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PREVIOUSLY ON CEDAR COVE...
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NO.
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SO YOU'RE THE GUYTHAT HE HIRED.
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BUT I'M NOT A GUY.
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NO, YOU'RE NOT.
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I RE-UPPED.
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PLEASE, JACK,I'M NOT JEALOUS.
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I'M CONCERNED ABOUT YOU.
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YOU KNOW, I TOTALLYUNDERSTAND IF YOU'RE ANGRY.
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I'M NOT.
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YOU'RE NOT?
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I WAS.
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I WAS SPITTIN' ANGRY.
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THEN I TOOK DUKE OUT FORA COUPLE OF HOURS, AND...
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AND NOW?
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I'M BETTER.
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YOU KNOW THAT NOTHING HAPPENEDWITH WILL, RIGHT?
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I BELIEVE YOU.
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AND HERE I THOUGHT
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WE WERE GOING TO HAVEA BIG MESSY FIGHT.
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NO, BUT...
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YOU'VE GOT TO BEHONEST WITH ME.
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DOES WILL HAVEANYTHING TO DO
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WITH YOU WANTING TOSLOW THINGS DOWN?
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NO.
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NO, I JUST WANT SOME TIMETO CATCH MY BREATH.
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[SIGHS WISTFULLY]
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I GUESS YOU WEREEXPECTING SOMEONE
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A LITTLE MOREMASCULINE.
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MMM.
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YOU KNOW, ALEX ISSHORT FOR ALEXANDRA.
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YEAH, I GOT THAT,THANKS.
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SHE MOVED INTOTHE CABIN.
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-SO I HEAR.-SHE LOVES IT.
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SHE'S THINKING ABOUT NAILINGCOWBOY BOOTS TO THE WALL.
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WHAT DO YOUTHINK OF THAT?
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[CHUCKLING]
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SO...
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YEAH.
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YEAH, THIS ISKIND OF...
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I KNOW.
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SO WHATDO WE DO NOW?
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GOOD NIGHT, LUKE.
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GOOD NIGHT.
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[STARTS ENGINE]
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YOU'RE UP EARLY.
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[WEARILY] HMM.
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I'M ON DEADLINEFOR THE PAPER.
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OH, DON'T WORRY.
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I HEAR THE EDITOROF THECHRONICLE
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IS A TOTAL PUSHOVER.
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NO, THIS IS THE ARTICLEFORTHE SEATTLE COURIER,
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AND IT'S DUEBY THE END OF THE WEEK.
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AND IF I DON'T WOWTHE NEW EDITOR
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WITH ANOTHERBEAUTIFULLY WRITTEN,
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EMOTIONALLY DRIVEN STORY,
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THEN THIS ASSIGNMENTWILL BE MY LAST.
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SO, WHAT DO YOU HAVE?
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A MIGRAINEAND AN UPSET STOMACH.
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[LAUGHS]
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YOU'RE GOING TOBE OKAY.
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AH...
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YOU KNOW, I REMEMBER THE RUSH
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OF WRITING SOMETHINGTHAT MILLIONS OF PEOPLE READ,
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BUT I FORGOT THE PANICTHAT PRECEDES IT.
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WHAT'S REALLY GOING ON?
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I NEVER THOUGHTTHAT I WOULD BE BACK
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WORKING WITHA HIGH-PROFILE PAPER AGAIN.
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MY STORY ON LUKEOPENED UP
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A LOT OF CLOSED DOORSFOR ME, BUT...
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[SIGHS HEAVILY]
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WHAT IF I DON'T HAVEANOTHER GREAT ARTICLE IN ME?
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YOU KNOW, WHAT IFTHAT WAS JUST A FLUKE?
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THE ARTICLE ON LUKE
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IS THE FIRST OF MANY.
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I'M NOT SO SURE.
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YOU MADE ME CRY.
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I DID?
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YOU NOT ONLY GOT IN MY HEAD,
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YOU TOUCHED MY HEART.
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WOW...
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NOW, THATIS WORTH MORE THAN A PULITZER.
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[CHUCKLES]
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WELL,
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THEN STOP YOUR BELLYACHINGAND WRITE ME ANOTHER ONE.
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[CHUCKLES]
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[SIGHS]
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[♪]
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♪ HOLD YOUR HEADCLOSE TO THE GROUND ♪
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♪ SO YOU CAN HEAR MY VOICEAS IT STARTS TO SOUND ♪
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♪ CAN YOU FEEL IT NOWYOU FEEL IT IN YOUR VEINS... ♪
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MORNING.
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GOOD MORNING.
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COFFEE?
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OH, YEAH.
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HOW DID YOU SLEEP?
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NOT WELL.
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HOW DO YOU THINK IAN SLEPT?
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I THINK...
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IAN AND I NEED TOGET USED TO SLEEPING APART.
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THIS ISN'T ABOUT BABIES
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OR US LYINGTO EACH OTHER ANYMORE.
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WHAT'S IT ABOUT?
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WHETHER WE SHOULDSTAY TOGETHER.
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HELLO...
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HEY!
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THERE THEY ARE.
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HI. OH...
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THERE SHE IS.
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OH, WHO'S THE MOST BEAUTIFULGIRL IN THE WORLD?
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YES, YOU ARE!
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YES...
113
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AND WHAT IS IT ABOUT BABIES
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THAT MAKE ADULTSSOUND LIKE IDIOTS?
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[LAUGHING]
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OH, HEY, SHELLY,YOU LOOK GREAT.
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OH, THANK YOU.
118
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LOOK AT YOU.
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OH, YEAH, I'M FINE, DAD.
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THANKS FOR ASKING.
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OH, I SEE YOU ALL THE TIME.
122
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PLUS, YOU'RE NOTAS CUTE AS THIS ONE.
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VERY TRUE.
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WE'RE JUST COMING INFOR A QUICK VISIT,
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AND THEN I'M GOING TO TAKESHELLY AND ADELE OUT TO EAT
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BEFORE I'VE GOT TOGET BACK TO WORK.
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OKAY.
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AND THEN WE'REGOING TO GO BACK
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TO DADDY'S NICE NEW HOUSEFOR A NAP.
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HEY, WHY DON'T YOU JOIN US?
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I DON'T NEED A NAP.
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[LAUGHS]
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HE MEANT FOR LUNCH.
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OH, I WISH I COULD, GUYS,
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BUT I'VE GOT TO WORK.
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ERIC TOLD ME ABOUTTHE NEW JOB IN SEATTLE.
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DOES THAT MEAN
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WE MIGHT GETTO SEE YOU MORE OFTEN?
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MOST DEFINITELY, YES.
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YAY.
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HEY, DO YOU GUYS NEED TOLEAVE ADELE HERE WITH ME?
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WELL, YOU HAVE TO WORK.
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YOU DESERVE TO HAVESOME ALONE TIME WITH SHELLY.
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THANKS, DAD, BUT I WANTBOTH MY GIRLS WITH ME.
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OKAY.
146
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GOOD LUCK WITH YOUR ARTICLE.
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THANK YOU.
148
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OKAY, BYE, GUYS.
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BYE BYE.
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BYE...
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[SIGHING HEAVILY]
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HEY!
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HI.DO YOU HAVE TIME
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FOR AN EMERGENCY LUNCH?
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DID YOUTALK TO CLIFF?
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I DID, BUT THIS IS ABOUT ALEX.
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WHO'S THAT?
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NEW HORSE TRAINERTHAT CLIFF HIRED.
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OKAY, WHAT'SWRONG WITH HIM?
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HIM IS A HER,
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AND HER IS A VERYATTRACTIVE WOMAN
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WHO IS WORKINGWITH MY BOYFRIEND.
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THIS IS CLIFFWE'RE TALKING ABOUT.
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YEAH, WELL, THANKS TO ME,HE'S OUT THERE ALL ALONE
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WITH A WOMANWHO MAKES FLANNEL SEXY.
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[LAUGHS]
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CLIFF LOVES YOU.
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YEAH, AND THEN I GO
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AND ASK HIMFOR MORE SPACE.
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IF I'M NOT CAREFUL,
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I'M GOING TO END UP WITHMORE SPACE THAN I WANT.
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WELL, THEN, DON'TGIVE HIM THE SPACE.
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IT'S YOUR RULE.YOU CAN BREAK IT.
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YEAH.
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YOU WERE RIGHT,IT'S COLIN MCFADDEN.
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OKAY.
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THANKS.
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I CONFIRMED HE'S THE ONESENDING YOU FLOWERS.
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[SIGHS]
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SEEMS LIKEHE'S STAYING PUT,
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BUT I'LL MAKE SUREMY GUY AT PORTLAND P.D.
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KEEPS AN EYE ON HIM.
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GOOD.
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THANK YOU.
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MAYBE IF YOU TOLD METHE WHOLE STORY,
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I COULD DO MORE.
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I CAN'T.
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NO ONE CAN KNOW.
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WELL, YOU KNOW I'M HERE,
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AND IF YOU CHANGE YOUR MINDAND WANT TO TALK...
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YEAH.
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THANKS.
193
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WAIT A MINUTE...
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YOU'RE WAITING FORJUDGE LOCKHART.
195
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YES.
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HOW DID YOU KNOW?
197
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I HAVE A TOUCH OF ESP.
198
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I GOT IT FROM MY MOTHER--
199
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MY BIRTH MOTHER,THAT IS.
200
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REALLY?
201
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YEAH. YEAH...
202
00:09:07,238 --> 00:09:09,281
AND ALSO, UH, OLIVIA CALLED
203
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ASKED ME TO TELL YOUSHE'S RUNNING A LITTLE LATE.
204
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BUT I KNEW THATBEFORE SHE CALLED.
