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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,600 --> 00:00:08,720 Welcome to model 2 and at the start of this module we're going to be doing warmup and penmanship training. 2 00:00:09,260 --> 00:00:15,080 I'm going to show you a warm up exercise that is really designed to help you improve your penmanship. 3 00:00:15,230 --> 00:00:21,530 How you basically draw lines, and how you can basically get a good way to loosen up, draw with your arm. 4 00:00:21,710 --> 00:00:25,390 And it's great exercise, you can do it digitally you can do traditionally; it doesn't really matter. 5 00:00:25,580 --> 00:00:27,210 So let's get right into it. 6 00:00:27,530 --> 00:00:34,790 So the first stage of this, is to really just draw a page of circles. And notice how fast I'm drawing 7 00:00:34,790 --> 00:00:41,500 them. I'm keeping my wrist kind of locked, and using my arm and my elbow to draw these. 8 00:00:41,510 --> 00:00:47,570 So all you have to do is basically say "OK let me draw circles without moving my wrist." And I also want 9 00:00:47,570 --> 00:00:55,100 you to pay careful attention to how loose I'm being. You can see that here and here and here and all these 10 00:00:55,100 --> 00:00:59,410 areas, the circles don't necessarily close properly. 11 00:00:59,420 --> 00:01:06,560 Now, you want to strive to have good, perfect circles, as perfect as possible. But not at the expense of 12 00:01:06,560 --> 00:01:08,450 drawing slowly. 13 00:01:08,540 --> 00:01:09,260 Right. 14 00:01:09,380 --> 00:01:10,280 Or anything like that. 15 00:01:10,280 --> 00:01:12,130 We don't want to draw slowly. 16 00:01:12,260 --> 00:01:13,750 We don't want to do anything like that. 17 00:01:13,850 --> 00:01:15,380 Right. 18 00:01:15,410 --> 00:01:22,060 So, just be very loose, lock your wrist, and move your arm and do a page of circles. 19 00:01:22,070 --> 00:01:25,280 I'll try and be as perfect as I can here. 20 00:01:32,420 --> 00:01:33,180 Alright. 21 00:01:33,340 --> 00:01:39,280 And what I'll often do, is just put circles in them circles smaller circles. Not using my wrist. Once again: 22 00:01:39,280 --> 00:01:40,230 Don't use your wrist. 23 00:01:48,230 --> 00:01:54,680 So that's what we want to do as the first exercise. Add a new layer or get a new page, and what we want to 24 00:01:54,680 --> 00:01:56,990 do after that is draw some ellipses. 25 00:01:56,990 --> 00:01:58,410 Now what is an ellipse? 26 00:01:58,520 --> 00:02:04,010 An ellipse is a circle that if rotated slightly is now in perspective. 27 00:02:04,010 --> 00:02:04,290 Right. 28 00:02:04,280 --> 00:02:09,680 So it's basically still the same circle, it's the same little, let's pretend it's a dish for example, but 29 00:02:09,919 --> 00:02:13,160 we just rotate it in perspective. That's what an ellipse is. 30 00:02:13,310 --> 00:02:18,800 And you know your ellipses are good, if you can cut them down the middle here. 31 00:02:18,820 --> 00:02:23,360 This is called the minor axis, for you theory nerds out there. 32 00:02:23,590 --> 00:02:26,860 I was going to type minor theory. I mean, Minor axis 33 00:02:27,300 --> 00:02:28,220 Right. 34 00:02:28,250 --> 00:02:32,720 If you cut it through the middle, on the minor axis, the major axis is not important to us, that 35 00:02:32,720 --> 00:02:38,560 would be cutting it vertically, and you're able to fold one side over the other. 36 00:02:38,570 --> 00:02:41,600 And they match fairly well or perfectly, right. 37 00:02:41,600 --> 00:02:48,320 This one's pretty OK. And also a point to note, just a side note, the minor axis will always point to a 38 00:02:48,320 --> 00:02:49,910 vanishing point in perspective. 39 00:02:50,090 --> 00:02:52,270 If you know a lot about perspective right. 40 00:02:52,780 --> 00:02:59,240 Nevertheless, what we want to do is a page of ellipses, and just kind of get that arm motion of drawing 41 00:02:59,240 --> 00:03:00,030 ellipses. 42 00:03:08,250 --> 00:03:13,360 And you can vary the degree of the ellipse- that is the spacing in between the ellipse. 43 00:03:13,410 --> 00:03:16,470 What degree of rotation is happening to the circle. 44 00:03:16,530 --> 00:03:23,400 So you can do very thin little ellipses or you can try to do bigger ellipses. The whole thing 45 00:03:23,400 --> 00:03:28,080 is to ensure that both sides really are the same as each other. 46 00:03:28,080 --> 00:03:32,190 And what you can do after you've done a page of ellipses, is just run through and check them 47 00:03:32,790 --> 00:03:34,120 and just put a tick or a cross 48 00:03:34,140 --> 00:03:39,440 if you felt it was a good ellipse or a bad ellipse. That one's not super good. 49 00:03:39,750 --> 00:03:47,250 This one is reasonable. This one is reasonable. Too bad. This one's OK. 50 00:03:47,740 --> 00:03:48,680 That one is bad. 51 00:03:48,700 --> 00:03:54,610 And once again I want to reinforce this: just be loose, physically loose in your arm right now. 52 00:03:54,610 --> 00:04:00,280 The lesson coming up called "looseness and dynamism" will really go in depth as to what it means to be 53 00:04:00,280 --> 00:04:03,430 loose, in terms of physically loose in your arm. 54 00:04:03,460 --> 00:04:05,260 So that is coming up. 55 00:04:05,300 --> 00:04:10,010 But nevertheless, I want you guys to start doing the warm up exercises already. 