Original subtitles

YEAH. REALLY?

THIS GUY GAVE HIM UP.

YEAH, LYLE DENNISON.

AY?YI?YI. 84 DEGREES.

8:00 IN THE MORNING. IT�S ALREADY 84 DEGREES.

YOU KNOW HOW I GOT THAT EXACT TEMPERATURE?

BECAUSE THE THERMOMETER ON MY DASHBOARD WORKS PERFECTLY,

AS OPPOSED TO THAT COCKAMAMIE AIR CONDITIONING,

WHICH SUDDENLY STARTS BLOWING OUT HOT AIR,

AND IT STINKS LIKE AN ARMPIT.

SEE YOU THERE.

[ SIGHS ]

WHO�S THIS ASSHOLE?

SOMEONE DROPPED A DIME ON THAT SHOOTER FROM STUYVESANT TOWN.

NAME�S LYLE DENNISON.

WE GOT A LOCATION ON HIM ?? A PROJECT ON "B."

JONES AND MEDAVOY ARE MEETING US THERE.

IF THIS PRICK CAN FIX A CAR AIR CONDITIONER,

HE GETS A WALK.

LYLE DENNISON�S IN 1507.

TENANT PATROL SAW HIM WALK IN HALF AN HOUR AGO.

WHERE YOU GOING?

WE GOT A HOME INVASION. THE BOSS WANTS US THERE NOW.

THE SECTOR CAR WILL BACK YOU UP.

I HOPE YOU BROUGHT YOUR WALKING SHOES.

ELEVATOR�S OUT.

15th FLOOR? YEAH.

GREAT.

AND THE STAIRWELL STINKS OF URINE.

ALL RIGHT, MEDAVOY.

HAPPY HUNTING!

[ BREATHING HEAVILY ]

WHAT YOU WANT?

THIS DON�T CONCERN YOU.

OH, NO, THIS MY HALLWAY.

I SAY WHAT CONCERN ME AND WHAT DON�T.

WHY DON�T YOU GO BACK TO YOUR APARTMENT, MA�AM?

WHY DON�T YOU GET OUT OF MY BUILDING?

GO IN YOUR APARTMENT!

HELL NO!

HE HOME?!

YOU SEE A PIG BADGE ON ME?

YOU SEEN THE GUY WHO LIVES HERE OR NOT?

WHY DON�T YOU WIPE THAT PIG GREASE OFF YOUR FOREHEAD,

SMEAR IT ON YOUR SHOES, AND SLIDE ON OUT OF HERE?

AIN�T NOBODY TALKING TO YOU.

GO INSIDE, STICK YOUR HEAD IN THE FRIDGE, AND COOL OFF.

ALL RIGHT. I�LL STICK MY HEAD IN THE FRIDGE.

YOU STICK YOUR HEAD IN YOUR ASS! [ SPITS ]

HEY! YOU LITTLE SON OF A BITCH.

BACK OFF!

YOU WANT TO GO TO THE STATION HOUSE?!

BACK OFF! EVERYBODY SHUT UP!

ANDY.

LYLE DENNISON?

MAN, GET YOUR HANDS OFF ME, MAN!

WHAT�S UP, MAN? DAMN!

DAMN! DAMN, MAN!

SAY SOMETHING ELSE OR SHUT UP.

ME THERE?

YEAH, YOU THERE.

GOOD, �CAUSE I WANT TO GET A GOOD VIEW OF Y�ALL.

I WANT TO SIZE YOU UP.

I WANT TO TAKE YOU IN AND, LIKE, DIGEST YOU.

SHUT UP AND TELL US WHAT YOU WERE DOING

AT STUYVESANT TOWN LAST THURSDAY.

I DON�T KNOW WHAT YOU�RE TALKING ABOUT.

WERE YOU DROPPED ON YOUR HEAD AS A KID SO YOU SLOW,

OR YOU JUST GOT BIG BALLS LIKE AN ELEPHANT?

CONCENTRATE OR I�M GONNA DROP YOU ON YOUR HEAD.

A GUY WHO DEALS OUT OF STUY TOWN NAMED LITTLE PETE

WAS SHOT IN A DRUG BEEF LAST THURSDAY.

10 PEOPLE SAW YOU DO IT. PETE SAW YOU DO IT.

CARE TO GIVE US YOUR SIDE

OR ARE YOU TOO BUSY DIGESTING MY PARTNER?

YOU�LL HAVE TO EXCUSE ME. I NEVER SAW A WALKING DEAD MAN.

MAYBE WE NEED TO GO OVER THE RULES

FOR ASSHOLES WHO MAKE DEATH THREATS.

I THINK LYLE�S DONE NOW. HE�S TALKED HIS TRASH.

YOU HAVE ANY CLUE WHO YOU SHOVED ON HER ASS IN THAT HALLWAY?

I DON�T REALLY CARE.

YOU EVER HEAD OF THIS PLAYER NAMED MONEY T.?

WE�RE TALKING ABOUT YOUR SHOOTING HERE.

HE�S A BIG GUY, BIG NEIGHBORHOOD DUDE,

AND THAT GIRL�S HIS QUEEN BITCH, SHALICE.

NOBODY TOUCHES SHALICE, NOBODY SAYS HI TO SHALICE,

NOBODY EVEN LOOKS SHALICE IN THE EYES

UNLESS THEY WANT THEIR NUTS STOMPED,

ESPECIALLY WHEN TINY AND BILL GOT HER BACK.

THOSE ARE THE TWO STEROID CASES, THE TWINS?

HER BODYGUARDS, WHO SOME FOLKS SAY GOT 20 BODIES BETWEEN �EM.

YOU SEE HER SITTING ON HER ASS,

SO PISSED SHE COULDN�T SAY NOTHING?

SHE WAS HUMILIATED,

AND TINY AND BILL, WHO DIDN�T SEE IT COMING?

WHOO! THEY WAS HUMILIATED.

AND BETWEEN THE THREE OF THEM,

YOU�RE GONNA HAVE A WHOLE ARMY COMING DOWN ON YOUR ASS.

I REMEMBER GIVING YOU A WARNING ABOUT THAT KIND OF TALK.

ALL RIGHT, NITWIT, WHY DON�T YOU GET IN THE CAGE.

JUST LETTING YOU KNOW.

I APPRECIATE IT,

BUT IT�S TIME FOR THIS DEAD MAN�S CUP OF COFFEE

AND MORNING CRAP ??

ALL THE THINGS THAT MAKE DEATH WORTH LIVING.

SO ?? DEATH THREAT.

YEAH, I DON�T KNOW ABOUT THAT.

I HAVE HEARD OF MONEY T.

ME TOO. I�LL PONDER IT ON THE CAN.

I WASN�T JOKING ABOUT THAT CRAP.

IS THAT PAUL WINSLOW?

JUST WHO I�M LOOKING FOR.

MY PARTNER, ANDY SIPOWICZ. I KNOW PAUL FROM NARCOTICS.

I�VE BEEN SIX MONTHS MIDTOWN NORTH SQUAD.

IT�S GOOD TO MEET YOU. I GOT BUSINESS.