205
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IF YOU SAY SO.
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[LAUGHING]WHAT CAN I GET YOU FOR?
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00:09:15,621 --> 00:09:16,955
UH, JUST WATER, PLEASE.
208
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BOTTLED, SPARKLING, OR TAP?
209
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TAP.
210
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AH.
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A MOST EXCELLENTAND, UH, ECONOMICAL CHOICE.
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HEY, MOON.
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HEY.
214
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SORRY I'M LATE.
215
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NO PROBLEM.
216
00:09:36,054 --> 00:09:37,890
SO...
217
00:09:39,307 --> 00:09:39,932
PAY UP.
218
00:09:39,974 --> 00:09:41,976
WHATEVER DO YOU MEAN?
219
00:09:42,101 --> 00:09:43,560
OH, LET ME REFRESH YOUR MEMORY.
220
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OUR MONTHLY POKER GAME,
221
00:09:44,811 --> 00:09:45,562
WHERE YOU AND YOUR FRIENDS
222
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SURRENDER YOURHARD-EARNED CASH TO ME.
223
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IT'S ALL COMING BACK.
224
00:09:50,942 --> 00:09:53,486
HOW DO YOU BEAT A FULL HOUSE?
225
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STRAIGHT FLUSH.
226
00:09:56,071 --> 00:09:57,656
WHERE DID YOU GET THAT QUEEN?
227
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IT JUST APPEARED.
228
00:09:59,199 --> 00:10:00,450
AND THEN YOUR MONEY JUST...
229
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DISAPPEARED?
230
00:10:01,535 --> 00:10:03,494
[LAUGHING]
231
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YOU'RE A SHARK.
232
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I AM.
233
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I LIKE THAT ABOUT YOU.
234
00:10:09,750 --> 00:10:10,458
HERE YOU GO.
235
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I THREW INA COUPLE ICE CUBES
236
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ON THE HOUSE.
237
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GO WILD.
238
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YOUR USUAL.
239
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NOW THAT I HAVE YOUIN A WEAKENED STATE,
240
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I'M GOING TOHIT YOU UP FOR A FAVOR.
241
00:10:21,342 --> 00:10:22,093
FROM ME?
242
00:10:22,177 --> 00:10:23,719
YEAH. WITH REBECCA.
243
00:10:23,804 --> 00:10:25,055
[SIGHING]
244
00:10:25,180 --> 00:10:27,139
WHAT'D SHE DO THIS TIME?
245
00:10:27,181 --> 00:10:28,599
SHE LIED ON HER RESUME.
246
00:10:28,683 --> 00:10:29,349
REALLY?
247
00:10:29,516 --> 00:10:30,475
FLAT-OUT LIEDOR JUST EMBELLISHED?
248
00:10:30,559 --> 00:10:31,643
I MEAN, NOT THATIT MAKES A DIFFERENCE.
249
00:10:31,685 --> 00:10:32,936
FLAT-OUT LIED.
250
00:10:33,019 --> 00:10:34,145
SHE DIDN'T GO TO YALE.
251
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HUH.
252
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OKAY.
253
00:10:37,690 --> 00:10:38,899
SO, WHAT'S THE FAVOR?
254
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LET ME HANDLE IT FOR YOU.
255
00:10:42,194 --> 00:10:44,237
BUT SHE WORKS FOR ME.
256
00:10:44,321 --> 00:10:46,364
WHAT ARE YOU UP TO?
257
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I WOULD HAVE LOVED TO SEE HER,
258
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JUST LIKE, EVEN,JUST BEING A BABY,
259
00:10:53,203 --> 00:10:54,955
AND WITNESSING SOMETHINGLIKE THAT FOR THE FIRST TIME--
260
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ERIC!
261
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HI, WARREN.
262
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HEY.
263
00:11:00,376 --> 00:11:02,169
HI.
264
00:11:03,420 --> 00:11:04,838
UH, WARREN, THIS IS SHELLY.
265
00:11:04,879 --> 00:11:06,715
SHELLY, THIS IS WARREN,MY BOSS.
266
00:11:06,756 --> 00:11:09,175
SHELLY, HI. IT'S VERYNICE TO FINALLY MEET YOU.
267
00:11:09,217 --> 00:11:10,093
NICE TO MEETYOU, TOO.
268
00:11:10,176 --> 00:11:11,302
-OH, THIS IS REBECCA.-HELLO.
269
00:11:11,385 --> 00:11:12,345
HI.
270
00:11:12,386 --> 00:11:13,220
WELL, WE SHOULD, UH,
271
00:11:13,220 --> 00:11:14,054
GET TO OUR TABLE.
272
00:11:14,262 --> 00:11:16,056
NO, NONSENSE. YOU GUYSARE GOING TO JOIN US.
273
00:11:16,056 --> 00:11:17,515
OH, NO, WE'RE FINE.
274
00:11:17,557 --> 00:11:19,100
OH, ERIC, COME ON, SIT.
275
00:11:19,184 --> 00:11:20,560
WE DON'T WANT TO INTERRUPT.
276
00:11:20,602 --> 00:11:21,978
I INSIST, ERIC.
277
00:11:22,061 --> 00:11:23,938
LIKE I SAID,SIT DOWN.
278
00:11:23,980 --> 00:11:25,064
O...KAY.
279
00:11:25,106 --> 00:11:27,232
MAYBE THEY'D LIKEA LITTLE TIME TO THEMSELVES?
280
00:11:27,315 --> 00:11:30,318
THEY HAVEN'T SEENEACH OTHER FOR A WHILE.
281
00:11:30,401 --> 00:11:32,153
IT HAS BEEN A WHILE.
282
00:11:32,237 --> 00:11:33,404
HOW DID YOU KNOW THAT?
283
00:11:33,488 --> 00:11:36,490
YEAH, REBECCA,HOW DID YOU KNOW THAT?
284
00:11:37,657 --> 00:11:39,368
SMALL TOWN.
285
00:11:40,243 --> 00:11:42,036
OKAY, UH, PLEASE,SHELLY, JOIN US.
286
00:11:42,120 --> 00:11:43,621
OKAY.
287
00:11:56,340 --> 00:11:58,259
I DON'T BELIEVE IT.
288
00:11:59,968 --> 00:12:02,595
IS THAT YOU?
289
00:12:02,637 --> 00:12:06,557
IS THAT REALLY YOU?
290
00:12:06,641 --> 00:12:07,933
IT'S ME.
291
00:12:07,975 --> 00:12:10,310
COLIN, WHEREHAVE YOU BEEN?
292
00:12:10,352 --> 00:12:12,187
AWAY.
293
00:12:12,271 --> 00:12:13,563
AND NOW?
294
00:12:13,605 --> 00:12:15,273
I'M MOVING BACK.
295
00:12:15,356 --> 00:12:18,442
[LAUGHING IN DELIGHT]
296
00:12:19,527 --> 00:12:21,278
OH, WAIT TILL PEGGY FINDS OUT.
297
00:12:21,361 --> 00:12:24,406
[LAUGHING HAPPILY]
298
00:12:31,703 --> 00:12:33,955
[CRACKS WHIP]
299
00:12:37,375 --> 00:12:40,210
EASY, EASY...
300
00:12:40,294 --> 00:12:42,254
EASY, WHOA, WHOA...
301
00:12:43,338 --> 00:12:44,548
GOOD GIRL.
302
00:12:44,631 --> 00:12:45,549
HEY, GRACE!
303
00:12:45,590 --> 00:12:46,425
HEY.
304
00:12:46,466 --> 00:12:47,425
IS CLIFF AROUND?
305
00:12:47,467 --> 00:12:48,968
I'M AFRAID NOT.
306
00:12:49,010 --> 00:12:50,136
DO YOU KNOWWHERE HE IS?
307
00:12:50,178 --> 00:12:52,846
WE'VE GOT A NEW STALLIONWITH A LITTLE TOO MUCH ENERGY.
308
00:12:52,930 --> 00:12:54,640
CLIFF'S TRYING TO TIRE HIM OUT.
309
00:12:54,682 --> 00:12:55,473
AW.
310
00:12:55,557 --> 00:12:57,142
WELL, I JUST BROUGHTHIM SOME COOKIES.
311
00:12:57,184 --> 00:12:58,476
WOULD YOU LIKE ONE?
312
00:12:58,518 --> 00:12:59,936
I'D LOVE ONE,
313
00:12:59,977 --> 00:13:01,771
BUT I'M TRYINGTO LOSE FIVE POUNDS.
314
00:13:02,814 --> 00:13:04,148
OF COURSE YOU ARE.
315
00:13:04,190 --> 00:13:06,149
I'M JUST IN THE MIDDLEOF LUNGING MADDIE.
316
00:13:06,232 --> 00:13:07,067
OKAY, WELL, UH,
317
00:13:07,150 --> 00:13:08,151
I'LL JUST DROP THESE OFF, THEN,
318
00:13:08,193 --> 00:13:09,277
AND I'LL COME BACK LATER.
319
00:13:09,319 --> 00:13:11,321
OKAY. I'LL TELL CLIFF.
320
00:13:11,362 --> 00:13:12,488
OKAY.
321
00:13:13,823 --> 00:13:16,033
COME ON, MADDIE.
322
00:13:19,994 --> 00:13:22,789
YOU KNOW, I THINK I'M...I'M JUST...I'M GOING TO WAIT.
323
00:13:22,831 --> 00:13:25,833
OH, NO PROBLEM.
324
00:13:37,718 --> 00:13:39,761
I JUST NEEDA FEW THINGS.
325
00:13:39,845 --> 00:13:40,971
OKAY.
326
00:13:42,680 --> 00:13:45,516
I'M GLAD YOU CAME BY.
