Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:00,000
[BISHOP] We are gathered together herein the sight of God
2
00:00:00,000 --> 00:00:00,920
and in the face of this congregation
3
00:00:01,000 --> 00:00:04,520
to join together this man and this woman
in holy matrimony.
4
00:00:04,600 --> 00:00:08,560
♪ Princess ♪
5
00:00:09,440 --> 00:00:12,440
[BISHOP] Instituted of Godin the time of man's innocency,
6
00:00:13,000 --> 00:00:14,200
signifying unto us
7
00:00:14,960 --> 00:00:18,320
the mystical union
that is betwixt Christ and his Church.
8
00:00:18,400 --> 00:00:22,080
Therefore, it is not by any
to be enterprised,
9
00:00:22,160 --> 00:00:26,600
nor taken in hand, unadvisedly,
lightly or wantonly,
10
00:00:26,960 --> 00:00:30,080
to satisfy men's carnal lusts
and appetites,
11
00:00:30,160 --> 00:00:33,080
like brute beasts
that understand nothing.
12
00:00:33,840 --> 00:00:37,480
But reverently, discreetly, advisedly,
13
00:00:37,560 --> 00:00:40,360
soberly and in the fear of God.
14
00:00:41,160 --> 00:00:46,280
Duly considering the causes
for which matrimony was ordained.
15
00:00:46,360 --> 00:00:51,960
♪ And now I've crowned you ♪
16
00:00:52,040 --> 00:00:56,280
♪ My princess ♪
17
00:00:56,360 --> 00:00:57,360
[CAMERA WINDING]
18
00:00:57,440 --> 00:01:00,760
♪ Though there's nothing in a name ♪
19
00:01:00,840 --> 00:01:02,880
[CAMERA SHUTTER CLICKING]
20
00:01:05,280 --> 00:01:10,880
♪ Others would've sounded ♪
21
00:01:10,960 --> 00:01:14,720
♪ Pretty tame ♪
22
00:01:14,800 --> 00:01:20,200
♪ If you were poorer... ♪
23
00:01:20,800 --> 00:01:25,520
♪ I could be no surer ♪
24
00:01:25,600 --> 00:01:26,626
[CAMERA SHUTTER CLICKS]
25
00:01:27,080 --> 00:01:31,560
♪ That you're a princess ♪
26
00:01:32,960 --> 00:01:38,280
♪ May I call you princess? ♪
27
00:01:39,200 --> 00:01:41,920
♪ If you say you love me ♪
28
00:01:42,000 --> 00:01:43,760
[BEATON] That's absolutely charming.
Thank you very much.
29
00:01:43,840 --> 00:01:46,600
Very, very fresh.
Full of vitality, thank you.
30
00:01:46,680 --> 00:01:49,320
And we're going to do another one
when we're ready, and...
31
00:01:49,920 --> 00:01:52,680
Colin, chin down a little bit.
Very much down a little bit.
32
00:01:52,760 --> 00:01:56,160
- Thank you. To me, everyone, and flash.
- [CAMERA SHUTTER CLICKS]
33
00:01:56,240 --> 00:01:58,920
- [ALL] The bride and groom!
- [MARGARET] The bride and groom.
34
00:01:59,000 --> 00:02:01,360
[GUESTS CLAPPING]
35
00:02:01,440 --> 00:02:02,320
[ORCHESTRA PLAYING]
36
00:02:02,400 --> 00:02:04,160
Bloody awful things, weddings.
37
00:02:04,880 --> 00:02:08,800
- Dreadfully upsetting.
- Unless it's one's own, of course.
38
00:02:09,480 --> 00:02:10,920
[BILLY] Mm. [EXHALES]
39
00:02:12,200 --> 00:02:14,080
Another couple off to build a castle.
40
00:02:15,000 --> 00:02:17,200
Lower the portcullis.
Pull up the drawbridge.
41
00:02:17,680 --> 00:02:20,480
- What? How do you mean?
- Couples do that, don't they?
42
00:02:21,280 --> 00:02:24,280
They turn to each other,
and all we see is their backs.
43
00:02:26,000 --> 00:02:27,680
So, what am I to do, Billy?
44
00:02:30,720 --> 00:02:33,160
No one wants to take me on, apparently.
45
00:02:35,200 --> 00:02:37,080
I'm too daunting a prospect.
46
00:02:38,600 --> 00:02:39,840
I could give it a go.
47
00:02:41,160 --> 00:02:42,760
Don't be silly, you're a friend.
48
00:02:44,120 --> 00:02:47,160
Yes, but isn't that the first quality
one should look for in a husband?
49
00:02:48,040 --> 00:02:49,880
In the olden days,
people weren't confused.
50
00:02:50,560 --> 00:02:54,680
People married for sensible reasons.
Marriage was a consolidation of assets.
51
00:02:56,040 --> 00:02:57,240
Also of other things.
52
00:02:59,000 --> 00:03:02,400
- Of friendship and values.
- [SCOFFS]
53
00:03:03,520 --> 00:03:04,400
Outlooks.
54
00:03:07,680 --> 00:03:11,560
We'd breed derby winners,
have an army of children...
55
00:03:12,160 --> 00:03:14,760
- Billy...
- Look, and I'd know the ropes.
56
00:03:15,560 --> 00:03:20,080
I know the rules. Your family all know
me, and I think are not averse.
57
00:03:21,840 --> 00:03:23,960
- Oh, they adore you.
- And I you.
58
00:03:26,840 --> 00:03:27,903
Always have.
59
00:03:30,280 --> 00:03:32,000
I'm your Old Faithful, after all.
60
00:03:49,680 --> 00:03:51,760
- [MUSIC CONCLUDES]
- [GUESTS CLAPPING]
61
00:03:51,840 --> 00:03:53,320
[CHUCKLES]
62
00:03:57,120 --> 00:03:58,160
[SIGHS]
63
00:04:03,520 --> 00:04:06,080
[ELIZABETH] Mummy said somethinginteresting the other day.
64
00:04:07,120 --> 00:04:09,000
- Oh?
- [SIGHS]
65
00:04:09,720 --> 00:04:13,480
She said that the first ten years
of marriage are just an overture.
66
00:04:15,760 --> 00:04:18,663
That there's often
a crisis at ten years,
67
00:04:18,688 --> 00:04:20,944
but then you work it
out and settle in...
68
00:04:23,200 --> 00:04:26,560
and it's only then
that it really gets into its stride.
69
00:04:26,880 --> 00:04:27,760
Oh.
70
00:04:30,920 --> 00:04:32,640
Do you suppose
that's what's happened to us?
71
00:04:35,120 --> 00:04:36,000
Possibly.
72
00:04:40,640 --> 00:04:42,840
I was thinking, perhaps we should have
73
00:04:42,865 --> 00:04:45,344
a big anniversary party this year.
74
00:04:47,320 --> 00:04:48,920
To celebrate hitting our stride.
75
00:04:55,360 --> 00:04:56,200
All right.
76
00:04:58,560 --> 00:05:00,440
[PHONE RINGS]
77
00:05:02,840 --> 00:05:03,680
Yes?
78
00:05:05,120 --> 00:05:06,720
All right. [MOUTHS] It's Margaret.
79
00:05:08,720 --> 00:05:10,120
[ELIZABETH ON PHONE] So how was it?
80
00:05:11,840 --> 00:05:14,040
It somehow managed to lift the spirits
81
00:05:14,120 --> 00:05:16,760
and make one want to kill oneself
in equal measure.
82
00:05:17,600 --> 00:05:19,040
Took forever to get there.
83
00:05:19,120 --> 00:05:21,240
- Mummy was a nightmare.
- Was she?
84
00:05:21,320 --> 00:05:24,800
Mercifully, they sent a helicopter
to bring us back. [CHUCKLES]
85
00:05:24,880 --> 00:05:25,720
Hmm.
86
00:05:27,400 --> 00:05:30,367
And I have this horrible
feeling that somewhere,
87
00:05:31,000 --> 00:05:32,264
in the middle of it all...
88
00:05:35,040 --> 00:05:38,094
I agreed to get married myself.
89
00:05:39,148 --> 00:05:40,024
What?
90
00:05:40,720 --> 00:05:44,080
- To whom?
- Billy Wallace.
91
00:05:44,920 --> 00:05:45,960
Goodness!
92
00:05:46,800 --> 00:05:49,120
Congratulations! [MOUTHS] Billy Wallace.
93
00:05:49,640 --> 00:05:51,960
Oh, Christ!
94
00:05:54,040 --> 00:06:00,880
So if I were to accept,
it would be a yes from you?
95
00:06:02,360 --> 00:06:03,600
Yes, of course.
96
00:06:03,680 --> 00:06:05,120
An emphatic yes.
