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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,717 --> 00:00:07,965 Oh, Gracie, I think it's so sweet that you're writing the President a letter. 2 00:00:07,965 --> 00:00:10,449 I mean, he really needs some cheering up. 3 00:00:10,449 --> 00:00:12,841 First, he loses the House and the Senate, 4 00:00:12,841 --> 00:00:18,845 then he jogs to McDonald's and finds out a McLean has 10 grams of fat. 5 00:00:18,845 --> 00:00:22,884 Ten? What about those Chicken McNuggets? 6 00:00:23,069 --> 00:00:28,563 Niles, so that's how you got those McLove handles. 7 00:00:29,627 --> 00:00:34,971 Fran, I don't know what's right. What's the right way to address the man who runs our entire country? 8 00:00:34,971 --> 00:00:37,376 Dear Newt? 9 00:00:38,168 --> 00:00:41,025 Don't be so smart, you. 10 00:00:41,025 --> 00:00:43,901 "B," you're a good writer. Go help your sister. 11 00:00:43,901 --> 00:00:47,278 If it's a nice letter, forget it. / What? What are you? A republican? 12 00:00:47,278 --> 00:00:50,713 I've got a trust fund. I'm no boob. / Go. 13 00:00:51,218 --> 00:00:54,053 Maxwell, if he wants the damn play, then let him have it. 14 00:00:54,053 --> 00:00:56,578 It isn't even finished. / Who? 15 00:00:56,578 --> 00:01:01,027 Andrew Lloyd Webber. 16 00:01:01,027 --> 00:01:04,431 Look, Cee Cee, I found this play first. I want to produce it. 17 00:01:04,431 --> 00:01:10,212 Just once I want to be on top. / I want you on top too, Maxwell. 18 00:01:14,594 --> 00:01:16,384 You're just not going to win. 19 00:01:16,384 --> 00:01:20,823 You might as well give up. Se la vie. / La vie. 20 00:01:21,130 --> 00:01:25,169 Why shouldn't he try for it? His shows are just as good. 21 00:01:25,169 --> 00:01:30,319 As good as "Phantom of the Opera"? / Uh-huh. 22 00:01:30,453 --> 00:01:34,597 Maxwell, for your own good, give up. It's a futile fight. 23 00:01:34,597 --> 00:01:39,180 For God sakes, I know when I'm licked. 24 00:01:42,691 --> 00:01:47,265 Just give me a minute to get that image out of my head. 25 00:01:47,929 --> 00:01:51,104 Nope, Nope. Gonna have to live with it. 26 00:01:51,515 --> 00:01:54,071 It is reassuring no know that if anything happens to me, 27 00:01:54,071 --> 00:01:57,233 you're here to continue my work. 28 00:01:57,233 --> 00:02:01,421 Well, maybe she's right. I should just withdraw the offer. 29 00:02:01,421 --> 00:02:04,189 That way it won't look like I've lost to him again. 30 00:02:04,189 --> 00:02:07,524 Lost? You haven't even begun to fight. 31 00:02:07,524 --> 00:02:13,640 Mr. Sheffield the only thing that Andrew Lloyd Webber has that you don't is a middle name. 32 00:02:13,640 --> 00:02:16,899 I've got a middle name. / Oh, well, there you are. What is it? 33 00:02:16,899 --> 00:02:19,629 Beverly. / Moving on. 34 00:02:20,659 --> 00:02:24,529 Okay. Here's something else that you have that he doesn't. 35 00:02:24,529 --> 00:02:29,314 Yeah? What's that, Miss Fine? / Me. Right, Niles? 36 00:02:29,314 --> 00:02:32,213 What about a Whopper? 37 00:03:23,050 --> 00:03:25,372 Fran, you know, Clifford, that geek at my school? 