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1
00:00:23,023 --> 00:00:24,190
HI, ANDY.
2
00:00:24,224 --> 00:00:26,827
HEY. YOU'RE IN EARLY.
WHAT'S GOING ON?
3
00:00:26,860 --> 00:00:29,663
UH...
CAN WE TALK IN THERE?
4
00:00:29,696 --> 00:00:31,031
YEAH, SURE.
5
00:00:41,908 --> 00:00:44,210
THIS GOT SOMETHING TO DO
WITH YOUR TRANSFER?
6
00:00:44,244 --> 00:00:46,212
THE TRANSFER WAS GOING
TO TAKE TOO LONG,
7
00:00:46,246 --> 00:00:48,882
SO I'VE, UH, PUT IN
FOR LEAVE OF ABSENCE.
8
00:00:48,915 --> 00:00:51,051
AND THAT'S COME THROUGH.
9
00:00:51,084 --> 00:00:52,352
EFFECTIVE TOMORROW.
10
00:00:52,385 --> 00:00:54,521
BUT I'VE GOT SOME LOST TIME
BUILT UP,
11
00:00:54,555 --> 00:00:56,056
SO I'M TAKING THAT TODAY.
12
00:00:56,089 --> 00:00:57,891
ONE DAY?
13
00:00:57,924 --> 00:00:59,626
WHAT'S THE BIG RUSH?
14
00:00:59,660 --> 00:01:02,796
IT'S NOT THE ONE DAY.
IT'S...
15
00:01:02,829 --> 00:01:04,464
SAYING GOOD?BYE TO EVERYONE.
16
00:01:04,497 --> 00:01:07,601
LOOK AT ME. I'M STARTING
TO PUDDLE UP TALKING TO YOU.
17
00:01:07,634 --> 00:01:09,570
DANNY'S GOING TO TAKE IT BAD.
18
00:01:09,603 --> 00:01:12,405
THAT WAS A PART OF IT.
I?I WASN'T UP TO FACING HIM.
19
00:01:12,438 --> 00:01:14,074
I'LL TALK TO HIM.
20
00:01:14,107 --> 00:01:15,776
THANKS, ANDY.
21
00:01:18,011 --> 00:01:20,413
ANY IDEA...
22
00:01:20,446 --> 00:01:21,915
HOW LONG YOU'LL BE OUT?
23
00:01:21,948 --> 00:01:24,918
THE DEPARTMENT ALLOWS
FOR A YEAR PERSONAL LEAVE,
24
00:01:24,951 --> 00:01:28,088
BUT I'M TAKING IT
A DAY AT A TIME.
25
00:01:28,121 --> 00:01:31,592
WE'RE ALWAYS HERE
IF YOU NEED US.
26
00:01:31,625 --> 00:01:33,326
I'M HERE.
27
00:01:33,359 --> 00:01:36,563
TELL EVERYONE
I'LL CALL EACH OF THEM.
28
00:01:36,597 --> 00:01:38,799
NO PROBLEM.
29
00:01:40,767 --> 00:01:43,737
WHAT YOU MEANT TO BOBBY,
WHAT YOU MEAN TO ME ??
30
00:01:43,770 --> 00:01:46,272
I?I DON'T HAVE THE WORDS.
31
00:01:46,306 --> 00:01:48,274
DO WHAT YOU HAVE TO
TO BE HAPPY.
32
00:01:48,308 --> 00:01:50,911
I THINK I AM.
33
00:01:50,944 --> 00:01:52,646
YOU TAKE CARE OF YOURSELF.
34
00:01:52,679 --> 00:01:54,681
YOU TOO.
35
00:02:18,639 --> 00:02:20,541
LOST TIME, JOHN.
36
00:03:50,330 --> 00:03:53,233
NO, I?I DON'T KNOW
IF I CAN MAKE IT THERE
37
00:03:53,266 --> 00:03:55,068
BY 5:00 TONIGHT, KATIE.
38
00:03:55,101 --> 00:03:57,638
HOW MUCH IS THIS PLACE?
39
00:03:57,671 --> 00:03:58,772
IN MANHATTAN?
40
00:03:58,805 --> 00:04:00,874
WHAT IS IT, NEXT DOOR
TO A CRACK HOUSE?
41
00:04:00,907 --> 00:04:03,610
[ SIGHS ]
42
00:04:03,644 --> 00:04:04,945
YEAH, I KNOW.
43
00:04:04,978 --> 00:04:07,480
YOU TOLD ME THAT
THESE APARTMENTS GO FAST.
44
00:04:07,514 --> 00:04:08,982
I'LL LET YOU KNOW.
45
00:04:09,015 --> 00:04:11,985
HEY, ARE YOU STILL LOOKING
FOR A NEW PLACE?
46
00:04:12,018 --> 00:04:13,620
I GOT A GOOD DEAL
WHERE I'M LIVING.
47
00:04:13,654 --> 00:04:15,088
IF WE'RE GOING TO FIND
MORE SPACE,
48
00:04:15,121 --> 00:04:17,090
I'M GOING TO HAVE TO
GET A SECOND JOB
49
00:04:17,123 --> 00:04:18,424
OR WIN THE LOTTERY.
50
00:04:18,458 --> 00:04:21,127
YOU HEAR ANYTHING
ABOUT DIANE CALLING IN SICK?
51
00:04:24,531 --> 00:04:25,966
SHE'S NOT SICK.
52
00:04:25,999 --> 00:04:27,968
WELL, IT'S NOT LIKE HER
BEING LATE.
53
00:04:28,001 --> 00:04:29,636
IT'S GOING TO BE
ONE OF THOSE DAYS.
54
00:04:29,670 --> 00:04:30,904
JUST GOT TWO HOMICIDE CALLS.
55
00:04:30,937 --> 00:04:32,939
ONE'S IN AN APARTMENT,
AVENUE B,
56
00:04:32,973 --> 00:04:34,240
BETWEEN 2nd AND 3rd.
57
00:04:34,274 --> 00:04:36,076
THE OTHER'S RIGHT OUT
ON 9th STREET.
58
00:04:36,109 --> 00:04:37,911
HOW ABOUT ME AND ANDY
TAKE THE AVENUE B?
59
00:04:37,944 --> 00:04:38,979
OKAY.
60
00:04:39,012 --> 00:04:40,781
YOU AND BALDWIN.
61
00:04:40,814 --> 00:04:43,283
UH...
62
00:04:43,316 --> 00:04:46,152
BEING DIANE RUSSELL'S
ON A PERSONAL LEAVE OF ABSENCE
63
00:04:46,186 --> 00:04:47,654
AS OF TODAY,
64
00:04:47,688 --> 00:04:49,690
I GUESS CONNIE'S
WITHOUT A PARTNER,
65
00:04:49,723 --> 00:04:52,125
SO LET'S SAY TODAY
YOU GO WITH DANNY AND ANDY.
66
00:04:52,158 --> 00:04:53,860
RIGHT, BOSS.
67
00:04:53,894 --> 00:04:56,630
HEY, UH, DIANE'S ON LEAVE
AS OF TODAY FOR HOW LONG?
68
00:04:56,663 --> 00:04:58,865
I DON'T KNOW.
COULD BE AS MUCH AS A YEAR.
69
00:05:00,501 --> 00:05:03,469
GEE, I WOULD HAVE LIKED
TO SAY GOOD?BYE.
70
00:05:03,504 --> 00:05:05,438
I SAW HER THIS MORNING
WHEN SHE WAS SIGNING HER PAPERS.
71
00:05:05,471 --> 00:05:07,440
YOU TALKED TO HER?
72
00:05:07,473 --> 00:05:09,843
SHE SAID TO TELL EVERYBODY
SHE WAS GOING TO CALL.
73
00:05:13,914 --> 00:05:17,518
NO, THAT'S ABOUT ME ??
HER NOT WANTING TO SAY GOOD?BYE.
74
00:05:17,551 --> 00:05:20,453
MAYBE IT'S ABOUT HER HAVING
A TOUGH TIME LEAVING HERE.
75
00:05:20,486 --> 00:05:22,789
YEAH ?? A TOUGH TIME LEAVING,
A TOUGH TIME STAYING.
76
00:05:22,823 --> 00:05:24,858
SHE SHOULD HAVE LET ME
BE THE ONE TO GO.
77
00:05:24,891 --> 00:05:26,860
DANNY, ONE FOOT
IN FRONT OF THE OTHER.
78
00:05:28,261 --> 00:05:29,796
WE HEAD OUT?
79
00:05:29,830 --> 00:05:33,033
YEAH. COME ON.
80
00:05:59,125 --> 00:06:01,728
D.O.A. IS A SVETLANA CORSO.
81
00:06:01,762 --> 00:06:04,164
IT'S HER APARTMENT.
NO SIGN OF FORCED ENTRY.
82
00:06:04,197 --> 00:06:06,332
GUY OVER THERE
CALLED IT IN.
83
00:06:06,366 --> 00:06:08,869
SAID HE HAD AN APPOINTMENT
TO MEET HER.
84
00:06:10,571 --> 00:06:12,238
NO LIGATURE MARKS.
85
00:06:12,272 --> 00:06:15,241
LOOKS LIKE
MANUAL STRANGULATION.
86
00:06:15,275 --> 00:06:16,743
PRETTY GIRL.
87
00:06:16,777 --> 00:06:18,211
BROKEN FINGERNAILS.
88
00:06:18,244 --> 00:06:20,246
SHE PUT UP A FIGHT.
89
00:06:22,916 --> 00:06:25,519
HAVE CRIME SCENE
BAG HER HANDS.
90
00:06:25,552 --> 00:06:26,553
YOU CALLED 911?
91
00:06:26,587 --> 00:06:27,721
WHAT'S YOUR NAME?
92
00:06:27,754 --> 00:06:28,755
[ Russian accent ]
NIKOLAI KORSOV.
93
00:06:28,789 --> 00:06:30,390
YOU KNOW THIS GIRL?
94
00:06:30,423 --> 00:06:33,126
YES. LANA. SHE IS DANCER
AT TAILFEATHERS NIGHTCLUB.
95
00:06:33,159 --> 00:06:34,227
TOPLESS DANCER.
96
00:06:34,260 --> 00:06:35,762
SHE'D PREFER "EXOTIC."
97
00:06:35,796 --> 00:06:37,798
Connie: SO, NIKOLAI,
WHAT KIND OF APPOINTMENT WAS IT
98
00:06:37,831 --> 00:06:40,066
YOU AND LANA HAD
SO EARLY THIS MORNING?
99
00:06:40,100 --> 00:06:42,903
NOT LIKE YOU THINK.
SHE'S A NICE GIRL.
100
00:06:42,936 --> 00:06:45,371
NEVER MIND WHAT WE THINK.
WHY DON'T YOU TELL US?
101
00:06:45,405 --> 00:06:47,373
I RUN JEWELRY SHOP ??
FIRST AVENUE.
102
00:06:47,407 --> 00:06:49,209
LANA TAKE ON CONSIGNMENT,
103
00:06:49,242 --> 00:06:50,877
SELL TO GIRLS
WHERE SHE WORK ??
104
00:06:50,911 --> 00:06:52,946
EARRINGS, BRACELETS,
SEMIPRECIOUS STONES.
105
00:06:52,979 --> 00:06:55,248
ALSO, FOR CUSTOMERS
GIVE TO GIRLS.
106
00:06:55,281 --> 00:06:58,585
THAT'S HOW SHE MAKES MONEY.
NO NEED TO SELL BODY.
107
00:06:58,619 --> 00:07:00,787
SO SHE WASN'T HOOKING.
108
00:07:00,821 --> 00:07:02,923
YOU AND LANA EVER
GET TOGETHER ON THE HOUSE?
109
00:07:02,956 --> 00:07:04,124
MAYBE SHE WAS GRATEFUL ??
110
00:07:04,157 --> 00:07:06,059
YOU HELPING HER OUT,
TRUSTING HER WITH YOUR WARES.
111
00:07:06,092 --> 00:07:08,061
NOT TO SAY
I'M NOT INTERESTED.
112
00:07:08,094 --> 00:07:09,796
LANA COME TWO YEARS AGO
FROM RUSSIA,
113
00:07:09,830 --> 00:07:11,632
SAY SHE WANT TO MAKE MONEY
114
00:07:11,665 --> 00:07:15,769
BEFORE HER TITS SAG
AND ASS FALL.
115
00:07:15,802 --> 00:07:17,270
START CLOTHING SHOP.
116
00:07:17,303 --> 00:07:18,772
SHE'S AN EXCELLENT SEAMSTRESS.
117
00:07:18,805 --> 00:07:20,807
SO SHE'D DANCE AT CLUBS,
SELL JEWELS FOR ME ??
118
00:07:20,841 --> 00:07:22,976
LET'S GET BACK TO TODAY.
119
00:07:24,978 --> 00:07:28,481
TODAY I MEET HER HERE,
9:00.
120
00:07:28,515 --> 00:07:30,483
I KNOCK ON DOOR,
SHE DOESN'T ANSWER,
121
00:07:30,517 --> 00:07:33,086
BUT I COULD HEAR, INSIDE,
HER SPEAKING WITH MAN.
