All language subtitles for NYPD Blue s08e18 Lost Time.eng

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Original subtitles

HI, ANDY.

HEY. YOU'RE IN EARLY. WHAT'S GOING ON?

UH... CAN WE TALK IN THERE?

YEAH, SURE.

THIS GOT SOMETHING TO DO WITH YOUR TRANSFER?

THE TRANSFER WAS GOING TO TAKE TOO LONG,

SO I'VE, UH, PUT IN FOR LEAVE OF ABSENCE.

AND THAT'S COME THROUGH.

EFFECTIVE TOMORROW.

BUT I'VE GOT SOME LOST TIME BUILT UP,

SO I'M TAKING THAT TODAY.

ONE DAY?

WHAT'S THE BIG RUSH?

IT'S NOT THE ONE DAY. IT'S...

SAYING GOOD?BYE TO EVERYONE.

LOOK AT ME. I'M STARTING TO PUDDLE UP TALKING TO YOU.

DANNY'S GOING TO TAKE IT BAD.

THAT WAS A PART OF IT. I?I WASN'T UP TO FACING HIM.

I'LL TALK TO HIM.

THANKS, ANDY.

ANY IDEA...

HOW LONG YOU'LL BE OUT?

THE DEPARTMENT ALLOWS FOR A YEAR PERSONAL LEAVE,

BUT I'M TAKING IT A DAY AT A TIME.

WE'RE ALWAYS HERE IF YOU NEED US.

I'M HERE.

TELL EVERYONE I'LL CALL EACH OF THEM.

NO PROBLEM.

WHAT YOU MEANT TO BOBBY, WHAT YOU MEAN TO ME ??

I?I DON'T HAVE THE WORDS.

DO WHAT YOU HAVE TO TO BE HAPPY.

I THINK I AM.

YOU TAKE CARE OF YOURSELF.

YOU TOO.

LOST TIME, JOHN.

NO, I?I DON'T KNOW IF I CAN MAKE IT THERE

BY 5:00 TONIGHT, KATIE.

HOW MUCH IS THIS PLACE?

IN MANHATTAN?

WHAT IS IT, NEXT DOOR TO A CRACK HOUSE?

[ SIGHS ]

YEAH, I KNOW.

YOU TOLD ME THAT THESE APARTMENTS GO FAST.

I'LL LET YOU KNOW.

HEY, ARE YOU STILL LOOKING FOR A NEW PLACE?

I GOT A GOOD DEAL WHERE I'M LIVING.

IF WE'RE GOING TO FIND MORE SPACE,

I'M GOING TO HAVE TO GET A SECOND JOB

OR WIN THE LOTTERY.

YOU HEAR ANYTHING ABOUT DIANE CALLING IN SICK?

SHE'S NOT SICK.

WELL, IT'S NOT LIKE HER BEING LATE.

IT'S GOING TO BE ONE OF THOSE DAYS.

JUST GOT TWO HOMICIDE CALLS.

ONE'S IN AN APARTMENT, AVENUE B,

BETWEEN 2nd AND 3rd.

THE OTHER'S RIGHT OUT ON 9th STREET.

HOW ABOUT ME AND ANDY TAKE THE AVENUE B?

OKAY.

YOU AND BALDWIN.

UH...

BEING DIANE RUSSELL'S ON A PERSONAL LEAVE OF ABSENCE

AS OF TODAY,

I GUESS CONNIE'S WITHOUT A PARTNER,

SO LET'S SAY TODAY YOU GO WITH DANNY AND ANDY.

RIGHT, BOSS.

HEY, UH, DIANE'S ON LEAVE AS OF TODAY FOR HOW LONG?

I DON'T KNOW. COULD BE AS MUCH AS A YEAR.

GEE, I WOULD HAVE LIKED TO SAY GOOD?BYE.

I SAW HER THIS MORNING WHEN SHE WAS SIGNING HER PAPERS.

YOU TALKED TO HER?

SHE SAID TO TELL EVERYBODY SHE WAS GOING TO CALL.

NO, THAT'S ABOUT ME ?? HER NOT WANTING TO SAY GOOD?BYE.

MAYBE IT'S ABOUT HER HAVING A TOUGH TIME LEAVING HERE.

YEAH ?? A TOUGH TIME LEAVING, A TOUGH TIME STAYING.

SHE SHOULD HAVE LET ME BE THE ONE TO GO.

DANNY, ONE FOOT IN FRONT OF THE OTHER.

WE HEAD OUT?

YEAH. COME ON.

D.O.A. IS A SVETLANA CORSO.

IT'S HER APARTMENT. NO SIGN OF FORCED ENTRY.

GUY OVER THERE CALLED IT IN.

SAID HE HAD AN APPOINTMENT TO MEET HER.

NO LIGATURE MARKS.

LOOKS LIKE MANUAL STRANGULATION.

PRETTY GIRL.

BROKEN FINGERNAILS.

SHE PUT UP A FIGHT.

HAVE CRIME SCENE BAG HER HANDS.

YOU CALLED 911?

WHAT'S YOUR NAME?

[ Russian accent ] NIKOLAI KORSOV.

YOU KNOW THIS GIRL?

YES. LANA. SHE IS DANCER AT TAILFEATHERS NIGHTCLUB.

TOPLESS DANCER.

SHE'D PREFER "EXOTIC."

Connie: SO, NIKOLAI, WHAT KIND OF APPOINTMENT WAS IT

YOU AND LANA HAD SO EARLY THIS MORNING?

NOT LIKE YOU THINK. SHE'S A NICE GIRL.

NEVER MIND WHAT WE THINK. WHY DON'T YOU TELL US?

I RUN JEWELRY SHOP ?? FIRST AVENUE.

LANA TAKE ON CONSIGNMENT,

SELL TO GIRLS WHERE SHE WORK ??

EARRINGS, BRACELETS, SEMIPRECIOUS STONES.

ALSO, FOR CUSTOMERS GIVE TO GIRLS.

THAT'S HOW SHE MAKES MONEY. NO NEED TO SELL BODY.

SO SHE WASN'T HOOKING.

YOU AND LANA EVER GET TOGETHER ON THE HOUSE?

MAYBE SHE WAS GRATEFUL ??

YOU HELPING HER OUT, TRUSTING HER WITH YOUR WARES.

NOT TO SAY I'M NOT INTERESTED.

LANA COME TWO YEARS AGO FROM RUSSIA,

SAY SHE WANT TO MAKE MONEY

BEFORE HER TITS SAG AND ASS FALL.

START CLOTHING SHOP.

SHE'S AN EXCELLENT SEAMSTRESS.

SO SHE'D DANCE AT CLUBS, SELL JEWELS FOR ME ??

LET'S GET BACK TO TODAY.

TODAY I MEET HER HERE, 9:00.

I KNOCK ON DOOR, SHE DOESN'T ANSWER,

BUT I COULD HEAR, INSIDE, HER SPEAKING WITH MAN.