97
00:06:05,840 --> 00:06:09,280
And Philip and I
were just discussing having a party
98
00:06:09,360 --> 00:06:11,280
for our tenth wedding anniversary,
99
00:06:11,600 --> 00:06:15,000
and you and Billy could use the occasion
to announce your engagement,
100
00:06:15,080 --> 00:06:16,120
if you wanted.
101
00:06:18,320 --> 00:06:19,920
That's a nice idea.
102
00:06:20,520 --> 00:06:22,520
Well, that's settled then. [INHALES]
103
00:06:22,600 --> 00:06:26,520
- Thank you.
- My pleasure. Goodnight, Margaret.
104
00:06:26,600 --> 00:06:27,440
[LINE CLICKS]
105
00:06:34,680 --> 00:06:35,680
[EXHALES DEEPLY]
106
00:07:31,162 --> 00:07:39,150
Synced & corrected by -robtor-
www.addic7ed.com
107
00:08:00,000 --> 00:08:02,000
[MAN ON TELEVISION]
...perhaps you'd explain why it is
108
00:08:02,080 --> 00:08:04,480
that the satellite
keeps on circling the Earth
109
00:08:04,560 --> 00:08:07,440
instead of either flying off into space
or dropping to the ground.
110
00:08:07,520 --> 00:08:11,800
I'm not sure how I feel about
a Russian satellite circling the Earth...
111
00:08:12,760 --> 00:08:15,120
just above our heads.
What's it doing up there?
112
00:08:15,200 --> 00:08:17,440
Notionally, it's providing information
113
00:08:17,520 --> 00:08:19,920
about the density
of the Earth's upper atmosphere.
114
00:08:20,520 --> 00:08:24,240
Of course its darker purpose
is to demonstrate to everyone
115
00:08:24,320 --> 00:08:26,440
the extent of Russian military power
116
00:08:26,520 --> 00:08:29,240
- and technical capacity.
- Oh.
117
00:08:29,320 --> 00:08:30,800
The same rocket
that launched this satellite
118
00:08:30,880 --> 00:08:33,040
is capable of firing a nuclear warhead
119
00:08:33,120 --> 00:08:36,320
into enemy territory
with pinpoint accuracy.
120
00:08:37,240 --> 00:08:38,335
- Wow.
- [MACMILLAN] Imagine the effect
121
00:08:38,360 --> 00:08:39,680
this will have on the Americans.
122
00:08:40,560 --> 00:08:43,240
A great crisis of self-doubt,
if I'm not very much mistaken.
123
00:08:43,880 --> 00:08:47,440
We must seize this opportunity
to help the Americans
124
00:08:47,520 --> 00:08:50,440
and work together in a joint effort
to meet the Russian threat.
125
00:08:50,520 --> 00:08:55,280
That is the way to repair Anglo-American
relations, which, as you know,
126
00:08:55,360 --> 00:09:00,520
have deteriorated terribly
due to the Suez Crisis.
127
00:09:01,880 --> 00:09:03,880
Quite. You know,
after the war they said Eisen...
128
00:09:03,905 --> 00:09:07,680
[MACMILLAN] I am absolutely determined
to restore the special relationship
129
00:09:07,760 --> 00:09:09,480
that exists between our two countries.
130
00:09:09,560 --> 00:09:14,440
We're bound by so much more
than just language and shared history.
131
00:09:15,200 --> 00:09:17,120
It's a kind of marriage.
132
00:09:18,080 --> 00:09:20,815
As in any marriage,
there'll be ups and downs,
133
00:09:20,840 --> 00:09:24,600
but one must work
to get things back on track.
134
00:09:27,640 --> 00:09:29,533
They say that listening's important.
135
00:09:30,840 --> 00:09:32,000
In any marriage.
136
00:09:33,440 --> 00:09:35,800
[MAN ON TELEVISION] Does that meanthat we can learn just as much
137
00:09:35,825 --> 00:09:37,465
from this satellite as the Russians?
138
00:09:37,600 --> 00:09:40,280
[BIRDS CHIRPING]
139
00:09:47,880 --> 00:09:49,240
And how are we going to do this?
140
00:09:50,040 --> 00:09:53,680
I think the driver should drop me first,
then take you on to the station.
141
00:09:53,760 --> 00:09:55,120
Or I could wait.
142
00:09:57,040 --> 00:09:58,920
I don't think that would be wise.
143
00:10:00,720 --> 00:10:03,680
Why? How long do you need with him?
144
00:10:05,680 --> 00:10:09,160
A day. Maybe two.
145
00:10:10,080 --> 00:10:13,120
It's the last time, I promise.
146
00:10:13,200 --> 00:10:16,120
- Don't make promises you cannot keep.
- [DOROTHY] No.
147
00:10:16,680 --> 00:10:19,646
I'm determined to end it. It's time.
148
00:10:20,040 --> 00:10:22,800
- Now that you're Prime Minister.
- Yes, it is.
149
00:10:23,400 --> 00:10:26,360
[THUNDER CRASHING]
150
00:10:58,040 --> 00:11:00,480
- [BEATON] With a one, two, three, flash.
- [CAMERA SHUTTER CLICKS]
151
00:11:00,560 --> 00:11:02,360
Oh, quite magnificent.
152
00:11:03,680 --> 00:11:05,360
Why does it always have to be
Cecil Beaton
153
00:11:05,385 --> 00:11:08,360
- taking my official birthday portrait?
- What's wrong with Cecil?
154
00:11:08,720 --> 00:11:12,280
When it came out last year,
everyone said how pretty you looked.
155
00:11:12,305 --> 00:11:14,585
No, they said how much I looked like you.
156
00:11:15,280 --> 00:11:16,240
Well, quite.
157
00:11:17,320 --> 00:11:20,440
Cecil does just one thing: fairy tales.
158
00:11:21,360 --> 00:11:23,800
Yes, but he does it so well.
159
00:11:24,520 --> 00:11:25,920
And to me, Your Royal Highness.
160
00:11:26,000 --> 00:11:28,080
A little less chin, and..
161
00:11:28,760 --> 00:11:29,760
[CAMERA SHUTTER CLICKS]
162
00:11:30,440 --> 00:11:31,640
What do you think?
163
00:11:32,400 --> 00:11:34,360
I asked my new lady-in-waiting
here today...
164
00:11:34,440 --> 00:11:35,440
Your Majesty.
165
00:11:35,520 --> 00:11:37,200
...to offer her opinion...
166
00:11:38,400 --> 00:11:40,920
having at least one foot
in the real world.
167
00:11:41,360 --> 00:11:45,240
I think birthday portraits
should evolve and mature with age.
168
00:11:45,320 --> 00:11:49,840
Like the subject. Show change
in the character. Complexity.
169
00:11:50,560 --> 00:11:51,623
Reality.
170
00:11:54,000 --> 00:11:57,120
No one wants complexity
and reality from us.
171
00:11:57,200 --> 00:11:59,160
- [BEATON LAUGHS]
- Do sit down.
172
00:12:00,440 --> 00:12:02,920
People have enough of that
in their own lives.
173
00:12:03,880 --> 00:12:07,480
- They want us to help them escape.
- Indeed, Your Majesty.
174
00:12:07,966 --> 00:12:09,886
Imagine this, if you will...
175
00:12:10,880 --> 00:12:15,680
a young woman, a commonplace creature.
She sits in her drab little scullery.
176
00:12:16,133 --> 00:12:19,453
So much work to do. So much washing-up.
177
00:12:20,200 --> 00:12:23,320
How she longs for comfort, for hope.
178
00:12:23,400 --> 00:12:27,040
- And again. One, two, three and flash.
- [CAMERA SHUTTER CLICKS]
179
00:12:27,560 --> 00:12:32,000
She wants to believe
her life has some meaning beyond chores.
180
00:12:32,080 --> 00:12:36,600
She opens a magazine and she sees
Her Royal Highness's photograph.
181
00:12:37,160 --> 00:12:43,160
For one glorious, transforming moment,
she becomes a princess, too.
182
00:12:43,240 --> 00:12:48,440
She is lifted out of her miserable,
pitiful reality into a fantasy.
183
00:12:52,480 --> 00:12:55,840
Later, she will step out of her house
184
00:12:55,920 --> 00:13:01,120
in a new neckerchief, perhaps,
for which she has saved.
185
00:13:01,640 --> 00:13:05,160
Oh, she will hold her head up high.
She is renewed.
186
00:13:06,120 --> 00:13:08,520
And all thanks to you,
Your Royal Highness...
187
00:13:09,600 --> 00:13:13,200
and to the ideal which you represent.
188
00:13:14,680 --> 00:13:17,440
And now,
with a one, two, three and flash.
189
00:13:18,520 --> 00:13:19,520
Quite marvelous.
