All language subtitles for 5. Torso

Hey, everyone, so in this video, I'm going to be teaching you guys how to do all the torso and this

is going to I'm going to be doing male and female version, of course, as always.

And this is just the I would say it's the ideal and ideal, just kind of like what your average person

will look like.

Of course, everybody varies.

So, yeah, just keep that in mind and we can always just adjust that later, which we will do.

So let's start off with the guy first, because basically the girls are the same as the guy just a little

bit modified.

So usually I like to do the male one first because that's, you know, pretty much you're the one with

without a lot of modifications, I should say.

So, yeah.

Anyways, let's start off with the guy.

I am going to be drawing the head.

Of course, I always like to start with the cranium.

And I just for the sake of simplicity, I'm just going to simplify it into an oval shape.

I would say ended around where it becomes like almost halfway, a little bit below that, if you want,

you can even add to the bridge, which is a little bit above that, and then maybe the eye line, which

is about halfway, and then the nose, which is about halfway from the eyeline to the chin.

So you can also add and the nose, which I will symbolize with a little triangle.

It's pretty clear.

Help me go ahead and put this more towards the middle there, so when it comes to the torso, we, of

course, want to do first is put in our proportions.

Now, when it comes to proportions, if you remember from the bottom of the nose, one hand length down

is the pit of the neck.

Even a little bit longer.

Actually, I think that that's a pretty good length, let me go ahead and just do that again, though,

maybe put some put it somewhere in the middle, just approximately just because I want to give a good

amount of length for it, the neck to come across there.

So, yeah, then we're going to go one on one hand across clavicle.

One hand across for the clap, for the other side of the clavicle, do the best you can.

Then what I'm going to do is I'm going to take this.

One hand down sternum.

And it takes time to really get this it takes time to pretty much get the approximation correct, just

try your best and there is no pressure at all.

So once you have your sternum, 90 degree for your ribcage, one hand.

One hand

looking at the rib cage is very, very lightly in here as well.

And of course, we can also symbolizes as a box.

And then just make sure that these two boxes are relatively even so, as you can see, you know, approximately,

I would say this actually needs to be a little bit bigger.

So let's do that.

You want to just measure it real quick?

OK, now we can draw the central line and divide this box is bottom box by about half, and that's your

pelvis.

So I'm just doing the torso area, but the pelvis will be included.

Three finger gap, then your pelvis or your pubic area here for the guy.

So, so far, so good prezzie.

Great.

Now, let's go ahead and add some detail.

So when it comes to the torso, I'm going to start from the neck down for the neck.

What you want to do is you want to take make sure the neck is broad for the guy.

Make sure it kind of looks almost like a little bit of a like a tree stump.

But you want to make sure that you have your make sure it's still kind of flows nicely.

So I'm adding right now is what's called the strickly mastoid, which is basically the neck muscle that

you can see very, very distinctly when somebody turns their head.

You can see this kind of really nice large muscle and it's actually a lot bigger than you think.

It's actually like pretty wide.

I would say it starts wide first and then gets narrower.

A lot of people tend to make it too thin, which is not good.

You don't want it to make it look like pencil's.

You want it to be.

Does it have some substance on the inside here is your is where Adam's apple is.

You don't have to draw it, though, but it's there.

Then we have our trapezius, which is a back muscle that kind of overreaches on top and kind of looks

like a trapezoid.

That's probably what they call the trapezius.

And it kind of rotates around.

It doesn't it doesn't fill the whole thing.

This is just a more simplified version, by the way.

So here is more like a like you're if you touch your neck area, you can feel the trapezius on your

on the edge of your neck, at the edge, just on your neck or that kind of area.

And then you can feel it kind of go down and there's a kind of empty spot.

There's a lot more muscle in here anyway.

But I'm not going to draw because we do complicate it and you don't need that.

But anyway, let's go ahead and continue on.

You have the clavicle and the clavicle gets has an interesting shape.

It has this kind of bump towards the center and it curls up and then it kind of stretches out and it

has this little bump where it kind of goes back into the work and goes back across across the other

side of the back.

So let's do that on the other side.

And I would say proportion is more important than anatomy, just simply because if you have all the

anatomy correct, but the proportions are not correct, that the little bit of a problem.

So anyways, that's that now when it comes to the let's actually draw out the arm real quick.

Let me just go ahead and kind of close off this part.

Maybe I will go ahead and make his arms more stretched out just so I can see everything else there.

So anyways, I'll just leave that as a little.

Thing for now.

So form problemI and here and then no upper arm would probably end here in the forum, will probably

be up to here.

You don't have to do this.

This is optional.

I just like doing it because it kind of gives the easier feel.

You can always fix that later.

Anyways, so here we have the arms kind of blocked in roughly.

Now let's go ahead and draw in the pectoralis and the pectoralis is your big chest muscle and that kind

of crosses over and stretches underneath, kind of stretches up to the arm muscle of the deltoids.

Let me draw the deltoid first just so you can see what I'm talking about.

Your deltoid is your very big arm muscle.

And it kind of has this kind of.

Nisson, huge muscle that is very, very distinct, you Cason's and also has this kind of unique shape

where it's almost like a it's almost like this kind of shape here.

You have a top and they have the muscle itself, so it kind of has a nice triangular form to it.

Of course, since this guy is more stretched out, it's a little bit more skewed, but I'm going to

put it in there anyway.

And that crosses over on top of the top of the pectoralis.

But it's just there just for reference, so there is no deltoid on both sides and notice how I leave

the bone out.

That's pretty common.

You don't it's not totally like the deltas over on top of the clavicle.

It's actually underneath.

It actually curved this little bit.

So it's more straight.

So that and not only that, but if you look at yourself in the mirror without, I don't know, maybe

just have your shoulders bare, you can sort of see a bone coming out from there.

That's that's the clavicle and a little bit of the scapula

here.

We have the pectoralis, which is about a little bit above the sternum.

And that goes underneath.

And it goes underneath the

deltoid and the clavicle.

You can lead the sternum kind of bear, because that's kind of like a bone point, a bone, a bony area.

So you want that.

That's not that does not have muscle in it.

This looks a little bit uneven, so I'm going to fix that here.

There, I think that looks better, check the camera a little bit better.

I would still tone it down a little bit, though.

Should be good enough.

This is your pectoralis if you want to add some form to that, you can it's kind of just more like muscle

tissue going to a certain point, I would say, towards the end point here.

Now for the rib cage, let's start off with our latissimus dorsi, which is the back muscle that comes

around.

And kind of creates this nice.

Kind of this nice triangular shape to the torso.

Oops, not my camera a little bit.

That's your latissimus dorsi and a little bit in between is your Saradha muscles.

Which I would just put in right there.

And they kind of have this nice avocado slice look to it, you don't have to do this, obviously, but

it almost kind of looks like a cut of slices here.

So they kind of look like they're blending in.

I will also round this out, because this is not the rib cage here.

This is the muscle that is going to come right after, which is our rictus of Dominus.

In a way, it's sort of like little sheathe started from the rib cage down and then have it all the

way down up to the bone.

That's why that's why John Kerry as well.

From here, Rusty, on top of the pelvis is our external obliques, which are these outer muscles that

lay on top.

Now, Australian abs, now a lot of people do abs sort of similar to something like this, which you

should not do, so they have like the abs here and then they just do this.

Don't do that.

That that that's not how you should do the abs here.

So ABS, no, don't do that because that's not showing any form.

That's just making a little chart.

But you want to do is understand the muscles so we can group these into four.

That's why people that's why there are people who have APACS.

So one is a small one up at the top.

Oops.

Leave some space as well.

We have one set.

Second set.

Third set.

This is all simplified, by the way, not necessarily always accurate, but it does the job enough that

you guys can understand what the placement of the muscles are.

And then here's the fourth set, which goes down the pubic pubic area.

So that is your upper muscle torso.

Now let's go ahead and draw the female version.

So I'm going to slide my sketchbook this way and what I'm going to do is erase this part so I have enough

room for the lady.

The lady is also pretty simple.

First, we want to start off with drawing our head.

Let's make her a little bit shorter.

So Cranium and her head.

I knows one one hand down the neck, one hand across, more straight, I would say clavicle, clavicle,

one hand down, sternum, one hand down.

More inclined is her rib cage and the other hand as well.

This might be a little bit, too.

Hi, I'm sorry to lose, I'm going to make it a little higher, so this is also a little bit too acute.

So I'm going to make it just a little bit wider.

One, make sure it's not nine degrees, it's more of a 60 degree that looks good.

Let's slightly draw in her ribcage and draw in the two boxes, so one box.

Second box, approximately, divide this in half.

Is your pelvis, so once again, similar proportions just will have a little bit of a different look.

In fact, when I'm going to do for this one, instead, I'm going to make this a little bit more outward

here.

Because girls tend to have bigger hips.

I should have used my need to do research, but sometimes I forget to.

So once again, same drill.

Let's start off with her, actually, let's give her some arms more facing down.

I'm going to erase this because we don't need that anymore.

Let's start off with their neck, same thing.

Make sure her neck isn't too broad in this case, we want her neck to be a bit more slender.

So rather than like something so angular, we want it to make it more curved.

You have more curves, basically.

So here we have historically a little mastoid.

We have the pit of her neck, she doesn't really have an Adam's apple, but is there anyway, then we

have the trapezius, which is I would make for artistic purposes a little bit smoother so we can see

the difference more.

Trying to make sure that this doesn't look too tilted.

All right, that's good enough.

Then here we have the trapezius kind of ending up here.

Then we have the clavicle.

I think it's so interesting that we have subtle differences.

I think it just makes it more interesting, you know, makes everybody more interesting because everybody's

kind of different in their own way, but sort of but pretty much very similar because we're all human.

Bilsthorpe philosophy aside, let's go ahead and add in the deltoid deltoids.

Same thing.

You know, I would make just a little bit more slim just so just to differentiate between the male as

well.

And that is going over the underneath the.

The.

Let's go underneath the clavicle.

Here, I'm just trying in the arms, just very simply.

So, of course, if you if this girl does not have any breasts or is very flat, she won't have much

fat pad around the breast area, she'll just kind of look more masculine like this.

So, again, everybody everybody has the same muscles.

Just everybody has a different kind of way of how their body is like.

So some people have more of a toned body when they workout or even naturally, sometimes sometimes they're

more naturally leaner.

So people are have to, of course, workout to be more fit and some can be appear more scrawny and some

appear a bit more well-endowed.

So that's all just genetics.

But anyways, let's go ahead and start off with her pelvis and Arpels, her pectoralis, which is,

you know, the same thing.

But I'm going to add breast to this.

So first we want to join the pectoralis, which will be underneath the deltoid.

And I'm making this all just a little bit softer for artistic reasons, just because I want to make

sure that I see the difference between this one and this one.

Pectorals, I think it's just a little bit above the sternum or if not around the same level as the

sternum, whatever it is either way.

We'll find out later.

So here I'm just going to erase this light line here just because I want to add in the breasts.

So here I'm just going to add a little bit of muscle.

And a lot of people think like, oh, the breast is like the entire pectorals.

It's not the breast is a big fat pad.

So that kind of breast underneath a kind of lower around the lower regions of of the pectoralis.

So the pectorals is quite visible until it starts sloping into sort of slipping into a breast.

So it would look more like flat here and then it rounds out.

Of course, that depends on how big it is.

You can make it as big as you want.

Just make sure you don't go overkill or else that just be very impractical for the girl that you're

drawing.

So I'm just going to drop pretty average ones.

Oh, if you want, you can also have the nipples.

If you want to describe what the if I could if I could describe what the breast kind of looked like,

they kind of look like teardrops, they're kind of just relax onto and relax from the from the sternum.

So I'm just going to add nipples here.

Actually, that looks a little bit I'm not going to make this to I'm going to make this light so it's

there, but it's not totally in your face and you join the sometimes it's OK, whatever.

Now, once again, we have our LAT's OK.

We have our arms and our arms kind of more in front now.

This time, rather than outstretch like that, it will kind of be more closed in here.

We have the LAT's and I'm just going to make this a little bit more smaller.

I'm not going to make it super whinged out like that.

From here on, the inner parts of the ribcage is your Soraya's.

Which are the little avocado slices?

And I'm just adding them very carefully because I don't want this to all look to super muddy and quite

delicately.

And for women, we have fat pads that are along the rectus or along the abdominal area, the majority

of the fat pad starts coming from the lower area here.

That's why we have bigger hips.

And for guys, it's more in the belly area.

So for the abdominal regions, same thing we still have are we still have our sheath area here?

I'm going to add a bit of a fat pad on top, so I'm just going to simplify it by adding this round a

bit here.

You're on the verge of something called the hip tip, which is our obliques go down from the pelvis

and then we have our leg area here, but we're not going to go through that until later.

Now, if you didn't notice already, this is why the female pelvis, not pelvis, female torsos tend

to be longer and then the legs tend to be shorter for the guy.

This the torso area tends to be a little bit shorter and the knee and the legs longer.

So that's why when I draw this, I make sure that, you know, I elongate her torso just a little bit

more.

And I'm not going to add too much abs, although I know it's there.

This is just for this is just for simplification.

So here once we have our abs.

We have our fat pad down here, you don't have to draw all of this, I'm just telling you what's underneath

and what what muscles we have.

In fact, I would group these to these into two parts as well, or not maybe not just for the sake of

comparison I want.

So anyways, that is our torso area for both male and female.

Let me know what you guys think, and I hope that this helped a bunch for you guys to understand what

it looks like.

So, anyways, thank you for watching.

And I'll see you guys in next.

Bye bye.