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Hey, everyone.
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So in this video, I'm going to be showing guys how to draw a very simplified version of caution.
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So I don't know if you guys remember, of course you guys do.
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For those who are in my previous courses, I used to teach proportion based on the eight heads method
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where I would put like it heads and then just like kind of graph them out.
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But then I realized that that was really, really inconvenient, especially even for myself, for example,
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like even I wouldn't really be honest.
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Even I wouldn't really like to do that personally because I always go by I or kind of just by a different
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method.
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So in this case, when it comes to a proportional method to understanding how to do that, I would go
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with the most simplest and easiest way possible, because none of the kind of ways of doing proportion
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is exactly accurate.
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So sometimes we'll just go with the most simple and effective way.
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So let's get started on that.
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So and this is also, once again based off of Will Westons method.
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His he can explain away better than I can, to be honest, because he's been doing it for years.
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But I'll just explain the best way as I can in the most effectively manner.
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In the most effective way.
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Yeah.
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So anyways, let's go ahead and get started.
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So what the method that I use nowadays, Wesson's method is a head and hand measurement, so it could
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be drawn up from the top here.
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So what I'm going to do here first and I'm going to draw a line now of course, I'm just going based
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off of how long this video with is.
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So that looks like it's about right.
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So I think I'll just go ahead and do that.
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So let's say, for example, I'm going to draw a line going straight down.
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Of course, if you have a ruler that would be best to use, but just do the best you can and drawing
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a straight line, you don't have to, though.
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Just use it.
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Rule if you want to.
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Then we're going to divide this in half the best you can.
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Half, half, half for equal parts.
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Then one more.
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One half.
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And that's your head.
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And then we have your eye line.
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Let me go ahead and zoom in so you guys can see what we see here.
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So let me go ahead and just zoom in right here some more.
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I think that should be enough to zoom out later.
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So when it comes to your I don't know if this is in focus, but when it comes to your island, your
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islands around the center of your head and your nose is about halfway between the eye line and the chin,
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and then from your hand sorry, from your from your getting ahead of myself and your nose to the top
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of your head is one hand length.
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So I'm going to just draw a little hand.
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Right there, and this is the message that we're going to be using.
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I'll make a cleaner version of this later so you guys can see.
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Maybe I'll make a digital version so you guys can see a lot clearer on what I actually do.
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So let's see, once we have our hand, then we're going to be using this hand as a measurement, so
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we're going to be using heads, which is just to find the head here and we're going to be using hands
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for most of the most of the rest of these things.
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So let me just tell you what these measurements are.
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This is the feet.
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This is the I think the top of the patella or the kneecap.
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This is the pelvis around there, and this is kind of like around your nipple area and this a guy,
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by the way, so kind of just going to go by that.
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So let me go ahead and scoot this over.
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Let me see if I can zoom in for the top part of the chest.
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Come on.
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Zoom, zoom, zoom, zoom.
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OK, let's do that for now.
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So when it comes to hand heights, hand proportions we want to do is go one hand down.
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Just approximately, by the way.
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So one hand down from the nose is the pit of the neck, don't make it too long.
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One hand down is about a sternum, which is the middle part of your ribcage, one hand to the side.
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Make sure that the 90 degree angle, because this is a guy and usually, for instance, this is more
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of a side note, but if you guys look at male and female skeleton, you can see the difference between
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the between the rib cage.
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So when it comes to the rib cage, if you look at a male skeleton, their skeletons are most of the
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time a 90 degree.
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And for girls, which are due in the next video, is more of a 60 degree.
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So that can definitely help with differentiate between male and female bodies because that exists.
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So and that will also help you communicate more in your design, because most of the most important
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thing is, is to communicate well with the drawing.
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So if people don't know who this character is, if they're a boy or girl and just made it very kind
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of just unsure of your differences, people will be confused by your design.
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So, I mean, that's happened to a lot of people before.
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Sometimes I would have friends that would show me their drawings.
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And I'm like, is this a guy or girl?
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And then they'll say, it's a guy.
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Then they'll say it's a guy, but it really looks feminine.
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They're too feminine to look, to look androgynous.
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So if you want to go between mix between a guy and a girl for a character necessary of that kind of
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field, then go for more androgynous look, which is more of a either a male body that sort of has some
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better features.
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They go for more leaner type and not as much not as muscular.
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And therefore the female androgynous type, they will go for more feminine.
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They will start the feminine features, but they would have a bit more muscle or tone or probably a
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flatter chest even so that something like that you guys can look at if you want to make your character
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more androgynous, either on the male side or the female side.
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But anyways, these are just more.
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But I digress.
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So anyways, let's go let's continue on.
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So here is a rib cage.
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So we go from the top of the base Werneck base of the neck and then just connect.
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And then, as I mentioned before, this is where your pelvis is.
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So we're going to be drawing a rectangle here.
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And this is a very simplified way of how to kind of view how to divide your boxes and everything, so.
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This actually might have been a bit too high.
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Oh, as a matter sometimes it does happen to a super accurate.
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So when I see the.
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When I look at this, I think, OK, I'm going to divide these three, so I'm going to go ahead and
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just make boxes as equal as I can.
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So I'm going to split the two to three, so one, two.
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Generally, of course, this doesn't have to be super accurate, but this is a good reference to use
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that are going to divide this in half and divide this in half.
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That was off screen.
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Well, I think you guys saw that, so I just I just drew three boxes and then I just kind of divide
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those in half.
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Now, this is actually a little bit too stout.
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So I'm going to actually make this just a little bit thinner.
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Halfway between the last box, the red box is the pelvis.
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This whole box here is the rib cage.