190
00:13:19,600 --> 00:13:22,160
♪ Ding-dong, the bells are ringing ♪
191
00:13:22,240 --> 00:13:25,080
[CHATTERING]
192
00:13:25,480 --> 00:13:30,360
♪ Ding-dong, the bells are ringingFor you and I ♪
193
00:13:30,480 --> 00:13:31,560
[MAN] It's good news all round.
194
00:13:31,640 --> 00:13:33,360
♪ Ding-dong, the bells are ringing ♪
195
00:13:33,440 --> 00:13:35,080
[MAN LAUGHING]
196
00:13:35,160 --> 00:13:37,160
[CHATTERING]
197
00:13:40,800 --> 00:13:43,960
In the 20 or so years we have known
the hapless, misshapen crane
198
00:13:44,040 --> 00:13:45,920
that is Billy Wallace,
has any woman ever
199
00:13:45,945 --> 00:13:48,024
looked at him as an object of desire?
200
00:13:48,080 --> 00:13:49,280
I mean, even remotely?
201
00:13:49,360 --> 00:13:50,480
[SNICKERS]
202
00:13:50,560 --> 00:13:51,800
Certainly not.
203
00:13:52,420 --> 00:13:54,340
Then how can one begin to explain that?
204
00:13:55,720 --> 00:14:00,560
- [WOMEN GIGGLING]
- [BILLY SPEAKING INDISTINCTLY]
205
00:14:23,360 --> 00:14:25,760
Ma'am, Lord Blandford
just telephoned to apologize
206
00:14:25,840 --> 00:14:28,480
and say that Mr. Wallace
may be indisposed this evening.
207
00:14:28,560 --> 00:14:31,520
He can't be indisposed.
We're announcing our engagement.
208
00:14:31,600 --> 00:14:34,800
Something about an injury.
Rather a serious injury.
209
00:14:49,480 --> 00:14:50,680
- Where is he?
- [MAN] Your Highness.
210
00:14:51,680 --> 00:14:52,520
Uh...
211
00:14:57,120 --> 00:14:59,200
Her Royal Highness, Princess Margaret.
212
00:14:59,280 --> 00:15:01,320
- [MARGARET] Out of my way.
- Oh, shit.
213
00:15:01,400 --> 00:15:03,120
[DOCTOR] No, you must keep
your leg up, sir.
214
00:15:03,200 --> 00:15:04,103
Billy?
215
00:15:04,932 --> 00:15:06,132
It's all right, Simpson.
216
00:15:16,040 --> 00:15:18,800
Well, what's going on?
It's our announcement this evening.
217
00:15:18,935 --> 00:15:19,775
[DOOR CLOSES]
218
00:15:19,800 --> 00:15:21,528
Unforeseen circs, I'm afraid.
219
00:15:21,553 --> 00:15:23,787
Rather a dust-up in the early hours.
220
00:15:25,000 --> 00:15:26,040
Are you drunk?
221
00:15:26,120 --> 00:15:29,280
Don't be like that.
I had to do something for the pain.
222
00:15:30,000 --> 00:15:31,920
- Well, what happened?
- [BILLY] Wait till you hear.
223
00:15:32,406 --> 00:15:33,806
You'll laugh till you spit.
224
00:15:34,320 --> 00:15:36,960
Your friend Tennant rather took offense
at something I did.
225
00:15:37,040 --> 00:15:38,720
You came to blows with Colin?
226
00:15:38,800 --> 00:15:40,880
I believe the word "duel" was mentioned.
227
00:15:41,800 --> 00:15:42,680
A duel?
228
00:15:44,160 --> 00:15:46,120
[BILLY] Tennant issued the challenge.
229
00:15:46,200 --> 00:15:48,360
A little childish in this day and age
if you ask me,
230
00:15:48,385 --> 00:15:50,505
but a duel is a duel,
so I stepped up to the mark.
231
00:15:50,640 --> 00:15:53,120
[BILLY WHIMPERING]
232
00:15:53,200 --> 00:15:54,560
That's what a gentleman does.
233
00:15:55,240 --> 00:15:56,080
No!
234
00:15:59,560 --> 00:16:00,400
[SIGHS]
235
00:16:00,480 --> 00:16:01,670
[BILLY] If I'm completely honest,
236
00:16:01,695 --> 00:16:04,224
a little drink had
been taken during the night.
237
00:16:05,760 --> 00:16:08,760
But we faced the dawn
with clear heads and strong hearts.
238
00:16:09,440 --> 00:16:10,600
[SNIVELING]
239
00:16:10,680 --> 00:16:12,650
Now, Tennant wanted to motor up to Glen
240
00:16:12,675 --> 00:16:14,584
to get his father's old pistols.
241
00:16:14,640 --> 00:16:16,920
It would've been quite ridiculous.
Much too far away.
242
00:16:17,000 --> 00:16:18,400
So, Blandford offered his.
243
00:16:19,240 --> 00:16:21,280
[BILLY SNIVELING] It was a bloody
stupid mistake.
244
00:16:21,560 --> 00:16:24,240
A duel is not just
a test of marksmanship.
245
00:16:25,160 --> 00:16:26,200
It's a test of character.
246
00:16:28,292 --> 00:16:29,532
Ten paces.
247
00:16:30,720 --> 00:16:33,320
One... two...
248
00:16:33,820 --> 00:16:35,940
three... four...
249
00:16:36,913 --> 00:16:39,313
five... six...
250
00:16:40,012 --> 00:16:44,692
seven... eight... nine...
251
00:16:44,717 --> 00:16:45,637
ten.
252
00:16:45,840 --> 00:16:47,080
[GUNS FIRE]
253
00:16:48,360 --> 00:16:51,160
Fucker shot me in the leg.
Bloody awful thing.
254
00:16:51,240 --> 00:16:54,280
Anyway, I survived
with a small flesh wound.
255
00:16:56,800 --> 00:16:58,320
And why was he angry with you?
256
00:16:59,400 --> 00:17:00,755
It's the strangest thing,
257
00:17:00,780 --> 00:17:02,944
but ever since word got
out about our engagement,
258
00:17:03,000 --> 00:17:05,840
I've found myself
quite the center of attention.
259
00:17:06,400 --> 00:17:08,400
It's as though
every good-looking girl on Earth
260
00:17:08,480 --> 00:17:11,040
[LAUGHS] has taken the news
as a personal challenge.
261
00:17:11,680 --> 00:17:15,640
I'm not used to the idea of being a beau,
much less a catch.
262
00:17:16,120 --> 00:17:18,560
Seems to have gone to my head rather.
263
00:17:19,800 --> 00:17:22,160
- Had a bit of a fumble at Blenheim.
- [SIGHS]
264
00:17:22,240 --> 00:17:25,760
She was rather a beauty.
She's in pictures, you know. An actress.
265
00:17:26,320 --> 00:17:30,160
Anyway, Tennant got wind of it
and got very cross.
266
00:17:36,720 --> 00:17:37,920
Yes, with reason.
267
00:17:40,960 --> 00:17:45,600
You pathetic, weak, contemptible fool.
268
00:17:47,640 --> 00:17:50,288
I never even wanted to marry you.
269
00:17:50,313 --> 00:17:52,664
You were only ever an act of charity.
270
00:17:53,106 --> 00:17:54,306
Or desperation.
271
00:17:55,960 --> 00:17:58,000
And now you insult me? You?
272
00:17:58,840 --> 00:18:00,637
People like you don't
get to insult people like me.
273
00:18:00,662 --> 00:18:02,184
You get to be
eternally grateful.
274
00:18:06,280 --> 00:18:07,800
You've quite the way with women.
275
00:18:09,280 --> 00:18:11,409
Take a look at this face.
276
00:18:11,434 --> 00:18:14,184
A picture of disappointment and disgust.
277
00:18:16,640 --> 00:18:19,280
This is the look that every woman
you ever know will come to share.
278
00:18:20,800 --> 00:18:23,760
This is what the next 40 years
of your life will look like.
279
00:18:32,680 --> 00:18:33,560
Margaret...
280
00:18:34,440 --> 00:18:35,400
- [DOOR OPENS]
- Margaret!
281
00:18:35,480 --> 00:18:37,120
- [FOOTSTEPS]
- Shit!
282
00:18:37,200 --> 00:18:39,840
[CHATTERING]
283
00:18:50,160 --> 00:18:51,680
Ma'am, I've been asked to tell you
284
00:18:51,760 --> 00:18:53,863
that Princess Margaret
will not be announcing
285
00:18:53,888 --> 00:18:55,584
the engagement this evening.
286
00:18:56,520 --> 00:18:58,680
Her Royal Highness said
she'll explain everything later.
287
00:18:58,760 --> 00:19:00,480
Yes, I'm sure she will.
Thank you, Michael.
288
00:19:00,560 --> 00:19:01,560
[ADEANE] Thank you, ma'am.
289
00:19:21,280 --> 00:19:22,920
[GUESTS LAUGHING]
290
00:19:23,000 --> 00:19:24,720
All right, all right, settle down.
291
00:19:25,080 --> 00:19:28,056
So on my recent tour of the Pacific,
292
00:19:28,081 --> 00:19:30,784
I was introduced
to a man who said to me,
293
00:19:31,480 --> 00:19:35,440
"My wife is a doctor of philosophy
and much more important than I am."
294
00:19:35,520 --> 00:19:36,880
[LAUGHS]
295
00:19:37,560 --> 00:19:39,720
To which I could only reply,
296
00:19:39,800 --> 00:19:42,160
"Ah, yes, sir, we have that trouble
in our family too."
297
00:19:42,240 --> 00:19:43,360
[ALL LAUGHING]
298
00:19:46,760 --> 00:19:49,480
You know, when I imagined our marriage
in the early days,
299
00:19:49,560 --> 00:19:51,328
I imagined two people
300
00:19:51,353 --> 00:19:54,944
welded together into some sort
of combined existence.
301
00:19:56,200 --> 00:20:03,120
Ten years. Ten years has taught me
the secret of a successful marriage
302
00:20:03,200 --> 00:20:05,680
is actually to have different interests.
303
00:20:05,760 --> 00:20:09,640
Well, different interests,
but not entirely different.
304
00:20:09,720 --> 00:20:11,760
[ALL LAUGHING]
305
00:20:15,120 --> 00:20:16,560
It's a funny business.
306
00:20:18,080 --> 00:20:21,240
One sees the whole of the other person,
you see even that part of them
307
00:20:21,265 --> 00:20:22,905
that they don't see themselves,
308
00:20:22,930 --> 00:20:26,983
and presumably...
they see that hidden part of you.
309
00:20:29,240 --> 00:20:31,753
One ends up knowing more
about one's partner
310
00:20:32,203 --> 00:20:34,024
than they know about themselves.
311
00:20:34,920 --> 00:20:36,587
And it can be pretty tough
312
00:20:36,612 --> 00:20:39,384
to keep quiet about it.
So you have to...
313
00:20:39,920 --> 00:20:42,040
You have to come to an accommodation,
314
00:20:42,320 --> 00:20:45,243
an arrangement, a deal...
315
00:20:46,533 --> 00:20:48,745
if you like, to take
the rough with the smooth.
316
00:20:52,840 --> 00:20:54,520
But the extraordinary thing is...
317
00:20:56,160 --> 00:20:57,560
down there in the rough...
318
00:20:58,520 --> 00:21:01,680
in the long reeds of difficulty
and pain...
319
00:21:04,640 --> 00:21:06,440
that is where you find the treasure.
320
00:21:09,600 --> 00:21:11,520
So I would like to propose a toast...
321
00:21:13,800 --> 00:21:15,000
in the name of love.
322
00:21:17,440 --> 00:21:19,400
In the name of our beloved country.
323
00:21:20,440 --> 00:21:22,200
In the name of steadfastness.
324
00:21:23,200 --> 00:21:26,560
In the name
of another ten marvelous years.
325
00:21:30,440 --> 00:21:34,040
I give you mon petit chou...
326
00:21:39,560 --> 00:21:40,440
Lilibet...
327
00:21:43,000 --> 00:21:43,880
Elizabeth...
328
00:21:46,400 --> 00:21:47,240
the Queen.
329
00:21:51,800 --> 00:21:54,640
[ALL] The Queen!
330
00:21:55,200 --> 00:21:56,480
[HANDS THUDDING]
331
00:21:56,560 --> 00:21:57,920
[CLAPPING]
332
00:22:09,600 --> 00:22:11,440
[ELLA FITZGERALD'S "ANGEL EYES"
PLAYING LOUDLY]
333
00:22:11,520 --> 00:22:12,840
[BANGING]
334
00:22:22,640 --> 00:22:24,000
[WOMAN LAUGHS]
335
00:22:34,600 --> 00:22:37,240
[BANGING]
336
00:22:55,160 --> 00:22:59,800
♪ You happy people ♪
337
00:23:00,240 --> 00:23:07,240
♪ The laugh's and the joke's on me ♪
338
00:23:09,520 --> 00:23:14,480
♪ Pardon me ♪
339
00:23:14,560 --> 00:23:18,360
♪ But I've got to run ♪
340
00:23:19,400 --> 00:23:26,280
♪ The fact's uncommonly clear ♪
341
00:23:26,360 --> 00:23:29,520
♪ Got to find... ♪
342
00:23:29,600 --> 00:23:30,960
[HUMMING]
343
00:23:31,080 --> 00:23:37,720
♪ Who's now number one ♪
344
00:23:39,200 --> 00:23:40,760
- [CRASHING]
- [MARGARET GRUNTS]
345
00:23:40,840 --> 00:23:44,720
♪ And why my angel eyes ♪
346
00:23:44,800 --> 00:23:47,040
[MARGARET GRUNTING]
347
00:23:49,400 --> 00:23:51,600
♪ Where ♪
348
00:23:51,680 --> 00:23:53,640
[SCREAMS]
349
00:23:54,560 --> 00:24:00,640
♪ Is my angel eyes? ♪
350
00:24:00,720 --> 00:24:03,800
[MOANING AND SOBBING]
351
00:24:03,880 --> 00:24:10,440
♪ Excuse me ♪
352
00:24:10,520 --> 00:24:17,480
♪ While I disappear ♪
353
00:24:21,800 --> 00:24:27,320
♪ Angel eyes ♪
354
00:24:28,240 --> 00:24:35,240
♪ Angel eyes ♪
355
00:24:39,760 --> 00:24:42,240
[RADIO TUNING]
356
00:24:42,320 --> 00:24:44,800
[MAN ON RADIO] We're sending youto the newsroom at Alexandra Palace.
357
00:24:45,320 --> 00:24:48,880
President Eisenhower has spoken warmly
of the special relationship
358
00:24:48,960 --> 00:24:51,560
that exists between Britain
and the United States.
359
00:24:51,640 --> 00:24:53,993
[EISENHOWER ON RADIO] Prime
Minister Macmillan and I will
360
00:24:54,018 --> 00:24:55,664
do everything we can
361
00:24:55,720 --> 00:25:01,680
to strengthen and repair the long-term
bonds which have bound together the...
362
00:25:04,680 --> 00:25:07,200
[DOROTHY WHISPERING]
But I can't. I can't.
363
00:25:08,000 --> 00:25:10,320
I want only you.
364
00:25:11,400 --> 00:25:16,400
I've tried again with Harold.
Tried and tried.
365
00:25:17,000 --> 00:25:19,160
I know, I know.
366
00:25:19,240 --> 00:25:24,080
I just can't.
I can't have him touch me, be near me.
367
00:25:25,000 --> 00:25:28,720
His weakness repels me.
368
00:25:29,160 --> 00:25:32,920
His love disgusts me.
369
00:25:47,560 --> 00:25:48,840
[EXHALES]
370
00:25:51,680 --> 00:25:52,960
Good morning!
371
00:25:53,440 --> 00:25:55,520
Oh, darling, what a mess. [LAUGHS]
372
00:25:56,160 --> 00:26:01,280
It is the most beautiful day.
373
00:26:04,200 --> 00:26:06,120
I've brought something to cheer you up.
374
00:26:07,160 --> 00:26:09,640
Cecil's magnificent work.
375
00:26:10,160 --> 00:26:12,480
He's quite outdone himself this time.
376
00:26:14,000 --> 00:26:16,220
I can tell you which one I would choose
377
00:26:16,245 --> 00:26:18,344
as the official birthday portrait,
378
00:26:18,840 --> 00:26:21,280
and Cecil immediately agreed.
379
00:26:21,960 --> 00:26:24,840
But of course, it's for you to decide.
380
00:26:56,800 --> 00:26:58,920
And with regards to Billy Wallace...
381
00:26:59,000 --> 00:27:00,880
Don't mention that name.
382
00:27:00,960 --> 00:27:03,240
I've had him
on the telephone to me all morning,
383
00:27:03,320 --> 00:27:04,680
quite distraught.
384
00:27:04,760 --> 00:27:06,267
Then his mother, then
his grandmother...
385
00:27:06,292 --> 00:27:08,264
I'm never speaking to him again.
386
00:27:08,760 --> 00:27:10,440
Then we will find you someone else.
387
00:27:13,960 --> 00:27:16,480
I don't want you to find me anyone.
388
00:27:16,560 --> 00:27:18,560
Maurice Landgrave of Hesse.
389
00:27:18,640 --> 00:27:20,720
- [MARGARET SIGHS]
- He's a distant cousin.
390
00:27:20,800 --> 00:27:24,680
Now his mother was a Catholic,
but their lands are still intact,
391
00:27:24,760 --> 00:27:27,480
and he gives a very good show of himself
on the polo field...
392
00:27:27,560 --> 00:27:28,600
No one!
