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Narrator: A MAN IN LOVE BECOMES
THE TARGET OF A DEADLY SPIRIT...
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AAH!
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00:00:13,133 --> 00:00:15,167
IT WAS FIVE MARKS LIKE SOMEBODY
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00:00:15,167 --> 00:00:17,967
HAD REALLY DUG IN
AND SCRAPED DOWN.
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00:00:17,967 --> 00:00:21,033
Narrator: ...DETERMINED
TO KEEP HIM IN ITS CLUTCHES.
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00:00:21,033 --> 00:00:23,633
Woman: THIS ENTITY WAS
ATTACHED TO CHARLES.
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00:00:23,633 --> 00:00:27,367
SHE WAS VERY JEALOUS
AND VERY POSSESSIVE
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00:00:27,367 --> 00:00:29,200
AND VERY ANGRY.
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00:00:34,267 --> 00:00:37,733
Narrator: HE SEARCHES HIS
FAMILY'S TRAGIC PAST FOR CLUES.
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00:00:37,733 --> 00:00:41,300
MY GRANDFATHER MENTIONED
SOMETHING LIKE BRUJERíA,
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00:00:41,300 --> 00:00:45,000
WHICH IS LIKE
SPANISH FOR "WITCHCRAFT."
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00:00:45,000 --> 00:00:47,733
Narrator: NOW HE MUST
DESTROY THE EVIL
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00:00:47,733 --> 00:00:50,200
BEFORE IT DESTROYS HIM.
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[ ROARS ]
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00:00:52,367 --> 00:00:56,500
Narrator: IN AMERICA,
THERE IS REAL EVIL.
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00:00:56,500 --> 00:01:03,700
IT LURKS IN THE DARKEST SHADOWS
AND IN OUR MOST ORDINARY TOWNS.
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00:01:03,700 --> 00:01:05,767
BETWEEN THE WORLDS WE SEE...
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00:01:05,767 --> 00:01:08,100
SOMEONE IS IN MY ROOM.
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...AND THE THINGS WE FEAR...
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[ SCREAMS ]
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...THERE ARE DOORS.
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WHEN THEY ARE OPENED...
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00:01:13,933 --> 00:01:16,400
[ SCREAMS ]
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Narrator:
...NIGHTMARES BECOME REALITY.
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-- Captions by VITAC --
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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JUST NORTH OF THE TRENDY
AND FAST-PACED CITY
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OF MIAMI RESTS
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THE TRANQUIL SEASHORE
OF HOLLYWOOD, FLORIDA.
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Charles:
IT'S DEFINITELY THE PLACE TO BE.
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IT'S SO RELAXING.
YOU GET AWAY FROM EVERYDAY LIFE.
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AND IT'S SO AWESOME
JUST WALKING BY THE BEACH.
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I -- I LOVE IT.
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Narrator: IN 2010,
CHARLES GONZALES
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INVITES HIS NEW GIRLFRIEND,
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HANNAH, A SINGLE MOTHER OF TWO,
OVER FOR DINNER.
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Charles: I MET HANNAH THROUGH
A MUTUAL FRIEND OF OURS.
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THINGS WERE GETTING
A LITTLE BIT SERIOUS BETWEEN US,
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SO I DID WANT HER, YOU KNOW,
TO MEET MY MOM.
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MAMA, LOOK WHO'S HERE.
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AH! HANNAH.
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THESE ARE FOR YOU.
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OH, BEAUTIFUL.
SO NICE TO MEET YOU.
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FOR ME?
THANK YOU.
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SIT DOWN. SIT DOWN.
IT'S GOING TO GET COLD.
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GRACIAS, MAMA.
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LADIES FIRST.
THANK YOU.
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MY MOM LIKED WHAT SHE SAW.
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SHE LIKED MY MOM.
THEY GOT ALONG PRETTY WELL.
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YOU KNOW, IT WAS --
IT WAS DEFINITELY A GOOD DAY.
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BACK IN BOGOTá, WE USED TO HAVE
THESE HUGE FAMILY DINNERS.
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HUGE.
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AND MAMA WOULD PREPARE
THIS DELICIOUS FEAST.
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I CAME FROM BOGOTá, COLOMBIA.
I WAS BORN THERE.
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IT'S ALWAYS IN MY HEART.
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YOU KNOW, IT'S WHERE I GREW UP.
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WELL, TELL ME.
WHAT WAS IT LIKE?
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UH, WELL, THERE WERE
A LOT OF US.
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AND WE ALL LIVED
IN THE SAME HOUSE,
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IF YOU CAN BELIEVE THAT.
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00:03:04,900 --> 00:03:08,967
I GREW UP WITH MY MOM,
MY GRANDFATHER, MY GRANDMA,
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MY UNCLE, MY AUNT, COUSINS.
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UH, IT WAS A BIG FAMILY.
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WHAT?
IT'S JUST A JOKE.
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OKAY, STOP PLAYING
AROUND, YOU TWO.
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GRANDPA'S COMING HOME SOON.
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SORRY.
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HOLA.
HOW ARE YOU?
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-HOLA. [ CHUCKLES ]
-HOLA.
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[ CONVERSING IN SPANISH ]
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LITTLE BIT HOT,
BUT IT WAS GOOD.
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MUY BUEN DíA.
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MY GRANDFATHER,
HE DID MAJOR PROJECTS
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ALL OVER THE CITY
BUILDING HOMES.
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I NEVER SAW HIM RESTING.
HE WAS THE HEAD OF HOUSEHOLD.
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HE WAS THE BACKBONE
OF THE FAMILY.
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I MEAN, HE WAS SUCH
A PRESENCE TO RESPECT.
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[ SPEAKS SPANISH ]
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GRACIAS.
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DE NADA.
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SO, HOW DO I LOOK?
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YEAH?
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Narrator: LIKE HIS GRANDFATHER,
CHARLES' UNCLE,
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00:04:18,767 --> 00:04:22,667
ALFONSO, ALSO PLAYED
A BIG ROLE IN HIS LIFE.
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Charles: MY FATHER DIED
AT A VERY YOUNG AGE,
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SO HE WAS THE ONE THAT REALLY
KIND OF HELPED ME GROW UP
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AND TELL ME
WHAT I NEEDED TO KNOW.
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TO ME, HE WAS LIKE MY DAD.
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HE RAISED ME.
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I LOOKED UP TO HIM.
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00:04:43,600 --> 00:04:46,200
WHAT YOU NEED
IS JUST A DAB.
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TRUST ME.
LADIES LOVE IT.
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MY UNCLE WAS
A VERY SHARP MAN.
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HE HAD THAT SWAG TO HIM.
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HE WAS A LADIES' MAN.
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HE WAS VERY CLASSY.
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[ KNOCK ON DOOR ]
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AND, YEAH,
GIRLS SURE LOVED HIM.
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00:05:03,467 --> 00:05:06,967
THAT, I REMEMBER.
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00:05:06,967 --> 00:05:09,500
AYE-YAI-YAI!
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DON'T WAIT UP.
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-[ LAUGHS ]
-LOOK AT THAT.
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OH, MY GOSH.
LOOK AT THAT ONE.
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UGH, SUCH A SHAME
WE HAD TO LEAVE.
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WELL, HAVE YOU EVER
GONE BACK?
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NO.
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I MISS THE FAMILY, TOO.
I THINK ABOUT
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TíO ALFONSO,
ABUELO EVERY DAY.
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Narrator:
IN 1990, CHARLES' FAMILY
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SUFFERED A SERIES OF TRAGEDIES,
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INCLUDING THE DEATHS
OF HIS UNCLE AND GRANDFATHER.
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00:06:05,300 --> 00:06:08,267
Charles: IT'S A YEAR THAT I
WOULDN'T WISH TO MY WORST ENEMY.
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MY UNCLE WAS ASSASSINATED.
HE WAS MURDERED.
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00:06:20,567 --> 00:06:23,167
[ GUNSHOT ]
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NOBODY REALLY FOUND
OUT WHY, WHO DID IT.
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THEN I HAD MY GRANDFATHER
PASS AWAY AFTER THAT.