327
00:13:45,558 --> 00:13:46,851
YOU ARE?
328
00:13:46,892 --> 00:13:49,311
YEAH.
329
00:13:49,394 --> 00:13:51,230
I DIDN'T WANT TO LEAVEWITHOUT SAYING GOODBYE.
330
00:13:51,313 --> 00:13:53,482
WHAT ARE YOU TALKING ABOUT?
331
00:13:53,523 --> 00:13:56,150
I GOT THEM TO PULL UPMY DEPLOYMENT.
332
00:13:56,192 --> 00:13:58,444
I SHIP OUT LATER TODAY.
333
00:13:58,527 --> 00:13:59,362
REALLY?
334
00:13:59,445 --> 00:14:00,529
YEAH, WHAT'STHE DIFFERENCE?
335
00:14:00,571 --> 00:14:05,617
TODAY, TWO WEEKSFROM NOW...
336
00:14:05,700 --> 00:14:08,745
I JUST, I COULDN'T LEAVEWITHOUT...
337
00:14:08,828 --> 00:14:10,454
TELLING YOU THAT I LOVE YOU.
338
00:14:11,538 --> 00:14:12,373
AND WITHOUTTELLING YOU
339
00:14:12,456 --> 00:14:15,208
THAT I CAN'T KEEP LIVINGLIKE THIS.
340
00:14:16,209 --> 00:14:18,544
MAYBE SOMEONEJUST HAS TO SAY IT,
341
00:14:18,586 --> 00:14:22,172
AND THEN WE BOTH CANMOVE ON WITH OUR LIVES.
342
00:14:25,217 --> 00:14:26,134
WHAT I DO FOR A LIVING,
343
00:14:26,217 --> 00:14:31,139
EVERY DAY I'M REMINDEDOF HOW SHORT LIFE IS,
344
00:14:31,222 --> 00:14:35,600
AND IT'S TOO SHORTFOR US BOTH TO BE THIS UNHAPPY.
345
00:14:40,229 --> 00:14:45,234
YOU KNOW HOW I KNOW I MADETHE RIGHT DECISION TO LEAVE?
346
00:14:45,276 --> 00:14:47,861
BECAUSE YOU'RE NOTEVEN FIGHTING IT.
347
00:14:51,114 --> 00:14:54,033
YOU WON'T EVENTELL ME YOU LOVE ME.
348
00:14:56,451 --> 00:14:58,745
[CHUCKLES MIRTHLESSLY]
349
00:15:09,296 --> 00:15:12,590
[DIALING PHONE]
350
00:15:12,674 --> 00:15:13,466
[SIGHS HEAVILY]
351
00:15:13,550 --> 00:15:16,385
[CELL PHONE RINGS]
352
00:15:18,304 --> 00:15:19,179
HELLO?
353
00:15:19,262 --> 00:15:20,263
[JACK]: HEY...
354
00:15:20,305 --> 00:15:21,431
HEY, YOU.
355
00:15:22,182 --> 00:15:24,684
I'M NOT SUREI CAN MAKE DINNER TONIGHT.
356
00:15:24,767 --> 00:15:26,018
WRITING?
357
00:15:26,101 --> 00:15:29,188
ACTUALLY, I'M, UH,GOING TO SEATTLE.
358
00:15:29,271 --> 00:15:30,272
WHY?
359
00:15:30,439 --> 00:15:33,483
I JUST FEEL LIKE MY ARTICLEIS LACKING SOME REALISM,
360
00:15:33,567 --> 00:15:35,443
AND IF I CAN ACTUALLY TALK TO
361
00:15:35,484 --> 00:15:37,445
THE PEOPLE I WANTTO WRITE ABOUT,
362
00:15:37,445 --> 00:15:38,279
IT MIGHT HELP.
363
00:15:38,404 --> 00:15:42,532
PLUS I'VE GOT TO DOSOME RESEARCH, SO...
364
00:15:42,615 --> 00:15:44,701
JACK, YOU DON'T SOUND SO GOOD.
365
00:15:44,784 --> 00:15:46,285
NO, NO, NEVER BETTER.
366
00:15:46,327 --> 00:15:49,330
LOOK, YOU'RE GOING TO GETTHIS ARTICLE WRITTEN,
367
00:15:49,455 --> 00:15:51,582
AND IT'S GOING TO BE EVEN BETTERTHAN THE ONE ON LUKE.
368
00:15:51,665 --> 00:15:54,084
YOU ARE CONTRACTUALLYOBLIGATED TO SAY THAT.
369
00:15:54,125 --> 00:15:55,043
YOU'RE MY GIRLFRIEND.
370
00:15:55,251 --> 00:15:58,421
I'M LIKE GEORGE WASHINGTON,I CANNOT TELL A LIE.
371
00:15:58,504 --> 00:15:59,672
[CHUCKLES]
372
00:15:59,755 --> 00:16:00,756
THANKS.
373
00:16:00,798 --> 00:16:03,592
SO, GRAB SOMETHING LATER?
374
00:16:03,633 --> 00:16:06,344
I'D RATHER STAY IN.
375
00:16:06,385 --> 00:16:09,097
WHATEVER WILL WE DOWITH OURSELVES?
376
00:16:09,138 --> 00:16:11,515
OH, WE'LL THINK OF SOMETHING.
377
00:16:11,557 --> 00:16:12,725
[CHUCKLING]
378
00:16:12,808 --> 00:16:14,768
I'LL CALL YOU LATER.
379
00:16:14,852 --> 00:16:16,436
LOVE YOU.
380
00:16:16,478 --> 00:16:17,645
I LOVE YOU TOO.
381
00:16:17,687 --> 00:16:19,146
BYE.
382
00:16:21,816 --> 00:16:23,275
[KNOCK ON DOOR]
383
00:16:23,317 --> 00:16:25,652
JUDGE LOCKHART,THEY'RE READY FOR YOU.
384
00:16:25,777 --> 00:16:27,278
I'LL BE RIGHT THERE.
385
00:16:31,657 --> 00:16:34,368
OH, YOU KNOW...
386
00:16:34,409 --> 00:16:36,620
BEEN BUSY.
387
00:16:38,872 --> 00:16:41,958
I SHOULD LET YOU GO, UM...
388
00:16:42,000 --> 00:16:44,127
WE CAN SKYPE LATER?
389
00:16:45,669 --> 00:16:48,630
I DON'T KNOW, I JUSTWANT TO SEE YOUR FACE.
390
00:16:51,716 --> 00:16:53,676
OKAY.
391
00:16:53,760 --> 00:16:57,679
I LOVE YOU TOO.
392
00:16:57,721 --> 00:16:58,555
BYE.
393
00:16:58,639 --> 00:17:01,016
[BEEPS PHONE OFF, SNIFFLING]
394
00:17:09,481 --> 00:17:11,816
[KNOCK ON DOOR]
395
00:17:23,118 --> 00:17:24,369
HEY.
396
00:17:26,453 --> 00:17:28,580
OH, JUSTINE,ARE YOU OKAY?
397
00:17:28,705 --> 00:17:32,876
NO, I'M NOT OKAY.
398
00:17:34,377 --> 00:17:36,546
IT WASN'T JUST YOUON THAT BEACH YESTERDAY.
399
00:17:36,587 --> 00:17:39,173
IT'S OKAY, I'M CONFUSED TOO.
400
00:17:39,840 --> 00:17:41,383
NO, I DON'T THINKYOU'RE CONFUSED.
401
00:17:41,466 --> 00:17:44,553
I THINK YOU'REFEELING GUILTY.
402
00:17:44,636 --> 00:17:47,555
WHY WOULD YOU WANT ME ANYWAY?
403
00:17:47,596 --> 00:17:49,598
I'M A REALLY BAD GIRLFRIEND.
404
00:17:49,682 --> 00:17:52,142
YOU CAN DENY ITALL YOU WANT,
405
00:17:52,225 --> 00:17:53,560
BUT THERE IS SOMETHINGGOING ON BETWEEN US.
406
00:17:53,644 --> 00:17:55,395
IT'S JUST FRIENDSHIP.
407
00:17:55,478 --> 00:17:57,063
NO, THERE'S SOMETHINGMORE THAN THAT,
408
00:17:57,104 --> 00:17:58,648
AND THE SOONER YOU FACE IT,
409
00:17:58,690 --> 00:18:00,817
THE BETTER IT WILL BEFOR ALL OF US.
410
00:18:00,900 --> 00:18:02,068
SETH INCLUDED.
411
00:18:03,235 --> 00:18:05,028
I'VE GOT TO GO.
412
00:18:16,080 --> 00:18:16,996
[KNOCK ON DOOR]
413
00:18:17,080 --> 00:18:18,247
YES?
414
00:18:19,290 --> 00:18:21,417
YOU RANG?
415
00:18:23,586 --> 00:18:24,587
WE NEED TO TALK.
416
00:18:24,628 --> 00:18:25,588
AGAIN?
417
00:18:25,754 --> 00:18:27,630
DON'T YOU HAVE OTHER PEOPLEYOU CAN EAT LUNCH WITH?
418
00:18:27,714 --> 00:18:30,425
I CALLED PATRICIA MALLOYAT YALE.
419
00:18:31,258 --> 00:18:31,926
YEAH?
420
00:18:32,009 --> 00:18:33,427
SHE DIDN'T REMEMBER YOU.
421
00:18:33,510 --> 00:18:36,763
I TOLD YOUI NEVER HAD HER.
422
00:18:38,014 --> 00:18:38,974
I KNOW.
423
00:18:39,099 --> 00:18:39,975
WHAT DO YOU KNOW?
424
00:18:40,058 --> 00:18:42,102
THAT YOU DIDN'T GO TO YALE.
