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Okay, now it's time to start the process with baking the mesh maps.
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And we are going to use the model that we create for the baking process, the Xcode one.
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And the template is ASM.
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The normal map is DirectX, and the UDIMs, it should be turned on.
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Okay, so you just press OK.
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And that's it.
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So let's go to the bake menu, okay.
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And in the common setting, let's change the output size to 4K, okay, and anti- aliasing
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to 64X, okay.
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And we don't have any hyperlinks from other software, so.
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We are going to use low poly mesh as high poly mesh option here.
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And let's turn on the BenchNormal.
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And when we want to date the mesh maps,
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it's very important to understand what each mesh map does.
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OK?
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The Normal and the WordSpaceNormal is the way that we are going to transfer
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from a high poly model to the low poly.
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So, it's a way to fake details.
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So, it's OK.
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Let me deselect all of this.
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OK.
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And now, let's select Normal and WordSpace.
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There is no any setting here that we can tweak.
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Everything is under Common Settings.
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And let's talk about the ID. ID is not a thing that we want in this project, so we are going
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to escape that. And what about the ambient occlusion? Ambient occlusion is like a soft
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shadow over a cast light, you know, in a concave area. And it's going to be
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necessary for texturing inside Substance Painter, because very of the generators and very of
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our techniques depends on these mesh maps. So we need ambient occlusion, and it's like,
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OK, it should be vague from this exploit model. OK, so what about the curvature? Yeah, I think
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we can call it the EdgeDetectMeshMaps, because it's going to reveal...
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all the edges and transfer all the data related to the edges from 3D mesh to the 2D view, okay, on the texture.
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So we need this, and what about the position? The position is like, okay, this is the top of the model,
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okay, this is the front side, this is the, for example, right side, okay, and in this UV island,
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if you want to add something, it's top of the model, okay, it's top part, it's not like,
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okay, it's down, it's middle, or something like that. So position is very important mesh maps,
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and we need to bake the assembly model and transfer the data from the assembly one.
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Which we are going to render.
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Okay, so, the position is not a mesh map that we are going to bake and explode.
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Because it's going to be wrong, actually, when we want to texturing.
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Okay, let me explain you.
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Okay, in the texturing part, this is not here in this coordinate, in the 3D view.
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Okay, it's be like here.
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So, when we want to texture and the position map is baked before on the explode model,
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it means in the position it should be like here, not here.
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So, it's wrong.
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So, we need to keep the position.
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meshmaps for assembly bake. I'm going to show you, it's not a big deal, I just want to
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show you that position is important and if we bake position map here in this mode it's not
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correct. Okay, so we need to leave position and let's go check thickness. Thickness it's going to
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bake and transfer data from model to texture related to the space between each face.
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Okay, so in this way we can figure out, okay this is the big, this is the narrow option,
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narrow model or something like this. So, now we are going to bake bent normal because
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in a bent normal we have some combination between ambient occlusion and normal.
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And the reason that we are going to bake bent normal is to help
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improve our visual and lighting situation inside the 3D window.
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Okay, so that's it.
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We are going to bake normal, world space normal, ambient occlusion, curvature, thickness,
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and bent normal here with a 4k size and super sampling 64.
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There is no any other option that we are going to tweak here.
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Okay, and I want to have the same setting for each texture set.
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So let's go here.
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Oh, no, here.
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And in the mesh map bakers we are going to select apply selection to more texture sets.
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And select all.
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Okay, and everything is ready.
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So...
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I'm going to bake selected textures and after that we need to change the model so we can
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bake position and after this part we are going to load the texturing model that we
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export from 3ds max with the clone technique. So let's bake textures and come back for the next
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part. Okay, now we are done. As you can see we have ambient occlusion, curvature,
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don't have position yet, thickness, ends normal, normal, and border space normal. Okay, so...
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Now we are going to change the model inside Substance Painter. Okay, let's go do that.
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We can do it in Edit -> Project Configuration and in here we can select a different model or simply
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click and drag, ok, and press OK. So, this is the model, ok, that we are going to use
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for the rendering stage. That's it. This is the assembly one. Let's check the mesh maps
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on this model. Ok. This is the ambient occlusion. Curvature, as you can see. Thickness. Bends
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normal. Ok. Normal and border space normal. So, everything is fine, but we need to go
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to the bake menu again and now let's deselect all and go to the position. Now we are going
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to bake position mesh maps on this model. Ok.
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So let's apply selection to more texture sets.
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Ok, everything is fine, and let's go and bake selected textures.
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Ok, now we are done here, we bake the position mesh maps,
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and I want to show you the result of the mesh maps in the position channel from previous model.
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Ok, so, this is the result, and if you compare this one to this one, you can understand what's happening here.
87
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Ok, there is no red part in here, and the color, it's not like that.
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So, when we bake the position map on this model, on this arrangement,
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software could not understand where is a topside, where is a downside, and what is
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the space between each element, and what is the position of each UV island, and
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it's very hard to create mask based on position. So, the right way to bake the
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position is doing something like this, okay? When you want to use the explode
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method. So, okay, let's change the model, okay, to for bake, okay, and we can see
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that this is the right situation in position wish maps. So, we are done.
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in baking mesh maps and now it's time to load the model that we
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prepare for the texturing phase. Okay, the model that we use clone technique.
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So, let's go load for texturing effects here and boom.
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As you can see, everything is okay. This is the thickness, this is the height,
100
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but we don't have height actually, and this is the bench normal,
101
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this is the normal, or the space normal. Yeah, we don't have ID and this is the
102
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ambient occlusion and this is the curvature. So, when we go in ambient occlusion,
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okay.
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there is no sign here for affecting this part, as you can see in here.
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So, this is the right way to bake complex model, especially when we are going to use that
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as a hero game asset. Okay, and that's it. Now we are ready to jump into texturing process.
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So, let's setting up the viewport stuff and after that in next video we'll start to creating
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the body material and after that other parts of this model. Okay, let's go to the display setting,
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I'm going to use Studio Tomoko and let's increase the environment exposure.
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Okay, we are going to change the focal length to something like 50, yeah it's better.
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And let's change the Toon Mapping function to Aces, very good.
112
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Let's go to the shader setting. In the shader setting I'm going to use double- sided.
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Okay, so we can see what's happening here.
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Okay, it's very good. Let's enable BenchNormal.
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Okay, you can see the lighting, it's going to be more accurate when BenchNormal is enabled.
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Okay, we don't want to use opacity in this project but if you want to have opacity you
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can turn it on and add the channel. So this is all we can do in the shader setting.
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Let's go for the texture set setting and in here I'm going to...
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add ambient occlusion. Okay and yeah that's it. We don't want anything here
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just ambient occlusion. Okay so this is for body. Let's go for the leg and fans.
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Let's add ambient occlusion here. Okay and let's add ambient occlusion here too.
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So everything is ready. We can go for the texturing part and it's so easy as you
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can see. When we want to paint something here... Okay let's go to the body, create a
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fill layer. Okay and let's create a paint layer. Make it red.
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Okay painting detail here it's like you know we don't have control we can see
126
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the right light reaction in here because there is no info for that
127
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but when we use the clone technique as you can see yeah
128
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we have it
129
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okay we have the lighting we have the control and if I want to for example
130
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pay more attention here I can use this model we could have a flip one
131
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upside down version of this here but it's enough we can play with that and yeah
132
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you're ready to go so in the next video we just start the process of creating material
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for the body part
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