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1
00:00:08,074 --> 00:00:09,576
YEAH. REALLY?
2
00:00:09,610 --> 00:00:12,012
THIS GUY GAVE HIM UP.
3
00:00:12,045 --> 00:00:14,314
YEAH, LYLE DENNISON.
4
00:00:14,347 --> 00:00:17,250
AY?YI?YI.
84 DEGREES.
5
00:00:17,283 --> 00:00:19,586
8:00 IN THE MORNING.
IT�S ALREADY 84 DEGREES.
6
00:00:20,721 --> 00:00:23,223
YOU KNOW HOW I GOT THAT EXACT
TEMPERATURE?
7
00:00:23,256 --> 00:00:26,259
BECAUSE THE THERMOMETER ON MY
DASHBOARD WORKS PERFECTLY,
8
00:00:26,292 --> 00:00:29,029
AS OPPOSED TO THAT COCKAMAMIE
AIR CONDITIONING,
9
00:00:29,062 --> 00:00:31,397
WHICH SUDDENLY STARTS BLOWING
OUT HOT AIR,
10
00:00:31,431 --> 00:00:33,099
AND IT STINKS LIKE
AN ARMPIT.
11
00:00:33,133 --> 00:00:34,568
SEE YOU THERE.
12
00:00:34,601 --> 00:00:36,369
[ SIGHS ]
13
00:00:36,402 --> 00:00:37,904
WHO�S THIS ASSHOLE?
14
00:00:37,938 --> 00:00:40,106
SOMEONE DROPPED A DIME ON THAT
SHOOTER FROM STUYVESANT TOWN.
15
00:00:40,140 --> 00:00:41,441
NAME�S LYLE DENNISON.
16
00:00:41,474 --> 00:00:43,544
WE GOT A LOCATION ON HIM ??
A PROJECT ON "B."
17
00:00:43,577 --> 00:00:45,746
JONES AND MEDAVOY
ARE MEETING US THERE.
18
00:00:45,779 --> 00:00:48,048
IF THIS PRICK CAN FIX
A CAR AIR CONDITIONER,
19
00:00:48,081 --> 00:00:49,816
HE GETS A WALK.
20
00:01:07,300 --> 00:01:08,769
LYLE DENNISON�S IN 1507.
21
00:01:08,802 --> 00:01:11,271
TENANT PATROL SAW HIM WALK IN
HALF AN HOUR AGO.
22
00:01:11,304 --> 00:01:12,873
WHERE YOU GOING?
23
00:01:12,906 --> 00:01:15,375
WE GOT A HOME INVASION.
THE BOSS WANTS US THERE NOW.
24
00:01:15,408 --> 00:01:17,243
THE SECTOR CAR WILL BACK
YOU UP.
25
00:01:17,277 --> 00:01:19,445
I HOPE YOU BROUGHT
YOUR WALKING SHOES.
26
00:01:19,479 --> 00:01:20,647
ELEVATOR�S OUT.
27
00:01:20,681 --> 00:01:22,583
15th FLOOR?
YEAH.
28
00:01:22,616 --> 00:01:23,784
GREAT.
29
00:01:23,817 --> 00:01:25,218
AND THE STAIRWELL STINKS
OF URINE.
30
00:01:25,251 --> 00:01:26,820
ALL RIGHT, MEDAVOY.
31
00:01:26,853 --> 00:01:28,154
HAPPY HUNTING!
32
00:01:37,163 --> 00:01:38,965
[ BREATHING HEAVILY ]
33
00:01:51,477 --> 00:01:53,146
WHAT YOU WANT?
34
00:01:53,179 --> 00:01:54,180
THIS DON�T CONCERN YOU.
35
00:01:54,214 --> 00:01:55,649
OH, NO, THIS MY HALLWAY.
36
00:01:55,682 --> 00:01:57,317
I SAY WHAT CONCERN ME
AND WHAT DON�T.
37
00:01:57,350 --> 00:01:58,619
WHY DON�T YOU GO BACK
TO YOUR APARTMENT, MA�AM?
38
00:01:58,652 --> 00:01:59,686
WHY DON�T YOU GET OUT OF MY
BUILDING?
39
00:01:59,720 --> 00:02:00,754
GO IN YOUR APARTMENT!
40
00:02:00,787 --> 00:02:01,788
HELL NO!
41
00:02:01,822 --> 00:02:03,256
HE HOME?!
42
00:02:03,289 --> 00:02:04,958
YOU SEE A PIG BADGE
ON ME?
43
00:02:04,991 --> 00:02:06,426
YOU SEEN THE GUY WHO LIVES
HERE OR NOT?
44
00:02:06,459 --> 00:02:08,361
WHY DON�T YOU WIPE THAT PIG
GREASE OFF YOUR FOREHEAD,
45
00:02:08,394 --> 00:02:10,263
SMEAR IT ON YOUR SHOES,
AND SLIDE ON OUT OF HERE?
46
00:02:10,296 --> 00:02:11,932
AIN�T NOBODY TALKING TO YOU.
47
00:02:11,965 --> 00:02:14,668
GO INSIDE, STICK YOUR HEAD IN
THE FRIDGE, AND COOL OFF.
48
00:02:14,701 --> 00:02:15,936
ALL RIGHT. I�LL STICK
MY HEAD IN THE FRIDGE.
49
00:02:15,969 --> 00:02:17,370
YOU STICK YOUR HEAD IN YOUR ASS!
[ SPITS ]
50
00:02:17,403 --> 00:02:20,707
HEY! YOU LITTLE
SON OF A BITCH.
51
00:02:20,741 --> 00:02:22,142
BACK OFF!
52
00:02:22,175 --> 00:02:23,844
YOU WANT TO GO
TO THE STATION HOUSE?!
53
00:02:23,877 --> 00:02:25,045
BACK OFF!
EVERYBODY SHUT UP!
54
00:02:25,078 --> 00:02:27,147
ANDY.
55
00:02:27,180 --> 00:02:29,950
LYLE DENNISON?
56
00:02:29,983 --> 00:02:32,452
MAN, GET YOUR HANDS
OFF ME, MAN!
57
00:02:32,485 --> 00:02:34,320
WHAT�S UP, MAN?
DAMN!
58
00:02:34,354 --> 00:02:36,623
DAMN! DAMN, MAN!
59
00:02:36,657 --> 00:02:38,391
SAY SOMETHING ELSE
OR SHUT UP.
60
00:03:53,600 --> 00:03:54,768
ME THERE?
61
00:03:54,801 --> 00:03:56,269
YEAH, YOU THERE.
62
00:03:56,302 --> 00:03:58,872
GOOD, �CAUSE I WANT TO GET
A GOOD VIEW OF Y�ALL.
63
00:03:58,905 --> 00:04:00,106
I WANT TO SIZE YOU UP.
64
00:04:00,140 --> 00:04:02,543
I WANT TO TAKE YOU IN AND,
LIKE, DIGEST YOU.
65
00:04:02,576 --> 00:04:04,277
SHUT UP AND TELL US WHAT
YOU WERE DOING
66
00:04:04,310 --> 00:04:06,146
AT STUYVESANT TOWN
LAST THURSDAY.
67
00:04:06,179 --> 00:04:07,714
I DON�T KNOW WHAT YOU�RE
TALKING ABOUT.
68
00:04:07,748 --> 00:04:10,584
WERE YOU DROPPED ON YOUR HEAD
AS A KID SO YOU SLOW,
69
00:04:10,617 --> 00:04:12,986
OR YOU JUST GOT BIG BALLS
LIKE AN ELEPHANT?
70
00:04:13,019 --> 00:04:16,256
CONCENTRATE OR I�M GONNA DROP
YOU ON YOUR HEAD.
71
00:04:16,289 --> 00:04:18,324
A GUY WHO DEALS OUT OF STUY TOWN
NAMED LITTLE PETE
72
00:04:18,358 --> 00:04:20,260
WAS SHOT IN A DRUG BEEF
LAST THURSDAY.
73
00:04:20,293 --> 00:04:23,930
10 PEOPLE SAW YOU DO IT.
PETE SAW YOU DO IT.
74
00:04:23,964 --> 00:04:25,498
CARE TO GIVE US YOUR SIDE
75
00:04:25,532 --> 00:04:28,101
OR ARE YOU TOO BUSY
DIGESTING MY PARTNER?
76
00:04:28,134 --> 00:04:31,237
YOU�LL HAVE TO EXCUSE ME.
I NEVER SAW A WALKING DEAD MAN.
77
00:04:31,271 --> 00:04:32,573
MAYBE WE NEED TO GO OVER
THE RULES
78
00:04:32,606 --> 00:04:34,975
FOR ASSHOLES WHO MAKE
DEATH THREATS.
79
00:04:35,008 --> 00:04:38,945
I THINK LYLE�S DONE NOW.
HE�S TALKED HIS TRASH.
80
00:04:38,979 --> 00:04:40,947
YOU HAVE ANY CLUE WHO YOU SHOVED
ON HER ASS IN THAT HALLWAY?
81
00:04:40,981 --> 00:04:42,482
I DON�T REALLY CARE.
82
00:04:42,516 --> 00:04:44,317
YOU EVER HEAD OF THIS PLAYER
NAMED MONEY T.?
83
00:04:44,350 --> 00:04:45,952
WE�RE TALKING ABOUT YOUR
SHOOTING HERE.
84
00:04:45,986 --> 00:04:48,421
HE�S A BIG GUY,
BIG NEIGHBORHOOD DUDE,
85
00:04:48,454 --> 00:04:50,857
AND THAT GIRL�S HIS QUEEN
BITCH, SHALICE.
86
00:04:50,891 --> 00:04:53,627
NOBODY TOUCHES SHALICE,
NOBODY SAYS HI TO SHALICE,
87
00:04:53,660 --> 00:04:55,328
NOBODY EVEN LOOKS SHALICE
IN THE EYES
88
00:04:55,361 --> 00:04:57,263
UNLESS THEY WANT THEIR NUTS
STOMPED,
89
00:04:57,297 --> 00:04:59,465
ESPECIALLY WHEN TINY AND BILL
GOT HER BACK.
90
00:04:59,499 --> 00:05:02,202
THOSE ARE THE TWO STEROID CASES,
THE TWINS?
91
00:05:02,235 --> 00:05:05,672
HER BODYGUARDS, WHO SOME FOLKS
SAY GOT 20 BODIES BETWEEN �EM.
92
00:05:05,706 --> 00:05:07,273
YOU SEE HER SITTING ON
HER ASS,
93
00:05:07,307 --> 00:05:08,441
SO PISSED SHE COULDN�T SAY
NOTHING?
94
00:05:08,474 --> 00:05:10,110
SHE WAS HUMILIATED,
95
00:05:10,143 --> 00:05:11,712
AND TINY AND BILL,
WHO DIDN�T SEE IT COMING?
96
00:05:11,745 --> 00:05:13,880
WHOO!
THEY WAS HUMILIATED.
97
00:05:13,914 --> 00:05:15,315
AND BETWEEN THE THREE
OF THEM,
98
00:05:15,348 --> 00:05:17,951
YOU�RE GONNA HAVE A WHOLE ARMY
COMING DOWN ON YOUR ASS.
99
00:05:17,984 --> 00:05:20,353
I REMEMBER GIVING YOU A WARNING
ABOUT THAT KIND OF TALK.
100
00:05:20,386 --> 00:05:23,657
ALL RIGHT, NITWIT, WHY DON�T YOU
GET IN THE CAGE.
101
00:05:23,690 --> 00:05:24,858
JUST LETTING YOU KNOW.
102
00:05:24,891 --> 00:05:26,459
I APPRECIATE IT,
103
00:05:26,492 --> 00:05:28,128
BUT IT�S TIME FOR THIS DEAD
MAN�S CUP OF COFFEE
104
00:05:28,161 --> 00:05:29,362
AND MORNING CRAP ??
105
00:05:29,395 --> 00:05:31,565
ALL THE THINGS THAT MAKE DEATH
WORTH LIVING.
106
00:05:38,572 --> 00:05:39,840
SO ?? DEATH THREAT.
107
00:05:39,873 --> 00:05:41,207
YEAH, I DON�T KNOW
ABOUT THAT.
108
00:05:41,241 --> 00:05:42,743
I HAVE HEARD OF MONEY T.
109
00:05:42,776 --> 00:05:44,978
ME TOO.
I�LL PONDER IT ON THE CAN.
110
00:05:45,011 --> 00:05:46,713
I WASN�T JOKING ABOUT
THAT CRAP.
111
00:05:46,747 --> 00:05:48,815
IS THAT PAUL WINSLOW?
112
00:05:48,849 --> 00:05:50,483
JUST WHO I�M LOOKING FOR.
113
00:05:50,517 --> 00:05:53,253
MY PARTNER, ANDY SIPOWICZ.
I KNOW PAUL FROM NARCOTICS.
114
00:05:53,286 --> 00:05:54,921
I�VE BEEN SIX MONTHS
MIDTOWN NORTH SQUAD.
115
00:05:54,955 --> 00:05:56,890
IT�S GOOD TO MEET YOU.
I GOT BUSINESS.
116
00:05:56,923 --> 00:05:57,924
YOU GOT A MINUTE?
117
00:05:57,958 --> 00:05:59,459
SURE.
