All language subtitles for Lost in Fuseta 1.2_17082024

What have you done so far?

So, let me imagine.

Senor Lost from Hamburg, Senora Teresa from the local police.

In the car.

We have a dead man on the Illa di Tavira, right next to your lagoon.

It's you, Olio.

The man worked as a private detective in the Agave.

An Alemau, just like you.

It's going to be a service to self-sufficiency.

Are you the best in your unit?

Senor Lost?

Leander.

Why?

Did you run to the door?

Why did you run to the door?

Jobbe.

I already said that!

He's a safety fireman.

But maybe he's not the murderer.

According to my opinion,

Leander Lost is an Asperger.

I can't lie.

A blanket with rice and bread to fall on Leander.

Perish to Gratiana.

I'm sorry, I can't do it.

I'm sorry.

Carlos.

The oldest one is the mayor of Adlisch.

And we have both.

Adlisch and the company of Stausi.

The same business leader.

Philippe Benedikt.

Benedikt.

Everything that happens here is legal.

Leander Hage over, over.

Stop!

Brutal slag perish Leander Nieder.

The silver.

Lost must stay.

But only when I pull the trigger.

Then pull us off.

Gratiana.

Lost in Fusetta, part two.

On Leanders garden terrace.

With a cashier, he fished a bee out of the pool.

Soraya appears.

From where, Senor Lost?

He remembers meeting with her.

I have fresh bread with me and thought that we would have breakfast together,

if I don't disturb.

You disturb.

But I can use the bread.

Soraya smiles.

He looks into your eyes.

In the city, Gratiana and Carlos,

supported by a chair,

go to a café.

You sit on a table.

Come here.

Hello.

The two sit next to him.

Are you hurt?

Okay, watch out.

You are now in our trap.

It has been transferred to me, there is a difference.

I have read your report.

Dead private detective,

traces of elves,

they fill the water from the pool.

But it's all legal.

Well, if it's all legal,

then no one should kill me, right?

I will definitely learn the murder.

Let me stop by no one.

Yes, okay.

No one.

But the thing is, it stinks of heaven.

That's obvious.

There is nothing obvious about it,

except for your denial,

to construct connections,

where you are not able to find

which ones you are.

It stinks of heaven.

Shit.

Man, how unfair for me.

I'm sorry.

You can't hear me.

You're sorry.

Carlos.

Really?

Do you know what a suit costs?

No idea.

Shit.

50 euros?

Miguel.

Two connections leading from Marcos Conrad to Elsen.

The second, the transporter.

The picture Conrad made of it leads to Elsen.

And the second, Usman Jou.

The man who was appointed to the Conrad office

has stopped at the company site of the elves.

And that is not a constructed connection.

No.

The thing with the transporter alone,

it refers to a slightly present picture

with a slightly really remembered symbol.

And who saw it?

The Allemau.

In the mirror.

In his memory.

Guys.

I, as your boss, would have taken the case away from you.

Only the full capacity was halved.

We have the account card from Conrad here.

Maybe there is a trace for you there.

Please.

You shouldn't have let her go.

Or she would have died.

But could you take care of the small, small

of the account card?

I really have to keep an eye on you.

Of course.

We would like to do that.

Thank you.

It's a complicated case.

Grinsen, Gen, Carlos and Graciana.

On their way to the garden terrace.

Soraya and her breakfast.

What are you doing in your free time?

He's thinking.

I like to read about the colonization of Mars.

Soraya stutters.

Wow.

That's really...

something special.

She smiles at him.

Tell me.

He rubs the stars.

She rubs them.

The earth is so or so far away from its bottom.

At least a few billion years later the sun will set

and this planet will practically disappear.

It is.

And maybe that happens already before.

For example, through an asteroid that hits here

and releases a nuclear asteroid.

Or what is most likely due to a nuclear war.

Or another man-made catastrophe.

There are many possibilities to remember.

And that's why the human being is well advised

to build up new colonies in the world early on.

And the first, the closest option is Mars.

He drinks.

Wow.

That's really interesting.

Yes.

Do you think you could send couples to Mars?

Of course that depends on your preferences.

Are you married?

No.

Why not?

Are you alone?

He wanted to be interested.

I prefer to live alone than with the wrong man.

He smiles at her lips.

I can see her in my eyes.

He keeps an eye contact without trying to understand her

and nods.

I am alone too.

But based on her age and her life expectancy

there is a statistical probability

that she will find the right partner.

He hit dry.

Up.

Hmm.

She nods.

Leander.

Hopefully I will notice it when the right one is sitting in front of me.

Her knife falls on the ground.

Soraya and Leander meet at the same time

under the table with a good tablecloth.

She smiles and grabs the knife.

She also grabs it and touches it with her finger.

Both of them look at each other.

Soraya slowly approaches him.

Leander looks into her eyes.

Her faces are close to each other.

Both of them bump into the table.

She touches the back of her head.

Both of them stand up.

Grasjana and Carlos are waiting in front of the villa.

We have a new clue.

Grasjana looks at her sister and Leander.

She puts her sunglasses a little bit under her nose.

Leander goes to the villa with a slight desire.

Soraya smiles.

Grasjana grins.

In the evening, the three intermediaries

go along the beach to the abandoned houses.

The last business connection that has entered Konrad

comes from a Maddalena Pinto.

Unfortunately, we can no longer question her,

because she no longer lives.

The fire department here in her house

was an abandoned heart, the authorities say.

The facades are wrinkled.

So we are still working on the Konrad case.

Leander looks at Grasjana and Carlos.

Duarte himself has asked us to check the account details.

And before we inform him and the silver,

we should first check if it makes sense

to carry on with the case.

That's definitely more efficient.

Exactly.

But Maddalena Pinto didn't die here.

No.

But in a car accident.

And on the street that leads to the traffic jam,

where Elzen has the factory.

However, she was already on the way back.

So, away from the factory.

In what time was the accident under fire?

She died at 22 o'clock in the accident.

An hour later, the house was destroyed.

She was an environmental activist.

She worked as a biochemist

and then for an environmental organisation.

She shows the photo of a smiling woman with glasses.

Leander thinks about it.

In front of his inner eye, he sees Jogh's face.

The fire department that destroyed Maddalena Pinto

was in May.

Did Usman Jove already apply his patience in Portugal at that time?

No, he only arrived in July.

Carlos looks around the houses, thinks about it and notices.

Bodycams!

What?

Firemen!

Take the bodycams!

In a office on the police station,

we see the three on a monitor.

He shows four different bodycam recordings

with time-codes from a burning house.

Carlos crumbles his head.

The silver is in the office.

Carlos is in a hurry.

What is this?

We have...

We have a new track.

Falconrad.

No, no, no.

He has crossed a red line.

I did everything so that we can get out of it with a blue eye.

And you don't appreciate it.

If the police president comes after you,

so that you continue to meddle,

you will be suspended.

And that means you risked not only your head,

but also mine.

And I will never let that happen.

Is that clear now?

Grasjana swears.

Here is the end.

And do what ever it is.

Right now!

He roars at him.

Carlos hits his arms on the belly

and puts the face in the height.

Leander sees a laptop.

Well, if you had a snob like that with the camera,

we wouldn't have found you.

