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1
00:00:15,919 --> 00:00:17,199
One, two, three, four!
2
00:00:17,239 --> 00:00:19,760
[PLAYING "VOLDEMORT"]
3
00:00:27,800 --> 00:00:30,960
* I'm sorry if I scare you
I scare myself too *
4
00:00:31,000 --> 00:00:32,799
* I scare myself too *
5
00:00:32,840 --> 00:00:34,320
* You find me terrifying *
6
00:00:34,359 --> 00:00:36,000
* Could it be
You-Know-Who? *
7
00:00:36,039 --> 00:00:37,320
* What could I be hiding? *
8
00:00:37,359 --> 00:00:39,320
* What could I be hiding? *
9
00:00:39,359 --> 00:00:40,799
* What could I be hiding? *
10
00:00:40,840 --> 00:00:42,000
* What could I be hiding? *
11
00:00:42,039 --> 00:00:43,280
* Voldemort's alive and *
12
00:00:43,320 --> 00:00:44,439
* Voldemort's alive and *
13
00:00:44,479 --> 00:00:46,920
* Voldemort's alive and *
14
00:00:46,960 --> 00:00:49,200
* He's under my headscarf *
15
00:00:49,240 --> 00:00:50,719
* He's alive
He's alive *
16
00:00:50,759 --> 00:00:54,119
* Voldemort's alive
And he's under my headscarf *
17
00:00:54,159 --> 00:00:56,200
AMINA:
And so it came to pass.
18
00:00:56,240 --> 00:00:59,280
Us, laying down our music,
our legacy,
19
00:00:59,320 --> 00:01:02,079
exactly as Saira
had always dreamed.
20
00:01:02,119 --> 00:01:04,159
Here, at Molico Studios,
21
00:01:04,200 --> 00:01:08,159
with the only producer she had
ever wanted to work with,
22
00:01:08,200 --> 00:01:10,000
Dirty Mahmood.
23
00:01:10,040 --> 00:01:11,200
Great work, ladies.
24
00:01:11,239 --> 00:01:13,959
[SHUDDERS]
I think we can go filthier.
25
00:01:14,000 --> 00:01:15,560
AMINA:
He was every inch the maverick,
26
00:01:15,599 --> 00:01:18,200
mustachioed genius
Saira had described.
27
00:01:18,239 --> 00:01:20,959
Amina? Less controlled
on the solo.
28
00:01:21,000 --> 00:01:22,120
Lose it a bit.
Yeah.
29
00:01:22,159 --> 00:01:24,760
Don't worry
about it being perfect.
30
00:01:24,799 --> 00:01:26,000
Make it dirty.
31
00:01:26,040 --> 00:01:28,079
I can be dirty.
I can totally be dirty.
32
00:01:28,120 --> 00:01:29,959
He understood what we were.
33
00:01:30,000 --> 00:01:31,040
Yeah. Cool.
Ayesha.
34
00:01:31,079 --> 00:01:32,200
Yes, chef.
35
00:01:32,239 --> 00:01:33,599
That second fill
into the chorus?
36
00:01:33,640 --> 00:01:36,760
M-- Mm-hm?
Show-boat. It's your moment.
37
00:01:36,799 --> 00:01:39,120
He knew how to get
the best out of us.
38
00:01:39,159 --> 00:01:41,159
Heard. Speaking my language.
39
00:01:41,200 --> 00:01:43,079
Eh. Let's go again
from the top.
40
00:01:43,120 --> 00:01:45,000
It felt like
we were leveling up.
41
00:01:45,040 --> 00:01:46,599
Sounding good people.
42
00:01:46,640 --> 00:01:50,040
As joyful as it all was,
there was something missing.
43
00:01:50,079 --> 00:01:52,040
AYESHA:
One, two, three, four!
44
00:01:52,079 --> 00:01:55,599
There as a Taz-shaped hole
at the heart of the band.
45
00:01:55,640 --> 00:01:58,000
But she was adamant
we take the deal.
46
00:01:58,040 --> 00:01:59,760
And so... we did.
47
00:01:59,799 --> 00:02:02,719
[***]
48
00:02:14,319 --> 00:02:15,680
Sure, the label could control
49
00:02:15,719 --> 00:02:17,639
if and when our music
was released.
50
00:02:17,680 --> 00:02:19,800
[CHEERING]
51
00:02:19,840 --> 00:02:21,199
But they'd made it clear
52
00:02:21,240 --> 00:02:24,479
they wanted to put
our album out ASAP.
53
00:02:24,520 --> 00:02:28,520
We were zeitgeisty, apparently.
Zeitgeisty.
54
00:02:36,960 --> 00:02:39,840
Although band life had entered
an exciting new phase,
55
00:02:39,879 --> 00:02:42,439
Bisma still had
some work to do at home.
56
00:02:42,479 --> 00:02:44,159
You okay, Mum?
Yeah, I'm okay.
57
00:02:47,439 --> 00:02:49,439
You know, baby,
I was...
58
00:02:49,479 --> 00:02:54,159
thinking about maybe, one day,
just going out just...
59
00:02:54,199 --> 00:02:56,680
like... this.
60
00:02:59,280 --> 00:03:00,919
Like, with your braids out?
61
00:03:00,960 --> 00:03:02,039
Mm-hm.
62
00:03:05,719 --> 00:03:06,879
But--
63
00:03:06,919 --> 00:03:10,280
It isn't because
I don't love my hijab, I do,
64
00:03:10,319 --> 00:03:11,520
it's just I-- I--
Mum.
65
00:03:11,560 --> 00:03:12,960
I feel I need to do this.
A change.
66
00:03:13,000 --> 00:03:14,639
Mum.
Like you've been doing.
But don't worry.
67
00:03:14,680 --> 00:03:17,120
I'm still strong in my faith,
and I'm not any less Muslim.
68
00:03:17,159 --> 00:03:18,319
It isn't about that.
It's just that--
69
00:03:18,360 --> 00:03:20,039
Mum!
Yes. Sorry.
70
00:03:21,240 --> 00:03:23,000
Yes, baby?
71
00:03:23,039 --> 00:03:26,479
You don't have to explain to me
or to anyone.
72
00:03:26,520 --> 00:03:27,520
Just do you.
73
00:03:36,240 --> 00:03:39,639
[DOOR OPENS, CLOSES]
74
00:03:46,879 --> 00:03:48,840
[SIGHS]
75
00:03:51,960 --> 00:03:53,039
'Kay.