425
00:18:43,769 --> 00:18:44,687
REALLY?
426
00:18:44,770 --> 00:18:46,021
[HAUGHTILY] WHAT?
427
00:18:46,105 --> 00:18:46,897
YOU'RE CAUGHT.
428
00:18:46,939 --> 00:18:49,316
YOU CAN'T PRETENDYOU'RE NOT CAUGHT.
429
00:18:49,399 --> 00:18:50,609
SAYS YOU.
430
00:18:50,692 --> 00:18:51,693
SAYS THE FACTS.
431
00:18:51,776 --> 00:18:52,777
I'M SORRY,
432
00:18:52,986 --> 00:18:55,446
IS THIS THE PART WHERE I'MSUPPOSED TO BREAK DOWN AND CRY
433
00:18:55,529 --> 00:18:57,030
AND BEG YOU TO NOT TELL MY BOSS?
434
00:18:57,114 --> 00:18:58,366
NO.
435
00:18:58,449 --> 00:19:00,784
THIS IS THE PARTWHERE YOU DROP THE ATTITUDE,
436
00:19:00,868 --> 00:19:02,744
BECAUSE YOUR ENTIRE CAREERIS AT STAKE.
437
00:19:02,785 --> 00:19:04,871
THIS ISN'T ATTITUDE.
438
00:19:04,954 --> 00:19:06,205
THIS IS ME,
439
00:19:06,288 --> 00:19:07,957
AND UNLIKE
440
00:19:07,999 --> 00:19:09,708
MOST OF THE PEOPLEYOU ENCOUNTER,
441
00:19:09,791 --> 00:19:11,543
I'M NOT AFRAID OF YOU.
442
00:19:29,975 --> 00:19:31,268
I'LL CATCH UPWITH YOU.
443
00:19:32,394 --> 00:19:34,062
HEY...
444
00:19:34,146 --> 00:19:35,105
HEY.
445
00:19:35,147 --> 00:19:36,856
WHAT ARE YOU DOINGBACK IN SEATTLE?
446
00:19:36,898 --> 00:19:40,860
OH, UH, I JUST NEEDED TO USETHE PAPER'S NEXUS,
447
00:19:40,943 --> 00:19:43,904
YOU KNOW, DO A LITTLE RESEARCH.
448
00:19:43,987 --> 00:19:44,946
HUH...
449
00:19:44,988 --> 00:19:46,740
I KNOW THAT FACE.
450
00:19:46,823 --> 00:19:47,573
WHAT?
451
00:19:47,657 --> 00:19:49,159
YOU ARE TOTALLY BLOCKED.
452
00:19:49,200 --> 00:19:51,160
[CHUCKLES]
453
00:19:51,201 --> 00:19:53,453
UH...
454
00:19:53,537 --> 00:19:56,540
I CAN'T SEEM TO STRINGTWO SENTENCES TOGETHER.
455
00:19:56,665 --> 00:19:58,417
WELL, BACK IN PHILLY,WHENEVER YOU GOT LIKE THIS,
456
00:19:58,500 --> 00:20:00,043
YOU ALWAYS PULLED OUTA WINNER IN THE END.
457
00:20:00,126 --> 00:20:02,670
YEAH, WELL, THAT WAS PHILLY.
458
00:20:02,753 --> 00:20:04,338
HEY, WHY DON'T YOU JOIN US?
459
00:20:05,255 --> 00:20:06,089
US?
460
00:20:06,339 --> 00:20:08,175
YEAH, THAT'S THE EDITORIALSTAFF FROM THE PAPER.
461
00:20:08,216 --> 00:20:11,719
YOU'VE WANDERED INTOOUR REAL OFFICE.
462
00:20:11,803 --> 00:20:13,595
COME ON,IT'S A GREAT GROUP.
463
00:20:13,679 --> 00:20:14,888
YOU'LL REALLY LIKE THEM.
464
00:20:14,931 --> 00:20:16,473
UH...
465
00:20:19,059 --> 00:20:21,186
NO, I'M GOING TO STAY HERE,
466
00:20:21,227 --> 00:20:23,188
TRY AND GETSOME WORK DONE,
467
00:20:23,229 --> 00:20:24,188
BUT, UM...
468
00:20:24,229 --> 00:20:24,980
THANK YOU.
469
00:20:25,022 --> 00:20:26,941
IF YOU CHANGE YOUR MIND...
470
00:20:27,024 --> 00:20:28,733
I WON'T.
471
00:20:28,775 --> 00:20:30,610
RIGHT.
472
00:20:34,322 --> 00:20:36,865
SO, WHAT WEREYOU EXPECTING?
473
00:20:36,865 --> 00:20:37,575
I DON'T KNOW,
474
00:20:37,658 --> 00:20:38,909
I THOUGHTIF I CONFRONTED HER,
475
00:20:38,992 --> 00:20:40,077
SHE'D DROP SOME OFTHAT ATTITUDE,
476
00:20:40,160 --> 00:20:42,245
AND I COULDGET THROUGH TO HER.
477
00:20:42,329 --> 00:20:45,289
SHE CALLEDAND RESIGNED.
478
00:20:45,372 --> 00:20:46,207
REALLY?
479
00:20:46,290 --> 00:20:47,959
WHAT IS IT ABOUT HER?
480
00:20:48,042 --> 00:20:48,959
I MEAN, WHY CAN'T YOULET IT GO?
481
00:20:49,043 --> 00:20:51,127
YOU KNOW YOU CAN'TSAVE EVERYONE.
482
00:20:51,211 --> 00:20:52,879
WELL, SOMEBODY'SGOT TO HELP HER.
483
00:20:52,921 --> 00:20:54,172
ALL THAT BLUSTERAND BRAVADO,
484
00:20:54,214 --> 00:20:56,216
IT'S HIDING SOMETHING.
485
00:20:56,216 --> 00:20:57,883
YEAH, BUT WHY YOU?
486
00:20:57,967 --> 00:20:59,093
BECAUSE I SAW HERIN ACTION.
487
00:20:59,176 --> 00:21:00,845
SHE IS AN AMAZINGATTORNEY.
488
00:21:00,886 --> 00:21:02,137
I KNOW.I HIRED HER.
489
00:21:02,221 --> 00:21:04,180
BUT SHE LIED.
490
00:21:04,222 --> 00:21:05,139
SHE DIDN'T NEED TO.
491
00:21:05,223 --> 00:21:07,183
I SAW THE GRADES FROMTHE COLLEGE SHE DID GO TO.
492
00:21:07,225 --> 00:21:09,060
STRAIGHT AsACROSS THE BOARD.
493
00:21:09,102 --> 00:21:12,104
I JUST HATE TO SEE HERTHROW HER CAREER AWAY.
494
00:21:13,063 --> 00:21:15,732
WELL, I GUESS IF YOU COULDGET HER TO SEE REASON,
495
00:21:15,815 --> 00:21:16,691
I COULD REINSTATE HER,
496
00:21:16,774 --> 00:21:17,942
BUT SHE'D BE ON PROBATION,AND I MEAN IT,
497
00:21:18,025 --> 00:21:20,069
IF SHE EVEN GETS A PARKINGTICKET, THAT'S IT.
498
00:21:20,111 --> 00:21:21,403
I DON'T DOTHREE STRIKES.
499
00:21:21,445 --> 00:21:23,989
TONY, YOU'REA GOOD MAN.
500
00:21:24,072 --> 00:21:25,115
YEAH...
501
00:21:25,198 --> 00:21:27,658
BUT IS REBECCAA GOOD WOMAN?
502
00:21:27,742 --> 00:21:29,744
DICK TURNBULLISN'T VERY HAPPY.
503
00:21:29,827 --> 00:21:30,911
HE WANTS TO MEET.
504
00:21:30,953 --> 00:21:32,747
BECAUSE EVERYBODYI DO BUSINESS WITH BACK EAST
505
00:21:32,788 --> 00:21:35,374
[QUIETLY]ENDS UP IN FEDERAL CUSTODY.
506
00:21:35,415 --> 00:21:36,916
LOOK, YOU'RE MY LAWYER, OKAY?
507
00:21:36,958 --> 00:21:38,376
YOU SET UP WITH THE FEDSIN THE FIRST PLACE.
508
00:21:38,417 --> 00:21:40,628
DO SOMETHING. NOW!
509
00:21:42,921 --> 00:21:44,840
-HEY.-HI.
510
00:21:44,923 --> 00:21:45,758
SIT.
511
00:21:48,426 --> 00:21:50,219
I, UH...
512
00:21:50,261 --> 00:21:54,431
I GOTTA SAY, ERIC, UM...
513
00:21:54,473 --> 00:21:55,766
YOU SURPRISED ME.
514
00:21:55,849 --> 00:21:57,393
HOW IN THE WORLDDOES A GUY LIKE YOU
515
00:21:57,434 --> 00:21:59,602
GET A GIRL LIKE REBECCA?
516
00:21:59,685 --> 00:22:01,771
NOW, LISTEN, DON'TTAKE THIS THE WRONG WAY.
517
00:22:01,812 --> 00:22:04,106
YOU ARE FAR MORE TALENTEDTHAN I EVER THOUGHT,
518
00:22:04,148 --> 00:22:07,276
AND I GOTTAREMEMBER THAT.
519
00:22:07,276 --> 00:22:08,110
BUT YOU GOTTA KNOW
520
00:22:08,235 --> 00:22:09,361
YOU'RE WAY OUT OFYOUR LEAGUE HERE, RIGHT?
521
00:22:09,403 --> 00:22:11,279
COME ON, ERIC,THE GIRL'S A MASERATI,
522
00:22:11,320 --> 00:22:14,032
YOU'RE-YOU'RE, WHAT,HER TWO DOOR COUPE,
523
00:22:14,115 --> 00:22:15,574
AT BEST?
524
00:22:15,616 --> 00:22:17,618
YOU CAN'T HANDLE HER.
525
00:22:19,077 --> 00:22:20,245
BUT, YOU KNOW, I'LL ADMIT IT,
526
00:22:20,287 --> 00:22:22,914
I UNDERESTIMATED YOU.
527
00:22:22,955 --> 00:22:25,249
I WILL NOT DO THAT AGAIN.
528
00:22:29,586 --> 00:22:31,421
I WON'T DO THAT AGAIN.
529
00:22:45,516 --> 00:22:47,435
JUSTINE...
530
00:22:48,102 --> 00:22:48,936
HEY.
531
00:22:48,977 --> 00:22:51,354
ARE YOU OKAY?
532
00:22:52,147 --> 00:22:53,565
NOT REALLY.
533
00:22:53,648 --> 00:22:55,900
WELL, I ASSUMESINCE YOU'RE HERE,
534
00:22:55,983 --> 00:22:57,819
YOU WANTED TOTALK TO ME.
535
00:22:57,902 --> 00:22:58,903
I DO.
536
00:22:58,986 --> 00:23:02,156
I'M JUST AFRAID YOU'LL JUDGE ME.
537
00:23:02,198 --> 00:23:04,032
NEVER.
538
00:23:04,074 --> 00:23:06,993
I JUDGE ME.
539
00:23:07,660 --> 00:23:10,413
WHAT ARE YOU TALKING ABOUT?
540
00:23:12,790 --> 00:23:15,041
I WANTED TOKISS LUKE.
541
00:23:15,125 --> 00:23:16,209
OH.
542
00:23:17,168 --> 00:23:18,419
HE KISSED ME ONCE BEFORE.
543
00:23:18,502 --> 00:23:19,337
HE DID?
544
00:23:19,462 --> 00:23:20,546
AND I SLAPPED HIM.
545
00:23:22,005 --> 00:23:22,965
[CHUCKLES GENTLY]
546
00:23:23,048 --> 00:23:26,301
BUT I THINK IT'S MEI REALLY WANTED TO SLAP.
547
00:23:27,385 --> 00:23:29,471
I HAVE A BOYFRIEND I LOVE,
548
00:23:29,554 --> 00:23:30,722
AND YET...
549
00:23:31,723 --> 00:23:33,724
DO YOU WANT TO BE WITH LUKE?
550
00:23:39,354 --> 00:23:41,814
I DON'T KNOW.
551
00:23:41,856 --> 00:23:43,899
WHEN I'M WITH HIM,
552
00:23:43,941 --> 00:23:45,609
YES, BUT...
553
00:23:45,650 --> 00:23:48,403
IS IT POSSIBLETO HAVE THE SAME FEELINGS
554
00:23:48,528 --> 00:23:49,363
FOR TWO MEN AT ONCE?
555
00:23:49,363 --> 00:23:51,197
TWO VERY DIFFERENT MEN?
556
00:23:51,280 --> 00:23:52,531
OF COURSE IT IS.
557
00:23:53,241 --> 00:23:56,869
BUT ULTIMATELY, FOR YOUR SAKEAND THEIRS,
558
00:23:56,869 --> 00:23:57,995
YOU NEED TO MAKE A CHOICE.
559
00:23:58,036 --> 00:23:59,537
HOW DO YOU DO IT?
560
00:23:59,579 --> 00:24:02,415
MAKE HARD DECISIONSDAY AFTER DAY IN COURT?
561
00:24:03,165 --> 00:24:05,877
WELL, EVERY CASE IS DIFFERENT,
562
00:24:05,960 --> 00:24:08,670
BUT I APPROACH THEMIN THE SAME WAY.
563
00:24:08,754 --> 00:24:13,216
I GATHER THE FACTS,I LISTEN TO THE ARGUMENTS,
564
00:24:13,299 --> 00:24:15,843
AND THEN WITH A CLEAR HEAD,
565
00:24:15,885 --> 00:24:18,053
I RENDER THE BEST DECISIONI CAN AT THE TIME.
566
00:24:18,137 --> 00:24:21,098
HOW CAN YOU BE SUREIT'S THE RIGHT DECISION?
567
00:24:22,474 --> 00:24:24,017
BECAUSE I TRUST MYSELF,
568
00:24:24,058 --> 00:24:26,144
AND THAT IS WHATYOU NEED TO DO,
569
00:24:26,227 --> 00:24:28,437
TRUST YOURSELF.
570
00:24:31,523 --> 00:24:33,108
AW...
571
00:24:34,234 --> 00:24:40,447
♪ AND I'M LIKE A BOOKUPON YOUR SHELF ♪
572
00:24:40,572 --> 00:24:41,948
♪ ONE OF THOUSANDS
573
00:24:41,990 --> 00:24:46,202
♪ HOPING TO BE THE NEXT ONEYOU PICK OUT ♪
574
00:24:46,244 --> 00:24:52,249
♪ AND I'M LIKEYOUR SHADOW IN THE SUN ♪
575
00:24:52,332 --> 00:24:54,376
♪ I'M SO ATTACHED TO YOU
576
00:24:54,418 --> 00:24:58,421
♪ I WOULD NOT EXISTIF YOU WERE GONE ♪
577
00:24:58,504 --> 00:25:01,590
♪ SO HOLD ME CLOSER NOW
578
00:25:01,632 --> 00:25:04,259
♪ HOLD ME CLOSER NOW
579
00:25:04,301 --> 00:25:08,054
♪ YEAH, I NEED NO ONE ELSEBUT YOU... ♪
580
00:25:08,096 --> 00:25:10,431
WELL, ISN'T THISA NICE SURPRISE.
581
00:25:11,265 --> 00:25:13,267
I BROUGHT YOU COOKIES.
582
00:25:13,309 --> 00:25:14,976
THEN I ATE THEM.
583
00:25:15,101 --> 00:25:16,061
HOW MANY WERE THERE?
584
00:25:16,102 --> 00:25:17,437
DON'T YOU JUDGE ME.
585
00:25:17,478 --> 00:25:19,439
[CHUCKLES]
586
00:25:20,523 --> 00:25:23,443
GRACE, ISSOMETHING WRONG?
587
00:25:23,526 --> 00:25:26,236
GEE, I DON'T KNOW.
588
00:25:26,278 --> 00:25:28,071
COME ON, GRACE,SHE'S AN EMPLOYEE.
589
00:25:28,113 --> 00:25:30,114
YEAH, WELL,MRS. ARNETT WAS 60,
590
00:25:30,198 --> 00:25:32,283
AND SHE HAD MOREFACIAL HAIR THAN YOU.
591
00:25:32,408 --> 00:25:34,035
CAN'T YOUGET HER BACK?
592
00:25:34,077 --> 00:25:35,411
SHE WAS GOODWITH THE BOOKS,
593
00:25:35,494 --> 00:25:37,370
BUT I NEED SOMEONE TOHELP ME WITH THE HORSES.
594
00:25:37,412 --> 00:25:38,538
YEAH, WELL,WHAT ARE YOU DOING?
595
00:25:38,621 --> 00:25:39,622
ARE YOU JUST DOING THISTO PUNISH ME
596
00:25:39,664 --> 00:25:41,208
BECAUSE I WANTEDSOME SPACE?
597
00:25:41,291 --> 00:25:42,459
OR BECAUSE OF WILL?
598
00:25:42,542 --> 00:25:45,377
GRACE, REALLY,IS THAT WHAT YOU THINK?
599
00:25:45,461 --> 00:25:46,462
HOW WOULD YOU FEEL
600
00:25:46,545 --> 00:25:48,088
IF I HIREDA CHIPPENDALE DANCER
601
00:25:48,130 --> 00:25:49,965
TO WORK WITH MEIN THE LIBRARY,
602
00:25:50,048 --> 00:25:51,967
WITHOUT HIS SHIRT.
603
00:25:52,092 --> 00:25:52,968
WELL, NUMBER ONE,
604
00:25:53,218 --> 00:25:55,177
CHIPPENDALE DANCERS ALWAYSWORK WITHOUT THEIR SHIRTS,
605
00:25:55,303 --> 00:25:56,095
AND NUMBER TWO,
606
00:25:56,261 --> 00:25:58,097
I CAN'T SEE TOWN COUNCILGIVING THAT TO YOU
607
00:25:58,138 --> 00:25:59,181
IN THE BUDGET.
608
00:25:59,264 --> 00:26:00,515
HA HA.
609
00:26:01,308 --> 00:26:03,017
COME ON, TELL MEYOU HAVEN'T NOTICED
610
00:26:03,101 --> 00:26:04,310
WHAT A KNOCKOUT SHE IS.
611
00:26:04,393 --> 00:26:05,144
I'VE BEEN TOO BUSY
612
00:26:05,353 --> 00:26:07,271
STARING AT THIS KNOCKOUTRIGHT IN FRONT OF ME
613
00:26:07,313 --> 00:26:08,939
TO NOTICE ANY OTHERS.
614
00:26:12,317 --> 00:26:14,361
[PAPER BAG CRINKLING]
615
00:26:17,279 --> 00:26:19,323
WANT TOSHARE IT WITH ME?
616
00:26:19,365 --> 00:26:20,157
NO, THANK YOU.
617
00:26:20,241 --> 00:26:21,950
I THINK YOU NEED ITMORE THAN I DO.
618
00:26:21,992 --> 00:26:24,410
FOR TWO PEOPLESLOWING THINGS DOWN,
619
00:26:24,494 --> 00:26:25,996
I'M SEEINGAN AWFUL LOT OF YOU LATELY.
620
00:26:26,079 --> 00:26:28,456
WHY DO YOU PUT UP WITH ME?
621
00:26:28,498 --> 00:26:30,791
I TOLD YOU BEFORE,
622
00:26:30,833 --> 00:26:32,542
I LOVE YOU.
623
00:26:34,169 --> 00:26:37,672
YOU'RE THE ONEWHO WANTED MORE SPACE.
624
00:26:37,672 --> 00:26:40,549
I WANTED LESS.
625
00:26:43,301 --> 00:26:44,720
[♪]
626
00:27:31,843 --> 00:27:33,511
HEY.
627
00:27:33,553 --> 00:27:35,430
IF YOU'RE NOT GOING TO JOIN US,
628
00:27:35,513 --> 00:27:38,432
THEN WE AREGOING TO JOIN YOU.
629
00:27:38,515 --> 00:27:40,225
[SIGHING] LOOK,JERI, I JUST...
630
00:27:40,309 --> 00:27:42,060
EVERYONEWANTS TO MEET YOU.
631
00:27:42,143 --> 00:27:43,269
THEY ALL READ YOUR ARTICLE,
632
00:27:43,352 --> 00:27:44,562
AND LOVED IT.
633
00:27:44,645 --> 00:27:45,897
EVERYONE,THIS IS JACK.
634
00:27:45,980 --> 00:27:47,231
NICE TO MEETYOU, JACK.
635
00:27:47,315 --> 00:27:49,149
AND THIS IS EVERYONE.
636
00:27:49,232 --> 00:27:50,943
[MURMUR OF BUSY CROWD]
637
00:28:24,179 --> 00:28:26,014
IAN!
638
00:28:26,848 --> 00:28:27,849
IAN.
639
00:28:27,890 --> 00:28:28,933
HEY.
640
00:28:28,975 --> 00:28:30,768
I'M SORRY.
641
00:28:30,810 --> 00:28:32,186
I'M SO SORRY FOR EVERYTHING.
642
00:28:33,604 --> 00:28:34,605
I WAS ANGRY AT YOU,
643
00:28:34,688 --> 00:28:36,773
AND I KNEW EARLIER YOU WANTED METO SAY I LOVE YOU,
644
00:28:36,773 --> 00:28:37,774
BUT THAT'S WHY I COULDN'T.
645
00:28:37,816 --> 00:28:38,774
CECILIA...
646
00:28:39,025 --> 00:28:42,695
I JUST WANT YOU TO STAY SAFEAND COME BACK TO CEDAR COVE.
647
00:28:42,778 --> 00:28:44,822
WE'LL FIGURETHIS OUT.
648
00:28:44,905 --> 00:28:47,907
WE'VE BEENTHROUGH WORSE.
649
00:28:47,949 --> 00:28:50,451
I LOVE YOU,
650
00:28:50,534 --> 00:28:52,661
AND I NEED YOU TO KNOW THAT.
651
00:28:54,622 --> 00:28:57,582
I REALLY DO LOVE YOU.
652
00:29:01,210 --> 00:29:03,087
I'M SORRY TOO.
653
00:29:04,839 --> 00:29:07,007
BUT IT'S TOO LATE.
654
00:29:07,966 --> 00:29:09,593
NO, IT ISN'T.
655
00:29:09,635 --> 00:29:11,887
I WANT A DIVORCE.
656
00:29:13,971 --> 00:29:15,222
LOVE IS NOT ENOUGH
657
00:29:15,264 --> 00:29:17,767
TO HOLD THIS MARRIAGETOGETHER ANYMORE,
658
00:29:17,808 --> 00:29:21,478
AT LEAST NOT FOR ME.
659
00:29:21,561 --> 00:29:23,813
I'M NOT GOING TOCHANGE MY MIND THIS TIME.
660
00:29:23,855 --> 00:29:26,732
OLIVIA IS NOT GOING TOCHANGE MY MIND.
661
00:29:26,815 --> 00:29:29,652
I KNOW I'M RIGHT.
662
00:29:29,777 --> 00:29:31,153
WE DON'T BELONG TOGETHER.
663
00:29:31,194 --> 00:29:34,406
GOODBYE, CECILIA.
664
00:30:07,016 --> 00:30:08,810
HEY, GRACE!
665
00:30:08,893 --> 00:30:10,227
HEY, ALEX.
666
00:30:12,771 --> 00:30:14,648
I THINKWE NEED TO TALK.
667
00:30:14,690 --> 00:30:16,024
ABOUT?
668
00:30:16,107 --> 00:30:18,151
CLIFF.
669
00:30:26,866 --> 00:30:29,953
JUSTINE.
670
00:30:31,162 --> 00:30:32,580
STOP RUNNINGAWAY FROM ME.
671
00:30:32,663 --> 00:30:33,664
I'M TIRED OFCHASING YOU DOWN
672
00:30:33,706 --> 00:30:35,082
JUST SO WE CAN TALK.
673
00:30:35,123 --> 00:30:35,999
LUKE... NO.
674
00:30:36,041 --> 00:30:37,667
I'M HERE, YOU'RE HERE,
675
00:30:37,709 --> 00:30:39,002
LET'S JUST GET THISOUT IN THE OPEN.
676
00:30:39,086 --> 00:30:40,587
GO HOME.
677
00:30:40,670 --> 00:30:41,963
NO.
678
00:30:43,047 --> 00:30:44,298
YOU NEED TO LEAVE ME ALONE.
679
00:30:44,340 --> 00:30:45,591
NO.
680
00:30:45,716 --> 00:30:46,883
JUST BACK OFF.
681
00:30:46,925 --> 00:30:47,843
NO.
682
00:30:47,884 --> 00:30:51,262
PLEASE, WHY WON'T YOUJUST LEAVE ME ALONE?
683
00:30:51,304 --> 00:30:53,473
THIS IS WHY.
684
00:31:09,111 --> 00:31:10,904
PLEASE DON'TGET ME FIRED.
685
00:31:10,988 --> 00:31:13,281
YOU THINK I'M GOINGTO GET YOU FIRED?
686
00:31:13,406 --> 00:31:14,156
IT HAPPENS.
687
00:31:14,281 --> 00:31:16,242
HORSE TRAINERS HAVEGIRLFRIENDS AND WIVES,
688
00:31:16,325 --> 00:31:18,369
AND SOMETIMES THOSEGIRLFRIENDS AND WIVES
689
00:31:18,410 --> 00:31:20,621
THINK I'M AFTERTHEIR MEN.
690
00:31:20,704 --> 00:31:21,913
I'M NOT.
691
00:31:21,997 --> 00:31:24,082
AND I'M NOT AFTER CLIFF.
692
00:31:24,082 --> 00:31:25,416
HE'S A GOOD MAN,
693
00:31:25,458 --> 00:31:26,917
A GOOD BOSS,
694
00:31:27,001 --> 00:31:29,044
AND I NEED THIS JOB.
695
00:31:29,086 --> 00:31:30,587
WELL, I'M NOT GOINGTO GET YOU FIRED.
696
00:31:30,629 --> 00:31:33,047
THAT'S JUSTNOT ME, REALLY.
697
00:31:33,132 --> 00:31:35,509
BUT YOU WOULD BE HAPPYIF I WASN'T HERE, RIGHT?
698
00:31:35,592 --> 00:31:37,760
HONESTLY? YES.
699
00:31:37,801 --> 00:31:40,178
CLIFF AND I ARE TAKINGA BIT OF A BREATHER,
700
00:31:40,263 --> 00:31:42,264
SO WHILEI'M NOT AROUND...
701
00:31:42,389 --> 00:31:44,182
HE'S GOT YOU AROUND.
702
00:31:44,266 --> 00:31:45,183
OH.
703
00:31:45,267 --> 00:31:46,351
LOOK, I'LL LEAVE.
704
00:31:46,434 --> 00:31:48,102
I DON'T WANT TOCAUSE ANY TROUBLE.
705
00:31:48,144 --> 00:31:49,186
NO...
706
00:31:49,270 --> 00:31:50,104
YOU'RE NOT COMFORTABLE
707
00:31:50,187 --> 00:31:51,480
WITH ME LIVINGAND WORKING AT THE RANCH.
708
00:31:51,522 --> 00:31:52,273
THAT'S TRUE,
709
00:31:52,356 --> 00:31:54,358
BUT THAT WASALSO BEFORE.
710
00:31:54,441 --> 00:31:56,943
YOU KNOW, YOU SEEMREALLY SWEET, HONEST,
711
00:31:56,985 --> 00:31:58,694
AND OBVIOUSLY YOU'REVERY GOOD AT WHAT YOU DO,
712
00:31:58,778 --> 00:32:01,321
OTHERWISE CLIFFWOULD NOT HAVE HIRED YOU.
713
00:32:02,281 --> 00:32:03,615
NOW I'M STARTINGTO FEEL BAD
714
00:32:03,698 --> 00:32:05,867
THAT I WAS JUDGING YOU.
715
00:32:05,950 --> 00:32:08,202
YOU KNOW, IF THERE IS EVERANYTHING I CAN DO
716
00:32:08,286 --> 00:32:09,704
TO MAKE YOU FEELMORE COMFORTABLE
717
00:32:09,788 --> 00:32:11,164
AT THE RANCH,
718
00:32:11,205 --> 00:32:12,581
JUST TELL ME.
719
00:32:12,623 --> 00:32:15,250
DO YOU HAVEANY LONGER SHORTS?
720
00:32:20,087 --> 00:32:23,299
OH GOOD, YOU'RE HERE.
721
00:32:23,340 --> 00:32:25,926
THERE'S MORE IN THE CAR.
