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You nervous about tonight?
A little bit, l guess.
Should be pretty interesting.
- You got that thing working? - Yeah.
Okay.
All right, you guys.
As you all know,
tonight is the night we initiate the ones chosen
to join the group.
Troupe.
Am l right?
Troupe, if you will.
How are we gonna get into the building?
Follow me.
Why can't we just bribe Gus to let us in like we always do?
Oh, Corey...
my poor dear child, that's too easy.
We're gonna make things a little more interesting this evening,
you know, for the frosh meat.
Come on, you two.
Okay.
Now, we're going in through here.
Hey!
Keep it quiet till we get to our final destination.
All right, Felix and l will go first, help the rest of you.
All right, you just keep your hands off my balls, Felix.
l'll try, Corey. No promises.
Remembering old times, Corey?
No. l--
l'd have to say yes.
- Don't drop me. - Don't worry.
l've got you.
- Who's that? - Me.
Wishful thinking, Felix.
l don't know about this.
lt'll be okay.
Okay...
follow me.
- Chase! Wait! - Oh, great!
What the hell are you two doin' up here?
We're in the theater department.
Chase let us in.
The dean's boy.
Well, you tell him,
better leave a bottle of Black Label in my office
if he wants me to keep quiet about this.
And you tell him l want an extra hundred bucks.
Yes, sir. l'll tell him about the money.
And what if there's an investigation?
There will be an investigation.
They want total cooperation from the college,
and l'm going to ensure that they get it.
And if they find what they're looking for, what then?
l mean, for God's sake, Evan...
it was almost two years ago.
lf that happens, and l do mean if,
we'll deal with it.
But for now...
we cooperate...
and let them dig their own grave.
They're gonna want blood samples from the entire department,
faculty and students.
Don't worry about that.
l have it...taken care of.
lt's go time.
Oh, yeah.
Damn.
Felix, you never cease to amaze me.
And we're rolling.
Everybody say thank you to Loretta for providing this sumptuous fare.
Thanks, Loretta.
And to me for making this fabulous punch.
- Thank you. - What's in it?
Eye of newt and toe of frog.
Everything a growing girl needs.
And plenty of vodka, too.
And let us not forget to thank Felix for setting this whole thing up.
How'd you get this stuff in here?
l got Gus to help me.
Gus?
Yeah, but how did you--
l mean, won't he tell?
No, l told him the stuff were props for the play.
Yeah, but the play's Macbeth.
l know.
Gus is not the brightest bulb in the lamp, my friend.
You little freshmen have a lot to learn about the fabulous Mr. Felix Craven.
Besides, if Gus finds out,
all we have to do is give him a bottle of Scotch.
And a hundred dollars.
What?
Gus spotted us.
Yes?
You heard any noises, Doc?
Why l haven't heard anything at all, Gus.
Nothing at all.
Okeydoke.
All righty.
l guess l'll just get back to my post...then.
You ever been with a real woman, Anson?
When you say ''with'', do you mean ''hung out'', or...
Probably not.
Corey...
Chase, l think l'm gonna go run some lines over there.
Trevor...
you're a terrible actor
but a wonderful human being.
Thanks.
Hey!
You just gonna take that?
''l grant him bloody, luxurious, avaricious,
''false, deceitful, sudden, malicious,
smacking of every sin that has a name.''
What the hell is Trevor doing over there?
Rehearsing his lines.
Hey, Olivier!
How about you give that shit a rest for one night.
''Your matrons and your maids
could not fill up the cistern of my lust.''
Go ahead.
Pick a card.
Yeah? That one? That one?
Hey, Chase! Want some punch?
No.
Thanks.
Oh, my God! What is this?
That, my dear, is eye of newt.
Not funny, Tina.
Don't look at me. Felix made it.
You put it in the punch.
''Alas, poor newt...
l knew him, fellatio.''
Hey, Angela.
How would you like to see the secret room?
Okay.
Come on. We'll show you.
Hey, Sabrina.
We're gonna show Angela the secret room.
The initiation room.
Yes. The famous secret room.
Why don't you go ahead, and l'll make us some drinks.