76
00:03:54,240 --> 00:03:55,400
That's enough now.
No.
77
00:03:55,439 --> 00:03:57,400
Uh-- Mum. No, Mum. Dad.
[GIGGLING]
78
00:03:57,439 --> 00:03:59,039
AMINA:
While Bisma
had found resolution,
79
00:03:59,080 --> 00:04:02,879
Ayesha was still torn up
after her argument with Laura.
80
00:04:02,919 --> 00:04:04,039
AHSAN:
Hey.
81
00:04:07,879 --> 00:04:08,919
You okay?
82
00:04:08,960 --> 00:04:10,719
Laura's been stonewalling me.
83
00:04:10,759 --> 00:04:11,800
[SIGHS]
84
00:04:11,840 --> 00:04:13,840
She hasn't even opened
half my texts.
85
00:04:13,879 --> 00:04:16,279
[SIGHS]
86
00:04:21,120 --> 00:04:22,240
You okay?
87
00:04:23,319 --> 00:04:24,680
I told Amina I want her.
88
00:04:25,720 --> 00:04:27,040
Jeez.
89
00:04:27,079 --> 00:04:30,800
I know I said be forward
but not "serial killer" forward.
90
00:04:30,839 --> 00:04:32,519
It just came out.
91
00:04:32,560 --> 00:04:33,639
[SIGHS]
92
00:04:35,439 --> 00:04:37,759
I also said that Billy
was exoticizing her.
93
00:04:37,800 --> 00:04:39,160
Fam.
94
00:04:39,199 --> 00:04:42,040
You better than to use fancy
anthropological terms
95
00:04:42,079 --> 00:04:44,000
when it comes to
matters of the heart.
96
00:04:44,040 --> 00:04:45,439
[EXHALES]
97
00:04:46,319 --> 00:04:48,839
[***]
98
00:04:52,319 --> 00:04:55,600
AMINA:
As for me, I was giving Billy
another shot.
99
00:04:55,639 --> 00:04:59,279
He had apologized for kiss
and I-- I was less afraid.
100
00:05:00,199 --> 00:05:01,839
Need help?
Uh, no. No, no.
101
00:05:01,879 --> 00:05:02,839
[CHUCKLES]
102
00:05:04,720 --> 00:05:05,959
What's this? Hm.
103
00:05:06,000 --> 00:05:09,600
Oh, that's, uh, Ahsan's desk.
His shit.
104
00:05:09,639 --> 00:05:10,600
Oh.
105
00:05:12,519 --> 00:05:13,800
I-- Found it! Heh.
106
00:05:13,839 --> 00:05:16,079
Let's get out of here.
Mm!
107
00:05:16,120 --> 00:05:17,800
AMINA:
I know it looks like theft,
108
00:05:17,839 --> 00:05:21,279
but it had my name on it.
So, technically, it was mine.
109
00:05:21,319 --> 00:05:24,600
Yeah, look, again,
I'm so sorry--
110
00:05:24,639 --> 00:05:26,279
[INHALES DEEPLY]
111
00:05:26,319 --> 00:05:28,399
--that I attacked your face
with my face.
112
00:05:28,439 --> 00:05:31,240
You've apologized.
It's fine, Billy. It's just--
113
00:05:31,279 --> 00:05:33,279
[SIGHS]
It's cool.
114
00:05:33,319 --> 00:05:34,319
Mm.
115
00:05:36,399 --> 00:05:38,680
Can-- Can I--?
Can I ask you something?
116
00:05:38,720 --> 00:05:41,199
Yeah. Sure.
Yeah, of course, anything.
117
00:05:41,240 --> 00:05:43,199
Uh, yeah, so...
118
00:05:43,240 --> 00:05:47,480
So, Ahsan said an odd thing.
He was like--
119
00:05:47,519 --> 00:05:52,279
[SCOFFING]
He was like, you were
exoticizing me or something?
120
00:05:52,319 --> 00:05:55,120
And I was, like,
"Ew. Go away, you cr--
121
00:05:55,160 --> 00:05:57,199
You crazy... cat."
122
00:05:57,240 --> 00:05:59,360
But do you know why
he would say that?
123
00:05:59,399 --> 00:06:02,000
Fucking hell.
Yeah, that man is so pathetic.
124
00:06:02,040 --> 00:06:03,800
He likes you,
but he doesn't have the stones
125
00:06:03,839 --> 00:06:05,199
to do anything about it,
126
00:06:05,240 --> 00:06:06,959
so he spends all of his time
trying to sabotage me.
127
00:06:07,000 --> 00:06:08,399
It's actually kinda racist.
128
00:06:10,360 --> 00:06:12,959
So, you didn't say anything?
No, all I said-- What--
129
00:06:13,000 --> 00:06:15,360
Was that it was exciting
being with you.
130
00:06:15,399 --> 00:06:16,319
Oh.
131
00:06:17,560 --> 00:06:18,399
That's sweet.
132
00:06:18,439 --> 00:06:20,160
AMINA:
That was sweet.
133
00:06:20,199 --> 00:06:21,720
Yeah.
134
00:06:21,759 --> 00:06:26,000
Yeah, exactly. U-- Us.
Against the world.
135
00:06:26,040 --> 00:06:28,720
Uh, exciting, dangerous.
136
00:06:28,759 --> 00:06:31,000
All I said was that it was
exciting being seen with you,
137
00:06:31,040 --> 00:06:33,600
and he totally flipped out. Agh.
138
00:06:33,639 --> 00:06:35,279
Wait, it's exciting
being with me
139
00:06:35,319 --> 00:06:37,079
or it's exciting
being seen with me?
140
00:06:39,360 --> 00:06:42,519
Um-- The--
Um... the second one?
141
00:06:46,680 --> 00:06:49,199
The-- No, the s-- The fir--
The first one.
142
00:06:49,240 --> 00:06:50,800
[INHALES SHARPLY]
143
00:06:50,839 --> 00:06:52,160
What-- What's the difference?
144
00:06:52,199 --> 00:06:53,439
AMINA:
Shit.
145
00:06:55,480 --> 00:06:59,639
Uh, hey, could I get another
an Earl Grey tea, please?
146
00:07:04,439 --> 00:07:05,360
Amina?
147
00:07:07,000 --> 00:07:08,920
Ooh! How's my rockstar?
148
00:07:08,959 --> 00:07:10,439
Vexed.
149
00:07:10,480 --> 00:07:13,639
Profoundly vexed.
He likes being seen with me.
150
00:07:13,680 --> 00:07:16,839
Apparently,
I make him feel dangerous.
151
00:07:16,879 --> 00:07:18,199
Danger-- You?
152
00:07:18,240 --> 00:07:20,399
[LAUGHING]
153
00:07:20,439 --> 00:07:22,160
That's good. That's really--
154
00:07:22,199 --> 00:07:24,079
Okay. Hey.
I can be dangerous, okay?
155
00:07:24,120 --> 00:07:25,680
The point is,
I have been made into a fetish.
156
00:07:25,720 --> 00:07:26,920
What, like a foot?
157
00:07:26,959 --> 00:07:29,319
Exactly. Wait, what?
158
00:07:29,360 --> 00:07:31,319
I told you then,
and I'll tell you again.
159
00:07:31,360 --> 00:07:34,120
He had bad juju.
Bad juju.
160
00:07:34,160 --> 00:07:36,079
[SIGHS]
Shit.
161
00:07:36,120 --> 00:07:39,199
AMINA:
Ahsan had tried to warn me,
and last I spoke to him,
162
00:07:39,240 --> 00:07:42,839
I told him to make like a
taxidermist and stuff himself.
163
00:07:46,240 --> 00:07:48,480
Do you have anything
I can play this on?
164
00:07:48,519 --> 00:07:49,480
Show me.
165
00:07:53,839 --> 00:07:55,639
[INHALES DEEPLY]
166
00:07:57,639 --> 00:07:58,600
Hm.
167
00:08:00,600 --> 00:08:02,399
AHSAN:
Hello! Ahem.
168
00:08:02,439 --> 00:08:06,120
[IN DEEPER VOICE]
Hi! Thank you for tuning
in to Amina Radio.
169
00:08:06,160 --> 00:08:08,319
Get ready
for a jangly good time.
170
00:08:08,360 --> 00:08:10,759
An hour of back-to-back,
rootin'-tootin',
171
00:08:10,800 --> 00:08:15,079
toe-tapping folk bangers
with me, Ahsan,
172
00:08:15,120 --> 00:08:19,600
coming to you live, sort of,
from London's East End.
173
00:08:19,639 --> 00:08:22,160
When I told Amina that there
were no Muslim folk stars,
174
00:08:22,199 --> 00:08:23,439
she would be the first.
175
00:08:23,480 --> 00:08:24,800
She was swift to correct me.
176
00:08:24,839 --> 00:08:28,079
So, this first song
is by our man,
177
00:08:28,120 --> 00:08:29,959
aka, Yusuf Islam...
Yusuf Islam.
178
00:08:30,000 --> 00:08:34,720
...fka, Cat Stevens,
aka, a living legend.
179
00:08:34,759 --> 00:08:36,159
Okay.
180
00:08:36,200 --> 00:08:39,559
["MOONSHADOW" PLAYING]
Enjoy.
181
00:08:39,600 --> 00:08:43,360
* Moonshadow, moonshadow *
182
00:08:43,399 --> 00:08:47,080
* Leapin' and hoppin'
On a moonshadow *
183
00:08:47,120 --> 00:08:50,480
* Moonshadow, moonshadow *
184
00:08:57,320 --> 00:08:59,720
[BAND CHEERING]
185
00:09:01,559 --> 00:09:03,159
So good. Amazing.
Wow!
186
00:09:03,200 --> 00:09:04,320
Amazing.
Sick!
187
00:09:04,360 --> 00:09:05,559
Sounded great, Bisma.
188
00:09:05,600 --> 00:09:06,519
Mm!
189
00:09:07,679 --> 00:09:09,240
Yeah.
Bisma's all right, is she?
190
00:09:09,279 --> 00:09:10,480
Yeah, she's great.
191
00:09:10,519 --> 00:09:14,000
Just noticed, she's sort of
changed her...
192
00:09:14,039 --> 00:09:15,159
style.
193
00:09:15,200 --> 00:09:16,480
Oh, right
the headscarf.
194
00:09:16,519 --> 00:09:17,519
Mm.
She wears it
when she wants.
195
00:09:17,559 --> 00:09:19,240
Great. She'll wear it again?
196
00:09:19,279 --> 00:09:21,559
[SCOFFS]
Probably. You should ask her.
197
00:09:21,600 --> 00:09:24,159
Yeah. No, it's just--
It's really visually striking,
198
00:09:24,200 --> 00:09:27,080
you know, and really declares
what you are: Muslim punk.
199
00:09:27,120 --> 00:09:28,519
Right. Yeah.
200
00:09:28,559 --> 00:09:30,320
CLARICE [SUCKS TEETH]:
But I gotta make some calls.
201
00:09:30,360 --> 00:09:31,720
But if you need anything,
let me know, yeah?
202
00:09:31,759 --> 00:09:34,799
In the reception.
Sounding great, ladies!
203
00:09:34,840 --> 00:09:35,919
Yep.
Yeah, cool.
204
00:09:35,960 --> 00:09:38,679
[INHALES, SIGHS]
205
00:09:38,720 --> 00:09:40,759
Anyone heard from Taz?
206
00:09:40,799 --> 00:09:41,879
Mm-mm.
207
00:09:44,799 --> 00:09:47,919
[ALI SETHI, ABDULLAH SIDDIQUI
& MAANU'S "LEFT RIGHT" PLAYING]
208
00:09:55,679 --> 00:09:57,879
AMINA:
Taz had gone off-grid.
209
00:09:57,919 --> 00:09:59,600
Back to her roots.
210
00:09:59,639 --> 00:10:02,159
Back to the distant lands
from whence she came:
211
00:10:03,840 --> 00:10:04,759
Birmingham.
212
00:10:12,919 --> 00:10:14,519
Hey!
[GIGGLES]
213
00:10:14,559 --> 00:10:16,120
Come here.
214
00:10:17,159 --> 00:10:18,440
Oh!
It's okay.
215
00:10:18,480 --> 00:10:19,840
[LAUGHS]
216
00:10:19,879 --> 00:10:23,279
You did this when we were kids
too. You become obsessed.
217
00:10:23,320 --> 00:10:25,440
Your whole existence
wraps around one thing.
