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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,400 There are certain performers who were important 2 00:00:02,400 --> 00:00:05,282 only because they made one important record. 3 00:00:05,283 --> 00:00:08,689 Afterwards and before they were an oblivion for the most part 4 00:00:08,689 --> 00:00:12,638 But I don't predict that kind of future for the next two people I'm going to introduce 5 00:00:12,638 --> 00:00:16,236 They have a number of popular records, very very good ones 6 00:00:16,236 --> 00:00:18,126 But they're good singers and fine fellows 7 00:00:18,126 --> 00:00:21,199 Simon & Garfunkel 8 00:00:21,199 --> 00:00:22,634 Simon & Mr. Garfunkel 9 00:00:22,634 --> 00:00:24,170 Paul Simon & Art Garfunkel 10 00:00:24,170 --> 00:00:27,255 Here are Simon & Garfunkel 11 00:00:27,254 --> 00:00:34,564 *Crescendo audience applause* 12 00:00:34,564 --> 00:00:37,899 There are times when I'm singing one of Paul's songs that I 13 00:00:37,899 --> 00:00:39,880 feel the song is really very personal and 14 00:00:39,880 --> 00:00:41,971 probably shouldn't be sung by 15 00:00:41,970 --> 00:00:44,402 anyone other than the writer 16 00:00:44,402 --> 00:00:49,878 but there are other songs that go beyond one person 17 00:00:49,892 --> 00:00:53,025 ♫ 18 00:00:53,024 --> 00:00:57,826 ♫ Hello darkness, my old friend ♫ 19 00:00:57,826 --> 00:01:02,530 ♫ I've come to talk with you again ♫ 20 00:01:02,530 --> 00:01:07,769 ♫ Because of visions softly creeping ♫ 21 00:01:07,769 --> 00:01:12,479 ♫ Left its seeds while I was sleeping ♫ 22 00:01:12,480 --> 00:01:19,173 ♫ And the vision that was planted in my brain ♫ 23 00:01:19,173 --> 00:01:23,000 ♫ Still remains ♫ 24 00:01:23,000 --> 00:01:29,280 ♫ Within the sound of silence ♫ 25 00:01:29,280 --> 00:01:32,219 (Int) I gotta say this: is Garfunkel sore, or what is it? 26 00:01:32,219 --> 00:01:33,170 Is he sore at me? 27 00:01:33,171 --> 00:01:34,560 (Int) Yeah 28 00:01:34,560 --> 00:01:37,728 No as a matter of fact he's 29 00:01:37,728 --> 00:01:41,239 spending his time these days on a farm in Scotland 30 00:01:41,239 --> 00:01:42,789 (Int) But you're still in touch 31 00:01:42,790 --> 00:01:46,674 I mean there's no problem I assume 32 00:01:46,674 --> 00:01:48,089 Well 33 00:01:48,088 --> 00:01:49,185 (AG) Yes 34 00:01:49,186 --> 00:01:52,430 Although maybe you're feeling that contradicts what I was saying before: 35 00:01:52,430 --> 00:01:54,260 "Do you see the possibility of you working together?" 36 00:01:54,260 --> 00:01:55,260 And here I was saying 37 00:01:55,260 --> 00:01:59,130 Um no the problems that keep us apart seem firmly in place 38 00:01:59,129 --> 00:02:06,027 ♫ And touch the sound of silence ♫ 39 00:02:06,028 --> 00:02:07,359 ♫ Who-bop-a-loo-chi-bop ♫ 40 00:02:07,358 --> 00:02:08,822 ♫ You're mine, I said ♫ 41 00:02:08,822 --> 00:02:09,949 ♫ Who-bop-a-loo-chi-bop ♫ 42 00:02:09,949 --> 00:02:11,512 ♫ You're mine ♫ 43 00:02:11,512 --> 00:02:16,814 ♫ Hey schoolgirl in the second row ♫ 44 00:02:16,814 --> 00:02:20,859 ♫The teacher's lookin over so I gotta whisper way down low♫ 45 00:02:20,860 --> 00:02:21,884 *Audience laughter* 46 00:02:21,884 --> 00:02:23,909 (Int) Now, who was Tom and who was Jerry? 