YOU GOT A MINUTE?

SURE.

YOUR NAME CAME UP IN A PROSS HOMICIDE.

CYNTHIA PATTERSON. YOU KNOW HER?

DOESN�T RING A BELL.

TWO IN THE CHEST. WENT BY "LOLLIPOP."

HOW�D MY NAME COME UP?

SHE RAN AN IN?CALL BUSINESS, MOSTLY BY APPOINTMENT.

WEDNESDAY LAST WEEK, YOUR NAME WAS IN THE APPOINTMENT BOOK.

IT SAID JOHN CLARK?

"DETECTIVE JOHN CLARK ?? WEDNESDAY, 9:00 P. M."

JOHN, IF YOU WERE STICKING HER,

DON�T THINK YOU�D GET JUDGED BY ME.

WHOA, IT�S NOT THAT.

IF IT IS THAT, GET IN FRONT NOW,

�CAUSE YOUR NAME BEING IN THAT BOOK�S

GOTTA COME UP WITH MY BOSS.

I KNOW YOUR DAD�S ON THE JOB, SAME NAME AS YOU.

IS THIS MAYBE A CONVERSATION FOR HIM?

NO, I�M JUST TRYING TO PICTURE THIS GIRL WITH BLOND HAIR.

SHE EVER GO BY "RUBY"?

WE�RE NOT TOO FAR YET.

I GOT A C.I. IN THE FREDERICK DOUGLAS HOUSES.

SHE REGISTERED?

NO, SHE HELPED ME OUT IN NARCOTICS ONCE.

I STILL KEEP IN TOUCH. I GOT A FEW LIKE THAT.

SEE HER LAST WEEK?

MAKE IT A MONTH AGO.

MAYBE SHE WROTE IT DOWN WRONG. WHAT�D YOU TALK ABOUT?

LISTENED TO HER COMPLAIN.

ONCE EVERY FIVE CHATS, SOMETHING COMES OF IT.

SHE MENTION ANYONE GIVING HER TROUBLE?

NOTHING. GOT ANYBODY YOU�RE LOOKING AT?

HER PIMP�S IN THE WIND. HE�S THE GUY FOR NOW.

SO SHE�S A C.I.

YEAH. GUESS SHE DYED HER HAIR.

WELL, THAT�S ALL I NEED. OKAY.

SEEING HOW I COULD TAKE A RIP ON HER NOT BEING REGISTERED,

HOW TIGHT�S THE CIRCLE ON THIS?

IT�S JUST ME AND MY PARTNER FOR NOW,

BUT IT�S GOTTA COME UP WITH MY BOSS, AND HE�S HALF A PRICK.

I�LL TRY TO KEEP YOU OUT OF THE PAPERWORK.

APPRECIATE IT, PAUL.

SEE YOU AROUND.

HEY. ELEANOR MONCREFE, 80 YEARS OLD.

NEXT?DOOR NEIGHBOR SAW THE DOOR OPEN,

FOUND HER DUCT?TAPED TO A CHAIR BEAT TO HELL.

DID THE NEIGHBOR HEAR ANYTHING?

SAID SHE WAS SHOWERING, DRYING HER HAIR FOR THE PAST HOUR.

WAS THERE ANYTHING FROM THE VICTIM?

SHE WAS UNCONSCIOUS WHEN WE GOT HERE,

BUT ANTICRIME WAS FIRST ON THE SCENE.

YOU WANT TO TALK TO ANTICRIME, I�LL GET THE NEIGHBOR?

YEAH.

HOW�S IT GOING?

GOOD. FINE. MAYA ANDERSON.

YEAH. I REMEMBER.

SO I HEARD YOU MIGHT HAVE GOT A STATEMENT FROM THE VICTIM?

SHE WAS IN AND OUT.

SHE GIVE YOU ANY KIND OF DESCRIPTION?

SHE JUST MUMBLED, "IT HURTS. IT HURTS."

I MEAN, IT WAS AWFUL! SHE WAS ALL BLOODY ??

WHAT YOU GOTTA TRY TO DO IS CONCENTRATE ON THE CASE.

THAT�LL HELP GET YOUR MIND MOVING FORWARD.

IS THERE ANYTHING ELSE YOU CAN TELL ME ABOUT?

I THINK MY PARTNER NOTIFIED CRIME SCENE.

GOOD.

I MEAN, WHAT IS SOMEBODY THINKING

TAPING UP AN OLD WOMAN AND BEATING HER PURPLE?

I MEAN, WHO KNOWS, RIGHT?

WE GET ANY KIND OF DESCRIPTION OFF THE CANVASS,

WE�LL NOTIFY YOU AND PARTNER.

WE�D APPRECIATE THAT.

THANKS. I�M ?? I�M SORRY.

DON�T WORRY ABOUT IT.

PETE? DETECTIVE SIPOWICZ. SECOND MESSAGE.

YOU GOT THE NUMBER.

HOW�D YOU DO WITH LYLE?

HE WOULDN�T GO.

THE COMPLAINANT ON THE SHOOTING, THIS, UH, LITTLE PETE.

WE�RE TRYING TO GET HIM IN TO VIEW A LINEUP,

BUT HE�S NOT AT HOME, HE�S NOT ANSWERING HIS PAGER.

VOICE MAIL ON HIS CELL.

ONCE WE GET HIM IN AND LYLE�S I.D.ed, HE�S IN THE SYSTEM.

HOW�S THE OLD WOMAN?

BEAT TO HELL ?? LOTS OF FACIAL CONTUSIONS, BROKEN NOSE, JAW,

AND SOME OF HER RIBS FROM BEING TIED UP SO TIGHT.

DOCTORS DON�T KNOW IF SHE�S GONNA MAKE IT.

ANYTHING FROM THE CANVASS?

NOTHING SO FAR. JONES AND MEDAVOY ARE STILL OUT.

BOSS.

WE ALSO NEED TO GET WITH NARCOTICS

ON A DEALER NAMED MONEY T.

THE SMACK DEALER. HOW�S HE FIT IN?

PICKING UP LYLE,

I GOT INTO A SHOUTING MATCH WITH HIS SKANKY NEIGHBOR.

TURNS OUT TO BE MONEY T.�s GIRLFRIEND.

AFTER I GET SPIT ON,

THE GIRLFRIEND ENDED UP... LOSING HER BALANCE

SO LYLE SAYS I�M GONNA GET WHACKED OVER THAT.

WORD IS HE�S GOT A LOT OF GUYS KILLED.

I�VE HEARD THAT, TOO.

I�LL KEEP MY EYES PEELED.

OR YOU CAN SIT TIGHT TILL NARCOTICS GETS A VIBE.

WORK FROM THE DESK?

HOW PISSED OFF�S THE GIRL?

FIRST GET ME A COAT HANGER SO I CAN LOBOTOMIZE MYSELF.

I AIN�T SITTING AT THE DESK JUST �CAUSE OF SOME LOUDMOUTH.

IT�S WORTH LOOKING INTO. YOU TWO AVAILABLE?

WE�LL GET ON IT.