218
00:10:25,480 --> 00:10:27,879
Just like Nav,
all over again.
219
00:10:27,919 --> 00:10:30,080
How is this anything like Nav?
[SIGHS]
220
00:10:30,120 --> 00:10:31,320
Well, with Lady Parts,
221
00:10:31,360 --> 00:10:32,840
you worked your arse off
and then, boom,
222
00:10:32,879 --> 00:10:34,600
they drop you like it's hot.
223
00:10:34,639 --> 00:10:38,480
With Nav...
you were obsessed with him.
224
00:10:38,519 --> 00:10:41,720
Made him your whole life...
and where did that get you?
225
00:10:43,039 --> 00:10:44,879
Yeah, those two things
aren't equivalent. Right?
226
00:10:44,919 --> 00:10:47,039
Nav was a wasteman.
Mm-hm.
227
00:10:47,080 --> 00:10:48,320
And Lady Parts are--
228
00:10:49,519 --> 00:10:52,120
Look, I don't know, the--
The future.
229
00:10:52,159 --> 00:10:54,360
Yeah, whatever.
What I'm saying is,
230
00:10:54,399 --> 00:10:59,080
you give your everything
to a thing, let it define you...
231
00:10:59,120 --> 00:11:02,559
then when it blows up in your
face, you're like, "What?"
232
00:11:03,679 --> 00:11:05,679
You need to do you,
Momtaz.
233
00:11:05,720 --> 00:11:07,399
Focus on your wellbeing.
234
00:11:08,919 --> 00:11:10,200
My wellbeing.
235
00:11:10,240 --> 00:11:12,720
[BOTH LAUGH]
Yes, sis!
236
00:11:12,759 --> 00:11:15,480
You've been running round
looking after everyone else.
237
00:11:15,519 --> 00:11:18,120
Now it's time
to look after yourself.
238
00:11:19,279 --> 00:11:20,919
AMINA:
Taz's wellbeing.
239
00:11:20,960 --> 00:11:24,679
What was her wellbeing?
What did she want?
240
00:11:24,720 --> 00:11:26,279
I missed you.
241
00:11:26,320 --> 00:11:27,799
I missed you too, sis.
242
00:11:30,960 --> 00:11:32,360
Where is Nav, these days?
243
00:11:33,919 --> 00:11:35,960
AMINA:
Nav. The boy
whose stash of weed
244
00:11:36,000 --> 00:11:37,960
Taz had agreed
to hide in her sock drawer
245
00:11:38,000 --> 00:11:39,720
all those years ago.
246
00:11:39,759 --> 00:11:43,080
The boy she took the fall for
when she was 16.
247
00:11:43,120 --> 00:11:46,759
He had once meant everything
to her. There he was now.
248
00:11:46,799 --> 00:11:47,919
[MEN LAUGHING]
249
00:11:47,960 --> 00:11:49,960
She felt nothing.
250
00:11:50,000 --> 00:11:53,480
Perhaps one day the sting
of her break up with Lady Parts
251
00:11:53,519 --> 00:11:56,519
would also fade into just
a pot belly and a bum crack.
252
00:11:56,559 --> 00:11:58,960
Perhaps, perhaps, perhaps.
253
00:11:59,000 --> 00:12:02,279
* My girl, big shot
Music manager mogul *
254
00:12:02,320 --> 00:12:04,360
* Started from the bottom
Now we here *
255
00:12:04,399 --> 00:12:07,399
AMINA:
But not everyone from Taz's
past was a bad memory.
256
00:12:07,440 --> 00:12:09,320
And it-- I just got dropped
by my main band,
257
00:12:09,360 --> 00:12:11,600
so not much
of a big shot.
258
00:12:11,639 --> 00:12:14,480
Get another band.
Get ten bands.
259
00:12:14,519 --> 00:12:16,320
Like, lesson one
in any business is
260
00:12:16,360 --> 00:12:18,240
"Diversify
your portfolio."
261
00:12:18,279 --> 00:12:19,720
[STAMMERS, LAUGHS]
262
00:12:19,759 --> 00:12:23,240
Since when did you--
You become such a business head?
263
00:12:23,279 --> 00:12:24,759
When I am not selling chicken,
264
00:12:24,799 --> 00:12:27,080
I am doing a Master's
in Business.
Mm.
265
00:12:27,120 --> 00:12:30,399
[GASPS] No shit! What?
Yeah. Why are you so surprised?
266
00:12:30,440 --> 00:12:33,960
Like-- I'm more than just
a class clown. Please, please.
267
00:12:34,000 --> 00:12:35,440
[SCOFFS]
Ah, it's good to see you.
268
00:12:35,480 --> 00:12:36,840
It's so good to see you too!
269
00:12:36,879 --> 00:12:38,600
Wait, you still rappin'?
No, I mean, like,
270
00:12:38,639 --> 00:12:40,559
I dabble here and there,
but like--
271
00:12:40,600 --> 00:12:42,480
Um, not much since school.
But yeah.
272
00:12:42,519 --> 00:12:44,799
Ah, nah-- You were good in that
talent show. I remember.
273
00:12:44,840 --> 00:12:46,679
Nah.
Come on. Let me hear something.
274
00:12:46,720 --> 00:12:48,080
Nah, sorry, I can't.
Gimme some bars.
275
00:12:48,120 --> 00:12:49,480
Nah, sorry. I can't.
I-- I took a train.
276
00:12:49,519 --> 00:12:50,639
I don't got a rail card no more.
Okay.
277
00:12:50,679 --> 00:12:52,519
[LAUGHS]
Yes!
[LAUGHS]
278
00:12:52,559 --> 00:12:55,759
* Melodies, flows and rhythms
Bars and codes and -isms *
279
00:12:55,799 --> 00:12:57,399
* Everything meaning
That I must be dreaming *
280
00:12:57,440 --> 00:12:58,919
* And I must be sippin' on
Everything written *
281
00:12:58,960 --> 00:13:01,240
* I become froze and what
I flow like water *
282
00:13:01,279 --> 00:13:02,600
* I'm the daughter of *
283
00:13:02,639 --> 00:13:03,919
* Everything in between
What do you mean *
284
00:13:03,960 --> 00:13:05,399
* And that means a ton
The caution of *
285
00:13:05,440 --> 00:13:06,879
* Identities
Abortion of *
286
00:13:06,919 --> 00:13:08,639
* Societal patterns
I guess it just happens *
287
00:13:08,679 --> 00:13:10,159
* And you want to run
For the foreman of *
288
00:13:10,200 --> 00:13:11,799
* Binary flows
And linear codes *
289
00:13:11,840 --> 00:13:15,080
* I guess I'm personified
By everything they try to hide *
290
00:13:15,120 --> 00:13:16,360
* Flowin' between... *
291
00:13:16,399 --> 00:13:18,159
AMINA:
There it was.
