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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,016 --> 00:00:16,976 ANNOUNCER: THERE’S 8 MINUTES LEFT IN THE FOURTH QUARTER, 2 00:00:17,017 --> 00:00:18,717 AND THIS HAS BEEN QUITE THE GAME, FOLKS. 3 00:00:18,752 --> 00:00:19,892 FOR THOSE WHO ARE JUST TUNING IN, 4 00:00:19,920 --> 00:00:21,820 GAU’s HEAD COACH KENNY BOONE IS OUT TODAY 5 00:00:21,855 --> 00:00:23,715 DUE TO A FAMILY EMERGENCY. 6 00:00:23,757 --> 00:00:26,287 STEPPING IN FOR HIM IS THEIR O.C. AND GAU ALUM 7 00:00:26,326 --> 00:00:29,726 COACH TERENCE "MAC" McCLELLAND. 8 00:00:29,763 --> 00:00:32,733 SOMEBODY NEEDS TO STEP UP AND MAKE A PLAY FOR COACH MAC 9 00:00:32,766 --> 00:00:36,296 BECAUSE GRIFFIN U. IS PUTTING UP QUITE THE FIGHT. 10 00:00:36,336 --> 00:00:39,736 MAN: ♪ I’M UNBREAKABLE, MY MIND IS MADE OF TEFLON... ♪ 11 00:00:39,773 --> 00:00:41,343 ANNOUNCER: TOUCHDOWN, AND JUST LIKE THAT, 12 00:00:41,375 --> 00:00:44,015 GAU’s STAR WIDE RECEIVER SPENCER JAMES 13 00:00:44,044 --> 00:00:47,584 HAS HELPED HIS TEAM TAKE THE LEAD 34-30. 14 00:00:47,614 --> 00:00:49,584 IF ANYONE WAS WONDERING 15 00:00:49,616 --> 00:00:51,076 WHERE THIS KID BELONGS COME DRAFT DAY... 16 00:00:57,190 --> 00:00:59,430 LAYLA: HOW’S THE BOOK COMING, LIV? 17 00:00:59,459 --> 00:01:01,159 PLUGGING AWAY ONE DAY AT A TIME. 18 00:01:01,194 --> 00:01:02,164 HOW’S EVERYTHING WITH THE LOUNGE, 19 00:01:02,195 --> 00:01:03,595 OR ARE WE GOING FOR A FULL REBRAND 20 00:01:03,630 --> 00:01:05,170 AS LAYLA’S FIGHT CLUB? 21 00:01:05,198 --> 00:01:06,768 THAT’S NOT FUNNY. 22 00:01:06,800 --> 00:01:07,830 YOU’D THINK EVERYONE WOULD BE OVER 23 00:01:07,868 --> 00:01:10,098 THE BRAWL AT SPENCER’S BIRTHDAY BY NOW, 24 00:01:10,137 --> 00:01:11,497 BUT EVERY TIME I CLEAR A BAD REVIEW 25 00:01:11,538 --> 00:01:14,608 OR VIDEO, ANOTHER ONE POPS UP. 26 00:01:14,641 --> 00:01:16,611 IT’S, LIKE, SOCIAL MEDIA IS SO EXHAUSTING. 27 00:01:16,643 --> 00:01:19,613 ARE YOU SERIOUSLY ADDING VIEWS 28 00:01:19,646 --> 00:01:20,446 TO THE VIDEO I’M TRYING TO WIPE? 29 00:01:20,480 --> 00:01:22,680 MY BAD, ALL RIGHT? 30 00:01:22,716 --> 00:01:24,176 I JUST--I FIND SOMETHING NEW EVERY TIME I WATCH IT. 31 00:01:24,217 --> 00:01:25,947 LIKE, LOOK, THERE IS LITERALLY A TEAR 32 00:01:25,986 --> 00:01:28,516 COMING OUT OF THIS GROWN MAN’S EYE. 33 00:01:28,555 --> 00:01:29,855 FOR REAL? NO. GUYS, GUYS, HEY, HEY, HEY. 34 00:01:29,890 --> 00:01:31,930 HEY, CAN WE PROMISE TO NEVER 35 00:01:31,959 --> 00:01:33,029 WATCH THIS AGAIN, PLEASE? 36 00:01:33,060 --> 00:01:34,360 COOP: OK. FINE. 37 00:01:34,394 --> 00:01:37,864 THANK YOU. PROMISE. 38 00:01:37,898 --> 00:01:39,428 [SIGH] WHERE IS PATIENCE, ANYWAY? 39 00:01:39,466 --> 00:01:42,196 FEEL LIKE SHE’S BEEN, WELL, KIND OF DISTANT 40 00:01:42,235 --> 00:01:43,535 SINCE EVERYTHING. 41 00:01:43,570 --> 00:01:45,870 MORE LIKE DISTANT FROM ME. 42 00:01:45,906 --> 00:01:49,536 I MEAN, SHE MADE A MOVE, AND I SHUT IT DOWN. 43 00:01:49,576 --> 00:01:50,376 IT JUST DIDN’T FEEL RIGHT AFTER HOW MUCH 44 00:01:50,410 --> 00:01:51,980 SHE HAD BEEN DRINKING THAT NIGHT, 45 00:01:52,012 --> 00:01:53,552 BUT SHE TOOK IT WRONG. 46 00:01:53,580 --> 00:01:56,480 WELL, AS SOMEONE WITH A HISTORY 47 00:01:56,516 --> 00:01:58,316 OF MAKING BAD CHOICES WITH ALCOHOL, 48 00:01:58,352 --> 00:02:00,552 YOU DID THE RIGHT THING, COOP. 49 00:02:00,587 --> 00:02:03,287 I HOPE SO. 50 00:02:03,323 --> 00:02:05,733 YO, WAIT. DID SPENCER JUST SCORE? 51 00:02:05,759 --> 00:02:07,629 I THOUGHT HE SAID HE WASN’T GETTING MUCH ACTION TODAY. 52 00:02:07,661 --> 00:02:09,561 WAIT. THAT’S WHAT HE TOLD ME, TOO. 53 00:02:09,596 --> 00:02:12,126 OH, SO JORDAN’S BEEN PLAYING THE WHOLE GAME, 54 00:02:12,165 --> 00:02:13,965 BUT NOW WE UNMUTE IT. 55 00:02:14,001 --> 00:02:17,901 OK. NO. IT’S FINE. 56 00:02:17,938 --> 00:02:20,138 OK. EVERYONE READY? 57 00:02:20,173 --> 00:02:21,243 HEY, HEY, HEY, GIVE ME THE BALL, ALL RIGHT? 58 00:02:21,274 --> 00:02:22,914 I’M GONNA GET THIS FIRST DOWN TO ICE THIS GAME. 59 00:02:22,943 --> 00:02:25,413 ANNOUNCER: IT’S 3 MINUTES LEFT IN THE FOURTH QUARTER. 60 00:02:25,445 --> 00:02:27,075 WE’LL SEE WHAT THESE CONDORS HAVE UP THEIR SLEEVE 61 00:02:27,114 --> 00:02:28,754 ON THIRD DOWN. 62 00:02:28,782 --> 00:02:30,382 DOWN, SET, RED 70. 63 00:02:30,417 --> 00:02:32,387 RED 70, SET. 64 00:02:35,922 --> 00:02:37,662 [WHISTLE BLOWS] 65 00:02:37,691 --> 00:02:40,831 AHH... 66 00:02:40,861 --> 00:02:41,901 [WHISTLE BLOWS] 67 00:02:41,928 --> 00:02:43,658 PUNT TEAM. 68 00:02:43,697 --> 00:02:46,767 AYE, BRO, WHAT ARE YOU DOING, MAN? 69 00:02:46,800 --> 00:02:48,430 I TOLD YOU I HAD IT. 70 00:02:48,468 --> 00:02:49,138 YOU SHOULD’VE THROWN ME THE BALL. 71 00:02:49,169 --> 00:02:50,669 ARE YOU SERIOUS RIGHT NOW? 72 00:02:50,704 --> 00:02:52,444 YO, I HAD 3 DUDES IN MY FACE 73 00:02:52,472 --> 00:02:53,342 THE MOMENT I SNAPPED THE BALL. 74 00:02:53,373 --> 00:02:55,843 I COULD BARELY GET TO MY CHECKDOWN. 75 00:02:55,876 --> 00:02:57,106 WHATEVER. COACH, YOU GOT TO PUT THE BALL IN MY HANDS. 76 00:02:57,144 --> 00:02:57,944 I’VE BEEN COOKING THIS WHOLE SECOND HALF, MAN. 77 00:02:57,978 --> 00:02:59,008 RIGHT NOW, I GOT TO FOCUS ON THE GAME, 78 00:02:59,046 --> 00:03:00,576 AND WE NEED A STOP, OK? 79 00:03:04,217 --> 00:03:07,487 [CROWD CHEERING] 80 00:03:08,288 --> 00:03:09,688 COME ON! 81 00:03:09,723 --> 00:03:11,933 ANNOUNCER: TOUCHDOWN, GRIFFIN. 82 00:03:11,958 --> 00:03:14,988 THEY HAVE OFFICIALLY TAKEN THE LEAD 37-34. 83 00:03:17,297 --> 00:03:19,427 MAC: ALL RIGHT, TRIPS RIGHT, 42 SCREEN. 84 00:03:19,466 --> 00:03:21,596 JORDAN, PUMP-FAKE TO THE SLOT AND THEN SWING IT TO WEBBER. 85 00:03:21,635 --> 00:03:23,705 SCREEN PASS? 86 00:03:23,737 --> 00:03:25,537 IT’S THE BEST WAY TO NEUTRALIZE THEIR BLITZES. 87 00:03:25,572 --> 00:03:26,342 OK. THEN THROW THE SCREEN TO ME. 88 00:03:26,373 --> 00:03:27,713 OR WE COULD TRUST THE ANALYTICS, 89 00:03:27,741 --> 00:03:29,041 PASS TO WEBBER LIKE HE SAID. 90 00:03:29,076 --> 00:03:30,036 NO ONE’S EXPECTING THAT. 91 00:03:30,077 --> 00:03:31,707 AS LONG AS YOU BLOCK YOUR MAN, WE’LL BE GOOD. 92 00:03:31,745 --> 00:03:33,285 BLOCK? COACH, I AM TRYING-- 93 00:03:33,313 --> 00:03:34,683 ONE MORE WORD, JUST ONE MORE WORD, 94 00:03:34,715 --> 00:03:37,125 AND YOU’LL BE STANDING HERE ON THE SIDELINES WITH ME. 95 00:03:37,150 --> 00:03:37,950 ALL RIGHT, GENTLEMEN. 96 00:03:37,984 --> 00:03:40,694 THIS IS JUST ASSIGNMENT FOOTBALL. 97 00:03:40,721 --> 00:03:41,961 AS LONG AS YOU DO YOUR JOB, WE’LL GET THIS FIRST DOWN. 98 00:03:41,988 --> 00:03:42,788 ONCE WE DO, WE’LL HAVE ENOUGH TIME TO SCORE 99 00:03:42,823 --> 00:03:44,293 AND PUT THIS ONE AWAY, ALL RIGHT? 100 00:03:44,324 --> 00:03:45,364 ALL RIGHT. ALL RIGHT. 101 00:03:45,392 --> 00:03:47,292 ON 3, LET’S GO, LET’S GO. 102 00:03:47,327 --> 00:03:48,057 "CONDORS" ON 3. "CONDORS" ON ME. 1, 2, 3. 103 00:03:48,095 --> 00:03:49,135 ALL: CONDORS! 104 00:03:49,162 --> 00:03:50,462 WIDE 60. 105 00:03:50,497 --> 00:03:53,527 WIDE 56. 106 00:03:57,938 --> 00:04:00,138 ANNOUNCER: OH, NO. 107 00:04:00,173 --> 00:04:02,043 IT LOOKS LIKE GAU JUST GAVE UP A COSTLY FUMBLE. 108 00:04:04,010 --> 00:04:07,210 OH, A HELMET-TO-HELMET HIT BY SPENCER JAMES. 109 00:04:07,247 --> 00:04:10,217 THEY’RE MORE THAN LIKELY GOING TO EJECT HIM FOR TARGETING. 110 00:04:10,250 --> 00:04:12,220 IT’S NOT LOOKING GOOD FOR THESE CONDORS. 111 00:04:12,252 --> 00:04:13,992 [WHISTLE BLOWING] 112 00:04:14,020 --> 00:04:16,220 NO. YO, NOW COME ON, MAN. 113 00:04:16,256 --> 00:04:16,886 Y’ALL EJECTING ME FOR REAL? 114 00:04:16,923 --> 00:04:18,793 OFF THE FIELD, SPENCER. 115 00:04:18,825 --> 00:04:19,625 SHOULD’VE THROWN ME THE BALL, BRO. 116 00:04:19,659 --> 00:04:21,729 MAYBE YOU SHOULD’VE BLOCKED YOUR MAN. 117 00:04:21,762 --> 00:04:22,732 WHAT HAPPENED TO USING YOUR QB INSTINCTS? 118 00:04:22,763 --> 00:04:23,733 WHAT HAPPENED TO CALLING AN AUDIBLE? 119 00:04:23,764 --> 00:04:26,004 WHAT’S UP? 120 00:04:26,032 --> 00:04:27,232 OH, YOU JUST LISTEN TO WHAT HE SAYS, HUH? 121 00:04:27,267 --> 00:04:27,967 OH, SPENCER, CHILL. CHILL! 122 00:04:28,001 --> 00:04:29,741 DON’T TELL ME TO CHILL, BRO. 123 00:04:29,770 --> 00:04:31,240 YOU JUST GAVE THEM THE DAMN GAME. 124 00:04:31,271 --> 00:04:31,901 SINCE WHEN DO JORDAN AND SPENCER 125 00:04:31,938 --> 00:04:33,838 BEEF ON THE FIELD LIKE THAT? 126 00:04:33,874 --> 00:04:35,244 THINGS HAVE BEEN A LITTLE TENSE 127 00:04:35,275 --> 00:04:37,635 SINCE COACH MAC SHOWED UP. 128 00:04:37,677 --> 00:04:38,747 YEAH, AND SPENCER FALLING OUT OF THE HEISMAN RACE 129 00:04:38,779 --> 00:04:39,809 HASN’T HELPED, EITHER. 130 00:04:39,846 --> 00:04:42,646 THINK US UNMUTING THE GAME JINXED THEM? 131 00:04:44,618 --> 00:04:45,648 [TV MUTED] 132 00:04:50,557 --> 00:04:53,427 [INDISTINCT CONVERSATION] 133 00:04:55,629 --> 00:04:57,929 COACH, LOOK. 134 00:04:57,964 --> 00:05:01,034 I’M SORRY I GOT EJECTED, BUT-- 135 00:05:01,067 --> 00:05:01,767 LOOK. JUST STOP. 136 00:05:01,802 --> 00:05:03,772 YOU PUT YOURSELF BEFORE THE TEAM, 137 00:05:03,804 --> 00:05:05,774 AND THAT’S WHY WE LOST. 138 00:05:05,806 --> 00:05:06,636 HOLD UP. YOU’RE SAYING THIS IS ON ME? 139 00:05:06,673 --> 00:05:07,673 YOU’RE THE ONE WHO BLOCKED THE WRONG GUY 140 00:05:07,707 --> 00:05:09,937 AND CAUSED THAT FUMBLE. 