393
00:27:28,680 --> 00:27:32,400
Someone suggested
Prince Christian of Hanover,
394
00:27:32,480 --> 00:27:34,480
a descendant of Queen Victoria.
395
00:27:35,280 --> 00:27:38,560
Served in the Luftwaffe,
but we won't hold that against him.
396
00:27:39,360 --> 00:27:42,120
I do know what the official duties
of a lady-in-waiting are.
397
00:27:42,200 --> 00:27:45,520
Accompanying me on foreign trips,
dealing with my mail.
398
00:27:47,440 --> 00:27:51,000
Do you suppose it might also include
helping me climb over the wall to escape?
399
00:27:51,920 --> 00:27:53,680
I just can't bear it anymore.
400
00:27:53,760 --> 00:27:56,520
I'm having some people
to dinner, tonight.
401
00:27:58,800 --> 00:28:00,040
What, normal people?
402
00:28:00,760 --> 00:28:02,160
[CAVENDISH] Yes, they're all normal.
403
00:28:03,200 --> 00:28:05,960
But in their own way,
they're all quite exceptional, too.
404
00:28:06,400 --> 00:28:07,320
[MARGARET] You can go.
405
00:28:07,400 --> 00:28:08,920
[CAVENDISH] And possibly not deferential.
406
00:28:11,400 --> 00:28:12,340
[MARGARET] That's fine.
407
00:28:12,365 --> 00:28:14,824
As long as they still meet the main
requirements.
408
00:28:15,440 --> 00:28:16,280
Which are?
409
00:28:18,000 --> 00:28:21,165
That none of them breeds
horses, owns land...
410
00:28:21,190 --> 00:28:23,664
or knows my mother.
411
00:28:23,720 --> 00:28:26,280
[GUESTS CHATTERING]
412
00:28:36,080 --> 00:28:38,640
[JAZZ MUSIC PLAYING]
413
00:28:44,880 --> 00:28:46,000
All right, all of you.
414
00:28:47,560 --> 00:28:49,280
- Hello.
- [TAPPING GLASS]
415
00:28:49,360 --> 00:28:50,360
Everyone.
416
00:28:50,920 --> 00:28:53,680
I'd like you to say hello
to our guest of honor,
417
00:28:53,760 --> 00:28:56,520
Her Royal Highness,
the Princess Margaret.
418
00:28:58,680 --> 00:29:00,520
[ALL] Hello.
419
00:29:02,240 --> 00:29:05,880
Are you ready, ma'am?
Here come the introductions.
420
00:29:05,960 --> 00:29:07,560
Here we have Dudley on the piano.
421
00:29:07,640 --> 00:29:10,480
- [DUDLEY PLAYS PIANO]
- [GUESTS LAUGHING]
422
00:29:10,560 --> 00:29:12,080
And this here is Shilpa.
423
00:29:12,160 --> 00:29:13,720
[GUESTS CHATTERING]
424
00:29:49,120 --> 00:29:51,146
[MAN] Feeling a little left out...
425
00:29:52,283 --> 00:29:55,464
and you're thinking to yourself, [SIGHS]
426
00:29:55,520 --> 00:29:58,280
"These dabblers and freaks
seem to know one another very well."
427
00:29:59,440 --> 00:30:00,280
Hmm?
428
00:30:05,320 --> 00:30:07,480
Then you'd be absolutely right.
429
00:30:09,240 --> 00:30:10,200
Now, be honest.
430
00:30:11,680 --> 00:30:14,600
Can you remember any of the names?
431
00:30:17,440 --> 00:30:18,600
No, not really.
432
00:30:18,680 --> 00:30:20,240
Can't remember me either?
433
00:30:20,880 --> 00:30:22,000
What, we've met?
434
00:30:22,080 --> 00:30:23,040
We have.
435
00:30:24,480 --> 00:30:26,120
Where have we met?
436
00:30:26,680 --> 00:30:28,000
Perhaps it'll come to you.
437
00:30:28,520 --> 00:30:30,360
Now, where to begin...
438
00:30:31,400 --> 00:30:33,040
Ah. Far corner.
439
00:30:33,640 --> 00:30:36,600
The irresistible so-and-so
with the mustard-colored polo neck.
440
00:30:36,680 --> 00:30:40,760
- Irresistible?
- Oh, come on, a nine, surely?
441
00:30:40,840 --> 00:30:41,880
Seven.
442
00:30:42,480 --> 00:30:44,760
He's called Jeremy,
he's heir to a chocolate fortune.
443
00:30:44,840 --> 00:30:48,080
Married to the blonde beauty opposite.
444
00:30:49,007 --> 00:30:51,247
- Oh, she's an eight.
- Isn't she?
445
00:30:52,080 --> 00:30:54,080
Yes, they dazzle in public, those two.
446
00:30:55,320 --> 00:30:59,160
They don't disappoint in private either.
More of that another time, I think.
447
00:30:59,240 --> 00:31:00,360
Who's next?
448
00:31:01,040 --> 00:31:04,120
Ah, yes.
Our flushed and fleshy friend in paisley.
449
00:31:04,800 --> 00:31:07,480
His name's Ken Russell,
makes documentaries for the BBC.
450
00:31:07,560 --> 00:31:09,320
Travels everywhere on a bus.
451
00:31:12,160 --> 00:31:15,640
You've probably never been on a bus,
have you?
452
00:31:17,280 --> 00:31:19,560
- No.
- Pity.
453
00:31:20,007 --> 00:31:21,447
You really do meet the best people.
454
00:31:24,760 --> 00:31:28,480
Tell me about the woman
with the... extraordinary eyes.
455
00:31:30,840 --> 00:31:32,200
Baroness Frankenstein.
456
00:31:33,600 --> 00:31:37,280
She played opposite Boris Karloff
in that movie, you know. Actress.
457
00:31:37,360 --> 00:31:38,840
- Oh.
- No one can quite make out
458
00:31:38,960 --> 00:31:41,200
why she left
a rather brilliant film producer
459
00:31:41,280 --> 00:31:43,000
for a dreary politician.
460
00:31:45,680 --> 00:31:47,600
- Oh.
- His name's John Profumo.
461
00:31:48,080 --> 00:31:49,800
- Fucking dull.
- [MARGARET LAUGHS]
462
00:31:49,880 --> 00:31:52,280
- It's true, it's true. But...
- [MARGARET LAUGHS]
463
00:31:52,960 --> 00:31:54,720
The older gentleman beside him...
464
00:31:54,745 --> 00:31:56,336
Oh, no, no, no. I know who that one is.
465
00:31:56,361 --> 00:31:57,889
That's John Betjeman, the poet.
466
00:31:58,640 --> 00:31:59,480
Um...
467
00:32:01,240 --> 00:32:05,600
"Books from Boots' and country lanes,
Free speech, free passes...
468
00:32:05,680 --> 00:32:07,360
- [BOTH] Class distinction.
- [MARGARET LAUGHS]
469
00:32:07,960 --> 00:32:08,800
Distinction.
470
00:32:11,040 --> 00:32:12,520
- Democracy...
- Democracy...
471
00:32:12,600 --> 00:32:15,280
[BOTH] and proper drains."
472
00:32:16,680 --> 00:32:17,520
Just so.
473
00:32:21,440 --> 00:32:24,880
Is it really true he has two wives?
[LAUGHS]
474
00:32:25,560 --> 00:32:26,560
I hope so.
475
00:32:27,600 --> 00:32:28,920
Better if he has three.
476
00:32:30,680 --> 00:32:32,880
We don't want
anyone conventional around here.
477
00:32:37,320 --> 00:32:39,520
[WOMEN LAUGHING AND CHATTERING]
478
00:32:40,200 --> 00:32:42,080
Now, tell me about you.
479
00:32:42,160 --> 00:32:44,280
- Oh, God, you really don't remember.
- No.
480
00:32:44,360 --> 00:32:46,520
Hm. I'm a photographer.
481
00:32:48,320 --> 00:32:49,920
Oh, the wedding photographer?
482
00:32:50,000 --> 00:32:52,440
Ah, that was a favor.
That's not my normal line of work.
483
00:32:53,440 --> 00:32:54,360
What is?
484
00:32:55,600 --> 00:32:56,440
This.
485
00:33:00,040 --> 00:33:00,880
Ah.
486
00:33:01,120 --> 00:33:04,960
- What, these are yours?
- Yes. [EXHALES]
487
00:33:05,040 --> 00:33:06,200
Portraits?
488
00:33:06,280 --> 00:33:10,200
Mm, I don't like that word.
It's so stuffy and traditional.
489
00:33:10,280 --> 00:33:13,200
Oh, sorry. What are they, then?
490
00:33:14,080 --> 00:33:16,006
Mm, people, faces.
491
00:33:16,031 --> 00:33:18,944
They're the most interesting
subject I've found so far.
