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Zulu
The Bermuda Triangle covers approximately
500,000 square miles in the Atlantic Ocean,
and many believe that over the past hundred years
the triangle is responsible for
a high number of unexplained disappearances
reportedly claiming dozens of planes, ships
and over 1,000 lives.
Among which were a sortie of Navy Corsair fighters.
They took off...
and they disappeared.
No radio contact.
No wreckage.
No explanation.
Can you... I don't know.
Can you squeeze me in at 5:00?
Shit. That's my... Hold on.
It's okay, baby. Shh.
Can you make the formula? I'm going to be home in...
Sam?
Sam?
Daddy!
Sam?
Daddy!
Sam!
Sam!
Where are you?
He was right in the car seat. Sam, where are you?!
Sam!
Sam! Where is he?
I don't understand.
Sam! Sam!
Sam!
_
Iran, 1.47 million.
Turkey, 1.55 million.
Germany, 1.71 million.
The Leftovers is the story of an amazing event
that occurs and changes the world.
There is something called the sudden departure
where 2% of the world's population very randomly evaporates.
That doesn't sound like a lot,
but on a global scale that's, you know,
in the hundreds of millions of people.
There's nothing connecting the people that disappeared.
They were all different ages, races,
economic backgrounds.
Nothing unified.
We pick up three years later,
and the world has just gotten weird.
The thing about the three year gap and picking up the story later
is people have absorbed this blow and are really trying to figure out
how do we go on from here.
And now, for those who want to,
let us pray for mercy and forgiveness,
and return of those who have left us.
The story concentrates on a small New York suburb of Mapleton, New York
where we have lost 100 people.
Not bad people.
Children, families...
uh, babies.
Gone.
Our story focuses not on the people who have gone,
but the people who remain.
We are watching the story of one family
and that family is led by a guy name Kevin Garvey.
He's the chief of police in this town.
One of the things that I actually loved about the character
is that he basically is getting pulled from several different sides.
From his family, from his job.
His son, who is a college age son,
is wandering the country and completely and totally out of touch with Kevin.
He's trying to find himself in the sense of,
what is it all about?
What is this? Why are we even here?
And does it matter?
Jill is Kevin Garvey's daughter.
She is 17 and in high school.
Not only is she like a high schooler that has to deal with all sorts of problems,
but she's dealing with a dad who's not 100% focused on her
because he is chief of police
and he has a lot of chaotic things to deal with.
Kevin is basically just
trying to put one foot in front of the other.
Do his job in a world that may be crumbling.
Where were you?
The departure. When it happened where were you?
Cleaning out a gutter.
Where were you?
At the laundry mat.
What could've happened?
I mean, some people conjecture that it's the biblical rapture,
but we don't know that for sure
and I think one of the things that's most intriguing about this show
is that it's so ambiguous.
Scientists are trying to find a scientific explanation.
Everyone's trying to understand what this event was.
In my early meetings with Damon,
of course that was my first question after reading the script was,
what happened to everybody?
And he rightly or wrongly basically just said,
"I'm interested in watching people in the show
"not know the answer to that question
because the reaction is more important than the event."
People say you talk about what it wasn't because you don't know what it was.
I know what it was.
_
The reverend is saying that this was not the rapture,
which means that he regards it to be some kind of a natural... phenomenon.
Belief in the rapture is a particular twist on Christian belief about the end of the world.
Essentially it boils down to the belief that when Christ returns
he's going to actually come back twice.
The next time he comes back,
he's going to take from the earth all of the Christian believers
to meet him in the clouds,
and then he's going to go away again with them.
He will then leave the earth running
for another seven years of terrible tribulation.
There will then be a great battle called Armageddon,
and then he'll reign for a thousand years,
and then he'll come again later.
Whereas the more traditional picture,
I would argue the more biblical picture,
is that when Christ comes back, that's it.
All of the end things happen at once.
When he comes there will be a trumpet blast that everyone will hear,
and everyone will know it.
We convene the council of clerics, representatives of post world religions,
who were somewhat conflicted about October 14th,
and were thus unable to reach any kind of consensus,
which in turn lead us to the scientific community for answers.
If people are disappearing,
that's something that's happening right here in our physical universe,
so there must be a physics explanation for it.
As to the instantaneous
disappearance of 2% of the world population,
your conclusion as to what happened to them is,
"I don't know"?
When we think about humans disappearing,
immediately certain questions come to mind.
For example, why just humans?
What is it that's selecting only for humans?
Humans are made up of matter,
and matter, we were taught in school,
can neither be created nor destroyed.
Now that's not exactly true.
Matter can be converted into energy.
That's how stars produce their energy in fact,
by converting matter into energy.
That's how atomic bombs produce their energy,
and that's exactly what E=MC2 means.
That's how a little bit of matter
can be converted into a lot of energy.
So if I have a chunk of matter, like a human,
that were to suddenly disappear,
if it were converted into energy,
that would be the equivalent of a nuclear explosion.
So that can't be what's occurring.
When you hear the premise of the show,
I think the only question that there is to ask is the one that you're asking,
what was the sudden departure, and why these people?
But as the show goes on,
my hope is that you become less invested in that question
and more invested in the people that you're watching.
So many of our loved ones were lost three years ago.
We so wonder where they went
and why.
If 2% of the world's population did disappear,
that would have a very disorientating
and destructive effect on the world and society
because it would be something that people couldn't understand or accept.
I think if you experience that kind of grief and loss,
which is what the town goes through,
and no explanation,
for some people life changes completely.
In my view you'd have something like a breakdown of society
because the moral glue that holds society together
is suddenly disrupted.
Everyone's sort of standing back and taking a breath
and asking themselves what they believe in now.
I think it's tempting to think that
after some kind of catastrophic event
people become more religious,
or they become more interested in religion.
I'm not sure that's always the case.
The human capacity for unbelief and indifference to God
is actually very, very deep-seated.
A lot of characters find that there's no belief system that they can rely on to explain this,
and they find themselves gravitating toward these different cults.
The Guilty Remnant is one.
The Guilty Remnant is a new cult that is starting, certainly in Mapleton, but all over the world.
You're not crazy.
You're all businessmen and some of you are parents,
and you've just made this choice.
What happened three years ago was a catastrophe
from which you never recover.
There is no meaning in the way you used to live.
None whatsoever.
The Guilty Remnant offers relief from that
in acknowledging, yes, life is over as we knew it.
That is our premise. We know this.
We're not trying to distract you and say, you know, you'll feel better.
It's this we get it.
We really serve to remind
people that that happened,
so we're going to stand as living memorials to that.
Where did they come from? What do they want?
You don't even know who they are.
We know who they were.
People are attracted to cults if they're vulnerable,
and if they are looking for extraordinary degrees of certainty and guidance in their lives.
Patti runs the Guilty Remnant, and is one of
those people who can take a strong stance,
and lead others to that stance.
She just never lets go.
They follow people around, and it's very strange,
and we don't really know what they want or what they're up to.
It's okay.
Just ignore 'em. C'mon.
They're eating food that's just kind of slop,
that keeps 'em alive but doesn't particularly taste good.
They're not having hot showers.
You know, all the luxuries of life go away completely.
People take a vow of silence, and they dress in white, and they smoke cigarettes.
Most of us don't smoke, because we believe that we're going to live a long time,
and we don't want to get sick, and they're just saying, "We don't care".
You'd say why would you want to be part of that?
You have communal beds, basically, all on the floor.
There's just peace in the truth,
and from the Remnant's perspective,
the truth is we only have right now.
There's nothing to say that's going to fix it, so stop with the nonsense.
It's really not about what they stand for
inasmuch as what they're pulling away against.
It's time. Everybody's ready to feel better.
Not the Remnant.
I think he hates them. I think it's a deep deep A-distrust,
but loathing, of this community that's sprung up.
They've become a real nuisance.
All units on foot. North side of the park, now.
They provoke aggression and hatred.
Go, go, go!
Fight, now, fight! Fight, fight!
Just our presence and kind of what we trigger in people,
but we don't fight back, we just stand to bear witness.
The grief that the town feels,
and the judgment that we are placing upon them for trying to return to their lives,
that's enraging to people, I would imagine.
This Wayne, he's the real deal?
It's as real as it gets.
People call him Holy Wayne.
Now, he doesn't call himself that, but I think he quite likes it.
Can you help me?
There's a great scene in the first episode where a senator comes to Holy Wayne,
and we know that the senator's in a lot of pain,
he's a very angry man,
and the guy says nothing.
And the senator begs him to do something, can he help him.
And the guy still says nothing.
And then the next thing we know,
this guy's walking out all smiling.
I am no longer burdened.
- All gone? - All gone.
Holy Wayne, in a sense, is a cult leader,
and a prophet, and he has this inexplicable power
to take people's pain away.
By the point to which we reach the beginning of this series,
he is at the height of his powers, but also a fugitive.
He kind of exploits people
using his power for his own financial benefit,
and also surrounding himself with like a harem of young girls
that are kind of his groupies,
but Christine has a distinguished position among them.
I love you.
I love you too.
She was just so young when The Departure happened,
she was, like, 13,
and then after it, she ran away from home,
and she found Holy Wayne,
and she becomes his spiritual wife, and he takes care of her.
This girl is everything. Yes?
Yes.
In 1587, 117 English settlers
arrived just off the coast of what is now North Carolina,
and formed the colony of Roanoke.
John White, a newly elected governor,
sailed back to England for fresh supplies.
When he returned, the houses and other shelters were nowhere in sight.
The village was abandoned, and its inhabitants had vanished without a trace.
How could people really disappear?
Is it a situation where people have been teleported?
Is it a situation where we have multiple dimensions
as are predicted by string theory,
and somehow these people slip into another dimension?
Whatever it is,
it's something that takes place via some mechanism,
and it can't be uncovered.
When we study physics, there's two things that we as humans know are true.
Number one, we don't understand everything,
and number two, we will understand more in the future.
And those two things will forever be true.
_
Matt Jamison is an Episcopalian Reverend, post-Rapture.
The world's attitude to God is ambiguous, to say the least,
so he's lost a lot of his business, really.
And indeed, from a personal point of view,
his own relationship to God has become very complex.
He feels that he should have been taken,
because he was a true believer,
and that was the promise, as far as he was concerned,
of the biblical Rapture,
that Jesus' true followers would be reunited.
It wasn't the Rapture!
They were no better than us! I have proof!
We see him in the pilot claiming that it wasn't the Rapture,
certainly not the Rapture as predicted by the Bible.
He becomes a kind of investigative reporter,
digging up dirt on the people who disappeared,
to show that they were not good people,
that it could not have been the Rapture because bad people were taken.
He starts to publish a pamphlet about various people who were taken,
and the skeletons in their closets.
This becomes a kind of almost terroristic act within the community,
to go after people who are gone.
In that very human way, he justifies it
by telling himself that God shows him to remain, to do the dirty work.
What do you believe in, Matt?
Do you know where my family went?
Do you know what it was!?
He articulates to his sister, Nora, that the sudden departure was a test.
It was a test for what comes now.
He sees it in the way that Job saw the various trials
which were visited on him.
The loss of his children, the loss of his wealth, the loss of everything.
He sees himself as the shepherd.
Do you know who that is?
Nope.
Her name's Nora something. She was at Hero's Day.
Her husband and her kids all disappeared.
Nora, she occupies a very elevated position in this town
because she is the most grief-stricken person in this tragedy of tragedies.
She has lost the most people in this small town.
Their names were...
Are...
Doug, Jeremy, and Erin.
When you have a tragedy occur,
the way that what has happened to Nora has happened, it becomes your identity.
I'm so sorry.
Oh. Uh, no worries.
Let me get you another one.
No, No, it's fine, I've got to be somewhere anyway.
Sorry.
If she chooses to try and let go
of that grief and pain, then who is she?
And I think that's the question about her that I think is really compelling,
and something that everyone could relate to.
- Kids okay? - Yeah.
Jill, she's fine.
Tommy's still out west, I think.
Just because he doesn't check in as often as he should,
doesn't mean he doesn't love you.
Scott Glenn plays Kevin Garvey Senior, Kevin's father,
who is the former Chief of Police.
I was the Chief of Police of this town
when this big disappearance happened.
His father went insane, you know,
and the big question is, is his father the most sane person in the town?
Or, is he the most insane?
I've been committed to a high security mental institution,
because I've started hearing voices,
and the voices are from a very profound and high place.
In the normal world, we would just assume that this guy was nuts,
but in this world, we have to allow ourselves for the possibility
that the voices that he's hearing are real.
They said they sent, or are sending somebody to help you.
Help me with what?
I don't know.
But whatever it is, you might want to keep it to yourself.
So if we do it in Hawaii, half the guest list won't even show up,
which is getting to the point, right?
When we find Meg in the first episode,
she's feeling very, uh, suffocated.
And angry, and frustrated, in her life and in her world.
Listen, I know that this is all a little overwhelmin'.
Planning a wedding is a big deal.
It's not, actually.
What?
It's just a party, right?
We're exchanging vows.
That's not the wedding.
She's got a lot of turmoil going on inside her,
and a lot of angst, and then the G.R. show up,
and they're following me.
Why are you following, everywhere!?
Go! Away!
In the pilot,
Meg was written as a 20-something-year-old redhead,
and there was only like one scene.
For some reason, I fell in love with her,
and I was completely drawn to her.
Then I knew that I had to be her.
Yo, ladies.
Wanna get stoned and play some ping pong?
We're already stoned.
Oh, okay. Then we can skip right to the ping pong.
The overall effect of in an instant,
if 2% of the world's population disappeared,
is that it could happen again any time without warning.
Everyone's having a different reaction.
Everyone's trying to come to terms with it
in their own kind of way.
The teenagers in particular are getting pretty hedonistic
and disconnected and reckless, more so than teenagers usually are.
They're pushing the limits but I think teenagers are always doing that.
It's just, it's amped up with the unknown.
Tragedy can lead people to nihilistic ways of living.
The young people are, like, all bets are off.
Nobody's going to college so we might as well just drink and get stoned.
The kids are certainly less inclined to sit around
and mope and wonder why this thing happened.
But there is this magnification that occurs in a world that feels like it's spinning a little bit out of control.
If something terrible happens
and somebody can find no hope in the face of it, it's not really surprising.
But if they stare that fact in the eye, so to speak,
perhaps they turn to a hedonistic way of living just seeking pleasure
because everything's meaningless and pointless.
It was 1878 in Quincy, Illinois
when 16-year-old Charles Ashmore
went to the well to fetch a bucket of water.
When he didn't return his father and sister set out to look for him.
All they found were clear footprints in the snow
that stopped abruptly.
There was no sign of a struggle.
Just footprints that ended on the way to the well.
He was simply gone.
_
I love Tom Perrotta's book
not only because I think the premise is so fresh
but the way that he writes characters and suburban life
I think is very unique and incredibly relatable.
One of my favorite things about Tom's writing
is that he goes so deeply into
each character and with such detail where you think
"I know exactly what he's talking about."
I've never worked in TV before
and Damon is a real veteran of TV and so is Pete.
So, in that sense, though I originated the material
I'm very much handing it over to them.
- And can you go long on her? - Yeah.
Kind of pick her up and make it kind of dirty if you want.
What is very different from the book and what is immediately apparent is Tom has a little bit more of a satirical quality.
The menace isn't quite as high.
Any translation of the book into a film
requires that a new thing is created and I'm totally fine with that.
You'll see that with, say, the character Matt Jameson.
A very minor character in the book
and he's become a kind of a major force within the show.
Then there are characters like Dean played by Michael Gaston who aren't in the book.
Lucy Warburton is not in Tom Perrotta's novel.
This is a character that is, um,
that was developed for the adaptation.
The most fundamental change on a character level
was we took Kevin who is actually the town Mayor in Tom's book
and we made him the chief of police
because it just felt like that was a much more dynamic job.
And more importantly if you're living in a world that is teetering on the brink of insanity
a cop is going to be dealing with insane people on a regular basis
in a way that the town mayor probably isn't.
The book is more of a meditation on grief and loss, I think,
than...
well, just you've got to action it up for TV.
So they do.
An unmanned merchant ship,
The Mary Celeste
was found adrift in the Atlantic Ocean in 1872.
The ship's cargo was intact
and there were no signs of bad weather or a mutiny.
But the crew was gone
along with the captain and his entire family.
They were never to be found.
_
One of most well known mysterious disappearances,
is the whole crew of the ship The Mary Celeste.
A perfectly seaworthy ship with valuable cargo
is found drifting in the Atlantic Ocean
with nobody on board.
The lifeboat was missing.
There was no lifeboat found.
Their fate is probably obvious.
If you think about the...
just capsizing they would have drowned.
The big mystery is what caused them to get into the lifeboat.
Why get into a little boat
when you have a perfectly seaworthy big boat
to which nothing seems to be wrong with it.
The lost colony of Roanoac Island
which is one of the earliest English settlements in the New World
is a most intriguing story.
A man named White had to come back to London
to arrange for further supplies to be sent.
Unfortunately it was for three years before he got back
when he got back there was nobody there.
It wasn't clear what had happened to the people.
He did find the letters "CROATOAN" on the tree
which was the name of both neighboring island and neighboring tribe.
Nobody really knows what happened to the colonists in those three years.
It's still a mysterious disappearance.
Louis LePrince is an interesting story.
He is now, I think it's fair to say
recognized as having invented the moving picture.
He was in the process of taking his invention to America.
He got on a train with his luggage
and he was never seen again.
The interesting thing there is that the luggage disappeared as well.
So, did he in fact ever get on the train?
There are all kinds of questions about that one
which make it a particularly interesting disappearance.
Let's roll 'em.
- A mark. - C mark.
Here we go, folks.
And action!
Bring in my fighters.
Come on down, guilty remnants.
What Pete does and what Damon does
is kind of a magic trick as far as I'm concerned.
It's a high science for them.
Every time Damon comes on set
it's like a radar kind of goes off in my head
and I look around for him and then there he is.
And it's, like, "Hey, dude, what's this?"
And he's, like, "Do you really wanna..."
That's the famous Damon Lindelof line.
"Do you really wanna know?"
And it's so scary
that usually I'm, like...
usually I'm, like, "No, man. No, no.
"No. I don't want to... no."
There's a part of you that feels like he knows.
He knows everything. He knows where this is going to go and what's going to happen.
And that he's cast you for a reason
and he's asking you to do certain things for a reason,
but you don't know yet because something else is going to happen.
You can even lose, I'm not sure, if you...
Damon basically just crushes down on every character, every scene,
he really, you know, gets into the sandbox and drills down on all those character stuff.
We've had a little bit of talk about where things were going
but I have to say most of it has been a surprise to me.
Sometimes because it's a surprise to them what Nora is doing, I think.
He wants to live in the moment.
These characters are impacting on him and his writers
as they're impacting on the audience and on us.
And what I love is that I don't know where I'm going.
It's how I watch television just one episode at a time.
So as an actor it's just one script at a time for me.
And I find that to be the healthiest way for me to work.
It's great when it's a sort of surprise
because life is like that.
And this is a really strange slice of life.
Livvy, go sit out again. Start from the top.
Amy, will you come back in and exit again, please?
Pete Berg who is very energetic and crazy and amazing...
and he loves to just throw everything as you think it's going to happen
away and just put you in these situations
that feel really chaotic but it creates this incredible tension,
and it makes everyone very free.
But I really like something almost extreme.
Like real long lensy.
Here, profile, face.
Tight on the eye.
Looks up.
Pete has this kind of, you know, whirling dervish kind of,
you know, insane, macho, whatever you want to call it,
just... he's just very aggressive about his directing style
in the way he just throws cameras around.
When I say approach
you guys are going to slowly start moving in on them.
He knows that there's a world that he can play in
and that he can control these little characters on his videogame
through his monitor.
And tell them "Go this way, do that, run with them."
And the camera operators are going to know
if that might happen too.
Floyd!
He's an improvising director which is very rare.
Okay, thank you all very much.
Good job...
I think the story's going to resonate with so many people
in a very intimate way.
Whatever the viewers' assumptions are
about this rapture-like event
should be a welcomed discussion.
I hope that people will just relish the mystery and some of the ambiguity
because, frankly, our lives are full of it.
Let it happen to somebody else for a while.
You killed for great purpose? Yes, but you killed.
It just feels real. You feel like you're peaking in on these peoples' lives.
It's about what it is to be human.
If we work very very hard
and if we're committed to our vision,
it's possible that we might make something that feels different or new.
Cut!
And cutting.
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