All language subtitles for Homicide.Life.on.the.Street.S06E09.Closet.Cases.1080p.PCOK.WEB-DL.DD2.0.x264-NTb_track4_[eng]

[suspenseful music plays]

[horn honking]

[indistinct
police radio chatter]

- Morning, Bayliss, Pembleton.
- What do we got?

Male, partially nude
and not much of a face left.

- Meaning?
- Meaning he was badly beaten.

- [Bayliss] Hmm.
- [flies buzzing]

I'd say very badly.

Looks like a fractured skull.

Wearing some kid of
women's lingerie.

Um, actually, that's a teddy.

Now, who was it
who found the body?

Uh, Chris Rawls,
owner of the Zodiac,

the restaurant
that leases the dumpster.

[Bayliss] Okay.

Hey, Julianna.

- Listen...
- What?

...you left this, uh...

Oh, shoot. Here you go.

You left these at my apartment,
right under the pillow.

You have to
give these back to me here?

What?
I knew I was gonna see you here.
Here.

Just never mind.
Put them in my pocket.

Just put them in my pocket.
Just never mind.
Put them in my pocket.

- Right there.
- Okay, okay, okay. Okay. Right.

- We'll talk about this tonight.
- Yeah, maybe I'm busy tonight.

[Pembleton]
Hey, everything okay?

- [Bayliss] Yeah.
- [Pembleton] Okay.

- How you doing?
- [Chris] Hi.

You're Chris Rawls?

- Yes, yes.
- Right.

And, uh, you found the body?

When I came out
to dump last night's trash.

[Bayliss] Uh-huh,
and do you have any idea
who it might be?

Oh, well,
he's kinda hard to recognize.

- [Bayliss] Yeah.
- You guys want to talk inside?

I just put on
a fresh pot of coffee.

- Yeah.
- Okay. Okay.

Um, you know something,
I'm gonna be just a second.

- Okay.
- Just a second.

Julianna? Uh, Dr. Cox.

- Um, can I talk to you?
- What?

[Bayliss] Listen,
are you really busy,

or you just
don't want to see me tonight?

- What is it?
- [Cox sighs]

You know-- Okay,
we've been seeing each other
every night practically

- for the last
three weeks, right?
- [Bayliss] Right.

And I don't know.
Maybe we just need to take
a little time off.

I see, I see.
Hey, listen-- hey, listen to me.

Is this about-- is this about
me giving you back
the earrings here?

You don't let me leave anything
at your apartment.

You give everything back to me.

Even things I've given you,
you give back to me.

If this is about
what happened this morning,

you know, I am sorry about that.

It was just...

- You know what?
- [Bayliss] What?

This isn't gonna work out.

Maybe you're right about that.
I'll take some time.

Yeah, exactly.

- [Bayliss] Jeez.
- What's going on
with you and Cox?

Um, we broke up.

What do you mean, you broke up?
When were you together?

I don't tell you
everything, Frank.

You don't tell me anything.

[theme music plays]

- [phone rings]
- [Giardello] Homicide.

[Bayliss]
So when was the last time
someone checked that dumpster?

Evening before last.

Raymond, the bus boy,
usually takes the trash out
at closing time.

I took it out this morning
because he left early
last night.

Thanks, honey.

Do you think this a hate crime?

Uh, the lingerie,
the severity of the beating,

maybe, or a sex crime.

Is your restaurant clientele
mostly homosexual?

Predominantly, yeah. Why?

I guess what I'm trying to ask
is, uh,

whether leaving a body
in your dumpster
is a sort of message.

Do you have enemies?

Besides Jesse Helms, no.

Do you think this is connected
to Philip Robson's murder?

[Pembleton]
Who was Philip Robson?

He was a bartender
at the White Crow
a couple months ago.

- Munch is working the case.
Did you know Mr. Robson?
- [Chris] Not personally.

But everybody in the community
has been following
the investigation.

I-- I don't suppose
you have a suspect?

[Bayliss] Not at this point,
we don't, no.

Have there been incidents
at your restaurant?

Fights, for example?

No, this is
a quiet neighborhood place.

A little pasta,
a little red wine,
the best tartufo in Baltimore.

I've seen
a few lover's quarrels,
but nothing violent.

Well, okay.
We appreciate your cooperation.

If there's anything more
I can do,
please don't hesitate to ask.

I'm sure you're gonna
run into some people

who don't have
the highest regard

for the Baltimore
Police Department.

Relations between
your community and mine
are a little strained.

Look, Mr. Rawls, we don't have
an agenda of any kind.
We're just working a murder.

