Original subtitles

HEY, KATIE.

WHAT ARE YOU DOING HERE?

I TOLD YOU I WAS GOING TO TRY AND STOP BY.

ANDY SIPOWICZ, THIS IS CLARA GRAVES, THEO�S TEACHER.

OH, HOW�S IT GOING?

WE ARE SO THRILLED FOR YOU AND KATIE.

ABOUT THEO GETTING BETTER.

ARE YOU GOING TO BE ABLE TO MAKE IT

TO THE OPEN HOUSE ON THURSDAY?

OPEN HOUSE?

I WROTE IT ON THE CALENDAR.

OH, UH...

CAN I HAVE AN ICE CREAM?

IT�S TOO EARLY FOR THAT, THEO.

AFTER LUNCH.

LOOK WHO�S HERE.

HI, DADDY.

SURE, YOU CAN HAVE AN ICE CREAM.

ANDY, THE OTHER KIDS.

WHAT, TRAUMATIZED?

WELL, JUST MAKE SURE HE EATS IT OVER THERE.

ALL RIGHT. COME ON.

SO, YOU HAVING SOME FUN OUT HERE?

HOW COME YOU�RE NOT AT WORK, DADDY?

�CAUSE I�M YOUR DAD AND I WANT TO SEE YOU.

[ SIREN WAILING ]

WHOA. SOMEBODY�S IN TROUBLE, HUH, DADDY?

YEAH, THAT�S RIGHT.

HERE YOU GO. ALL RIGHTY.

I WANT TO BE A COP.

WHAT HAPPENED TO BEING A PILOT?

AND I WANT TO CHASE ALLIGATORS AND SNAKES.

OH, LIKE THAT AUSTRALIAN NUTCASE ON TV?

YEAH.

ALL RIGHT, WELL, YOU�RE GOING TO GET TO BE

WHATEVER YOU WANT TO BE, THEO,

AND I�M GOING TO BE THERE TO BACK YOU UP.

[ SIRENS WAILING ]

WHOA. SOMEBODY�S REALLY IN TROUBLE.

Man: ALL UNITS, BE ADVISED. THAT�S A CONFIRMED 10?13.

OFFICER SHOT AT 2nd AND "B."

KATIE.

I�LL YOU LATER, SPORT.

WHAT�S WRONG?

WE GOT A COP SHOT.

BYE, DADDY.

EXCUSE US. WHERE IS HE?

RIGHT OVER THERE.

EDDIE, WHAT HAPPENED?

A STATIONERY STORE WAS HIT FOUR BLOCKS AWAY.

IT CAME OVER THE AIR ?? BLACK MALE, 20s,

DENIM JACKET, BLACK �DO RAG.

WE PULL UP ON TWO GUYS, ONE FITTING THE DESCRIPTION.

SOON AS WE OPEN OUR DOORS, ONE BOOKS AND I CHASE HIM.

GUY WITH THE �DO RAG BOOKS?

NO, THE OTHER GUY ?? HE WAS WEARING A BLUE SHIRT.

HE�S TURNING TO RUN UP INTO THIS APARTMENT

WHEN I HEAR THE SHOT.

I MEAN, SHE WAS WEARING A VEST, YOU KNOW, BUT...

THE GUY WITH THE �DO RAG�S WHO SHOT YOUR PARTNER?

YEAH, I HEAR THE SHOT, I TURN AROUND,

I SEE �DO RAGS STUFF THE GUN INTO HIS WAISTBAND.

HE�S A HALF?BLOCK AWAY, SO I RUN BACK,

I GET CHERYL INTO THE CAR AND OVER HERE.

I WAS RIGHT TO CHASE THE OTHER GUY, THOUGH.

NOBODY�S SAYING YOU WEREN�T.

THANK YOU.

ANYTHING ELSE YOU CAN GIVE US ON THIS SHOOTER?

NOT MUCH. I MEAN, HE JUMPED OFF SO DAMN FAST.

DETECTIVES? REAL QUICK, THOUGH.

WAIT HERE.

TELL CHERYL I�M RIGHT OUTSIDE.

SHE�S STABLE RIGHT NOW,

BUT KEEP IT AT JUST A COUPLE QUESTIONS.

CHERYL?

DID ANYBODY NOTIFY MY HUSBAND?

HE�S ON HIS WAY.

CHERYL, GIVE US THE DESCRIPTION.

LIGHT?SKINNED BLACK GUY, 20s.

BIG?

LIKE, 5�8", THIN.

UH, SHAVED HEAD, HAIR, GOATEE?

WHERE�S MY HUSBAND?

HE�S ON HIS WAY. JUST HANG IN THERE.

MEANWHILE, YOU GOT HALF THE COPS IN THIS CITY

GIVING YOU THEIR STRENGTH, OKAY? LEAN ON US.

WHAT ELSE CAN YOU GIVE US ON THE GUY WHO SHOT YOU, CHERYL?

OH, GET IT OUT. GET IT OUT.

WHAT DID YOU PUT IN HER?

GET IT OUT. GET THE BULLET OUT.

OKAY. ALL RIGHT.

YOU�VE GOT TO GO. THAT�S IT.

Cheryl: GET IT OUT.

GET IT OUT. GET IT OUT. GET IT OUT.

EDDIE, THIS SHOOTER ?? YOU SAID HE FIT THE DESCRIPTION

CAME OVER THE AIR ON THE STATIONERY STICKUP.

RIGHT.

SO YOU MUST HAVE GOT A DECENT LOOK AT HIM

BEFORE YOU GOT OUT OF THE CAR TO CHASE THE OTHER GUY.

WELL, CHERYL�S THE ONE THAT SPOTTED HIM,

BUT, YEAH, I SAW HIM FOR ABOUT HALF A SECOND.

COULD YOU I. D. HIM?

GOD, I HOPE SO.

OH, LOOK, THIS IS CHERYL�S HUSBAND HERE.

I WAS RIGHT LEAVING HER BY HERSELF.

EVERYBODY�S CLEAR ON THAT.

EDDIE, WHAT THE HELL HAPPENED?

CAPTAIN, IT JUMPED OFF SO QUICK.

YOU RETURN FIRE? I WASN�T THERE.

WHERE WERE YOU?

IN A FOOT CHASE WITH THE SECOND GUY.

YOU DON�T ABANDON YOUR PARTNER.

CAPTAIN, SHE ALWAYS TOLD ME TO LET HER HANDLE HERSELF.

DID WE NOT TALK ABOUT THIS, HUH?

DID YOU NOT GIVE ME YOUR WORD YOU�D LOOK OUT FOR HER?

CAPTAIN, THIS AIN�T DOING NOBODY ANY GOOD.

GET YOUR HANDS OFF ME.

OH, MY GOD.

Andy: WHAT�S GOING ON?