Come on, sweetie.
Be careful, Angela.
Shut the fuck up.
Don't do anything l wouldn't do.
Hey, Trevor.
Why don't you, uh--
Why don't you beat it, huh?
All right.
So, uh, what do you think?
Oh, Felix.
lt's time.
Why don't you, uh, watch over the troupe.
Felix is one-stop shopping.
- Thanks for getting these, by the way. - Oh, no problem.
That's what l'm here for.
l can get you test questions and change your grades.
Hell, l'll get you a luck dragon.
l heard Falkor's not getting any work these days.
l make this wonderful pomegranate smoothie.
You would love it. Just put a little cinnamon right in there.
l can get you an Ewok.
l love those things.
l don't think l better.
Oh, come on, honey.
Just one more.
Yeah...to celebrate.
You do want to be part of the troupe, don't you?
l guess one more wouldn't kill me.
So who's the last man standing?
Good old Felix, of course.
Thank you.
No.
Chase.
Please!
What the hell?
What did you give her?
Oh, no way.
- We gotta get help. - No, Sabrina. Wait.
She's fucking dying, Chase.
Okay, look at me. No, Sabrina. Look at--
Look at me!
Calm down.
l'll take care of this.
Okay? Sabrina.
- Okay. - Okay.
What do you want me to do?
All right, we gotta get this stuff out of here.
Bring the camera and follow me.
Okeydokey.
What do we do with the tape?
Give me your lighter.
One pill makes you larger
One pill makes you small
Smoke? What?
That's not the sweet stuff.
Oh, what are they doing in there?
Chase, what--
Sabrina?
Angela? Angela?
What is on fire?
What are you guys doing in here?
l could smell smoke all the way out there.
Trying to burn this place down or something?
How many milligrams were in those pills, dude?
Just enough to get the job done, baby.
ln and out in two hours.
Where's Angela?
She's lying next to the couch, probably dead.
What are you talking about? There's nobody there.
What?
She's gone.
What happened?
Where's Angela?
She overdosed, Felix.
She fucking overdosed right there.
Look.
Angela? What are you doing?
Don't! Don't do it!
This is for you, Chase.
- You got her? - Got her.
- Wait. Wait. - What?
- Wait. - What?
- Where are we taking her? - All the way to the end.
- Oh, God. - No one will find her down here.
Let's just get this done and get back.
All right. We're here.
Sabrina.
What do you want me to do?
Pull those doors open.
Don't worry. That's just exhaust fans.
lt'll be all right.
Please just get this over with.
Let's just stuff her in.
Hey. Hey.
What's in there?
Nothing yet.
As soon as we're gone,
there'll be rats in there the size of small dogs.
They'll devour her by morning.
Well, what about the bones?
lf there's anything left,
l'll come back in a few days and incinerate her.
That whole room is full of coal.
You're a genius, Felix.
You're kidding me, right?
Out of sight, out of mind.
Right, Chase?
Look.
We need to get our story straight.
Keep our mouths shut.
l won't let this ruin my life.
What are we going to do with her clothes?
All right.
Let's get this straight right now.
We were with Angela last night.
Look, we were all a little drunk, and she said she wanted to go.
Sabrina said she shouldn't, but she insisted.
She didn't have to drive, so she walked back to her dorm.
That's the last time we saw her.
Now we dump her clothes in the river,
it looks like she passed out-- fell in and drowned.
Yeah, but they won't find her body.
They're not going to stop looking until they find the body.
Just act like nothing happened.
Get it?
All right.
You stay here and clean up.
Felix and l will be back.
Look, if everybody gets up and starts asking questions,
just tell them we went to get more booze.
What would l do without you, man?
Not get away with it?
lt's your world, Chase. l just live in it.
You better get back.
They're gonna get suspicious.
Yeah.
Chase! What's going on?
l saw you carrying something.
- Something that looked-- - Look, you saw nothing.
But l--
Nothing.
Get it?
No...
Chase...
Please..
Round about the cauldron go,
in the poison'd entrails throw.
Toad, that under coldest stone
days and nights has thirty-one...
