All language subtitles for NYPD Blue s10e01 Ho Down.e

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,074 --> 00:00:09,576 YEAH. REALLY? 2 00:00:09,610 --> 00:00:12,012 THIS GUY GAVE HIM UP. 3 00:00:12,045 --> 00:00:14,314 YEAH, LYLE DENNISON. 4 00:00:14,347 --> 00:00:17,250 AY?YI?YI. 84 DEGREES. 5 00:00:17,283 --> 00:00:19,586 8:00 IN THE MORNING. IT�S ALREADY 84 DEGREES. 6 00:00:20,721 --> 00:00:23,223 YOU KNOW HOW I GOT THAT EXACT TEMPERATURE? 7 00:00:23,256 --> 00:00:26,259 BECAUSE THE THERMOMETER ON MY DASHBOARD WORKS PERFECTLY, 8 00:00:26,292 --> 00:00:29,029 AS OPPOSED TO THAT COCKAMAMIE AIR CONDITIONING, 9 00:00:29,062 --> 00:00:31,397 WHICH SUDDENLY STARTS BLOWING OUT HOT AIR, 10 00:00:31,431 --> 00:00:33,099 AND IT STINKS LIKE AN ARMPIT. 11 00:00:33,133 --> 00:00:34,568 SEE YOU THERE. 12 00:00:34,601 --> 00:00:36,369 [ SIGHS ] 13 00:00:36,402 --> 00:00:37,904 WHO�S THIS ASSHOLE? 14 00:00:37,938 --> 00:00:40,106 SOMEONE DROPPED A DIME ON THAT SHOOTER FROM STUYVESANT TOWN. 15 00:00:40,140 --> 00:00:41,441 NAME�S LYLE DENNISON. 16 00:00:41,474 --> 00:00:43,544 WE GOT A LOCATION ON HIM ?? A PROJECT ON "B." 17 00:00:43,577 --> 00:00:45,746 JONES AND MEDAVOY ARE MEETING US THERE. 18 00:00:45,779 --> 00:00:48,048 IF THIS PRICK CAN FIX A CAR AIR CONDITIONER, 19 00:00:48,081 --> 00:00:49,816 HE GETS A WALK. 20 00:01:07,300 --> 00:01:08,769 LYLE DENNISON�S IN 1507. 21 00:01:08,802 --> 00:01:11,271 TENANT PATROL SAW HIM WALK IN HALF AN HOUR AGO. 22 00:01:11,304 --> 00:01:12,873 WHERE YOU GOING? 23 00:01:12,906 --> 00:01:15,375 WE GOT A HOME INVASION. THE BOSS WANTS US THERE NOW. 24 00:01:15,408 --> 00:01:17,243 THE SECTOR CAR WILL BACK YOU UP. 25 00:01:17,277 --> 00:01:19,445 I HOPE YOU BROUGHT YOUR WALKING SHOES. 26 00:01:19,479 --> 00:01:20,647 ELEVATOR�S OUT. 27 00:01:20,681 --> 00:01:22,583 15th FLOOR? YEAH. 28 00:01:22,616 --> 00:01:23,784 GREAT. 29 00:01:23,817 --> 00:01:25,218 AND THE STAIRWELL STINKS OF URINE. 30 00:01:25,251 --> 00:01:26,820 ALL RIGHT, MEDAVOY. 31 00:01:26,853 --> 00:01:28,154 HAPPY HUNTING! 32 00:01:37,163 --> 00:01:38,965 [ BREATHING HEAVILY ] 33 00:01:51,477 --> 00:01:53,146 WHAT YOU WANT? 34 00:01:53,179 --> 00:01:54,180 THIS DON�T CONCERN YOU. 35 00:01:54,214 --> 00:01:55,649 OH, NO, THIS MY HALLWAY. 36 00:01:55,682 --> 00:01:57,317 I SAY WHAT CONCERN ME AND WHAT DON�T. 37 00:01:57,350 --> 00:01:58,619 WHY DON�T YOU GO BACK TO YOUR APARTMENT, MA�AM? 38 00:01:58,652 --> 00:01:59,686 WHY DON�T YOU GET OUT OF MY BUILDING? 39 00:01:59,720 --> 00:02:00,754 GO IN YOUR APARTMENT! 40 00:02:00,787 --> 00:02:01,788 HELL NO! 41 00:02:01,822 --> 00:02:03,256 HE HOME?! 42 00:02:03,289 --> 00:02:04,958 YOU SEE A PIG BADGE ON ME? 43 00:02:04,991 --> 00:02:06,426 YOU SEEN THE GUY WHO LIVES HERE OR NOT? 44 00:02:06,459 --> 00:02:08,361 WHY DON�T YOU WIPE THAT PIG GREASE OFF YOUR FOREHEAD, 45 00:02:08,394 --> 00:02:10,263 SMEAR IT ON YOUR SHOES, AND SLIDE ON OUT OF HERE? 46 00:02:10,296 --> 00:02:11,932 AIN�T NOBODY TALKING TO YOU. 47 00:02:11,965 --> 00:02:14,668 GO INSIDE, STICK YOUR HEAD IN THE FRIDGE, AND COOL OFF. 48 00:02:14,701 --> 00:02:15,936 ALL RIGHT. I�LL STICK MY HEAD IN THE FRIDGE. 49 00:02:15,969 --> 00:02:17,370 YOU STICK YOUR HEAD IN YOUR ASS! [ SPITS ] 50 00:02:17,403 --> 00:02:20,707 HEY! YOU LITTLE SON OF A BITCH. 51 00:02:20,741 --> 00:02:22,142 BACK OFF! 52 00:02:22,175 --> 00:02:23,844 YOU WANT TO GO TO THE STATION HOUSE?! 53 00:02:23,877 --> 00:02:25,045 BACK OFF! EVERYBODY SHUT UP! 54 00:02:25,078 --> 00:02:27,147 ANDY. 55 00:02:27,180 --> 00:02:29,950 LYLE DENNISON? 56 00:02:29,983 --> 00:02:32,452 MAN, GET YOUR HANDS OFF ME, MAN! 57 00:02:32,485 --> 00:02:34,320 WHAT�S UP, MAN? DAMN! 58 00:02:34,354 --> 00:02:36,623 DAMN! DAMN, MAN! 59 00:02:36,657 --> 00:02:38,391 SAY SOMETHING ELSE OR SHUT UP. 60 00:03:53,600 --> 00:03:54,768 ME THERE? 61 00:03:54,801 --> 00:03:56,269 YEAH, YOU THERE. 62 00:03:56,302 --> 00:03:58,872 GOOD, �CAUSE I WANT TO GET A GOOD VIEW OF Y�ALL. 63 00:03:58,905 --> 00:04:00,106 I WANT TO SIZE YOU UP. 64 00:04:00,140 --> 00:04:02,543 I WANT TO TAKE YOU IN AND, LIKE, DIGEST YOU. 65 00:04:02,576 --> 00:04:04,277 SHUT UP AND TELL US WHAT YOU WERE DOING 66 00:04:04,310 --> 00:04:06,146 AT STUYVESANT TOWN LAST THURSDAY. 67 00:04:06,179 --> 00:04:07,714 I DON�T KNOW WHAT YOU�RE TALKING ABOUT. 68 00:04:07,748 --> 00:04:10,584 WERE YOU DROPPED ON YOUR HEAD AS A KID SO YOU SLOW, 69 00:04:10,617 --> 00:04:12,986 OR YOU JUST GOT BIG BALLS LIKE AN ELEPHANT? 70 00:04:13,019 --> 00:04:16,256 CONCENTRATE OR I�M GONNA DROP YOU ON YOUR HEAD. 71 00:04:16,289 --> 00:04:18,324 A GUY WHO DEALS OUT OF STUY TOWN NAMED LITTLE PETE 72 00:04:18,358 --> 00:04:20,260 WAS SHOT IN A DRUG BEEF LAST THURSDAY. 73 00:04:20,293 --> 00:04:23,930 10 PEOPLE SAW YOU DO IT. PETE SAW YOU DO IT. 74 00:04:23,964 --> 00:04:25,498 CARE TO GIVE US YOUR SIDE 75 00:04:25,532 --> 00:04:28,101 OR ARE YOU TOO BUSY DIGESTING MY PARTNER? 76 00:04:28,134 --> 00:04:31,237 YOU�LL HAVE TO EXCUSE ME. I NEVER SAW A WALKING DEAD MAN. 77 00:04:31,271 --> 00:04:32,573 MAYBE WE NEED TO GO OVER THE RULES 78 00:04:32,606 --> 00:04:34,975 FOR ASSHOLES WHO MAKE DEATH THREATS. 79 00:04:35,008 --> 00:04:38,945 I THINK LYLE�S DONE NOW. HE�S TALKED HIS TRASH. 80 00:04:38,979 --> 00:04:40,947 YOU HAVE ANY CLUE WHO YOU SHOVED ON HER ASS IN THAT HALLWAY? 81 00:04:40,981 --> 00:04:42,482 I DON�T REALLY CARE. 82 00:04:42,516 --> 00:04:44,317 YOU EVER HEAD OF THIS PLAYER NAMED MONEY T.? 83 00:04:44,350 --> 00:04:45,952 WE�RE TALKING ABOUT YOUR SHOOTING HERE. 84 00:04:45,986 --> 00:04:48,421 HE�S A BIG GUY, BIG NEIGHBORHOOD DUDE, 85 00:04:48,454 --> 00:04:50,857 AND THAT GIRL�S HIS QUEEN BITCH, SHALICE. 86 00:04:50,891 --> 00:04:53,627 NOBODY TOUCHES SHALICE, NOBODY SAYS HI TO SHALICE, 87 00:04:53,660 --> 00:04:55,328 NOBODY EVEN LOOKS SHALICE IN THE EYES 88 00:04:55,361 --> 00:04:57,263 UNLESS THEY WANT THEIR NUTS STOMPED, 89 00:04:57,297 --> 00:04:59,465 ESPECIALLY WHEN TINY AND BILL GOT HER BACK. 90 00:04:59,499 --> 00:05:02,202 THOSE ARE THE TWO STEROID CASES, THE TWINS? 91 00:05:02,235 --> 00:05:05,672 HER BODYGUARDS, WHO SOME FOLKS SAY GOT 20 BODIES BETWEEN �EM. 92 00:05:05,706 --> 00:05:07,273 YOU SEE HER SITTING ON HER ASS, 93 00:05:07,307 --> 00:05:08,441 SO PISSED SHE COULDN�T SAY NOTHING? 94 00:05:08,474 --> 00:05:10,110 SHE WAS HUMILIATED, 95 00:05:10,143 --> 00:05:11,712 AND TINY AND BILL, WHO DIDN�T SEE IT COMING? 96 00:05:11,745 --> 00:05:13,880 WHOO! THEY WAS HUMILIATED. 97 00:05:13,914 --> 00:05:15,315 AND BETWEEN THE THREE OF THEM, 98 00:05:15,348 --> 00:05:17,951 YOU�RE GONNA HAVE A WHOLE ARMY COMING DOWN ON YOUR ASS. 99 00:05:17,984 --> 00:05:20,353 I REMEMBER GIVING YOU A WARNING ABOUT THAT KIND OF TALK. 100 00:05:20,386 --> 00:05:23,657 ALL RIGHT, NITWIT, WHY DON�T YOU GET IN THE CAGE. 101 00:05:23,690 --> 00:05:24,858 JUST LETTING YOU KNOW. 102 00:05:24,891 --> 00:05:26,459 I APPRECIATE IT, 103 00:05:26,492 --> 00:05:28,128 BUT IT�S TIME FOR THIS DEAD MAN�S CUP OF COFFEE 104 00:05:28,161 --> 00:05:29,362 AND MORNING CRAP ?? 105 00:05:29,395 --> 00:05:31,565 ALL THE THINGS THAT MAKE DEATH WORTH LIVING. 106 00:05:38,572 --> 00:05:39,840 SO ?? DEATH THREAT. 107 00:05:39,873 --> 00:05:41,207 YEAH, I DON�T KNOW ABOUT THAT. 108 00:05:41,241 --> 00:05:42,743 I HAVE HEARD OF MONEY T. 109 00:05:42,776 --> 00:05:44,978 ME TOO. I�LL PONDER IT ON THE CAN. 110 00:05:45,011 --> 00:05:46,713 I WASN�T JOKING ABOUT THAT CRAP. 111 00:05:46,747 --> 00:05:48,815 IS THAT PAUL WINSLOW? 112 00:05:48,849 --> 00:05:50,483 JUST WHO I�M LOOKING FOR. 113 00:05:50,517 --> 00:05:53,253 MY PARTNER, ANDY SIPOWICZ. I KNOW PAUL FROM NARCOTICS. 114 00:05:53,286 --> 00:05:54,921 I�VE BEEN SIX MONTHS MIDTOWN NORTH SQUAD. 115 00:05:54,955 --> 00:05:56,890 IT�S GOOD TO MEET YOU. I GOT BUSINESS. 116 00:05:56,923 --> 00:05:57,924 YOU GOT A MINUTE? 117 00:05:57,958 --> 00:05:59,459 SURE. 118 00:06:04,130 --> 00:06:08,001 YOUR NAME CAME UP IN A PROSS HOMICIDE. 119 00:06:08,034 --> 00:06:09,703 CYNTHIA PATTERSON. YOU KNOW HER? 120 00:06:09,736 --> 00:06:11,538 DOESN�T RING A BELL. 121 00:06:11,572 --> 00:06:14,240 TWO IN THE CHEST. WENT BY "LOLLIPOP." 122 00:06:14,274 --> 00:06:16,276 HOW�D MY NAME COME UP? 123 00:06:16,309 --> 00:06:19,112 SHE RAN AN IN?CALL BUSINESS, MOSTLY BY APPOINTMENT. 124 00:06:19,145 --> 00:06:21,782 WEDNESDAY LAST WEEK, YOUR NAME WAS IN THE APPOINTMENT BOOK. 125 00:06:21,815 --> 00:06:23,449 IT SAID JOHN CLARK? 126 00:06:23,483 --> 00:06:26,452 "DETECTIVE JOHN CLARK ?? WEDNESDAY, 9:00 P. M." 127 00:06:26,486 --> 00:06:28,855 JOHN, IF YOU WERE STICKING HER, 128 00:06:28,889 --> 00:06:29,790 DON�T THINK YOU�D GET JUDGED BY ME. 129 00:06:29,823 --> 00:06:31,057 WHOA, IT�S NOT THAT. 130 00:06:31,091 --> 00:06:33,393 IF IT IS THAT, GET IN FRONT NOW, 131 00:06:33,426 --> 00:06:34,528 �CAUSE YOUR NAME BEING IN THAT BOOK�S 132 00:06:34,561 --> 00:06:37,564 GOTTA COME UP WITH MY BOSS. 133 00:06:37,598 --> 00:06:40,433 I KNOW YOUR DAD�S ON THE JOB, SAME NAME AS YOU. 134 00:06:40,466 --> 00:06:42,035 IS THIS MAYBE A CONVERSATION FOR HIM? 135 00:06:42,068 --> 00:06:46,406 NO, I�M JUST TRYING TO PICTURE THIS GIRL WITH BLOND HAIR. 136 00:06:46,439 --> 00:06:47,641 SHE EVER GO BY "RUBY"? 137 00:06:47,674 --> 00:06:48,975 WE�RE NOT TOO FAR YET. 138 00:06:49,009 --> 00:06:51,377 I GOT A C.I. IN THE FREDERICK DOUGLAS HOUSES. 139 00:06:51,411 --> 00:06:53,446 SHE REGISTERED? 140 00:06:53,479 --> 00:06:56,282 NO, SHE HELPED ME OUT IN NARCOTICS ONCE. 141 00:06:56,316 --> 00:06:57,951 I STILL KEEP IN TOUCH. I GOT A FEW LIKE THAT. 142 00:06:57,984 --> 00:06:59,720 SEE HER LAST WEEK? 143 00:06:59,753 --> 00:07:01,555 MAKE IT A MONTH AGO. 144 00:07:01,588 --> 00:07:03,890 MAYBE SHE WROTE IT DOWN WRONG. WHAT�D YOU TALK ABOUT? 145 00:07:03,924 --> 00:07:05,726 LISTENED TO HER COMPLAIN. 146 00:07:05,759 --> 00:07:08,562 ONCE EVERY FIVE CHATS, SOMETHING COMES OF IT. 147 00:07:08,595 --> 00:07:10,263 SHE MENTION ANYONE GIVING HER TROUBLE? 148 00:07:10,296 --> 00:07:12,966 NOTHING. GOT ANYBODY YOU�RE LOOKING AT? 149 00:07:12,999 --> 00:07:14,501 HER PIMP�S IN THE WIND. HE�S THE GUY FOR NOW. 150 00:07:17,137 --> 00:07:18,772 SO SHE�S A C.I. 151 00:07:18,805 --> 00:07:23,143 YEAH. GUESS SHE DYED HER HAIR. 152 00:07:23,176 --> 00:07:24,911 WELL, THAT�S ALL I NEED. OKAY. 153 00:07:24,945 --> 00:07:28,615 SEEING HOW I COULD TAKE A RIP ON HER NOT BEING REGISTERED, 154 00:07:28,649 --> 00:07:29,983 HOW TIGHT�S THE CIRCLE ON THIS? 155 00:07:30,016 --> 00:07:32,452 IT�S JUST ME AND MY PARTNER FOR NOW, 156 00:07:32,485 --> 00:07:34,988 BUT IT�S GOTTA COME UP WITH MY BOSS, AND HE�S HALF A PRICK. 157 00:07:35,021 --> 00:07:36,823 I�LL TRY TO KEEP YOU OUT OF THE PAPERWORK. 158 00:07:36,857 --> 00:07:37,858 APPRECIATE IT, PAUL. 159 00:07:37,891 --> 00:07:39,459 SEE YOU AROUND. 160 00:07:50,537 --> 00:07:52,539 HEY. ELEANOR MONCREFE, 80 YEARS OLD. 161 00:07:52,573 --> 00:07:54,541 NEXT?DOOR NEIGHBOR SAW THE DOOR OPEN, 162 00:07:54,575 --> 00:07:56,510 FOUND HER DUCT?TAPED TO A CHAIR BEAT TO HELL. 163 00:07:56,543 --> 00:07:57,878 DID THE NEIGHBOR HEAR ANYTHING? 164 00:07:57,911 --> 00:08:00,647 SAID SHE WAS SHOWERING, DRYING HER HAIR FOR THE PAST HOUR. 165 00:08:00,681 --> 00:08:01,882 WAS THERE ANYTHING FROM THE VICTIM? 166 00:08:01,915 --> 00:08:03,316 SHE WAS UNCONSCIOUS WHEN WE GOT HERE, 167 00:08:03,349 --> 00:08:06,186 BUT ANTICRIME WAS FIRST ON THE SCENE. 168 00:08:06,219 --> 00:08:08,388 YOU WANT TO TALK TO ANTICRIME, I�LL GET THE NEIGHBOR? 169 00:08:08,421 --> 00:08:09,389 YEAH. 170 00:08:15,562 --> 00:08:16,563 HOW�S IT GOING? 171 00:08:16,597 --> 00:08:18,832 GOOD. FINE. MAYA ANDERSON. 172 00:08:18,865 --> 00:08:20,400 YEAH. I REMEMBER. 173 00:08:20,433 --> 00:08:22,736 SO I HEARD YOU MIGHT HAVE GOT A STATEMENT FROM THE VICTIM? 174 00:08:22,769 --> 00:08:24,004 SHE WAS IN AND OUT. 175 00:08:24,037 --> 00:08:26,039 SHE GIVE YOU ANY KIND OF DESCRIPTION? 176 00:08:26,072 --> 00:08:29,309 SHE JUST MUMBLED, "IT HURTS. IT HURTS." 177 00:08:29,342 --> 00:08:31,177 I MEAN, IT WAS AWFUL! SHE WAS ALL BLOODY ?? 178 00:08:31,211 --> 00:08:34,080 WHAT YOU GOTTA TRY TO DO IS CONCENTRATE ON THE CASE. 179 00:08:34,114 --> 00:08:36,049 THAT�LL HELP GET YOUR MIND MOVING FORWARD. 180 00:08:36,082 --> 00:08:39,586 IS THERE ANYTHING ELSE YOU CAN TELL ME ABOUT? 181 00:08:39,620 --> 00:08:41,221 I THINK MY PARTNER NOTIFIED CRIME SCENE. 182 00:08:41,254 --> 00:08:42,989 GOOD. 183 00:08:43,023 --> 00:08:44,190 I MEAN, WHAT IS SOMEBODY THINKING 184 00:08:44,224 --> 00:08:45,726 TAPING UP AN OLD WOMAN AND BEATING HER PURPLE? 185 00:08:47,628 --> 00:08:49,095 I MEAN, WHO KNOWS, RIGHT? 186 00:08:49,129 --> 00:08:51,598 WE GET ANY KIND OF DESCRIPTION OFF THE CANVASS, 187 00:08:51,632 --> 00:08:52,999 WE�LL NOTIFY YOU AND PARTNER. 188 00:08:53,033 --> 00:08:54,167 WE�D APPRECIATE THAT. 189 00:08:54,200 --> 00:08:56,870 THANKS. I�M ?? I�M SORRY. 190 00:08:56,903 --> 00:08:58,438 DON�T WORRY ABOUT IT. 191 00:09:08,949 --> 00:09:11,852 PETE? DETECTIVE SIPOWICZ. SECOND MESSAGE. 192 00:09:11,885 --> 00:09:13,219 YOU GOT THE NUMBER. 193 00:09:13,253 --> 00:09:14,287 HOW�D YOU DO WITH LYLE? 194 00:09:14,320 --> 00:09:15,756 HE WOULDN�T GO. 195 00:09:15,789 --> 00:09:18,391 THE COMPLAINANT ON THE SHOOTING, THIS, UH, LITTLE PETE. 196 00:09:18,424 --> 00:09:20,360 WE�RE TRYING TO GET HIM IN TO VIEW A LINEUP, 197 00:09:20,393 --> 00:09:22,195 BUT HE�S NOT AT HOME, HE�S NOT ANSWERING HIS PAGER. 198 00:09:22,228 --> 00:09:24,230 VOICE MAIL ON HIS CELL. 199 00:09:24,264 --> 00:09:26,933 ONCE WE GET HIM IN AND LYLE�S I.D.ed, HE�S IN THE SYSTEM. 200 00:09:26,967 --> 00:09:29,235 HOW�S THE OLD WOMAN? 201 00:09:29,269 --> 00:09:33,273 BEAT TO HELL ?? LOTS OF FACIAL CONTUSIONS, BROKEN NOSE, JAW, 202 00:09:33,306 --> 00:09:35,709 AND SOME OF HER RIBS FROM BEING TIED UP SO TIGHT. 203 00:09:35,742 --> 00:09:37,911 DOCTORS DON�T KNOW IF SHE�S GONNA MAKE IT. 204 00:09:37,944 --> 00:09:40,146 ANYTHING FROM THE CANVASS? 205 00:09:40,180 --> 00:09:43,316 NOTHING SO FAR. JONES AND MEDAVOY ARE STILL OUT. 206 00:09:43,349 --> 00:09:45,051 BOSS. 207 00:09:45,085 --> 00:09:46,920 WE ALSO NEED TO GET WITH NARCOTICS 208 00:09:46,953 --> 00:09:48,321 ON A DEALER NAMED MONEY T. 209 00:09:48,354 --> 00:09:51,558 THE SMACK DEALER. HOW�S HE FIT IN? 210 00:09:51,592 --> 00:09:53,093 PICKING UP LYLE, 211 00:09:53,126 --> 00:09:55,495 I GOT INTO A SHOUTING MATCH WITH HIS SKANKY NEIGHBOR. 212 00:09:55,529 --> 00:09:57,998 TURNS OUT TO BE MONEY T.�s GIRLFRIEND. 213 00:09:58,031 --> 00:10:00,133 AFTER I GET SPIT ON, 214 00:10:00,166 --> 00:10:03,403 THE GIRLFRIEND ENDED UP... LOSING HER BALANCE 215 00:10:03,436 --> 00:10:07,307 SO LYLE SAYS I�M GONNA GET WHACKED OVER THAT. 216 00:10:07,340 --> 00:10:09,142 WORD IS HE�S GOT A LOT OF GUYS KILLED. 217 00:10:09,175 --> 00:10:10,343 I�VE HEARD THAT, TOO. 218 00:10:10,376 --> 00:10:11,745 I�LL KEEP MY EYES PEELED. 219 00:10:11,778 --> 00:10:14,748 OR YOU CAN SIT TIGHT TILL NARCOTICS GETS A VIBE. 220 00:10:14,781 --> 00:10:15,916 WORK FROM THE DESK? 221 00:10:15,949 --> 00:10:18,118 HOW PISSED OFF�S THE GIRL? 222 00:10:18,151 --> 00:10:20,186 FIRST GET ME A COAT HANGER SO I CAN LOBOTOMIZE MYSELF. 223 00:10:20,220 --> 00:10:22,989 I AIN�T SITTING AT THE DESK JUST �CAUSE OF SOME LOUDMOUTH. 224 00:10:23,023 --> 00:10:25,425 IT�S WORTH LOOKING INTO. YOU TWO AVAILABLE? 225 00:10:25,458 --> 00:10:26,292 WE�LL GET ON IT. 226 00:10:29,696 --> 00:10:31,765 YOU WANT THEO PICKED UP FROM SCHOOL? 227 00:10:31,798 --> 00:10:33,600 THAT�D SCARE HIM FOR NOTHING. 228 00:10:33,634 --> 00:10:36,469 LOOK, KILLING DOPE RIVALS IS ONE THING, 229 00:10:36,503 --> 00:10:37,838 BUT I DON�T SEE THIS GIRL GOING TO WAR 230 00:10:37,871 --> 00:10:39,205 WITH THE POLICE DEPARTMENT. 231 00:10:39,239 --> 00:10:41,842 NO HARM IN GETTING PATROL TO SIT ON THEO�S SCHOOL. 232 00:10:44,077 --> 00:10:46,279 YOU CAN�T TELL ME SHALICE WHINED TO I. A. B. 233 00:10:46,312 --> 00:10:49,550 CLARK, YOU GOT A MINUTE? 234 00:10:49,583 --> 00:10:50,784 SURE. 235 00:10:50,817 --> 00:10:52,218 COFFEE ROOM. 236 00:10:55,388 --> 00:10:56,523 WHAT�S THIS? 237 00:11:01,995 --> 00:11:04,497 YOU TALK TO A DETECTIVE WINSLOW THIS MORNING 238 00:11:04,531 --> 00:11:07,167 REGARDING A PROSS HOMICIDE IN THE FREDERICK DOUGLASS HOUSES ?? 239 00:11:07,200 --> 00:11:08,735 CYNTHIA PATTERSON? YEAH. 240 00:11:08,769 --> 00:11:10,671 I NEED TO CLARIFY YOUR RELATIONSHIP WITH THE GIRL. 241 00:11:10,704 --> 00:11:12,372 SHE WAS A C.I. 242 00:11:12,405 --> 00:11:13,974 NOT REGISTERED? 243 00:11:14,007 --> 00:11:15,008 NO. 244 00:11:15,041 --> 00:11:16,510 WHY? 245 00:11:16,543 --> 00:11:18,879 SHE DIDN�T LIKE THE IDEA. SHE WAS PARANOID. 246 00:11:18,912 --> 00:11:20,246 ABOUT WHAT? 247 00:11:20,280 --> 00:11:23,083 COPS. SHE WAS A PROSS. 248 00:11:23,116 --> 00:11:24,551 YOU MET HER IN NARCOTICS? 249 00:11:24,585 --> 00:11:26,386 WHEN AND WHERE? 250 00:11:26,419 --> 00:11:28,589 I DON�T RECALL OFFHAND. 251 00:11:28,622 --> 00:11:31,057 BIG CASE? LITTLE CASE? 252 00:11:31,091 --> 00:11:32,859 NO CASE? 253 00:11:32,893 --> 00:11:35,028 I WASN�T A CUSTOMER. 254 00:11:35,061 --> 00:11:36,396 YOU WERE LISTED LIKE ONE. 255 00:11:36,429 --> 00:11:40,366 SHE WAS GOOD WITH SMACK DEALERS IN HARLEM, 256 00:11:40,400 --> 00:11:42,736 WHO WAS ON TOP, WHO WAS MOVING OUT, GENERAL INFO. 257 00:11:42,769 --> 00:11:44,204 THAT�S WHAT SENT YOU TO HER TWO MONTHS AGO, 258 00:11:44,237 --> 00:11:46,006 GENERAL INFO ON DEALERS IN HARLEM? 259 00:11:46,039 --> 00:11:48,108 I LIKE KEEPING MY EAR TO THE GROUND. 260 00:11:48,141 --> 00:11:50,677 THAT�S THE LAST TIME YOU SAW HER? YEAH. 261 00:11:50,711 --> 00:11:53,013 YOUR PHONE RECORDS GONNA SAY DIFFERENT, DETECTIVE? 262 00:11:53,046 --> 00:11:55,749 WHY ARE YOU CHECKING MY PHONE RECORDS? 263 00:11:55,782 --> 00:11:59,553 HER PIMP WAS IN BELLEVUE ALL NIGHT WITH A ROTTEN TOOTH. 264 00:11:59,586 --> 00:12:00,787 SO YOU�RE LOOKING AT ME FOR MURDER? 265 00:12:00,821 --> 00:12:01,955 WE�RE LOOKING AT A LOT OF THINGS. 266 00:12:01,988 --> 00:12:04,858 YOU GOT ALL I KNOW. 267 00:12:04,891 --> 00:12:07,427 YOU UNDERSTAND IT�S A PROBLEM SHE�S NOT REGISTERED. 268 00:12:07,460 --> 00:12:08,394 WHATEVER YOU GOTTA DO. 269 00:12:12,799 --> 00:12:15,468 YOU MIGHT TRY TO REMEMBER THE CASE WHERE YOU MET HER 270 00:12:15,502 --> 00:12:17,437 AND BRUSH UP ON YOUR FACTS, GENERALLY. 271 00:12:17,470 --> 00:12:18,839 JUST A SUGGESTION. 272 00:12:28,582 --> 00:12:29,783 WHERE�S THE BOSS? 273 00:12:29,816 --> 00:12:31,217 IN THE CAN. 274 00:12:31,251 --> 00:12:32,385 I NEED TO TAKE CARE OF SOMETHING. 275 00:12:32,418 --> 00:12:34,788 WHAT? NOTHING. 276 00:12:34,821 --> 00:12:36,690 I�LL BE BACK IN HALF AN HOUR. 277 00:12:53,774 --> 00:12:55,976 JOHN. HEY, POP. 278 00:12:56,009 --> 00:12:57,978 WHAT�S UP? WHAT�S SO URGENT? 279 00:12:58,011 --> 00:13:00,346 YOU HEAR ABOUT A PROSS HOMICIDE IN MIDTOWN NORTH, 280 00:13:00,380 --> 00:13:01,314 CYNTHIA PATTERSON? 281 00:13:01,347 --> 00:13:02,583 HEARD ABOUT IT. 282 00:13:02,616 --> 00:13:05,652 BUDDY OF MINE IS WORKING THE CASE. 283 00:13:05,686 --> 00:13:08,755 "DETECTIVE JOHN CLARK" WAS IN HER APPOINTMENT BOOK. 284 00:13:08,789 --> 00:13:10,123 HE CAME TO ME ABOUT IT. 285 00:13:10,156 --> 00:13:11,291 WHAT�D YOU SAY? 286 00:13:11,324 --> 00:13:12,859 SHE WAS A C.I. 287 00:13:12,893 --> 00:13:14,294 IS THAT THE END OF IT? 288 00:13:14,327 --> 00:13:16,697 I.A.B. SHOWED UP ASKING WHY SHE WASN�T REGISTERED. 289 00:13:16,730 --> 00:13:18,498 WHAT WAS YOUR EXPLANATION? 290 00:13:18,532 --> 00:13:19,766 I DANCED AROUND IT. HE SAID IT WAS A PROBLEM. 291 00:13:19,800 --> 00:13:22,102 BECAUSE HE DIDN�T BUY THE STORY? 292 00:13:22,135 --> 00:13:24,605 HE MIGHT HAVE. I DON�T KNOW. 293 00:13:24,638 --> 00:13:26,607 COMING FROM NARCOTICS, 294 00:13:26,640 --> 00:13:28,775 IT COULD MAKE SENSE TO HAVE AN UNREGISTERED C.I. 295 00:13:28,809 --> 00:13:30,143 I COULD NEVER SELL THAT. 296 00:13:30,176 --> 00:13:32,112 SO, WHAT... 297 00:13:32,145 --> 00:13:33,880 YOU WERE A CUSTOMER? 298 00:13:33,914 --> 00:13:35,516 SHE WAS A FRIEND. 299 00:13:35,549 --> 00:13:37,651 THAT�S NOT HOW SHE HAD YOU WRITTEN DOWN. 300 00:13:37,684 --> 00:13:39,786 JOHNNY... 301 00:13:39,820 --> 00:13:42,022 I DON�T KNOW WHAT TO SAY. 302 00:13:42,055 --> 00:13:44,357 WHY DIDN�T YOU TELL YOUR FRIEND THE TRUTH? 303 00:13:44,390 --> 00:13:46,359 BECAUSE HIS NEXT STEP WOULD HAVE BEEN YOU. 304 00:13:46,392 --> 00:13:47,427 I DON�T RECALL EVER ASKING YOU TO PROTECT ME. 305 00:13:50,997 --> 00:13:52,833 YOU MUST BE VERY DISAPPOINTED. 306 00:13:52,866 --> 00:13:54,535 I�M MORE STUNNED. 307 00:13:54,568 --> 00:13:57,871 I NEVER LOVED ANY WOMAN BUT YOUR MOTHER, 308 00:13:57,904 --> 00:14:00,841 AND I COULD NEVER LOVE ANYONE ELSE. 309 00:14:00,874 --> 00:14:03,844 BUT, UM, I MET HER ON A CASE. 310 00:14:03,877 --> 00:14:06,747 I CALLED HER ONCE WHEN I... WAS VERY LONELY. 311 00:14:06,780 --> 00:14:08,014 THAT�S HOW IT STARTED. 312 00:14:08,048 --> 00:14:10,984 SHE EVER TALK ABOUT ANYBODY COMING AFTER HER? 313 00:14:11,017 --> 00:14:12,653 IS THAT A SUBTLE WAY OF ASKING ME WAS I INVOLVED? 314 00:14:12,686 --> 00:14:14,821 I NEVER WOULD HAVE CONSIDERED. 315 00:14:14,855 --> 00:14:16,790 I PROMISE YOU, I HAD NOTHING TO DO WITH HER BEING KILLED. 316 00:14:18,892 --> 00:14:21,427 A PROBLEM FROM I. A. B. 317 00:14:21,461 --> 00:14:23,196 DOES THAT MEAN DEPARTMENT CHARGES? 318 00:14:23,229 --> 00:14:25,198 MAYBE. 319 00:14:25,231 --> 00:14:27,768 I FIGURE IT BETTER I TAKE A RIP FOR AN UNREGISTERED C.I. 320 00:14:27,801 --> 00:14:30,571 THAN YOU GET THROWN OFF THE JOB AND LOSE YOUR PENSION. 321 00:14:30,604 --> 00:14:33,039 IF THIS GOES A HAIR PAST A RIP, I�M STEPPING IN. 322 00:14:33,073 --> 00:14:34,775 HOPEFULLY, THE CASE GOES DOWN QUICK 323 00:14:34,808 --> 00:14:36,276 AND NO ONE WILL LOOK TOO DEEP. 324 00:14:36,309 --> 00:14:37,611 I GOTTA GET BACK. 325 00:14:37,644 --> 00:14:40,614 IF ANYTHING COMES UP, I�LL KEEP IN TOUCH. 326 00:14:57,898 --> 00:15:00,767 MONEY T.�s REAL NAME IS DARNELL BATTUM. 327 00:15:00,801 --> 00:15:03,970 NO RECORD, BUT NARCOTICS SAYS HE�S DOING MAJOR WEIGHT. 328 00:15:04,004 --> 00:15:05,138 WHY HAVEN�T THEY TAKEN HIM DOWN? 329 00:15:05,171 --> 00:15:06,773 HE WORKS QUIET, AND HE�S WELL?INSULATED. 330 00:15:06,807 --> 00:15:09,543 AND HE�S GOT ESCAPE ROUTES BUILT INTO HIS STASH HOUSES. 331 00:15:09,576 --> 00:15:11,311 THE PHANTOM DRUG MENACE. 332 00:15:11,344 --> 00:15:13,246 NARCOTICS SAY HOW VIOLENT THIS GUY IS? 333 00:15:13,279 --> 00:15:16,316 THE TWINS YOU SAW, WALTER AND WILLIAM GRIMES, 334 00:15:16,349 --> 00:15:18,284 BOTH HAVE A HISTORY OF VIOLENT CRIME, 335 00:15:18,318 --> 00:15:20,754 AND THERE�S NINE HOMICIDES NARCOTICS SAYS ARE THEIRS. 336 00:15:20,787 --> 00:15:22,823 BUT NO ONE WILL TALK, AND NO ONE WILL TESTIFY. 337 00:15:22,856 --> 00:15:24,725 PEOPLE BARELY HAVE THE BALLS TO SAY THE GUY�S NAME. 338 00:15:24,758 --> 00:15:26,827 IF WE GET NARCOTICS ANYWHERE NEAR MONEY T., 339 00:15:26,860 --> 00:15:28,194 THEY SAID DINNER�S ON THEM. 340 00:15:30,797 --> 00:15:32,498 LYLE DENNISON�S GOOD FOR A SHOOTING. 341 00:15:32,533 --> 00:15:36,302 HE MIGHT BE WILLING TO TRADE TIME FOR INFO ON MONEY T. 342 00:15:36,336 --> 00:15:37,938 YOU TALK TO THE GUY HE SHOT, LITTLE PETE? 343 00:15:37,971 --> 00:15:40,140 HE STILL HASN�T CALLED BACK. 344 00:15:40,173 --> 00:15:41,642 KEEP TRYING. SOMEBODY FILL IN CLARK. 345 00:15:41,675 --> 00:15:43,710 I GOT IT. 346 00:15:49,182 --> 00:15:50,951 I�M SUPPOSED TO FILL YOU IN ON MONEY T. 347 00:15:50,984 --> 00:15:52,385 ALL RIGHT. 348 00:15:55,622 --> 00:15:57,824 IS THERE SOMETHING YOU WANT TO TELL ME? 349 00:15:57,858 --> 00:15:59,025 THIS ABOUT I. A. B.? 350 00:15:59,059 --> 00:16:01,862 NO, YOUR NEXT HAIRCUT APPOINTMENT. 351 00:16:01,895 --> 00:16:04,097 OLD C.I. OF MINE GOT WHACKED. 352 00:16:04,130 --> 00:16:06,432 SHE HAD MY NAME WRITTEN DOWN. 353 00:16:06,466 --> 00:16:08,034 PROSS? AND A JUNKIE. 354 00:16:08,068 --> 00:16:09,936 SHE HAD SOME GOOD INFO. 355 00:16:09,970 --> 00:16:11,605 WHY IS I. A. B. INVOLVED? 356 00:16:11,638 --> 00:16:13,974 SHE WASN�T REGISTERED. HOW COME? 357 00:16:14,007 --> 00:16:14,941 SHE WOULDN�T DO IT, PARANOID. 358 00:16:14,975 --> 00:16:16,376 AND SHE WAS JUST A C. I.? 359 00:16:16,409 --> 00:16:17,878 YEAH. 360 00:16:21,682 --> 00:16:23,550 WHAT GOT YOU RUNNING OFF AFTER MARTENS LEFT? 361 00:16:23,584 --> 00:16:26,119 I WANTED TO TALK TO THE DETECTIVE WHO CAUGHT THE CASE, 362 00:16:26,152 --> 00:16:27,387 SEE WAS THERE ANY PROGRESS. 363 00:16:27,420 --> 00:16:28,689 SOMETHING WRONG WITH THE PHONE? 364 00:16:28,722 --> 00:16:30,123 WHAT IS THIS, RITA? 365 00:16:30,156 --> 00:16:31,224 YOU�RE LYING TO ME. 366 00:16:31,257 --> 00:16:32,559 WHAT DO I HAVE TO LIE ABOUT? 367 00:16:32,593 --> 00:16:34,661 I DON�T KNOW, BUT I�VE BEEN WITH YOU FOUR MONTHS, 368 00:16:34,695 --> 00:16:36,196 AND YOU�VE NEVER ACTED LIKE THIS BEFORE. 369 00:16:36,229 --> 00:16:38,064 OKAY, WELL, I�M NOT LYING. 370 00:16:38,098 --> 00:16:39,533 DID YOU HAVE A RELATIONSHIP WITH THIS GIRL? 371 00:16:39,566 --> 00:16:42,536 NOTHING PAST HER BEING A C.I. 372 00:16:42,569 --> 00:16:45,205 I KNOW A LITTLE ABOUT COPS AND UNREGISTERED PROSS INFORMANTS. 373 00:16:45,238 --> 00:16:49,743 THERE WAS NO RELATIONSHIP PAST HER BEING A C.I. 374 00:16:49,776 --> 00:16:51,978 YOU DIDN�T SLEEP WITH HER? RITA ?? 375 00:16:52,012 --> 00:16:54,748 IF YOU�RE SCREWING PROSS, I GOT A RIGHT TO KNOW ABOUT IT. GIVE ME A BREAK! 376 00:16:54,781 --> 00:16:56,082 WELL, SOMETHING�S NOT RIGHT. 377 00:16:56,116 --> 00:16:57,684 I WASN�T SLEEPING WITH HER. 378 00:16:57,718 --> 00:16:58,685 [ KNOCK ON DOOR ] 379 00:17:03,456 --> 00:17:04,891 WHAT�S UP? 380 00:17:04,925 --> 00:17:06,527 I JUST GOT OFF WITH LITTLE PETE. 381 00:17:06,560 --> 00:17:09,229 HE WOULDN�T SAY WHERE HE WAS, BUT HE�S LEAVING TOWN. 382 00:17:09,262 --> 00:17:11,898 SOMEBODY PUT A GUN IN HIS RIBS AND THREATENED TO KILL HIM 383 00:17:11,932 --> 00:17:12,799 IF HE I.D.ed LYLE. HE�S OUT. 384 00:17:14,367 --> 00:17:15,536 SO WE�RE GONNA HAVE TO RUN A GAME ON LYLE. 385 00:17:15,569 --> 00:17:18,705 YOU UP FOR THAT? YOU SEEM DISTRACTED. 386 00:17:18,739 --> 00:17:20,106 IT�S JUST ME AND HER. 387 00:17:20,140 --> 00:17:22,609 THE DESK SERGEANT�S CALLED. 388 00:17:22,643 --> 00:17:24,711 SOMEONE�S HERE TO EITHER PICK UP LYLE DENNISON OR BAIL HIM OUT. 389 00:17:24,745 --> 00:17:27,080 LAWYER? A FRIEND. 390 00:17:27,113 --> 00:17:30,116 TELL HIM LYLE SPLIT AN HOUR AGO AND HAVE A NICE DAY. 391 00:17:39,492 --> 00:17:41,061 SO WHAT WE DOING? 392 00:17:41,094 --> 00:17:43,730 LITTLE PETE�S ON HIS WAY IN TO VIEW A LINEUP. 393 00:17:43,764 --> 00:17:45,498 WE GOTTA GET THE ROOM READY. 394 00:17:47,300 --> 00:17:49,870 JUST SIT HERE FOR NOW. 395 00:17:49,903 --> 00:17:53,139 I NEED YOUR EFFECTS ?? BELT, LACES. 396 00:17:53,173 --> 00:17:55,275 MAN, WE AIN�T EVEN HAD NO LINEUP YET. 397 00:17:55,308 --> 00:17:57,744 YOU GOT PICKED OUT OF A PHOTO. THIS IS JUST FOR THE D. A. 398 00:17:57,778 --> 00:17:59,580 COME ON. LET�S GO. 399 00:17:59,613 --> 00:18:01,982 SO AIN�T NOBODY COME ASKING FOR ME? 400 00:18:02,015 --> 00:18:03,750 NOPE. WE�D HAVE HEARD. 401 00:18:03,784 --> 00:18:05,752 AFTER THIS GETS WRAPPED UP, WE�LL GET YOU TO BOOKING, 402 00:18:05,786 --> 00:18:07,487 WHERE YOU�LL PROBABLY SPEND THE NIGHT. 403 00:18:07,521 --> 00:18:10,090 WHOO! COURT�S BEEN SLOW. 404 00:18:10,123 --> 00:18:11,892 THEN IT�S RIKERS TILL THE TRIAL, WHENEVER THAT IS. 405 00:18:11,925 --> 00:18:14,327 SO NOBODY COME ASKING FOR ME, NOBODY CALLED? 406 00:18:14,360 --> 00:18:16,229 LOOKS LIKE YOU GOT HUNG OUT, LYLE. 407 00:18:16,262 --> 00:18:17,397 FILLERS? 408 00:18:17,430 --> 00:18:18,765 SHOULD BE HERE IN ABOUT TWO MINUTES. 409 00:18:18,799 --> 00:18:20,166 I�LL GO GET HANK. 410 00:18:20,200 --> 00:18:22,335 YOU GOT SOMETHING TO SAY, YOU GOT TWO MINUTES. 411 00:18:22,368 --> 00:18:24,170 IF NOT, WE�LL BE RIGHT BACK. 412 00:18:26,272 --> 00:18:27,407 OKAY, WELL, WE�LL SEE YOU IN A BIT. 413 00:18:27,440 --> 00:18:30,844 WAIT, NOW, WHAT�S THAT SUPPOSED TO MEAN, 414 00:18:30,877 --> 00:18:32,078 DO I GOT SOMETHING TO SAY? 415 00:18:32,112 --> 00:18:34,014 IF YOU GOT INFORMATION ON A BIGGER CRIME, 416 00:18:34,047 --> 00:18:35,649 THE COURTS ARE WILLING TO DEAL, 417 00:18:35,682 --> 00:18:38,785 ESPECIALLY SINCE THAT GUY YOU SHOT WASN�T EXACTLY A CHOIR BOY. 418 00:18:40,821 --> 00:18:42,455 ARE YOU DEALING DOPE? 419 00:18:42,488 --> 00:18:43,590 MAYBE A LITTLE. 420 00:18:43,624 --> 00:18:45,692 YOU KNOW SOMEONE WHO DEALS A LOT? 421 00:18:45,726 --> 00:18:47,127 THIS IS HOW IT WORKS. 422 00:18:47,160 --> 00:18:48,494 YOU�RE A LITTLE FISH. WE WANT THE BIGGER FISH. 423 00:18:48,529 --> 00:18:49,830 AND I WALK? 424 00:18:49,863 --> 00:18:52,699 DEPENDS. 425 00:18:52,733 --> 00:18:54,935 I WORK FOR MONEY T., ALL RIGHT? 426 00:18:54,968 --> 00:18:57,103 I WORK FOR THE CITY OF NEW YORK. SO WHAT? 427 00:18:57,137 --> 00:18:59,873 I KNOW HIS OPERATION, AND FOR A WALK, 428 00:18:59,906 --> 00:19:01,274 I�LL GIVE YOU HIS WEEKLY CARD GAME, 429 00:19:01,307 --> 00:19:03,176 BUT AFTER THAT, WHAT YOU GET ON HIM IS UP TO YOU, 430 00:19:03,209 --> 00:19:04,611 BUT I�LL GET YOU TO HIM. 431 00:19:04,645 --> 00:19:06,379 YOU GET US A GUY PLAYING CARDS. 432 00:19:06,412 --> 00:19:07,681 THIS IS MONEY T., MAN! 433 00:19:07,714 --> 00:19:11,017 LYLE, YOU WANT TO GET WITHIN 50 MILES OF A WALK, 434 00:19:11,051 --> 00:19:13,119 WE NEED MORE THAN A GUY PLAYING HEARTS. 435 00:19:13,153 --> 00:19:15,288 DAMN, MAN. 436 00:19:15,321 --> 00:19:16,422 WHERE�S HE DEAL OUT OF? 437 00:19:19,359 --> 00:19:21,494 YOU GOT A PEN OR SOMETHING? 438 00:19:25,866 --> 00:19:27,167 MAN, THIS IS BIG. 439 00:19:27,200 --> 00:19:29,970 DAMN! 440 00:19:30,003 --> 00:19:34,908 SO, ODALAS, YOU ANY RELATION TO AN ELEANOR MONCREFE? 441 00:19:34,941 --> 00:19:36,176 NEVER HEARD OF HER. 442 00:19:36,209 --> 00:19:37,544 THEN WHERE�D YOU GET HER CREDIT CARD? 443 00:19:37,578 --> 00:19:40,681 I TOLD YOU, I DON�T KNOW WHERE IT CAME FROM. 444 00:19:40,714 --> 00:19:42,549 SO HOW�S IT WIND UP WITH YOU TRYING TO BUY NEW SPEAKERS? 445 00:19:42,583 --> 00:19:46,653 I GAVE THE GUY MY CARD. HE SAID WAIT, SO I WAIT. 446 00:19:46,687 --> 00:19:48,421 ALL THE SUDDEN, I GOT COPS ALL OVER ME. 447 00:19:48,454 --> 00:19:51,257 SO YOU�RE SAYING SOMEBODY PULLED A SWITCHEROO. 448 00:19:51,291 --> 00:19:53,026 GUESS SO. 449 00:19:53,059 --> 00:19:54,528 NO, ODALAS, THAT AIN�T GONNA FLY. 450 00:19:54,561 --> 00:19:56,830 COP TO WHERE YOU GOT IT NOW 451 00:19:56,863 --> 00:19:59,766 AND YOU�RE LOOKING AT MAYBE A SLAP ON THE WRIST, 452 00:19:59,800 --> 00:20:01,735 BUT IF YOU WASTE ANY MORE OF OUR TIME, 453 00:20:01,768 --> 00:20:04,538 WE�LL MAKE SURE YOU�RE LOCKED UP. 454 00:20:04,571 --> 00:20:06,106 A GUY GAVE IT TO ME. 455 00:20:06,139 --> 00:20:07,407 A WHITE GUY. 456 00:20:07,440 --> 00:20:08,875 A WHITE GUY. 457 00:20:08,909 --> 00:20:10,343 GOES TO MY SCHOOL. 458 00:20:10,376 --> 00:20:11,778 HIS NAME�S JOE. I DON�T KNOW HIS LAST NAME. 459 00:20:11,812 --> 00:20:14,515 A MYSTERY GUY NAMED JOE. 460 00:20:14,548 --> 00:20:17,017 HE�S IN MY ALGEBRA CLASS. ASK THE TEACHER. 461 00:20:17,050 --> 00:20:18,785 MYSTERY JOE FROM ALGEBRA. 462 00:20:18,819 --> 00:20:20,386 WITH THAT KIND OF DETAIL, 463 00:20:20,420 --> 00:20:21,588 I THINK WE�RE ABOUT READY FOR COURT. 464 00:20:21,622 --> 00:20:24,257 I JUST DON�T KNOW HIM SO GOOD. 465 00:20:24,290 --> 00:20:26,727 DON�T WORRY ABOUT IT, ODALAS. THAT�S PLENTY. 466 00:20:26,760 --> 00:20:28,261 WE APPRECIATE YOUR TIME. 467 00:20:28,294 --> 00:20:31,064 I CAN GO? 468 00:20:31,097 --> 00:20:34,034 WE�RE DONE DICKING AROUND WITH JOE FROM ALGEBRA! 469 00:20:34,067 --> 00:20:35,068 LET�S FIGURE OUT WHAT WENT WRONG! 470 00:20:35,101 --> 00:20:37,237 WHAT WENT WRONG WHERE? 471 00:20:37,270 --> 00:20:38,639 JURIES UNDERSTAND ROBBERY, ODALAS, 472 00:20:38,672 --> 00:20:40,541 AND THAT A GUY CAN NEED EXTRA CASH. 473 00:20:40,574 --> 00:20:42,943 WHAT THEY DON�T GET IS BEATING ON OLD WOMEN FOR IT. 474 00:20:42,976 --> 00:20:44,745 WHOA, WHOA, WHOA, I DIDN�T BEAT NOBODY, 475 00:20:44,778 --> 00:20:46,379 AND I KNOW NOTHING ABOUT NO APARTMENT! 476 00:20:46,412 --> 00:20:48,381 SO YOU�RE GOING TO BAT WITH JOE FROM ALGEBRA? 477 00:20:48,414 --> 00:20:52,218 HE LAID THE CARD ON ME. I FIGURED IT WAS HIS MOM�S. 478 00:20:52,252 --> 00:20:54,454 SINCE HE�S NEW IN SCHOOL, HE�S TRYING TO GET IN WITH ME. 479 00:20:54,487 --> 00:20:55,822 LAST CHANCE, ODALAS! 480 00:20:57,290 --> 00:20:59,225 JOE SOMETHING. JOSEPH. 481 00:20:59,259 --> 00:21:01,494 WHITE GUY, KIND OF GOOFY, LOOKS LIKE HE�S OLDER THAN US. 482 00:21:01,528 --> 00:21:03,496 YOU KNOW, LIKE HE FLUNKED OUT. 483 00:21:03,530 --> 00:21:05,265 THE TEACHER�D KNOW HIM! 484 00:21:05,298 --> 00:21:07,400 SHE BETTER. 485 00:21:07,433 --> 00:21:09,603 HER NAME AND WHERE YOU GO TO SCHOOL. 486 00:21:23,316 --> 00:21:24,484 [ DOOR OPENS ] 487 00:21:24,518 --> 00:21:26,352 DON�T MOVE! GET ON YOUR KNEES! 488 00:21:26,386 --> 00:21:28,288 EVERYBODY! GET ON YOUR KNEES! 489 00:21:28,321 --> 00:21:29,690 WE GOT A GUN HERE! 490 00:21:29,723 --> 00:21:32,358 I GOT SOMETHING. 491 00:21:32,392 --> 00:21:34,427 A COUPLE OF OUNCES. THAT�S IT. 492 00:21:34,460 --> 00:21:36,763 WHERE�S THE REST?! THAT�S IT! 493 00:21:36,797 --> 00:21:38,665 WE�LL LUMP ON CHARGES YOU DON�T WANT TO THINK ABOUT! 494 00:21:38,699 --> 00:21:40,000 THAT�S IT! I SWEAR! 495 00:21:40,033 --> 00:21:42,703 OH, YOU DUMB SON OF A BITCH! 496 00:21:42,736 --> 00:21:45,305 NONE OF THEM�S MONEY T.? 497 00:21:45,338 --> 00:21:47,808 NO, WE�LL BRING IN THE DOGS TO SNIFF THIS PLACE OUT, 498 00:21:47,841 --> 00:21:49,643 BUT I THINK YOUR BOY SET US UP. 499 00:21:49,676 --> 00:21:51,645 LET�S GET OUT OF HERE. 500 00:22:02,355 --> 00:22:03,790 HOLD ON A SECOND. 501 00:22:03,824 --> 00:22:05,826 I�D LIKE TO WASH THIS JUNKIE PUKE OFF MY SHOES. 502 00:22:05,859 --> 00:22:07,160 WHAT�S GOING ON WITH YOU? 503 00:22:07,193 --> 00:22:09,630 I TOLD YOU, I DON�T LIKE I. A. B. PAWING AT ME. 504 00:22:09,663 --> 00:22:10,831 AND THAT�S IT? 505 00:22:10,864 --> 00:22:12,633 IT DOESN�T HELP RITA�S BULL 506 00:22:12,666 --> 00:22:14,334 ABOUT THAT GIRL NOT BEING A C.I. 507 00:22:14,367 --> 00:22:15,902 SHE�S GOT A POINT CALLING YOU OUT. 508 00:22:15,936 --> 00:22:20,741 IT DON�T ADD UP, LIKE YOU BOLTING OUT OF THE SQUAD 509 00:22:20,774 --> 00:22:21,575 TO TALK TO THE GUY THAT CAUGHT THE CASE. 510 00:22:21,608 --> 00:22:22,743 WELL, I DID! 511 00:22:22,776 --> 00:22:24,410 ALL RIGHT, WHAT�D HE SAY? 512 00:22:24,444 --> 00:22:26,580 SO NOW YOU�RE GONNA INTERROGATE ME? 513 00:22:26,613 --> 00:22:27,347 YOU DON�T REMEMBER WHAT HE SAID? 514 00:22:31,885 --> 00:22:33,419 IT WAS MY DAD BANGING THAT PROSS, OKAY? 515 00:22:33,453 --> 00:22:36,590 IT�S BEEN GOING ON A WHILE. 516 00:22:36,623 --> 00:22:38,091 HE�S GONNA LET YOU TAKE THE RAP FOR IT? 517 00:22:38,124 --> 00:22:39,826 YEAH, AND FOR NOW, THAT�S HOW IT�S GONNA WORK, 518 00:22:39,860 --> 00:22:43,897 AND I APPRECIATE YOU NOT GIVING ME A SPEECH ABOUT IT. 519 00:22:43,930 --> 00:22:45,599 ALL HIS TALK ABOUT RIGHT AND WRONG 520 00:22:45,632 --> 00:22:49,269 AND TOEING THE LINE, AND HE�S OUT NAILING A WHORE. 521 00:22:49,302 --> 00:22:51,772 THERE�S BEING A PARENT, 522 00:22:51,805 --> 00:22:53,907 THEN THERE�S BEING A HUMAN BEING. 523 00:22:53,940 --> 00:22:55,175 SO YOU�RE DEFENDING HIM? 524 00:22:55,208 --> 00:22:57,177 I GOT A LITTLE HISTORY WITH THAT KIND OF THING. 525 00:22:57,210 --> 00:22:59,245 BUT DID YOU EVER PASS YOURSELF OFF AS A SAINT? 526 00:22:59,279 --> 00:23:01,515 I KNOW IT�S HARD FOR YOU TO SEE IT �CAUSE HE�S YOUR DAD, 527 00:23:01,548 --> 00:23:04,384 BUT HE�S JUST A GUY. HE AIN�T PERFECT. 528 00:23:04,417 --> 00:23:05,719 ARE WE GOING BACK AT LYLE? 529 00:23:05,752 --> 00:23:07,721 KEEP IN MIND YOU DON�T JUST SHRUG OFF 530 00:23:07,754 --> 00:23:09,923 SOMETHING LIKE AN UNREGISTERED PROSS C. I., 531 00:23:09,956 --> 00:23:12,192 AND IT�S NOT I.A.B. YOU GOTTA WORRY ABOUT. 532 00:23:12,225 --> 00:23:14,160 IT�S THE STINK THAT FOLLOWS. 533 00:23:18,164 --> 00:23:19,733 WHAT THE HELL?! 534 00:23:19,766 --> 00:23:21,935 GET DOWN, EVERYBODY! GET DOWN! HIT THE GROUND! 535 00:23:21,968 --> 00:23:23,003 ANDY, WE GOT A GUY HIT! 536 00:23:27,841 --> 00:23:29,142 WE NEED AN AMBULANCE! 537 00:23:29,175 --> 00:23:30,176 WE GOT A SNIPER! 538 00:23:33,446 --> 00:23:35,415 YOU�RE OKAY, PAL. JUST HANG IN THERE. 539 00:23:35,448 --> 00:23:38,084 YOU�RE ALL RIGHT. HOLD ON, PAL! 540 00:23:38,118 --> 00:23:40,286 OH, COME ON! COME ON! 541 00:23:57,704 --> 00:24:00,073 KID�S TIMOTHY MARTIN. N. Y. U. GRAD STUDENT. 542 00:24:00,106 --> 00:24:01,942 DRIVER�S LICENSE HAS HIM LIVING ON "B." 543 00:24:01,975 --> 00:24:03,610 ANY CONTACT NUMBERS? 544 00:24:03,644 --> 00:24:06,146 MAYBE IN HIS BOOK BAG. I HAVEN�T GONE THROUGH IT YET. 545 00:24:06,179 --> 00:24:07,447 WHERE�S CLARK AND SIPOWICZ? 546 00:24:07,480 --> 00:24:09,983 STILL CHECKING ROOFTOPS WITH EMERGENCY SERVICE. 547 00:24:10,016 --> 00:24:12,619 JONES AND MEDAVOY ARE LOOKING FOR A SUSPECT ON THEIR CASE. 548 00:24:12,653 --> 00:24:14,921 THEY WANT TO KNOW SHOULD THEY COME BACK TO THE HOUSE. 549 00:24:14,955 --> 00:24:16,990 TELL THEM JUST KEEP THEIR RADIO ON. 550 00:24:17,023 --> 00:24:19,526 JOHN GOT THEO FROM SCHOOL. THEY�RE AT THE APARTMENT. 551 00:24:19,560 --> 00:24:21,595 E.S.U. GOT SOME 9?MILLIMETER CASINGS 552 00:24:21,628 --> 00:24:23,496 OFF A ROOF ACROSS THE STREET. 553 00:24:23,530 --> 00:24:26,800 YOU GONNA START A CANVASS? I�M GONNA GO BACK IN WITH LYLE. 554 00:24:26,833 --> 00:24:27,834 WE DON�T NEED A MASSACRE UP THERE. 555 00:24:27,868 --> 00:24:28,969 I�LL TALK TO HIM. 556 00:24:29,002 --> 00:24:30,003 GLAD YOU�RE OKAY. 557 00:24:31,404 --> 00:24:34,140 HEY, ANDY? HOW WE GOING AT LYLE? 558 00:24:34,174 --> 00:24:36,276 �CAUSE THERE�S A GOOD CASE AGAINST YOU GOING IN AT ALL. 559 00:24:36,309 --> 00:24:37,644 WRITE IT DOWN. I�LL READ IT LATER. 560 00:24:37,678 --> 00:24:38,945 YOU CAN�T GO TUNING UP A GUY WE GOT NOTHING ON. 561 00:24:38,979 --> 00:24:40,380 WHO SAID I�M GONNA TUNE HIM UP? 562 00:24:40,413 --> 00:24:42,816 YOU NEARLY DID THIS MORNING. 563 00:24:42,849 --> 00:24:44,017 ANDY, COME ON, LET ME HANDLE THIS. 564 00:24:44,050 --> 00:24:45,318 GET OUT OF THE WAY. 565 00:24:45,351 --> 00:24:46,352 YOU GO IN THERE, YOU�RE GONNA BLOW IT. 566 00:24:46,386 --> 00:24:48,454 GET YOUR HAND OFF ME. ANDY... 567 00:24:48,488 --> 00:24:50,557 IF YOU DON�T GET OUT OF THE WAY, WE�RE GONNA HAVE PROBLEMS. 568 00:24:50,591 --> 00:24:51,892 THEN WE�LL HAVE PROBLEMS. 569 00:24:51,925 --> 00:24:53,326 YOU LOOKING TO THROW PUNCHES WITH ME? 570 00:24:53,359 --> 00:24:54,460 IF THAT�S WHAT IT COMES DOWN TO. 571 00:24:54,494 --> 00:24:56,362 GET OUT OF THE WAY OR GET ANOTHER PARTNER. 572 00:24:56,396 --> 00:24:58,632 WHOA. WHAT�S THIS? 573 00:24:58,665 --> 00:24:59,700 NOTHING. 574 00:24:59,733 --> 00:25:01,568 IT DOESN�T LOOK LIKE NOTHING, 575 00:25:01,602 --> 00:25:03,570 AND IT DOESN�T LOOK LIKE SOMETHING 576 00:25:03,604 --> 00:25:05,972 YOU WANT TO TAKE IN THE ROOM WITH LYLE. 577 00:25:06,006 --> 00:25:08,609 CAN YOU BOTH HANDLE THIS OR DOES CLARK GO IN ALONE? 578 00:25:10,376 --> 00:25:11,177 WE CAN HANDLE IT. 579 00:25:17,718 --> 00:25:19,553 DON�T YOU EVER DO THAT AGAIN. 580 00:25:19,586 --> 00:25:20,754 I�M JUST WATCHING YOUR BACK. 581 00:25:23,957 --> 00:25:25,191 IS SOMEBODY POPPING SHOTS OUTSIDE? 582 00:25:25,225 --> 00:25:27,427 WERE THEY SHOOTING AT YOU? 583 00:25:27,460 --> 00:25:29,329 I TOLD YOU THERE WAS GONNA BE TROUBLE. 584 00:25:29,362 --> 00:25:31,364 WAIT A MINUTE! WASN�T ME ON THE TRIGGER! 585 00:25:31,397 --> 00:25:33,366 GET ME WHO WAS OR IT�S YOU TAKING THE PUNISHMENT! 586 00:25:33,399 --> 00:25:34,868 I GAVE YOU THE SPOT! 587 00:25:34,901 --> 00:25:37,337 YOU GAVE US THIRD?TIER DEALERS WHO WERE BARELY HOLDING. 588 00:25:37,370 --> 00:25:39,005 MAYBE THEY WAS DRY, BUT THAT�S THE SPOT. 589 00:25:39,039 --> 00:25:40,607 NO MORE OF THIS CRAP! 590 00:25:40,641 --> 00:25:43,276 WHERE TO FIND MONEY T. AND THE TWINS 591 00:25:43,309 --> 00:25:44,911 AND WHOEVER ELSE MIGHT HAVE SHOT AT ME 592 00:25:44,945 --> 00:25:46,947 OR I TELL EVERY ONE OF THEM THIRD?TIER DEALERS 593 00:25:46,980 --> 00:25:49,249 YOU SOLD �EM OUT. 594 00:25:49,282 --> 00:25:50,584 WON�T NOBODY BUY IT. 595 00:25:50,617 --> 00:25:52,719 AFTER I LAY ON THAT YOU�VE BEEN LOOKING 596 00:25:52,753 --> 00:25:54,054 TO TAKE OVER MONEY T.�s GAME 597 00:25:54,087 --> 00:25:56,122 AND HIS WOMAN, WHO YOU�VE BEEN CALLING 598 00:25:56,156 --> 00:25:58,458 A TIGHT PIECE OF ASS AND A WILD LAY, 599 00:25:58,491 --> 00:25:59,693 HE�LL KILL YOU ON PRINCIPLE! 600 00:25:59,726 --> 00:26:01,494 YOU GOT A FUNNY SENSE OF HUMOR, BROTHER. 601 00:26:05,065 --> 00:26:06,800 NOW YOU GET THIS STRAIGHT, PRICK ?? 602 00:26:06,833 --> 00:26:08,569 I AIN�T YOUR BROTHER. 603 00:26:08,602 --> 00:26:11,905 WE GOT SHOT AT IN FRONT OF OUR PRECINCT HOUSE! 604 00:26:11,938 --> 00:26:14,140 AN INNOCENT GUY GOT BLOWN AWAY! 605 00:26:14,174 --> 00:26:15,809 NOW, EITHER YOU GIVE US WHO DID IT 606 00:26:15,842 --> 00:26:17,043 OR YOU�RE GONNA DIE OUT IN THE STREET. 607 00:26:17,077 --> 00:26:18,779 GIVE HIM UP, I�LL DIE ANYWAY! 608 00:26:18,812 --> 00:26:21,414 AIN�T IT GONNA SEEM COINCIDENTAL THE DAY I GET BROUGHT IN, 609 00:26:21,447 --> 00:26:22,716 HE GOES DOWN?! 610 00:26:22,749 --> 00:26:24,985 WE�LL GET YOU IN WITNESS PROTECTION. 611 00:26:25,018 --> 00:26:26,419 FOR GIVING UP MONEY T.? 612 00:26:26,452 --> 00:26:30,256 HOW ABOUT A FREE JET AND $100 MILLION, 613 00:26:30,290 --> 00:26:31,925 �CAUSE THAT�S WHAT IT�S WORTH! 614 00:26:31,958 --> 00:26:33,326 WITNESS PROTECTION OR YOU�RE ON YOUR OWN. 615 00:26:33,359 --> 00:26:35,461 I GOT PEOPLE HERE! I GOT A LIFE! 616 00:26:35,495 --> 00:26:38,765 THEN GO LIVE IT, BUT PACK A LOT INTO THE NEXT 24 HOURS, 617 00:26:38,799 --> 00:26:40,166 �CAUSE THAT�S THE LONGEST YOU�LL LAST! 618 00:26:40,200 --> 00:26:42,268 THIS ASSHOLE TOOK SHOTS AT COPS 619 00:26:42,302 --> 00:26:43,670 FOR EMBARRASSING HIS GIRLFRIEND! 620 00:26:43,704 --> 00:26:46,172 WHAT DO YOU THINK HE�S GONNA DO TO A RAT, HUH?! 621 00:26:46,206 --> 00:26:48,141 YOUR LIFE IS IN MY HANDS! 622 00:26:48,174 --> 00:26:51,745 WHO SHOT AT US OR YOU DIE! 623 00:26:51,778 --> 00:26:54,581 MAN! LITTLE PETE WASN�T SO STUPID, MAN ?? 624 00:26:54,615 --> 00:26:56,316 PUNK COULDN�T TELL HIS CORNER FROM MINE ?? 625 00:26:56,349 --> 00:26:57,784 I WOULDN�T EVEN BE HERE! 626 00:26:57,818 --> 00:27:00,186 MAN, I�M TELLING YOU RIGHT NOW, IT IS A FORTRESS. 627 00:27:00,220 --> 00:27:01,822 YOU WILL NEVER GET IN! 628 00:27:01,855 --> 00:27:03,156 NO ONE ASKED FOR PREDICTIONS. 629 00:27:03,189 --> 00:27:04,791 I�M SAYING, MAN, 630 00:27:04,825 --> 00:27:06,527 IT�S ONE DOOR WITH A BIG?ASS DUDE SITTING ON IT, 631 00:27:06,560 --> 00:27:08,294 AND EVEN IF YOU GOT BY, 632 00:27:08,328 --> 00:27:10,797 THEY GOT SIGNALS TELLING EVERYBODY HIT THE ESCAPE CHUTE. 633 00:27:10,831 --> 00:27:12,132 THAT LEAD TO WHERE? 634 00:27:12,165 --> 00:27:13,834 TO THE BASEMENT, 635 00:27:13,867 --> 00:27:16,469 AND THEN THERE�S TUNNELS TO A BUILDING THREE DOORS DOWN. 636 00:27:16,503 --> 00:27:20,106 HERE. DIAGRAM IT. 637 00:27:20,140 --> 00:27:22,509 [ SIGHS ] 638 00:27:22,543 --> 00:27:24,711 WAKE UP THIS MORNING WATCHING CARTOONS. 639 00:27:24,745 --> 00:27:27,213 NOW IT�S WITNESS PROTECTION. 640 00:27:32,886 --> 00:27:34,621 E.S.U. AND NARCOTICS 641 00:27:34,655 --> 00:27:35,722 WILL HAVE THEIR TEAMS READY IN FIVE MINUTES. 642 00:27:35,756 --> 00:27:36,890 CONNIE AND RITA? 643 00:27:36,923 --> 00:27:38,391 IN THE LOCKER ROOM TARTING UP. 644 00:27:38,424 --> 00:27:40,126 THEY�LL BE READY SOON. 645 00:27:40,160 --> 00:27:43,129 THAT YOUR SUSPECT ON THE BEAT OLD WOMAN CASE? 646 00:27:43,163 --> 00:27:45,331 YEAH, JOSEPH COWENS. 647 00:27:45,365 --> 00:27:47,668 HE MIGHT HAVE GAVE A CLASSMATE THE WOMAN�S CREDIT CARD. 648 00:27:47,701 --> 00:27:48,669 Jones: WE�LL SEE WHAT WE CAN GET OUT OF HIM. 649 00:27:53,206 --> 00:27:55,375 HOW WE DOING IN HERE? 650 00:27:55,408 --> 00:27:57,678 [ SIGHS ] READY. 651 00:27:57,711 --> 00:27:59,312 HOW DO WE LOOK? 652 00:27:59,345 --> 00:28:01,081 IMPRESSIVE. LET�S GO. 653 00:28:09,856 --> 00:28:11,157 THANKS. 654 00:28:11,191 --> 00:28:12,593 ANYTIME. 655 00:28:14,528 --> 00:28:15,929 SO? 656 00:28:15,962 --> 00:28:17,497 YOU KNOW WHY WE BROUGHT YOU IN? 657 00:28:17,531 --> 00:28:19,065 NO CLUE. 658 00:28:19,099 --> 00:28:20,000 WHERE WERE YOU ALL MORNING? 659 00:28:20,033 --> 00:28:21,501 SCHOOL. 660 00:28:21,535 --> 00:28:22,736 HOW COME WE FOUND YOU IN AN ARCADE? 661 00:28:22,769 --> 00:28:24,070 I DITCHED AFTER LUNCH. 662 00:28:24,104 --> 00:28:25,371 ANYONE WITH YOU? 663 00:28:25,405 --> 00:28:27,674 NO, I DON�T KNOW A LOT OF PEOPLE HERE. 664 00:28:27,708 --> 00:28:29,743 WHAT ABOUT ODALAS BROOKS? YOU KNOW HIM? 665 00:28:29,776 --> 00:28:32,746 FROM SCHOOL? SORT OF. 666 00:28:32,779 --> 00:28:35,849 SEE, I�M KIND OF NEW IN TOWN ?? TWO MONTHS. 667 00:28:35,882 --> 00:28:39,553 BEFORE HERE WAS DALLAS. L. A. BEFORE THAT. 668 00:28:39,586 --> 00:28:43,690 I LIVED IN CHICAGO FOR A YEAR. STARTED OFF IN ATLANTA. 669 00:28:43,724 --> 00:28:47,193 POPS IS BIG IN BUSINESS, VARIOUS COMPANIES. 670 00:28:47,227 --> 00:28:50,063 "EVERY MOVE�S A MOVE UP." THAT�S WHAT HE SAYS. 671 00:28:50,096 --> 00:28:53,066 IT MUST BE ROUGH MAKING FRIENDS, MOVING AROUND SO MUCH. 672 00:28:53,099 --> 00:28:55,135 I DO ALL RIGHT. 673 00:28:55,168 --> 00:28:57,638 NOW, ODALAS, HE RUN WITH A PRETTY IN CROWD? 674 00:28:57,671 --> 00:28:59,606 I�M JUST FIGURING THINGS OUT. 675 00:28:59,640 --> 00:29:02,609 THIS MORNING, DID YOU GIVE HIM A CREDIT CARD 676 00:29:02,643 --> 00:29:05,746 AS A WAY OF MAYBE GETTING IN WITH HIS CROWD? 677 00:29:05,779 --> 00:29:08,214 DON�T KNOW NOTHING ABOUT A CREDIT CARD. 678 00:29:08,248 --> 00:29:09,550 HE TOLD US YOU GAVE HIM ONE. 679 00:29:09,583 --> 00:29:11,251 WHAT A DICK. 680 00:29:11,284 --> 00:29:12,418 WHY, �CAUSE YOU DIDN�T DO IT OR �CAUSE HE GAVE YOU UP? 681 00:29:12,452 --> 00:29:13,754 I DIDN�T DO IT. 682 00:29:13,787 --> 00:29:16,122 HE OBVIOUSLY GOT BUSTED FOR SOMETHING. 683 00:29:16,156 --> 00:29:18,291 HE�S LAYING IT ON ME. 684 00:29:18,324 --> 00:29:20,727 I DO CHESS CLUB. I DON�T GIVE AWAY CREDIT CARDS. 685 00:29:20,761 --> 00:29:22,428 �CAUSE IF YOU DID GIVE HIM THE CARD, 686 00:29:22,462 --> 00:29:25,899 WE�D BE COOLER IF YOU COPPED TO IT NOW 687 00:29:25,932 --> 00:29:27,901 THAN IF WE HAVE TO GO FIND OUT ON OUR OWN. 688 00:29:27,934 --> 00:29:31,437 I DON�T KNOW NOTHING ABOUT A CREDIT CARD. 689 00:29:31,471 --> 00:29:32,573 WHO�S LORRAINE FIVELSON? 690 00:29:32,606 --> 00:29:33,740 WHAT NOW? 691 00:29:33,774 --> 00:29:34,975 YOU GOT HER MAIL IN YOUR BAG. 692 00:29:35,008 --> 00:29:38,278 OH, THAT ?? I, UH, FOUND IT. 693 00:29:38,311 --> 00:29:40,080 I THINK A MAILMAN DROPPED IT. 694 00:29:40,113 --> 00:29:42,115 I WAS GONNA TAKE IT TO A POST OFFICE. 695 00:29:42,148 --> 00:29:45,085 BUT YOU GOT SIDETRACKED, YOUR BUSY SCHEDULE AND ALL. 696 00:29:45,118 --> 00:29:47,253 I JUST ?? I DIDN�T GET AROUND TO IT YET. 697 00:29:47,287 --> 00:29:49,155 MM?HMM. 698 00:29:49,189 --> 00:29:51,658 WE�LL SEE WHAT MRS. FIVELSON HAS TO SAY ABOUT THAT. 699 00:29:51,692 --> 00:29:53,293 IN THE MEANTIME, YOU�RE STICKING AROUND. 700 00:29:53,326 --> 00:29:55,495 I�M STUCK �CAUSE I WAS DOING A GOOD DEED? 701 00:29:55,529 --> 00:29:56,630 WE WON�T TAKE LONG. 702 00:29:56,663 --> 00:29:58,665 WHATEVER. 703 00:29:58,699 --> 00:29:59,933 GREAT CITY. 704 00:29:59,966 --> 00:30:01,401 I�M GONNA LOVE IT HERE. 705 00:30:16,883 --> 00:30:18,218 HEY. CARLISLE? 706 00:30:18,251 --> 00:30:19,319 WHAT YOU WANT? 707 00:30:19,352 --> 00:30:21,321 LOOKING TO HOOK UP. 708 00:30:21,354 --> 00:30:22,488 WHAT�S THE WORD? 709 00:30:22,523 --> 00:30:23,690 JACKSON 5. 710 00:30:27,528 --> 00:30:28,829 WHO GAVE YOU THAT? 711 00:30:28,862 --> 00:30:31,031 LYLE. 712 00:30:31,064 --> 00:30:33,834 THAT WAS FOR YESTERDAY. DON�T CUT IT TODAY. 713 00:30:33,867 --> 00:30:36,670 WELL, WE GOT LOCKED UP. WE COULDN�T MAKE IT. 714 00:30:36,703 --> 00:30:39,172 CAN WE WORK SOMETHING OUT, HUH? YOU, ME, AND HER? 715 00:30:39,205 --> 00:30:41,241 YEAH. 716 00:30:41,274 --> 00:30:43,243 RIGHT HERE IN THE DOORWAY. 717 00:30:43,276 --> 00:30:45,045 SOUNDS GOOD TO ME. 718 00:30:47,681 --> 00:30:50,851 DOWN THE STEPS, AND DON�T MAKE A SOUND. 719 00:30:50,884 --> 00:30:52,619 TRY ANYTHING AND I�LL PUT ONE IN YOUR EAR! 720 00:30:58,925 --> 00:31:01,027 FREEZE! FREEZE! 721 00:31:01,061 --> 00:31:02,529 FREEZE! STOP OR YOU�RE A DEAD MAN! 722 00:31:02,563 --> 00:31:05,198 DON�T MOVE! 723 00:31:05,231 --> 00:31:07,768 FREEZE RIGHT THERE! DON�T MAKE A MOVE! 724 00:31:07,801 --> 00:31:09,369 WE GOOD DOWN HERE? 725 00:31:09,402 --> 00:31:10,604 WE�RE GOOD. 726 00:31:10,637 --> 00:31:13,507 EVERYBODY FREEZE! DON�T MOVE! 727 00:31:13,540 --> 00:31:17,711 IN THE RED, DON�T MOVE! DON�T MOVE! 728 00:31:17,744 --> 00:31:19,412 ARE YOU MONEY T.? 729 00:31:19,445 --> 00:31:20,747 I DON�T KNOW WHAT YOU�RE TALKING ABOUT, MAN! 730 00:31:20,781 --> 00:31:23,216 YOU THINK YOU CAN TRY AND KILL A COP AND GET AWAY WITH IT? 731 00:31:23,249 --> 00:31:25,385 I DON�T KNOW WHAT Y�ALL DOING HERE! 732 00:31:25,418 --> 00:31:27,921 HOW ABOUT THAT, HUH? 733 00:31:27,954 --> 00:31:29,590 AND WHAT�S THIS? 734 00:31:29,623 --> 00:31:30,891 INSULATION?! 735 00:31:30,924 --> 00:31:32,225 I WANT MY LAWYER. 736 00:31:32,258 --> 00:31:35,128 YOU AND ME GOT SOME BUSINESS FIRST, MONEY! 737 00:31:35,161 --> 00:31:36,930 ANDY! 738 00:31:36,963 --> 00:31:38,464 I WANT MY LAWYER! ANDY, IN HERE! 739 00:31:38,498 --> 00:31:40,801 TAKE THIS ASSHOLE. 740 00:31:48,675 --> 00:31:49,976 CHECK OVER THERE. 741 00:31:59,853 --> 00:32:01,588 YOU GOT CHANGE FOR A MILLION? 742 00:32:01,622 --> 00:32:02,889 WE GOTTA SECURE THIS. 743 00:32:02,923 --> 00:32:05,291 YEAH, DON�T LET E. S. U. OR CRIME SCENE IN 744 00:32:05,325 --> 00:32:06,660 UNTIL THIS IS COUNTED. 745 00:32:08,662 --> 00:32:10,864 SON OF A BITCH. 746 00:32:27,881 --> 00:32:30,250 [ BUZZER ] 747 00:32:30,283 --> 00:32:32,218 MRS. FIVELSON! 748 00:32:34,454 --> 00:32:36,389 IT�S POLICE, MRS. FIVELSON! 749 00:32:44,064 --> 00:32:46,199 LORRAINE FIVELSON! 750 00:32:46,232 --> 00:32:47,467 POLICE, MA�AM! 751 00:32:47,500 --> 00:32:49,002 MRS. FIVELSON? 752 00:32:49,035 --> 00:32:50,971 OH, NO. 753 00:32:51,004 --> 00:32:52,472 OH, BOY. 754 00:32:52,506 --> 00:32:53,707 GET A BUS. I�LL GET HER UNTIED. 755 00:32:53,740 --> 00:32:55,842 15th SQUAD TO CENTRAL "K." 756 00:32:55,876 --> 00:32:58,444 HAVE A SECTOR CAR AND AMBULANCE RESPOND 757 00:32:58,478 --> 00:33:01,548 TO 2130 7th STREET, APARTMENT B. 758 00:33:01,582 --> 00:33:05,118 PUT A RUSH ON THE AMBULANCE. WE HAVE AN ELDERLY UNCONSCIOUS. 759 00:33:05,151 --> 00:33:06,520 IS SHE ALIVE? 760 00:33:06,553 --> 00:33:07,821 THERE�S A PULSE. 761 00:33:07,854 --> 00:33:10,256 LET�S LIE HER DOWN ON THE GROUND. 762 00:33:21,067 --> 00:33:22,636 LYLE SQUARED AWAY? 763 00:33:22,669 --> 00:33:24,304 IN WITH THE FEDS. 764 00:33:24,337 --> 00:33:27,741 HE�S DECIDING DOES HE WANT RELOCATION TO FLORIDA OR HAWAII. 765 00:33:27,774 --> 00:33:30,476 I JUST GOT OFF WITH A SPECIAL AGENT THOMAS. 766 00:33:30,511 --> 00:33:33,346 LOOKS LIKE THE U. S. ATTORNEY�S TAKING MONEY T. FEDERAL. 767 00:33:33,379 --> 00:33:35,048 FEDS TAKING THE DOUGH, TOO? 768 00:33:35,081 --> 00:33:37,684 IT GOES TO THE DEPARTMENT. GOOD WORK TODAY. 769 00:33:37,718 --> 00:33:39,586 TELL HIM. HE�S THE ONE KEPT HIS HEAD. 770 00:33:39,620 --> 00:33:42,689 THROUGH A LOT OF DISTRACTION, I. A. B. AND SO FORTH. 771 00:33:42,723 --> 00:33:44,190 HOPEFULLY, THAT�S PUT TO BED. 772 00:33:44,224 --> 00:33:45,325 YOU STILL COUNTING CASH? 773 00:33:45,358 --> 00:33:46,760 UP TO $14 MILLION. 774 00:33:46,793 --> 00:33:47,894 NEEDED A COFFEE BREAK. 775 00:33:52,298 --> 00:33:54,234 UM, I�M HEADING HOME. 776 00:33:54,267 --> 00:33:55,569 BE THERE AS SOON AS I CAN. 777 00:33:55,602 --> 00:33:57,037 TAKE YOUR TIME. 778 00:33:57,070 --> 00:33:59,239 NO, I�LL, UH, I�LL BE THERE AS SOON AS I CAN. 779 00:34:02,108 --> 00:34:03,209 HEY. 780 00:34:03,243 --> 00:34:04,545 HEY. 781 00:34:04,578 --> 00:34:05,612 I�M HEADING OUT. 782 00:34:05,646 --> 00:34:07,380 OKAY. 783 00:34:07,413 --> 00:34:08,582 RITA... 784 00:34:08,615 --> 00:34:09,750 GOOD NIGHT. 785 00:34:09,783 --> 00:34:10,817 NIGHT. 786 00:34:13,887 --> 00:34:15,722 UH, AM I GONNA SEE YOU LATER? 787 00:34:15,756 --> 00:34:17,057 DO WE HAVE SOMETHING TO TALK ABOUT? 788 00:34:17,090 --> 00:34:19,459 I WASN�T LYING TO YOU BEFORE. 789 00:34:19,492 --> 00:34:22,028 IF THAT�S ALL YOU GOTTA SAY, I DON�T NEED TO HEAR IT AGAIN. 790 00:34:22,062 --> 00:34:23,163 IF SOMETHING ELSE COMES UP, CALL ME. 791 00:34:41,582 --> 00:34:44,084 WE SAW MRS. FIVELSON. 792 00:34:44,117 --> 00:34:46,419 WE GOT YOUR PRINTS OUT OF HER APARTMENT, 793 00:34:46,452 --> 00:34:47,921 AND SHE�S GONNA I. D. YOU 794 00:34:47,954 --> 00:34:49,623 AS SOON AS SHE GETS OUT OF THE HOSPITAL. 795 00:34:49,656 --> 00:34:52,058 WISH I KNEW WHAT YOU GUYS WERE TALKING ABOUT. 796 00:34:52,092 --> 00:34:53,894 YOU EVER BEEN TO PRISON? NO. 797 00:34:53,927 --> 00:34:55,996 THE POINT IS TO DO THE LEAST AMOUNT OF TIME, NOT THE MOST. 798 00:34:56,029 --> 00:34:59,633 WITH THAT IN MIND, YOU NEED TO EXPRESS WHY YOU DID THIS 799 00:34:59,666 --> 00:35:01,968 SO THE JUDGE WILL HAVE SOME SYMPATHY FOR YOU 800 00:35:02,002 --> 00:35:03,670 WHEN HE�S LOOKING AT EMERGENCY?ROOM PHOTOS 801 00:35:03,704 --> 00:35:05,005 OF THOSE BEAT?UP WOMEN! 802 00:35:05,038 --> 00:35:06,773 WHY WOULD I BEAT WOMEN? 803 00:35:06,807 --> 00:35:08,008 ARE YOU MAD AT THEM FOR SOME REASON? 804 00:35:08,041 --> 00:35:09,142 THEY�RE TOTAL STRANGERS. 805 00:35:09,175 --> 00:35:10,511 MAYBE YOU WERE TRYING TO MAKE A POINT. 806 00:35:10,544 --> 00:35:11,645 LIKE WHAT? 807 00:35:11,678 --> 00:35:13,146 WE DON�T KNOW, JOSEPH! 808 00:35:13,179 --> 00:35:14,314 AND IF YOU DON�T LAY IT OUT RIGHT NOW, 809 00:35:14,347 --> 00:35:15,882 NO ONE WILL EVER KNOW! 810 00:35:19,285 --> 00:35:21,822 NOW!! 811 00:35:21,855 --> 00:35:23,657 WERE YOU EVER THE NEW KID IN SCHOOL? 812 00:35:23,690 --> 00:35:25,191 NO, NOT REALLY. 813 00:35:25,225 --> 00:35:26,527 YOU GET YOUR ASS KICKED A LOT. 814 00:35:26,560 --> 00:35:28,128 THEY WHIP PENS AT YOUR HEAD, 815 00:35:28,161 --> 00:35:32,265 PISS ON YOUR BOOK BAG, AND STEAL YOUR SHOES AND WATCH. 816 00:35:32,298 --> 00:35:34,801 THAT TAKES ABOUT SIX MONTHS TO STOP, 817 00:35:34,835 --> 00:35:36,469 BUT BY THEN, I�M ON TO THE NEXT SCHOOL 818 00:35:36,503 --> 00:35:38,972 AND HIS NEXT BIG OPPORTUNITY! 819 00:35:39,005 --> 00:35:40,106 YOUR DAD? 820 00:35:40,140 --> 00:35:42,543 GUAM TODAY. HONG KONG TOMORROW. 821 00:35:42,576 --> 00:35:44,645 HE WON�T BE BACK TILL THE MIDDLE OF NEXT WEEK. 822 00:35:44,678 --> 00:35:46,613 THEN IT�S THAILAND TILL THE END OF THE MONTH! 823 00:35:46,647 --> 00:35:49,950 MOM�S EQUALLY UNAVAILABLE IN SEATTLE 824 00:35:49,983 --> 00:35:52,185 WITH HER ARCHITECT BOYFRIEND. 825 00:35:52,218 --> 00:35:53,854 WE TALK ABOUT ONCE A MONTH. 826 00:35:53,887 --> 00:35:55,822 WERE YOUR FOLKS AROUND WHEN YOU WERE GROWING UP? 827 00:35:55,856 --> 00:35:57,357 PRETTY MUCH. 828 00:35:57,390 --> 00:36:01,662 I HAVE A GUATEMALAN HOUSEKEEPER?SLASH?GUARDIAN. 829 00:36:01,695 --> 00:36:03,396 AND SHE DOESN�T SPEAK ENGLISH, 830 00:36:03,429 --> 00:36:04,965 SO THERE�S NOT MUCH POINT IN MY TALKING TO HER 831 00:36:04,998 --> 00:36:07,167 ABOUT HOW I HATE MOVING AROUND 832 00:36:07,200 --> 00:36:10,236 OR I WISH I COULD SETTLE IN ONE SPOT FOR FIVE MINUTES 833 00:36:10,270 --> 00:36:13,006 SO I WOULDN�T HAVE TO STAY BACK IN SCHOOL ANOTHER YEAR, 834 00:36:13,039 --> 00:36:14,575 AND MAYBE I COULD MAKE A NORMAL FRIEND 835 00:36:14,608 --> 00:36:17,043 OR, GOD FORBID, A GIRLFRIEND! 836 00:36:17,077 --> 00:36:18,645 THAT MUST START TO BUILD UP. 837 00:36:18,679 --> 00:36:21,347 YEAH, I WALK A LOT, AND I?I PUT ON MY HEADPHONES. 838 00:36:21,381 --> 00:36:22,716 I TRY TO COOL OUT. 839 00:36:22,749 --> 00:36:25,251 SOMETIMES, I WISH SOMEONE WOULD BUMP INTO ME, 840 00:36:25,285 --> 00:36:26,687 AND I COULD JUST... 841 00:36:26,720 --> 00:36:28,555 [ SHRIEKS ] SLUG �EM! 842 00:36:28,589 --> 00:36:31,858 DROP �EM TO THE GROUND, STOMP ON THEIR FACE! 843 00:36:31,892 --> 00:36:33,527 IS THAT HOW YOU WERE FEELING THIS MORNING? 844 00:36:33,560 --> 00:36:36,196 I WAS WALKING AND WALKING, 845 00:36:36,229 --> 00:36:39,866 AND FOR SOME REASON, I JUST STOP AND LOOKED UP, 846 00:36:39,900 --> 00:36:42,669 AND THERE�S THESE LITTLE PLANTS 847 00:36:42,703 --> 00:36:45,371 AND A TV WITH A SOAP OPERA ON, 848 00:36:45,405 --> 00:36:48,575 AND I COULD EVEN SEE MAGNETS ON THE FRIDGE. 849 00:36:48,609 --> 00:36:49,943 THIS WAS MRS. MONCREFE? 850 00:36:49,976 --> 00:36:51,712 I COULD SEE IT ALL FROM THE STREET. 851 00:36:51,745 --> 00:36:53,279 HOW DID YOU GET INTO HER APARTMENT? 852 00:36:53,313 --> 00:36:55,882 HER DOOR WAS OPEN. I WALKED IN. 853 00:36:55,916 --> 00:36:57,884 SHE SAW ME, AND I JUST FLIPPED! 854 00:36:57,918 --> 00:36:58,919 BEATING HER. 855 00:36:58,952 --> 00:37:01,454 HER FACE AND HER CHEST! 856 00:37:01,487 --> 00:37:03,389 I KICKED AT HER KNEES! 857 00:37:03,423 --> 00:37:05,559 I TAPED HER UP. I BEAT HER WITH A BOOK. 858 00:37:05,592 --> 00:37:08,061 NEXT THING YOU KNOW, I�M BACK ON THE STREET WALKING. 859 00:37:08,094 --> 00:37:09,930 IS THAT WHEN YOU FOUND MRS. FIVELSON? 860 00:37:09,963 --> 00:37:14,768 YEAH, WITH THE SAME PLANTS AND THE TV WITH A SOAP OPERA. 861 00:37:14,801 --> 00:37:16,402 AND I JUST WENT OFF. 862 00:37:16,436 --> 00:37:22,142 I BEAT HER SO BAD. 863 00:37:22,175 --> 00:37:23,944 WE�RE GONNA HAVE TO GET IN TOUCH WITH YOUR DAD. 864 00:37:23,977 --> 00:37:26,980 HE�S GONNA HAVE TO CUT HIS TRIP SHORT. 865 00:37:27,013 --> 00:37:28,982 OH, HE�S GONNA FREAK OUT! HE�S GONNA KILL ME! 866 00:37:29,015 --> 00:37:32,786 HE�S GONNA FREAK OUT. 867 00:37:32,819 --> 00:37:35,589 [ BREATHING HEAVILY ] 868 00:37:41,161 --> 00:37:42,495 [ KNOCK ON DOOR ] 869 00:37:50,804 --> 00:37:52,338 HEY. 870 00:37:52,372 --> 00:37:54,340 THANKS FOR COMING. 871 00:37:58,979 --> 00:38:00,847 I�M MAKING SPAGHETTI. 872 00:38:00,881 --> 00:38:02,983 I�M NOT REALLY HUNGRY. 873 00:38:03,016 --> 00:38:04,284 YOU WANT SOMETHING TO DRINK? 874 00:38:04,317 --> 00:38:06,019 IF I WANTED SOMETHING, I�D HAVE GOT IT. 875 00:38:06,052 --> 00:38:09,623 YOU SAID ON THE PHONE 876 00:38:09,656 --> 00:38:11,324 THERE WAS SOMETHING ELSE YOU HAD TO TELL ME. 877 00:38:11,357 --> 00:38:14,227 I�M COVERING FOR MY DAD. 878 00:38:20,901 --> 00:38:22,302 IT WAS HIM WITH THE PROSS? 879 00:38:22,335 --> 00:38:24,470 I SCRAMBLED THINKING OF A WAY TO EXPLAIN IT, 880 00:38:24,505 --> 00:38:27,040 AND HER BEING MY C. I. WAS THE BEST I CAN DO. 881 00:38:27,073 --> 00:38:29,175 I�M SORRY I GOT YOU UPSET. 882 00:38:29,209 --> 00:38:31,177 I CAN�T BELIEVE IT. 883 00:38:31,211 --> 00:38:33,880 HOW LONG�S IT BEEN GOING ON? 884 00:38:33,914 --> 00:38:36,149 A WHILE. I DON�T KNOW. 885 00:38:36,182 --> 00:38:37,951 [ SIGHS ] 886 00:38:37,984 --> 00:38:41,121 SO WHAT NOW? HOW DO YOU CLEAR IT UP? 887 00:38:41,154 --> 00:38:44,057 WE RIDE IT OUT, HOPE IT GOES AWAY QUICK. 888 00:38:44,090 --> 00:38:45,191 BUT I. A. B.�s INVOLVED. 889 00:38:45,225 --> 00:38:47,628 I�LL JUST TAKE THE RIP. 890 00:38:47,661 --> 00:38:49,195 DID YOU TALK TO YOUR DAD ABOUT THIS? 891 00:38:49,229 --> 00:38:52,566 IT�S BETTER I TAKE THE RIP THAN HE LOSES HIS PENSION. 892 00:38:52,599 --> 00:38:54,568 ARE YOU SURE IT�S A RIP? IS THAT WHAT MARTENS SAID? 893 00:38:54,601 --> 00:38:55,969 HE SAID IT WAS A PROBLEM. 894 00:38:56,002 --> 00:38:57,504 THAT COULD MEAN LOSING YOUR JOB. 895 00:38:57,538 --> 00:39:00,240 NOBODY�S LOST THEIR JOB OVER AN UNREGISTERED C.I. 896 00:39:00,273 --> 00:39:02,042 WHAT ABOUT PEOPLE THINKING YOU SCREW WHORES? 897 00:39:02,075 --> 00:39:04,711 IF THAT�S THE BOOK ON YOU, IT�LL RUB OFF ON ME. 898 00:39:04,745 --> 00:39:06,913 YOU�RE GETTING AHEAD OF YOURSELF. I�VE SEEN IT HAPPEN. 899 00:39:06,947 --> 00:39:08,815 I WON�T LET IT GET THERE. 900 00:39:08,849 --> 00:39:11,718 THE ONLY WAY IT WON�T IS BY YOU AND YOUR DAD GOING TO I. A. B. 901 00:39:11,752 --> 00:39:13,253 THAT�S NOT GONNA HAPPEN. YOU�RE MAKING A BIG MISTAKE! 902 00:39:13,286 --> 00:39:15,221 I APPRECIATE THE SUPPORT. 903 00:39:15,255 --> 00:39:17,057 I AM TRYING TO KEEP YOU FROM WALKING OFF A CLIFF. 904 00:39:17,090 --> 00:39:19,225 I DON�T REMEMBER ASKING FOR YOUR OPINION. 905 00:39:24,798 --> 00:39:26,166 COME ON. WHERE ARE YOU GOING? 906 00:39:26,199 --> 00:39:27,601 I THINK YOU GOT SOME THINKING TO DO, 907 00:39:27,634 --> 00:39:29,636 AND I DON�T WANT MY OPINIONS MUDDYING THE WATER. 908 00:39:31,938 --> 00:39:33,273 [ CHAIR SLAMS ] 909 00:39:36,910 --> 00:39:39,412 THAT�S SILLY. 910 00:39:39,445 --> 00:39:41,014 HI, CONNIE! 911 00:39:41,047 --> 00:39:42,783 HEY, SWEETIE. 912 00:39:42,816 --> 00:39:45,018 OKAY, WHY DON�T YOU GO BRUSH YOUR TEETH, 913 00:39:45,051 --> 00:39:46,920 GET READY FOR BED, THEO? 914 00:39:46,953 --> 00:39:49,723 I�LL KISS HELLO WHEN MY TEETH ARE CLEAN. 915 00:39:49,756 --> 00:39:51,592 THAT�S...VERY CONSCIENTIOUS. 916 00:39:51,625 --> 00:39:52,793 [ LAUGHS ] 917 00:39:57,564 --> 00:39:59,132 THAT GAVE ME A LITTLE SCARE TODAY. 918 00:39:59,165 --> 00:40:01,968 YEAH, ME TOO. 919 00:40:02,002 --> 00:40:05,238 HOW FAR AWAY WERE YOU WHEN THAT KID GOT SHOT? 920 00:40:05,271 --> 00:40:06,406 FAR ENOUGH. 921 00:40:08,975 --> 00:40:10,911 IT REALLY SCARED ME. 922 00:40:10,944 --> 00:40:13,313 YOU ALL RIGHT? 923 00:40:17,483 --> 00:40:19,019 I WANT TO STAY THE NIGHT. 924 00:40:22,823 --> 00:40:24,324 THAT�S WHAT THE BAG�S FOR? 925 00:40:24,357 --> 00:40:27,661 I DON�T WANT TO GO HOME BY MYSELF TONIGHT. 926 00:40:27,694 --> 00:40:31,464 I DON�T KNOW IF THEO�S READY FOR THAT. 927 00:40:31,497 --> 00:40:34,200 WELL I?I THINK WE SHOULD TALK TO HIM ABOUT IT AND SEE. 928 00:40:37,638 --> 00:40:40,907 UH, THEO? 929 00:40:40,941 --> 00:40:43,309 THEO, COME HERE A SECOND. 930 00:40:43,343 --> 00:40:44,945 CONNIE AND I WANT TO ASK YOU A QUESTION. 931 00:40:44,978 --> 00:40:47,413 WHY DON�T YOU SIT DOWN OVER HERE, BUDDY? 932 00:40:47,447 --> 00:40:49,449 OKAY. [ CLEARS THROAT ] 933 00:40:49,482 --> 00:40:54,087 UH... 934 00:40:54,120 --> 00:40:57,924 YOU SEE, WHEN PEOPLE ARE TOGETHER FOR A WHILE, 935 00:40:57,958 --> 00:41:00,326 AND THEY CARE ABOUT EACH OTHER, 936 00:41:00,360 --> 00:41:02,963 SOMETIMES THEY WANT TO SLEEP IN THE SAME BED. 937 00:41:02,996 --> 00:41:04,631 WHY? 938 00:41:04,665 --> 00:41:07,868 SO THEY CAN BE CLOSE AND TALK AND HUG. 939 00:41:07,901 --> 00:41:09,435 AND WATCH TV? 940 00:41:09,469 --> 00:41:12,005 YEAH, SURE. 941 00:41:12,038 --> 00:41:15,208 AND, UH, YOU SEE, WELL... [ SIGHS ] 942 00:41:15,241 --> 00:41:19,546 WE WANTED TO KNOW HOW YOU�D FEEL IF CONNIE SLEPT OVER WITH ME 943 00:41:19,580 --> 00:41:21,014 ON THE PULLOUT. 944 00:41:21,047 --> 00:41:22,649 LIKE A SLEEPOVER PARTY? 945 00:41:22,683 --> 00:41:24,785 EXCEPT YOU�D SLEEP IN THERE AND US OUT HERE. 946 00:41:24,818 --> 00:41:27,654 OKAY. 947 00:41:27,688 --> 00:41:31,525 OKAY. 948 00:41:31,558 --> 00:41:32,793 CAN I WATCH TV NOW? 949 00:41:32,826 --> 00:41:35,261 YEAH, YEAH, FOR ABOUT 10 MINUTES. 950 00:41:40,400 --> 00:41:41,735 NOT SO BAD. 951 00:41:43,537 --> 00:41:45,906 I�LL CLEAR YOU SOME CLOSET SPACE. 952 00:41:45,939 --> 00:41:49,342 NO, I�M FINE OUT OF THE BAG. 953 00:41:49,375 --> 00:41:51,177 FOR NOW. 954 00:41:51,227 --> 00:41:55,777 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 69861

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.