At bodycam 3, timecode 2309,

someone from the house is running.

I saw it

while Xenia de Silva kept his promise.

Elinz to Grasjana.

She hates Carlos.

Both look at the recording of camera 3.

Trimmer parts in the house burn.

A shadow comes along in the background.

Not really.

Dad or grandpa?

The target person.

Dad or grandpa?

The target person flies out of the window.

There.

The window window.

Where the shadow comes out.

It's not that big.

Shouldn't we send it to Xenia de Silva?

No.

Grasjana takes her phone and tips something.

Theresa?

Yes?

Who was there in the case of Madalina Pinto?

Second, please.

Miguel Duarte.

Sub-Inspector Miguel Duarte.

Backlight.

And did anyone else live in her house?

Yes.

Madalina Pinto has a daughter.

Sarah will stay here until she is fully recovered.

A meeting room.

We don't get her either.

She was already in two guest families,

but not with her.

No family.

It was a group of crazy brothers

and the others needed me as a cleaning lady.

Sarah.

Senor Calota already warned us.

We're investigating the case of your mother.

Sarah looks unconscious.

I drove to the tree.

What are there to investigate?

She belongs to the Imo scene.

Where were you when your house was burned down?

Her eyes are surrounded by thick black lines,

the hair blackened.

Swim.

Piercing's eyes are surrounded by her right eye.

Leandersie looks unconscious and turns around.

What is it?

Why are you wearing a metal face?

You're not a police officer.

What are you?

What are you doing here?

You want to get out of here?

You'll be here tomorrow.

I'm only 16 years old.

I still have to sit here for one and a half years.

You could sleep in the guest house.

Sarah musters him up.

Mark Wünisch.

What's wrong with the metal?

It's a statement.

An expression of my individuality, you idiot.

Why do you care about most of the people who sleep here?

To women.

Sounds like it.

So actually...

You want to get out for a week?

Sarah thinks about it.

Yes or no?

She takes deep breaths and shirks her lips.

Would that be possible?

Theoretically?

Sure.

If she takes over the responsibility for Sarah.

Sarah shirks her shoulders and folds her hands.

What do I have from it?

Why don't you cut off the whole thing?

Carlos smokes.

You show us an X, your favorite text.

If one of us can do it within one minute,

then you'll come along.

If not, you stay here and I'll give you 500 euros.

500?

500.

Sarah leans to Leander.

She picks up the brown with an influx of ignorance.

Sarah's facial expression mirrors triumph.

Her eyes shine.

She stands up and takes a phone book from a storage.

Slowly she turns to her chair and leaves the book.

She lays her arms on the back of the canvas,

sees the challenges of Graciana,

takes a seat and puts Leander the phone book that she's picked up.

She looks at it.

Both sides.

Leander studies the sides.

She smiles, victory is certain.

Carlos grins chemically.

Leander closes the book.

On a country road,

Leander follows the dark car with his bike.

Carlos lets his arm out of the open window.

She smiles, Graciana in the mirror.

In the shape, Sarah sits.

What kind of shit is this?

Our colleague had a photographic memory.

Sarah looks over her shoulder.

Is there any perverse?

Unless he has a good memory and quickly shoots at his colleague.

No.

In Benedict's villa,

behind a glass front,

his young friend makes the Eva squats with weights.

He lies out on the pool and looks at her.

She holds her gaze, breathes in deeply and out.

With a driving operation,

Benedict opens the door and slowly walks around the pool.

Peresh steps into the villa.

In the past, he looks at Eva.

She repeats her gaze,

goes deep into her knees,

and breathes in and out.

She wears a pink crop top and leggings.

In the garden, Benedict gives Peresh

a photo of the unconscious Sarah,

without piercings with brown hair.

Peresh thinks about it.

There is movement in the matter again.

Benedict musters him.

Find out where she is now

and...

talk to her nicely.

She turns around.

It's impossible for the little one to have come out alive.

Benedict turns around.

Yes, I'm sure it's the same as you say.

But...

do it anyway.

He grabs Peresh's arm.

Find that child.

He knocks him on the shoulder.

As you wish.

It will be a joy to me.

Peresh turns around.

In the garden, he looks at Eva.

She makes arm muscles training with short sleeves.

She begins her gaze.

The terrace is full of other visitors.

Sarah is late to Leander and Carlos on the pool.

What's wrong with the two of them?

Are they staying here too?

On the pink one?

No, it's only Senor last.

That's why.

The pink one is called Senor Stevich.

It would be good if you could learn it.

Sarah owes her bag.

You were swimming when your mother was unlucky.

Where?

Where you're so bad at.

In the water, why?

Just like that.

She shakes her head.

Despite that, Sarah looks at Grasjana.

And steps through a door into the house.

There's nothing like that in life.

Peresh closes both wings of the door behind her.

Grasjana tightens her eyes and thinks.

She wasn't swimming for sure.

And she's afraid.

She's afraid of death.

And with pressure, you won't get anything out of her.

But why is she so afraid?

What's wrong with her?

I have to know that.

Laugh and look at Raya Leander.

Her fish is dirty in the water.

Leave her alone with Leander.

Grasjana tightens her eyes.

You mean because she's on the outside?

Yes, and because she's not interested in you and she doesn't...

...under pressure.

Grasjana doesn't like her.

Because he'll never lie to her.

Grasjana comes to the pool.

Carlos, how are you?

Raya tightens her arms and watches as her sister and Carlos go.

She stands up with one hand on her back.

She's holding a cigarette in her mouth.

She takes your train.

The sun is deep in the sky.

Leander grills burgers.

Raya cuts vegetables and drinks a big sip of her glass of water.

She stays here.

She drinks water too.

She gives tomatoes in a bowl.

My sister thinks that Sader could contribute to the clearing of the case.

Leander takes her glass off.

But she has to trust us first.

To all of us.

I'm looking forward to it.

To the fact that I'm trusted.

The two sit on the table and eat.

Sara greets them.

It's delicious.

It's super delicious.

Sara gets closer.

Are you hungry?

Yes.

She stays away from something.

Raya sees Leander.

He raises her head and looks at Sara.

Then he stands up.

Come.

He leads her to the grill.

There are several plates on the table.

He knows.

Bread, meat, salad, tomatoes.

Individual delivery.

Yes.

Leander nods and walks.

Sara turns her eyes.

She puts a half of bread with a salad sheet and a burger.

Then she puts a powerful shot of ketchup on it.

On the table.

You told me earlier about your father.

And that he's sitting in a wheelchair.

Has he already been born?

Sara lies.

No.

It happened when he was in charge of the police station.

In Moncarapascio?

Mm-hmm.

I don't trust Raya and look down.

He just had a job.

And he had.

Five men were transferred to a money carrier.

He could stop her at the end of 125.

And he wanted to arrest her.

They replaced him and told him

he should go home as soon as possible.

Of course he didn't want to.

So...

You press your lips together.

Just shoot him down.

Sara holds the gun inside.

Sara holds the gun inside.

For all of us, it was a bad day.

Why?

She's interested in Léander.

No, because we didn't know if he would survive.

And Léander is disturbed

without taking a look at her.

Raya's eyes are blinding.

She's sulking on the ground.

He's sulking a little.