SO YOU FIGURED SHE WAS BLOWING YOU OFF.

MAYBE. SO I GO OUT AND CALL.

I LEAVE MESSAGE ON MACHINE. I AM UPSET.

AND THEN I SEE TWO MEN COME FROM BUILDING,

AND ONE CARRIES A SAFE.

A SAFE?

SHE KEPT MONEY AND JEWELS IN IT.

SO AFTER YOU SAW THESE TWO, WHAT DID YOU DO THEN?

I AM UPSET. I AM SCARED.

I RIGHT AWAY CALL 911.

POLICE COME, I SHOW THEM APARTMENT.

THEY OPEN DOOR, SHE IS DEAD ON FLOOR.

POOR LANA.

GUESS YOU LOST YOUR SALESGIRL, HUH?

DO YOU THINK YOU COULD DESCRIBE THESE TWO MEN YOU SAW?

YES. BOTH WHITE.

ONE I GET CLOSE LOOK.

HANDSOME. DARK, THICK HAIR. COULD BE ITALIAN.

ITALIAN?

ITALIAN.

SO I GET BACK TO WORK NOW?

GOT AN IDIOT WHO RUNS MY SHOP WHILE I'M AWAY.

WHY DON'T YOU GIVE US YOUR NUMBER AT THE SHOP?

WE'LL BE IN TOUCH.

D.O.A.'s MARTIN SIMONS.

WIFE SAYS MALE CAME UP ON HIM FROM BEHIND,

PUT THE OLD MAN IN A CHOKE HOLD.

PARAMEDICS SAY THE POOR GUY HAD A HEART ATTACK.

MRS. SIMONS?

I'M DETECTIVE MEDAVOY.

WHAT AM I GOING TO DO?

CAN YOU TELL ME WHAT HAPPENED?

WE JUST CAME FROM THE BANK.

MARTY CASHED HIS MONTHLY CHECK FROM THE V. A.

AND WE WERE WALKING BACK TO OUR APARTMENT

WHEN THIS THUG CAME UP

AND GRABBED MARTY AROUND THE NECK.

THIS IS MY PARTNER DETECTIVE JONES.

HI.

WHICH BANK WAS THAT?

THE CITIZENS OF NEW YORK.

MARTY LIKED TO TAKE OUT A LITTLE CASH TO GIVE THE KIDS.

THEY DON'T NEED THE MONEY, BUT IT MADE MARTY FEEL GOOD.

AND YOU THINK THIS GUY FOLLOWED YOU FROM THE BANK?

I DON'T KNOW. IT SEEMED LIKE HE CAME OUT OF NOWHERE.

DID YOU GET A GOOD LOOK AT HIM?

HE WAS BLACK. HE WAS ABOUT 6 FEET.

HE HAD THOSE LITTLE, UH, BRAIDS.

HE WAS YOUNG. MAYBE 20?

I GAVE HIM THE MONEY,

BUT THEN MARTY DIDN'T WANT TO GIVE UP HIS RING.

HIS WEDDING RING?

GOLD BATTALION RING HE GOT FROM THE ARMY

IN WORLD WAR II.

HE WORE THAT RING EVERY DAY FOR 56 YEARS.

A SHELL CAME IN THE FOXHOLE.

THEY CALLED IT A DUD,

BUT IT BLEW 20 PIECES OF CASING IN MARTY'S LEG.

HE SAID, "CALM DOWN, OLD MAN.

JUST GIVE ME THE RING AND I WON'T HURT YOU."

MARTY WOULDN'T GIVE IT TO HIM.

HE GOT IT ANYWAY.

AND THEN MARTY COLLAPSED AND THE BOY RAN AWAY.

THAT RING MEANT SO MUCH TO HIM.

WE'D LIKE YOU TO COME TO THE STATION HOUSE WITH US

TO, UH, LOOK AT SOME PICTURES.

COULDN'T WE DO THAT LATER? I JUST WANT TO GO HOME NOW.

DO YOU HAVE ANYONE THAT CAN STAY WITH YOU?

MY DAUGHTER.

SHE ?? HOW CAN I TELL HER HER FATHER'S BEEN MURDERED?

WE'LL SEE WHAT WE CAN DO TO GET THAT RING BACK.

[ DANCE MUSIC PLAYING ]

IT'S NOT EVEN NOON.

THESE MUTTS ARE ALREADY SUCKING UP BEER,

STICKING IN BILLS WHERE THEY DON'T BELONG.

IN MY DAY, I WAS GOOD FOR A COUPLE OF SHOTS

AND STICKING IN A FEW BILLS BY NOON.

LOOKING FOR THE OWNER.

WHICH ONE? JOE SHOMAN. CALL ME JOEY.

ME AND MY PARTNER OWN THE PLACE.

CONGRATULATIONS.

WHAT CAN I DO FOR YOU?

LANA CORSO.

UH, SHE DON'T WORK TILL 8:00 TONIGHT,

SO WHY DON'T YOU COME BACK THEN?

DRINKS ON THE HOUSE.

WHEN WAS THE LAST TIME YOU SAW HER?

UH, LAST NIGHT. SHE DANCED THE LATE SHIFT.

WHY? WHAT'S SHE DONE?

SHE'S GOT HERSELF KILLED.

OH, MY GOD.

YOU GOT ANY IDEA WHO'D WANT TO SEE HER DEAD?

UH...NO.

REALLY, I?I DON'T.

DID YOU KNOW SHE WAS SELLING JEWELS OUT OF YOUR CLUB?

YEAH. SHE DIDN'T HIDE IT.

FIGURED IT WAS A SERVICE FOR THE CUSTOMERS.

AND YOU DIDN'T MAYBE WANT A CUT?

OH, IT WAS PENNY?ANTE.

YOU THINK WE HAD HER WHACKED BEHIND SELLING KNICKKNACKS?

Connie: DID LANA HAVE A BOYFRIEND?

I WOULDN'T KNOW.

HOW ABOUT ANY SPECIAL CUSTOMERS ??

ANYBODY WHO MIGHT HAVE GOT JEALOUS?

NOBODY FIXATED, IF THAT'S WHAT YOU'RE ASKING.

THE GIRLS PROBABLY KNOW MORE ABOUT LANA'S PERSONAL LIFE

THAN I DO.

I'LL NEED A LIST OF PERSONNEL, ON AND OFF THE BOOKS.

ANYTHING YOU GUYS NEED.

YOU ?? WHAT'S YOUR NAME?

CHELSEA...

LIKE CHELSEA CLINTON?

WHAT CAN YOU TELL ME ABOUT LANA CORSO?

WHY?

BECAUSE I ASKED YOU.

DOES LANA HAVE A BOYFRIEND YOU KNOW OF?

I GUESS SHE WAS DATING THIS ONE GUY ON AND OFF.

THIS GUY GOT A NAME?

MIKE GILLESPIE.

HE'S A BOUNCER OVER AT SLOANE'S.

CAN I TALK TO YOU A MINUTE? I'M A DETECTIVE.

WHAT'S IT ABOUT?

IT'S ABOUT LANA CORSO.

OH, GOD. DID SOMETHING HAPPEN TO HER?

WHAT MAKES YOU THINK THAT?

IS IT OKAY IF WE SIT DOWN?

SO, WHAT'S YOUR NAME?

KRISTEN MOORE.

SO WHAT HAPPENED TO LANA?

SOMEONE STRANGLED HER AT HER APARTMENT.

SHE WAS, UM...

MY BEST FRIEND IN NEW YORK.

SHE WAS DIFFERENT FROM THE OTHER GIRLS.

ANY IDEA WHO MIGHT HAVE WANTED HER DEAD?

SO NICE TO EVERYONE.

I?I CAN'T BELIEVE ANYONE WOULD WANT TO KILL HER.

YOU KNOW ANYTHING ABOUT HER SELLING JEWELRY

TO ANY GIRLS AT THE CLUB, ANY CUSTOMERS?

SURE. YOU THINK THAT'S WHY SHE GOT KILLED?

WE DON'T KNOW.

SO, HOW LONG YOU BEEN WORKING HERE?

SIX MONTHS.

WHAT CAN YOU TELL ME ABOUT THE OWNERS?

JOEY AND ED?

THEY'RE NICE ENOUGH, I GUESS.

A PLACE LIKE THIS ??

WE ALL KNOW IT'S HOOKED UP WITH SOME CRIMINAL ACTIVITY.

WE'RE NOT LOOKING TO SHUT IT DOWN.

WE'RE LOOKING TO FIND OUT WHO KILLED YOUR FRIEND.

I KEEP AWAY FROM ALL THAT STUFF.

LANA DID, TOO.

WHAT ABOUT A BOYFRIEND?

THERE WAS THIS ONE GUY, UH, MIKE GILLESPIE.

BUT I DON'T KNOW IF I'D EXACTLY CALL HIM HER BOYFRIEND.

HE WORKS OVER AT SLOANE'S.

I DON'T THINK SHE'S SEEN HIM IN A WHILE.

OKAY, KRISTEN. YOU BEEN A LOT OF HELP.

YOU GOING TO BE HERE IF WE NEED TO REACH YOU?

I DON'T WORK TILL TONIGHT. I JUST CAME BY FOR MY CHECK.

I'M SCARED.

LOOK, HERE'S MY CARD.

YOU CALL ME IF YOU NEED ANYTHING.

GOD, THIS IS SO AWFUL.

[ KNOCKS ON DOOR ]

ON THAT D. O. A. MARTIN SIMONS,

GREG AND I CHASED A PATTERN OF STREET ROBBERIES.

LOOKS LIKE ELDERLY BEING FOLLOWED

COMING OUT OF THE CITIZENS BANK OF NEW YORK

OVER ON 8th STREET,

ESPECIALLY THE FIRST OF THE MONTH LIKE TODAY.

WHEN THEY GET

THEIR SOCIAL SECURITY CHECKS AND THE LIKE.

OUR D. O. A.'s CHECK WAS FROM THE V. A.

BOTTOM FEEDERS. TAKE YOUR GOVERNMENT CHECK,

MAYBE YOU DON'T EAT TILL THE NEXT ONE.

EIGHT MUGGINGS PAST SIX WEEKS ??

EACH ONE, BAD GUY CAME UP FROM BEHIND, USED A CHOKEHOLD.

THEY GET DESCRIPTIONS FROM THE VICTIMS?

BLACK MALE, 20s, SOMETIMES 2 OF THEM.

THAT'S PRETTY GENERAL.

IN THIS CASE, THE D. O. A.'s WIFE THINKS SHE COULD PROBABLY I. D.

THE GUY WHO ATTACKED HER HUSBAND.

THE REASON NO ONE PUT THIS TOGETHER BEFORE

EVEN THOUGH ALL THE VICTIMS CAME OUT OF THE SAME BANK ??

THEY GOT TAKEN OFF IN DIFFERENT LOCATIONS

AND SOME REPORTS EVEN FELL OFF INTO DIFFERENT PRECINCTS.

GET WITH ANTI?CRIME.

PUT SOME SPECIAL ATTENTION THERE THE REST OF THE DAY.

WE WERE THINKING MAYBE SET UP ON THAT BANK OURSELVES.

LET'S DO IT.

THAT BAR SLOANE'S THIS MIKE GILLESPIE WORKS AT ??

THEY HAVEN'T HEARD FROM HIM.

THERE'S STILL NO ANSWER AT HIS PLACE.

MAYBE WE SHOULD DROP BY.

THIS GILLESPIE WAS LANA'S BOYFRIEND.

THEY HAD A DISTANT RELATIONSHIP.

PHONE DUMP DON'T SHOW NO CALLS FROM HER PLACE

TO OR FROM HIS PLACE.

I RAN THE BOYFRIEND MICHAEL GILLESPIE.

CAME UP ONE COLLAR FOR DISCON, ONE FOR ASSAULT.

HE'S A BOUNCER.

MAYBE BREAKING UP A BAR BRAWL.

YOU KNOW, I'LL TRY AND DIG UP SOME BACKGROUND ON THE OWNERS.

I'LL CALL OCCB AND SEE IF THEY'VE GOT ANYTHING

ON TIES TO THE MOB.

I COULD TRY THE STATE LIQUOR AUTHORITY.

SOUNDS GOOD.

DETECTIVE McDOWELL?

DETECTIVE RUSSELL ON LINE ONE.

SHE SAID SHE WAS GOING TO CALL PEOPLE.

UM, MISS BUNIN.

HELLO.

OH, YOU REMEMBER ME.

CYNTHIA, WHAT ARE YOU DOING HERE?

IS SOMETHING WRONG?

NOTHING'S WRONG.

IS THERE SOMEPLACE WE CAN TALK?

UH, SURE.

WANT SOME COFFEE?

UH, NO, THANKS. I'LL GET TO THE POINT.

OKAY.

I DIDN'T LIKE HOW WE LEFT THINGS.

YEAH, I DIDN'T LIKE HOW WE LEFT THINGS NEITHER.

I CARE ABOUT YOU.

I DIDN'T LIKE THE IDEA OF YOU THINKING

I WAS SELFISH

OR DIDN'T UNDERSTAND YOUR POINT OF VIEW.

I WASN'T THINKING ANY OF THAT.

I KNOW YOUR LIFE IS COMPLICATED.

YOU'VE GOT A 5?YEAR?OLD BOY.

YOU'VE GOT A HISTORY.

[ Sighs ] GOD, I'VE REHEARSED ALL THIS IN MY MIND,

AND NOW I'M NOT GETTING ANY OF IT RIGHT.

YOU'RE DOING FINE.

I?I GUESS WHAT I WANTED TO SAY

IS THAT ME PUSHING YOU LIKE I DID

INTO MAKING SOME KIND OF COMMITMENT

BEFORE YOU WERE READY ??

I DIDN'T GIVE YOU ANY CHOICE.

I FEEL LIKE I DROVE YOU AWAY, AND THAT'S NOT WHAT I WANTED,

AND IF THINGS EVER CHANGE, AND YOU DECIDE

MAYBE YOU AND I COULD HAVE SOMETHING TOGETHER,

NO PRESSURE, NO CLOCK TICKING,

AND NOT EVERYTHING GOING BACK AND FORTH

TO UNCLE EDDIE,

PLEASE GIVE ME A CALL.

CYNTHIA, UM,

I THINK YOU SHOULD KNOW I'M GETTING MARRIED.

MARRIED?

I?I DIDN'T EVEN KNOW YOU WERE SEEING SOMEONE ELSE.

I'M GETTING MARRIED TO MY EX?WIFE ??

MY EX?WIFE KATIE.

I DIDN'T GET THE IMPRESSION

YOU TWO WERE HEADING IN THAT DIRECTION.

WELL, I KNOW. WE HADN'T BEEN, BUT IT'S GOOD FOR THEO,

AND KATIE'S BEEN TAKING CARE OF HIM

EVER SINCE HIS MOM PASSED.

ANDY, I HOPE YOU DON'T TAKE THIS THE WRONG WAY,

AND I'M ONLY GOING TO SAY THIS

BECAUSE I DO CARE ABOUT YOU ??

CYNTHIA ?? HEAR ME OUT.

YOU'RE A GOOD MAN,

AND I KNOW YOU LOVE YOUR SON VERY MUCH,

BUT I THINK YOU SHOULD CONSIDER

IF THIS IS GOOD FOR YOU,

BECAUSE IF IT'S NOT GOOD FOR YOU

IN THE LONG RUN,

IT ISN'T GOING TO BE GOOD FOR THEO.

WELL, THERE'S MORE TO IT EVERY DIRECTION.

KNOWING WHAT'S GOOD AND WHAT'S NOT ??

GOT TO BE CLAIRVOYANT.

AMEN.

I HOPE IT WORKS OUT FOR YOU.

UH, RIGHT, THANKS.

HEY, CONNIE.

OCCB SAYS THESE GUYS AT TAILFEATHERS

ARE HOOKED UP PRETTY GOOD WITH THE GAMBINO CRIME FAMILY.

SHOCKING FOR A TOPLESS JOINT.

YEAH, THE OWNERS ARE FRONTING

FOR WISEGUYS DOING BUSINESS OUT OF THERE ??

DRUGS AND MONEY LAUNDERING.

MANHATTAN D. A.'s OFFICE ??

THEY HAD THE PLACE UP FOR SIX MONTHS,

BUT THEY COULDN'T GET ANYTHING SOLID.

APPARENTLY, THEY'RE PRETTY SLICK.

THINKING MAYBE THIS LANA SOMEHOW GOT IN THE MIDDLE

OF SOMETHING SHE SHOULDN'T HAVE?

IT'S POSSIBLE. SO WHAT DID DIANE HAVE TO SAY?

MOSTLY APOLOGIZED FOR NOT SAYING GOOD?BYE IN PERSON.

YEAH, DID SHE SAY ANYTHING ABOUT HER FUTURE PLANS?

NOTHING SPECIFIC.

TAKE CARE, ANDY.

YEAH, YOU, TOO.

HEY, ANDY, BALDWIN AND ME NEED YOUR HELP.

WHAT ARE WE TALKING ABOUT? I'M WORKING A HOMICIDE.

GOT A PATTERN. ELDERLY, ROBBED IN THE STREET

FIRST OF THE MONTH COMING OUT OF A BANK.

ONE TODAY TURNED UP D. O. A.

I WANT TO PUT TOGETHER A DECOY OPERATION.

YOU WANT ME POSING AS AN OLD MAN?

WHAT'S WRONG WITH MEDAVOY?

GREG'S ALREADY ON BOARD. WORKS BEST WITH TWO, AND SAFER.

IT'S THE FIRST OF THE MONTH.

THAT'S A LIMITED WINDOW OF OPPORTUNITY.

HEY, GREAT.

THIS I'D PAY TO SEE.

PUT ME DOWN, TOO.

LIEUTENANT, BUSY DAY.

D.O.A., ALLEY OFF 4th STREET BETWEEN B AND C.

WHAT, SO CONNIE AND ME?

RIGHT.

COME ON, DANNY. I'M SURE SHE'LL CALL YOU.

YEAH, WELL, EITHER SHE WILL OR SHE WON'T, I GUESS.

SHE WILL.

WHAT DO YOU GOT?

BOTTLE PICKER FOUND HIM, CALLED IT IN.

NO WITNESSES CAME UP AND SAID THEY SAW.

ALL RIGHT, SO WE'RE NOT TALKING GROUND BALL HERE.

MAYBE SOMEONE WHO LIVES BACK IN ONE OF THESE BUILDINGS

HEARD SOMETHING.

THANKS.

LOOKS LIKE TWO ENTRY WOUNDS ??

ONE IN THE CHEST AND ONE BACK OF THE HEAD.

BIG HOLES. FIGURE LARGE?CALIBER GUN.

DON'T LOOK LIKE HE'S DEAD THAT LONG.

NOT A LOT OF BLOOD AROUND.

NO, LOOKS LIKE HE'S SHOT SOMEPLACE ELSE.

DUMP JOB. WE GOT A WALLET.

MONEY'S STILL THERE, SO IT WASN'T A ROBBERY.

I.D. SAYS HE'S MICHAEL GILLESPIE,

1162 LUDLOW STREET.

MICHAEL GILLESPIE, AS IN LANA CORSO'S BOYFRIEND?

LOOKS LIKE.

I GUESS THAT'S WHY HE WASN'T HOME

AND NO ONE'S HEARD FROM HIM AT WORK.

SON OF A BITCH.

WE GOT A MYSTERY HERE.

WE APPRECIATE YOU HELPING OUT, ANDY.

YEAH.

I GOT TO SAY, THOSE STREET CRIME GUYS

DID ONE HELL OF A JOB ON ME.

ARE YOU SAYING THEY DID A LOUSY JOB ON ME?

NAH, BUT YOU GOT TO ADMIT,

WITH YOU THEY DIDN'T HAVE TO DO THAT MUCH.

YOU THINK YOU LOOK YOUNGER THAN I DO

'CAUSE OF THAT CARROT TOP YOU DIP IN PAINT

TWICE A MONTH?

WHAT ARE YOU TALKING ABOUT? I DON'T DYE MY HAIR.

YEAH, OKAY, MEDAVOY, WHATEVER YOU SAY.

ONLY DO ME A FAVOR, HUH?

YOU'RE GOING TO KEEP YOUR HAIR THAT RED,

YOU GOT TO TALK WITH AN IRISH BROGUE

LIKE THAT LEPRECHAUN

WITH THE MARSHMALLOW CEREAL ON TV.

OKAY, LET'S NOT SAY ANYTHING MORE WE MIGHT REGRET.

AHEM. STILL NO ONE LOOKS LIKE YOUR GUY.

YEAH. WE COULD BE HERE A WHILE.

AT LEAST YOU GET TO SIT.

A SPECIAL PREVIEW OF MY GOLDEN YEARS,

PARADING IN AND OUT OF HERE LIKE THE SUNSHINE BOYS,

WAITING TO GET MUGGED.

WHAT DO YOU SAY WE GET BACK IN LINE?

YEAH, COME ON.

GIVE ME A PUSH THERE, SONNY BOY.

Woman: NEXT IN LINE, PLEASE.

HELLO THERE.

SEE YOU NEXT MONTH.

HAVE A NICE DAY.

AHEM.

Got it.

WE GOT COMPANY.

EASY, MEDAVOY.

NICE AND SLOW.

HEY, YO, POPS, WAIT UP.

PLEASE DON'T HURT US. WHAT? WHAT? WHAT?

DO WHAT YOU'RE TOLD, MAYBE YOU WON'T GET HURT.

WHAT DO YOU WANT? WHAT YOU THINK WE WANT?

LET'S SEE THE MONEY YOU GOT OUT THE BANK.

OKAY, OLD MAN, GOVERNMENT CHECK DAY.

I SAW YOU TAKE THE CASH OUT THE BANK,

SO DON'T BE PLAYING DUMB WITH US.

NO, WE WOULDN'T DO THAT. ANDY, GIVE THEM THE MONEY.

HERE'S YOUR MONEY, ASSHOLE.

HOLD IT RIGHT THERE!

AAH! YOU DON'T GOT TO DO THAT!

TAKE IT EASY, MY MAN.

WHO'S THE OLD MAN NOW, HUH, SCUMBAG?

HEY, WE PUT RASHON AND MICHAEL IN SEPARATE ROOMS.

AND MRS. SIMONS IS COMING UP FOR THE LINEUP.

UH, DETECTIVE MEDAVOY?

DETECTIVE RUSSELL CALLED FOR YOU.

OH, THANKS.

DID YOU TALK TO HER?

AHEM. NO.

SHE'LL CALL.

AHEM. SO, UM, THAT D. O. A. IN THE ALLEY ??

THAT WAS MIKE GILLESPIE.

MIKE GILLESPIE, AS IN LANA CORSO'S BOYFRIEND?

ONE AND THE SAME.

YOU GET ANYTHING OUT OF IT?

DUMP JOB. NO WITNESSES.

MAY I HELP YOU?

UH, DETECTIVE SORENSON?

KRISTEN, HI. THIS IS MY PARTNER ANDY SIPOWICZ.

I HEARD MIKE GILLESPIE'S DEAD.

UH, WHY DON'T WE GO TALK ABOUT IT IN HERE?

GUESS NEWS TRAVELS FAST IN THE TITTY BAR GRAPEVINE.

RIGHT THERE.

DETECTIVE McDOWELL, KRISTEN MOORE.

HI, KRISTEN.

HEY, HAVE A SEAT.

GET YOU SOMETHING TO DRINK?

NO, THANK YOU.

I DIDN'T TELL YOU EVERYTHING BEFORE,

BUT I WAS SCARED.

I'M SORRY.

IT'S OKAY. TELL US NOW.

I JUST CAN'T HELP THINKING IF I'D SAID SOMETHING,

MAYBE LANA WOULDN'T BE DEAD...OR MIKE.

SAID SOMETHING ABOUT WHAT?

WELL, I DIDN'T WANT TO LOSE MY JOB.

NO ONE LIKES IT IF YOU TALK TOO MUCH,

AND SINCE MY MOM DIED, WE'RE ALONE.

I'M PUTTING MY BROTHER THROUGH SCHOOL,

AND DANCING AT THE CLUB ??

I COULDN'T MAKE THAT KIND OF MONEY ANYPLACE ELSE.

KRISTEN, WHAT ARE WE TALKING ABOUT?

FRANK RUSSO,

THE NIGHT BAR MAN AT THE CLUB ??

HE'S ALWAYS HITTING ON ME.

THE LAST COUPLE OF WEEKS,

HE'S GOT ALL THESE QUESTIONS ABOUT LANA.

WHAT KIND OF QUESTIONS?

LIKE DOES SHE GO TO THE GYM EVERY DAY,

HOW MUCH MONEY DO I THINK SHE'S MADE

OFF SELLING JEWELRY,

DOES SHE KEEP THE STUFF SHE SELLS AT HER PLACE?

WE GOT THE PERSONNEL RECORDS.

LET ME GO RUN THIS GUY IN THE COMPUTER.

EXCUSE ME.

YOU THINK HE'S INVOLVED?

FIRST, I THOUGHT MAYBE HE'S HOT FOR HER.

THEN ONE NIGHT, MIKE COMES IN THE CLUB,

AND LANA WASN'T EVEN DANCING.

I SAW FRANK AND HIM TALKING.

DID YOU HEAR WHAT THEY WERE SAYING?

NOW I'M LIKE, MAYBE IT WAS FRANK WHO KILLED LANA,

AND HE KILLED MIKE TO SHUT HIM UP.

FRANK ?? HE'S PRETTY TWISTED.

WHAT IF HE THINKS I KNOW SOMETHING?

WHAT SHOULD I DO?

IT'S GOING TO BE OKAY, KRISTEN.

YOU DID THE RIGHT THING BY COMING IN.

I JUST FEEL SO BAD ABOUT LANA.

AHEM.

WE'LL BE RIGHT BACK.

I SAY WE WIRE HER UP. THIS RUSSO'S GOT A THING FOR HER,

MAYBE SHE GETS HIM TO TALK.

WHAT, USE HER AS BAIT?

YOU CAN SEE SHE'S ALREADY SCARED HALF TO DEATH OF THIS ASSHOLE.

AND THIS ASSHOLE COULD HAVE KILLED TWO PEOPLE.

WE GET THIS GUY OFF THE STREET,

THE GIRL IN THERE'S SAFE, AND HE CAN'T KILL ANYONE ELSE.

FRANK RUSSO ?? ONE PREVIOUS COLLAR FOR BAD CHECKS.

LET'S GET A PHOTO ARRAY WITH THIS

AND A PICTURE OF GILLESPIE OVER TO THAT JEWELER,

SEE IF HE PICKS HIM OUT AS WHO WE SAW

LEAVING LANA'S PLACE THIS MORNING.

CLUB'S HARD TO CONTROL.

MAYBE WE COULD SET UP IN HER APARTMENT.

I'LL CALL THE D. A.'s OFFICE.

SO, I GET FRANK TO COME IN MY PLACE

AND SEE IF I CAN GET HIM

TALKING ABOUT WHAT HAPPENED TO LANA.

THAT'S THE IDEA.

MAYBE GET HIM TO THINK YOU'RE GOING TO TAKE OVER

SELLING JEWELS, AND OFFER HIM A PIECE OF THE ACTION.

PLAY UP TO HIM.

I THINK I CAN GET HIM TO SAY SOMETHING.

HE'S NOT REALLY SO SMART.

WELL, YOU DON'T HAVE TO GET HIM TO SAY HE KILLED HER.

ALL WE NEED IS SOME CORROBORATION

HE WAS THERE THIS MORNING.

AND YOU THINK I'LL BE SAFE IN THERE?

WE'D BE SET UP NEARBY WATCHING THE WHOLE THING ON VIDEO,

SO IF HE TRIES ANYTHING, WE CAN COME RIGHT IN.

AS SOON AS YOU GET HIM IN THERE,

WE'LL HAVE COPS RIGHT OUTSIDE YOUR DOOR.

AND THE REASON WE'RE SUGGESTING

YOUR APARTMENT IS IF YOU GIVE PERMISSION

FOR A VIDEO CAMERA, THEN THE OTHER PERSON

DOESN'T NEED TO KNOW THEY'RE BEING FILMED.

I UNDERSTAND.

KRISTEN, IF YOU'RE NOT UP FOR THIS,

NOW'S THE TIME TO SAY SO.

WELL, I'M NOT SAYING THAT I'M NOT SCARED,

BUT I WANT TO DO THIS FOR LANA.

OKAY, THEN.

ALSO, IF I COULD HELP YOU ARREST HIM,

I DON'T HAVE TO WORRY ANYMORE

ABOUT HIM DOING SOMETHING BAD TO ME.

DID I MISS HIM? WAS HE IN THERE?

MRS. SIMONS, DON'T BE CONCERNED YOU DIDN'T RECOGNIZE

ANYONE THAT TIME.

MAYBE IN THE NEXT BUNCH.

SO THE MAN WHO KILLED MY HUSBAND ??

HE COULD BE IN THIS ONE?

WE DON'T KNOW THAT.

MRS. SIMONS, A. D. A. VALERIE HAYWARD.

YOU READY?

TELL US IF YOU RECOGNIZE ANYONE.

DO YOU RECOGNIZE ANYONE?

NUMBER FOUR.

WHERE DO YOU RECOGNIZE HIM FROM?

HE'S THE BOY WHO ATTACKED US THIS MORNING.

HE'S WHO TOOK MARTY'S RING

AND MURDERED HIM.

OKAY, MRS. SIMONS, THAT'S A BIG HELP.

BEFORE Y'ALL START UP, LET ME JUST SAY,

MY COUSIN OMAR ?? HE'S A LAWYER.

HEY, THAT'S GOOD FOR OMAR. BET HIS MAMA'S PROUD.

GUESS GOOD THING WE GAVE MICHAEL HERE HIS RIGHTS

IN THE CAR ON THE WAY OVER.

YEAH, OMAR WOULD CATCH US ON THAT FOR SURE.

YO, IT'S YOUR CALL, MICHAEL.

YOU WANT TO PHONE OMAR OR HEAR US OUT?

CAN I ASK YOU SOMETHING FIRST?

LIKE WHAT?

LOOK, WHAT YOU HAD ME STAND IN A LINEUP FOR

WHEN THREE DAMN COPS ALREADY GOING TO SAY

I TRIED TO ROB THEM?

SEE THAT? MICHAEL'S SMART, TOO.

YOU SHOULD BE MORE LIKE YOUR COUSIN,

PUT THAT MIND TO BETTER USE.

WHERE WERE YOU THIS MORNING, MICHAEL?

MY OLD LADY LULU'S.

WE WAS OUT PARTYING LAST NIGHT.

THIS MORNING WE WAS HUNG OVER,

SO WE STAYED IN BED.

SO YOU'RE SAYING THAT LULU CAN VOUCH

FOR YOUR WHEREABOUTS.

GIVE ME A PHONE.

WHAT'S SO DAMN FUNNY?

YOU KNOW, SEE, IN THAT LINEUP,

A WITNESS JUST NOW PICKED YOU OUT

ROBBING AN OLD MAN THIS MORNING

YOU FOLLOWED OUT OF THAT SAME BANK.

YOU KNOW THAT'S WHY WE PUT YOU IN THAT LINEUP, MICHAEL.

WE JUST WANTED TO MAKE SURE WHAT YOU ALREADY KNOW.

I AIN'T SAYING I DID.

WE KNOW IT WAS YOU, MICHAEL.

WE GOT WITNESSES.

IT'S THE SAME PATTERN WE CAUGHT YOU OFF JUST NOW,

SO DON'T BE LYING TO US.

THE THING IS, THAT OLD GUY'S WIFE ??

SHE'S BEEN BUGGING US IF WE FOUND WHO ROBBED HIM,

ABOUT A RING THAT GOT TAKEN.

YOU HELPED US, GIVING US A HEADS?UP

WHAT YOU DID WITH THAT RING,

WE COULD GET YOU SOME CONSIDERATION.

HELPING YOU FIND THIS RING,

THAT WOULD HELP ME OUT?

ALL RIGHT. I GOT IT.

WHERE?

TOP DRAWER, DRESSER IN MY APARTMENT.

WRITE DOWN THE ADDRESS.

THIS GOING TO GIVE ME SOME CONSIDERATION?

WE'LL DEFINITELY TELL THE D.A. YOU WERE COOPERATIVE.

SEE, THE ONLY PROBLEM IS, MICHAEL, THAT OLD MAN DIED.

AS FAR AS THE LAW'S CONCERNED, THAT MEANS YOU KILLED HIM.

YOU'RE TELLING ME THAT OLD MAN DIED?

TOUGH LUCK, HUH, MICHAEL?

MAN, I DIDN'T EVEN WANT TO HURT THAT DUDE.

WHY DIDN'T HE JUST GIVE UP THE DAMN RING?

SO RUSSO TOLD KRISTEN TO BE HERE

OVER 20 MINUTES AGO.

[ DOORBELL BUZZES ] HERE WE GO.

HI.

HEY.

TAKE OFF YOUR COAT.

IT WAS A NICE SURPRISE, YOU INVITING ME OVER.

I DIDN'T THINK YOU EVEN LIKED ME.

WELL, I HAD TO ACT LIKE THAT AT THE CLUB.

I MEAN, ED AND JOEY DON'T LIKE US GIRLS

DATING EMPLOYEES.

YOU WANT SOMETHING TO DRINK? I GOT BEER.

YEAH, BEER'S GOOD.

LET ME LAY THIS RIGHT OUT.

I DON'T WANT HAPPENING TO ME WHAT HAPPENED TO LANA.

I GUESS NOT.

'CAUSE IF WHAT HAPPENED TO HER WAS 'CAUSE SHE WAS STUPID

AND SHE WOULDN'T PLAY BALL,

I'M NOT MAKING THAT SAME MISTAKE.

I DON'T FOLLOW YOU.

WHAT'S ALL THIS CRAP ABOUT LANA?

ALL I'M SAYING IS, YOU KNOW,

WHATEVER YOU HAD TO DO, THAT'S COOL.

WHAT I'M THINKING IS I CAN TAKE HER PLACE

SELLING JEWELS AT THE CLUB.

SO I'M COMING TO YOU FIRST TO SAY

YOU AND ME CAN BE PARTNERS.

ANYTHING I MAKE, YOU GET HALF.

LOOK, BABE, COME ON, ENOUGH TALK.

THIS GUY'S A MAJOR ASSHOLE. EASY, DANNY.

HE'S NOT INTERESTED IN NOTHING BUT THROWING A HUMP IN HER.

FRANK, COME ON. I WANT TO GET THIS STRAIGHT.

SURE, WE'RE PARTNERS.

HOW ABOUT SHOWING ME WE'RE PARTNERS?

COME ON, ANDY, LET'S GO.

JUST WAIT.

FRANK, THAT'S ENOUGH. I DON'T WANT TO.

WHAT IS THIS, SOME KIND OF PRICK TEASE?

YOU ASK A GUY OVER TO YOUR HOUSE,

AND THEN YOU DON'T WANT TO?

I ASKED YOU OVER BECAUSE I WANT TO TALK ABOUT BUSINESS,

IN PRIVATE.

I DON'T THINK SO.

LET'S GO. JUST WAIT. IT'S NOT ENOUGH.

THAT'S A NICE BLOUSE.

YOU WEARING A BRA UNDER THAT, HMM?

HEY, COME ON! DON'T!

NOW! LET'S GO!

WE'RE GOING TO DO THIS.

NO! DON'T!

STOP, ASSHOLE!

WHAT THE HELL IS GOING ON?

YOU'RE UNDER ARREST FOR ATTEMPTED RAPE.

A SLUT LIKE THIS TAKES A HUMP, YOU THINK IT'S RAPE?

I'M SORRY. HE WOULDN'T SAY ANYTHING.

IT'S OKAY, KRISTEN. YOU WORKING WITH THEM?

HUH, YOU SKANKY LITTLE BITCH?

YOU WANT TO SHUT YOUR MOUTH NOW, FRANK,

BEFORE I SHUT IT FOR YOU?

ALL RIGHT, DANNY. ALL RIGHT.

Frank: WHERE'S MY JACKET?

YOU GOT A BIG PROBLEM, FRANK.

WE GOT A REAL GOOD PICTURE OF YOU ON TAPE

TRYING TO RAPE THAT GIRL.

Andy: YOUR FILM DEBUT

IS NOT EXACTLY SCORING YOU NO OSCAR,

BUT IT DOES WIN YOU 10 YEARS IN THE JOINT.

IT COULDN'T BE RAPE. SHE INVITED ME OVER.

THIS SHOWS HER SAYING NO

AND YOU NOT TAKING THAT FOR AN ANSWER.

THAT'S ATTEMPTED RAPE. YOU WANT TO SEE IT?

THE GOOD NEWS IS

I THINK WE CAN HELP EACH OTHER OUT. HOW'S THAT?

CARDS ON THE TABLE ?? WE NEED SOMETHING FROM YOU

WHICH GIVES YOU A HAND YOU CAN DEAL.

Andy: YOU SEE, WITH THIS ATTEMPTED RAPE,

WE KNOW WHAT HAPPENED.

THAT'S 10 YEARS WE GOT IN THE BANK.

BUT WITH THESE TWO PEOPLE THAT GOT MURDERED TODAY,

THOSE, WE DON'T KNOW WHAT HAPPENED.

WE'RE TALKING ABOUT LANA AND MIKE.

HEY, THAT I KNOW NOTHING ABOUT.

HEY, WE KNOW YOU WERE THERE.

COME ON, BACK AT LANA'S,

REMEMBER THAT RUSSIAN GUY'S VOICE ON THE MESSAGE MACHINE?

WELL, HE PICKED OUT YOUR PICTURE COMING OUT OF HER PLACE

TWO MINUTES AFTER SHE GOT KILLED.

YEAH?

YEAH. WHAT'S WORKING FOR YOU

IS MIKE AND LANA BOTH BEING DEAD,

THAT LEAVES JUST YOU WHO KNOWS WHAT HAPPENED.

WE DON'T KNOW, WAS IT YOU KILLED THE GIRL,

WAS IT MIKE?

PLUS, WITH MIKE, DID YOU SHOOT HIM

FOR THE MONEY, DID HE PULL A GUN ON YOU?

NOW, IF YOU COULD HELP US OUT WITH THAT,

MAYBE WE COULD MAKE THIS RAPE THING GO AWAY.

YOU MEAN, LIKE, GO AWAY AWAY?

LIKE, POOF.

ALL RIGHT. I DIDN'T KILL NO ONE.

MIKE KILLED THE GIRL.

IT WAS ALL HIS IDEA. I JUST WENT ALONG.

SO YOU WERE JUST ROBBING HER.

OKAY, YEAH, BUT SHE WASN'T SUPPOSED TO BE HOME.

GIRL HITS THE GYM AT 8:30, 24/7.

SHE DON'T GET HOME UNTIL 10:00.

THIS MORNING SHE PICKS TO MEET THE JEWELER.

BAD LUCK.

EXACTLY. MIKE, HE'S GOT A KEY.

MADE A COPY FROM ONCE WHEN THEY WAS DATING.

SO MIKE'S PLANNING THIS ALL ALONG.

THAT'S RIGHT. SO SHE COMES IN ON US,

SEES US GRABBING UP THE SAFE, STARTS SHOUTING.

MIKEY FLIPS OUT. MIKE DID?

YEAH. STICKS HIS HAND OVER HER MOUTH,

RIPPING AT HER CLOTHES,

SHOUTING AT HER, "SHUT UP! SHUT UP!"

SHE JUST HITS THE FLOOR.

SO YOU BOOK.

DAMN RIGHT WE BOOK. JUMP IN MY CAR,

TAKE OFF, PARK A FEW BLOCKS AWAY FROM THERE.

MIKE PULLS A GUN ON ME.

I PUSH THE GUN AWAY, GUN GOES OFF.

YOU'RE SAYING THIS WAS SELF?DEFENSE,

YOUR SHOOTING MIKE.

YEAH, LIKE JUSTIFIABLE.

I HAD TO DO IT.

SO, YOU SEE, I DIDN'T KILL NO ONE.

YOU MAKE YOUR STATEMENT, WE'LL TAKE IT TO THE D. A.

OKAY. I JUST TELL THE TRUTH, AND EVERYTHING'S COOL?

ALL RIGHT.

WHERE DID YOU FIND IT?

THE GUY THAT YOU PICKED OUT, HE TOLD US WHERE TO FIND IT.

YOU'VE ARRESTED HIM?

YES, MA'AM.

THANK YOU. THANK YOU BOTH.

MARTY WORE THIS RING EVERY DAY FOR 56 YEARS.

NOW I'LL WEAR IT FOR HIM.

I'M SURE HE'D APPRECIATE IT.

CAN WE GET YOU A RIDE HOME?

NO. MY DAUGHTER'S WAITING DOWNSTAIRS.

WE'LL WALK YOU OUT.

FRANK RUSSO'S WRITING OUT A STATEMENT.

DID HE GO FOR BOTH HOMICIDES?

HE'S WRITING DOWN HIS VERSION.

HE PLACES HIMSELF ON THE SCENE, BOTH CASES.

Andy: PROBABLY WON'T INCLUDE

THE SECOND BULLET GILLESPIE TOOK

RIGHT BEHIND THE EAR

AND KIND OF BLOWS HIS SELF?DEFENSE THEORY. GOOD WORK.

DON'T FORGET TO PUT IN FOR THE OVERTIME.

OH, DETECTIVE JONES,

DETECTIVE RUSSELL FOR YOU.

THANKS, JOHN.

HEY, I WROTE IT ALL DOWN ??

HOW MIKE KILLED THE GIRL AND HOW HE TRIED TO KILL ME.

GOOD.

SO WHAT HAPPENS NOW?

WELL, YOU TAKE A LITTLE RIDE TO CENTRAL BOOKING

AND GET PROCESSED. IS THAT WHAT YOU CALL IT?

A FORMALITY, RIGHT? AFTER THAT I GET BAIL?

FRANK, THERE'S NO BAIL ON A MURDER CHARGE.

MURDER CHARGE? WHAT'S HE TALKING ABOUT?

THE TWO COUNTS OF MURDER ?? LANA AND MIKE.

WAIT A MINUTE. I EXPLAINED ALL THAT,

AND YOU UNDERSTOOD.

YEAH, AND YOU'RE GETTING CHARGED WITH MURDER,

SO NOW IT'S BETWEEN YOU AND THE LEGAL SYSTEM.

BUT LIKE WE PROMISED,

WE'RE HOLDING OFF ON THE ATTEMPTED RAPE.

OH, THANKS FOR NOTHING.

YOU LOUSY COPS, YOU SCREWED ME!

WHAT ABOUT THAT SECOND BULLET YOU PUT IN MIKE'S HEAD?

CHILL, FRANK. THERE'S ALWAYS HOPE.

WE'RE COPS. WE DON'T BELIEVE NOBODY.

BUT JURIES ?? YOU NEVER KNOW. THINK OF O. J.

HERE THEY ARE NOW.

HEY, KRISTEN.

KRISTEN, HI.

FRANK GAVE IT UP.

HE SAID HE KILLED LANA?

NOT IN SO MANY WORDS, BUT DON'T YOU WORRY.

HE'S GOING DOWN FOR KILLING BOTH OF THEM.

COME ON IN.

PLUS, HIM GETTING CHARGED WITH MURDER,

THERE'S NO BAIL,

SO YOU DON'T HAVE TO WORRY ABOUT HIM COMING AFTER YOU.

THANK GOD FOR THAT.

THANK YOU, TOO.

I'M GONNA GO, UH, FRESHEN UP.

I'M GETTING OFF DUTY. I COULD DROP YOU HOME.

OH, THAT'S VERY NICE, BUT I HAVE TO GO TO WORK.

I COULD DROP YOU THERE.

WHY DON'T YOU COME BY THE CLUB LATER?

I'M DANCING 10:00 TO 2:00.

YEAH? MAYBE I WILL.

I'D LIKE THAT.

I'LL LEAVE YOUR NAME AT THE DOOR

SO YOU WON'T HAVE TO PAY THE COVER CHARGE.

I COULD PROBABLY HANDLE THAT MYSELF.

SO, UM, I'LL SEE YOU LATER?

YEAH.

NICE GIRL.

YEAH, SEEMS LIKE. GLAD SHE'S OKAY.

GOOD NIGHT.

YEAH, GOOD NIGHT.

NICE WORKING WITH YOU TODAY.

YEAH, THANKS.

YOU OKAY?

I'M FINE.

AHEM.

I KNOW, UH, SOMETIMES THE ONLY WAY TO LEARN

IS BY MAKING YOUR OWN MISTAKES,

BUT BELIEVE ME WHEN I TELL YOU

HOW MANY TIMES I SEEN THIS.

YOU GOTTA FIND SOME WAY TO MOVE ON.

I KNOW, ANDY.

OKAY.

HEY, I'M, UH, GOING TO PICK UP SOME TAKEOUT

AND GO BACK TO MY PLACE. YOU WANT TO COME OVER?

I THINK I'M GOING TO STAY HERE AND TYPE OUT THE FIVES.

I DON'T THINK I'D BE VERY GOOD COMPANY TONIGHT.

ALL RIGHT, THEN. GOOD NIGHT.

NIGHT.

ANDY.

IT'S GETTING LATE, SO I PUT THEO TO BED.

SORRY. I KNOW I SHOULD HAVE CALLED.

HOW WAS WORK?

YOU DON'T WANT TO HEAR ABOUT ALL THAT.

WHY NOT? I LIKE TO HEAR ABOUT YOUR DAY.

I JUST DON'T FEEL LIKE TALKING NOW, OKAY?

OKAY.

STUCK BETWEEN THE USUAL SKELS AND DEAD BODIES,

I GOT DIANE RUSSELL

LEAVING THE SQUAD AND I GOT A PARTNER

WHO'S MAYBE GOING TO CRACK UP OVER THAT.

PLUS A NEW BOSS.

I FEEL LIKE EVERYTHING'S FALLING APART DOWN THERE.

BOBBY'S WIFE'S LEAVING THE SQUAD?

YOU DIDN'T MENTION ANYTHING ABOUT THAT.

LIKE I SAID, I, UH, I DON'T FEEL LIKE

TALKING ABOUT ALL THIS.

OKAY, ANDY.

THERE'S CHICKEN LEFT IN THE KITCHEN.

I CAN HEAT SOME UP.

THAT'S OKAY, I GOT IT.

[ TELEPHONE RINGS ]

15th DETECTIVE SQUAD.

DIANE, HI.

NO, NO, THAT'S OKAY.

I FIGURED YOU'D GET TO ME.

MUST BE TOUGH FOR YOU, LEAVING.

SO, HOW LONG YOU THINK YOU'LL BE GONE?

ARE YOU GOING AWAY SOMEPLACE?

YEAH, SOMETIMES IT'S BEST, NOT NAILING THAT STUFF DOWN.

YOU KNOW, I GOT A LOT TO SAY,

BUT MAYBE IT'S NOT REALLY THE TIME.

YEAH, OKAY.

I'M HERE, YOU KNOW, ANYTIME YOU NEED ME.

YOU TAKE CARE OF YOURSELF.

I HOPE IT ALL WORKS OUT.

I'LL TALK TO YOU SOON.

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