All language subtitles for 4. Pelvis

Hey, everyone, so in this video, I'm going to be going over pelvis, a lot of people and myself included,

sometimes have trouble with understanding what the pelvis is and where to find it.

So I'm just going to be going over with you guys how to really just go about it.

And usually the best way to really do it, I believe, is to just basically symbolize it as a box,

because you can basically find nice perspective points with the body itself and kind of categorize that

as a box.

So let's get started on that.

So how do I box, first of all?

Well, if we could be doing a box without a grid, you know, we just have to find out what direction

it's pointing out.

There are a couple of directions.

So one is when it comes to the pelvis, depending on the pose, of course.

So one is facing forward.

Which is just a simple box, you know, just a simple square, maybe like a small hint of the back of

you.

Or the kind of top here, then there is the facing down, let's go from one point perspective in this.

So this is more of a beating down because we see more of the top, meaning more of the abdominal area

and we see more of like the little ball shaped kind of bone dimple areas of the pelvis here.

So if you y you guys can go ahead and, you know, kind of put a triangle there kind of to symbolize

the pelvis and the pubic bone.

And even put a center line just real quick, real fast.

Let's see what else then we have a box facing up, which is simply a box that is obviously facing up.

So what I mean by that is we can see the bottom.

Out of the box and notice I'm not using any any, you know, weird grids or anything like that, I'm

simply just.

Knowing what an observer looks like a box and then just simply doing that, so usually these views would

kind of happen and you would kind of see more of an up review.

So what I mean by that is you see more of this lower rate, lower area.

One example would be like, you know, maybe you're looking up at this person.

Let's see, let me draw a box here.

Another good thing about separating the body in boxes is that you can kind of put the box in perspective

and do all that.

So anyways, let's say that this is the box here.

Here is the half halfway point of the pelvis.

Here is the pelvis box and everything like that.

So if I were to build this out.

Just kind of do that real fast, maybe go ahead and zoom in.

So you would sort of see, like, the legs kind of pushing out more.

Everything that's coming towards you is a lot fatter and more thick, everything that's kind of going

away from you gets thinner and thinner and smaller.

So let's say we have her breasts here.

Never hips kind of going outward, and then we have her abdominal area and the here we have the adductor

is kind of facing towards us, but we're not really going to draw it like a front view.

And then we have the six bones, which is basically the buttock area, and then here we have the other

regions.

So I have to find a better way to say it.

The genitals, OK, to the Tahlia.

So that is usually an upper view of a more like a, you know, upwards shot.

You know, maybe she's kind of like looking up so you can see her chin or not her chin like the bottom

of her chin, and then it kind of goes like that.

So this is more of like a one point, you know, more facing forward version of the pelvis.

Now, let's go ahead and go down and, you know, kind of figure out some other kind of choices here.

So let's see, there's another one that is more towards the side, which is more facing downward.

So it's more like this.

Do you think your gap pelvis box centerline?

And there's one facing more downward, this is a standard, this is more downward.

More diagonal, this is when the pelvis or when this person is leaning forward for something.

Sorry, my box is kind of weird.

It's a 50 year gap.

Pelvis box.

That's another one, and then here we have a kind of going upward shot.

Same thing.

Just facing diagonally.

If you want to converge these, you know, a little bit, I would prefer that I'm just kind of making

it simpler and not a more isometric for simpler view.

So how do we figure out the landmarks for this?

Well, it's actually pretty simple when it comes to the front.

For example, the let me just do a front view first.

So let's do a box.

Divide and a half divide this in half, three finger gap.

Pelvis box and rib cage.

They're very simple.

We have these little two little dimples here.

They're called the iliac crest, which is kind of like the the bowl area.

So let me go ahead and I will send you guys images of examples.

So I'm going to actually make a note here, reference images.

Writing that down, so I don't forget.

So I'm going to be sending you guys, you know, kind of like little pointers of what to look for.

And one of these is the iliac crest, which are kind of like little bones that can stick out when you're

when you're kind of standing up.

And the more overweight you are or the more heavy you you're and the more plump you are.

I'd say that three times for some reason anyways, the more you put on some weight, these will disappear.

And usually they kind of just become like blobs instead.

I have that.

I need to lose some weight anyways.

And then when it comes to skinnier people are more bony people, these stick out really prominently.

So if I were to draw a side view of this or a three quarter view this in on a skinny person.

Ribcage.

Pelvis this jut out a little bit.

If you are a sculptor, you would need to take note of that and so these were kind of stick out a little

bit and then therefore that kind of gives you a nice perspective view of the.

Actual pelvis.

I hope that this is actually pretty helpful, it's helpful for me at least.

