Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Hey, guys, I'll be continuing this little series here on drawing the female body in from the front
or not from the front side.
So this one looks already similar to a front side, unfortunately, but they can still work.
Maybe.
I think I've maybe I'll change this one to the front, this one to the this one to the side or three
quarters.
Let me go ahead and do that real quick.
Somebody raised all this.
This is our front.
Now, this will be a three quarter, three quarter is sort of like a mix between the front and the side,
so if you think of it like that, it becomes a lot easier.
So once again, you're going to draw her face more towards the sway this direction.
Notice how the side of the face isn't seen as much as the side because we're going a more three quarter
direction.
So once again, one hand down.
One hand down his ribcage or the sternum, one hand down, one hand down, one hand up, one hand up.
Ribcage and.
Our clavicle, I can also add a little bit of our arm here.
You can also use once again the other poses as kind of like a reference reference on where it ends.
So here's what I have so far.
So a three quarter view is basically just like a box in a towards the side, leaning towards the side.
So here I'm going to be drawing a box, one box here, one box here, about the same size, but more
triangular or more trapezoidal because this is a girl's pelvis.
So here we have pelvis on one side, pelvis on the other three finger gap.
Notice how there's little bit of a side thing going along.
There's there's a little bit of rotation going on, so you can go ahead and do that.
Here we have the deltoid.
And we had the arm just smoothed out our bicep and this is a little bit of a tricep, here is the elbow.
Here's a hand.
Here we have the neck, which is a lot smoother.
You have the ear.
And then we can just smooth out the trapezius to draw breath from a three quarter view, just once again,
just draw some circles and just kind of connect the two.
So when it comes to a three quarter view of a breast, it's sort of slopes down and then hooks up and
then hooks back down in place.
So it connects from the pack and then drops down, so it's not the Pécas, not entirely round is just
it just has a round bottom.
So it starts off.
It starts off as the pack and then it goes through like that.
Draw the rib cage out here and draw a little bit of a crease, draw a little bit of a center line just
to kind of show a little bit of finesse and her body.
And then we can just go ahead and.
Fine.
I forgot to do her leg, so let's do that real quick, so I want her leg to kind of be in a little bit
of a pose here.
So maybe we'll bring this leg out.
If you want to kind of draw in the cylinder of it, go ahead and do that.
I like to do this just to kind of show me show what kind of motion this is in or what kind of direction
it's in.
And that already gives me a lot more a lot more time or a lot more kind of energy left to spare.
So rather than guessing, I just had the cylinder right there, like, OK, I know what direction this
is.
And we have a bent we have the calf muscle down here.
And then here we have the foot.
Toback's.
Like that.
And this other like me, short.
So here we have the calf kneecap.
And the other foot kind of going down.
Maybe her foot can be more.
More front or more three quarters as well.
So draw the big toe, who can draw the healt back?
That's and that's what it looks like.
So pretty much this is pretty much done.
I could probably fit the side view because through this, because it was done so fast.
Let me go ahead and just add a little bit of the muscle area muscle definition.
So areas like the story is, is where the bicep morphs into the practice for Morris is, which is our
our quad muscle up at the front.
Here's our kneecap.
Kind of flowing out, here's a crease to show the bend.
Here is our bicep for Morris, which is sort of hidden.
I'm smoothing out the butt area, so it looks nice, so, as you can see, very nice.
Looking.
I might actually and maybe even clipping this all into one video, but I don't know, maybe I'll just
make it consistent and just make the most of our videos.
So here is another hand, so maybe I'll give her a little pose, we can't really see it, but oh well,
look at the palm we have we have thumb and fingers kind of going in like this, but you don't really
see that there anyways.
Or maybe a little bit long here, so I'm going to go ahead and erase that.
Yeah, her arm was way too long here, girls do have long arms.
I know, I know one classmate of mine back in high school had really, really lanky long arms because
and she was like really skinny person, but she was like naturally built like that.
So I thought that was really interesting.
So here is her.
In her hand just simply posed.
So notice how nice and smooth she looks, because I did not put a lot of muscle definition, if not,
I just only accentuated areas that I felt like needed it now, such as the base, such as the abdominal
muscles and the obliques and all that and the deltoid a little bit.
I don't know what that's pretty much it.
So let's finally do our side view, which I'm going to scoot my paper over to the side and do that.
So the side once again is quite easy, very straightforward.
We have our mat, we have our cranium wear a mask, and then we have our then we have the side view,
which is which will we will see the ear directly and then we will kind of see the nose out here a little
bit.
So here is the.
Pain in the neck.
Here is the ribcage.
And we can go ahead and divide this into two boxes.
I was sort of bent these a little bit just just for some nice.
For some nice shape variation, here's our pelvis.
Here is our leg, which can be stretched outward once again, similar to this pose here.
This is what it looks like on the side of you, so we have a Tenzer fashion then than a sort of bent
and the hue ever gluteus maximus and then our bicep femoris or our hamstrings use our kneecap.
Cath, which is more bunched up because it's kind of tensed, so when you do the calf muscle, if you're
kind of bending it, if it becomes more like a like a bowling ball rather than a smooth tube.
Here we have.
And we have our.
Like.
May have made her a little bit short, but, oh, well, and we can do the other ah we can do the other
side contrat, we can basically draw through.
Here's our calf.
Here is our shin area.
And here is our foot we see here just straight through the scene.
Made the football here a little bit too big or a little bit too long.
So I'm going to extend the leg just a little bit.
You can just redraw it so big toe, smaller toes.
They're.
Here are the big toward the end here, pretty similar process.
Kneecap cap.
That's it.
It's very simple, not too much hard work, isn't there?
We used to have a lot of hard work by understanding the muscles, but now because our we know all the
stuff, that it becomes a lot easier to place everything.
So here is the bottom part done.
Now, let's go ahead and do the upper part.
So for the sake of showing a little bit of the side, I'm actually going to make her arm kind of more
out here.
Her arm.
We have her deltoid.
You have her tricep, her bicep.
And we have our Elbo.
And we kind of rotate her arm a little bit, so it's kind of like this with her thumb is facing more
out.
And then we have her index finger going out and we have a middle finger going out and sticking together
with the fourth with the ring finger, and then we are thinking doing something.
You can add a little bit substance such as the obliques.
And the breasts, so here is the clavicle, here's is the neck.
Here is the breast here overlapping on top.
Can you raise the rib cage?
If you want to add a little bit of abs, go ahead and add a little bit of that silhouette on top and
here is the sheath of the ABS.
Here we have the obliques and here we have the Soraya's.
And of course, here is our lattes, which kind of go over on top.
And that is our side view and our three quarter views, let me know what you guys think and hopefully
that this helped a bunch.
Unfortunately, this was a little bit too short looking.
Oh, well, it still works.
Look at this kind of a progression or progression of this.
So this is like the tallest one.
This is the second.
Shortest third.
Fourth.
That's funny.
Anyways, that's pretty much it.
I hope you guys, you know, had a lot of help or understood a lot more on how to draw them from different
sides.
And I will see you guys in next one.
Goodbye.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.