Why are they sad?

Because he...

My father could have died.

But he's not.

If he's so worried about her...

Is that a reason to be happy?

Léander is taking care of her.

She's sulking and is wiping herself with her napkin.

Sara looks at Sauraya.

With a mixture of interest and irritation

Léander looks at Sauraya.

A plane is turning its head.

He's blinding her.

It's dark in front of the villa.

Sauraya opens the door to a car.

She goes back to the waiting room

and gets into the car.

She drives away.

Léander is waiting in the dark courtyard.

The red brake light of the car is flashing on her.

In the darkness, her body is hardly visible.

Even in the villa, only a weak light is burning.

Slowly he goes back to the house.

In the villa.

In time, the dawn is dimming.

Sunlight shines through the windows.

One of the waker figures is on two books

that are on a hooker.

Sauraya and Grasiana drive out of the car

and get out of the car.

Before the visitor leaves.

Sara opens the door.

Hello.

We're going to my parents' dinner

because no one is here.

Our parents welcome you.

Sara wants to close the door.

No fun.

Grasiana opens the door.

As long as you're here,

I have the responsibility for you.

Either you come to my parents' dinner

or you have to go back to your home.

Don't worry, our mother is a fantastic kitchen.

I swear to you.

Sauraya is friendly.

Sara walks quietly from one foot to the other.

A simple quarter in the city.

Perish crosses a pedestrian bridge.

Behind it are train tracks.

A photo camera is hanging over his shoulder.

He goes to a school yard

that is surrounded by a partially rusty guitar fence.

Perish lets a key slide along the guitar poles.

He turns the girls around.

Zögern stands a black-haired,

about 16-year-old girl

and means her friend is walking with her to the guitar.

The friend stays a bit away.

Hello.

Hello.

I work for a model agency.

Here's my card.

I'm a scout

and always looking for new, pretty faces.

She smiles and smiles.

I accidentally stumbled over a picture

of one of your classmates.

Sara Pinto.

Do you know her?

Yes, of course.

But she doesn't go to school anymore.

Sara is now in a home in Tavida.

She smiles.

What?

What else do you want to tell me?

Only that Sara isn't that pretty.

The most beautiful

don't know about their effect.

May I take a few pictures of you two?

Of course, and friendly, okay?

Both pose for him.

Very good.

What a talent.

On a country road,

Sara sits with an open window

in front of the dark car.

She smiles and smiles.

Her hair moves in the car.

She looks back.

Leander follows her on the motorbike.

In a lane,

she stays in front of a white house

with blue tiles.

Carlos in a dark jacket

is approaching without a chair.

What's going on with Carlos?

I don't know what I said,

but it looks pretty good in his suit.

Do you like it?

A nice jacket?

I found it in my office.

To Sara.

Come.

In the kitchen,

the mother cooks food.

Hello.

Hello.

I brought it for you.

Hello, mom.

Hello.

Gabi.

Thank you for helping me.

Of course.

The poor child.

Sara, come here.

Right away.

Okay.

Graciana goes to the roof terrace.

Sara comes.

Where are the others?

They are all already on the roof terrace.

Sara goes to the stairs.

Sara, wait a minute.

She takes a top from me.

Can you take it up?

She gives you the top.

Oh, you?

I'm late today.

Please.

I'll be right in front of you.

Soon Sara will go over the shoulder.

On the roof.

You have to be Sara.

Put the top on the table right away.

Yes, right here.

There is still space.

The father.

The mother brings a plate with mussels.

And here is my specialty.

Who wants it?

Grab it.

Leander rubs the stone.

Mussels.

Sara keeps her plate full of expectations.

With a big spoon, her smiling mussels are put on the plate.

The father takes a fish, a pot with gambas.

All eat, but the shirms turn into shadows.

Do you like the Algarve?

Of course.

I like it when people go around with this blast.

Blast?

Yes.

I think the country is like the patina in the houses.

Portugal's great time has exceeded the Zenithia for a long time.

In the past, it was a colonial kingdom, a sea power.

Today, there is not much left of it.

Because it doesn't look at anything at all.

The father puts the lid on the pot.

The others look at it.

Carlos puts his plug away.

Senior lost.

Leander lifts the head.

We have no doubt the most beautiful women in all of Europe.

We have a long coastline.

We are friendly guests.

We have over 300 recipes for fish stock and brought the tea to Europe.

Why not the blasts of Britain?

And if Ronaldo, whose name is once again shot next to it,

then we are all in the pech club.

And that has brought the wonderful father to you.

And Nergens, is the Azusa already like here?

Father Schmuntzelt.

I think that's exactly what I mean.

Despite all this,

that's what the people here look like.

And they would be sad, yes.

But they lose their courage.

Mother Grübel, the father is disappointed.

Just like the Portuguese national team

when Ronaldo was eliminated against France.

They got up and achieved the impossible.

They slept in France.

He coughed.

And even if he hadn't made it,

they would have saved their lives.

The father takes a deep breath and lifts the brown.

Sarah stares at her food.

A smile is reflected in her face.

She nods to Leander.

Carlos nods with a happy face.

Leander holds his hand.

My name is Carlos.

Leander stutts.

I know it's a mystery.

After all, Carlos nods with a happy face.

The mother and the father laugh.

Leander looks confused.

The guests go.

The mother winks from above.

Bye.

Yes.

I need someone who is identified.

Okay, welcome.

Before the house.

Senor Lost, I'll give him the afternoon free.

Please stay with Sarah.

Bye.

To the beach.

That's how it goes.

My car is over there.

Leander and Sarah look at each other.

Grasiana and Carlos drive away.

At the beach.

Leander in a suit with a chair and a chair.

There goes a few meters away from Sarah and Soraya.

It's pretty crazy what he told about his father.

I'll tell you what about Senor Lost.

He has a kind of development disorder.

She shows herself to him.

Among other things, he can't lie.

Sarah looks at the sea with such glasses.

Soraya puts her head down.

At the sea shore.

Leander sits on a chair.

His pants are a bit cramped.

She licks her toes.

She crawls into the sand.

Next to him is Sarah.

Her face is closed.

Leander looks at the sea and notices.

Soraya in bikini is standing in the flowing waves.

She licks her wet hair back.

He watches her.

Sarah notices it.

Soraya turns to them.

She dries up and straightens her face to the sun.

Sarah sits on her towel.

She plays with her fingers.

What's wrong, Sarah?

She dries up.

When I look at the sea,

I feel small and insignificant.

I don't know where it comes from.

You have a self-reflection.

Compared to the Atlantic, you are actually small and insignificant.

Thank you very much.

Do you want to fool me?

He looks serious.

No.

But I would like to be able to do that.

To fool you.

To put someone in.

He licks her and looks at the sea.

Sarah looks at him.

Leander watches Soraya with closed eyes.

She licks her face to the sun.

She tries to calm down and licks her face.

Suddenly, Sarah looks at her.

Her dark shadow reaches her brow.

Her lips are red.

What do you think I look like?

Uncertainly, she looks at Soraya.

She licks her shoulders.

Sarah licks her face.

You have everything you need.

Eyes, nose, mouth, ears.

You look normal.

And Senora Soraya?

Does she also look normal?

No, she is pretty.