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MY GRANDFATHER WAS
THE HEALTHIEST MAN
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YOU COULD FIND.
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HE WAS NOT SICK AT ALL.
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ARGH!
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AAH!
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HE JUST PASSED AWAY,
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JUST LIKE THAT, JUST...
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[SNAPS FINGERS]
THAT QUICK.
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Narrator: SOON AFTER, CHARLES
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AND HIS MOTHER MOVED
TO THE UNITED STATES
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IN HOPES OF LEAVING
THEIR PAST BEHIND.
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00:07:02,100 --> 00:07:05,800
HEY, DON'T CRY, MOMMY.
THEY'RE STILL HERE WITH US.
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00:07:05,800 --> 00:07:08,067
JUST BECAUSE WE
CANNOT SEE THEM...
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00:07:08,067 --> 00:07:09,867
THEY'RE STILL MAKING
SURE WE'RE OKAY.
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SO I THOUGHT
THAT WENT WELL.
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00:07:29,367 --> 00:07:32,067
YEAH, I HAD A REALLY
GREAT TIME TONIGHT.
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YOUR MOM IS SO SWEET.
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I KNEW YOU GUYS
WOULD HIT IT OFF.
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YOU KNOW, I REALLY LOVED HEARING
ABOUT YOUR FAMILY IN BOGOTá.
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00:07:39,933 --> 00:07:43,200
OH, YEAH?
YEAH, IT'S JUST SO SAD
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HEARING ABOUT ALL THOSE DEATHS
HAPPENING AT THE SAME TIME.
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IT'S LIKE YOUR FAMILY'S,
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I DON'T KNOW,
CURSED OR SOMETHING.
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[ CLEARS THROAT ]
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00:08:01,700 --> 00:08:03,667
ARE YOU OKAY?
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00:08:03,667 --> 00:08:06,433
YEAH, YEAH.
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00:08:06,433 --> 00:08:08,467
I BETTER GET OUT OF HERE,
TOLD THE BABYSITTER
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00:08:08,467 --> 00:08:09,967
I'D BE HOME BY 10:00.
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00:08:09,967 --> 00:08:12,267
OKAY.
BUT I'LL SEE YOU THIS WEEKEND?
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00:08:18,867 --> 00:08:21,400
GOOD NIGHT.
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00:08:32,333 --> 00:08:34,867
Narrator: DESPITE THE YEARS
THAT HAVE PASSED,
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00:08:34,867 --> 00:08:38,933
CHILDHOOD MEMORIES
CONTINUE TO HAUNT CHARLES.
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00:08:48,933 --> 00:08:51,067
Charles: AFTER MY UNCLE DIED,
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00:08:51,067 --> 00:08:55,300
I STARTED SEEING SOME PRETTY
WEIRD THINGS IN THE HOUSE.
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00:08:55,300 --> 00:08:58,467
[ FLIES BUZZING ]
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00:08:58,467 --> 00:09:00,800
[ BANGING ]
153
00:09:04,300 --> 00:09:09,200
I JUST KEPT HEARING NOISES,
SOMETHING LOUD -- BANG, BOOM.
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[ BANG ]
155
00:09:13,333 --> 00:09:16,633
LIKE, TRYING TO GET
MY ATTENTION.
156
00:09:16,633 --> 00:09:18,600
[ BANG ]
157
00:09:18,600 --> 00:09:21,100
[ FLIES BUZZING ]
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**
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TíO ALFONSO?
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00:09:58,400 --> 00:10:01,367
[ GASPING ]
161
00:10:11,167 --> 00:10:14,467
SO HOW DO I LOOK?
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00:10:14,467 --> 00:10:16,833
Narrator: RIGHT AFTER HIS
BELOVED UNCLE ALFONSO
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WAS MURDERED
IN BOGOTá, COLOMBIA,
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CHARLES GONZALES BEGAN
WITNESSING SUPERNATURAL EVENTS.
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[ BANG ]
166
00:10:25,733 --> 00:10:28,133
[ FLIES BUZZING ]
167
00:10:38,100 --> 00:10:40,000
TíO ALFONSO?
168
00:10:42,533 --> 00:10:44,800
THE FLIES WERE MAKING
SOME KIND OF SHAPE
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00:10:44,800 --> 00:10:47,100
LOOKING LIKE A SHADOW,
ALMOST LIKE A PERSON.
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00:10:47,100 --> 00:10:49,000
[ GASPING ]
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I COULDN'T BELIEVE IT.
I WAS, LIKE,
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"IT'S NOT HAPPENING."
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00:10:56,100 --> 00:11:00,933
AFTER MY UNCLE PASSED AWAY,
I WAS A LITTLE BIT CREEPED OUT.
174
00:11:00,933 --> 00:11:02,933
PEOPLE WERE SAYING AROUND TOWN
175
00:11:02,933 --> 00:11:05,467
THAT THERE WAS A CURSE,
UM, PUT ON HIM.
176
00:11:09,133 --> 00:11:10,800
Narrator: NOW, 20 YEARS LATER,
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00:11:10,800 --> 00:11:13,233
AS AN ADULT LIVING IN HOLLYWOOD,
FLORIDA,
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00:11:13,233 --> 00:11:17,367
THE PAST HAS MYSTERIOUSLY
COME BACK TO HAUNT CHARLES.
179
00:11:17,367 --> 00:11:20,133
[ FOOTSTEPS ]
180
00:11:24,067 --> 00:11:25,333
[ BANG ]
181
00:11:25,333 --> 00:11:27,967
[ GASPING ]
182
00:11:30,433 --> 00:11:32,133
Charles: I JUST HEARD
A LOUD NOISE,
183
00:11:32,133 --> 00:11:34,533
LIKE WHEN SOMEBODY
HITS SOMETHING REALLY HARD.
184
00:11:34,533 --> 00:11:36,467
AND I -- I JUST REMEMBER
JUST JUMPING OUT OF BED.
185
00:11:36,467 --> 00:11:39,067
AND I WAS, LIKE, "WHOA."
186
00:11:42,067 --> 00:11:44,067
[ BANG ]
187
00:11:50,800 --> 00:11:53,400
[ FOOTSTEPS ]
188
00:11:59,633 --> 00:12:03,900
I'M HEARING, LIKE, FOOTSTEPS
COMING SLOWLY TOWARDS ME.
189
00:12:03,900 --> 00:12:06,433
WHO'S IN THERE?
190
00:12:08,400 --> 00:12:10,633
WHOA, WHOA.
191
00:12:15,200 --> 00:12:18,400
THAT NIGHT, THAT'S WHEN I KNEW,
"OKAY, I'M NOT ALONE.
192
00:12:18,400 --> 00:12:21,500
THERE'S DEFINITELY
SOMETHING HERE WITH ME."
193
00:12:45,667 --> 00:12:48,067
Narrator:
FOR THE FIRST TIME IN YEARS,
194
00:12:48,067 --> 00:12:51,533
CHARLES HAS HAD
A PARANORMAL ENCOUNTER.
195
00:12:51,533 --> 00:12:53,867
HE CONTACTS HIS GOOD FRIEND,
PEDRO RIVERA,
196
00:12:53,867 --> 00:12:55,300
WHO RECENTLY BEGAN WORKING
197
00:12:55,300 --> 00:12:58,400
WITH A PARANORMAL
CONSULTING AGENCY.
198
00:12:58,400 --> 00:13:00,600
Charles: PEDRO WAS INVOLVED
WITH A PARANORMAL GROUP.
199
00:13:00,600 --> 00:13:04,767
AND I WAS LIKE, "HE'S GONNA KNOW
SOMEBODY THAT CAN HELP ME."
200
00:13:04,767 --> 00:13:06,300
HEY, MAN.
201
00:13:06,300 --> 00:13:08,067
PEDRO, HEY, MAN.
WHAT'S UP?
202
00:13:08,067 --> 00:13:09,400
WHAT'S GOING ON?
203
00:13:09,400 --> 00:13:11,167
YOU AND HANNAH BREAK UP
OR SOMETHING?
204
00:13:11,167 --> 00:13:14,700
WHAT?
NO, NO, NO, IT'S NOT THAT.
