All language subtitles for Critical.Incident.2024.S01E03.STAN.WEB.H264-DelectableFaithfulLeopardOfClimate.en[sdh]

(CLICK FOLLOWED BY
TASER POWERING UP)

- (INDISTINCT POLICE RADIO)
- (SIREN WAILS)

(RUNNING FOOTSTEPS)

(INDISTINCT POLICE RADIO)

ZIL: She's headed to the
Boys Avenue exit at station.

(HEAVY BREATHING)

HALL: Move!

(RUNNING FOOTSTEPS)

HALL: Suspect, platform 3.

(RUNNING FOOTSTEPS)

P.A.: The next train does not
stop at this platform.

HALL: Move! Police!

- (ANNOUNCEMENT CONTINUES)
- (RUNNING FOOTSTEPS)

- (TRAIN RATTLES)
- HALL: Fuck!

(SCREAMING)

(TRAIN BRAKES SQUEAL)

HALL: Civilian down. Hit by
a train, Blacktown Station.

ZIL: Medical needed now.

ZIL: Hall, tourniquet now.
Give it to me. Give it to me!

Starting compressions.

- RADIO: Priority.
- ZIL: One, two, three.

RADIO CONVERSATION:
Paramedics on site, over.

Copy. Repeat, platform 3.

Yeah, platform 3.

Medical less than a minute out.

- ZIL: It was fucking there.
- HALL: OK.

HALL: It's safe. Leave.

Phil, bring that.

MAN: Pulse weak,
pupils responsive.

Got him back,
but we need to move him.

Right, Ford. I'm done.
Haul him on three, OK?

(STOPS TAPE, THEN SIGHS)

So, uh... (SNIFFS)

It was good work, finding this.

Uh, it wasn't hard.

Yeah, it wasn't logged properly,

but I just went back
through the files.

Take the win, Che.

Thanks.

So there is a...
There's an hour left.

Want to take a break?

Coffee?

Better still, get me a coffee?

Let's do this.

(SNIFFS)

OFFICER: No knife located.
Hall, check with Ahmed.

HALL: Zil, did you see her
chuck the knife?

ZIL: Uh, no, no, no, no.

It was in her hand.
Right, right hand.

- HALL: Yep?
- ZIL: Yep.

HALL: Ahmed saw the knife.
Must still be on her.

- ZIL: Yeah. Have you got her?
- OFFICER: Got her.

She's upstairs.
Bryce and Song got her.

ZIL: Fuck!

Oh, God.
What the hell have I done?

HALL: None of that shit.

Look at me. This is important.

You called out 'police'.
You instructed her to stop.

- ZIL: Yeah, yeah, I think so.
- HALL: Yeah?

HALL: 'Cause this is important.

ZIL: Yeah.

HALL: You called out 'police'.

You instructed her to stop.

Repeat after me.
"I saw the weapon.

"I called out loud and clear,
'Police. Stop.'"

ZIL: Yeah, I saw the weapon.

Shit.

ZIL: I called, "Police. Stop."

He was coached.

(ZIL BREATHES HEAVILY)

(SOMBRE MUSIC)

(TINKLING)

I might go get a fresh shave.

- Cool.
- Yeah?

- Oh!
- Come on, man!

- Oh!
- Really?

- Slipped out.
- Butter-fingers.

KASIM: Alright, thank you.
We're good.

Hi.

Hey, Yvonne.

- Dalia, uh...
- Are you following me?

No, I'm not. Um...

I was here, uh, with my brother.

We were shopping.

He's a social worker, actually,

at United Humanity.

Uh, bro, what's going on?

Maybe he can help you with,
um...

What?

Is... is he the cop
that chased you?

Yeah.

Zil, no, let's go.

- Leave me alone.
- ZIL: Look, I was just trying...

Hey. Uh, we're leaving.
We're leaving, OK?

But if someone is hurting you,
tell an adult.

KASIM: That was stupid.

I know.

- What the hell was that?
- What was I supposed to do?

Is that why you brought me here?

- (SCOFFS)
- You are unbelievable.

No, I didn't know she'd be here.

But you can tell she needs help,

and that's
what you're about, right?

That is not how this works.

ZIL: Yeah, this is
how this works.

That cop is the cop
I was telling you about.

He saved me, at Brad's.

I'm glad he saved you.

(HALF-LAUGHS)

(ZIL AND KASIM CONTINUE ARGUING)

YVONNE: I have an idea.

We'll get them back
for ruining our day.

(SIREN WAILS IN THE DISTANCE)

Shouldn't we pull him
from shift?

We don't have that power.

We've got to get the SCII
to sign off on our next move.

Which is?

Well, first...

...I put it in
to Professional Standards.

Yes, I understand, ma'am,

but there really isn't
anything we can do

about someone removing bottles
from your recycling bin.

You'll need to take it up
with the council.

Luka's father is here
with his daughter.

Alright.

He wants to see the footage.

I'm sorry, but he insisted.

Yeah, no. Of course.

Why don't you disappear
for an hour, mate?

You don't need to be here.

Yeah, it's a good idea.

Come back after lunch.

(SIGHS)

Mr Horvat.

You're the man in charge?

(DOOR SHUTS)

Why wasn't I told
that an officer pushed my son?

We're... we're in the midst

of an active critical
incident investigation.

Information must be
tightly controlled.

I had to get authorisation
for this.

It feels like the wool
has been pulled over my eyes.

LATT: Not at all.

Look, I understand
how it must feel like that,

but perhaps it was decided

that the details
weren't necessarily helpful.

That is for me to decide.

I want the truth!

I want to see it.

Mr Horvat,

viewing the footage of Luka's
fall won't bring you peace.

But that's just it.
He didn't fall.

This is not about peace.

This is about being able
to look my son in the eye

when he asks me
what was done to him.

I want to see it.

(TENSE MUSIC)

(INTENSE MUSIC)

(DRAMATIC MUSIC)

(BREATHES HEAVILY)

We don't have to stay.

Yes, we do.
This is gonna be awesome.

I am that good.

Oh, here comes his brother.

Come, come, come, come, come.
Come.

YVONNE: Where's he?

- Fuck, it's his brother's car.
- (CAR DOOR SHUTS, ENGINE STARTS)

(HORN BLARES)

Oh, my God. Oh, my God!

(BOTH LAUGH)

(HORN BLARES)

- MAN: You fuckin' idiot!
- KASIM: It's not me!

YVONNE: Rewired the brake
to the horn.

Never doubt the master!

- (HORN BLARES)
- MAN: Get off the road, mate!

- It's not me, it's not me!
- (HORN TOOTS)

KASIM: What the fuck
is going on?!

Oh! Jeez!

(HORN BLARES)

Though we did miss
the target, I guess.

- MAN: Moron, you are, mate.
- It's OK. Look at him.

- (YELLING)
- (HORN SOUNDS)

ZIL: I'm not here
to give you excuses.

We all have to live with
what I did, but, um...

...but most of all, you.

(MEDICAL EQUIPMENT BEEPS)

Nothing I do or say
will change your situation,

but I wanted to let you know
that I care.

Deeply.

Do the police know you're here?

HORVAT: It took guts
to come see us.

I give you that.

I wanted...

It's all I can do.

(SOMBRE MUSIC)

(GENTLE MUSIC)

KANE: It's a beautiful apology.

But, Zil, I am sorry,

it's never gonna happen
like that.

Two words -

realistic expectations.

There's no way you can interact
with the family.

So, what, I've got to sit on my
hands and never talk to them?

My job is to try and get you
out of this mess.

It shouldn't be taking
this long.

It's a really unnecessary
strain on you.

Let's see if I can get a
sit-down with this investigator,

wrap this up.

Look, I just want to
get back to good policing.

It's all I know how to do.
I'm just, um...

...struggling.

Are you seeing someone
that can help you?

Yeah.

Under control.

- (CAR LOCKING BEEPS)
- EMERY: Tsuma.

TSUMA: Make it quick. I've got
a date with 'Love Island'.

Uh, so, the Horvat girl,
we found out who broke her nose,

and it's Dalia Tun.

All over socials.

Do you want me to write it off,
or...?

(TSUMA SIGHS)
Are you asking me whether

you should not arrest a girl

who broke a teenager's nose

for, what, political reasons?

(PHONE RINGS, PEOPLE CHAT)

Fuck.

Whew, oof!

Another day, another complaint.

Um-ah, Gregory.

Where's Ahmed?

Look at the roster.
You've got eyes.

He's taking it personal.

You tell poster boy to call me.

BARCELOS: So, Zil...
(CLEARS THROAT)

In your initial statement...

KANE: Yeah, it is
Officer Ahmed's desire

to have this investigation
wrapped up ASAP.

Any further recollections
come to mind?

Like what?

Well, it's just protocol
to present the opportunity

to add to the investigation's
understanding of events.

Look, I was...

I am by the book.

Like I said, I believed the
danger the suspect presented

outweighed the danger
of the pursuit itself.

My intel was she was armed.

She was erratic.

I identified myself as police.

I instructed her to stop.
She didn't.

I followed procedure.
Is someone saying otherwise?

So, every police taser
has a camera in it

that automatically records
once its armed.

I know, but I didn't have
a taser. I was plain-clothes.

And usually the recording stops
once it's disarmed.

But sometimes in the...
the heat of the moment,

the user forgets to disarm it.

What are you getting at,
Detective?

BARCELOS: Senior Constable Hall.

You know him?

He drew his taser...

...as he entered
the train station.

And then he re-holstered it

just before Luka Horvat
fell on the tracks.

(TENSE MUSIC)

I'm going to play a segment

from Senior Constable Hall's
taser audio

just after it was re-holstered.

- HALL: Hey! Hey.
- What the hell have I done?

HALL: None of that. None of
that. Look at me. Look at me.

That is Senior Constable Hall
speaking with you.

HALL: You called out 'police'.
You instructed her to stop.

ZIL: Yeah, yeah,
I think so, yeah.

HALL: This is important.

You called out 'police'.
You instructed her to stop.

Repeat after me.
"I saw the weapon.

"I called out loud and clear,
'Police. Stop.'"

ZIL: I saw the weapon.

I called, "Police. Stop."

- Yeah, right.
- Yeah, man.

HALL: You're sweet. You're good.

You got this. You got it.
I got you. Alright?

(STOPS TAPE)

Zil, you never told me
about that conversation.

At best it's a lie by admission.

No.

No, no, I don't, I don't...

I don't remember
that conversation.

Stop talking. We're done.

We're going to see
the superintendent now.

You know what,
even if that's true,

how am I supposed to believe
anything you've said?

Because I followed procedure.

There was no need
for me to lie.

Dalia, the girl,

surely she told you
I called 'police'.

I said it. I know.

I know I said it.

I have no evidence
to support that claim.

And, Zil, we have given you
ample opportunity

to speak honestly.

(OPPRESSIVE MUSIC)

HORVAT ON TV: Recently, our
lives were turned upside down

when my son, Luka,

he was knocked into the path
of an oncoming train

at Blacktown Station.

My family's utterly devastated

by what's happened to Luka.

And it happened because...

...this officer, he knocked
my son onto the tracks.

He is the reason

that Luka has lost his legs!

It was Senior Constable
Zilficar Ahmed

from Blacktown District Police's
Proactive Crime Team.

I want accountability from
Sydney Metropolitan Police.

We deserve that.

- They are meant to serve...
- Let's go.

...and protect us.

NEWSREADER: We'll continue
to bring you updates...

They're coming for my badge.

EMERY: Alright, Probie,
turn it off.

Everyone back to work.

TV: Turning now
to the ongoing...

(SOMBRE MUSIC)

You need to join the union,
get proper protection.

That lawyer is no good, Zil.

He's not the problem.

OK, but your name's public.
It changes things.

Yes, I know.

Fucking Hall!

- Why did he open his mouth?
- Or pull his frickin' taser.

Hey, the super's
still in your corner.

I think it's out of his hands.

Hey, I just think you're in a
really hectic place right now,

so maybe we should wait.

Wait?

Yeah, just...

Just while things get straight.

And if it doesn't?

Well, I just... I just need...

I don't want to...

I don't want our start
to be, you know,

a comfort from your problems.

It's not, it's not. You're not,
alright, a distraction...

But this shit's
all, like, you and me,

relationships, it's...

Fuck, I just...

Relationships are hard for me,
OK?

Harder than I thought,

with my family shit, you know?

Mm, I know.

I get it.

It's just... Hey.

Let's just take it slow,
that's all.

Course.

I've just been notified
that you've put in

for the crime manager gig
here at my shop.

Of course I did.
Crime manager position?

Doesn't come up often.

I want it.

Like you, I have ambition.

Can you work under me?

I've done it before.

Hm.

I was hoping
it would be a partnership.

You know, well,
if I got the job.

Come on, Eddie, you're more
arrogant than I remember

if you think this is gonna work.

I mean, you've just taken a dump
across the entire station.

So, well, maybe I can help
raise the standard.

They're never gonna accept you.

I mean,
it was a fucking low blow

lodging things with
Professional Standards.

I mean, what did the kid
do to you?

He lied.

He lied to a senior officer
under caution.

Of course you would read it
that way.

OK, maybe...

...his mistake doesn't mean
that you were wrong about him.

Maybe he's just not as good
as you thought he was.

Maybe you can't pick 'em
like you used to

now you're middle-aged.

Yeah, well, I picked some
shockers when I was younger.

(BARCELOS LAUGHS)

Don't lose your humour, Trevor.

It's one of my favourite things
about you.

CHRISTIAN: Are the cuffs
really necessary?

EMERY: Look, we've placed her
under arrest for assault

causing actual bodily harm.

(DOOR SLAMS)

(BREATHES HEAVILY)

Wait, wait.

Please let her wear it.
Holding cells are freezing.

What station?

Blacktown District.

Dalia...

I know a lawyer.

Don't say anything
until she gets there, OK?

What, man?

I've got my job, you got yours.

- Dalia. Dalia? Listen.
- (ENGINE STARTS)

Stay calm.

Don't say anything until
she gets there, please, OK?

(SOMBRE MUSIC)

(HIP-HOP MUSIC PLAYS)

Work out somewhere else.

Why?

We can't talk, right?
Professional Standards is on it.

Yeah, I know. That's what
I want to talk about.

We need to get on
the same footing.

I reckon we emphasise
the shock you were in.

I don't remember talking to you.

Perfect.

You were all over the shop.

Do you get what you've done?

You've dropped me in it.
You've handed them a noose.

Zil, I've always had your back.

You need to have mine.

I followed procedure.

You've made me look dodgy.

Hey. Hey!

We can both walk away from this
if we stick together.

- KASIM: This is not that hard.
- ZAHRA: I know.

(BOTH TALK AT ONCE)

Just call and say that
I'll call you back. I will.

Hey. Hey, man.

You alright?

I mean, with the whole...
I just...

I didn't think that they were
allowed to name you like that.

We called you to check in
and we wanted to come around.

Yeah.

Sorry, I just needed...
some space.

We're here for you, always, OK?
You shouldn't be alone.

He wasn't alone.

KASIM: Call Mum and Dad, yeah?

Word got back to them.

Yeah, I will.

Should probably get to it, yeah?

Yeah.

'Bye.

See ya.

(RADIO CHATTER)

Oi.

Not your case. Stay away.

She's the one who ran.

Wouldn't hurt to find out
what she's in for.

EMERY: Dalia,
we want to understand

why you attacked
Sabine Horvat.

- Explain it for us.
- Oh, no, Constable!

You arrested her before you
heard her side of the events.

You clearly have some story
made up in your mind.

We're not saying a thing.

However, if you'd like to
put something,

say, evidence before us,
that'd be great.

We might comment on that.

I was hoping to get
Dalia's take on things

because Ms Horvat's
got a broken nose.

There are social media posts

showing Dalia
elbowing Sabine in the face.

That's it? No comment.

Now, let's organise her bail.

(DOOR OPENS)

You are to remain
inside 128 Pander Avenue

between 8pm to 8am.

You are to report to Blacktown
District Police Station

Mondays, Wednesdays,
Fridays and Saturdays

until your court date.

And you are to be
of good behaviour.

That means
no drinking alcohol.

Do you understand
these conditions?

I need a verbal response.

Yes, I understand.

EMERY: OK, good. Sign here.

You'll receive a court
appearance notice soon.

(UNSETTLING MUSIC)

Assault?

Leave me alone.

If you hadn't run,

none of this
would have happened.

She attacked me
because she thought

I pushed her brother
onto the tracks.

You need to tell
the investigator

you heard me call 'police'.

I didn't hear you do that.

You did.

That's when you ran.

You never said it.

I know you heard me.

I'm pretty sure
you shouldn't be speaking to me,

telling me what to say.

(LOUDLY) Stay away from me,
Officer Ahmed.

TSUMA: Hustle with me. I'm late
for the regional catch-up.

What kind of no-life,
cat-owning,

microwave-dinner-eating fool
schedules a meeting this late?

- Uh, the sadistic kind.
- (LAUGHS) Yeah.

Here's a perfectly bound copy

of the station's
six-week compass report.

Even put in a graph measuring
our stats against the KPIs

and added an insights summary

to make you look good
in front of the super.

- What's the top line?
- Arrests for possession are up.

Arrests for supply are down.

The differential
will get flagged.

Yeah, upstairs
will not be happy.

Tell GDs and the drug desk

to get some supply charges
on the table.

Known drug offenders,
possession cases.

See if any of them
are carrying extra weight?

(LIFT DOOR OPENS)

You know which rocks
to look under.

I can loop in the dog squad.
Aguilar would be happy to help.

Mm.

(LIFT DOOR SHUTS)

I tell Dad he has to take
the dealership 100% electric

if he ever wants me
to have kids.

- You want kids?
- Yeah, of course. Do you?

- No way!
- Guys.

- Why not?
- Guys!

AGUILAR: Stop.

You, bag on the ground.

(DOG PANTS)

(BAG DROPS)

Kilo, find. Find, Kilo.

(BARKS)

He's gonna go round you.
Come on, Kilo.

(KILO BARKS)

The dog has indicated
that there's something on you.

There... there isn't.

Follow me.

Officer Turner!

Guys, just go.

Good boy. Come on. Here.

- Angela!
- But she said.

(INDISTINCT POLICE RADIO)

- Is that your seventh coffee?
- (PHONE RINGS)

DAVIDSON: Yeah, so?

Aguilar?

Got your runner.

ZIL: What did you find?

No joy.

OK. Maybe tomorrow?

AGUILAR: Yeah, she'll slip.

Thanks.

- (ZIL CLEARS THROAT)
- DAVIDSON: What was that?

He had some info on a
small-time dealer, that's all.

- DAVIDSON: Oh, yeah?
- Yeah.

It's good to know
we're all on the same page.

- Thanks for your time.
- Yes, sir.

Uh, boss...

...a word?

LATT: Sure.

(DOOR SHUTS)

I put in for the CM position
this morning.

I expected that.

I heard Barcelos
is also in the pool.

You two were stationed
in Bathurst together, right?

- You know each other.
- Don't read into it.

All I want is the chance
to act in the role.

We'll let the process
run its course with HR.

They need to balance
the needs of the broader region.

Thank you, sir.

I'll beat you this time.

One, two, three, four,
I declare a thumb war.

Five, six, seven, eight,
I cheat. You suck.

- I win again.
- (HALF-LAUGHS)

(KNOCK AT DOOR)

Staying for dinner, Hayden?

We should get to know
one another.

I'd love that.

Great!

We haven't met a man
in Dalia's life before.

Come and set the table?

ALICE: So, what do you do
for work?

I, uh...

I work in sales.
I'm a sales manager.

I work small pharma.

Most of my clients
are in Western Sydney,

but I'm just trying to climb
the ladder, you know?

I do.

I got a promotion
a month or so ago.

- HAYDEN: Mm.
- Mm, yeah.

I was made supervisor
of this place.

Wow!

I mean, you seem kinda young
for that.

Mm, older than you, I reckon.

(KNOCK AT DOOR)

Not by much.

I'm 21.

Well, you're closer to my age
than Dalia's.

(LAUGHS) She's such a creep.

(LAUGHS)

Dalia Tun to present, thanks.
It's a bail check.

Dalia!

Bail check!

That's it. Thanks.

You OK?

CHRISTIAN: Dalia? Dalia.

You need to get up.

Get away!

- What are you doing in here?
- Stay calm.

It's OK.
It's just another bail check.

What?

Again?

OFFICER: Dalia Tun,
I need to see you. Now.

Come on.

Before they wake
the whole house.

- Oh, for fuck's sake.
- (THUMPING AT DOOR)

OFFICER: I need to see her.

She's to present now
or it's a breach of bail.

CHRISTIAN: She's here.
She's coming.

Tonya. Tonya.

Go back to bed.

Slow breaths on me, Dalia.

OFFICER: She presents
or it's a breach.

- Now!
- ALICE: She's coming!

(BREATHES DELIBERATELY)

CHRISTIAN: Don't listen to that.
It's OK.

Stay with me. Slow breaths.

Hayden.

Take me to Ty.

Are you sure?

That's how the dogs operate.

They pick away at you
like a scab.

Bloody relentless.

Yeah.

They're playing you,

trying to break your spirit.

Hayden says really good things
about you.

Thought you might have some...

...strategies.

You're a foster kid, yeah?

Yeah, I did that too.

For a bit.

You did?

You really want my opinion?

This is your brain.

This bit
is the prefrontal cortex.

Deals with shit like language
and fine motor skills.

This bit is the amygdala.

It's what drives us.

It's buried all the way towards
the back of your brain,

carries the primal shit.

It's the alarm system
of our bodies.

Controls our flight
or fight reactions.

- Clean it up.
- HAYDEN: Sorry.

I'm sorry.

These reactions, Dalia,

it's what all our society
is about.

(TY CLEARS THROAT)

Here.

See?

Dull, monotonous lives

designed to keep you
in your primal brain.

So people are trapped
in that system,

working like dogs to pay off
small boxes to sleep in.

Buy whatever
society tells you to.

They're blind.

Controlled.

So how do you break free
from that?

Well, first you gotta be
conscious of it.

And then you gotta be
exceptional.

Use your mind
to defy the system.

Exceptional people operate
with an utter disregard

for how the system says things
have to be done.

Are you up for it?

Attagirl.

(DOOR SHUTS)

ZAHRA: This is good, right?

PROBIE: Yeah. It's getting
a lot of... interest.

ZAHRA: Yeah.

Sharing is caring.

- Respect boundaries.
- (ZAHRA SCOFFS)

Working hard, I see.

Staying informed
about the community.

You can see this is a story

which lots of people
are sharing.

It's about the girl Zil chased.

Explains that
she's been arrested

for causing actual bodily harm.

- For God's sake, Zahra.
- They're the facts.

Facts that bear no relevance
to each other,

but when you put them together,

they present a bullshit
narrative to the public.

It's defending Zil,
especially after being named.

That's what we should be doing.

It's placing blame on a kid.

He's been under
a lot of pressure.

Maybe everyone
could cut him some slack.

Zil causes
a lot of his own problems.

You mean a lot to him.

You think you could be
a bit more compassionate?

That kind of support isn't
what he needs right now, Zahra.

He's a cop.

That comes with duties
and expectations.

- I know. I work here too.
- Cool.

Then how about you act like it?

(DOOR OPENS)

(DOOR SLAMS)

Can you believe her?

DALIA: She asked about
Luka's body on the tracks.

How much blood there was.

CHRISTIAN: I see.

Yeah, that's not cool.

It's like she gets off hearing
about my trauma or something.

She also asked about...

What?

(TENSE MUSIC)

Stuff that happened.

When I lived with my mum.

I don't want to get her
in trouble.

I feel kind of... gross,

like, even...

...unsafe around her.

I'll call it in.

Tell your boss I feel unsafe?

Leave it with me, OK?

(PHONE RINGS)

Sorry, Da.

(EDGY MUSIC)

Where'd you go last night?

Out.

(WATER RUNS)

(SIGHS) Want to eat
before your shift?

No, I'm not hungry.

(SIGHS)

OK.

What's up?

What are you doing
with Dalia Tun, Zil?

Trying to find a story to help
you sleep better at night?

'Cause you were meant to put it
in the rear-view.

I didn't know
she was gonna get arrested.

Well, I'm embarrassed,

because people think
that you chased her for me.

People? People think?

- It's not right.
- Yes, it kind of is.

Of course I chased her
because of you.

- You told me to.
- No. Don't be stupid.

I sat beside you
at the hospital.

You said, "Go back to work

"and catch the little shit
who hurt me."

You said that.

That is not
what I fucking meant,

and... and you know that.

You would have done
the same thing, you know?

You say that I put you
on a pedestal,

but you put yourself
right up there.

You know, I would have stopped.

I would have stopped the chase
when I got to the station.

It was too crowded,
too many unknowns.

It was fucking dumb
and dangerous.

You saying
I made the wrong call?

Yeah.

You did.

And Luka's on your conscience,
he's not on mine.

Fuckin' hell.

You're gonna let one decision
screw everything up?

Good one, yeah, blow it all up,
Sandra. Why the fuck not?

SANDRA: Oh, come on!

Zil.

I can't help you anymore.

I never needed your help.

Well, what did you need?

Nothing from you.

- Nice.
- Hmm.

(DOOR OPENS)

(DOOR SLAMS)

(SOMBRE MUSIC)

(TRAIN RATTLES)

(GLASS CLINKS)

(AMBIENT MUSIC)

Feel that?

You're stunning.

(SCOFFS)

Stop.

(DALIA GIGGLES)

You just want to
get in my pants.

We're more than that, yeah?

We're forever, babe.

Yeah, I like the sound of that.

(LAUGHS)

Hey, I've got something.

A gift. From Ty.

I mean, he gave me
a good discount on this.

(SOMBRE MUSIC)

(DART THUDS)

(ZIL SNIFFS)

(SIGHS)

(VEHICLE APPROACHES)

(VEHICLE ENGINE STOPS)

I've been worried about you.

(LAUGHS)

That makes two of us.

I know what it's like, not
meeting people's expectations.

(SIGHS) Yeah?

It's isolating when...

...when you realise
those you trust and love

no longer see the world
as you do.

(CAR DOOR OPENS)

(CAR DOOR SHUTS)

(ENGINE STARTS)

(DRAMATIC MUSIC)

Hey.

Zahra!

(VEHICLE DOOR SHUTS)

Oh, get off!

Hey.

Stand there.
Answer any questions when asked.

DALIA: Get off!

Are you on something?

- NANCE: Ali.
- SANDRA: What?

NANCE: I need a female
for a search.

Corner box.

A thankyou would be nice.

OK, someone else
is gonna have to take it.

- (DALIA KICKS)
- HOOPER: Hey! Hey!

DAVIDSON: Back up. Stop.

(DALIA SCREAMS) Get off!

Get off!

(MOODY ELECTRONIC MUSIC)