- Two.
- [Pembleton] Excuse me?

- Philip Robson.
- [Pembleton] Right.

If we, uh, need your help,
we'll give you a call.

- Thank you.
- [Bayliss] Thank you.

- By the way, Detective?
- [Bayliss] Huh?

I like your tie.

Oh, thanks.

- [Pembleton] I thought you were
good in there with Rawls.
- What are you talking about?

- When he was flirting with you,
you didn't lose your head.
- [Bayliss] Oh, no, no.

He wasn't flirting
with me, Frank.
He liked my tie.

I'm just saying
that the old Tim Bayliss, um,

might have slugged him
instead of shaking his hand.

Whoa, whoa, whoa.
Wait, what are you saying?

Are you saying
that I'm homophobic?

I'm saying that
you haven't always
been comfortable

with the gay community.

I'm giving you a compliment,
all right?

Thank you.

[Stivers] Hey, Meldrick.

- [Lewis] Hey.
- [Stivers] What's up with you?

[Lewis] Oh, you know.
Same old, same old.

How are things in Sex Crimes?

Oh, a thrill a minute.
You should come visit sometime.

Yeah, sometime.

Well, I'm on a case. I gotta go.

- [Lewis] Oh, Terri?
- [Stivers] What?

Nothing, I'll, uh,
catch you later.

Okay.

- We need to talk.
- About what?

Oh, that again?

What, is this some kind of
joke to you, huh?

Is this just business as usual?

[Lewis sighs]

Look, if you want to panic,
that's fine.

You go ahead. I'm not gonna.

Well, maybe
that's your problem, Mike.

Maybe you're just
too damn stupid to panic.

Look, I wanna know everything
that you know about Georgia Rae.

- Okay?
- What's to know, Meldrick?

Before Christmas
you told me about this tape,

and you've been duckin' me
ever since.

- That's what's to know.
- [Kellerman] So?

So?

If Georgia Rae's got videotape

of you shooting
her brother Luther,

then we are all in the jackpot,
I gotta tell Stivers.

No! I mean, use your head!
You and I can handle this.
She can't.

Mike, if-- if--

if Georgia Rae has videotape
of you shooting Luther Mahoney,

then we need to tell her.

She's in the jackpot,
just like you and me.

- We just gotta tell her.
She's got a right to know.
- Okay, fine.

- I'll take care of it.
- How you gonna do that, Mikey?

- Meldrick--
- How you gonna do that?

- How you gonna
make this go away?
- [Kellerman] Look!

I'll take care of it, okay?

- [suspenseful music plays]
- [door slams shut]

- Don't give me
that hopeful look, Bayliss.
- What?

Your John Doe
has every intention
of remaining a John Doe for now.

He has no tattoos, no scars,
and no past broken bones.

What about time of death?

Given the cold climate,
my best estimate from the decomp

- would be 24 to 48 hours.
- And what was the cause?

[Cox] The skull was fractured
with some kind of blunt object.

And the body was dressed
in lingerie
probably after death.

So the killer
was making a statement.

Hey, is this his chest?

Yeah, I was hoping
that there would be lung disease

or some sort of cracked rib,
where I could place this fella
in the hospital recently.

Sometimes we can
get an ID that way,

but, unfortunately,
he was in the peak of health.

- So that's it?
- Well, he was muscular.

Probably some sort of gym rat.

Uh, he was tan, for January.

He either used a tanning bed
or he was way recently
on a vacation.

How about the blood work?

There was nothing
on the drug screen.

There was a small amount
of alcohol

and red wine tannin in his urine

and his last meal
was linguine and seafood.

Not very well digested,
I'd say about an hour or two
before he was killed.

So we're gonna roll
into Missing Persons

looking for a muscular,
tanned, white male

who liked linguine?

- Best I can do.
- [scoffs]

Uh, well,
is there any sort of indication
that he was gay?

I don't think they have
a test for that, Bayliss.

[Higby]
This Missing Persons crap,
it's all paperwork.

I've been away
from Homicide so long,

I feel like
a damn missing person
my own self.

Okay,
for all of Central Maryland

there are 19 white males
that might match our body.

Yeah.
Here, this guy here weighs 220.
You can scratch him.

Yeah, who were
the reporting parties?

Wives, brothers, roommates.

Yeah, well, to start,
let's figure that, uh,

this guy wasn't turned in
by any wife.

- [Pembleton] Right.
- Wait a sec.

You're thinking
your guy's a corn muffin?

- I'm here after quitting time,
busting my hump for some fag?
- What are you saying, Higby?

That he's gay,
we shouldn't be working
this case?

