Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:14,639
Okay, welcome to this project. For this project, we are going to texture
2
00:00:14,642 --> 00:00:20,639
the air conditioner as a hero game asset, okay?
3
00:00:20,642 --> 00:00:26,599
And for a hero game asset, we need to keep details, some details, big shapes, in the
4
00:00:26,602 --> 00:00:35,639
topology and model, and we need to keep high quality and the best quality in the texture
5
00:00:35,642 --> 00:00:43,879
for this asset, okay? So, for this purpose, I'm going to use UDIMs for the body part,
6
00:00:43,882 --> 00:00:52,279
okay? And the other part, for example, the stands, the fans, and this stuff, they are
7
00:00:52,282 --> 00:00:58,680
going to be a separate material, okay? But the main challenge here is...
8
00:00:59,104 --> 00:01:05,254
how to keep the same textile density, or in the other word, how to keep the scale of the UV islands
9
00:01:05,254 --> 00:01:04,567
Subtitled by
online-courses.club
We compress knowledge for you!
10
00:01:11,424 --> 00:01:20,943
in the same size in both different material and different UV coils in eudyms. So this is
11
00:01:20,946 --> 00:01:28,463
the main challenge that we have here and I'm going to tell you how you can do this in the easiest way,
12
00:01:28,466 --> 00:01:34,623
okay, for this project and the other project that you want to use these techniques and after that we
13
00:01:34,626 --> 00:01:43,743
go to Substance Painter and start our process. But we need to consider this when we want to
14
00:01:43,746 --> 00:01:52,863
texture a hero game asset, which is very important for us and in the game we are going to see it a
15
00:01:52,866 --> 00:01:57,184
in the close-up shots. So we need to consider
16
00:01:57,776 --> 00:02:08,335
the texturing quality, okay? And it's very important to have control on the details on the model,
17
00:02:08,338 --> 00:02:15,456
okay? So, for this purpose, when you are going to texture, for example, the downside,
18
00:02:16,416 --> 00:02:24,255
okay, this floor, you don't have enough control on this, because in Substance Painter you cannot
19
00:02:24,258 --> 00:02:34,096
rotate the model and work on the floor, okay? Or, for example, if I hide this body,
20
00:02:35,136 --> 00:02:44,655
okay, we don't have any control of these sections, okay? So, it's not good for this type of asset,
21
00:02:44,658 --> 00:02:51,855
or any asset that we are going to work on, and the quality is important, the details are important,
22
00:02:51,858 --> 00:02:55,321
and we need more control on it.
23
00:02:55,324 --> 00:03:00,321
We need to take two steps for this, ok?
24
00:03:00,324 --> 00:03:05,321
The first one is manage the baking process.
25
00:03:05,324 --> 00:03:07,321
That's it.
26
00:03:07,324 --> 00:03:12,321
So we need to control which part is going to affect the other parts
27
00:03:12,324 --> 00:03:17,321
and they are going to be like stick together or separated.
28
00:03:17,324 --> 00:03:21,321
So, we need for the first step
29
00:03:21,324 --> 00:03:26,321
take care of baking process, ok?
30
00:03:26,324 --> 00:03:33,321
So, for this project I'm going to use the explode technique.
31
00:03:33,324 --> 00:03:38,321
So, we are going to make separate model
32
00:03:38,324 --> 00:03:45,321
and each part is going to be far enough from the other parts.
33
00:03:45,324 --> 00:03:48,321
So, when we bake each part
34
00:03:48,324 --> 00:03:54,321
they are going to affect on themselves, not other part, ok?
35
00:03:54,324 --> 00:03:55,322
So...
36
00:03:55,856 --> 00:04:01,536
Let's show you what mean explode. I'm going to show you, don't worry.
37
00:04:02,416 --> 00:04:08,496
And after that, we need to manage the texturing part.
38
00:04:09,216 --> 00:04:15,616
Ok? So, for the texturing part, I'm going to use the technique which is called clone.
39
00:04:16,416 --> 00:04:20,335
Ok? So, let's focus on the baking process.
40
00:04:20,338 --> 00:04:25,296
I'm going to show you what mean when we call the explode technique.
41
00:04:25,776 --> 00:04:28,415
Ok? This is the original one.
42
00:04:28,418 --> 00:04:34,496
As you can see, the model is assembled, and everything is ok.