118
00:06:04,130 --> 00:06:08,001
YOUR NAME CAME UP IN A PROSS
HOMICIDE.
119
00:06:08,034 --> 00:06:09,703
CYNTHIA PATTERSON.
YOU KNOW HER?
120
00:06:09,736 --> 00:06:11,538
DOESN�T RING A BELL.
121
00:06:11,572 --> 00:06:14,240
TWO IN THE CHEST.
WENT BY "LOLLIPOP."
122
00:06:14,274 --> 00:06:16,276
HOW�D MY NAME COME UP?
123
00:06:16,309 --> 00:06:19,112
SHE RAN AN IN?CALL BUSINESS,
MOSTLY BY APPOINTMENT.
124
00:06:19,145 --> 00:06:21,782
WEDNESDAY LAST WEEK, YOUR NAME
WAS IN THE APPOINTMENT BOOK.
125
00:06:21,815 --> 00:06:23,449
IT SAID JOHN CLARK?
126
00:06:23,483 --> 00:06:26,452
"DETECTIVE JOHN CLARK ??
WEDNESDAY, 9:00 P. M."
127
00:06:26,486 --> 00:06:28,855
JOHN, IF YOU WERE
STICKING HER,
128
00:06:28,889 --> 00:06:29,790
DON�T THINK YOU�D GET
JUDGED BY ME.
129
00:06:29,823 --> 00:06:31,057
WHOA, IT�S NOT THAT.
130
00:06:31,091 --> 00:06:33,393
IF IT IS THAT,
GET IN FRONT NOW,
131
00:06:33,426 --> 00:06:34,528
�CAUSE YOUR NAME BEING
IN THAT BOOK�S
132
00:06:34,561 --> 00:06:37,564
GOTTA COME UP WITH MY BOSS.
133
00:06:37,598 --> 00:06:40,433
I KNOW YOUR DAD�S ON THE JOB,
SAME NAME AS YOU.
134
00:06:40,466 --> 00:06:42,035
IS THIS MAYBE
A CONVERSATION FOR HIM?
135
00:06:42,068 --> 00:06:46,406
NO, I�M JUST TRYING TO PICTURE
THIS GIRL WITH BLOND HAIR.
136
00:06:46,439 --> 00:06:47,641
SHE EVER GO BY "RUBY"?
137
00:06:47,674 --> 00:06:48,975
WE�RE NOT TOO FAR YET.
138
00:06:49,009 --> 00:06:51,377
I GOT A C.I. IN THE
FREDERICK DOUGLAS HOUSES.
139
00:06:51,411 --> 00:06:53,446
SHE REGISTERED?
140
00:06:53,479 --> 00:06:56,282
NO, SHE HELPED ME OUT
IN NARCOTICS ONCE.
141
00:06:56,316 --> 00:06:57,951
I STILL KEEP IN TOUCH.
I GOT A FEW LIKE THAT.
142
00:06:57,984 --> 00:06:59,720
SEE HER LAST WEEK?
143
00:06:59,753 --> 00:07:01,555
MAKE IT A MONTH AGO.
144
00:07:01,588 --> 00:07:03,890
MAYBE SHE WROTE IT DOWN WRONG.
WHAT�D YOU TALK ABOUT?
145
00:07:03,924 --> 00:07:05,726
LISTENED TO HER COMPLAIN.
146
00:07:05,759 --> 00:07:08,562
ONCE EVERY FIVE CHATS,
SOMETHING COMES OF IT.
147
00:07:08,595 --> 00:07:10,263
SHE MENTION ANYONE
GIVING HER TROUBLE?
148
00:07:10,296 --> 00:07:12,966
NOTHING.
GOT ANYBODY YOU�RE LOOKING AT?
149
00:07:12,999 --> 00:07:14,501
HER PIMP�S IN THE WIND.
HE�S THE GUY FOR NOW.
150
00:07:17,137 --> 00:07:18,772
SO SHE�S A C.I.
151
00:07:18,805 --> 00:07:23,143
YEAH.
GUESS SHE DYED HER HAIR.
152
00:07:23,176 --> 00:07:24,911
WELL, THAT�S ALL I NEED.
OKAY.
153
00:07:24,945 --> 00:07:28,615
SEEING HOW I COULD TAKE A RIP
ON HER NOT BEING REGISTERED,
154
00:07:28,649 --> 00:07:29,983
HOW TIGHT�S THE CIRCLE
ON THIS?
155
00:07:30,016 --> 00:07:32,452
IT�S JUST ME AND MY
PARTNER FOR NOW,
156
00:07:32,485 --> 00:07:34,988
BUT IT�S GOTTA COME UP WITH
MY BOSS, AND HE�S HALF A PRICK.
157
00:07:35,021 --> 00:07:36,823
I�LL TRY TO KEEP YOU OUT
OF THE PAPERWORK.
158
00:07:36,857 --> 00:07:37,858
APPRECIATE IT, PAUL.
159
00:07:37,891 --> 00:07:39,459
SEE YOU AROUND.
160
00:07:50,537 --> 00:07:52,539
HEY.
ELEANOR MONCREFE, 80 YEARS OLD.
161
00:07:52,573 --> 00:07:54,541
NEXT?DOOR NEIGHBOR
SAW THE DOOR OPEN,
162
00:07:54,575 --> 00:07:56,510
FOUND HER DUCT?TAPED TO A CHAIR
BEAT TO HELL.
163
00:07:56,543 --> 00:07:57,878
DID THE NEIGHBOR HEAR
ANYTHING?
164
00:07:57,911 --> 00:08:00,647
SAID SHE WAS SHOWERING, DRYING
HER HAIR FOR THE PAST HOUR.
165
00:08:00,681 --> 00:08:01,882
WAS THERE ANYTHING
FROM THE VICTIM?
166
00:08:01,915 --> 00:08:03,316
SHE WAS UNCONSCIOUS
WHEN WE GOT HERE,
167
00:08:03,349 --> 00:08:06,186
BUT ANTICRIME WAS FIRST
ON THE SCENE.
168
00:08:06,219 --> 00:08:08,388
YOU WANT TO TALK TO ANTICRIME,
I�LL GET THE NEIGHBOR?
169
00:08:08,421 --> 00:08:09,389
YEAH.
170
00:08:15,562 --> 00:08:16,563
HOW�S IT GOING?
171
00:08:16,597 --> 00:08:18,832
GOOD. FINE.
MAYA ANDERSON.
172
00:08:18,865 --> 00:08:20,400
YEAH. I REMEMBER.
173
00:08:20,433 --> 00:08:22,736
SO I HEARD YOU MIGHT HAVE GOT
A STATEMENT FROM THE VICTIM?
174
00:08:22,769 --> 00:08:24,004
SHE WAS IN AND OUT.
175
00:08:24,037 --> 00:08:26,039
SHE GIVE YOU ANY KIND OF
DESCRIPTION?
176
00:08:26,072 --> 00:08:29,309
SHE JUST MUMBLED, "IT HURTS.
IT HURTS."
177
00:08:29,342 --> 00:08:31,177
I MEAN, IT WAS AWFUL!
SHE WAS ALL BLOODY ??
178
00:08:31,211 --> 00:08:34,080
WHAT YOU GOTTA TRY TO DO IS
CONCENTRATE ON THE CASE.
179
00:08:34,114 --> 00:08:36,049
THAT�LL HELP GET YOUR MIND
MOVING FORWARD.
180
00:08:36,082 --> 00:08:39,586
IS THERE ANYTHING ELSE
YOU CAN TELL ME ABOUT?
181
00:08:39,620 --> 00:08:41,221
I THINK MY PARTNER NOTIFIED
CRIME SCENE.
182
00:08:41,254 --> 00:08:42,989
GOOD.
183
00:08:43,023 --> 00:08:44,190
I MEAN, WHAT IS SOMEBODY
THINKING
184
00:08:44,224 --> 00:08:45,726
TAPING UP AN OLD WOMAN AND
BEATING HER PURPLE?
185
00:08:47,628 --> 00:08:49,095
I MEAN, WHO KNOWS, RIGHT?
186
00:08:49,129 --> 00:08:51,598
WE GET ANY KIND OF DESCRIPTION
OFF THE CANVASS,
187
00:08:51,632 --> 00:08:52,999
WE�LL NOTIFY YOU AND PARTNER.
188
00:08:53,033 --> 00:08:54,167
WE�D APPRECIATE THAT.
189
00:08:54,200 --> 00:08:56,870
THANKS.
I�M ?? I�M SORRY.
190
00:08:56,903 --> 00:08:58,438
DON�T WORRY ABOUT IT.
191
00:09:08,949 --> 00:09:11,852
PETE? DETECTIVE SIPOWICZ.
SECOND MESSAGE.
192
00:09:11,885 --> 00:09:13,219
YOU GOT THE NUMBER.
193
00:09:13,253 --> 00:09:14,287
HOW�D YOU DO WITH LYLE?
194
00:09:14,320 --> 00:09:15,756
HE WOULDN�T GO.
195
00:09:15,789 --> 00:09:18,391
THE COMPLAINANT ON THE SHOOTING,
THIS, UH, LITTLE PETE.
196
00:09:18,424 --> 00:09:20,360
WE�RE TRYING TO GET HIM IN TO
VIEW A LINEUP,
197
00:09:20,393 --> 00:09:22,195
BUT HE�S NOT AT HOME, HE�S NOT
ANSWERING HIS PAGER.
198
00:09:22,228 --> 00:09:24,230
VOICE MAIL ON HIS CELL.
199
00:09:24,264 --> 00:09:26,933
ONCE WE GET HIM IN AND LYLE�S
I.D.ed, HE�S IN THE SYSTEM.
200
00:09:26,967 --> 00:09:29,235
HOW�S THE OLD WOMAN?
201
00:09:29,269 --> 00:09:33,273
BEAT TO HELL ?? LOTS OF FACIAL
CONTUSIONS, BROKEN NOSE, JAW,
202
00:09:33,306 --> 00:09:35,709
AND SOME OF HER RIBS FROM BEING
TIED UP SO TIGHT.
203
00:09:35,742 --> 00:09:37,911
DOCTORS DON�T KNOW IF SHE�S
GONNA MAKE IT.
204
00:09:37,944 --> 00:09:40,146
ANYTHING FROM THE CANVASS?
205
00:09:40,180 --> 00:09:43,316
NOTHING SO FAR.
JONES AND MEDAVOY ARE STILL OUT.
206
00:09:43,349 --> 00:09:45,051
BOSS.
207
00:09:45,085 --> 00:09:46,920
WE ALSO NEED TO GET
WITH NARCOTICS
208
00:09:46,953 --> 00:09:48,321
ON A DEALER NAMED MONEY T.
209
00:09:48,354 --> 00:09:51,558
THE SMACK DEALER.
HOW�S HE FIT IN?
210
00:09:51,592 --> 00:09:53,093
PICKING UP LYLE,
211
00:09:53,126 --> 00:09:55,495
I GOT INTO A SHOUTING MATCH
WITH HIS SKANKY NEIGHBOR.
212
00:09:55,529 --> 00:09:57,998
TURNS OUT TO BE
MONEY T.�s GIRLFRIEND.
213
00:09:58,031 --> 00:10:00,133
AFTER I GET SPIT ON,
214
00:10:00,166 --> 00:10:03,403
THE GIRLFRIEND ENDED UP...
LOSING HER BALANCE
215
00:10:03,436 --> 00:10:07,307
SO LYLE SAYS I�M GONNA GET
WHACKED OVER THAT.
216
00:10:07,340 --> 00:10:09,142
WORD IS HE�S GOT A LOT
OF GUYS KILLED.
217
00:10:09,175 --> 00:10:10,343
I�VE HEARD THAT, TOO.
218
00:10:10,376 --> 00:10:11,745
I�LL KEEP MY EYES PEELED.
219
00:10:11,778 --> 00:10:14,748
OR YOU CAN SIT TIGHT TILL
NARCOTICS GETS A VIBE.
220
00:10:14,781 --> 00:10:15,916
WORK FROM THE DESK?
221
00:10:15,949 --> 00:10:18,118
HOW PISSED OFF�S
THE GIRL?
222
00:10:18,151 --> 00:10:20,186
FIRST GET ME A COAT HANGER
SO I CAN LOBOTOMIZE MYSELF.
223
00:10:20,220 --> 00:10:22,989
I AIN�T SITTING AT THE DESK JUST
�CAUSE OF SOME LOUDMOUTH.
224
00:10:23,023 --> 00:10:25,425
IT�S WORTH LOOKING INTO.
YOU TWO AVAILABLE?
225
00:10:25,458 --> 00:10:26,292
WE�LL GET ON IT.
226
00:10:29,696 --> 00:10:31,765
YOU WANT THEO PICKED UP
FROM SCHOOL?
227
00:10:31,798 --> 00:10:33,600
THAT�D SCARE HIM
FOR NOTHING.
228
00:10:33,634 --> 00:10:36,469
LOOK, KILLING DOPE RIVALS
IS ONE THING,
229
00:10:36,503 --> 00:10:37,838
BUT I DON�T SEE THIS GIRL
GOING TO WAR
230
00:10:37,871 --> 00:10:39,205
WITH THE POLICE DEPARTMENT.
231
00:10:39,239 --> 00:10:41,842
NO HARM IN GETTING PATROL
TO SIT ON THEO�S SCHOOL.