Why?

Her part of your hip relationship is 0.7.

That is generally considered attractive.

And besides...

She looks at her.

She licks her.

She licks her.

She hardly licks her shoulders.

I think that is attractive.

Soraya looks at her.

She turns her back and walks with her arms

into the flowing waves of the sea.

Like a helicopter, the view flies over a big saline

with countless, quite angular dust clouds.

In the meantime, on a narrow path, the saline is engulfed.

Garasiana and Carlos go to a place with a saline mountain.

The silver comes against them.

The three steps closer to the beds.

In one of them lies a corpse.

It is Job.

His eyes are closed.

His body is covered with thick saline.

Blood is stuck to his neck.

His harmless t-shirt is also soaked in blood.

Red stripes are drawn by the water.

Garasiana hugs him and looks at him.

Carlos is something.

The silver comes to him.

And?

That's him.

No cuttings and arms.

He didn't get hurt.

Kehlenschnitt didn't get hurt.

He trusted his murderer to turn his back on him.

And then...

But why here?

She looks around.

There's no one here after Christmas.

No one is in sight.

She stands up.

But what did Job do here?

Good hiding place.

What did the witnesses say?

They all work at the back of the company

and just took a break.

There was a car in front of him

who raced at high speeds.

They came here and found the corpse.

Description and identification sign.

Maybe a car mark.

Something.

It was gray.

Gray, huh?

Carlos to Teresa.

Did you record the staff of the people?

Yes.

Okay.

Then you can go back to work or go home.

That's it for you.

Thank you very much.

You can go.

Teresa, have you looked at the ruins?

They all in the distance.

Teresa shakes the body and leaves.

Folia Anders Villa.

Zoraya climbs into her small car,

winks at Sarah and drives away.

Sarah's mine is indistinguishable.

Her brownies are slightly attracted to each other.

She roars and turns her head towards the cutoff

of the open window.

Sarah approaches.

Through the window she sees W. Leander

with a big knife, tomato, cut into equal large slices.

He lays his tie over his shoulder,

eats it in a glass,

and watches exactly the movie.

Sarah comes to the kitchen

and takes the plate out of the cupboard.

On the terrace, Sarah covers the table.

In the kitchen, Leander sets up a salad cappuccino.

Tomatoes and mozzarella slices

with basil leaves are accurate

in the shape of a spiral on a plate.

On the terrace, the wind blows on,

the salivary drone flies from the table.

Sarah grabs her and swears at her with a stick.

She looks at the table,

softly moves her mouth.

Leander quirls the dressing with exercise movements.

Sarah thinks over, grins,

and goes into the cellar.

Leander spits out his unmarked white shirt with dressing.

He looks at the plate as usual.

Sarah puts the wets of the figures

on top of the napkins outside.

Leander leaves the kitchen with a stiff,

and slightly squished arm.

Sarah sits on the terrace table.

Leander climbs the stairs to the room with the daily bed.

Under the stairs, a row of white shirts are hanging on a rod.

He stands in front of it,

and loosens the knot of his body.

When he is restless, he pulls the hooker in front of the terrace door.

He is empty.

He looks at the night table.

There, too, no wets of the figures are standing.

Leander closes his eyes.

His breath becomes flat.

He is late to bed,

and she is also empty.

Leander puts his head in the napkin,

and tries to control his breath.

With the fingers, he pulls his neck under the shirt

in front of him and touches the trailer.

He cuts his neck off.

He looks at the ceiling in panic,

and leaves himself on the bed.

His fingers surround the trailer.

The other hand is tied to the faust.

His whole body is shaking.

The ceiling, with deep cracks, is threatening to fall on him.

With painful terminus,

he turns to the door.

Sarah roars and hears the noise.

In the room, Leander lies on the floor

and drinks some air.

His gaze is glassy.

She then rubs her shoulder.

Hey, what's happening?

What's happening?

What should I do?

Now talk to me!

Should I call a doctor?

No, no.

Do you need a medicine?

He shakes his head.

I need a doctor.

What kind of doctor?

A doctor.

Sarah takes the figures out,

and holds them in front of her face.

How do I put them back together?

Here?

What?

Sarah rubs her back on the floor.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

His face is covered in sweat.

It's okay.

Go.

She looks incredibly.

Go!

He shakes her back,

stands up and leaves the room.

Leander lies helpless on the floor.

He cries.

His baby is crying.

Before the second call

from the White House,

Pech is waiting.

Goodbye, Santiago.

I'm sorry.

You're so nice,

and give me the lens cap.

She lifts the cap and gives it to you.

Thank you very much.

Thank you very much.

Thank you very much.

What a beautiful day.

Oh, yes?

She looks out of the window.

You know,

I just don't like it when something

is missing.

And you still missed

the picture of your family.

On the phone,

there's a picture of two children

and a man.

Nobody is missing?

How did you get this picture?

I'm calling the police.

She's on her way to the tour.

She's on her way to the tour.

Do you know how many missing cases

we have here every year?

And most of them are never cleared up.

These people disappear.

They never appear again.

And their children

don't have a long school trip.

Every day.

And back again.

Until now nothing has happened,

thank God, and that remains

because, as I said,

there are a lot of dangers on the way

to school and back.

Trains get into the eyes of the homeowner.

I have to talk to Sarah Pinto.

Where is she?

On Leander's garden terrace.

Sarah goes to the exit

with backpack and travel bag.

Leander comes from the villa.

Where do you want to go?

Away.

Oh, she doesn't want to see me anymore.

Of course I want to see you.

Otherwise I can't know where you are.

She holds inside, turns to him

and raises his arm.

But the weekend is almost over.

You can also bring me home. I have to go soon.

Good.

Her eyes are wet, she glitters hecticly.

Leander turns to the bike,

holds inside and thinks.

What?

Did I cook?

He has an Italian tomahawk.

He has caprese.

For two.

I don't have any hunger.

And since I don't have any hunger,

my mom has never cooked.

You can't take me and I can't either.

He drives around.

Who knew that your mother couldn't cook?

A few people, why?

She takes off her travel bag.

You stay here.

Leander goes to the visitor.

Why?

She follows.

Why?

The fire extinguisher in your mother's house

and unbearably cooked pots on the stove.

But again you cooked on your mother's stove.

Leander notices,

turns to her and looks into Sarasmene.

She looks nervous.

But you know that this wasn't the fire extinguisher.

And from that you know it better.

And you can only know it better

if you were there.

It's bullshit.

It's bullshit what they say.

It's all together.

I don't know why I'm still so angry.

She's storming through a pearl trap in the house.

And that's with the suit,

by the way she's sick.

I'll close the door.

Leander walks through another door to the house.

When she burned your mother's house.

But someone else was there.

I don't know, I was swimming.

The fire extinguisher has recorded the fire extinguisher.

Bodycam 3.

Timecode 2309.

Like a person fleeing from a window.

Backlight.

The recording from the burned house.

In the visitor's house.

And this person

has about your size.

You saw the man who lit the fire.

But he doesn't know that.

Sara!

Where do you want to know that?

He thinks after.

Because otherwise you won't be alive

with high probability.

Sara!

Backlight.

In Pinto's house.

Sara is naked and without a face piercing.

She's hiding in a half dark room.

Sara, your mother is sending me.

I should bring you to her.

Did you hear that?

Sara, are you here?

Through a doorstep she sees

how Peresh goes down the stairs.

In the visitor's house.

I see Leander.

What did he look for at work?

Backlight.

Peresh takes a laptop.

I don't know.

He definitely didn't find it.

Trains are in her eyes.

Can you see the man?

She shakes her head.

Can you describe him?

She remembers Peresh with a canister,

distributed liquid in the house

and lit a cigarette.

I don't know.

Double hair, long beard.

I don't know.

Peresh throws the cigarette

onto the river.

He immediately throws flames

into the sky.

Sara closes her mouth.

Sara!

The animals are tattooing.

She rides over her nails.

Leander grumbles, goes to the commode

and wants to load the drawer.

Jan, what's your name?

Can you completely protect me?

No.

He's looking for something.

Sara looks at him.

What can you promise me?

About the worst case?

The worst case?

That you'll die after me?

He finds a pen.

How sad.

You'll regret it.

That was irony, wasn't it?

Was that irony?

Yes.

A flight of joy roars over his face.

And now?

He disappears next to him.

Leander returns with a napkin.

Now?

He puts the pen and the napkin on the bed.

Are you done with the drawing of the tattoo?

It's dry.

There's something else.

In the evening, Leander and Sara

ride on the motorbike along the coast.

On an abandoned bank,

Carlos and Grasiana

rush towards the sea,

passing by a heap of fishing rods.

Carlos notices something.

Both are ducking.

A man goes to the carpenter

to take pictures of Carlos.

The man wears his hair

tied in a napkin.

A windowless room in the basement of a bank.

A woman in her pants

wears a steel cassette

to a illuminated table.

To Leander and Sara.

If you break me, you'll find me up there.

Carlos zoomed

with the telephoto lens

the man's napkin and took pictures of him.

It's perish.

He walks into a graffiti-spread hut.

Carlos and Grasiana

see the pictures.

One of Perish's napkins

shows a flower tattoo.

What?

What?

She shows a picture

of a painted napkin with a flower tattoo.

They compare the motifs.

It fits?

It fits.

Perish with open hair

leaves the hut in jeans and shirts.

Shows the view around

and cuts off his burning cigarette.

Then he drives off with a pritching car.

Grasiana

takes a latex glove

goes to the hut

picks up the cigarette

and puts it

in a proofreader bag.

The windowless room in the bank.

Sara

picks up a key from her half-stief

and closes the cassette with it.

She opens the lid.

Leander approaches.

Sara takes two boxes out of it.

There is a envelope.

She opens it

and flies over to the documents.

These are the papers.

She gives them to him.

It's something scientific.

In the testament my mother says

I should bring them to the private detective Markus Konrad.

I did that too.

Who did he react to?

But he didn't report.

Leander grumbles.

He puts the pages on the lighted table

and studies them.

Sara opens a drawer

and touches

a rather gloomy silver ring.

These are two drinking water analyzes.

Yes, I know that too.

She closes the drawer

and says,

is it magnetic?

I don't know. Is it important now?

Almost nothing is important.

This analysis was taken

and signed by a senior

Luise Marx. Do you know her?

Sara sits down

and shakes her head.

No.

On the stairs to the earth

Carlos and Galasiana wait.

Hello, hello.

Carlos, Sara, on the shoulder.

It's great

that you're alive.

There are news.

Outside.

These are two drinking water analyzes.

One by Sara's mother

and one by another scientist,

Senator Marx.

Sara stutters Carlos.

Sara brought her to Senator Konrad.

She died shortly after that.

Sara sits in the dark car of the police.

That's here.

That's very important now.

He shows you the digital photos of Berlesch.

Is that the man you saw?

Sara breathes deeply.

Is that the tattoo?

He shows the big picture of the naked tattoo.

Sara stutters and nods.

Nothing happens to you.

Galasiana nods before Sara

and looks at her seriously.

Nothing happens.

I promise you that.

Take the man now.

That's what we have.

It's enough for me.

His DNA was nowhere to be found.

No one was there.

He probably didn't go to the murder.

And you don't know his tattoo in the whole.

You don't know him at all.

If he has a good lawyer.

And he has one.

Then he will tear it up in the air.

But do you know?

In a seminar room.

A woman in a white jacket?

All of this is due to the chemical,

physical and microbiological parameters

that describe the existence

of the individual samples.

The most common is water

after chlorine, sulfate,

Galasiana.

Can we talk?

The woman in the jacket nods.

In a laboratory.

Mark gives water out of a well

in a glass and rich glass.

Thank you.

You're welcome.

She gives another glass.

There's too much to do.

It's okay.

She approaches Sarah.

You're the daughter of Madalena Pinto, right?

You're like cut out of her face.

Sarah's eyes are wet.

Tröstend looks at Yana

with one hand on her shoulder.

Leon shows his glass off.

The murderer of Madalena Pinto.

These are two drinking water analyzes.

One of them is from Madalena Pinto

and the other one is from her.

They came up with an identical result.

That the tap water

shows the same quality as Puro Agma from Elton.

That's why they came up.

Sarah cries.

You also have to fly the flowers on the edge.

The analyst's assignment was the health department.

We were already there

and found out that there was

a sample of the same water

and the same data.

But with the difference

that the sample of Puro Agma

shows much better than this one.

Mr. Löst, could you

turn around with Sarah on the motorbike?

Yes, no.

Yes, go back with her.

Is that ironic?

No, that's more serious.

Mark drives over her lips

with his tongue.

Leon receives air,

sees confusion between his colleagues

and Sarah the door.

She goes out.

Leon follows.

Excited,

Carlos cries over his lips,

leans against an undergarment

and closes his arms.

Mr. Luisa,

why have you changed your analysis

to the health department?

Why do you have these analyses?

Carlos shows the documents.

Modellina Pinto

made her daughter.

The tap water

and Puro Agua,

the Elsten company,

have the identical quality.

But the health department

warns of the basic situation

of their changed analysis.

Before the enjoyment of tap water

and the recommended water

from filled bottles, that means

this warning is wrong.

So...

Mark Schmine is locked.

She is dry.

Graciana puts herself over her.

She bends slightly

and looks at her.

Mark swears.

So Elsten

fills water in bottles

and puts mineral substances.

This is a Puro Agua.

And instead of 0.6

per liter, you pay

a lot more, up to 2 euros.

With such rendits

even high-risk francs

can't keep up with the bottle.

And everything is legal.

Besides, Modellina Pinto

died in an accident.

So there is nothing for you to blame.

Carlos Atmanschwer.

Modellina Pinto is probably

probably

that's why she was transferred here.

And her daughter

Sara

is in danger now.

And I will be the man

who killed Sara's mother,

Jagen

with all legal means

and then with everyone else.

And then I will find him

and bring him to prison

so that this child

can grow without threats

and do what I do.

Markshan

who is suing.

Do you understand?

Marksh

closes his eyes, lowers his head

and takes him back.

I understand you absolutely

but I can't help you

in a long time.

I'm sorry.

But I ask you to take care

of Sara well.

At the same time

it's dark.

When the moonlight

and few lamps illuminate

the garden terrace

Sara looks at a tree

and watches Leander.

He sits in the train

on an inflatable chair

and dims through the pool.

With the style of the cashier

he falls off the balcony.

She loses her thoughts

to the sky.

Look back.

I thought about our suspect

but maybe he's not the murderer.

You mean

the real perpetrator used

the murderer himself?

And Elzen

the motherfucker of Anlisch

swags from the reservoir

out of the water

to sell it in plastic bottles.

He's out of the bed

and then

out of the window.

And the car is already running?

It was Dr. Olivera.

It's not your business

to get involved in this.

Why? Are you out of your mind?

Because I'm out today?

An imbis, Carlos and Graciana

eat.

Come to the villa, Elias.

There's news.

We have to go.

Carlos with chicken and the hand

drinks a sip of beer from the bottle.

Leander

sits on the terrace

and adjusts his tie and the jacket.

I think

the suspect is

a policeman.

One of us.

One of us?

How did you come up with this?

I asked myself

why the suspect passed away

after six hours

before the suspect asked

to find and destroy

the analysis of Mr. Madalena

in the office of Mr. Conrad.

And?

Can you please

clarify the question?

I mean

what conclusion did you come up with?

I understand.

There was no reason for the suspect

to appear in person

or maybe even to draw

the interest of Mr. Conrad's neighbors.

Because with an accident

as a cause of death

he later had the opportunity

to transfer the questioning documents

to the office of the Cripo

There was only one solution

which allowed him to

break into the office

of Mr. Conrad.

The information

that the private detective is the victim

of a murder.

That was done to him by Dottora Oliveira

at four o'clock and four o'clock.

Markus Conrad died

of a strange effect

at nine o'clock in the morning.

And that allowed the suspect

to send him to the office

of the private detective.

But for that

he had to belong to a circle of informants.

That leads to eight people

who had access to the suspect.

Luis Díaz and Teresa Fíadeiro

from the GNA.

You both, Senor Duarte, Senor da Silva,

Dottora Oliveira and my person.

Eight. And then I asked

what the suspect, Senor Jobel,

had to offer. What is so valuable

that someone is ready

to even start a murder? Money.

I mean something more valuable.

A future.

And the future begins

for Osman Jobel

with a compensation.

And she can't be put out

by police officers of the GNA.

Okay, okay, okay, that's right.

So there are six people left. Right?

Exactly. Dottora gets out.

Why? Because it was in her power

to set the time point on her own

that she wanted to join us.

Both of them get out because

of the crime.

Where the part of the plan

could have been cancelled. Hey,

watch out. He's throwing the chicken leg away.

What are we supposed to do here?

I just turn off the possibilities.

That's not personal, Senor Steves.

And you, Senor Steves,

are just like me, left-handed.

Jobel's keel cut

was taken from left to right.

So from a right-handed.

That's just as few questions as I do.

Besides, I don't trust you

with the criminal double-life.

Humanly. Logistically.

Ah, yes. The main thing Senor Conrad

had in mind. Where are you often kept?

In the commissariat.

And for whom?

For all of us. Why?

Because Usman Jobel has the key to Senor Conrad's office.

How do you get there?

Carlos, sit down.

Remember how you discovered the window

in Conrad's office?

Look back.

The players lay in a corner to the window

that the hole was knocked in

when the window was opened.

Tell me, did you know that back then?

No.

But I wondered why Usman Jobel

wanted to fly past to the entrance gate.

Get out of the door!

Leave the way!

Instead of taking the way he had come

through the window.

But he wanted to go through the door.

Why?

Because he already knew this way.

Grasianas sink into the head.

Are Senor Duat and Senor de Silva

both right-handed?

She thinks about it.

Raul de Silva doesn't.

In front of his spiritual eye

sees Leander Duarte with a green hook.

What are you going to do?

Carlos is caught.

Grasianas sees Leander in the eyes.

In a trap.

Tomorrow in a café.

De Silva is waiting.

What is Grasianas doing?

I don't care.

De Silva drinks an espresso.

She asks for him.

Senor Conrad's brother.

He's one of us.

Who?

Me here.

She goes outside with her head.

She puts on her sunglasses and leaves the café.

De Silva drinks and follows her.

On a human-like beach

De Silva goes in front of her boss

under a abandoned,

standing rescue building.

De Silva's mine is serious.

He looks out to the sea.

He steps on the other one's foot

and looks at Grasianas.

Who is this?

He sees him again.

Miguel Duarte.

Miguel Duarte?

Skeptically he closes his eyes.

Grasianas nicks and steps on the other one's foot.

Do you have evidence?

Maybe.

Miguel laid the case

for two weeks to the files.

And he was the one

who let Usman Job come.

And when we found his body

he was only four kilometers away.

De Silva beats around the bush.

Damn shit.

And what do you have now?

We kill him.

When he works for Elzen

he needs the correct water analysis

and we have it.

We also have a witness.

He sees us in the eyes.

Where?

Navela Elias.

He has no reason to look for all of us.

If he still does

then we know why.

Who knows everything about it?

She's so angry.

Carlos?

And he has your mouth?

Damn it.

She's looking for him.

I think that's a good idea.

In the evening in a restaurant

with unbearable mines

Duarte sits right on his chair.

Grasianas takes his place.

We only disturb you

after Miguel's service.

I have two questions.

Did you know that Piantos' daughter

was the last client of Markus Konrad?

Because of a failed water analysis?

I don't think so.

You can't say that in any case.

No problem.

He's driving over the lips.

What do you mean?

Benedikt leads guests through the garden of his villa.

The same business model

is currently being established in Mozambique.

Maybe you could also take over

the management of the business.

Excuse me, doctor Amstutz.

Philly!

Eva goes to him.

Perish is coming.

Excuse me for a moment.

Can you bring the gentlemen

something to eat with lime?

Lime are all.

But we still have biocytes.

I could...

She turns around and goes.

Benedikt walks with Perish to the side.

What?

You have Sara Pinto.

How can that be?

You should take care of it.

You know how it goes.

There was no one in the house.

Now she's under police protection,

but I know where they hide her.

Benedikt, we're waiting.

Yes? Come.

I'll take the first machine

to Zurich and you.

We'll do everything here.

After I've flown away.

Yes, sir.

I'll take care of Perish.

Benedikt goes.

Perish closes his eyes and takes a deep breath.

So.

Sara.

Backlight. Perish in Pinto's house.

In the evening, Leandr's pool.

He sits on the inflatable chair in the water.

Sara comes.

Then we have to go tomorrow.

Tomorrow?

She's heading there.

How long can I stay?

You're completely drunk.

Sara gets excited

and starts talking.

I thought it was just the end of the week.

Yes.

Senor Zaziana knows a lawyer

who has explained to me

that she has left an exception

for you.

And so Senor Zaziana

goes to your court.

She doesn't know me at all.

You didn't ask me.

Yes.

I can't tell you that.

But I can lie to you.

She looks at you with big eyes.

She would have liked to tell you

herself.

She would have left you the choice.

No one will force you

to do anything.

And what does it mean?

Why?

When?

Because

Raquel and Antonio Rosado

would adopt you.

She starts him.

So you don't have to go home.

Then you would have a room

at the Rosados.