492
00:33:20,840 --> 00:33:23,840
If you can think of anything
more interesting, do let me know.
493
00:33:25,840 --> 00:33:27,040
Oh, I like them.
494
00:33:28,760 --> 00:33:32,680
It's as if there's no camera at all.
You've caught them off guard.
495
00:33:32,760 --> 00:33:36,760
- Ah, it's all luck, really.
- You've made the ugliness beautiful.
496
00:33:37,160 --> 00:33:40,360
I despise posturing
and pretentiousness and humbug.
497
00:33:41,880 --> 00:33:42,760
Don't you?
498
00:33:44,680 --> 00:33:46,920
Is that why you took up photography?
499
00:33:48,120 --> 00:33:48,960
Maybe.
500
00:33:50,560 --> 00:33:52,760
Maybe it's just a good way
to get behind closed doors.
501
00:33:53,320 --> 00:33:54,549
[MARGARET] Somebody's door
in particular?
502
00:33:54,574 --> 00:33:55,944
Just doors generally.
503
00:33:56,000 --> 00:33:58,400
A facade is only useful as a marker
504
00:33:58,480 --> 00:34:00,640
for something one has to get behind
or beyond.
505
00:34:00,720 --> 00:34:02,902
The surface is so dreary,
don't you think?
506
00:34:02,927 --> 00:34:04,624
What people want to show of themselves,
507
00:34:04,680 --> 00:34:07,080
the idealized version,
is of no interest to me.
508
00:34:08,040 --> 00:34:11,960
What people hide... that interests me.
509
00:34:15,800 --> 00:34:17,560
But you get so close.
510
00:34:18,960 --> 00:34:20,640
Isn't it rather an intrusion?
511
00:34:21,520 --> 00:34:25,000
It's very much an intrusion, yes.
That's exactly what photography is.
512
00:34:26,200 --> 00:34:28,360
I use a small Leica, nothing fancy,
513
00:34:28,440 --> 00:34:31,400
and natural light,
which means that I can prowl around.
514
00:34:32,280 --> 00:34:34,320
All the while
I'm getting closer and closer,
515
00:34:34,400 --> 00:34:35,960
and in the end, it's kind of like...
516
00:34:36,680 --> 00:34:39,080
- Well, it's, uh...
- Intrusion.
517
00:34:42,560 --> 00:34:43,560
Intimacy.
518
00:34:53,280 --> 00:34:56,240
[JAZZ MUSIC PLAYING]
519
00:35:02,640 --> 00:35:04,680
[MARGARET] How would you feel
about taking my photograph?
520
00:35:04,760 --> 00:35:06,040
[TONY] Well, I'd consider it.
521
00:35:07,400 --> 00:35:08,640
On one condition.
522
00:35:10,760 --> 00:35:13,760
- Go on.
- When you come to my slum studio,
523
00:35:13,840 --> 00:35:16,320
you leave the titles
and princess outside.
524
00:35:16,400 --> 00:35:19,400
- [SCOFFS] I'd be happy to.
- And for the duration of the session,
525
00:35:20,240 --> 00:35:21,800
you do everything I say.
526
00:35:23,920 --> 00:35:25,160
Don't look like that.
527
00:35:26,200 --> 00:35:27,920
You're dying to, admit it.
528
00:35:29,920 --> 00:35:31,080
Dying to what?
529
00:35:32,240 --> 00:35:33,400
Be a supplicant.
530
00:35:36,600 --> 00:35:37,560
I can tell.
531
00:35:41,640 --> 00:35:44,600
[MARGARET] It was the first roomI've ever been to where nobody got up,
532
00:35:45,000 --> 00:35:46,920
bowed, curtsied.
533
00:35:47,440 --> 00:35:49,034
Some just carried
on having conversations,
534
00:35:49,059 --> 00:35:50,424
as if I wasn't there at all.
535
00:35:50,960 --> 00:35:54,200
Those that did talk to me
did with such indifference
536
00:35:54,280 --> 00:35:59,600
or nonchalance, it
verged on impertinence.
537
00:36:00,279 --> 00:36:02,303
There was this one in particular.
538
00:36:03,280 --> 00:36:04,920
- Tony.
- Anthony, surely?
539
00:36:05,000 --> 00:36:06,360
[MARGARET] No, he insisted.
540
00:36:06,440 --> 00:36:10,720
Tony. Armstrong-Jones.
He's this photographer.
541
00:36:10,800 --> 00:36:13,400
- Like Cecil?
- Oh, no, nothing like Cecil.
542
00:36:13,480 --> 00:36:15,040
Couldn't be less like Cecil.
543
00:36:15,600 --> 00:36:18,040
Well, maybe a bit like Cecil,
in that he's obviously queer.
544
00:36:18,760 --> 00:36:20,960
Though interestingly,
Elizabeth denies it.
545
00:36:21,040 --> 00:36:22,200
Elizabeth who?
546
00:36:22,640 --> 00:36:23,727
Cavendish.
547
00:36:23,752 --> 00:36:26,144
I called her when I got home
last night and interrogated her.
548
00:36:26,200 --> 00:36:28,013
"What are the five most important things
549
00:36:28,038 --> 00:36:29,704
I need to know about that man?"
550
00:36:29,760 --> 00:36:30,856
Why five?
551
00:36:30,881 --> 00:36:32,904
I don't know. Felt
like the right number.
552
00:36:32,960 --> 00:36:36,440
- [ELIZABETH] Why not three?
- He's more interesting than three.
553
00:36:37,480 --> 00:36:38,880
[ELIZABETH] So, what did she say?
554
00:36:39,520 --> 00:36:40,880
One, that he's Welsh.
555
00:36:40,960 --> 00:36:43,480
- Is that interesting?
- [MARGARET] No, not particularly.
556
00:36:44,680 --> 00:36:46,480
That he had polio as a child.
557
00:36:47,160 --> 00:36:49,800
That he has a passion
for inventing things.
558
00:36:50,320 --> 00:36:52,960
And he would never dream of being
anything as straightforward
559
00:36:53,040 --> 00:36:54,320
as "simply queer."
560
00:36:54,400 --> 00:36:55,880
What on earth does that mean?
561
00:36:56,360 --> 00:36:57,760
I'm not altogether sure.
562
00:36:58,680 --> 00:37:02,240
But I'm also not incurious to find out.
563
00:37:02,320 --> 00:37:04,000
[ELIZABETH] What was number five?
564
00:37:04,080 --> 00:37:04,960
[MARGARET] You can go.
565
00:37:04,985 --> 00:37:05,960
- That was five.
566
00:37:05,985 --> 00:37:07,769
- [ELIZABETH] No,
Margaret, that was four.
567
00:37:07,880 --> 00:37:09,320
[MARGARET] All right. Five is...
568
00:37:11,320 --> 00:37:12,440
I liked him.
569
00:37:13,000 --> 00:37:15,240
Yes, I can tell that.
570
00:37:16,760 --> 00:37:19,920
- There's a contempt in him.
- What for?
571
00:37:22,440 --> 00:37:24,880
For me. For us.
572
00:37:26,280 --> 00:37:28,440
For everything we represent.
573
00:37:31,960 --> 00:37:33,640
I actually think you'd like him.
574
00:37:35,040 --> 00:37:37,000
That's what's so dangerous about him.
575
00:37:38,400 --> 00:37:39,600
[TONY] Upstairs.
576
00:37:53,160 --> 00:37:55,480
[FOOTSTEPS APPROACHING]
577
00:38:12,720 --> 00:38:14,200
[EXHALES]
578
00:38:17,360 --> 00:38:18,360
[TONY] Right.
579
00:38:22,680 --> 00:38:23,600
Wait there.
580
00:38:24,720 --> 00:38:26,760
[TONY WHISTLING]
581
00:38:28,520 --> 00:38:29,520
Back in a minute.
582
00:38:42,600 --> 00:38:44,240
[BANGING]
583
00:38:52,000 --> 00:38:54,080
[FLOORBOARDS CREAKING]
584
00:38:57,840 --> 00:38:59,360
[BANGING]
585
00:39:03,360 --> 00:39:05,920
[FOOTSTEPS]
586
00:39:17,960 --> 00:39:19,080
[EXHALES]
587
00:39:26,640 --> 00:39:28,840
[WHEELS RATTLING]
588
00:39:42,480 --> 00:39:46,560
[LOUD BANGING]
589
00:40:10,480 --> 00:40:11,320
[SIGHS]
590
00:40:37,520 --> 00:40:39,160
[CAMERA WINDING]
591
00:40:41,000 --> 00:40:42,000
[MARGARET EXHALES]
592
00:40:45,160 --> 00:40:46,960
[CAMERA CLICKING, WINDING]
593
00:40:55,600 --> 00:40:56,600
[CAMERA SHUTTER CLICKS]
594
00:41:00,960 --> 00:41:02,200
Don't smile like that.
