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These are the user uploaded subtitles that are being translated: 1 00:00:02,291 --> 00:00:05,260 [BELL TOLLING] 2 00:00:08,663 --> 00:00:11,300 MY NAME IS MELINDA GORDON. 3 00:00:11,333 --> 00:00:14,569 I'M MARRIED, I LIVE IN A SMALL TOWN, 4 00:00:14,603 --> 00:00:16,638 AND I OWN AN ANTIQUE SHOP. 5 00:00:16,671 --> 00:00:18,673 I MIGHT BE JUST LIKE YOU. 6 00:00:18,707 --> 00:00:20,675 EXCEPT THAT FROM THE TIME I WAS A LITTLE GIRL, 7 00:00:20,709 --> 00:00:22,177 I KNEW THAT I COULD TALK TO THE DEAD. 8 00:00:23,512 --> 00:00:25,214 Grandmother: IT'S ALL RIGHT, HONEY. 9 00:00:25,247 --> 00:00:27,482 EARTHBOUND SPIRITS, MY GRANDMOTHER CALLED THEM. 10 00:00:27,516 --> 00:00:29,118 THEY'RE STUCK HERE BECAUSE THEY HAVE UNFINISHED 11 00:00:29,151 --> 00:00:30,285 BUSINESS WITH THE LIVING 12 00:00:30,319 --> 00:00:31,520 AND THEY COME TO ME FOR HELP. 13 00:00:32,821 --> 00:00:33,588 [GASPS] 14 00:00:35,424 --> 00:00:37,392 IN ORDER TO TELL YOU MY STORY, 15 00:00:37,426 --> 00:00:38,627 I HAVE TO TELL YOU THEIRS. 16 00:00:41,763 --> 00:00:44,599 * PAIN WITHOUT LOVE 17 00:00:44,633 --> 00:00:47,602 * PAIN, I CAN'T GET ENOUGH 18 00:00:47,636 --> 00:00:50,505 * PAIN, I LIKE IT ROUGH 19 00:00:50,539 --> 00:00:56,645 * 'CAUSE I'D RATHER FEEL PAIN THAN NOTHING AT ALL * 20 00:00:56,678 --> 00:01:00,282 * PAIN WITHOUT LOVE 21 00:01:00,315 --> 00:01:03,285 * PAIN, CAN'T GET ENOUGH 22 00:01:03,318 --> 00:01:05,687 * PAIN, I LIKE IT ROUGH 23 00:01:05,720 --> 00:01:08,823 * 'CAUSE I'D RATHER FEEL PAIN THAN NOTHING AT ALL * 24 00:01:08,857 --> 00:01:11,726 * RATHER FEEL PAIN THAN NOTHING AT ALL * 25 00:01:11,760 --> 00:01:15,130 * RATHER FEEL PAIN 26 00:01:17,866 --> 00:01:21,270 [CHEERING AND APPLAUSE] 27 00:01:21,303 --> 00:01:23,472 THANK YOU VERY MUCH. WE ARE THREE DAYS GRACE. 28 00:01:23,505 --> 00:01:24,439 WE'LL BE RIGHT BACK. 29 00:01:25,940 --> 00:01:27,442 AHH. 30 00:01:27,476 --> 00:01:28,910 WHEN YOU SAID THAT WE WERE GOING DANCING, 31 00:01:28,943 --> 00:01:30,679 I DIDN'T THINK THIS WAS WHAT YOU MEANT. 32 00:01:30,712 --> 00:01:31,880 I--I SAID THERE MIGHT BE DANCING. 33 00:01:31,913 --> 00:01:33,682 YOUR EXACT WORDS WERE, "I CANNOT WAIT 34 00:01:33,715 --> 00:01:35,250 TO GET YOU OUT ON THE DANCE FLOOR." 35 00:01:35,284 --> 00:01:37,419 COME ON. JUMPING UP AND DOWN CAN BE DANCING. 36 00:01:37,452 --> 00:01:39,388 ANOTHER ROUND, FOLKS? YEAH, YEAH. 37 00:01:39,421 --> 00:01:40,622 2 WOULD BE GREAT. 38 00:01:40,655 --> 00:01:42,591 Man: BRANDON! ORDER UP FOR THE BAND. 39 00:01:44,293 --> 00:01:45,594 SORRY, GUYS. GIVE ME ONE SEC. 40 00:01:48,730 --> 00:01:49,731 DOES THAT GUY LOOK FAMILIAR TO YOU? 41 00:01:49,764 --> 00:01:51,433 I DON'T THINK SO. YOU? 42 00:01:51,466 --> 00:01:52,434 I DON'T KNOW. 43 00:01:52,467 --> 00:01:53,735 HERE YOU GO, GUYS. 44 00:01:53,768 --> 00:01:54,869 HEY, BRANDON, WHY DON'T YOU PLAY? 45 00:01:54,903 --> 00:01:55,870 GOOD JOB. 46 00:01:55,904 --> 00:01:56,871 WE'RE ALMOST DONE. 47 00:01:56,905 --> 00:01:57,872 YEAH, COME ON, PLAY, DUDE. 48 00:01:57,906 --> 00:01:58,873 YOU GOTTA PLAY. 49 00:01:58,907 --> 00:01:59,774 NO, NO, NO. 50 00:01:59,808 --> 00:02:01,576 OTHER PEOPLE HERE. COME ON. YOU GOTTA PLAY. 51 00:02:01,610 --> 00:02:03,212 HERE, I GOT A GUITAR RIGHT HERE. I'M WORKING, MAN. 52 00:02:03,245 --> 00:02:06,181 [CROWD CHEERING] 53 00:02:06,215 --> 00:02:07,516 THAT GUY. 54 00:02:08,917 --> 00:02:11,420 TEAR IT UP, MAN. 55 00:02:11,453 --> 00:02:13,188 [PLAYING JIMI HENDRIX' RENDITION OF "STAR SPANGLED BANNER"] 56 00:02:22,331 --> 00:02:25,567 WOW. HE'S AMAZING. 57 00:02:27,569 --> 00:02:29,571 WAIT A MINUTE. THAT'S WHY I KNOW THIS GUY. 58 00:02:29,604 --> 00:02:31,306 HE USED TO PLAY FOR CRIMSON DOVES. 59 00:02:31,340 --> 00:02:32,207 WHO? CRIMSON DOVES. 60 00:02:32,241 --> 00:02:34,976 THEY WERE A LOCAL BAND, UH...BIG FAVORITE. 61 00:02:35,009 --> 00:02:36,545 THEY RELEASED THIS GREAT ALBUM A FEW YEARS BACK, 62 00:02:36,578 --> 00:02:37,679 AND THEN THEY JUST KINDA DISAPPEARED. 63 00:02:42,517 --> 00:02:44,453 DO YOU FEEL THAT? 64 00:02:48,557 --> 00:02:51,560 [IN SLOW MOTION] WHOO! 65 00:02:55,029 --> 00:02:56,398 [GROWLING] 66 00:02:56,431 --> 00:02:57,366 10. 67 00:03:00,602 --> 00:03:02,604 WHAT? WHAT'S GOING ON? 68 00:03:06,941 --> 00:03:08,743 [RUMBLING AND FEEDBACK] 69 00:03:23,592 --> 00:03:25,727 LET ME GUESS. 70 00:03:25,760 --> 00:03:27,329 THAT WASN'T THE GHOST OF JIMI HENDRIX? 71 00:03:27,362 --> 00:03:30,632 BUT IT GAVE NEW MEANING TO STAGE FRIGHT. 72 00:03:31,933 --> 00:03:34,336 Voice: CAN YOU SEE US? 73 00:04:04,699 --> 00:04:06,635 YOU KNOW, WHY DOES A GUY LIKE THAT WORK HERE? 74 00:04:06,668 --> 00:04:08,403 I MEAN, HE SHOULD BE ON THE COVER OF ROLLING STONE, 75 00:04:08,437 --> 00:04:09,671 NOT SERVING DRINKS. 76 00:04:09,704 --> 00:04:11,473 MAYBE HE GETS MONSTER TIPS HERE. 77 00:04:11,506 --> 00:04:13,342 OR MAYBE A GHOST IS TRYING TO STOP HIM 78 00:04:13,375 --> 00:04:14,075 FROM DOING WHAT HE LOVES. 79 00:04:14,108 --> 00:04:15,777 I HATE THAT. 80 00:04:15,810 --> 00:04:17,846 YOU'RE DEAD, YOU CAN'T MOVE ON, I GET IT. 81 00:04:17,879 --> 00:04:19,381 BUT DON'T MESS WITH THE LIVING, 82 00:04:19,414 --> 00:04:21,450 ESPECIALLY WHEN THEY'RE AS TALENTED AS HE IS. 83 00:04:21,483 --> 00:04:22,751 I'M GONNA GET THE JEEP. 84 00:04:22,784 --> 00:04:24,419 YOU STAY HERE, YOU STAY WARM. 85 00:04:24,453 --> 00:04:25,654 WE'LL GET THIS GHOST INTO THERAPY 86 00:04:25,687 --> 00:04:26,821 WHEN WE GET HOME. ALL RIGHT. 87 00:04:26,855 --> 00:04:29,458 OH, HI! HEY, YOU WERE GREAT UP THERE. 88 00:04:29,491 --> 00:04:30,992 OH, THANKS. 89 00:04:31,025 --> 00:04:33,027 AW, I NEVER DID GET YOU THOSE DRINKS, DID I? 90 00:04:33,061 --> 00:04:35,464 WE CUT OURSELVES OFF. I'M MELINDA. 91 00:04:35,497 --> 00:04:36,798 NICE TO MEET YOU. 92 00:04:36,831 --> 00:04:38,767 IT WAS WEIRD WHAT HAPPENED. WERE YOU OK? 93 00:04:38,800 --> 00:04:40,402 YEAH, IT'S JUST SOME FEEDBACK PROBLEMS. 94 00:04:40,435 --> 00:04:41,636 IT'S HAPPENED BEFORE. 95 00:04:41,670 --> 00:04:42,837 OH, REALLY? LIKE WHEN YOU USED TO PLAY 96 00:04:42,871 --> 00:04:44,473 WITH, UH, CRIMSON DOVES? 97 00:04:44,506 --> 00:04:46,375 ARE YOU A FAN? MY HUSBAND WAS. 98 00:04:46,408 --> 00:04:47,809 SO HE TOLD YOU ABOUT THE CURSE? 99 00:04:47,842 --> 00:04:49,678 NO. WHAT CURSE? 100 00:04:49,711 --> 00:04:51,546 JUST A BAD URBAN LEGEND. HAVE A GOOD NIGHT. 101 00:04:51,580 --> 00:04:53,348 WELL, DO YOU HAVE A SECOND TO TALK? 102 00:04:53,382 --> 00:04:54,549 [RUMBLING] 103 00:04:54,583 --> 00:04:57,819 [ELECTRICITY CRACKLING] 104 00:04:57,852 --> 00:04:59,654 [CRACKLING STOPS] 105 00:05:04,058 --> 00:05:05,694 COME ON. YOU REALLY THINK 106 00:05:05,727 --> 00:05:07,729 YOU CAN GET $3,000 FOR THIS? 107 00:05:07,762 --> 00:05:09,731 EASY. IT'S RUMORED THAT THE DOORS PLAYED ON IT. 108 00:05:09,764 --> 00:05:10,732 WHO ARE THE DOORS? 109 00:05:10,765 --> 00:05:12,667 OH, OUCH. 110 00:05:12,701 --> 00:05:14,068 BUT HOW ARE YOU GONNA SELL IT? IT'S BROKEN. 111 00:05:14,102 --> 00:05:15,670 IT NEEDS A NEW ONE OF...THOSE PEDALS. 112 00:05:15,704 --> 00:05:17,439 WELL, I WORKED WITH A REFURBISHER, 113 00:05:17,472 --> 00:05:18,740 AND HIS CARD'S STILL ON FILE. 114 00:05:18,773 --> 00:05:20,409 HE'S ALSO LOOKING TO BUY A CONDO 115 00:05:20,442 --> 00:05:21,643 IF SOMEONE WANTS TO SELL HIM ONE. 116 00:05:21,676 --> 00:05:24,513 SERENDIPITY, THY NAME IS MELINDA. 