232
00:10:44,077 --> 00:10:46,279
YOU CAN�T TELL ME
SHALICE WHINED TO I. A. B.
233
00:10:46,312 --> 00:10:49,550
CLARK, YOU GOT A MINUTE?
234
00:10:49,583 --> 00:10:50,784
SURE.
235
00:10:50,817 --> 00:10:52,218
COFFEE ROOM.
236
00:10:55,388 --> 00:10:56,523
WHAT�S THIS?
237
00:11:01,995 --> 00:11:04,497
YOU TALK TO A DETECTIVE WINSLOW
THIS MORNING
238
00:11:04,531 --> 00:11:07,167
REGARDING A PROSS HOMICIDE IN
THE FREDERICK DOUGLASS HOUSES ??
239
00:11:07,200 --> 00:11:08,735
CYNTHIA PATTERSON?
YEAH.
240
00:11:08,769 --> 00:11:10,671
I NEED TO CLARIFY YOUR
RELATIONSHIP WITH THE GIRL.
241
00:11:10,704 --> 00:11:12,372
SHE WAS A C.I.
242
00:11:12,405 --> 00:11:13,974
NOT REGISTERED?
243
00:11:14,007 --> 00:11:15,008
NO.
244
00:11:15,041 --> 00:11:16,510
WHY?
245
00:11:16,543 --> 00:11:18,879
SHE DIDN�T LIKE THE IDEA.
SHE WAS PARANOID.
246
00:11:18,912 --> 00:11:20,246
ABOUT WHAT?
247
00:11:20,280 --> 00:11:23,083
COPS.
SHE WAS A PROSS.
248
00:11:23,116 --> 00:11:24,551
YOU MET HER IN NARCOTICS?
249
00:11:24,585 --> 00:11:26,386
WHEN AND WHERE?
250
00:11:26,419 --> 00:11:28,589
I DON�T RECALL OFFHAND.
251
00:11:28,622 --> 00:11:31,057
BIG CASE?
LITTLE CASE?
252
00:11:31,091 --> 00:11:32,859
NO CASE?
253
00:11:32,893 --> 00:11:35,028
I WASN�T A CUSTOMER.
254
00:11:35,061 --> 00:11:36,396
YOU WERE LISTED LIKE ONE.
255
00:11:36,429 --> 00:11:40,366
SHE WAS GOOD WITH SMACK
DEALERS IN HARLEM,
256
00:11:40,400 --> 00:11:42,736
WHO WAS ON TOP, WHO WAS MOVING
OUT, GENERAL INFO.
257
00:11:42,769 --> 00:11:44,204
THAT�S WHAT SENT YOU TO HER
TWO MONTHS AGO,
258
00:11:44,237 --> 00:11:46,006
GENERAL INFO ON DEALERS
IN HARLEM?
259
00:11:46,039 --> 00:11:48,108
I LIKE KEEPING MY EAR
TO THE GROUND.
260
00:11:48,141 --> 00:11:50,677
THAT�S THE LAST TIME
YOU SAW HER? YEAH.
261
00:11:50,711 --> 00:11:53,013
YOUR PHONE RECORDS GONNA SAY
DIFFERENT, DETECTIVE?
262
00:11:53,046 --> 00:11:55,749
WHY ARE YOU CHECKING
MY PHONE RECORDS?
263
00:11:55,782 --> 00:11:59,553
HER PIMP WAS IN BELLEVUE ALL
NIGHT WITH A ROTTEN TOOTH.
264
00:11:59,586 --> 00:12:00,787
SO YOU�RE LOOKING AT ME
FOR MURDER?
265
00:12:00,821 --> 00:12:01,955
WE�RE LOOKING AT A LOT
OF THINGS.
266
00:12:01,988 --> 00:12:04,858
YOU GOT ALL I KNOW.
267
00:12:04,891 --> 00:12:07,427
YOU UNDERSTAND IT�S A PROBLEM
SHE�S NOT REGISTERED.
268
00:12:07,460 --> 00:12:08,394
WHATEVER YOU GOTTA DO.
269
00:12:12,799 --> 00:12:15,468
YOU MIGHT TRY TO REMEMBER
THE CASE WHERE YOU MET HER
270
00:12:15,502 --> 00:12:17,437
AND BRUSH UP ON YOUR FACTS,
GENERALLY.
271
00:12:17,470 --> 00:12:18,839
JUST A SUGGESTION.
272
00:12:28,582 --> 00:12:29,783
WHERE�S THE BOSS?
273
00:12:29,816 --> 00:12:31,217
IN THE CAN.
274
00:12:31,251 --> 00:12:32,385
I NEED TO TAKE CARE OF
SOMETHING.
275
00:12:32,418 --> 00:12:34,788
WHAT?
NOTHING.
276
00:12:34,821 --> 00:12:36,690
I�LL BE BACK IN HALF AN HOUR.
277
00:12:53,774 --> 00:12:55,976
JOHN.
HEY, POP.
278
00:12:56,009 --> 00:12:57,978
WHAT�S UP?
WHAT�S SO URGENT?
279
00:12:58,011 --> 00:13:00,346
YOU HEAR ABOUT A PROSS
HOMICIDE IN MIDTOWN NORTH,
280
00:13:00,380 --> 00:13:01,314
CYNTHIA PATTERSON?
281
00:13:01,347 --> 00:13:02,583
HEARD ABOUT IT.
282
00:13:02,616 --> 00:13:05,652
BUDDY OF MINE IS
WORKING THE CASE.
283
00:13:05,686 --> 00:13:08,755
"DETECTIVE JOHN CLARK" WAS IN
HER APPOINTMENT BOOK.
284
00:13:08,789 --> 00:13:10,123
HE CAME TO ME ABOUT IT.
285
00:13:10,156 --> 00:13:11,291
WHAT�D YOU SAY?
286
00:13:11,324 --> 00:13:12,859
SHE WAS A C.I.
287
00:13:12,893 --> 00:13:14,294
IS THAT THE END OF IT?
288
00:13:14,327 --> 00:13:16,697
I.A.B. SHOWED UP ASKING WHY
SHE WASN�T REGISTERED.
289
00:13:16,730 --> 00:13:18,498
WHAT WAS YOUR EXPLANATION?
290
00:13:18,532 --> 00:13:19,766
I DANCED AROUND IT.
HE SAID IT WAS A PROBLEM.
291
00:13:19,800 --> 00:13:22,102
BECAUSE HE DIDN�T BUY
THE STORY?
292
00:13:22,135 --> 00:13:24,605
HE MIGHT HAVE.
I DON�T KNOW.
293
00:13:24,638 --> 00:13:26,607
COMING FROM NARCOTICS,
294
00:13:26,640 --> 00:13:28,775
IT COULD MAKE SENSE TO HAVE
AN UNREGISTERED C.I.
295
00:13:28,809 --> 00:13:30,143
I COULD NEVER SELL THAT.
296
00:13:30,176 --> 00:13:32,112
SO, WHAT...
297
00:13:32,145 --> 00:13:33,880
YOU WERE A CUSTOMER?
298
00:13:33,914 --> 00:13:35,516
SHE WAS A FRIEND.
299
00:13:35,549 --> 00:13:37,651
THAT�S NOT HOW
SHE HAD YOU WRITTEN DOWN.
300
00:13:37,684 --> 00:13:39,786
JOHNNY...
301
00:13:39,820 --> 00:13:42,022
I DON�T KNOW WHAT TO SAY.
302
00:13:42,055 --> 00:13:44,357
WHY DIDN�T YOU TELL YOUR
FRIEND THE TRUTH?
303
00:13:44,390 --> 00:13:46,359
BECAUSE HIS NEXT STEP
WOULD HAVE BEEN YOU.
304
00:13:46,392 --> 00:13:47,427
I DON�T RECALL EVER ASKING
YOU TO PROTECT ME.
305
00:13:50,997 --> 00:13:52,833
YOU MUST BE VERY
DISAPPOINTED.
306
00:13:52,866 --> 00:13:54,535
I�M MORE STUNNED.
307
00:13:54,568 --> 00:13:57,871
I NEVER LOVED ANY WOMAN
BUT YOUR MOTHER,
308
00:13:57,904 --> 00:14:00,841
AND I COULD NEVER LOVE
ANYONE ELSE.
309
00:14:00,874 --> 00:14:03,844
BUT, UM, I MET HER ON
A CASE.
310
00:14:03,877 --> 00:14:06,747
I CALLED HER ONCE WHEN I...
WAS VERY LONELY.
311
00:14:06,780 --> 00:14:08,014
THAT�S HOW IT STARTED.
312
00:14:08,048 --> 00:14:10,984
SHE EVER TALK ABOUT ANYBODY
COMING AFTER HER?
313
00:14:11,017 --> 00:14:12,653
IS THAT A SUBTLE WAY OF ASKING
ME WAS I INVOLVED?
314
00:14:12,686 --> 00:14:14,821
I NEVER WOULD HAVE
CONSIDERED.
315
00:14:14,855 --> 00:14:16,790
I PROMISE YOU, I HAD NOTHING TO
DO WITH HER BEING KILLED.
316
00:14:18,892 --> 00:14:21,427
A PROBLEM FROM I. A. B.
317
00:14:21,461 --> 00:14:23,196
DOES THAT MEAN DEPARTMENT
CHARGES?
318
00:14:23,229 --> 00:14:25,198
MAYBE.
319
00:14:25,231 --> 00:14:27,768
I FIGURE IT BETTER I TAKE A RIP
FOR AN UNREGISTERED C.I.
320
00:14:27,801 --> 00:14:30,571
THAN YOU GET THROWN OFF
THE JOB AND LOSE YOUR PENSION.
321
00:14:30,604 --> 00:14:33,039
IF THIS GOES A HAIR PAST A RIP,
I�M STEPPING IN.
322
00:14:33,073 --> 00:14:34,775
HOPEFULLY,
THE CASE GOES DOWN QUICK
323
00:14:34,808 --> 00:14:36,276
AND NO ONE WILL LOOK
TOO DEEP.
324
00:14:36,309 --> 00:14:37,611
I GOTTA GET BACK.
325
00:14:37,644 --> 00:14:40,614
IF ANYTHING COMES UP,
I�LL KEEP IN TOUCH.
326
00:14:57,898 --> 00:15:00,767
MONEY T.�s REAL NAME IS
DARNELL BATTUM.
327
00:15:00,801 --> 00:15:03,970
NO RECORD, BUT NARCOTICS SAYS
HE�S DOING MAJOR WEIGHT.
328
00:15:04,004 --> 00:15:05,138
WHY HAVEN�T THEY TAKEN
HIM DOWN?
329
00:15:05,171 --> 00:15:06,773
HE WORKS QUIET,
AND HE�S WELL?INSULATED.
330
00:15:06,807 --> 00:15:09,543
AND HE�S GOT ESCAPE ROUTES BUILT
INTO HIS STASH HOUSES.
331
00:15:09,576 --> 00:15:11,311
THE PHANTOM DRUG MENACE.
332
00:15:11,344 --> 00:15:13,246
NARCOTICS SAY HOW VIOLENT
THIS GUY IS?
333
00:15:13,279 --> 00:15:16,316
THE TWINS YOU SAW,
WALTER AND WILLIAM GRIMES,
334
00:15:16,349 --> 00:15:18,284
BOTH HAVE A HISTORY
OF VIOLENT CRIME,
335
00:15:18,318 --> 00:15:20,754
AND THERE�S NINE HOMICIDES
NARCOTICS SAYS ARE THEIRS.
336
00:15:20,787 --> 00:15:22,823
BUT NO ONE WILL TALK,
AND NO ONE WILL TESTIFY.
337
00:15:22,856 --> 00:15:24,725
PEOPLE BARELY HAVE THE BALLS
TO SAY THE GUY�S NAME.
338
00:15:24,758 --> 00:15:26,827
IF WE GET NARCOTICS ANYWHERE
NEAR MONEY T.,
339
00:15:26,860 --> 00:15:28,194
THEY SAID DINNER�S ON THEM.
340
00:15:30,797 --> 00:15:32,498
LYLE DENNISON�S GOOD
FOR A SHOOTING.
341
00:15:32,533 --> 00:15:36,302
HE MIGHT BE WILLING TO TRADE
TIME FOR INFO ON MONEY T.
342
00:15:36,336 --> 00:15:37,938
YOU TALK TO THE GUY HE SHOT,
LITTLE PETE?
343
00:15:37,971 --> 00:15:40,140
HE STILL
HASN�T CALLED BACK.
344
00:15:40,173 --> 00:15:41,642
KEEP TRYING.
SOMEBODY FILL IN CLARK.
345
00:15:41,675 --> 00:15:43,710
I GOT IT.
346
00:15:49,182 --> 00:15:50,951
I�M SUPPOSED TO FILL
YOU IN ON MONEY T.
347
00:15:50,984 --> 00:15:52,385
ALL RIGHT.
348
00:15:55,622 --> 00:15:57,824
IS THERE SOMETHING YOU
WANT TO TELL ME?
349
00:15:57,858 --> 00:15:59,025
THIS ABOUT I. A. B.?
350
00:15:59,059 --> 00:16:01,862
NO, YOUR NEXT HAIRCUT
APPOINTMENT.
351
00:16:01,895 --> 00:16:04,097
OLD C.I. OF MINE GOT
WHACKED.
352
00:16:04,130 --> 00:16:06,432
SHE HAD MY NAME
WRITTEN DOWN.
353
00:16:06,466 --> 00:16:08,034
PROSS?
AND A JUNKIE.
354
00:16:08,068 --> 00:16:09,936
SHE HAD SOME GOOD INFO.
355
00:16:09,970 --> 00:16:11,605
WHY IS I. A. B. INVOLVED?
356
00:16:11,638 --> 00:16:13,974
SHE WASN�T REGISTERED.
HOW COME?
357
00:16:14,007 --> 00:16:14,941
SHE WOULDN�T DO IT,
PARANOID.
358
00:16:14,975 --> 00:16:16,376
AND SHE WAS JUST A C. I.?
359
00:16:16,409 --> 00:16:17,878
YEAH.
360
00:16:21,682 --> 00:16:23,550
WHAT GOT YOU RUNNING OFF
AFTER MARTENS LEFT?
361
00:16:23,584 --> 00:16:26,119
I WANTED TO TALK TO THE
DETECTIVE WHO CAUGHT THE CASE,
362
00:16:26,152 --> 00:16:27,387
SEE WAS THERE ANY PROGRESS.
363
00:16:27,420 --> 00:16:28,689
SOMETHING WRONG WITH
THE PHONE?
364
00:16:28,722 --> 00:16:30,123
WHAT IS THIS, RITA?
365
00:16:30,156 --> 00:16:31,224
YOU�RE LYING TO ME.
366
00:16:31,257 --> 00:16:32,559
WHAT DO I HAVE TO
LIE ABOUT?
367
00:16:32,593 --> 00:16:34,661
I DON�T KNOW, BUT I�VE
BEEN WITH YOU FOUR MONTHS,
368
00:16:34,695 --> 00:16:36,196
AND YOU�VE NEVER ACTED
LIKE THIS BEFORE.
369
00:16:36,229 --> 00:16:38,064
OKAY, WELL, I�M NOT LYING.
370
00:16:38,098 --> 00:16:39,533
DID YOU HAVE A RELATIONSHIP
WITH THIS GIRL?
371
00:16:39,566 --> 00:16:42,536
NOTHING PAST
HER BEING A C.I.
372
00:16:42,569 --> 00:16:45,205
I KNOW A LITTLE ABOUT COPS AND
UNREGISTERED PROSS INFORMANTS.
373
00:16:45,238 --> 00:16:49,743
THERE WAS NO RELATIONSHIP PAST
HER BEING A C.I.
374
00:16:49,776 --> 00:16:51,978
YOU DIDN�T SLEEP WITH HER?
RITA ??
375
00:16:52,012 --> 00:16:54,748
IF YOU�RE SCREWING PROSS, I
GOT A RIGHT TO KNOW ABOUT IT. GIVE ME A BREAK!
376
00:16:54,781 --> 00:16:56,082
WELL,
SOMETHING�S NOT RIGHT.
377
00:16:56,116 --> 00:16:57,684
I WASN�T SLEEPING WITH HER.
378
00:16:57,718 --> 00:16:58,685
[ KNOCK ON DOOR ]
379
00:17:03,456 --> 00:17:04,891
WHAT�S UP?
380
00:17:04,925 --> 00:17:06,527
I JUST GOT OFF
WITH LITTLE PETE.
381
00:17:06,560 --> 00:17:09,229
HE WOULDN�T SAY WHERE HE WAS,
BUT HE�S LEAVING TOWN.
382
00:17:09,262 --> 00:17:11,898
SOMEBODY PUT A GUN IN HIS RIBS
AND THREATENED TO KILL HIM
383
00:17:11,932 --> 00:17:12,799
IF HE I.D.ed LYLE.
HE�S OUT.
384
00:17:14,367 --> 00:17:15,536
SO WE�RE GONNA HAVE TO
RUN A GAME ON LYLE.
385
00:17:15,569 --> 00:17:18,705
YOU UP FOR THAT?
YOU SEEM DISTRACTED.
386
00:17:18,739 --> 00:17:20,106
IT�S JUST ME AND HER.
387
00:17:20,140 --> 00:17:22,609
THE DESK SERGEANT�S CALLED.
388
00:17:22,643 --> 00:17:24,711
SOMEONE�S HERE TO EITHER PICK UP
LYLE DENNISON OR BAIL HIM OUT.
389
00:17:24,745 --> 00:17:27,080
LAWYER?
A FRIEND.
390
00:17:27,113 --> 00:17:30,116
TELL HIM LYLE SPLIT AN HOUR AGO
AND HAVE A NICE DAY.
391
00:17:39,492 --> 00:17:41,061
SO WHAT WE DOING?
392
00:17:41,094 --> 00:17:43,730
LITTLE PETE�S ON HIS WAY IN
TO VIEW A LINEUP.
393
00:17:43,764 --> 00:17:45,498
WE GOTTA GET THE ROOM READY.
394
00:17:47,300 --> 00:17:49,870
JUST SIT HERE FOR NOW.
395
00:17:49,903 --> 00:17:53,139
I NEED YOUR EFFECTS ??
BELT, LACES.
396
00:17:53,173 --> 00:17:55,275
MAN, WE AIN�T EVEN HAD NO
LINEUP YET.
397
00:17:55,308 --> 00:17:57,744
YOU GOT PICKED OUT OF A PHOTO.
THIS IS JUST FOR THE D. A.
398
00:17:57,778 --> 00:17:59,580
COME ON. LET�S GO.
399
00:17:59,613 --> 00:18:01,982
SO AIN�T NOBODY COME
ASKING FOR ME?
400
00:18:02,015 --> 00:18:03,750
NOPE.
WE�D HAVE HEARD.
401
00:18:03,784 --> 00:18:05,752
AFTER THIS GETS WRAPPED UP,
WE�LL GET YOU TO BOOKING,
402
00:18:05,786 --> 00:18:07,487
WHERE YOU�LL PROBABLY
SPEND THE NIGHT.
403
00:18:07,521 --> 00:18:10,090
WHOO!
COURT�S BEEN SLOW.
404
00:18:10,123 --> 00:18:11,892
THEN IT�S RIKERS TILL THE TRIAL,
WHENEVER THAT IS.
405
00:18:11,925 --> 00:18:14,327
SO NOBODY COME ASKING FOR ME,
NOBODY CALLED?
406
00:18:14,360 --> 00:18:16,229
LOOKS LIKE YOU GOT HUNG
OUT, LYLE.
407
00:18:16,262 --> 00:18:17,397
FILLERS?
408
00:18:17,430 --> 00:18:18,765
SHOULD BE HERE IN ABOUT
TWO MINUTES.
409
00:18:18,799 --> 00:18:20,166
I�LL GO GET HANK.
410
00:18:20,200 --> 00:18:22,335
YOU GOT SOMETHING TO SAY,
YOU GOT TWO MINUTES.
411
00:18:22,368 --> 00:18:24,170
IF NOT,
WE�LL BE RIGHT BACK.
412
00:18:26,272 --> 00:18:27,407
OKAY, WELL, WE�LL SEE YOU
IN A BIT.
413
00:18:27,440 --> 00:18:30,844
WAIT, NOW, WHAT�S THAT
SUPPOSED TO MEAN,
414
00:18:30,877 --> 00:18:32,078
DO I GOT SOMETHING TO SAY?
415
00:18:32,112 --> 00:18:34,014
IF YOU GOT INFORMATION
ON A BIGGER CRIME,
416
00:18:34,047 --> 00:18:35,649
THE COURTS
ARE WILLING TO DEAL,
417
00:18:35,682 --> 00:18:38,785
ESPECIALLY SINCE THAT GUY YOU
SHOT WASN�T EXACTLY A CHOIR BOY.
418
00:18:40,821 --> 00:18:42,455
ARE YOU DEALING DOPE?
419
00:18:42,488 --> 00:18:43,590
MAYBE A LITTLE.
420
00:18:43,624 --> 00:18:45,692
YOU KNOW SOMEONE WHO
DEALS A LOT?
421
00:18:45,726 --> 00:18:47,127
THIS IS HOW IT WORKS.
422
00:18:47,160 --> 00:18:48,494
YOU�RE A LITTLE FISH.
WE WANT THE BIGGER FISH.
423
00:18:48,529 --> 00:18:49,830
AND I WALK?
424
00:18:49,863 --> 00:18:52,699
DEPENDS.
425
00:18:52,733 --> 00:18:54,935
I WORK FOR MONEY T.,
ALL RIGHT?
426
00:18:54,968 --> 00:18:57,103
I WORK FOR THE CITY OF NEW YORK.
SO WHAT?
427
00:18:57,137 --> 00:18:59,873
I KNOW HIS OPERATION,
AND FOR A WALK,
428
00:18:59,906 --> 00:19:01,274
I�LL GIVE YOU HIS WEEKLY
CARD GAME,
429
00:19:01,307 --> 00:19:03,176
BUT AFTER THAT, WHAT YOU GET ON
HIM IS UP TO YOU,
430
00:19:03,209 --> 00:19:04,611
BUT I�LL GET YOU TO HIM.
431
00:19:04,645 --> 00:19:06,379
YOU GET US A GUY
PLAYING CARDS.
432
00:19:06,412 --> 00:19:07,681
THIS IS MONEY T.,
MAN!
433
00:19:07,714 --> 00:19:11,017
LYLE, YOU WANT TO GET WITHIN
50 MILES OF A WALK,
434
00:19:11,051 --> 00:19:13,119
WE NEED MORE THAN A GUY
PLAYING HEARTS.
435
00:19:13,153 --> 00:19:15,288
DAMN, MAN.
436
00:19:15,321 --> 00:19:16,422
WHERE�S HE DEAL OUT OF?
437
00:19:19,359 --> 00:19:21,494
YOU GOT A PEN OR
SOMETHING?
438
00:19:25,866 --> 00:19:27,167
MAN, THIS IS BIG.
439
00:19:27,200 --> 00:19:29,970
DAMN!
440
00:19:30,003 --> 00:19:34,908
SO, ODALAS, YOU ANY RELATION
TO AN ELEANOR MONCREFE?
441
00:19:34,941 --> 00:19:36,176
NEVER HEARD OF HER.
442
00:19:36,209 --> 00:19:37,544
THEN WHERE�D YOU GET HER
CREDIT CARD?
443
00:19:37,578 --> 00:19:40,681
I TOLD YOU, I DON�T KNOW
WHERE IT CAME FROM.
444
00:19:40,714 --> 00:19:42,549
SO HOW�S IT WIND UP WITH YOU
TRYING TO BUY NEW SPEAKERS?
445
00:19:42,583 --> 00:19:46,653
I GAVE THE GUY MY CARD.
HE SAID WAIT, SO I WAIT.
446
00:19:46,687 --> 00:19:48,421
ALL THE SUDDEN,
I GOT COPS ALL OVER ME.
447
00:19:48,454 --> 00:19:51,257
SO YOU�RE SAYING SOMEBODY
PULLED A SWITCHEROO.
448
00:19:51,291 --> 00:19:53,026
GUESS SO.
449
00:19:53,059 --> 00:19:54,528
NO, ODALAS, THAT AIN�T
GONNA FLY.
450
00:19:54,561 --> 00:19:56,830
COP TO WHERE YOU GOT IT NOW
451
00:19:56,863 --> 00:19:59,766
AND YOU�RE LOOKING AT MAYBE
A SLAP ON THE WRIST,
452
00:19:59,800 --> 00:20:01,735
BUT IF YOU WASTE ANY MORE
OF OUR TIME,
453
00:20:01,768 --> 00:20:04,538
WE�LL MAKE SURE
YOU�RE LOCKED UP.
454
00:20:04,571 --> 00:20:06,106
A GUY GAVE IT TO ME.
455
00:20:06,139 --> 00:20:07,407
A WHITE GUY.
456
00:20:07,440 --> 00:20:08,875
A WHITE GUY.
457
00:20:08,909 --> 00:20:10,343
GOES TO MY SCHOOL.
458
00:20:10,376 --> 00:20:11,778
HIS NAME�S JOE.
I DON�T KNOW HIS LAST NAME.
459
00:20:11,812 --> 00:20:14,515
A MYSTERY GUY NAMED JOE.
460
00:20:14,548 --> 00:20:17,017
HE�S IN MY ALGEBRA CLASS.
ASK THE TEACHER.
461
00:20:17,050 --> 00:20:18,785
MYSTERY JOE FROM ALGEBRA.
462
00:20:18,819 --> 00:20:20,386
WITH THAT KIND OF DETAIL,
463
00:20:20,420 --> 00:20:21,588
I THINK WE�RE ABOUT READY
FOR COURT.
464
00:20:21,622 --> 00:20:24,257
I JUST DON�T KNOW HIM
SO GOOD.
465
00:20:24,290 --> 00:20:26,727
DON�T WORRY ABOUT IT, ODALAS.
THAT�S PLENTY.
466
00:20:26,760 --> 00:20:28,261
WE APPRECIATE YOUR TIME.
467
00:20:28,294 --> 00:20:31,064
I CAN GO?
468
00:20:31,097 --> 00:20:34,034
WE�RE DONE DICKING AROUND
WITH JOE FROM ALGEBRA!
469
00:20:34,067 --> 00:20:35,068
LET�S FIGURE OUT
WHAT WENT WRONG!
470
00:20:35,101 --> 00:20:37,237
WHAT WENT WRONG WHERE?
471
00:20:37,270 --> 00:20:38,639
JURIES UNDERSTAND ROBBERY,
ODALAS,
472
00:20:38,672 --> 00:20:40,541
AND THAT A GUY CAN NEED
EXTRA CASH.
473
00:20:40,574 --> 00:20:42,943
WHAT THEY DON�T GET IS BEATING
ON OLD WOMEN FOR IT.
474
00:20:42,976 --> 00:20:44,745
WHOA, WHOA, WHOA,
I DIDN�T BEAT NOBODY,
475
00:20:44,778 --> 00:20:46,379
AND I KNOW NOTHING ABOUT
NO APARTMENT!
476
00:20:46,412 --> 00:20:48,381
SO YOU�RE GOING TO BAT WITH
JOE FROM ALGEBRA?
477
00:20:48,414 --> 00:20:52,218
HE LAID THE CARD ON ME.
I FIGURED IT WAS HIS MOM�S.
478
00:20:52,252 --> 00:20:54,454
SINCE HE�S NEW IN SCHOOL,
HE�S TRYING TO GET IN WITH ME.
479
00:20:54,487 --> 00:20:55,822
LAST CHANCE, ODALAS!
480
00:20:57,290 --> 00:20:59,225
JOE SOMETHING.
JOSEPH.
481
00:20:59,259 --> 00:21:01,494
WHITE GUY, KIND OF GOOFY,
LOOKS LIKE HE�S OLDER THAN US.
482
00:21:01,528 --> 00:21:03,496
YOU KNOW,
LIKE HE FLUNKED OUT.
483
00:21:03,530 --> 00:21:05,265
THE TEACHER�D KNOW HIM!
484
00:21:05,298 --> 00:21:07,400
SHE BETTER.
485
00:21:07,433 --> 00:21:09,603
HER NAME AND WHERE YOU GO
TO SCHOOL.
486
00:21:23,316 --> 00:21:24,484
[ DOOR OPENS ]
487
00:21:24,518 --> 00:21:26,352
DON�T MOVE!
GET ON YOUR KNEES!
488
00:21:26,386 --> 00:21:28,288
EVERYBODY!
GET ON YOUR KNEES!
489
00:21:28,321 --> 00:21:29,690
WE GOT A GUN HERE!
490
00:21:29,723 --> 00:21:32,358
I GOT SOMETHING.
491
00:21:32,392 --> 00:21:34,427
A COUPLE OF OUNCES.
THAT�S IT.
492
00:21:34,460 --> 00:21:36,763
WHERE�S THE REST?!
THAT�S IT!
493
00:21:36,797 --> 00:21:38,665
WE�LL LUMP ON CHARGES YOU
DON�T WANT TO THINK ABOUT!
494
00:21:38,699 --> 00:21:40,000
THAT�S IT!
I SWEAR!
495
00:21:40,033 --> 00:21:42,703
OH, YOU DUMB SON OF
A BITCH!
496
00:21:42,736 --> 00:21:45,305
NONE OF THEM�S MONEY T.?
497
00:21:45,338 --> 00:21:47,808
NO, WE�LL BRING IN THE DOGS
TO SNIFF THIS PLACE OUT,
498
00:21:47,841 --> 00:21:49,643
BUT I THINK YOUR BOY
SET US UP.
499
00:21:49,676 --> 00:21:51,645
LET�S GET OUT OF HERE.
500
00:22:02,355 --> 00:22:03,790
HOLD ON A SECOND.
501
00:22:03,824 --> 00:22:05,826
I�D LIKE TO WASH THIS JUNKIE
PUKE OFF MY SHOES.
502
00:22:05,859 --> 00:22:07,160
WHAT�S GOING ON WITH YOU?
503
00:22:07,193 --> 00:22:09,630
I TOLD YOU, I DON�T LIKE
I. A. B. PAWING AT ME.
504
00:22:09,663 --> 00:22:10,831
AND THAT�S IT?
505
00:22:10,864 --> 00:22:12,633
IT DOESN�T HELP
RITA�S BULL
506
00:22:12,666 --> 00:22:14,334
ABOUT THAT GIRL
NOT BEING A C.I.
507
00:22:14,367 --> 00:22:15,902
SHE�S GOT A POINT CALLING
YOU OUT.
508
00:22:15,936 --> 00:22:20,741
IT DON�T ADD UP, LIKE YOU
BOLTING OUT OF THE SQUAD
509
00:22:20,774 --> 00:22:21,575
TO TALK TO THE GUY
THAT CAUGHT THE CASE.
510
00:22:21,608 --> 00:22:22,743
WELL, I DID!
511
00:22:22,776 --> 00:22:24,410
ALL RIGHT, WHAT�D HE SAY?
512
00:22:24,444 --> 00:22:26,580
SO NOW YOU�RE GONNA
INTERROGATE ME?
513
00:22:26,613 --> 00:22:27,347
YOU DON�T REMEMBER
WHAT HE SAID?
514
00:22:31,885 --> 00:22:33,419
IT WAS MY DAD BANGING THAT
PROSS, OKAY?
515
00:22:33,453 --> 00:22:36,590
IT�S BEEN GOING ON A WHILE.
516
00:22:36,623 --> 00:22:38,091
HE�S GONNA LET YOU TAKE
THE RAP FOR IT?
517
00:22:38,124 --> 00:22:39,826
YEAH, AND FOR NOW, THAT�S HOW
IT�S GONNA WORK,
518
00:22:39,860 --> 00:22:43,897
AND I APPRECIATE YOU NOT GIVING
ME A SPEECH ABOUT IT.
519
00:22:43,930 --> 00:22:45,599
ALL HIS TALK ABOUT
RIGHT AND WRONG
520
00:22:45,632 --> 00:22:49,269
AND TOEING THE LINE,
AND HE�S OUT NAILING A WHORE.
521
00:22:49,302 --> 00:22:51,772
THERE�S BEING A PARENT,
522
00:22:51,805 --> 00:22:53,907
THEN THERE�S BEING
A HUMAN BEING.
523
00:22:53,940 --> 00:22:55,175
SO YOU�RE DEFENDING HIM?
524
00:22:55,208 --> 00:22:57,177
I GOT A LITTLE HISTORY
WITH THAT KIND OF THING.
525
00:22:57,210 --> 00:22:59,245
BUT DID YOU EVER PASS
YOURSELF OFF AS A SAINT?
526
00:22:59,279 --> 00:23:01,515
I KNOW IT�S HARD FOR YOU TO SEE
IT �CAUSE HE�S YOUR DAD,
527
00:23:01,548 --> 00:23:04,384
BUT HE�S JUST A GUY.
HE AIN�T PERFECT.
528
00:23:04,417 --> 00:23:05,719
ARE WE GOING BACK AT LYLE?
529
00:23:05,752 --> 00:23:07,721
KEEP IN MIND YOU DON�T JUST
SHRUG OFF
530
00:23:07,754 --> 00:23:09,923
SOMETHING LIKE
AN UNREGISTERED PROSS C. I.,
531
00:23:09,956 --> 00:23:12,192
AND IT�S NOT I.A.B.
YOU GOTTA WORRY ABOUT.
532
00:23:12,225 --> 00:23:14,160
IT�S THE STINK
THAT FOLLOWS.
533
00:23:18,164 --> 00:23:19,733
WHAT THE HELL?!
534
00:23:19,766 --> 00:23:21,935
GET DOWN, EVERYBODY!
GET DOWN! HIT THE GROUND!
535
00:23:21,968 --> 00:23:23,003
ANDY, WE GOT A GUY HIT!
536
00:23:27,841 --> 00:23:29,142
WE NEED AN AMBULANCE!
537
00:23:29,175 --> 00:23:30,176
WE GOT A SNIPER!
538
00:23:33,446 --> 00:23:35,415
YOU�RE OKAY, PAL.
JUST HANG IN THERE.
539
00:23:35,448 --> 00:23:38,084
YOU�RE ALL RIGHT.
HOLD ON, PAL!
540
00:23:38,118 --> 00:23:40,286
OH, COME ON!
COME ON!
541
00:23:57,704 --> 00:24:00,073
KID�S TIMOTHY MARTIN.
N. Y. U. GRAD STUDENT.
542
00:24:00,106 --> 00:24:01,942
DRIVER�S LICENSE HAS HIM
LIVING ON "B."
543
00:24:01,975 --> 00:24:03,610
ANY CONTACT NUMBERS?
544
00:24:03,644 --> 00:24:06,146
MAYBE IN HIS BOOK BAG.
I HAVEN�T GONE THROUGH IT YET.
545
00:24:06,179 --> 00:24:07,447
WHERE�S CLARK AND SIPOWICZ?
546
00:24:07,480 --> 00:24:09,983
STILL CHECKING ROOFTOPS WITH
EMERGENCY SERVICE.
547
00:24:10,016 --> 00:24:12,619
JONES AND MEDAVOY ARE LOOKING
FOR A SUSPECT ON THEIR CASE.
548
00:24:12,653 --> 00:24:14,921
THEY WANT TO KNOW SHOULD THEY
COME BACK TO THE HOUSE.
549
00:24:14,955 --> 00:24:16,990
TELL THEM JUST KEEP
THEIR RADIO ON.
550
00:24:17,023 --> 00:24:19,526
JOHN GOT THEO FROM SCHOOL.
THEY�RE AT THE APARTMENT.
551
00:24:19,560 --> 00:24:21,595
E.S.U. GOT SOME 9?MILLIMETER
CASINGS
552
00:24:21,628 --> 00:24:23,496
OFF A ROOF ACROSS
THE STREET.
553
00:24:23,530 --> 00:24:26,800
YOU GONNA START A CANVASS?
I�M GONNA GO BACK IN WITH LYLE.
554
00:24:26,833 --> 00:24:27,834
WE DON�T NEED A MASSACRE
UP THERE.
555
00:24:27,868 --> 00:24:28,969
I�LL TALK TO HIM.
556
00:24:29,002 --> 00:24:30,003
GLAD YOU�RE OKAY.
557
00:24:31,404 --> 00:24:34,140
HEY, ANDY?
HOW WE GOING AT LYLE?
558
00:24:34,174 --> 00:24:36,276
�CAUSE THERE�S A GOOD CASE
AGAINST YOU GOING IN AT ALL.
559
00:24:36,309 --> 00:24:37,644
WRITE IT DOWN.
I�LL READ IT LATER.
560
00:24:37,678 --> 00:24:38,945
YOU CAN�T GO TUNING UP
A GUY WE GOT NOTHING ON.
561
00:24:38,979 --> 00:24:40,380
WHO SAID I�M GONNA
TUNE HIM UP?
562
00:24:40,413 --> 00:24:42,816
YOU NEARLY DID
THIS MORNING.
563
00:24:42,849 --> 00:24:44,017
ANDY, COME ON,
LET ME HANDLE THIS.
564
00:24:44,050 --> 00:24:45,318
GET OUT OF THE WAY.
565
00:24:45,351 --> 00:24:46,352
YOU GO IN THERE,
YOU�RE GONNA BLOW IT.
566
00:24:46,386 --> 00:24:48,454
GET YOUR HAND OFF ME.
ANDY...
567
00:24:48,488 --> 00:24:50,557
IF YOU DON�T GET OUT OF THE WAY,
WE�RE GONNA HAVE PROBLEMS.
568
00:24:50,591 --> 00:24:51,892
THEN WE�LL HAVE PROBLEMS.
569
00:24:51,925 --> 00:24:53,326
YOU LOOKING TO THROW
PUNCHES WITH ME?
570
00:24:53,359 --> 00:24:54,460
IF THAT�S WHAT IT COMES
DOWN TO.
571
00:24:54,494 --> 00:24:56,362
GET OUT OF THE WAY OR GET
ANOTHER PARTNER.
572
00:24:56,396 --> 00:24:58,632
WHOA. WHAT�S THIS?
573
00:24:58,665 --> 00:24:59,700
NOTHING.
574
00:24:59,733 --> 00:25:01,568
IT DOESN�T LOOK LIKE NOTHING,
575
00:25:01,602 --> 00:25:03,570
AND IT DOESN�T LOOK LIKE
SOMETHING
576
00:25:03,604 --> 00:25:05,972
YOU WANT TO TAKE IN THE ROOM
WITH LYLE.
577
00:25:06,006 --> 00:25:08,609
CAN YOU BOTH HANDLE THIS
OR DOES CLARK GO IN ALONE?
578
00:25:10,376 --> 00:25:11,177
WE CAN HANDLE IT.
579
00:25:17,718 --> 00:25:19,553
DON�T YOU EVER DO
THAT AGAIN.
580
00:25:19,586 --> 00:25:20,754
I�M JUST WATCHING YOUR BACK.
581
00:25:23,957 --> 00:25:25,191
IS SOMEBODY POPPING SHOTS
OUTSIDE?
582
00:25:25,225 --> 00:25:27,427
WERE THEY SHOOTING AT YOU?
583
00:25:27,460 --> 00:25:29,329
I TOLD YOU THERE WAS
GONNA BE TROUBLE.
584
00:25:29,362 --> 00:25:31,364
WAIT A MINUTE!
WASN�T ME ON THE TRIGGER!
585
00:25:31,397 --> 00:25:33,366
GET ME WHO WAS OR IT�S YOU
TAKING THE PUNISHMENT!
586
00:25:33,399 --> 00:25:34,868
I GAVE YOU THE SPOT!
587
00:25:34,901 --> 00:25:37,337
YOU GAVE US THIRD?TIER DEALERS
WHO WERE BARELY HOLDING.
588
00:25:37,370 --> 00:25:39,005
MAYBE THEY WAS DRY,
BUT THAT�S THE SPOT.
589
00:25:39,039 --> 00:25:40,607
NO MORE OF THIS CRAP!
590
00:25:40,641 --> 00:25:43,276
WHERE TO FIND MONEY T.
AND THE TWINS
591
00:25:43,309 --> 00:25:44,911
AND WHOEVER ELSE MIGHT
HAVE SHOT AT ME
592
00:25:44,945 --> 00:25:46,947
OR I TELL EVERY ONE OF THEM
THIRD?TIER DEALERS
593
00:25:46,980 --> 00:25:49,249
YOU SOLD �EM OUT.
594
00:25:49,282 --> 00:25:50,584
WON�T NOBODY BUY IT.
595
00:25:50,617 --> 00:25:52,719
AFTER I LAY ON THAT
YOU�VE BEEN LOOKING
596
00:25:52,753 --> 00:25:54,054
TO TAKE OVER
MONEY T.�s GAME
597
00:25:54,087 --> 00:25:56,122
AND HIS WOMAN,
WHO YOU�VE BEEN CALLING
598
00:25:56,156 --> 00:25:58,458
A TIGHT PIECE OF ASS
AND A WILD LAY,
599
00:25:58,491 --> 00:25:59,693
HE�LL KILL YOU
ON PRINCIPLE!
600
00:25:59,726 --> 00:26:01,494
YOU GOT A FUNNY SENSE
OF HUMOR, BROTHER.
601
00:26:05,065 --> 00:26:06,800
NOW YOU GET THIS STRAIGHT,
PRICK ??
602
00:26:06,833 --> 00:26:08,569
I AIN�T YOUR BROTHER.
603
00:26:08,602 --> 00:26:11,905
WE GOT SHOT AT IN FRONT OF OUR
PRECINCT HOUSE!
604
00:26:11,938 --> 00:26:14,140
AN INNOCENT GUY GOT
BLOWN AWAY!
605
00:26:14,174 --> 00:26:15,809
NOW, EITHER YOU GIVE US
WHO DID IT
606
00:26:15,842 --> 00:26:17,043
OR YOU�RE GONNA DIE OUT IN
THE STREET.
607
00:26:17,077 --> 00:26:18,779
GIVE HIM UP,
I�LL DIE ANYWAY!
608
00:26:18,812 --> 00:26:21,414
AIN�T IT GONNA SEEM COINCIDENTAL
THE DAY I GET BROUGHT IN,
609
00:26:21,447 --> 00:26:22,716
HE GOES DOWN?!
610
00:26:22,749 --> 00:26:24,985
WE�LL GET YOU IN WITNESS
PROTECTION.
611
00:26:25,018 --> 00:26:26,419
FOR GIVING UP MONEY T.?
612
00:26:26,452 --> 00:26:30,256
HOW ABOUT A FREE JET
AND $100 MILLION,
613
00:26:30,290 --> 00:26:31,925
�CAUSE THAT�S WHAT
IT�S WORTH!
614
00:26:31,958 --> 00:26:33,326
WITNESS PROTECTION
OR YOU�RE ON YOUR OWN.
615
00:26:33,359 --> 00:26:35,461
I GOT PEOPLE HERE!
I GOT A LIFE!
616
00:26:35,495 --> 00:26:38,765
THEN GO LIVE IT, BUT PACK A LOT
INTO THE NEXT 24 HOURS,
617
00:26:38,799 --> 00:26:40,166
�CAUSE THAT�S THE LONGEST
YOU�LL LAST!
618
00:26:40,200 --> 00:26:42,268
THIS ASSHOLE TOOK
SHOTS AT COPS
619
00:26:42,302 --> 00:26:43,670
FOR EMBARRASSING
HIS GIRLFRIEND!
620
00:26:43,704 --> 00:26:46,172
WHAT DO YOU THINK HE�S GONNA DO
TO A RAT, HUH?!
621
00:26:46,206 --> 00:26:48,141
YOUR LIFE IS IN MY HANDS!
622
00:26:48,174 --> 00:26:51,745
WHO SHOT AT US OR YOU DIE!
623
00:26:51,778 --> 00:26:54,581
MAN! LITTLE PETE WASN�T SO
STUPID, MAN ??
624
00:26:54,615 --> 00:26:56,316
PUNK COULDN�T TELL HIS CORNER
FROM MINE ??
625
00:26:56,349 --> 00:26:57,784
I WOULDN�T EVEN BE HERE!
626
00:26:57,818 --> 00:27:00,186
MAN, I�M TELLING YOU RIGHT NOW,
IT IS A FORTRESS.
627
00:27:00,220 --> 00:27:01,822
YOU WILL NEVER GET IN!
628
00:27:01,855 --> 00:27:03,156
NO ONE ASKED FOR PREDICTIONS.
629
00:27:03,189 --> 00:27:04,791
I�M SAYING, MAN,
630
00:27:04,825 --> 00:27:06,527
IT�S ONE DOOR WITH A BIG?ASS
DUDE SITTING ON IT,
631
00:27:06,560 --> 00:27:08,294
AND EVEN IF YOU GOT BY,
632
00:27:08,328 --> 00:27:10,797
THEY GOT SIGNALS TELLING
EVERYBODY HIT THE ESCAPE CHUTE.
633
00:27:10,831 --> 00:27:12,132
THAT LEAD TO WHERE?
634
00:27:12,165 --> 00:27:13,834
TO THE BASEMENT,
635
00:27:13,867 --> 00:27:16,469
AND THEN THERE�S TUNNELS TO
A BUILDING THREE DOORS DOWN.
636
00:27:16,503 --> 00:27:20,106
HERE. DIAGRAM IT.
637
00:27:20,140 --> 00:27:22,509
[ SIGHS ]
638
00:27:22,543 --> 00:27:24,711
WAKE UP THIS MORNING
WATCHING CARTOONS.
639
00:27:24,745 --> 00:27:27,213
NOW IT�S WITNESS
PROTECTION.
640
00:27:32,886 --> 00:27:34,621
E.S.U. AND NARCOTICS
641
00:27:34,655 --> 00:27:35,722
WILL HAVE THEIR TEAMS READY
IN FIVE MINUTES.
642
00:27:35,756 --> 00:27:36,890
CONNIE AND RITA?
643
00:27:36,923 --> 00:27:38,391
IN THE LOCKER ROOM
TARTING UP.
644
00:27:38,424 --> 00:27:40,126
THEY�LL BE READY SOON.
645
00:27:40,160 --> 00:27:43,129
THAT YOUR SUSPECT ON
THE BEAT OLD WOMAN CASE?
646
00:27:43,163 --> 00:27:45,331
YEAH, JOSEPH COWENS.
647
00:27:45,365 --> 00:27:47,668
HE MIGHT HAVE GAVE A CLASSMATE
THE WOMAN�S CREDIT CARD.
648
00:27:47,701 --> 00:27:48,669
Jones: WE�LL SEE WHAT WE CAN
GET OUT OF HIM.
649
00:27:53,206 --> 00:27:55,375
HOW WE DOING IN HERE?
650
00:27:55,408 --> 00:27:57,678
[ SIGHS ]
READY.
651
00:27:57,711 --> 00:27:59,312
HOW DO WE LOOK?
652
00:27:59,345 --> 00:28:01,081
IMPRESSIVE.
LET�S GO.
653
00:28:09,856 --> 00:28:11,157
THANKS.
654
00:28:11,191 --> 00:28:12,593
ANYTIME.
655
00:28:14,528 --> 00:28:15,929
SO?
656
00:28:15,962 --> 00:28:17,497
YOU KNOW WHY WE BROUGHT
YOU IN?
657
00:28:17,531 --> 00:28:19,065
NO CLUE.
658
00:28:19,099 --> 00:28:20,000
WHERE WERE YOU
ALL MORNING?
659
00:28:20,033 --> 00:28:21,501
SCHOOL.
660
00:28:21,535 --> 00:28:22,736
HOW COME WE FOUND
YOU IN AN ARCADE?
661
00:28:22,769 --> 00:28:24,070
I DITCHED AFTER LUNCH.
662
00:28:24,104 --> 00:28:25,371
ANYONE WITH YOU?
663
00:28:25,405 --> 00:28:27,674
NO, I DON�T KNOW A LOT OF
PEOPLE HERE.
664
00:28:27,708 --> 00:28:29,743
WHAT ABOUT ODALAS BROOKS?
YOU KNOW HIM?
665
00:28:29,776 --> 00:28:32,746
FROM SCHOOL?
SORT OF.
666
00:28:32,779 --> 00:28:35,849
SEE, I�M KIND OF NEW IN TOWN ??
TWO MONTHS.
667
00:28:35,882 --> 00:28:39,553
BEFORE HERE WAS DALLAS.
L. A. BEFORE THAT.
668
00:28:39,586 --> 00:28:43,690
I LIVED IN CHICAGO FOR A YEAR.
STARTED OFF IN ATLANTA.
669
00:28:43,724 --> 00:28:47,193
POPS IS BIG IN BUSINESS,
VARIOUS COMPANIES.
670
00:28:47,227 --> 00:28:50,063
"EVERY MOVE�S A MOVE UP."
THAT�S WHAT HE SAYS.
671
00:28:50,096 --> 00:28:53,066
IT MUST BE ROUGH MAKING FRIENDS,
MOVING AROUND SO MUCH.
672
00:28:53,099 --> 00:28:55,135
I DO ALL RIGHT.
673
00:28:55,168 --> 00:28:57,638
NOW, ODALAS, HE RUN WITH
A PRETTY IN CROWD?
674
00:28:57,671 --> 00:28:59,606
I�M JUST FIGURING
THINGS OUT.
675
00:28:59,640 --> 00:29:02,609
THIS MORNING,
DID YOU GIVE HIM A CREDIT CARD
676
00:29:02,643 --> 00:29:05,746
AS A WAY OF MAYBE GETTING IN
WITH HIS CROWD?
677
00:29:05,779 --> 00:29:08,214
DON�T KNOW NOTHING ABOUT
A CREDIT CARD.
678
00:29:08,248 --> 00:29:09,550
HE TOLD US YOU GAVE
HIM ONE.
679
00:29:09,583 --> 00:29:11,251
WHAT A DICK.
680
00:29:11,284 --> 00:29:12,418
WHY, �CAUSE YOU DIDN�T DO IT
OR �CAUSE HE GAVE YOU UP?
681
00:29:12,452 --> 00:29:13,754
I DIDN�T DO IT.
682
00:29:13,787 --> 00:29:16,122
HE OBVIOUSLY GOT BUSTED
FOR SOMETHING.
683
00:29:16,156 --> 00:29:18,291
HE�S LAYING IT ON ME.
684
00:29:18,324 --> 00:29:20,727
I DO CHESS CLUB.
I DON�T GIVE AWAY CREDIT CARDS.
685
00:29:20,761 --> 00:29:22,428
�CAUSE IF YOU DID GIVE HIM
THE CARD,
686
00:29:22,462 --> 00:29:25,899
WE�D BE COOLER
IF YOU COPPED TO IT NOW
687
00:29:25,932 --> 00:29:27,901
THAN IF WE HAVE TO GO
FIND OUT ON OUR OWN.
688
00:29:27,934 --> 00:29:31,437
I DON�T KNOW NOTHING ABOUT
A CREDIT CARD.
689
00:29:31,471 --> 00:29:32,573
WHO�S LORRAINE FIVELSON?
690
00:29:32,606 --> 00:29:33,740
WHAT NOW?
691
00:29:33,774 --> 00:29:34,975
YOU GOT HER MAIL IN
YOUR BAG.
692
00:29:35,008 --> 00:29:38,278
OH, THAT ??
I, UH, FOUND IT.
693
00:29:38,311 --> 00:29:40,080
I THINK
A MAILMAN DROPPED IT.
694
00:29:40,113 --> 00:29:42,115
I WAS GONNA TAKE IT
TO A POST OFFICE.
695
00:29:42,148 --> 00:29:45,085
BUT YOU GOT SIDETRACKED,
YOUR BUSY SCHEDULE AND ALL.
696
00:29:45,118 --> 00:29:47,253
I JUST ?? I DIDN�T GET
AROUND TO IT YET.
697
00:29:47,287 --> 00:29:49,155
MM?HMM.
698
00:29:49,189 --> 00:29:51,658
WE�LL SEE WHAT MRS. FIVELSON
HAS TO SAY ABOUT THAT.
699
00:29:51,692 --> 00:29:53,293
IN THE MEANTIME,
YOU�RE STICKING AROUND.
700
00:29:53,326 --> 00:29:55,495
I�M STUCK �CAUSE I WAS DOING
A GOOD DEED?
701
00:29:55,529 --> 00:29:56,630
WE WON�T TAKE LONG.
702
00:29:56,663 --> 00:29:58,665
WHATEVER.
703
00:29:58,699 --> 00:29:59,933
GREAT CITY.
704
00:29:59,966 --> 00:30:01,401
I�M GONNA LOVE IT HERE.
705
00:30:16,883 --> 00:30:18,218
HEY.
CARLISLE?
706
00:30:18,251 --> 00:30:19,319
WHAT YOU WANT?
707
00:30:19,352 --> 00:30:21,321
LOOKING TO HOOK UP.
708
00:30:21,354 --> 00:30:22,488
WHAT�S THE WORD?
709
00:30:22,523 --> 00:30:23,690
JACKSON 5.
710
00:30:27,528 --> 00:30:28,829
WHO GAVE YOU THAT?
711
00:30:28,862 --> 00:30:31,031
LYLE.
712
00:30:31,064 --> 00:30:33,834
THAT WAS FOR YESTERDAY.
DON�T CUT IT TODAY.
713
00:30:33,867 --> 00:30:36,670
WELL, WE GOT LOCKED UP.
WE COULDN�T MAKE IT.
714
00:30:36,703 --> 00:30:39,172
CAN WE WORK SOMETHING OUT, HUH?
YOU, ME, AND HER?
715
00:30:39,205 --> 00:30:41,241
YEAH.
716
00:30:41,274 --> 00:30:43,243
RIGHT HERE
IN THE DOORWAY.
717
00:30:43,276 --> 00:30:45,045
SOUNDS GOOD TO ME.
718
00:30:47,681 --> 00:30:50,851
DOWN THE STEPS,
AND DON�T MAKE A SOUND.
719
00:30:50,884 --> 00:30:52,619
TRY ANYTHING AND I�LL PUT
ONE IN YOUR EAR!
720
00:30:58,925 --> 00:31:01,027
FREEZE!
FREEZE!
721
00:31:01,061 --> 00:31:02,529
FREEZE!
STOP OR YOU�RE A DEAD MAN!
722
00:31:02,563 --> 00:31:05,198
DON�T MOVE!
723
00:31:05,231 --> 00:31:07,768
FREEZE RIGHT THERE!
DON�T MAKE A MOVE!
724
00:31:07,801 --> 00:31:09,369
WE GOOD DOWN HERE?
725
00:31:09,402 --> 00:31:10,604
WE�RE GOOD.
726
00:31:10,637 --> 00:31:13,507
EVERYBODY FREEZE!
DON�T MOVE!
727
00:31:13,540 --> 00:31:17,711
IN THE RED, DON�T MOVE!
DON�T MOVE!
728
00:31:17,744 --> 00:31:19,412
ARE YOU MONEY T.?
729
00:31:19,445 --> 00:31:20,747
I DON�T KNOW WHAT YOU�RE
TALKING ABOUT, MAN!
730
00:31:20,781 --> 00:31:23,216
YOU THINK YOU CAN TRY AND KILL
A COP AND GET AWAY WITH IT?
731
00:31:23,249 --> 00:31:25,385
I DON�T KNOW WHAT Y�ALL
DOING HERE!
732
00:31:25,418 --> 00:31:27,921
HOW ABOUT THAT, HUH?
733
00:31:27,954 --> 00:31:29,590
AND WHAT�S THIS?
734
00:31:29,623 --> 00:31:30,891
INSULATION?!
735
00:31:30,924 --> 00:31:32,225
I WANT MY LAWYER.
736
00:31:32,258 --> 00:31:35,128
YOU AND ME GOT SOME BUSINESS
FIRST, MONEY!
737
00:31:35,161 --> 00:31:36,930
ANDY!
738
00:31:36,963 --> 00:31:38,464
I WANT MY LAWYER!
ANDY, IN HERE!
739
00:31:38,498 --> 00:31:40,801
TAKE THIS ASSHOLE.
740
00:31:48,675 --> 00:31:49,976
CHECK OVER THERE.
741
00:31:59,853 --> 00:32:01,588
YOU GOT CHANGE FOR
A MILLION?
742
00:32:01,622 --> 00:32:02,889
WE GOTTA SECURE THIS.
743
00:32:02,923 --> 00:32:05,291
YEAH, DON�T LET E. S. U.
OR CRIME SCENE IN
744
00:32:05,325 --> 00:32:06,660
UNTIL THIS IS COUNTED.
745
00:32:08,662 --> 00:32:10,864
SON OF A BITCH.
746
00:32:27,881 --> 00:32:30,250
[ BUZZER ]
747
00:32:30,283 --> 00:32:32,218
MRS. FIVELSON!
748
00:32:34,454 --> 00:32:36,389
IT�S POLICE, MRS. FIVELSON!
749
00:32:44,064 --> 00:32:46,199
LORRAINE FIVELSON!
750
00:32:46,232 --> 00:32:47,467
POLICE, MA�AM!
751
00:32:47,500 --> 00:32:49,002
MRS. FIVELSON?
752
00:32:49,035 --> 00:32:50,971
OH, NO.
753
00:32:51,004 --> 00:32:52,472
OH, BOY.
754
00:32:52,506 --> 00:32:53,707
GET A BUS.
I�LL GET HER UNTIED.
755
00:32:53,740 --> 00:32:55,842
15th SQUAD TO CENTRAL "K."
756
00:32:55,876 --> 00:32:58,444
HAVE A SECTOR CAR
AND AMBULANCE RESPOND
757
00:32:58,478 --> 00:33:01,548
TO 2130 7th STREET,
APARTMENT B.
758
00:33:01,582 --> 00:33:05,118
PUT A RUSH ON THE AMBULANCE.
WE HAVE AN ELDERLY UNCONSCIOUS.
759
00:33:05,151 --> 00:33:06,520
IS SHE ALIVE?
760
00:33:06,553 --> 00:33:07,821
THERE�S A PULSE.
761
00:33:07,854 --> 00:33:10,256
LET�S LIE HER DOWN
ON THE GROUND.
762
00:33:21,067 --> 00:33:22,636
LYLE SQUARED AWAY?
763
00:33:22,669 --> 00:33:24,304
IN WITH THE FEDS.
764
00:33:24,337 --> 00:33:27,741
HE�S DECIDING DOES HE WANT
RELOCATION TO FLORIDA OR HAWAII.
765
00:33:27,774 --> 00:33:30,476
I JUST GOT OFF WITH
A SPECIAL AGENT THOMAS.
766
00:33:30,511 --> 00:33:33,346
LOOKS LIKE THE U. S. ATTORNEY�S
TAKING MONEY T. FEDERAL.
767
00:33:33,379 --> 00:33:35,048
FEDS TAKING THE DOUGH, TOO?
768
00:33:35,081 --> 00:33:37,684
IT GOES TO THE DEPARTMENT.
GOOD WORK TODAY.
769
00:33:37,718 --> 00:33:39,586
TELL HIM.
HE�S THE ONE KEPT HIS HEAD.
770
00:33:39,620 --> 00:33:42,689
THROUGH A LOT OF DISTRACTION,
I. A. B. AND SO FORTH.
771
00:33:42,723 --> 00:33:44,190
HOPEFULLY,
THAT�S PUT TO BED.
772
00:33:44,224 --> 00:33:45,325
YOU STILL COUNTING CASH?
773
00:33:45,358 --> 00:33:46,760
UP TO $14 MILLION.
774
00:33:46,793 --> 00:33:47,894
NEEDED A COFFEE BREAK.
775
00:33:52,298 --> 00:33:54,234
UM, I�M HEADING HOME.
776
00:33:54,267 --> 00:33:55,569
BE THERE AS SOON AS I CAN.
777
00:33:55,602 --> 00:33:57,037
TAKE YOUR TIME.
778
00:33:57,070 --> 00:33:59,239
NO, I�LL, UH, I�LL BE THERE
AS SOON AS I CAN.
779
00:34:02,108 --> 00:34:03,209
HEY.
780
00:34:03,243 --> 00:34:04,545
HEY.
781
00:34:04,578 --> 00:34:05,612
I�M HEADING OUT.
782
00:34:05,646 --> 00:34:07,380
OKAY.
783
00:34:07,413 --> 00:34:08,582
RITA...
784
00:34:08,615 --> 00:34:09,750
GOOD NIGHT.
785
00:34:09,783 --> 00:34:10,817
NIGHT.
786
00:34:13,887 --> 00:34:15,722
UH, AM I GONNA SEE
YOU LATER?
787
00:34:15,756 --> 00:34:17,057
DO WE HAVE SOMETHING TO
TALK ABOUT?
788
00:34:17,090 --> 00:34:19,459
I WASN�T LYING TO
YOU BEFORE.
789
00:34:19,492 --> 00:34:22,028
IF THAT�S ALL YOU GOTTA SAY,
I DON�T NEED TO HEAR IT AGAIN.
790
00:34:22,062 --> 00:34:23,163
IF SOMETHING ELSE COMES UP,
CALL ME.
791
00:34:41,582 --> 00:34:44,084
WE SAW MRS. FIVELSON.
792
00:34:44,117 --> 00:34:46,419
WE GOT YOUR PRINTS
OUT OF HER APARTMENT,
793
00:34:46,452 --> 00:34:47,921
AND SHE�S GONNA I. D. YOU
794
00:34:47,954 --> 00:34:49,623
AS SOON AS SHE GETS OUT
OF THE HOSPITAL.
795
00:34:49,656 --> 00:34:52,058
WISH I KNEW WHAT YOU GUYS
WERE TALKING ABOUT.
796
00:34:52,092 --> 00:34:53,894
YOU EVER BEEN TO PRISON?
NO.
797
00:34:53,927 --> 00:34:55,996
THE POINT IS TO DO THE LEAST
AMOUNT OF TIME, NOT THE MOST.
798
00:34:56,029 --> 00:34:59,633
WITH THAT IN MIND, YOU NEED TO
EXPRESS WHY YOU DID THIS
799
00:34:59,666 --> 00:35:01,968
SO THE JUDGE WILL HAVE SOME
SYMPATHY FOR YOU
800
00:35:02,002 --> 00:35:03,670
WHEN HE�S LOOKING AT
EMERGENCY?ROOM PHOTOS
801
00:35:03,704 --> 00:35:05,005
OF THOSE BEAT?UP WOMEN!
802
00:35:05,038 --> 00:35:06,773
WHY WOULD I BEAT WOMEN?
803
00:35:06,807 --> 00:35:08,008
ARE YOU MAD AT THEM
FOR SOME REASON?
804
00:35:08,041 --> 00:35:09,142
THEY�RE TOTAL STRANGERS.
805
00:35:09,175 --> 00:35:10,511
MAYBE YOU WERE TRYING TO
MAKE A POINT.
806
00:35:10,544 --> 00:35:11,645
LIKE WHAT?
807
00:35:11,678 --> 00:35:13,146
WE DON�T KNOW, JOSEPH!
808
00:35:13,179 --> 00:35:14,314
AND IF YOU DON�T LAY IT OUT
RIGHT NOW,
809
00:35:14,347 --> 00:35:15,882
NO ONE WILL EVER KNOW!
810
00:35:19,285 --> 00:35:21,822
NOW!!
811
00:35:21,855 --> 00:35:23,657
WERE YOU EVER THE NEW KID
IN SCHOOL?
812
00:35:23,690 --> 00:35:25,191
NO, NOT REALLY.
813
00:35:25,225 --> 00:35:26,527
YOU GET YOUR ASS KICKED
A LOT.
814
00:35:26,560 --> 00:35:28,128
THEY WHIP PENS AT YOUR HEAD,
815
00:35:28,161 --> 00:35:32,265
PISS ON YOUR BOOK BAG,
AND STEAL YOUR SHOES AND WATCH.
816
00:35:32,298 --> 00:35:34,801
THAT TAKES ABOUT SIX
MONTHS TO STOP,
817
00:35:34,835 --> 00:35:36,469
BUT BY THEN,
I�M ON TO THE NEXT SCHOOL
818
00:35:36,503 --> 00:35:38,972
AND HIS NEXT BIG OPPORTUNITY!
819
00:35:39,005 --> 00:35:40,106
YOUR DAD?
820
00:35:40,140 --> 00:35:42,543
GUAM TODAY.
HONG KONG TOMORROW.
821
00:35:42,576 --> 00:35:44,645
HE WON�T BE BACK TILL
THE MIDDLE OF NEXT WEEK.
822
00:35:44,678 --> 00:35:46,613
THEN IT�S THAILAND TILL
THE END OF THE MONTH!
823
00:35:46,647 --> 00:35:49,950
MOM�S EQUALLY UNAVAILABLE
IN SEATTLE
824
00:35:49,983 --> 00:35:52,185
WITH HER ARCHITECT
BOYFRIEND.
825
00:35:52,218 --> 00:35:53,854
WE TALK
ABOUT ONCE A MONTH.
826
00:35:53,887 --> 00:35:55,822
WERE YOUR FOLKS AROUND
WHEN YOU WERE GROWING UP?
827
00:35:55,856 --> 00:35:57,357
PRETTY MUCH.
828
00:35:57,390 --> 00:36:01,662
I HAVE A GUATEMALAN
HOUSEKEEPER?SLASH?GUARDIAN.
829
00:36:01,695 --> 00:36:03,396
AND SHE DOESN�T SPEAK
ENGLISH,
830
00:36:03,429 --> 00:36:04,965
SO THERE�S NOT MUCH POINT
IN MY TALKING TO HER
831
00:36:04,998 --> 00:36:07,167
ABOUT HOW I HATE
MOVING AROUND
832
00:36:07,200 --> 00:36:10,236
OR I WISH I COULD SETTLE
IN ONE SPOT FOR FIVE MINUTES
833
00:36:10,270 --> 00:36:13,006
SO I WOULDN�T HAVE TO STAY BACK
IN SCHOOL ANOTHER YEAR,
834
00:36:13,039 --> 00:36:14,575
AND MAYBE I COULD MAKE
A NORMAL FRIEND
835
00:36:14,608 --> 00:36:17,043
OR, GOD FORBID, A GIRLFRIEND!
836
00:36:17,077 --> 00:36:18,645
THAT MUST START
TO BUILD UP.
837
00:36:18,679 --> 00:36:21,347
YEAH, I WALK A LOT,
AND I?I PUT ON MY HEADPHONES.
838
00:36:21,381 --> 00:36:22,716
I TRY TO COOL OUT.
839
00:36:22,749 --> 00:36:25,251
SOMETIMES, I WISH SOMEONE
WOULD BUMP INTO ME,
840
00:36:25,285 --> 00:36:26,687
AND I COULD JUST...
841
00:36:26,720 --> 00:36:28,555
[ SHRIEKS ]
SLUG �EM!
842
00:36:28,589 --> 00:36:31,858
DROP �EM TO THE GROUND,
STOMP ON THEIR FACE!
843
00:36:31,892 --> 00:36:33,527
IS THAT HOW YOU WERE FEELING
THIS MORNING?
844
00:36:33,560 --> 00:36:36,196
I WAS WALKING AND WALKING,
845
00:36:36,229 --> 00:36:39,866
AND FOR SOME REASON,
I JUST STOP AND LOOKED UP,
846
00:36:39,900 --> 00:36:42,669
AND THERE�S THESE
LITTLE PLANTS
847
00:36:42,703 --> 00:36:45,371
AND A TV WITH
A SOAP OPERA ON,
848
00:36:45,405 --> 00:36:48,575
AND I COULD EVEN SEE MAGNETS
ON THE FRIDGE.
849
00:36:48,609 --> 00:36:49,943
THIS WAS MRS. MONCREFE?
850
00:36:49,976 --> 00:36:51,712
I COULD SEE IT ALL
FROM THE STREET.
851
00:36:51,745 --> 00:36:53,279
HOW DID YOU GET INTO HER
APARTMENT?
852
00:36:53,313 --> 00:36:55,882
HER DOOR WAS OPEN.
I WALKED IN.
853
00:36:55,916 --> 00:36:57,884
SHE SAW ME,
AND I JUST FLIPPED!
854
00:36:57,918 --> 00:36:58,919
BEATING HER.
855
00:36:58,952 --> 00:37:01,454
HER FACE AND HER CHEST!
856
00:37:01,487 --> 00:37:03,389
I KICKED AT HER KNEES!
857
00:37:03,423 --> 00:37:05,559
I TAPED HER UP.
I BEAT HER WITH A BOOK.
858
00:37:05,592 --> 00:37:08,061
NEXT THING YOU KNOW,
I�M BACK ON THE STREET WALKING.
859
00:37:08,094 --> 00:37:09,930
IS THAT WHEN YOU FOUND
MRS. FIVELSON?
860
00:37:09,963 --> 00:37:14,768
YEAH, WITH THE SAME PLANTS AND
THE TV WITH A SOAP OPERA.
861
00:37:14,801 --> 00:37:16,402
AND I JUST WENT OFF.
862
00:37:16,436 --> 00:37:22,142
I BEAT HER SO BAD.
863
00:37:22,175 --> 00:37:23,944
WE�RE GONNA HAVE TO GET IN
TOUCH WITH YOUR DAD.
864
00:37:23,977 --> 00:37:26,980
HE�S GONNA HAVE TO CUT
HIS TRIP SHORT.
865
00:37:27,013 --> 00:37:28,982
OH, HE�S GONNA FREAK OUT!
HE�S GONNA KILL ME!
866
00:37:29,015 --> 00:37:32,786
HE�S GONNA FREAK OUT.
867
00:37:32,819 --> 00:37:35,589
[ BREATHING HEAVILY ]
868
00:37:41,161 --> 00:37:42,495
[ KNOCK ON DOOR ]
869
00:37:50,804 --> 00:37:52,338
HEY.
870
00:37:52,372 --> 00:37:54,340
THANKS FOR COMING.
871
00:37:58,979 --> 00:38:00,847
I�M MAKING SPAGHETTI.
872
00:38:00,881 --> 00:38:02,983
I�M NOT REALLY HUNGRY.
873
00:38:03,016 --> 00:38:04,284
YOU WANT SOMETHING
TO DRINK?
874
00:38:04,317 --> 00:38:06,019
IF I WANTED SOMETHING,
I�D HAVE GOT IT.
875
00:38:06,052 --> 00:38:09,623
YOU SAID ON THE PHONE
876
00:38:09,656 --> 00:38:11,324
THERE WAS SOMETHING ELSE
YOU HAD TO TELL ME.
877
00:38:11,357 --> 00:38:14,227
I�M COVERING FOR MY DAD.
878
00:38:20,901 --> 00:38:22,302
IT WAS HIM WITH THE PROSS?
879
00:38:22,335 --> 00:38:24,470
I SCRAMBLED THINKING
OF A WAY TO EXPLAIN IT,
880
00:38:24,505 --> 00:38:27,040
AND HER BEING MY C. I.
WAS THE BEST I CAN DO.
881
00:38:27,073 --> 00:38:29,175
I�M SORRY I GOT
YOU UPSET.
882
00:38:29,209 --> 00:38:31,177
I CAN�T BELIEVE IT.
883
00:38:31,211 --> 00:38:33,880
HOW LONG�S IT BEEN
GOING ON?
884
00:38:33,914 --> 00:38:36,149
A WHILE.
I DON�T KNOW.
885
00:38:36,182 --> 00:38:37,951
[ SIGHS ]
886
00:38:37,984 --> 00:38:41,121
SO WHAT NOW?
HOW DO YOU CLEAR IT UP?
887
00:38:41,154 --> 00:38:44,057
WE RIDE IT OUT,
HOPE IT GOES AWAY QUICK.
888
00:38:44,090 --> 00:38:45,191
BUT I. A. B.�s INVOLVED.
889
00:38:45,225 --> 00:38:47,628
I�LL JUST TAKE THE RIP.
890
00:38:47,661 --> 00:38:49,195
DID YOU TALK TO YOUR DAD
ABOUT THIS?
891
00:38:49,229 --> 00:38:52,566
IT�S BETTER I TAKE THE RIP
THAN HE LOSES HIS PENSION.
892
00:38:52,599 --> 00:38:54,568
ARE YOU SURE IT�S A RIP?
IS THAT WHAT MARTENS SAID?
893
00:38:54,601 --> 00:38:55,969
HE SAID IT WAS A PROBLEM.
894
00:38:56,002 --> 00:38:57,504
THAT COULD MEAN LOSING
YOUR JOB.
895
00:38:57,538 --> 00:39:00,240
NOBODY�S LOST THEIR JOB OVER
AN UNREGISTERED C.I.
896
00:39:00,273 --> 00:39:02,042
WHAT ABOUT PEOPLE THINKING
YOU SCREW WHORES?
897
00:39:02,075 --> 00:39:04,711
IF THAT�S THE BOOK ON YOU,
IT�LL RUB OFF ON ME.
898
00:39:04,745 --> 00:39:06,913
YOU�RE GETTING AHEAD
OF YOURSELF. I�VE SEEN IT HAPPEN.
899
00:39:06,947 --> 00:39:08,815
I WON�T LET IT GET THERE.
900
00:39:08,849 --> 00:39:11,718
THE ONLY WAY IT WON�T IS BY YOU
AND YOUR DAD GOING TO I. A. B.
901
00:39:11,752 --> 00:39:13,253
THAT�S NOT GONNA HAPPEN.
YOU�RE MAKING A BIG MISTAKE!
902
00:39:13,286 --> 00:39:15,221
I APPRECIATE THE SUPPORT.
903
00:39:15,255 --> 00:39:17,057
I AM TRYING TO KEEP YOU FROM
WALKING OFF A CLIFF.
904
00:39:17,090 --> 00:39:19,225
I DON�T REMEMBER ASKING
FOR YOUR OPINION.
905
00:39:24,798 --> 00:39:26,166
COME ON.
WHERE ARE YOU GOING?
906
00:39:26,199 --> 00:39:27,601
I THINK YOU GOT SOME
THINKING TO DO,
907
00:39:27,634 --> 00:39:29,636
AND I DON�T WANT MY OPINIONS
MUDDYING THE WATER.
908
00:39:31,938 --> 00:39:33,273
[ CHAIR SLAMS ]
909
00:39:36,910 --> 00:39:39,412
THAT�S SILLY.
910
00:39:39,445 --> 00:39:41,014
HI, CONNIE!
911
00:39:41,047 --> 00:39:42,783
HEY, SWEETIE.
912
00:39:42,816 --> 00:39:45,018
OKAY, WHY DON�T YOU GO BRUSH
YOUR TEETH,
913
00:39:45,051 --> 00:39:46,920
GET READY FOR BED, THEO?
914
00:39:46,953 --> 00:39:49,723
I�LL KISS HELLO WHEN MY
TEETH ARE CLEAN.
915
00:39:49,756 --> 00:39:51,592
THAT�S...VERY
CONSCIENTIOUS.
916
00:39:51,625 --> 00:39:52,793
[ LAUGHS ]
917
00:39:57,564 --> 00:39:59,132
THAT GAVE ME A LITTLE SCARE
TODAY.
918
00:39:59,165 --> 00:40:01,968
YEAH, ME TOO.
919
00:40:02,002 --> 00:40:05,238
HOW FAR AWAY WERE YOU
WHEN THAT KID GOT SHOT?
920
00:40:05,271 --> 00:40:06,406
FAR ENOUGH.
921
00:40:08,975 --> 00:40:10,911
IT REALLY SCARED ME.
922
00:40:10,944 --> 00:40:13,313
YOU ALL RIGHT?
923
00:40:17,483 --> 00:40:19,019
I WANT TO STAY THE NIGHT.
924
00:40:22,823 --> 00:40:24,324
THAT�S WHAT THE BAG�S FOR?
925
00:40:24,357 --> 00:40:27,661
I DON�T WANT TO GO HOME
BY MYSELF TONIGHT.
926
00:40:27,694 --> 00:40:31,464
I DON�T KNOW IF THEO�S
READY FOR THAT.
927
00:40:31,497 --> 00:40:34,200
WELL I?I THINK WE SHOULD TALK
TO HIM ABOUT IT AND SEE.
928
00:40:37,638 --> 00:40:40,907
UH, THEO?
929
00:40:40,941 --> 00:40:43,309
THEO, COME HERE A SECOND.
930
00:40:43,343 --> 00:40:44,945
CONNIE AND I WANT TO ASK YOU
A QUESTION.
931
00:40:44,978 --> 00:40:47,413
WHY DON�T YOU SIT DOWN OVER
HERE, BUDDY?
932
00:40:47,447 --> 00:40:49,449
OKAY.
[ CLEARS THROAT ]
933
00:40:49,482 --> 00:40:54,087
UH...
934
00:40:54,120 --> 00:40:57,924
YOU SEE, WHEN PEOPLE ARE
TOGETHER FOR A WHILE,
935
00:40:57,958 --> 00:41:00,326
AND THEY CARE ABOUT
EACH OTHER,
936
00:41:00,360 --> 00:41:02,963
SOMETIMES THEY WANT TO SLEEP
IN THE SAME BED.
937
00:41:02,996 --> 00:41:04,631
WHY?
938
00:41:04,665 --> 00:41:07,868
SO THEY CAN BE CLOSE
AND TALK AND HUG.
939
00:41:07,901 --> 00:41:09,435
AND WATCH TV?
940
00:41:09,469 --> 00:41:12,005
YEAH, SURE.
941
00:41:12,038 --> 00:41:15,208
AND, UH, YOU SEE, WELL...
[ SIGHS ]
942
00:41:15,241 --> 00:41:19,546
WE WANTED TO KNOW HOW YOU�D FEEL
IF CONNIE SLEPT OVER WITH ME
943
00:41:19,580 --> 00:41:21,014
ON THE PULLOUT.
944
00:41:21,047 --> 00:41:22,649
LIKE A SLEEPOVER PARTY?
945
00:41:22,683 --> 00:41:24,785
EXCEPT YOU�D SLEEP IN THERE
AND US OUT HERE.
946
00:41:24,818 --> 00:41:27,654
OKAY.
947
00:41:27,688 --> 00:41:31,525
OKAY.
948
00:41:31,558 --> 00:41:32,793
CAN I WATCH TV NOW?
949
00:41:32,826 --> 00:41:35,261
YEAH, YEAH,
FOR ABOUT 10 MINUTES.
950
00:41:40,400 --> 00:41:41,735
NOT SO BAD.
951
00:41:43,537 --> 00:41:45,906
I�LL CLEAR YOU
SOME CLOSET SPACE.
952
00:41:45,939 --> 00:41:49,342
NO, I�M FINE OUT OF
THE BAG.
953
00:41:49,375 --> 00:41:51,177
FOR NOW.
954
00:41:51,227 --> 00:41:55,777
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