Weird Sisters, l want that cauldron--
- Eamon? - ...as far upstage as possible.
- That's downstage. - Right here.
Downstage.
Banquo and the other guy are going to enter from over here.
Eamon.
Sorry to bother you,
but they're waiting for you in rehearsal.
Right!
To the dungeon!
Round about the cauldron go,
in the poison'd entrails throw.
Toad, that under coldest stone days and nights has thirty-one...
Round about the cauldron go...
Pretty sure we're safe.
Well, of course we're safe.
End of conversation.
...and nights has thirty-one...
Sweater'd venom sleeping got,
boil thou first i' the charmed pot.
No, no, no, Tina.
Not ''sweater'd,'' ''swelter'd''.
l don't even want to think about it.
l feel sick.
l feel fine.
Look, Sabrina, you gotta stay cool.
All right? You're making me nervous.
Double, double toil and trouble,
fire burn, and cauldron bubble.
Again! Sinister.
Double, double toil and trouble,
fire burn, and cauldron bubble.
That's it. That's it.
Fillet of a fenny snake,
in the cauldron boil and bake.
Eye of newt and toe of frog,
wool of bat and tongue of dog...
''Eye of newt.''
Loretta almost puked when she saw that in the punch, remember?
Yeah, that's who l'm worried about.
- Who? - Lorett--
Loretta.
She saw us carrying Angela's body.
Oh, my God.
Hey, Chase.
You were fantastic last night.
What?
l had to sleep with her last night to keep her from asking questions.
You had to what?
You kill a girl and then you go and sleep with her?
What's the matter with you?
Nothing's the matter with me.
l was doing us a favor.
You know how big of a mouth that girl has.
That was great, Weird Sisters.
Keep it coming. Just remember, darkness.
Keep it dark.
Lady Macbeth?
What scene?
Sleepwalking scene.
Felix?
lsn't there something you should be doing?
Right.
l'll be in the machine shop.
Okay.
Okay, Sabrina.
Eamon?
We're going to have to take a break.
We gotta set these lights.
Five minutes, everybody. Setting some lights.
All right, Terry, let's rattle this cage.
ls there anything you'd like me and Anson to do, Eamon?
Yes.
Go to the prop store and get me three spears.
Okay.
Ready, Corey?
Ready.
lt seems to be working. Thanks a lot, guys.
Thanks, but...
l mean, l can't really take the credit.
Felix pretty much set this whole thing up.
Well, thanks to Felix.
Where is he?
You told him to go do something.
Yeah.
Where were we?
Sleepwalking scene.
Right, Sabrina.
Right from the top.
l want you to play it for pathos.
Play it for pathos.
ln your own time.
Out, damned spot. Out, l say.
Hell is murky.
What need we fear when none can call power to our account?
Who would've thought the old man...
- Hello, son. - ...would have so much blood in him?
Hello, Father.
She's good.
What, will these hands ne'er be clean?
Here's the smell of blood still.
All the perfumes of Arabia could not sweeten this little hand.
Chase, we have to talk.
Can you come to my office later after rehearsal?
Yes, sir.
Bring her.
Bring Sabrina?
- Why? - Just bring her.
Be there at 9:00 and don't be late.
What's done cannot...
cannot...
lt can't be undone.
l'm sorry, Eamon.
l feel a little nauseous. l've got a cramp.
- Chase? - What?
Can l rely on you to be there?
Yeah. What-- Dad, yeah, l'll be there.
What's this all about?
l'll talk to you later.
- Okay. - Good, then.
Okay, Sabrina, from the top, in your own time.
l'm going to go and get coffee.
Loretta, can you get book for Sabrina?
Okay, Eamon.
Thank you.
Hey, hey.
What's the matter?
l keep seeing Angela's face.
lt's okay.
All right, let's get back to work.
Okay.
Loretta.
Cue her, will you?
Sure thing...lover.
How many spears did Eamon say he wanted?
Three, l think.
Well, l only need one.
Felix.
How are the weapons coming?
Oh, see for yourself.
Whoa, don't touch this.
This stuff will melt your skin right off.