So these are the iliac crest, little dimples areas are kind of like the pushing out sticky area that

you would see and let's go for the back of you have of that.

So when it comes to the back of you, the same thing goes when it comes to the back of you.

You have your, you know, just a simple box if you're looking straight from the back.

And in this case, we're kind of going to go ahead and just draw the glutes, so we're going to have

to sacrum up here and then let's draw the glutes, you know, kind of just fit them in there.

If you want, you can just draw in the muscle, which is just for girls.

And they're going to be doing, girl, it's smaller up at the front, at the top and then gradually

goes outward.

When it comes to a guy, for example, it's actually more butterfly shaped, so I go ahead and do that

sacrum.

So for the guys, it's actually more like one.

Too, like, so we're being shaped.

And generally, that kind of results in a smaller and tighter looking, but when it comes to girls,

we have a more like pear shaped feel to it, to our bottoms.

And that's just kind of like how our muscles are done.

So it's kind of it's got how it is.

They're.

For the back, we can do the same thing if we're looking more, let's say, top view of this, I'll

drop both male and female for this.

Let's do a top you or not, the top upward facing box towards the left or the right, whichever direction

it is.

Then we go ahead and put our center line.

You know, you can even put in a curvy, curvy, curved center line here, can put the sacrum in.

And the sacrum is a good point.

As I mentioned earlier, these are the two little dimples at the back.

So unlike the maybe the ceiling across dimples.

Oh, well, anyways, you see the little dimples of the back and then you kind of just understand that

this is where it goes.

So and, you know, by using the triangle, you can kind of see the perspective.

So if I can see if I'm going to be doing girls bottom, we can go ahead and make this smaller.

Make this bigger.

Towards the bottom.

And I'll go for leg muscles later on, but basically this procedure tends to fashir and like.

If I want to push her leg out more this way, I can do that.

Push this leg more out this way and just remember that these legs and everything like that are kind

of basically just cylinders.

Now, let's do the male version.

So when it comes to the mail.

This way, it's, of course, can I look a little bit different?

But you can see the structure very, very similar because obviously we're human, it'd be weird if we

didn't have these kind of features or differences.

So anyways, here we have the sacrum.

We can understand where the buck is going.

Then we have our top part of our gluteus maximus, Lindemans, maximus.

And the kind of spot does a nice butterfly shape, in fact, I would kind of spread this out just a

little bit more.

And I'll also put this forward.

Well.

And this more backward.

Yeah, that's basically how you would kind of construct a pelvis, so let's actually draw some poses

that could help with making you guys understand better.

I forgot to do side view.

So side of you is also really easy side view.

Obviously, the front is this way.

I'm going to put in Arch.

I'm not going to do that yet.

So once again, we have our pelvis, our three finger gap.

If you want, you can even go something like this and do something like this to kind of add in the shape

to it.

But you don't have to.

I think we'll western, when he does his pelvises, he kind of gives it a bit of a different shape.

So let me go ahead and well, it's actually not that different.

It's more box like.

It's more like this is how he would do it, so it's more like this is the left side here of the other

side we have the pelvis, which is the bowl area here.

Now, here we have the pubic bone that kind of caves in.

And so here we have the femur.

It kind of goes at the edge here.

And if you want to, you know, put in the body or put in the body, put in the leg and leg and area,

stuff like that, they basically put in the glutes onsides.

And those kind of end about here.

And then we kind of stretch us out into more of a cylinder shape and then we can take this leg out.

So, you know, let's go ahead and do a little bit of a more kind of.

It's just not in the box here, so more of a stretched back view, so this is more of the side of you,

by the way.

So have the pelvis here.

Just map out.

About my area here, we have the rib cage, which kind of protrudes out a little bit and therefore kind

of creates this kind of.

Ridge down here.

So here we have a squish and here we have complex as this is complex and this is stretch and then considerably

kind of and around the pelvis area, slowly zoom in.

Now for the buttock area, that's going to depend on where it's constricting, so let's say if the leg

or the femur starts here on the bottom.

This will constrict.

And this will go backwards.

And notice how this kind of relaxes.

The other kind of moving more forward.

That's just another cylinder.

Here we have our.

And so on and so forth, so it's just a lot simpler than you guys might think when it comes to the pelvis,

so just know that the obliques is where the pelvis kind of starts.

And, of course, just go and follow.

Keep following the, you know, the box method and pretty much that will be it.

So I think that'll be it for this lecture.

Let me know what you guys think.

I will send some reference images and I will make some diagrams of how to find it.

And let me know what you guys think anyway.

I'll see you guys in Nexon by.