292
00:13:18,200 --> 00:13:19,639
The feeling she'd had
293
00:13:19,679 --> 00:13:22,320
when she first heard
Lady Parts perform.
294
00:13:22,360 --> 00:13:25,799
Excitement. Belief.
295
00:13:25,840 --> 00:13:27,919
This is what she needed.
296
00:13:27,960 --> 00:13:29,879
Oh, that was so good!
297
00:13:29,919 --> 00:13:31,639
I know. I know. I know.
298
00:13:31,679 --> 00:13:33,159
[BOTH LAUGH]
299
00:13:41,639 --> 00:13:44,320
* Kind regards, best wishes
Eat shit! *
300
00:13:44,360 --> 00:13:47,440
* Yours truly, sincerely
This bitch! *
301
00:13:47,480 --> 00:13:49,399
Can I go again on that please?
302
00:13:49,440 --> 00:13:51,799
Sure thing. Go for it.
303
00:13:51,840 --> 00:13:53,600
* Kind regards, best wishes
Eat shit! *
304
00:13:53,639 --> 00:13:56,039
You all right, man?
Hey.
305
00:13:56,080 --> 00:13:57,440
[SPEAKING INDISTINCTLY]
306
00:14:00,039 --> 00:14:01,480
AMINA:
Sister Squire.
307
00:14:01,519 --> 00:14:06,080
Saira's hero
in the actual, literal flesh.
308
00:14:06,120 --> 00:14:08,399
Uh, no, no, no, no, no.
309
00:14:08,440 --> 00:14:09,960
[MOUTHS]
Sister Squire.
310
00:14:10,000 --> 00:14:11,320
What do you mean "no?"
311
00:14:11,360 --> 00:14:13,960
You been harping
about Squire, for ages.
312
00:14:14,000 --> 00:14:15,919
No, no-- I--
I haven't been harping. I--
313
00:14:15,960 --> 00:14:17,799
MAHMOOD:
Yeah, well,
she was recording nearby,
314
00:14:17,840 --> 00:14:19,559
so I thought get her in.
315
00:14:19,600 --> 00:14:21,159
Come on.
316
00:14:21,200 --> 00:14:23,519
Oh... okay.
317
00:14:23,559 --> 00:14:25,759
Heh-heh. Yeah, cool.
318
00:14:25,799 --> 00:14:28,759
Yes. Really stupid.
319
00:14:28,799 --> 00:14:31,039
[EXHALES SHARPLY]
I just-- I'm excited--
320
00:14:31,080 --> 00:14:32,320
[FEEDBACK SQUEALS]
321
00:14:32,360 --> 00:14:34,679
Fuck! Ah! Stupid!
322
00:14:34,720 --> 00:14:36,679
AMINA:
Saira seemed to lose
all grace and poise
323
00:14:36,720 --> 00:14:38,679
in the presence
of her idol.
324
00:14:38,720 --> 00:14:42,279
Oh, my--! It's like I've--
You are my--
325
00:14:42,320 --> 00:14:43,399
[SAIRA GRUNTS]
326
00:14:47,080 --> 00:14:48,200
[CHUCKLES WEAKLY]
327
00:14:51,919 --> 00:14:54,639
AMINA:
We decided to give Saira
some alone time
328
00:14:54,679 --> 00:14:57,039
to meet her hero in peace.
329
00:14:57,080 --> 00:14:58,159
[EXHALES SHARPLY]
330
00:14:58,200 --> 00:15:00,279
[SPOONS RATTLING]
331
00:15:05,320 --> 00:15:06,320
Shit.
332
00:15:06,360 --> 00:15:07,879
[SIGHS]
333
00:15:07,919 --> 00:15:08,960
You all right?
334
00:15:09,000 --> 00:15:10,120
Uh, yes.
335
00:15:10,159 --> 00:15:12,000
Um, I-- I mean, you--
336
00:15:12,039 --> 00:15:14,799
[CLEARS THROAT]
Like, you, you--
337
00:15:14,840 --> 00:15:17,120
[SIGHS, CLEARS THROAT]
338
00:15:17,159 --> 00:15:20,039
I do this, because I saw
you do this,
339
00:15:20,080 --> 00:15:22,399
and I thought,
I do this too.
340
00:15:23,919 --> 00:15:25,840
I'm flattered.
341
00:15:25,879 --> 00:15:29,279
You know, ah, I listen to
your vinyl on a weekly basis.
342
00:15:29,320 --> 00:15:32,559
Uh, Monkey Man Dance
is a masterpiece.
343
00:15:33,600 --> 00:15:34,960
Cool.
344
00:15:35,000 --> 00:15:36,399
Yeah, I've, uh--
345
00:15:36,440 --> 00:15:39,440
I've listened to your stuff as
well. It's-- It's all right.
346
00:15:39,480 --> 00:15:41,440
You've heard our music?
Yeah. It's fun. It's a--
347
00:15:41,480 --> 00:15:43,200
It's a lot of fun.
348
00:15:43,240 --> 00:15:44,480
"Fun?"
349
00:15:45,200 --> 00:15:46,320
Fun.
350
00:15:47,759 --> 00:15:49,200
You know,
when I was your age,
351
00:15:49,240 --> 00:15:51,080
I had to hide the fact
I was Muslim.
352
00:15:51,120 --> 00:15:54,320
"Sister Squire?" I mean,
what the fuck even is that?
353
00:15:54,360 --> 00:15:55,799
[CHUCKLES]
354
00:15:55,840 --> 00:15:58,919
They didn't want anything to do
with me, the music industry.
355
00:15:58,960 --> 00:16:02,039
Years I was out there,
hustling on my own,
356
00:16:02,080 --> 00:16:05,159
putting my music out,
on my own.
357
00:16:05,200 --> 00:16:08,360
So, when Monkey Manbecame
a hit, no one expected that.
358
00:16:08,399 --> 00:16:10,320
Then they sat up.