722
00:32:26,718 --> 00:32:30,263
YOU GOTMORE FLOWERS TODAY.
723
00:32:30,346 --> 00:32:31,472
FROM WHO?
724
00:32:31,514 --> 00:32:33,599
THE CARD WASN'T SIGNED.
725
00:32:33,683 --> 00:32:36,393
AGAIN.
726
00:32:36,476 --> 00:32:38,312
MAYBE IT'SA MISTAKE.
727
00:32:38,353 --> 00:32:39,229
YEAH.
728
00:32:39,438 --> 00:32:42,190
YOU SURE HAVE BEEN GETTINGA LOT OF MISTAKES LATELY.
729
00:32:42,273 --> 00:32:44,317
YEAH, I KNOW.
730
00:32:46,194 --> 00:32:47,903
YOU KNOW...
731
00:32:47,986 --> 00:32:49,654
I THINK I'M GOING TOHAVE ROY LOOK INTO THIS.
732
00:32:49,697 --> 00:32:50,822
[QUICKLY] NO.
733
00:32:51,823 --> 00:32:54,366
NO... COME ON.
734
00:32:54,492 --> 00:32:55,910
OKAY, I MEAN,
735
00:32:55,952 --> 00:32:57,453
DON'T YOU THINKTHIS IS A LITTLE ODD?
736
00:32:57,536 --> 00:32:58,870
I AGREE,
737
00:32:58,954 --> 00:33:01,372
BUT I DON'T WANT TO MAKEA BIG DEAL OUT OF IT, OKAY?
738
00:33:01,414 --> 00:33:04,125
ALL RIGHT.
739
00:33:09,046 --> 00:33:12,716
ALL RIGHT, I'LL GO GETTHE REST OF THE GROCERIES.
740
00:33:27,770 --> 00:33:28,437
DON'T WORRY,
741
00:33:28,605 --> 00:33:30,147
I'M ON THE NEXT STAGEOUT OF TOWN.
742
00:33:30,189 --> 00:33:32,233
WE DON'T HAVE STAGESIN CEDAR COVE,
743
00:33:32,358 --> 00:33:33,525
WE HAVE FERRIES.
744
00:33:33,525 --> 00:33:34,400
DON'T GLOAT.
745
00:33:34,485 --> 00:33:35,694
YOU DON'T KNOW MEVERY WELL.
746
00:33:35,694 --> 00:33:37,195
I DON'T GLOAT.
747
00:33:37,278 --> 00:33:38,696
I HAVE TO SAY,YOU'RE GOOD.
748
00:33:38,738 --> 00:33:39,739
EXCUSE ME?
749
00:33:39,780 --> 00:33:40,573
I PLAY POKER,
750
00:33:40,656 --> 00:33:42,366
AND I WOULDN'T WANT TOFIND MYSELF
751
00:33:42,407 --> 00:33:44,118
ACROSS THE TABLEFROM YOU.
752
00:33:44,201 --> 00:33:45,785
WHAT ARE YOUTALKING ABOUT?
753
00:33:45,869 --> 00:33:47,371
YOU'RE BLUFFING.
754
00:33:47,412 --> 00:33:48,371
ABOUT?
755
00:33:48,412 --> 00:33:50,081
EVERYTHING.
756
00:33:50,164 --> 00:33:51,124
YOU TALK A GOOD GAME,
757
00:33:51,207 --> 00:33:52,375
AND YOU BACK IT UPWITH SKILL,
758
00:33:52,416 --> 00:33:54,710
BUT INSIDEYOU'RE SCARED.
759
00:33:54,752 --> 00:33:55,836
PLEASE. OF YOU?
760
00:33:55,919 --> 00:33:57,337
OF EVERYONE.
761
00:33:57,420 --> 00:33:58,338
I'M SCARED?
762
00:33:58,380 --> 00:34:00,131
OF WHAT, EXACTLY?
763
00:34:00,214 --> 00:34:01,633
YOU'RE AFRAID THATPEOPLE ARE GOING TO FIND OUT
764
00:34:01,716 --> 00:34:03,968
THAT YOU'RE NOT AS TOUGHAS YOU THINK YOU ARE.
765
00:34:04,051 --> 00:34:05,511
OH, I'M TOUGH.
766
00:34:05,552 --> 00:34:06,762
THEN WHYARE YOU RUNNING?
767
00:34:06,845 --> 00:34:08,639
BECAUSEYOU GOT ME FIRED.
768
00:34:08,722 --> 00:34:09,430
NO, YOU QUIT,
769
00:34:09,555 --> 00:34:10,806
AND TONY IS WILLINGTO WORK WITH YOU,
770
00:34:10,890 --> 00:34:12,558
SO WHY ARE YOURUNNING, REBECCA?
771
00:34:12,600 --> 00:34:13,559
I'M NOT.
772
00:34:13,559 --> 00:34:15,269
BUT YOU ARE.
773
00:34:15,352 --> 00:34:17,271
I DON'T NEED YOU OR THIS JOB.
774
00:34:17,354 --> 00:34:18,730
YOU'RE BLUFFING.
775
00:34:18,772 --> 00:34:19,814
REALLY?
776
00:34:19,898 --> 00:34:21,399
YOU LIKE IT HERE.
777
00:34:21,440 --> 00:34:22,400
YOU LIKE YOUR JOB.
778
00:34:22,483 --> 00:34:23,192
YOU WANT TO STAY,
779
00:34:23,317 --> 00:34:25,278
BUT YOU DON'T KNOWHOW TO SAVE FACE.
780
00:34:25,361 --> 00:34:27,279
WELL, I HAVEA FEW SUGGESTIONS,
781
00:34:27,362 --> 00:34:30,698
AND YOU KNOW WHERE TO FIND ME.
782
00:34:37,704 --> 00:34:39,415
YEAH.
783
00:34:39,456 --> 00:34:41,542
NO, IT, UH...
784
00:34:41,625 --> 00:34:43,376
OKAY.
785
00:34:43,459 --> 00:34:45,002
YEAH, GREAT.
786
00:34:45,920 --> 00:34:49,214
HEY.
787
00:35:00,891 --> 00:35:01,934
I LOVE THAT PICTURE.
788
00:35:01,975 --> 00:35:03,936
ME TOO.
789
00:35:07,439 --> 00:35:12,318
YOU KNOW, I DIDN'T REALIZEHOW MUCH I MISSED YOU GUYS
790
00:35:12,401 --> 00:35:13,444
UNTIL I SAW YOU ON THE FERRY.
791
00:35:13,485 --> 00:35:15,821
I MEAN, SKYPEAND EVERYTHING IS FINE,
792
00:35:15,862 --> 00:35:17,405
BUT...
793
00:35:17,447 --> 00:35:19,365
IT'S NOT THE REAL THING.
794
00:35:19,449 --> 00:35:20,450
YEAH, I KNOW.
795
00:35:20,533 --> 00:35:24,619
IT CAN BEPRETTY ROUGH SOMETIMES.
796
00:35:24,619 --> 00:35:27,121
ESPECIALLY...
797
00:35:28,164 --> 00:35:29,790
AT NIGHT.
798
00:35:35,628 --> 00:35:38,005
SHELLY...
799
00:35:38,131 --> 00:35:38,840
SHELLY, COME ON,
800
00:35:38,923 --> 00:35:40,299
YOU'VE GOT TOLET ME EXPLAIN.
801
00:35:40,341 --> 00:35:41,467
IT'S REBECCA,ISN'T IT?
802
00:35:41,550 --> 00:35:42,426
SHE'S WITH WARREN.
803
00:35:42,468 --> 00:35:43,677
BUT SHE WAS WITH YOU?
804
00:35:43,719 --> 00:35:46,430
LOOK, IT'S YOU, SHELLY,IT'S ALWAYS BEEN YOU.
805
00:35:46,472 --> 00:35:48,639
I GOT LONELY,AND I SLIPPED.
806
00:35:48,682 --> 00:35:50,266
THAT WON'T HAPPEN AGAIN.
807
00:35:50,350 --> 00:35:53,853
OKAY, JUST PLEASE,PLEASE JUST LISTEN, OKAY?
808
00:35:53,936 --> 00:35:55,980
I NEED THIS.
809
00:35:56,063 --> 00:35:57,772
I NEED TO BE HER FATHER-
810
00:35:57,856 --> 00:35:58,523
ERIC--
811
00:35:58,607 --> 00:36:00,900
[BABY FUSSING AND CRYING]
812
00:36:00,984 --> 00:36:03,819
I KIND OF MET SOMEONE TOO.
813
00:36:12,660 --> 00:36:16,705
WELL, THEY AREA FRIENDLY BUNCH.
814
00:36:16,788 --> 00:36:18,124
AND A DRUNK BUNCH.
815
00:36:18,165 --> 00:36:21,877
SORRY ABOUT THAT.
816
00:36:22,002 --> 00:36:24,587
LOOK, JERI,
817
00:36:24,670 --> 00:36:27,089
WHAT'S YOUR END GAMEWITH ALL THIS?
818
00:36:27,172 --> 00:36:29,758
TRUTH?
819
00:36:29,841 --> 00:36:32,594
SURE, LET'S TRY THAT.
820
00:36:32,677 --> 00:36:34,095
OUR PAST ASIDE,
821
00:36:34,178 --> 00:36:36,014
YOU ARE ONE OF THE BESTNEWSPAPERMEN
822
00:36:36,097 --> 00:36:37,681
I'VE EVER WORKED WITH.
823
00:36:37,765 --> 00:36:40,392
YOU TAUGHT MEEVERYTHING I KNOW,
824
00:36:40,433 --> 00:36:41,977
AND WHETHER YOUBELIEVE ME OR NOT,
825
00:36:42,019 --> 00:36:45,272
I'M GRATEFUL FOR THAT.