141 00:05:09,976 --> 00:05:10,936 YES, BUT I WOULD’VE GOTTEN THE FIRST DOWN, 142 00:05:10,977 --> 00:05:12,347 AND YOU KNOW IT. 143 00:05:12,379 --> 00:05:13,179 THIS ISN’T ABOUT THAT, SPENCER. 144 00:05:13,213 --> 00:05:14,683 IT’S ABOUT YOU NOT BEING A TEAM PLAYER. 145 00:05:14,714 --> 00:05:17,084 YES, YOU-- THE NFL HOPEFUL 146 00:05:17,117 --> 00:05:18,347 WHO SHOWS UP TO PRACTICE HUNGOVER, 147 00:05:18,385 --> 00:05:20,195 DOESN’T RESPECT HIS COACHES, 148 00:05:20,220 --> 00:05:21,590 AND BLOWS HIS ASSIGNMENTS ON THE FIELD-- 149 00:05:21,621 --> 00:05:22,461 AND NOW IT LOOKS LIKE WE’RE OUT OF PLAYOFF CONTENTION, 150 00:05:22,489 --> 00:05:26,429 SO THANK YOU FOR THAT. 151 00:05:27,727 --> 00:05:29,857 [SCOFFS] 152 00:05:29,896 --> 00:05:32,196 MAN, COACH IS ON ONE. DID I MISS A BLOCK? 153 00:05:32,232 --> 00:05:33,972 YEAH, BUT-- "BUT"? 154 00:05:34,000 --> 00:05:35,970 THERE’S NO "BUT" AFTER THAT, MAN. 155 00:05:36,002 --> 00:05:37,202 OWN YOUR CRAP. 156 00:05:37,237 --> 00:05:38,197 YOU WANTED THE REACTION FROM ME OUT THERE? 157 00:05:38,238 --> 00:05:40,038 WELL, HERE IT IS. 158 00:05:40,073 --> 00:05:41,443 YOU HAVE BEEN SO FOCUSED ON YOU 159 00:05:41,474 --> 00:05:43,614 THAT YOU FAILED TO SHOW UP FOR YOUR TEAM TODAY. 160 00:05:43,643 --> 00:05:44,943 THAT’S ON YOU, AND THAT’S THE DAMN TRUTH. 161 00:05:44,978 --> 00:05:47,608 I DON’T KNOW WHAT’S BEEN GOING ON WITH YOU, 162 00:05:47,647 --> 00:05:49,547 BUT THIS IS THE MOST SELFISH YOU HAVE EVER BEEN. 163 00:05:49,583 --> 00:05:50,723 NOW THE ONLY CHANCE WE HAVE AT MAKING IT 164 00:05:50,750 --> 00:05:52,120 TO THE PLAYOFFS IS IF SONOMA 165 00:05:52,152 --> 00:05:53,392 LOSES THEIR NEXT GAME. 166 00:05:53,420 --> 00:05:55,050 OTHER THAN THAT, WE CAN KISS 167 00:05:55,088 --> 00:05:57,218 THE NATIONAL CHAMPIONSHIP GOOD-BYE. 168 00:06:06,066 --> 00:06:09,036 I COULD’VE SPENT THE NIGHT IF YOU WANTED. 169 00:06:09,069 --> 00:06:10,099 I HONESTLY WASN’T IN THE HEAD SPACE 170 00:06:10,136 --> 00:06:12,336 TO TALK TO ANYONE, NO OFFENSE. 171 00:06:12,372 --> 00:06:16,682 NO. I GET IT, AND DO YOU WANT TO TALK NOW? 172 00:06:16,710 --> 00:06:18,780 I’D LIKE THAT, BUT I SHOULD PROBABLY 173 00:06:18,812 --> 00:06:19,852 MAKE SURE COOP AND PREACH AREN’T MAKING 174 00:06:19,880 --> 00:06:21,950 A MESS DOWNSTAIRS WITH THIS BREAKFAST 175 00:06:21,982 --> 00:06:22,622 THEY WOULDN’T LET ME OUT OF. 176 00:06:22,649 --> 00:06:24,049 MAYBE WE CAN LINK LATER? 177 00:06:24,084 --> 00:06:25,394 YEAH. I’M GAME. 178 00:06:25,418 --> 00:06:27,448 I’VE GOT NOTHING GOING ON TODAY EXCEPT WRITING, SO-- 179 00:06:27,487 --> 00:06:30,117 [DOORBELL RINGS] 180 00:06:30,156 --> 00:06:30,886 OH, YOU SHOULD GET THAT, BABY. 181 00:06:30,924 --> 00:06:32,634 I LOVE YOU. 182 00:06:32,659 --> 00:06:34,459 I LOVE YOU, TOO. BYE. 183 00:06:36,596 --> 00:06:37,756 [SIGHS] 184 00:06:39,900 --> 00:06:42,030 OH, UM, SORRY. 185 00:06:42,068 --> 00:06:43,698 I THINK YOU HAVE THE WRONG HOUSE. 186 00:06:43,737 --> 00:06:44,937 I DON’T THINK SO. 187 00:06:46,740 --> 00:06:50,040 ASHLEY? 188 00:06:50,076 --> 00:06:52,646 OH, MY GOD, WHAT ARE YOU DOING HERE? 189 00:06:52,679 --> 00:06:54,979 DID YOU ACTUALLY LISTEN TO THE VOICEMAIL 190 00:06:55,015 --> 00:06:56,485 YOU LEFT ME A COUPLE WEEKS AGO 191 00:06:56,516 --> 00:06:57,816 ABOUT YOUR PUBLISHER EXPEDITING YOUR DRAFT DATE? 192 00:06:57,851 --> 00:06:59,651 "DESPERATE" IS THE WORD THAT COMES TO MIND. 193 00:06:59,686 --> 00:07:00,986 MY GOD, A GIRL LEAVES ONE VOICEMAIL 194 00:07:01,021 --> 00:07:02,421 FOR HER LONDON BESTIE, AND NOW SHE’S DESPERATE? 195 00:07:02,455 --> 00:07:04,415 ALL RIGHT. FINE. 196 00:07:04,457 --> 00:07:05,487 I MISSED YOU, 197 00:07:05,525 --> 00:07:06,985 THAT AND I ASSUMED YOU’D WANT A REFILL 198 00:07:07,027 --> 00:07:08,587 ON YOUR FAVORITE CRISPS. 199 00:07:08,628 --> 00:07:10,498 YOU DID NOT GET ME N.K. BUTTERSONS! 200 00:07:10,530 --> 00:07:12,770 YEAH, EXTRA BUTTER FLAVOR, OF COURSE. 201 00:07:12,799 --> 00:07:14,069 COME IN. THANK YOU. 202 00:07:14,100 --> 00:07:16,470 OH, MY GOSH, I CAN’T BELIEVE YOU’RE HERE. 203 00:07:16,503 --> 00:07:17,403 WHERE DID YOU COME FROM? 204 00:07:17,437 --> 00:07:20,067 THIS IS CRAZY. 205 00:07:20,106 --> 00:07:20,866 SPENCER, ON VIDEO: WHAT HAPPENED TO USING YOUR QB INSTINCTS? 206 00:07:20,907 --> 00:07:22,637 WHAT HAPPENED TO CALLING AN AUDIBLE? 207 00:07:22,676 --> 00:07:23,406 YO, BRO, WHY ARE YOU STILL WATCHING THAT? 208 00:07:23,443 --> 00:07:25,583 PROBABLY THE SAME REASON FOOLS 209 00:07:25,612 --> 00:07:26,412 BREAK THEY NECK TO SEE A CAR ACCIDENT. 210 00:07:26,446 --> 00:07:28,246 YOU DID MISS THAT BLOCK, LITTLE HOMIE. 211 00:07:28,281 --> 00:07:29,521 ONE BAD PLAY DON’T DECIDE THE GAME, HOMIE. 212 00:07:29,549 --> 00:07:31,179 IT DID YESTERDAY. 213 00:07:31,217 --> 00:07:33,747 WELL TODAY IS A NEW DAY, OK? 214 00:07:33,787 --> 00:07:35,517 YOU CAN HAVE IT BACK AFTER YOU EAT 215 00:07:35,555 --> 00:07:38,685 THIS BOMB-ASS EGG SCRAMBLE PREACH WHIPPED UP. 216 00:07:38,725 --> 00:07:39,935 APPRECIATE YOU. MM-HMM. 217 00:07:39,960 --> 00:07:42,160 LOOK. WELL, I KNOW A LOSS SUCKS, 218 00:07:42,195 --> 00:07:43,825 BUT YOU STILL GOT A FUTURE, SPENCE. 219 00:07:43,863 --> 00:07:45,673 THAT LOSS ALL BUT KILLED OUR CHANCES 220 00:07:45,699 --> 00:07:47,429 AT THE NATIONAL CHAMPIONSHIP, 221 00:07:47,467 --> 00:07:48,767 A FACT JORDAN THREW RIGHT IN MY FACE 222 00:07:48,802 --> 00:07:50,342 AFTER HE CALLED ME SELFISH. 223 00:07:50,370 --> 00:07:51,940 AIN’T NOTHING WRONG WITH 224 00:07:51,972 --> 00:07:53,172 A LITTLE CRENSHAW SWAGGER. 225 00:07:53,206 --> 00:07:56,106 I BLAME IT ON YOU AND LIV’S MATCHING TATTOOS, 226 00:07:56,142 --> 00:07:57,712 MUST’VE BEEN SOMETHING IN THAT INK. 227 00:07:57,744 --> 00:07:58,314 DO YOU THINK I’M SELFISH, TOO? 228 00:07:58,345 --> 00:08:00,385 BRO, IT WAS A JOKE. 229 00:08:00,413 --> 00:08:01,783 NAH, BECAUSE CLEARLY Y’ALL BEEN THINKING IT, 230 00:08:01,815 --> 00:08:04,225 BUT AIN’T NOBODY SAID NOTHING TO ME TILL NOW. 231 00:08:04,250 --> 00:08:06,390 THE MESSED UP PART IS, Y’ALL THE SAME PEOPLE 232 00:08:06,419 --> 00:08:08,959 TELLING ME TO STOP TRYING TO SAVE EVERYBODY, 233 00:08:08,989 --> 00:08:11,359 THAT I GOT TO PUSH FOR MYSELF ON AND OFF THE FIELD. 234 00:08:11,391 --> 00:08:13,931 MAN, YOU KNOW, EVEN COACH BAKER SAID, 235 00:08:13,960 --> 00:08:15,530 "YOU PLAY REGULAR FOOTBALL FOR THE TEAM 236 00:08:15,562 --> 00:08:16,762 AND PRO FOOTBALL FOR YOURSELF." 237 00:08:16,796 --> 00:08:18,526 MY GUY, YOU’RE STILL PLAYING 238 00:08:18,565 --> 00:08:19,775 REGULAR FOOTBALL, ALL RIGHT, 239 00:08:19,799 --> 00:08:22,029 AND I’M PRETTY SURE WHAT COACH BAKER MEANT 240 00:08:22,068 --> 00:08:24,098 WAS, PLAY FOR YOURSELF WITHOUT BEING A ASS, 241 00:08:24,137 --> 00:08:24,867 ALL RIGHT, SO TAKE A BEAT. 242 00:08:24,904 --> 00:08:26,644 CLEAR YOUR HEAD. 243 00:08:26,673 --> 00:08:28,883 FIND THAT BALANCE BECAUSE, 244 00:08:28,908 --> 00:08:30,538 YO, I GOT TO GET TO CLASS, OK? 245 00:08:30,577 --> 00:08:32,207 MS. BAKER’S DOING A GUEST LECTURE. 246 00:08:32,245 --> 00:08:33,975 OH, WORD? LOOK. SHE BETTER ACE YOU. 247 00:08:34,014 --> 00:08:35,824 I ACTUALLY DON’T WANT HER 248 00:08:35,849 --> 00:08:36,649 TO PAY ME ANY SPECIAL ATTENTION. 249 00:08:36,683 --> 00:08:38,993 HEY, IF YOU, UH, DECIDE TO TAKE A BEAT 250 00:08:39,019 --> 00:08:40,489 LIKE COOP’S SAYING, I KNOW OUR BOY DEION 251 00:08:40,520 --> 00:08:42,620 COULD USE SOME SUPPORT WITH THE SCOUTS 252 00:08:42,655 --> 00:08:44,715 COMING TO HIS PRACTICE LATER ON. 253 00:08:44,758 --> 00:08:47,788 I AIN’T MUCH FOR COMPANY RIGHT NOW, BRO. 254 00:08:47,827 --> 00:08:50,557 ALL RIGHT. YOU CAN SIT HERE IN YOUR FEELINGS. 255 00:08:50,597 --> 00:08:53,567 I’M SURE DEION’LL BE FINE CROWDED BY THE WOLVES. 256 00:08:53,600 --> 00:08:55,800 FINE. SAY LESS. I’LL BE THERE. 257 00:08:55,835 --> 00:08:58,795 [BIRDS CHIRPING] 258 00:08:58,838 --> 00:09:02,478 SO, UM, WHAT ARE YOU IN THE MOOD FOR? 259 00:09:02,509 --> 00:09:06,749 UM, COFFEE. COFFEE. 260 00:09:06,780 --> 00:09:08,310 I DON’T KNOW WHETHER TO BE OFFENDED 261 00:09:08,348 --> 00:09:10,078 OR IMPRESSED BY YOUR LASER FOCUS. 262 00:09:10,116 --> 00:09:11,316 SORRY, BABY GIRL. I AM. 263 00:09:11,351 --> 00:09:13,491 IT’S JUST, I HAVE TO FIND A ROOMMATE 264 00:09:13,520 --> 00:09:15,660 FOR THE BEACH HOUSE ASAP. 265 00:09:15,688 --> 00:09:16,588 WHAT’S THE RUSH? 266 00:09:16,623 --> 00:09:19,163 WELL, OUR LANDLORD IS INCREASING THE RENT, 267 00:09:19,192 --> 00:09:21,432 AND SPENCE AND I CANNOT AFFORD TO SPLIT IT 268 00:09:21,461 --> 00:09:23,761 WITH TWO VACANT ROOMS NOW, SO IT’S EITHER 269 00:09:23,797 --> 00:09:27,327 WE FIND A NEW ROOMMATE OR WE MOVE BACK HERE. 270 00:09:27,367 --> 00:09:29,437 MM, I VOTE ROOMMATE. RIGHT. 271 00:09:29,469 --> 00:09:31,769 IS SPENCER HELPING? 272 00:09:31,805 --> 00:09:34,015 NO, BUT HE TRUSTS ME TO HANDLE THIS, 273 00:09:34,040 --> 00:09:35,440 PLUS I FIGURED I WOULD KIND OF GIVE HIM 274 00:09:35,475 --> 00:09:37,515 SOME SPACE TO COOL OFF AFTER YESTERDAY’S GAME. 275 00:09:37,544 --> 00:09:40,184 I MEAN, DUDE’S CLEARLY GOT A LOT ON HIM MIND, 276 00:09:40,213 --> 00:09:44,023 WHICH IS WHY I PREFER TO TACKLE THIS SOLO, SO-- 277 00:09:44,050 --> 00:09:45,850 WELL, I MEAN, YOU WOULDN’T BE SOLO. 278 00:09:45,885 --> 00:09:47,845 MM-HMM. 279 00:09:47,887 --> 00:09:51,017 I HAPPEN TO BE A PRETTY DECENT KNOWER 280 00:09:51,057 --> 00:09:51,857 OF ALL THINGS ROOMMATE, SO-- 281 00:09:51,891 --> 00:09:55,761 MM-HMM. AH. YEAH. 282 00:09:55,795 --> 00:09:58,855 WELL, I MEAN, I GUESS AN EXTRA SET OF EYES 283 00:09:58,898 --> 00:10:01,428 WOULDN’T HURT, I MEAN, ESPECIALLY SINCE 284 00:10:01,468 --> 00:10:04,438 I UNDERESTIMATED THE AMOUNT OF INTEREST, 285 00:10:04,471 --> 00:10:05,371 AHH, THIS IS GETTING. 286 00:10:05,405 --> 00:10:07,275 I MEAN, IT IS AN OCEANFRONT 287 00:10:07,307 --> 00:10:08,367 BEACH HOUSE, JORDAN, 288 00:10:08,408 --> 00:10:09,378 SO THE LINE’S GONNA BE OUT THE DOOR... 289 00:10:09,409 --> 00:10:10,379 RIGHT, RIGHT. 290 00:10:10,410 --> 00:10:11,780 OK, SO COUNT ME IN. 291 00:10:11,811 --> 00:10:15,211 OH. OK. I MEAN, WELL, SINCE-- 292 00:10:15,248 --> 00:10:16,818 SINCE WE’RE KIND OF SPLITTING THE WORKLOAD NOW... 293 00:10:16,850 --> 00:10:18,550 YEAH? 294 00:10:18,585 --> 00:10:21,455 WE DON’T HAVE TO JUMP RIGHT IN, DO WE? 295 00:10:26,259 --> 00:10:28,889 I CAN’T BELIEVE AFTER ALMOST A YEAR 296 00:10:28,928 --> 00:10:30,728 OF YOU GUEST-LECTURING HERE, I FINALLY GET 297 00:10:30,763 --> 00:10:32,403 TO EXPERIENCE YOU IN ACTION IN MY CLASS. 298 00:10:32,432 --> 00:10:35,332 DON’T YOU MEAN MY CLASS? 299 00:10:35,368 --> 00:10:37,398 ARE YOU NERVOUS? HELL NO. 300 00:10:37,437 --> 00:10:39,407 STAR STUDENT LIKE ME DON’T GET NERVOUS 301 00:10:39,439 --> 00:10:40,739 ABOUT MY PROFESSORS ANYMORE, 302 00:10:40,773 --> 00:10:42,743 BUT I DO HAVE ONE RULE. 303 00:10:42,775 --> 00:10:43,735 I’M THE LECTURER, COOP. 304 00:10:43,776 --> 00:10:45,176 DON’T YOU THINK I SHOULD BE THE ONE 305 00:10:45,211 --> 00:10:46,581 HANDING OUT THE RULES? 306 00:10:46,613 --> 00:10:49,083 TRUE, BUT JUST DON’T TURN ME INTO A TEACHER’S PET, OK? 307 00:10:49,115 --> 00:10:50,475 I USED TO BEAT THEM KIDS UP BACK IN HIGH SCHOOL. 308 00:10:50,517 --> 00:10:53,087 AS FAR AS I’M CONCERNED, THE SECOND YOU AND I 309 00:10:53,119 --> 00:10:54,819 WALK IN THAT CLASSROOM, WE JUST MET. 310 00:10:54,854 --> 00:10:55,664 I’M GLAD WE ON THE SAME PAGE. 311 00:10:55,688 --> 00:10:58,988 I’LL SEE YOU IN THERE, PROFESSOR. 312 00:11:00,693 --> 00:11:02,833 HEY, SO WHAT IS 313 00:11:02,862 --> 00:11:05,162 THIS IMPORTANT NEWS FROM THE BOARD? 314 00:11:05,198 --> 00:11:06,998 FINALLY READY TO THROW IN 315 00:11:07,033 --> 00:11:07,503 SOME FUNDS FOR BETTER EQUIPMENT? 316 00:11:07,534 --> 00:11:09,444 SADLY, THE OPPOSITE. 317 00:11:09,469 --> 00:11:11,169 THE ROLLING BUDGET CUTS HAVE CLAIMED ANOTHER VICTIM-- 318 00:11:11,204 --> 00:11:14,174 YOUR AFTER-SCHOOL PROGRAM. 319 00:11:14,207 --> 00:11:17,907 DAMN. I MEAN, WHAT ARE THESE KIDS SUPPOSED TO DO? 320 00:11:17,944 --> 00:11:21,284 TRUST ME, IT HURTS TO HAVE TO DELIVER THIS NEWS. 321 00:11:21,314 --> 00:11:22,784 THE BOARD UNDERSTANDS THAT THESE KIDS 322 00:11:22,815 --> 00:11:25,845 DEPEND ON THIS PROGRAM AS A BRIDGE OF SUPPORT. 323 00:11:25,885 --> 00:11:27,515 I KNOW. I REITERATED THAT TO THEM MYSELF, 324 00:11:27,554 --> 00:11:30,624 BUT THEIR MINDS ARE MADE UP. 325 00:11:30,657 --> 00:11:34,187 I’M SORRY, PREACH. 326 00:11:34,227 --> 00:11:36,957 I KNOW YOU’LL COME UP WITH SOMETHING. 327 00:11:36,996 --> 00:11:38,796 TASHA: OH, YOU MUST REALLY HAVE ME MESSED UP 328 00:11:38,831 --> 00:11:40,531 IN THAT LITTLE HEAD OF YOURS. 329 00:11:40,567 --> 00:11:42,797 UH, WHO’S THAT... TASHA: LET’S GO, D. 330 00:11:42,835 --> 00:11:44,035 AND WHY DO YOU LOOK SO SCARED? 331 00:11:44,070 --> 00:11:47,140 THAT’S DEION’S SISTER. AIN’T NOBODY SCARED. 332 00:11:47,173 --> 00:11:47,873 IT’S JUST A WOMAN THAT I DON’T HAVE 333 00:11:47,907 --> 00:11:49,207 THE BANDWIDTH FOR RIGHT NOW. 334 00:11:49,242 --> 00:11:51,882 COME ON. LET’S GO. 335 00:11:51,911 --> 00:11:53,781 TASHA: HURRY UP SO WE CAN TALK TO PREACH. 336 00:11:53,813 --> 00:11:54,483 DON’T WORRY ABOUT THIS. 337 00:11:54,514 --> 00:11:57,124 I’M NOT PLAYING AROUND, DEION. 338 00:11:57,150 --> 00:11:59,720 I’MA NEED YOU TO PICK UP YOUR FACE. 339 00:11:59,752 --> 00:12:03,962 AH, SPENCER JAMES. 340 00:12:03,990 --> 00:12:06,730 IT’S NICE TO FINALLY MEET YOU IN THE FLESH. 341 00:12:06,759 --> 00:12:08,389 OH, HEH, YOU, TOO. SORRY. AM I INTERRUPTING? 342 00:12:08,428 --> 00:12:10,128 ANYONE ELSE, I’D SAY YES, 343 00:12:10,163 --> 00:12:11,803 BUT I’VE BEEN TRYING TO TALK SOME SENSE 344 00:12:11,831 --> 00:12:12,701 INTO MY BABY BROTHER, 345 00:12:12,732 --> 00:12:14,302 AND I COULD USE SOME BACKUP. 346 00:12:14,334 --> 00:12:16,974 YOU SEE HIM AT HIS PRACTICE? TRASH. 347 00:12:17,003 --> 00:12:18,873 OF ALL THE DAYS TO LOSE FOCUS, 348 00:12:18,905 --> 00:12:20,815 HE PICKED THE DAY THAT 3 349 00:12:20,840 --> 00:12:22,480 OF THE BIGGEST COLLEGE SCOUTS 350 00:12:22,508 --> 00:12:24,078 IN THE NATION WERE THERE. 351 00:12:24,110 --> 00:12:26,150 WERE THERE SOME FOCUS ISSUES HERE AND THERE? 352 00:12:26,179 --> 00:12:28,579 MAYBE, BUT OVERALL, I’D SAY HE WAS PRETTY SOLID. 353 00:12:28,615 --> 00:12:30,585 SOLID AIN’T GETTING HIM THAT N.I.L. BAG. 354 00:12:30,617 --> 00:12:33,087 BETWEEN THEM UNOPENED OFFER LETTERS 355 00:12:33,119 --> 00:12:35,149 COLLECTING DUST IN HIS ROOM AND NOW THIS, 356 00:12:35,188 --> 00:12:36,758 OH, I’M TOO THROUGH. 357 00:12:36,789 --> 00:12:40,989 IF YOU’LL EXCUSE ME, I NEED TO FIND PREACH, 358 00:12:41,027 --> 00:12:44,927 BUT FEEL FREE TO TALK SOME SENSE INTO THIS BOY. 359 00:12:44,964 --> 00:12:47,234 HE’S ALL YOURS. OK. 360 00:12:50,703 --> 00:12:53,573 THINK I SAW THE TAMALES LADY OUTSIDE. 361 00:12:53,606 --> 00:12:54,406 WANT TO GO GET A BITE, 362 00:12:54,440 --> 00:12:56,080 SHAKE OFF WHATEVER THAT WAS? 363 00:12:56,109 --> 00:12:59,079 I’D LOVE THAT. YEAH. COME ON. 364 00:13:00,780 --> 00:13:02,080 YOU KNOW THE DRILL. 365 00:13:02,115 --> 00:13:04,755 HA HA! 366 00:13:08,454 --> 00:13:11,094 MM! HA HA HA! 367 00:13:11,124 --> 00:13:14,164 OH, MY GOD, I MISSED THOSE SO MUCH 368 00:13:14,193 --> 00:13:15,493 BECAUSE I THOUGHT THE RAVE WAS TEA 369 00:13:15,528 --> 00:13:16,258 AND CRUMPETS BEFORE I MET YOU. 370 00:13:16,296 --> 00:13:17,826 WELL, SEE, NOW YOU KNOW 371 00:13:17,864 --> 00:13:19,774 THIS IS HOW THE REAL BRITS TAKE IT. 372 00:13:19,799 --> 00:13:21,499 YOU KNOW WHAT I MEAN? 373 00:13:21,534 --> 00:13:23,944 OHH... 374 00:13:23,970 --> 00:13:26,110 SO? 375 00:13:26,139 --> 00:13:29,279 HOW YOU GETTING ON WITH YOUR BOOK? 376 00:13:29,309 --> 00:13:31,209 JEEZ, CAN A GIRL GET 377 00:13:31,244 --> 00:13:33,784 A FEW LIFE UPDATES FIRST? 378 00:13:33,813 --> 00:13:35,383 YOU ONLY TRAVELED 5,000 MILES HERE. 379 00:13:35,415 --> 00:13:37,125 YEAH. I’D SAY THAT IS THE MOST PRESSING LIFE UPDATE. 380 00:13:37,150 --> 00:13:39,950 IT’S GOING. ALL RIGHT. 381 00:13:39,986 --> 00:13:41,546 I AM MAKING GOOD PROGRESS 382 00:13:41,587 --> 00:13:45,617 WITH INTERVIEWS, AS YOU KNOW. 383 00:13:45,658 --> 00:13:49,228 YEAH. GOOD. SO, UH, WHO’S UP NEXT? 384 00:13:49,262 --> 00:13:51,562 MY MOM. YEAH. HMM. 385 00:13:51,597 --> 00:13:53,067 THIS IS-- OH, WAIT. 386 00:13:53,099 --> 00:13:55,629 JORDAN, LAYLA, HEY. 387 00:13:55,668 --> 00:13:58,638 UM, THIS, THIS IS MY FRIEND ASHLEY. 388 00:13:58,671 --> 00:14:00,541 BRITISH ASHLEY. OK. 389 00:14:00,573 --> 00:14:03,813 UH, I THOUGHT THAT HE WAS A SHE. 390 00:14:03,843 --> 00:14:05,643 LAYLA: YEAH. THAT MAKES ALL OF US. 391 00:14:05,678 --> 00:14:07,478 JORDAN: MM-HMM. 392 00:14:07,513 --> 00:14:08,483 SHE ALSO FAILED TO MENTION THAT HE’S HOT. 393 00:14:08,514 --> 00:14:11,654 OK. WELL, THIS ISN’T GOOD. 394 00:14:11,684 --> 00:14:12,894 YOU KNOW I CAN SEE YOU GUYS WHISPERING. 395 00:14:12,919 --> 00:14:14,289 WHAT’S THAT? 396 00:14:14,320 --> 00:14:16,560 HI. IT IS SO NICE TO MEET YOU. 397 00:14:16,589 --> 00:14:18,119 WELCOME. 398 00:14:18,157 --> 00:14:19,727 NO, PLEASURE IS ALL MINE. 399 00:14:19,759 --> 00:14:21,289 I HAVE HEARD SO MUCH ABOUT YOU LOT, 400 00:14:21,327 --> 00:14:22,797 A--DON’T TELL ME-- 401 00:14:22,829 --> 00:14:24,299 A SUCCESSFUL MUSIC PRODUCER 402 00:14:24,330 --> 00:14:26,330 AND A FOOTBALLER, INNIT? 403 00:14:26,366 --> 00:14:27,826 HEY, YEAH. 404 00:14:27,867 --> 00:14:28,897 YEAH, AND YOU THE NEXT BASQUIAT. 405 00:14:28,935 --> 00:14:31,505 WOW. HIGH PRAISE. 406 00:14:31,537 --> 00:14:32,337 HA HA HA! I WISH. 407 00:14:32,372 --> 00:14:34,512 WOW. I’M SORRY. 408 00:14:34,540 --> 00:14:36,680 YOU’RE JUST--YOU’RE NOT ANYTHING AT ALL 409 00:14:36,709 --> 00:14:37,579 LIKE I PICTURED IN MY HEAD. 410 00:14:37,610 --> 00:14:40,350 YEAH? AND WHAT’D YOU THINK? 411 00:14:40,380 --> 00:14:41,180 WHAT, AN OGRE-LOOKING BLOKE? 412 00:14:41,214 --> 00:14:42,924 NO, MORE SO A WOMAN. 413 00:14:42,949 --> 00:14:44,919 JORDAN. OK. 414 00:14:44,951 --> 00:14:46,521 ENOUGH WITH THE INQUISITION, RIGHT? 415 00:14:46,552 --> 00:14:47,352 YOU WILL HAVE PLENTY OF TIME LATER 416 00:14:47,387 --> 00:14:48,917 TO GIVE ASHLEY THE THIRD DEGREE. 417 00:14:48,955 --> 00:14:51,195 WAIT. WHY? WHAT’S HAPPENING LATER? 418 00:14:51,224 --> 00:14:51,794 WELL, I WAS THINKING, YOU KNOW, KICK BACK 419 00:14:51,824 --> 00:14:53,434 TONIGHT WITH THE VORTEX. 420 00:14:53,459 --> 00:14:55,029 THAT WAY, ASHLEY CAN MEET EVERYONE. 421 00:14:55,061 --> 00:14:57,261 THAT DOES INCLUDE SPENCER, RIGHT? 422 00:14:57,296 --> 00:14:59,266 YEAH. OF COURSE, STUPID. 423 00:14:59,298 --> 00:15:00,998 OK. WE SHOULD-- WE SHOULD GO. 424 00:15:01,033 --> 00:15:03,103 SURE. WE HAVE TO GO. 425 00:15:03,136 --> 00:15:04,336 I’M HELPING JORDAN WITH ROOMMATE INTERVIEWS 426 00:15:04,370 --> 00:15:07,170 FOR THE BEACH HOUSE, SO COUNT US IN 427 00:15:07,206 --> 00:15:09,276 FOR THE KICK-BACK LATER. 428 00:15:09,308 --> 00:15:12,178 PBBT...CIAO. WE’LL BE THERE. 429 00:15:12,211 --> 00:15:14,911 THEY ARE EXACTLY HOW YOU DESCRIBED THEM. 430 00:15:14,947 --> 00:15:17,747 YEAH. YEAH. 431 00:15:17,784 --> 00:15:21,254 ALL RIGHT, SO BACK TO YOUR MUM. 432 00:15:21,287 --> 00:15:22,757 WHAT IS THE DELAY OF HER INTERVIEW? 433 00:15:22,789 --> 00:15:24,859 I MEAN, I THOUGHT SHE WAS ON BOARD. 434 00:15:24,891 --> 00:15:27,191 I KNOW. I GUESS JUST INTERVIEWING HER 435 00:15:27,226 --> 00:15:29,186 MIGHT OPEN A WOUND THAT SHE’S FINALLY 436 00:15:29,228 --> 00:15:31,528 PATCHED UP, AND IT’S JUST-- 437 00:15:31,564 --> 00:15:32,804 IT’S JUST THE LAST THING THAT I WANT TO DO. 438 00:15:32,832 --> 00:15:35,202 MM-HMM. 439 00:15:35,234 --> 00:15:37,474 UM, SORRY. 440 00:15:37,503 --> 00:15:39,473 DO YOU MIND IF WE JUST PUT A PIN IN THIS? 441 00:15:39,505 --> 00:15:42,305 I, UM--I THINK YOU SHOULD JUST GO UNPACK 442 00:15:42,341 --> 00:15:45,311 AND GET SOME REST, AND I NEED TO JUST 443 00:15:45,344 --> 00:15:46,714 PICK UP A FEW THINGS FOR THE KICK-BACK, SO-- 444 00:15:46,746 --> 00:15:49,146 LIV, YOU KNOW IT’S ALL RIGHT 445 00:15:49,182 --> 00:15:51,322 TO SAY THAT YOU NEED TO CALL SPENCER. 446 00:15:51,350 --> 00:15:53,650 CHAD RUBIN: ♪ WHEN YOU DO WHAT YOU GOTTA DO ♪ 447 00:15:53,686 --> 00:15:57,816 ♪ YOU’LL FIND YOU, YOU’LL FIND YOU ♪ 448 00:16:02,962 --> 00:16:05,202 ♪ DO YOU THINK SPENCER WHAT KNOWS ASHLEY’S A GUY? 449 00:16:05,231 --> 00:16:07,431 I KNOW FOR A FACT THAT HE DOESN’T, 450 00:16:07,467 --> 00:16:08,527 WHICH MAKE THE TIMING OF THIS SURPRISE VISIT 451 00:16:08,568 --> 00:16:10,098 EVEN WORSE. 452 00:16:10,136 --> 00:16:11,766 I MEAN, HE’S ALREADY IN A MOOD 453 00:16:11,804 --> 00:16:12,674 AFTER YESTERDAY’S GAME. 454 00:16:12,705 --> 00:16:14,765 [SNEEZES] 455 00:16:14,807 --> 00:16:17,437 OOH. WHO’S ASHLEY? 456 00:16:17,477 --> 00:16:21,847 AHH. SORRY. IT’S ALLERGIES. 457 00:16:21,881 --> 00:16:24,851 IT’S ON AND OFF BUT LATELY MORE ON. 458 00:16:24,884 --> 00:16:26,024 YOU SHOULD REMIND ME TO SPRAY THAT DOWN LATER. 459 00:16:26,052 --> 00:16:27,852 YEAH. YEAH. 460 00:16:27,887 --> 00:16:30,287 HOLD UP. DON’T I KNOW YOU FROM SOMEWHERE? 461 00:16:30,323 --> 00:16:32,223 YEAH. YOU’RE THAT CHICK FROM THE LOUNGE FIGHT VIDEO. 462 00:16:32,258 --> 00:16:34,458 THAT WAS WILD. 463 00:16:34,494 --> 00:16:35,234 I AIN’T SEEN SOMETHING THAT CRAZY 464 00:16:35,261 --> 00:16:36,631 SINCE SOLANGE SWUNG AT JAY-Z. 465 00:16:36,662 --> 00:16:37,802 CAN YOU TELL US MORE ABOUT BEING 466 00:16:37,830 --> 00:16:41,070 A "FREELANCE CREATIVE"? 467 00:16:41,100 --> 00:16:44,140 BASICALLY, CAN YOU AFFORD RENT? 468 00:16:44,170 --> 00:16:47,810 WELL, I’M KIND OF IN BETWEEN GIGS. 469 00:16:47,840 --> 00:16:48,370 WOULD Y’ALL BE WILLING TO WORK OUT 470 00:16:48,407 --> 00:16:50,637 A MONTH-TO-MONTH SITCH? 471 00:16:50,676 --> 00:16:52,306 CAN I ASK YOU GUYS A PERSONAL QUESTION? 472 00:16:52,345 --> 00:16:52,955 THAT DEPENDS. 473 00:16:52,979 --> 00:16:54,479 HOW LOUD ARE YOU GUYS? 474 00:16:54,514 --> 00:16:56,154 AH. OH. 475 00:16:56,182 --> 00:16:57,752 BECAUSE I’M A LIGHT SLEEPER 476 00:16:57,783 --> 00:16:59,493 AND YOU MENTIONED YOUR ROOM’S RIGHT NEXT TO MINE. 477 00:16:59,519 --> 00:17:01,819 IT DEPENDS ON THE TIME OF DAY, REALLY. 478 00:17:01,854 --> 00:17:04,724 OK, SO WE’RE GOING THERE. 479 00:17:04,757 --> 00:17:06,327 I MEAN, YOU KNOW, WE’RE ALL ADULTS HERE. 480 00:17:06,359 --> 00:17:08,559 THIS MORNING, FOR EXAMPLE, 481 00:17:08,594 --> 00:17:09,664 HE WASN’T VERY MOTIVATED... 482 00:17:09,695 --> 00:17:11,825 WELL, "MOTIVATED" IS NOT REALLY THE RIGHT WORD. 483 00:17:11,864 --> 00:17:14,734 BUT, I MEAN, WHEN WE’RE ON THE SAME PAGE, 484 00:17:14,767 --> 00:17:17,467 THEN, I MEAN, REALLY, THE SKY’S THE LIMIT. 485 00:17:17,503 --> 00:17:20,073 I THINK I’M GONNA PASS. 486 00:17:20,106 --> 00:17:21,066 CIAO. OK. 487 00:17:21,107 --> 00:17:23,807 HI. WHAT WAS THAT? 488 00:17:23,843 --> 00:17:25,143 WHAT? LOOK. 489 00:17:25,177 --> 00:17:26,977 IT IS NOT MY FAULT HE COULDN’T HANDLE 490 00:17:27,013 --> 00:17:28,753 A PG-13 ANSWER, OK, AND BESIDES, 491 00:17:28,781 --> 00:17:29,981 I KNEW HE WASN’T RIGHT, 492 00:17:30,016 --> 00:17:33,016 AND THAT WAS A FAST WAY TO GET RID OF HIM. 493 00:17:33,052 --> 00:17:36,592 MAN: ♪ COMIN’ IN HOT LIKE, SHEESH ♪ 494 00:17:36,622 --> 00:17:39,362 [CELL PHONE CHIMES] 495 00:17:39,392 --> 00:17:42,432 PREACH: HEY, YO, SPENCE, IS YOUR MOM STILL AROUND? 496 00:17:42,461 --> 00:17:44,431 I NEED TO RUN SOMETHING BY HER. 497 00:17:44,463 --> 00:17:46,933 NO. NO. I THINK I SAW HER LEAVE A FEW MINUTES AGO. 498 00:17:46,966 --> 00:17:48,766 OK. BET. HOW’S DEION DOING? 499 00:17:48,801 --> 00:17:50,101 UH, I’M NOT REALLY SURE. 500 00:17:50,136 --> 00:17:52,766 HEY, I’M GLAD YOU ENCOURAGED ME TO COME. 501 00:17:52,805 --> 00:17:54,435 I’M HOPING HE’LL OPEN UP AFTER WE GRUB. 502 00:17:54,473 --> 00:17:55,873 HE’S WAITING ON OUR FOOD AND TAKING 503 00:17:55,908 --> 00:17:57,778 EVERY OPPORTUNITY TO HIDE FROM HIS BIG SISTER. 504 00:17:57,810 --> 00:18:00,710 SHE FIND YOU YET? TASHA? 505 00:18:00,746 --> 00:18:03,176 I TRY TO KEEP MY OFFICE DOOR CLOSED FOR A REASON. 506 00:18:03,215 --> 00:18:04,515 AH, SO YOU’RE HIDING FROM HER, TOO. 507 00:18:04,550 --> 00:18:06,850 NO. UM, I CAN HANDLE HER. 508 00:18:06,886 --> 00:18:09,456 IT’S JUST MY HANDS HAVE BEEN TIED 509 00:18:09,488 --> 00:18:11,758 WITH MORE IMPORTANT THINGS LATELY. 510 00:18:11,791 --> 00:18:12,691 LOOK. I’LL HOLLER AT YOU LATER. 511 00:18:12,725 --> 00:18:15,865 HEY, REAL QUICK, 512 00:18:15,895 --> 00:18:17,535 TASHA WAS KIND OF HARD ON DEION EARLIER. 513 00:18:17,563 --> 00:18:20,103 SHE ALWAYS PUT THAT KIND OF PRESSURE ON HIM? 514 00:18:20,132 --> 00:18:21,202 PRESSURE IS AN UNDERSTATEMENT. 515 00:18:21,233 --> 00:18:24,273 I BET WHATEVER YOU SAW WASN’T NOTHING. 516 00:18:27,239 --> 00:18:29,109 ONE OF THE MOST IMPORTANT SKILLS 517 00:18:29,141 --> 00:18:31,381 A LITIGATOR MUST HAVE IS THE ABILITY TO SEE 518 00:18:31,410 --> 00:18:34,650 THE HOLES ON BOTH SIDES OF THE BENCH. 519 00:18:34,680 --> 00:18:37,220 IN THE SAMPLE CASE WE’LL BE DISSECTING THIS AFTERNOON, 520 00:18:37,249 --> 00:18:39,719 I WILL BE SPLITTING YOU GUYS UP INTO GROUPS 521 00:18:39,752 --> 00:18:44,662 TO THOROUGHLY ANALYZE THE PROSECUTION AND THE DEFENSE. 522 00:18:44,690 --> 00:18:47,890 THIS PARTICULAR CASE CENTERS AROUND A WELL-KNOWN ACTOR 523 00:18:47,927 --> 00:18:50,157 WHO INITIALLY BEFRIENDED A SUPERFAN 524 00:18:50,196 --> 00:18:52,726 WITH GOOD INTENTION. 525 00:18:52,765 --> 00:18:54,505 HOWEVER, THINGS WENT AWRY, RESULTING IN THE FAN 526 00:18:54,533 --> 00:18:59,173 TASERING SAID ACTOR AFTER ALLEGEDLY BEING REJECTED. 527 00:18:59,205 --> 00:19:01,845 PLEASE READ OVER THE CASE FILE IN DETAIL, 528 00:19:01,874 --> 00:19:03,844 AND WE WILL PICK UP WITH YOUR ARGUMENTS 529 00:19:03,876 --> 00:19:05,636 AFTER WE GET BACK FROM OUR CLASS BREAK, 530 00:19:05,678 --> 00:19:08,648 BUT REMEMBER, KEEP ALL THOUGHTS OBJECTIVE. 531 00:19:12,685 --> 00:19:13,825 YOU COULDN’T GIVE ME A HEADS-UP 532 00:19:13,853 --> 00:19:16,493 ABOUT USING PATIENCE’S CASE? 533 00:19:16,522 --> 00:19:17,822 NO. I CHANGED ENOUGH OF THE DETAILS 534 00:19:17,857 --> 00:19:19,217 TO KEEP IT COMPLETELY REMOVED. 535 00:19:19,258 --> 00:19:21,158 A ACTOR IN PLACE OF A MUSICIAN 536 00:19:21,193 --> 00:19:24,333 AND A TASER FOR A KNIFE AREN’T ALL THAT DIFFERENT. 537 00:19:24,363 --> 00:19:25,133 I MEAN, YOU COULDN’T HAVE USED ONE 538 00:19:25,164 --> 00:19:26,404 OF THE HUNDRED CASES FROM YOUR PAST? 539 00:19:26,432 --> 00:19:28,172 I’M SORRY, COOP. 540 00:19:28,200 --> 00:19:30,570 DO YOU QUESTION THE AUTHORITY 541 00:19:30,603 --> 00:19:31,403 OF ALL YOUR PROFESSORS, OR IS THIS PARTICULAR 542 00:19:31,437 --> 00:19:33,337 DISRESPECT RESERVED JUST FOR ME? 543 00:19:33,372 --> 00:19:34,412 LOOK, I’M JUST TRYING TO UNDERSTAND 544 00:19:34,440 --> 00:19:36,280 THE POINT OF THIS. 545 00:19:36,308 --> 00:19:39,848 YOU WILL WHEN I’M READY FOR YOU 546 00:19:39,879 --> 00:19:41,509 AND EVERY OTHER STUDENT IN THIS CLASS 547 00:19:41,547 --> 00:19:44,117 TO UNDERSTAND. 548 00:19:44,150 --> 00:19:46,420 YOUR BREAK’S OVER. 549 00:19:53,325 --> 00:19:54,785 [DISTANT SIREN] 550 00:19:54,827 --> 00:19:56,127 PREACH: HOW IS IT THAT YOU’RE AT THE HIGH SCHOOL 551 00:19:56,162 --> 00:19:58,132 NOW BUT I SEE LESS OF YOU THAN I DID BEFORE? 552 00:19:58,164 --> 00:20:00,374 ART CAMP KEEPS A BROTHER BUSY. 553 00:20:00,399 --> 00:20:01,869 NOT SO BUSY THAT YOUR GRADES SLIP, RIGHT? 554 00:20:01,901 --> 00:20:03,871 OH, MAN, YOU USED TO BE SO COOL. 555 00:20:03,903 --> 00:20:05,873 PUNK, I STILL AM. 556 00:20:05,905 --> 00:20:08,215 SHE’S IN THERE. THANKS FOR THE RIDE. 557 00:20:08,240 --> 00:20:11,610 YEAH. THANK YOU FOR MAKING TIME FOR ME. 558 00:20:11,644 --> 00:20:14,284 OH, YOU SAID IT WAS URGENT. WHAT’S UP? 559 00:20:14,313 --> 00:20:15,113 I THINK I FOUND A WAY 560 00:20:15,147 --> 00:20:17,617 TO KEEP THE AFTER-SCHOOL PROGRAM GOING. 561 00:20:17,650 --> 00:20:19,620 THERE’S TWO GRANTS THAT, UH, FUND PROGRAMS LIKE OURS. 562 00:20:19,652 --> 00:20:21,222 SOUNDS LIKE YOU’LL BE BUSY WRITING. 563 00:20:21,253 --> 00:20:23,123 UH, THE PROBLEM IS, IS, I’VE NEVER WRITTEN 564 00:20:23,155 --> 00:20:25,785 A GRANT APPLICATION, BUT I KNOW YOU HAVE. 565 00:20:25,825 --> 00:20:27,395 I KNOW IT LOOKS LIKE I’M NOT DOING MUCH, BUT-- 566 00:20:27,426 --> 00:20:29,286 THIS PROGRAM IS THE LAST THING 567 00:20:29,328 --> 00:20:31,228 THAT BILLY ASKED ME TO TAKE ON, 568 00:20:31,263 --> 00:20:33,573 AND I CAN’T LET HIM DOWN. 569 00:20:33,599 --> 00:20:35,969 ALL RIGHT. 570 00:20:36,001 --> 00:20:37,141 I’LL TAKE A LOOK AT IT 571 00:20:37,169 --> 00:20:38,669 WHEN I GET BACK NEXT WEEK. 572 00:20:38,704 --> 00:20:40,844 THE APPLICATION’S DUE MONDAY. 573 00:20:40,873 --> 00:20:41,843 OH... 574 00:20:41,874 --> 00:20:44,914 DILLON: SHE’LL DO IT. 575 00:20:44,944 --> 00:20:47,914 I’LL, UH, CARRY MY WEIGHT AROUND THE HOUSE, 576 00:20:47,947 --> 00:20:50,747 MAKE SURE YOU HAVE ENOUGH TIME TO HELP OUT MR. PREACH. 577 00:20:50,783 --> 00:20:52,023 PREACH: APPRECIATE THAT, D., 578 00:20:52,051 --> 00:20:53,921 AND I’LL CHECK IN WITH YOU TOMORROW. 579 00:20:53,953 --> 00:20:56,153 THANKS. OH-- 580 00:20:58,290 --> 00:21:00,760 [DOOR OPENS AND CLOSES] 581 00:21:00,793 --> 00:21:01,863 SO YOU WANT TO TALK ABOUT YOUR LACK OF FOCUS 582 00:21:01,894 --> 00:21:04,034 ON THE FIELD TODAY, OR WHAT? 583 00:21:04,063 --> 00:21:05,933 NOT REALLY. 584 00:21:05,965 --> 00:21:07,435 I’M JUST TIRED, THAT’S ALL. 585 00:21:07,466 --> 00:21:08,696 YEAH. I CAN SEE THAT. LOOK, MAN. 586 00:21:08,734 --> 00:21:11,544 PRACTICES LIKE THESE HAPPEN. 587 00:21:11,570 --> 00:21:12,670 YOU JUST GOT TO SHAKE IT OFF, 588 00:21:12,705 --> 00:21:14,175 KEEP PUTTING ONE FOOT IN FRONT OF THE OTHER, 589 00:21:14,206 --> 00:21:15,836 YOU KNOW, OR YOU CAN HAVE A GAME 590 00:21:15,875 --> 00:21:18,345 LIKE I DID YESTERDAY, 591 00:21:18,377 --> 00:21:20,677 LET YOUR PASSION TAKE OVER, 592 00:21:20,713 --> 00:21:23,753 AND ACT A FOOL ON NATIONAL TV, 593 00:21:23,783 --> 00:21:27,153 BUT I LOVE THE GAME, AND SO DO YOU. 594 00:21:29,622 --> 00:21:31,692 DUDES LIKE US, MAN, WE PUT 595 00:21:31,724 --> 00:21:33,434 EVERYTHING WE HAVE INTO THIS, BRUH. 596 00:21:33,459 --> 00:21:36,429 [GASPING] 597 00:21:36,462 --> 00:21:38,532 YOU ALL RIGHT, MAN? 598 00:21:38,564 --> 00:21:41,974 OH, YO, DEION, HEY, WHAT’S UP? WHAT’S UP? 599 00:21:42,001 --> 00:21:43,141 I NEED YOU TO DO SOMETHING FOR ME, ALL RIGHT? 600 00:21:43,169 --> 00:21:45,799 BREATHE IN FOR 4 AND THEN OUT FOR 8. 601 00:21:45,838 --> 00:21:49,878 1--HERE WE GO-- 2, 3, 4. 602 00:21:49,909 --> 00:21:51,039 NOW BREATHE OUT FOR 8. 603 00:21:51,076 --> 00:21:55,546 1, 2, 3, 4-- 604 00:21:55,581 --> 00:21:57,051 DON’T LOOK AT THEM; DON’T LOOK AT THEM-- 605 00:21:57,082 --> 00:21:59,722 5, 6, 606 00:21:59,752 --> 00:22:02,052 7, 8. 607 00:22:02,087 --> 00:22:04,057 OK. WE’RE GONNA DO THAT AGAIN, ALL RIGHT? 608 00:22:04,089 --> 00:22:05,889 1, 2--DON’T LOOK AT THEM-- 609 00:22:05,925 --> 00:22:10,965 3, 4, AND THEN OUT FOR 8. 610 00:22:11,964 --> 00:22:14,274 SO WHY ARE WE HERE? 611 00:22:14,300 --> 00:22:15,500 BECAUSE THIS IS A SPOT I FOUND 612 00:22:15,534 --> 00:22:17,674 WHERE I COULD COME LAY LIKE THIS, 613 00:22:17,703 --> 00:22:19,103 CLEAR OUT ALL THE NOISE. 614 00:22:19,138 --> 00:22:20,938 CLOSE YOUR EYES. 615 00:22:20,973 --> 00:22:23,113 [BIRDS CHIRPING] 616 00:22:23,142 --> 00:22:25,682 YOU HEAR THAT? 617 00:22:25,711 --> 00:22:28,011 I DON’T REALLY HEAR NOTHING BUT... 618 00:22:28,047 --> 00:22:30,517 BIRDS CHIRPING. 619 00:22:30,549 --> 00:22:31,619 EXACTLY. 620 00:22:31,650 --> 00:22:34,190 I DON’T WANT YOU WORRYING ABOUT NOTHING 621 00:22:34,220 --> 00:22:36,290 EXCEPT THE SOUND OF MOTHER NATURE, MAN. 622 00:22:36,322 --> 00:22:38,692 CLEAR OUT ALL THE VOICES-- 623 00:22:38,724 --> 00:22:41,894 YOUR BIG SIS, COACHES, 624 00:22:41,927 --> 00:22:44,197 EVERYBODY IN THE HALLWAY EARLIER. 625 00:22:50,669 --> 00:22:52,639 SO HOW LONG YOU HATED FOOTBALL? 626 00:22:56,442 --> 00:22:58,582 WHAT ARE YOU TALKING ABOUT? 627 00:22:58,611 --> 00:23:00,411 LOOK. IF I’M WRONG, 628 00:23:00,446 --> 00:23:01,746 WE AIN’T GOTTA TALK ABOUT IT EVER AGAIN, 629 00:23:01,780 --> 00:23:04,150 BUT WITH YOU BEING OFF AT PRACTICE, 630 00:23:04,183 --> 00:23:06,253 THE UNOPENED OFFER LETTERS, 631 00:23:06,285 --> 00:23:09,325 THE OBVIOUS BURNOUT, SOMETHING ABOUT FOOTBALL 632 00:23:09,355 --> 00:23:10,395 AIN’T CLICKING FOR YOU, BRUH. 633 00:23:10,422 --> 00:23:12,622 WHAT HAPPENED BACK THERE COMES AND GOES. 634 00:23:12,658 --> 00:23:14,288 I’LL BE ALL RIGHT. 635 00:23:14,326 --> 00:23:16,126 WHAT HAPPENED BACK AT SCHOOL 636 00:23:16,161 --> 00:23:16,861 IS CALLED A PANIC ATTACK, DEION. 637 00:23:16,896 --> 00:23:18,296 IT’S YOUR BODY’S NATURAL RESPONSE 638 00:23:18,330 --> 00:23:20,070 TO OVERWHELMING PRESSURE OR, 639 00:23:20,099 --> 00:23:21,629 IN YOUR CASE, THE PRESSURE TO CONFORM. 640 00:23:21,667 --> 00:23:23,137 TOO MANY OF THOSE, YOU’RE GONNA DO 641 00:23:23,168 --> 00:23:23,898 SOME REAL DAMAGE, BRUH. 642 00:23:23,936 --> 00:23:26,736 IS PRETENDING WORTH IT? 643 00:23:26,772 --> 00:23:29,572 FOOTBALL’S ALL I’VE EVER KNOWN. 644 00:23:29,608 --> 00:23:30,908 THAT DON’T MEAN IT’S GOT TO BE 645 00:23:30,943 --> 00:23:31,913 ALL YOU’LL EVER KNOW. 646 00:23:31,944 --> 00:23:33,414 GIVE YOURSELF PERMISSION TO FIND OUT 647 00:23:33,445 --> 00:23:34,645 WHAT ELSE IS OUT THERE. 648 00:23:34,680 --> 00:23:36,080 AIN’T NO TICKING TIME CLOCK 649 00:23:36,115 --> 00:23:37,255 ON FINDING YOUR DREAM. 650 00:23:37,283 --> 00:23:38,983 JUST BE PRESENT AND LISTEN TO THE WIND. 651 00:23:42,354 --> 00:23:45,194 [WIND BLOWING] 652 00:23:45,224 --> 00:23:48,094 YOU’RE REALLY GOOD AT THIS, SPENCE, 653 00:23:48,127 --> 00:23:50,757 LISTENING TO PEOPLE, TALKING THINGS THROUGH. 654 00:23:50,796 --> 00:23:53,196 I LEARNED FROM THE BEST, 655 00:23:53,232 --> 00:23:55,772 ONE OF THEM BEING MY THERAPIST. 656 00:23:55,801 --> 00:23:58,101 SUCKS YOU GOT THIS GIFT THAT’S GONNA GO TO WASTE 657 00:23:58,137 --> 00:23:59,367 WHEN YOU GO PRO. 658 00:23:59,405 --> 00:24:01,275 WHAT YOU MEAN? 659 00:24:01,307 --> 00:24:03,207 I’M JUST SAYING, YOU’D HAVE BEEN 660 00:24:03,242 --> 00:24:04,512 A GREAT THERAPIST IN ANOTHER LIFE. 661 00:24:07,980 --> 00:24:09,510 OH, GOOD. YOU GOT MY SOS TEXT. 662 00:24:09,548 --> 00:24:11,678 THANKS FOR COMING TO HELP. 663 00:24:11,717 --> 00:24:12,947 YEAH. I MEAN, DON’T GET TOO EXCITED. 664 00:24:12,985 --> 00:24:14,355 THERE’S ONE MORE COUPLE COMING 665 00:24:14,386 --> 00:24:16,016 TO LOOK AT THE BEACH HOUSE, 666 00:24:16,055 --> 00:24:18,365 AND, SINCE THEY ACTUALLY SEEM LEGIT, 667 00:24:18,390 --> 00:24:19,360 I GOT TO DUCK OUT IN AN HOUR TO MEET THEM. 668 00:24:19,391 --> 00:24:21,531 ANY HELP IS APPRECIATED. 669 00:24:21,560 --> 00:24:24,030 SPEAKING OF HELP, WHERE’S ASHLEY? 670 00:24:24,063 --> 00:24:25,603 HE’S TAKING A SHOWER. 671 00:24:25,631 --> 00:24:27,431 I SEE, SO JUST STRUTTING HIS GOODS 672 00:24:27,466 --> 00:24:28,596 ALL NAKED IN YOUR ROOM. 673 00:24:28,634 --> 00:24:30,604 SERIOUSLY? NO. 674 00:24:30,636 --> 00:24:32,036 HE’S IN THE GUEST BATHROOM. 675 00:24:32,071 --> 00:24:33,711 ARE WE NOT GONNA TALK ABOUT THE ELEPHANT IN THE ROOM, 676 00:24:33,739 --> 00:24:34,869 SPECIFICALLY YOU FAILING TO MENTION 677 00:24:34,907 --> 00:24:37,537 THAT ASHLEY IS A GUY AND HOT. 678 00:24:37,576 --> 00:24:39,036 YOU MEAN LIKE YOU DIDN’T MENTION RYAN, 679 00:24:39,078 --> 00:24:41,208 YOUR NOT-SO-BAD-LOOKING BUSINESS PARTNER, TO ME? 680 00:24:41,246 --> 00:24:43,876 WELL, I DIDN’T KEEP THAT FROM JORDAN. 681 00:24:43,916 --> 00:24:45,446 CAN YOU SAY THE SAME? 682 00:24:48,420 --> 00:24:50,990 OK, BUT I AM GOING TO RECTIFY THAT TODAY, 683 00:24:51,023 --> 00:24:52,663 AND I’M SURE THAT, YOU KNOW, 684 00:24:52,691 --> 00:24:55,331 SPENCER AND ASHLEY WILL GET ALONG. 685 00:24:55,361 --> 00:24:57,231 I MEAN, LOOK HOW WELL JORDAN AND RYAN BONDED. 686 00:24:57,262 --> 00:24:59,002 "BONDED" IS A STRONG WORD, 687 00:24:59,031 --> 00:25:01,231 MORE LIKE CO-EXIST. 688 00:25:01,266 --> 00:25:02,496 JUST BE CAREFUL, LIV, OK, AND MAKE 689 00:25:02,534 --> 00:25:04,574 THAT INTRO HAPPEN SOONER RATHER THAN LATER. 690 00:25:04,603 --> 00:25:06,673 MM-HMM. 691 00:25:06,705 --> 00:25:10,575 I ALSO RECOMMEND SOME LOOSER-FITTING CLOTHES 692 00:25:10,609 --> 00:25:12,079 BEFORE SAID INTROS. 693 00:25:12,111 --> 00:25:14,251 OK. JUST-- 694 00:25:14,279 --> 00:25:16,479 AH, SO MUCH BETTER. LAYLA, HOW ARE YOU? 695 00:25:16,515 --> 00:25:18,215 LAYLA: GOOD. 696 00:25:18,250 --> 00:25:20,890 YOU KNOW, WHY DON’T WE POP OVER TO THE BEACH HOUSE LATER? 697 00:25:20,919 --> 00:25:22,719 THAT WAY, YOU CAN MEET SPENCER. 698 00:25:22,755 --> 00:25:25,165 YEAH. ALL GOOD. 699 00:25:25,190 --> 00:25:27,390 HEY, YOU KNOW WHAT WOULD BE GREAT 700 00:25:27,426 --> 00:25:28,986 FOR DINNER TONIGHT? 701 00:25:29,028 --> 00:25:32,158 GRACE JAMES’ 7-LAYER LASAGNA. 702 00:25:32,197 --> 00:25:34,497 NOW, THAT’S TOO BAD, ISN’T IT, SEE, 703 00:25:34,533 --> 00:25:36,843 BECAUSE THAT REQUIRES 704 00:25:36,869 --> 00:25:38,669 7 LAYERS OF TIME THAT I NO LONGER HAVE 705 00:25:38,704 --> 00:25:41,914 BECAUSE SOME BUSYBODY VOLUNTEERED ME FOR HOURS 706 00:25:41,940 --> 00:25:43,070 OF GRANT WRITING FOR PREACH. 707 00:25:43,108 --> 00:25:44,908 MOM, I’M SORRY. IT’S JUST... 708 00:25:47,212 --> 00:25:48,512 UM... 709 00:25:48,547 --> 00:25:51,117 MY BOY MILES HAS BEEN HAVING 710 00:25:51,150 --> 00:25:53,180 SOME TROUBLE AT HOME. 711 00:25:53,218 --> 00:25:55,348 HE SAYS THE ONLY REASON HE’S EVEN ABLE TO SHOW UP 712 00:25:55,387 --> 00:25:57,187 TO SCHOOL IS BECAUSE OF MR. PREACH’S 713 00:25:57,222 --> 00:25:59,862 AFTER-SCHOOL PROGRAM, AND IT WAS YOU 714 00:25:59,892 --> 00:26:01,862 WHO TAUGHT US THAT WE HAVE TO HELP 715 00:26:01,894 --> 00:26:03,634 OUR PEOPLE IN THEIR TIMES OF NEED, 716 00:26:03,662 --> 00:26:06,462 AND MR. PREACH IS OUR PEOPLE. 717 00:26:06,498 --> 00:26:09,428 WHEN DID YOU GET SO WISE? 718 00:26:11,804 --> 00:26:15,944 NOW, TO MAKE GOOD ON MY PROMISE-- 719 00:26:15,974 --> 00:26:18,714 DILLON, I APPRECIATE YOU, 720 00:26:18,744 --> 00:26:20,454 BUT, TO TELL YOU THE TRUTH, 721 00:26:20,479 --> 00:26:22,679 I JUST DON’T THINK THERE’S ENOUGH TIME 722 00:26:22,714 --> 00:26:25,284 TO GET THIS GRANT PROPOSAL DONE. 723 00:26:25,317 --> 00:26:27,347 YOU’RE ALSO THE ONE THAT TAUGHT US 724 00:26:27,386 --> 00:26:28,346 NOT TO QUIT JUST BECAUSE SOMETHING IS HARD. 725 00:26:28,387 --> 00:26:31,687 BOY, THROW MY WORDS BACK AT ME ONE MORE TIME. 726 00:26:31,723 --> 00:26:33,633 [EXHALES] 727 00:26:33,659 --> 00:26:36,629 ALL RIGHT. 728 00:26:36,662 --> 00:26:38,532 MAN: THIS WAS A NO-BRAINER, 729 00:26:38,564 --> 00:26:40,034 AND, OF COURSE, I DON’T CONDONE VIOLENCE, 730 00:26:40,065 --> 00:26:40,825 BUT I CAN’T SAY THE ACTIONS 731 00:26:40,866 --> 00:26:42,796 ON BEHALF OF THE ACTOR WERE INNOCENT. 732 00:26:42,835 --> 00:26:44,375 IN FACT, I’D GO SO FAR AS TO SAY 733 00:26:44,403 --> 00:26:45,703 HE WAS COMPLICIT IN EMOTIONAL ABUSE 734 00:26:45,737 --> 00:26:47,637 LEADING UP TO THE TASERING. 735 00:26:47,673 --> 00:26:48,173 SO YOU’RE SAYING HE’S TO BLAME 736 00:26:48,207 --> 00:26:50,137 FOR BEING ATTACKED? 737 00:26:50,175 --> 00:26:52,305 WELL, I MEAN, HE HAD NO PROBLEM WITH THE FAN 738 00:26:52,344 --> 00:26:54,314 POSTING OR PROMOTING OR ANY OF THE SOCIAL MEDIA 739 00:26:54,346 --> 00:26:55,746 BENEFITS THAT CAME WITH THE FRIENDSHIP. 740 00:26:55,781 --> 00:26:57,321 I WOULDN’T CALL THAT NO FRIENDSHIP. 741 00:26:57,349 --> 00:27:00,149 I MEAN, LINES GET BLURRY, IS ALL I’M SAYING. 742 00:27:00,185 --> 00:27:01,245 WHICH IS WHY THERE’S NO NEGATING THE FACT 743 00:27:01,286 --> 00:27:03,756 THAT THERE WAS A FRIENDSHIP 744 00:27:03,789 --> 00:27:05,159 AS SOON AS THE ACTOR REACHED OUT TO THE FAN 745 00:27:05,190 --> 00:27:07,260 ON A PERSONAL LEVEL, ONLY TO THEN 746 00:27:07,292 --> 00:27:08,762 THROW THEM AWAY WHEN THEY HAD NO USE FOR THEM. 747 00:27:08,794 --> 00:27:10,834 HE SOUNDS LIKE A GRADE-A NARCISSIST. 748 00:27:10,863 --> 00:27:12,503 AS A FORMER ARTIST, I’D SAY I KNOW 749 00:27:12,531 --> 00:27:14,231 A THING OR TWO ABOUT BEING 750 00:27:14,266 --> 00:27:16,566 MISUNDERSTOOD BY FANS. 751 00:27:16,602 --> 00:27:18,672 EVEN IN THE CASE OF THE ACTOR REACHING OUT, 752 00:27:18,704 --> 00:27:21,844 HE HAD A MILLION REASONS TO ABANDON THE FRIENDSHIP. 753 00:27:21,874 --> 00:27:23,814 FOR EXAMPLE, THE FAN COULD’VE JUST AS WELL 754 00:27:23,842 --> 00:27:26,582 BEEN PSYCHOTIC DISGUISED AS A VICTIM. 755 00:27:26,612 --> 00:27:27,582 IT HAPPENS. 756 00:27:27,613 --> 00:27:29,753 I’M JUST LOOKING AT THE FACTS, 757 00:27:29,781 --> 00:27:30,421 AND FROM WHERE I’M STANDING, 758 00:27:30,449 --> 00:27:32,649 MY MONEY’S ON NARCISSIST. 759 00:27:32,684 --> 00:27:33,654 THAT SOUND LIKE A "TAKE ONE TO KNOW ONE," 760 00:27:33,685 --> 00:27:34,745 DON’T IT, JAMES? 761 00:27:34,786 --> 00:27:35,916 EXCUSE ME? 762 00:27:35,954 --> 00:27:37,424 I THINK YOU SHOULD LEAVE. 763 00:27:37,456 --> 00:27:39,916 I’M GOOD. 764 00:27:39,958 --> 00:27:42,588 THAT WASN’T A SUGGESTION, MS. COOPER. 765 00:27:42,628 --> 00:27:43,898 GO. NOW, PLEASE. 766 00:27:51,703 --> 00:27:53,873 IS IT ALWAYS THIS PEACEFUL OUT HERE? 767 00:27:53,906 --> 00:27:56,036 WHEN YOU SAID, "BEACH ACCESS," 768 00:27:56,074 --> 00:27:58,444 I THOUGHT WE’D BE PLAYING "FROGGER" ACROSS PCH. 769 00:27:58,477 --> 00:28:00,207 NOPE. IT IS LITERALLY A ROCK’S THROW. 770 00:28:00,245 --> 00:28:02,375 I’M ALREADY SOLD. 771 00:28:02,414 --> 00:28:02,914 I CAN GET SO MUCH READING DONE OUT HERE. 772 00:28:02,948 --> 00:28:04,718 MM. YOU READ A LOT? 773 00:28:04,750 --> 00:28:05,580 WE BOTH DO. 774 00:28:05,617 --> 00:28:08,047 WE’RE IN A POST-DOC PROGRAM AT COASTAL, 775 00:28:08,086 --> 00:28:10,616 WHICH MEANS WE’RE LITERALLY ALWAYS READING 776 00:28:10,656 --> 00:28:12,686 OR GRADING PAPERS. 777 00:28:12,724 --> 00:28:15,034 IT JUST GOT HARD TO FOCUS LATELY 778 00:28:15,060 --> 00:28:17,200 LIVING AT MY UNCLE’S HOUSE WITH HIS 4 KIDS. 779 00:28:17,229 --> 00:28:18,529 AND WHEN WE’RE NOT STUDYING, 780 00:28:18,564 --> 00:28:21,374 CHARISSA’S MAKING SOME AMAZING POLYNESIAN FOOD. 781 00:28:21,400 --> 00:28:23,470 HER COCONUT SHRIMP AND GARLIC RICE IS TO DIE FOR. 782 00:28:23,502 --> 00:28:25,442 UH, IT’S OK. IT’S GOOD. 783 00:28:25,470 --> 00:28:27,440 I’M OK. 784 00:28:27,472 --> 00:28:29,942 ARE YOU GUYS LIKE THIS ALL THE TIME? 785 00:28:29,975 --> 00:28:31,785 AFTER 6 YEARS, WE’RE PRACTICALLY AN OLD, MARRIED COUPLE. 786 00:28:31,810 --> 00:28:34,710 OH... 787 00:28:34,746 --> 00:28:36,046 BOTH: HOW SOON CAN YOU MOVE IN? 788 00:28:36,081 --> 00:28:38,681 [BOTH LAUGH] 789 00:28:41,987 --> 00:28:43,717 HEY. 790 00:28:43,755 --> 00:28:45,215 SORRY TO HIJACK YOUR EVENING. 791 00:28:45,257 --> 00:28:47,057 OH, NO. THAT’S ALL GOOD. 792 00:28:47,092 --> 00:28:48,562 BESIDES, YOUR VOICEMAIL SAID 793 00:28:48,594 --> 00:28:50,564 ASHLEY COMING WAS A SURPRISE, RIGHT, 794 00:28:50,596 --> 00:28:53,466 SO WHERE IS SHE? 795 00:28:53,498 --> 00:28:55,398 I MEAN HE. 796 00:28:55,434 --> 00:28:58,174 IT’S A PLEASURE TO FINALLY MEET YOU, BRUV. 797 00:28:58,203 --> 00:29:02,013 HA HA! YOU, TOO. YOU, TOO. 798 00:29:02,040 --> 00:29:04,580 IF YOU DON’T MIND ME ASKING, 799 00:29:04,610 --> 00:29:06,850 WHAT ARE YOUR PRONOUNS? 800 00:29:06,878 --> 00:29:08,578 HE/HIM. 801 00:29:08,614 --> 00:29:11,424 LOVE HOW AMERICANS ARE SO UPFRONT ABOUT THAT. 802 00:29:11,450 --> 00:29:13,720 YEAH. 803 00:29:15,354 --> 00:29:18,764 YOU KNOW, OLIVIA AND I WOULD STAY UP LATE 804 00:29:18,790 --> 00:29:20,490 WATCHING YOUR GAMES LAST SEASON. 805 00:29:20,525 --> 00:29:22,655 YOU’RE A DAMN GOOD FOOTBALLER. 806 00:29:22,694 --> 00:29:23,664 THANK YOU. YEAH. 807 00:29:23,695 --> 00:29:24,995 LIV SHOWED ME SOME OF YOUR PAINTINGS. 808 00:29:25,030 --> 00:29:26,660 YOU’RE REAL TALENTED. 809 00:29:26,698 --> 00:29:27,668 THAT EXHIBITION YOU DID 810 00:29:27,699 --> 00:29:28,899 ABOUT YOUR GRANDPARENTS WAS DOPE. 811 00:29:28,934 --> 00:29:31,074 OH, APPRECIATE THAT. 812 00:29:31,103 --> 00:29:32,903 SO WHAT INSPIRED THIS IMPROMPTU TRIP? 813 00:29:32,938 --> 00:29:36,168 I FIGURED LIV COULD USE SOME SUPPORT GETTING 814 00:29:36,208 --> 00:29:37,838 ACROSS THE FINISH LINE OF HER BOOK, I MEAN, 815 00:29:37,876 --> 00:29:39,406 ESPECIALLY WITH HER PUBLISHER’S DEADLINE 816 00:29:39,444 --> 00:29:44,684 BEING MOVED UP, SO HERE I AM. 817 00:29:44,716 --> 00:29:46,346 HERE HE IS. 818 00:29:46,385 --> 00:29:51,195 [CLEARS THROAT] 819 00:29:53,525 --> 00:29:54,555 HEY. 820 00:29:56,428 --> 00:29:57,898 UH... 821 00:29:59,798 --> 00:30:03,168 I GOT YOUR TEXT, AND I OWE YOU 822 00:30:03,201 --> 00:30:06,841 AN APOLOGY FOR HOW AGGRESSIVE I WAS. 823 00:30:06,872 --> 00:30:07,172 I’LL DO WHAT I CAN ON MY OWN. 824 00:30:10,542 --> 00:30:12,682 MY WISE SON REMINDED ME 825 00:30:12,711 --> 00:30:15,451 HOW IMPORTANT IT IS TO SUPPORT THE PEOPLE 826 00:30:15,480 --> 00:30:19,280 THAT MATTER MOST, 827 00:30:19,318 --> 00:30:21,688 AND YOU’RE ONE OF THEM, PREACH. 828 00:30:21,720 --> 00:30:23,860 IS THAT LASAGNA? 829 00:30:23,889 --> 00:30:25,619 ALSO COMPLIMENTS OF THE SON I RAISED. 830 00:30:25,657 --> 00:30:28,657 THANK YOU SINCERELY. 831 00:30:31,463 --> 00:30:33,873 YOU OK? 832 00:30:33,899 --> 00:30:37,199 [SIGH] WHAT HAPPENS IF WE DON’T END UP GETTING THIS GRANT? 833 00:30:37,235 --> 00:30:39,595 COACH BAKER LEFT ME IN CHARGE 834 00:30:39,638 --> 00:30:43,368 OF THIS ONE THING, AND I CANNOT LET HIM DOWN. 835 00:30:43,408 --> 00:30:47,548 BILLY USED TO SAY, "QUITTERS NEVER WIN, 836 00:30:47,579 --> 00:30:50,109 AND WINNERS NEVER QUIT," 837 00:30:50,148 --> 00:30:51,448 SO EVEN IF THE SCHOOL BOARD QUITS ON YOU, 838 00:30:51,483 --> 00:30:53,793 YOU’VE NEVER QUIT ON THESE KIDS. 839 00:30:53,819 --> 00:30:56,389 I’VE SEEN YOU WITH THEM. 840 00:30:56,421 --> 00:30:58,621 YOU CARE, AND, BECAUSE OF THAT, 841 00:30:58,657 --> 00:31:01,657 YOU CAN NEVER LET HIM DOWN. 842 00:31:01,693 --> 00:31:02,493 JASON GALLO-GAFFNER: ♪ IT ALL STARTED ♪ 843 00:31:02,527 --> 00:31:04,327 ♪ WITH A HOT PINK... ♪ 844 00:31:04,363 --> 00:31:05,563 ASHER IN SAN FRAN, COOP M.I.A., 845 00:31:05,597 --> 00:31:07,227 PATIENCE AVOIDING COOP-- 846 00:31:07,265 --> 00:31:10,965 THIS VORTEX HANG IS KIND OF NOT ONE. 847 00:31:11,002 --> 00:31:12,972 SEE YOUR FAVORITE CHIPS GOT REPLENISHED. 848 00:31:13,004 --> 00:31:15,914 OH, YEAH. ASHLEY BROUGHT SOME FROM LONDON. 849 00:31:15,941 --> 00:31:18,981 IT’S FUNNY, EVEN NOW, YOU’RE STILL 850 00:31:19,010 --> 00:31:21,980 BEING CAREFUL WITH HIS PRONOUNS. 851 00:31:22,013 --> 00:31:24,753 SPENCER, I NEVER SAID ASHLEY WAS A GIRL. 852 00:31:24,783 --> 00:31:26,423 I’VE DEFINITELY CALLED HIM A SHE BEFORE 853 00:31:26,451 --> 00:31:27,821 WHEN YOU TOLD ME ABOUT 854 00:31:27,853 --> 00:31:29,653 ALL YOUR NEW FRIENDS OVER THERE. 855 00:31:29,688 --> 00:31:30,488 YOU NEVER CORRECTED ME. 856 00:31:30,522 --> 00:31:32,662 HONESTLY, I DON’T KNOW WHY, YOU KNOW, 857 00:31:32,691 --> 00:31:34,391 AND THEN I FIGURED, YOU KNOW, 858 00:31:34,426 --> 00:31:36,386 YOU’D MEET ASHLEY WHEN YOU CAME THAT WEEKEND, 859 00:31:36,428 --> 00:31:38,398 AND, YOU KNOW, THE MISTAKE WOULD JUST 860 00:31:38,430 --> 00:31:40,400 ORGANICALLY FIX ITSELF, AND--I DON’T KNOW-- 861 00:31:40,432 --> 00:31:42,232 YOU AND I WERE JUST HAVING A PERFECT TIME, 862 00:31:42,267 --> 00:31:46,167 JUST THE TWO OF US, AND THERE WAS JUST 863 00:31:46,204 --> 00:31:47,844 NEVER A CHANCE FOR ME TO INTRODUCE YOU 864 00:31:47,873 --> 00:31:49,073 TO ANY OF MY FRIENDS. 865 00:31:49,107 --> 00:31:51,507 SORRY I’M LATE. 866 00:31:51,543 --> 00:31:53,083 YOU’RE NOT MISSING MUCH. 867 00:31:53,111 --> 00:31:55,011 MM. 868 00:31:55,046 --> 00:31:56,406 HERE. GRAB A PLATE. 869 00:31:56,448 --> 00:31:58,348 THANK YOU. 870 00:31:58,383 --> 00:32:00,083 YOU SHOULD GO CHECK ON YOUR GUEST. 871 00:32:00,118 --> 00:32:01,848 NOW AIN’T THE TIME TO HAVE THIS CONVERSATION, ANYWAY. 872 00:32:09,227 --> 00:32:12,197 UH, YOU SEEM MIGHTY COOL 873 00:32:12,230 --> 00:32:14,100 ABOUT LIL IDRIS ELBA AND YOUR WOMAN. 874 00:32:14,132 --> 00:32:16,872 I’M NOT, BUT I TRUST LIV, 875 00:32:16,902 --> 00:32:17,602 AND HE SEEMS LIKE A COOL DUDE. 876 00:32:17,636 --> 00:32:19,536 I JUST DIDN’T KNOW HE WAS A DUDE, 877 00:32:19,571 --> 00:32:20,371 UNLESS I WASN’T PAYING ATTENTION. 878 00:32:20,405 --> 00:32:23,605 NO. NO. WE WERE ALL IN THE DARK. 879 00:32:23,642 --> 00:32:26,042 I’M STILL PROCESSING THAT PART, 880 00:32:26,077 --> 00:32:27,207 BUT I’VE BEEN REAL REACTIVE LATELY, 881 00:32:27,245 --> 00:32:29,445 SO I’M GONNA TAKE MY TIME ON THIS ONE. 882 00:32:29,481 --> 00:32:31,281 LOOK AT YOU. GROWTH. 883 00:32:31,316 --> 00:32:32,346 SHUT UP. 884 00:32:34,386 --> 00:32:35,786 HOW’D CLASS GO TODAY WITH PROFESSOR LAURA? 885 00:32:35,821 --> 00:32:38,791 IT WAS, UM, INTERESTING. 886 00:32:38,824 --> 00:32:40,464 I’M GONNA NEED MORE THAN THAT. 887 00:32:40,492 --> 00:32:42,192 I MIGHT HAVE GOT KICKED OUT. 888 00:32:42,227 --> 00:32:44,457 BY MRS. BAKER? HOW? 889 00:32:44,496 --> 00:32:46,356 LET’S JUST SAY I HAD A VISCERAL REACTION 890 00:32:46,398 --> 00:32:49,528 TO, UH, THE CASE SHE HAS US WORKING ON, 891 00:32:49,568 --> 00:32:52,138 AND, UNLIKE YOU, I JUST DID NOT GIVE MYSELF 892 00:32:52,170 --> 00:32:54,040 TIME TO PROCESS. 893 00:32:54,072 --> 00:32:55,872 WELL, NOW THAT YOU KNOW, 894 00:32:55,907 --> 00:32:57,477 WHAT YOU GONNA DO ABOUT IT, HMM? 895 00:32:57,509 --> 00:33:00,379 GALLO-GAFFNER: ♪ IN THE DESERT SKY ♪ 896 00:33:00,412 --> 00:33:05,482 ♪ INSIDE OF A TELESCOPE EYE ♪ 897 00:33:05,517 --> 00:33:08,817 YOUR ARTWORK IS HANGING IN BUCKINGHAM PALACE? 898 00:33:08,854 --> 00:33:11,494 NO, BUT IT WAS IN WINDSOR CASTLE 899 00:33:11,523 --> 00:33:13,733 FOR A DISPLAY OF TOP CAMBRIDGE ART STUDENTS, 900 00:33:13,758 --> 00:33:15,328 BUT JUST FOR A DAY. 901 00:33:15,360 --> 00:33:17,900 I MEAN, THAT’S STILL AMAZING. 902 00:33:17,929 --> 00:33:19,829 YEAH, MAN. DON’T UNDERSELL YOURSELF. 903 00:33:19,865 --> 00:33:21,675 YOU SOUND LIKE OLIVIA. 904 00:33:21,700 --> 00:33:22,730 I MEAN, SHE’S CONSTANTLY TELLING ME THAT. 905 00:33:22,767 --> 00:33:24,337 I MEAN, THAT’S WHAT FRIENDS DO, RIGHT? 906 00:33:24,369 --> 00:33:25,839 WE LIFT EACH OTHER UP AND HELP EACH OTHER 907 00:33:25,871 --> 00:33:28,071 ON THEIR JOURNEYS. 908 00:33:30,442 --> 00:33:32,342 WE SHOULD-- UH, OK. YEAH. 909 00:33:32,377 --> 00:33:33,847 WE ARE GONNA HEAD OUT OF HERE. 910 00:33:33,879 --> 00:33:35,309 OK. 911 00:33:35,347 --> 00:33:37,917 ALL RIGHT. I’LL SEE YOU. 912 00:33:37,949 --> 00:33:39,249 GOOD LUCK. 913 00:33:39,284 --> 00:33:40,494 ASHLEY, GOOD TO MEET YOU. 914 00:33:40,519 --> 00:33:41,819 YEAH, ALWAYS. 915 00:33:41,853 --> 00:33:43,423 TAKE IT EASY. ENJOY. 916 00:33:43,455 --> 00:33:44,495 SEE YOU, SPENCE. NICE TO MEET YOU. 917 00:33:44,523 --> 00:33:45,893 [CELL PHONE CHIMES] 918 00:33:47,792 --> 00:33:49,392 ASHLEY: ALL RIGHT. 919 00:33:51,696 --> 00:33:52,656 I SHOULD GO, TOO. 920 00:33:52,697 --> 00:33:53,827 WAIT. ALREADY? YEAH. 921 00:33:53,865 --> 00:33:55,325 I GOT TO GO TALK 922 00:33:55,367 --> 00:33:56,767 TO DR. SPEARS ABOUT SOMETHING. 923 00:33:56,801 --> 00:33:57,841 IT WAS GOOD TO FINALLY PUT A FACE TO THE NAME. 924 00:33:57,869 --> 00:33:59,099 LIKEWISE. 925 00:33:59,137 --> 00:34:02,007 LIV. ALL RIGHT. 926 00:34:11,650 --> 00:34:14,350 YOU’RE DIFFERENT HERE. 927 00:34:14,386 --> 00:34:16,346 HOW SO? 928 00:34:16,388 --> 00:34:18,358 I’M NOT SURE, EXACTLY. 929 00:34:18,390 --> 00:34:21,630 I JUST KNOW THAT MY OLIVIA, 930 00:34:21,660 --> 00:34:25,360 THE ONE WHO CONQUERED THE UK SOLO, 931 00:34:25,397 --> 00:34:27,527 SHE WOULDN’T BE RUNNING FROM INTERVIEWING HER MUM 932 00:34:27,566 --> 00:34:29,026 OR NOT SO SUBTLY AVOIDING TALKING TO ME 933 00:34:29,067 --> 00:34:31,197 ABOUT THE REAL REASONS WHY. 934 00:34:31,236 --> 00:34:33,536 I HATE THAT YOU SEE THROUGH ME SO WELL. 935 00:34:33,572 --> 00:34:35,372 YOU KNOW, WHEN I WAS PUTTING TOGETHER 936 00:34:35,407 --> 00:34:37,037 THE IDEA FOR MY ART EXHIBITION, 937 00:34:37,075 --> 00:34:40,275 THE ONE ABOUT MY GRANDPARENTS, 938 00:34:40,312 --> 00:34:41,712 I TOO HAD RESERVATIONS ABOUT THE CONVERSATIONS 939 00:34:41,746 --> 00:34:43,206 THAT WOULD COME. 940 00:34:43,248 --> 00:34:45,448 YEAH. YOU MENTIONED THAT. 941 00:34:45,483 --> 00:34:46,953 RIGHT. WHAT I DIDN’T MENTION 942 00:34:46,985 --> 00:34:48,625 WAS THAT MY GRANDAD, HE STRUGGLED 943 00:34:48,653 --> 00:34:51,563 WITH IDENTITY HIS WHOLE LIFE. 944 00:34:51,590 --> 00:34:54,060 I MEAN, EVERYONE HAD THEIR OWN THEORY WHY, 945 00:34:54,092 --> 00:34:57,562 BUT ALL I WANTED TO DO WAS JUST CAPTURE 946 00:34:57,596 --> 00:35:00,296 THE ESSENCE OF WHAT HE WAS FEELING. 947 00:35:00,332 --> 00:35:02,402 HOW’D YOUR PARENTS TAKE THAT? 948 00:35:02,434 --> 00:35:04,904 TOLD THEM I NEEDED TO DO IT FOR ME, 949 00:35:04,936 --> 00:35:06,236 TO BETTER UNDERSTAND WHO I AM. 950 00:35:06,271 --> 00:35:08,071 HMM. 951 00:35:08,106 --> 00:35:11,076 YOU SEE, I ALWAYS HAD THIS FEELING 952 00:35:11,109 --> 00:35:13,139 THAT ME AND MY GRANDAD WERE CONNECTED, 953 00:35:13,178 --> 00:35:17,418 AND IF I CRACKED THAT EGG, 954 00:35:17,449 --> 00:35:20,319 MAYBE I’D HELP SOMEONE ELSE FEEL SEEN. 955 00:35:20,352 --> 00:35:21,592 HMM. 956 00:35:21,620 --> 00:35:23,250 THAT IS OUR RESPONSIBILITY 957 00:35:23,288 --> 00:35:26,418 AS ARTISTS. 958 00:35:26,458 --> 00:35:29,488 HESITATION TO INTERVIEW MY MOM 959 00:35:29,527 --> 00:35:33,757 ISN’T JUST ABOUT DISRUPTING HER PEACE. 960 00:35:33,798 --> 00:35:37,098 IT’S ABOUT DISRUPTING MINE. 961 00:35:37,135 --> 00:35:38,935 HMM. 962 00:35:38,970 --> 00:35:42,170 I MEAN, I SPENT ALL THAT TIME IN ENGLAND 963 00:35:42,207 --> 00:35:44,007 HEALING FROM THE LOSS OF MY DAD, 964 00:35:44,042 --> 00:35:48,682 AND WITH ONE DIFFICULT INTERVIEW 965 00:35:48,713 --> 00:35:51,183 WITH SPENCER’S MOM, I ALMOST UNDID 966 00:35:51,216 --> 00:35:52,576 ALL OF THAT WORK. 967 00:35:56,454 --> 00:35:58,264 I MEAN, WHAT IF I ACTUALLY HAVE 968 00:35:58,289 --> 00:35:59,919 ANOTHER EMOTIONAL SETBACK? 969 00:35:59,958 --> 00:36:02,358 THEN YOU HAVE IT. 970 00:36:02,394 --> 00:36:06,104 I MEAN, THAT VULNERABILITY IS EXACTLY 971 00:36:06,131 --> 00:36:08,801 WHAT YOU SHOULD BE BRINGING TO THE BOOK, 972 00:36:08,833 --> 00:36:11,103 AND, FROM WHAT I’VE SEEN OF YOUR FAMILY 973 00:36:11,136 --> 00:36:13,866 AND YOUR MATES, YOU HAVE A LARGE ENOUGH VILLAGE 974 00:36:13,905 --> 00:36:17,275 THAT WILL HELP YOU THROUGH IT. 975 00:36:17,308 --> 00:36:20,278 YOU’RE STRONG ENOUGH FOR THIS, OLIVIA. 976 00:36:22,914 --> 00:36:25,124 [EXHALES] 977 00:36:32,957 --> 00:36:34,087 MA, ARE YOU HOME? 978 00:36:34,125 --> 00:36:37,085 DILLON: YES, BABY, JUST IN HERE. 979 00:36:37,128 --> 00:36:40,098 FOOL, I KNEW IT WAS YOU. 980 00:36:40,131 --> 00:36:42,831 OH, IS THAT MOM’S FAMOUS LASAGNA? 981 00:36:42,867 --> 00:36:44,267 BECAUSE I’M GONNA NEED ME A PIECE. 982 00:36:44,302 --> 00:36:47,172 YES. IT IS. GUESS WHO MADE IT? 983 00:36:47,205 --> 00:36:49,505 OH. IN THAT CASE, YOU CAN KEEP THAT PIECE. 984 00:36:49,541 --> 00:36:51,111 WOW. SEE, YOU GOT JOKES. 985 00:36:51,142 --> 00:36:53,442 DON’T KNOCK IT TILL YOU TRY IT, MAN. 986 00:36:53,478 --> 00:36:56,448 LET ME GET YOU A PLATE. 987 00:36:56,481 --> 00:36:58,181 MOM’S AT SCHOOL WITH PREACH 988 00:36:58,216 --> 00:36:59,776 HELPING HIM ON SOME GRANT APPLICATIONS. 989 00:36:59,818 --> 00:37:01,848 MM, THAT EXPLAINS WHY HER PHONE’S OFF. 990 00:37:01,886 --> 00:37:02,786 I MEAN, I GOT TWO WORKING EARS 991 00:37:02,821 --> 00:37:05,121 IF YOU WANT TO TAKE ADVANTAGE OF THEM. 992 00:37:05,156 --> 00:37:08,756 MAN, WHERE DO I START? 993 00:37:08,793 --> 00:37:11,533 WELL, ME AND JORDAN ARE HAVING A TOUGH TIME 994 00:37:11,563 --> 00:37:13,363 KEEPING OUR ISSUES ON THE FIELD 995 00:37:13,398 --> 00:37:15,528 FROM SPILLING OVER INTO EVERYTHING ELSE. 996 00:37:15,567 --> 00:37:16,797 TODAY I WAS REMINDED THAT I CHOSE PSYCHOLOGY 997 00:37:16,835 --> 00:37:19,375 BECAUSE I LOVE HELPING PEOPLE 998 00:37:19,404 --> 00:37:20,714 AND I’M GOOD AT IT, BUT DRAFTING EARLY 999 00:37:20,739 --> 00:37:22,869 MEANS THAT AIN’T IN MY FUTURE 1000 00:37:22,907 --> 00:37:24,307 BECAUSE I’M NEVER GONNA GET THAT DEGREE, 1001 00:37:24,342 --> 00:37:25,982 AND LIV’S BRITISH BEST FRIEND IS A DUDE, 1002 00:37:26,010 --> 00:37:28,050 AND SHE AIN’T TELL ME. 1003 00:37:28,079 --> 00:37:28,849 DAMN, BRO, YOU PROBABLY SHOULD’VE CALLED MOM. 1004 00:37:28,880 --> 00:37:30,880 SEE? THAT’S WHY I DON’T TALK TO YOU. 1005 00:37:30,915 --> 00:37:33,315 JOKES ASIDE, MAN, YOU AND JORDAN ARE BROTHERS. 1006 00:37:33,351 --> 00:37:34,891 EVENTUALLY, YOU’RE GONNA GET THROUGH 1007 00:37:34,919 --> 00:37:37,219 THIS ROUGH PATCH LIKE WE ALWAYS DO, 1008 00:37:37,255 --> 00:37:39,485 AND, AS FAR AS THE PSYCHOLOGY THING, MAN, 1009 00:37:39,524 --> 00:37:42,234 YOU’RE ACTING AS IF YOU CAN’T SWITCH GEARS 1010 00:37:42,260 --> 00:37:44,130 AFTER THE NFL-- YOU KNOW, 1011 00:37:44,162 --> 00:37:46,962 COME BACK TO SCHOOL, BECOME A THERAPIST 1012 00:37:46,998 --> 00:37:48,398 OR WHATEVER YOU WANT TO DO. 1013 00:37:48,433 --> 00:37:51,643 I MEAN, THE AVERAGE PLAYER RETIRES AT, WHAT, 30? 1014 00:37:51,669 --> 00:37:53,069 SOUNDS LIKE MORE THAN ENOUGH TIME TO ME. 1015 00:37:53,104 --> 00:37:55,314 THAT ACTUALLY AIN’T BAD ADVICE. 1016 00:37:55,340 --> 00:37:57,070 ALL RIGHT, LITTLE HOMIE. 1017 00:37:57,108 --> 00:38:00,238 SINCE YOU’RE ON A ROLL, WHAT ABOUT LIV? 1018 00:38:00,278 --> 00:38:02,248 YOU TRUST HER. 1019 00:38:02,280 --> 00:38:05,480 THIS IS MESSY, 1020 00:38:05,517 --> 00:38:06,717 BUT YOU JUST CONTINUE TO TRUST HER. 1021 00:38:14,526 --> 00:38:16,256 IT’S BOMB, RIGHT? 1022 00:38:16,294 --> 00:38:17,934 YOU REALLY MADE THIS? 1023 00:38:17,962 --> 00:38:19,162 YOUR BOY HAS MANY GIFTS. 1024 00:38:19,197 --> 00:38:22,167 HA HA! WHATEVER. 1025 00:38:22,200 --> 00:38:23,770 [DOOR CLOSES] 1026 00:38:23,802 --> 00:38:26,442 YOU HERE TO CALL ME A NARCISSIST, TOO? 1027 00:38:26,471 --> 00:38:29,571 NO, NOT AT ALL. MAY I? 1028 00:38:31,810 --> 00:38:35,850 I OWE YOU AN APOLOGY. 1029 00:38:35,880 --> 00:38:40,450 I ASKED YOU NOT TO MAKE ME THE TEACHER’S PET, 1030 00:38:40,485 --> 00:38:42,695 AND INSTEAD, I BECAME THE TEACHER’S NIGHTMARE. 1031 00:38:42,720 --> 00:38:45,920 YEAH. YOU KIND OF DID. 1032 00:38:45,957 --> 00:38:48,087 UNFORTUNATELY, 1033 00:38:48,126 --> 00:38:51,196 MY EMOTIONS GOT THE BEST OF ME. 1034 00:38:51,229 --> 00:38:53,759 I WAS TRIGGERED PEOPLE WERE ABLE 1035 00:38:53,798 --> 00:38:56,928 TO SHRED PATIENCE-- I MEAN, THE ACTOR-- 1036 00:38:56,968 --> 00:38:58,938 TO PIECES, AND THEN I STARTED WORRYING 1037 00:38:58,970 --> 00:39:01,540 THAT IT WOULD ACTUALLY HAPPEN IN COURT. 1038 00:39:01,573 --> 00:39:04,543 THAT WAS THE EXACT POINT OF THE EXERCISE, COOP, 1039 00:39:04,576 --> 00:39:05,876 TO GET A TEMPERATURE READ ON HOW THE DEFENSE 1040 00:39:05,910 --> 00:39:07,610 IS GONNA TRY AND PAINT HER PICTURE. 1041 00:39:07,645 --> 00:39:09,775 THE FIRM MIKO’S FAMILY HIRED IS ALREADY DOING 1042 00:39:09,814 --> 00:39:11,684 EVERYTHING THAT THEY CAN TO VILLAINIZE PATIENCE. 1043 00:39:11,716 --> 00:39:13,846 DON’T I KNOW IT. 1044 00:39:13,885 --> 00:39:14,955 I MEAN, THEY ARE BASHING HER ON THE NEWS 1045 00:39:14,986 --> 00:39:15,946 EVERY CHANCE THEY GET. 1046 00:39:15,987 --> 00:39:16,747 WELL, YEAH. 1047 00:39:16,788 --> 00:39:18,788 A FULL-BLOWN CHARACTER ASSASSINATION 1048 00:39:18,823 --> 00:39:20,893 OF THE ALLEGED VICTIM-- IN THIS CASE, PATIENCE-- 1049 00:39:20,925 --> 00:39:23,055 IS A REALLY SMART DEFENSE. 1050 00:39:23,094 --> 00:39:25,634 IT’S EXACTLY WHAT I WOULD DO. 1051 00:39:25,663 --> 00:39:28,973 LOOK. I KNOW HOW DEEPLY YOU CARE FOR PATIENCE, 1052 00:39:29,000 --> 00:39:31,640 AND SHE’S SO LUCKY TO HAVE YOU IN HER CORNER, 1053 00:39:31,669 --> 00:39:34,569 BUT YOU’VE GOT TO TRY AND CHANNEL THIS PASSION 1054 00:39:34,606 --> 00:39:38,806 INTO CREATIVE PROBLEM-SOLVING 1055 00:39:38,843 --> 00:39:41,383 BECAUSE THAT’S WHAT SHE’S GONNA NEED COME TRIAL. 1056 00:39:44,349 --> 00:39:46,479 YOU GONNA HELP ME PROOF THIS BRIEF, 1057 00:39:46,517 --> 00:39:48,047 OR YOU GONNA JUST SIT THERE AND STARE AT ME? 1058 00:39:48,086 --> 00:39:49,386 I’LL TAKE THE BRIEF. OK. 1059 00:39:49,420 --> 00:39:50,490 WHAT ALL WE GOT? 1060 00:39:50,521 --> 00:39:52,891 ALL RIGHT, SO... 1061 00:39:52,924 --> 00:39:54,164 JORDAN: I AM SO GLAD WE GOT TO SPEND THE DAY TOGETHER. 1062 00:39:54,192 --> 00:39:56,392 YEAH. 1063 00:39:56,427 --> 00:39:57,087 YOU KNOW, YOU DO KNOW 1064 00:39:57,128 --> 00:39:59,158 A THING OR TWO ABOUT ROOMMATES, 1065 00:39:59,197 --> 00:40:00,327 AND I THINK CHARISSA AND GREG ARE GONNA BE PERFECT. 1066 00:40:00,365 --> 00:40:02,575 HOW MANY TIMES DID I TELL YOU 1067 00:40:02,600 --> 00:40:03,830 NOT TO PUT CLOTHES IN THE KITCHENWARE BOX? 1068 00:40:03,868 --> 00:40:05,398 GREG: WHO CARES? IT’S GOING TO THE SAME PLACE. 1069 00:40:05,436 --> 00:40:07,236 YEAH, BUT NOW IT’S GONNA BE A NIGHTMARE ORGANIZING, 1070 00:40:07,272 --> 00:40:08,172 AND GUESS WHO’S DOING THE UNPACKING. 1071 00:40:08,206 --> 00:40:09,506 I TOLD YOU I’D HELP. 1072 00:40:09,540 --> 00:40:10,740 WE BOTH KNOW THAT’S NOT TRUE. 1073 00:40:10,775 --> 00:40:12,505 HI, GUYS. 1074 00:40:12,543 --> 00:40:14,183 WE’RE SO EXCITED TO BE ROOMIES. 1075 00:40:14,212 --> 00:40:15,582 YAY! YAY! 1076 00:40:15,613 --> 00:40:19,283 YEAH. SO ARE WE. 1077 00:40:19,317 --> 00:40:21,517 HERE’S--LET ME JUST GET THESE FOR YOU. 1078 00:40:21,552 --> 00:40:23,452 OH, NO, NO. HE’LL LOSE IT. 1079 00:40:23,488 --> 00:40:24,958 I’M NOT A CHILD. 1080 00:40:24,989 --> 00:40:26,789 THEN MAN UP AND GET THOSE MISLABELED BOXES 1081 00:40:26,824 --> 00:40:29,464 FROM THE TRUNK. 1082 00:40:29,494 --> 00:40:32,604 HMM. HMM. YEAH. HA! 1083 00:40:34,732 --> 00:40:38,302 OH, GOD. OHH... 1084 00:40:38,336 --> 00:40:40,136 THANK YOU AGAIN FOR COMING TONIGHT. 1085 00:40:40,171 --> 00:40:42,541 OF COURSE. 1086 00:40:42,573 --> 00:40:43,973 DID ASHLEY HAVE A GOOD TIME? 1087 00:40:44,008 --> 00:40:46,638 HE DID. 1088 00:40:46,678 --> 00:40:48,978 HOW LONG’S HE STAYING IN TOWN, EXACTLY? 1089 00:40:49,013 --> 00:40:52,953 UM, I ACTUALLY DON’T KNOW. 1090 00:41:08,232 --> 00:41:10,972 [EXHALES] 1091 00:41:11,002 --> 00:41:13,042 OH, DID YOU WANT TO TALK 1092 00:41:13,071 --> 00:41:14,811 ABOUT WHAT’S GOING ON WITH YOUR BOOK? 1093 00:41:14,839 --> 00:41:16,709 ACTUALLY, I’M GOOD. 1094 00:41:16,741 --> 00:41:18,141 I THINK I FINALLY GOT THE CLARITY I NEED. 1095 00:41:18,176 --> 00:41:21,146 DO YOU WANT TO TALK ABOUT THE GAME YESTERDAY, 1096 00:41:21,179 --> 00:41:25,149 WHATEVER’S GOING ON WITH YOU AND JORDAN? 1097 00:41:25,183 --> 00:41:27,653 NO. I THINK I GOT THAT CLARITY, TOO. 1098 00:41:27,685 --> 00:41:30,485 OH. OK. 1099 00:41:32,457 --> 00:41:34,327 GREAT. GREAT. 1100 00:41:40,531 --> 00:41:43,331 MAN: ♪ WE’LL FIND OUR WAY BACK AGAIN ♪ 1101 00:41:47,538 --> 00:41:50,508 ♪ WE’LL FIND OUR WAY BACK AGAIN ♪ 1102 00:42:26,744 --> 00:42:27,444 MAN: GREG, MOVE YOUR HEAD. 75057

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