Well, you've done it again, Felix.
That's the body harness the DreamCo people sent us.
lt arrived yesterday.
Looks a little small.
100 % Durdlon.
Can hold up to 300 pounds.
Have you seen Gus?
No, uh, why?
Nothing.
Could you go to the theater
and tell everyone to take a dinner break?
Sure thing.
Back at 7:30.
All right, listen up.
That's it for now, all you little Streisands.
Eamon wants us to take a dinner break, so...get out.
Hey...
Why don't you go back to your room?
Take a Valium, have a bath or something.
Are you coming?
No. Felix and l were going to get food, but...
l'll be there after.
l can bring you something if you like.
No.
No, l'm not hungry.
Okay, we'll be back in about an hour, baby.
l hope they have good weed in hell, man.
Because that is exactly where we are going for all this shit.
l don't fear hell, Felix.
Hell fears me.
No, it doesn't.
Hey, Gussy!
How goes it?
You finish off that last bottle of Scotch?
You know, it's distilled five times.
You shut your goddamn mouth, boy.
l seen you boys last night and l know what you done
to that pretty little girl.
So don't be playing with me.
From here on out, l'm the one who's doing
all the playing, you see?
What the hell are you talking about?
You were passed out drunk last night, Gus. You didn't see anything.
You don't know anything.
Why, yes, l do, young Masterson.
And l got it all on videotape.
A tape of what? The Devil ln Miss Jones?
A tape of what sadistic thespian numero uno
done to that sweet little virgin.
Yeah, bullshit. Prove it.
l will.
But it's gonna cost you.
l want $30,000 by midnight tonight or l'll give that tape up.
l'm sure 60 Minutes would pay top dollar for it.
Gus.
You wouldn't do that.
l mean, we've given you so much booze and...friendship.
$30,000?
Where am l supposed to get that much by tonight?
Come on, Gus, 30 grand?
l mean-- How about l give you a grand and a case of Johnny or Glenlivet?
Well, l'm sure Chase's daddy would love to help him out.
You better find a way.
And meet me by midnight...
or you two and that little camera girl are going to prison.
Yeah, all right. Fine.
Creepy fuck.
- Where do you want to meet? - Creepy.
You just show up.
l'll find you.
Midnight, no later.
Gus?
Ah, there you are.
Strong. Good to see you.
l had a talk with the president.
She says we must make sure that all campus buildings are secure at night.
l've been made aware.
Perfect timing, really.
l think it's a wise policy.
All buildings will be locked at 8:30.
Gus knows to change the alarms.
And here are your new pass codes.
Wait a minute.
l have a rehearsal scheduled until midnight.
l'm afraid not.
What am l supposed to do?
Have them come in the morning before classes.
Actors?
l'm sure if you explain it to them, they'll understand.
- Are you crazy? - l'll tell you what.
You have them scheduled to come in tonight at 7:30.
Yes.
Why don't we have Strong come in and explain things to them?
l could do that.
What did you give her?
No way.
Where's Tina and Anson?
l don't know.
Somewhere doing the-- it, l guess.
l think a better question is, what happened to Angela?
She walked home.
That's what Chase told me.
Last night.
Listen up, peoples.
Jack Strong, the head of college security,
wants to have a word with us.
Hello, students.
l know you're all anxious to get started with rehearsal.
However, l feel l should bring you all up to speed
on the new security system here at Baxter Theater.
But before l get started, does anyone have any questions?
- Yeah, like-- - Good.
So l'm sure you'll understand
why the college feels it can no longer offer access
to campus buildings at night.
We know some of you have been partying
in the buildings after hours.
This will come to an end.
What? Don't look at me.
- lt was Trevor's idea. - l didn't--
Listen up.
All buildings will be closed at 8:30 sharp.
The theater building, the museum,
the athletic building all have video surveillance,
after-hour pass code entry,
and electrified theft deterrent windows.
Anyone touching the first or second-floor windows
or doors after hours...
What about our rehearsals?
Good luck.
Rehearsals will begin at 8:30 in the morning.
- What? - That's ridiculous.
l have class until noon every day.
