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In this lesson we're going to be talking about "The story is everything".
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Now I know that perhaps at the stage of the course you're thinking "Wow man, this is wordy.
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Are we ever going to do some drawing?"
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Trust me most, of the Course is drawing related, but this stuff is very very important to know, to have
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in your mind, to learn, to digest. So really take this seriously and consider it very very important.
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All right so, the story, right.
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The first big point is Vision right.
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If you've done the "Art Fundamentals Course" or even if you haven't it doesn't really matter.
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Vision is your preconception or your conceptualizing of the character that you're drawing.
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Thinking about who the character is, where is the character, perhaps in the present scene, what roles do
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they live in, what is their personality, what is the story of the piece that you're currently drawing.
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What is the feeling?
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What is the mood?
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What did the expression on their face? What is the piece communicating?
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The story is extremely extremely extremely extremely important to creating a piece that is emotive, and
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as we've learned in the "Technicalities versus emotional impact lesson", emotional impact is crucial in
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creating a piece that is appealing.
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Ultimately we really want to create works that are appealing.
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We want our work to have appeal; that has the ability to persuade someone to look at it and to maintain
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them looking at it and give them some joy or fully communicate the message of the piece to them and an effective
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way that they find satisfied.
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Now one of the most important things I could ever tell you about art and I'm going to do my best
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to make this as clear as possible, is to have you realize that the artwork itself is just the medium.
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Right.
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Perhaps that seems obvious right.
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But let me give you some examples.
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A book is a medium.
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A movie is a medium and a newspaper is a medium a magazine is a medium.
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Right.
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Art is a medium.
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Music is a medium.
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Right.
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These are just mediums. The artwork that you end up with in many ways is just the medium.
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Right.
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The message however, is that thing that you're communicating through the medium.
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Right, and the message is very very very important.
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As I tell students constantly, make some thing cool don't make a cool artwork right.
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Don't think about the artwork.
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Think about the thing.
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Have your thoughts on the thing itself that you're creating.
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In our case characters, right. Think deeply about the character, who the character is what the character
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is wearing, where the characters at, what their personalty is and so on and so forth.
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Right.
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Making some thing cool is much more important in making a cool artwork.
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Right.
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The concept in itself should be good.
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It should be able to be described with 100 keywords.
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You know you have a poor message if there are only a few keywords that could be attributed to what is
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communicated through the medium.
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You know, if you do a if you design a great character, it should be able to be communicated effectively
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and appealingly through any medium.
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Lets for arguments sake a 3D model, or in a book, or in a comic book, or in a
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painting, a beautiful painting, the character's concept itself should hold most of the appeal, and your
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implementation of that should be, you know, sufficient enough to adequately describe and do justice
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to the concept that you've come up with.
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So once again: artwork is a medium.
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Its not the message and the message is extremely extremely important.
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And in our case the message of the story and the story is everything right.
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The story is everything. Especially when we are talking about character artwork. Hope that was really clear.
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Let's move on.
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