359
00:16:10,360 --> 00:16:13,279
Finally.
Had their attention.
360
00:16:13,320 --> 00:16:15,960
But when I refused
to soften my lyrics,
361
00:16:16,000 --> 00:16:19,960
do that whole pretty girl,
short skirt, long hair bollocks,
362
00:16:20,000 --> 00:16:21,279
they fucked off.
363
00:16:23,000 --> 00:16:23,919
But I keep on.
364
00:16:25,399 --> 00:16:27,799
I still... keep on.
365
00:16:27,840 --> 00:16:28,919
[CHUCKLES]
366
00:16:28,960 --> 00:16:30,240
I know.
367
00:16:30,279 --> 00:16:32,960
Your latest album
is next level.
368
00:16:33,000 --> 00:16:37,039
And-- And-- And your voice, it's
richer than I've ever heard it.
369
00:16:37,080 --> 00:16:38,399
It-- It's amazing.
370
00:16:38,440 --> 00:16:39,600
Yeah, I know.
371
00:16:40,440 --> 00:16:41,799
You paved the way.
372
00:16:41,840 --> 00:16:43,879
You are fucking right I did.
373
00:16:43,919 --> 00:16:46,679
So, what are you
going to do with that?
374
00:16:46,720 --> 00:16:48,399
What?
Look.
375
00:16:48,440 --> 00:16:50,759
You are a fierce band
of Muslim women,
376
00:16:50,799 --> 00:16:53,200
and you're not even
having to hide that.
377
00:16:53,240 --> 00:16:54,759
You got a platform here.
378
00:16:54,799 --> 00:16:56,559
A real fucking
meaningful platform
379
00:16:56,600 --> 00:17:00,799
to shine a light on anything
in the world. Anything you want.
380
00:17:00,840 --> 00:17:03,360
And there's so much fuckery.
381
00:17:03,399 --> 00:17:05,839
There is so much suffering,
you know?
382
00:17:05,880 --> 00:17:07,000
Yeah.
383
00:17:07,039 --> 00:17:09,640
And... I like your songs.
384
00:17:09,680 --> 00:17:10,559
[CHUCKLES]
385
00:17:10,599 --> 00:17:12,400
'Cause they're the best
kind of...
386
00:17:12,440 --> 00:17:16,920
funny Muslim songs around.
But... what are you saying?
387
00:17:18,680 --> 00:17:19,599
We are--
388
00:17:21,599 --> 00:17:24,720
I don't know. Like--
Our songs are about us,
389
00:17:24,759 --> 00:17:28,559
our experiences, day to day,
like, us-ness, you know?
390
00:17:28,599 --> 00:17:30,680
Uh-- Uh, speaking our truth.
391
00:17:32,559 --> 00:17:35,160
That's great. That's beautiful.
392
00:17:35,200 --> 00:17:40,240
But you could talk about things.
Real things. You know?
393
00:17:40,279 --> 00:17:43,240
Give a voice
to the voiceless.
394
00:17:43,279 --> 00:17:45,039
Muslims are being chucked out
of their homes,
395
00:17:45,079 --> 00:17:46,200
treated as second-class
citizens.
396
00:17:46,240 --> 00:17:48,240
It is dark out there.
397
00:17:49,400 --> 00:17:52,039
They're gonna love having you
on the posters,
398
00:17:52,079 --> 00:17:55,480
but don't you let them forget
that you have got a voice.
399
00:17:55,519 --> 00:17:58,400
You have got something to say.
400
00:17:59,440 --> 00:18:01,000
Don't let your music be empty.
401
00:18:02,240 --> 00:18:04,480
Say something real.
402
00:18:17,680 --> 00:18:20,240
Guys! I bought croissants!
Fam, the R is silent.
403
00:18:20,279 --> 00:18:21,519
It's literally "croissants."
404
00:18:21,559 --> 00:18:22,759
Croissant! Oh--
[GASPING]
405
00:18:22,799 --> 00:18:24,279
[ALL SCREAM]
406
00:18:24,319 --> 00:18:25,759
Hi, everyone.
407
00:18:25,799 --> 00:18:27,599
You okay, amigo?
408
00:18:29,160 --> 00:18:30,960
Yeah. Yeah.
409
00:18:32,400 --> 00:18:34,039
We need two more songs
to round out the album,
410
00:18:34,079 --> 00:18:36,440
and I'm thinking, we've got
a platform here, right?
411
00:18:36,480 --> 00:18:38,480
A voice. We've got
a chance to say something.
412
00:18:38,519 --> 00:18:41,400
Be the change, to make
the change or whatever the fuck.
413
00:18:41,440 --> 00:18:43,759
So, yeah, song ideas,
a first bash.
414
00:18:43,799 --> 00:18:46,039
Saira, we--
We-- We-- We can't--
415
00:18:46,079 --> 00:18:47,640
This-- This is-- It's-- Uh--
416
00:18:47,680 --> 00:18:49,640
What?
Political.
417
00:18:49,680 --> 00:18:50,759
Uh, yeah, we're political.
418
00:18:50,799 --> 00:18:52,279
Yeah, uh, but we're political
419
00:18:52,319 --> 00:18:54,000
in a jokey, winky way.
420
00:18:54,039 --> 00:18:57,440
This is-- This is explicit.
This is on the nose.
421
00:18:57,480 --> 00:18:59,000
We're more nose-adjacent,
right?
422
00:18:59,039 --> 00:19:00,279
BISMA & AYESHA:
Right.
423
00:19:00,319 --> 00:19:02,160
Yeah, Muslims the world over
are being murdered,
424
00:19:02,200 --> 00:19:04,400
kicked out of their homes,
stripped of their citizenship,
425
00:19:04,440 --> 00:19:07,000
and we're, what?
Writing songs about self-care?
426
00:19:07,039 --> 00:19:09,000
Wow, wow. Okay.
"Villain Era" is a banger.
427
00:19:09,039 --> 00:19:11,480
Uh, yes, yes it is. I know.
I'm just saying.
428
00:19:11,519 --> 00:19:14,039
Think, we could shine a light
on any of these issues.
429
00:19:14,079 --> 00:19:16,400
Be the mouthpiece
for something real.
430
00:19:16,440 --> 00:19:17,680
We are
something real.
431
00:19:17,720 --> 00:19:19,200
Yes, but something "real" real.