And

the visitor is here.

Only for you.

Sara laughs.

Would you like that?

She looks at her

with a smile on her face.

I don't know what to say.

Me neither.

It's probably because

you already said everything.

She takes a wine bottle.

I think I would like to pour some wine on it.

I don't think that's a good idea.

In my mom's house

I always do that.

Really?

She looks at her.

She gives her a glass of wine to Leander.

Leander looks at the drink in her glass.

They pour it on her.

Sara laughs.

Hello.

She was quick.

Even for her marriage.

Thank you.

Mr. Loss told me that you are my legal wife now.

Säuphzen looks at Leander

with his shoulders.

As long as you want that.

Sara glimpses.

You only do that for me because

you need a witness, right?

No.

Sara glimpses.

Sara laughs.

I have to get you out of my way

for a second.

She puts her hand on him

and pulls him out of his seat.

Leander puts his jacket on.

On the silver half-dark

terrace, he goes out with

indistinguishable mines.

In a restaurant

a waiter serves a espresso

and slowly lifts his head.

On Leander's pool terrace

Sara puts her jacket on.

Carlos is crying.

What happened?

What is it?

What's wrong with you?

What's wrong?

Leander shows the bottle.

He's crying badly.

He's empty.

More than a half bottle in 15 minutes.

You knew that?

Sara told me that she

was allowed to drink in her mother's house.

Maybe in her mother's house,

but not in the presence of her mother.

The girl lied to her.

He carries her, something falls into the water.

Oh, my God.

Oh, shit.

Mom, it's all in the closet.

On the arms, he carries her away.

Rage fish Leander

puts his phone in the pool with the cashier.

In the guest house

Grasiana pulls the bed cover back.

Carlos puts Sara on the bed.

One.

One.

On the pool, Leander looks at Sara's cell phone.

The display flashes.

With serious facial expression he lifts his head.

Grasiana and Carlos come.

What's wrong with him?

I'll never listen to him.

Because I can't stand it.

His eyes are shimmering and wet.

Lies, irony,

mimic reading,

subtext.

I'll stay and see you.

Well, if I do,

I'll nod, if I don't,

I'll shake your head.

Hmm?

Very friendly of him, Mr. Stiffish.

I can read mimic to big parts.

But it's very complex

and complex for me.

Because I have to describe every facial expression

individually. And that's...

That's boring.

Grasiana looks with feelings.

And sometimes a mimic is only full-fledged

what someone said.

And that's...

exhausting.

I'd like to be alone.

He seems to have a full mouth.

Leander looks into the mirror.

Before the villa, Grasiana and Carlos

get into their car and drive.

From the dark kitchen

Leander is late to them.

A light is flashing him.

He takes off his tie

without expression.

In the genie he looks like a jacket.

On the garden terrace

Leander controls the pool.

He stands on the edge

and spreads his arms.

His head overflows

and falls into the water.

On a country street

Grasiana controls the car.

On the horizon, behind the curtain

the sun rises.

Grasiana looks at thoughts

and tries to go.

Tomorrow

the office in the precinct.

In a protective vest, the police

stand at the open window

and smoke a cigarette.

His eyes are slightly closed.

He throws the cigarette smoke out of the window.

On a lonely road

he walks with his British car

on a deserted field

and holds.

He screws a bolt on the barrel

of a pistol.

Leander sits on the pool terrace

in the train and with a tie

in a lying chair

and reads a book.

Behind the entrance of the garden

Perlisch opens a big door

and slides on the ground of the villa.

The pistol with a shovel

holds him in his hand,

ducces and pushes himself

to a brick wall.

At the height of the pool

the silver comes from above

over the terrace side of the pool.

Leander stands up.

He sees the book.

Perlisch sees the book.

Perlisch watches the book.

The two go to the villa.

Unnoticed, Perlisch climbs up the stairs

to the pool.

Step by step.

With the pistol out, Perlisch walks

through the pearls of the visitor's house

on the terrace

and looks at the view.

In the villa,

the room with a daily bed.

Behind the front door

the dark shadow of Perlisch is drawn.

He walks through the open door,

climbs the stairs to the gallery

and continues.

At the end of the long floor

he sees the silver and Leander

in the kitchen.

Perlisch goes back to the gallery

and closes the connecting door.

Suddenly Duarte is behind him

and pulls with a pistol on him.

Perlisch rubs the brown.

Perlisch quickly grabs Duarte's pistol,

hits him in the stomach

and throws him over the ground.

Duarte lands on the bed.

With the pistol in hand, Perlisch walks

down the stairs.

With the pistol in hand,

Duarte lands on the bed.

Perlisch takes the magazine

out of Duarte's pistol

and throws it away.

Perlisch comes out of a door,

looks around

and slips over the courtyard

to the entrance of the villa.

On the side of him,

next to a separate wall,

Graciana stands and vises him

with the pistol.

Perlisch spreads his arms

and shoots at her.

Graciana also shoots.

Perlisch falls

with pain-stricken mine to the ear.

In the kitchen, the silver and Leander

pull their pistol.

Outside, Graciana is hiding behind

the breaking wall. Perlisch flies

and fires in her direction.

In the villa, Leander and the silver

break up. Perlisch

flees through the pearl trap

to the visitor's house.

Graciana covers her.

In the villa,

Leander climbs out of a window,

turns around and holds himself

from the outside of the window.

Then he lets himself fall.

In the visitor's house,

Perlisch with a state-of-the-art watch

posts behind an open window.

Graciana jumps around

a corner of the villa.

He shoots at her.

Graciana revives the fire

and stands behind an armchair

on the window sill.

She splashes.

She flies behind a palm.

Perlisch

rides on her tongue over her lips.

Blood flows down her neck.

She turns away.

Graciana

has a bleeding bullet wound

in her lower back.

She presses both fists on her mouth

to suppress her scream.

Perlisch leaves the visitor's house.

While Perlisch flees,

he fires towards Carlos.

He follows him

with a gun and shoots at him.

He hits Perlisch

in the shoulder.

He falls with pain-stricken mines

next to the pool.

Carlos approaches Perlisch

and targets him.

Now Perlisch sees a knife

and cuts Carlos into his lower arm.

His gun flies high in the air.

Perlisch cuts Carlos into his belly.

Perlisch

Leanda is angry.

Let the knife fall.

Perlisch shoots Carlos into his belly

and he climbs back with it.

With a bullet wound, Leanda is getting closer.

Carlos lifts his hand.

His shirt is full of blood.

Let the knife fall.

No, we're doing this the way I'm doing it.