No, don't get all sensitive
on me, Bayliss.

Guy's a candyass,
he's a candyass.
What do I care?

- I get paid either way.
- [Bayliss] Well,
you know something?

You are a real credit
to your badge.

Keep looking.

- [chanting] We're here!
We're queer! Get used to it!
- [suspenseful music plays]

- We're here!
We're queer! Get used to it!
- [indistinct].

We're here!
We're queer! Get used to it!

We're here! We're queer!

Yes, sir,
we have protestors here, too.

Yes, sir.

I understand.

[sighs]

Yeah, I'd like to know
about your dinner specials.

Last night and Wednesday night?

Uh, that eliminates

missing adult male
number five, Frank.

So we've got 12 to go.

I'm surrounded
by fools and assassins!

- [Bayliss] Which am I, Gee?
- [Giardello] That depends.

What have you got
on the John Doe case?

Well, we ran the prints
and there was no match,

so I'm tracking down
a missing adult white male.

Frank, he's calling
Mount Vernon restaurants,

he's trying to make a match
with the menu items

in the victim's
stomach contents.

[chuckling]

You know, I got
a little bit more
media attention

than I can stand on this.

Bodies fall every day
in Baltimore.

Bodies fall here,
bodies fall there.

Just once,
a body falls with lingerie on,

and it's found in a dumpster
in a gay neighborhood,

and the whole world's
in a frenzy!

Well, I don't really know
what to say, Gee,

because we can't start
solving a murder
until we know who got killed.

- And those are your specials?
- [Giardello] Munch.

Is there any connection
between this
and the Robson case?

Robson was mugged,
then he was shot.

Wallet, watch, the whole bit.
Straight up robber murder.

- [Giardello] Robson was gay.
- I don't think
the shooter knew that.

Lieutenant, phone for you.
Channel 8.

Tell 'em I'm dead!

Okay, linguine and seafood
in a light pesto sauce.

- [Bayliss] Where?
- [Pembleton] The Zodiac.

They cooked the linguine
and they rented the dumpster.

- Coincidence?
- Let's pretend it's a clue.

- Bon appétit.
- [Neal] Enough is enough, Al!

[Giardello] Walter,
you're a little early
for the shift change.

- We got a problem.
- Do tell.

Someone on your shift
keeps screwing around

- with Detective Landau's
laptop computer.
- What?

Look, Landau's using it
for police work,

and some goof on your shift
is using it

to play Minesweeper
and Solitaire!

How do you know
it's one of my people?

All right, let's call down
to the Crime Lab.

I'll get a lab tech up here
with some print dust

- and then we'll know.
- [Giardello] Calm down, Walter!

Ah, don't jerk me
around on this!

- [speaking Italian]
- [Neal] Come on!

- [chanting] We're here!
We're queer! Get used to it!
- [suspenseful music plays]

We're here!
We're queer! Get used to it!

[chuckling] What in the hell?

It's my old train set, HO gauge.

Oh, let me guess.
You're having
an inner child moment?

Nah, I just wanted to see
if the set still ran right.

In the coffee room?

Well, I brought it to work,
and I told myself

that I was gonna drive
to Janine's house today
and give it to my kid.

- You know, like a belated
Christmas present.
- Belated?

I mean,
how could she take him away
for the holidays like that?

That's the second year in a row
that she goes
to see her parents.

Yeah, well, maybe you guys
need to talk this out.

Well, what I need
is a good lawyer.

Oh, I don't know, Paul.

Getting lawyers involved,
sometimes things tend to get
a lot uglier.

Christmas without my son.
Ain't much uglier than that.

No, all's I'm saying
is that before you go to war,

maybe you want to try
and give peace a chance.

You know, pack this up,
go give it to your kid,

and have a long heart to heart
with his mother.

You don't know Janine.

Does she love your son?

Well, rely on that much.

Nice caboose.

- [light music plays]
- [indistinct chatter]

- I'm sorry I'm late.
We're busy today.
- Oh, no. We understand.

- Thanks for taking the time.
- Absolutely.

Okay, these are, uh,

adult white males

between the ages of 18 and 45,
all reported missing.

- Do you recognize any of these?
- That's Alan Costello.

- [Pembleton] You know him?
- Yeah, he owns a nightclub
on Park.

The Carnivale.
He comes in here all time.

[Pembleton] How about the night
before last?

Yes, he--

Was that Alan in the dumpster?

[Pembleton]
Who'd he have dinner with?

Oh, I don't know.
I didn't recognize the kid.

He was just
another one of Alan's hustlers.

Alan went out with hustlers?