47 00:02:23,909 --> 00:02:26,259 (AG) I was Tom (Int) Uh-huh, and uh 48 00:02:26,259 --> 00:02:28,408 So I was Jerry 49 00:02:28,408 --> 00:02:30,000 (Int) Yeah *Audience Laughter* 50 00:02:30,000 --> 00:02:32,098 (AG) The name was the- (PS) -they gave it to us 51 00:02:32,098 --> 00:02:33,340 (PS) the record company gave it to us 52 00:02:33,341 --> 00:02:34,739 (Int) the record company gave it to you? 53 00:02:34,739 --> 00:02:36,719 (Int) And what was the song? 54 00:02:36,719 --> 00:02:37,941 (PS) Hey Schoolgirl (AG) Hey Schoolgirl 55 00:02:37,941 --> 00:02:38,979 (Int) Hey Schoolgirl. 56 00:02:38,979 --> 00:02:40,179 (Int) A big hit? 57 00:02:40,180 --> 00:02:42,200 Well it was for us we were in high school 58 00:02:42,199 --> 00:02:43,419 (AG) oh yeah (PS) oh yeah 59 00:02:43,419 --> 00:02:47,079 (Int) When did you first perform with Paul Simon? 60 00:02:47,080 --> 00:02:48,390 (Int) Not that you were paid for 61 00:02:48,389 --> 00:02:50,219 But the first time the two of you ever harmonized 62 00:02:50,219 --> 00:02:51,770 Might've been in a basement or a street corner 63 00:02:51,770 --> 00:02:53,037 ♫ 64 00:02:53,038 --> 00:02:56,280 Let's see, Paul was the neighbor three blocks away 65 00:02:56,280 --> 00:02:59,408 whom I met in the sixth grade so we were eleven 66 00:02:59,407 --> 00:03:01,939 (AG) And I think we were singing right in the beginning 67 00:03:01,939 --> 00:03:04,079 (PS) He's a very unusual guy 68 00:03:04,080 --> 00:03:06,080 (PS) He always was, even when he was ten 69 00:03:06,080 --> 00:03:09,700 First time I really met him he was in this candy store 70 00:03:09,699 --> 00:03:12,408 which we used to go to after we would get out of school 71 00:03:12,408 --> 00:03:14,780 The owner of the store kicked him out 72 00:03:14,780 --> 00:03:16,469 Said he had to get out 73 00:03:16,469 --> 00:03:19,300 And I said to the guy, "Why did you kick him out?" 74 00:03:19,300 --> 00:03:21,449 And he said "He comes in here all the time" 75 00:03:21,449 --> 00:03:23,128 "And he shakes these boxes" 76 00:03:23,128 --> 00:03:26,085 "to see which has the most good and plenty" 77 00:03:26,086 --> 00:03:27,650 "And that's the one he buys" 78 00:03:27,651 --> 00:03:28,528 *Interviewer Laughs* 79 00:03:28,527 --> 00:03:30,199 (AG) I watched that show and I thought the point he 80 00:03:30,199 --> 00:03:31,758 was making was that I was cheap 81 00:03:31,759 --> 00:03:33,099 *Audience laughter* 82 00:03:33,099 --> 00:03:34,032 (Int) Now uh 83 00:03:34,032 --> 00:03:36,589 (AG) It must have been like 1954 84 00:03:36,590 --> 00:03:40,121 that we were starting to harmonize together 85 00:03:40,121 --> 00:03:42,189 Yeah, we would sing in my house 86 00:03:42,188 --> 00:03:44,438 and we'd put stuff down on the tape machine 87 00:03:44,438 --> 00:03:47,615 We would sing in talent shows in school 88 00:03:47,616 --> 00:03:50,140 Cause when we were fifteen years old we ah 89 00:03:50,139 --> 00:03:53,639 What we did is show up in the Hartford Stage theater 90 00:03:53,639 --> 00:03:55,381 When we were fifteen 91 00:03:55,382 --> 00:03:57,622 (Int) Now was this as (PS) And ah 92 00:03:57,622 --> 00:03:59,064 (PS) No, no that was in (Int) Tom and- 93 00:03:59,063 --> 00:04:00,360 (Int) Tom and Jerry? (PS) Oh that's right this is 94 00:04:00,360 --> 00:04:01,469 (PS) Tom and Jerry 95 00:04:01,469 --> 00:04:03,128 (PS) and ah 96 00:04:03,128 --> 00:04:04,848 *Audience laughter* 97 00:04:04,848 --> 00:04:08,530 (AG) Well for us it was definitely the