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Then about halfway or a third of the a third of the first box is your neck and then the rest is your
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head.
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So let's see, kind of just another simplified rib cage here.
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I'm going to go one third and then two thirds is the rest.
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This is one half, this is one half, and then between these two is your squishy bit, which is your
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obliques.
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So by just doing this kind of measurement, that's basically what we're going to do here.
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Just this is just a simplified version.
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So anyways, here we have the box here.
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Slice it in half.
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Three finger gap, which is really important, this is basically the kind of like the separation between
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your pelvis and the and your leg.
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So if you for instance, if you lifted your leg up, you know, kind of like a 180 degree and put three
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fingers on your hip, that's about a three that's three finger difference.
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And that can really help with differentiating the distance between the two or the distance between,
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like your leg and your pelvis.
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So is your pelvis area.
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Now, let's go ahead and just connect these two.
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Now, let's draw in our clavicle, and generally the male clavicle is actually a lot more sharper and
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angle, and this is also one hand with a part.
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And then basically going downward is your arm.
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I would say about around here is where your navel is, but it also kind of floating around there anyways.
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So now let's go ahead and draw our kneecaps or our knees.
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I'm going to zoom out just a little bit so you guys can see.
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When it comes to the niqab, this is where at the top of the knee is, that's generally kind of like
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a little trapezoid shape.
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Here we have the this is going to be a great trochanter, which is the kind of leg that kind of pops
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out and it just pops out just a little bit when it comes to guys there.
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Trochanter is a lot shorter in distance, so it's a lot straighter looking when it comes to girls.
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However, since girls are generally shorter for most, on average, their legs are going to be more
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like like kind of wide, like a wider V shape, just because their hips, just because it kind of like
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their hips also make their legs look kind of more angular like that.
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And then down here we have the calf legs or the just the tibia.
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Phoebe, I don't remember it is I don't remember what it is.
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But anyways and then lastly, we have the feet.
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So let's go ahead and look at this from a wider angle or from a more broader perspective, see what
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this looks like as a whole.
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And this is what it looks like.
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Sorry about the sketchbook area here.
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Yeah, that's basically what it looks like.
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So now when it comes to the arms, that's going to be a lot simpler.
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So take your navel and this is just kind of general rule.
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Take your naval, swing it out on both sides.
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Drop it down.
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That's where your elbow is from, the pubic bone or the pelvis swinging out.
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Would make it a little bit higher.
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And that's where your hand is and your hand is generally around.
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Hand is generally around the beginning of your leg, so, yeah, that is pretty much it.
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Let me go ahead and walk in the rest of the muscles.
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This is just going to be very, very brief.
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It's not going to be too complicated.
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So let's go ahead and add some muscle, shall we?
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I'm only going to add it from the top up or something like that.
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So here, let's go ahead and zoom in, zoom in and zoom out.
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OK, let's go from the chest to abdominal area, because that's the easiest, I would say it's asymmetrical.
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So from the pack, sorry, sorry, from the clavicle, could just draw a little line up here.
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We can actually.
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You know what?
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Let me go ahead and actually just take this out here, because I want to use this for a demo.
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I want to use this for our global resources.
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I'm going to go ahead and do this again, so.
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I'm going to divide I'm going to draw a just a three box method here, very, very simple one.
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To this was a little bit I should have just done three boxes and try to make them as similar as possible.
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Oh wow, this is close enough.
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So let's say one, two, three.
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This is kind of divided in half already.
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Some just going to draw the three finger gap here, pelvis.
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Second box here is ribcage.
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In fact, it should be higher.
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Well, not everything's perfect, but the check should be thinner, it's not all the way.
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I think that's clear enough.
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Let me go ahead and read some of this.
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It's actually a little bit more clean.
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So here we have the pelvis and the pelvis, the rib cage, which can just be simplified as like a little
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nub or something.
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And then around the same distance is the pelvis.
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Now, this is just for the guys.
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Usually the pelvis is not as wide as a girl's pelvis.
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Obviously, the distance between the ratio, between the shoulders and the hips are different.
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So when it comes to a guy, the shoulders are about the same length or a little bit longer than the
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pelvis itself.
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And for the girls, it's the opposite.
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The pelvis or the hip area is larger than the shoulder area.
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And that's quite true because when I compare with my husband, it's actually that way.
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So and that's a general rule of thumb.
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Of course, everything can be altered a little bit depending on your character design.
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So let's go ahead and add some muscles to this.
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We're going to just divide this in half real quick, just to have a sense of reference, let's add of
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the clavicle.
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So one hand length, one hand length and then underneath, let's go ahead and add some muscle.
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So underneath the clavicle is your pecs and those are your chest muscles and those are your chest muscles.
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Yeah.
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So what you want is you want to divide these by half and just kind of divide it, you know, make it
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symmetrical.
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That's the best you can.
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Then you have your wood muscles or kind of like one that kind of goes to the side and that's kind of
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like your Saradha or a lot, but we're not going to draw that in detail here.
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It's just a very simplified version, then we're going to draw the ribcage.
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Here we have the obliques, which can just protrude out a little bit and rest on top of the pelvis.
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Then we have the sheath and that is your abdominal muscles, and this kind of goes from the ribcage
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down to the pubic bone.
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This is your naval.
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And if you want, you can add abs to it.
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Usually I would just kind of separate these into three parts.
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You know, one of the uppermost.
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The second one just kind of groupism.
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The third one kind of goes straight down.
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That's more of an optional thing.
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And that's pretty much it for the abdominal area or the chest abdomen area.
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The rest is quite easy in itself.
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So I think that will be it for this video.
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Let me know what you guys think and I will see you guys in the next one by.
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