38 00:03:25,372 --> 00:03:27,939 Uh-huh. Oh, honey, you know, he's not such a geek. 39 00:03:27,939 --> 00:03:32,240 Not everyone can pull off mittens clipped to their sleeves. 40 00:03:32,518 --> 00:03:35,764 Well, he offered to help me with my PSAT's. / Yeah? 41 00:03:35,764 --> 00:03:38,787 But I can't be seen with him. / Sweetie, it's the '90's. 42 00:03:38,787 --> 00:03:41,526 Le gdek, chez chic. 43 00:03:41,526 --> 00:03:49,616 See, here's the progression -- pocket protector, software genius, compound in Malibu. 44 00:03:50,121 --> 00:03:51,546 Ohhhh ... 45 00:03:51,733 --> 00:03:54,324 Listen to me. You'll be smart. 46 00:03:54,506 --> 00:03:56,963 Meanwhile, I'm a maid. 47 00:03:58,262 --> 00:04:01,108 All right. It's all set. I'm taking the playwright to dinner tonight. 48 00:04:01,108 --> 00:04:03,861 And I happen to know he fancies himself as a bit of a ladies' man 49 00:04:03,861 --> 00:04:06,834 so I thought maybe I'd set him up with Cindy, huh? 50 00:04:06,834 --> 00:04:10,164 Nothing like a super model on the rebound. Hey? / Ohhhh. 51 00:04:10,164 --> 00:04:14,548 Now, you see, Mr. Sheffield, that's why you're wearing Donna Karan, 52 00:04:14,548 --> 00:04:20,495 and I'm wearing -- well, actually, I'm wear Donna Karan too, but they cut the label out. 53 00:04:21,599 --> 00:04:25,913 So what's this guy like? / Dakota Williams? Oh, he's an elderly southern gentleman, 54 00:04:25,913 --> 00:04:32,071 you know, a real man's man, ah, drinking, chain smoking, plain talking. 55 00:04:32,071 --> 00:04:35,225 Oh, gee, and you want to fix him up with Cindy Crawford. 56 00:04:35,225 --> 00:04:39,582 I don't know. From Richard Gear to Yosemite Sam? 57 00:04:39,856 --> 00:04:43,499 You know what, leave everything to me. I have just the gal for you -- 58 00:04:43,499 --> 00:04:47,638 cheap, foul-mouthed, finds secondhand smoke a big turn-on. 59 00:04:47,638 --> 00:04:51,164 Oh, Miss Fine, you wouldn't want to go with him. 60 00:04:53,237 --> 00:04:55,565 I didn't mean me. 61 00:04:55,565 --> 00:04:58,023 I hate smoke. 62 00:04:58,433 --> 00:05:01,020 Do you think you can convince this friend of yours to go out with him? 63 00:05:01,020 --> 00:05:04,881 Oh, I don't know. She's got to be willing to have cocktails in a mansion, 64 00:05:04,881 --> 00:05:07,013 dinner at a five-star restaurant, 65 00:05:07,013 --> 00:05:11,557 and ride around all night in a limo with some famous guy who's too old to jump her. 66 00:05:11,557 --> 00:05:14,122 Gonna be tough. 67 00:05:19,424 --> 00:05:23,075 Now, Niles, you must be particularly attentive to Mr. Williams this evening. 68 00:05:23,075 --> 00:05:25,949 I want his visit here to be first class in every way. 69 00:05:25,949 --> 00:05:28,313 Yeah, Niles, stay on your toes. 70 00:05:28,506 --> 00:05:29,855 Ohhhh! 71 00:05:30,639 --> 00:05:32,790 Oh, my toes. 72 00:05:33,861 --> 00:05:36,941 Ah, there you are, Miss Fine. Now guess what. 73 00:05:36,941 --> 00:05:40,411 After dinner I've chartered a boat to take us around Manhattan 74 00:05:40,411 --> 00:05:43,959 with a Cajun blues band I've flew in from New Orleans. 