absence of a name 98 00:04:08,530 --> 00:04:10,699 And I can remember Tom Wilson, 99 00:04:10,699 --> 00:04:14,438 our producer at Columbia records, saying "Oh hell, it's '65" 100 00:04:14,438 --> 00:04:18,021 meaning it's such a modern era let's go with their real names 101 00:04:18,021 --> 00:04:19,112 ♫ 102 00:04:19,112 --> 00:04:23,330 (AG) That first album of 1964 to 5 103 00:04:23,329 --> 00:04:24,870 Wednesday Morning, 3AM 104 00:04:24,870 --> 00:04:27,060 Which had the Sound of Silence in it 105 00:04:27,060 --> 00:04:28,430 Was not happening 106 00:04:28,430 --> 00:04:31,660 And Paul went off to England and was a folk singer 107 00:04:31,660 --> 00:04:34,520 And I went back to college where I was an architecture student 108 00:04:34,519 --> 00:04:37,069 uptown at Columbia 109 00:04:37,069 --> 00:04:38,219 Until about a year later 110 00:04:38,220 --> 00:04:40,320 When the record company was saying 111 00:04:40,319 --> 00:04:43,747 "We're getting a whole cult of call-ins" 112 00:04:43,747 --> 00:04:48,420 "in the Florida area around one of the titles on this folk album" 113 00:04:48,420 --> 00:04:50,444 (PS) And we were 114 00:04:50,444 --> 00:04:52,430 (PS) Just parked in like uh 115 00:04:52,430 --> 00:04:54,009 my car or his car, can't remember 116 00:04:54,009 --> 00:04:56,843 Just parked in a car on the corner 117 00:04:56,843 --> 00:04:58,793 Of like near our houses 118 00:04:58,793 --> 00:04:59,769 Y'know in Queens 119 00:04:59,769 --> 00:05:03,418 Just one night, late at night just sittin in a car smokin 120 00:05:03,418 --> 00:05:07,019 And then the Sound of Silence came on 121 00:05:07,019 --> 00:05:10,279 And we sat and we listened to the whole record 122 00:05:10,279 --> 00:05:12,089 Just sittin there 123 00:05:12,089 --> 00:05:14,579 Nothing happening, might be 1 in the morning 124 00:05:14,579 --> 00:05:16,699 And then it was over and we just sat there for a minute 125 00:05:16,699 --> 00:05:18,582 And then Artie looked at me and he said 126 00:05:18,583 --> 00:05:21,190 "Those guys must be havin so much fun" 127 00:05:21,190 --> 00:05:22,189 *Laughter* 128 00:05:22,189 --> 00:05:30,939 *intro to Leaves that Are Green* 129 00:05:30,939 --> 00:05:34,279 ♫ I was twenty-one years when I wrote this song ♫ 130 00:05:34,279 --> 00:05:36,769 (AG) Wanna know how I look at that whole career? 131 00:05:36,769 --> 00:05:39,930 From my point of view, we were not so much singers or writers 132 00:05:39,930 --> 00:05:41,490 We were record makers 133 00:05:41,490 --> 00:05:45,530 My real contribution beyond singing in those years 134 00:05:45,529 --> 00:05:47,478 Was as record producer 135 00:05:47,478 --> 00:05:50,038 I was the man behind the glass in the control room 136 00:05:50,038 --> 00:05:54,074 sending the vocals of Paul and Artie out on mic 137 00:05:54,074 --> 00:05:57,375 and, along with Paul and Roy Halee, we produced our records 138 00:05:57,375 --> 00:05:59,699 (PS) If Paul writes the songs then what do you do 139 00:05:59,699 --> 00:06:02,689 and it's difficult to explain that he does many things 140 00:06:02,689 --> 00:06:05,000 *intro to Scarborough Fair/ Canticle* 141 00:06:05,000 --> 00:06:10,329 ♫ Are you going to Scarborough Fair? ♫ 142 00:06:10,329 --> 00:06:12,012 *Audience applause* 143 00:06:12,012 --> 00:06:18,530 ♫ parsley, sage, rosemary, and thyme ♫ 144 00:06:18,531 --> 00:06:20,897 ♫ 