117 00:05:24,546 --> 00:05:25,580 I WILL HAVE TO CHECK MY SCHEDULE, 118 00:05:25,614 --> 00:05:27,048 BUT I THINK WE'RE FREE, RIGHT? 119 00:05:27,081 --> 00:05:29,384 I HAVE A TON OF HOMEWORK THAT THE DOG NEEDS TO EAT. 120 00:05:29,418 --> 00:05:30,719 OK, FINE. 121 00:05:30,752 --> 00:05:31,820 BUT I WANT TO SEE IT WHEN YOU GET HOME. 122 00:05:31,853 --> 00:05:32,754 OK. 123 00:05:34,556 --> 00:05:36,625 BYE, NED. YEAH. 124 00:05:36,658 --> 00:05:37,992 THAT'S A LOT OF FUN TO LIVE WITH 125 00:05:38,026 --> 00:05:38,993 FOR THE PAST WEEK. 126 00:05:39,027 --> 00:05:39,828 WHAT'S GOING ON? 127 00:05:41,496 --> 00:05:43,064 CHARLIE'S BIRTHDAY IS COMING UP. 128 00:05:43,097 --> 00:05:45,467 I KNOW. WEIRD. HE'S DEAD. 129 00:05:45,500 --> 00:05:47,769 BUT...CELEBRATING HIS BIRTHDAY 130 00:05:47,802 --> 00:05:50,505 IS JUST A LITTLE WAY FOR US TO KEEP HIS SPIRIT WITH US. 131 00:05:50,539 --> 00:05:52,674 ACTUALLY, IT MAKES PERFECT SENSE. 132 00:05:52,707 --> 00:05:54,776 YEAH, WELL... 133 00:05:54,809 --> 00:05:56,811 NED'S NOT SO CRAZY ABOUT IT. HE KNOWS IT'S COMING UP, 134 00:05:56,845 --> 00:05:58,447 AND HE'S DOING EVERYTHING HE CAN TO AVOID IT, 135 00:05:58,480 --> 00:06:01,416 AND BY EXTENSION, AVOID ME. 136 00:06:01,450 --> 00:06:02,984 HEY, LOOK. I FOUND IT. 137 00:06:03,017 --> 00:06:04,619 SO I'M GONNA BE ON THE HUNT FOR A NEW PEDAL. 138 00:06:06,087 --> 00:06:08,189 [KNOCKING] HOWDY. HELLO, HANDSOME. 139 00:06:08,222 --> 00:06:09,190 HI, DELIA. 140 00:06:09,223 --> 00:06:11,826 [GIGGLING] 141 00:06:11,860 --> 00:06:13,962 LESSON JIM LEARNED AT WORK TODAY: 142 00:06:13,995 --> 00:06:16,030 DON'T GET CAUGHT SURFING MYSPACE AT WORK. 143 00:06:16,064 --> 00:06:19,033 OOH, IS THERE MOCKING? 144 00:06:19,067 --> 00:06:20,168 SOMETHING ALONG THE LINES 145 00:06:20,201 --> 00:06:21,903 OF YOU BEING A 13-YEAR-OLD GIRL? 146 00:06:21,936 --> 00:06:25,474 VERY FUNNY. IT WAS ALL WORTH IT BECAUSE... 147 00:06:25,507 --> 00:06:26,608 THE LINK TO THE CRIMSON DOVES. 148 00:06:26,641 --> 00:06:28,510 OH... 149 00:06:28,543 --> 00:06:29,978 "REST IN PEACE, JARED." 150 00:06:30,011 --> 00:06:31,112 YEAH. HE'S THE LEAD SINGER. GET THIS... 151 00:06:31,145 --> 00:06:33,081 HE DIES IN A PLANE CRASH 152 00:06:33,114 --> 00:06:35,450 2 DAYS BEFORE THAT CD I WAS TALKING ABOUT COMES OUT. 153 00:06:35,484 --> 00:06:36,718 IT GETS BETTER. 154 00:06:36,751 --> 00:06:38,152 THIS GUY? HE'S THE BASS PLAYER. 155 00:06:38,186 --> 00:06:39,554 HIS NAME'S SAMPSON. THAT'S NOT A STAGE NAME. 156 00:06:39,588 --> 00:06:41,623 HE GIVES AN INTERVIEW WHERE HE SAYS 157 00:06:41,656 --> 00:06:42,924 THAT THE BAND HAS NOT BEEN ABLE TO PLAY TOGETHER 158 00:06:42,957 --> 00:06:44,759 SINCE THE PLANE CRASH, BECAUSE... 159 00:06:44,793 --> 00:06:46,995 THEY WERE CURSED. YEP. BINGO. 160 00:06:47,028 --> 00:06:49,063 MAYBE THAT'S WHAT BRANDON WAS TALKING ABOUT. 161 00:06:49,097 --> 00:06:50,832 YEAH, EXCEPT IT'S NOT THE CURSE. 162 00:06:50,865 --> 00:06:51,933 IT'S THE LEAD SINGER'S GHOST. 163 00:06:53,267 --> 00:06:55,036 JARED. 164 00:06:55,069 --> 00:06:56,971 IS THERE CONTACT INFORMATION IN HERE? 165 00:06:57,005 --> 00:06:59,207 NO, BUT IT'S A GOOD THING 166 00:06:59,240 --> 00:07:00,942 THERE AREN'T TOO MANY GUYS WITH THE FIRST NAME SAMPSON 167 00:07:00,975 --> 00:07:02,544 IN OUR ZIP CODE. 168 00:07:02,577 --> 00:07:04,178 THIS GUY WRITES COMMERCIAL JINGLES FOR THE RADIO. 169 00:07:04,212 --> 00:07:05,547 YOU ROCK. 170 00:07:05,580 --> 00:07:07,549 YES, I DO. 171 00:07:07,582 --> 00:07:08,249 I GOTTA GET BACK TO WORK. 172 00:07:08,282 --> 00:07:11,686 ALL RIGHT... 173 00:07:11,720 --> 00:07:12,954 THE FIRST GIG WE DID AFTER JARED DIED 174 00:07:12,987 --> 00:07:14,756 SHOULD BE ON HERE SOMEWHERE. 175 00:07:17,626 --> 00:07:19,894 IS THAT... IS THAT JARED? 176 00:07:19,928 --> 00:07:21,830 YEAH. 177 00:07:23,732 --> 00:07:26,067 THEY HAD THAT TELEPATHY ONLY THOSE WEIRD, CREATIVE TYPES HAVE. 178 00:07:26,100 --> 00:07:28,002 BEST FRIENDS SINCE CHILDHOOD, TOO, SO THAT HELPED. 179 00:07:28,036 --> 00:07:29,538 HMM. 180 00:07:29,571 --> 00:07:31,005 WHERE'S MY HEAD? 181 00:07:31,039 --> 00:07:32,473 THIS IS THE WRONG DVD. 182 00:07:38,547 --> 00:07:40,248 UM...WHO IS THAT? 183 00:07:40,281 --> 00:07:42,250 OH. SANDY, JARED'S GIRLFRIEND. 184 00:07:42,283 --> 00:07:43,251 [ON TV] WHAT ARE YOU GUYS DOING? 185 00:07:43,284 --> 00:07:44,953 BRANDON HAS A LOVE SONG 186 00:07:44,986 --> 00:07:46,521 WE'RE TRYING TO GET OFF THE GROUND. 187 00:07:46,555 --> 00:07:48,222 Sandy: OOH. WHO'S IT ABOUT, BRANDON? 188 00:07:50,224 --> 00:07:51,826 YOU KNOW, LET ME KNOW WHEN YOU GUYS ARE READY TO WORK. 189 00:07:53,862 --> 00:07:55,897 I GUESS BRANDON DIDN'T LIKE HER VERY MUCH. 190 00:07:55,930 --> 00:07:56,698 NOT TOO MUCH. 191 00:07:56,731 --> 00:07:59,500 THEY COMPETED FOR JARED'S ATTENTION. 192 00:08:01,002 --> 00:08:03,572 THIS IS A MONTH AFTER THE FUNERAL. 193 00:08:03,605 --> 00:08:06,808 WITH JARED GONE, BRANDON TRIED VOCALS. 194 00:08:08,176 --> 00:08:09,911 [FEEDBACK] 195 00:08:12,046 --> 00:08:14,515 WAIT, PAUSE IT. 196 00:08:17,852 --> 00:08:19,621 DOES THAT LOOK LIKE A "10" TO YOU? 197 00:08:21,322 --> 00:08:23,057 I DON'T SEE IT. 198 00:08:27,662 --> 00:08:28,830 LET ME GET THIS STRAIGHT. 199 00:08:28,863 --> 00:08:30,765 THE CRIMSON-- WHATEVER-THEY-ARES, 200 00:08:30,799 --> 00:08:32,200 THEY CAN'T PLAY MUSIC, 201 00:08:32,233 --> 00:08:34,268 AND NOW THEY'RE BLAMING IT ON A CURSE? 202 00:08:34,302 --> 00:08:35,804 DOVES. YEAH. 203 00:08:35,837 --> 00:08:37,171 ANYWAY, SOMETHING'S BEEN GETTING IN THEIR WAY, 204 00:08:37,205 --> 00:08:39,574 AND I THINK SINCE THE LEAD SINGER'S GHOST DIED 205 00:08:39,608 --> 00:08:40,775 JUST ABOUT THE SAME TIME 206 00:08:40,809 --> 00:08:41,743 AS THEY STOPPED BEING ABLE TO PLAY, 207 00:08:41,776 --> 00:08:43,277 IT MIGHT BE RELATED. 208 00:08:43,311 --> 00:08:45,346 YOU KNOW WHAT FASCINATES ME ABOUT POP CULTURE CURSES? 209 00:08:45,379 --> 00:08:46,781 THE DELUSIONAL WEIGHT THAT THE FANS 210 00:08:46,815 --> 00:08:48,950 ATTRIBUTE TO THE CURSE. 211 00:08:48,983 --> 00:08:51,052 HAVE YOU HEARD OF THE "PAUL IS DEAD" HOAX? 212 00:08:51,085 --> 00:08:53,722 A LITTLE. PAUL, AS IN McCARTNEY? 213 00:08:53,755 --> 00:08:55,189 YEAH. WELL, IN A NUTSHELL, 214 00:08:55,223 --> 00:08:57,058 A BUNCH OF BEATLEMANIACS TURNED THE VOLUME WAY UP 215 00:08:57,091 --> 00:08:58,593 ON STRAWBERRY FIELDS FOREVER, 216 00:08:58,627 --> 00:09:00,862 AND THEY THINK THEY HEAR "I BURIED PAUL." 217 00:09:00,895 --> 00:09:02,163 NEXT THING YOU KNOW, RUMORS POP UP 218 00:09:02,196 --> 00:09:04,833 THAT THE CUTE ONE WENT TOES-UP IN A CAR CRASH. 219 00:09:04,866 --> 00:09:06,334 ALL RIGHT, ADMIT IT. YOU WERE THE BEATLEMANIAC 220 00:09:06,367 --> 00:09:07,268 WHO STARTED THAT RUMOR. 221 00:09:07,301 --> 00:09:09,871 OH, SWEETHEART. IF ONLY. ARE YOU KIDDING ME? 222 00:09:09,904 --> 00:09:10,872 IF I STARTED THAT RUMOR? 223 00:09:10,905 --> 00:09:11,873 THAT WOULD HAVE BEEN THE BEST. 224 00:09:11,906 --> 00:09:13,107 BUT IT WASN'T ME. 225 00:09:13,141 --> 00:09:14,809 IT WAS JOHN LENNON'S STUDIO TRICKERY. 226 00:09:14,843 --> 00:09:17,111 HE SAID, "CRANBERRY SAUCE". 227 00:09:17,145 --> 00:09:19,113 THAT WAS IT. THAT WAS IT. 228 00:09:19,147 --> 00:09:20,782 NOW, YOU'RE TALKING ABOUT A PHYSICAL MANIFESTATION, 229 00:09:20,815 --> 00:09:23,051 WHERE PEOPLE ARE ACTUALLY GETTING ILL, PLAYING POORLY? 230 00:09:23,084 --> 00:09:24,318 EXACTLY. 231 00:09:24,352 --> 00:09:25,820 WELL, THERE'S A PERFECTLY REASONABLE EXPLANATION 232 00:09:25,854 --> 00:09:27,088 FOR ALL OF THAT. 233 00:09:27,121 --> 00:09:29,791 IT'S--WELL, IT'S CALLED INFRASOUND. 