75 00:05:43,959 --> 00:05:48,717 Oh, Mr. Sheffield, now you're showing some gumbos. 76 00:05:49,333 --> 00:05:51,294 Oh, he's here. 77 00:05:51,426 --> 00:05:53,546 Nanny Fine, take a powder. 78 00:05:53,546 --> 00:05:56,438 Now, now, now, Cee Cee, if it weren't for Miss Fine, 79 00:05:56,438 --> 00:05:59,423 we wouldn't be entertaining a Pulitzer Prize winner here this evening. 80 00:05:59,423 --> 00:06:03,314 Pulitzer Clearing House? How much did he win? 81 00:06:03,477 --> 00:06:06,098 Miss Fine, take a powder. 82 00:06:07,044 --> 00:06:08,616 Mr. Dakota Williams. 83 00:06:08,616 --> 00:06:12,789 Ah, I'm just Dak to you all. 84 00:06:12,789 --> 00:06:15,989 Welcome. / I do not stand on ceremony, 85 00:06:15,989 --> 00:06:19,407 and just to prove it, I'll drink anything you got. 86 00:06:19,407 --> 00:06:22,872 As long as it's sour mash whiskey. / Oh, we got that, all right. 87 00:06:22,872 --> 00:06:26,569 Don't we, Niles? / What are you nuts? Sir ... 88 00:06:26,967 --> 00:06:29,571 I'm Cee Cee Babcock, Mr. Williams. 89 00:06:29,571 --> 00:06:34,828 Your plays are so profound. Where do you get your inspiration? 90 00:06:35,093 --> 00:06:39,554 Give me an uptight alcoholic spinster, and I'll give you a play. 91 00:06:40,023 --> 00:06:41,706 Ta-ta. 92 00:06:42,733 --> 00:06:44,029 Ha, ha, ha, ha. 93 00:06:44,502 --> 00:06:47,004 Oh ... Sugar, sugar, sugar, 94 00:06:47,616 --> 00:06:50,130 little darling, who are you? 95 00:06:50,130 --> 00:06:52,288 Hi, I'm Fran Fine. 96 00:06:52,288 --> 00:06:54,949 You know, I was the lead in one of your plays in high school. 97 00:06:54,949 --> 00:06:59,259 Because of my accent, everyone thought I was from the south. 98 00:06:59,641 --> 00:07:01,992 Must have been an amazing production. 99 00:07:01,992 --> 00:07:05,009 Oh, when I played the death scene with my mamie, 100 00:07:05,009 --> 00:07:08,171 how I loved her, how I loved her ... 101 00:07:08,651 --> 00:07:12,640 Anyway, there wasn't a dry eye in Flushing. 102 00:07:12,640 --> 00:07:15,812 Flushing? Like a toilet? 103 00:07:16,424 --> 00:07:18,675 On a good day. 104 00:07:19,769 --> 00:07:22,976 Oh, Sheffield, this is one saucy woman. 105 00:07:22,976 --> 00:07:27,044 We're going to get along like two June bugs on a summer picnic. Yeah. 106 00:07:27,044 --> 00:07:30,442 Well, actually, actually, she's not your date. / No. 107 00:07:30,442 --> 00:07:31,436 Huh? 108 00:07:31,436 --> 00:07:34,183 Your date's even cruder. 109 00:07:34,760 --> 00:07:36,706 Yes, much. 110 00:07:37,925 --> 00:07:39,785 I'll get that. / Me too. 111 00:07:39,785 --> 00:07:42,916 Oh, Miss Fine, I can taste victory already. And it's all you. 112 00:07:42,916 --> 00:07:45,143 I have you to thank. / You ain't seen nothing yet. 113 00:07:45,143 --> 00:07:49,737 Wait till you get a load of the chick I fixed him up with. Ta-ta! 114 00:07:55,602 --> 00:07:57,590 I'm sorry I'm late. 115 00:07:57,590 --> 00:08:02,682 I had to dig up a brassiere that hooks in the front. 