145 00:06:20,899 --> 00:06:22,286 ♫ Remember me ♫ 146 00:06:22,286 --> 00:06:27,013 Scarborough Fair and I have been together now about 50 years 147 00:06:27,014 --> 00:06:29,540 I never knew what the words were really about 148 00:06:29,540 --> 00:06:32,487 I thought it was gorgeous wallpaper 149 00:06:32,487 --> 00:06:35,939 But I think it's about loss, we all lose somebody 150 00:06:35,940 --> 00:06:37,988 ♫ 151 00:06:37,988 --> 00:06:43,391 ♫ Tell her to make me a cambric shirt ♫ 152 00:06:43,391 --> 00:06:45,826 (PS) Mike Nichols called 153 00:06:45,826 --> 00:06:47,874 and asked 154 00:06:47,874 --> 00:06:49,556 said he had a book and he was gonna make a film 155 00:06:49,555 --> 00:06:52,118 and it's called the Graduate and he 156 00:06:52,119 --> 00:06:54,241 sent us the book 157 00:06:54,240 --> 00:06:56,289 and uh he was in the midst of the film then 158 00:06:56,290 --> 00:06:58,740 he was almost finished 159 00:06:58,740 --> 00:07:00,930 he convinced us to do the music 160 00:07:00,930 --> 00:07:03,418 and the music was supposed to be 161 00:07:03,418 --> 00:07:06,370 (PS) mostly original music 162 00:07:06,370 --> 00:07:08,420 But uh 163 00:07:08,420 --> 00:07:09,728 What would happen is that 164 00:07:09,728 --> 00:07:11,668 In order to fill up a scene 165 00:07:11,668 --> 00:07:13,519 We would take some piece of music and put it there 166 00:07:13,519 --> 00:07:15,200 just to hear what music would sound like 167 00:07:15,201 --> 00:07:16,453 and uh 168 00:07:16,452 --> 00:07:18,019 a few of the times that we did that 169 00:07:18,019 --> 00:07:20,156 it was so effective 170 00:07:20,156 --> 00:07:22,073 particularly Scarborough Fair which I thought that 171 00:07:22,074 --> 00:07:23,490 worked very well in the movie 172 00:07:23,490 --> 00:07:29,184 the Scarborough Fair scene 173 00:07:29,184 --> 00:07:31,110 Mrs. Robinson was made up on the spot 174 00:07:31,110 --> 00:07:35,581 ♫ And here's to you, Mrs. Robinson ♫ 175 00:07:35,581 --> 00:07:37,239 Mrs. Robinson, you're trying to seduce me 176 00:07:37,240 --> 00:07:39,240 *Mrs. Robinson laughs* 177 00:07:39,266 --> 00:07:40,546 Just a second I'll ask him 178 00:07:40,547 --> 00:07:41,900 Are you armed? 179 00:07:41,899 --> 00:07:43,692 ♫ Stand up tall, Mrs. Robinson ♫ 180 00:07:43,692 --> 00:07:45,067 No, I don't believe he is 181 00:07:45,067 --> 00:07:48,461 ♫ God in Heaven smiles on those who pray ♫ 182 00:07:48,461 --> 00:07:52,589 (Aw) Winner of the record of the year is... 183 00:07:52,589 --> 00:07:54,662 Simon & Garfunkel for Mrs. Robinson 184 00:07:54,663 --> 00:07:55,663 *Audience Applause* 185 00:07:55,663 --> 00:07:59,150 (AG) I do really want to thank *inaudible* membership for this award 186 00:07:59,149 --> 00:08:00,000 (AG) and uh 187 00:08:00,000 --> 00:08:00,834 ♫ 188 00:08:00,834 --> 00:08:02,394 I want to accept it on behalf of 189 00:08:02,394 --> 00:08:04,579 Roy Halee, our recording engineer 190 00:08:04,581 --> 00:08:05,458 ♫ 191 00:08:05,458 --> 00:08:07,669 And to my best friend, Paul Simon 192 00:08:07,668 --> 00:08:09,548 Who wouldn't wear a tuxedo tonight 193 00:08:09,548 --> 00:08:14,425 ♫ 194 00:08:14,425 --> 00:08:16,593 (Int) Does this bother you that he's becoming an actor and 195 00:08:16,593 --> 00:08:17,560 (PS) No 196 00:08:17,560 --> 00:08:20,396 (Int) You're merely one of the world's most successful 197 00:08:20,396 --> 00:08:22,125 (Int) Composers and songwriters? 