122
00:07:33,119 --> 00:07:35,689
SO YOU FIGURED
SHE WAS BLOWING YOU OFF.
123
00:07:35,722 --> 00:07:37,123
MAYBE.
SO I GO OUT AND CALL.
124
00:07:37,157 --> 00:07:39,459
I LEAVE MESSAGE ON MACHINE.
I AM UPSET.
125
00:07:39,492 --> 00:07:42,128
AND THEN I SEE TWO MEN
COME FROM BUILDING,
126
00:07:42,162 --> 00:07:43,597
AND ONE CARRIES A SAFE.
127
00:07:43,630 --> 00:07:44,598
A SAFE?
128
00:07:44,631 --> 00:07:47,300
SHE KEPT MONEY
AND JEWELS IN IT.
129
00:07:47,333 --> 00:07:49,936
SO AFTER YOU SAW THESE TWO,
WHAT DID YOU DO THEN?
130
00:07:49,970 --> 00:07:52,172
I AM UPSET.
I AM SCARED.
131
00:07:52,205 --> 00:07:54,307
I RIGHT AWAY CALL 911.
132
00:07:54,340 --> 00:07:56,342
POLICE COME,
I SHOW THEM APARTMENT.
133
00:07:56,376 --> 00:07:58,645
THEY OPEN DOOR,
SHE IS DEAD ON FLOOR.
134
00:07:58,679 --> 00:08:00,280
POOR LANA.
135
00:08:00,313 --> 00:08:02,382
GUESS YOU LOST
YOUR SALESGIRL, HUH?
136
00:08:02,415 --> 00:08:04,618
DO YOU THINK YOU COULD DESCRIBE
THESE TWO MEN YOU SAW?
137
00:08:04,651 --> 00:08:06,553
YES. BOTH WHITE.
138
00:08:06,587 --> 00:08:08,288
ONE I GET CLOSE LOOK.
139
00:08:08,321 --> 00:08:10,323
HANDSOME. DARK, THICK HAIR.
COULD BE ITALIAN.
140
00:08:10,356 --> 00:08:11,324
ITALIAN?
141
00:08:11,357 --> 00:08:12,492
ITALIAN.
142
00:08:12,526 --> 00:08:14,695
SO I GET BACK TO WORK NOW?
143
00:08:14,728 --> 00:08:17,531
GOT AN IDIOT WHO RUNS MY SHOP
WHILE I'M AWAY.
144
00:08:17,564 --> 00:08:19,533
WHY DON'T YOU GIVE US
YOUR NUMBER AT THE SHOP?
145
00:08:19,566 --> 00:08:21,234
WE'LL BE IN TOUCH.
146
00:08:40,353 --> 00:08:43,256
D.O.A.'s MARTIN SIMONS.
147
00:08:43,289 --> 00:08:45,058
WIFE SAYS MALE CAME UP
ON HIM FROM BEHIND,
148
00:08:45,091 --> 00:08:46,392
PUT THE OLD MAN
IN A CHOKE HOLD.
149
00:08:46,426 --> 00:08:50,196
PARAMEDICS SAY THE POOR GUY
HAD A HEART ATTACK.
150
00:08:50,230 --> 00:08:51,865
MRS. SIMONS?
151
00:08:51,898 --> 00:08:53,667
I'M DETECTIVE MEDAVOY.
152
00:08:53,700 --> 00:08:54,868
WHAT AM I GOING TO DO?
153
00:08:54,901 --> 00:08:56,903
CAN YOU TELL ME
WHAT HAPPENED?
154
00:08:56,937 --> 00:08:58,238
WE JUST CAME FROM THE BANK.
155
00:08:58,271 --> 00:09:01,508
MARTY CASHED HIS MONTHLY CHECK
FROM THE V. A.
156
00:09:01,542 --> 00:09:03,510
AND WE WERE WALKING BACK
TO OUR APARTMENT
157
00:09:03,544 --> 00:09:05,512
WHEN THIS THUG CAME UP
158
00:09:05,546 --> 00:09:08,181
AND GRABBED MARTY
AROUND THE NECK.
159
00:09:08,214 --> 00:09:09,583
THIS IS MY PARTNER
DETECTIVE JONES.
160
00:09:09,616 --> 00:09:11,451
HI.
161
00:09:11,484 --> 00:09:12,719
WHICH BANK WAS THAT?
162
00:09:12,753 --> 00:09:14,688
THE CITIZENS OF NEW YORK.
163
00:09:14,721 --> 00:09:17,758
MARTY LIKED TO TAKE OUT
A LITTLE CASH TO GIVE THE KIDS.
164
00:09:17,791 --> 00:09:20,561
THEY DON'T NEED THE MONEY,
BUT IT MADE MARTY FEEL GOOD.
165
00:09:20,594 --> 00:09:23,363
AND YOU THINK THIS GUY
FOLLOWED YOU FROM THE BANK?
166
00:09:23,396 --> 00:09:25,599
I DON'T KNOW. IT SEEMED LIKE
HE CAME OUT OF NOWHERE.
167
00:09:25,632 --> 00:09:27,801
DID YOU GET
A GOOD LOOK AT HIM?
168
00:09:27,834 --> 00:09:29,803
HE WAS BLACK.
HE WAS ABOUT 6 FEET.
169
00:09:29,836 --> 00:09:32,372
HE HAD THOSE LITTLE,
UH, BRAIDS.
170
00:09:32,405 --> 00:09:34,207
HE WAS YOUNG.
MAYBE 20?
171
00:09:34,240 --> 00:09:35,709
I GAVE HIM THE MONEY,
172
00:09:35,742 --> 00:09:38,078
BUT THEN MARTY DIDN'T WANT
TO GIVE UP HIS RING.
173
00:09:38,111 --> 00:09:39,580
HIS WEDDING RING?
174
00:09:39,613 --> 00:09:42,583
GOLD BATTALION RING
HE GOT FROM THE ARMY
175
00:09:42,616 --> 00:09:44,384
IN WORLD WAR II.
176
00:09:44,417 --> 00:09:47,888
HE WORE THAT RING EVERY DAY
FOR 56 YEARS.
177
00:09:47,921 --> 00:09:49,389
A SHELL CAME IN THE FOXHOLE.
178
00:09:49,422 --> 00:09:50,891
THEY CALLED IT A DUD,
179
00:09:50,924 --> 00:09:53,794
BUT IT BLEW 20 PIECES OF CASING
IN MARTY'S LEG.
180
00:09:53,827 --> 00:09:56,096
HE SAID, "CALM DOWN, OLD MAN.
181
00:09:56,129 --> 00:09:58,599
JUST GIVE ME THE RING
AND I WON'T HURT YOU."
182
00:09:58,632 --> 00:10:00,433
MARTY WOULDN'T GIVE IT TO HIM.
183
00:10:00,466 --> 00:10:02,235
HE GOT IT ANYWAY.
184
00:10:02,268 --> 00:10:05,405
AND THEN MARTY COLLAPSED
AND THE BOY RAN AWAY.
185
00:10:05,438 --> 00:10:09,409
THAT RING MEANT SO MUCH TO HIM.
186
00:10:09,442 --> 00:10:12,412
WE'D LIKE YOU TO COME
TO THE STATION HOUSE WITH US
187
00:10:12,445 --> 00:10:14,515
TO, UH,
LOOK AT SOME PICTURES.
188
00:10:14,548 --> 00:10:17,450
COULDN'T WE DO THAT LATER?
I JUST WANT TO GO HOME NOW.
189
00:10:17,483 --> 00:10:19,953
DO YOU HAVE ANYONE
THAT CAN STAY WITH YOU?
190
00:10:19,986 --> 00:10:21,454
MY DAUGHTER.
191
00:10:21,487 --> 00:10:26,326
SHE ?? HOW CAN I TELL HER
HER FATHER'S BEEN MURDERED?
192
00:10:26,359 --> 00:10:29,329
WE'LL SEE WHAT WE CAN DO
TO GET THAT RING BACK.
193
00:10:38,238 --> 00:10:42,075
[ DANCE MUSIC PLAYING ]
194
00:10:45,345 --> 00:10:46,813
IT'S NOT EVEN NOON.
195
00:10:46,847 --> 00:10:48,815
THESE MUTTS ARE ALREADY
SUCKING UP BEER,
196
00:10:48,849 --> 00:10:51,217
STICKING IN BILLS
WHERE THEY DON'T BELONG.
197
00:10:51,251 --> 00:10:52,686
IN MY DAY, I WAS GOOD
FOR A COUPLE OF SHOTS
198
00:10:52,719 --> 00:10:54,721
AND STICKING IN A FEW BILLS
BY NOON.
199
00:10:54,755 --> 00:10:56,322
LOOKING FOR THE OWNER.
200
00:10:56,356 --> 00:10:58,559
WHICH ONE?
JOE SHOMAN. CALL ME JOEY.
201
00:10:58,592 --> 00:11:00,727
ME AND MY PARTNER
OWN THE PLACE.
202
00:11:00,761 --> 00:11:01,895
CONGRATULATIONS.
203
00:11:01,928 --> 00:11:03,163
WHAT CAN I DO FOR YOU?
204
00:11:03,196 --> 00:11:04,230
LANA CORSO.
205
00:11:04,264 --> 00:11:05,832
UH, SHE DON'T WORK
TILL 8:00 TONIGHT,
206
00:11:05,866 --> 00:11:07,500
SO WHY DON'T YOU
COME BACK THEN?
207
00:11:07,534 --> 00:11:08,969
DRINKS ON THE HOUSE.
208
00:11:09,002 --> 00:11:11,071
WHEN WAS THE LAST TIME
YOU SAW HER?
209
00:11:11,104 --> 00:11:13,073
UH, LAST NIGHT.
SHE DANCED THE LATE SHIFT.
210
00:11:13,106 --> 00:11:14,340
WHY?
WHAT'S SHE DONE?
211
00:11:14,374 --> 00:11:15,709
SHE'S GOT HERSELF KILLED.
212
00:11:15,742 --> 00:11:17,811
OH, MY GOD.
213
00:11:17,844 --> 00:11:20,514
YOU GOT ANY IDEA
WHO'D WANT TO SEE HER DEAD?
214
00:11:20,547 --> 00:11:23,016
UH...NO.
215
00:11:23,049 --> 00:11:25,085
REALLY, I?I DON'T.
216
00:11:25,118 --> 00:11:27,854
DID YOU KNOW SHE WAS
SELLING JEWELS OUT OF YOUR CLUB?
217
00:11:27,888 --> 00:11:29,189
YEAH.
SHE DIDN'T HIDE IT.
218
00:11:29,222 --> 00:11:30,524
FIGURED IT WAS A SERVICE
FOR THE CUSTOMERS.
219
00:11:30,557 --> 00:11:32,058
AND YOU DIDN'T MAYBE
WANT A CUT?
220
00:11:32,092 --> 00:11:33,560
OH, IT WAS PENNY?ANTE.
221
00:11:33,594 --> 00:11:36,897
YOU THINK WE HAD HER WHACKED
BEHIND SELLING KNICKKNACKS?
222
00:11:36,930 --> 00:11:38,064
Connie: DID LANA
HAVE A BOYFRIEND?
223
00:11:38,098 --> 00:11:39,065
I WOULDN'T KNOW.
224
00:11:39,099 --> 00:11:40,567
HOW ABOUT
ANY SPECIAL CUSTOMERS ??
225
00:11:40,601 --> 00:11:42,235
ANYBODY WHO MIGHT HAVE
GOT JEALOUS?
226
00:11:42,268 --> 00:11:44,237
NOBODY FIXATED,
IF THAT'S WHAT YOU'RE ASKING.
227
00:11:44,270 --> 00:11:46,239
THE GIRLS PROBABLY KNOW MORE
ABOUT LANA'S PERSONAL LIFE
228
00:11:46,272 --> 00:11:47,708
THAN I DO.
229
00:11:47,741 --> 00:11:51,244
I'LL NEED A LIST OF PERSONNEL,
ON AND OFF THE BOOKS.
230
00:11:51,277 --> 00:11:52,979
ANYTHING YOU GUYS NEED.
231
00:11:56,917 --> 00:11:58,785
YOU ?? WHAT'S YOUR NAME?
232
00:11:58,819 --> 00:12:00,186
CHELSEA...
233
00:12:00,220 --> 00:12:01,688
LIKE CHELSEA CLINTON?
234
00:12:01,722 --> 00:12:03,690
WHAT CAN YOU TELL ME
ABOUT LANA CORSO?
235
00:12:03,724 --> 00:12:05,058
WHY?
236
00:12:05,091 --> 00:12:06,660
BECAUSE I ASKED YOU.
237
00:12:07,761 --> 00:12:10,230
DOES LANA HAVE A BOYFRIEND
YOU KNOW OF?
238
00:12:10,263 --> 00:12:12,899
I GUESS SHE WAS DATING
THIS ONE GUY ON AND OFF.
239
00:12:12,933 --> 00:12:14,267
THIS GUY GOT A NAME?
240
00:12:14,300 --> 00:12:15,969
MIKE GILLESPIE.
241
00:12:16,002 --> 00:12:18,471
HE'S A BOUNCER
OVER AT SLOANE'S.