205
00:13:14,700 --> 00:13:15,933
NO, WE'RE DOING GREAT.
206
00:13:15,933 --> 00:13:18,533
CHARLES IS A GOOD
FRIEND OF MINE.
207
00:13:18,533 --> 00:13:21,667
I HAVE KNOWN CHARLES
SINCE MIDDLE SCHOOL.
208
00:13:21,667 --> 00:13:24,433
SO WHAT'S UP THEN?
209
00:13:24,433 --> 00:13:26,400
I HAD AN ENCOUNTER
LAST NIGHT.
210
00:13:28,367 --> 00:13:30,567
IT'S SOMETHING
I HADN'T FELT
211
00:13:30,567 --> 00:13:32,367
SINCE MY UNCLE'S FUNERAL
IN COLOMBIA.
212
00:13:35,633 --> 00:13:38,200
ABOUT A YEAR AGO
213
00:13:38,200 --> 00:13:41,233
IS WHEN CHARLES SHARED
SOME STORIES
214
00:13:41,233 --> 00:13:43,600
ABOUT HIS CHILDHOOD.
215
00:13:43,600 --> 00:13:46,133
YOU MEAN,
IT WAS SUPERNATURAL?
216
00:13:49,067 --> 00:13:51,100
AND WE HAD LONG CONVERSATIONS
217
00:13:51,100 --> 00:13:53,100
ABOUT GHOSTS AND APPARITIONS
218
00:13:53,100 --> 00:13:55,433
AND POLTERGEISTS AND ALL THAT.
219
00:13:55,433 --> 00:13:57,400
I JUST -- I DON'T KNOW
WHAT'S GOING ON, MAN.
220
00:13:57,400 --> 00:13:59,667
AFTER ALL THESE YEARS,
221
00:13:59,667 --> 00:14:02,333
YOU KNOW, THERE'S GOT TO BE
A REASON RIGHT?
222
00:14:02,333 --> 00:14:06,133
THERE'S GOT
TO BE A REASON.
223
00:14:06,133 --> 00:14:08,667
Charles: WHATEVER IT WAS,
IT GOT MY ATTENTION.
224
00:14:08,667 --> 00:14:11,367
I FELT LIKE,
IF IT WAS A SPIRIT,
225
00:14:11,367 --> 00:14:13,667
IT WAS MAYBE TRYING TO WATCH
OUT FOR ME, PERHAPS.
226
00:14:13,667 --> 00:14:16,300
DON'T WORRY.
ALL RIGHT?
227
00:14:16,300 --> 00:14:18,800
WE'LL FIGURE
SOMETHING OUT.
228
00:14:29,067 --> 00:14:30,867
Narrator:
PEDRO ASKS THE PSYCHIC MEDIUM
229
00:14:30,867 --> 00:14:33,200
ON HIS PARANORMAL TEAM FOR HELP.
230
00:14:33,200 --> 00:14:35,233
SHE REQUESTS MINIMAL
INFORMATION --
231
00:14:35,233 --> 00:14:37,733
JUST CHARLES' FIRST NAME.
232
00:14:41,300 --> 00:14:42,833
Desirée:
BEING A PHYSICAL MEDIUM,
233
00:14:42,833 --> 00:14:47,933
I USUALLY CAN FEEL A SPIRIT.
234
00:14:47,933 --> 00:14:50,367
TELEPATHICALLY,
THEY SPEAK TO ME.
235
00:14:50,367 --> 00:14:53,267
**
236
00:15:09,900 --> 00:15:12,800
THERE WAS A SMALL
SPANISH MAN.
237
00:15:12,800 --> 00:15:17,167
HE HAD A BANDANA, UH,
OR LIKE A HANDKERCHIEF AROUND
238
00:15:17,167 --> 00:15:20,867
HIS NECK AND WAS IN,
LIKE, WORK CLOTHES.
239
00:15:25,800 --> 00:15:28,067
HE WAS SAYING TO ME,
"SOMETHING'S BURIED,
240
00:15:28,067 --> 00:15:29,667
SOMETHING'S BURIED."
241
00:15:29,667 --> 00:15:32,200
AND HE WAS JUST VERY
ADAMANT ABOUT IT.
242
00:15:32,200 --> 00:15:34,567
THIS IS ABOUT
WHATEVER WAS BURIED.
243
00:15:46,967 --> 00:15:49,367
**
244
00:16:24,867 --> 00:16:27,233
[ SPEAKING SPANISH ]
245
00:16:41,067 --> 00:16:43,933
Narrator: AFTER AN ENCOUNTER
WITH AN EERIE PRESENCE...
246
00:16:43,933 --> 00:16:46,267
WHO'S IN THERE?
247
00:16:46,267 --> 00:16:48,133
OH!
248
00:16:52,467 --> 00:16:55,500
EVEN THOUGH I WAS ALONE,
I FELT SOMETHING.
249
00:16:55,500 --> 00:16:57,300
LIKE, THE CHILLS
WOULD GO THROUGH MY BODY.
250
00:16:57,300 --> 00:17:00,533
AND THE LAST TIME I EXPERIENCED
THAT WAS BACK IN COLOMBIA
251
00:17:00,533 --> 00:17:02,233
RIGHT AFTER MY UNCLE
PASSED AWAY.
252
00:17:02,233 --> 00:17:04,133
UM, I DIDN'T KNOW
IF IT WAS PARANORMAL.
253
00:17:04,133 --> 00:17:05,467
I DIDN'T KNOW WHAT TO CALL IT.
254
00:17:05,467 --> 00:17:07,067
I JUST KNEW THAT
IT WASN'T RIGHT.
255
00:17:07,067 --> 00:17:09,567
I KNEW IT WASN'T SOMETHING THAT
WAS SUPPOSED TO BE HAPPENING.
256
00:17:09,567 --> 00:17:10,867
I WAS REALLY WORRIED.
257
00:17:10,867 --> 00:17:14,633
AND I NEEDED TO GET
SOMETHING DONE AND DONE ASAP.
258
00:17:14,633 --> 00:17:16,333
Narrator:
...CHARLES GONZALES SEEKS HELP
259
00:17:16,333 --> 00:17:19,233
FROM A PARANORMAL
INVESTIGATIVE TEAM.
260
00:17:21,667 --> 00:17:24,433
ONE OF THE MEMBERS,
A PSYCHIC MEDIUM,
261
00:17:24,433 --> 00:17:27,800
RECEIVES A MESSAGE
FROM A MYSTERIOUS SPIRIT.
262
00:17:33,733 --> 00:17:36,533
IT CAN BE VERY CONFUSING
AS FAR AS WHEN A SPIRIT
263
00:17:36,533 --> 00:17:38,667
TRYING TO TELL YOU SOMETHING
264
00:17:38,667 --> 00:17:42,600
BECAUSE THE MESSAGE
ISN'T ALWAYS EXACTLY CLEAR.
265
00:17:48,833 --> 00:17:51,167
ALL I KNEW THAT IT WAS --
IT WAS A WARNING.
266
00:18:04,167 --> 00:18:10,467
THAT PSYCHIC, SHE DESCRIBED
MY GRANDFATHER TO A "T."
267
00:18:10,467 --> 00:18:13,867
SHE DESCRIBED THIS MAN EXACTLY
AS MY GRANDFATHER WOULD LOOK.
268
00:18:13,867 --> 00:18:17,333
IT'S A STRONG, SHORT MAN,
GRAY HAIR,
269
00:18:17,333 --> 00:18:20,067
ROUGH HANDS LIKE
HE'S BEEN WORKING,
270
00:18:20,067 --> 00:18:22,600
THE WAY HE WAS DRESSED,
COLOR HANDKERCHIEF THAT --
271
00:18:22,600 --> 00:18:25,433
THAT HE'S WEARING.
THAT'S MY GRANDFATHER.
272
00:18:25,433 --> 00:18:27,067
WHAT ELSE DID SHE SAY?
273
00:18:27,067 --> 00:18:30,667
SHE THINKS HE WANTED
TO RELAY SOME KIND OF WARNING,
274
00:18:30,667 --> 00:18:33,600
THAT HE'S TRYING
TO PROTECT YOU SOMEHOW.