432
00:19:19,240 --> 00:19:21,480
You want us to use other's
suffering to make us real?
433
00:19:21,519 --> 00:19:25,000
Saira. You presenting us
with a list of Muslim suffering
434
00:19:25,039 --> 00:19:27,400
and saying, "Pick an atrocity,
any atrocity,
435
00:19:27,440 --> 00:19:29,400
and write about that,"
that-- That doesn't feel real.
436
00:19:29,440 --> 00:19:31,319
No, no!
That's not what I'm doing.
437
00:19:31,359 --> 00:19:32,720
We have a platform,
438
00:19:32,759 --> 00:19:35,160
a real meaningful
fucking platform,
439
00:19:35,200 --> 00:19:37,839
a chance to talk about something
that needs our attention.
440
00:19:37,880 --> 00:19:39,359
[BREATHES DEEPLY]
441
00:19:39,400 --> 00:19:40,640
What did Squire say to you?
442
00:19:40,680 --> 00:19:43,599
Nothing. That she liked our
music. Nothing.
443
00:19:43,640 --> 00:19:47,000
Saira, some of these issues.
I-- I-- I-- I don't know.
444
00:19:47,039 --> 00:19:49,920
Maybe we should be amplifying
other voices, you know?
445
00:19:49,960 --> 00:19:52,440
Not-- It-- Heh.
It's not our lived experience.
446
00:19:52,480 --> 00:19:53,920
Amina, we're artists.
447
00:19:53,960 --> 00:19:56,039
We're not confined
by our lived experience.
448
00:19:56,079 --> 00:19:58,240
Come on. Don't you all
agree this stuff?
449
00:19:58,279 --> 00:20:01,839
What is happening right now
is fucking horrendous.
450
00:20:01,880 --> 00:20:03,519
Or maybe you don't.
451
00:20:03,559 --> 00:20:05,160
Oh, come on!
No shit, man.
452
00:20:05,200 --> 00:20:06,279
BISMA:
Saira, don't bait us.
453
00:20:06,319 --> 00:20:07,759
You know we think
it's horrendous.
454
00:20:07,799 --> 00:20:09,960
I mean, I-- I'm the one
who tells you about half of it.
455
00:20:10,000 --> 00:20:11,599
Well, then why don't we
write about it?
456
00:20:11,640 --> 00:20:12,880
Do you think the label
457
00:20:12,920 --> 00:20:14,480
is going to go for
something like this?
458
00:20:14,519 --> 00:20:16,640
Ah, ah. There's the truth.
You're scared of the label.
459
00:20:16,680 --> 00:20:18,960
Yeah, man. Yeah, I am!
'Cause guess what?
460
00:20:19,000 --> 00:20:21,599
I like that we get to record
our music properly
461
00:20:21,640 --> 00:20:24,799
and that we're going on tour
and we're gonna do Glastonbury.
462
00:20:24,839 --> 00:20:27,599
Oh, yeah. You like the comfy
chairs and the nice studio.
463
00:20:27,640 --> 00:20:31,359
I do like the comfy chairs
and the nice studio, Saira!
464
00:20:31,400 --> 00:20:34,319
And I do like the fact
that we get paid!
465
00:20:34,359 --> 00:20:37,599
I'm sorry if that makes me a
morally inferior person to you,
466
00:20:37,640 --> 00:20:40,319
or whatever the hell, but fuck,
man, if we write this,
467
00:20:40,359 --> 00:20:43,279
if we really write this, I'm--
I'm worried that we're gonna--
468
00:20:43,319 --> 00:20:45,559
Oh, you worry?
We're a punk band.
469
00:20:45,599 --> 00:20:47,680
Punk! Punk is about
fighting the power.
470
00:20:47,720 --> 00:20:50,480
Don't you fucking tell me
what punk is or I swear to God
471
00:20:50,519 --> 00:20:53,000
I will ram this up your arse.
472
00:20:53,039 --> 00:20:55,440
We just signed a deal with
a massive American corporation.
473
00:20:55,480 --> 00:20:57,039
How punk are we though,
really?
474
00:20:58,319 --> 00:20:59,440
I'm just saying.
475
00:21:01,079 --> 00:21:03,039
I just think this
could be cool for us.
476
00:21:03,079 --> 00:21:04,960
Get real. And not just
funny Muslim song,
477
00:21:05,000 --> 00:21:07,440
after funny Muslim song,
after funny Muslim song.
478
00:21:07,480 --> 00:21:09,359
Oi, fuck you!
479
00:21:09,400 --> 00:21:10,839
Fuck you!
480
00:21:10,880 --> 00:21:13,680
It's not just
a funny Muslim song.
481
00:21:14,799 --> 00:21:16,559
We're writing about
what's true to us,
482
00:21:16,599 --> 00:21:18,880
and, yeah, we're being
really fucking witty about it.
483
00:21:18,920 --> 00:21:20,440
Everyone. A breath.
484
00:21:23,880 --> 00:21:28,839
Saira, don't-- Don't you see,
weare political.
485
00:21:28,880 --> 00:21:31,799
Just by existing,
just by taking up this space,
486
00:21:31,839 --> 00:21:33,039
we are political.
487
00:21:33,079 --> 00:21:36,519
And don't you think
it's important we succeed?
488
00:21:36,559 --> 00:21:38,599
So that other people
who look like us
489
00:21:38,640 --> 00:21:40,680
might believe that it
can happen to them too?
490
00:21:40,720 --> 00:21:42,680
Because...
if we write something too--
491
00:21:42,720 --> 00:21:44,640
[SIGHS]
I don't know, man,
492
00:21:44,680 --> 00:21:46,359
we might not even
make it out the gate.
493
00:21:46,400 --> 00:21:47,559
We'll be dead
in the water.
494
00:21:47,599 --> 00:21:49,000
You don't know that.
495
00:21:49,039 --> 00:21:50,640
You don't know that.
496
00:21:50,680 --> 00:21:52,960
I-- I just think you're
all being a bit alarmist.
497
00:21:53,000 --> 00:21:54,359
Nah, mate.
498
00:21:54,400 --> 00:21:56,400
You're being cavalier.
499
00:22:00,640 --> 00:22:01,559
[SIGHS]
500
00:22:02,480 --> 00:22:03,880
I'm gonna talk to Clarice.