Well, no, not like that.

He was very generous.
He was always trying
to help these kids.

Give them a free meal,
a place to stay,
and sometimes a job.

Well, his brother was the one
who reported him missing.

- I didn't know he had a brother.
- Yeah.

Alan Costello
lives with his brother Sam,

- at 528 Cathedral, apartment 5B.
- [scoffs]

- We haven't talked to Sam yet.
- [Pembleton] What?

- Sam Farrell.
- [Pembleton] Farrell?

Alan's lover, Sam.

He's an accountant
and still afraid

of what people
will think when--
If they know he's gay.

Okay, so Sam reports
Alan missing,

and he lied
about his relationship.

Aside from being discreet,
he probably thought he'd get
more of a police response

if he didn't emphasize
the gay aspect.

- I can't blame him.
- Yeah, we're working this case
the same as we would any other.

He does the books
at night at The Carnivale.

I'll go along there with you.
He's a friend.

If I come along, chances are
you'll get better results.

Noreen, may I have my jacket?

I'll be back to close.

[upbeat music plays]

Greg?

Greg! Is Sam working?

I'll meet you back there.

- [Bayliss] Know what I think?
- [Pembleton] What?

- I said
you know what I think?
- [Pembleton] What?

I think that no matter
what else you say,

these people, they really know

how to make
the night time count.

I mean, look at this place.

You know, they're having
a hell of a good time here.

Yeah, although
on the other hand,

I could go the rest of my life
without seeing two men,
you know, dancing together.

Oh, you gotta have
an open mind, you know?

I'm not saying
there's anything wrong with it,

I just don't wanna stand around
watching, okay?

- Hey.
- [Pembleton] Hey.

- [Baylis] Hi.
- You two together?

- Yeah, we're joined at the hip.
- Ah, what a shame.

[Chris] Detective Pembleton.

I'm Sam Farrell.

Okay, I'm Detective Bayliss.
Detective Pembleton.

- Hello, sir.
- [Bayliss] Baltimore Homicide.

You found Alan?

Uh, well, possibly, yes, sir.

He was murdered?

[Bayliss] The body that we found
was murdered.

We were hoping
you could make
an identification.

Uh, he was six foot,
muscular, tan.

I'll tell you,
we're gonna go to the morgue

and maybe you can make
a positive identification.

Look, I gotta keep
my name out of this.

- I'm from Glen Burnie,
for God's sakes.
- [Chris] Oh, Sam.

Listen,
Alan was at the restaurant
the night before last.

He was with some kid,
some new kid I didn't recognize.

- He tell you who he was?
- [Sam] I don't know.

It's not just about you anymore.

There's a predator out there.
It affects all of us.

[Pembleton] Do you know
who Alan was with that night,
Mr. Farrell?

No.

He'd stopped telling me
about these boys.

- I would get angry.
- Why?

He was on a mission
to save these kids,

whether they wanted saving
or not.

Of course, I got angry.
I just wanted him to stay home.

Okay. Come on.

[sighs]

- [door creaking]
- [Falsone sighs]

- Yeah?
- [Falsone] Who the hell are you?

- Who the hell are you?
- Paul?

[Falsone] What's this braindead
doing here, Janine?
Where's Danny?

- Don't you talk to me like--
- [Falsone] I'm talking
to my wife.

Terry, give us a minute, huh?

I'll be right in, okay?

Who's Terry? And where's my son?

Daniel's asleep.
And you have no right
to be here.

- It's not your night to see him.
- I came to see you.

This is not a good time.

You living with this hump?
What's his name? Terry what?

Brown.
Not that that's
any of your business.

And no, I'm not living with him.
Not that that's
any of your business either.

He's spending time with my son.
Come on, that is my business.

Why am I standing out here
in the freezing cold
arguing with you?

Good night, Paul.

Wait, I'm sorry, Janine.

I'm sorry.
I just want to talk to you.

Do you mind?

You can't come over
without calling.
I got a life.

I know that. I'm sorry.

When can I see you?

Why don't you meet me
for lunch tomorrow?

Hey...

um...

tell Daniel that I miss him.

[door creaks shut]

[sighs] Oh, man.

- [Stivers] Meldrick, hi.
- [Lewis] Hey.

[sighs]
I should've called, but, uh--

- No, it's okay. What's up?
- We need to talk.

Come on in.

- Everything all right?
- Nope.

I mean, you know,
it will be okay, we just gotta--

- What is it?
- [sighs]

Georgia Rae has a videotape
of Luther's shooter.

- What?
- [Lewis] Yeah.

Old Luther had
video surveillance
all around his apartment.

I mean, you know, uh,
it doesn't necessarily mean
we're screwed.

- He did have a gun in his hand
and the tape will show that.
- You haven't seen the tape?

No.

So far all you know,

it'll show Kellerman
executing Luther,

and you and I standing by
doing nothing.

[Lewis] No.
The man had the gun raised.

Kellerman can delude
himself, Meldrick.

You can, too. I was there!

- What does she want?
- [Lewis chuckles]

We don't know.

So far,
she's been stringing Mikey along

for a couple weeks.

He has known about it that long
and he didn't say anything?

- Mikey will handle
the situation.
- No!

It was my decision
to come tell you this,
all right?

Mikey didn't even want you
in on it at all.

Right, so I'm supposed to be
grateful to you

because you came
and told me the truth?

You know,
I knew telling you this,
you were gonna react like this.

But I told you anyway.
What does that say?

[Stivers] You, me,
and Kellerman.

We are gonna meet,
we're gonna talk.

I want to hear from his mouth
how he's gonna handle
this situation.

[Cox] His face
is pretty badly beaten.

Can you identify the body,
Mr. Farrell?

Alan has three moles,
sort of a triangle
on his lower back.

- If I could just see--
- [Cox] Can you help me
roll him, please?

[quiet suspenseful music plays]

Can I touch him?

It's him. It's Alan.

Are you sure?

We were together for 12 years.

Alan didn't deserve this.

I want you to find
the son of a bitch
who killed my husband.

Alan and Sam were together
for 12 years.

That's longer
than most marriages I know.

Marriage is not guaranteed
for anything.

Longevity, happiness.

12 years,
I never even dated anyone
half that long.

- [Pembleton] You haven't met
the right woman.
- You know what?

Sometimes I think these guys,
they got a--

they got an interesting take
on the whole relationship thing.

[Pembleton]
These guys? Gay guys?

I mean, right off the bat,
two guys,
they got a lot in common.

They know what it's like
to wake up in the morning
as a guy.

They got the same anatomy,
same hormones.

They take a leak, they shower,
they wash the same body.

Now, I can imagine
waking up with a woman,

but I can't imagine
waking up as a woman.

Well, isn't that the point?

[Bayliss]
Same with the conversations.

See?
They'd be easier,
they'd be more direct.

- Just like you and me right now.
- Just like you and me what?

Just like the conversation
that you and me,

we're having right here
and we're talking about,
we're sharing with each other,

we're-- we're-- we're--
we're sharing our thoughts
with each other, Frank.

Now, with a woman, you're gonna
have to censor yourself.
You've gotta censor yourself.

All the time,
you're worrying about
that no matter what you say,

that she is gonna be taking it
all the wrong way.

- You know that.
- [Pembleton] Hang on, hang on.

Mary and I talk about
what's on our mind all the time.

- See, it's the individuals,
not the gender.
- [Bayliss] Yeah.

- But can you and Mary
borrow each other's clothes?
- [Pembleton sighs]

Two men living together,
you can borrow
that other guy's clothes.

So you're done, right?
You're done?

I'm just speaking
my mind here, Frank.

I can do that with you
because you are a man.

Well, pretend I'm a woman.
That way, you can keep
your thoughts to yourself, okay?

[driver] Hey, guys.

How much?

- [man] How about 50?
- [driver] Get in.

Sure, I know Alan.

Everybody knows Alan.
He's a real sweetheart.

Mm-hmm.
When was the last time
you saw him?

A couple nights ago.
It was cold.

He let a couple of us
in the club for free
so we could warm up.

- You ever go out to dinner
with Alan?
- Me? No.

No? You know anyone who did?

Uh...

- Hm?
- ...I don't think so.

So the last time
you saw Alan Costello,
who was he with?

- [hustler] The new boy.
- The new boy?

You know the one, Varika?
Has the hair, has the clothes.

- He's only been in town
a few weeks.
- Mm-hmm.

Always talking like Mr. Bigshot
until the check comes,

- and then
he's missing in action.
- Mm-hmm, that new [indistinct],

He's always talking about
how everything's always
so much better

- up in San Francisco.
- Uh-huh, that's the one.

- [Pembleton] So what's his name?
- Kevin.

- I think his name is Peter.
- Roger.

Mm-mm. It might be Steven.

The guy you're looking for
is Peter Fields.

He's from California.

He's always making a big play
about his rich trade,

but he's usually on the street
like the rest of us.

So where do we find
this Peter Fields?

He hangs out at Floss.

- [Bayliss] Floss?
- New club over on Charles.