43
00:04:35,216 --> 00:04:38,656
And we are going to render this model after all.
44
00:04:39,696 --> 00:04:48,256
Ok? So, for the baking, I'm going to create this arrangement.
45
00:04:49,296 --> 00:04:50,496
Ok? This is body.
46
00:04:52,632 --> 00:04:58,631
This is a section related to the fans and the radiator and the screw part.
47
00:04:58,634 --> 00:05:02,632
Ok? So, this is the second one, this is the first one.
48
00:05:03,632 --> 00:05:08,632
Ok? And the third one is the stand, the fans and the other stuff here.
49
00:05:09,632 --> 00:05:15,631
Ok? So, when we make mesh maps on this model,
50
00:05:15,634 --> 00:05:26,631
the AO, the curvature and all these mesh maps which is related to the texturing part and they are important.
51
00:05:26,634 --> 00:05:29,632
We can control in this way.
52
00:05:30,632 --> 00:05:35,632
Ok, in the AO, for example, let me explain you in this way.
53
00:05:36,632 --> 00:05:41,632
For the AO, in the original method, like this,
54
00:05:42,632 --> 00:05:49,632
we have a dark area here and when we want to texture this part,
55
00:05:50,632 --> 00:05:51,632
Ok?
56
00:05:53,008 --> 00:05:59,487
there is just ale, the darkest spots. So, it's not good for the texturing part.
57
00:05:59,490 --> 00:06:10,208
Ok? But when we bake the mesh maps in this way, it's not going to be all dark area here.
58
00:06:10,848 --> 00:06:16,528
Ok? Because there is no things, there is no any model to affect in this area.
59
00:06:17,328 --> 00:06:23,568
Ok? So that's it. I'm going to show you the difference between each of them.
60
00:06:24,288 --> 00:06:32,287
The assembly mesh maps, it's good or not. And this explode method, which is good or not,
61
00:06:32,290 --> 00:06:39,008
we can discuss it later. But, this is the first action that we are going to take. Ok?
62
00:06:39,728 --> 00:06:45,967
So, there is another technique, we are going to discuss about that in the next project.
63
00:06:45,970 --> 00:06:50,528
So, don't worry, the explode is very good.
64
00:06:50,736 --> 00:06:58,975
technique for baking a complex model, but we are in the modern age, and we have the modern way to
65
00:06:58,978 --> 00:07:09,215
do it. But, explode method is very good for controlling manual baking, okay? Controlling
66
00:07:09,218 --> 00:07:17,055
manually the baking process. So, we need to learn that, and after that we can use the explode or
67
00:07:17,058 --> 00:07:25,055
the modern way, okay? So, that's it, and this is enough for the baking process. I'm going to show
68
00:07:25,058 --> 00:07:34,015
you this part in the future, near future, and let's go for the texturing part, okay? As I mentioned
69
00:07:34,018 --> 00:07:44,415
before, we need to control the details around the model, okay? And, for example, in the baking we
70
00:07:44,418 --> 00:07:50,336
create separate model to control the effect on the model on each other.
71
00:07:50,576 --> 00:08:00,175
Okay, so let's go back again on the original one. In the original model I couldn't control
72
00:08:00,178 --> 00:08:10,495
any data here because this model is underway. Okay, so and when we are going to use HDR lighting
73
00:08:10,498 --> 00:08:18,815
inside Substance Painter viewport we couldn't have enough lighting data in here because it's
74
00:08:18,818 --> 00:08:27,536
a downside. It's near to the floor. So we can use the clone technique. And what is that?
75
00:08:28,336 --> 00:08:36,896
For the clone technique we are going to separate clone, instance, copy, anything you call it.
76
00:08:37,616 --> 00:08:46,255
Okay, different copy of the original model. As you can see this is the original one.
77
00:08:46,258 --> 00:08:48,896
This is the upside down version.
78
00:08:49,120 --> 00:08:53,120
And this is the rotate version in both left and right.
79
00:08:53,680 --> 00:08:58,560
Okay, and when we are texturing inside Substance Printer,
80
00:08:59,280 --> 00:09:07,840
we can texture and we can see the result of the texturing in anywhere on the model.
81
00:09:08,560 --> 00:09:14,959
Okay, because we are going to use the same UV, the same data from the UV and the material.
82
00:09:14,962 --> 00:09:22,800
So we are going to show you the same, exactly the same effect from the original one.