242
00:12:18,505 --> 00:12:20,273
CAN I TALK TO YOU A MINUTE?
I'M A DETECTIVE.
243
00:12:20,306 --> 00:12:21,775
WHAT'S IT ABOUT?
244
00:12:21,808 --> 00:12:22,976
IT'S ABOUT LANA CORSO.
245
00:12:23,009 --> 00:12:24,978
OH, GOD. DID SOMETHING
HAPPEN TO HER?
246
00:12:25,011 --> 00:12:26,379
WHAT MAKES YOU THINK THAT?
247
00:12:26,412 --> 00:12:28,782
IS IT OKAY
IF WE SIT DOWN?
248
00:12:31,618 --> 00:12:33,086
SO, WHAT'S YOUR NAME?
249
00:12:33,119 --> 00:12:34,387
KRISTEN MOORE.
250
00:12:34,420 --> 00:12:36,456
SO WHAT HAPPENED TO LANA?
251
00:12:36,489 --> 00:12:39,392
SOMEONE STRANGLED HER
AT HER APARTMENT.
252
00:12:39,425 --> 00:12:41,394
SHE WAS, UM...
253
00:12:41,427 --> 00:12:44,064
MY BEST FRIEND IN NEW YORK.
254
00:12:44,097 --> 00:12:46,900
SHE WAS DIFFERENT
FROM THE OTHER GIRLS.
255
00:12:46,933 --> 00:12:48,902
ANY IDEA WHO MIGHT HAVE
WANTED HER DEAD?
256
00:12:48,935 --> 00:12:50,403
SO NICE TO EVERYONE.
257
00:12:50,436 --> 00:12:52,573
I?I CAN'T BELIEVE ANYONE
WOULD WANT TO KILL HER.
258
00:12:52,606 --> 00:12:54,575
YOU KNOW ANYTHING
ABOUT HER SELLING JEWELRY
259
00:12:54,608 --> 00:12:57,410
TO ANY GIRLS AT THE CLUB,
ANY CUSTOMERS?
260
00:12:57,443 --> 00:12:59,445
SURE. YOU THINK THAT'S
WHY SHE GOT KILLED?
261
00:12:59,479 --> 00:13:00,781
WE DON'T KNOW.
262
00:13:00,814 --> 00:13:03,584
SO, HOW LONG
YOU BEEN WORKING HERE?
263
00:13:03,617 --> 00:13:04,751
SIX MONTHS.
264
00:13:04,785 --> 00:13:06,620
WHAT CAN YOU TELL ME
ABOUT THE OWNERS?
265
00:13:06,653 --> 00:13:08,622
JOEY AND ED?
266
00:13:08,655 --> 00:13:10,490
THEY'RE NICE ENOUGH,
I GUESS.
267
00:13:10,524 --> 00:13:12,458
A PLACE LIKE THIS ??
268
00:13:12,492 --> 00:13:14,795
WE ALL KNOW IT'S HOOKED UP
WITH SOME CRIMINAL ACTIVITY.
269
00:13:14,828 --> 00:13:16,096
WE'RE NOT LOOKING
TO SHUT IT DOWN.
270
00:13:16,129 --> 00:13:18,098
WE'RE LOOKING TO FIND OUT
WHO KILLED YOUR FRIEND.
271
00:13:18,131 --> 00:13:20,100
I KEEP AWAY
FROM ALL THAT STUFF.
272
00:13:20,133 --> 00:13:21,267
LANA DID, TOO.
273
00:13:21,301 --> 00:13:23,003
WHAT ABOUT A BOYFRIEND?
274
00:13:23,036 --> 00:13:25,005
THERE WAS THIS ONE GUY,
UH, MIKE GILLESPIE.
275
00:13:25,038 --> 00:13:27,808
BUT I DON'T KNOW IF I'D EXACTLY
CALL HIM HER BOYFRIEND.
276
00:13:27,841 --> 00:13:29,142
HE WORKS OVER AT SLOANE'S.
277
00:13:29,175 --> 00:13:31,645
I DON'T THINK SHE'S SEEN HIM
IN A WHILE.
278
00:13:31,678 --> 00:13:33,647
OKAY, KRISTEN.
YOU BEEN A LOT OF HELP.
279
00:13:33,680 --> 00:13:35,682
YOU GOING TO BE HERE
IF WE NEED TO REACH YOU?
280
00:13:35,716 --> 00:13:39,986
I DON'T WORK TILL TONIGHT.
I JUST CAME BY FOR MY CHECK.
281
00:13:40,020 --> 00:13:41,454
I'M SCARED.
282
00:13:41,487 --> 00:13:43,456
LOOK, HERE'S MY CARD.
283
00:13:43,489 --> 00:13:46,159
YOU CALL ME
IF YOU NEED ANYTHING.
284
00:13:46,192 --> 00:13:48,194
GOD, THIS IS SO AWFUL.
285
00:14:03,544 --> 00:14:05,011
[ KNOCKS ON DOOR ]
286
00:14:05,045 --> 00:14:07,180
ON THAT D. O. A. MARTIN SIMONS,
287
00:14:07,213 --> 00:14:09,349
GREG AND I CHASED A PATTERN
OF STREET ROBBERIES.
288
00:14:09,382 --> 00:14:10,984
LOOKS LIKE ELDERLY
BEING FOLLOWED
289
00:14:11,017 --> 00:14:12,986
COMING OUT OF
THE CITIZENS BANK OF NEW YORK
290
00:14:13,019 --> 00:14:14,187
OVER ON 8th STREET,
291
00:14:14,220 --> 00:14:15,989
ESPECIALLY THE FIRST
OF THE MONTH LIKE TODAY.
292
00:14:16,022 --> 00:14:17,023
WHEN THEY GET
293
00:14:17,057 --> 00:14:18,358
THEIR SOCIAL SECURITY CHECKS
AND THE LIKE.
294
00:14:18,391 --> 00:14:20,527
OUR D. O. A.'s CHECK
WAS FROM THE V. A.
295
00:14:20,561 --> 00:14:22,863
BOTTOM FEEDERS.
TAKE YOUR GOVERNMENT CHECK,
296
00:14:22,896 --> 00:14:25,031
MAYBE YOU DON'T EAT
TILL THE NEXT ONE.
297
00:14:25,065 --> 00:14:27,200
EIGHT MUGGINGS PAST SIX WEEKS ??
298
00:14:27,233 --> 00:14:29,903
EACH ONE, BAD GUY CAME UP
FROM BEHIND, USED A CHOKEHOLD.
299
00:14:29,936 --> 00:14:31,838
THEY GET DESCRIPTIONS
FROM THE VICTIMS?
300
00:14:31,872 --> 00:14:34,374
BLACK MALE, 20s,
SOMETIMES 2 OF THEM.
301
00:14:34,407 --> 00:14:36,510
THAT'S PRETTY GENERAL.
302
00:14:36,543 --> 00:14:38,679
IN THIS CASE, THE D. O. A.'s WIFE
THINKS SHE COULD PROBABLY I. D.
303
00:14:38,712 --> 00:14:40,346
THE GUY WHO ATTACKED
HER HUSBAND.
304
00:14:40,380 --> 00:14:41,882
THE REASON NO ONE PUT THIS
TOGETHER BEFORE
305
00:14:41,915 --> 00:14:43,684
EVEN THOUGH ALL THE VICTIMS
CAME OUT OF THE SAME BANK ??
306
00:14:43,717 --> 00:14:45,719
THEY GOT TAKEN OFF
IN DIFFERENT LOCATIONS
307
00:14:45,752 --> 00:14:47,888
AND SOME REPORTS EVEN FELL OFF
INTO DIFFERENT PRECINCTS.
308
00:14:47,921 --> 00:14:49,355
GET WITH ANTI?CRIME.
309
00:14:49,389 --> 00:14:50,891
PUT SOME SPECIAL ATTENTION
THERE THE REST OF THE DAY.
310
00:14:50,924 --> 00:14:53,393
WE WERE THINKING MAYBE
SET UP ON THAT BANK OURSELVES.
311
00:14:53,426 --> 00:14:56,462
LET'S DO IT.
312
00:15:00,466 --> 00:15:02,569
THAT BAR SLOANE'S
THIS MIKE GILLESPIE WORKS AT ??
313
00:15:02,603 --> 00:15:03,804
THEY HAVEN'T HEARD FROM HIM.
314
00:15:03,837 --> 00:15:05,405
THERE'S STILL NO ANSWER
AT HIS PLACE.
315
00:15:05,438 --> 00:15:06,707
MAYBE WE SHOULD DROP BY.
316
00:15:06,740 --> 00:15:08,909
THIS GILLESPIE
WAS LANA'S BOYFRIEND.
317
00:15:08,942 --> 00:15:10,944
THEY HAD
A DISTANT RELATIONSHIP.
318
00:15:10,977 --> 00:15:12,979
PHONE DUMP DON'T SHOW
NO CALLS FROM HER PLACE
319
00:15:13,013 --> 00:15:14,380
TO OR FROM HIS PLACE.
320
00:15:14,414 --> 00:15:16,316
I RAN THE BOYFRIEND
MICHAEL GILLESPIE.
321
00:15:16,349 --> 00:15:18,652
CAME UP ONE COLLAR FOR DISCON,
ONE FOR ASSAULT.
322
00:15:18,685 --> 00:15:20,253
HE'S A BOUNCER.
323
00:15:20,286 --> 00:15:22,455
MAYBE BREAKING UP
A BAR BRAWL.
324
00:15:22,488 --> 00:15:24,958
YOU KNOW, I'LL TRY AND DIG UP
SOME BACKGROUND ON THE OWNERS.
325
00:15:24,991 --> 00:15:26,827
I'LL CALL OCCB AND SEE IF
THEY'VE GOT ANYTHING
326
00:15:26,860 --> 00:15:28,261
ON TIES TO THE MOB.
327
00:15:28,294 --> 00:15:29,963
I COULD TRY
THE STATE LIQUOR AUTHORITY.
328
00:15:29,996 --> 00:15:30,964
SOUNDS GOOD.
329
00:15:30,997 --> 00:15:32,766
DETECTIVE McDOWELL?
330
00:15:32,799 --> 00:15:34,968
DETECTIVE RUSSELL
ON LINE ONE.
331
00:15:37,170 --> 00:15:39,640
SHE SAID SHE WAS
GOING TO CALL PEOPLE.
332
00:15:41,207 --> 00:15:44,177
UM, MISS BUNIN.
333
00:15:44,210 --> 00:15:45,345
HELLO.
334
00:15:45,378 --> 00:15:46,446
OH, YOU REMEMBER ME.
335
00:15:46,479 --> 00:15:48,114
CYNTHIA, WHAT ARE YOU
DOING HERE?
336
00:15:48,148 --> 00:15:49,115
IS SOMETHING WRONG?
337
00:15:49,149 --> 00:15:51,451
NOTHING'S WRONG.
338
00:15:51,484 --> 00:15:54,020
IS THERE SOMEPLACE
WE CAN TALK?
339
00:15:54,054 --> 00:15:57,390
UH, SURE.
340
00:16:08,168 --> 00:16:09,503
WANT SOME COFFEE?
341
00:16:09,536 --> 00:16:12,472
UH, NO, THANKS.
I'LL GET TO THE POINT.
342
00:16:12,506 --> 00:16:14,440
OKAY.
343
00:16:14,474 --> 00:16:16,376
I DIDN'T LIKE HOW
WE LEFT THINGS.
344
00:16:16,409 --> 00:16:19,145
YEAH, I DIDN'T LIKE HOW
WE LEFT THINGS NEITHER.
345
00:16:19,179 --> 00:16:21,481
I CARE ABOUT YOU.
346
00:16:21,515 --> 00:16:24,050
I DIDN'T LIKE THE IDEA
OF YOU THINKING
347
00:16:24,084 --> 00:16:25,552
I WAS SELFISH
348
00:16:25,586 --> 00:16:27,453
OR DIDN'T UNDERSTAND
YOUR POINT OF VIEW.
349
00:16:27,487 --> 00:16:29,055
I WASN'T THINKING
ANY OF THAT.
350
00:16:29,089 --> 00:16:31,792
I KNOW YOUR LIFE
IS COMPLICATED.
351
00:16:31,825 --> 00:16:33,960
YOU'VE GOT
A 5?YEAR?OLD BOY.
352
00:16:33,994 --> 00:16:36,329
YOU'VE GOT A HISTORY.
353
00:16:36,362 --> 00:16:38,665
[ Sighs ] GOD, I'VE REHEARSED
ALL THIS IN MY MIND,
354
00:16:38,699 --> 00:16:40,500
AND NOW I'M NOT GETTING
ANY OF IT RIGHT.
355
00:16:40,534 --> 00:16:42,168
YOU'RE DOING FINE.
356
00:16:44,838 --> 00:16:47,574
I?I GUESS WHAT
I WANTED TO SAY
357
00:16:47,608 --> 00:16:49,676
IS THAT ME PUSHING YOU
LIKE I DID
358
00:16:49,710 --> 00:16:52,012
INTO MAKING SOME KIND
OF COMMITMENT
359
00:16:52,045 --> 00:16:53,514
BEFORE YOU WERE READY ??