595
00:41:03,080 --> 00:41:05,000
It's lovely, but don't.
596
00:41:06,000 --> 00:41:07,960
- Too lovely?
- [CAMERA WINDING]
597
00:41:09,720 --> 00:41:12,240
- For my taste, yes.
- Oh, I see.
598
00:41:12,320 --> 00:41:15,320
- [CAMERA SHUTTER CLICKS]
- You'd prefer me to be unlovely?
599
00:41:15,400 --> 00:41:16,400
[CAMERA WINDING]
600
00:41:16,480 --> 00:41:18,240
I'd prefer you to be yourself.
601
00:41:18,265 --> 00:41:20,264
Though I realize that's asking the
impossible.
602
00:41:20,680 --> 00:41:21,760
Why?
603
00:41:22,920 --> 00:41:24,720
Because I'm uncooperative?
604
00:41:25,280 --> 00:41:27,280
- Because you have no idea who you are.
- [CAMERA SHUTTER CLICKS]
605
00:41:27,360 --> 00:41:28,840
- Look to the window.
- [CAMERA WINDING]
606
00:41:28,920 --> 00:41:31,960
- I know perfectly well.
- No, not the faintest idea.
607
00:41:33,640 --> 00:41:34,480
Window.
608
00:41:38,760 --> 00:41:39,600
[CAMERA SHUTTER CLICKS]
609
00:41:46,520 --> 00:41:47,840
We don't know who you are, either.
610
00:41:50,000 --> 00:41:52,160
The rest of us, outside the palace gates.
611
00:41:52,720 --> 00:41:55,480
That's because we keep feeding you
the fairy tale.
612
00:41:56,000 --> 00:41:56,840
[CAMERA SHUTTER CLICKS]
613
00:41:57,000 --> 00:41:58,240
[CAMERA WINDING]
614
00:42:02,800 --> 00:42:03,640
Like this.
615
00:42:10,680 --> 00:42:11,560
Ah.
616
00:42:14,840 --> 00:42:16,120
Jesus.
617
00:42:16,200 --> 00:42:17,760
I'm sorry, but, uh...
618
00:42:18,400 --> 00:42:19,240
[PHOTO FALLS]
619
00:42:19,760 --> 00:42:21,440
Cecil is a disgrace.
620
00:42:24,280 --> 00:42:26,120
Well, he's been good to the family.
621
00:42:27,400 --> 00:42:29,320
Why would you care about the family?
622
00:42:31,040 --> 00:42:32,800
Have they been good to you?
623
00:42:36,080 --> 00:42:37,200
They're my family.
624
00:42:39,080 --> 00:42:39,920
Yes.
625
00:42:43,400 --> 00:42:44,280
[CAMERA SHUTTER CLICKS]
626
00:42:44,920 --> 00:42:46,120
[CAMERA WINDING]
627
00:42:46,200 --> 00:42:48,320
But that business with Peter Townsend.
628
00:42:51,200 --> 00:42:52,200
Cruel.
629
00:42:58,680 --> 00:43:00,640
Was he really as dreary as he seemed?
630
00:43:02,120 --> 00:43:03,120
[CAMERA SHUTTER CLICKS]
631
00:43:04,880 --> 00:43:08,240
- [CAMERA WINDING]
- He was decent and old-fashioned.
632
00:43:11,840 --> 00:43:13,280
Easy qualities to mock.
633
00:43:13,360 --> 00:43:14,360
[CAMERA SHUTTER CLICKS]
634
00:43:16,920 --> 00:43:18,400
[CAMERA WINDING]
635
00:43:20,920 --> 00:43:22,520
Easy to miss, too.
636
00:44:03,920 --> 00:44:04,920
Do you miss him?
637
00:44:15,200 --> 00:44:16,080
Sometimes.
638
00:44:17,320 --> 00:44:18,160
[CAMERA SHUTTER CLICKS]
639
00:44:19,520 --> 00:44:23,320
[TONY] Got it. Right.
Back to my place for a drink?
640
00:44:23,400 --> 00:44:24,400
[MARGARET EXHALES]
641
00:44:25,040 --> 00:44:29,880
- Your place? Where's that?
- Well, get dressed and I'll show you.
642
00:44:34,120 --> 00:44:34,960
[SIGHS]
643
00:44:35,040 --> 00:44:36,880
[TONY WHISTLING]
644
00:44:43,880 --> 00:44:45,880
[FOOTSTEPS APPROACHING]
645
00:44:49,200 --> 00:44:53,200
So, this is... home.
646
00:44:55,400 --> 00:44:57,560
Oh, it's marvelous.
647
00:45:03,200 --> 00:45:07,520
- [TONY] Whiskey or Cinzano?
- Whiskey, please.
648
00:45:08,120 --> 00:45:09,400
[GLASSES CLINK]
649
00:45:12,200 --> 00:45:14,280
[WHISKEY POURING]
650
00:45:16,920 --> 00:45:17,880
Who's she?
651
00:45:20,960 --> 00:45:23,920
- [TONY] A friend.
- What kind of friend?
652
00:45:24,720 --> 00:45:25,560
A friend.
653
00:45:27,560 --> 00:45:30,920
And this one? Ooh. Couldn't you
have cheered her up a little?
654
00:45:31,000 --> 00:45:33,600
That's Sarah Macmillan,
the Prime Minister's daughter.
655
00:45:34,160 --> 00:45:35,120
Or is she?
656
00:45:36,040 --> 00:45:37,320
Word is not.
657
00:45:38,880 --> 00:45:41,720
- That she's Bob Boothby's love child.
- No.
658
00:45:41,800 --> 00:45:44,680
Mm. Thirty years they say
the affair's been going on,
659
00:45:44,760 --> 00:45:46,720
right under the PM's nose.
Can you imagine?
660
00:45:49,680 --> 00:45:51,720
I don't think I'm ever
going to get married.
661
00:45:53,240 --> 00:45:54,080
Quite right.
662
00:45:55,400 --> 00:45:56,560
Ghastly business.
663
00:45:58,520 --> 00:46:00,320
It makes being happy so very difficult.
664
00:46:06,760 --> 00:46:07,760
Oh, what's this?
665
00:46:08,920 --> 00:46:11,400
Oh, it's something I'm working on.
A design.
666
00:46:12,080 --> 00:46:13,600
It's fragile, get off.
667
00:46:15,680 --> 00:46:17,040
Mm, sorry.
668
00:46:18,320 --> 00:46:19,160
[TONY CHUCKLES]
669
00:46:19,800 --> 00:46:22,960
Here, come and have a look at this.
This might amuse you.
670
00:46:31,080 --> 00:46:33,033
What, people have signed their names?
671
00:46:33,058 --> 00:46:34,624
Well, their nicknames, yes.
672
00:46:35,360 --> 00:46:38,160
- Who's Tigger?
- Cleo Laine.
673
00:46:41,160 --> 00:46:43,600
- Snitch?
- Dirk Bogarde.
674
00:46:47,240 --> 00:46:49,200
[GASPS] Oh, look.
You already have a princess.
675
00:46:49,280 --> 00:46:50,120
[TONY] Mm.
676
00:46:50,400 --> 00:46:51,560
That's Tony Richardson.
677
00:46:53,200 --> 00:46:54,080
Will you sign?
678
00:46:55,640 --> 00:46:57,320
I keep a diamond for the purpose.
679
00:46:58,600 --> 00:46:59,440
Go on.
680
00:47:00,440 --> 00:47:02,480
I'm not sure I've ever had a nickname.
681
00:47:03,640 --> 00:47:04,600
What shall I put?
682
00:47:05,760 --> 00:47:07,960
Something that'll
throw them off the scent.
683
00:47:09,040 --> 00:47:09,880
Beryl.
684
00:47:11,200 --> 00:47:12,120
- Beryl?
- Mm.
685
00:47:13,720 --> 00:47:14,560
All right.
686
00:47:31,360 --> 00:47:32,560
It rhymes with peril.
687
00:47:38,960 --> 00:47:39,960
Put it back.
688
00:47:44,360 --> 00:47:45,200
Right.
689
00:47:46,840 --> 00:47:49,680
- Shall we look at the photograph?
- Yes.
690
00:48:35,000 --> 00:48:35,840
[CLICKS]
691
00:48:45,840 --> 00:48:46,680
Right.
692
00:49:00,920 --> 00:49:01,760
First...
693
00:49:04,280 --> 00:49:05,240
the chemicals.
694
00:49:18,120 --> 00:49:19,573
[MARGARET] You know,
when we first met...
695
00:49:19,598 --> 00:49:20,423
Mm?
696
00:49:21,960 --> 00:49:23,760
...I was sure you were queer.
697
00:49:31,840 --> 00:49:32,680
Why?
698
00:49:34,240 --> 00:49:35,960
Just the way you talked to women.