501
00:22:03,920 --> 00:22:04,920
Sai--
502
00:22:09,079 --> 00:22:10,319
[DOOR SLAMS]
503
00:22:11,079 --> 00:22:12,440
How can I put this?
504
00:22:12,480 --> 00:22:14,480
Absolutely fucking not.
505
00:22:14,519 --> 00:22:16,119
[SCOFFS]
Why not?
506
00:22:16,160 --> 00:22:18,960
[SIGHS]
The reason you guys
are an incredible band
507
00:22:19,000 --> 00:22:21,960
is because you bring people
together with humor, you know?
508
00:22:22,000 --> 00:22:24,440
With, uh, joy.
Uh, you're a positive band,
509
00:22:24,480 --> 00:22:27,319
spreading good cheer.
You write these great, catchy--
510
00:22:27,359 --> 00:22:29,039
Funny Muslim songs?
511
00:22:29,079 --> 00:22:30,440
Yeah, exactly.
512
00:22:30,480 --> 00:22:33,039
Yeah, great, but maybe just
a couple songs on the album
513
00:22:33,079 --> 00:22:36,640
could be a little more just--
Serious, about what's going on.
514
00:22:36,680 --> 00:22:39,559
Uh... there's no "atrocity
bangers" playlist you can be on.
515
00:22:39,599 --> 00:22:41,839
[SCOFFS]
You know, know,
I-- I mean, if anything,
516
00:22:41,880 --> 00:22:43,640
the streamers will get spooked
and ban it
517
00:22:43,680 --> 00:22:45,480
if it's too polarizing.
518
00:22:45,519 --> 00:22:48,240
Saira. I believe in you guys.
I want you to succeed.
519
00:22:48,279 --> 00:22:51,799
I'm saying this because,
yeah, the label feels great
520
00:22:51,839 --> 00:22:52,960
that they've signed you, uh--
521
00:22:53,000 --> 00:22:54,839
[SCOFFS]
We're their diversity hire.
522
00:22:54,880 --> 00:22:56,519
Yeah, they feel like
they did a good thing.
523
00:22:56,559 --> 00:22:58,519
Brownie points
from Jesus, whatever.
524
00:22:58,559 --> 00:23:00,000
I know how excellent you are,
525
00:23:00,039 --> 00:23:01,640
and I'm gonna show them
and the world
526
00:23:01,680 --> 00:23:03,200
that are not a diversity hire,
527
00:23:03,240 --> 00:23:05,559
you are the next big
fucking thing.
528
00:23:05,599 --> 00:23:08,359
Yeah, but if you carry on
writing this,
529
00:23:08,400 --> 00:23:11,119
yeah, and the label gets whiff
that their nice Muslim band
530
00:23:11,160 --> 00:23:13,640
is writing stuff that, you know,
could bring them heat,
531
00:23:13,680 --> 00:23:16,640
unwanted negative attention,
criticism,
532
00:23:16,680 --> 00:23:18,400
then they could muzzle you,
533
00:23:18,440 --> 00:23:20,960
hold the album hostage,
and ultimately drop you.
534
00:23:21,000 --> 00:23:23,440
It'll be 10 years before you get
the rights to your songs back,
535
00:23:23,480 --> 00:23:26,759
and there'll be nothing
I can do to protect you.
536
00:23:26,799 --> 00:23:28,519
[SIGHS]
537
00:23:31,440 --> 00:23:33,039
AMINA:
Despite Clarice's warnings,
538
00:23:33,079 --> 00:23:35,920
Sister Squire's words
weighed heavy on Saira.
539
00:23:43,279 --> 00:23:44,359
Hm.
540
00:23:52,680 --> 00:23:53,599
[SIGHS]
541
00:24:06,759 --> 00:24:08,839
* I could be your puppet *
542
00:24:08,880 --> 00:24:12,240
* Mouthpiece
Window-dressing bae *
543
00:24:12,279 --> 00:24:14,440
* Here's a funny Muslim song *
544
00:24:14,480 --> 00:24:17,119
* 'Cause I got
Nothing real to say *
545
00:24:17,160 --> 00:24:22,279
* It's like Death and the Maiden
Dancing with my corporation *
546
00:24:22,319 --> 00:24:24,240
* I won't mention the-- *
547
00:24:24,279 --> 00:24:26,000
[SOUND SILENCED]
548
00:24:26,039 --> 00:24:26,960
[GASPS SOFTLY]
549
00:24:33,079 --> 00:24:38,039
* It's like Death and the Maiden
Dancing with my corporation *
550
00:24:38,079 --> 00:24:39,799
* I won't mention the-- *
551
00:24:39,839 --> 00:24:41,119
[SILENCED]
552
00:24:41,160 --> 00:24:43,559
[BREATHING SHAKILY]
553
00:24:52,279 --> 00:24:54,119
* I won't mention the w-- *
554
00:24:54,160 --> 00:24:55,240
[CENSOR FEEDBACK HUMS]
555
00:24:55,279 --> 00:24:56,960
Fuck.
556
00:24:57,000 --> 00:24:59,640
[BREATHING SHAKILY]
557
00:25:02,359 --> 00:25:04,279
* I won't mention the-- *
558
00:25:06,160 --> 00:25:07,160
Fuck.
559
00:25:07,200 --> 00:25:09,359
[CENSOR FEEDBACK HUMMING]
560
00:25:11,480 --> 00:25:13,440
Agh! Ahem.
561
00:25:14,759 --> 00:25:16,440
* I won't mention the-- *
562
00:25:16,480 --> 00:25:18,279
[CENSOR FEEDBACK HUMS]
563
00:25:21,079 --> 00:25:22,640
* I won't mention the-- *
564
00:25:24,279 --> 00:25:29,279
[DISTORTED PANTING]
565
00:25:29,319 --> 00:25:30,720
* I won't mention the-- *
566
00:25:30,759 --> 00:25:33,680
[CENSOR FEEDBACK HUMS]
[DISTORTED GASPING]
567
00:25:42,880 --> 00:25:44,440
* I won't mention the-- *
568
00:25:51,160 --> 00:25:52,559
* I won't mention the-- *
569
00:25:52,599 --> 00:25:54,799
[CENSORED SCREAM]
570
00:25:56,720 --> 00:25:59,839
[RASHA NAHAS' "NBEED" PLAYING]
571
00:26:02,279 --> 00:26:04,680
[SINGING IN ARABIC]
38779
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