Then get here when you can get here.
We will work this out.
At least my sleepwalking scene will be convincing.
Welcome to the new Baxter University.
Get used to it.
Eamon, couldn't we just, l don't know,
start with the smaller parts and let us come in at, say, 1 1 :00 or 4:00?
Chase, you will get here at 8:30 A. M., same as everyone else.
Yes, master.
Chase.
What?
Yes, sir.
Let's go get our stuff.
l'm going to be sleepy.
l know.
Hey...
Eamon wants us to stick around for a secret rehearsal.
What?
You heard what that Jack Strong guy said.
What else does it say?
lt says Trevor's to be at the theater at 9:00.
He's probably going to rehearse each of you separately.
What l can't figure out, though, is why he would want me to stay?
l mean, all l do is rig the flat and rusticize the weaponry.
l can pretty much bedazzle anything.
Remember that time l crimped my hair?
- You liked that, didn't you? - Oh, yeah.
Speak to me.
Oh, hey.
Yeah. Yeah, it's me.
No.
l don't think l'll be able to make it.
Something's come up.
Rehearsal.
Oh, yeah. l do, too.
Bye.
Corey, what is wrong with you?
What?
You just told someone we're having rehearsal?
Well, it was my nanna.
All right, that's it.
Everyone turns their cell phones off and leaves them right here.
Let's go, Paris.
You girls go ahead to the party room.
Felix and l will catch up.
l could definitely use a drink.
Chase, can't you come with me?
Listen, Loretta, if you think you're going to get your dirty,
wannabe-soap-opera-actress hands on Chase again,
tonight or ever, you're very much mistaken.
Chase?
Go with Sabrina.
Don't turn the lights on until we all get there.
Well, it's a quarter to.
l may as well just go on down to the theater.
What's bothering you, Jack?
There's something just not right.
There's something going on over at that theater building.
l can feel it.
l drove by there earlier this morning
and l swear l saw Felix Craven sneaking around.
l'm going to go check out the perimeter.
l know those two are up to something.
That Masterson kid-- always getting into trouble.
You hooked up with Loretta last night?
Well, that's none of your business.
Come on, Chase.
You know l had a thing for her.
You fucking passed out, Corey.
Besides, she came to me.
Under the circumstances you would have done the same thing.
You just watch your back, Chase.
One of these days you're going to get what's coming to you.
We need to keep an eye on Corey.
ls this even the right way?
l just don't want anything to happen to me like it did to Angela.
What do you mean by that?
Nothing.
- Tell me. - No.
Chase told me.
Chase told you what?
That it was nothing, what l saw.
lt wasn't anything.
You hurt me.
lf you don't shut up and come on,
l will leave you behind.
Wait, is this the right way?
Oh, no.
Who's that?
ls someone there?
Right.
Right, Trevor. Scare yourself to death.
What the hell?
l told those idiots midnight.
Who the fuck does he think he is?
Just stay calm, man.
l'm not going to get all fucked up over that asshole.
Apparently, l will talk to myself, though.
Don't you remember Felix said to leave the lights off?
l'm getting slightly pissed off
at people telling me what l can and can't do.
l'm getting a splitting headache.
l'm getting more than a little pissed off at you.
What made you think you could steal my boyfriend?
Come on, Sabrina.
Everyone knows you film Chase with other girls.
Do you ever join Chase with those other girls?
Hey...
Bitchin'.
Eamon?
lt's 9:00.
Hey, what do you want me to do?
Which line?
Eamon?
All right, l'm just going to rehearse my lines, then.
l grant him bloody, luxurious, avaricious--
Holy shit.
That was mighty fucking close.
Hey.
What's all this about?
l think we're over our little spat.
Where's Felix?
He was right behind me.
So, Corey, you think you could leave the three of us alone for a little bit?
Oh, you have got to be kidding me.
Don't worry, Corey, you can run the video camera.
Hey, what took you so long?
l thought we might be running low, so l took these from the Gus stash.
Always thinking.
How long are we supposed to wait here?
l imagine he'll send Trevor to come get one of us
when they're finished.
This sucks.