YOU WANT THEO PICKED UP FROM SCHOOL?

THAT�D SCARE HIM FOR NOTHING.

LOOK, KILLING DOPE RIVALS IS ONE THING,

BUT I DON�T SEE THIS GIRL GOING TO WAR

WITH THE POLICE DEPARTMENT.

NO HARM IN GETTING PATROL TO SIT ON THEO�S SCHOOL.

YOU CAN�T TELL ME SHALICE WHINED TO I. A. B.

CLARK, YOU GOT A MINUTE?

SURE.

COFFEE ROOM.

WHAT�S THIS?

YOU TALK TO A DETECTIVE WINSLOW THIS MORNING

REGARDING A PROSS HOMICIDE IN THE FREDERICK DOUGLASS HOUSES ??

CYNTHIA PATTERSON? YEAH.

I NEED TO CLARIFY YOUR RELATIONSHIP WITH THE GIRL.

SHE WAS A C.I.

NOT REGISTERED?

NO.

WHY?

SHE DIDN�T LIKE THE IDEA. SHE WAS PARANOID.

ABOUT WHAT?

COPS. SHE WAS A PROSS.

YOU MET HER IN NARCOTICS?

WHEN AND WHERE?

I DON�T RECALL OFFHAND.

BIG CASE? LITTLE CASE?

NO CASE?

I WASN�T A CUSTOMER.

YOU WERE LISTED LIKE ONE.

SHE WAS GOOD WITH SMACK DEALERS IN HARLEM,

WHO WAS ON TOP, WHO WAS MOVING OUT, GENERAL INFO.

THAT�S WHAT SENT YOU TO HER TWO MONTHS AGO,

GENERAL INFO ON DEALERS IN HARLEM?

I LIKE KEEPING MY EAR TO THE GROUND.

THAT�S THE LAST TIME YOU SAW HER? YEAH.

YOUR PHONE RECORDS GONNA SAY DIFFERENT, DETECTIVE?

WHY ARE YOU CHECKING MY PHONE RECORDS?

HER PIMP WAS IN BELLEVUE ALL NIGHT WITH A ROTTEN TOOTH.

SO YOU�RE LOOKING AT ME FOR MURDER?

WE�RE LOOKING AT A LOT OF THINGS.

YOU GOT ALL I KNOW.

YOU UNDERSTAND IT�S A PROBLEM SHE�S NOT REGISTERED.

WHATEVER YOU GOTTA DO.

YOU MIGHT TRY TO REMEMBER THE CASE WHERE YOU MET HER

AND BRUSH UP ON YOUR FACTS, GENERALLY.

JUST A SUGGESTION.

WHERE�S THE BOSS?

IN THE CAN.

I NEED TO TAKE CARE OF SOMETHING.

WHAT? NOTHING.

I�LL BE BACK IN HALF AN HOUR.

JOHN. HEY, POP.

WHAT�S UP? WHAT�S SO URGENT?

YOU HEAR ABOUT A PROSS HOMICIDE IN MIDTOWN NORTH,

CYNTHIA PATTERSON?

HEARD ABOUT IT.

BUDDY OF MINE IS WORKING THE CASE.

"DETECTIVE JOHN CLARK" WAS IN HER APPOINTMENT BOOK.

HE CAME TO ME ABOUT IT.

WHAT�D YOU SAY?

SHE WAS A C.I.

IS THAT THE END OF IT?

I.A.B. SHOWED UP ASKING WHY SHE WASN�T REGISTERED.

WHAT WAS YOUR EXPLANATION?

I DANCED AROUND IT. HE SAID IT WAS A PROBLEM.

BECAUSE HE DIDN�T BUY THE STORY?

HE MIGHT HAVE. I DON�T KNOW.

COMING FROM NARCOTICS,

IT COULD MAKE SENSE TO HAVE AN UNREGISTERED C.I.

I COULD NEVER SELL THAT.

SO, WHAT...

YOU WERE A CUSTOMER?

SHE WAS A FRIEND.

THAT�S NOT HOW SHE HAD YOU WRITTEN DOWN.

JOHNNY...

I DON�T KNOW WHAT TO SAY.

WHY DIDN�T YOU TELL YOUR FRIEND THE TRUTH?

BECAUSE HIS NEXT STEP WOULD HAVE BEEN YOU.

I DON�T RECALL EVER ASKING YOU TO PROTECT ME.

YOU MUST BE VERY DISAPPOINTED.

I�M MORE STUNNED.

I NEVER LOVED ANY WOMAN BUT YOUR MOTHER,

AND I COULD NEVER LOVE ANYONE ELSE.

BUT, UM, I MET HER ON A CASE.

I CALLED HER ONCE WHEN I... WAS VERY LONELY.

THAT�S HOW IT STARTED.

SHE EVER TALK ABOUT ANYBODY COMING AFTER HER?

IS THAT A SUBTLE WAY OF ASKING ME WAS I INVOLVED?

I NEVER WOULD HAVE CONSIDERED.

I PROMISE YOU, I HAD NOTHING TO DO WITH HER BEING KILLED.

A PROBLEM FROM I. A. B.

DOES THAT MEAN DEPARTMENT CHARGES?

MAYBE.

I FIGURE IT BETTER I TAKE A RIP FOR AN UNREGISTERED C.I.

THAN YOU GET THROWN OFF THE JOB AND LOSE YOUR PENSION.

IF THIS GOES A HAIR PAST A RIP, I�M STEPPING IN.

HOPEFULLY, THE CASE GOES DOWN QUICK

AND NO ONE WILL LOOK TOO DEEP.

I GOTTA GET BACK.

IF ANYTHING COMES UP, I�LL KEEP IN TOUCH.

MONEY T.�s REAL NAME IS DARNELL BATTUM.

NO RECORD, BUT NARCOTICS SAYS HE�S DOING MAJOR WEIGHT.

WHY HAVEN�T THEY TAKEN HIM DOWN?

HE WORKS QUIET, AND HE�S WELL?INSULATED.

AND HE�S GOT ESCAPE ROUTES BUILT INTO HIS STASH HOUSES.

THE PHANTOM DRUG MENACE.

NARCOTICS SAY HOW VIOLENT THIS GUY IS?

THE TWINS YOU SAW, WALTER AND WILLIAM GRIMES,

BOTH HAVE A HISTORY OF VIOLENT CRIME,

AND THERE�S NINE HOMICIDES NARCOTICS SAYS ARE THEIRS.

BUT NO ONE WILL TALK, AND NO ONE WILL TESTIFY.

PEOPLE BARELY HAVE THE BALLS TO SAY THE GUY�S NAME.

IF WE GET NARCOTICS ANYWHERE NEAR MONEY T.,

THEY SAID DINNER�S ON THEM.

LYLE DENNISON�S GOOD FOR A SHOOTING.

HE MIGHT BE WILLING TO TRADE TIME FOR INFO ON MONEY T.

YOU TALK TO THE GUY HE SHOT, LITTLE PETE?

HE STILL HASN�T CALLED BACK.

KEEP TRYING. SOMEBODY FILL IN CLARK.

I GOT IT.

I�M SUPPOSED TO FILL YOU IN ON MONEY T.

ALL RIGHT.

IS THERE SOMETHING YOU WANT TO TELL ME?

THIS ABOUT I. A. B.?

NO, YOUR NEXT HAIRCUT APPOINTMENT.

OLD C.I. OF MINE GOT WHACKED.

SHE HAD MY NAME WRITTEN DOWN.

PROSS? AND A JUNKIE.

SHE HAD SOME GOOD INFO.

WHY IS I. A. B. INVOLVED?

SHE WASN�T REGISTERED. HOW COME?

SHE WOULDN�T DO IT, PARANOID.

AND SHE WAS JUST A C. I.?

YEAH.

WHAT GOT YOU RUNNING OFF AFTER MARTENS LEFT?

I WANTED TO TALK TO THE DETECTIVE WHO CAUGHT THE CASE,

SEE WAS THERE ANY PROGRESS.

SOMETHING WRONG WITH THE PHONE?

WHAT IS THIS, RITA?

YOU�RE LYING TO ME.

WHAT DO I HAVE TO LIE ABOUT?

I DON�T KNOW, BUT I�VE BEEN WITH YOU FOUR MONTHS,

AND YOU�VE NEVER ACTED LIKE THIS BEFORE.

OKAY, WELL, I�M NOT LYING.

DID YOU HAVE A RELATIONSHIP WITH THIS GIRL?

NOTHING PAST HER BEING A C.I.

I KNOW A LITTLE ABOUT COPS AND UNREGISTERED PROSS INFORMANTS.

THERE WAS NO RELATIONSHIP PAST HER BEING A C.I.

YOU DIDN�T SLEEP WITH HER? RITA ??

IF YOU�RE SCREWING PROSS, I GOT A RIGHT TO KNOW ABOUT IT. GIVE ME A BREAK!

WELL, SOMETHING�S NOT RIGHT.

I WASN�T SLEEPING WITH HER.

[ KNOCK ON DOOR ]

WHAT�S UP?

I JUST GOT OFF WITH LITTLE PETE.

HE WOULDN�T SAY WHERE HE WAS, BUT HE�S LEAVING TOWN.

SOMEBODY PUT A GUN IN HIS RIBS AND THREATENED TO KILL HIM

IF HE I.D.ed LYLE. HE�S OUT.

SO WE�RE GONNA HAVE TO RUN A GAME ON LYLE.

YOU UP FOR THAT? YOU SEEM DISTRACTED.

IT�S JUST ME AND HER.

THE DESK SERGEANT�S CALLED.

SOMEONE�S HERE TO EITHER PICK UP LYLE DENNISON OR BAIL HIM OUT.

LAWYER? A FRIEND.

TELL HIM LYLE SPLIT AN HOUR AGO AND HAVE A NICE DAY.

SO WHAT WE DOING?

LITTLE PETE�S ON HIS WAY IN TO VIEW A LINEUP.

WE GOTTA GET THE ROOM READY.

JUST SIT HERE FOR NOW.

I NEED YOUR EFFECTS ?? BELT, LACES.

MAN, WE AIN�T EVEN HAD NO LINEUP YET.

YOU GOT PICKED OUT OF A PHOTO. THIS IS JUST FOR THE D. A.

COME ON. LET�S GO.

SO AIN�T NOBODY COME ASKING FOR ME?

NOPE. WE�D HAVE HEARD.

AFTER THIS GETS WRAPPED UP, WE�LL GET YOU TO BOOKING,

WHERE YOU�LL PROBABLY SPEND THE NIGHT.

WHOO! COURT�S BEEN SLOW.

THEN IT�S RIKERS TILL THE TRIAL, WHENEVER THAT IS.

SO NOBODY COME ASKING FOR ME, NOBODY CALLED?

LOOKS LIKE YOU GOT HUNG OUT, LYLE.

FILLERS?

SHOULD BE HERE IN ABOUT TWO MINUTES.

I�LL GO GET HANK.

YOU GOT SOMETHING TO SAY, YOU GOT TWO MINUTES.

IF NOT, WE�LL BE RIGHT BACK.

OKAY, WELL, WE�LL SEE YOU IN A BIT.

WAIT, NOW, WHAT�S THAT SUPPOSED TO MEAN,

DO I GOT SOMETHING TO SAY?

IF YOU GOT INFORMATION ON A BIGGER CRIME,

THE COURTS ARE WILLING TO DEAL,

ESPECIALLY SINCE THAT GUY YOU SHOT WASN�T EXACTLY A CHOIR BOY.

ARE YOU DEALING DOPE?

MAYBE A LITTLE.

YOU KNOW SOMEONE WHO DEALS A LOT?

THIS IS HOW IT WORKS.

YOU�RE A LITTLE FISH. WE WANT THE BIGGER FISH.

AND I WALK?

DEPENDS.

I WORK FOR MONEY T., ALL RIGHT?

I WORK FOR THE CITY OF NEW YORK. SO WHAT?

I KNOW HIS OPERATION, AND FOR A WALK,

I�LL GIVE YOU HIS WEEKLY CARD GAME,

BUT AFTER THAT, WHAT YOU GET ON HIM IS UP TO YOU,

BUT I�LL GET YOU TO HIM.

YOU GET US A GUY PLAYING CARDS.

THIS IS MONEY T., MAN!

LYLE, YOU WANT TO GET WITHIN 50 MILES OF A WALK,

WE NEED MORE THAN A GUY PLAYING HEARTS.

DAMN, MAN.

WHERE�S HE DEAL OUT OF?

YOU GOT A PEN OR SOMETHING?

MAN, THIS IS BIG.

DAMN!

SO, ODALAS, YOU ANY RELATION TO AN ELEANOR MONCREFE?

NEVER HEARD OF HER.

THEN WHERE�D YOU GET HER CREDIT CARD?

I TOLD YOU, I DON�T KNOW WHERE IT CAME FROM.

SO HOW�S IT WIND UP WITH YOU TRYING TO BUY NEW SPEAKERS?

I GAVE THE GUY MY CARD. HE SAID WAIT, SO I WAIT.

ALL THE SUDDEN, I GOT COPS ALL OVER ME.

SO YOU�RE SAYING SOMEBODY PULLED A SWITCHEROO.

GUESS SO.

NO, ODALAS, THAT AIN�T GONNA FLY.

COP TO WHERE YOU GOT IT NOW

AND YOU�RE LOOKING AT MAYBE A SLAP ON THE WRIST,

BUT IF YOU WASTE ANY MORE OF OUR TIME,

WE�LL MAKE SURE YOU�RE LOCKED UP.

A GUY GAVE IT TO ME.

A WHITE GUY.

A WHITE GUY.

GOES TO MY SCHOOL.

HIS NAME�S JOE. I DON�T KNOW HIS LAST NAME.

A MYSTERY GUY NAMED JOE.

HE�S IN MY ALGEBRA CLASS. ASK THE TEACHER.

MYSTERY JOE FROM ALGEBRA.

WITH THAT KIND OF DETAIL,

I THINK WE�RE ABOUT READY FOR COURT.

I JUST DON�T KNOW HIM SO GOOD.

DON�T WORRY ABOUT IT, ODALAS. THAT�S PLENTY.

WE APPRECIATE YOUR TIME.

I CAN GO?

WE�RE DONE DICKING AROUND WITH JOE FROM ALGEBRA!

LET�S FIGURE OUT WHAT WENT WRONG!

WHAT WENT WRONG WHERE?

JURIES UNDERSTAND ROBBERY, ODALAS,

AND THAT A GUY CAN NEED EXTRA CASH.

WHAT THEY DON�T GET IS BEATING ON OLD WOMEN FOR IT.

WHOA, WHOA, WHOA, I DIDN�T BEAT NOBODY,

AND I KNOW NOTHING ABOUT NO APARTMENT!

SO YOU�RE GOING TO BAT WITH JOE FROM ALGEBRA?

HE LAID THE CARD ON ME. I FIGURED IT WAS HIS MOM�S.

SINCE HE�S NEW IN SCHOOL, HE�S TRYING TO GET IN WITH ME.

LAST CHANCE, ODALAS!

JOE SOMETHING. JOSEPH.

WHITE GUY, KIND OF GOOFY, LOOKS LIKE HE�S OLDER THAN US.

YOU KNOW, LIKE HE FLUNKED OUT.

THE TEACHER�D KNOW HIM!

SHE BETTER.

HER NAME AND WHERE YOU GO TO SCHOOL.

[ DOOR OPENS ]

DON�T MOVE! GET ON YOUR KNEES!

EVERYBODY! GET ON YOUR KNEES!

WE GOT A GUN HERE!

I GOT SOMETHING.

A COUPLE OF OUNCES. THAT�S IT.

WHERE�S THE REST?! THAT�S IT!

WE�LL LUMP ON CHARGES YOU DON�T WANT TO THINK ABOUT!

THAT�S IT! I SWEAR!

OH, YOU DUMB SON OF A BITCH!

NONE OF THEM�S MONEY T.?

NO, WE�LL BRING IN THE DOGS TO SNIFF THIS PLACE OUT,

BUT I THINK YOUR BOY SET US UP.

LET�S GET OUT OF HERE.

HOLD ON A SECOND.

I�D LIKE TO WASH THIS JUNKIE PUKE OFF MY SHOES.

WHAT�S GOING ON WITH YOU?

I TOLD YOU, I DON�T LIKE I. A. B. PAWING AT ME.

AND THAT�S IT?

IT DOESN�T HELP RITA�S BULL

ABOUT THAT GIRL NOT BEING A C.I.

SHE�S GOT A POINT CALLING YOU OUT.

IT DON�T ADD UP, LIKE YOU BOLTING OUT OF THE SQUAD

TO TALK TO THE GUY THAT CAUGHT THE CASE.

WELL, I DID!

ALL RIGHT, WHAT�D HE SAY?

SO NOW YOU�RE GONNA INTERROGATE ME?

YOU DON�T REMEMBER WHAT HE SAID?

IT WAS MY DAD BANGING THAT PROSS, OKAY?

IT�S BEEN GOING ON A WHILE.

HE�S GONNA LET YOU TAKE THE RAP FOR IT?

YEAH, AND FOR NOW, THAT�S HOW IT�S GONNA WORK,

AND I APPRECIATE YOU NOT GIVING ME A SPEECH ABOUT IT.

ALL HIS TALK ABOUT RIGHT AND WRONG

AND TOEING THE LINE, AND HE�S OUT NAILING A WHORE.

THERE�S BEING A PARENT,

THEN THERE�S BEING A HUMAN BEING.

SO YOU�RE DEFENDING HIM?

I GOT A LITTLE HISTORY WITH THAT KIND OF THING.

BUT DID YOU EVER PASS YOURSELF OFF AS A SAINT?

I KNOW IT�S HARD FOR YOU TO SEE IT �CAUSE HE�S YOUR DAD,

BUT HE�S JUST A GUY. HE AIN�T PERFECT.

ARE WE GOING BACK AT LYLE?

KEEP IN MIND YOU DON�T JUST SHRUG OFF

SOMETHING LIKE AN UNREGISTERED PROSS C. I.,

AND IT�S NOT I.A.B. YOU GOTTA WORRY ABOUT.

IT�S THE STINK THAT FOLLOWS.

WHAT THE HELL?!

GET DOWN, EVERYBODY! GET DOWN! HIT THE GROUND!

ANDY, WE GOT A GUY HIT!

WE NEED AN AMBULANCE!

WE GOT A SNIPER!

YOU�RE OKAY, PAL. JUST HANG IN THERE.

YOU�RE ALL RIGHT. HOLD ON, PAL!

OH, COME ON! COME ON!

KID�S TIMOTHY MARTIN. N. Y. U. GRAD STUDENT.

DRIVER�S LICENSE HAS HIM LIVING ON "B."

ANY CONTACT NUMBERS?

MAYBE IN HIS BOOK BAG. I HAVEN�T GONE THROUGH IT YET.

WHERE�S CLARK AND SIPOWICZ?

STILL CHECKING ROOFTOPS WITH EMERGENCY SERVICE.

JONES AND MEDAVOY ARE LOOKING FOR A SUSPECT ON THEIR CASE.

THEY WANT TO KNOW SHOULD THEY COME BACK TO THE HOUSE.

TELL THEM JUST KEEP THEIR RADIO ON.

JOHN GOT THEO FROM SCHOOL. THEY�RE AT THE APARTMENT.

E.S.U. GOT SOME 9?MILLIMETER CASINGS

OFF A ROOF ACROSS THE STREET.

YOU GONNA START A CANVASS? I�M GONNA GO BACK IN WITH LYLE.

WE DON�T NEED A MASSACRE UP THERE.

I�LL TALK TO HIM.

GLAD YOU�RE OKAY.

HEY, ANDY? HOW WE GOING AT LYLE?

�CAUSE THERE�S A GOOD CASE AGAINST YOU GOING IN AT ALL.

WRITE IT DOWN. I�LL READ IT LATER.

YOU CAN�T GO TUNING UP A GUY WE GOT NOTHING ON.

WHO SAID I�M GONNA TUNE HIM UP?

YOU NEARLY DID THIS MORNING.

ANDY, COME ON, LET ME HANDLE THIS.

GET OUT OF THE WAY.

YOU GO IN THERE, YOU�RE GONNA BLOW IT.

GET YOUR HAND OFF ME. ANDY...

IF YOU DON�T GET OUT OF THE WAY, WE�RE GONNA HAVE PROBLEMS.

THEN WE�LL HAVE PROBLEMS.

YOU LOOKING TO THROW PUNCHES WITH ME?

IF THAT�S WHAT IT COMES DOWN TO.

GET OUT OF THE WAY OR GET ANOTHER PARTNER.

WHOA. WHAT�S THIS?

NOTHING.

IT DOESN�T LOOK LIKE NOTHING,

AND IT DOESN�T LOOK LIKE SOMETHING

YOU WANT TO TAKE IN THE ROOM WITH LYLE.

CAN YOU BOTH HANDLE THIS OR DOES CLARK GO IN ALONE?

WE CAN HANDLE IT.

DON�T YOU EVER DO THAT AGAIN.

I�M JUST WATCHING YOUR BACK.

IS SOMEBODY POPPING SHOTS OUTSIDE?

WERE THEY SHOOTING AT YOU?

I TOLD YOU THERE WAS GONNA BE TROUBLE.

WAIT A MINUTE! WASN�T ME ON THE TRIGGER!

GET ME WHO WAS OR IT�S YOU TAKING THE PUNISHMENT!

I GAVE YOU THE SPOT!

YOU GAVE US THIRD?TIER DEALERS WHO WERE BARELY HOLDING.

MAYBE THEY WAS DRY, BUT THAT�S THE SPOT.

NO MORE OF THIS CRAP!

WHERE TO FIND MONEY T. AND THE TWINS

AND WHOEVER ELSE MIGHT HAVE SHOT AT ME

OR I TELL EVERY ONE OF THEM THIRD?TIER DEALERS

YOU SOLD �EM OUT.

WON�T NOBODY BUY IT.

AFTER I LAY ON THAT YOU�VE BEEN LOOKING

TO TAKE OVER MONEY T.�s GAME

AND HIS WOMAN, WHO YOU�VE BEEN CALLING

A TIGHT PIECE OF ASS AND A WILD LAY,

HE�LL KILL YOU ON PRINCIPLE!

YOU GOT A FUNNY SENSE OF HUMOR, BROTHER.

NOW YOU GET THIS STRAIGHT, PRICK ??

I AIN�T YOUR BROTHER.

WE GOT SHOT AT IN FRONT OF OUR PRECINCT HOUSE!

AN INNOCENT GUY GOT BLOWN AWAY!

NOW, EITHER YOU GIVE US WHO DID IT

OR YOU�RE GONNA DIE OUT IN THE STREET.

GIVE HIM UP, I�LL DIE ANYWAY!

AIN�T IT GONNA SEEM COINCIDENTAL THE DAY I GET BROUGHT IN,

HE GOES DOWN?!

WE�LL GET YOU IN WITNESS PROTECTION.

FOR GIVING UP MONEY T.?

HOW ABOUT A FREE JET AND $100 MILLION,

�CAUSE THAT�S WHAT IT�S WORTH!

WITNESS PROTECTION OR YOU�RE ON YOUR OWN.

I GOT PEOPLE HERE! I GOT A LIFE!

THEN GO LIVE IT, BUT PACK A LOT INTO THE NEXT 24 HOURS,

�CAUSE THAT�S THE LONGEST YOU�LL LAST!

THIS ASSHOLE TOOK SHOTS AT COPS

FOR EMBARRASSING HIS GIRLFRIEND!

WHAT DO YOU THINK HE�S GONNA DO TO A RAT, HUH?!

YOUR LIFE IS IN MY HANDS!

WHO SHOT AT US OR YOU DIE!

MAN! LITTLE PETE WASN�T SO STUPID, MAN ??

PUNK COULDN�T TELL HIS CORNER FROM MINE ??

I WOULDN�T EVEN BE HERE!

MAN, I�M TELLING YOU RIGHT NOW, IT IS A FORTRESS.

YOU WILL NEVER GET IN!

NO ONE ASKED FOR PREDICTIONS.

I�M SAYING, MAN,

IT�S ONE DOOR WITH A BIG?ASS DUDE SITTING ON IT,

AND EVEN IF YOU GOT BY,

THEY GOT SIGNALS TELLING EVERYBODY HIT THE ESCAPE CHUTE.

THAT LEAD TO WHERE?

TO THE BASEMENT,

AND THEN THERE�S TUNNELS TO A BUILDING THREE DOORS DOWN.

HERE. DIAGRAM IT.

[ SIGHS ]

WAKE UP THIS MORNING WATCHING CARTOONS.

NOW IT�S WITNESS PROTECTION.

E.S.U. AND NARCOTICS

WILL HAVE THEIR TEAMS READY IN FIVE MINUTES.

CONNIE AND RITA?

IN THE LOCKER ROOM TARTING UP.

THEY�LL BE READY SOON.

THAT YOUR SUSPECT ON THE BEAT OLD WOMAN CASE?

YEAH, JOSEPH COWENS.

HE MIGHT HAVE GAVE A CLASSMATE THE WOMAN�S CREDIT CARD.

Jones: WE�LL SEE WHAT WE CAN GET OUT OF HIM.

HOW WE DOING IN HERE?

[ SIGHS ] READY.

HOW DO WE LOOK?

IMPRESSIVE. LET�S GO.

THANKS.

ANYTIME.

SO?

YOU KNOW WHY WE BROUGHT YOU IN?

NO CLUE.

WHERE WERE YOU ALL MORNING?

SCHOOL.

HOW COME WE FOUND YOU IN AN ARCADE?

I DITCHED AFTER LUNCH.

ANYONE WITH YOU?

NO, I DON�T KNOW A LOT OF PEOPLE HERE.

WHAT ABOUT ODALAS BROOKS? YOU KNOW HIM?

FROM SCHOOL? SORT OF.

SEE, I�M KIND OF NEW IN TOWN ?? TWO MONTHS.

BEFORE HERE WAS DALLAS. L. A. BEFORE THAT.

I LIVED IN CHICAGO FOR A YEAR. STARTED OFF IN ATLANTA.

POPS IS BIG IN BUSINESS, VARIOUS COMPANIES.

"EVERY MOVE�S A MOVE UP." THAT�S WHAT HE SAYS.

IT MUST BE ROUGH MAKING FRIENDS, MOVING AROUND SO MUCH.

I DO ALL RIGHT.

NOW, ODALAS, HE RUN WITH A PRETTY IN CROWD?

I�M JUST FIGURING THINGS OUT.

THIS MORNING, DID YOU GIVE HIM A CREDIT CARD

AS A WAY OF MAYBE GETTING IN WITH HIS CROWD?

DON�T KNOW NOTHING ABOUT A CREDIT CARD.

HE TOLD US YOU GAVE HIM ONE.

WHAT A DICK.

WHY, �CAUSE YOU DIDN�T DO IT OR �CAUSE HE GAVE YOU UP?

I DIDN�T DO IT.

HE OBVIOUSLY GOT BUSTED FOR SOMETHING.

HE�S LAYING IT ON ME.

I DO CHESS CLUB. I DON�T GIVE AWAY CREDIT CARDS.

�CAUSE IF YOU DID GIVE HIM THE CARD,

WE�D BE COOLER IF YOU COPPED TO IT NOW

THAN IF WE HAVE TO GO FIND OUT ON OUR OWN.

I DON�T KNOW NOTHING ABOUT A CREDIT CARD.

WHO�S LORRAINE FIVELSON?

WHAT NOW?

YOU GOT HER MAIL IN YOUR BAG.

OH, THAT ?? I, UH, FOUND IT.

I THINK A MAILMAN DROPPED IT.

I WAS GONNA TAKE IT TO A POST OFFICE.

BUT YOU GOT SIDETRACKED, YOUR BUSY SCHEDULE AND ALL.

I JUST ?? I DIDN�T GET AROUND TO IT YET.

MM?HMM.

WE�LL SEE WHAT MRS. FIVELSON HAS TO SAY ABOUT THAT.

IN THE MEANTIME, YOU�RE STICKING AROUND.

I�M STUCK �CAUSE I WAS DOING A GOOD DEED?

WE WON�T TAKE LONG.

WHATEVER.

GREAT CITY.

I�M GONNA LOVE IT HERE.

HEY. CARLISLE?

WHAT YOU WANT?

LOOKING TO HOOK UP.

WHAT�S THE WORD?

JACKSON 5.

WHO GAVE YOU THAT?

LYLE.

THAT WAS FOR YESTERDAY. DON�T CUT IT TODAY.

WELL, WE GOT LOCKED UP. WE COULDN�T MAKE IT.

CAN WE WORK SOMETHING OUT, HUH? YOU, ME, AND HER?

YEAH.

RIGHT HERE IN THE DOORWAY.

SOUNDS GOOD TO ME.

DOWN THE STEPS, AND DON�T MAKE A SOUND.

TRY ANYTHING AND I�LL PUT ONE IN YOUR EAR!

FREEZE! FREEZE!

FREEZE! STOP OR YOU�RE A DEAD MAN!

DON�T MOVE!

FREEZE RIGHT THERE! DON�T MAKE A MOVE!

WE GOOD DOWN HERE?

WE�RE GOOD.

EVERYBODY FREEZE! DON�T MOVE!

IN THE RED, DON�T MOVE! DON�T MOVE!

ARE YOU MONEY T.?

I DON�T KNOW WHAT YOU�RE TALKING ABOUT, MAN!

YOU THINK YOU CAN TRY AND KILL A COP AND GET AWAY WITH IT?

I DON�T KNOW WHAT Y�ALL DOING HERE!

HOW ABOUT THAT, HUH?

AND WHAT�S THIS?

INSULATION?!

I WANT MY LAWYER.

YOU AND ME GOT SOME BUSINESS FIRST, MONEY!

ANDY!

I WANT MY LAWYER! ANDY, IN HERE!

TAKE THIS ASSHOLE.

CHECK OVER THERE.

YOU GOT CHANGE FOR A MILLION?

WE GOTTA SECURE THIS.

YEAH, DON�T LET E. S. U. OR CRIME SCENE IN

UNTIL THIS IS COUNTED.

SON OF A BITCH.

[ BUZZER ]

MRS. FIVELSON!

IT�S POLICE, MRS. FIVELSON!

LORRAINE FIVELSON!

POLICE, MA�AM!

MRS. FIVELSON?

OH, NO.

OH, BOY.

GET A BUS. I�LL GET HER UNTIED.

15th SQUAD TO CENTRAL "K."

HAVE A SECTOR CAR AND AMBULANCE RESPOND

TO 2130 7th STREET, APARTMENT B.

PUT A RUSH ON THE AMBULANCE. WE HAVE AN ELDERLY UNCONSCIOUS.

IS SHE ALIVE?

THERE�S A PULSE.

LET�S LIE HER DOWN ON THE GROUND.

LYLE SQUARED AWAY?

IN WITH THE FEDS.

HE�S DECIDING DOES HE WANT RELOCATION TO FLORIDA OR HAWAII.

I JUST GOT OFF WITH A SPECIAL AGENT THOMAS.

LOOKS LIKE THE U. S. ATTORNEY�S TAKING MONEY T. FEDERAL.

FEDS TAKING THE DOUGH, TOO?

IT GOES TO THE DEPARTMENT. GOOD WORK TODAY.

TELL HIM. HE�S THE ONE KEPT HIS HEAD.

THROUGH A LOT OF DISTRACTION, I. A. B. AND SO FORTH.

HOPEFULLY, THAT�S PUT TO BED.

YOU STILL COUNTING CASH?

UP TO $14 MILLION.

NEEDED A COFFEE BREAK.

UM, I�M HEADING HOME.

BE THERE AS SOON AS I CAN.

TAKE YOUR TIME.

NO, I�LL, UH, I�LL BE THERE AS SOON AS I CAN.

HEY.

HEY.

I�M HEADING OUT.

OKAY.

RITA...

GOOD NIGHT.

NIGHT.

UH, AM I GONNA SEE YOU LATER?

DO WE HAVE SOMETHING TO TALK ABOUT?

I WASN�T LYING TO YOU BEFORE.

IF THAT�S ALL YOU GOTTA SAY, I DON�T NEED TO HEAR IT AGAIN.

IF SOMETHING ELSE COMES UP, CALL ME.

WE SAW MRS. FIVELSON.

WE GOT YOUR PRINTS OUT OF HER APARTMENT,

AND SHE�S GONNA I. D. YOU

AS SOON AS SHE GETS OUT OF THE HOSPITAL.

WISH I KNEW WHAT YOU GUYS WERE TALKING ABOUT.

YOU EVER BEEN TO PRISON? NO.

THE POINT IS TO DO THE LEAST AMOUNT OF TIME, NOT THE MOST.

WITH THAT IN MIND, YOU NEED TO EXPRESS WHY YOU DID THIS

SO THE JUDGE WILL HAVE SOME SYMPATHY FOR YOU

WHEN HE�S LOOKING AT EMERGENCY?ROOM PHOTOS

OF THOSE BEAT?UP WOMEN!

WHY WOULD I BEAT WOMEN?

ARE YOU MAD AT THEM FOR SOME REASON?

THEY�RE TOTAL STRANGERS.

MAYBE YOU WERE TRYING TO MAKE A POINT.

LIKE WHAT?

WE DON�T KNOW, JOSEPH!

AND IF YOU DON�T LAY IT OUT RIGHT NOW,

NO ONE WILL EVER KNOW!

NOW!!

WERE YOU EVER THE NEW KID IN SCHOOL?

NO, NOT REALLY.

YOU GET YOUR ASS KICKED A LOT.

THEY WHIP PENS AT YOUR HEAD,

PISS ON YOUR BOOK BAG, AND STEAL YOUR SHOES AND WATCH.

THAT TAKES ABOUT SIX MONTHS TO STOP,

BUT BY THEN, I�M ON TO THE NEXT SCHOOL

AND HIS NEXT BIG OPPORTUNITY!

YOUR DAD?

GUAM TODAY. HONG KONG TOMORROW.

HE WON�T BE BACK TILL THE MIDDLE OF NEXT WEEK.

THEN IT�S THAILAND TILL THE END OF THE MONTH!

MOM�S EQUALLY UNAVAILABLE IN SEATTLE

WITH HER ARCHITECT BOYFRIEND.

WE TALK ABOUT ONCE A MONTH.

WERE YOUR FOLKS AROUND WHEN YOU WERE GROWING UP?

PRETTY MUCH.

I HAVE A GUATEMALAN HOUSEKEEPER?SLASH?GUARDIAN.

AND SHE DOESN�T SPEAK ENGLISH,

SO THERE�S NOT MUCH POINT IN MY TALKING TO HER

ABOUT HOW I HATE MOVING AROUND

OR I WISH I COULD SETTLE IN ONE SPOT FOR FIVE MINUTES

SO I WOULDN�T HAVE TO STAY BACK IN SCHOOL ANOTHER YEAR,

AND MAYBE I COULD MAKE A NORMAL FRIEND

OR, GOD FORBID, A GIRLFRIEND!

THAT MUST START TO BUILD UP.

YEAH, I WALK A LOT, AND I?I PUT ON MY HEADPHONES.

I TRY TO COOL OUT.

SOMETIMES, I WISH SOMEONE WOULD BUMP INTO ME,

AND I COULD JUST...

[ SHRIEKS ] SLUG �EM!

DROP �EM TO THE GROUND, STOMP ON THEIR FACE!

IS THAT HOW YOU WERE FEELING THIS MORNING?

I WAS WALKING AND WALKING,

AND FOR SOME REASON, I JUST STOP AND LOOKED UP,

AND THERE�S THESE LITTLE PLANTS

AND A TV WITH A SOAP OPERA ON,

AND I COULD EVEN SEE MAGNETS ON THE FRIDGE.

THIS WAS MRS. MONCREFE?

I COULD SEE IT ALL FROM THE STREET.

HOW DID YOU GET INTO HER APARTMENT?

HER DOOR WAS OPEN. I WALKED IN.

SHE SAW ME, AND I JUST FLIPPED!

BEATING HER.

HER FACE AND HER CHEST!

I KICKED AT HER KNEES!

I TAPED HER UP. I BEAT HER WITH A BOOK.

NEXT THING YOU KNOW, I�M BACK ON THE STREET WALKING.

IS THAT WHEN YOU FOUND MRS. FIVELSON?

YEAH, WITH THE SAME PLANTS AND THE TV WITH A SOAP OPERA.

AND I JUST WENT OFF.

I BEAT HER SO BAD.

WE�RE GONNA HAVE TO GET IN TOUCH WITH YOUR DAD.

HE�S GONNA HAVE TO CUT HIS TRIP SHORT.

OH, HE�S GONNA FREAK OUT! HE�S GONNA KILL ME!

HE�S GONNA FREAK OUT.

[ BREATHING HEAVILY ]

[ KNOCK ON DOOR ]

HEY.

THANKS FOR COMING.

I�M MAKING SPAGHETTI.

I�M NOT REALLY HUNGRY.

YOU WANT SOMETHING TO DRINK?

IF I WANTED SOMETHING, I�D HAVE GOT IT.

YOU SAID ON THE PHONE

THERE WAS SOMETHING ELSE YOU HAD TO TELL ME.

I�M COVERING FOR MY DAD.

IT WAS HIM WITH THE PROSS?

I SCRAMBLED THINKING OF A WAY TO EXPLAIN IT,

AND HER BEING MY C. I. WAS THE BEST I CAN DO.

I�M SORRY I GOT YOU UPSET.

I CAN�T BELIEVE IT.

HOW LONG�S IT BEEN GOING ON?

A WHILE. I DON�T KNOW.

[ SIGHS ]

SO WHAT NOW? HOW DO YOU CLEAR IT UP?

WE RIDE IT OUT, HOPE IT GOES AWAY QUICK.

BUT I. A. B.�s INVOLVED.

I�LL JUST TAKE THE RIP.

DID YOU TALK TO YOUR DAD ABOUT THIS?

IT�S BETTER I TAKE THE RIP THAN HE LOSES HIS PENSION.

ARE YOU SURE IT�S A RIP? IS THAT WHAT MARTENS SAID?

HE SAID IT WAS A PROBLEM.

THAT COULD MEAN LOSING YOUR JOB.

NOBODY�S LOST THEIR JOB OVER AN UNREGISTERED C.I.

WHAT ABOUT PEOPLE THINKING YOU SCREW WHORES?

IF THAT�S THE BOOK ON YOU, IT�LL RUB OFF ON ME.

YOU�RE GETTING AHEAD OF YOURSELF. I�VE SEEN IT HAPPEN.

I WON�T LET IT GET THERE.

THE ONLY WAY IT WON�T IS BY YOU AND YOUR DAD GOING TO I. A. B.

THAT�S NOT GONNA HAPPEN. YOU�RE MAKING A BIG MISTAKE!

I APPRECIATE THE SUPPORT.

I AM TRYING TO KEEP YOU FROM WALKING OFF A CLIFF.

I DON�T REMEMBER ASKING FOR YOUR OPINION.

COME ON. WHERE ARE YOU GOING?

I THINK YOU GOT SOME THINKING TO DO,

AND I DON�T WANT MY OPINIONS MUDDYING THE WATER.

[ CHAIR SLAMS ]

THAT�S SILLY.

HI, CONNIE!

HEY, SWEETIE.

OKAY, WHY DON�T YOU GO BRUSH YOUR TEETH,

GET READY FOR BED, THEO?

I�LL KISS HELLO WHEN MY TEETH ARE CLEAN.

THAT�S...VERY CONSCIENTIOUS.

[ LAUGHS ]

THAT GAVE ME A LITTLE SCARE TODAY.

YEAH, ME TOO.

HOW FAR AWAY WERE YOU WHEN THAT KID GOT SHOT?

FAR ENOUGH.

IT REALLY SCARED ME.

YOU ALL RIGHT?

I WANT TO STAY THE NIGHT.

THAT�S WHAT THE BAG�S FOR?

I DON�T WANT TO GO HOME BY MYSELF TONIGHT.

I DON�T KNOW IF THEO�S READY FOR THAT.

WELL I?I THINK WE SHOULD TALK TO HIM ABOUT IT AND SEE.

UH, THEO?

THEO, COME HERE A SECOND.

CONNIE AND I WANT TO ASK YOU A QUESTION.

WHY DON�T YOU SIT DOWN OVER HERE, BUDDY?

OKAY. [ CLEARS THROAT ]

UH...

YOU SEE, WHEN PEOPLE ARE TOGETHER FOR A WHILE,

AND THEY CARE ABOUT EACH OTHER,

SOMETIMES THEY WANT TO SLEEP IN THE SAME BED.

WHY?

SO THEY CAN BE CLOSE AND TALK AND HUG.

AND WATCH TV?

YEAH, SURE.

AND, UH, YOU SEE, WELL... [ SIGHS ]

WE WANTED TO KNOW HOW YOU�D FEEL IF CONNIE SLEPT OVER WITH ME

ON THE PULLOUT.

LIKE A SLEEPOVER PARTY?

EXCEPT YOU�D SLEEP IN THERE AND US OUT HERE.

OKAY.

OKAY.

CAN I WATCH TV NOW?

YEAH, YEAH, FOR ABOUT 10 MINUTES.

NOT SO BAD.

I�LL CLEAR YOU SOME CLOSET SPACE.

NO, I�M FINE OUT OF THE BAG.

FOR NOW.

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