699
00:49:36,440 --> 00:49:37,760
Understood women.
700
00:49:49,760 --> 00:49:52,920
Then you put it into the water.
701
00:49:56,160 --> 00:49:57,840
- Here?
- Mm-hmm.
702
00:50:01,360 --> 00:50:05,920
Not to mention your tidy little hips,
your vanity and fastidiousness.
703
00:50:07,320 --> 00:50:08,280
I'm not vain.
704
00:50:10,400 --> 00:50:11,960
You're insufferably vain.
705
00:50:15,320 --> 00:50:16,840
But now I see you're not queer.
706
00:50:19,960 --> 00:50:23,040
Then you put it into the fixer.
707
00:50:28,960 --> 00:50:32,440
This whole routine
is far too practiced and well oiled.
708
00:50:34,320 --> 00:50:36,720
Woman after woman has been here
before me.
709
00:50:39,440 --> 00:50:40,880
Beautiful women.
710
00:50:42,040 --> 00:50:42,920
[TONY] Mm-hmm.
711
00:50:44,000 --> 00:50:44,840
Then...
712
00:50:51,520 --> 00:50:52,480
we hang her up.
713
00:51:04,760 --> 00:51:05,680
What do you think?
714
00:51:10,080 --> 00:51:12,040
It's a Margaret I've never seen before.
715
00:51:14,360 --> 00:51:17,960
- No one's ever seen before.
- No.
716
00:51:20,840 --> 00:51:23,160
Because in this photo,
you're not a princess anymore.
717
00:51:28,560 --> 00:51:30,440
There's someone
I would like you to send it to.
718
00:51:32,560 --> 00:51:33,880
Can I give you an address?
719
00:51:36,320 --> 00:51:37,160
Sure.
720
00:51:39,360 --> 00:51:41,120
- Then I must go.
- Mm.
721
00:51:44,640 --> 00:51:45,680
You, um...
722
00:51:47,280 --> 00:51:48,840
You won't stay a little longer?
723
00:51:50,360 --> 00:51:51,560
No.
724
00:51:52,280 --> 00:51:53,920
This is where the routine ends.
725
00:51:56,320 --> 00:51:57,160
For now.
726
00:51:59,120 --> 00:51:59,960
All right.
727
00:52:01,680 --> 00:52:02,800
Did you come with a driver?
728
00:52:03,720 --> 00:52:05,840
[MARGARET] Yes, he's waiting outside.
729
00:52:06,560 --> 00:52:07,960
Good. Then he can follow us.
730
00:52:20,440 --> 00:52:23,400
[SPEAKING MALAYSIAN]
731
00:52:26,640 --> 00:52:29,040
[INTERPRETER] We are most honored
to have been guests
732
00:52:29,120 --> 00:52:31,600
- in Your Majesty's beautiful home.
- Ah.
733
00:52:31,920 --> 00:52:35,000
[SPEAKING MALAYSIAN]
734
00:52:39,880 --> 00:52:42,720
[MOTORCYCLE REVVING]
735
00:52:43,320 --> 00:52:44,320
Hold tight.
736
00:52:46,360 --> 00:52:48,080
- [TIRES SCREECHING]
- [HORN HONKS]
737
00:53:00,800 --> 00:53:02,473
[ELIZABETH] Thank you
so much for coming.
738
00:53:02,498 --> 00:53:03,704
[PHILIP] It's been a pleasure.
739
00:53:04,480 --> 00:53:05,720
Thank you very much.
740
00:53:08,080 --> 00:53:11,200
- God, I thought that would never end.
- Yes, it did go on rather.
741
00:53:11,280 --> 00:53:15,440
- On and on and on and on.
- [ELIZABETH] Mm.
742
00:53:43,560 --> 00:53:45,120
Definitely not queer.
743
00:53:49,720 --> 00:53:50,703
Keep it.
744
00:54:04,720 --> 00:54:06,800
[THE FLAMINGOS'
"I ONLY HAVE EYES FOR YOU" PLAYING]
745
00:54:06,880 --> 00:54:07,880
[EXHALES]
746
00:54:10,320 --> 00:54:14,720
♪ My love must be a kind of blind love ♪
747
00:54:18,160 --> 00:54:22,040
♪ I can't see anyone but you ♪
748
00:54:24,760 --> 00:54:25,920
♪ Sha bop, sha bop ♪
749
00:54:28,880 --> 00:54:29,920
♪ Sha bop, sha bop ♪
750
00:54:32,840 --> 00:54:33,840
♪ Sha bop, sha bop ♪
751
00:54:37,000 --> 00:54:38,160
♪ Sha bop, sha bop ♪
752
00:54:38,240 --> 00:54:39,240
[EXHALES]
753
00:54:40,880 --> 00:54:41,720
♪ Sha bop, sha bop ♪
754
00:54:41,800 --> 00:54:46,480
- ♪ Are the stars out tonight? ♪
- ♪ Sha bop, sha bop ♪
755
00:54:48,560 --> 00:54:49,880
♪ Sha bop, sha bop ♪
756
00:54:50,240 --> 00:54:55,240
- ♪ I don't know if it's cloudy
or bright ♪ - ♪ Sha bop, sha bop ♪
757
00:54:55,960 --> 00:55:02,440
♪ I only have eyes ♪
758
00:55:03,440 --> 00:55:08,200
♪ For you ♪
759
00:55:09,080 --> 00:55:12,200
♪ Dear ♪
760
00:55:13,040 --> 00:55:14,000
♪ Sha bop, sha bop ♪
761
00:55:14,080 --> 00:55:20,440
- ♪ The moon may be high ♪- ♪ Sha bop, sha bop ♪
762
00:55:21,040 --> 00:55:22,080
[SIGHS DEEPLY]
763
00:55:22,160 --> 00:55:28,200
- ♪ But I can't see a thing in the sky ♪- ♪ Sha bop, sha bop ♪
764
00:55:28,280 --> 00:55:34,480
♪ I only have eyes ♪
765
00:55:35,080 --> 00:55:41,200
♪ For you ♪
766
00:55:47,080 --> 00:55:51,040
♪ I don't know if ♪
767
00:55:52,040 --> 00:55:58,240
♪ We're in a garden ♪
768
00:56:03,640 --> 00:56:09,000
♪ Or on a crowded ♪
769
00:56:09,720 --> 00:56:12,280
♪ Avenue ♪
770
00:56:18,440 --> 00:56:19,720
♪ Sha bop, sha bop ♪
771
00:56:19,800 --> 00:56:21,880
♪ You are here ♪
772
00:56:21,960 --> 00:56:22,800
Night.
773
00:56:23,360 --> 00:56:24,200
Goodnight.
774
00:56:24,280 --> 00:56:25,880
♪ And so am I ♪
775
00:56:26,680 --> 00:56:27,880
♪ Sha bop, sha bop ♪
776
00:56:28,360 --> 00:56:33,240
- ♪ Maybe millions of people go by ♪- ♪ Sha bop, sha bop ♪
777
00:56:33,960 --> 00:56:39,040
♪ But they all disappear ♪
778
00:56:41,200 --> 00:56:45,360
♪ From view ♪
779
00:56:49,840 --> 00:56:56,640
♪ And I only have eyes ♪
780
00:56:56,720 --> 00:56:57,720
[EXHALES]
781
00:56:57,800 --> 00:57:01,800
- ♪ For you ♪- ♪ Sha bop, sha bop ♪
782
00:57:01,880 --> 00:57:03,440
[MACMILLAN] Good gracious!
783
00:57:04,160 --> 00:57:05,160
♪ Sha bop, sha bop ♪
784
00:57:08,160 --> 00:57:09,360
♪ Sha bop, sha bop ♪
785
00:57:16,360 --> 00:57:18,000
Oh là là!
786
00:57:18,800 --> 00:57:19,960
[CHUCKLING]
787
00:57:20,560 --> 00:57:21,843
Mm-mm.
788
00:57:29,200 --> 00:57:30,120
[TYPEWRITER PINGS]
789
00:57:32,160 --> 00:57:34,200
[TYPEWRITER CLICKING]
790
00:57:35,800 --> 00:57:36,920
[GROANS]
791
00:57:38,960 --> 00:57:40,040
[CURTAINS OPENING]
792
00:57:49,960 --> 00:57:52,160
- There you are.
- Finally.
793
00:58:02,160 --> 00:58:04,080
- Oh, I say.
- What is it?
794
00:58:20,440 --> 00:58:21,280
It appears she's...
795
00:58:21,360 --> 00:58:22,200
Naked.
796
00:58:24,800 --> 00:58:25,640
Yes.
797
00:58:36,040 --> 00:58:37,040
[PHILIP CHUCKLES]
798
00:58:38,273 --> 00:58:46,374
Synced & corrected by -robtor-
www.addic7ed.com
58767
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Uighur
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof