 1526 01:21:05,643 --> 01:21:07,210 WE HAVEN'T FORMALLY MET, 1527 01:21:07,340 --> 01:21:08,646 BUT I'VE SEEN YOU SHOWING THE HOUSE, OF COURSE. 1528 01:21:10,735 --> 01:21:11,649 HELLO, EMILY. 1529 01:21:11,779 --> 01:21:13,956 IT'S GOOD TO SEE YOU AGAIN. 1530 01:21:14,086 --> 01:21:15,566 UM, LISTEN, 1531 01:21:15,696 --> 01:21:17,568 I BROUGHT SOMETHING FOR YOU. 1532 01:21:17,698 --> 01:21:19,439 YOU LIKE CHARM BRACELETS, DON'T YOU? 1533 01:21:19,570 --> 01:21:20,788 OH, YOU BET. 1534 01:21:20,919 --> 01:21:22,921 WE COLLECT THEM. 1535 01:21:23,052 --> 01:21:25,489 WELL, I LIKE THIS LITTLE BEAR THE BEST. 1536 01:21:26,882 --> 01:21:27,926 ME TOO. 1537 01:21:28,057 --> 01:21:30,363 PUT YOUR HAND OUT. 1538 01:21:32,452 --> 01:21:35,281 THERE YOU GO. 1539 01:21:35,412 --> 01:21:36,456 [CHUCKLES WARMLY] 1540 01:21:36,587 --> 01:21:38,067 WOW, HUH? 1541 01:21:38,197 --> 01:21:39,372 NOW, LET ME SHOW YOU WHAT I'VE BROUGHT FOR YOU. 1542 01:21:41,722 --> 01:21:44,638 YOU'LL NEED TO DISCUSS THIS OFFER WITH SUZANNE 1543 01:21:44,769 --> 01:21:47,685 AND THEN RESPOND BY 7:00 TOMORROW NIGHT. 1544 01:21:51,907 --> 01:21:54,605 [SIGHS HEAVILY] 1545 01:21:54,735 --> 01:21:56,389 IT'S A GOOD PRICE. 1546 01:21:58,348 --> 01:22:01,568 YEAH, I'M SURE WE CAN MAKE THIS WORK. 1547 01:22:01,699 --> 01:22:03,744 MY CLIENTS WILL BE VERY PLEASED. 1548 01:22:07,879 --> 01:22:10,403 [SIGHS RUEFULLY] 1549 01:22:11,839 --> 01:22:13,711 MY WIFE AND I, WE WERE... 1550 01:22:13,841 --> 01:22:16,279 WE WERE HAPPY HERE. 1551 01:22:20,674 --> 01:22:22,981 I HEARD ABOUT WHAT HAPPENED. 1552 01:22:23,112 --> 01:22:26,028 YOU HAVE MY DEEPEST CONDOLENCES. 1553 01:22:26,158 --> 01:22:29,031 THANK YOU. 1554 01:22:29,161 --> 01:22:31,729 WE HAD, UM, 1555 01:22:31,859 --> 01:22:33,992 PLANNED ON MOVING DOWNTOWN 1556 01:22:34,123 --> 01:22:35,776 TO SHORTEN MY COMMUTE 1557 01:22:35,907 --> 01:22:38,910 SO I COULD SPEND MORE TIME WITH THE FAMILY. 1558 01:22:40,825 --> 01:22:42,131 WELL, I GUESS THAT'S MORE IMPORTANT NOW 1559 01:22:42,261 --> 01:22:43,654 THAN EVER, ISN'T IT? 1560 01:22:49,703 --> 01:22:51,575 LOOK! 1561 01:22:51,705 --> 01:22:54,012 SO PRETTY, HUH? 1562 01:22:54,143 --> 01:22:55,448 THAT WAS REALLY KIND OF YOU. 1563 01:22:55,579 --> 01:22:57,450 IT WAS NOTHING... 1564 01:22:57,581 --> 01:22:59,713 [♪♪♪] 1565 01:23:12,248 --> 01:23:17,731 [♪♪♪] 95372

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