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Welcome to model 2 and at the start of this module we're going to be doing warmup and penmanship training.
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I'm going to show you a warm up exercise that is really designed to help you improve your penmanship.
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How you basically draw lines, and how you can basically get a good way to loosen up, draw with your arm.
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And it's great exercise, you can do it digitally you can do traditionally; it doesn't really matter.
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So let's get right into it.
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So the first stage of this, is to really just draw a page of circles. And notice how fast I'm drawing
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them. I'm keeping my wrist kind of locked, and using my arm and my elbow to draw these.
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So all you have to do is basically say "OK let me draw circles without moving my wrist." And I also want
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you to pay careful attention to how loose I'm being. You can see that here and here and here and all these
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areas, the circles don't necessarily close properly.
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Now, you want to strive to have good, perfect circles, as perfect as possible. But not at the expense of
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drawing slowly.
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Right.
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Or anything like that.
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We don't want to draw slowly.
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We don't want to do anything like that.
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Right.
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So, just be very loose, lock your wrist, and move your arm and do a page of circles.
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I'll try and be as perfect as I can here.
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Alright.
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And what I'll often do, is just put circles in them circles smaller circles. Not using my wrist. Once again:
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Don't use your wrist.
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So that's what we want to do as the first exercise. Add a new layer or get a new page, and what we want to
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do after that is draw some ellipses.
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Now what is an ellipse?
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An ellipse is a circle that if rotated slightly is now in perspective.
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Right.
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So it's basically still the same circle, it's the same little, let's pretend it's a dish for example, but
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we just rotate it in perspective. That's what an ellipse is.
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And you know your ellipses are good, if you can cut them down the middle here.
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This is called the minor axis, for you theory nerds out there.
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I was going to type minor theory. I mean, Minor axis
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Right.
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If you cut it through the middle, on the minor axis, the major axis is not important to us, that
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would be cutting it vertically, and you're able to fold one side over the other.
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And they match fairly well or perfectly, right.
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This one's pretty OK. And also a point to note, just a side note, the minor axis will always point to a
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vanishing point in perspective.
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If you know a lot about perspective right.
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Nevertheless, what we want to do is a page of ellipses, and just kind of get that arm motion of drawing
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ellipses.
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And you can vary the degree of the ellipse- that is the spacing in between the ellipse.
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What degree of rotation is happening to the circle.
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So you can do very thin little ellipses or you can try to do bigger ellipses. The whole thing
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is to ensure that both sides really are the same as each other.
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And what you can do after you've done a page of ellipses, is just run through and check them
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and just put a tick or a cross
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if you felt it was a good ellipse or a bad ellipse. That one's not super good.
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This one is reasonable. This one is reasonable. Too bad. This one's OK.
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That one is bad.
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And once again I want to reinforce this: just be loose, physically loose in your arm right now.
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The lesson coming up called "looseness and dynamism" will really go in depth as to what it means to be
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loose, in terms of physically loose in your arm.
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So that is coming up.
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But nevertheless, I want you guys to start doing the warm up exercises already.
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Right. Not super good on the ellipses, no big deal it's just a warm up exercise.
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All right.
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The next thing that you guys should do on the warm up exercise and penmanship training, is really draw
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straight lines. As straight as you can, freehand, very quickly, not slowly at all, and try and keep them as
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parallel as possible.
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This is especially useful when you're trying to do obviously straight lines in your work, if you're doing
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any kind of industrial design drawing.
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And I would just generally do this a couple of times, top to bottom, bottom to top, just doing my best,
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putting the lines in very quickly.
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You can see how quickly I'm drawing this. Locking my wrist and trying to get as straight a line as possible.
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You can see here I kind of veer, the lines are not perfectly parallel.
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They taper a little bit, tapering, tapering. They're kind of converging, heading to converge somewhere, but
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it's a great exercise.
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And I'd probably just do about three pages; two or three pages where I'm just constantly training
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my arm, moving it quickly, and you'll see the more you get it and the more you focus, the better you get as time
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goes by. I usually do one of these entire exercise workflows, warmup exercises, in about five minutes
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just before I start drawing. It helps to really loosen up the arm because getting nice smooth lines
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really requires a looseness; a physical looseness.
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OK.
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And then last but not least, is the point to point exercise. The point to point exercise really is, you put
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about six or seven dots on the page, and what you want to try and do is, ghost the line if you have to, (Let me make
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the cursor a little bit bigger here so you can see) to kind of, you want to try and have a straight shot,
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a straight as line as possible, joining these two points together.
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And so I ghost the line, basically I don't draw I kind of just hover my hand to try and make the shot
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and then try and go for it.
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Didn't quite hit it, but the line is pretty nice and straight.
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And then I'll try the next one.
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Now if you're on paper, feel free to rotate the page, photoshop you can hit R
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And, you can then rotate the page like that. I find that I draw straight lines reasonably accurately
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from bottom to top.
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Ghosting trying to hit it
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so here I'll ghost this one as well.
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OK.
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Hit it.
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But I overshot a little bit, but the line is fairly straight and the overshoots are't the end of the world. You're
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really just trying to train yourself to draw very straight lines.
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That one is pretty reasonable right.
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So in summary, the workflow for the warm up and penmanship training, and I recommend you do this every
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day before you start to draw, is do a page of circles very loosely, a page of ellipses very loosely.
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Don't forget to measure them down the middle to check the accuracy, a page of lines, straight lines or
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two or three pages if you wish if you're pretty quick at it.
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And then a single page of point to point, where you want to connect the lines together with as straight
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line as possible. Connect the points together with a straight line as possible.
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That's the end of this lesson.
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Let's move on to the next lesson.
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