56 00:04:11,030 --> 00:04:15,210 Right. Not super good on the ellipses, no big deal it's just a warm up exercise. 57 00:04:15,580 --> 00:04:16,380 All right. 58 00:04:16,540 --> 00:04:22,420 The next thing that you guys should do on the warm up exercise and penmanship training, is really draw 59 00:04:22,420 --> 00:04:29,290 straight lines. As straight as you can, freehand, very quickly, not slowly at all, and try and keep them as 60 00:04:29,290 --> 00:04:31,390 parallel as possible. 61 00:04:35,520 --> 00:04:41,370 This is especially useful when you're trying to do obviously straight lines in your work, if you're doing 62 00:04:41,400 --> 00:04:43,860 any kind of industrial design drawing. 63 00:04:44,280 --> 00:04:50,310 And I would just generally do this a couple of times, top to bottom, bottom to top, just doing my best, 64 00:04:50,970 --> 00:04:52,460 putting the lines in very quickly. 65 00:04:52,470 --> 00:04:58,120 You can see how quickly I'm drawing this. Locking my wrist and trying to get as straight a line as possible. 66 00:04:58,170 --> 00:05:01,440 You can see here I kind of veer, the lines are not perfectly parallel. 67 00:05:01,440 --> 00:05:06,360 They taper a little bit, tapering, tapering. They're kind of converging, heading to converge somewhere, but 68 00:05:06,360 --> 00:05:07,540 it's a great exercise. 69 00:05:07,590 --> 00:05:14,340 And I'd probably just do about three pages; two or three pages where I'm just constantly training 70 00:05:14,340 --> 00:05:21,870 my arm, moving it quickly, and you'll see the more you get it and the more you focus, the better you get as time 71 00:05:21,870 --> 00:05:29,610 goes by. I usually do one of these entire exercise workflows, warmup exercises, in about five minutes 72 00:05:29,610 --> 00:05:34,830 just before I start drawing. It helps to really loosen up the arm because getting nice smooth lines 73 00:05:34,830 --> 00:05:38,210 really requires a looseness; a physical looseness. 74 00:05:38,320 --> 00:05:39,170 OK. 75 00:05:39,660 --> 00:05:47,100 And then last but not least, is the point to point exercise. The point to point exercise really is, you put 76 00:05:47,100 --> 00:05:54,450 about six or seven dots on the page, and what you want to try and do is, ghost the line if you have to, (Let me make 77 00:05:54,450 --> 00:05:59,220 the cursor a little bit bigger here so you can see) to kind of, you want to try and have a straight shot, 78 00:05:59,370 --> 00:06:03,260 a straight as line as possible, joining these two points together. 79 00:06:03,360 --> 00:06:08,400 And so I ghost the line, basically I don't draw I kind of just hover my hand to try and make the shot 80 00:06:09,060 --> 00:06:11,070 and then try and go for it. 81 00:06:11,070 --> 00:06:13,900 Didn't quite hit it, but the line is pretty nice and straight. 82 00:06:14,190 --> 00:06:15,800 And then I'll try the next one. 83 00:06:15,810 --> 00:06:19,730 Now if you're on paper, feel free to rotate the page, photoshop you can hit R 84 00:06:19,830 --> 00:06:24,900 And, you can then rotate the page like that. I find that I draw straight lines reasonably accurately 85 00:06:24,900 --> 00:06:26,150 from bottom to top. 86 00:06:28,180 --> 00:06:29,920 Ghosting trying to hit it 87 00:06:32,850 --> 00:06:36,190 so here I'll ghost this one as well. 88 00:06:37,370 --> 00:06:37,700 OK. 89 00:06:37,700 --> 00:06:38,030 Hit it. 90 00:06:38,050 --> 00:06:44,540 But I overshot a little bit, but the line is fairly straight and the overshoots are't the end of the world. You're 91 00:06:44,540 --> 00:06:48,110 really just trying to train yourself to draw very straight lines. 92 00:06:48,210 --> 00:06:51,660 That one is pretty reasonable right. 93 00:06:52,250 --> 00:06:57,480 So in summary, the workflow for the warm up and penmanship training, and I recommend you do this every 94 00:06:57,480 --> 00:07:04,280 day before you start to draw, is do a page of circles very loosely, a page of ellipses very loosely. 95 00:07:04,280 --> 00:07:10,550 Don't forget to measure them down the middle to check the accuracy, a page of lines, straight lines or 96 00:07:10,790 --> 00:07:13,550 two or three pages if you wish if you're pretty quick at it. 97 00:07:13,790 --> 00:07:19,460 And then a single page of point to point, where you want to connect the lines together with as straight 98 00:07:19,460 --> 00:07:23,720 line as possible. Connect the points together with a straight line as possible. 99 00:07:23,750 --> 00:07:24,720 That's the end of this lesson. 100 00:07:24,740 --> 00:07:26,500 Let's move on to the next lesson. 10382

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