[upbeat music plays]

Yeah, I know Peter Fields.

He was mouthing off
about how he had a date
with Costello.

- [Pembleton] You remember
when this was?
- Two nights ago.

Fields is always bragging
about his sugar daddies,
but he's a total fake.

He's got a messed up head.

You think
that he was capable of murder?

I think he's capable
of anything.

But you still let him
in your club?

He's got the face,
he's got the body.

To meet a guy like Fields,
that's why they come here
in the first place, Detective.

[suspenseful music plays]

You figured out
how you're gonna turn me
to IID yet?

- Cut the crap, Mike.
- We just want to talk,
that's all.

You shouldn't have told her.

Can't be turning on each other
like this, you know?

We gotta stick together
or we're gonna lose control.

Georgia Rae Mahoney
releases that tape,

she sends it to Internal,
or worse,

she sends it to the local news,
we're all done as cops.

[Kellerman] Right,
and you go to Giardello,
what's the difference?

It's us coming clean.
It's a different story.

[Kellerman]
No, it's no different.

So what? So what?
So we avoid criminal charges?

Don't you understand?
We're still gonna be asked
to resign from the force.

So we stay on the job,
knowing that this tape
is out there,

knowing we can be blackmailed
at any time?

Georgia Rae ain't asked
for nothing yet,

but that don't mean she won't.

How far is this going, Mike?

[Kellerman] You know what?
It's not going anywhere.

Do you really think that of me?

I mean, do you think
that I'd be willing
to compromise my badge?

Do you think
that I'd go on her payroll?
Do you?

What do you want me to do?

I don't want to live
with this over my head, Mikey.

[sighs] Fine.

I'll go talk to Georgia Rae.

Okay? I'll force her hand.

She's got a tape,
she doesn't got a tape,
it doesn't matter.

She's not getting anything
from us.

[suspenseful music plays]

[chanting] We're here!
We're queer! Get used to it!

We're here!
We're queer! Get used to it!

- Do we have a positive ID
on the victim?
- Alan Costello.

We also have
a suspect, Gee, a-- a--

- a hustler
by the name of Peter Fields.
- [Giardello] He has a record?

Well, when I ran him
through the computer,

I came up
with an outstanding warrant
in the State of California.

Peter Fields is wanted
as a material witness

in the murder of a gay man
in Venice Beach, California.

- Bring him in.
- [Pembleton] Okay.

Something doesn't make sense.

See, Peter Fields
was arrested in Baltimore

a couple weeks back
for solicitation,

and I don't know
why the California warrant
never came up.

Talk to the arresting officer
and find out
what the hell happened.

- Okay, okay.
- We'll do it.

[slow jazz music plays]

- Hey, can I get a brandy?
- [bartender] Coming up.

- Hey.
- Hey.

Brother.
You're in that kind of a mood?

Yeah. That kind of a mood.

[bartender] Here you go.

- Thank you.
- Yeah.

- Here's to you and me,
Julie C.
- Sir.

Eh.

So tell me a little bit
about your day.
Take my mind off of mine.

[Cox] Me?

Uh, nothing special.

Cut open a few bodies,

broke up with Bayliss.

You-- you what?

[Cox] I cut open a few bodies.

You broke up with Bayliss?

When were you--
when were you together?

We were kinda seeing each other
over the holidays.

[Lewis] So, what happened?

I don't know,
the holidays are over.

Man...

Oh, I mean, come on,
Bayliss is, you know,
he's a nice guy.

It was fun.
A good, fun Christmas.

- Fun?
- [Cox] Yeah.

You know,
come New Year's, it's over.

- Come New Year's?
- [Cox] Yeah.

So you and him
were just together

just 'cause
you didn't want to be alone

when Santa came down
the chimney?

Yeah, Lewis, is that so wrong?

No, man.
Why do you think
I'm still married?

- Bayliss?
- [chuckling]

[thunder rumbling]

[Pembleton] Yo, Hoskins.

Peter Fields, you picked him up
two weeks ago for solicitation?

- Fields?
- Yeah.

I remember that guy.
Attitude problem.

You remember
the attitude problem,

but you didn't remember
running him
through the computer?

- What are you talking about?
- He had a warrant in California.

If you checked him out,
you would've known that,

but since you didn't,
he got a chance
to ice somebody else.

Hey, slow down, Detective.
I ran the check.

[Bayliss] Well,
why is he still in Baltimore?

Because California wouldn't pay
to extradite him, that's why.

Happens all the time.

The way they see it,
he's our problem now.

So you went ahead
and released a suspected killer
back into the neighborhood?

- Is that it?
- What else am I supposed to do?

I got no evidence against him.

It was obviously
a low-profile case

as far as California
was concerned.

[suspenseful music plays]

[intense music plays]

- [Bayliss] Peter Fields here?
- He's at the bar.

- Okay, let's do it!
Come on, stay close.
- [upbeat dance music plays]

- That him?
- Yeah.

[Bayliss] Hey, you Peter Fields?

For you,
I'll be anybody you want.

Okay. You're under arrest.
Put your hands on the bar.

Peter, you got the right
to remain silent.

Anything you say or do
can and will be used against you
in a court of law.

Let's get out of here.
You've got the right
to an attorney.

If you can't afford an attorney,
one will be provided for you
by the state.

You understand?

- What's in the box?
- [Falsone] Christmas gift
for Daniel.

Oh, great.

- [Falsone] Thanks.
- [Janine] I've gotta get back.

So what did you want
to talk to me about?

- Daniel.
- Daniel?

- He's fine.
- [Falsone] I know.

I want to talk
about seeing more of him.

Like when?
You see him every other weekend.

[Falsone] I want him
to stay with me
during the week some time.

Um, at least give it a try.

- Who's gonna drive him
to day care?
- [Falsone] I will.

- I don't know, Paul.
- I miss him.

I'm not saying he doesn't like
seeing you, Paul,

because he does,

but now you want to disrupt
his schedule even more.

I'm his father,
I'm not a disruption
to his schedule.

He's three.
He doesn't respond well
to change.

What about this guy
you're seeing, huh?

- You're gonna tell me
he's not a disruption?
- Well, Daniel loves Terry.

Just like Daniel loved Andy?

- That's not fair.
- [Falsone] What?

- You told me
you were gonna marry him.
- Don't throw that at me.

I'm worried about
who my son is spending
his time with.

- You got nothing to worry about.
- Oh, no?

Well, somebody does,
because obviously you don't.

- I'm sorry. I didn't mean that.
- [Janine] Forget it, Paul.

- I just-- I just want to spend
more time with my son.
- No. No.

You're not gonna let me see him,
I'm gonna get a lawyer, Janine,

- and I'm gonna sue
for joint custody.
- Go ahead and try.

And from now on,
you got something to say to me,
you call my lawyer.

- [suspenseful music plays]
- [Falsone sighs]

[Georgia] Detective Kellerman,
have a seat.

I didn't expect us
to meet again so soon.
What can I do for you?

Here's the deal.

You go ahead.

You show that videotape
to anybody that you want to.

I don't care.

Whatever's on that tape,
whatever that might mean to me

or to anyone else,
it's worthless to you.

You go ahead
and you take me down
if you want.

As long
as your bastard brother
is still dead, it's worth it.

Killing him
meant that much to you?

[Kellerman]
Yeah. I guess it did.

Even if it means
throwing away your badge?

If that's what it takes.

You do whatever you want to do.

It's over for me.

You and I have no reason
to ever see each other again.

- You understand?
- [chuckling]

[bell tolling]

Why did you do it?

Alan Costello
was trying to help you.

[scoffs] I didn't need his help.

[Bayliss]
Well, why'd you kill him?

I guess you guys
don't do this much, huh?
It's a little uncomfortable.

Answer my question.

Or what, Detective?

You'll smack me around, hurt me?

Why don't you tell me
what Alan Costello's wallet
and watch were doing

in your apartment?

I never said
he wasn't in my apartment.

- [Bayliss] Well,
what was he doing there?
- I asked him to come in.

- I said I wanted to talk to him.
- So you killed him instead?

By the way,
we found a hammer under your bed

with Alan Costello's blood
on it.

Listen, why did you dress up
the body in lingerie,

- Mr. Fields?
- [Peter scoffs]

It was a nice touch,
don't you think?

Special.

So you admit that you murdered
Costello, right?

[clears throat]
If you already know so much
what do you need me for?

Huh?

Unless you're enjoying this,
Detective.

Oh, yeah.

Yeah, we're loving
every minute of this.

- [Peter laughs]
- Mm-hmm.

You can blow me off,
but I see that look
in your eyes.

What look is that, Mr. Fields?

You think I'm attractive,
don't you?

[laughing]

You like my eyes?

My mouth?
Most guys, they love this mouth.

- [Pembleton] Is that so?
- I wasn't talking to you.

- I was talking to him.
- [Pembleton laughs]

What about my body, Detective?

- It's all muscle.
- Well, your body looks strong.

- [Peter] You like that,
don't you?
- Mm-hmm.