What the hell?
What?
Jesus.
lt's Tina and Anson.
lt's not.
Where have you guys been?
All right, get up, you two.
Oh, my God!
Chase, we gotta get out of here.
Baby, baby, we can't. There's no way out, remember?
There has to be a way.
Sabrina, Chase is right.
We need to calm down and figure out what to do.
Felix, you can stay calm.
l'm getting the fuck out of here.
Sabrina!
Eamon?
Let's go.
This damned old building.
Fuck.
Okay, you guys, wait here.
What is that smell?
Smells like shit.
Corey, get Loretta out of here.
Why?
What's wrong?
Just get her out of here.
- l wanna see. - Corey.
- What's wrong? What's going on? - Just go.
- ls somebody else dead? - Loretta, go, go.
Oh, God.
- We gotta get out of here. - Well, yeah.
The tunnels?
- No. - Well, what, then?
Eamon's office.
He must have a spare key laying around or a new code card.
l don't know.
lt's better than the tunnels.
Okay.
What the hell was going on in there?
- Trevor's dead. -We're all going to die.
- Loretta. - Loretta.
Pull yourself together, okay? We're going to find a way out.
We're going to Eamon's office right now
to see if he has a code card laying around.
We don't even know where Eamon is.
l don't think it was Eamon who wanted us to stick around.
Who, then?
Whoever's doing this.
Oh, no.
Guys...let's go.
How are we even going to get in there?
All right, get in there, get it, and get out.
The phones are dead.
Dead?
Where would he put it?
l don't know.
Hey.
Hurry up.
l think l found something.
Oh, my God.
''Oh, my God,'' wh--
''Oh, my God'' what?
These are from Angela.
From Angela?
Angela?
- Eamon. - Oh, he adored her.
Seriously, Aphrodite, now is not the time for your little love-in.
Tell me about it.
Don't you see what this means?
He's the one doing the killing, to get even for Angela.
Right.
What? Why?
Look...
Look, there was an accident.
So? What are you saying?
Are you saying Angela's dead?
l told you it was an accident.
Great. So now Eamon's trying to kill us all.
Looks that way.
No. No.
l didn't have anything to do with it.
Neither did l or Tina or Trevor or Anson.
Look. We were all here last night.
We're all in on this.
All right.
We'll just go down to the basement
and go out one of the windows.
Everybody, calm the fuck down.
l mean, climb out the basement windows?
The windows are electrified.
No, Corey might be on to something.
Look, Strong said only the first and second floors were electrified.
He didn't say anything about the basement.
Fine. Let's just get the hell out of here.
Where the hell is Sabrina?
Sabrina.
Where are you?
- Sabrina. - What the hell happened to her?
Sabrina.
Chase, come on!
Okay.
l'm coming.
Okay.
Head out that way and...find Sabrina.
All right.
Calm them down and meet me by the machine shop.
Chase, we'll leave without you.
You ask me, we should leave the son of a bitch.
- Corey. - What?
You know, l hope Eamon kills him.
- No, you don't. - Yeah, l do.
No, he doesn't what?
Nothing.
You, Chase. You.
You are the reason that we're all here.
You're the reason that people are dying, man.
Let's just get out of here.
Fine.
l'll go first.
No.
Let Loretta go first.
No, it's all right.
What the fuck?
Corey!
No!
Come on.
Damn.
We have to go now.
Come on.
Where the fuck are the phones?
Come on.
Loretta...come on.
We have to find Felix and Sabrina.
Now!
Look, Felix must be in the machine shop by now.
Come on.
Hold it together.
We're gonna get out of here.
l promise.
Chase! Corey! Loretta! Where are you guys?
The lobby. Come on.
- Felix! - Now where'd he go?
No. No, don't.
Where is he?
Dean Masterson.
What are you doing?
lt's being taken care of.
You need to get hold of yourself.
l know it's hard.
Have you been drinking?
l'm coming over there.
''Something bad has happened.''
What has he gotten himself into this time?
God.
l give up, man.
l can't believe this is happening to me.
How can l be a star if l'm dead?
Me, too.
l want to be a Clairol model.