SHE MIGHT BE BLEEDING INTERNALLY.

WE�RE GOING TO FIND OUT WHERE IT�S COMING FROM.

I�M HERE, SWEETHEART. EVERYTHING�S GOING TO BE OKAY.

I DIDN�T DO NOTHING WRONG.

IT�S OKAY. IT�S ALL RIGHT.

THANKS.

THE PARTNER TOLD DANNY HE WAS PURSUING ONE OF THE PERPS

INTO THAT BUILDING UNTIL HE HEARD THE SHOT.

UNIFORM SECURED THE BUILDING RIGHT AFTER THE SHOOTING.

ACCORDING TO THE SUPER,

THE STATE POLICE CAME BY LAST WEEK

LOOKING FOR A BLACK MALE IN APARTMENT 2?J.

WE GOT THE CASHIER FROM THE STATIONERY STORE ROBBERY

WHEN YOU�RE READY.

I�LL TAKE THAT.

WE�LL ?? WE�LL CHECK OUT THIS APARTMENT.

SHE�S GOING TO TALK TO YOU, OKAY?

MYA, RIGHT?

WHY DON�T WE, UH, STEP OVER HERE?

I�M DETECTIVE RUSSELL.

WHAT CAN YOU TELL ME

ABOUT THE GUY WHO ROBBED YOUR STORE?

HE WAS A BLACK GUY IN A RED T?SHIRT AND JEANS.

I TOLD THE COP ALREADY.

I KNOW. I NEED A MORE DETAILED DESCRIPTION.

THEN I THINK I SHOULD TALK TO MY MOM.

ABOUT WHAT?

ABOUT, YOU KNOW, GETTING INVOLVED.

WHATEVER YOU SAY IS BETWEEN US.

YEAH, THAT�S WHAT YOU GUYS SAID

TO SOME GUY TWO STREETS DOWN

WHO TESTIFIED AGAINST SOME DEALERS,

AND NOW HE�S GOT A TOMBSTONE ON HIS FOREHEAD, OKAY?

IN MY NEIGHBORHOOD, FOOLS RETALIATE.

OVER AT BELLEVUE, THERE�S A COP

WITH A BULLET IN HER CHEST.

YOU KNOW HOW SHE GOT IT, MYA?

WHEN YOU CALLED 911 ASKING FOR HELP,

THAT OFFICER RESPONDED.

SHE AND HER PARTNER WENT LOOKING FOR THE GUY

WHO STUCK HIS GUN IN YOUR FACE.

SHE GOT INVOLVED FOR YOU.

THAT SAME GUY IS PROBABLY THE ONE WHO SHOT HER.

WANT ME TO DRIVE YOU DOWN TO THE E. R.

SO YOU CAN TELL HER YOU�RE LOOKING THE OTHER WAY?

THEN HOW ABOUT STEPPING UP?

ALL RIGHT, HE�S, LIKE, IN HIS 20s,

DARK SKIN, AND, UM,

I GUESS, LIKE, 6 FEET TALL.

[ KNOCK ON DOOR ]

[ DOG BARKING ]

A DOG.

AS OPPOSED TO A GOLDFISH?

I HATE DOGS.

[ DOG GROWLS ]

EITHER IT�S PRONE TO LARYNGITIS

OR SOMEONE�S HOLDING ITS MUZZLE.

OPEN UP!

[ DOG GROWLS ]

I CAN TAKE IT.

THAT�S SOLID CORE.

LOOK, WE GOT A COP SHOT.

YEAH, ALL THE MORE REASON TO DO IT RIGHT.

LET�S TRY THE FIRE ESCAPE.

KEEP YOUR EYE ON THIS DOOR HERE.

KICK OUT THE WINDOW AND GO IN?

WHAT WE HAVE IS A SUPER SAYING

THAT THE STATE POLICE CAME TO SEE THIS GUY.

IT�S GOING TO BE TOUGH TO JUSTIFY THE SEARCH.

WE COULD SAY THE WINDOW WAS BROKEN.

IF IT WAS SMALLER PANES,

MAYBE WE COULD KNOCK ONE OUT, UNLATCH IT, BUT THIS...

I DON�T KNOW IF WE CAN DO THIS.

[ DOG BARKING ]

GIVE ME THE WORD.

I�LL KICK THIS THING IN RIGHT NOW.

IF THEY WERE SMALLER, WE COULD JUST KICK OUT ONE.

WELL, THEY AIN�T, GREG, SO WHAT�S THE CALL?

BECAUSE WE�RE STANDING HERE LIKE DUCKS.

I?I DON�T WANT US TO BE THE ONES

THAT BLOW THIS CASE OFF SOME ILLEGAL SEARCH.

THEN LET�S GO.

HEY, UH, DO ME A FAVOR. KEEP AN EYE ON THIS WINDOW.

ALL RIGHT.

YEAH, TORI JAMISON ??

BLACK MALE, 20s, MANHATTAN ADDRESS.

OKAY, THANKS.

SUPER GAVE US A HEADS UP ON A BLACK MALE LIVING IN 2?J.

STATE POLICE CAME LOOKING FOR HIM A WEEK AGO.

TORI JAMISON ?? I�M RUNNING HIM THROUGH B.C.I.

ANYTHING FROM THAT STATIONERY STORE CASHIER?

DETAILED DESCRIPTION, BUT I WOULDN�T COUNT ON HER

FOR GIVING MUCH MORE THAN THAT.

DID SHE SAY THE PERP WAS LIGHT?SKINNED, AROUND 5�8"?

DARK?SKINNED.

10:30 IN THE MORNING, RESIDENTIAL STREET,

NOBODY SEES NOTHING.

HOW�S THAT COP?

SHE�S IN THE O. R.

HOW�S THE PARTNER?

MESSED UP.

WE WENT UP TO THE FIRE ESCAPE ON 2?J.

THERE�S A SHEET COVERING THE WINDOW,

BUT SOMEBODY�S IN THERE WITH A DOG.

A BIG DOG.

GREAT, THANKS.

HE�S GOT A WARRANT OUT FOR FAILURE TO APPEAR.

THAT�S ALL WE NEED. LET�S HIT IT.

COME ON, GUYS.

HEY, DIANE, HOW ABOUT GETTING TORI�S MUG SHOT

AND PUT TOGETHER A PHOTO ARRAY FOR THAT CASHIER?

SURE.

IF THAT DOG IS LOOSE, I�M TAKING IT OUT.

CAN A DOG HOLD A GUN IN ITS PAW, YOU THINK?

NO, BUT THEY CAN LOCK THEIR JAWS ONTO YOUR CALF,

THEIR SHARP TEETH SUNK INTO YOUR FLESH.

WORRY ABOUT THE HUMAN.

[ DOG BARKING ]

AAH!