234 00:09:29,824 --> 00:09:31,059 WHAT'S THAT? 235 00:09:31,092 --> 00:09:32,293 WELL, INFRASOUND... 236 00:09:32,326 --> 00:09:34,763 IS A FREQUENCY... [POURING WATER] 237 00:09:34,796 --> 00:09:36,765 THAT'S NOT UNLIKE... 238 00:09:36,798 --> 00:09:37,966 [PLAYS TONE ON GLASS] 239 00:09:37,999 --> 00:09:40,368 OH! PLEASE DON'T DO THAT. 240 00:09:40,401 --> 00:09:42,036 IT SOUNDS LIKE NAILS ON A CHALKBOARD. 241 00:09:42,070 --> 00:09:43,805 LIKE NAILS ON A CHALKBOARD. 242 00:09:43,838 --> 00:09:45,707 SEE, DIFFERENT FREQUENCIES 243 00:09:45,740 --> 00:09:47,108 AFFECT DIFFERENT PEOPLE IN DIFFERENT WAYS. 244 00:09:47,141 --> 00:09:49,711 BUT INFRASOUND IS A FREQUENCY SO LOW 245 00:09:49,744 --> 00:09:50,879 THAT WE CAN'T EVEN HEAR IT AT ALL. 246 00:09:50,912 --> 00:09:52,981 BUT HUMAN BEINGS CAN FEEL IT. 247 00:09:53,014 --> 00:09:54,282 IT RATTLES OUR BONES, IT MAKES US SICK. 248 00:09:54,315 --> 00:09:56,250 NOW, THE WIVES' TALE IS THAT WHEN GHOSTS 249 00:09:56,284 --> 00:09:57,752 WANT TO MAKE THEIR PRESENCE FELT, 250 00:09:57,786 --> 00:09:59,220 THEY USE THAT FREQUENCY. 251 00:09:59,253 --> 00:10:02,724 OK, SO... SAY THAT THE TALE IS TRUE, 252 00:10:02,757 --> 00:10:04,158 AND THAT THE LEAD SINGER'S GHOST 253 00:10:04,192 --> 00:10:05,860 PULLED A FREQUENCY THROUGH THE AMP AND SPEAKERS, 254 00:10:05,894 --> 00:10:06,861 IT COULD MAKE SOMEONE SICK, RIGHT? 255 00:10:06,895 --> 00:10:08,162 IN THEORY. 256 00:10:08,196 --> 00:10:10,765 OK, SO THEORETICALLY, HOW DO WE COUNTERACT IT? 257 00:10:10,799 --> 00:10:12,667 UH, WELL, YOU'D HAVE TO TUNE OFF OF IT. 258 00:10:12,701 --> 00:10:14,202 GO TO THE LOWEST "G" CHORD AVAILABLE 259 00:10:14,235 --> 00:10:15,870 ON AN ELECTRICAL INSTRUMENT. 260 00:10:15,904 --> 00:10:18,940 UH, THAT WOULD NATURALIZE THE VIBRATIVE HARMONIES 261 00:10:18,973 --> 00:10:20,141 AND MAKE THE MUSIC A LITTLE LESS... 262 00:10:20,174 --> 00:10:21,442 STOMACH-CHURNING. 263 00:10:21,475 --> 00:10:23,912 AND WHAT ABOUT THE NUMBER 10? 264 00:10:23,945 --> 00:10:25,313 THAT'S A PRETTY BROAD TOPIC. 265 00:10:25,346 --> 00:10:26,447 DOES IT HAVE ANY RELEVANCE? 266 00:10:26,480 --> 00:10:28,016 IT KEEPS POPPING UP. 267 00:10:28,049 --> 00:10:30,051 IF IT HAS SOMETHING TO DO WITH YOUR CURSE, 268 00:10:30,084 --> 00:10:30,852 I DON'T KNOW. I'LL LOOK INTO IT. 269 00:10:30,885 --> 00:10:32,687 [CELL PHONE RINGS] 270 00:10:32,721 --> 00:10:33,755 HELLO? 271 00:10:33,788 --> 00:10:35,957 HI, DELIA. 272 00:10:35,990 --> 00:10:38,059 HOW MUCH TO FIX THE PIANO? 273 00:10:39,894 --> 00:10:41,095 OK, YOU KNOW WHAT? DO ME A FAVOR 274 00:10:41,129 --> 00:10:42,463 AND JUST FIND OUT HOW MUCH IT IS 275 00:10:42,496 --> 00:10:44,298 FOR JUST THE PARTS. 276 00:10:44,332 --> 00:10:45,333 I THINK I KNOW SOMEBODY WHO CAN FIX THE PIANO FOR US 277 00:10:45,366 --> 00:10:46,735 AT A DISCOUNT. 278 00:10:49,137 --> 00:10:51,773 HOW'D YOU FIND OUT I KNEW ABOUT PIANOS? 279 00:10:51,806 --> 00:10:53,174 I HEARD THAT YOU WERE CLASSICALLY TRAINED, 280 00:10:53,207 --> 00:10:54,308 AND I TOOK A WILD GUESS. 281 00:10:54,342 --> 00:10:56,978 HAVE YOU BEEN CHECKING UP ON ME? 282 00:10:57,011 --> 00:10:58,346 A LITTLE. WHEN YOU MENTIONED A CURSE, 283 00:10:58,379 --> 00:10:59,881 I GOT CURIOUS. 284 00:10:59,914 --> 00:11:02,283 I DON'T THINK THAT'S YOUR PROBLEM. 285 00:11:02,316 --> 00:11:03,718 DO YOU ALWAYS ASK PERSONAL QUESTIONS 286 00:11:03,752 --> 00:11:04,986 OF PEOPLE YOU JUST MET? 287 00:11:05,019 --> 00:11:07,321 ACTUALLY, YES. 288 00:11:07,355 --> 00:11:08,757 WHY DO YOU WORK IN A CLUB? 289 00:11:08,790 --> 00:11:10,925 BECAUSE I NEED A JOB. 290 00:11:10,959 --> 00:11:12,060 AND BEFORE YOU TRY TO GET 291 00:11:12,093 --> 00:11:13,361 A TEARFUL CONFESSION OUT OF ME 292 00:11:13,394 --> 00:11:15,196 ABOUT HOW MUCH I WISH I COULD BE UP THERE, 293 00:11:15,229 --> 00:11:17,031 LET ME JUST SAVE YOU THE TROUBLE. 294 00:11:17,065 --> 00:11:19,300 I WAKE UP EVERY MORNING WANTING THAT. 295 00:11:19,333 --> 00:11:21,936 BUT I CAN'T. 296 00:11:21,970 --> 00:11:23,071 AND THERE'S NOTHING I CAN DO ABOUT IT. 297 00:11:24,873 --> 00:11:27,108 BRANDON, I-- 298 00:11:27,141 --> 00:11:29,210 I KNOW A LITTLE ABOUT HAVING A GIFT 299 00:11:29,243 --> 00:11:32,480 AND BEING FRUSTRATED BY IT. 300 00:11:32,513 --> 00:11:33,815 I THINK I CAN HELP YOU. 301 00:11:33,848 --> 00:11:35,049 YOU DON'T EVEN KNOW ME. 302 00:11:35,083 --> 00:11:36,785 YOU'RE RIGHT. BUT ALL I'M ASKING YOU TO DO 303 00:11:36,818 --> 00:11:37,986 IS PLAY ONE SONG. 304 00:11:38,019 --> 00:11:39,888 IF ANYTHING HAPPENS TO THIS PIANO, 305 00:11:39,921 --> 00:11:41,189 I'M NOT RESPONSIBLE. 306 00:11:41,222 --> 00:11:42,857 [LAUGHS] AGREED. 307 00:11:45,126 --> 00:11:48,262 [EXHALES] 308 00:11:48,296 --> 00:11:49,030 [CRACKS KNUCKLES] 309 00:11:50,899 --> 00:11:52,300 AHEM. 310 00:11:52,333 --> 00:11:54,803 [BEGINS PLAYING PIANO] 311 00:11:56,971 --> 00:11:58,106 [INDISTINCT VOICES] 312 00:12:00,474 --> 00:12:02,877 KEEP PLAYING. 313 00:12:02,911 --> 00:12:04,979 BUT WHEN I TELL YOU, HIT THE LOW "G," OK? 314 00:12:05,013 --> 00:12:05,980 WHY? 315 00:12:06,014 --> 00:12:06,948 JUST TRUST ME. 316 00:12:14,355 --> 00:12:15,890 [THUMP] 317 00:12:15,924 --> 00:12:17,358 MAKE HIM PLAY IT. PLAY WHAT? 318 00:12:17,391 --> 00:12:18,392 WHAT? 319 00:12:18,426 --> 00:12:20,061 Voice: PLAY THE TENTH. 320 00:12:20,094 --> 00:12:21,495 [FEEDBACK] 321 00:12:21,529 --> 00:12:22,997 [TONE PLAYING] 322 00:12:27,435 --> 00:12:29,137 [GRUNTING] 323 00:12:38,079 --> 00:12:40,048 I KNOW THAT THIS IS GONNA SOUND RANDOM, 324 00:12:40,081 --> 00:12:41,850 BUT HAVE YOU EVER PLAYED THE TENTH? 325 00:12:44,018 --> 00:12:45,820 YOU DON'T KNOW WHAT THAT IS. 326 00:12:45,854 --> 00:12:46,454 NOPE. 327 00:12:46,487 --> 00:12:48,089 UH... 328 00:12:48,122 --> 00:12:49,523 WHAT ABOUT MUSIC TEACHERS? 329 00:12:49,557 --> 00:12:50,925 DID ANY OF THEM EVER ASK YOU 330 00:12:50,959 --> 00:12:51,826 TO PLAY THE TENTH? 331 00:12:53,327 --> 00:12:55,363 I HAD ONE MUSIC TEACHER MY WHOLE LIFE. 332 00:12:55,396 --> 00:12:57,131 QUITE ACCOMPLISHED, ACTUALLY. 333 00:12:57,165 --> 00:12:59,233 HE PLAYED PIANO FOR THE NEW YORK PHILHARMONIC. 334 00:12:59,267 --> 00:13:01,435 WROTE SOME SYMPHONIES FOR THEM, TOO. 335 00:13:01,469 --> 00:13:03,104 AND HE'S BURIED RIGHT NEXT TO MY MOM. 336 00:13:03,137 --> 00:13:04,939 IT'S YOUR DAD. 337 00:13:04,973 --> 00:13:07,141 YEAH. 338 00:13:07,175 --> 00:13:09,310 AND THE TENTH NEVER CAME UP. 339 00:13:09,343 --> 00:13:11,112 [BELL JINGLES] 340 00:13:15,649 --> 00:13:17,085 HERE YA ARE. 341 00:13:17,118 --> 00:13:17,852 THANK YOU. SURE. 342 00:13:40,241 --> 00:13:42,443 EXCUSE ME. CRAZY QUESTION. 343 00:13:42,476 --> 00:13:45,513 YOU HAVE PATRICK ROTH'S OTHER 9 SYMPHONIES HERE. 344 00:13:45,546 --> 00:13:46,948 DO YOU KNOW ANYTHING ABOUT A TENTH? 345 00:13:46,981 --> 00:13:48,149 UH, LET ME CHECK. 346 00:13:50,451 --> 00:13:53,054 OH, IT SAYS HERE HE PASSED AWAY 347 00:13:53,087 --> 00:13:54,088 BEFORE HE COULD COMPLETE IT. 348 00:13:54,122 --> 00:13:57,025 ALTHOUGH, WE DO HAVE HIS FIRST 3 MOVEMENTS ON FILE. 349 00:13:57,058 --> 00:13:58,927 I SEE. COULD I GET A COPY OF THAT SCORE? 350 00:13:58,960 --> 00:14:01,262 SURE. WE ALSO HAVE RECORDINGS OF HIS SYMPHONY REHEARSALS. 351 00:14:01,295 --> 00:14:02,296 CAN I HEAR THEM? 352 00:14:06,467 --> 00:14:08,069 [ORCHESTRA PLAYING] 353 00:14:17,011 --> 00:14:18,379 [RUMBLING] 354 00:14:24,652 --> 00:14:26,354 HE MUST PLAY IT! 355 00:14:26,387 --> 00:14:29,090 IS THAT WHAT YOU WANT? 356 00:14:29,123 --> 00:14:30,358 BRANDON TO PLAY THIS? 357 00:14:30,391 --> 00:14:33,294 NO! YOU'RE NOT GETTING IT! 358 00:14:33,327 --> 00:14:35,696 [FEEDBACK] 359 00:14:35,729 --> 00:14:36,664 [GRUNTING] 360 00:14:44,305 --> 00:14:46,640 CLASSICAL MUSIC. 361 00:14:46,674 --> 00:14:48,076 YEAH. I JUST FOUND OUT MYSELF. 362 00:14:48,109 --> 00:14:50,211 I KNOW THAT IT REVOLVES AROUND THE TENTH. 363 00:14:50,244 --> 00:14:52,446 UM, BUT IT'S MORE LIKE PLAY THE TENTH SYMPHONY, 364 00:14:52,480 --> 00:14:54,315 AND THE ONE THAT I FOUND WASN'T EVEN FINISHED. 365 00:14:54,348 --> 00:14:55,616 NO, NO. I CAN MAKE THIS WORK. 366 00:14:55,649 --> 00:14:58,052 THIS I CAN MAKE WORK. SURE, I WOULD HAVE LOVED 367 00:14:58,086 --> 00:15:00,254 HAVING THIS INFORMATION BEFORE I PROMISED SEXUAL FAVORS 368 00:15:00,288 --> 00:15:01,289 TO A VERY UNAPPEALING WOMAN 369 00:15:01,322 --> 00:15:02,390 AT THE ROCK AND ROLL HALL OF FAME, 370 00:15:02,423 --> 00:15:04,192 BUT MAYBE YOUR PROBLEM 371 00:15:04,225 --> 00:15:05,259 IS ACTUALLY YOUR SOLUTION. 372 00:15:05,293 --> 00:15:06,560 THE CURSE OF THE NINTH? 373 00:15:06,594 --> 00:15:08,997 ALL THE GREAT COMPOSERS DIED AFTER COMPLETING 374 00:15:09,030 --> 00:15:10,231 THEIR NINTH SYMPHONY. 375 00:15:10,264 --> 00:15:11,699 I--YOU'RE TALKING BEETHOVEN, MAHLER, 376 00:15:11,732 --> 00:15:13,234 BRUCKNER. THEY ALL CROAKED 377 00:15:13,267 --> 00:15:14,435 HALFWAY THROUGH THEIR TENTH. 378 00:15:14,468 --> 00:15:15,703 IS THIS CURSE REAL? 379 00:15:15,736 --> 00:15:18,006 NO. NO, NO. IT'S NOT A REAL CURSE AT ALL. 380 00:15:18,039 --> 00:15:19,607 THESE GUYS ALL DIED FROM HAVING THEIR BRAINS ROTTED 381 00:15:19,640 --> 00:15:22,010 FROM VENEREAL DISEASE, BUT SAYING IT'S A CURSE 382 00:15:22,043 --> 00:15:24,245 MAKES IT SOUND MORE RESPECTABLE. 383 00:15:24,278 --> 00:15:25,579 AND WHAT ABOUT A GHOST COMING BACK 384 00:15:25,613 --> 00:15:26,414 TO FINISH HIS WORK? 385 00:15:26,447 --> 00:15:28,082 IS THERE ANYTHING IN HERE ABOUT THAT? 386 00:15:28,116 --> 00:15:29,150 WELL, IT'S RUMORED 387 00:15:29,183 --> 00:15:30,284 THAT BRAHMS WAS SO HAUNTED 388 00:15:30,318 --> 00:15:31,585 BY BEETHOVEN'S GHOST 389 00:15:31,619 --> 00:15:33,287 HE COULDN'T WRITE A WORD FOR 20 YEARS. 390 00:15:33,321 --> 00:15:35,289 THAT IS BRILLIANT. THANK YOU. 391 00:15:35,323 --> 00:15:37,325 WAIT. WAIT. HEY, BEFORE YOU LEAVE 392 00:15:37,358 --> 00:15:39,227 A MELINDA-SHAPED HOLE IN THAT WALL, 393 00:15:39,260 --> 00:15:40,494 YOU SAID THERE WERE DOVES 394 00:15:40,528 --> 00:15:41,429 IN YOUR SYMBOLISM? 395 00:15:41,462 --> 00:15:43,131 CRIMSON DOVES. THAT WAS THE NAME OF THE BAND. 396 00:15:43,164 --> 00:15:45,499 LISTEN TO THIS. 397 00:15:45,533 --> 00:15:47,668 "THE DEATH OF A DOVE, SYMBOLICALLY SPEAKING, 398 00:15:47,701 --> 00:15:49,070 "INDICATES MISFORTUNE. 399 00:15:49,103 --> 00:15:51,539 "AND THE DEATH OF A DOVE NEAR SOMEONE'S HOUSE 400 00:15:51,572 --> 00:15:53,074 "MEANS THE IMPENDING DEATH OF SOMEONE 401 00:15:53,107 --> 00:15:54,275 IN THAT HOUSE." 402 00:15:54,308 --> 00:15:56,010 MAYBE THIS LEAD SINGER'S DEATH 403 00:15:56,044 --> 00:15:58,212 ISN'T JUST A COINCIDENCE. 404 00:15:58,246 --> 00:16:01,449 YEAH. MAYBE. 405 00:16:01,482 --> 00:16:03,417 Melinda: I CAN SEE THE DEAD, 406 00:16:03,451 --> 00:16:05,353 AND YOUR FATHER'S GHOST IS ATTACHED TO YOU. 407 00:16:05,386 --> 00:16:07,655 SO IS THIS THE PART WHERE YOU SAY, 408 00:16:07,688 --> 00:16:09,390 "I'M GETTING A "P" NAME." 409 00:16:09,423 --> 00:16:11,225 AND I SAY, "PATRICK." AND YOU SAY, 410 00:16:11,259 --> 00:16:14,062 "HE WANTS YOU TO STOP WORRYING ABOUT MONEY." AND I SAY-- 411 00:16:14,095 --> 00:16:16,397 YOUR FATHER IS 3 INCHES SHORTER THAN YOU. 412 00:16:16,430 --> 00:16:17,598 HIS HAIRLINE IS RECEDING. 413 00:16:17,631 --> 00:16:20,168 HE HAS A SOFT EUROPEAN ACCENT. GERMAN, I THINK. 414 00:16:20,201 --> 00:16:21,335 SEEMS LIKE AN IMPATIENT GUY, 415 00:16:21,369 --> 00:16:22,470 AND THE LAST TIME I WAS WITH HIM, 416 00:16:22,503 --> 00:16:23,771 HE KEPT TELLING ME HOW I WASN'T GETTING IT. 417 00:16:23,804 --> 00:16:25,439 HOW AM I DOING? 418 00:16:25,473 --> 00:16:28,409 HE USED TO SAY THAT TO ME ALL THE TIME. 419 00:16:28,442 --> 00:16:31,245 [METRONOME TICKING] 420 00:16:31,279 --> 00:16:32,446 WHEN I WOULD PRACTICE. 421 00:16:32,480 --> 00:16:36,417 4 HOURS A DAY. EVERY DAY. 422 00:16:36,450 --> 00:16:39,387 HE MADE ME PLAY HIS SYMPHONIES. 423 00:16:39,420 --> 00:16:42,790 YOU'RE NOT GETTING IT, BRANDON. 424 00:16:42,823 --> 00:16:45,826 YOU'RE OFF THE BEAT. YOUR ORCHESTRA IS LAPPING YOU. 425 00:16:45,859 --> 00:16:48,396 DON'T LOOK DOWN. THE ANSWER ISN'T IN YOUR HANDS, 426 00:16:48,429 --> 00:16:51,365 IT'S HERE. PLAY IT RIGHT. 427 00:16:51,399 --> 00:16:53,401 OR DON'T PLAY AT ALL. 428 00:16:54,602 --> 00:16:55,669 GHOSTS STAY BEHIND BECAUSE THEY HAVE 429 00:16:55,703 --> 00:16:57,705 UNFINISHED BUSINESS WITH THE LIVING. 430 00:16:57,738 --> 00:17:00,808 I THINK YOUR FATHER TRYING TO RUIN YOUR MUSIC... 431 00:17:00,841 --> 00:17:03,777 IS BECAUSE HE WANTS YOU TO FINISH THIS. 432 00:17:06,247 --> 00:17:07,248 DO YOU HAVE ANY IDEA 433 00:17:07,281 --> 00:17:08,482 WHAT YOU'RE ASKING ME TO DO HERE? 434 00:17:08,516 --> 00:17:10,351 THE MAN MADE MY LIFE MISERABLE. 435 00:17:10,384 --> 00:17:12,186 AND NOW YOU WANT ME TO GET INSIDE OF HIS HEAD? 436 00:17:12,220 --> 00:17:13,254 I UNDERSTAND. 437 00:17:13,287 --> 00:17:14,288 BUT IF YOU COMPLETE THE SYMPHONY, 438 00:17:14,322 --> 00:17:15,356 I CAN CROSS HIM OVER. 439 00:17:15,389 --> 00:17:17,425 WH-WHAT DOES THAT MEAN? 440 00:17:17,458 --> 00:17:19,527 IT MEANS YOU CAN PLAY MUSIC AGAIN. 441 00:17:19,560 --> 00:17:21,629 YOUR MUSIC. 442 00:17:28,669 --> 00:17:31,405 HEY, HAVE YOU SEEN THE CALCULATOR? 443 00:17:33,807 --> 00:17:35,576 HAVE YOU THOUGHT ABOUT WHAT YOU WANT TO DO 444 00:17:35,609 --> 00:17:36,877 FOR YOUR DAD'S BIRTHDAY TOMORROW? 445 00:17:36,910 --> 00:17:39,347 HOW ABOUT NOTHING? 446 00:17:39,380 --> 00:17:40,714 NED, LOOK AT ME. 447 00:17:40,748 --> 00:17:43,384 THIS IS IMPORTANT. I REALLY WANT TO DO IT. 448 00:17:43,417 --> 00:17:44,852 WHATEVER. THAT'S FINE. 449 00:17:44,885 --> 00:17:45,819 [DOOR BELL JINGLES] 450 00:17:45,853 --> 00:17:47,388 HEY! 451 00:17:47,421 --> 00:17:48,822 HEY! 452 00:17:48,856 --> 00:17:50,558 THAT ELECTRIC PIANO IS THE HIT OF THE TOWN. 453 00:17:50,591 --> 00:17:51,892 I'VE ALREADY HAD 3 BIDS ON IT. 454 00:17:51,925 --> 00:17:53,894 UH, WELL, YOU HAVE HIM TO THANK FOR FIXING IT. 455 00:17:53,927 --> 00:17:55,829 BRANDON, DELIA. DELIA, BRANDON. 456 00:17:58,899 --> 00:17:59,833 HE'S VERY ARTISTIC. 457 00:17:59,867 --> 00:18:01,769 AS LONG AS HE BRINGS TRAFFIC THROUGH THE STORE, 458 00:18:01,802 --> 00:18:04,138 HE CAN BE AS ARTISTIC AS HE WANTS. 459 00:18:04,172 --> 00:18:06,174 COME ON. 460 00:18:06,207 --> 00:18:07,608 HI, NED. 461 00:18:10,478 --> 00:18:13,381 [DOOR BELL JINGLES] 462 00:18:13,414 --> 00:18:14,582 I HAVE A PRETTY GOOD SENSE 463 00:18:14,615 --> 00:18:15,816 OF MY DAD'S COMPOSING STYLE, 464 00:18:15,849 --> 00:18:16,817 BUT I'M GONNA HAVE TO PLAY IT THROUGH ONCE 465 00:18:16,850 --> 00:18:19,320 JUST TO GET A FEEL FOR WHAT HE WAS TRYING TO SAY. 466 00:18:19,353 --> 00:18:20,321 UH-HUH. IS THERE ANYTHING 467 00:18:20,354 --> 00:18:21,522 I CAN HELP YOU WITH? 468 00:18:21,555 --> 00:18:23,824 YEAH. UH, DO YOU HAVE A TAPE RECORDER? 