Maybe a soap actress.
Jesus, there you guys are. l've been looking everywhere for you.
Yeah, we've been looking for you.
Where's Corey?
Dead.
Have you seen Sabrina?
No.
You know what?
What?
l went to get our cell phones.
- They're gone. - Figures.
Felix, how are we gonna get out of here?
l figure the tunnels are the only way.
- The tunnels? - They can get us through, okay?
Let's just go then.
We need to find Sabrina first.
Where do you think she might be, then?
She might have gone back to the theater.
- And she might be dead! - Stop it, Loretta.
l just can't take it, all right?
Turn, hellhound, turn.
What's this all about, Eamon?
Nice of you to drop by, Chase.
How's your swordplay?
Been practicing?
Where's Sabrina, Eamon?
Where's Angela, Felix?
Gus killed her.
Oh, l don't think so.
She was with you last night.
You and Chase and Sabrina, l know that you killed her.
And what makes you say that?
Found it in Gus' office.
Hey, man. Put the sword down. lt was an accident.
l would have made her into a great actress.
She wanted to be with you.
Wanted to be with ''people her own age,'' she said.
She wanted to have fun, and you did to her
what you have done to so many other girls.
Why, Chase?
Why Angela?
Come and die, Chase.
- Who the fuck-- - Did that really just happen?
lf Eamon's not the killer...
We need to get to the tunnels.
- What about Sabrina? - We need to face the fact, man.
She's probably dead.
Okay, hold on. Hold on.
All right, the fastest way from here is through the lobby stairs,
the way we went with Angela.
All right.
Tunnels, here we come again.
- Are you okay? - l don't know.
- Look, can you walk? - No.
We're gonna get out of here alive.
- Right? - Yeah.
Okay.
- Wait for us down below. - Yeah.
All right, Loretta, don't worry, okay?
l'm gonna be right down there, just in case you lose your footing.
That's it. One at a time.
What the fuck!
All right.
We're the only ones left.
Now let's get out of here.
- Dad! - Dean Masterson?
What are you doing here?
A better question, Mr. Craven, would be what are you doing here?
Why did you just kill Loretta?
Where's Sabrina?
All your life, l've been getting you out of scrapes.
l knew about you and that girl Angela.
But l certainly wouldn't kill anyone.
All right.
All right, if that's true, why are you here?
l got your note...
to meet you here at 1 1 P. M.
l'm here.
Dad, l didn't send you a note.
Somebody has gone to a lot of effort to lock us in here and kill us.
Not that many people knew about the tunnels, man.
l mean, how did you know how to get down here?
l'm the dean.
All right.
We have to keep moving.
Felix, lead us out of here.
All right, let's go.
Where are you going?
What the hell is going on, Chase?
Who else is dead?
Tina, Anson, probably Sabrina,
Eamon.
That's not all bad.
What do you mean by that?
He was the only other person who knew.
Knew what?
Now is not the time, Chase.
People are dead.
l think now is the perfect time.
A girl came to see me, Chase.
One of your...
accomplishments.
She said she was pregnant with your baby.
She wanted an abortion.
She wanted me to pay for it or she'd tell the university president.
l couldn't let her ruin your life.
Hey, Chase, where the fuck are you? Let's go, man!
Now is not the time for family bonding.
l would like to make it out alive.
Let's go!
Just lead us out of here.
This way.
Dad!
Welcome back, Chase.
You surprised to see she's not dead?
l guess you didn't know that Angela and l are brother and sister.
- Half. - Half...
brother and sister.
The way we found out?
Sandra's funeral.
Sandra's fucking funeral!
Right then and there, Angela and l vowed revenge.
Revenge on you and everyone like you.
You do remember her, right?
Sandra?
Why is it you don't feel the rules apply to you, Chase?
l'm sorry.
Are you sure we should?
Yeah.
l'm sure.
She said no.
No. No. No.
No, stop! Stop!
No!
And your father?
He knew about the whole thing.
Of course we had to get him down here.
She died having your baby aborted.
Your father paid for it.
He doesn't deserve to live, Felix.
Kill him.
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