Put your gun on the ground

and ships it to me rüber leander les die gezogene pistola ein stück sinken

Hey, but there is the man toad Carlos nick Leander knapp zu leander erinnert sich

And see me to

Leander überlegt

Warum haben sie karlos ins bein geschossen

The best strategy

Colleagues anschließend ist bei uns ziemlich was der mode gekommen am pool leander hebt die hände

Ja, sehr gut

Nein nicht leander wirft seine wafer auf ein liege stuhl neben perrisch

Haben sie vielen dank

Gut gemacht

Nicht bewegen ich nehme jetzt die wafer ja

Und dann verschwindig

Perrisch schießt leander in die brusche hinter perrisch taucht das silber auf und schießt auf perrisch der fällt

Kraftlos auf Carlos der ander sagt auf die knie

Leander stürzt in den pool

mit ausgebreiteten armen und beinen sinkt er zu Boden

Rasschüttel Carlos perrisch ab und springt hinterher auch glasiana springt in den pool

Die beiden legen ihn auf dem bettenrand

Hol helfe leander spuckt blut

Okay, we're in the

Sisi bitte kommen sie schnell bitte los haben sich schmerzen los kästen kissen holen das silber läuft los

Andi schmetzen

Drücken russkorb

Und definierbar

Etc. am ganzen körper

Wir müssen sie jetzt anheben

Wir improvisieren jetzt einen druckverband ja die duttorein wird gleich da

Wir heben sie jetzt an auf drei eins zwei drei

Die Männer heben leander hoch

Rassjana schnallt mit einem Gürtel fest ein Kissen um dessen oberkörper

Okay

Leander zittert stark

Wir haben das gleich

Wir haben das gleich

Okay, good

Wir haben's

Schauen Sie mich an

Das ist ihnen schlecht, das ist ihnen schwindelig

Nein, ich bin klar

Meine

Was ist damit leander schluck nüs an

Ich bin

Du war der kommt

Oh, ich kloppe meine, meine nase ist gebrochen richtig richtig

Alter, die schnauze

Leander schließt die Augen

Stopp, los

Ach du scheiße

Los, schau mich an

Ich bin ihre Chefin, richtig, ich bin nicht ihre Chefin

Bin ich ihre Chefin

Gut

Und als ihre Chefin betät ich ihnen

Ihre Augen bleiben jetzt, ab jetzt, immer bei meinen Augen, ist das klar

Sie schauen mich an

Okay, sie bleiben bei mir

Gut, sie bleiben bei mir

Nein, stop, nicht anschauen

Los

Stop, bleiben

Schau mich an

Los

Bleib

Lass schauen

Sie tschädschelt seine Wange

Leander's Augen sind geschlossen

Schau mich an

Schau mich an

Deine Mutter hat sie auch geschenkt bekommen

Von jemandem

Es sind, es sind sieben Wächter

Egal wo du bist, kannst du sie um dich herum aufstellen

Und sie werden dich schützen

Wie, wie lange werde ich sie brauchen?

Das weiß ich nicht, aber was ich weiß ist

Wenn du sie nicht mehr brauchst

Bist du frei

Der Kreuzgang im Krankenhaus

Carlos mit Verbänden um Bauch und Unterarm

Grasiana und Da Silva warten

Kann es nicht glauben

Carlos blickt der Schütt ab

Ich auch nicht

Da Silva geht zu Grasiana

Hä?

Er fast rössend ihre Schulter und setzt sich neben sie

Er wird es schaffen

Bewegt sie ihn an und schüttelt den Kopf

Es geht nicht um Lust

Es geht um dich?

Da Silva's Mine verdüstert sich

Besorgt später zu Carlos, der reckt das Kinn

Grasiana gibt Da Silva ihr Handy

Er sichtet Fotos

Die zeigen, wie er sich wut entbrannt

Mit einem Bootshaken über den am Boden

Legenden Fotografierenden beugt

Ich nehme an die Kamera von Konrad, hast du vernichtet?

Aber die Fotos rau

Die Fotos waren in Erklaut

Wir haben gestern das Passwort geknackt

Mit großen Augen schaut er sie an und atmet schwer

Ihr habt uns gar nicht verdächtigt

Bist gestern schon

Bist du in Fotos?

Bist du in Fotos?

Niedergeschlagen legt er das Handy ab

Hat mit dem Haus angefangen, oder?

Die Kosten

Er senkt den Kopf

Kleine Gefährlichkeit von Seniora

Benedikt

Die ich bei Gelegenheit erwidern musste

Damit hatte er mich in der Hand

Jo, er musste sterben, weil er das einzige Verbindung stück

Zwischen dem Mord an Konrad und dir seinem Auftraggeber war

Carlos nickt

Konrad?

Das Hilversblick ist blasig

Von der Benedikt der Preste

Nicht nur

Benedikt mit der Analyse von Madalena Pinto erpresst

Konrad hat mich begriffen, wie gefährlich das Spiel ist

Langsam nimmt er seine Pistole aus dem Holster

Er legt sie mit dem Griffvorhörn auf die Sitzbank

Grasiana greift sie und zieht sie zu sich

Die beiden sehen sich in die Augen

Ich war außer mir

Wusste nicht mehr, wo bin der Kopf stand

Ich wollte mich irgendwie mit dem einigen

Wir haben uns auf dem Wasser getroffen

Und was macht Konrad, dieser voll Idiot?

Er fängt doch glatt an, mich auch noch zu erpressen

Ich war so enraged

Ich hab den Brutzhaken genommen

Und hab einfach auf ihn eingeschlagen

So fest ich konnte

Seine Augen glänzen feucht

Aus blinder Wut

Er nickt und blickt Grasiana an

Ich wollte das nicht

Ich wollte das nicht

Ich wollte das nicht

Duarte mit einem Nasenverband kommt

Ich hab höllen Korn erlitten

Kein Mensch hat Geringeres von dir erwartet, Miguel

Carlos drückt seine Zigaretta aus

Grasiana reicht Duarte die Pistole

Begleitest du Raul bitte nach unten zu den Kollegen

Duarte steckt die Waffe hinten in seinen Hosenbund

Das Silver sitzt zusammengesunken da

Raul

Das Silver sieht zu ihm

Na los

Der steht langsam auf

Niedergeschlagen sieht er von Carlos zu Grasiana

Die ihm düster anblicken

Duarte weiß mit dem Kopf den Gang hinunter

Und will das Silver's Arm greifen

Der entzieht ihn ihm

Die beiden gehen

Grasiana weint

Grasiana als

He has a nose probe. His upper body is bandaged.

Soraya holds his hand.

Grasjana is put on a chair and Carlos steps in.

How do you feel?

Like someone shot through the chest.

He looks at Carlos from Grasjana.

But you don't look like you're worried about the situation.

It doesn't matter.

Leander sees a short cut of a handsome young woman without makeup with brown hair.

Who are you?

I'm Sara.

She doesn't wear piercings and is handsome.

Europol has offered to make her go back to the exhibition.

She has to go to Hamburg to cook.

So if you want that...

Leander is struggling.

It sounds like a reasonable measure.

I trust Soraya.

But...

I like her better than in Hamburg.

Grasjana laughs.

I hoped so.

We all...

believe.

Yes.

Solve Soraya's laughter.

Carlos doesn't understand.

Yes.

I mean...

very much.

Sara grins.

Leander sees Grasjana.

Good, then I'll stay here.

He closes his eyes and puts his head on the chair.

That was Lost in Fusetta, part 2.

With Jan Krauter as Leander, Eva Macbacher as Grasjana

and Daniel Christensen as Carlos.

The film was produced in the order of the ghetto.

Text, Katja Herzke, Ton, Andreas Fuchs,

editorial, Simone Leber,

Regis, Alina Kremer, production,

TimeCode film studio Kehl,

speaker, Herbert Schäfer.

The film was produced in the order of the ghetto.