469 00:18:26,260 --> 00:18:28,396 YOU NEVER ANSWERED MY QUESTION ABOUT TOMORROW NIGHT. 470 00:18:30,731 --> 00:18:33,301 HEY. DO YOU REMEMBER THE CREME BRULEE 471 00:18:33,334 --> 00:18:34,602 THAT YOU AND DAD ALWAYS LIKED? 472 00:18:34,635 --> 00:18:35,869 MAYBE I COULD MAKE THAT. 473 00:18:35,903 --> 00:18:37,671 OR MAYBE WE SHOULDN'T DO ANYTHING. 474 00:18:37,705 --> 00:18:39,640 HOW COME? 475 00:18:39,673 --> 00:18:42,410 BECAUSE IT'S BEEN 3 YEARS. 476 00:18:42,443 --> 00:18:43,444 BECAUSE IT-- 477 00:18:43,477 --> 00:18:45,213 NED. 478 00:18:46,414 --> 00:18:49,383 I WANT TO TALK ABOUT THIS. 479 00:18:49,417 --> 00:18:52,386 I HAVE A REPORT DUE ON TO KILL A MOCKINGBIRD. 480 00:18:52,420 --> 00:18:53,854 I, UM--LEFT IT IN THE BACK ROOM. 481 00:18:53,887 --> 00:18:54,622 I'LL BE RIGHT BACK. 482 00:18:58,259 --> 00:18:59,360 HOW'S THIS? 483 00:18:59,393 --> 00:19:00,294 OH, IT'S PERFECT. 484 00:19:01,729 --> 00:19:02,696 WHEW. 485 00:19:02,730 --> 00:19:05,399 YOU CAN DO THIS. 486 00:19:05,433 --> 00:19:07,368 LAST TIME I MISSED A NOTE, 487 00:19:07,401 --> 00:19:09,603 MY DAD ALMOST DREW BLOOD. 488 00:19:09,637 --> 00:19:11,839 NOW THAT HE'S A GHOST, 489 00:19:11,872 --> 00:19:13,774 WHO KNOWS WHAT HE'LL DO? 490 00:19:13,807 --> 00:19:16,477 SOMETIMES, GHOSTS HAVE MESSAGES FOR THE LIVING. 491 00:19:16,510 --> 00:19:18,446 I MIGHT NEED YOUR HELP TO UNDERSTAND IT. 492 00:19:18,479 --> 00:19:20,581 A WORD, A PHRASE. SOMETHING THAT MIGHT 493 00:19:20,614 --> 00:19:22,350 HAVE MEANING FOR THE TWO OF YOU. 494 00:19:22,383 --> 00:19:23,917 [PLAYING PIANO MUSIC] 495 00:19:37,265 --> 00:19:38,198 [THUMP] 496 00:19:40,534 --> 00:19:42,536 BRANDON, YOUR DAD'S HERE. 497 00:19:42,570 --> 00:19:44,672 I DIDN'T HIT THE LOW "G." 498 00:19:44,705 --> 00:19:46,707 NO, IT'S OK. IT'S OK. 499 00:19:46,740 --> 00:19:48,309 HE PROBABLY JUST NEEDED TO SEE YOU PLAY. 500 00:19:48,342 --> 00:19:49,977 [RUMBLING] 501 00:19:53,347 --> 00:19:54,748 WHAT IS THAT? 502 00:20:01,855 --> 00:20:03,724 I THINK WE'RE OK. 503 00:20:03,757 --> 00:20:05,693 HELP ME. 504 00:20:08,829 --> 00:20:09,763 HIT THE LOW "G." 505 00:20:18,506 --> 00:20:20,408 JARED. 506 00:20:23,844 --> 00:20:25,413 WAIT, WAIT, WAIT. 507 00:20:25,446 --> 00:20:27,014 ARE YOU TRYING TO TELL ME THAT... 508 00:20:27,047 --> 00:20:28,616 MY DAD IS GONE, 509 00:20:28,649 --> 00:20:30,384 AND THERE'S ANOTHER GHOST? 510 00:20:30,418 --> 00:20:31,752 YEAH, ATTACHED TO HIM. 511 00:20:31,785 --> 00:20:33,954 UH, IT'S JARED. HE'S IN THE STORE. 512 00:20:33,987 --> 00:20:35,456 HOW'S IT GOIN', BUDDY? 513 00:20:35,489 --> 00:20:36,790 HE SAYS HI. 514 00:20:38,426 --> 00:20:40,027 THAT'S-- 515 00:20:40,060 --> 00:20:43,063 MY GOD, THAT'S AWESOME. 516 00:20:43,096 --> 00:20:44,832 YEAH. WHY ARE YOU HERE? 517 00:20:44,865 --> 00:20:46,600 TO PROTECT BRANDON. 518 00:20:46,634 --> 00:20:48,369 HE'S PROTECTING YOU. FROM WHO? 519 00:20:48,402 --> 00:20:51,071 FROM THAT WASTE OF TIME. 520 00:20:51,104 --> 00:20:52,906 WASTE OF TIME? WHAT ARE YOU TALKING ABOUT? 521 00:20:52,940 --> 00:20:53,941 I KNOW. 522 00:20:57,611 --> 00:20:58,846 Brandon: WE'D BEEN PLAYING TOGETHER FOR ABOUT A YEAR. 523 00:21:09,089 --> 00:21:10,624 WELL? 524 00:21:10,658 --> 00:21:12,092 WHAT DID YOU GUYS THINK? 525 00:21:12,125 --> 00:21:13,961 Jared: I REALLY DON'T THINK IT WORKS. 526 00:21:13,994 --> 00:21:16,564 IT WAS BEAUTIFUL. 527 00:21:16,597 --> 00:21:17,431 DO YOU HAVE LYRICS? 528 00:21:18,799 --> 00:21:21,735 UM--UM, I'M STILL WORKING ON THEM. 529 00:21:21,769 --> 00:21:23,371 AND YOU GUYS WANT SOMETHING TO EAT, 530 00:21:23,404 --> 00:21:25,706 OR DRINK, OR--? 531 00:21:25,739 --> 00:21:27,007 DAD. 532 00:21:36,016 --> 00:21:38,786 YOU TWO, LEAVE. 533 00:21:38,819 --> 00:21:40,754 RIGHT NOW. 534 00:21:57,671 --> 00:21:59,707 SO THIS IS WHAT YOU DECIDE 535 00:21:59,740 --> 00:22:01,609 TO THROW YOUR TRAINING AWAY FOR? 536 00:22:01,642 --> 00:22:05,513 THIS IS BETTER THAN MOZART? 537 00:22:05,546 --> 00:22:09,149 MOZART ROCKED OUT IN HIS DAY. 538 00:22:09,182 --> 00:22:10,451 YOU TAUGHT ME THAT. 539 00:22:10,484 --> 00:22:11,485 YOU WANT TO WASTE YOUR TIME, 540 00:22:11,519 --> 00:22:13,954 I CAN'T STOP YOU. 541 00:22:13,987 --> 00:22:15,523 BUT WHAT I CAN'T FORGIVE YOU FOR 542 00:22:15,556 --> 00:22:17,057 IS WASTING MINE. 543 00:22:19,827 --> 00:22:22,730 AFTER THAT, MY DAD AND I STOPPED. 544 00:22:22,763 --> 00:22:25,666 EVERYTHING. TALKING, 545 00:22:25,699 --> 00:22:28,436 BEING IN THE SAME ROOM. 546 00:22:28,469 --> 00:22:31,071 JARED BECAME MY FAMILY. 547 00:22:31,104 --> 00:22:33,474 I GUESS HE STILL IS. 548 00:22:33,507 --> 00:22:36,610 SO, BRANDON'S DAD SHOWS UP AND YOU WHAT? 549 00:22:36,644 --> 00:22:38,779 BEAT HIM UP, AND THEN DECIDE TO WRECK MY STORE? 550 00:22:38,812 --> 00:22:41,014 IT WAS BAD ENOUGH THAT I DIED AND COULDN'T PLAY ANYMORE. 551 00:22:41,048 --> 00:22:42,750 BUT THEN I FOLLOWED BRANDON TO HIS NEXT GIG 552 00:22:42,783 --> 00:22:44,952 AND SAW THAT DOUCHE MUCKING AROUND WITH THE SOUND. 553 00:22:44,985 --> 00:22:47,421 DISRUPTED, MADE BRANDON PLAY LIKE CRAP. 554 00:22:47,455 --> 00:22:48,622 WH-WHAT-- WHAT'S HE SAYING? 555 00:22:48,656 --> 00:22:50,958 HE SAYS YOUR DAD WAS AFFECTING YOUR PLAYING, 556 00:22:50,991 --> 00:22:51,992 AND THE RUMBLE WE FELT? 557 00:22:52,025 --> 00:22:53,694 THAT WAS HIS WAY OF FIGHTING HIM OFF. 558 00:22:53,727 --> 00:22:55,028 GOOD INTENTIONS ASIDE, 559 00:22:55,062 --> 00:22:57,030 THIS IS NOT SOLVING THE PROBLEM. 560 00:22:57,064 --> 00:22:58,832 YOUR DAD WANTS YOU TO FINISH THE SYMPHONY, 561 00:22:58,866 --> 00:23:00,801 AND HE'S NOT GONNA CROSS OVER UNTIL HE DOES THAT. 562 00:23:00,834 --> 00:23:01,702 WELL, MAYBE THERE'S A THIRD OPTION. 563 00:23:01,735 --> 00:23:03,471 MAYBE MR. FATHER OF THE YEAR 564 00:23:03,504 --> 00:23:05,806 NEEDS TO ACCEPT WHO HIS SON IS. 565 00:23:05,839 --> 00:23:07,541 ONCE HE LEAVES BRANDON ALONE, 566 00:23:07,575 --> 00:23:08,676 I'LL LEAVE HIM ALONE. 567 00:23:11,845 --> 00:23:13,914 [CELL PHONE RINGS] OH! 568 00:23:13,947 --> 00:23:14,915 HELLO? 569 00:23:14,948 --> 00:23:16,884 HEY, MEL. IT'S ME. 570 00:23:16,917 --> 00:23:18,952 IS EVERYTHING OK? 571 00:23:18,986 --> 00:23:21,455 NO, ACTUALLY. I'M A LITTLE FREAKED OUT. 572 00:23:21,489 --> 00:23:24,191 YOU KNOW, NED WAS VERY JUMPY THE WHOLE CAR RIDE HOME 573 00:23:24,224 --> 00:23:26,026 AND ALL THROUGH DINNER. AND THEN HE TOLD ME 574 00:23:26,059 --> 00:23:28,095 THAT HE HAD TO GO DO SOMETHING AND... 575 00:23:28,128 --> 00:23:29,630 I CAN'T FIND HIM. 576 00:23:29,663 --> 00:23:31,932 DO YOU WANT JIM AND I TO HELP YOU LOOK FOR HIM? 577 00:23:31,965 --> 00:23:35,168 I FEEL LIKE I SHOULD GIVE IT AN HOUR OR SO BEFORE... 578 00:23:35,202 --> 00:23:37,705 I REALLY LOSE MY MIND. OK? 579 00:23:37,738 --> 00:23:41,475 SO--BUT IF YOU SEE HIM-- IF YOU SEE HIM AT THE STORE OR IN THE SQUARE, 580 00:23:41,509 --> 00:23:43,944 WILL YOU CALL ME, PLEASE? WILL YOU BRING HIM HOME? 581 00:23:43,977 --> 00:23:45,245 [RINGTONE PLAYS] UH-- 582 00:23:45,278 --> 00:23:46,113 THANK YOU SO MUCH. 583 00:23:51,118 --> 00:23:53,587 NED. 584 00:23:53,621 --> 00:23:54,454 AM I WRONG? 585 00:23:54,488 --> 00:23:56,123 I WANT YOU TO LISTEN TO ME VERY CLOSELY. 586 00:23:56,156 --> 00:23:57,491 WE CANNOT TELL YOUR MOM. 587 00:23:57,525 --> 00:23:59,527 WHY NOT? IT'S COMPLICATED. 