198 00:08:22,125 --> 00:08:25,945 (PS) No, I think in many ways it's very good that 199 00:08:25,946 --> 00:08:27,360 (PS) that he does that 200 00:08:27,360 --> 00:08:29,500 (AG) When I went to do Catch 22 it was 201 00:08:29,500 --> 00:08:32,830 my intention to be in Mexico for a couple of months 202 00:08:32,830 --> 00:08:34,550 while Paul was working on the next batch of 203 00:08:34,549 --> 00:08:37,613 Bridge Over Troubled Waters songs 204 00:08:37,615 --> 00:08:38,735 Uh 205 00:08:38,735 --> 00:08:39,708 The problem was 206 00:08:39,708 --> 00:08:41,339 Paul was ready with the next batch before 207 00:08:41,340 --> 00:08:45,490 Mike Nichols was ready to release me from Guaymas, Mexico 208 00:08:45,490 --> 00:08:48,456 So that's what made Paul for the first time feel 209 00:08:48,456 --> 00:08:50,158 "I have to wait for Artie?" 210 00:08:50,158 --> 00:08:52,581 Which, of course, is an unheard of thing 211 00:08:52,581 --> 00:08:58,884 ♫ Tom, get your plane right on time ♫ 212 00:08:58,884 --> 00:09:05,360 ♫ I know your part'll go fine ♫ 213 00:09:05,360 --> 00:09:10,895 ♫ Fly down to Mexico ♫ 214 00:09:10,895 --> 00:09:12,610 (PS) It's very pleasurable to write 215 00:09:12,610 --> 00:09:16,350 in a stream of consciousness style 216 00:09:16,350 --> 00:09:17,839 Very often 217 00:09:17,839 --> 00:09:19,899 You find that what's in your mind is relevant 218 00:09:19,899 --> 00:09:22,258 Although at the moment it doesn't seem so 219 00:09:22,259 --> 00:09:25,000 ♫ 220 00:09:25,000 --> 00:09:29,828 ♫ I get the news I need on the weather report ♫ 221 00:09:29,828 --> 00:09:32,000 (AG) Paul was very busy suffering 222 00:09:32,000 --> 00:09:33,879 Maybe it was a pose he played but 223 00:09:33,879 --> 00:09:36,379 Simon & Garfunkel and the fun of making it 224 00:09:36,379 --> 00:09:37,970 Did not give him great fun 225 00:09:37,970 --> 00:09:39,604 ♫ Hey ♫ 226 00:09:39,604 --> 00:09:44,479 ♫ I've got nothin to do today but smile ♫ 227 00:09:44,479 --> 00:09:47,590 (Int) And anyway he seems to be going on with it and 228 00:09:47,590 --> 00:09:49,379 (PS) Well he'll appear with uh 229 00:09:49,379 --> 00:09:50,379 Jack Nicholson 230 00:09:50,379 --> 00:09:51,379 (Int) Yeah 231 00:09:51,379 --> 00:09:54,537 (PS) In a Jules Feiffer play, Carnal Knowledge 232 00:09:54,538 --> 00:09:55,682 ♫ 233 00:09:55,682 --> 00:09:56,182 (Int) Right 234 00:09:56,182 --> 00:09:58,158 Sometime in May, sometime 235 00:09:58,158 --> 00:10:01,658 ♫ Half of the time we're gone but we don't know where ♫ 236 00:10:01,658 --> 00:10:05,354 ♫ And we don't know where ♫ 237 00:10:05,355 --> 00:10:11,468 ♫ Ah Ah Ah ♫ 238 00:10:11,467 --> 00:10:12,581 (AG) -start on the lower notes 239 00:10:12,581 --> 00:10:14,453 (PS) Don't don't just let me get the chords first 240 00:10:14,453 --> 00:10:15,453 before I get the notes 241 00:10:15,453 --> 00:10:17,625 You just sing it and get both parts in your head 242 00:10:17,625 --> 00:10:19,990 (AG) I think we had been traveling so much together 243 00:10:19,990 --> 00:10:21,690 and we were so forced to be together 244 00:10:21,690 --> 00:10:23,709 through the power of business 245 00:10:23,708 --> 00:10:25,449 it began to tell on our friendship 246 00:10:25,450 --> 00:10:26,940 which was always true 247 00:10:26,940 --> 00:10:28,060 It always was what it is 248 