360
00:16:53,547 --> 00:16:55,516
I DIDN'T GIVE YOU
ANY CHOICE.
361
00:16:55,549 --> 00:16:59,052
I FEEL LIKE I DROVE YOU AWAY,
AND THAT'S NOT WHAT I WANTED,
362
00:16:59,085 --> 00:17:01,588
AND IF THINGS EVER CHANGE,
AND YOU DECIDE
363
00:17:01,622 --> 00:17:04,691
MAYBE YOU AND I COULD HAVE
SOMETHING TOGETHER,
364
00:17:04,725 --> 00:17:06,927
NO PRESSURE,
NO CLOCK TICKING,
365
00:17:06,960 --> 00:17:09,429
AND NOT EVERYTHING GOING
BACK AND FORTH
366
00:17:09,462 --> 00:17:11,497
TO UNCLE EDDIE,
367
00:17:11,532 --> 00:17:14,701
PLEASE GIVE ME A CALL.
368
00:17:14,735 --> 00:17:16,737
CYNTHIA, UM,
369
00:17:16,770 --> 00:17:20,541
I THINK YOU SHOULD KNOW
I'M GETTING MARRIED.
370
00:17:20,574 --> 00:17:23,577
MARRIED?
371
00:17:23,610 --> 00:17:26,580
I?I DIDN'T EVEN KNOW
YOU WERE SEEING SOMEONE ELSE.
372
00:17:26,613 --> 00:17:28,949
I'M GETTING MARRIED
TO MY EX?WIFE ??
373
00:17:28,982 --> 00:17:30,450
MY EX?WIFE KATIE.
374
00:17:30,483 --> 00:17:32,085
I DIDN'T GET THE IMPRESSION
375
00:17:32,118 --> 00:17:34,555
YOU TWO WERE HEADING
IN THAT DIRECTION.
376
00:17:34,588 --> 00:17:37,558
WELL, I KNOW. WE HADN'T BEEN,
BUT IT'S GOOD FOR THEO,
377
00:17:37,591 --> 00:17:39,626
AND KATIE'S BEEN
TAKING CARE OF HIM
378
00:17:39,660 --> 00:17:42,128
EVER SINCE HIS MOM PASSED.
379
00:17:42,162 --> 00:17:45,532
ANDY, I HOPE YOU DON'T
TAKE THIS THE WRONG WAY,
380
00:17:45,566 --> 00:17:47,901
AND I'M ONLY GOING TO
SAY THIS
381
00:17:47,934 --> 00:17:50,236
BECAUSE I DO CARE
ABOUT YOU ??
382
00:17:50,270 --> 00:17:52,105
CYNTHIA ??
HEAR ME OUT.
383
00:17:52,138 --> 00:17:53,874
YOU'RE A GOOD MAN,
384
00:17:53,907 --> 00:17:57,477
AND I KNOW YOU LOVE
YOUR SON VERY MUCH,
385
00:17:57,511 --> 00:17:59,379
BUT I THINK YOU SHOULD
CONSIDER
386
00:17:59,412 --> 00:18:00,714
IF THIS IS GOOD FOR YOU,
387
00:18:00,747 --> 00:18:02,583
BECAUSE IF IT'S NOT
GOOD FOR YOU
388
00:18:02,616 --> 00:18:03,750
IN THE LONG RUN,
389
00:18:03,784 --> 00:18:05,586
IT ISN'T GOING TO
BE GOOD FOR THEO.
390
00:18:05,619 --> 00:18:08,154
WELL, THERE'S MORE TO IT
EVERY DIRECTION.
391
00:18:08,188 --> 00:18:10,456
KNOWING WHAT'S GOOD
AND WHAT'S NOT ??
392
00:18:10,490 --> 00:18:11,992
GOT TO BE CLAIRVOYANT.
393
00:18:12,025 --> 00:18:14,027
AMEN.
394
00:18:20,166 --> 00:18:22,135
I HOPE IT WORKS OUT
FOR YOU.
395
00:18:26,607 --> 00:18:28,408
UH, RIGHT, THANKS.
396
00:18:28,441 --> 00:18:30,110
HEY, CONNIE.
397
00:18:30,143 --> 00:18:32,579
OCCB SAYS THESE GUYS
AT TAILFEATHERS
398
00:18:32,613 --> 00:18:34,981
ARE HOOKED UP PRETTY GOOD
WITH THE GAMBINO CRIME FAMILY.
399
00:18:35,015 --> 00:18:36,416
SHOCKING
FOR A TOPLESS JOINT.
400
00:18:36,449 --> 00:18:37,751
YEAH, THE OWNERS ARE FRONTING
401
00:18:37,784 --> 00:18:39,252
FOR WISEGUYS
DOING BUSINESS OUT OF THERE ??
402
00:18:39,285 --> 00:18:40,621
DRUGS AND MONEY LAUNDERING.
403
00:18:40,654 --> 00:18:41,922
MANHATTAN D. A.'s OFFICE ??
404
00:18:41,955 --> 00:18:43,924
THEY HAD THE PLACE UP
FOR SIX MONTHS,
405
00:18:43,957 --> 00:18:45,458
BUT THEY COULDN'T GET
ANYTHING SOLID.
406
00:18:45,491 --> 00:18:46,993
APPARENTLY,
THEY'RE PRETTY SLICK.
407
00:18:47,027 --> 00:18:49,329
THINKING MAYBE THIS LANA
SOMEHOW GOT IN THE MIDDLE
408
00:18:49,362 --> 00:18:50,831
OF SOMETHING
SHE SHOULDN'T HAVE?
409
00:18:50,864 --> 00:18:53,767
IT'S POSSIBLE.
SO WHAT DID DIANE HAVE TO SAY?
410
00:18:53,800 --> 00:18:56,870
MOSTLY APOLOGIZED FOR NOT
SAYING GOOD?BYE IN PERSON.
411
00:18:56,903 --> 00:18:59,673
YEAH, DID SHE SAY ANYTHING
ABOUT HER FUTURE PLANS?
412
00:18:59,706 --> 00:19:01,942
NOTHING SPECIFIC.
413
00:19:01,975 --> 00:19:03,109
TAKE CARE, ANDY.
414
00:19:03,143 --> 00:19:04,678
YEAH, YOU, TOO.
415
00:19:06,913 --> 00:19:10,183
HEY, ANDY, BALDWIN AND ME
NEED YOUR HELP.
416
00:19:10,216 --> 00:19:12,986
WHAT ARE WE TALKING ABOUT?
I'M WORKING A HOMICIDE.
417
00:19:13,019 --> 00:19:15,221
GOT A PATTERN.
ELDERLY, ROBBED IN THE STREET
418
00:19:15,255 --> 00:19:16,957
FIRST OF THE MONTH
COMING OUT OF A BANK.
419
00:19:16,990 --> 00:19:18,324
ONE TODAY
TURNED UP D. O. A.
420
00:19:18,358 --> 00:19:20,493
I WANT TO PUT TOGETHER
A DECOY OPERATION.
421
00:19:20,527 --> 00:19:21,828
YOU WANT ME POSING
AS AN OLD MAN?
422
00:19:21,862 --> 00:19:23,296
WHAT'S WRONG WITH MEDAVOY?
423
00:19:23,329 --> 00:19:26,332
GREG'S ALREADY ON BOARD.
WORKS BEST WITH TWO, AND SAFER.
424
00:19:26,366 --> 00:19:28,969
IT'S THE FIRST OF THE MONTH.
425
00:19:29,002 --> 00:19:31,004
THAT'S A LIMITED WINDOW
OF OPPORTUNITY.
426
00:19:31,037 --> 00:19:33,740
HEY, GREAT.
427
00:19:36,677 --> 00:19:38,378
THIS I'D PAY TO SEE.
428
00:19:38,411 --> 00:19:39,746
PUT ME DOWN, TOO.
429
00:19:39,780 --> 00:19:43,149
LIEUTENANT, BUSY DAY.
430
00:19:43,183 --> 00:19:47,187
D.O.A., ALLEY OFF 4th STREET
BETWEEN B AND C.
431
00:19:47,220 --> 00:19:49,556
WHAT, SO CONNIE AND ME?
432
00:19:49,590 --> 00:19:50,724
RIGHT.
433
00:20:03,870 --> 00:20:06,573
COME ON, DANNY.
I'M SURE SHE'LL CALL YOU.
434
00:20:06,607 --> 00:20:10,410
YEAH, WELL, EITHER SHE WILL
OR SHE WON'T, I GUESS.
435
00:20:10,443 --> 00:20:11,411
SHE WILL.
436
00:20:11,444 --> 00:20:12,713
WHAT DO YOU GOT?
437
00:20:12,746 --> 00:20:14,548
BOTTLE PICKER FOUND HIM,
CALLED IT IN.
438
00:20:14,581 --> 00:20:16,382
NO WITNESSES CAME UP
AND SAID THEY SAW.
439
00:20:16,416 --> 00:20:18,619
ALL RIGHT, SO WE'RE NOT
TALKING GROUND BALL HERE.
440
00:20:18,652 --> 00:20:21,121
MAYBE SOMEONE WHO LIVES BACK
IN ONE OF THESE BUILDINGS
441
00:20:21,154 --> 00:20:22,122
HEARD SOMETHING.
442
00:20:22,155 --> 00:20:23,389
THANKS.
443
00:20:27,293 --> 00:20:29,262
LOOKS LIKE
TWO ENTRY WOUNDS ??
444
00:20:29,295 --> 00:20:31,932
ONE IN THE CHEST
AND ONE BACK OF THE HEAD.
445
00:20:31,965 --> 00:20:33,934
BIG HOLES.
FIGURE LARGE?CALIBER GUN.
446
00:20:33,967 --> 00:20:35,902
DON'T LOOK LIKE
HE'S DEAD THAT LONG.
447
00:20:35,936 --> 00:20:37,237
NOT A LOT OF BLOOD AROUND.
448
00:20:37,270 --> 00:20:39,239
NO, LOOKS LIKE HE'S SHOT
SOMEPLACE ELSE.
449
00:20:39,272 --> 00:20:41,407
DUMP JOB.
WE GOT A WALLET.
450
00:20:41,441 --> 00:20:46,880
MONEY'S STILL THERE,
SO IT WASN'T A ROBBERY.
451
00:20:46,913 --> 00:20:49,550
I.D. SAYS HE'S
MICHAEL GILLESPIE,
452
00:20:49,583 --> 00:20:51,084
1162 LUDLOW STREET.
453
00:20:51,117 --> 00:20:54,755
MICHAEL GILLESPIE,
AS IN LANA CORSO'S BOYFRIEND?
454
00:20:54,788 --> 00:20:55,889
LOOKS LIKE.
455
00:20:55,922 --> 00:20:58,491
I GUESS THAT'S WHY
HE WASN'T HOME
456
00:20:58,525 --> 00:21:01,394
AND NO ONE'S HEARD
FROM HIM AT WORK.
457
00:21:01,427 --> 00:21:02,896
SON OF A BITCH.
458
00:21:02,929 --> 00:21:04,931
WE GOT A MYSTERY HERE.
459
00:21:13,473 --> 00:21:17,744
WE APPRECIATE YOU
HELPING OUT, ANDY.
460
00:21:17,778 --> 00:21:18,912
YEAH.
461
00:21:18,945 --> 00:21:21,247
I GOT TO SAY,
THOSE STREET CRIME GUYS
462
00:21:21,281 --> 00:21:23,116
DID ONE HELL OF A JOB
ON ME.
463
00:21:23,149 --> 00:21:25,752
ARE YOU SAYING THEY DID
A LOUSY JOB ON ME?
464
00:21:25,786 --> 00:21:27,187
NAH, BUT YOU GOT TO ADMIT,
465
00:21:27,220 --> 00:21:29,656
WITH YOU THEY DIDN'T
HAVE TO DO THAT MUCH.
466
00:21:29,690 --> 00:21:31,825
YOU THINK YOU LOOK YOUNGER
THAN I DO
467
00:21:31,858 --> 00:21:33,994
'CAUSE OF THAT CARROT TOP
YOU DIP IN PAINT
468
00:21:34,027 --> 00:21:35,195
TWICE A MONTH?
469
00:21:35,228 --> 00:21:37,463
WHAT ARE YOU TALKING ABOUT?
I DON'T DYE MY HAIR.
470
00:21:37,497 --> 00:21:39,299
YEAH, OKAY, MEDAVOY,
WHATEVER YOU SAY.
471
00:21:39,332 --> 00:21:40,433
ONLY DO ME A FAVOR, HUH?
472
00:21:40,466 --> 00:21:42,302
YOU'RE GOING TO KEEP
YOUR HAIR THAT RED,
473
00:21:42,335 --> 00:21:44,337
YOU GOT TO TALK
WITH AN IRISH BROGUE
474
00:21:44,370 --> 00:21:45,471
LIKE THAT LEPRECHAUN
475
00:21:45,506 --> 00:21:47,473
WITH THE MARSHMALLOW CEREAL
ON TV.
476
00:21:47,508 --> 00:21:51,477
OKAY, LET'S NOT SAY ANYTHING
MORE WE MIGHT REGRET.
477
00:21:51,512 --> 00:21:54,347
AHEM. STILL NO ONE
LOOKS LIKE YOUR GUY.
478
00:21:54,380 --> 00:21:57,317
YEAH. WE COULD BE HERE
A WHILE.
479
00:21:57,350 --> 00:21:58,652
AT LEAST YOU GET TO SIT.
480
00:21:58,685 --> 00:22:01,021
A SPECIAL PREVIEW
OF MY GOLDEN YEARS,
481
00:22:01,054 --> 00:22:04,157
PARADING IN AND OUT OF HERE
LIKE THE SUNSHINE BOYS,
482
00:22:04,190 --> 00:22:05,559
WAITING TO GET MUGGED.
483
00:22:05,592 --> 00:22:08,061
WHAT DO YOU SAY
WE GET BACK IN LINE?
484
00:22:08,094 --> 00:22:09,563
YEAH, COME ON.
485
00:22:09,596 --> 00:22:12,098
GIVE ME A PUSH THERE,
SONNY BOY.
486
00:22:17,604 --> 00:22:19,239
Woman: NEXT IN LINE, PLEASE.
487
00:22:23,777 --> 00:22:26,179
HELLO THERE.
488
00:22:28,882 --> 00:22:30,717
SEE YOU NEXT MONTH.
489
00:22:30,751 --> 00:22:32,085
HAVE A NICE DAY.
490
00:22:32,118 --> 00:22:33,086
AHEM.
491
00:22:33,119 --> 00:22:34,120
Got it.
492
00:22:45,532 --> 00:22:47,568
WE GOT COMPANY.
493
00:22:47,601 --> 00:22:49,536
EASY, MEDAVOY.
494
00:22:49,570 --> 00:22:51,037
NICE AND SLOW.
495
00:22:51,071 --> 00:22:52,739
HEY, YO, POPS,
WAIT UP.
496
00:22:52,773 --> 00:22:54,174
PLEASE DON'T HURT US.
WHAT? WHAT? WHAT?
497
00:22:54,207 --> 00:22:55,776
DO WHAT YOU'RE TOLD,
MAYBE YOU WON'T GET HURT.
498
00:22:55,809 --> 00:22:58,211
WHAT DO YOU WANT?
WHAT YOU THINK WE WANT?
499
00:22:58,244 --> 00:22:59,780
LET'S SEE THE MONEY
YOU GOT OUT THE BANK.
500
00:22:59,813 --> 00:23:01,882
OKAY, OLD MAN,
GOVERNMENT CHECK DAY.
501
00:23:01,915 --> 00:23:03,784
I SAW YOU TAKE THE CASH
OUT THE BANK,
502
00:23:03,817 --> 00:23:05,552
SO DON'T BE PLAYING DUMB
WITH US.
503
00:23:05,586 --> 00:23:07,921
NO, WE WOULDN'T DO THAT.
ANDY, GIVE THEM THE MONEY.
504
00:23:07,954 --> 00:23:09,556
HERE'S YOUR MONEY,
ASSHOLE.
505
00:23:12,258 --> 00:23:14,895
HOLD IT RIGHT THERE!
506
00:23:20,400 --> 00:23:22,736
AAH!
YOU DON'T GOT TO DO THAT!
507
00:23:22,769 --> 00:23:24,104
TAKE IT EASY, MY MAN.
508
00:23:24,137 --> 00:23:27,107
WHO'S THE OLD MAN NOW,
HUH, SCUMBAG?
509
00:23:43,289 --> 00:23:46,627
HEY, WE PUT RASHON AND MICHAEL
IN SEPARATE ROOMS.
510
00:23:46,660 --> 00:23:48,228
AND MRS. SIMONS IS COMING UP
FOR THE LINEUP.
511
00:23:48,261 --> 00:23:49,930
UH, DETECTIVE MEDAVOY?
512
00:23:49,963 --> 00:23:52,098
DETECTIVE RUSSELL
CALLED FOR YOU.
513
00:23:52,132 --> 00:23:53,166
OH, THANKS.
514
00:23:56,169 --> 00:23:58,138
DID YOU TALK TO HER?
515
00:23:58,171 --> 00:23:59,272
AHEM. NO.
516
00:23:59,305 --> 00:24:01,341
SHE'LL CALL.
517
00:24:01,374 --> 00:24:04,444
AHEM. SO, UM,
THAT D. O. A. IN THE ALLEY ??
518
00:24:04,477 --> 00:24:06,179
THAT WAS MIKE GILLESPIE.
519
00:24:06,212 --> 00:24:09,482
MIKE GILLESPIE, AS IN
LANA CORSO'S BOYFRIEND?
520
00:24:09,516 --> 00:24:10,751
ONE AND THE SAME.
521
00:24:10,784 --> 00:24:11,918
YOU GET ANYTHING
OUT OF IT?
522
00:24:11,952 --> 00:24:13,820
DUMP JOB. NO WITNESSES.
523
00:24:15,556 --> 00:24:17,090
MAY I HELP YOU?
524
00:24:17,123 --> 00:24:19,693
UH, DETECTIVE SORENSON?
525
00:24:19,726 --> 00:24:22,295
KRISTEN, HI. THIS IS
MY PARTNER ANDY SIPOWICZ.
526
00:24:22,328 --> 00:24:24,631
I HEARD
MIKE GILLESPIE'S DEAD.
527
00:24:24,665 --> 00:24:28,201
UH, WHY DON'T WE GO TALK
ABOUT IT IN HERE?
528
00:24:28,234 --> 00:24:32,839
GUESS NEWS TRAVELS FAST
IN THE TITTY BAR GRAPEVINE.
529
00:24:35,408 --> 00:24:36,777
RIGHT THERE.
530
00:24:36,810 --> 00:24:40,180
DETECTIVE McDOWELL,
KRISTEN MOORE.
531
00:24:40,213 --> 00:24:41,548
HI, KRISTEN.
532
00:24:41,582 --> 00:24:43,884
HEY, HAVE A SEAT.
533
00:24:43,917 --> 00:24:45,952
GET YOU SOMETHING TO DRINK?
534
00:24:45,986 --> 00:24:48,889
NO, THANK YOU.
535
00:24:48,922 --> 00:24:51,658
I DIDN'T TELL YOU
EVERYTHING BEFORE,
536
00:24:51,692 --> 00:24:53,493
BUT I WAS SCARED.
537
00:24:53,527 --> 00:24:54,661
I'M SORRY.
538
00:24:54,695 --> 00:24:57,230
IT'S OKAY. TELL US NOW.
539
00:24:57,263 --> 00:25:00,567
I JUST CAN'T HELP THINKING
IF I'D SAID SOMETHING,
540
00:25:00,601 --> 00:25:03,303
MAYBE LANA WOULDN'T
BE DEAD...OR MIKE.
541
00:25:03,336 --> 00:25:04,638
SAID SOMETHING ABOUT WHAT?
542
00:25:04,671 --> 00:25:06,507
WELL, I DIDN'T WANT
TO LOSE MY JOB.
543
00:25:06,540 --> 00:25:08,408
NO ONE LIKES IT
IF YOU TALK TOO MUCH,
544
00:25:08,441 --> 00:25:10,310
AND SINCE MY MOM DIED,
WE'RE ALONE.
545
00:25:10,343 --> 00:25:12,245
I'M PUTTING MY BROTHER
THROUGH SCHOOL,
546
00:25:12,278 --> 00:25:13,647
AND DANCING AT THE CLUB ??
547
00:25:13,680 --> 00:25:15,849
I COULDN'T MAKE THAT KIND
OF MONEY ANYPLACE ELSE.
548
00:25:15,882 --> 00:25:18,652
KRISTEN,
WHAT ARE WE TALKING ABOUT?
549
00:25:18,685 --> 00:25:22,255
FRANK RUSSO,
550
00:25:22,288 --> 00:25:23,890
THE NIGHT BAR MAN
AT THE CLUB ??
551
00:25:23,924 --> 00:25:25,258
HE'S ALWAYS
HITTING ON ME.
552
00:25:25,291 --> 00:25:26,660
THE LAST COUPLE OF WEEKS,
553
00:25:26,693 --> 00:25:28,862
HE'S GOT ALL THESE QUESTIONS
ABOUT LANA.
554
00:25:28,895 --> 00:25:30,096
WHAT KIND OF QUESTIONS?
555
00:25:30,130 --> 00:25:33,033
LIKE DOES SHE GO
TO THE GYM EVERY DAY,
556
00:25:33,066 --> 00:25:34,601
HOW MUCH MONEY
DO I THINK SHE'S MADE
557
00:25:34,635 --> 00:25:36,002
OFF SELLING JEWELRY,
558
00:25:36,036 --> 00:25:38,271
DOES SHE KEEP THE STUFF
SHE SELLS AT HER PLACE?
559
00:25:38,304 --> 00:25:40,340
WE GOT
THE PERSONNEL RECORDS.
560
00:25:40,373 --> 00:25:42,843
LET ME GO RUN THIS GUY
IN THE COMPUTER.
561
00:25:42,876 --> 00:25:43,844
EXCUSE ME.
562
00:25:43,877 --> 00:25:45,211
YOU THINK HE'S INVOLVED?
563
00:25:45,245 --> 00:25:48,014
FIRST, I THOUGHT MAYBE
HE'S HOT FOR HER.
564
00:25:48,048 --> 00:25:50,884
THEN ONE NIGHT,
MIKE COMES IN THE CLUB,
565
00:25:50,917 --> 00:25:52,519
AND LANA
WASN'T EVEN DANCING.
566
00:25:52,553 --> 00:25:54,287
I SAW FRANK AND HIM
TALKING.
567
00:25:54,320 --> 00:25:55,689
DID YOU HEAR
WHAT THEY WERE SAYING?
568
00:25:55,722 --> 00:25:58,792
NOW I'M LIKE, MAYBE IT WAS
FRANK WHO KILLED LANA,
569
00:25:58,825 --> 00:26:01,094
AND HE KILLED MIKE
TO SHUT HIM UP.
570
00:26:01,127 --> 00:26:03,564
FRANK ??
HE'S PRETTY TWISTED.
571
00:26:03,597 --> 00:26:05,632
WHAT IF HE THINKS
I KNOW SOMETHING?
572
00:26:05,666 --> 00:26:07,768
WHAT SHOULD I DO?
573
00:26:07,801 --> 00:26:10,136
IT'S GOING TO BE OKAY,
KRISTEN.
574
00:26:10,170 --> 00:26:12,973
YOU DID THE RIGHT THING
BY COMING IN.
575
00:26:13,006 --> 00:26:15,275
I JUST FEEL SO BAD
ABOUT LANA.
576
00:26:15,308 --> 00:26:17,944
AHEM.
577
00:26:20,814 --> 00:26:22,949
WE'LL BE RIGHT BACK.
578
00:26:26,186 --> 00:26:28,589
I SAY WE WIRE HER UP. THIS
RUSSO'S GOT A THING FOR HER,
579
00:26:28,622 --> 00:26:29,990
MAYBE SHE GETS HIM TO TALK.
580
00:26:30,023 --> 00:26:31,424
WHAT, USE HER AS BAIT?
581
00:26:31,457 --> 00:26:33,760
YOU CAN SEE SHE'S ALREADY SCARED
HALF TO DEATH OF THIS ASSHOLE.
582
00:26:33,794 --> 00:26:35,962
AND THIS ASSHOLE COULD HAVE
KILLED TWO PEOPLE.
583
00:26:35,996 --> 00:26:37,430
WE GET THIS GUY
OFF THE STREET,
584
00:26:37,463 --> 00:26:39,800
THE GIRL IN THERE'S SAFE,
AND HE CAN'T KILL ANYONE ELSE.
585
00:26:39,833 --> 00:26:42,435
FRANK RUSSO ?? ONE PREVIOUS
COLLAR FOR BAD CHECKS.
586
00:26:42,468 --> 00:26:44,771
LET'S GET A PHOTO ARRAY
WITH THIS
587
00:26:44,805 --> 00:26:46,840
AND A PICTURE OF GILLESPIE
OVER TO THAT JEWELER,
588
00:26:46,873 --> 00:26:48,008
SEE IF HE PICKS HIM OUT
AS WHO WE SAW
589
00:26:48,041 --> 00:26:49,943
LEAVING LANA'S PLACE
THIS MORNING.
590
00:26:49,976 --> 00:26:51,277
CLUB'S HARD TO CONTROL.
591
00:26:51,311 --> 00:26:53,479
MAYBE WE COULD SET UP
IN HER APARTMENT.
592
00:26:53,514 --> 00:26:55,481
I'LL CALL
THE D. A.'s OFFICE.
593
00:27:03,524 --> 00:27:06,026
SO, I GET FRANK
TO COME IN MY PLACE
594
00:27:06,059 --> 00:27:07,761
AND SEE IF I CAN GET HIM
595
00:27:07,794 --> 00:27:10,330
TALKING ABOUT
WHAT HAPPENED TO LANA.
596
00:27:10,363 --> 00:27:11,532
THAT'S THE IDEA.
597
00:27:11,565 --> 00:27:13,767
MAYBE GET HIM TO THINK
YOU'RE GOING TO TAKE OVER
598
00:27:13,800 --> 00:27:15,536
SELLING JEWELS, AND OFFER HIM
A PIECE OF THE ACTION.
599
00:27:15,569 --> 00:27:16,803
PLAY UP TO HIM.
600
00:27:16,837 --> 00:27:18,805
I THINK I CAN GET HIM
TO SAY SOMETHING.
601
00:27:18,839 --> 00:27:20,807
HE'S NOT REALLY SO SMART.
602
00:27:20,841 --> 00:27:23,209
WELL, YOU DON'T HAVE TO GET HIM
TO SAY HE KILLED HER.
603
00:27:23,243 --> 00:27:25,211
ALL WE NEED IS
SOME CORROBORATION
604
00:27:25,245 --> 00:27:26,647
HE WAS THERE THIS MORNING.
605
00:27:26,680 --> 00:27:28,549
AND YOU THINK I'LL BE
SAFE IN THERE?
606
00:27:28,582 --> 00:27:31,818
WE'D BE SET UP NEARBY WATCHING
THE WHOLE THING ON VIDEO,
607
00:27:31,852 --> 00:27:34,054
SO IF HE TRIES ANYTHING,
WE CAN COME RIGHT IN.
608
00:27:34,087 --> 00:27:35,155
AS SOON AS YOU GET HIM IN THERE,
609
00:27:35,188 --> 00:27:36,557
WE'LL HAVE COPS
RIGHT OUTSIDE YOUR DOOR.
610
00:27:36,590 --> 00:27:37,958
AND THE REASON
WE'RE SUGGESTING
611
00:27:37,991 --> 00:27:39,626
YOUR APARTMENT IS
IF YOU GIVE PERMISSION
612
00:27:39,660 --> 00:27:41,327
FOR A VIDEO CAMERA,
THEN THE OTHER PERSON
613
00:27:41,361 --> 00:27:44,665
DOESN'T NEED TO KNOW
THEY'RE BEING FILMED.
614
00:27:44,698 --> 00:27:45,832
I UNDERSTAND.
615
00:27:45,866 --> 00:27:47,834
KRISTEN, IF YOU'RE
NOT UP FOR THIS,
616
00:27:47,868 --> 00:27:49,570
NOW'S THE TIME
TO SAY SO.
617
00:27:49,603 --> 00:27:52,673
WELL, I'M NOT SAYING
THAT I'M NOT SCARED,
618
00:27:52,706 --> 00:27:55,175
BUT I WANT TO DO THIS
FOR LANA.
619
00:27:55,208 --> 00:27:56,409
OKAY, THEN.
620
00:27:56,442 --> 00:27:59,012
ALSO, IF I COULD
HELP YOU ARREST HIM,
621
00:27:59,045 --> 00:28:00,814
I DON'T HAVE TO WORRY
ANYMORE
622
00:28:00,847 --> 00:28:03,684
ABOUT HIM DOING
SOMETHING BAD TO ME.
623
00:28:03,717 --> 00:28:07,888
DID I MISS HIM?
WAS HE IN THERE?
624
00:28:07,921 --> 00:28:10,824
MRS. SIMONS, DON'T BE CONCERNED
YOU DIDN'T RECOGNIZE
625
00:28:10,857 --> 00:28:12,993
ANYONE THAT TIME.
626
00:28:13,026 --> 00:28:14,528
MAYBE IN THE NEXT BUNCH.
627
00:28:14,561 --> 00:28:16,863
SO THE MAN WHO KILLED
MY HUSBAND ??
628
00:28:16,897 --> 00:28:18,364
HE COULD BE IN THIS ONE?
629
00:28:18,398 --> 00:28:19,666
WE DON'T KNOW THAT.
630
00:28:19,700 --> 00:28:22,903
MRS. SIMONS,
A. D. A. VALERIE HAYWARD.
631
00:28:22,936 --> 00:28:24,070
YOU READY?
632
00:28:24,104 --> 00:28:27,440
TELL US IF YOU RECOGNIZE
ANYONE.
633
00:28:30,376 --> 00:28:33,814
DO YOU RECOGNIZE ANYONE?
634
00:28:35,115 --> 00:28:36,717
NUMBER FOUR.
635
00:28:36,750 --> 00:28:38,852
WHERE DO YOU RECOGNIZE HIM
FROM?
636
00:28:38,885 --> 00:28:41,421
HE'S THE BOY WHO ATTACKED US
THIS MORNING.
637
00:28:41,454 --> 00:28:43,389
HE'S WHO TOOK MARTY'S RING
638
00:28:43,423 --> 00:28:45,325
AND MURDERED HIM.
639
00:28:49,329 --> 00:28:52,432
OKAY, MRS. SIMONS,
THAT'S A BIG HELP.
640
00:29:02,909 --> 00:29:05,378
BEFORE Y'ALL START UP,
LET ME JUST SAY,
641
00:29:05,411 --> 00:29:07,213
MY COUSIN OMAR ??
HE'S A LAWYER.
642
00:29:07,247 --> 00:29:10,917
HEY, THAT'S GOOD FOR OMAR.
BET HIS MAMA'S PROUD.
643
00:29:10,951 --> 00:29:12,986
GUESS GOOD THING WE GAVE
MICHAEL HERE HIS RIGHTS
644
00:29:13,019 --> 00:29:14,454
IN THE CAR ON THE WAY OVER.
645
00:29:14,487 --> 00:29:16,222
YEAH, OMAR WOULD CATCH US
ON THAT FOR SURE.
646
00:29:16,256 --> 00:29:17,591
YO, IT'S YOUR CALL,
MICHAEL.
647
00:29:17,624 --> 00:29:19,059
YOU WANT TO PHONE OMAR
OR HEAR US OUT?
648
00:29:19,092 --> 00:29:20,594
CAN I ASK YOU SOMETHING
FIRST?
649
00:29:20,627 --> 00:29:22,395
LIKE WHAT?
650
00:29:22,428 --> 00:29:24,264
LOOK, WHAT YOU HAD ME
STAND IN A LINEUP FOR
651
00:29:24,297 --> 00:29:26,099
WHEN THREE DAMN COPS
ALREADY GOING TO SAY
652
00:29:26,132 --> 00:29:27,634
I TRIED TO ROB THEM?
653
00:29:27,668 --> 00:29:29,402
SEE THAT?
MICHAEL'S SMART, TOO.
654
00:29:29,435 --> 00:29:31,437
YOU SHOULD BE MORE
LIKE YOUR COUSIN,
655
00:29:31,471 --> 00:29:32,773
PUT THAT MIND
TO BETTER USE.
656
00:29:32,806 --> 00:29:34,274
WHERE WERE YOU
THIS MORNING, MICHAEL?
657
00:29:34,307 --> 00:29:35,609
MY OLD LADY LULU'S.
658
00:29:35,642 --> 00:29:37,310
WE WAS OUT
PARTYING LAST NIGHT.
659
00:29:37,343 --> 00:29:39,145
THIS MORNING
WE WAS HUNG OVER,
660
00:29:39,179 --> 00:29:40,313
SO WE STAYED IN BED.
661
00:29:40,346 --> 00:29:42,448
SO YOU'RE SAYING
THAT LULU CAN VOUCH
662
00:29:42,482 --> 00:29:43,617
FOR YOUR WHEREABOUTS.
663
00:29:43,650 --> 00:29:45,018
GIVE ME A PHONE.
664
00:29:46,820 --> 00:29:48,789
WHAT'S SO DAMN FUNNY?
665
00:29:48,822 --> 00:29:50,991
YOU KNOW, SEE,
IN THAT LINEUP,
666
00:29:51,024 --> 00:29:52,292
A WITNESS JUST NOW
PICKED YOU OUT
667
00:29:52,325 --> 00:29:53,994
ROBBING AN OLD MAN
THIS MORNING
668
00:29:54,027 --> 00:29:55,428
YOU FOLLOWED OUT
OF THAT SAME BANK.
669
00:29:55,461 --> 00:29:57,864
YOU KNOW THAT'S WHY WE PUT YOU
IN THAT LINEUP, MICHAEL.
670
00:29:57,898 --> 00:29:59,966
WE JUST WANTED TO MAKE SURE
WHAT YOU ALREADY KNOW.
671
00:30:00,000 --> 00:30:00,967
I AIN'T SAYING I DID.
672
00:30:01,001 --> 00:30:02,503
WE KNOW IT WAS YOU,
MICHAEL.
673
00:30:02,536 --> 00:30:03,637
WE GOT WITNESSES.
674
00:30:03,670 --> 00:30:05,772
IT'S THE SAME PATTERN WE
CAUGHT YOU OFF JUST NOW,
675
00:30:05,806 --> 00:30:06,940
SO DON'T BE LYING TO US.
676
00:30:06,973 --> 00:30:09,843
THE THING IS,
THAT OLD GUY'S WIFE ??
677
00:30:09,876 --> 00:30:12,613
SHE'S BEEN BUGGING US
IF WE FOUND WHO ROBBED HIM,
678
00:30:12,646 --> 00:30:14,815
ABOUT A RING THAT GOT TAKEN.
679
00:30:14,848 --> 00:30:17,117
YOU HELPED US,
GIVING US A HEADS?UP
680
00:30:17,150 --> 00:30:18,652
WHAT YOU DID WITH THAT RING,
681
00:30:18,685 --> 00:30:21,187
WE COULD GET YOU
SOME CONSIDERATION.
682
00:30:21,221 --> 00:30:23,223
HELPING YOU FIND THIS RING,
683
00:30:23,256 --> 00:30:25,559
THAT WOULD HELP ME OUT?
684
00:30:25,592 --> 00:30:29,162
ALL RIGHT. I GOT IT.
685
00:30:29,195 --> 00:30:31,164
WHERE?
686
00:30:31,197 --> 00:30:33,667
TOP DRAWER,
DRESSER IN MY APARTMENT.
687
00:30:33,700 --> 00:30:36,236
WRITE DOWN THE ADDRESS.
688
00:30:38,872 --> 00:30:41,241
THIS GOING TO GIVE ME
SOME CONSIDERATION?
689
00:30:41,274 --> 00:30:43,710
WE'LL DEFINITELY TELL THE D.A.
YOU WERE COOPERATIVE.
690
00:30:49,049 --> 00:30:52,185
SEE, THE ONLY PROBLEM IS,
MICHAEL, THAT OLD MAN DIED.
691
00:30:52,218 --> 00:30:55,188
AS FAR AS THE LAW'S CONCERNED,
THAT MEANS YOU KILLED HIM.
692
00:30:55,221 --> 00:30:58,058
YOU'RE TELLING ME
THAT OLD MAN DIED?
693
00:31:00,561 --> 00:31:02,095
TOUGH LUCK,
HUH, MICHAEL?
694
00:31:02,128 --> 00:31:05,198
MAN, I DIDN'T EVEN WANT
TO HURT THAT DUDE.
695
00:31:05,231 --> 00:31:07,467
WHY DIDN'T HE JUST
GIVE UP THE DAMN RING?
696
00:31:19,245 --> 00:31:21,281
SO RUSSO TOLD KRISTEN
TO BE HERE
697
00:31:21,314 --> 00:31:24,050
OVER 20 MINUTES AGO.
698
00:31:24,084 --> 00:31:25,986
[ DOORBELL BUZZES ]
HERE WE GO.
699
00:31:30,223 --> 00:31:31,191
HI.
700
00:31:31,224 --> 00:31:32,258
HEY.
701
00:31:34,127 --> 00:31:35,729
TAKE OFF YOUR COAT.
702
00:31:38,932 --> 00:31:41,401
IT WAS A NICE SURPRISE,
YOU INVITING ME OVER.
703
00:31:41,434 --> 00:31:43,303
I DIDN'T THINK
YOU EVEN LIKED ME.
704
00:31:43,336 --> 00:31:45,606
WELL, I HAD TO ACT LIKE THAT
AT THE CLUB.
705
00:31:45,639 --> 00:31:47,808
I MEAN, ED AND JOEY
DON'T LIKE US GIRLS
706
00:31:47,841 --> 00:31:49,409
DATING EMPLOYEES.
707
00:31:49,442 --> 00:31:52,078
YOU WANT SOMETHING TO DRINK?
I GOT BEER.
708
00:31:52,112 --> 00:31:53,814
YEAH, BEER'S GOOD.
709
00:31:59,152 --> 00:32:00,654
LET ME LAY THIS RIGHT OUT.
710
00:32:00,687 --> 00:32:03,590
I DON'T WANT HAPPENING TO ME
WHAT HAPPENED TO LANA.
711
00:32:03,624 --> 00:32:05,926
I GUESS NOT.
712
00:32:05,959 --> 00:32:08,762
'CAUSE IF WHAT HAPPENED TO HER
WAS 'CAUSE SHE WAS STUPID
713
00:32:08,795 --> 00:32:10,163
AND SHE WOULDN'T PLAY BALL,
714
00:32:10,196 --> 00:32:11,998
I'M NOT MAKING
THAT SAME MISTAKE.
715
00:32:12,032 --> 00:32:13,066
I DON'T FOLLOW YOU.
716
00:32:13,099 --> 00:32:14,835
WHAT'S ALL THIS CRAP
ABOUT LANA?
717
00:32:14,868 --> 00:32:16,469
ALL I'M SAYING IS, YOU KNOW,
718
00:32:16,503 --> 00:32:18,672
WHATEVER YOU HAD TO DO,
THAT'S COOL.
719
00:32:18,705 --> 00:32:20,674
WHAT I'M THINKING IS
I CAN TAKE HER PLACE
720
00:32:20,707 --> 00:32:22,676
SELLING JEWELS AT THE CLUB.
721
00:32:22,709 --> 00:32:24,344
SO I'M COMING TO YOU FIRST
TO SAY
722
00:32:24,377 --> 00:32:25,612
YOU AND ME CAN BE PARTNERS.
723
00:32:25,646 --> 00:32:28,414
ANYTHING I MAKE,
YOU GET HALF.
724
00:32:28,448 --> 00:32:31,317
LOOK, BABE, COME ON,
ENOUGH TALK.
725
00:32:33,353 --> 00:32:35,622
THIS GUY'S
A MAJOR ASSHOLE. EASY, DANNY.
726
00:32:35,656 --> 00:32:38,124
HE'S NOT INTERESTED IN NOTHING
BUT THROWING A HUMP IN HER.
727
00:32:38,158 --> 00:32:40,460
FRANK, COME ON.
I WANT TO GET THIS STRAIGHT.
728
00:32:40,493 --> 00:32:42,495
SURE, WE'RE PARTNERS.
729
00:32:42,529 --> 00:32:44,130
HOW ABOUT SHOWING ME
WE'RE PARTNERS?
730
00:32:44,164 --> 00:32:45,532
COME ON, ANDY, LET'S GO.
731
00:32:45,566 --> 00:32:46,633
JUST WAIT.
732
00:32:46,667 --> 00:32:48,468
FRANK, THAT'S ENOUGH.
I DON'T WANT TO.
733
00:32:48,501 --> 00:32:50,336
WHAT IS THIS,
SOME KIND OF PRICK TEASE?
734
00:32:50,370 --> 00:32:52,005
YOU ASK A GUY OVER
TO YOUR HOUSE,
735
00:32:52,038 --> 00:32:53,306
AND THEN YOU DON'T WANT TO?
736
00:32:53,339 --> 00:32:56,042
I ASKED YOU OVER BECAUSE I WANT
TO TALK ABOUT BUSINESS,
737
00:32:56,076 --> 00:32:57,210
IN PRIVATE.
738
00:32:57,243 --> 00:32:58,845
I DON'T THINK SO.
739
00:32:59,980 --> 00:33:02,282
LET'S GO.
JUST WAIT. IT'S NOT ENOUGH.
740
00:33:02,315 --> 00:33:04,450
THAT'S A NICE BLOUSE.
741
00:33:04,484 --> 00:33:06,953
YOU WEARING A BRA
UNDER THAT, HMM?
742
00:33:06,987 --> 00:33:08,855
HEY, COME ON! DON'T!
743
00:33:08,889 --> 00:33:10,757
NOW! LET'S GO!
744
00:33:12,826 --> 00:33:13,860
WE'RE GOING TO DO THIS.
745
00:33:13,894 --> 00:33:14,961
NO! DON'T!
746
00:33:14,995 --> 00:33:15,962
STOP, ASSHOLE!
747
00:33:15,996 --> 00:33:17,631
WHAT THE HELL
IS GOING ON?
748
00:33:17,664 --> 00:33:19,533
YOU'RE UNDER ARREST
FOR ATTEMPTED RAPE.
749
00:33:19,566 --> 00:33:22,135
A SLUT LIKE THIS TAKES
A HUMP, YOU THINK IT'S RAPE?
750
00:33:22,168 --> 00:33:24,204
I'M SORRY.
HE WOULDN'T SAY ANYTHING.
751
00:33:24,237 --> 00:33:26,206
IT'S OKAY, KRISTEN.
YOU WORKING WITH THEM?
752
00:33:26,239 --> 00:33:27,473
HUH, YOU SKANKY
LITTLE BITCH?
753
00:33:27,508 --> 00:33:29,375
YOU WANT TO SHUT YOUR MOUTH
NOW, FRANK,
754
00:33:29,409 --> 00:33:30,577
BEFORE I SHUT IT FOR YOU?
755
00:33:30,611 --> 00:33:32,078
ALL RIGHT, DANNY.
ALL RIGHT.
756
00:33:32,112 --> 00:33:35,381
Frank: WHERE'S MY JACKET?
757
00:33:45,792 --> 00:33:47,694
YOU GOT A BIG PROBLEM, FRANK.
758
00:33:47,728 --> 00:33:50,531
WE GOT A REAL GOOD PICTURE
OF YOU ON TAPE
759
00:33:50,564 --> 00:33:52,032
TRYING TO RAPE THAT GIRL.
760
00:33:52,065 --> 00:33:53,366
Andy: YOUR FILM DEBUT
761
00:33:53,399 --> 00:33:55,035
IS NOT EXACTLY
SCORING YOU NO OSCAR,
762
00:33:55,068 --> 00:33:56,870
BUT IT DOES WIN YOU
10 YEARS IN THE JOINT.
763
00:33:56,903 --> 00:33:59,906
IT COULDN'T BE RAPE.
SHE INVITED ME OVER.
764
00:33:59,940 --> 00:34:01,041
THIS SHOWS HER SAYING NO
765
00:34:01,074 --> 00:34:02,909
AND YOU NOT TAKING THAT
FOR AN ANSWER.
766
00:34:02,943 --> 00:34:04,945
THAT'S ATTEMPTED RAPE.
YOU WANT TO SEE IT?
767
00:34:04,978 --> 00:34:06,713
THE GOOD NEWS IS
768
00:34:06,747 --> 00:34:09,249
I THINK WE CAN
HELP EACH OTHER OUT. HOW'S THAT?
769
00:34:09,282 --> 00:34:11,417
CARDS ON THE TABLE ??
WE NEED SOMETHING FROM YOU
770
00:34:11,451 --> 00:34:13,119
WHICH GIVES YOU A HAND
YOU CAN DEAL.
771
00:34:13,153 --> 00:34:14,955
Andy: YOU SEE,
WITH THIS ATTEMPTED RAPE,
772
00:34:14,988 --> 00:34:16,189
WE KNOW WHAT HAPPENED.
773
00:34:16,222 --> 00:34:18,091
THAT'S 10 YEARS WE GOT
IN THE BANK.
774
00:34:18,124 --> 00:34:22,228
BUT WITH THESE TWO PEOPLE
THAT GOT MURDERED TODAY,
775
00:34:22,262 --> 00:34:25,298
THOSE, WE DON'T KNOW
WHAT HAPPENED.
776
00:34:25,331 --> 00:34:27,568
WE'RE TALKING
ABOUT LANA AND MIKE.
777
00:34:27,601 --> 00:34:29,102
HEY, THAT I KNOW
NOTHING ABOUT.
778
00:34:29,135 --> 00:34:30,403
HEY, WE KNOW YOU WERE THERE.
779
00:34:30,436 --> 00:34:31,905
COME ON, BACK AT LANA'S,
780
00:34:31,938 --> 00:34:34,107
REMEMBER THAT RUSSIAN GUY'S
VOICE ON THE MESSAGE MACHINE?
781
00:34:34,140 --> 00:34:36,610
WELL, HE PICKED OUT YOUR PICTURE
COMING OUT OF HER PLACE
782
00:34:36,643 --> 00:34:38,278
TWO MINUTES AFTER
SHE GOT KILLED.
783
00:34:38,311 --> 00:34:39,379
YEAH?
784
00:34:39,412 --> 00:34:42,583
YEAH.
WHAT'S WORKING FOR YOU
785
00:34:42,616 --> 00:34:44,651
IS MIKE AND LANA
BOTH BEING DEAD,
786
00:34:44,685 --> 00:34:47,320
THAT LEAVES JUST YOU
WHO KNOWS WHAT HAPPENED.
787
00:34:47,353 --> 00:34:49,623
WE DON'T KNOW, WAS IT YOU
KILLED THE GIRL,
788
00:34:49,656 --> 00:34:50,791
WAS IT MIKE?
789
00:34:50,824 --> 00:34:52,559
PLUS, WITH MIKE,
DID YOU SHOOT HIM
790
00:34:52,593 --> 00:34:54,928
FOR THE MONEY,
DID HE PULL A GUN ON YOU?
791
00:34:54,961 --> 00:34:57,330
NOW, IF YOU COULD
HELP US OUT WITH THAT,
792
00:34:57,363 --> 00:35:00,433
MAYBE WE COULD MAKE THIS
RAPE THING GO AWAY.
793
00:35:00,466 --> 00:35:02,669
YOU MEAN, LIKE,
GO AWAY AWAY?
794
00:35:02,703 --> 00:35:04,304
LIKE, POOF.
795
00:35:07,140 --> 00:35:09,275
ALL RIGHT.
I DIDN'T KILL NO ONE.
796
00:35:09,309 --> 00:35:10,611
MIKE KILLED THE GIRL.
797
00:35:10,644 --> 00:35:13,146
IT WAS ALL HIS IDEA.
I JUST WENT ALONG.
798
00:35:13,179 --> 00:35:14,648
SO YOU WERE
JUST ROBBING HER.
799
00:35:14,681 --> 00:35:16,917
OKAY, YEAH, BUT SHE WASN'T
SUPPOSED TO BE HOME.
800
00:35:16,950 --> 00:35:18,785
GIRL HITS THE GYM AT 8:30,
24/7.
801
00:35:18,819 --> 00:35:20,687
SHE DON'T GET HOME
UNTIL 10:00.
802
00:35:20,721 --> 00:35:22,789
THIS MORNING SHE PICKS
TO MEET THE JEWELER.
803
00:35:22,823 --> 00:35:23,790
BAD LUCK.
804
00:35:23,824 --> 00:35:25,792
EXACTLY.
MIKE, HE'S GOT A KEY.
805
00:35:25,826 --> 00:35:28,428
MADE A COPY FROM ONCE
WHEN THEY WAS DATING.
806
00:35:28,461 --> 00:35:30,296
SO MIKE'S PLANNING THIS
ALL ALONG.
807
00:35:30,330 --> 00:35:32,699
THAT'S RIGHT.
SO SHE COMES IN ON US,
808
00:35:32,733 --> 00:35:34,768
SEES US GRABBING UP THE SAFE,
STARTS SHOUTING.
809
00:35:34,801 --> 00:35:36,703
MIKEY FLIPS OUT.
MIKE DID?
810
00:35:36,737 --> 00:35:38,471
YEAH. STICKS HIS HAND
OVER HER MOUTH,
811
00:35:38,505 --> 00:35:39,606
RIPPING AT HER CLOTHES,
812
00:35:39,640 --> 00:35:41,207
SHOUTING AT HER,
"SHUT UP! SHUT UP!"
813
00:35:41,241 --> 00:35:42,509
SHE JUST HITS THE FLOOR.
814
00:35:42,543 --> 00:35:43,710
SO YOU BOOK.
815
00:35:43,744 --> 00:35:45,345
DAMN RIGHT WE BOOK.
JUMP IN MY CAR,
816
00:35:45,378 --> 00:35:48,181
TAKE OFF, PARK A FEW BLOCKS
AWAY FROM THERE.
817
00:35:48,214 --> 00:35:49,716
MIKE PULLS A GUN ON ME.
818
00:35:49,750 --> 00:35:52,986
I PUSH THE GUN AWAY,
GUN GOES OFF.
819
00:35:53,019 --> 00:35:54,555
YOU'RE SAYING THIS
WAS SELF?DEFENSE,
820
00:35:54,588 --> 00:35:55,556
YOUR SHOOTING MIKE.
821
00:35:55,589 --> 00:35:57,323
YEAH, LIKE JUSTIFIABLE.
822
00:35:57,357 --> 00:35:58,491
I HAD TO DO IT.
823
00:35:58,525 --> 00:36:01,762
SO, YOU SEE,
I DIDN'T KILL NO ONE.
824
00:36:03,864 --> 00:36:06,533
YOU MAKE YOUR STATEMENT,
WE'LL TAKE IT TO THE D. A.
825
00:36:06,567 --> 00:36:10,904
OKAY. I JUST TELL THE TRUTH,
AND EVERYTHING'S COOL?
826
00:36:12,038 --> 00:36:14,575
ALL RIGHT.
827
00:36:23,950 --> 00:36:25,652
WHERE DID YOU FIND IT?
828
00:36:25,686 --> 00:36:29,189
THE GUY THAT YOU PICKED OUT,
HE TOLD US WHERE TO FIND IT.
829
00:36:29,222 --> 00:36:30,991
YOU'VE ARRESTED HIM?
830
00:36:31,024 --> 00:36:32,025
YES, MA'AM.
831
00:36:32,058 --> 00:36:34,294
THANK YOU.
THANK YOU BOTH.
832
00:36:36,029 --> 00:36:39,733
MARTY WORE THIS RING EVERY DAY
FOR 56 YEARS.
833
00:36:41,434 --> 00:36:43,169
NOW I'LL WEAR IT FOR HIM.
834
00:36:43,203 --> 00:36:44,470
I'M SURE HE'D APPRECIATE IT.
835
00:36:45,739 --> 00:36:47,741
CAN WE GET YOU
A RIDE HOME?
836
00:36:47,774 --> 00:36:50,343
NO. MY DAUGHTER'S
WAITING DOWNSTAIRS.
837
00:36:50,376 --> 00:36:52,145
WE'LL WALK YOU OUT.
838
00:36:55,381 --> 00:36:58,051
FRANK RUSSO'S
WRITING OUT A STATEMENT.
839
00:36:58,084 --> 00:37:00,220
DID HE GO
FOR BOTH HOMICIDES?
840
00:37:00,253 --> 00:37:01,555
HE'S WRITING DOWN
HIS VERSION.
841
00:37:01,588 --> 00:37:03,289
HE PLACES HIMSELF ON THE SCENE,
BOTH CASES.
842
00:37:03,323 --> 00:37:04,725
Andy: PROBABLY WON'T INCLUDE
843
00:37:04,758 --> 00:37:06,126
THE SECOND BULLET
GILLESPIE TOOK
844
00:37:06,159 --> 00:37:07,528
RIGHT BEHIND THE EAR
845
00:37:07,561 --> 00:37:10,296
AND KIND OF BLOWS
HIS SELF?DEFENSE THEORY. GOOD WORK.
846
00:37:10,330 --> 00:37:14,200
DON'T FORGET TO PUT IN
FOR THE OVERTIME.
847
00:37:14,234 --> 00:37:16,469
OH, DETECTIVE JONES,
848
00:37:16,503 --> 00:37:18,138
DETECTIVE RUSSELL FOR YOU.
849
00:37:20,140 --> 00:37:22,142
THANKS, JOHN.
850
00:37:36,489 --> 00:37:38,091
HEY, I WROTE IT ALL DOWN ??
851
00:37:38,124 --> 00:37:40,761
HOW MIKE KILLED THE GIRL
AND HOW HE TRIED TO KILL ME.
852
00:37:40,794 --> 00:37:41,762
GOOD.
853
00:37:41,795 --> 00:37:42,929
SO WHAT HAPPENS NOW?
854
00:37:42,963 --> 00:37:45,599
WELL, YOU TAKE A LITTLE RIDE
TO CENTRAL BOOKING
855
00:37:45,632 --> 00:37:47,233
AND GET PROCESSED.
IS THAT WHAT YOU CALL IT?
856
00:37:47,267 --> 00:37:50,170
A FORMALITY, RIGHT?
AFTER THAT I GET BAIL?
857
00:37:50,203 --> 00:37:52,138
FRANK, THERE'S NO BAIL
ON A MURDER CHARGE.
858
00:37:52,172 --> 00:37:54,074
MURDER CHARGE?
WHAT'S HE TALKING ABOUT?
859
00:37:54,107 --> 00:37:56,076
THE TWO COUNTS OF MURDER ??
LANA AND MIKE.
860
00:37:56,109 --> 00:37:58,278
WAIT A MINUTE.
I EXPLAINED ALL THAT,
861
00:37:58,311 --> 00:37:59,445
AND YOU UNDERSTOOD.
862
00:37:59,479 --> 00:38:01,615
YEAH, AND YOU'RE GETTING
CHARGED WITH MURDER,
863
00:38:01,648 --> 00:38:03,784
SO NOW IT'S BETWEEN YOU
AND THE LEGAL SYSTEM.
864
00:38:03,817 --> 00:38:04,851
BUT LIKE WE PROMISED,
865
00:38:04,885 --> 00:38:06,787
WE'RE HOLDING OFF
ON THE ATTEMPTED RAPE.
866
00:38:06,820 --> 00:38:08,154
OH, THANKS FOR NOTHING.
867
00:38:08,188 --> 00:38:10,123
YOU LOUSY COPS,
YOU SCREWED ME!
868
00:38:10,156 --> 00:38:12,292
WHAT ABOUT THAT SECOND BULLET
YOU PUT IN MIKE'S HEAD?
869
00:38:12,325 --> 00:38:14,628
CHILL, FRANK.
THERE'S ALWAYS HOPE.
870
00:38:14,661 --> 00:38:16,997
WE'RE COPS.
WE DON'T BELIEVE NOBODY.
871
00:38:17,030 --> 00:38:19,733
BUT JURIES ?? YOU NEVER KNOW.
THINK OF O. J.
872
00:38:23,637 --> 00:38:26,206
HERE THEY ARE NOW.
873
00:38:26,239 --> 00:38:27,307
HEY, KRISTEN.
874
00:38:27,340 --> 00:38:28,308
KRISTEN, HI.
875
00:38:28,341 --> 00:38:29,943
FRANK GAVE IT UP.
876
00:38:29,976 --> 00:38:31,344
HE SAID HE KILLED LANA?
877
00:38:31,377 --> 00:38:32,879
NOT IN SO MANY WORDS,
BUT DON'T YOU WORRY.
878
00:38:32,913 --> 00:38:34,781
HE'S GOING DOWN
FOR KILLING BOTH OF THEM.
879
00:38:34,815 --> 00:38:36,382
COME ON IN.
880
00:38:37,851 --> 00:38:41,487
PLUS, HIM GETTING CHARGED
WITH MURDER,
881
00:38:41,522 --> 00:38:43,123
THERE'S NO BAIL,
882
00:38:43,156 --> 00:38:45,826
SO YOU DON'T HAVE TO WORRY
ABOUT HIM COMING AFTER YOU.
883
00:38:45,859 --> 00:38:47,694
THANK GOD FOR THAT.
884
00:38:47,728 --> 00:38:49,295
THANK YOU, TOO.
885
00:38:49,329 --> 00:38:52,733
I'M GONNA GO, UH,
FRESHEN UP.
886
00:38:52,766 --> 00:38:56,637
I'M GETTING OFF DUTY.
I COULD DROP YOU HOME.
887
00:38:56,670 --> 00:38:59,472
OH, THAT'S VERY NICE,
BUT I HAVE TO GO TO WORK.
888
00:38:59,506 --> 00:39:00,907
I COULD DROP YOU THERE.
889
00:39:00,941 --> 00:39:03,009
WHY DON'T YOU
COME BY THE CLUB LATER?
890
00:39:03,043 --> 00:39:04,477
I'M DANCING 10:00 TO 2:00.
891
00:39:04,511 --> 00:39:06,412
YEAH? MAYBE I WILL.
892
00:39:06,446 --> 00:39:07,413
I'D LIKE THAT.
893
00:39:07,447 --> 00:39:09,182
I'LL LEAVE YOUR NAME
AT THE DOOR
894
00:39:09,215 --> 00:39:11,518
SO YOU WON'T HAVE TO PAY
THE COVER CHARGE.
895
00:39:11,552 --> 00:39:13,286
I COULD PROBABLY
HANDLE THAT MYSELF.
896
00:39:14,888 --> 00:39:17,190
SO, UM,
I'LL SEE YOU LATER?
897
00:39:17,223 --> 00:39:18,358
YEAH.
898
00:39:29,269 --> 00:39:30,671
NICE GIRL.
899
00:39:30,704 --> 00:39:33,173
YEAH, SEEMS LIKE.
GLAD SHE'S OKAY.
900
00:39:33,206 --> 00:39:34,440
GOOD NIGHT.
901
00:39:34,474 --> 00:39:35,776
YEAH, GOOD NIGHT.
902
00:39:35,809 --> 00:39:38,044
NICE WORKING WITH YOU
TODAY.
903
00:39:38,078 --> 00:39:40,113
YEAH, THANKS.
904
00:39:41,782 --> 00:39:44,050
YOU OKAY?
905
00:39:44,084 --> 00:39:46,252
I'M FINE.
906
00:39:46,286 --> 00:39:48,054
AHEM.
907
00:39:48,088 --> 00:39:50,223
I KNOW, UH, SOMETIMES
THE ONLY WAY TO LEARN
908
00:39:50,256 --> 00:39:51,858
IS BY MAKING
YOUR OWN MISTAKES,
909
00:39:51,892 --> 00:39:53,527
BUT BELIEVE ME
WHEN I TELL YOU
910
00:39:53,560 --> 00:39:55,228
HOW MANY TIMES
I SEEN THIS.
911
00:39:55,261 --> 00:39:57,731
YOU GOTTA FIND SOME WAY
TO MOVE ON.
912
00:39:57,764 --> 00:39:59,966
I KNOW, ANDY.
913
00:40:00,000 --> 00:40:02,235
OKAY.
914
00:40:02,268 --> 00:40:05,205
HEY, I'M, UH, GOING TO PICK UP
SOME TAKEOUT
915
00:40:05,238 --> 00:40:08,308
AND GO BACK TO MY PLACE.
YOU WANT TO COME OVER?
916
00:40:08,341 --> 00:40:11,411
I THINK I'M GOING TO STAY HERE
AND TYPE OUT THE FIVES.
917
00:40:11,444 --> 00:40:15,381
I DON'T THINK I'D BE
VERY GOOD COMPANY TONIGHT.
918
00:40:15,415 --> 00:40:18,585
ALL RIGHT, THEN.
GOOD NIGHT.
919
00:40:18,619 --> 00:40:20,420
NIGHT.
920
00:40:36,637 --> 00:40:37,804
ANDY.
921
00:40:41,041 --> 00:40:43,343
IT'S GETTING LATE,
SO I PUT THEO TO BED.
922
00:40:43,376 --> 00:40:45,445
SORRY. I KNOW
I SHOULD HAVE CALLED.
923
00:40:45,478 --> 00:40:48,014
HOW WAS WORK?
924
00:40:48,048 --> 00:40:50,450
YOU DON'T WANT TO HEAR
ABOUT ALL THAT.
925
00:40:50,483 --> 00:40:52,953
WHY NOT? I LIKE TO HEAR
ABOUT YOUR DAY.
926
00:40:52,986 --> 00:40:55,522
I JUST DON'T FEEL
LIKE TALKING NOW, OKAY?
927
00:40:55,556 --> 00:40:57,223
OKAY.
928
00:40:59,225 --> 00:41:03,263
STUCK BETWEEN THE USUAL SKELS
AND DEAD BODIES,
929
00:41:03,296 --> 00:41:04,998
I GOT DIANE RUSSELL
930
00:41:05,031 --> 00:41:06,933
LEAVING THE SQUAD
AND I GOT A PARTNER
931
00:41:06,967 --> 00:41:08,969
WHO'S MAYBE GOING TO
CRACK UP OVER THAT.
932
00:41:09,002 --> 00:41:10,504
PLUS A NEW BOSS.
933
00:41:10,537 --> 00:41:12,773
I FEEL LIKE EVERYTHING'S
FALLING APART DOWN THERE.
934
00:41:12,806 --> 00:41:15,008
BOBBY'S WIFE'S
LEAVING THE SQUAD?
935
00:41:15,041 --> 00:41:17,611
YOU DIDN'T MENTION ANYTHING
ABOUT THAT.
936
00:41:17,644 --> 00:41:19,646
LIKE I SAID,
I, UH, I DON'T FEEL LIKE
937
00:41:19,680 --> 00:41:20,881
TALKING ABOUT ALL THIS.
938
00:41:20,914 --> 00:41:22,015
OKAY, ANDY.
939
00:41:22,048 --> 00:41:24,851
THERE'S CHICKEN LEFT
IN THE KITCHEN.
940
00:41:24,885 --> 00:41:26,452
I CAN HEAT SOME UP.
941
00:41:26,486 --> 00:41:29,389
THAT'S OKAY,
I GOT IT.
942
00:41:46,540 --> 00:41:49,242
[ TELEPHONE RINGS ]
943
00:41:49,275 --> 00:41:51,011
15th DETECTIVE SQUAD.
944
00:41:51,044 --> 00:41:54,715
DIANE, HI.
945
00:41:54,748 --> 00:41:56,517
NO, NO, THAT'S OKAY.
946
00:41:56,550 --> 00:41:59,520
I FIGURED
YOU'D GET TO ME.
947
00:41:59,553 --> 00:42:03,757
MUST BE TOUGH FOR YOU,
LEAVING.
948
00:42:03,790 --> 00:42:07,493
SO, HOW LONG YOU THINK
YOU'LL BE GONE?
949
00:42:07,528 --> 00:42:11,397
ARE YOU GOING AWAY SOMEPLACE?
950
00:42:11,431 --> 00:42:15,401
YEAH, SOMETIMES IT'S BEST,
NOT NAILING THAT STUFF DOWN.
951
00:42:18,271 --> 00:42:20,741
YOU KNOW,
I GOT A LOT TO SAY,
952
00:42:20,774 --> 00:42:25,178
BUT MAYBE IT'S NOT REALLY
THE TIME.
953
00:42:25,211 --> 00:42:26,913
YEAH, OKAY.
954
00:42:28,615 --> 00:42:32,118
I'M HERE, YOU KNOW,
ANYTIME YOU NEED ME.
955
00:42:34,254 --> 00:42:36,757
YOU TAKE CARE OF YOURSELF.
956
00:42:40,627 --> 00:42:44,097
I HOPE IT ALL WORKS OUT.
957
00:42:44,130 --> 00:42:46,132
I'LL TALK TO YOU SOON.
958
00:42:46,182 --> 00:42:50,732
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