LET GO OF THE GUN!

CONTROL YOUR DOG.

PSYCHO, STOP!

YOU MOVE YOUR EYEBALLS TOWARD THAT DOG, WE OPEN UP.

YOU LET GO OF THAT LEASH, WE OPEN UP.

PLEASE DON�T SHOOT MY DOG, MAN.

ALL RIGHT, GET UP ON YOUR KNEES

AND HOLD THE DOG BY YOU.

NOW SECURE THAT DOG.

HOW? DO IT!

HOW? TELL ME HOW.

WHAT�S IN THERE?

A CLOSET.

ALL RIGHT, PUT HIM IN THE CLOSET.

COME ON, PSYCHO.

COME ON. COME ON, BOY.

COME ON. THERE YOU GO. HE�S IN.

BACK OFF. BACK OFF! GET YOUR HANDS UP THERE.

GET THAT STUPID THING OFF YOUR HEAD.

Danny: WHAT�S UP WITH THE GAS MASK?

I THOUGHT YOU GUYS WERE GOING TO THROW TEAR GAS AT ME.

WE AIN�T USED TEAR GAS IN NEW YORK

SINCE THE FIRST WORLD WAR.

ALL CLEAR!

AIN�T NOBODY YET TELL ME WHAT THE DEAL IS.

JUST BE HAPPY YOU�RE STILL ALIVE

AND SHUT YOUR MOUTH.

GOT CRACK AND A CRACK PIPE HERE.

THAT�S THE WINDOW WE WERE AT?

MY GUT TOLD ME NOT TO BUST INTO THIS PLACE HALF?COCKED.

I LOVE THAT GUT.

[ DOG GROWLS ]

HEY...

POKEY.

THANKS.

TIPS ARE COMING IN HOT AND HEAVY.

ANYTHING LEGIT?

WE GOT ANTI?CRIME CHECKING A COUPLE OUT.

THAT, UH, CASHIER DIDN�T RECOGNIZE TORI FROM MUG SHOTS.

Fancy: LIQUOR STORE HELD UP OVER ON HOUSE

AND WE GOT TO DEAL WITH THEM. WHERE�S JONES AND MEDAVOY?

UH, THEY SHOULD BE RIGHT BEHIND US.

OKAY.

GET THEM ON THE RADIO AND HAVE THEM RESPOND.

RIGHT AWAY.

ANY WORD ON THAT SHOT COP?

SHE�S, UH, STILL IN O. R.

HEY, MAN, AM I NOT ENTITLED TO KNOW

WHAT THE HELL I GOT YANKED UP IN HERE FOR,

OR DID I WAKE UP IN THE SOVIET DAMN UNION?

NO, YOU�RE ENTITLED. THANK YOU.

WHERE WERE YOU THIS MORNING, TORI?

WHAT AM I IN HERE FOR?

YOU KNOW WHAT YOU�RE IN HERE FOR.

OOH, MIND GAMES.

HEY!

YOU STOP BY A STATIONERY STORE ON "B"?

NOWHERE NEAR "B" THIS MORNING.

I WALKED STRAIGHT FROM MY GIRL�S PLACE ON 6th

TO MY PAD ON 2nd AVENUE.

YOU WEREN�T WALKING WHEN THAT COP WAS CHASING YOU

INTO YOUR BUILDING.

WRONG GUY. NICE TRY, THOUGH.

WE BRING THAT COP IN HERE,

HE�S NOT GOING TO RECOGNIZE YOU?

IT WOULDN�T BE THE FIRST TIME

I GOT MISTAKEN FOR ANOTHER BROTHER.

SO THIS IS YOU PREPARING US

FOR HIM PICKING YOU OUT.

LOOK, IT HAPPENS TO ME ALL THE TIME.

I GOT A FAMILIAR FACE.

WELL, THIS TIME IT�S GOING TO BE A COP I.D.ing YOU,

NOT SOMEBODY MISTAKING YOU FOR SOME DICKHEAD

THEY SAT NEXT TO IN THE HOMEROOM.

OKAY, SO THIS COP SAYS IT WAS ME.

WHAT AM I GOING TO GET RAILROADED FOR?

SO THIS IS YOU FEELING OUT WHAT THE CHARGE IS

BEFORE YOU DECIDE TO GET STRAIGHT WITH US.

LOOK, I JUST WANT TO KNOW WHAT THIS IS ALL ABOUT.

THAT�S WHAT THIS IS.

THIS COP�S IN TROUBLE AND HE NEEDS TO ACCOUNT

FOR HIS ACTIVITIES THIS MORNING,

WHICH INVOLVED HIM CHASING A GUY

THAT LOOKS A LOT LIKE YOUR SKINNY ASS

INTO THAT BUILDING ON 2nd AVENUE.

TORI, YOU STOP OUTTHINKING YOURSELF AND YOU TELL US

ABOUT RUNNING AWAY FROM THAT COP

BEFORE YOU MAKE US JUMP THROUGH HOOPS PROVING IT,

YOU JUST MIGHT DO A LITTLE GOOD FOR YOURSELF

IN THE PROCESS.

WE SHOULD HAVE STARTED HERE, GUYS.

WE�RE HERE NOW.

OKAY...

IT WAS ME.

THIS MALE COP AND THIS FEMALE COP,

THEY GOT OUT OF THEIR CAR AND YOU BOOKED.

I GOT SOME CHILD SUPPORT MISUNDERSTANDINGS ??

WE DON�T CARE WHY YOU BOOKED.

FINE.

ALL RIGHT, LAST THING ?? YOUR BUDDY

THAT YOU�RE WALKING DOWN THE STREET WITH

WHEN THOSE TWO COPS ROLLED UP ON YOU,

THE LITTLE LIGHT?SKINNED BLACK GUY

WITH THE �DO RAG AND THE DENIM JACKET,

WHAT�S HIS NAME?

LOOK, NO, NO, HE AIN�T MY BUDDY, MAN.

OW! LOOK, I CAME THROUGH WITH WHAT YOU GUYS WANTED

SO THAT COP CAN ACCOUNT FOR HIS WHEREABOUTS.

YOUR BUDDY,

WHILE YOU WERE BEATING FEET IN A DIFFERENT DIRECTION,

HE SHOT A FEMALE COP!

WHOA, WHOA, HEY, HEY, I DON�T KNOW HIS NAME.

I JUST SAW HIM AROUND THE NEIGHBORHOOD

AND HE JUST HAPPENED TO WALK ALONGSIDE ME

WHEN THOSE COPS PULLED UP, MAN.

TORI, WHO ARE YOU CLOSER WITH,

THIS GUY YOU�RE WALKING WITH OR YOUR DOG?

WHAT DOES PSYCHO HAVE TO DO WITH THIS?

WELL, YOU GIVE US THIS GUY�S NAME,

AND YOU�LL BE SCRATCHING PSYCHO�S BELLY

THE END OF BUSINESS TODAY. IF NOT,

THEY GOT LAWS ON THE BOOKS FOR DOGS ATTACKING COPS.

DON�T YOU HURT MY DOG, MAN.

HEY, THIS IS YOUR DECISION, TORI.

PSYCHO�S FATE IS SQUARELY IN YOUR PAWS.

MY NAME GOT TO COME UP?

YOU WERE NEVER HERE.

YOU GOT TO CALL MY SISTER SO SHE CAN GO GET PSYCHO.

WE WILL.

ANDRE CUTLER.

DON�T TOUCH MY DOG, MAN.

THIS IS GONNA BE BETTER THAN HITTING THE LOTTERY.

WE GOT HIM FOR THE STICKUP ON THAT STATIONERY STORE.

YOU SEE WHAT THESE COPS DONE TO MY EYE?

NAME�S MITCHELL DUNN. HE RESISTED.

I�M SUING YOU GUYS, I�M SUING THE CITY,

AND I�M GONNA SUE THE MAYOR. SHUT YOUR MOUTH.

WHAT�S THIS?

WHAT�S THIS?

SETBACKS TO GREENBACKS, THAT�S WHAT THIS IS.

STATIONERY STICKUP.

I DIDN�T STICK UP NO STORE, AND I DIDN�T SHOOT NO COP.

WE GOT A RELIABLE TIP SAYS OTHERWISE.

PUT HIM IN INTERVIEW THREE AND WAIT THERE.

LOT?TER?Y.

WHAT�S HIS NAME, MITCHELL SOMETHING? MITCHELL DUNN.

I DON�T THINK HE�S OUR SHOOTER.

HE FITS THE DESCRIPTION THE CASHIER GAVE ME TO A "T."

THIS TORI WE JUST TALKED TO

GAVE US AN ANDRE CUTLER.

Danny: AND WE TEND TO BELIEVE HIM.

THE COPS PUT A BEATING ON HIM.

HEY, DIANE, YOU WANT TO GO WITH MITCHELL

AND WE�LL GO FIND THIS ANDRE?

NO. I WANT THE SHOOTER. THE THREE OF YOU, GET GOING.

I�LL HANDLE THIS.

LIEUTENANT, HE RESISTED.

WHO GAVE YOU THE TIP HE WAS IN ON THE STATIONERY STORE?

A STOOL. SAID THIS GUY DEFINITELY HIT THE STORE

THEN SHOT CHERYL.

SO THIS RESISTING TAKE PLACE ON THE STREET?

APARTMENT HALLWAY.

WHO SAW IT? A COUPLE OF PEOPLE,

A COUPLE OF HIS BUDDIES.

HOW DIFFERENT�S THEIR VERSION GOING TO BE?

LIEUTENANT, WE�RE LOOKING FOR A COP SHOOTER.

GOT THIS CRACK PIPE AND ROCK ON HIM...

AND THIS.

YEAH, TOY GUN.

WHICH, WE DIDN�T KNOW THAT AT THE TIME.

IT�S LOOKING LIKE THIS GUY WASN�T INVOLVED IN THE SHOOTING.

WE WERE TOLD THAT HE WAS.

HOLD OFF ON YOUR PAPERWORK,

AND DON�T VOUCHER THIS YET TILL YOU HEAR FROM ME.

YES, SIR.

THIS COP CHERYL, SHE MARRIED? GOT KIDS?

GOT A HUSBAND ON THE JOB.

CAPTAIN OF THE 6?7.

DON�T KNOW ABOUT KIDS.

HOW�S HE TAKING IT?

HE WAS TAKING IT OUT ON HER PARTNER

WHEN WE LAST LEFT HIM, AND IT DON�T APPEAR

THE PARTNER DID ANYTHING DERELICT.

HER HUSBAND FELT THE PARTNER SHOULD HAVE STAYED WITH HER,

BACKED HER UP. I KNOW, BUT PERP BOOKS, YOU GO AFTER HIM.

PARTNER DIDN�T DO NOTHING WRONG.

THEN EVERYBODY SHOULD DROP IT.

IF IT WAS A MALE PARTNER WHO GOT SHOT, SAME CIRCUMSTANCES,

NO ONE WOULD BE BLAMING ANYBODY.

A COP WENT TO APPREHEND A PERP

WHO WAS GOING TO DO ANYTHING TO AVOID IT,

AND IT WENT BAD, PERIOD.

HEY, HOW ABOUT THIS GUY?

HE LOOKS GOOD.

HERE WE GO ?? �DO RAG, DENIM JACKET.

DIANE, HANG BACK AND COVER US IN CASE WE LOSE HIM. YOU HANG BACK.

[ TIRES SCREECH ]

ALL RIGHT, I GOT HIM.

GONNA HAVE TO REMIND ME WHY

I DIDN�T SHOOT YOU RIGHT HERE IN THE STREET. SHOOT ME NOW.

GET HIM OUT OF HERE.

COME ON.

DANNY. YEAH? WHAT WAS THAT ALL ABOUT BACK THERE?

DON�T EVER DO THAT AGAIN.

WHAT, ASK YOU TO COVER US?

BOTH TAKEDOWNS TODAY YOU�VE WORKED IT

SO I�M IN THE BACKGROUND AND AWAY FROM THE ACTION.

DANNY, DON�T EVER DO IT AGAIN.

ALL RIGHT.

THIS HIM? NO, MARTELLI.

THIS THE GUY KILLED CHERYL?

Andy: JUST STEP ASIDE.

MARTELLI, CLEAR OUT. COME ON, MOVE OUT.

Andre: DUDE, I DIDN�T KILL NOBODY.

WHAT�S THIS "KILLED CHERYL"? WE GOT WORD 10 MINUTES AGO.

THAT�S NOT VERY SMART, TIPPING OUR SUSPECT.

[ TYPING ]

ANDY, I�LL BE UP IN A SEC.

[ TYPING CONTINUES ]

I JUST HEARD. YEAH.

WHEN THE TIME IS RIGHT, UM, WE SHOULD TALK.

YOU TAKE OFF LAST NIGHT, YOU DON�T COME BACK,

YOU DON�T CALL.

AT WHAT POINT DID I TURN INTO YOUR PUNCHING BAG?

I�M SORRY, AND THAT�S WHAT I WANT TO TALK TO YOU ABOUT.

WHAT MAKES YOU THINK I WANT TO LISTEN AT THIS POINT?

I CUT YOU SO MUCH SLACK. I�M TIRED OF IT.

[ SIGHS ]

DANNY, IF YOU CAN�T HOLD UP YOUR END ANYMORE,

THEN JUST BE HONEST WITH ME, SAVE ME SOME TIME.

OKAY.

OKAY, WHAT?

I CAN�T HOLD UP MY END ANYMORE.

THAT�S IT?

YOU�RE NOT EVEN GONNA TRY AND WORK IT OUT?

YOU NEED TO MOVE ON WITHOUT ME, MARY.

BECAUSE YOU ALREADY HAVE?

CERTAIN THINGS HAVE HAPPENED,

MADE ME REALIZE THAT I�M NOT THE GUY FOR YOU.

CERTAIN THINGS, HUH?

DANNY, THIS IS THE PART WHERE YOU SAY,

"DON�T THINK WHAT YOU�RE THINKING."

I CARE ABOUT YOU,

AND WHAT WE SHARED MEANT A LOT TO ME.

WHAT DO YOU WANT, DANNY?

IS BOUNCING FROM RELATIONSHIP TO RELATIONSHIP ENOUGH FOR YOU?

THAT�S WHAT�S GONNA HAPPEN, AND YOU�RE GONNA MISS OUT.

WE BOTH KNOW IT�S BEEN HALF?ASSED FOR A WHILE.

WHOSE FAULT IS THAT?

MARY, YOU ASKED ME TO BE HONEST.

THE TRUTH IS I CAN�T HOLD UP MY END ANYMORE.

CAN�T OR WON�T?

I DON�T KNOW IF THERE�S A BIG DIFFERENCE BETWEEN THE TWO.

THERE IS.

THEN I GUESS BOTH.

THAT�S TOO BAD.

TAKE CARE OF YOURSELF.

FOR ALL THE STUPID THINGS I�VE DONE,

THINGS THAT MAY HAVE HURT YOU, I�M SORRY.

NOTED.

WE WORK TOGETHER. PLEASE DON�T EMBARRASS ME.

YOU KNOW I WOULDN�T DO THAT.

HEY, MAN, WHAT ARE Y�ALL TRYING TO DO,

KEEP ME OUT OF THE VIEW OF THE MEDIA

UNTIL MY WOUNDS HEAL?

MEDIA? SO YOU�RE STILL HIGH, I GUESS.

DON�T EVEN TRY THIS OFF ON ME.

I WANT WHAT HAPPENED TO ME ON THE RECORD.

WHAT HAVE I GOT HERE?

WHY, IT�S A CIVILIAN COMPLAINT FORM.

NOW, HOW DID THAT GET IN MY HAND?

I GUESS I MUST HAVE BROUGHT IT IN INTENTIONALLY

SO MITCH COULD GET WHAT HAPPENED TO HIM ON RECORD.

ALL RIGHT, THEN.

MAYBE I SHOULD GO BACK INTO THE SQUAD,

PUT THIS ON THE SOUTH END OF MY TO?DO LIST

SO MITCH COULD HAVE A CHANCE TO QUIT RUNNING HIS MOUTH. CHILL. BE COOL, MAN.

YOU KNOW HOW LONG THE LINE IS OUTSIDE

OF COPS WAITING TO TAKE YOUR DAMN COMPLAINT?

LOOK, I�M SORRY, MAN, ALL RIGHT?

CAN WE JUST DO THIS?

PLEASE?

WITH THE COMPLAINT DIVISION OR SOMETHING?

SO THE BUZZ IS WEARING OFF. THAT�S GOOD.

TELL US WHAT HAPPENED.

12:30, I�M WALKING WITH THREE OF MY BOYS,

AND WE WAS ?? WHOA, HOLD ON.

WHAT�S WITH THESE TWO STICKUPS TODAY?

MAN, I DON�T KNOW NOTHING ABOUT THAT.

THEY SEEM TO KNOW A HELL OF A LOT ABOUT IT.

HAVE YOU GIVEN A STATEMENT ON EITHER OF THESE? NO, MAN.

LOOK, I�M HERE TO TALK ABOUT THE PHYSICAL ASSAULT

I TOOK ON MY PERSON THIS MORNING AT THE HAND OF TWO COPS.

YOUR COMPLAINT DON�T MEAN DICK

IF YOU COMMITTED TWO FELONIES BEFORE LUNCH.

MITCHELL, THEY GOT WITNESSES PICKED YOU OUT

OF A STATIONERY STORE ROBBERY AND A LIQUOR STORE ROBBERY.

THEY�RE MOVING ON YOU WITH THESE.

LOOK, I�LL DEAL WITH THOSE THINGS,

WHICH I DID NOT DO, LATER.

I WANT MY BRUTALITY CASE ON THE RECORD

SO I CAN SEE FINANCIAL REPERCUSSIONS.

FINANCIAL REPERCUSSIONS, THE MEDIA ??

MAYBE WE SHOULD JUST WHEEL A CHALKBOARD IN HERE

SO HE CAN MAP OUT HIS PARADE ROUTE.

GETTING BOUNCED AROUND BY THOSE COPS IS DEFINITELY

A POSITIVE FOR YOU, MITCHELL, BUT ONLY IN TERMS

OF GETTING SOME RHYTHM ON THESE TWO FELONY STICKUPS.

THAT�S WHAT YOUR BUMPS AND BRUISES ARE WORTH.

HOW MUCH ARE THEY WORTH?

AND I AIN�T SAYING I DID, EITHER.

WE�LL CHECK IT OUT WITH THE DETECTIVES WHO CAUGHT IT

WITH THE D. A.

LOOK, HOW ABOUT YOU MAKE BOTH THOSE ROBBERIES GO AWAY,

NEITHER OF WHICH I�M GONNA DISCUSS,

AND I�LL BACK OFF THE BRUTALITY THING?

RELAX.

MAKE �EM BOTH GO AWAY ?? THIS GUY.

DIANE.

DID IT WORK?

YEAH. HE�S OPEN FOR BUSINESS. GOOD.

THE SUSPECT WE GOT FOR YOUR STATIONERY STORE,

TURNS OUT HE�S ALSO OUR GUY FOR THE LIQUOR STORE STICKUP.

CASHIER PICKED HIM OUT OF A PHOTO.

BUT THE CASHIER AT THE STATIONERY STORE, MYA,

SHE�S A SCRATCH.

HER MOTHER CALLED A WHILE AGO AND SAID

HER DAUGHTER�S NOT GOING TO TESTIFY, NO MATTER WHAT.

SO WHAT DO YOU NEED?

WELL, TO GET THIS GUY OFF THE BEATING HE TOOK,

WE�RE PRETTY SURE HE�D DEAL

IF WE�D DROP THE STATIONERY STICKUP,

MAKE HIM GO FOR LIQUOR STORE ONLY PLUS RESISTING.

I�M OKAY WITH IT.

GET SOMEONE FROM THE D. A.�s OFFICE DOWN HERE TO SIGN OFF.

WHEN YOU�RE DONE, HAVE THE TWO UNIFORMS WHO COLLARED HIM

DO THEIR PAPERWORK, VOUCHER THE EVIDENCE.

LEON. THE COP WHO DIED, THAT�S HER HUSBAND.

CAPTAIN...

I�M SORRY WHAT HAPPENED.

WHAT�S GOING ON?

WELL, WE�RE FOLLOWING UP AND ?? HEARD YOU GOT THE SHOOTER.

WE HAVE A SUSPECT WE LIKE. WHERE IS HE?

MY DETECTIVES WHO CAUGHT IT ARE TALKING TO HIM RIGHT NOW.

I�D LIKE TO BE IN ON IT. WE CAN LOOK IN IF YOU WANT.

FINE. LET�S GO.

COME ON.

IS THERE A LANGUAGE PROBLEM HERE?

HEY, THIS SUITS US FINE, ANDRE.

WE GOT WITNESS WHO PUT YOU AT THAT CRIME SCENE.

SO YOU GO AHEAD, YOU STICK TO SAYING YOU WEREN�T THERE.

THAT SHOWS YOU�RE A LIAR, YOU GOT SOMETHING TO HIDE,

AND WE�RE DONE. I�M NOT SAYING I WASN�T THERE THERE.

I�M SAYING I WASN�T THERE WHEN NO COP WAS SHOT.

SO WHEN WERE YOU THERE THERE?

BEFORE IT WENT DOWN, OBVIOUSLY.

LOOK, TWO COPS ROLL UP, AND I HAD A BRIEF CONVERSATION

WITH THIS CUTE LITTLE FEMALE COP.

ABOUT WHAT?

SHE ASKED ME TO STAY PUT.

I TOLD HER I HAD PLACES TO BE,

I WALKED AWAY.

AND SHE STOOD THERE WAVING AT YOU.

OKAY, OKAY, MAYBE I RAN AWAY.

LOOK, I GOTTA WARN HER. I�M NOT GONNA LIE ABOUT THAT.

BUT, I MEAN, COME ON, MAN.

IT�S A LADY COP, ACTING ALL BAD?ASS.

SO I�M THINKING IF SHE WANTS TO TAKE ME IN, THEN EARN IT.

NOW AS FAR AS TO WHO SHOT HER AFTER I SPLIT,

YOU�RE THE EXPERTS.

AGAIN, CAPTAIN, I�M SORRY.

I�M GONNA CUT OUT.

YEAH, I�LL PAGE YOU WHEN THINGS FIRM UP.

THANKS, ARTHUR.

I APPRECIATE IT.

HEY, LET ME TALK TO THIS GUY.

THAT�S PROBABLY NOT A GOOD IDEA, CAPTAIN.

COME ON.

I WANT HIM ALONE.

YEAH, I KNOW YOU DO.

TWO MINUTES OFF THE BOOKS.

YOU LITTLE PUNK, COME HERE!

COME HERE! LOOK AT ME!

REMEMBER ME! I WILL GET YOU, BOY!

WHO THE HELL WAS THAT?

SHUT UP. COME HERE. GET IN THERE.

LIKE I SAID, WHO THE HELL WAS THAT?

THAT�S THE HUSBAND OF THE DEAD COP.

YOU LET HIM ROAM THE HALLWAYS?

HE�S A CAPTAIN. HE CAN DO WHATEVER HE DAMN WELL WANTS TO.

YOU DON�T WANT TO DO THIS, OKAY?

YOU CAN�T GIVE ME THAT MUCH, AFTER WHAT HE TOOK FROM ME?

YOU WANT THIS ASSHOLE TO TAKE YOUR JOB AWAY, TOO?

YOU THINK I GIVE A DAMN ABOUT MY JOB RIGHT NOW?

YOU BREAK THIS GUY�S JAW, YOU BLOW THE CASE.

WE KNOW YOU GIVE A DAMN ABOUT THAT.

COME ON.

HI. A. D. A. VALERIE HAYWOOD.

DIANE RUSSELL. WE SPOKE ON THE PHONE.

GOT A COUPLE THINGS HERE FOR YOU.

I�M SORRY TO HEAR ABOUT THE POLICE OFFICER.

YEAH, THAT�S ONE OF THE THINGS WE�VE GOT.

GREG MEDAVOY, BALDWIN JONES,

A.D.A. VALERIE ?? I�M SORRY.

HAYWOOD.

WHEN YOU�RE DONE, WE NEED HER FOR THE LINEUP.

RIGHT.

WE GOT A GUY DID TWO STICKUPS TODAY.

USED A TOY GUN.

BOTH CASHIERS THOUGHT IT WAS REAL.

FIRST STICKUP CASHIER GAVE ME A DESCRIPTION,

BUT NOW SHE DON�T WANT TO TESTIFY.

SECOND STICKUP ?? THE CASHIER PICKED OUR GUY

OUT OF A PHOTO ARRAY.

AND THAT CASHIER IS GOOD TO GO.

WE�RE LOOKING TO DROP THE FIRST ONE.

WHY ARE YOU LOOKING TO DEAL WITH HIM?

HE WAS ORIGINALLY SNATCHED UP AS A SUSPECT IN A COP KILLING,

MAYBE HE GOT LEANED ON A LITTLE BIT.

ANYTHING ELSE I NEED TO KNOW? THAT�S IT.

ALMOST ALL DRUG OFFENSES, NO HISTORY OF VIOLENCE,

AND STILL THEY�RE FELONIES.

I TAKE IT YOU DON�T WANT TO PUSH

FOR A PERSISTENT FELONY OFFENDER.

NO.

WE�RE PROBABLY NOT GIVING ANYTHING UP,

EVEN IF YOU GOT BOTH STICKUPS.

THEY HAPPENED SO CLOSE TOGETHER,

THEY�RE SAME PLAN, CONTINUOUS ACTION.

HE�D MOST LIKELY GET CONCURRENT SENTENCING.

THE FIRST CASHIER, DID SHE MAKE A STATEMENT?

VERBAL ONLY.

RECORDED? NO.

YOU KNOW, THERE�S NO GUARANTEE

HE DOESN�T TURN AROUND AND GET A LAWYER ANYWAY

FOR MAYBE GETTING LEANED ON.

WE�RE GOING TO FOLD IN A RESISTING CHARGE, TOO.

WE LIKE OUR CHANCES.

I�M NOT GOING TO TRY AND TALK YOU OUT OF IT.

APPRECIATE IT.

GOOD LUCK.

I�M ALL YOURS.

GREAT. THIS WAY.

WHEN DID YOU START?

YESTERDAY. SPENT THE LAST TWO YEARS

IN THE NARCOTICS BUREAU IN BROOKLYN.

NOW HERE YOU ARE IN THE BIG CITY.

HERE I AM.

CHERYL�S HUSBAND�S A REAL HOOKED?UP CAPTAIN.

COULD HAVE GOT HER OFF PATROL IN A SECOND,

BUT SHE WANTED TO BE ON THE STREET.

A.D.A. HAYWOOD. LIEUTENANT FANCY,

DETECTIVES SIPOWICZ AND SORENSON,

OFFICER VERDICANA.

WHERE�S OUR WITNESS?

RIGHT HERE.

DON�T WORRY. WE HAVEN�T BEEN TALKING TO HIM.

SUCH A QUICK LOOK I GOT BEFORE I CHASED THE OTHER GUY.

QUIT PSYCHING YOURSELF OUT, EDDIE.

OKAY, HERE WE GO.

DO YOU RECOGNIZE THE SHOOTER?

UM...

TAKE YOUR TIME, EDDIE.

IT WAS SO QUICK.

[ COUGHS ]

NUMBER 2.

YOU�RE POSITIVE.

NUMBER 2 IS THE SON OF A BITCH WHO KILLED MY PARTNER.

OKAY.

YOU GUYS RELAX IN HERE A MINUTE.

WHAT WAS THAT?

WHAT?

IF OUR SUSPECT DOESN�T GIVE

A VOLUNTARY ADMISSION OF GUILT ?? VOLUNTARY ??

THAT I. D. NEVER HAPPENED.

I�LL SEE WHAT I CAN DO.

I�M SURE YOU WILL.

WE SPENT TWO HOURS IN SHOUTING MATCHES

WITH THE DETECTIVE ON THE STATIONERY ROBBERY

GETTING HER TO DROP THE CHARGE, MITCHELL,

AND ANOTHER HOUR IN HERE BACK AND FORTH WITH YOU.

NOW, YOU WANT TO KEEP SITTING THERE,

YOU�LL GET RUNG UP FOR BOTH ROBBERIES,

AND THEN FILL OUT THE COMPLAINT FORM

AND WE�LL TOSS IT IN THE STACK

THEY USE AS A DOORSTOP DOWNSTAIRS.

WE�RE HANDING YOU A BREAK HERE.

[ Sighs ] SO I GO FOR THE LIQUOR STORE ONLY

AND RESISTING ARREST AND THE OTHER ONE GOES AWAY?

YES.

MITCHELL, LISTEN, MAN.

YOU�RE NOT GETTING SCREWED HERE.

I DON�T EVEN KNOW WHICH WAY IS UP ANYMORE, MAN.

YOU GOT KNOCKED AROUND BY THOSE COPS,

AND THAT AIN�T RIGHT.

BUT A COP GOT KILLED TODAY, AND IT ALL GOT WRONG

BECAUSE OF THAT STATIONERY STORE YOU ROBBED.

BUT I THOUGHT YOU SAID I DIDN�T DO THAT ONE.

WE AGREED ON THAT BECAUSE YOU GOT KNOCKED AROUND, OKAY?

THOSE SMACKS YOU TOOK,

YOU ARE USING THEM TO YOUR ADVANTAGE

BY MAKING SURE YOU DON�T GET CHARGED WITH TWO FELONIES

AND RISK SERVING BOTH SENTENCES CONSECUTIVELY.

DO YOU UNDERSTAND THAT?

YEAH.

I JUST WANT YOU TO KNOW

THAT THIS IS A MUTUALLY BENEFICIAL TRANSACTION,

AND YOU�RE NOT GETTING SCREWED HERE

BECAUSE WE�RE NOT THOSE KIND OF COPS.

I GOT IT.

THE HUSBAND OF THE COP YOU KILLED ??

THE ONE LOOKING TO RIP YOUR THROAT OUT

A LITTLE WHILE AGO ??

DON�T WORRY ABOUT HIM.

SIT DOWN.

HE�S AT A BAR DOWN ON THE CORNER.

NOW THAT YOU�RE BOXED IN,

HE DOESN�T WANT TO DO ANYTHING TO SCREW IT UP.

�CAUSE GUESS WHO THAT WAS PICKED YOU OUT, ANDRE.

WHATEVER.

THE DEAD COP�S PARTNER.

THAT�S WHAT YOU CALL A STAR WITNESS.

AND WHEN HE GETS UP ON THAT STAND

IN HIS UNIFORM, STARCHED AND PRESSED,

HAT ON, MEDALS GLEAMING,

POINTING HIS FINGER AT YOU,

YOUR LEGAL AID ATTORNEY

IS GOING TO CRAWL UNDER THE TABLE.

WELL, THAT COP CAN SAY WHATEVER HE WANTS.

HE�S SAYING THAT YOU SHOT HIS PARTNER,

YOU STUCK THE GUN IN YOUR WAISTBAND,

YOU HIGHTAILED IT UP 2nd AVENUE ?? YOU.

THE ONLY THING HER PARTNER ISN�T SAYING IS WHY.

HE DON�T KNOW, AND WE�RE KIND OF WONDERING OURSELVES.

NOW, YOU CAN KEEP YOUR MOUTH SHUT

AND YOU CAN LET THE D.A. FILL THE WORDS IN FOR YOU.

THEY�LL SAY YOU WOKE UP LOOKING TO KILL A COP TODAY.

OR YOU CAN TELL US WHAT WENT DOWN,

TRY AND HELP YOURSELF OUT A LITTLE, �CAUSE, ANDRE,

YOU CAN USE ALL THE HELP YOU CAN GET RIGHT NOW.

YOU GOT PICKED OUT BY A COP.

IT AIN�T RIGHT.

IT JUST AIN�T RIGHT

HAVING NO FEMALE COPS OUT THERE.

LOOK, I GOT ADRENALINE, OKAY?

I GOT SURVIVAL INSTINCTS,

AND IF A COP THAT�S GOING TO SEARCH ME

IS GOING TO FIND MY GUN

AND IS GOING TO PUT ME BACK IN JAIL

AND IS A THREAT TO ME...

THEN IT�S ON.

LOOK, I DIDN�T EVEN REALIZE WHAT HAD HAPPENED

UNTIL I WAS HALF A BLOCK AWAY!

SHE SHOULDN�T HAVE BEEN NO COP,

NOT AROUND ME.

I DIDN�T WAKE UP WANTING TO KILL NOBODY.

HE GAVE IT UP VOLUNTARILY.

GREAT WORK, DETECTIVE.

LISTEN, THIS GUY JUST ADMITTED KILLING A COP, OKAY?

SO DO WHATEVER YOU WANT TO WITH THE I. D.

NOTHING�S A LOCK UNTIL HE PLEADS.

AND IF HE DOESN�T,

I HAVE TO GO TO TRIAL WITH A TAINTED I. D.

MAYBE WE SHOULD HAVE THIS CONVERSATION SOME OTHER TIME.

I SEE HOW BROKEN UP YOU ARE ABOUT US LOSING A COP TODAY.

DON�T USE THAT AS AN EXCUSE FOR YOUR BEHAVIOR

AND DON�T IMPLY THAT I AM INSENSITIVE

TO THAT POLICE OFFICER�S DEATH.

THEN WHAT DO YOU WANT, HMM, AN APOLOGY?

OKAY. I�M SORRY, BOTTOM OF MY HEART.

HOW�S THAT, HMM? CAN I GET BACK TO WORK NOW?

I HEARD YOU WERE MARRIED

TO SOMEONE IN THE D. A.�s OFFICE.

YEAH. WHAT ABOUT IT?

I ALSO HEARD SHE WAS AN EXCELLENT PROSECUTOR

WHO RESPECTED THE SYSTEM.

I HAVE A HARD TIME BELIEVING SHE�D TOLERATE YOU TRYING

TO STEAMROLL HER LIKE YOU�RE TRYING TO STEAMROLL ME.

WHAT DO YOU WANT FROM ME, COUNSELOR?

I WANT GOOD EVIDENCE. THAT�S ALL I WANT.

YOU DON�T HAVE TO INVITE ME OUT FOR BEERS AFTER WORK.

I DON�T HAVE TO BE ON YOUR WEEKEND SOFTBALL TEAM.

JUST GIVE ME GOOD EVIDENCE AND I�LL GET YOU CONVICTIONS.

AGREED?

YEAH, AGREED.

I�LL GET A VIDEO TEAM UP HERE TO RECORD HIS STATEMENT.

HAVE A GOOD NIGHT.

HEY, LOU.

I JUST NEED TO KNOW WHAT�S GOING ON.

THE SHOOTER ?? EDDIE PICKED HIM OUT.

HE�S CONFESSING. MY PARTNER�S TAKING HIS STATEMENT.

THANK YOU. THAT�S A COMFORT TO ME.

AND I APOLOGIZE FOR LOSING MY COOL.

WE�RE ALL DEVASTATED OVER THIS, ERIC.

EVERYBODY.

SHE ALWAYS WANTED TO BE A COP.

THAT�S WHAT MADE HER HAPPY.

I WISH, UH...

YOU WOULDN�T HAVE PULLED THIS

BEFORE WE STARTED SLEEPING TOGETHER.

PROBABLY NOT.

YOU KNOW, I WENT THROUGH THIS SAME THING WITH BOBBY.

AS LONG AS IT TAKES FOR A FEMALE COP TO EARN RESPECT,

YOU CAN LOSE IT IN A SECOND BY HESITATING, BACKING DOWN,

HAVING A FELLOW DETECTIVE TREAT YOU LIKE A KID SISTER,

AND DON�T THINK THE OTHER COPS DON�T NOTICE IT.

I DON�T WANT IT, DANNY,

AND I�M NOT THE KIND OF COP WHO NEEDS IT,

AND YOU�VE GOT TO COME TO TERMS WITH THAT

I ALREADY HAVE. SOONER THAN LATER.

YOU DON�T NEED TO SAY ANOTHER WORD ABOUT IT.

NOT TO MENTION IF WE GET INTO A SITUATION

AND YOU�RE LOOKING OVER YOUR SHOULDER WORRYING ABOUT ME,

YOU�LL GET YOUR HEAD BLOWN OFF.

DONE. NOW JUST TO CLARIFY,

HAVING EMBRACED THE SEPARATION OF CHURCH AND STATE HERE,

IF WE GO OUT TO DINNER

AND I HOLD THE DOOR OPEN FOR YOU,

ARE YOU GOING TO KICK ME IN THE SHIN?

I�M NOT KIDDING ABOUT THIS, DANNY.

AND I�M NOT, EITHER.

I HAVE TIED A BOW ON JOB CONDUCT.

NOW WE�RE TALKING ABOUT WHEN WE CLOCK OUT.

WOULD YOU KICK ME IN THE SHIN

IF I OPENED THE DOOR FOR YOU?

I JUST WANT TO KNOW SO I CAN STAY ON MY TOES.

YOU�VE EMBRACED THE RULES OF JOB CONDUCT?

BEAR?HUGGED THEM.

WELL, THEN I THINK THAT IF I WAS WITH SOMEONE

WHO DID KNOW HOW TO DO IT RIGHT ON THE JOB,

THEN I SUPPOSE I WOULD ENCOURAGE THAT SOMEONE

TO FEEL FREE AND DO IT RIGHT WHEN WE�VE CLOCKED OUT,

LIKE OPENING A DOOR IF HE WANTED

OR WHATEVER ELSE INSPIRED HIM.

DANNY, IF YOU�VE GOT THINGS YOU NEED TO WORK OUT,

I DON�T WANT TO GET IN THE WAY.

I TIED A BOW ON THAT, TOO.

HEY.

HOW�S THEO?

OH, HE�S ASLEEP. HE�S FINE.

WHERE ARE YOU GOING?

WHAT�S THIS?

I�M GOING BACK TO SLEEPING AT MY PLACE, ANDY.

WHY? WHAT�S WRONG?

NOTHING�S WRONG.

I JUST DON�T NEED TO BE SPENDING NIGHTS

LIKE I HAVE BEEN.

WHY NOT?

BECAUSE IT�S CONFUSING.

THEO�S FINE WITH IT.

IT�S CONFUSING TO ME.

TODAY IN THE PARK I COULD SEE THAT YOU�RE READY

TO BE IN THEO�S LIFE FULLY NOW THAT HE�S BETTER.

THIS IS GREAT.

THIS IS JUST WHAT I NEEDED TO CAP THE DAY OFF.

I�M SORRY, ANDY, BUT I DON�T WANT TO WAIT

UNTIL YOU TELL ME I NEED TO GO.

I�M NOT ABOUT TO.

COME ON, KATIE.

WE GOT A NICE SYSTEM GOING ON HERE.

I LOVE THEO AND I LOVE YOU,

BUT I�M NOT GOING TO GO FROM BEING YOUR WIFE,

WHICH I WAS, ANDY, FOR 11 YEARS,

TO BEING YOUR LIVE?IN HOUSEKEEPER AND BABYSITTER.

THEO NEEDS YOU.

AND I�LL BE THERE FOR HIM.

I NEED YOU.

FOR WHAT?

FOR HOW LONG?

I MEAN, WHAT ARE WE DOING?

I DON�T KNOW.

THEN I HAVE TO GO HOME, ANDY.

I�LL BE BY TOMORROW TO GET HIM TO SCHOOL.

YOU�RE ONE OF MY BLESSINGS, KATIE.

YOU, TOO, ANDY.

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