Yeah, it's strong enough
to smash in
someone else's skull.

[Peter laughs]

I've got the best ass
in the business.
You like my ass, too?

We're here to talk about
a murder, Mr. Fields.

We're not here
to talk about your ass.

[Peter] I'll talk about
your murder all you want.

- Once you answer my question.
- [Bayliss sighs]

Why don't you answer
my question, Mr. Fields?

Did you kill Costello?

- You answer my question,
I'll answer yours.
- [sighs]

Do you like my ass?

Hmm...

Yeah, I do.

Nah.

I want to hear you say it.

You like...

my nice, hard ass.

[sighs]

I like...

your nice, hard ass.

[laughing]

- Did you kill Alan Costello?
- [Peter] Yeah.

- [Bayliss] You did.
- I killed him.

He was a flaming faggot!
A queer!

Just like you, Mr. Fields?

[scoffs] You think
I'm like those freaks?

I'm not gay.
I know exactly who I am.

I am a normal, red blooded,
heterosexual man.

- So, you told Georgia Rae
we weren't gonna play?
- Yeah, I told her.

- And? What'd she say?
- [sighs]

Look, she didn't say
much of anything.

What the hell
that's supposed to mean?

Meldrick, look,
I called her bluff, right?

If she had a tape,
don't you think she'd have done
something by now?

- [Lewis] I don't know.
- You don't know?

[Lewis] I don't know!

Meldrick,
you and I were partners.
We used to trust each other.

Do you think that I was wrong
to shoot Luther?

- I'm not saying you were wrong.
- [Kellerman] Then what?

I'm just saying--
I'm saying
I wouldn't have done it.

[siren wailing in distance]

We have
one of the best wine lists
in Baltimore.

If you drink French reds.

Oh, yeah, I've been known
to drink some reds.

- Yeah?
- [Bayliss] Yeah.

Well, the offer's open.

- How about tonight?
- Well, sure, that'd be great.

Great. Okay. What time tonight?

- Eight o'clock?
- Eight o'clock.
All right. I'll be there.

- Great.
- Okay.

- [Chris] Detective Pembleton,
nice to see you.
- Nice to see you, too.

What was that all about?

Oh, uh, what?

What did, uh, what did he want?

Nothing special, just, uh,
he invited me to dinner.

- [Pembleton] What do you mean
he invited you to dinner?
- He invited me to dinner.

[Pembleton]
Like a dinner date dinner?

He really
didn't specify that, Frank.

Uh, well I--
I don't think that's a--

I don't think
that's such a good idea.

Would you excuse us, please?

Why not?

Well, I don't think
he's expecting

exactly what it is
that you're expecting.

- How do you know
what I'm expecting?
- What are you trying to say?

Oh, man. It's sour.

Tim, he's a man.

- He's a gay man.
- Can't put anything
by you, Frank.

Okay, let me
just get this straight.

As of yesterday,
you were sleeping
with Julianna Cox, right?

And now, today, all of a sudden,
you're going on dates with a,

you know, with a gay man?

Is that it?

I'm not gay,
if that's what you're asking.

Then what are you doing?

- [laughing]
- [laughing] I don't know.

I mean, I don't know,
I'm just trying
to figure it all out.

I don't know
if you've noticed this, Frank,

but I haven't really been happy
for a long time.

So I am going to have dinner
with Chris Rawls,

who I find intelligent
and funny,

and we're gonna drink some wine,
and we're gonna laugh,

talk, enjoy ourselves,

be happy.

Is something wrong with that?

Huh?

[scoffs] No.

I don't think so either.

Package for you, Kellerman.

Right. And what time was that?

Uh-huh, right.

Can I call you right back?

Thanks.

[tense music plays]

[Georgia] Hello, Kellerman.

Are you excited to see me again?

I can imagine
how fast your heart is beating.

Blood pressure up,
adrenaline racing.

Well, you can relax.

I made this videotape
to tell you
that there is no videotape.

There is no videotape.

I gave Luther
the surveillance system
as a gift,

but he never turned it on.

He didn't like the idea
of being recorded.

The reason I told you
there was a videotape

was because I wanted to see
your reaction.

I wanted to know
if you really murdered
my brother.

Now I know that you did.

And trust me, I will avenge
my brother's death.

You'll never see it coming.

Time will go by,
you'll drop your guard,
you'll forget about me.

But I won't forget about you.

And when you stop looking
over your shoulder,

when you think
I can't possibly be a threat
any more,

that's when
I'll have my revenge.

And believe me,
I will have my revenge.

Bye for now, Detective.

[tense music plays]

[theme music plays]