00:10:28,059 --> 00:10:30,309 we would never let ourselves be forced 249 00:10:30,309 --> 00:10:32,599 into a friendship because it works or anything 250 00:10:32,600 --> 00:10:35,339 So, because it was always either true or nothing, 251 00:10:35,339 --> 00:10:38,907 it began to be abrasive to be so forced together and tour 252 00:10:38,907 --> 00:10:42,157 ♫ Half of the time we're gone but we don't know where ♫ 253 00:10:42,157 --> 00:10:46,781 ♫ And we don't know where ♫ 254 00:10:46,780 --> 00:10:51,799 ♫ Tom, get your plane right on time ♫ 255 00:10:51,801 --> 00:10:52,898 ♫ 256 00:10:52,898 --> 00:10:59,220 ♫ I know that you've been eager to fly now ♫ 257 00:10:59,220 --> 00:11:00,220 ♫ Hey ♫ 258 00:11:00,220 --> 00:11:01,513 (PS) There's uh 259 00:11:01,513 --> 00:11:04,751 (PS) Certain amount of competitiveness that's 260 00:11:04,750 --> 00:11:07,289 y'know delved into the equation 261 00:11:07,289 --> 00:11:09,496 by comparisons 262 00:11:09,496 --> 00:11:11,639 And that's unhealthy for friendship 263 00:11:11,639 --> 00:11:15,983 ♫ The only living boy in New York ♫ 264 00:11:15,982 --> 00:11:21,154 ♫ The only living boy in New York ♫ 265 00:11:21,154 --> 00:11:22,582 (PS) It's not like it's fun 266 00:11:22,582 --> 00:11:24,750 (PS) If it was fun, I'd say "Okay" 267 00:11:24,750 --> 00:11:27,139 "Sometimes we'll go out and sing old songs" 268 00:11:27,139 --> 00:11:29,278 ♫ If you'll be my bodyguard ♫ 269 00:11:29,278 --> 00:11:32,250 ♫ I can be your long-lost pal ♫ 270 00:11:32,250 --> 00:11:34,340 (SM) I have had a very strong relationship with Paul 271 00:11:34,340 --> 00:11:35,820 for over 25 years 272 00:11:35,820 --> 00:11:39,427 You wanna be Mr. Alienation, you can be Mr. Alienation 273 00:11:39,427 --> 00:11:40,980 ♫ Call me Al ♫ 274 00:11:40,980 --> 00:11:42,308 Congratulations and welcome aboard 275 00:11:42,308 --> 00:11:45,469 Oh thank you, Mr. Simon, thank you 276 00:11:45,470 --> 00:11:47,230 Please call me Paul 277 00:11:47,230 --> 00:11:48,230 Okay 278 00:11:48,230 --> 00:11:49,230 Paul 279 00:11:49,230 --> 00:11:51,700 (AG) In my opinion, I've been under the radar 280 00:11:51,700 --> 00:11:53,190 All my professional life 281 00:11:53,190 --> 00:11:55,816 it's time to say "Who is Art Garfunkel?" 282 00:11:55,816 --> 00:12:00,267 ♫ And that's all I know ♫ 283 00:12:00,267 --> 00:12:01,710 - Elena! 284 00:12:01,710 --> 00:12:02,710 *Elena Screams* 285 00:12:02,734 --> 00:12:04,490 - Now I want you to - (AG) I can't remember the time 286 00:12:04,490 --> 00:12:05,661 with any precision 287 00:12:05,660 --> 00:12:07,750 But I'm not asking you for the precise time 288 00:12:07,750 --> 00:12:09,309 (Int) Some critics said 289 00:12:09,309 --> 00:12:10,949 On his own, 290 00:12:10,950 --> 00:12:13,970 Art Garfunkel is too syrupy, is too sweet 291 00:12:13,970 --> 00:12:16,529 (AG) I had a hit outside America that was huge in 292 00:12:16,529 --> 00:12:20,538 England, and in Europe, and in Japan called Bright Eyes 293 00:12:20,538 --> 00:12:22,399 It's a very touching lyric 294 00:12:22,399 --> 00:12:25,000 (AG) I get a lot of feedback when I'm not in this country 295 00:12:25,000 --> 00:12:27,506 on that people fell in love to it 296 00:12:27,506 --> 00:12:30,534 (AG) Or use it as their wedding song 297 00:12:30,534 --> 00:12:32,252 (Int) Could you see the day 298 00:12:32,253 --> 00:12:34,535 When circumstances were right 299 00:12:34,534 --> 00:12:36,391 And you got back together with him? 300 00:12:36,392 --> 00:12:38,516 Well I remember after we were not working together 301 00:12:38,515 --> 00:12:40,485 I really enjoyed making records 302 00:12:40,485 --> 00:12:42,850 the way my own ears heard them 303 00:12:42,851 --> 00:12:44,851 (Int) uh we're very excited to have uh 304 00:12:44,852 --> 00:12:46,535 my first guests on their show 305 00:12:46,535 --> 00:12:48,096 On our show 306 00:12:48,097 --> 00:12:50,586 It's our show, they're guests on our show 307 00:12:50,586 --> 00:12:53,586 These gentlemen are about to begin their first tour 308 00:12:53,587 --> 00:12:55,587 of the United States in 13 years 309 00:12:55,589 --> 00:12:57,467 Ladies and Gentlemen, please welcome 310 00:12:57,467 --> 00:12:59,004 Paul Simon and Art Garfunkel 311 00:12:59,004 --> 00:13:01,004 *Audience applause* 312 00:13:01,005 --> 00:13:01,697 (Int) Here in North America, 313 00:13:01,697 --> 00:13:04,054 Your Concert in the Park for 500,000 people 314 00:13:04,056 --> 00:13:05,838 Was unbelievable, really terrific 315 00:13:05,837 --> 00:13:06,666 (AG) Thanks 316 00:13:06,667 --> 00:13:17,521 *Audience applause* 317 00:13:17,522 --> 00:13:22,497 (PS) It was one of the most extraordinary evenings of our lives 318 00:13:22,498 --> 00:13:25,547 But when we walked offstage 319 00:13:25,548 --> 00:13:28,548 As we finished the last song of the encore 320 00:13:28,567 --> 00:13:32,177 We walked off and on the steps of the set 321 00:13:32,177 --> 00:13:35,153 I turn to Artie and I said 322 00:13:35,154 --> 00:13:37,812 "What do you think? How did we do?" And he said 323 00:13:37,812 --> 00:13:39,812 "Disaster" 324 00:13:39,812 --> 00:13:41,519 *Audience laughter* 325 00:13:41,520 --> 00:13:44,593 (PS) An overview was never our strong suit 326 00:13:44,595 --> 00:13:46,595 *Audience laughter* 327 00:13:46,596 --> 00:13:50,298 No I just didn't think we hit our musical strong standards 328 00:13:50,298 --> 00:13:50,950 that's all 329 00:13:50,950 --> 00:13:51,450 *Audience laughter* 330 00:13:51,450 --> 00:13:53,669 They weren't our standards 331 00:13:53,669 --> 00:13:55,669 (PS) Well, you were absolutely right, of course 332 00:13:55,669 --> 00:13:57,342 (PS) There's no question about it 333 00:13:57,342 --> 00:13:58,102 ♫ 334 00:13:58,102 --> 00:13:58,980 (PS) So um 335 00:13:58,981 --> 00:14:00,218 ♫ 336 00:14:00,219 --> 00:14:04,137 (PS) How could I be happier than to be inducted into the 337 00:14:04,136 --> 00:14:06,843 Hall of Fame with my oldest 338 00:14:06,845 --> 00:14:07,966 pal 339 00:14:07,966 --> 00:14:10,771 And we can join those other uh 340 00:14:10,773 --> 00:14:11,846 Happy couples 341 00:14:11,846 --> 00:14:13,285 Ike and Tina Turner 342 00:14:13,287 --> 00:14:16,287 *Audience laughter* 343 00:14:16,288 --> 00:14:19,507 The Everly Brothers 344 00:14:19,508 --> 00:14:22,532 Mick and Keith 345 00:14:22,533 --> 00:14:26,460 Paul and all of the other Beatles 346 00:14:26,461 --> 00:14:28,144 and ah 347 00:14:28,144 --> 00:14:32,183 Maybe they'll have a separate wing for all of us, y'know? 348 00:14:32,183 --> 00:14:35,597 (Int) Here it goes they're coming down the stairs I believe 349 00:14:35,599 --> 00:14:36,403 Simon & Garfunkel 350 00:14:36,403 --> 00:14:38,232 - As we've been saying - Super excited 351 00:14:38,232 --> 