588 00:23:59,560 --> 00:24:01,629 SO, YOU CAN HELP THIS GUITARIST GUY, 589 00:24:01,662 --> 00:24:02,696 BUT YOU CAN'T HELP ME? 590 00:24:02,730 --> 00:24:04,197 WITH WHAT, NED? 591 00:24:04,231 --> 00:24:06,534 WHAT CAN I POSSIBLY HELP YOU WITH? 592 00:24:06,567 --> 00:24:08,502 I NEED YOU TO FIND MY DAD. 593 00:24:08,536 --> 00:24:13,006 AFTER HE DIED-- WHEN I WAS YOUNG...ER-- 594 00:24:13,040 --> 00:24:14,875 I THOUGHT I SAW HIM. 595 00:24:14,908 --> 00:24:16,944 MY MOM JUST TOLD ME I IMAGINED IT. 596 00:24:16,977 --> 00:24:19,980 BUT I WASN'T, WAS I? 597 00:24:20,013 --> 00:24:22,883 NO. NO, YOU WEREN'T. 598 00:24:22,916 --> 00:24:25,252 SO, YOU CAN STILL SEE MY DAD? 599 00:24:25,285 --> 00:24:27,855 NO. IT DOESN'T REALLY WORK THAT WAY. 600 00:24:27,888 --> 00:24:28,989 WHY NOT? 601 00:24:29,022 --> 00:24:31,825 BECAUSE I HAVE NO CONTROL OVER 602 00:24:31,859 --> 00:24:32,926 WHICH GHOSTS APPEAR TO ME. 603 00:24:32,960 --> 00:24:34,628 YOU HELPED THAT OTHER GUY'S DAD! 604 00:24:34,662 --> 00:24:39,099 AND I HEARD YOU SAYING THAT GHOSTS GIVE YOU SIGNS AND MESSAGES. 605 00:24:39,132 --> 00:24:41,101 THAT'S JUST WHAT MY MOM NEEDS. 606 00:24:41,134 --> 00:24:43,170 A MESSAGE. 607 00:24:43,203 --> 00:24:45,839 'CAUSE MY MOM IS HURTING. 608 00:24:48,942 --> 00:24:50,243 [SIGHS] 609 00:24:50,277 --> 00:24:52,079 [SIGHS] NED, WHERE YOU GOING? 610 00:24:52,112 --> 00:24:55,783 HOME. DON'T WORRY. I'LL BE FINE. 611 00:24:55,816 --> 00:24:57,217 [SARCASTICALLY] THANKS FOR YOUR HELP. 612 00:25:03,591 --> 00:25:04,558 [SIGHS] 613 00:25:06,760 --> 00:25:08,295 WANT ANYTHING TO EAT? 614 00:25:10,931 --> 00:25:12,600 YOU DON'T SEE CHARLIE ANYWHERE, DO YOU? 615 00:25:12,633 --> 00:25:15,703 [SIGHS] NO. 616 00:25:15,736 --> 00:25:17,771 AND THE WORST PART IS THAT I WISH I COULD TELL 617 00:25:17,805 --> 00:25:18,906 DELIA AND NED THAT HE'S HERE. 618 00:25:18,939 --> 00:25:20,841 BUT HE'S NOT. 619 00:25:20,874 --> 00:25:24,812 HAVE I EVER TOLD YOU HOW HAPPY I AM I'M-- 620 00:25:24,845 --> 00:25:26,179 I'M NOT YOU. 621 00:25:26,213 --> 00:25:28,348 WELL, THAT'S NOT HELPING. 622 00:25:28,381 --> 00:25:29,983 IT'S NOT THE WEIGHT OF WHAT YOU DO, 623 00:25:30,017 --> 00:25:32,886 IT'S THE RESPONSIBILITY. I MEAN, HOW YOU HAVE TO DO IT. 624 00:25:32,920 --> 00:25:34,321 FOR EXAMPLE, ON ONE HAND, 625 00:25:34,354 --> 00:25:38,225 YOU HAVE TO CONVINCE BRANDON NOT TO HIDE HIS GIFT. 626 00:25:38,258 --> 00:25:40,861 BUT THEN ON THE OTHER HAND... 627 00:25:40,894 --> 00:25:45,098 YOU'VE BEEN DOING EXACTLY THAT YOURSELF WITH NED AND DELIA. 628 00:25:45,132 --> 00:25:46,867 SO, YOU THINK I SHOULD TELL HER. 629 00:25:46,900 --> 00:25:49,770 NO. NO. YOU SHOULD COME CLEAN WITH DELIA WHEN YOU FEEL IT'S RIGHT. 630 00:25:49,803 --> 00:25:51,304 AND NOT BECAUSE NED'S GOT YOU BOXED INTO A CORNER. 631 00:25:51,338 --> 00:25:53,240 BUT... 632 00:25:53,273 --> 00:25:57,210 WHAT I DO THINK IS THAT YOU SHOULD LET ME TALK TO NED. 633 00:25:57,244 --> 00:25:59,613 YOU GOT TOO MUCH ON YOUR PLATE ALREADY. 634 00:26:02,315 --> 00:26:04,151 THANK YOU. 635 00:26:07,020 --> 00:26:08,088 IT'S WHAT I'M HERE FOR. 636 00:26:13,694 --> 00:26:14,862 [CLANGING] 637 00:26:14,895 --> 00:26:16,196 [ORCHESTRA PLAYING] 638 00:26:16,229 --> 00:26:17,931 Patrick: YOU'RE NOT GETTING THE STRING SECTION. 639 00:26:17,965 --> 00:26:21,134 YOU'RE TOO SWEET. THE NOTES ARE SWEET. 640 00:26:21,168 --> 00:26:23,904 YOU DON'T HAVE TO PLAY IT SO SWEETLY. 641 00:26:25,372 --> 00:26:29,109 YOU'RE NOT GETTING IT, YOU'RE NOT GETTING IT. 642 00:26:31,945 --> 00:26:33,146 PATRICK. 643 00:26:33,180 --> 00:26:34,648 YOU HAVE TO HELP BRANDON WITH THE TENTH. 644 00:26:34,682 --> 00:26:36,183 I'VE DONE EVERYTHING THAT I CAN. 645 00:26:36,216 --> 00:26:37,818 THE REASON THAT YOU'RE STILL HERE 646 00:26:37,851 --> 00:26:39,720 IS BECAUSE OF YOUR SELFISHNESS. 647 00:26:39,753 --> 00:26:41,722 BRANDON IS NOT GOING TO COMPLETE YOUR SYMPHONY. 648 00:26:41,755 --> 00:26:44,257 IT'S NOT MY TENTH. MY SON'S-- 649 00:26:47,795 --> 00:26:49,663 [GROWLING] 650 00:26:49,697 --> 00:26:52,866 AAH! 651 00:27:02,710 --> 00:27:06,179 Mel: DID YOU GUYS EVER RECORD A TENTH TRACK FOR THE CD? 652 00:27:06,213 --> 00:27:08,215 IT WAS JUST SOMETHING HE WAS MESSING WITH. 653 00:27:08,248 --> 00:27:09,950 WHEN HE AND JARED WERE FIGURING OUT THE TRACK ORDER, 654 00:27:09,983 --> 00:27:11,251 IT DIDN'T MAKE THE CUT. 655 00:27:11,284 --> 00:27:12,085 I DON'T KNOW WHAT HAPPENED TO IT. 656 00:27:12,119 --> 00:27:14,021 BUT SANDY WOULD. 657 00:27:14,054 --> 00:27:16,023 SHE WAS WITH JARED THE WHOLE TIME. 658 00:27:16,056 --> 00:27:18,191 SHE WENT THROUGH ENOUGH AFTER THE CRASH. 659 00:27:18,225 --> 00:27:19,893 I DON'T WANT TO DRAG HER BACK INTO THIS. 660 00:27:19,927 --> 00:27:21,762 I WOULDN'T BRING IT UP UNLESS IT WAS REALLY IMPORTANT. 661 00:27:23,263 --> 00:27:24,998 IF BRANDON CAN GET THROUGH THIS SONG, 662 00:27:25,032 --> 00:27:26,233 MAYBE IT'LL HELP HIM PLAY AGAIN. 663 00:27:31,972 --> 00:27:37,745 * I FOUND A LETTER ON MY DRESSER LAST NIGHT * 664 00:27:37,778 --> 00:27:39,880 * ABOUT A BABY ON... 665 00:27:39,913 --> 00:27:42,149 SAMMY, HI, I'M MELINDA. 666 00:27:42,182 --> 00:27:44,017 HI. MAY I HELP YOU? 667 00:27:44,051 --> 00:27:46,787 ACTUALLY, I WAS HOPING THAT WE COULD TALK ABOUT THE CRIMSON DOVES. 668 00:27:46,820 --> 00:27:49,957 MAN, I HAVEN'T THOUGHT ABOUT THOSE GUYS IN A WHILE. 669 00:27:49,990 --> 00:27:52,392 SO, YOU DIDN'T KEEP IN TOUCH WITH BRANDON? 670 00:27:52,425 --> 00:27:54,427 NO. 671 00:27:54,461 --> 00:27:56,063 OH. WELL, I WAS HOPING YOU WOULD 672 00:27:56,096 --> 00:27:58,265 SHED SOME LIGHT ON SONG NUMBER 10. 673 00:27:58,298 --> 00:28:00,934 THERE WERE ONLY NINE CUTS ON THE ALBUM. 674 00:28:00,968 --> 00:28:02,302 YEAH. BUT YOU'LL REMEMBER THE SONG. 675 00:28:02,335 --> 00:28:03,470 IT WAS THE ONE WITH THE CHORDS 676 00:28:03,503 --> 00:28:05,072 THAT JARED WASN'T CRAZY ABOUT. 677 00:28:07,775 --> 00:28:09,910 WHY DON'T YOU GO TALK TO BRANDON? 678 00:28:09,943 --> 00:28:12,112 WELL, BECAUSE IT'S COMPLICATED. 679 00:28:12,145 --> 00:28:14,815 I THINK THAT JARED GOT IN BRANDON'S WAY. 680 00:28:14,848 --> 00:28:16,016 AND IF I TALK TO BRANDON, 681 00:28:16,049 --> 00:28:17,184 ALL I'M GONNA GET IS AN EARFUL 682 00:28:17,217 --> 00:28:18,852 ABOUT HOW GREAT HIS BEST FRIEND WAS. 683 00:28:18,886 --> 00:28:21,755 SO, YOU GO TO THE GIRLFRIEND FOR THE REAL STORY. 684 00:28:21,789 --> 00:28:23,523 WHAT MAKES YOU THINK I'M GONNA BE ANY MORE HONEST? 685 00:28:23,556 --> 00:28:25,859 BECAUSE YOU WERE THERE. 686 00:28:25,893 --> 00:28:28,428 THERE'S A REASON THAT THAT SONG CAME BETWEEN THEM, ISN'T THERE? 687 00:28:31,131 --> 00:28:33,266 IT WAS ABOUT YOU, WASN'T IT? 688 00:28:43,110 --> 00:28:44,845 DID JARED KNOW? 689 00:28:44,878 --> 00:28:46,847 HE MUST HAVE BEEN FURIOUS TO FIND OUT 690 00:28:46,880 --> 00:28:49,049 THAT HIS BEST FRIEND HAD FEELINGS FOR HIS GIRL. 691 00:28:49,082 --> 00:28:52,252 HE WAS. BUT NOT BECAUSE THE SONG WAS ABOUT ME. 692 00:28:52,285 --> 00:28:54,054 THEN WHAT WAS HE UPSET ABOUT? 693 00:28:54,087 --> 00:28:56,824 AT HOW GOOD THE SONG WAS. 694 00:28:56,857 --> 00:29:01,829 SEE, EVERYBODY KNEW THAT BRANDON WAS SCARY TALENTED. 695 00:29:01,862 --> 00:29:04,364 IT'S WHY JARED WANTED HIM IN THE BAND TO BEGIN WITH. 696 00:29:04,397 --> 00:29:06,867 AND THE ONLY PERSON WHO COULDN'T SEE IT WAS BRANDON. 697 00:29:06,900 --> 00:29:08,568 BUT AFTER HE WROTE THAT SONG-- 698 00:29:08,601 --> 00:29:11,538 HE STARTED OUTGROWING JARED. 699 00:29:11,571 --> 00:29:14,908 THEY HAD A FIGHT ABOUT WHETHER OR NOT 700 00:29:14,942 --> 00:29:17,044 THE SONG WAS GOING ON THE CD. 701 00:29:17,077 --> 00:29:19,046 THE RECORD COMPANY WANTED IT. 702 00:29:19,079 --> 00:29:21,514 BRANDON WANTED IT. BUT... 703 00:29:21,548 --> 00:29:23,516 JARED DIDN'T. 704 00:29:23,550 --> 00:29:25,986 HE GOT ON THAT PLANE TO COME BACK TO THE STUDIO 705 00:29:26,019 --> 00:29:27,120 AND REMOVE IT PERSONALLY. 706 00:29:29,089 --> 00:29:30,557 ONLY HE NEVER MADE IT. 707 00:29:32,492 --> 00:29:35,362 AFTER THE FUNERAL, BRANDON GATHERED 708 00:29:35,395 --> 00:29:38,598 EVERY RECORDING HE'D MADE OF THE SONG. 709 00:29:38,631 --> 00:29:40,367 HEY. STOP IT. 710 00:29:40,400 --> 00:29:41,835 JUST LEAVE ME ALONE. 711 00:29:43,904 --> 00:29:45,338 GET OUT OF HERE! 712 00:29:47,474 --> 00:29:49,542 GO! 713 00:29:53,947 --> 00:29:55,248 HE BURNT EVERYTHING? 714 00:29:56,950 --> 00:29:59,920 HE THOUGHT HE WAS HONORING JARED'S WISHES. 715 00:29:59,953 --> 00:30:02,355 I REALLY THOUGHT YOU WERE GOING TO BE ABLE 716 00:30:02,389 --> 00:30:04,357 TO HELP ME GET HIM TO PLAY AGAIN. 717 00:30:06,559 --> 00:30:08,128 WAIT. 718 00:30:17,537 --> 00:30:20,974 THIS IS THE FIRST DEMO HE EVER MADE OF IT. 719 00:30:21,008 --> 00:30:22,509 THE ONE WITH LYRICS. 720 00:30:22,542 --> 00:30:26,146 HE WANTED TO KNOW WHAT I THOUGHT ABOUT IT. 721 00:30:28,248 --> 00:30:30,450 TELL HIM I CHERISHED IT. 722 00:30:37,090 --> 00:30:40,393 HEY, DELIA. EXCELLENT. 723 00:30:40,427 --> 00:30:41,895 HEY, I WAS ACTUALLY LOOKING FOR NED. 724 00:30:41,929 --> 00:30:42,930 AND I WAS WONDERING IF... 725 00:30:42,963 --> 00:30:43,897 HEY. 726 00:30:48,068 --> 00:30:49,069 YOU'RE CRYING. WHAT'S WRONG? 727 00:30:49,102 --> 00:30:51,104 IT'S NOTHING. 728 00:30:51,138 --> 00:30:54,507 MEL TOLD ME, UM... 729 00:30:54,541 --> 00:30:56,376 TODAY WOULD BE CHARLIE'S BIRTHDAY, RIGHT? 730 00:30:56,409 --> 00:30:58,178 YEAH. 731 00:30:58,211 --> 00:31:03,683 THAT...AND I REALLY MISS HANGING OUT WITH MY SON. 732 00:31:03,716 --> 00:31:06,086 I'M SORRY, JIM. YOU DIDN'T ASK FOR THIS. 733 00:31:06,119 --> 00:31:08,288 IF YOU EVER WANT TO TALK ABOUT IT... 734 00:31:09,722 --> 00:31:11,391 THIS IS COOL. 735 00:31:15,495 --> 00:31:17,998 THAT'S CHARLIE. 736 00:31:19,166 --> 00:31:20,700 YOU LOOK VERY HAPPY. 737 00:31:20,733 --> 00:31:23,136 WE WERE. 738 00:31:23,170 --> 00:31:26,373 FOR 12 LONG YEARS. 739 00:31:26,406 --> 00:31:28,275 WE'RE READY. WE GOT 13 SECONDS. 740 00:31:31,178 --> 00:31:32,412 SMILE. 741 00:31:35,548 --> 00:31:38,251 AND THEN ONE DAY HE STOPPED AT AN ATM. 742 00:31:38,285 --> 00:31:40,587 HE GOT ROBBED AND... 743 00:31:42,589 --> 00:31:46,226 GOD, I HATE CRYING WHEN I'M TRYING TO MAKE A POINT. 744 00:31:46,259 --> 00:31:48,728 IT'S ALL RIGHT. 745 00:31:48,761 --> 00:31:52,665 THEY GOT INTO A BIG ARGUMENT THE NIGHT BEFORE. 746 00:31:52,699 --> 00:31:54,401 NED JUST WANTED TO GET HIS ALLOWANCE EARLY 747 00:31:54,434 --> 00:31:56,003 SO HE COULD BUY THIS GAME. 748 00:31:56,036 --> 00:31:58,338 CHARLIE TOLD HIM HE'D HAVE TO WAIT. 749 00:31:58,371 --> 00:32:01,108 SO, NED CALLED HIM AN ASSHAT. 750 00:32:01,141 --> 00:32:03,243 IS THAT EVEN A WORD? 751 00:32:03,276 --> 00:32:05,412 I DON'T REALLY KNOW. 752 00:32:05,445 --> 00:32:10,350 SO, WE GROUNDED HIM MORE ON PRINCIPLE THAN ANYTHING ELSE. 753 00:32:10,383 --> 00:32:13,086 AND CHARLIE WAS GONNA LET HIM OFF THE HOOK THE NEXT DAY, BUT... 754 00:32:13,120 --> 00:32:15,488 HE NEVER CAME HOME. 755 00:32:17,657 --> 00:32:21,161 THAT'S WHY I WANT TO CELEBRATE HIS BIRTHDAY EVERY YEAR-- 756 00:32:21,194 --> 00:32:24,097 SO THAT... 757 00:32:24,131 --> 00:32:27,334 NED CAN REMEMBER ALL THE GOOD THINGS ABOUT HIS DAD. 758 00:32:34,041 --> 00:32:36,476 HEY, KID--YOU AND ME. LET'S TALK. 759 00:32:36,509 --> 00:32:37,577 UH-OH. 760 00:32:37,610 --> 00:32:38,645 WHAT MAKES YOU SAY THAT? 761 00:32:38,678 --> 00:32:41,514 YOU COMING TO ME, OUT OF THE BLUE? 762 00:32:41,548 --> 00:32:44,217 I KNOW WHAT COMES NEXT, YOU THREATEN ME TO STAY QUIET. 763 00:32:44,251 --> 00:32:47,387 WELL, IT'S A GOOD THING I LEFT MY PLIERS BACK IN THE VAN. 764 00:32:47,420 --> 00:32:49,622 LISTEN, MY WIFE TELLS ME 765 00:32:49,656 --> 00:32:52,092 SOMETIMES YOU USED TO SEE YOUR DAD AFTER HE DIED. 766 00:32:52,125 --> 00:32:53,393 SIT DOWN. 767 00:32:55,228 --> 00:32:57,164 [SIGHS] 768 00:33:00,133 --> 00:33:03,070 I WAS ON PRETTY BAD TERMS WHEN MY DAD DIED. 769 00:33:03,103 --> 00:33:06,606 AND AFTER I JUST KICKED MYSELF FOR NOT SAYING... 770 00:33:09,542 --> 00:33:11,278 ALL THE THINGS I WANTED TO. 771 00:33:11,311 --> 00:33:14,414 BUT THEN MELINDA TOLD ME SOMETHING THAT REALLY HELPED. 772 00:33:14,447 --> 00:33:16,683 SHE DIDN'T SEE MY DAD ANYWHERE. 773 00:33:16,716 --> 00:33:17,684 THAT'S A GOOD THING? 774 00:33:17,717 --> 00:33:18,685 THAT'S A GREAT THING. 775 00:33:18,718 --> 00:33:22,289 'CAUSE IT MEANT THAT HE CROSSED OVER, YOU KNOW. 776 00:33:22,322 --> 00:33:24,124 INTO THE LIGHT. 777 00:33:24,157 --> 00:33:26,393 WHAT IS THAT, HEAVEN? 778 00:33:26,426 --> 00:33:29,462 I THINK IT'S A PLACE THE DEAD GO TO BE AT PEACE. 779 00:33:29,496 --> 00:33:32,165 AND THEY ONLY GO THERE 780 00:33:32,199 --> 00:33:34,701 WHEN THE PEOPLE THEY'VE LEFT BEHIND ARE OK. 781 00:33:36,769 --> 00:33:38,605 MY DAD ISN'T HERE ANYMORE, IS HE? 782 00:33:43,243 --> 00:33:44,677 YOU GOT A PHONE? 783 00:33:44,711 --> 00:33:45,778 YEAH. 784 00:33:51,384 --> 00:33:53,786 THIS IS MY CELL. 785 00:33:53,820 --> 00:33:55,588 YOU WANT TO TALK TO ME ABOUT GUY STUFF, 786 00:33:55,622 --> 00:33:58,091 I'M A PHONE CALL AWAY. 787 00:33:58,125 --> 00:34:00,227 THIS IS HOW IT WORKS. 788 00:34:00,260 --> 00:34:03,763 WE DON'T TELL ANYBODY ABOUT WHAT MELINDA CAN DO, OK? 789 00:34:03,796 --> 00:34:05,665 I'LL KEEP ANY SECRET YOU WANT. 790 00:34:05,698 --> 00:34:07,600 YOU KEEP THIS ONE. 791 00:34:07,634 --> 00:34:09,702 DEAL? 792 00:34:09,736 --> 00:34:13,106 ALL RIGHT. I GOTTA GO TO WORK. 793 00:34:13,140 --> 00:34:14,674 [CELL PHONE RINGING] 794 00:34:16,776 --> 00:34:17,844 CLANCY. 795 00:34:17,877 --> 00:34:19,312 Ned: CAN I COME? 796 00:34:29,822 --> 00:34:32,259 HOW LONG HAS JARED BEEN DOING THIS TO YOU? 797 00:34:32,292 --> 00:34:33,426 I DON'T KNOW. 798 00:34:33,460 --> 00:34:35,762 WHEN THE DOCTOR SAID I WAS DYING, 799 00:34:35,795 --> 00:34:38,265 I TRIED TO REACH OUT TO BRANDON. 800 00:34:38,298 --> 00:34:42,569 TELL HIM I WAS SORRY. I--I WAS SO SCARED. 801 00:34:42,602 --> 00:34:45,705 AFTER THE WAY I TREATED HIM. 802 00:34:45,738 --> 00:34:48,141 IS THAT WHY YOU STAYED BEHIND? 803 00:34:48,175 --> 00:34:49,576 TO APOLOGIZE? 804 00:34:49,609 --> 00:34:51,711 NO. 805 00:34:51,744 --> 00:34:55,182 SOMETHING IN MY LIFE WAS UNFINISHED. 806 00:34:55,215 --> 00:34:57,284 I THOUGHT IT WAS MY SYMPHONY. 807 00:34:57,317 --> 00:35:00,553 AND THEN I SAW MY SON PERFORM. 808 00:35:00,587 --> 00:35:03,690 HE WAS BEAUTIFUL. 809 00:35:05,192 --> 00:35:06,526 I COULDN'T BELIEVE IT. 810 00:35:06,559 --> 00:35:08,628 COULDN'T BELIEVE 811 00:35:08,661 --> 00:35:11,398 THAT I HAD NEVER LET MYSELF... 812 00:35:12,699 --> 00:35:14,634 SEE HIM. 813 00:35:14,667 --> 00:35:18,838 HE KEPT ON GETTING IN THE WAY. 814 00:35:18,871 --> 00:35:19,839 JARED. 815 00:35:19,872 --> 00:35:21,308 YES. FROM THE BEGINNING 816 00:35:21,341 --> 00:35:25,378 IT WAS HIM DESTROYING BRANDON'S PLAYING. 817 00:35:25,412 --> 00:35:27,880 BUT EVERY TIME I TRIED TO STOP HIM, 818 00:35:27,914 --> 00:35:29,516 HE DRAINS ME. 819 00:35:29,549 --> 00:35:31,718 I THINK JARED IS USING YOU. 820 00:35:31,751 --> 00:35:34,354 THE SADNESS OVER WHAT YOU LOST WITH BRANDON, 821 00:35:34,387 --> 00:35:36,723 IT'S ONLY MAKING HIM STRONGER. YOU HAVE TO FIGHT HIM. 822 00:35:36,756 --> 00:35:39,259 I CAN'T. 823 00:35:39,292 --> 00:35:40,693 I'VE GOT NOTHING LEFT. 824 00:35:54,741 --> 00:35:56,676 [MUSIC PLAYING] 825 00:36:00,947 --> 00:36:01,881 [ENGINE STOPS] 826 00:36:03,450 --> 00:36:05,485 [GASPS] 827 00:36:09,756 --> 00:36:12,359 UNH! [GASPS] 828 00:36:12,392 --> 00:36:13,960 YOU KNOW I'VE BEEN SEARCHING FOR THIS DEMO FOR YEARS? 829 00:36:13,993 --> 00:36:16,763 AND LOOK AT THAT-- YOU LEAD ME RIGHT TO IT. 830 00:36:16,796 --> 00:36:18,197 NO. WAIT! 831 00:36:20,867 --> 00:36:23,370 YOU DON'T WANT BRANDON TO PLAY THE SONG. 832 00:36:23,403 --> 00:36:24,737 I GET IT. 833 00:36:24,771 --> 00:36:26,539 THERE'S A BETTER WAY, JARED. 834 00:36:26,573 --> 00:36:29,342 OH, YOU MEAN YOUR LITTLE PEACE, LOVE AND UNDERSTANDING WHITE LIGHT? 835 00:36:29,376 --> 00:36:31,778 YEAH. I'VE SEEN IT. WHAT YOU DON'T GET 836 00:36:31,811 --> 00:36:34,414 IS THAT I CAN DO WHAT EVERY ROCK STAR DREAMS OF NOW. 837 00:36:34,447 --> 00:36:36,316 I CAN MAKE PEOPLE TREMBLE. 838 00:36:36,349 --> 00:36:38,618 I CAN MAKE THE EARTH MOVE. 839 00:36:38,651 --> 00:36:40,587 WHY GET IN BRANDON'S WAY? 840 00:36:40,620 --> 00:36:42,555 I MADE BRANDON WHO HE IS. 841 00:36:42,589 --> 00:36:44,457 AND I CAN TAKE IT AWAY. 842 00:36:44,491 --> 00:36:45,725 WHAT DO YOU HAVE ON YOUR SIDE? 843 00:36:45,758 --> 00:36:48,995 PUPPY DOGS AND RAINBOWS? 844 00:36:49,028 --> 00:36:51,498 BRANDON'S DAD MEANS NOTHING TO ME. 845 00:36:51,531 --> 00:36:53,833 AND NEITHER DO YOU. 846 00:36:53,866 --> 00:36:55,302 I'M NOT CROSSING OVER. 847 00:36:55,335 --> 00:36:56,336 EVER! 848 00:36:57,937 --> 00:36:59,572 [GASPING] 849 00:37:07,647 --> 00:37:09,716 I DON'T UNDERSTAND WHY YOU'RE ASKING ME TO DO THIS. 850 00:37:09,749 --> 00:37:11,784 MY DAD IS NOT GOING TO LET ME PLAY MY MUSIC. 851 00:37:15,988 --> 00:37:17,824 YOU SEE? 852 00:37:17,857 --> 00:37:20,760 YOUR FATHER ISN'T THE ONE THAT'S BEEN GETTING IN YOUR WAY. 853 00:37:20,793 --> 00:37:22,329 IT'S JARED. 854 00:37:22,362 --> 00:37:24,797 HE WOULDN'T DO THAT. YES, HE WOULD. 855 00:37:24,831 --> 00:37:27,634 HE WAS JEALOUS ABOUT THE SONG YOU WROTE FOR SANDY. 856 00:37:27,667 --> 00:37:29,569 I DESTROYED THAT SONG. 857 00:37:29,602 --> 00:37:30,937 THAT WASN'T GOOD ENOUGH. 858 00:37:30,970 --> 00:37:34,307 HE WAS THREATENED BY HOW GOOD YOU ARE. 859 00:37:34,341 --> 00:37:37,076 AND THE PERSON WHO WASN'T WAS YOUR FATHER. 860 00:37:37,109 --> 00:37:38,645 TELL HIM 861 00:37:38,678 --> 00:37:42,482 THE FIRST SONG WAS INSPIRED. 862 00:37:42,515 --> 00:37:45,518 GLENN GOULD-ESQUE. 863 00:37:45,552 --> 00:37:48,721 HE SAID THE FIRST SONG ON YOUR CD WAS LIKE GLENN GOULD. 864 00:37:48,755 --> 00:37:52,091 HE...LISTENED TO MY MUSIC? 865 00:37:52,124 --> 00:37:53,993 YES. 866 00:37:54,026 --> 00:37:56,463 WHY COULDN'T HE TELL ME THAT WHEN HE WAS ALIVE? 867 00:37:56,496 --> 00:37:58,365 BECAUSE HE HATED YOU. 868 00:37:58,398 --> 00:38:00,733 BRANDON, YOUR FATHER WANTS TO HELP YOU. 869 00:38:00,767 --> 00:38:03,370 HE WANTS YOU TO SING SANDY'S SONG 870 00:38:03,403 --> 00:38:04,804 AND EVERYTHING ELSE YOU'VE EVER WRITTEN. 871 00:38:04,837 --> 00:38:08,007 MAYBE THIS WILL HELP. 872 00:38:37,770 --> 00:38:38,905 UNH! 873 00:38:44,010 --> 00:38:44,911 WHAT HAPPENED?! 874 00:38:46,446 --> 00:38:47,580 AAH! 875 00:38:47,614 --> 00:38:49,582 IT'S JARED. HE'S HURTING YOUR FATHER. 876 00:38:49,616 --> 00:38:51,451 YOU CAN'T JUST KEEP DOING THIS. 877 00:38:51,484 --> 00:38:52,952 WANT TO BET? 878 00:38:56,489 --> 00:38:57,624 IS THAT IT? 879 00:39:11,103 --> 00:39:14,541 YOU CAN BREAK ALL THE STRINGS YOU WANT, MAN. 880 00:39:14,574 --> 00:39:17,677 NO ONE IS GOING TO STOP ME FROM PLAYING ANYMORE. 881 00:39:17,710 --> 00:39:19,045 [PLAYING] 882 00:39:24,784 --> 00:39:25,718 [GROWLING] 883 00:39:39,499 --> 00:39:41,801 [CHEERING] 884 00:39:41,834 --> 00:39:45,472 * DON'T LIE 885 00:39:45,505 --> 00:39:49,576 * SAY THAT IT'S OK 886 00:39:55,515 --> 00:39:59,185 * IT'S ALL RIGHT IF 887 00:39:59,218 --> 00:40:03,422 * THERE'S NOTHING MORE TO SAY * 888 00:40:07,994 --> 00:40:11,598 * SO I'M RUNNING AWAY... 889 00:40:11,631 --> 00:40:14,166 WHAT DOES THAT MEAN? 890 00:40:14,200 --> 00:40:15,602 THAT LIGHT? 891 00:40:15,635 --> 00:40:18,805 IT MEANS YOU'RE READY TO CROSS OVER. 892 00:40:22,174 --> 00:40:24,977 HE'S GONNA BE ALL RIGHT. 893 00:40:26,579 --> 00:40:27,847 YES. 894 00:40:27,880 --> 00:40:31,618 * I'M RUNNIN' AWAY 895 00:40:36,589 --> 00:40:38,891 * AND FASTER 896 00:40:38,925 --> 00:40:43,830 * THAN YOU CAN FOLLOW ME 897 00:40:43,863 --> 00:40:48,034 * FROM THIS LONELY PLACE... 898 00:40:48,067 --> 00:40:50,069 I WISH I DIDN'T HAVE TO GO. 899 00:40:52,872 --> 00:40:56,175 NOT NOW. 900 00:40:56,208 --> 00:40:59,579 NOT JUST YET. 901 00:40:59,612 --> 00:41:03,650 * YEAH, I'M LEAVING TODAY... * 902 00:41:03,683 --> 00:41:05,818 IT'S TIME. 903 00:41:05,852 --> 00:41:08,888 * I'LL NEVER LET YOU FIND ME * 904 00:41:08,921 --> 00:41:11,190 * I'M LEAVIN' YOU BEHIND... * 905 00:41:11,223 --> 00:41:13,025 THANK YOU. 906 00:41:13,059 --> 00:41:17,564 * NO, I WANT HER BACK 907 00:41:17,597 --> 00:41:22,902 * AND I WANNA HEAR YOUR REASONS * 908 00:41:22,935 --> 00:41:31,043 * WANNA HEAR YOU TELL ME WHY I SHOULD STAY * 909 00:41:31,077 --> 00:41:32,912 * AND TRY 910 00:41:32,945 --> 00:41:36,215 * AND TRY TO UNDERSTAND ME 911 00:41:36,248 --> 00:41:40,587 * AND TRY TO UNDERSTAND WHAT I SAY * 912 00:41:40,620 --> 00:41:44,957 * WHEN I SAY WHEN I CAN'T STAY * 913 00:41:44,991 --> 00:41:46,626 * I'M 914 00:41:46,659 --> 00:41:49,962 * I'M MOVING OFF OF THIS PLACE * 915 00:41:49,996 --> 00:41:58,905 * I'M LEAVING AND I WON'T QUIT, I'M RUNNING AWAY * 916 00:41:58,938 --> 00:42:03,242 * I'M RUNNING AWAY 917 00:42:03,275 --> 00:42:08,848 * I'M LEAVING THIS PLACE 918 00:42:08,881 --> 00:42:12,785 [CHEERING AND APPLAUSE] 919 00:42:23,696 --> 00:42:25,998 SO, HOW DO YOU THINK THE REUNION TOUR WENT? 920 00:42:26,032 --> 00:42:27,033 OHH, IF THERE WAS A T-SHIRT, 921 00:42:27,066 --> 00:42:28,134 I WOULD HAVE BOUGHT IT. 922 00:42:33,773 --> 00:42:37,076 UH, GIVE ME A SECOND. I HAVE TO TALK TO SOMEBODY. 923 00:42:42,014 --> 00:42:43,015 YOU'LL BE OK? 924 00:42:43,049 --> 00:42:44,984 YEAH. TRUST ME. 925 00:42:45,017 --> 00:42:47,186 HE CAN'T HURT ANYBODY ANYMORE. 926 00:42:48,855 --> 00:42:50,089 I'LL BE OVER THERE. OK. 927 00:42:58,831 --> 00:43:01,233 JUST BECAUSE YOU CAN SING A FEW SONGS, 928 00:43:01,267 --> 00:43:02,702 DOESN'T MEAN ANYTHING. 929 00:43:03,970 --> 00:43:05,838 DOESN'T MEAN YOU'LL MAKE IT. 930 00:43:05,872 --> 00:43:08,240 MAYBE HE DOESN'T NEED TO MAKE IT. 931 00:43:08,274 --> 00:43:10,076 MAYBE HE JUST NEEDS TO PLAY. 932 00:43:10,109 --> 00:43:11,944 HEH. 933 00:43:11,978 --> 00:43:14,714 LOOK, I KNOW HOW ANGRY YOU ARE RIGHT NOW. BUT IF YOU'LL LET ME, 934 00:43:14,747 --> 00:43:16,649 I CAN HELP YOU CROSS OVER. 935 00:43:16,683 --> 00:43:19,085 THINK YOU'RE THE ONLY AFTERLIFE GAME IN TOWN? 936 00:43:19,118 --> 00:43:22,421 THERE ARE OTHERS AROUND HERE-- 937 00:43:22,454 --> 00:43:25,324 PEOPLE WHO ARE DYING TO MEET ME. 938 00:43:25,357 --> 00:43:28,961 THOSE OTHER SPIRITS, THEY WILL PROMISE YOU ANYTHING. 939 00:43:28,995 --> 00:43:29,929 THEY'RE ALL LYING. 940 00:43:29,962 --> 00:43:33,800 NO WORSE THAN THE USUAL ROCK AND ROLL SWINDLE. 941 00:43:39,271 --> 00:43:41,307 BE SEEING YOU. 61188

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