275
00:18:33,600 --> 00:18:34,767
SHE KEPT SAYING,
276
00:18:34,767 --> 00:18:37,767
"IT HAD TO DO WITH SOMETHING
THAT WAS BURIED."
277
00:18:37,767 --> 00:18:41,300
DO YOU HAVE ANY IDEA
WHAT HE'S TALKING ABOUT?
278
00:18:41,300 --> 00:18:43,200
Narrator: SUDDENLY, CHARLES
RECALLS
279
00:18:43,200 --> 00:18:44,967
SOMETHING FROM HIS CHILDHOOD.
280
00:18:47,933 --> 00:18:49,567
A CLAY FIGURE.
281
00:18:49,567 --> 00:18:52,167
AN OBJECT HE FOUND
AFTER HIS UNCLE ALFONSO
282
00:18:52,167 --> 00:18:54,067
WAS MURDERED.
283
00:18:59,200 --> 00:19:02,267
CHARLES, WHAT ARE YOU DOING?
MA SAID TO HELP OUT.
284
00:19:02,267 --> 00:19:04,067
YOU'RE ALWAYS
PLAYING AROUND.
285
00:19:04,067 --> 00:19:05,400
SO, WHAT'S THE PROBLEM
WITH THAT?
286
00:19:05,400 --> 00:19:07,633
CHARLES,
FIND SOMETHING TO DO.
287
00:19:07,633 --> 00:19:10,900
[ SIGHS ] DO YOU ALWAYS
HAVE TO PUSH ME AROUND?
288
00:19:10,900 --> 00:19:13,100
I'M JUST TRYING
TO HAVE FUN, JEEZ.
289
00:19:16,933 --> 00:19:18,267
WOW.
290
00:19:21,500 --> 00:19:22,933
OH, NO.
291
00:19:22,933 --> 00:19:24,567
NO, NO, NO, NO, NO.
292
00:19:24,567 --> 00:19:26,200
NO.
293
00:19:43,667 --> 00:19:46,433
Charles: I GRABBED THIS THING
OUT OF THE DIRT.
294
00:19:46,433 --> 00:19:48,400
AND IT WAS MADE OUT OF CLAY.
295
00:19:48,400 --> 00:19:51,600
AND IT JUST LOOKED LIKE A --
LIKE A PERSON.
296
00:19:51,600 --> 00:19:54,133
IT HAD A FACE AND EVERYTHING.
297
00:19:58,767 --> 00:20:03,633
Narrator: AND CARVED IN IT ARE
HIS UNCLE ALFONSO'S INITIALS.
298
00:20:10,200 --> 00:20:12,300
WHERE DID YOU GET THIS?
299
00:20:12,300 --> 00:20:15,767
IT WAS IN THERE.
IT WAS BURIED IN THE PLANTER.
300
00:20:15,767 --> 00:20:17,667
Charles:
IT WAS JUST KIND OF WEIRD
301
00:20:17,667 --> 00:20:21,533
THAT THIS THING WOULD BE BURIED
IN SO DEEP IN --
302
00:20:21,533 --> 00:20:24,300
IN -- IN A POT FULL OF DIRT.
303
00:20:24,300 --> 00:20:27,167
WHY WOULD IT HAVE
MY UNCLE'S INITIALS IN IT?
304
00:20:29,800 --> 00:20:31,600
CLEAN UP THIS MESS NOW.
305
00:20:31,600 --> 00:20:33,600
**
306
00:20:56,167 --> 00:20:58,933
LA BRUJA.
307
00:20:58,933 --> 00:21:03,067
MY GRANDFATHER MENTIONED
SOMETHING LIKE SANTERíA,
308
00:21:03,067 --> 00:21:06,733
OR BRUJERíA, WHICH IS
LIKE SPANISH FOR "WITCHCRAFT."
309
00:21:11,967 --> 00:21:14,467
WHAT IS THAT THING?
310
00:21:14,467 --> 00:21:16,833
I WANT YOU STAY OUTSIDE.
311
00:21:16,833 --> 00:21:18,300
WHY, WHAT'S WRONG?
312
00:21:18,300 --> 00:21:19,767
GO.
313
00:21:23,267 --> 00:21:25,100
[ DOOR CLOSES ]
314
00:21:27,600 --> 00:21:31,200
Narrator: CHARLES' GRANDFATHER
HEADS TO THE FAMILY PRAYER ROOM.
315
00:21:31,200 --> 00:21:32,433
IT WAS COMMON, YOU KNOW,
316
00:21:32,433 --> 00:21:35,467
FOR FAMILY TO HAVE
THEIR PRAYER ROOM.
317
00:21:35,467 --> 00:21:37,733
IF ANY ONE OF OUR FAMILY
PASSED AWAY,
318
00:21:37,733 --> 00:21:40,100
THEY WOULD PRAY FOR THE SOULS
TO MAKE SURE THAT THEY WERE,
319
00:21:40,100 --> 00:21:42,100
YOU KNOW, DOING OKAY
WHEREVER THEY WERE.
320
00:21:55,733 --> 00:21:57,767
[ SOBBING ]
321
00:21:57,767 --> 00:22:00,567
NO, DIOS MíO, NO.
322
00:22:00,567 --> 00:22:02,600
GRANDFA--
323
00:22:08,200 --> 00:22:09,900
Charles: SOMEBODY WENT IN THERE
AND JUST STARTED
324
00:22:09,900 --> 00:22:12,667
SMASHING EVERYTHING,
GLASS EVERYWHERE.
325
00:22:12,667 --> 00:22:14,333
THERE WAS CRUCIFIXES
UPSIDE DOWN.
326
00:22:14,333 --> 00:22:15,633
I COULDN'T BELIEVE IT.
327
00:22:15,633 --> 00:22:17,800
[ SOBBING ]
328
00:22:17,800 --> 00:22:20,200
THERE WAS A PICTURE OF MY UNCLE.
329
00:22:24,300 --> 00:22:25,833
[ GASPS ]
330
00:22:28,833 --> 00:22:30,933
[ WOMAN SHOUTING IN SPANISH ]
331
00:22:44,767 --> 00:22:48,467
Narrator:
CHARLES GONZALES HAS BEEN
HAUNTED BY SOMETHING EVIL.
332
00:22:48,467 --> 00:22:51,667
AND HIS PAST MAY
HOLD THE ANSWERS.
333
00:22:57,600 --> 00:23:02,067
AFTER THE MURDER OF HIS UNCLE
IN BOGOTá, COLOMBIA,
334
00:23:02,067 --> 00:23:03,667
CHARLES,
THEN JUST A BOY,
335
00:23:03,667 --> 00:23:07,233
UNEARTHED A MYSTERIOUS
CLAY OBJECT OUTSIDE HIS HOME
336
00:23:07,233 --> 00:23:09,500
BEARING HIS UNCLE'S INITIALS...
337
00:23:13,467 --> 00:23:15,767
ONLY TO THEN DISCOVER
THE FAMILY PRAYER ROOM
338
00:23:15,767 --> 00:23:18,267
DESTROYED...
339
00:23:18,267 --> 00:23:20,300
**
340
00:23:28,900 --> 00:23:31,767
[ GASPS ]
341
00:23:31,767 --> 00:23:35,267
...AND HIS UNCLE'S
PHOTO DEFACED.
342
00:23:39,100 --> 00:23:40,967
IT WAS, LIKE, A BUNCH OF NEEDLES
GOING THROUGH HIS FACE.
343
00:23:40,967 --> 00:23:42,900
THIS IS VERY DISTURBING.
344
00:23:42,900 --> 00:23:45,600
AND MY GRANDFATHER,
HE WAS PRETTY -- PRETTY SHAKEN.
345
00:23:45,600 --> 00:23:47,667
HE FELL TO THE FLOOR.
AND HE STARTED CRYING.
346
00:23:47,667 --> 00:23:50,600
NO, DIOS MíO, NO.
I HAD NEVER SEEN HIM CRY BEFORE.
347
00:23:50,600 --> 00:23:53,467
[ SOBBING ]
348
00:23:53,467 --> 00:23:55,700
Narrator: THE CLAY OBJECT
APPEARS TO BE THE SOURCE
349
00:23:55,700 --> 00:23:57,967
OF WHAT HAPPENED IN THE PAST.
350
00:23:57,967 --> 00:24:00,933
MY GRANDFATHER BELIEVED IT
WAS CREATED BY BLACK MAGIC.
351
00:24:03,100 --> 00:24:07,100
AND IT HAD SOMETHING TO DO
WITH MY UNCLE'S DEATH.
352
00:24:07,100 --> 00:24:10,333
WOW, THAT'S INTENSE.
353
00:24:10,333 --> 00:24:13,100
Pedro: WITH THE SHRINE
AND THE UPSIDE-DOWN CROSSES
354
00:24:13,100 --> 00:24:16,600
AND ALL THAT, IT HAD TO DO
WITH SOMETHING EVIL.
355
00:24:18,533 --> 00:24:21,067
DID THEY EVER FIND
OUT WHO DID IT?
356
00:24:23,067 --> 00:24:25,067
NO.
357
00:24:29,067 --> 00:24:30,933
MAMA KEPT ME AWAY
FROM ALL THAT STUFF.
358
00:24:33,200 --> 00:24:35,400
SO I NEVER REALLY KNEW
WHAT WAS GOING ON.
359
00:24:37,967 --> 00:24:40,500
THEN ABOUT A YEAR LATER,
WE MOVED.
360
00:24:46,433 --> 00:24:49,433
WHAT HAPPENED TO
THE CLAY OBJECT?
361
00:24:49,433 --> 00:24:51,667
I DON'T KNOW.
362
00:24:51,667 --> 00:24:53,733
MY GRANDFATHER
PROBABLY DESTROYED IT.
363
00:24:56,700 --> 00:24:58,967
IT'S SO WEIRD.
WHY WOULD HE BE
364
00:24:58,967 --> 00:25:03,067
TRYING TO WARN ME ABOUT IT
AFTER ALL THESE YEARS?
365
00:25:03,067 --> 00:25:04,767
Charles: MY GRANDFATHER'S
TRYING TO TELL ME THAT,
366
00:25:04,767 --> 00:25:06,967
YOU KNOW, "BE CAREFUL.
YOU'RE BEING PROTECTED.
367
00:25:06,967 --> 00:25:08,633
BUT THERE'S SOMETHING GOING ON."
368
00:25:08,633 --> 00:25:10,267
MAYBE I SHOULD PAY ATTENTION.
369
00:25:14,600 --> 00:25:17,900
Narrator: THERE'S MORE TO
HIS UNCLE'S STORY.
370
00:25:17,900 --> 00:25:20,167
**
371
00:25:38,467 --> 00:25:40,633
Woman: ¿AMOR?
372
00:26:15,733 --> 00:26:17,200
Narrator: ONE AFTERNOON,
373
00:26:17,200 --> 00:26:19,233
CHARLES MEETS US
WITH HIS GIRLFRIEND, HANNAH.
374
00:26:19,233 --> 00:26:22,367
BUT HE CAN'T STOP
THINKING ABOUT THE PAST.
375
00:26:24,767 --> 00:26:27,067
Charles: THERE WAS DEFINITELY
A FEELING IN THE AIR
376
00:26:27,067 --> 00:26:30,500
THAT IT WASN'T -- SOMETHING JUST
WASN'T 100% RIGHT.
377
00:26:30,500 --> 00:26:34,133
I WAS VERY KIND OF ON EDGE.
378
00:26:34,133 --> 00:26:36,100
MY GIRLFRIEND NOTICED, TOO.
YOU KNOW, SHE'S, LIKE,
379
00:26:36,100 --> 00:26:39,533
"YOU KNOW, YOU'RE NOT
REALLY BEING YOURSELF."
380
00:26:39,533 --> 00:26:43,300
I FEEL LIKE WE HAVEN'T
HUNG OUT IN A WHILE.
381
00:26:43,300 --> 00:26:45,067
YOU SEEMED STRESSED.
382
00:26:50,600 --> 00:26:52,900
YOU KNOW, YOU CAN
TELL ME ANYTHING.
383
00:26:52,900 --> 00:26:55,433
IF SOMETHING'S WRONG,
I WANT TO HELP.
384
00:27:00,300 --> 00:27:03,067
THERE'S NOTHING WRONG.
385
00:27:03,067 --> 00:27:07,200
ACTUALLY, I'M JUST HAPPY
THAT YOU'RE HERE WITH ME.
386
00:27:07,200 --> 00:27:10,100
I JUST WISH YOU DIDN'T
HAVE TO GO HOME.
387
00:27:10,100 --> 00:27:13,067
WELL, THE KIDS ARE STAYING
AT MY MOM'S TONIGHT,
388
00:27:13,067 --> 00:27:15,167
SO I'M ALL YOURS.
389
00:27:15,167 --> 00:27:17,267
ARE YOU?
390
00:27:20,800 --> 00:27:23,133
I WAS, LIKE, "IT'LL GO AWAY.
IT'S NO BIG DEAL.
391
00:27:23,133 --> 00:27:25,667
EVERYTHING'S FINE."
392
00:27:28,833 --> 00:27:31,067
**
393
00:28:05,633 --> 00:28:07,467
[ GASPS ]
394
00:28:11,400 --> 00:28:14,567
IT FELT LIKE -- LIKE SOMEBODY
HAD WALKED THROUGH,
395
00:28:14,567 --> 00:28:16,800
LIKE SOMEBODY HAD BEEN THERE.
396
00:28:16,800 --> 00:28:18,333
IT MADE MY -- THE HAIRS
397
00:28:18,333 --> 00:28:20,933
ALL OVER MY BODY
STAND ON ONE END.
398
00:28:37,067 --> 00:28:38,133
[ ROARS ]
399
00:28:45,633 --> 00:28:47,400
AH, AH.
400
00:28:47,400 --> 00:28:49,733
Narrator: CHARLES GONZALES HAS
JUST BEEN ATTACKED.
401
00:28:49,733 --> 00:28:56,067
I FELT JUST THIS INTENSE
BURNING SENSATION IN MY LEG.
402
00:28:56,067 --> 00:28:58,333
AH, AH, AH.
403
00:28:58,333 --> 00:29:01,367
HOW DID THAT HAPPEN?
404
00:29:01,367 --> 00:29:03,067
IT WAS FIVE MARKS,
405
00:29:03,067 --> 00:29:07,633
LIKE SOMEBODY HAD REALLY DUG
IN AND SCRAPED DOWN.
406
00:29:07,633 --> 00:29:10,167
DO YOU HAVE
ANY BANDAGES?
407
00:29:14,267 --> 00:29:17,933
UH, GRAB SOME PEROXIDE.
408
00:29:23,400 --> 00:29:25,500
HANNAH?
409
00:29:30,067 --> 00:29:32,300
WHAT'S WRONG?
410
00:29:36,767 --> 00:29:39,367
SHE LIFTS UP HER
WRIST AND SHOWS ME.
411
00:29:39,367 --> 00:29:41,233
AND THERE IS THE SAME SCRATCH
412
00:29:41,233 --> 00:29:44,167
THAT I HAD ON MY LEG
ON HER WRIST.
413
00:29:44,167 --> 00:29:45,433
OH, MY GOD.
414
00:29:45,433 --> 00:29:47,367
Narrator: CHARLES' WORST FEAR
IS CONFIRMED.
415
00:29:47,367 --> 00:29:49,100
SOME KIND OF EVIL SPIRIT
416
00:29:49,100 --> 00:29:53,933
IS AFTER HIM
AND NOW HIS GIRLFRIEND.
417
00:29:53,933 --> 00:29:55,633
SHE WAS UPSET.
SHE WAS SHAKEN UP.
418
00:29:55,633 --> 00:29:59,400
WHAT IS GOING ON, CHARLES?
419
00:29:59,400 --> 00:30:01,567
I NEED YOU
TO TELL ME THE TRUTH.
420
00:30:01,567 --> 00:30:03,933
DO YOU REMEMBER THAT
NIGHT YOU MET MY MOM?
421
00:30:03,933 --> 00:30:07,867
RIGHT, THE --
THE STORY ABOUT THE CURSE?
422
00:30:09,867 --> 00:30:11,533
I-I DON'T KNOW IF
IT'S SOMETHING --
423
00:30:11,533 --> 00:30:13,700
SOMETHING SUPERNATURAL OR --
OR -- OR --
424
00:30:13,700 --> 00:30:16,200
OR WHAT'S GOING ON.
I DON'T KNOW.
425
00:30:16,200 --> 00:30:19,933
[ Sobbing ] IF IT'S GONNA
ATTACK ME, WHAT ABOUT MY KIDS?
426
00:30:21,633 --> 00:30:23,767
I CAN'T LET ANYTHING
HAPPEN TO THEM.
427
00:30:23,767 --> 00:30:28,000
Narrator: THE NEWS IS TOO MUCH
FOR HIS GIRLFRIEND TO HANDLE.
428
00:30:28,000 --> 00:30:30,400
SHE HAD NEVER HAD TO DEAL
WITH ANY SITUATION
429
00:30:30,400 --> 00:30:32,167
LIKE THAT IN HER LIFE BEFORE.
430
00:30:32,167 --> 00:30:34,167
I'M SORRY.
HANNAH?
431
00:30:41,967 --> 00:30:46,100
Narrator: ULTIMATELY,
THE COUPLE PARTS WAYS.
432
00:30:46,100 --> 00:30:47,833
Charles: IT WAS HARD FOR ME
TO LET HER GO.
433
00:30:47,833 --> 00:30:51,667
BUT I FELT IT WAS
BETTER NOT TO HAVE HER
434
00:30:51,667 --> 00:30:53,800
THAN TO BEAR
WITH THE PAIN OF,
435
00:30:53,800 --> 00:30:56,067
GOD FORBID, SOMETHING
HAPPENING TO HER.
436
00:30:56,067 --> 00:30:57,767
UH, I WASN'T GONNA BE
ABLE TO LIVE WITH MYSELF
437
00:30:57,767 --> 00:30:59,300
IF THAT HAPPENED.
438
00:30:59,300 --> 00:31:01,633
I NEED HELP.
I NEED SOMEONE TO COME
439
00:31:01,633 --> 00:31:04,233
AND TELL ME WHAT'S HAPPENING,
BECAUSE THIS ISN'T RIGHT.
440
00:31:11,333 --> 00:31:15,100
ONCE AGAIN, CHARLES TURNS
TO HIS FRIEND, PEDRO.
441
00:31:15,100 --> 00:31:19,600
ONCE IT STARTS TO GET PHYSICAL,
IT'S WHEN YOU HAVE TO REACT.
442
00:31:19,600 --> 00:31:21,467
NOW, THERE'S ACTION TO BE TAKEN.
443
00:31:23,700 --> 00:31:26,867
Narrator: HE IMMEDIATELY CALLS
UPON HIS FELLOW TEAM MEMBERS,
444
00:31:26,867 --> 00:31:29,267
PSYCHIC MEDIUM DESIRéE PAGE
445
00:31:29,267 --> 00:31:33,367
AND LEAD INVESTIGATOR
RICH VALDES.
446
00:31:33,367 --> 00:31:36,667
HAVE YOU EVER BEEN INVOLVED
IN THE OCCULT IN ANY WAY?
447
00:31:36,667 --> 00:31:38,867
WHAT, DO YOU MEAN,
LIKE, WITCHCRAFT?
448
00:31:41,067 --> 00:31:43,700
NO.
449
00:31:43,700 --> 00:31:45,833
NEVER.
450
00:31:45,833 --> 00:31:48,400
WHAT ABOUT THAT CLAY OBJECT
YOU FOUND BACK IN COLOMBIA?
451
00:31:52,200 --> 00:31:54,700
YOU TOLD ME
IT WAS BURIED.
452
00:31:54,700 --> 00:31:56,933
AND IN DESIRéE'S VISION,
453
00:31:56,933 --> 00:31:58,533
YOUR GRANDFATHER
WAS TRYING TO WARN YOU
454
00:31:58,533 --> 00:32:00,200
ABOUT SOMETHING
BURIED RIGHT?
455
00:32:00,200 --> 00:32:01,933
REMEMBER?
456
00:32:01,933 --> 00:32:03,733
IT EVEN HAD SOMETHING
THAT LOOKED LIKE
457
00:32:03,733 --> 00:32:05,733
YOUR UNCLE'S INITIALS ON IT.
458
00:32:05,733 --> 00:32:07,833
YEAH, BUT WHAT DOES
THAT HAVE TO DO WITH ME?
459
00:32:07,833 --> 00:32:10,200
SOMEONE PLACED A CURSE
ON THAT OBJECT
460
00:32:10,200 --> 00:32:13,433
WITH THE INTENT
TO HURT YOUR UNCLE.
461
00:32:13,433 --> 00:32:16,367
AND NOW, WHATEVER NEGATIVE
ENTITY THAT WAS ATTACHED
462
00:32:16,367 --> 00:32:19,600
TO THE OBJECT IS AFTER YOU.
463
00:32:21,333 --> 00:32:23,800
WHATEVER WAS GOING ON
IN CHARLES' LIFE AT THE TIME
464
00:32:23,800 --> 00:32:26,900
WAS PROBABLY CORRELATED
WITH THE OBJECT
465
00:32:26,900 --> 00:32:28,867
THAT HE HAD UNBURIED AS A CHILD.
466
00:32:28,867 --> 00:32:31,167
[ WOMAN SHOUTS IN SPANISH ]
467
00:32:31,167 --> 00:32:32,800
THE TRANSFERENCE OF ENERGY,
468
00:32:32,800 --> 00:32:36,733
ESPECIALLY WHEN IT COMES
TO A CURSE, HAS NO TIME.
469
00:32:36,733 --> 00:32:39,067
IT CAN HAPPEN IMMEDIATELY.
470
00:32:39,067 --> 00:32:42,333
IT CAN HAPPEN A FEW WEEKS,
A FEW DAYS, A FEW YEARS.
471
00:32:45,500 --> 00:32:48,433
WHAT MAY HAVE TRIGGERED IT,
FINALLY, WITH CHARLES
472
00:32:48,433 --> 00:32:50,600
IS HE FINALLY REACHED
473
00:32:50,600 --> 00:32:53,933
THAT POINT OF
COMPLETE HAPPINESS.
474
00:32:53,933 --> 00:32:57,333
AND THAT IS WHEN
THIS NEGATIVE SPIRIT
475
00:32:57,333 --> 00:32:59,167
ACTUALLY STARTED MANIFESTING.
476
00:32:59,167 --> 00:33:02,933
AND BEFORE YOU KNEW IT,
HIS LIFE WAS IN SHAMBLES.
477
00:33:02,933 --> 00:33:04,933
Narrator:
STILL, CHARLES DOESN'T KNOW
478
00:33:04,933 --> 00:33:09,533
WHY ANYONE WOULD PLACE
A CURSE ON HIS UNCLE.
479
00:33:09,533 --> 00:33:11,233
I DON'T UNDERSTAND.
480
00:33:13,800 --> 00:33:17,467
WHY WOULD SOMEONE
WANT TO HURT HIM?
481
00:33:17,467 --> 00:33:20,600
DID HE HAVE ANY ENEMIES?
482
00:33:20,600 --> 00:33:22,667
NO, EVERYONE LOVED
483
00:33:22,667 --> 00:33:24,867
TíO ALFONSO.
484
00:33:24,867 --> 00:33:28,167
A SCORNED LOVER PERHAPS?
485
00:33:28,167 --> 00:33:30,767
THAT'S WHEN IT
AUTOMATICALLY SPARKED.
486
00:33:30,767 --> 00:33:32,600
A LIGHTBULB WENT OFF.
487
00:33:34,800 --> 00:33:37,333
IT WAS HER.
488
00:33:39,067 --> 00:33:41,600
**
489
00:33:46,133 --> 00:33:49,133
[ LAUGHING ]
490
00:33:53,500 --> 00:33:54,800
WHOA,
491
00:33:54,800 --> 00:33:56,667
I DIDN'T KNOW
ANYONE WAS STILL UP.
492
00:33:59,300 --> 00:34:01,867
UH, REMEMBER ELAINA?
493
00:34:01,867 --> 00:34:04,433
THE PLEASURE'S ALL --
I KNOW WHO SHE IS.
494
00:34:04,433 --> 00:34:07,067
AND SHE'S NOT WELCOME
IN THIS HOME.
495
00:34:07,067 --> 00:34:09,100
THERE WAS TALK IN THE TOWN
496
00:34:09,100 --> 00:34:11,200
THAT SHE COULD HAVE BEEN,
POSSIBLY, A WITCH.
497
00:34:11,200 --> 00:34:14,633
AND THAT SHE COULD HAVE
BEEN PRACTICING WITCHCRAFT.
498
00:34:14,633 --> 00:34:16,800
MY GRANDFATHER
DID NOT LIKE HER.
499
00:34:16,800 --> 00:34:18,467
HE DID NOT LIKE HER AT ALL.
500
00:34:18,467 --> 00:34:22,567
HE WAS PRETTY ANGRY
AND TOLD HER,
501
00:34:22,567 --> 00:34:25,167
"YOU HAVE TO LEAVE.
DON'T COME BY HERE.
502
00:34:25,167 --> 00:34:27,333
YOU'RE NOT WELCOME HERE
OR EVEN CLOSE TO --
503
00:34:27,333 --> 00:34:29,333
TO ANY OF US IN THE FAMILY."
504
00:34:29,333 --> 00:34:31,867
COME ON, PAPI.
YOU CAN'T BE SERIOUS.
505
00:34:31,867 --> 00:34:34,500
SHE'S GOT YOU UNDER
SOME KIND OF SPELL.
506
00:34:34,500 --> 00:34:37,600
AND I WON'T ALLOW IT.
DO YOU UNDERSTAND ME?
507
00:34:37,600 --> 00:34:42,467
I WON'T ALLOW YOU
TO RUIN MY FAMILY.
508
00:34:42,467 --> 00:34:44,633
I REMEMBER HIM TELLING MY UNCLE,
509
00:34:44,633 --> 00:34:48,600
"YOU EITHER PICK HER
OR YOU PICK US."
510
00:34:48,600 --> 00:34:50,767
IT'S PROBABLY
THE BEST THAT YOU GO.
511
00:34:50,767 --> 00:34:52,967
WE CAN WORK
THIS OUT LATER.
512
00:34:52,967 --> 00:34:55,933
YOU COWARD,
YOU TOLD ME YOU LOVED ME.
513
00:34:55,933 --> 00:34:58,467
LIES.
514
00:34:58,467 --> 00:34:59,800
AND YOU,
515
00:34:59,800 --> 00:35:02,300
YOU THINK
YOU'RE BETTER THAN ME?
516
00:35:02,300 --> 00:35:04,600
[ CACKLING ]
517
00:35:04,600 --> 00:35:08,167
YOU HAVE NO IDEA
WHAT I'M CAPABLE OF, OLD MAN.
518
00:35:12,633 --> 00:35:15,567
THIS ISN'T THE LAST
YOU'VE SEEN OF ME.
519
00:35:15,567 --> 00:35:18,267
**
520
00:35:25,333 --> 00:35:27,133
Narrator: THE SCORNED WOMAN
INVOKED A CURSE
521
00:35:27,133 --> 00:35:29,900
IN ORDER TO EXACT REVENGE.
522
00:35:29,900 --> 00:35:33,167
YOU THINK IT'S SO EASY
TO GET RID OF ME?
523
00:35:33,167 --> 00:35:36,067
I'LL NEVER LET YOU FREE.
524
00:35:36,067 --> 00:35:38,767
JUST KNOW THIS,
MI AMOR.
525
00:35:38,767 --> 00:35:42,233
YOU AND YOUR FAMILY
WILL PAY DEARLY.
526
00:35:49,100 --> 00:35:51,367
OKAY, SO NOW WHAT?
527
00:35:51,367 --> 00:35:53,767
HUH?
528
00:35:53,767 --> 00:35:55,933
WE HAVE TO
BREAK THE CURSE.
529
00:35:55,933 --> 00:35:58,200
OR THE ENTITY WILL
CONTINUE TO HAUNT YOU.
530
00:36:03,667 --> 00:36:08,200
I FELT JUST, LIKE,
A NEGATIVE ENERGY.
531
00:36:08,200 --> 00:36:11,100
**
532
00:36:31,800 --> 00:36:33,167
ARE YOU OKAY?
533
00:36:37,900 --> 00:36:42,800
FOR MORE "A HAUNTING,"
VISIT TLC.com.
534
00:36:53,167 --> 00:36:55,267
Narrator:
AS A YOUNG BOY IN COLOMBIA,
535
00:36:55,267 --> 00:36:58,400
CHARLES GONZALES DISCOVERED
A CLAY OBJECT ETCHED
536
00:36:58,400 --> 00:37:02,133
WITH HIS UNCLE'S INITIALS.
537
00:37:02,133 --> 00:37:03,800
CHARLES SUSPECTS IT WAS CREATED
538
00:37:03,800 --> 00:37:05,533
BY HIS UNCLE'S SCORNED LOVER
539
00:37:05,533 --> 00:37:08,633
WHO PLACED A CURSE
ON HIM AND HIS FAMILY.
540
00:37:08,633 --> 00:37:10,733
[ ELAINA SHOUTS IN SPANISH ]
541
00:37:10,733 --> 00:37:13,700
SHE WANTED TO HURT HIM.
SHE WANTED TO DAMAGE HIM.
542
00:37:13,700 --> 00:37:17,400
SHE WANTED TO HURT THE FAMILY.
AND WE ALL FELT IT.
543
00:37:18,700 --> 00:37:20,800
Narrator: IT'S NOW YEARS LATER.
544
00:37:20,800 --> 00:37:23,433
A PSYCHIC MEDIUM SENSES
THAT THE ENTITY ATTACHED
545
00:37:23,433 --> 00:37:25,367
TO THE OBJECT
HAS SET ITS SIGHTS
546
00:37:25,367 --> 00:37:28,300
ON ITS NEXT VICTIM, CHARLES.
547
00:37:30,367 --> 00:37:31,733
ARE YOU OKAY?
548
00:37:34,300 --> 00:37:36,833
[ ROARS ]
549
00:37:41,367 --> 00:37:42,967
Desirée: IT LOOKED LIKE A WOMAN.
550
00:37:42,967 --> 00:37:45,333
SHE WAS VERY JEALOUS,
551
00:37:45,333 --> 00:37:49,667
UM, VERY POSSESSIVE,
AND VERY ANGRY.
552
00:37:49,667 --> 00:37:51,900
THIS ENTITY WAS
ATTACHED TO CHARLES.
553
00:37:51,900 --> 00:37:55,100
[ Panting ] THE ENTITY...
554
00:37:57,833 --> 00:38:00,767
IT'S --
IT'S FEMALE BY NATURE.
555
00:38:00,767 --> 00:38:03,900
AND SHE WANTS YOU
ALL TO HERSELF.
556
00:38:03,900 --> 00:38:06,367
SHE'S THE REASON WHY YOU
AND YOUR GIRLFRIEND BROKE UP.
557
00:38:09,933 --> 00:38:11,867
WE HAVE TO WORK NOW.
558
00:38:13,867 --> 00:38:16,400
YOUR FUTURE
DEPENDS ON IT.
559
00:38:22,800 --> 00:38:24,867
Narrator: IN ORDER TO BREAK
THE ENTITY'S ATTACHMENT
560
00:38:24,867 --> 00:38:27,200
TO CHARLES
AND END THE CURSE,
561
00:38:27,200 --> 00:38:29,767
THE TEAM BRINGS IN
THEIR OCCULT EXPERT,
562
00:38:29,767 --> 00:38:32,700
ANGEL GARCIA.
563
00:38:32,700 --> 00:38:35,633
IT APPEARS THAT
SHE WAS PRACTICING BRUJERíA,
564
00:38:35,633 --> 00:38:37,667
WHICH IS SIMILAR TO SANTERíA.
565
00:38:37,667 --> 00:38:40,567
AND SHE WAS CREATING OBJECTS
566
00:38:40,567 --> 00:38:43,500
AND DOING THINGS
JUST TO CONTROL.
567
00:38:43,500 --> 00:38:45,167
DO YOU HAVE THE REPLICA?
568
00:38:45,167 --> 00:38:46,667
YEAH.
569
00:38:46,667 --> 00:38:48,633
Narrator: BECAUSE CHARLES
DOES NOT HAVE
570
00:38:48,633 --> 00:38:51,433
THE ORIGINAL CLAY OBJECT, HE WAS
INSTRUCTED TO RECREATE IT.
571
00:38:54,533 --> 00:38:57,433
Angel: WE NEEDED TO HAVE
SOMETHING HE CAN HOLD,
572
00:38:57,433 --> 00:38:59,167
SOMETHING HE CAN SEE.
573
00:38:59,167 --> 00:39:00,700
IT'S TIME.
574
00:39:00,700 --> 00:39:02,867
PLEASE, STEP FORWARD.
575
00:39:12,867 --> 00:39:15,067
Narrator: ANGEL BEGINS A RITUAL
TO END THE CURSE
576
00:39:15,067 --> 00:39:18,233
BY POURING A SALT RING
AROUND CHARLES.
577
00:39:21,700 --> 00:39:23,433
Angel: SALT HAS ALWAYS BEEN
KNOWN, THROUGH THE YEARS,
578
00:39:23,433 --> 00:39:25,200
TO BE PROTECTIVE AGAINST
579
00:39:25,200 --> 00:39:27,933
ANYTHING OCCULT, DARK, SCARY.
580
00:39:27,933 --> 00:39:30,800
THE RING OF SALT
IS A PROTECTIVE CIRCLE.
581
00:39:30,800 --> 00:39:33,633
THE LAST THING YOU NEED
IS SOMEBODY TO PICK THIS UP
582
00:39:33,633 --> 00:39:36,600
AND NOW CARRY THIS BURDEN OF,
I HAVE THE CURSE WITH ME.
583
00:39:36,600 --> 00:39:39,067
SO PEOPLE NEEDED
TO FEEL PROTECTED.
584
00:39:39,067 --> 00:39:42,567
THEY NEEDED TO FEEL THAT
THEY WERE IN A SACRED SPACE.
585
00:39:42,567 --> 00:39:45,433
[ SPEAKING FOREIGN LANGUAGE ]
586
00:39:51,067 --> 00:39:53,333
IT WAS IMPORTANT FOR ALL OF US
TO BE THERE DURING THE RITUAL
587
00:39:53,333 --> 00:39:55,667
BECAUSE WE NEEDED
EVERYONE'S ENERGY.
588
00:39:55,667 --> 00:39:58,067
AND WE WERE ALL JUST
VERY ON EDGE
589
00:39:58,067 --> 00:40:00,267
AND VERY MUCH
WANTING TO HELP HIM
590
00:40:00,267 --> 00:40:02,200
AND -- AND GET RID
OF THIS FOR HIM.
591
00:40:02,200 --> 00:40:03,633
THIS ISN'T SOMETHING
THAT ONE PERSON
592
00:40:03,633 --> 00:40:05,500
COULD HAVE HANDLED
BY THEMSELVES.
593
00:40:05,500 --> 00:40:08,667
THE ENTITY DIDN'T
SHOW ME ITSELF THAT NIGHT.
594
00:40:08,667 --> 00:40:11,067
BUT I COULD STILL FEEL
THAT IT WAS WITH CHARLES.
595
00:40:11,067 --> 00:40:12,600
IT WAS DEFINITELY STILL THERE.
596
00:40:12,600 --> 00:40:15,000
[ ANGEL CHANTING
IN FOREIGN LANGUAGE ]
597
00:40:19,000 --> 00:40:20,733
Charles: UH, I STOOD IN
THE MIDDLE OF THAT CIRCLE.
598
00:40:20,733 --> 00:40:25,333
AND I PRAYED TO MY UNCLE
AND MY GRANDFATHER
599
00:40:25,333 --> 00:40:27,433
TO GIVE ME THE STRENGTH
TO GET RID OF THIS THING,
600
00:40:27,433 --> 00:40:32,400
TO SEND IT AWAY
WHERE IT WOULD NOT HURT ANYONE.
601
00:40:32,400 --> 00:40:36,067
I BREAK THE CURSE CAST
UPON ME
602
00:40:36,067 --> 00:40:38,967
AND MI TíO
ALFONSO FERDINAND GONZALES...
603
00:40:42,333 --> 00:40:44,233
AND THE FUTURE MEMBERS
OF MI FAMILIA.
604
00:40:58,100 --> 00:40:59,833
[ CRACK ]
605
00:41:03,467 --> 00:41:05,333
AND I GRABBED THIS FIGURE,
606
00:41:05,333 --> 00:41:07,667
AND I CRUSHED IT IN MY HANDS.
607
00:41:07,667 --> 00:41:10,067
AND I THREW IT TO THE SEA.
608
00:41:14,533 --> 00:41:18,967
AND I FELT THE BIGGEST
WEIGHT COME OFF IMMEDIATELY.
609
00:41:21,300 --> 00:41:23,467
THE CURSE
HAS BEEN BROKEN.
610
00:41:29,700 --> 00:41:32,067
Angel: YOU COULD FEEL
THE ENERGY FLOW DIFFERENT.
611
00:41:32,067 --> 00:41:34,167
AND IT WAS ALL
STEMMING FROM HIM.
612
00:41:34,167 --> 00:41:37,267
HE BROKE THIS
ENERGY PHYSICALLY,
613
00:41:37,267 --> 00:41:39,167
FEELING HE WAS RELEASED.
614
00:41:39,167 --> 00:41:40,667
ALL HE DID WAS SHIFT
HIS ENERGY TO,
615
00:41:40,667 --> 00:41:42,567
"NOW, I'M IN CHARGE.
616
00:41:42,567 --> 00:41:44,633
I'M THE ONE WHO'S PROTECTED.
617
00:41:44,633 --> 00:41:48,167
I'M THE ONE WHO DESTROYED
THIS AND LET THIS BE."
618
00:41:54,933 --> 00:41:56,667
Narrator: EVER SINCE THE RITUAL,
619
00:41:56,667 --> 00:42:00,333
CHARLES IS CONFIDENT
HE'S FREE OF THE CURSE.
620
00:42:00,333 --> 00:42:01,967
LIFE IS GOOD TODAY.
621
00:42:01,967 --> 00:42:05,300
LIFE IS -- LIFE IS AWESOME.
622
00:42:05,300 --> 00:42:07,433
AND I FEEL LIKE
I'M BACK TO MYSELF AGAIN.
623
00:42:07,433 --> 00:42:09,600
I CAN BE HAPPY.
624
00:42:09,600 --> 00:42:11,500
PARANORMAL, TO ME NOW,
625
00:42:11,500 --> 00:42:16,867
IS SOMETHING SO NATURAL,
SO COMMON.
626
00:42:16,867 --> 00:42:18,833
IT'S LIKE OXYGEN AND WATER.
627
00:42:22,367 --> 00:42:25,900
IT, TO ME,
IT'S VERY REAL.
628
00:42:25,900 --> 00:42:27,800
IF ANYONE SAYS
THAT IT'S NOT REAL,
629
00:42:27,800 --> 00:42:29,500
IT'S BECAUSE THEY'RE IGNORANT.
630
00:42:29,500 --> 00:42:31,567
THEY HAVEN'T BEEN
THROUGH IT THEMSELVES.
631
00:42:31,567 --> 00:42:33,633
AND I HOPE THEY -- THEY DON'T
GO THROUGH IT THEMSELVES.
632
00:42:33,633 --> 00:42:36,133
IT'S PRETTY DISTURBING.
IT'S SCARY.
633
00:42:36,133 --> 00:42:38,433
I DON'T WANT TO WISH
THAT UPON NOBODY.
42976
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