00:14:40,232 Set to begin their first tour in 20 years 352 00:14:40,232 --> 00:14:42,890 And we are giving them the Morning launch here 353 00:14:42,892 --> 00:14:44,403 Yes we can hear their feet 354 00:14:44,403 --> 00:14:46,697 I think they're about to approach 355 00:14:46,697 --> 00:14:47,918 (Int) We know they're in the building 356 00:14:47,918 --> 00:14:48,942 And there they are! 357 00:14:48,942 --> 00:14:49,504 (Int) Woah! *Audience applause* 358 00:14:49,504 --> 00:14:50,754 Art Garfunkel 359 00:14:50,754 --> 00:14:52,450 Paul Simon 360 00:14:52,450 --> 00:14:53,468 Woo! 361 00:14:53,467 --> 00:14:53,967 *Audience applause* 362 00:14:53,969 --> 00:14:56,725 They're in the building, they're entering the studio! 363 00:14:56,725 --> 00:14:58,261 *Audience applause* 364 00:14:58,263 --> 00:15:01,921 You give me one word for what happened 365 00:15:01,922 --> 00:15:04,629 That sent you on different paths 366 00:15:04,629 --> 00:15:05,701 (AG) One word? (Int) One Word. 367 00:15:05,701 --> 00:15:07,482 Tiredness 368 00:15:07,484 --> 00:15:08,312 (Int) One Word 369 00:15:08,313 --> 00:15:10,509 Oh uh one word 370 00:15:10,509 --> 00:15:11,412 ego 371 00:15:11,413 --> 00:15:12,509 *Interviewer laughs* 372 00:15:12,509 --> 00:15:14,756 Ego, in fact, you said to us at one point, 373 00:15:14,756 --> 00:15:16,313 I think, Paul when you were here 374 00:15:16,313 --> 00:15:18,313 that at some point in your life with your friends, 375 00:15:18,315 --> 00:15:20,120 particularly your old friends 376 00:15:20,120 --> 00:15:22,559 It's time to let ego, go 377 00:15:22,559 --> 00:15:25,827 There has to be a point, in fact, you say in Old Friends, 378 00:15:25,828 --> 00:15:28,974 There's a line, "How terribly strange to be 70" 379 00:15:28,975 --> 00:15:31,610 At some point you have to- to 380 00:15:31,610 --> 00:15:33,610 live in the present and not the past 381 00:15:33,610 --> 00:15:35,099 Is that what got you back together again? 382 00:15:35,100 --> 00:15:37,100 Or is there one word for that too? 383 00:15:37,100 --> 00:15:39,832 ♫ troubled water ♫ 384 00:15:39,833 --> 00:15:43,433 ♫ I will ease your mind ♫ 385 00:15:43,436 --> 00:15:45,800 Event occurred in 2007 Digitally released in 2009 386 00:15:45,799 --> 00:15:51,506 ♫ Like a bridge over troubled water ♫ 387 00:15:51,508 --> 00:15:53,508 ♫ I will ease your mind ♫ 388 00:15:53,508 --> 00:15:55,508 (PS) No, I understand why, 389 00:15:55,509 --> 00:15:58,654 I think I understand why 390 00:15:58,655 --> 00:16:00,436 Why it happened 391 00:16:00,437 --> 00:16:03,510 uh but I think it's best 392 00:16:03,511 --> 00:16:06,218 to stay away 393 00:16:06,220 --> 00:16:08,220 stay away 394 00:16:08,221 --> 00:16:10,634 just for just for safety's sake 395 00:16:10,634 --> 00:16:34,778 *Audience applause* 396 00:16:34,778 --> 00:16:35,950 Thank you so much 397 00:16:35,951 --> 00:16:37,951 Thank you to Doctor *inaudible* 398 00:16:37,951 --> 00:16:40,123 Thank you to PBS 399 00:16:40,124 --> 00:16:43,051 It's been a wonderful, wonderful night for me 400 00:16:43,052 --> 00:16:51,098 *Audience applause* 401 00:16:51,099 --> 00:16:57,416 Paul Simon played at the Newport Folk Festival 402 00:16:57,417 --> 00:17:05,318 While they might not play together anymore, they're still Old Friends 403 00:17:05,319 --> 00:17:34,019 ♫ 29175

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