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1
00:00:16,016 --> 00:00:16,976
ANNOUNCER: THERE’S 8 MINUTES
LEFT IN THE FOURTH QUARTER,
2
00:00:17,017 --> 00:00:18,717
AND THIS HAS BEEN
QUITE THE GAME, FOLKS.
3
00:00:18,752 --> 00:00:19,892
FOR THOSE
WHO ARE JUST TUNING IN,
4
00:00:19,920 --> 00:00:21,820
GAU’s HEAD COACH KENNY BOONE
IS OUT TODAY
5
00:00:21,855 --> 00:00:23,715
DUE TO A FAMILY EMERGENCY.
6
00:00:23,757 --> 00:00:26,287
STEPPING IN FOR HIM
IS THEIR O.C. AND GAU ALUM
7
00:00:26,326 --> 00:00:29,726
COACH TERENCE "MAC" McCLELLAND.
8
00:00:29,763 --> 00:00:32,733
SOMEBODY NEEDS TO STEP UP
AND MAKE A PLAY FOR COACH MAC
9
00:00:32,766 --> 00:00:36,296
BECAUSE GRIFFIN U.
IS PUTTING UP QUITE THE FIGHT.
10
00:00:36,336 --> 00:00:39,736
MAN: ♪ I’M UNBREAKABLE,
MY MIND IS MADE OF TEFLON... ♪
11
00:00:39,773 --> 00:00:41,343
ANNOUNCER: TOUCHDOWN,
AND JUST LIKE THAT,
12
00:00:41,375 --> 00:00:44,015
GAU’s STAR WIDE RECEIVER
SPENCER JAMES
13
00:00:44,044 --> 00:00:47,584
HAS HELPED HIS TEAM
TAKE THE LEAD 34-30.
14
00:00:47,614 --> 00:00:49,584
IF ANYONE WAS WONDERING
15
00:00:49,616 --> 00:00:51,076
WHERE THIS KID BELONGS
COME DRAFT DAY...
16
00:00:57,190 --> 00:00:59,430
LAYLA: HOW’S
THE BOOK COMING, LIV?
17
00:00:59,459 --> 00:01:01,159
PLUGGING AWAY
ONE DAY AT A TIME.
18
00:01:01,194 --> 00:01:02,164
HOW’S EVERYTHING
WITH THE LOUNGE,
19
00:01:02,195 --> 00:01:03,595
OR ARE WE GOING
FOR A FULL REBRAND
20
00:01:03,630 --> 00:01:05,170
AS LAYLA’S
FIGHT CLUB?
21
00:01:05,198 --> 00:01:06,768
THAT’S NOT FUNNY.
22
00:01:06,800 --> 00:01:07,830
YOU’D THINK EVERYONE
WOULD BE OVER
23
00:01:07,868 --> 00:01:10,098
THE BRAWL AT SPENCER’S
BIRTHDAY BY NOW,
24
00:01:10,137 --> 00:01:11,497
BUT EVERY TIME
I CLEAR A BAD REVIEW
25
00:01:11,538 --> 00:01:14,608
OR VIDEO,
ANOTHER ONE POPS UP.
26
00:01:14,641 --> 00:01:16,611
IT’S, LIKE, SOCIAL
MEDIA IS SO EXHAUSTING.
27
00:01:16,643 --> 00:01:19,613
ARE YOU SERIOUSLY
ADDING VIEWS
28
00:01:19,646 --> 00:01:20,446
TO THE VIDEO
I’M TRYING TO WIPE?
29
00:01:20,480 --> 00:01:22,680
MY BAD, ALL RIGHT?
30
00:01:22,716 --> 00:01:24,176
I JUST--I FIND SOMETHING NEW
EVERY TIME I WATCH IT.
31
00:01:24,217 --> 00:01:25,947
LIKE, LOOK, THERE
IS LITERALLY A TEAR
32
00:01:25,986 --> 00:01:28,516
COMING OUT OF
THIS GROWN MAN’S EYE.
33
00:01:28,555 --> 00:01:29,855
FOR REAL?
NO. GUYS, GUYS,
HEY, HEY, HEY.
34
00:01:29,890 --> 00:01:31,930
HEY, CAN WE
PROMISE TO NEVER
35
00:01:31,959 --> 00:01:33,029
WATCH THIS
AGAIN, PLEASE?
36
00:01:33,060 --> 00:01:34,360
COOP: OK. FINE.
37
00:01:34,394 --> 00:01:37,864
THANK YOU.
PROMISE.
38
00:01:37,898 --> 00:01:39,428
[SIGH] WHERE IS
PATIENCE, ANYWAY?
39
00:01:39,466 --> 00:01:42,196
FEEL LIKE SHE’S BEEN,
WELL, KIND OF DISTANT
40
00:01:42,235 --> 00:01:43,535
SINCE EVERYTHING.
41
00:01:43,570 --> 00:01:45,870
MORE LIKE
DISTANT FROM ME.
42
00:01:45,906 --> 00:01:49,536
I MEAN, SHE MADE A MOVE,
AND I SHUT IT DOWN.
43
00:01:49,576 --> 00:01:50,376
IT JUST DIDN’T FEEL RIGHT
AFTER HOW MUCH
44
00:01:50,410 --> 00:01:51,980
SHE HAD BEEN
DRINKING THAT NIGHT,
45
00:01:52,012 --> 00:01:53,552
BUT SHE
TOOK IT WRONG.
46
00:01:53,580 --> 00:01:56,480
WELL, AS SOMEONE
WITH A HISTORY
47
00:01:56,516 --> 00:01:58,316
OF MAKING BAD CHOICES
WITH ALCOHOL,
48
00:01:58,352 --> 00:02:00,552
YOU DID THE RIGHT
THING, COOP.
49
00:02:00,587 --> 00:02:03,287
I HOPE SO.
50
00:02:03,323 --> 00:02:05,733
YO, WAIT.
DID SPENCER JUST SCORE?
51
00:02:05,759 --> 00:02:07,629
I THOUGHT HE SAID HE WASN’T
GETTING MUCH ACTION TODAY.
52
00:02:07,661 --> 00:02:09,561
WAIT. THAT’S WHAT
HE TOLD ME, TOO.
53
00:02:09,596 --> 00:02:12,126
OH, SO JORDAN’S BEEN
PLAYING THE WHOLE GAME,
54
00:02:12,165 --> 00:02:13,965
BUT NOW
WE UNMUTE IT.
55
00:02:14,001 --> 00:02:17,901
OK. NO.
IT’S FINE.
56
00:02:17,938 --> 00:02:20,138
OK. EVERYONE READY?
57
00:02:20,173 --> 00:02:21,243
HEY, HEY, HEY, GIVE ME
THE BALL, ALL RIGHT?
58
00:02:21,274 --> 00:02:22,914
I’M GONNA GET THIS FIRST
DOWN TO ICE THIS GAME.
59
00:02:22,943 --> 00:02:25,413
ANNOUNCER: IT’S 3 MINUTES LEFT
IN THE FOURTH QUARTER.
60
00:02:25,445 --> 00:02:27,075
WE’LL SEE WHAT THESE CONDORS
HAVE UP THEIR SLEEVE
61
00:02:27,114 --> 00:02:28,754
ON THIRD DOWN.
62
00:02:28,782 --> 00:02:30,382
DOWN,
SET, RED 70.
63
00:02:30,417 --> 00:02:32,387
RED 70, SET.
64
00:02:35,922 --> 00:02:37,662
[WHISTLE BLOWS]
65
00:02:37,691 --> 00:02:40,831
AHH...
66
00:02:40,861 --> 00:02:41,901
[WHISTLE BLOWS]
67
00:02:41,928 --> 00:02:43,658
PUNT TEAM.
68
00:02:43,697 --> 00:02:46,767
AYE, BRO, WHAT
ARE YOU DOING, MAN?
69
00:02:46,800 --> 00:02:48,430
I TOLD YOU I HAD IT.
70
00:02:48,468 --> 00:02:49,138
YOU SHOULD’VE
THROWN ME THE BALL.
71
00:02:49,169 --> 00:02:50,669
ARE YOU SERIOUS
RIGHT NOW?
72
00:02:50,704 --> 00:02:52,444
YO, I HAD 3 DUDES
IN MY FACE
73
00:02:52,472 --> 00:02:53,342
THE MOMENT
I SNAPPED THE BALL.
74
00:02:53,373 --> 00:02:55,843
I COULD BARELY GET
TO MY CHECKDOWN.
75
00:02:55,876 --> 00:02:57,106
WHATEVER. COACH, YOU GOT
TO PUT THE BALL IN MY HANDS.
76
00:02:57,144 --> 00:02:57,944
I’VE BEEN COOKING
THIS WHOLE SECOND HALF, MAN.
77
00:02:57,978 --> 00:02:59,008
RIGHT NOW, I GOT
TO FOCUS ON THE GAME,
78
00:02:59,046 --> 00:03:00,576
AND WE NEED
A STOP, OK?
79
00:03:04,217 --> 00:03:07,487
[CROWD CHEERING]
80
00:03:08,288 --> 00:03:09,688
COME ON!
81
00:03:09,723 --> 00:03:11,933
ANNOUNCER: TOUCHDOWN, GRIFFIN.
82
00:03:11,958 --> 00:03:14,988
THEY HAVE OFFICIALLY
TAKEN THE LEAD 37-34.
83
00:03:17,297 --> 00:03:19,427
MAC: ALL RIGHT,
TRIPS RIGHT, 42 SCREEN.
84
00:03:19,466 --> 00:03:21,596
JORDAN, PUMP-FAKE TO THE SLOT
AND THEN SWING IT TO WEBBER.
85
00:03:21,635 --> 00:03:23,705
SCREEN PASS?
86
00:03:23,737 --> 00:03:25,537
IT’S THE BEST WAY TO
NEUTRALIZE THEIR BLITZES.
87
00:03:25,572 --> 00:03:26,342
OK. THEN THROW
THE SCREEN TO ME.
88
00:03:26,373 --> 00:03:27,713
OR WE COULD TRUST
THE ANALYTICS,
89
00:03:27,741 --> 00:03:29,041
PASS TO WEBBER
LIKE HE SAID.
90
00:03:29,076 --> 00:03:30,036
NO ONE’S
EXPECTING THAT.
91
00:03:30,077 --> 00:03:31,707
AS LONG AS YOU BLOCK
YOUR MAN, WE’LL BE GOOD.
92
00:03:31,745 --> 00:03:33,285
BLOCK? COACH,
I AM TRYING--
93
00:03:33,313 --> 00:03:34,683
ONE MORE WORD,
JUST ONE MORE WORD,
94
00:03:34,715 --> 00:03:37,125
AND YOU’LL BE STANDING HERE
ON THE SIDELINES WITH ME.
95
00:03:37,150 --> 00:03:37,950
ALL RIGHT, GENTLEMEN.
96
00:03:37,984 --> 00:03:40,694
THIS IS JUST
ASSIGNMENT FOOTBALL.
97
00:03:40,721 --> 00:03:41,961
AS LONG AS YOU DO YOUR JOB,
WE’LL GET THIS FIRST DOWN.
98
00:03:41,988 --> 00:03:42,788
ONCE WE DO, WE’LL HAVE
ENOUGH TIME TO SCORE
99
00:03:42,823 --> 00:03:44,293
AND PUT THIS ONE AWAY,
ALL RIGHT?
100
00:03:44,324 --> 00:03:45,364
ALL RIGHT.
ALL RIGHT.
101
00:03:45,392 --> 00:03:47,292
ON 3, LET’S GO, LET’S GO.
102
00:03:47,327 --> 00:03:48,057
"CONDORS" ON 3.
"CONDORS" ON ME. 1, 2, 3.
103
00:03:48,095 --> 00:03:49,135
ALL: CONDORS!
104
00:03:49,162 --> 00:03:50,462
WIDE 60.
105
00:03:50,497 --> 00:03:53,527
WIDE 56.
106
00:03:57,938 --> 00:04:00,138
ANNOUNCER: OH, NO.
107
00:04:00,173 --> 00:04:02,043
IT LOOKS LIKE GAU JUST GAVE UP
A COSTLY FUMBLE.
108
00:04:04,010 --> 00:04:07,210
OH, A HELMET-TO-HELMET HIT
BY SPENCER JAMES.
109
00:04:07,247 --> 00:04:10,217
THEY’RE MORE THAN LIKELY GOING
TO EJECT HIM FOR TARGETING.
110
00:04:10,250 --> 00:04:12,220
IT’S NOT LOOKING GOOD
FOR THESE CONDORS.
111
00:04:12,252 --> 00:04:13,992
[WHISTLE BLOWING]
112
00:04:14,020 --> 00:04:16,220
NO. YO, NOW
COME ON, MAN.
113
00:04:16,256 --> 00:04:16,886
Y’ALL EJECTING ME
FOR REAL?
114
00:04:16,923 --> 00:04:18,793
OFF THE FIELD,
SPENCER.
115
00:04:18,825 --> 00:04:19,625
SHOULD’VE THROWN ME
THE BALL, BRO.
116
00:04:19,659 --> 00:04:21,729
MAYBE YOU SHOULD’VE
BLOCKED YOUR MAN.
117
00:04:21,762 --> 00:04:22,732
WHAT HAPPENED TO USING
YOUR QB INSTINCTS?
118
00:04:22,763 --> 00:04:23,733
WHAT HAPPENED TO
CALLING AN AUDIBLE?
119
00:04:23,764 --> 00:04:26,004
WHAT’S UP?
120
00:04:26,032 --> 00:04:27,232
OH, YOU JUST LISTEN
TO WHAT HE SAYS, HUH?
121
00:04:27,267 --> 00:04:27,967
OH, SPENCER,
CHILL. CHILL!
122
00:04:28,001 --> 00:04:29,741
DON’T TELL ME
TO CHILL, BRO.
123
00:04:29,770 --> 00:04:31,240
YOU JUST GAVE THEM
THE DAMN GAME.
124
00:04:31,271 --> 00:04:31,901
SINCE WHEN DO
JORDAN AND SPENCER
125
00:04:31,938 --> 00:04:33,838
BEEF ON THE FIELD
LIKE THAT?
126
00:04:33,874 --> 00:04:35,244
THINGS HAVE BEEN
A LITTLE TENSE
127
00:04:35,275 --> 00:04:37,635
SINCE COACH MAC
SHOWED UP.
128
00:04:37,677 --> 00:04:38,747
YEAH, AND SPENCER FALLING
OUT OF THE HEISMAN RACE
129
00:04:38,779 --> 00:04:39,809
HASN’T HELPED, EITHER.
130
00:04:39,846 --> 00:04:42,646
THINK US UNMUTING THE GAME
JINXED THEM?
131
00:04:44,618 --> 00:04:45,648
[TV MUTED]
132
00:04:50,557 --> 00:04:53,427
[INDISTINCT CONVERSATION]
133
00:04:55,629 --> 00:04:57,929
COACH, LOOK.
134
00:04:57,964 --> 00:05:01,034
I’M SORRY I GOT
EJECTED, BUT--
135
00:05:01,067 --> 00:05:01,767
LOOK. JUST STOP.
136
00:05:01,802 --> 00:05:03,772
YOU PUT YOURSELF
BEFORE THE TEAM,
137
00:05:03,804 --> 00:05:05,774
AND THAT’S
WHY WE LOST.
138
00:05:05,806 --> 00:05:06,636
HOLD UP. YOU’RE SAYING
THIS IS ON ME?
139
00:05:06,673 --> 00:05:07,673
YOU’RE THE ONE WHO
BLOCKED THE WRONG GUY
140
00:05:07,707 --> 00:05:09,937
AND CAUSED
THAT FUMBLE.
141
00:05:09,976 --> 00:05:10,936
YES, BUT I WOULD’VE
GOTTEN THE FIRST DOWN,
142
00:05:10,977 --> 00:05:12,347
AND YOU KNOW IT.
143
00:05:12,379 --> 00:05:13,179
THIS ISN’T
ABOUT THAT, SPENCER.
144
00:05:13,213 --> 00:05:14,683
IT’S ABOUT YOU NOT
BEING A TEAM PLAYER.
145
00:05:14,714 --> 00:05:17,084
YES, YOU--
THE NFL HOPEFUL
146
00:05:17,117 --> 00:05:18,347
WHO SHOWS UP
TO PRACTICE HUNGOVER,
147
00:05:18,385 --> 00:05:20,195
DOESN’T RESPECT
HIS COACHES,
148
00:05:20,220 --> 00:05:21,590
AND BLOWS HIS ASSIGNMENTS
ON THE FIELD--
149
00:05:21,621 --> 00:05:22,461
AND NOW IT LOOKS LIKE WE’RE
OUT OF PLAYOFF CONTENTION,
150
00:05:22,489 --> 00:05:26,429
SO THANK YOU
FOR THAT.
151
00:05:27,727 --> 00:05:29,857
[SCOFFS]
152
00:05:29,896 --> 00:05:32,196
MAN, COACH IS ON ONE.
DID I MISS A BLOCK?
153
00:05:32,232 --> 00:05:33,972
YEAH, BUT--
"BUT"?
154
00:05:34,000 --> 00:05:35,970
THERE’S NO "BUT"
AFTER THAT, MAN.
155
00:05:36,002 --> 00:05:37,202
OWN YOUR CRAP.
156
00:05:37,237 --> 00:05:38,197
YOU WANTED THE REACTION
FROM ME OUT THERE?
157
00:05:38,238 --> 00:05:40,038
WELL, HERE IT IS.
158
00:05:40,073 --> 00:05:41,443
YOU HAVE BEEN
SO FOCUSED ON YOU
159
00:05:41,474 --> 00:05:43,614
THAT YOU FAILED TO SHOW UP
FOR YOUR TEAM TODAY.
160
00:05:43,643 --> 00:05:44,943
THAT’S ON YOU, AND
THAT’S THE DAMN TRUTH.
161
00:05:44,978 --> 00:05:47,608
I DON’T KNOW WHAT’S
BEEN GOING ON WITH YOU,
162
00:05:47,647 --> 00:05:49,547
BUT THIS IS THE MOST
SELFISH YOU HAVE EVER BEEN.
163
00:05:49,583 --> 00:05:50,723
NOW THE ONLY CHANCE
WE HAVE AT MAKING IT
164
00:05:50,750 --> 00:05:52,120
TO THE PLAYOFFS
IS IF SONOMA
165
00:05:52,152 --> 00:05:53,392
LOSES
THEIR NEXT GAME.
166
00:05:53,420 --> 00:05:55,050
OTHER THAN THAT,
WE CAN KISS
167
00:05:55,088 --> 00:05:57,218
THE NATIONAL
CHAMPIONSHIP GOOD-BYE.
168
00:06:06,066 --> 00:06:09,036
I COULD’VE SPENT THE NIGHT
IF YOU WANTED.
169
00:06:09,069 --> 00:06:10,099
I HONESTLY WASN’T
IN THE HEAD SPACE
170
00:06:10,136 --> 00:06:12,336
TO TALK TO ANYONE,
NO OFFENSE.
171
00:06:12,372 --> 00:06:16,682
NO. I GET IT, AND DO
YOU WANT TO TALK NOW?
172
00:06:16,710 --> 00:06:18,780
I’D LIKE THAT,
BUT I SHOULD PROBABLY
173
00:06:18,812 --> 00:06:19,852
MAKE SURE COOP AND
PREACH AREN’T MAKING
174
00:06:19,880 --> 00:06:21,950
A MESS DOWNSTAIRS
WITH THIS BREAKFAST
175
00:06:21,982 --> 00:06:22,622
THEY WOULDN’T
LET ME OUT OF.
176
00:06:22,649 --> 00:06:24,049
MAYBE WE CAN
LINK LATER?
177
00:06:24,084 --> 00:06:25,394
YEAH. I’M GAME.
178
00:06:25,418 --> 00:06:27,448
I’VE GOT NOTHING GOING ON
TODAY EXCEPT WRITING, SO--
179
00:06:27,487 --> 00:06:30,117
[DOORBELL RINGS]
180
00:06:30,156 --> 00:06:30,886
OH, YOU SHOULD
GET THAT, BABY.
181
00:06:30,924 --> 00:06:32,634
I LOVE YOU.
182
00:06:32,659 --> 00:06:34,459
I LOVE YOU, TOO.
BYE.
183
00:06:36,596 --> 00:06:37,756
[SIGHS]
184
00:06:39,900 --> 00:06:42,030
OH, UM, SORRY.
185
00:06:42,068 --> 00:06:43,698
I THINK YOU HAVE
THE WRONG HOUSE.
186
00:06:43,737 --> 00:06:44,937
I DON’T THINK SO.
187
00:06:46,740 --> 00:06:50,040
ASHLEY?
188
00:06:50,076 --> 00:06:52,646
OH, MY GOD, WHAT
ARE YOU DOING HERE?
189
00:06:52,679 --> 00:06:54,979
DID YOU ACTUALLY LISTEN
TO THE VOICEMAIL
190
00:06:55,015 --> 00:06:56,485
YOU LEFT ME
A COUPLE WEEKS AGO
191
00:06:56,516 --> 00:06:57,816
ABOUT YOUR PUBLISHER
EXPEDITING YOUR DRAFT DATE?
192
00:06:57,851 --> 00:06:59,651
"DESPERATE" IS THE WORD
THAT COMES TO MIND.
193
00:06:59,686 --> 00:07:00,986
MY GOD, A GIRL
LEAVES ONE VOICEMAIL
194
00:07:01,021 --> 00:07:02,421
FOR HER LONDON BESTIE,
AND NOW SHE’S DESPERATE?
195
00:07:02,455 --> 00:07:04,415
ALL RIGHT. FINE.
196
00:07:04,457 --> 00:07:05,487
I MISSED YOU,
197
00:07:05,525 --> 00:07:06,985
THAT AND I ASSUMED
YOU’D WANT A REFILL
198
00:07:07,027 --> 00:07:08,587
ON YOUR
FAVORITE CRISPS.
199
00:07:08,628 --> 00:07:10,498
YOU DID NOT GET ME
N.K. BUTTERSONS!
200
00:07:10,530 --> 00:07:12,770
YEAH, EXTRA BUTTER
FLAVOR, OF COURSE.
201
00:07:12,799 --> 00:07:14,069
COME IN.
THANK YOU.
202
00:07:14,100 --> 00:07:16,470
OH, MY GOSH, I CAN’T
BELIEVE YOU’RE HERE.
203
00:07:16,503 --> 00:07:17,403
WHERE DID YOU
COME FROM?
204
00:07:17,437 --> 00:07:20,067
THIS IS CRAZY.
205
00:07:20,106 --> 00:07:20,866
SPENCER, ON VIDEO: WHAT HAPPENED
TO USING YOUR QB INSTINCTS?
206
00:07:20,907 --> 00:07:22,637
WHAT HAPPENED
TO CALLING AN AUDIBLE?
207
00:07:22,676 --> 00:07:23,406
YO, BRO, WHY ARE
YOU STILL WATCHING THAT?
208
00:07:23,443 --> 00:07:25,583
PROBABLY THE SAME
REASON FOOLS
209
00:07:25,612 --> 00:07:26,412
BREAK THEY NECK TO
SEE A CAR ACCIDENT.
210
00:07:26,446 --> 00:07:28,246
YOU DID MISS THAT
BLOCK, LITTLE HOMIE.
211
00:07:28,281 --> 00:07:29,521
ONE BAD PLAY DON’T
DECIDE THE GAME, HOMIE.
212
00:07:29,549 --> 00:07:31,179
IT DID YESTERDAY.
213
00:07:31,217 --> 00:07:33,747
WELL TODAY
IS A NEW DAY, OK?
214
00:07:33,787 --> 00:07:35,517
YOU CAN HAVE IT BACK
AFTER YOU EAT
215
00:07:35,555 --> 00:07:38,685
THIS BOMB-ASS EGG SCRAMBLE
PREACH WHIPPED UP.
216
00:07:38,725 --> 00:07:39,935
APPRECIATE YOU.
MM-HMM.
217
00:07:39,960 --> 00:07:42,160
LOOK. WELL, I KNOW
A LOSS SUCKS,
218
00:07:42,195 --> 00:07:43,825
BUT YOU STILL GOT
A FUTURE, SPENCE.
219
00:07:43,863 --> 00:07:45,673
THAT LOSS ALL BUT
KILLED OUR CHANCES
220
00:07:45,699 --> 00:07:47,429
AT THE NATIONAL
CHAMPIONSHIP,
221
00:07:47,467 --> 00:07:48,767
A FACT JORDAN THREW
RIGHT IN MY FACE
222
00:07:48,802 --> 00:07:50,342
AFTER HE CALLED
ME SELFISH.
223
00:07:50,370 --> 00:07:51,940
AIN’T NOTHING
WRONG WITH
224
00:07:51,972 --> 00:07:53,172
A LITTLE
CRENSHAW SWAGGER.
225
00:07:53,206 --> 00:07:56,106
I BLAME IT ON YOU AND LIV’S
MATCHING TATTOOS,
226
00:07:56,142 --> 00:07:57,712
MUST’VE BEEN
SOMETHING IN THAT INK.
227
00:07:57,744 --> 00:07:58,314
DO YOU THINK
I’M SELFISH, TOO?
228
00:07:58,345 --> 00:08:00,385
BRO, IT
WAS A JOKE.
229
00:08:00,413 --> 00:08:01,783
NAH, BECAUSE CLEARLY
Y’ALL BEEN THINKING IT,
230
00:08:01,815 --> 00:08:04,225
BUT AIN’T NOBODY SAID
NOTHING TO ME TILL NOW.
231
00:08:04,250 --> 00:08:06,390
THE MESSED UP PART IS,
Y’ALL THE SAME PEOPLE
232
00:08:06,419 --> 00:08:08,959
TELLING ME TO STOP TRYING
TO SAVE EVERYBODY,
233
00:08:08,989 --> 00:08:11,359
THAT I GOT TO PUSH FOR MYSELF
ON AND OFF THE FIELD.
234
00:08:11,391 --> 00:08:13,931
MAN, YOU KNOW,
EVEN COACH BAKER SAID,
235
00:08:13,960 --> 00:08:15,530
"YOU PLAY REGULAR FOOTBALL
FOR THE TEAM
236
00:08:15,562 --> 00:08:16,762
AND PRO FOOTBALL
FOR YOURSELF."
237
00:08:16,796 --> 00:08:18,526
MY GUY, YOU’RE
STILL PLAYING
238
00:08:18,565 --> 00:08:19,775
REGULAR FOOTBALL,
ALL RIGHT,
239
00:08:19,799 --> 00:08:22,029
AND I’M PRETTY SURE
WHAT COACH BAKER MEANT
240
00:08:22,068 --> 00:08:24,098
WAS, PLAY FOR YOURSELF
WITHOUT BEING A ASS,
241
00:08:24,137 --> 00:08:24,867
ALL RIGHT,
SO TAKE A BEAT.
242
00:08:24,904 --> 00:08:26,644
CLEAR YOUR HEAD.
243
00:08:26,673 --> 00:08:28,883
FIND THAT BALANCE
BECAUSE,
244
00:08:28,908 --> 00:08:30,538
YO, I GOT TO GET
TO CLASS, OK?
245
00:08:30,577 --> 00:08:32,207
MS. BAKER’S DOING
A GUEST LECTURE.
246
00:08:32,245 --> 00:08:33,975
OH, WORD? LOOK.
SHE BETTER ACE YOU.
247
00:08:34,014 --> 00:08:35,824
I ACTUALLY
DON’T WANT HER
248
00:08:35,849 --> 00:08:36,649
TO PAY ME ANY
SPECIAL ATTENTION.
249
00:08:36,683 --> 00:08:38,993
HEY, IF YOU, UH,
DECIDE TO TAKE A BEAT
250
00:08:39,019 --> 00:08:40,489
LIKE COOP’S SAYING,
I KNOW OUR BOY DEION
251
00:08:40,520 --> 00:08:42,620
COULD USE SOME SUPPORT
WITH THE SCOUTS
252
00:08:42,655 --> 00:08:44,715
COMING TO HIS
PRACTICE LATER ON.
253
00:08:44,758 --> 00:08:47,788
I AIN’T MUCH FOR COMPANY
RIGHT NOW, BRO.
254
00:08:47,827 --> 00:08:50,557
ALL RIGHT. YOU CAN SIT
HERE IN YOUR FEELINGS.
255
00:08:50,597 --> 00:08:53,567
I’M SURE DEION’LL BE FINE
CROWDED BY THE WOLVES.
256
00:08:53,600 --> 00:08:55,800
FINE. SAY LESS.
I’LL BE THERE.
257
00:08:55,835 --> 00:08:58,795
[BIRDS CHIRPING]
258
00:08:58,838 --> 00:09:02,478
SO, UM, WHAT ARE YOU
IN THE MOOD FOR?
259
00:09:02,509 --> 00:09:06,749
UM, COFFEE.
COFFEE.
260
00:09:06,780 --> 00:09:08,310
I DON’T KNOW WHETHER
TO BE OFFENDED
261
00:09:08,348 --> 00:09:10,078
OR IMPRESSED BY
YOUR LASER FOCUS.
262
00:09:10,116 --> 00:09:11,316
SORRY, BABY GIRL.
I AM.
263
00:09:11,351 --> 00:09:13,491
IT’S JUST, I HAVE
TO FIND A ROOMMATE
264
00:09:13,520 --> 00:09:15,660
FOR THE BEACH HOUSE
ASAP.
265
00:09:15,688 --> 00:09:16,588
WHAT’S THE RUSH?
266
00:09:16,623 --> 00:09:19,163
WELL, OUR LANDLORD
IS INCREASING THE RENT,
267
00:09:19,192 --> 00:09:21,432
AND SPENCE AND I CANNOT
AFFORD TO SPLIT IT
268
00:09:21,461 --> 00:09:23,761
WITH TWO VACANT ROOMS NOW,
SO IT’S EITHER
269
00:09:23,797 --> 00:09:27,327
WE FIND A NEW ROOMMATE
OR WE MOVE BACK HERE.
270
00:09:27,367 --> 00:09:29,437
MM, I VOTE ROOMMATE.
RIGHT.
271
00:09:29,469 --> 00:09:31,769
IS SPENCER HELPING?
272
00:09:31,805 --> 00:09:34,015
NO, BUT HE TRUSTS ME
TO HANDLE THIS,
273
00:09:34,040 --> 00:09:35,440
PLUS I FIGURED I WOULD
KIND OF GIVE HIM
274
00:09:35,475 --> 00:09:37,515
SOME SPACE TO COOL OFF
AFTER YESTERDAY’S GAME.
275
00:09:37,544 --> 00:09:40,184
I MEAN, DUDE’S CLEARLY
GOT A LOT ON HIM MIND,
276
00:09:40,213 --> 00:09:44,023
WHICH IS WHY I PREFER
TO TACKLE THIS SOLO, SO--
277
00:09:44,050 --> 00:09:45,850
WELL, I MEAN,
YOU WOULDN’T BE SOLO.
278
00:09:45,885 --> 00:09:47,845
MM-HMM.
279
00:09:47,887 --> 00:09:51,017
I HAPPEN TO BE
A PRETTY DECENT KNOWER
280
00:09:51,057 --> 00:09:51,857
OF ALL THINGS
ROOMMATE, SO--
281
00:09:51,891 --> 00:09:55,761
MM-HMM. AH.
YEAH.
282
00:09:55,795 --> 00:09:58,855
WELL, I MEAN, I GUESS
AN EXTRA SET OF EYES
283
00:09:58,898 --> 00:10:01,428
WOULDN’T HURT, I MEAN,
ESPECIALLY SINCE
284
00:10:01,468 --> 00:10:04,438
I UNDERESTIMATED
THE AMOUNT OF INTEREST,
285
00:10:04,471 --> 00:10:05,371
AHH, THIS IS GETTING.
286
00:10:05,405 --> 00:10:07,275
I MEAN, IT IS
AN OCEANFRONT
287
00:10:07,307 --> 00:10:08,367
BEACH HOUSE, JORDAN,
288
00:10:08,408 --> 00:10:09,378
SO THE LINE’S GONNA
BE OUT THE DOOR...
289
00:10:09,409 --> 00:10:10,379
RIGHT, RIGHT.
290
00:10:10,410 --> 00:10:11,780
OK, SO COUNT ME IN.
291
00:10:11,811 --> 00:10:15,211
OH. OK. I MEAN,
WELL, SINCE--
292
00:10:15,248 --> 00:10:16,818
SINCE WE’RE KIND OF SPLITTING
THE WORKLOAD NOW...
293
00:10:16,850 --> 00:10:18,550
YEAH?
294
00:10:18,585 --> 00:10:21,455
WE DON’T HAVE TO JUMP
RIGHT IN, DO WE?
295
00:10:26,259 --> 00:10:28,889
I CAN’T BELIEVE
AFTER ALMOST A YEAR
296
00:10:28,928 --> 00:10:30,728
OF YOU GUEST-LECTURING
HERE, I FINALLY GET
297
00:10:30,763 --> 00:10:32,403
TO EXPERIENCE YOU
IN ACTION IN MY CLASS.
298
00:10:32,432 --> 00:10:35,332
DON’T YOU MEAN
MY CLASS?
299
00:10:35,368 --> 00:10:37,398
ARE YOU NERVOUS?
HELL NO.
300
00:10:37,437 --> 00:10:39,407
STAR STUDENT LIKE ME
DON’T GET NERVOUS
301
00:10:39,439 --> 00:10:40,739
ABOUT MY PROFESSORS
ANYMORE,
302
00:10:40,773 --> 00:10:42,743
BUT I DO HAVE
ONE RULE.
303
00:10:42,775 --> 00:10:43,735
I’M THE LECTURER,
COOP.
304
00:10:43,776 --> 00:10:45,176
DON’T YOU THINK
I SHOULD BE THE ONE
305
00:10:45,211 --> 00:10:46,581
HANDING OUT
THE RULES?
306
00:10:46,613 --> 00:10:49,083
TRUE, BUT JUST DON’T TURN
ME INTO A TEACHER’S PET, OK?
307
00:10:49,115 --> 00:10:50,475
I USED TO BEAT THEM KIDS
UP BACK IN HIGH SCHOOL.
308
00:10:50,517 --> 00:10:53,087
AS FAR AS I’M CONCERNED,
THE SECOND YOU AND I
309
00:10:53,119 --> 00:10:54,819
WALK IN THAT CLASSROOM,
WE JUST MET.
310
00:10:54,854 --> 00:10:55,664
I’M GLAD WE
ON THE SAME PAGE.
311
00:10:55,688 --> 00:10:58,988
I’LL SEE YOU IN THERE,
PROFESSOR.
312
00:11:00,693 --> 00:11:02,833
HEY, SO WHAT IS
313
00:11:02,862 --> 00:11:05,162
THIS IMPORTANT NEWS
FROM THE BOARD?
314
00:11:05,198 --> 00:11:06,998
FINALLY READY
TO THROW IN
315
00:11:07,033 --> 00:11:07,503
SOME FUNDS
FOR BETTER EQUIPMENT?
316
00:11:07,534 --> 00:11:09,444
SADLY, THE OPPOSITE.
317
00:11:09,469 --> 00:11:11,169
THE ROLLING BUDGET CUTS
HAVE CLAIMED ANOTHER VICTIM--
318
00:11:11,204 --> 00:11:14,174
YOUR AFTER-SCHOOL
PROGRAM.
319
00:11:14,207 --> 00:11:17,907
DAMN. I MEAN, WHAT ARE
THESE KIDS SUPPOSED TO DO?
320
00:11:17,944 --> 00:11:21,284
TRUST ME, IT HURTS TO
HAVE TO DELIVER THIS NEWS.
321
00:11:21,314 --> 00:11:22,784
THE BOARD UNDERSTANDS
THAT THESE KIDS
322
00:11:22,815 --> 00:11:25,845
DEPEND ON THIS PROGRAM
AS A BRIDGE OF SUPPORT.
323
00:11:25,885 --> 00:11:27,515
I KNOW. I REITERATED
THAT TO THEM MYSELF,
324
00:11:27,554 --> 00:11:30,624
BUT THEIR MINDS
ARE MADE UP.
325
00:11:30,657 --> 00:11:34,187
I’M SORRY, PREACH.
326
00:11:34,227 --> 00:11:36,957
I KNOW YOU’LL
COME UP WITH SOMETHING.
327
00:11:36,996 --> 00:11:38,796
TASHA: OH, YOU MUST REALLY
HAVE ME MESSED UP
328
00:11:38,831 --> 00:11:40,531
IN THAT LITTLE
HEAD OF YOURS.
329
00:11:40,567 --> 00:11:42,797
UH, WHO’S THAT...
TASHA: LET’S GO, D.
330
00:11:42,835 --> 00:11:44,035
AND WHY DO YOU
LOOK SO SCARED?
331
00:11:44,070 --> 00:11:47,140
THAT’S DEION’S SISTER.
AIN’T NOBODY SCARED.
332
00:11:47,173 --> 00:11:47,873
IT’S JUST A WOMAN
THAT I DON’T HAVE
333
00:11:47,907 --> 00:11:49,207
THE BANDWIDTH FOR
RIGHT NOW.
334
00:11:49,242 --> 00:11:51,882
COME ON. LET’S GO.
335
00:11:51,911 --> 00:11:53,781
TASHA: HURRY UP SO
WE CAN TALK TO PREACH.
336
00:11:53,813 --> 00:11:54,483
DON’T WORRY ABOUT THIS.
337
00:11:54,514 --> 00:11:57,124
I’M NOT PLAYING
AROUND, DEION.
338
00:11:57,150 --> 00:11:59,720
I’MA NEED YOU
TO PICK UP YOUR FACE.
339
00:11:59,752 --> 00:12:03,962
AH, SPENCER JAMES.
340
00:12:03,990 --> 00:12:06,730
IT’S NICE TO FINALLY
MEET YOU IN THE FLESH.
341
00:12:06,759 --> 00:12:08,389
OH, HEH, YOU, TOO. SORRY.
AM I INTERRUPTING?
342
00:12:08,428 --> 00:12:10,128
ANYONE ELSE,
I’D SAY YES,
343
00:12:10,163 --> 00:12:11,803
BUT I’VE BEEN TRYING
TO TALK SOME SENSE
344
00:12:11,831 --> 00:12:12,701
INTO
MY BABY BROTHER,
345
00:12:12,732 --> 00:12:14,302
AND I COULD USE
SOME BACKUP.
346
00:12:14,334 --> 00:12:16,974
YOU SEE HIM AT
HIS PRACTICE? TRASH.
347
00:12:17,003 --> 00:12:18,873
OF ALL THE DAYS
TO LOSE FOCUS,
348
00:12:18,905 --> 00:12:20,815
HE PICKED
THE DAY THAT 3
349
00:12:20,840 --> 00:12:22,480
OF THE BIGGEST
COLLEGE SCOUTS
350
00:12:22,508 --> 00:12:24,078
IN THE NATION
WERE THERE.
351
00:12:24,110 --> 00:12:26,150
WERE THERE SOME FOCUS
ISSUES HERE AND THERE?
352
00:12:26,179 --> 00:12:28,579
MAYBE, BUT OVERALL, I’D
SAY HE WAS PRETTY SOLID.
353
00:12:28,615 --> 00:12:30,585
SOLID AIN’T GETTING HIM
THAT N.I.L. BAG.
354
00:12:30,617 --> 00:12:33,087
BETWEEN THEM UNOPENED
OFFER LETTERS
355
00:12:33,119 --> 00:12:35,149
COLLECTING DUST IN
HIS ROOM AND NOW THIS,
356
00:12:35,188 --> 00:12:36,758
OH, I’M TOO THROUGH.
357
00:12:36,789 --> 00:12:40,989
IF YOU’LL EXCUSE ME,
I NEED TO FIND PREACH,
358
00:12:41,027 --> 00:12:44,927
BUT FEEL FREE TO TALK
SOME SENSE INTO THIS BOY.
359
00:12:44,964 --> 00:12:47,234
HE’S ALL YOURS.
OK.
360
00:12:50,703 --> 00:12:53,573
THINK I SAW THE
TAMALES LADY OUTSIDE.
361
00:12:53,606 --> 00:12:54,406
WANT TO GO GET A BITE,
362
00:12:54,440 --> 00:12:56,080
SHAKE OFF
WHATEVER THAT WAS?
363
00:12:56,109 --> 00:12:59,079
I’D LOVE THAT.
YEAH. COME ON.
364
00:13:00,780 --> 00:13:02,080
YOU KNOW THE DRILL.
365
00:13:02,115 --> 00:13:04,755
HA HA!
366
00:13:08,454 --> 00:13:11,094
MM!
HA HA HA!
367
00:13:11,124 --> 00:13:14,164
OH, MY GOD, I MISSED
THOSE SO MUCH
368
00:13:14,193 --> 00:13:15,493
BECAUSE I THOUGHT
THE RAVE WAS TEA
369
00:13:15,528 --> 00:13:16,258
AND CRUMPETS
BEFORE I MET YOU.
370
00:13:16,296 --> 00:13:17,826
WELL, SEE,
NOW YOU KNOW
371
00:13:17,864 --> 00:13:19,774
THIS IS HOW THE REAL
BRITS TAKE IT.
372
00:13:19,799 --> 00:13:21,499
YOU KNOW
WHAT I MEAN?
373
00:13:21,534 --> 00:13:23,944
OHH...
374
00:13:23,970 --> 00:13:26,110
SO?
375
00:13:26,139 --> 00:13:29,279
HOW YOU GETTING ON
WITH YOUR BOOK?
376
00:13:29,309 --> 00:13:31,209
JEEZ, CAN A GIRL GET
377
00:13:31,244 --> 00:13:33,784
A FEW LIFE UPDATES
FIRST?
378
00:13:33,813 --> 00:13:35,383
YOU ONLY TRAVELED
5,000 MILES HERE.
379
00:13:35,415 --> 00:13:37,125
YEAH. I’D SAY THAT IS THE
MOST PRESSING LIFE UPDATE.
380
00:13:37,150 --> 00:13:39,950
IT’S GOING.
ALL RIGHT.
381
00:13:39,986 --> 00:13:41,546
I AM MAKING
GOOD PROGRESS
382
00:13:41,587 --> 00:13:45,617
WITH INTERVIEWS,
AS YOU KNOW.
383
00:13:45,658 --> 00:13:49,228
YEAH. GOOD.
SO, UH, WHO’S UP NEXT?
384
00:13:49,262 --> 00:13:51,562
MY MOM. YEAH.
HMM.
385
00:13:51,597 --> 00:13:53,067
THIS IS--
OH, WAIT.
386
00:13:53,099 --> 00:13:55,629
JORDAN,
LAYLA, HEY.
387
00:13:55,668 --> 00:13:58,638
UM, THIS, THIS IS
MY FRIEND ASHLEY.
388
00:13:58,671 --> 00:14:00,541
BRITISH ASHLEY. OK.
389
00:14:00,573 --> 00:14:03,813
UH, I THOUGHT
THAT HE WAS A SHE.
390
00:14:03,843 --> 00:14:05,643
LAYLA: YEAH. THAT
MAKES ALL OF US.
391
00:14:05,678 --> 00:14:07,478
JORDAN: MM-HMM.
392
00:14:07,513 --> 00:14:08,483
SHE ALSO FAILED TO
MENTION THAT HE’S HOT.
393
00:14:08,514 --> 00:14:11,654
OK. WELL,
THIS ISN’T GOOD.
394
00:14:11,684 --> 00:14:12,894
YOU KNOW I CAN SEE
YOU GUYS WHISPERING.
395
00:14:12,919 --> 00:14:14,289
WHAT’S THAT?
396
00:14:14,320 --> 00:14:16,560
HI. IT IS SO NICE
TO MEET YOU.
397
00:14:16,589 --> 00:14:18,119
WELCOME.
398
00:14:18,157 --> 00:14:19,727
NO, PLEASURE
IS ALL MINE.
399
00:14:19,759 --> 00:14:21,289
I HAVE HEARD SO MUCH
ABOUT YOU LOT,
400
00:14:21,327 --> 00:14:22,797
A--DON’T TELL ME--
401
00:14:22,829 --> 00:14:24,299
A SUCCESSFUL
MUSIC PRODUCER
402
00:14:24,330 --> 00:14:26,330
AND A FOOTBALLER,
INNIT?
403
00:14:26,366 --> 00:14:27,826
HEY, YEAH.
404
00:14:27,867 --> 00:14:28,897
YEAH, AND YOU
THE NEXT BASQUIAT.
405
00:14:28,935 --> 00:14:31,505
WOW.
HIGH PRAISE.
406
00:14:31,537 --> 00:14:32,337
HA HA HA! I WISH.
407
00:14:32,372 --> 00:14:34,512
WOW. I’M SORRY.
408
00:14:34,540 --> 00:14:36,680
YOU’RE JUST--YOU’RE NOT
ANYTHING AT ALL
409
00:14:36,709 --> 00:14:37,579
LIKE I PICTURED
IN MY HEAD.
410
00:14:37,610 --> 00:14:40,350
YEAH? AND
WHAT’D YOU THINK?
411
00:14:40,380 --> 00:14:41,180
WHAT, AN
OGRE-LOOKING BLOKE?
412
00:14:41,214 --> 00:14:42,924
NO, MORE SO
A WOMAN.
413
00:14:42,949 --> 00:14:44,919
JORDAN.
OK.
414
00:14:44,951 --> 00:14:46,521
ENOUGH WITH THE
INQUISITION, RIGHT?
415
00:14:46,552 --> 00:14:47,352
YOU WILL HAVE
PLENTY OF TIME LATER
416
00:14:47,387 --> 00:14:48,917
TO GIVE ASHLEY
THE THIRD DEGREE.
417
00:14:48,955 --> 00:14:51,195
WAIT. WHY? WHAT’S
HAPPENING LATER?
418
00:14:51,224 --> 00:14:51,794
WELL, I WAS THINKING,
YOU KNOW, KICK BACK
419
00:14:51,824 --> 00:14:53,434
TONIGHT WITH
THE VORTEX.
420
00:14:53,459 --> 00:14:55,029
THAT WAY, ASHLEY
CAN MEET EVERYONE.
421
00:14:55,061 --> 00:14:57,261
THAT DOES INCLUDE
SPENCER, RIGHT?
422
00:14:57,296 --> 00:14:59,266
YEAH. OF COURSE,
STUPID.
423
00:14:59,298 --> 00:15:00,998
OK. WE SHOULD--
WE SHOULD GO.
424
00:15:01,033 --> 00:15:03,103
SURE.
WE HAVE TO GO.
425
00:15:03,136 --> 00:15:04,336
I’M HELPING JORDAN WITH
ROOMMATE INTERVIEWS
426
00:15:04,370 --> 00:15:07,170
FOR THE BEACH HOUSE,
SO COUNT US IN
427
00:15:07,206 --> 00:15:09,276
FOR THE KICK-BACK
LATER.
428
00:15:09,308 --> 00:15:12,178
PBBT...CIAO.
WE’LL BE THERE.
429
00:15:12,211 --> 00:15:14,911
THEY ARE EXACTLY
HOW YOU DESCRIBED THEM.
430
00:15:14,947 --> 00:15:17,747
YEAH. YEAH.
431
00:15:17,784 --> 00:15:21,254
ALL RIGHT, SO
BACK TO YOUR MUM.
432
00:15:21,287 --> 00:15:22,757
WHAT IS THE DELAY
OF HER INTERVIEW?
433
00:15:22,789 --> 00:15:24,859
I MEAN, I THOUGHT
SHE WAS ON BOARD.
434
00:15:24,891 --> 00:15:27,191
I KNOW. I GUESS JUST
INTERVIEWING HER
435
00:15:27,226 --> 00:15:29,186
MIGHT OPEN A WOUND
THAT SHE’S FINALLY
436
00:15:29,228 --> 00:15:31,528
PATCHED UP,
AND IT’S JUST--
437
00:15:31,564 --> 00:15:32,804
IT’S JUST THE LAST
THING THAT I WANT TO DO.
438
00:15:32,832 --> 00:15:35,202
MM-HMM.
439
00:15:35,234 --> 00:15:37,474
UM, SORRY.
440
00:15:37,503 --> 00:15:39,473
DO YOU MIND IF WE JUST
PUT A PIN IN THIS?
441
00:15:39,505 --> 00:15:42,305
I, UM--I THINK YOU
SHOULD JUST GO UNPACK
442
00:15:42,341 --> 00:15:45,311
AND GET SOME REST,
AND I NEED TO JUST
443
00:15:45,344 --> 00:15:46,714
PICK UP A FEW THINGS
FOR THE KICK-BACK, SO--
444
00:15:46,746 --> 00:15:49,146
LIV, YOU KNOW
IT’S ALL RIGHT
445
00:15:49,182 --> 00:15:51,322
TO SAY THAT YOU
NEED TO CALL SPENCER.
446
00:15:51,350 --> 00:15:53,650
CHAD RUBIN: ♪ WHEN YOU DO
WHAT YOU GOTTA DO ♪
447
00:15:53,686 --> 00:15:57,816
♪ YOU’LL FIND YOU,
YOU’LL FIND YOU ♪
448
00:16:02,962 --> 00:16:05,202
♪ DO YOU THINK SPENCER
WHAT KNOWS ASHLEY’S A GUY?
449
00:16:05,231 --> 00:16:07,431
I KNOW FOR A FACT
THAT HE DOESN’T,
450
00:16:07,467 --> 00:16:08,527
WHICH MAKE THE TIMING
OF THIS SURPRISE VISIT
451
00:16:08,568 --> 00:16:10,098
EVEN WORSE.
452
00:16:10,136 --> 00:16:11,766
I MEAN, HE’S
ALREADY IN A MOOD
453
00:16:11,804 --> 00:16:12,674
AFTER
YESTERDAY’S GAME.
454
00:16:12,705 --> 00:16:14,765
[SNEEZES]
455
00:16:14,807 --> 00:16:17,437
OOH. WHO’S ASHLEY?
456
00:16:17,477 --> 00:16:21,847
AHH. SORRY.
IT’S ALLERGIES.
457
00:16:21,881 --> 00:16:24,851
IT’S ON AND OFF
BUT LATELY MORE ON.
458
00:16:24,884 --> 00:16:26,024
YOU SHOULD REMIND ME TO
SPRAY THAT DOWN LATER.
459
00:16:26,052 --> 00:16:27,852
YEAH.
YEAH.
460
00:16:27,887 --> 00:16:30,287
HOLD UP. DON’T I
KNOW YOU FROM SOMEWHERE?
461
00:16:30,323 --> 00:16:32,223
YEAH. YOU’RE THAT CHICK
FROM THE LOUNGE FIGHT VIDEO.
462
00:16:32,258 --> 00:16:34,458
THAT WAS WILD.
463
00:16:34,494 --> 00:16:35,234
I AIN’T SEEN
SOMETHING THAT CRAZY
464
00:16:35,261 --> 00:16:36,631
SINCE SOLANGE SWUNG
AT JAY-Z.
465
00:16:36,662 --> 00:16:37,802
CAN YOU TELL US
MORE ABOUT BEING
466
00:16:37,830 --> 00:16:41,070
A "FREELANCE
CREATIVE"?
467
00:16:41,100 --> 00:16:44,140
BASICALLY, CAN
YOU AFFORD RENT?
468
00:16:44,170 --> 00:16:47,810
WELL, I’M KIND OF
IN BETWEEN GIGS.
469
00:16:47,840 --> 00:16:48,370
WOULD Y’ALL BE WILLING
TO WORK OUT
470
00:16:48,407 --> 00:16:50,637
A MONTH-TO-MONTH SITCH?
471
00:16:50,676 --> 00:16:52,306
CAN I ASK YOU GUYS
A PERSONAL QUESTION?
472
00:16:52,345 --> 00:16:52,955
THAT DEPENDS.
473
00:16:52,979 --> 00:16:54,479
HOW LOUD
ARE YOU GUYS?
474
00:16:54,514 --> 00:16:56,154
AH. OH.
475
00:16:56,182 --> 00:16:57,752
BECAUSE I’M
A LIGHT SLEEPER
476
00:16:57,783 --> 00:16:59,493
AND YOU MENTIONED YOUR ROOM’S
RIGHT NEXT TO MINE.
477
00:16:59,519 --> 00:17:01,819
IT DEPENDS ON THE
TIME OF DAY, REALLY.
478
00:17:01,854 --> 00:17:04,724
OK, SO WE’RE
GOING THERE.
479
00:17:04,757 --> 00:17:06,327
I MEAN, YOU KNOW,
WE’RE ALL ADULTS HERE.
480
00:17:06,359 --> 00:17:08,559
THIS MORNING,
FOR EXAMPLE,
481
00:17:08,594 --> 00:17:09,664
HE WASN’T
VERY MOTIVATED...
482
00:17:09,695 --> 00:17:11,825
WELL, "MOTIVATED" IS NOT
REALLY THE RIGHT WORD.
483
00:17:11,864 --> 00:17:14,734
BUT, I MEAN, WHEN
WE’RE ON THE SAME PAGE,
484
00:17:14,767 --> 00:17:17,467
THEN, I MEAN, REALLY,
THE SKY’S THE LIMIT.
485
00:17:17,503 --> 00:17:20,073
I THINK I’M GONNA PASS.
486
00:17:20,106 --> 00:17:21,066
CIAO.
OK.
487
00:17:21,107 --> 00:17:23,807
HI. WHAT WAS THAT?
488
00:17:23,843 --> 00:17:25,143
WHAT? LOOK.
489
00:17:25,177 --> 00:17:26,977
IT IS NOT MY FAULT
HE COULDN’T HANDLE
490
00:17:27,013 --> 00:17:28,753
A PG-13 ANSWER, OK,
AND BESIDES,
491
00:17:28,781 --> 00:17:29,981
I KNEW HE
WASN’T RIGHT,
492
00:17:30,016 --> 00:17:33,016
AND THAT WAS A FAST WAY
TO GET RID OF HIM.
493
00:17:33,052 --> 00:17:36,592
MAN: ♪ COMIN’ IN HOT LIKE,
SHEESH ♪
494
00:17:36,622 --> 00:17:39,362
[CELL PHONE CHIMES]
495
00:17:39,392 --> 00:17:42,432
PREACH: HEY, YO, SPENCE,
IS YOUR MOM STILL AROUND?
496
00:17:42,461 --> 00:17:44,431
I NEED TO RUN
SOMETHING BY HER.
497
00:17:44,463 --> 00:17:46,933
NO. NO. I THINK I SAW HER
LEAVE A FEW MINUTES AGO.
498
00:17:46,966 --> 00:17:48,766
OK. BET.
HOW’S DEION DOING?
499
00:17:48,801 --> 00:17:50,101
UH, I’M NOT REALLY SURE.
500
00:17:50,136 --> 00:17:52,766
HEY, I’M GLAD YOU
ENCOURAGED ME TO COME.
501
00:17:52,805 --> 00:17:54,435
I’M HOPING HE’LL
OPEN UP AFTER WE GRUB.
502
00:17:54,473 --> 00:17:55,873
HE’S WAITING ON
OUR FOOD AND TAKING
503
00:17:55,908 --> 00:17:57,778
EVERY OPPORTUNITY TO
HIDE FROM HIS BIG SISTER.
504
00:17:57,810 --> 00:18:00,710
SHE FIND YOU YET?
TASHA?
505
00:18:00,746 --> 00:18:03,176
I TRY TO KEEP MY OFFICE
DOOR CLOSED FOR A REASON.
506
00:18:03,215 --> 00:18:04,515
AH, SO YOU’RE
HIDING FROM HER, TOO.
507
00:18:04,550 --> 00:18:06,850
NO. UM, I CAN
HANDLE HER.
508
00:18:06,886 --> 00:18:09,456
IT’S JUST MY HANDS
HAVE BEEN TIED
509
00:18:09,488 --> 00:18:11,758
WITH MORE IMPORTANT
THINGS LATELY.
510
00:18:11,791 --> 00:18:12,691
LOOK. I’LL HOLLER
AT YOU LATER.
511
00:18:12,725 --> 00:18:15,865
HEY, REAL QUICK,
512
00:18:15,895 --> 00:18:17,535
TASHA WAS KIND OF HARD
ON DEION EARLIER.
513
00:18:17,563 --> 00:18:20,103
SHE ALWAYS PUT THAT KIND
OF PRESSURE ON HIM?
514
00:18:20,132 --> 00:18:21,202
PRESSURE IS
AN UNDERSTATEMENT.
515
00:18:21,233 --> 00:18:24,273
I BET WHATEVER YOU SAW
WASN’T NOTHING.
516
00:18:27,239 --> 00:18:29,109
ONE OF THE MOST
IMPORTANT SKILLS
517
00:18:29,141 --> 00:18:31,381
A LITIGATOR MUST HAVE
IS THE ABILITY TO SEE
518
00:18:31,410 --> 00:18:34,650
THE HOLES ON BOTH
SIDES OF THE BENCH.
519
00:18:34,680 --> 00:18:37,220
IN THE SAMPLE CASE WE’LL BE
DISSECTING THIS AFTERNOON,
520
00:18:37,249 --> 00:18:39,719
I WILL BE SPLITTING YOU GUYS
UP INTO GROUPS
521
00:18:39,752 --> 00:18:44,662
TO THOROUGHLY ANALYZE
THE PROSECUTION AND THE DEFENSE.
522
00:18:44,690 --> 00:18:47,890
THIS PARTICULAR CASE CENTERS
AROUND A WELL-KNOWN ACTOR
523
00:18:47,927 --> 00:18:50,157
WHO INITIALLY BEFRIENDED
A SUPERFAN
524
00:18:50,196 --> 00:18:52,726
WITH GOOD INTENTION.
525
00:18:52,765 --> 00:18:54,505
HOWEVER, THINGS WENT AWRY,
RESULTING IN THE FAN
526
00:18:54,533 --> 00:18:59,173
TASERING SAID ACTOR
AFTER ALLEGEDLY BEING REJECTED.
527
00:18:59,205 --> 00:19:01,845
PLEASE READ OVER THE CASE FILE
IN DETAIL,
528
00:19:01,874 --> 00:19:03,844
AND WE WILL PICK UP
WITH YOUR ARGUMENTS
529
00:19:03,876 --> 00:19:05,636
AFTER WE GET BACK
FROM OUR CLASS BREAK,
530
00:19:05,678 --> 00:19:08,648
BUT REMEMBER,
KEEP ALL THOUGHTS OBJECTIVE.
531
00:19:12,685 --> 00:19:13,825
YOU COULDN’T GIVE ME
A HEADS-UP
532
00:19:13,853 --> 00:19:16,493
ABOUT USING
PATIENCE’S CASE?
533
00:19:16,522 --> 00:19:17,822
NO. I CHANGED ENOUGH
OF THE DETAILS
534
00:19:17,857 --> 00:19:19,217
TO KEEP IT
COMPLETELY REMOVED.
535
00:19:19,258 --> 00:19:21,158
A ACTOR IN PLACE
OF A MUSICIAN
536
00:19:21,193 --> 00:19:24,333
AND A TASER FOR A KNIFE
AREN’T ALL THAT DIFFERENT.
537
00:19:24,363 --> 00:19:25,133
I MEAN, YOU COULDN’T
HAVE USED ONE
538
00:19:25,164 --> 00:19:26,404
OF THE HUNDRED CASES
FROM YOUR PAST?
539
00:19:26,432 --> 00:19:28,172
I’M SORRY, COOP.
540
00:19:28,200 --> 00:19:30,570
DO YOU QUESTION
THE AUTHORITY
541
00:19:30,603 --> 00:19:31,403
OF ALL YOUR PROFESSORS,
OR IS THIS PARTICULAR
542
00:19:31,437 --> 00:19:33,337
DISRESPECT RESERVED
JUST FOR ME?
543
00:19:33,372 --> 00:19:34,412
LOOK, I’M JUST TRYING
TO UNDERSTAND
544
00:19:34,440 --> 00:19:36,280
THE POINT OF THIS.
545
00:19:36,308 --> 00:19:39,848
YOU WILL WHEN
I’M READY FOR YOU
546
00:19:39,879 --> 00:19:41,509
AND EVERY OTHER
STUDENT IN THIS CLASS
547
00:19:41,547 --> 00:19:44,117
TO UNDERSTAND.
548
00:19:44,150 --> 00:19:46,420
YOUR BREAK’S OVER.
549
00:19:53,325 --> 00:19:54,785
[DISTANT SIREN]
550
00:19:54,827 --> 00:19:56,127
PREACH: HOW IS IT THAT
YOU’RE AT THE HIGH SCHOOL
551
00:19:56,162 --> 00:19:58,132
NOW BUT I SEE LESS OF
YOU THAN I DID BEFORE?
552
00:19:58,164 --> 00:20:00,374
ART CAMP KEEPS
A BROTHER BUSY.
553
00:20:00,399 --> 00:20:01,869
NOT SO BUSY THAT YOUR
GRADES SLIP, RIGHT?
554
00:20:01,901 --> 00:20:03,871
OH, MAN, YOU USED
TO BE SO COOL.
555
00:20:03,903 --> 00:20:05,873
PUNK, I STILL AM.
556
00:20:05,905 --> 00:20:08,215
SHE’S IN THERE.
THANKS FOR THE RIDE.
557
00:20:08,240 --> 00:20:11,610
YEAH. THANK YOU FOR
MAKING TIME FOR ME.
558
00:20:11,644 --> 00:20:14,284
OH, YOU SAID IT WAS
URGENT. WHAT’S UP?
559
00:20:14,313 --> 00:20:15,113
I THINK I FOUND A WAY
560
00:20:15,147 --> 00:20:17,617
TO KEEP THE AFTER-SCHOOL
PROGRAM GOING.
561
00:20:17,650 --> 00:20:19,620
THERE’S TWO GRANTS THAT, UH,
FUND PROGRAMS LIKE OURS.
562
00:20:19,652 --> 00:20:21,222
SOUNDS LIKE YOU’LL
BE BUSY WRITING.
563
00:20:21,253 --> 00:20:23,123
UH, THE PROBLEM IS, IS,
I’VE NEVER WRITTEN
564
00:20:23,155 --> 00:20:25,785
A GRANT APPLICATION,
BUT I KNOW YOU HAVE.
565
00:20:25,825 --> 00:20:27,395
I KNOW IT LOOKS LIKE I’M
NOT DOING MUCH, BUT--
566
00:20:27,426 --> 00:20:29,286
THIS PROGRAM
IS THE LAST THING
567
00:20:29,328 --> 00:20:31,228
THAT BILLY ASKED ME
TO TAKE ON,
568
00:20:31,263 --> 00:20:33,573
AND I CAN’T
LET HIM DOWN.
569
00:20:33,599 --> 00:20:35,969
ALL RIGHT.
570
00:20:36,001 --> 00:20:37,141
I’LL TAKE
A LOOK AT IT
571
00:20:37,169 --> 00:20:38,669
WHEN I GET BACK
NEXT WEEK.
572
00:20:38,704 --> 00:20:40,844
THE APPLICATION’S
DUE MONDAY.
573
00:20:40,873 --> 00:20:41,843
OH...
574
00:20:41,874 --> 00:20:44,914
DILLON:
SHE’LL DO IT.
575
00:20:44,944 --> 00:20:47,914
I’LL, UH, CARRY MY WEIGHT
AROUND THE HOUSE,
576
00:20:47,947 --> 00:20:50,747
MAKE SURE YOU HAVE ENOUGH
TIME TO HELP OUT MR. PREACH.
577
00:20:50,783 --> 00:20:52,023
PREACH:
APPRECIATE THAT, D.,
578
00:20:52,051 --> 00:20:53,921
AND I’LL CHECK IN
WITH YOU TOMORROW.
579
00:20:53,953 --> 00:20:56,153
THANKS.
OH--
580
00:20:58,290 --> 00:21:00,760
[DOOR OPENS AND CLOSES]
581
00:21:00,793 --> 00:21:01,863
SO YOU WANT TO TALK
ABOUT YOUR LACK OF FOCUS
582
00:21:01,894 --> 00:21:04,034
ON THE FIELD TODAY,
OR WHAT?
583
00:21:04,063 --> 00:21:05,933
NOT REALLY.
584
00:21:05,965 --> 00:21:07,435
I’M JUST TIRED,
THAT’S ALL.
585
00:21:07,466 --> 00:21:08,696
YEAH. I CAN SEE THAT.
LOOK, MAN.
586
00:21:08,734 --> 00:21:11,544
PRACTICES LIKE
THESE HAPPEN.
587
00:21:11,570 --> 00:21:12,670
YOU JUST GOT
TO SHAKE IT OFF,
588
00:21:12,705 --> 00:21:14,175
KEEP PUTTING ONE FOOT
IN FRONT OF THE OTHER,
589
00:21:14,206 --> 00:21:15,836
YOU KNOW, OR
YOU CAN HAVE A GAME
590
00:21:15,875 --> 00:21:18,345
LIKE I DID YESTERDAY,
591
00:21:18,377 --> 00:21:20,677
LET YOUR PASSION
TAKE OVER,
592
00:21:20,713 --> 00:21:23,753
AND ACT A FOOL
ON NATIONAL TV,
593
00:21:23,783 --> 00:21:27,153
BUT I LOVE THE GAME,
AND SO DO YOU.
594
00:21:29,622 --> 00:21:31,692
DUDES LIKE US,
MAN, WE PUT
595
00:21:31,724 --> 00:21:33,434
EVERYTHING WE HAVE
INTO THIS, BRUH.
596
00:21:33,459 --> 00:21:36,429
[GASPING]
597
00:21:36,462 --> 00:21:38,532
YOU ALL RIGHT, MAN?
598
00:21:38,564 --> 00:21:41,974
OH, YO, DEION, HEY,
WHAT’S UP? WHAT’S UP?
599
00:21:42,001 --> 00:21:43,141
I NEED YOU TO DO SOMETHING
FOR ME, ALL RIGHT?
600
00:21:43,169 --> 00:21:45,799
BREATHE IN FOR 4
AND THEN OUT FOR 8.
601
00:21:45,838 --> 00:21:49,878
1--HERE WE GO--
2, 3, 4.
602
00:21:49,909 --> 00:21:51,039
NOW BREATHE OUT
FOR 8.
603
00:21:51,076 --> 00:21:55,546
1, 2, 3, 4--
604
00:21:55,581 --> 00:21:57,051
DON’T LOOK AT THEM;
DON’T LOOK AT THEM--
605
00:21:57,082 --> 00:21:59,722
5, 6,
606
00:21:59,752 --> 00:22:02,052
7, 8.
607
00:22:02,087 --> 00:22:04,057
OK. WE’RE GONNA DO
THAT AGAIN, ALL RIGHT?
608
00:22:04,089 --> 00:22:05,889
1, 2--DON’T
LOOK AT THEM--
609
00:22:05,925 --> 00:22:10,965
3, 4,
AND THEN OUT FOR 8.
610
00:22:11,964 --> 00:22:14,274
SO WHY
ARE WE HERE?
611
00:22:14,300 --> 00:22:15,500
BECAUSE THIS
IS A SPOT I FOUND
612
00:22:15,534 --> 00:22:17,674
WHERE I COULD COME
LAY LIKE THIS,
613
00:22:17,703 --> 00:22:19,103
CLEAR OUT
ALL THE NOISE.
614
00:22:19,138 --> 00:22:20,938
CLOSE YOUR EYES.
615
00:22:20,973 --> 00:22:23,113
[BIRDS CHIRPING]
616
00:22:23,142 --> 00:22:25,682
YOU HEAR THAT?
617
00:22:25,711 --> 00:22:28,011
I DON’T REALLY HEAR
NOTHING BUT...
618
00:22:28,047 --> 00:22:30,517
BIRDS CHIRPING.
619
00:22:30,549 --> 00:22:31,619
EXACTLY.
620
00:22:31,650 --> 00:22:34,190
I DON’T WANT YOU
WORRYING ABOUT NOTHING
621
00:22:34,220 --> 00:22:36,290
EXCEPT THE SOUND
OF MOTHER NATURE, MAN.
622
00:22:36,322 --> 00:22:38,692
CLEAR OUT
ALL THE VOICES--
623
00:22:38,724 --> 00:22:41,894
YOUR BIG SIS,
COACHES,
624
00:22:41,927 --> 00:22:44,197
EVERYBODY IN THE
HALLWAY EARLIER.
625
00:22:50,669 --> 00:22:52,639
SO HOW LONG YOU
HATED FOOTBALL?
626
00:22:56,442 --> 00:22:58,582
WHAT ARE YOU
TALKING ABOUT?
627
00:22:58,611 --> 00:23:00,411
LOOK. IF I’M WRONG,
628
00:23:00,446 --> 00:23:01,746
WE AIN’T GOTTA TALK
ABOUT IT EVER AGAIN,
629
00:23:01,780 --> 00:23:04,150
BUT WITH YOU BEING
OFF AT PRACTICE,
630
00:23:04,183 --> 00:23:06,253
THE UNOPENED
OFFER LETTERS,
631
00:23:06,285 --> 00:23:09,325
THE OBVIOUS BURNOUT,
SOMETHING ABOUT FOOTBALL
632
00:23:09,355 --> 00:23:10,395
AIN’T CLICKING
FOR YOU, BRUH.
633
00:23:10,422 --> 00:23:12,622
WHAT HAPPENED BACK THERE
COMES AND GOES.
634
00:23:12,658 --> 00:23:14,288
I’LL BE ALL RIGHT.
635
00:23:14,326 --> 00:23:16,126
WHAT HAPPENED
BACK AT SCHOOL
636
00:23:16,161 --> 00:23:16,861
IS CALLED A PANIC
ATTACK, DEION.
637
00:23:16,896 --> 00:23:18,296
IT’S YOUR BODY’S
NATURAL RESPONSE
638
00:23:18,330 --> 00:23:20,070
TO OVERWHELMING
PRESSURE OR,
639
00:23:20,099 --> 00:23:21,629
IN YOUR CASE, THE
PRESSURE TO CONFORM.
640
00:23:21,667 --> 00:23:23,137
TOO MANY OF THOSE,
YOU’RE GONNA DO
641
00:23:23,168 --> 00:23:23,898
SOME REAL DAMAGE,
BRUH.
642
00:23:23,936 --> 00:23:26,736
IS PRETENDING
WORTH IT?
643
00:23:26,772 --> 00:23:29,572
FOOTBALL’S ALL
I’VE EVER KNOWN.
644
00:23:29,608 --> 00:23:30,908
THAT DON’T MEAN
IT’S GOT TO BE
645
00:23:30,943 --> 00:23:31,913
ALL YOU’LL
EVER KNOW.
646
00:23:31,944 --> 00:23:33,414
GIVE YOURSELF
PERMISSION TO FIND OUT
647
00:23:33,445 --> 00:23:34,645
WHAT ELSE
IS OUT THERE.
648
00:23:34,680 --> 00:23:36,080
AIN’T NO TICKING
TIME CLOCK
649
00:23:36,115 --> 00:23:37,255
ON FINDING
YOUR DREAM.
650
00:23:37,283 --> 00:23:38,983
JUST BE PRESENT AND
LISTEN TO THE WIND.
651
00:23:42,354 --> 00:23:45,194
[WIND BLOWING]
652
00:23:45,224 --> 00:23:48,094
YOU’RE REALLY GOOD
AT THIS, SPENCE,
653
00:23:48,127 --> 00:23:50,757
LISTENING TO PEOPLE,
TALKING THINGS THROUGH.
654
00:23:50,796 --> 00:23:53,196
I LEARNED
FROM THE BEST,
655
00:23:53,232 --> 00:23:55,772
ONE OF THEM BEING
MY THERAPIST.
656
00:23:55,801 --> 00:23:58,101
SUCKS YOU GOT THIS GIFT
THAT’S GONNA GO TO WASTE
657
00:23:58,137 --> 00:23:59,367
WHEN YOU GO PRO.
658
00:23:59,405 --> 00:24:01,275
WHAT YOU MEAN?
659
00:24:01,307 --> 00:24:03,207
I’M JUST SAYING,
YOU’D HAVE BEEN
660
00:24:03,242 --> 00:24:04,512
A GREAT THERAPIST
IN ANOTHER LIFE.
661
00:24:07,980 --> 00:24:09,510
OH, GOOD.
YOU GOT MY SOS TEXT.
662
00:24:09,548 --> 00:24:11,678
THANKS FOR
COMING TO HELP.
663
00:24:11,717 --> 00:24:12,947
YEAH. I MEAN, DON’T
GET TOO EXCITED.
664
00:24:12,985 --> 00:24:14,355
THERE’S ONE MORE
COUPLE COMING
665
00:24:14,386 --> 00:24:16,016
TO LOOK AT
THE BEACH HOUSE,
666
00:24:16,055 --> 00:24:18,365
AND, SINCE THEY
ACTUALLY SEEM LEGIT,
667
00:24:18,390 --> 00:24:19,360
I GOT TO DUCK OUT IN
AN HOUR TO MEET THEM.
668
00:24:19,391 --> 00:24:21,531
ANY HELP
IS APPRECIATED.
669
00:24:21,560 --> 00:24:24,030
SPEAKING OF HELP,
WHERE’S ASHLEY?
670
00:24:24,063 --> 00:24:25,603
HE’S TAKING
A SHOWER.
671
00:24:25,631 --> 00:24:27,431
I SEE, SO JUST
STRUTTING HIS GOODS
672
00:24:27,466 --> 00:24:28,596
ALL NAKED
IN YOUR ROOM.
673
00:24:28,634 --> 00:24:30,604
SERIOUSLY? NO.
674
00:24:30,636 --> 00:24:32,036
HE’S IN THE
GUEST BATHROOM.
675
00:24:32,071 --> 00:24:33,711
ARE WE NOT GONNA TALK ABOUT
THE ELEPHANT IN THE ROOM,
676
00:24:33,739 --> 00:24:34,869
SPECIFICALLY YOU
FAILING TO MENTION
677
00:24:34,907 --> 00:24:37,537
THAT ASHLEY
IS A GUY AND HOT.
678
00:24:37,576 --> 00:24:39,036
YOU MEAN LIKE YOU
DIDN’T MENTION RYAN,
679
00:24:39,078 --> 00:24:41,208
YOUR NOT-SO-BAD-LOOKING
BUSINESS PARTNER, TO ME?
680
00:24:41,246 --> 00:24:43,876
WELL, I DIDN’T KEEP
THAT FROM JORDAN.
681
00:24:43,916 --> 00:24:45,446
CAN YOU SAY THE SAME?
682
00:24:48,420 --> 00:24:50,990
OK, BUT I AM GOING
TO RECTIFY THAT TODAY,
683
00:24:51,023 --> 00:24:52,663
AND I’M SURE
THAT, YOU KNOW,
684
00:24:52,691 --> 00:24:55,331
SPENCER AND ASHLEY
WILL GET ALONG.
685
00:24:55,361 --> 00:24:57,231
I MEAN, LOOK HOW WELL
JORDAN AND RYAN BONDED.
686
00:24:57,262 --> 00:24:59,002
"BONDED" IS
A STRONG WORD,
687
00:24:59,031 --> 00:25:01,231
MORE LIKE CO-EXIST.
688
00:25:01,266 --> 00:25:02,496
JUST BE CAREFUL,
LIV, OK, AND MAKE
689
00:25:02,534 --> 00:25:04,574
THAT INTRO HAPPEN SOONER
RATHER THAN LATER.
690
00:25:04,603 --> 00:25:06,673
MM-HMM.
691
00:25:06,705 --> 00:25:10,575
I ALSO RECOMMEND SOME
LOOSER-FITTING CLOTHES
692
00:25:10,609 --> 00:25:12,079
BEFORE SAID INTROS.
693
00:25:12,111 --> 00:25:14,251
OK. JUST--
694
00:25:14,279 --> 00:25:16,479
AH, SO MUCH BETTER.
LAYLA, HOW ARE YOU?
695
00:25:16,515 --> 00:25:18,215
LAYLA: GOOD.
696
00:25:18,250 --> 00:25:20,890
YOU KNOW, WHY DON’T WE POP OVER
TO THE BEACH HOUSE LATER?
697
00:25:20,919 --> 00:25:22,719
THAT WAY, YOU CAN
MEET SPENCER.
698
00:25:22,755 --> 00:25:25,165
YEAH. ALL GOOD.
699
00:25:25,190 --> 00:25:27,390
HEY, YOU KNOW
WHAT WOULD BE GREAT
700
00:25:27,426 --> 00:25:28,986
FOR DINNER TONIGHT?
701
00:25:29,028 --> 00:25:32,158
GRACE JAMES’
7-LAYER LASAGNA.
702
00:25:32,197 --> 00:25:34,497
NOW, THAT’S TOO BAD,
ISN’T IT, SEE,
703
00:25:34,533 --> 00:25:36,843
BECAUSE THAT REQUIRES
704
00:25:36,869 --> 00:25:38,669
7 LAYERS OF TIME
THAT I NO LONGER HAVE
705
00:25:38,704 --> 00:25:41,914
BECAUSE SOME BUSYBODY
VOLUNTEERED ME FOR HOURS
706
00:25:41,940 --> 00:25:43,070
OF GRANT WRITING
FOR PREACH.
707
00:25:43,108 --> 00:25:44,908
MOM, I’M SORRY.
IT’S JUST...
708
00:25:47,212 --> 00:25:48,512
UM...
709
00:25:48,547 --> 00:25:51,117
MY BOY MILES
HAS BEEN HAVING
710
00:25:51,150 --> 00:25:53,180
SOME TROUBLE AT HOME.
711
00:25:53,218 --> 00:25:55,348
HE SAYS THE ONLY REASON
HE’S EVEN ABLE TO SHOW UP
712
00:25:55,387 --> 00:25:57,187
TO SCHOOL IS BECAUSE
OF MR. PREACH’S
713
00:25:57,222 --> 00:25:59,862
AFTER-SCHOOL PROGRAM,
AND IT WAS YOU
714
00:25:59,892 --> 00:26:01,862
WHO TAUGHT US THAT
WE HAVE TO HELP
715
00:26:01,894 --> 00:26:03,634
OUR PEOPLE IN
THEIR TIMES OF NEED,
716
00:26:03,662 --> 00:26:06,462
AND MR. PREACH
IS OUR PEOPLE.
717
00:26:06,498 --> 00:26:09,428
WHEN DID YOU
GET SO WISE?
718
00:26:11,804 --> 00:26:15,944
NOW, TO MAKE GOOD
ON MY PROMISE--
719
00:26:15,974 --> 00:26:18,714
DILLON,
I APPRECIATE YOU,
720
00:26:18,744 --> 00:26:20,454
BUT, TO TELL YOU
THE TRUTH,
721
00:26:20,479 --> 00:26:22,679
I JUST DON’T THINK
THERE’S ENOUGH TIME
722
00:26:22,714 --> 00:26:25,284
TO GET THIS GRANT
PROPOSAL DONE.
723
00:26:25,317 --> 00:26:27,347
YOU’RE ALSO THE ONE
THAT TAUGHT US
724
00:26:27,386 --> 00:26:28,346
NOT TO QUIT JUST BECAUSE
SOMETHING IS HARD.
725
00:26:28,387 --> 00:26:31,687
BOY, THROW MY WORDS BACK
AT ME ONE MORE TIME.
726
00:26:31,723 --> 00:26:33,633
[EXHALES]
727
00:26:33,659 --> 00:26:36,629
ALL RIGHT.
728
00:26:36,662 --> 00:26:38,532
MAN: THIS WAS
A NO-BRAINER,
729
00:26:38,564 --> 00:26:40,034
AND, OF COURSE, I DON’T
CONDONE VIOLENCE,
730
00:26:40,065 --> 00:26:40,825
BUT I CAN’T SAY
THE ACTIONS
731
00:26:40,866 --> 00:26:42,796
ON BEHALF OF THE ACTOR
WERE INNOCENT.
732
00:26:42,835 --> 00:26:44,375
IN FACT, I’D GO
SO FAR AS TO SAY
733
00:26:44,403 --> 00:26:45,703
HE WAS COMPLICIT
IN EMOTIONAL ABUSE
734
00:26:45,737 --> 00:26:47,637
LEADING UP
TO THE TASERING.
735
00:26:47,673 --> 00:26:48,173
SO YOU’RE SAYING
HE’S TO BLAME
736
00:26:48,207 --> 00:26:50,137
FOR BEING ATTACKED?
737
00:26:50,175 --> 00:26:52,305
WELL, I MEAN, HE HAD
NO PROBLEM WITH THE FAN
738
00:26:52,344 --> 00:26:54,314
POSTING OR PROMOTING OR
ANY OF THE SOCIAL MEDIA
739
00:26:54,346 --> 00:26:55,746
BENEFITS THAT CAME
WITH THE FRIENDSHIP.
740
00:26:55,781 --> 00:26:57,321
I WOULDN’T CALL THAT
NO FRIENDSHIP.
741
00:26:57,349 --> 00:27:00,149
I MEAN, LINES GET BLURRY,
IS ALL I’M SAYING.
742
00:27:00,185 --> 00:27:01,245
WHICH IS WHY THERE’S
NO NEGATING THE FACT
743
00:27:01,286 --> 00:27:03,756
THAT THERE
WAS A FRIENDSHIP
744
00:27:03,789 --> 00:27:05,159
AS SOON AS THE ACTOR
REACHED OUT TO THE FAN
745
00:27:05,190 --> 00:27:07,260
ON A PERSONAL LEVEL,
ONLY TO THEN
746
00:27:07,292 --> 00:27:08,762
THROW THEM AWAY WHEN
THEY HAD NO USE FOR THEM.
747
00:27:08,794 --> 00:27:10,834
HE SOUNDS LIKE
A GRADE-A NARCISSIST.
748
00:27:10,863 --> 00:27:12,503
AS A FORMER ARTIST,
I’D SAY I KNOW
749
00:27:12,531 --> 00:27:14,231
A THING OR TWO
ABOUT BEING
750
00:27:14,266 --> 00:27:16,566
MISUNDERSTOOD
BY FANS.
751
00:27:16,602 --> 00:27:18,672
EVEN IN THE CASE OF
THE ACTOR REACHING OUT,
752
00:27:18,704 --> 00:27:21,844
HE HAD A MILLION REASONS
TO ABANDON THE FRIENDSHIP.
753
00:27:21,874 --> 00:27:23,814
FOR EXAMPLE, THE FAN
COULD’VE JUST AS WELL
754
00:27:23,842 --> 00:27:26,582
BEEN PSYCHOTIC
DISGUISED AS A VICTIM.
755
00:27:26,612 --> 00:27:27,582
IT HAPPENS.
756
00:27:27,613 --> 00:27:29,753
I’M JUST LOOKING
AT THE FACTS,
757
00:27:29,781 --> 00:27:30,421
AND FROM WHERE
I’M STANDING,
758
00:27:30,449 --> 00:27:32,649
MY MONEY’S
ON NARCISSIST.
759
00:27:32,684 --> 00:27:33,654
THAT SOUND LIKE A
"TAKE ONE TO KNOW ONE,"
760
00:27:33,685 --> 00:27:34,745
DON’T IT, JAMES?
761
00:27:34,786 --> 00:27:35,916
EXCUSE ME?
762
00:27:35,954 --> 00:27:37,424
I THINK
YOU SHOULD LEAVE.
763
00:27:37,456 --> 00:27:39,916
I’M GOOD.
764
00:27:39,958 --> 00:27:42,588
THAT WASN’T A
SUGGESTION, MS. COOPER.
765
00:27:42,628 --> 00:27:43,898
GO. NOW, PLEASE.
766
00:27:51,703 --> 00:27:53,873
IS IT ALWAYS THIS
PEACEFUL OUT HERE?
767
00:27:53,906 --> 00:27:56,036
WHEN YOU SAID,
"BEACH ACCESS,"
768
00:27:56,074 --> 00:27:58,444
I THOUGHT WE’D BE PLAYING
"FROGGER" ACROSS PCH.
769
00:27:58,477 --> 00:28:00,207
NOPE. IT IS LITERALLY
A ROCK’S THROW.
770
00:28:00,245 --> 00:28:02,375
I’M ALREADY SOLD.
771
00:28:02,414 --> 00:28:02,914
I CAN GET SO MUCH
READING DONE OUT HERE.
772
00:28:02,948 --> 00:28:04,718
MM.
YOU READ A LOT?
773
00:28:04,750 --> 00:28:05,580
WE BOTH DO.
774
00:28:05,617 --> 00:28:08,047
WE’RE IN A POST-DOC
PROGRAM AT COASTAL,
775
00:28:08,086 --> 00:28:10,616
WHICH MEANS WE’RE
LITERALLY ALWAYS READING
776
00:28:10,656 --> 00:28:12,686
OR GRADING PAPERS.
777
00:28:12,724 --> 00:28:15,034
IT JUST GOT HARD
TO FOCUS LATELY
778
00:28:15,060 --> 00:28:17,200
LIVING AT MY UNCLE’S
HOUSE WITH HIS 4 KIDS.
779
00:28:17,229 --> 00:28:18,529
AND WHEN WE’RE
NOT STUDYING,
780
00:28:18,564 --> 00:28:21,374
CHARISSA’S MAKING SOME
AMAZING POLYNESIAN FOOD.
781
00:28:21,400 --> 00:28:23,470
HER COCONUT SHRIMP
AND GARLIC RICE IS TO DIE FOR.
782
00:28:23,502 --> 00:28:25,442
UH, IT’S OK.
IT’S GOOD.
783
00:28:25,470 --> 00:28:27,440
I’M OK.
784
00:28:27,472 --> 00:28:29,942
ARE YOU GUYS LIKE THIS
ALL THE TIME?
785
00:28:29,975 --> 00:28:31,785
AFTER 6 YEARS, WE’RE PRACTICALLY
AN OLD, MARRIED COUPLE.
786
00:28:31,810 --> 00:28:34,710
OH...
787
00:28:34,746 --> 00:28:36,046
BOTH: HOW SOON
CAN YOU MOVE IN?
788
00:28:36,081 --> 00:28:38,681
[BOTH LAUGH]
789
00:28:41,987 --> 00:28:43,717
HEY.
790
00:28:43,755 --> 00:28:45,215
SORRY TO HIJACK
YOUR EVENING.
791
00:28:45,257 --> 00:28:47,057
OH, NO.
THAT’S ALL GOOD.
792
00:28:47,092 --> 00:28:48,562
BESIDES, YOUR
VOICEMAIL SAID
793
00:28:48,594 --> 00:28:50,564
ASHLEY COMING WAS
A SURPRISE, RIGHT,
794
00:28:50,596 --> 00:28:53,466
SO WHERE IS SHE?
795
00:28:53,498 --> 00:28:55,398
I MEAN HE.
796
00:28:55,434 --> 00:28:58,174
IT’S A PLEASURE TO
FINALLY MEET YOU, BRUV.
797
00:28:58,203 --> 00:29:02,013
HA HA! YOU, TOO.
YOU, TOO.
798
00:29:02,040 --> 00:29:04,580
IF YOU DON’T
MIND ME ASKING,
799
00:29:04,610 --> 00:29:06,850
WHAT ARE
YOUR PRONOUNS?
800
00:29:06,878 --> 00:29:08,578
HE/HIM.
801
00:29:08,614 --> 00:29:11,424
LOVE HOW AMERICANS ARE
SO UPFRONT ABOUT THAT.
802
00:29:11,450 --> 00:29:13,720
YEAH.
803
00:29:15,354 --> 00:29:18,764
YOU KNOW, OLIVIA AND I
WOULD STAY UP LATE
804
00:29:18,790 --> 00:29:20,490
WATCHING YOUR GAMES
LAST SEASON.
805
00:29:20,525 --> 00:29:22,655
YOU’RE A DAMN GOOD
FOOTBALLER.
806
00:29:22,694 --> 00:29:23,664
THANK YOU. YEAH.
807
00:29:23,695 --> 00:29:24,995
LIV SHOWED ME SOME
OF YOUR PAINTINGS.
808
00:29:25,030 --> 00:29:26,660
YOU’RE
REAL TALENTED.
809
00:29:26,698 --> 00:29:27,668
THAT EXHIBITION
YOU DID
810
00:29:27,699 --> 00:29:28,899
ABOUT YOUR
GRANDPARENTS WAS DOPE.
811
00:29:28,934 --> 00:29:31,074
OH, APPRECIATE THAT.
812
00:29:31,103 --> 00:29:32,903
SO WHAT INSPIRED
THIS IMPROMPTU TRIP?
813
00:29:32,938 --> 00:29:36,168
I FIGURED LIV COULD USE
SOME SUPPORT GETTING
814
00:29:36,208 --> 00:29:37,838
ACROSS THE FINISH LINE
OF HER BOOK, I MEAN,
815
00:29:37,876 --> 00:29:39,406
ESPECIALLY WITH HER
PUBLISHER’S DEADLINE
816
00:29:39,444 --> 00:29:44,684
BEING MOVED UP,
SO HERE I AM.
817
00:29:44,716 --> 00:29:46,346
HERE HE IS.
818
00:29:46,385 --> 00:29:51,195
[CLEARS THROAT]
819
00:29:53,525 --> 00:29:54,555
HEY.
820
00:29:56,428 --> 00:29:57,898
UH...
821
00:29:59,798 --> 00:30:03,168
I GOT YOUR TEXT,
AND I OWE YOU
822
00:30:03,201 --> 00:30:06,841
AN APOLOGY FOR HOW
AGGRESSIVE I WAS.
823
00:30:06,872 --> 00:30:07,172
I’LL DO WHAT I CAN
ON MY OWN.
824
00:30:10,542 --> 00:30:12,682
MY WISE SON
REMINDED ME
825
00:30:12,711 --> 00:30:15,451
HOW IMPORTANT IT IS
TO SUPPORT THE PEOPLE
826
00:30:15,480 --> 00:30:19,280
THAT MATTER MOST,
827
00:30:19,318 --> 00:30:21,688
AND YOU’RE ONE
OF THEM, PREACH.
828
00:30:21,720 --> 00:30:23,860
IS THAT LASAGNA?
829
00:30:23,889 --> 00:30:25,619
ALSO COMPLIMENTS
OF THE SON I RAISED.
830
00:30:25,657 --> 00:30:28,657
THANK YOU
SINCERELY.
831
00:30:31,463 --> 00:30:33,873
YOU OK?
832
00:30:33,899 --> 00:30:37,199
[SIGH] WHAT HAPPENS IF WE DON’T
END UP GETTING THIS GRANT?
833
00:30:37,235 --> 00:30:39,595
COACH BAKER
LEFT ME IN CHARGE
834
00:30:39,638 --> 00:30:43,368
OF THIS ONE THING, AND
I CANNOT LET HIM DOWN.
835
00:30:43,408 --> 00:30:47,548
BILLY USED TO SAY,
"QUITTERS NEVER WIN,
836
00:30:47,579 --> 00:30:50,109
AND WINNERS
NEVER QUIT,"
837
00:30:50,148 --> 00:30:51,448
SO EVEN IF THE SCHOOL
BOARD QUITS ON YOU,
838
00:30:51,483 --> 00:30:53,793
YOU’VE NEVER QUIT
ON THESE KIDS.
839
00:30:53,819 --> 00:30:56,389
I’VE SEEN YOU
WITH THEM.
840
00:30:56,421 --> 00:30:58,621
YOU CARE, AND,
BECAUSE OF THAT,
841
00:30:58,657 --> 00:31:01,657
YOU CAN NEVER
LET HIM DOWN.
842
00:31:01,693 --> 00:31:02,493
JASON GALLO-GAFFNER:
♪ IT ALL STARTED ♪
843
00:31:02,527 --> 00:31:04,327
♪ WITH A HOT PINK... ♪
844
00:31:04,363 --> 00:31:05,563
ASHER IN SAN FRAN,
COOP M.I.A.,
845
00:31:05,597 --> 00:31:07,227
PATIENCE
AVOIDING COOP--
846
00:31:07,265 --> 00:31:10,965
THIS VORTEX HANG
IS KIND OF NOT ONE.
847
00:31:11,002 --> 00:31:12,972
SEE YOUR FAVORITE CHIPS
GOT REPLENISHED.
848
00:31:13,004 --> 00:31:15,914
OH, YEAH. ASHLEY
BROUGHT SOME FROM LONDON.
849
00:31:15,941 --> 00:31:18,981
IT’S FUNNY, EVEN NOW,
YOU’RE STILL
850
00:31:19,010 --> 00:31:21,980
BEING CAREFUL
WITH HIS PRONOUNS.
851
00:31:22,013 --> 00:31:24,753
SPENCER, I NEVER SAID
ASHLEY WAS A GIRL.
852
00:31:24,783 --> 00:31:26,423
I’VE DEFINITELY CALLED
HIM A SHE BEFORE
853
00:31:26,451 --> 00:31:27,821
WHEN YOU
TOLD ME ABOUT
854
00:31:27,853 --> 00:31:29,653
ALL YOUR NEW
FRIENDS OVER THERE.
855
00:31:29,688 --> 00:31:30,488
YOU NEVER
CORRECTED ME.
856
00:31:30,522 --> 00:31:32,662
HONESTLY, I DON’T
KNOW WHY, YOU KNOW,
857
00:31:32,691 --> 00:31:34,391
AND THEN I FIGURED,
YOU KNOW,
858
00:31:34,426 --> 00:31:36,386
YOU’D MEET ASHLEY WHEN
YOU CAME THAT WEEKEND,
859
00:31:36,428 --> 00:31:38,398
AND, YOU KNOW,
THE MISTAKE WOULD JUST
860
00:31:38,430 --> 00:31:40,400
ORGANICALLY FIX ITSELF,
AND--I DON’T KNOW--
861
00:31:40,432 --> 00:31:42,232
YOU AND I WERE JUST
HAVING A PERFECT TIME,
862
00:31:42,267 --> 00:31:46,167
JUST THE TWO OF US,
AND THERE WAS JUST
863
00:31:46,204 --> 00:31:47,844
NEVER A CHANCE FOR ME
TO INTRODUCE YOU
864
00:31:47,873 --> 00:31:49,073
TO ANY OF MY FRIENDS.
865
00:31:49,107 --> 00:31:51,507
SORRY I’M LATE.
866
00:31:51,543 --> 00:31:53,083
YOU’RE NOT
MISSING MUCH.
867
00:31:53,111 --> 00:31:55,011
MM.
868
00:31:55,046 --> 00:31:56,406
HERE.
GRAB A PLATE.
869
00:31:56,448 --> 00:31:58,348
THANK YOU.
870
00:31:58,383 --> 00:32:00,083
YOU SHOULD GO CHECK
ON YOUR GUEST.
871
00:32:00,118 --> 00:32:01,848
NOW AIN’T THE TIME TO HAVE
THIS CONVERSATION, ANYWAY.
872
00:32:09,227 --> 00:32:12,197
UH, YOU SEEM MIGHTY COOL
873
00:32:12,230 --> 00:32:14,100
ABOUT LIL IDRIS ELBA
AND YOUR WOMAN.
874
00:32:14,132 --> 00:32:16,872
I’M NOT,
BUT I TRUST LIV,
875
00:32:16,902 --> 00:32:17,602
AND HE SEEMS
LIKE A COOL DUDE.
876
00:32:17,636 --> 00:32:19,536
I JUST DIDN’T KNOW
HE WAS A DUDE,
877
00:32:19,571 --> 00:32:20,371
UNLESS I WASN’T
PAYING ATTENTION.
878
00:32:20,405 --> 00:32:23,605
NO. NO. WE WERE
ALL IN THE DARK.
879
00:32:23,642 --> 00:32:26,042
I’M STILL
PROCESSING THAT PART,
880
00:32:26,077 --> 00:32:27,207
BUT I’VE BEEN REAL
REACTIVE LATELY,
881
00:32:27,245 --> 00:32:29,445
SO I’M GONNA TAKE
MY TIME ON THIS ONE.
882
00:32:29,481 --> 00:32:31,281
LOOK AT YOU. GROWTH.
883
00:32:31,316 --> 00:32:32,346
SHUT UP.
884
00:32:34,386 --> 00:32:35,786
HOW’D CLASS GO TODAY
WITH PROFESSOR LAURA?
885
00:32:35,821 --> 00:32:38,791
IT WAS, UM, INTERESTING.
886
00:32:38,824 --> 00:32:40,464
I’M GONNA NEED
MORE THAN THAT.
887
00:32:40,492 --> 00:32:42,192
I MIGHT HAVE GOT
KICKED OUT.
888
00:32:42,227 --> 00:32:44,457
BY MRS. BAKER? HOW?
889
00:32:44,496 --> 00:32:46,356
LET’S JUST SAY I HAD
A VISCERAL REACTION
890
00:32:46,398 --> 00:32:49,528
TO, UH, THE CASE
SHE HAS US WORKING ON,
891
00:32:49,568 --> 00:32:52,138
AND, UNLIKE YOU, I JUST
DID NOT GIVE MYSELF
892
00:32:52,170 --> 00:32:54,040
TIME TO PROCESS.
893
00:32:54,072 --> 00:32:55,872
WELL, NOW
THAT YOU KNOW,
894
00:32:55,907 --> 00:32:57,477
WHAT YOU GONNA
DO ABOUT IT, HMM?
895
00:32:57,509 --> 00:33:00,379
GALLO-GAFFNER:
♪ IN THE DESERT SKY ♪
896
00:33:00,412 --> 00:33:05,482
♪ INSIDE OF
A TELESCOPE EYE ♪
897
00:33:05,517 --> 00:33:08,817
YOUR ARTWORK IS HANGING
IN BUCKINGHAM PALACE?
898
00:33:08,854 --> 00:33:11,494
NO, BUT IT WAS
IN WINDSOR CASTLE
899
00:33:11,523 --> 00:33:13,733
FOR A DISPLAY OF TOP
CAMBRIDGE ART STUDENTS,
900
00:33:13,758 --> 00:33:15,328
BUT JUST
FOR A DAY.
901
00:33:15,360 --> 00:33:17,900
I MEAN, THAT’S
STILL AMAZING.
902
00:33:17,929 --> 00:33:19,829
YEAH, MAN. DON’T
UNDERSELL YOURSELF.
903
00:33:19,865 --> 00:33:21,675
YOU SOUND
LIKE OLIVIA.
904
00:33:21,700 --> 00:33:22,730
I MEAN, SHE’S CONSTANTLY
TELLING ME THAT.
905
00:33:22,767 --> 00:33:24,337
I MEAN, THAT’S WHAT
FRIENDS DO, RIGHT?
906
00:33:24,369 --> 00:33:25,839
WE LIFT EACH OTHER UP
AND HELP EACH OTHER
907
00:33:25,871 --> 00:33:28,071
ON THEIR JOURNEYS.
908
00:33:30,442 --> 00:33:32,342
WE SHOULD--
UH, OK. YEAH.
909
00:33:32,377 --> 00:33:33,847
WE ARE GONNA
HEAD OUT OF HERE.
910
00:33:33,879 --> 00:33:35,309
OK.
911
00:33:35,347 --> 00:33:37,917
ALL RIGHT.
I’LL SEE YOU.
912
00:33:37,949 --> 00:33:39,249
GOOD LUCK.
913
00:33:39,284 --> 00:33:40,494
ASHLEY, GOOD
TO MEET YOU.
914
00:33:40,519 --> 00:33:41,819
YEAH, ALWAYS.
915
00:33:41,853 --> 00:33:43,423
TAKE IT EASY.
ENJOY.
916
00:33:43,455 --> 00:33:44,495
SEE YOU, SPENCE.
NICE TO MEET YOU.
917
00:33:44,523 --> 00:33:45,893
[CELL PHONE CHIMES]
918
00:33:47,792 --> 00:33:49,392
ASHLEY:
ALL RIGHT.
919
00:33:51,696 --> 00:33:52,656
I SHOULD GO, TOO.
920
00:33:52,697 --> 00:33:53,827
WAIT. ALREADY?
YEAH.
921
00:33:53,865 --> 00:33:55,325
I GOT TO GO TALK
922
00:33:55,367 --> 00:33:56,767
TO DR. SPEARS
ABOUT SOMETHING.
923
00:33:56,801 --> 00:33:57,841
IT WAS GOOD TO FINALLY
PUT A FACE TO THE NAME.
924
00:33:57,869 --> 00:33:59,099
LIKEWISE.
925
00:33:59,137 --> 00:34:02,007
LIV.
ALL RIGHT.
926
00:34:11,650 --> 00:34:14,350
YOU’RE
DIFFERENT HERE.
927
00:34:14,386 --> 00:34:16,346
HOW SO?
928
00:34:16,388 --> 00:34:18,358
I’M NOT SURE,
EXACTLY.
929
00:34:18,390 --> 00:34:21,630
I JUST KNOW
THAT MY OLIVIA,
930
00:34:21,660 --> 00:34:25,360
THE ONE WHO CONQUERED
THE UK SOLO,
931
00:34:25,397 --> 00:34:27,527
SHE WOULDN’T BE RUNNING
FROM INTERVIEWING HER MUM
932
00:34:27,566 --> 00:34:29,026
OR NOT SO SUBTLY
AVOIDING TALKING TO ME
933
00:34:29,067 --> 00:34:31,197
ABOUT THE REAL
REASONS WHY.
934
00:34:31,236 --> 00:34:33,536
I HATE THAT YOU SEE
THROUGH ME SO WELL.
935
00:34:33,572 --> 00:34:35,372
YOU KNOW, WHEN I WAS
PUTTING TOGETHER
936
00:34:35,407 --> 00:34:37,037
THE IDEA FOR MY
ART EXHIBITION,
937
00:34:37,075 --> 00:34:40,275
THE ONE ABOUT
MY GRANDPARENTS,
938
00:34:40,312 --> 00:34:41,712
I TOO HAD RESERVATIONS
ABOUT THE CONVERSATIONS
939
00:34:41,746 --> 00:34:43,206
THAT WOULD COME.
940
00:34:43,248 --> 00:34:45,448
YEAH. YOU
MENTIONED THAT.
941
00:34:45,483 --> 00:34:46,953
RIGHT. WHAT
I DIDN’T MENTION
942
00:34:46,985 --> 00:34:48,625
WAS THAT MY GRANDAD,
HE STRUGGLED
943
00:34:48,653 --> 00:34:51,563
WITH IDENTITY
HIS WHOLE LIFE.
944
00:34:51,590 --> 00:34:54,060
I MEAN, EVERYONE HAD
THEIR OWN THEORY WHY,
945
00:34:54,092 --> 00:34:57,562
BUT ALL I WANTED TO DO
WAS JUST CAPTURE
946
00:34:57,596 --> 00:35:00,296
THE ESSENCE OF
WHAT HE WAS FEELING.
947
00:35:00,332 --> 00:35:02,402
HOW’D YOUR PARENTS
TAKE THAT?
948
00:35:02,434 --> 00:35:04,904
TOLD THEM I NEEDED
TO DO IT FOR ME,
949
00:35:04,936 --> 00:35:06,236
TO BETTER UNDERSTAND
WHO I AM.
950
00:35:06,271 --> 00:35:08,071
HMM.
951
00:35:08,106 --> 00:35:11,076
YOU SEE, I ALWAYS
HAD THIS FEELING
952
00:35:11,109 --> 00:35:13,139
THAT ME AND MY GRANDAD
WERE CONNECTED,
953
00:35:13,178 --> 00:35:17,418
AND IF I CRACKED
THAT EGG,
954
00:35:17,449 --> 00:35:20,319
MAYBE I’D HELP
SOMEONE ELSE FEEL SEEN.
955
00:35:20,352 --> 00:35:21,592
HMM.
956
00:35:21,620 --> 00:35:23,250
THAT IS OUR
RESPONSIBILITY
957
00:35:23,288 --> 00:35:26,418
AS ARTISTS.
958
00:35:26,458 --> 00:35:29,488
HESITATION TO
INTERVIEW MY MOM
959
00:35:29,527 --> 00:35:33,757
ISN’T JUST ABOUT
DISRUPTING HER PEACE.
960
00:35:33,798 --> 00:35:37,098
IT’S ABOUT
DISRUPTING MINE.
961
00:35:37,135 --> 00:35:38,935
HMM.
962
00:35:38,970 --> 00:35:42,170
I MEAN, I SPENT ALL
THAT TIME IN ENGLAND
963
00:35:42,207 --> 00:35:44,007
HEALING FROM
THE LOSS OF MY DAD,
964
00:35:44,042 --> 00:35:48,682
AND WITH ONE
DIFFICULT INTERVIEW
965
00:35:48,713 --> 00:35:51,183
WITH SPENCER’S MOM,
I ALMOST UNDID
966
00:35:51,216 --> 00:35:52,576
ALL OF THAT WORK.
967
00:35:56,454 --> 00:35:58,264
I MEAN, WHAT IF
I ACTUALLY HAVE
968
00:35:58,289 --> 00:35:59,919
ANOTHER
EMOTIONAL SETBACK?
969
00:35:59,958 --> 00:36:02,358
THEN YOU HAVE IT.
970
00:36:02,394 --> 00:36:06,104
I MEAN, THAT
VULNERABILITY IS EXACTLY
971
00:36:06,131 --> 00:36:08,801
WHAT YOU SHOULD BE
BRINGING TO THE BOOK,
972
00:36:08,833 --> 00:36:11,103
AND, FROM WHAT I’VE
SEEN OF YOUR FAMILY
973
00:36:11,136 --> 00:36:13,866
AND YOUR MATES, YOU HAVE
A LARGE ENOUGH VILLAGE
974
00:36:13,905 --> 00:36:17,275
THAT WILL HELP YOU
THROUGH IT.
975
00:36:17,308 --> 00:36:20,278
YOU’RE STRONG ENOUGH
FOR THIS, OLIVIA.
976
00:36:22,914 --> 00:36:25,124
[EXHALES]
977
00:36:32,957 --> 00:36:34,087
MA, ARE YOU HOME?
978
00:36:34,125 --> 00:36:37,085
DILLON: YES, BABY,
JUST IN HERE.
979
00:36:37,128 --> 00:36:40,098
FOOL, I KNEW
IT WAS YOU.
980
00:36:40,131 --> 00:36:42,831
OH, IS THAT MOM’S
FAMOUS LASAGNA?
981
00:36:42,867 --> 00:36:44,267
BECAUSE I’M GONNA
NEED ME A PIECE.
982
00:36:44,302 --> 00:36:47,172
YES. IT IS.
GUESS WHO MADE IT?
983
00:36:47,205 --> 00:36:49,505
OH. IN THAT CASE, YOU
CAN KEEP THAT PIECE.
984
00:36:49,541 --> 00:36:51,111
WOW. SEE,
YOU GOT JOKES.
985
00:36:51,142 --> 00:36:53,442
DON’T KNOCK IT TILL
YOU TRY IT, MAN.
986
00:36:53,478 --> 00:36:56,448
LET ME GET YOU
A PLATE.
987
00:36:56,481 --> 00:36:58,181
MOM’S AT SCHOOL
WITH PREACH
988
00:36:58,216 --> 00:36:59,776
HELPING HIM ON SOME
GRANT APPLICATIONS.
989
00:36:59,818 --> 00:37:01,848
MM, THAT EXPLAINS
WHY HER PHONE’S OFF.
990
00:37:01,886 --> 00:37:02,786
I MEAN, I GOT
TWO WORKING EARS
991
00:37:02,821 --> 00:37:05,121
IF YOU WANT TO TAKE
ADVANTAGE OF THEM.
992
00:37:05,156 --> 00:37:08,756
MAN, WHERE
DO I START?
993
00:37:08,793 --> 00:37:11,533
WELL, ME AND JORDAN
ARE HAVING A TOUGH TIME
994
00:37:11,563 --> 00:37:13,363
KEEPING OUR ISSUES
ON THE FIELD
995
00:37:13,398 --> 00:37:15,528
FROM SPILLING OVER
INTO EVERYTHING ELSE.
996
00:37:15,567 --> 00:37:16,797
TODAY I WAS REMINDED
THAT I CHOSE PSYCHOLOGY
997
00:37:16,835 --> 00:37:19,375
BECAUSE I LOVE
HELPING PEOPLE
998
00:37:19,404 --> 00:37:20,714
AND I’M GOOD AT IT,
BUT DRAFTING EARLY
999
00:37:20,739 --> 00:37:22,869
MEANS THAT AIN’T
IN MY FUTURE
1000
00:37:22,907 --> 00:37:24,307
BECAUSE I’M NEVER
GONNA GET THAT DEGREE,
1001
00:37:24,342 --> 00:37:25,982
AND LIV’S BRITISH
BEST FRIEND IS A DUDE,
1002
00:37:26,010 --> 00:37:28,050
AND SHE
AIN’T TELL ME.
1003
00:37:28,079 --> 00:37:28,849
DAMN, BRO, YOU PROBABLY
SHOULD’VE CALLED MOM.
1004
00:37:28,880 --> 00:37:30,880
SEE? THAT’S WHY
I DON’T TALK TO YOU.
1005
00:37:30,915 --> 00:37:33,315
JOKES ASIDE, MAN, YOU
AND JORDAN ARE BROTHERS.
1006
00:37:33,351 --> 00:37:34,891
EVENTUALLY, YOU’RE
GONNA GET THROUGH
1007
00:37:34,919 --> 00:37:37,219
THIS ROUGH PATCH
LIKE WE ALWAYS DO,
1008
00:37:37,255 --> 00:37:39,485
AND, AS FAR AS THE
PSYCHOLOGY THING, MAN,
1009
00:37:39,524 --> 00:37:42,234
YOU’RE ACTING AS IF
YOU CAN’T SWITCH GEARS
1010
00:37:42,260 --> 00:37:44,130
AFTER THE NFL--
YOU KNOW,
1011
00:37:44,162 --> 00:37:46,962
COME BACK TO SCHOOL,
BECOME A THERAPIST
1012
00:37:46,998 --> 00:37:48,398
OR WHATEVER
YOU WANT TO DO.
1013
00:37:48,433 --> 00:37:51,643
I MEAN, THE AVERAGE PLAYER
RETIRES AT, WHAT, 30?
1014
00:37:51,669 --> 00:37:53,069
SOUNDS LIKE MORE THAN
ENOUGH TIME TO ME.
1015
00:37:53,104 --> 00:37:55,314
THAT ACTUALLY
AIN’T BAD ADVICE.
1016
00:37:55,340 --> 00:37:57,070
ALL RIGHT,
LITTLE HOMIE.
1017
00:37:57,108 --> 00:38:00,238
SINCE YOU’RE ON A ROLL,
WHAT ABOUT LIV?
1018
00:38:00,278 --> 00:38:02,248
YOU TRUST HER.
1019
00:38:02,280 --> 00:38:05,480
THIS IS MESSY,
1020
00:38:05,517 --> 00:38:06,717
BUT YOU JUST CONTINUE
TO TRUST HER.
1021
00:38:14,526 --> 00:38:16,256
IT’S BOMB, RIGHT?
1022
00:38:16,294 --> 00:38:17,934
YOU REALLY MADE THIS?
1023
00:38:17,962 --> 00:38:19,162
YOUR BOY
HAS MANY GIFTS.
1024
00:38:19,197 --> 00:38:22,167
HA HA! WHATEVER.
1025
00:38:22,200 --> 00:38:23,770
[DOOR CLOSES]
1026
00:38:23,802 --> 00:38:26,442
YOU HERE TO CALL ME
A NARCISSIST, TOO?
1027
00:38:26,471 --> 00:38:29,571
NO, NOT AT ALL.
MAY I?
1028
00:38:31,810 --> 00:38:35,850
I OWE YOU
AN APOLOGY.
1029
00:38:35,880 --> 00:38:40,450
I ASKED YOU NOT TO MAKE
ME THE TEACHER’S PET,
1030
00:38:40,485 --> 00:38:42,695
AND INSTEAD, I BECAME
THE TEACHER’S NIGHTMARE.
1031
00:38:42,720 --> 00:38:45,920
YEAH.
YOU KIND OF DID.
1032
00:38:45,957 --> 00:38:48,087
UNFORTUNATELY,
1033
00:38:48,126 --> 00:38:51,196
MY EMOTIONS
GOT THE BEST OF ME.
1034
00:38:51,229 --> 00:38:53,759
I WAS TRIGGERED
PEOPLE WERE ABLE
1035
00:38:53,798 --> 00:38:56,928
TO SHRED PATIENCE--
I MEAN, THE ACTOR--
1036
00:38:56,968 --> 00:38:58,938
TO PIECES, AND THEN
I STARTED WORRYING
1037
00:38:58,970 --> 00:39:01,540
THAT IT WOULD ACTUALLY
HAPPEN IN COURT.
1038
00:39:01,573 --> 00:39:04,543
THAT WAS THE EXACT POINT
OF THE EXERCISE, COOP,
1039
00:39:04,576 --> 00:39:05,876
TO GET A TEMPERATURE READ
ON HOW THE DEFENSE
1040
00:39:05,910 --> 00:39:07,610
IS GONNA TRY AND
PAINT HER PICTURE.
1041
00:39:07,645 --> 00:39:09,775
THE FIRM MIKO’S FAMILY
HIRED IS ALREADY DOING
1042
00:39:09,814 --> 00:39:11,684
EVERYTHING THAT THEY CAN
TO VILLAINIZE PATIENCE.
1043
00:39:11,716 --> 00:39:13,846
DON’T I KNOW IT.
1044
00:39:13,885 --> 00:39:14,955
I MEAN, THEY ARE
BASHING HER ON THE NEWS
1045
00:39:14,986 --> 00:39:15,946
EVERY CHANCE
THEY GET.
1046
00:39:15,987 --> 00:39:16,747
WELL, YEAH.
1047
00:39:16,788 --> 00:39:18,788
A FULL-BLOWN CHARACTER
ASSASSINATION
1048
00:39:18,823 --> 00:39:20,893
OF THE ALLEGED VICTIM--
IN THIS CASE, PATIENCE--
1049
00:39:20,925 --> 00:39:23,055
IS A REALLY
SMART DEFENSE.
1050
00:39:23,094 --> 00:39:25,634
IT’S EXACTLY
WHAT I WOULD DO.
1051
00:39:25,663 --> 00:39:28,973
LOOK. I KNOW HOW DEEPLY
YOU CARE FOR PATIENCE,
1052
00:39:29,000 --> 00:39:31,640
AND SHE’S SO LUCKY TO
HAVE YOU IN HER CORNER,
1053
00:39:31,669 --> 00:39:34,569
BUT YOU’VE GOT TO TRY
AND CHANNEL THIS PASSION
1054
00:39:34,606 --> 00:39:38,806
INTO CREATIVE
PROBLEM-SOLVING
1055
00:39:38,843 --> 00:39:41,383
BECAUSE THAT’S WHAT SHE’S
GONNA NEED COME TRIAL.
1056
00:39:44,349 --> 00:39:46,479
YOU GONNA HELP ME
PROOF THIS BRIEF,
1057
00:39:46,517 --> 00:39:48,047
OR YOU GONNA JUST SIT
THERE AND STARE AT ME?
1058
00:39:48,086 --> 00:39:49,386
I’LL TAKE THE BRIEF.
OK.
1059
00:39:49,420 --> 00:39:50,490
WHAT ALL WE GOT?
1060
00:39:50,521 --> 00:39:52,891
ALL RIGHT, SO...
1061
00:39:52,924 --> 00:39:54,164
JORDAN: I AM SO GLAD WE GOT
TO SPEND THE DAY TOGETHER.
1062
00:39:54,192 --> 00:39:56,392
YEAH.
1063
00:39:56,427 --> 00:39:57,087
YOU KNOW,
YOU DO KNOW
1064
00:39:57,128 --> 00:39:59,158
A THING OR TWO
ABOUT ROOMMATES,
1065
00:39:59,197 --> 00:40:00,327
AND I THINK CHARISSA AND
GREG ARE GONNA BE PERFECT.
1066
00:40:00,365 --> 00:40:02,575
HOW MANY TIMES
DID I TELL YOU
1067
00:40:02,600 --> 00:40:03,830
NOT TO PUT CLOTHES IN
THE KITCHENWARE BOX?
1068
00:40:03,868 --> 00:40:05,398
GREG: WHO CARES? IT’S
GOING TO THE SAME PLACE.
1069
00:40:05,436 --> 00:40:07,236
YEAH, BUT NOW IT’S GONNA
BE A NIGHTMARE ORGANIZING,
1070
00:40:07,272 --> 00:40:08,172
AND GUESS WHO’S
DOING THE UNPACKING.
1071
00:40:08,206 --> 00:40:09,506
I TOLD YOU I’D HELP.
1072
00:40:09,540 --> 00:40:10,740
WE BOTH KNOW
THAT’S NOT TRUE.
1073
00:40:10,775 --> 00:40:12,505
HI, GUYS.
1074
00:40:12,543 --> 00:40:14,183
WE’RE SO EXCITED
TO BE ROOMIES.
1075
00:40:14,212 --> 00:40:15,582
YAY!
YAY!
1076
00:40:15,613 --> 00:40:19,283
YEAH. SO ARE WE.
1077
00:40:19,317 --> 00:40:21,517
HERE’S--LET ME JUST
GET THESE FOR YOU.
1078
00:40:21,552 --> 00:40:23,452
OH, NO, NO.
HE’LL LOSE IT.
1079
00:40:23,488 --> 00:40:24,958
I’M NOT A CHILD.
1080
00:40:24,989 --> 00:40:26,789
THEN MAN UP AND GET
THOSE MISLABELED BOXES
1081
00:40:26,824 --> 00:40:29,464
FROM THE TRUNK.
1082
00:40:29,494 --> 00:40:32,604
HMM.
HMM. YEAH. HA!
1083
00:40:34,732 --> 00:40:38,302
OH, GOD.
OHH...
1084
00:40:38,336 --> 00:40:40,136
THANK YOU AGAIN
FOR COMING TONIGHT.
1085
00:40:40,171 --> 00:40:42,541
OF COURSE.
1086
00:40:42,573 --> 00:40:43,973
DID ASHLEY
HAVE A GOOD TIME?
1087
00:40:44,008 --> 00:40:46,638
HE DID.
1088
00:40:46,678 --> 00:40:48,978
HOW LONG’S HE STAYING
IN TOWN, EXACTLY?
1089
00:40:49,013 --> 00:40:52,953
UM, I ACTUALLY
DON’T KNOW.
1090
00:41:08,232 --> 00:41:10,972
[EXHALES]
1091
00:41:11,002 --> 00:41:13,042
OH, DID YOU
WANT TO TALK
1092
00:41:13,071 --> 00:41:14,811
ABOUT WHAT’S GOING ON
WITH YOUR BOOK?
1093
00:41:14,839 --> 00:41:16,709
ACTUALLY, I’M GOOD.
1094
00:41:16,741 --> 00:41:18,141
I THINK I FINALLY GOT
THE CLARITY I NEED.
1095
00:41:18,176 --> 00:41:21,146
DO YOU WANT TO TALK
ABOUT THE GAME YESTERDAY,
1096
00:41:21,179 --> 00:41:25,149
WHATEVER’S GOING ON
WITH YOU AND JORDAN?
1097
00:41:25,183 --> 00:41:27,653
NO. I THINK I GOT
THAT CLARITY, TOO.
1098
00:41:27,685 --> 00:41:30,485
OH. OK.
1099
00:41:32,457 --> 00:41:34,327
GREAT.
GREAT.
1100
00:41:40,531 --> 00:41:43,331
MAN: ♪ WE’LL FIND OUR WAY
BACK AGAIN ♪
1101
00:41:47,538 --> 00:41:50,508
♪ WE’LL FIND OUR WAY
BACK AGAIN ♪
1102
00:42:26,744 --> 00:42:27,444
MAN: GREG, MOVE YOUR HEAD.
75057
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