83
00:09:23,520 --> 00:09:34,800
Okay, so we bake data from this model, export the mesh maps from this arrangement.
84
00:09:35,360 --> 00:09:37,759
Okay, from this setup model.
85
00:09:37,762 --> 00:09:48,560
And after we bake this, we are going to import and give the mesh maps.
86
00:09:49,120 --> 00:09:55,040
to the project that we create with this model, with the set of this model. Okay, so
87
00:09:56,560 --> 00:10:01,692
we can have control on this part in here, we can have control of the texture, of the button,
88
00:10:01,693 --> 00:10:04,137
Subtitled by
online-courses.club
We compress knowledge for you!
89
00:10:04,138 --> 00:10:12,879
background, and all the thing here, we can see the result here. Okay, there is enough lighting
90
00:10:12,882 --> 00:10:21,840
data here that we can see. That's it. And when we export the texture from Substance Painter,
91
00:10:22,640 --> 00:10:34,800
we can use it in original model. Okay, that's it. Very easy and very efficient. So,
92
00:10:35,760 --> 00:10:41,680
because we are going to use UDIMS and the Marmosetoolbag,
93
00:10:42,480 --> 00:10:46,720
it's not like UDIMS support rendering engine.
94
00:10:47,264 --> 00:10:51,983
So we need to take some further action, okay?
95
00:10:51,986 --> 00:10:56,724
So for example, the yellow part is one UV tie,
96
00:10:57,744 --> 00:11:01,263
the blue part is one UV tie,
97
00:11:01,266 --> 00:11:04,503
but the body, it's not one UV tie,
98
00:11:04,506 --> 00:11:08,383
it's like three UDIMS, okay?
99
00:11:08,386 --> 00:11:11,583
So for each UV tie,
100
00:11:11,586 --> 00:11:15,263
I set a unique material inside 2ds Max,
101
00:11:15,266 --> 00:11:17,823
you can do it in Maya, you can do it in Blender,
102
00:11:17,826 --> 00:11:21,303
it's not a different, actually,
103
00:11:21,306 --> 00:11:24,344
you are going to give a material
104
00:11:25,904 --> 00:11:29,823
for each UV tie separately, okay?
105
00:11:29,826 --> 00:11:31,743
So that's it.
106
00:11:31,746 --> 00:11:36,744
And when we export this model into Marmstor Toolbag,
107
00:11:36,864 --> 00:11:41,864
we can give the material for each UV tie separately
108
00:11:43,104 --> 00:11:44,416
and it's done.
109
00:11:45,056 --> 00:11:51,535
So we are going to discuss about this whenever we want to render it inside Barmstool Toolbag,
110
00:11:51,538 --> 00:11:59,535
so don't worry. And let's go skip this part because we have all the information that we
111
00:11:59,538 --> 00:12:09,136
need for starting and let's go to the Rizom UV Lab and I'm going to show you how to keep
112
00:12:09,856 --> 00:12:16,256
the same size across different materials, different UV ties to get better results.
113
00:12:16,976 --> 00:12:23,776
Okay, so the main goal here is when you give the checker material to the model,
114
00:12:24,656 --> 00:12:31,615
okay let's select the model here, and when you give the checker material, as you can see,
115
00:12:31,618 --> 00:12:44,256
we have the same scale, listen, we have the same scale of the UV checker on the UV, the whole UV.
116
00:12:44,480 --> 00:12:50,479
It's not different from each material to each material, the material to material, okay?
117
00:12:50,482 --> 00:12:59,439
So everything is like the same size, the same UV, except the back part here because it's going to be
118
00:12:59,442 --> 00:13:07,760
dark, solid black, so it's not mandatory to have the same scale here, let me show you,
119
00:13:08,560 --> 00:13:14,640
okay, except this part, but we have the same UV scale all around the model,
120
00:13:15,600 --> 00:13:21,120
in different parts of the model, different material, different UV tiles, and we keep this
121
00:13:21,840 --> 00:13:29,919
size exactly the same. So how we can do that? Let's go for the UV part, I'm going to show you
122
00:13:29,922 --> 00:13:35,119
some technique to keep this and use it in your project, and after that we are going to
123
00:13:35,122 --> 00:13:43,200
start the baking process and make this air conditioner awesome.
12544
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Irish
Italian
Japanese
Javanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof