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Welcome to the lesson on drawing the breasts.
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Now when we think about breasts, one of the key differentiators with breasts, is that unlike all the other
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forms that we've done so far, breasts don't have a bone structure to them.
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They're very soft and they're very malleable to an extent . But the basic form that we want to use is
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really just a spherical type of shape, at least to start with.
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And then when we bring it into a dynamic sense, we kind of want to bend it down where it has more of an
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egg like shape if you will, more of an egg like shape.
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I'm drawing these contour lines on top of that here, on top of this form here, just so we can get a feeling
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for its form.
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And even if we rotated this particular form, it would very much be similar to an egg, but due to how malleable
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the breasts are and soft they are, when they fall onto a surface, such as the chest,
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they tend to flatten out at the bottom, where they touch that flat surface, and have this type of appearance,
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where we've got these curves that been kind of flattened out here.
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I'm just going to over enhance it here, that they really flatten out.
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So a good way to think about breasts when you're drawing them, is to kind of imagine them as if they
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were water balloons to some extent.
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And the way that a water balloon might react when a hard surface is pushed against it, or it is
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resting on a hard surface, like the breasts rest on the chest.
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So now that we have this basic, very basic understanding of the form, let's look at some techniques of
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adding the breasts on top of our basic chest shape.
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So here is our dynamic chest section.
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Just draw through the sections as well.
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Just so you can feel that form out nicely.
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And put a centered line down which can definitely guide us. Now in terms of human anatomy, the clavicle
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connects here, and the clavicle is really the collarbone which would extend out underneath the skin surface
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off onto joining the scapula, and then connecting to the arms and so forth. And the clavicle has this little
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indentation in your neck, which you can feel if you put your fingers just below your neck.
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You can actually feel where your collarbone joins, And it just so happens, that this is a great location
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to start mapping out where you want to put the breasts, remembering their form and also remembering that
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they're going to flatten on one side.
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So in order to map the breasts out, also remembering your anatomy and your proportions, sorry also
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remembering your proportions, you want to draw those shapes in.
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And those 3D forms in, and then kind of flatten them out and imagine the form coming down here as
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well, and have it kind of flatten out. On the nearside breast
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we don't see the flattening as much.
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Something to remember however, is that in terms of musculature, the breasts do not actually connect,
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we would never draw a line down connecting the breasts from that point, because in terms of musculature,
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the breasts are part of the pectoral muscles, and the pectoral muscles tend to, at the sides, bend out
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and tuck in underneath the deltoid, right, which is the shoulder muscle.
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So it's important to know, that while we want to have this form here, and certainly if we did some contour
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lines we'd have this type of shape happening, just know that the muscle does curve out and up as it goes
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underneath the shoulder muscle.
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You generally don't see it that much in a three quarter angle on the far side of the Far side breast, but
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you do see this flattening effect.
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And technically speaking this would, it's lines would fold underneath the shoulder on that side.
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And that is effectively how you draw breasts on the form.
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Remember the malleable nature of it, and that water balloon and type of shape.
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And what happens when we lay that water balloon down on a surface that is flat,
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it's kind of going to get flat on that one side.
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Think about it like that.
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And a good way to also remember laying it out onto the chest, is using that clavicle indentation, and
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you can see it almost makes a heart shape, which is a good way of at least helping you figure out where
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exactly to place them, and remembering the actual contour of the forms as you place them on the chest.
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All right so that's just a basic guide on how to place the breast, and the basic forms of the breast.
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The sphere that we kind of stretching out to this shape, and once again, we don't want to forget how malleable
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the breasts are, and how soft the breasts are and how they're affected by gravity.
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So as a basic form.
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Those are the breasts.
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Let's move on.
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