826
00:36:45,355 --> 00:36:46,356
I AM.
827
00:36:46,439 --> 00:36:48,983
AND THE THOUGHTOF YOU WASTING AWAY
828
00:36:49,025 --> 00:36:51,818
IN CEDAR COVE, IT...
829
00:36:51,902 --> 00:36:54,738
IT'S JUST, YOU DESERVEA BETTER AUDIENCE AGAIN.
830
00:36:54,780 --> 00:36:56,072
[SCOFFS]
831
00:36:56,197 --> 00:36:58,158
NO, I DON'T.
832
00:36:58,199 --> 00:37:00,576
WHAT DO YOU MEAN?
833
00:37:00,618 --> 00:37:06,540
I CAME HERE TO KIND OFJOG MY WRITER BRAIN
834
00:37:06,581 --> 00:37:08,582
INTO COMING UPWITH SOMETHING
835
00:37:08,624 --> 00:37:10,543
FOR THIS ARTICLETHAT I HAVE TO WRITE,
836
00:37:10,626 --> 00:37:13,295
MY FIRST OFFICIAL ONEFORTHE COURIER.
837
00:37:13,378 --> 00:37:14,546
AND?
838
00:37:14,630 --> 00:37:16,965
[SIGHING]I'VE GOT NOTHING.
839
00:37:17,049 --> 00:37:18,175
SO...
840
00:37:18,216 --> 00:37:20,885
THIS LOOKS TO BETHE SHORTEST JOB
841
00:37:20,927 --> 00:37:22,678
IN MY EMPLOYMENT HISTORY.
842
00:37:22,719 --> 00:37:23,970
JUST LOCK YOURSELFIN A ROOM
843
00:37:24,055 --> 00:37:25,222
UNTIL YOU FINISH IT.
844
00:37:26,890 --> 00:37:29,684
YOU DID THAT TO ME ONCE,IF I REMEMBER.
845
00:37:29,767 --> 00:37:31,018
I DID,
846
00:37:31,102 --> 00:37:34,730
AND I BELIEVE YOU WONA PEABODY THAT YEAR.
847
00:37:34,730 --> 00:37:38,817
IT'S TIME YOU STARTBELIEVING IN YOURSELF, JACK.
848
00:37:38,900 --> 00:37:40,569
I DO.
849
00:37:43,362 --> 00:37:47,365
[♪]
850
00:38:12,346 --> 00:38:14,055
HI.
851
00:38:14,472 --> 00:38:16,974
HELLO.
852
00:38:20,352 --> 00:38:22,187
SO...
853
00:38:23,188 --> 00:38:26,608
YOU WANT TO STAY HEREIN CEDAR COVE, DON'T YOU?
854
00:38:26,608 --> 00:38:28,275
[QUIETLY] YES.
855
00:38:29,651 --> 00:38:31,237
I'M SORRY, I DIDN'T HEAR YOU.
856
00:38:31,278 --> 00:38:32,779
YES.
857
00:38:32,821 --> 00:38:33,989
YES WHAT?
858
00:38:34,072 --> 00:38:36,782
YES, I WANT TO STAY HERE.
859
00:38:38,368 --> 00:38:40,202
WAS YALE THE ONLY THINGYOU LIED ABOUT?
860
00:38:40,285 --> 00:38:41,661
YES.
861
00:38:41,746 --> 00:38:42,913
ARE YOU SURE?
862
00:38:42,955 --> 00:38:44,789
100%.
863
00:38:45,915 --> 00:38:47,709
OKAY.
864
00:38:47,751 --> 00:38:49,460
HERE'S WHAT YOU NEED TO DO.
865
00:38:49,460 --> 00:38:53,797
YOU NEED TO REPORT WHAT YOU DIDTO THE LOCAL BAR ASSOCIATION.
866
00:38:53,797 --> 00:38:56,633
RESUBMIT YOUR REAL RESUME
867
00:38:56,716 --> 00:38:58,676
TO THE D.A.'S OFFICE.
868
00:38:58,718 --> 00:39:00,136
WRITE A LETTER OF APOLOGYTO YOUR BOSS,
869
00:39:00,219 --> 00:39:03,055
AND UNDERSTANDTHAT THIS WHOLE STUNT
870
00:39:03,139 --> 00:39:05,015
PUTS YOU ON PROBATION.
871
00:39:05,098 --> 00:39:06,808
FOR HOW LONG?
872
00:39:06,892 --> 00:39:08,059
WELL, THAT DEPENDS ON YOU.
873
00:39:08,101 --> 00:39:10,811
AND TONYISN'T GOING TO FIRE ME?
874
00:39:10,853 --> 00:39:11,854
NO.
875
00:39:11,896 --> 00:39:13,606
BECAUSE SOMEONEIN THE LEGAL COMMUNITY,
876
00:39:13,648 --> 00:39:15,690
A WELL-RESPECTED JUDGE,
877
00:39:15,732 --> 00:39:18,652
GUARANTEEDTHAT THIS LAPSE IN CHARACTER
878
00:39:18,735 --> 00:39:19,819
WAS NOT A CHRONIC PROBLEM.
879
00:39:19,903 --> 00:39:21,988
IT WAS A MISTAKE,
880
00:39:22,071 --> 00:39:23,364
NOT TO BE REPEATED.
881
00:39:23,406 --> 00:39:25,115
EVER.
882
00:39:26,784 --> 00:39:30,870
SO, I HAVE TO ASK,WHY DID YOU LIE?
883
00:39:31,996 --> 00:39:35,582
I FELT I HAD TO.
884
00:39:35,666 --> 00:39:37,626
WHY DID YOU HELP ME?
885
00:39:38,794 --> 00:39:40,295
I FELT I HAD TO.
886
00:39:44,174 --> 00:39:46,634
GOOD NIGHT, MISS JENNINGS.
887
00:39:51,888 --> 00:39:53,222
[LAUGHING] YOU NUT...
888
00:39:53,306 --> 00:39:54,891
[LAUGHING TOGETHER]
889
00:39:54,974 --> 00:39:57,518
OH, I FORGOT TO TELL YOU.
890
00:39:57,601 --> 00:39:58,268
HMM?
891
00:39:58,352 --> 00:40:00,103
GUESS WHO IS MOVING BACK?
892
00:40:00,187 --> 00:40:00,938
WHO?
893
00:40:01,021 --> 00:40:02,189
COLIN MCFADDEN.
894
00:40:02,272 --> 00:40:04,357
[BOWL CLATTERING]
895
00:40:04,399 --> 00:40:05,942
WHOA!
896
00:40:06,025 --> 00:40:07,276
YOU OKAY?
897
00:40:07,359 --> 00:40:08,777
YEAH.
898
00:40:08,860 --> 00:40:09,986
OH...
899
00:40:12,948 --> 00:40:16,034
[TYPING RAPIDLY]
900
00:40:17,076 --> 00:40:20,079
[CELL PHONE RINGS]
901
00:40:22,039 --> 00:40:22,956
HELLO.
902
00:40:23,040 --> 00:40:23,873
JACK...
903
00:40:23,873 --> 00:40:25,542
HEY, I WAS JUSTABOUT TO CALL YOU.
904
00:40:25,584 --> 00:40:27,376
AS SOON AS I GOT BACKFROM SEATTLE,
905
00:40:27,460 --> 00:40:28,544
I STARTED WRITING NONSTOP.
906
00:40:28,669 --> 00:40:31,839
YOU WERE WORRIED FOR NOTHING.SEE? IT ALL WORKED OUT.
907
00:40:31,880 --> 00:40:33,799
YES, IT DID.
908
00:40:33,882 --> 00:40:35,925
PLEASE, JUST BE SURE
909
00:40:36,009 --> 00:40:36,843
TO GIVE YOURSELF A BREAK.
910
00:40:36,968 --> 00:40:38,052
LIKE YOU SAID,IT'S A LOT OF PRESSURE
911
00:40:38,135 --> 00:40:39,554
TO WORK FOR A BIG PAPER.
912
00:40:39,596 --> 00:40:40,930
MORE PEOPLE, MORE READERS...
913
00:40:41,013 --> 00:40:42,514
I CAN HANDLE IT ALL.
914
00:40:42,556 --> 00:40:43,557
I KNEW YOU COULD,
915
00:40:43,599 --> 00:40:46,017
I'M JUST GLADTHAT YOU KNOW IT NOW.
916
00:40:46,059 --> 00:40:47,978
HOW ABOUT I BRING OVER
917
00:40:48,061 --> 00:40:50,605
SOME CELEBRATORYKUNG PAO CHICKEN?
918
00:40:50,646 --> 00:40:53,565
UH...
919
00:40:53,649 --> 00:40:54,817
CAN I TAKE A RAIN CHECK?
920
00:40:54,900 --> 00:40:59,195
I'M SO BEATI CAN BARELY SEE STRAIGHT.
921
00:40:59,278 --> 00:41:00,905
SURE.
922
00:41:03,199 --> 00:41:05,117
HEY...
923
00:41:05,200 --> 00:41:07,035
I LOVE YOU.
924
00:41:09,079 --> 00:41:10,580
LOVE YOU, TOO.
925
00:41:10,580 --> 00:41:11,664
GOOD NIGHT.
926
00:41:11,748 --> 00:41:14,500
SLEEP TIGHT.
927
00:41:14,583 --> 00:41:15,751
[BEEPS PHONE OFF]
928
00:41:18,587 --> 00:41:20,881
[ICE RATTLING]
929
00:41:31,931 --> 00:41:36,519
[♪]
58209
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