116 00:08:05,055 --> 00:08:07,367 What? No good? 117 00:08:12,178 --> 00:08:15,555 Are you out of your bloody mind? 118 00:08:15,760 --> 00:08:19,266 Oh, look who's here, Bob's Big Boy. 119 00:08:19,266 --> 00:08:24,039 Miss Fine you fixed up America's foremost living playwright 120 00:08:24,039 --> 00:08:29,683 with a woman whose greatest attribute is making rice that doesn't stick together? 121 00:08:29,885 --> 00:08:32,176 He was smiling when he met her. 122 00:08:32,176 --> 00:08:35,830 He's drunk out of his mind. / All right. She's on pain killers. 123 00:08:35,830 --> 00:08:39,261 Maybe neither of them will realize they're together. 124 00:08:39,261 --> 00:08:43,302 Miss Fine, Miss Fine, haven't I been good to you? / Yes, you have. 125 00:08:43,302 --> 00:08:45,945 Gave you a job when you needed one? / Yes, you did. 126 00:08:45,945 --> 00:08:49,348 All the Slim Fast bars you can eat? / Uh-huh. 127 00:08:49,348 --> 00:08:54,802 And how do you repay me? / I was just trying to be the woman behind the man. 128 00:08:54,802 --> 00:08:58,958 How would you like to be the woman behind the Burger King counter? 129 00:08:58,958 --> 00:09:02,569 The one on 57th Street is hiring. 130 00:09:02,569 --> 00:09:05,491 You know, for a minute there when I saw Yetta, 131 00:09:05,491 --> 00:09:10,766 I thought that she was Dakota's date. Ha, ha, ha, ha, ha. 132 00:09:11,390 --> 00:09:15,611 Oh, let me tell her in lieu of a Christmas bonus. 133 00:09:16,638 --> 00:09:19,004 No! 134 00:09:19,895 --> 00:09:23,445 Oh, it's your fault. Maxwell, let's kill her. 135 00:09:23,445 --> 00:09:27,578 Cee Cee, I prefer to do this without any witnesses. 136 00:09:27,707 --> 00:09:29,463 Niles .../ Oh, huh. 137 00:09:30,702 --> 00:09:34,232 Mr. Sheffield, let me just tell you my thinking. 138 00:09:34,232 --> 00:09:41,845 Andrew Lloyd Webber would have never thought to fix him up with someone like Grandma Yetta. 139 00:09:43,693 --> 00:09:49,303 Well, Nanny Fine finally dug a hole deep enough to bury her and her hair. Ha, ha. 140 00:09:50,730 --> 00:09:54,141 Oh, Miss Babcock, you have a little something, ah ... 141 00:09:54,141 --> 00:09:55,933 Oh, well, give me that. 142 00:09:57,219 --> 00:10:02,761 How's that? How do I look? 143 00:10:02,761 --> 00:10:05,019 Yummy. 144 00:10:06,446 --> 00:10:09,718 All right. Would you keep it down. We've got company. 145 00:10:12,915 --> 00:10:15,379 Cee Cee? / What? 146 00:10:15,379 --> 00:10:17,924 What on earth happened to your face? 147 00:10:17,924 --> 00:10:21,129 She cut herself shaving. 148 00:10:22,432 --> 00:10:23,562 Oh ... 149 00:10:27,426 --> 00:10:34,665 So, anyway, 30 years I'm thinking it's a beauty mark. 150 00:10:34,937 --> 00:10:39,851 Suddenly I wake up, it's the size of Danny DeVito. 151 00:10:39,851 --> 00:10:41,306 Yetta. / Yetta ... 152 00:10:41,306 --> 00:10:48,348 That's nothing. I got something that looks like a gas cap off a '64 Corvair growing on my butt. 153 00:10:48,574 --> 00:10:51,695 We believe you. We believe you. 154 00:10:54,234 --> 00:10:56,878 Oh, I got something for you. 155 00:10:56,878 --> 00:11:00,623 But first I gotta take off my girdle. 156 00:11:01,305 --> 00:11:05,813 You little tease. You're such a turn-on. 157 00:11:06,098 --> 00:11:10,625 Did you hear that? Yetta, big turn-on. 158 00:11:10,782 --> 00:11:12,398 Excuse me, Mr. Williams. 159 00:11:12,398 --> 00:11:17,553 I know we could all go on and on about Yetta. Hell, she turns me on. 160 00:11:18,392 --> 00:11:24,242 But why don't we see if we can't work out a deal before you're sober -- supper -- your supper. 161 00:11:24,869 --> 00:11:29,384 Sheffield, is this how you do business? Aha, just show me where to sign. 162 00:11:29,384 --> 00:11:32,775 Come on, honeysuckle. 163 00:11:34,288 --> 00:11:37,734 It's all body language. 164 00:11:38,253 --> 00:11:40,893 Watch the walk. 165 00:11:47,024 --> 00:11:50,082 Miss Fine, you never cease to amaze me. 166 00:11:50,082 --> 00:11:52,987 Well, I don't know why you're so shocked. 167 00:11:52,987 --> 00:11:56,071 I mean, you asked me to fix the man up with someone. 168 00:11:56,071 --> 00:12:01,830 I followed my instincts. Simple, yet bonus worthy. 169 00:12:02,270 --> 00:12:06,210 Miss Fine, I could just kiss you. 170 00:12:08,288 --> 00:12:11,672 Coulda, shoulda, woulda, but didn't. 171 00:12:17,404 --> 00:12:21,052 Stop it. You're embarrassing me. 172 00:12:21,052 --> 00:12:24,716 Oh, he keeps calling me his right arm. 173 00:12:24,716 --> 00:12:28,495 Miss Fine, you have more lives than Garfield. 174 00:12:28,720 --> 00:12:31,611 Oh, Niles, lox, eggs, and onions. / Yes. 175 00:12:31,611 --> 00:12:36,408 Grandma Yetta left her breakfast order on the door nob before she went to bed. 176 00:12:36,771 --> 00:12:40,306 Well, when she sleeps over, she always thinks she's at the Fountain Blu. 177 00:12:40,306 --> 00:12:45,754 If you want to make a buck, tie your shirt into a calypso knot and serve her a pina colada. 178 00:12:46,548 --> 00:12:50,655 Oh, Miss Fine ... / Coming. 179 00:12:50,854 --> 00:12:54,928 I'm feeling a little short time to get on my pedestal. 180 00:12:55,366 --> 00:12:58,481 Oh, there she is. / Who? 181 00:12:58,481 --> 00:13:00,499 My right arm. 182 00:13:00,718 --> 00:13:04,662 Oh, stop it. You're embarrassing me. 183 00:13:04,662 --> 00:13:07,470 Well, I'm sorry, Miss Fine. I just can't help it. 184 00:13:07,470 --> 00:13:10,988 I own Dakota Williams' next play. / Oh ... 185 00:13:10,988 --> 00:13:13,471 I finally beat Andrew Lloyd Webber, 186 00:13:13,471 --> 00:13:15,847 and it wouldn't have happened if it weren't for you. 187 00:13:15,847 --> 00:13:20,469 Oh, you did it all yourself. I was merely your, um, um ... 188 00:13:21,640 --> 00:13:23,451 Right arm. 189 00:13:23,451 --> 00:13:26,367 Stop it. You're em -- oh, it's you. 190 00:13:26,897 --> 00:13:29,152 Good morning. / Good morning. 191 00:13:29,152 --> 00:13:30,040 Good morning. 192 00:13:30,313 --> 00:13:32,650 I'll have some of everything. 193 00:13:33,338 --> 00:13:36,841 I'm on the American plan. 194 00:13:37,199 --> 00:13:41,765 So, tell me, did the dinner last night go well? You got home so late. 195 00:13:41,765 --> 00:13:44,723 Oh, she was quite the little vixen. 196 00:13:44,723 --> 00:13:49,637 Oh, Yetta, you didn't drop anything under the table and go look for it, did you? 197 00:13:49,637 --> 00:13:53,991 One time. Just to see if I still had it. 198 00:13:57,586 --> 00:14:01,538 Good God, that was you? 199 00:14:05,045 --> 00:14:07,897 That was you? 200 00:14:09,985 --> 00:14:13,371 Do you two want to be alone? 201 00:14:14,270 --> 00:14:20,741 Meanwhile, Dak and I are a match made in heaven. 202 00:14:20,741 --> 00:14:23,758 I like dark meat; he likes light. 203 00:14:23,758 --> 00:14:27,723 I could hear the movie; he could see it. 204 00:14:28,001 --> 00:14:32,088 I got a right lung; he's got a left. 205 00:14:32,582 --> 00:14:35,789 But the best part is he's retired. 206 00:14:35,789 --> 00:14:39,986 No, no, he's not retired yet, Yetta. He's still got a play to finish. 207 00:14:39,986 --> 00:14:44,379 Good luck. The man hasn't written a word in 20 years. 208 00:14:44,379 --> 00:14:49,000 Oh, Yetta, you're confused. Mr. Sheffield just bought his play. 209 00:14:49,000 --> 00:14:51,387 That's right. The first act is on my desk right now. 210 00:14:51,387 --> 00:14:55,670 Did you happen to notice it was written with a quill pen? 211 00:14:55,937 --> 00:15:00,557 What is she saying? / I'm saying don't hold your breath for the second act. 212 00:15:00,557 --> 00:15:06,601 The man's got writer's blockage. / Oh, no. Oh, God ... 213 00:15:07,881 --> 00:15:13,985 Thank you for introducing us. Most guys my age are senile. 214 00:15:14,419 --> 00:15:18,466 I'll be in the gift shop. 215 00:15:19,620 --> 00:15:22,135 All right. Let's -- let's recap. 216 00:15:22,135 --> 00:15:25,663 I now own a play that is totally worthless, 217 00:15:25,663 --> 00:15:29,585 and Andrew Webber does not. 218 00:15:29,585 --> 00:15:32,655 My right arm is strangely silent. 219 00:15:32,805 --> 00:15:34,992 Did it have a stroke? 220 00:15:34,992 --> 00:15:37,223 It's thinking. 221 00:15:37,223 --> 00:15:39,601 Try and follow me for a minute here. 222 00:15:39,601 --> 00:15:45,168 Why would Dak sign a deal with you when he could have signed a deal with Andrew Lloyd Webber? 223 00:15:45,168 --> 00:15:48,972 Because my plays are just as good. / No, really. 224 00:15:48,972 --> 00:15:56,008 It's because of Yetta. You know, he might back out of the deal if she dumps him. 225 00:15:56,008 --> 00:16:01,291 Wait, wait, Miss Fine, Dak is the most exciting man Yetta's ever met. 226 00:16:01,291 --> 00:16:04,469 I mean, what would possibly make her leave him? 227 00:16:04,469 --> 00:16:08,966 Well, she had her eye on the couch in the lobby. 228 00:16:11,048 --> 00:16:12,520 Yetta ... 229 00:16:13,400 --> 00:16:17,709 I hate when they don't put prices on things. 230 00:16:18,601 --> 00:16:21,059 Honey, where do you start? 231 00:16:21,059 --> 00:16:25,696 Look, Yetta, I know you've grown very fond of Dak, but, 232 00:16:25,696 --> 00:16:29,487 well, you should know he drinks far too much. 233 00:16:29,487 --> 00:16:34,195 He swears like a sailor, and, well, frankly, he's a scoundrel with women. 234 00:16:34,195 --> 00:16:39,535 Mr. Sheffield, are you trying to talk her out of it or into it? 235 00:16:39,535 --> 00:16:42,941 Let me handle it. Yetta, you gotta break up with him. 236 00:16:42,941 --> 00:16:46,608 Why? He's cute, and he's loaded. 237 00:16:46,608 --> 00:16:51,770 If we got married, some day it would all be yours. 238 00:16:52,817 --> 00:16:56,512 What are we really doing here? 239 00:16:57,052 --> 00:16:59,661 Oh, no, wait a minute, wait a minute. I can't do this. 240 00:16:59,661 --> 00:17:05,164 I -- I can't ask her to give up her last chance for happiness just so I can get out of a bloody business deal. 241 00:17:05,164 --> 00:17:12,889 Hold it. This was business? I was just a cheap tawdry sex toy? 242 00:17:13,378 --> 00:17:17,238 Why does this always happen to me? 243 00:17:17,238 --> 00:17:19,668 I'm very sorry, Yetta. 244 00:17:19,668 --> 00:17:25,142 Hey, I was there. How could you not use me? 245 00:17:25,142 --> 00:17:30,637 Business is important. I myself am an entremanure. 246 00:17:32,227 --> 00:17:36,380 My family's going to have to stop breeding. 247 00:17:36,380 --> 00:17:40,865 Franny, let me talk to your husband in private. 248 00:17:43,842 --> 00:17:47,569 You want to talk business, here's the deal. 249 00:17:47,569 --> 00:17:52,854 I'll give up Dak if you quit fooling around with the blond. 250 00:17:52,854 --> 00:17:55,962 Shame on you. 251 00:17:56,541 --> 00:17:59,807 Look what you've got. 252 00:18:07,934 --> 00:18:12,201 Mags, lighten up. What's with the unga-blues-onaputum? 253 00:18:13,005 --> 00:18:15,743 Unga what? / Sour pus. 254 00:18:15,743 --> 00:18:21,037 You know, it's a face like that that kept Molly Ringwald from a film career as an adult. 255 00:18:22,126 --> 00:18:26,714 Fran, the worst thing has happened. The computer nerd asked me out. 256 00:18:26,714 --> 00:18:31,336 Oh, so he's getting a little interactive, huh? 257 00:18:31,336 --> 00:18:36,408 Fran, I don't want to go out with him. Ah, he'll wear that hat with those ear flaps. 258 00:18:36,408 --> 00:18:40,029 Honey, let me impart some wisdom on you. 259 00:18:40,029 --> 00:18:45,178 My mother always dressed my father in leisure suits, 260 00:18:45,178 --> 00:18:51,205 and no one has ever stolen him away. 261 00:18:52,650 --> 00:18:54,922 Fran, you don't understand. 262 00:18:54,922 --> 00:18:59,100 My best friend Whitney's going out with a football player who is so studly. 263 00:18:59,100 --> 00:19:03,685 All right, honey, honey. Let me just give you the progression here -- 264 00:19:04,245 --> 00:19:09,152 star quarterback, pulled groin, beer gut -- 265 00:19:09,152 --> 00:19:13,486 can I check your oil, please. Huh? 266 00:19:17,490 --> 00:19:20,834 Maxwell, I'm coming in, and I have terrible news 267 00:19:20,834 --> 00:19:23,728 Isn't that redundant? 268 00:19:23,860 --> 00:19:28,201 Cee Cee, nothing can spoil this perfect day. 269 00:19:28,201 --> 00:19:31,204 Just about now Andrew Lloyd Webber is probably realizing 270 00:19:31,204 --> 00:19:35,774 that he owns Dakota Williams' long-awaited opus named 271 00:19:35,774 --> 00:19:40,719 "You Better Like Act One Cause There Ain't No Act Two." 272 00:19:40,719 --> 00:19:47,940 I read, "Dakota Williams' closes a deal with Andrew Lloyd Webber to produce his new play -- / Uh-huh. 273 00:19:47,940 --> 00:19:51,774 "-- which he finished in one night." 274 00:19:53,402 --> 00:19:56,577 Oh, Miss Fine ... 275 00:19:57,148 --> 00:20:02,808 Are you doing the hokey-pokey and you need your right-arm man? 276 00:20:03,459 --> 00:20:07,920 I'd take it out before he shakes it all about. 277 00:20:08,160 --> 00:20:08,944 Huh? 278 00:20:09,207 --> 00:20:11,294 Webber stole our playwright. 279 00:20:11,294 --> 00:20:16,833 Well, tell us something we don't know. Ha, ha, ha. 280 00:20:17,652 --> 00:20:19,875 All right. 281 00:20:22,134 --> 00:20:29,987 "The playwright was inspired to complete the deeply personal project by a recent bout of unrequited love. 282 00:20:32,756 --> 00:20:36,413 In contrast to his usual heroine, the pivotal character 283 00:20:36,413 --> 00:20:44,175 is an earthy, elderby, Hebraic woman named Zetta." 284 00:20:45,907 --> 00:20:49,474 Ever since I started working here, I don't need a treadmill. 285 00:20:49,474 --> 00:20:52,935 I have to get Miss Grace. Mr. Clinton's here. 286 00:20:52,935 --> 00:20:57,536 Clinton? The President? He knows Barbra Streisand. 287 00:20:57,699 --> 00:21:01,018 It's so exciting. Who are you? 288 00:21:01,018 --> 00:21:03,492 I'm Roger Clinton. 289 00:21:08,328 --> 00:21:10,684 Do you know Streisand? 290 00:21:10,684 --> 00:21:16,473 Well, I was at the inauguration, but I had terrible seats. / Oh ... 291 00:21:16,473 --> 00:21:19,192 Miss Fine, you haven't been dismissed. 292 00:21:19,192 --> 00:21:21,098 I haven't finished with you yet. 293 00:21:21,098 --> 00:21:23,439 Not now, Mr. Sheffield. We have company. 294 00:21:23,439 --> 00:21:27,115 Roger Clinton is here. / Oh ... 295 00:21:27,115 --> 00:21:30,041 Ah, why? 296 00:21:30,459 --> 00:21:33,848 Well, your daughter wrote my brother a letter. 297 00:21:33,848 --> 00:21:37,824 And he was so touched by it, he asked me to stop by while I was in town. 298 00:21:37,824 --> 00:21:41,247 Where's the President? / Honey, honey, he couldn't make it. 299 00:21:41,247 --> 00:21:46,165 But his brother came instead. / Oh. 300 00:21:46,776 --> 00:21:51,189 Isn't this exciting? Honey, go get your camera. 301 00:21:51,189 --> 00:21:54,293 Why would I want a picture -- / Go. 302 00:21:54,900 --> 00:21:59,706 Ah, you know, Mr. Clinton, Miss Fine here is a great admirer 303 00:21:59,706 --> 00:22:02,371 and supporter of your entire family. / Yes, I am. 304 00:22:02,371 --> 00:22:04,115 Thank you. That's nice to hear. 305 00:22:04,115 --> 00:22:07,529 As a matter of fact, you should send for her in '96. / Oh ... 306 00:22:07,529 --> 00:22:11,829 Yes. She is an inspiration to have in your corner. 307 00:22:11,829 --> 00:22:17,471 Well, I'll tell Bill. You know, he's always looking for a good right arm. 308 00:22:20,188 --> 00:22:22,771 Mr. Sheffield, that was so nice of you. 309 00:22:22,771 --> 00:22:27,740 You know, I thought you were a republican. / I am. 310 00:22:38,698 --> 00:22:40,762 Thank you for my gift. 311 00:22:40,762 --> 00:22:43,685 Well, Yetta, I just hope you enjoy it. 312 00:22:45,382 --> 00:22:49,413 You know, for the club chair, I would have put out. 313 00:22:50,911 --> 00:22:56,250 Well, that's what happens when you get involved with an entremanure. 26986

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