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PREVIOUSLY, ONCEDAR COVE--
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HE'S THE FATHER OF MY CHILDREN.
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THAT'S NOTTHE QUESTION I'M ASKING,
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AND YOU KNOW IT.
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WE'RE BUYINGTHE RESTAURANT TOGETHER.
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IN GOOD FAITH,I'M GONNA GIVE YOU THE KEYS...
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NOW.
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BOUGHT A HAT.
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I'M GONNASIGN UP FOR RIDING LESSONS.
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STAY OUT OF IT! [GROANS]
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[CHUCKLING] CHEERS.
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[CLINK]
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[MARYELLEN]:YOU CAN'T KEEP RUNNING AWAY.
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[JOHN]:I CAREABOUT YOU SO MUCH
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THAT I WANT TO KEEP YOU SAFE.
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THE ONLY WAY I CAN DO THATIS IF I KEEP YOU OUT OF MY LIFE.
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DON'T YOU HAVE ANYONE TO HELPYOU OUT WHEN THE BABY'S BORN?
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I'M GIVING IT UPFOR ADOPTION.
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[OLIVIA]:ERIC'S GONNA HAVE A BABY.
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HE'S PROBABLY REALLY SCARED.
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[CHUCKLES]
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-I REALLY MISSED YOU.-I MISSED YOU, TOO.
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YOU STARTEDTHAT FIRE.
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GUYS, WHAT FIRE?
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YOU BURNED DOWNOUR RESTAURANT!
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-[GASPING INTENSELY]-SHELLY!
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I LOVE YOU, OLIVIA LOCKHART.
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I LOVE YOU, JACK GRIFFITH.
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[♪]
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[P.A. ANNOUNCEMENT]:NURSE FLANAGAN TO PEDIATRICS.
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NURSE FLANAGAN TO PEDIATRICS.
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[♪]
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HOW IS SHE?HOW'S SHELLY?
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HOW'S THE BABY?
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WHAT'S GOING ON?
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ERIC, JUST GIVE HERA CHANCE TO TELL US.
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SHE HAD A MILD SEIZURE,
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BUT SHE AND THE BABYARE BOTH DOING FINE.
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WHAT CAUSED THE SEIZURE?
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SHE HAS A CONDITIONCALLED PRE-ECLAMPSIA.
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IT CAUSES SPIKESIN THE BLOOD PRESSURE,
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AND IT CAN CAUSE SEIZURES,
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BUT SHE HAS RESPONDED FAVORABLY
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TO THE MEDICATIONWE'VE GIVEN HER.
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WE'RE GOING TO CONTINUETO MONITOR HER VITALS,
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AND, HOPEFULLY, SHE'LL GOINTO LABOR ALL ON HER OWN.
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BUT IF SHE DOESN'T?
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SHE'S HEALTHY,
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AND THE BABY IS NOTIN ANY DISTRESS.
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BUT IF THEREARE ANY COMPLICATIONS,
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FOR HER SAFETYAND FOR THE SAFETY OF THE BABY,
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I MAY NEEDTO PERFORM A CAESAREAN.
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THE IMPORTANT THINGIS SHELLY IS IN THE RIGHT PLACE
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TO GET THE CARETHAT BOTH SHE AND HER BABY NEED.
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OKAY. UM, WHEN--WHEN CAN I SEE HER?
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PLEASE, DOCTOR.
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I HAVE TO SEE HER.
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SOMEONE WILL TAKE YOU BACKSHORTLY.
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THANK YOU, DOCTOR.
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THANK YOU.
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UH, ERIC. ERIC.
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HE WON'T LET ME IN.
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NO MATTER WHAT I DO.
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IT'S LIKE WE TAKETWO STEPS FORWARD
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AND THEN IT'STHREE STEPS BACK.
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WELL, HE'S UPSETAND HE'S SCARED.
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WELL, NOW, YOU SEE,
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THAT'S WHENYOU WOULD THINK
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YOU WOULD GOTO YOUR FATHER, RIGHT?
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WELL, GIVE HIMSOME TIME AND SPACE.
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OH...
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[SIGHING]
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I AM SO GLADYOU'RE HERE.
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AND I'M NOT GOING ANYWHERE.
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I PUSHED MY WHOLE DOCKETBACK TO TOMORROW.
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I'M ALL YOURS.
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THANK YOU.
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GOD, I HATEHOSPITALS.
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THEY'RE NOTMY FAVORITE PLACE EITHER.
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I HAVEN'T BEEN HEREIN A LONG TIME.
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YEAH.
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A REALLY LONG TIME.
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[♪]
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[HIGH-PITCHCONTINUOUS BEEP BLARING]
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[♪]
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[FAINT]:OLIVIA?
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OLIVIA?
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OLIVIA.
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OH, SORRY.
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WHERE'D YOU GO?
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NOWHERE.I'M RIGHT HERE.
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-YOU OKAY?-YEAH.
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GREAT. I'M FINE.
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OKAY.
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[♪]
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[MARYELLEN]:YEAH. WOULD YOU BE ABLE
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TO BRING THE PRINTS BYSOMETIME NEXT WEEK?
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OKAY. GREAT. YEAH.
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YEAH, TUESDAY WORKS.TUESDAY WORKS PERFECTLY.
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FANTASTIC. YEAH.
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THEY JUST DO SO WELLIN THE GALLERY,
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SO IF WE COULD GET MORE OF THEM,THAT WOULD BE GREAT.
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I'LL BE RIGHT WITH YOU.
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FANTASTIC. ALRIGHT.WELL, WE'LL SEE YOU THEN.
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OKAY. HAVE A GOOD ONE.BYE.
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[PHONE BEEPS]
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-[PIECE THUDS]-HELLO.
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WE'RE, UH, WE'RE LOOKINGFOR A FRIEND OF OURS.
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I'M THE ONLY ONE HERE.
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[OTHER GUY]:OUR FRIEND'S AN ARTIST.
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OH?
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JOHN BOWMAN.
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SO YOU--YOU KNOW HIM?
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HE'S ONE OFOUR BEST-SELLING ARTISTS.
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NICE.
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HE LEFT CEDAR COVE.
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ANY IDEA WHEREHE ENDED UP?
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UM, NO, I'M...I'M NOT SURE.
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I WOULDN'T HAVE LEFT YOU.
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NOT WITHOUTA PRETTY GOOD REASON.
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[DEEP BREATH]
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JOHN IS ONE OFMANY LOCAL ARTISTS.
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IF YOU'RE LOOKING--
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-...FOR PHOTOGRAPHS, I HAVE---WE NEED JOHN.
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UH, JOHN'S WORK.
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HOW DID YOU SAYYOU KNOW JOHN?
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I DIDN'T SAY.
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I'M SORRYI CAN'T HELP YOU.
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GOOD LUCK, THOUGH.
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YEAH.
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YOU KNOW, MAYBE WE'LL...
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MAYBE WE'LL JUSTSTICK AROUND,
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YOU KNOW, IN CASE--IN CASE JOHN COMES BACK.
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BUT YOU HAVE YOURSELFA GOOD DAY...
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MARYELLEN.
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HOW DO YOU KNOW MY NAME?
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WELL, YOU TOLD US.
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NO, I DIDN'T.
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[DOOR SHUTS]
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[♪]
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AM I READING THIS RIGHT?
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YES.
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ALL CHARGES?
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YES, YOUR HONOR.
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PERHAPSTHE PROSECUTION
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WOULD LIKE TO TAKESOME MORE TIME
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TO CONSIDERTHEIR OPTIONS.
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YOUR HONOR,WE'VE MADE OUR DECISION.
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WE HAVE NO CHOICE
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BUT TO WITHDRAW OUR COMPLAINTAGAINST MR. SAGET.
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[JUDGE]: WELL, THEN, MR. SAGET,
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I SUGGEST YOU GOBUY YOURSELF A LOTTERY TICKET,
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BECAUSE TODAY'S YOUR LUCKY DAY.
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DON'T SMILE.
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MR. SAGET IS HEREBY RELEASEDFROM CUSTODY
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AND HIS BOND VACATED.
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YOU ARE FREE TO GO.
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[POUNDS GAVEL]
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[♪]
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IT WAS SWEETOF YOU TO COME BY.
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IT'S THE LEAST I COULD DO.
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I DROPPED GRANDMA OFFAT THE AIRPORT.
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THANK YOUFOR DOING THAT.
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NO PROBLEM.
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TOLD HER THAT YOU WEREAT THE HOSPITAL WITH SHELLY.
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SHE'S SORRYTHAT SHE HAD TO GO.
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WELL, SHE PLANNEDTHIS CRUISE
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THREE MONTHS AGO.
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SHE COULDN'T LETBARBARA DOWN.
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I STILL CAN'T BELIEVE
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THAT MOM'S GOING ONA SINGLES CRUISE.
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GRANDMA?
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INDEED.
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SO YOU DON'TNEED ANYTHING?
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I'M ALL SET.
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AS SOON AS SHELLY'SOUT OF THE WOODS,
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I'M HEADED HOME.
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MOM, ARE YOU SURE YOU'RE OKAY?
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I MEAN, I KNOWWHEN THE LAST TIME
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YOU WERE INTHIS HOSPITAL WAS.
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I'M A LITTLE FREAKED OUTAND I WAS 13 WHEN JORDAN DIED.
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OH...
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ARE YOU ALRIGHT?
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MOM, I'M ASKING ABOUT YOU.
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YOU'RE ALWAYS TAKING CARE OFEVERYONE ELSE, INCLUDING ME,
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SO I JUST THOUGHTTHAT MAYBE, I DON'T KNOW,
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YOU NEED SOMEONE TO TALK TO,SO, I'M HERE.
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I'M FINE.
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[JUSTINE]: OKAY.WELL, I WOULD KEEP YOU COMPANY,
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BUT SETH AND I HAVE GOT TO MEETA CONTRACTOR AT THE RESTAURANT.
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CAN YOU AND SETH AFFORD THAT?
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THE TOWN WAS GREATTO HELP US OUT,
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BUT WE'VE GOTSOME SERIOUS DAMAGE.
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IF WE WANT TO GET IN THEREAS SOON AS POSSIBLE,
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THEN WE'VE GOT TO BRING INA PROFESSIONAL.
196
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BUT THE SALEHASN'T CLOSED, RIGHT?
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WE NEVERGOT THAT FAR.
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WE DIDN'T EVEN HAVEAN OFFICIAL DEAL.
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I COULD KICK MYSELFFOR TAKING THOSE KEYS
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AND GOING IN THERE TO FIX THINGSBEFORE IT WAS ACTUALLY OURS.
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GIVE YOURSELF A BREAK.
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YOU WERE EXCITED.
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WARREN SHOULDN'T HAVE LET YOU.
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WARREN WAS LOOKING OUTFOR WARREN,
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WHICH IS ALWAYSWHAT HE'S DONE BEST.
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OKAY. BYE.
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YOU ARE SO LUCKY.
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I AM?
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MM-HMM.
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YOU WITH JUSTINE.
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IT'S JUST SO...NICE AND EASY.
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YES, IT ISBUT WE'VE HAD OUR PROBLEMS.
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[LAUGHS] NO.
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NO, ME AND ERIC,WE HAVE PROBLEMS.
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YOU AND JUSTINE, YOU TWO,YOU HAVE A REAL RELATIONSHIP.
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BE PATIENT.YOU'LL GET THERE.
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BUT FIRST,YOU HAVE GOT TO LET GO
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OF ALL THIS GUILTTHAT YOU'RE HOLDING ON TO
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AND ACCEPTTHAT ALL PARENTS MAKE MISTAKES.
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YOU'RE HUMAN.
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GIVE YOURSELF SOME CREDIT.
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WELL, NO PROMISES.
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-JACK.-[GROWLS PLAYFULLY]
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HEY, HEY!
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BREAK IT UP, GUYS.
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THIS IS A HOSPITAL.
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OKAY, SO I HAVE HALFOF MOON'S BAKERY CASE,
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I HAVE SOME MAGAZINES,
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AND I HAVE A VERYLARGE BALL OF YARN.
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THE YARN IS FOR ME.
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IN OTHER WORDS,I CAME PREPARED
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TO STAY FOR AS LONGAS YOU NEED ME.
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GRACE SHERMAN,REPORT FOR DUTY.
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THANK YOU, GRACE.
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COME HERE, YOU.
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YOU GUYS. AW.
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SO, CAN IGIVE YOU A LIFT?
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YEAH, SURE.
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TO THE FERRYWOULD BE NICE.
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CEDAR COVE?
241
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YEAH.
242
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YOU WATCH YOURSELF.
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JUST DO ME A FAVORAND DO YOUR JOB,
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MAKE SURE THE FEDS HOLD UPTHEIR END OF THE DEAL.
245
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YEAH, THEY WILL.THEY REALLY WANT
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TO NAIL YOUR BUSINESSASSOCIATES BACK EAST.
247
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AND WHAT ABOUT ME?
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CONTINUE TO COOPERATEAND YOU'LL BE FINE.
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GOOD.
250
00:10:07,748 --> 00:10:10,334
[♪]
251
00:10:37,239 --> 00:10:38,740
HERE YOU GO.
252
00:10:40,534 --> 00:10:41,660
ARE YOU KIDDING?
253
00:10:41,743 --> 00:10:43,788
YEAH, I THINK YOU HAVEA FEW TOO MANY ZEROS THERE.
254
00:10:43,829 --> 00:10:45,414
WELL, I HATE TO BETHE BEARER OF BAD NEWS,
255
00:10:45,456 --> 00:10:46,499
BUT THAT'S JUST AN ESTIMATE.
256
00:10:46,541 --> 00:10:49,210
TOTAL COST IS LIKELYTO BE MUCH MORE.
257
00:10:49,294 --> 00:10:51,004
THESE OLD BUILDINGS,
258
00:10:51,046 --> 00:10:52,755
ONCE WE GET IN THERE,START PULLING BACK THE WALLS,
259
00:10:52,839 --> 00:10:54,632
EXPOSING THE PLUMBINGAND THE WIRING,
260
00:10:54,675 --> 00:10:55,717
IT CAN GET UGLY.
261
00:10:55,842 --> 00:10:57,469
WE DON'T WANT TO CHANGETHE PLUMBING AND THE WIRING.
262
00:10:57,511 --> 00:10:58,470
WELL, THAT'S NOT YOUR CHOICE.
263
00:10:58,637 --> 00:11:01,182
SEE, A JOB THIS BIG'SGONNA REQUIRE PERMITS.
264
00:11:01,265 --> 00:11:03,100
PERMITS MEANTHAT, ONCE I START,
265
00:11:03,184 --> 00:11:05,227
SOME INSPECTOR'S GONNA HAVE TOCOME IN AND SIGN OFF
266
00:11:05,352 --> 00:11:06,312
ON THE WHOLE BUILDING.
267
00:11:06,353 --> 00:11:08,690
AND THE ROOF.
268
00:11:10,358 --> 00:11:13,903
NOW, LOOK, YOUR INSURANCEWILL COVER THE BULK OF THE BILL.
269
00:11:14,029 --> 00:11:15,697
IT'LL BE FINE. YOU'LL SEE.
270
00:11:24,082 --> 00:11:25,333
EXCUSE ME.
271
00:11:25,374 --> 00:11:26,542
CAN I SEE SHELLY NOW?
272
00:11:26,584 --> 00:11:27,710
ACTUALLY...
273
00:11:27,752 --> 00:11:28,544
WHAT?
274
00:11:28,627 --> 00:11:31,506
SHE'S ASKING TO SPEAKTO JUDGE LOCKHART.
275
00:11:31,548 --> 00:11:32,757
SHE KNOWS I'M DOWN HERE?
276
00:11:32,841 --> 00:11:35,969
SHE DOES, BUT SHE JUST WANTSJUDGE LOCKHART.
277
00:11:36,053 --> 00:11:37,179
I'LL SEEWHAT SHE WANTS
278
00:11:37,262 --> 00:11:39,849
AND THEN WE'LL GETYOU UP THERE.
279
00:11:41,266 --> 00:11:43,978
[♪]
280
00:11:57,493 --> 00:11:58,744
SHELLY?
281
00:11:58,785 --> 00:12:01,497
OLIVIA.
282
00:12:01,580 --> 00:12:02,539
I SPOKE TO THE DOCTOR
283
00:12:02,623 --> 00:12:04,250
AND SHE SAIDEVERYTHING LOOKS GOOD
284
00:12:04,375 --> 00:12:06,127
FOR BOTH YOUAND THE BABY.
285
00:12:06,210 --> 00:12:07,795
I KNOW.
286
00:12:07,879 --> 00:12:10,423
REALLY, SHELLY,EVERYTHING'S GONNA BE OKAY.
287
00:12:10,465 --> 00:12:12,300
NO. IT'S NOT.
288
00:12:12,425 --> 00:12:14,052
ERIC WANTS TO SEE YOU.
289
00:12:14,094 --> 00:12:15,763
I CAN'T SEE HIM.
290
00:12:15,804 --> 00:12:16,805
WHAT'S WRONG, HONEY?
291
00:12:16,889 --> 00:12:18,265
I THOUGHT YOU TWOWERE BACK TOGETHER.
292
00:12:18,307 --> 00:12:19,267
[HUFFS TENSELY]
293
00:12:19,350 --> 00:12:21,018
WE WERE, BUT...
294
00:12:22,103 --> 00:12:24,313
I THINK I'VECHANGED MY MIND.
295
00:12:24,355 --> 00:12:27,651
WE SHOULD PUT UP THE BABYFOR ADOPTION.
296
00:12:34,783 --> 00:12:35,910
WHAT DO YOU MEAN?
297
00:12:35,993 --> 00:12:37,953
I DON'T THINKWE SHOULD KEEP OUR BABY.
298
00:12:37,995 --> 00:12:41,624
WHEN THINGS GET TOUGH,ERIC TAKES OFF, AND...
299
00:12:41,707 --> 00:12:42,875
[SHAKY SIGH]
300
00:12:42,958 --> 00:12:45,628
THERE ARE GOING TO BE A LOTOF TOUGH DAYS AND TOUGH YEARS
301
00:12:45,711 --> 00:12:46,797
IN RAISING THIS BABY,
302
00:12:46,838 --> 00:12:50,300
AND I KNOW THAT I AM NOT CAPABLEOF DOING THIS ALONE.
303
00:12:50,383 --> 00:12:53,219
TRUE, BUT, SOMETIMES,
304
00:12:53,304 --> 00:12:55,556
YOU HAVE TOGIVE PEOPLE A SECOND CHANCE.
305
00:12:55,639 --> 00:12:57,183
ERIC'S HERE NOW--
306
00:12:57,308 --> 00:12:58,309
AND HE SEEMS SINCERE.
307
00:12:58,392 --> 00:13:00,311
OH, THE WAY HE LOOKS AT YOU.
308
00:13:00,352 --> 00:13:01,521
YES, I LOVE HIM,
309
00:13:01,604 --> 00:13:04,316
AND YES,I WANT TO KEEP OUR BABY.
310
00:13:04,357 --> 00:13:09,529
AND I WANT TO BELIEVETHAT HE WON'T LET ME DOWN AGAIN,
311
00:13:09,654 --> 00:13:11,073
BUT I JUST DON'T KNOW.
312
00:13:11,156 --> 00:13:13,701
I REMEMBERBEING IN THIS SAME HOSPITAL,
313
00:13:13,784 --> 00:13:14,660
ABOUT TO GIVE BIRTH,
314
00:13:14,827 --> 00:13:17,496
AND, SUDDENLY, THE "WHAT IFS"OF BEING PREGNANT
315
00:13:17,580 --> 00:13:21,459
ARE REPLACED BYTHE "WHAT IS" OF HAVING A BABY.
316
00:13:21,500 --> 00:13:23,169
IT'S REALAND IT'S HAPPENING,
317
00:13:23,252 --> 00:13:25,338
AND IT'S OKAY TO BE SCARED.
318
00:13:25,422 --> 00:13:28,217
BUT THIS DECISION
319
00:13:28,300 --> 00:13:32,096
IS NOT ONE YOU WANT TO MAKEUNDER THIS KIND OF STRESS.
320
00:13:34,014 --> 00:13:35,558
I'M GONNA GIVE YOUSOME TIME TO REST,
321
00:13:35,641 --> 00:13:39,270
AND THEN I'LL COME BACKAND CHECK ON YOU.
322
00:13:39,354 --> 00:13:41,147
[SNIFFS]
323
00:13:43,108 --> 00:13:47,529
WHAT IF I DECIDE THATI WANT TO GIVE THE BABY UP?
324
00:13:47,613 --> 00:13:50,407
AS I TOLD YOU,AND I AM GOOD TO MY WORD,
325
00:13:50,491 --> 00:13:54,370
I WILL HELP YOU,NO MATTER WHAT YOUR DECISION IS.
326
00:13:54,411 --> 00:13:55,913
BUT ERIC DOES HAVE RIGHTS,
327
00:13:55,997 --> 00:13:59,709
AND YOU'RE GONNA HAVE TO GET HIMTO GIVE UP THOSE RIGHTS
328
00:13:59,751 --> 00:14:01,419
IF YOU DECIDETO GIVE AWAY THE BABY.
329
00:14:01,544 --> 00:14:03,130
I WILL TALK TO HIM.
330
00:14:03,213 --> 00:14:04,672
I CAN'T RIGHT NOW.
331
00:14:04,714 --> 00:14:05,673
I KNOW I SHOULD,
332
00:14:05,715 --> 00:14:07,843
BUT I-- I CAN'T.
333
00:14:09,720 --> 00:14:11,680
CAN YOU STAY FOR A WHILE?
334
00:14:13,224 --> 00:14:14,933
I DON'T WANT TO BE ALONE.
335
00:14:14,975 --> 00:14:17,478
OF COURSE.
336
00:14:19,063 --> 00:14:21,775
[♪]
337
00:14:29,574 --> 00:14:30,409
ERIC.
338
00:14:30,409 --> 00:14:31,576
DAD, I GOT TO SEE HER.
339
00:14:31,702 --> 00:14:33,120
NO, I DON'T THINKTHAT THAT'S--
340
00:14:33,203 --> 00:14:34,329
THERE MIGHT BESOMETHING WRONG WITH HER
341
00:14:34,414 --> 00:14:35,790
THEY'RE NOT TELLING US.
342
00:14:35,873 --> 00:14:36,707
IF THAT WERE THE CASE,
343
00:14:36,832 --> 00:14:39,419
THEN WHY WOULD SHE ASKTO SEE OLIVIA? HMM?
344
00:14:40,045 --> 00:14:42,839
COME ON. WHY DON'T YOU AND I, WEGO GET SOME AIR?
345
00:14:42,923 --> 00:14:44,800
I-I CAN'T LEAVE SHELLY.
346
00:14:44,883 --> 00:14:46,217
OLIVIA IS WITH HER.
347
00:14:46,259 --> 00:14:48,262
LET THEM TALK.ALRIGHT? COME ON.
348
00:14:48,304 --> 00:14:50,097
LET'S GO FOR A WALK.
349
00:14:50,181 --> 00:14:52,809
AND I'LL LET YOU KNOWIF ANYTHING CHANGES, OKAY?
350
00:14:52,892 --> 00:14:55,061
OKAY.THANK YOU.
351
00:14:55,102 --> 00:14:57,647
[♪]
352
00:15:05,322 --> 00:15:07,449
-DAD.-YEAH?
353
00:15:07,491 --> 00:15:10,911
I THINK SHELLY WANTS TOGIVE UP THE BABY AGAIN.
354
00:15:10,953 --> 00:15:12,288
WHAT?
355
00:15:12,371 --> 00:15:13,706
WELL, SHE KNOWSI'M OUT HERE,
356
00:15:13,747 --> 00:15:15,624
AND SHE WANTSTO TALK TO OLIVIA.
357
00:15:15,666 --> 00:15:16,459
OH, ERIC.
358
00:15:16,584 --> 00:15:18,878
WELL, SHE SAID THATOLIVIA WAS HELPING HER
359
00:15:18,962 --> 00:15:19,796
WITH THE ADOPTION
360
00:15:19,921 --> 00:15:22,632
BEFORE I CAME BACKTO CEDAR COVE.
361
00:15:22,674 --> 00:15:24,801
I'M THE IDIOT THAT PUTTHAT IDEA IN HER HEAD
362
00:15:24,884 --> 00:15:27,179
IN THE FIRST PLACE.
363
00:15:27,972 --> 00:15:29,306
THIS IS ALL MY FAULT.
364
00:15:29,306 --> 00:15:30,307
I GOTTA TALK TO HER.
365
00:15:30,432 --> 00:15:31,934
I GOTTASTRAIGHTEN THIS OUT.
366
00:15:31,976 --> 00:15:33,143
NO, LISTEN.
367
00:15:33,185 --> 00:15:36,272
ERIC, SHELLY HASBEEN THROUGH A LOT.
368
00:15:36,314 --> 00:15:37,273
OKAY? YOU DON'T KNOW
369
00:15:37,357 --> 00:15:38,441
WHY SHE DOESN'TWANT TO SEE YOU,
370
00:15:38,483 --> 00:15:39,525
AND IT DOESN'T HELPYOU TO BE OUT HERE
371
00:15:39,609 --> 00:15:41,820
JUST IMAGININGTHE WORST-CASE SCENARIO.
372
00:15:41,945 --> 00:15:44,490
THE THING IS,RIGHT NOW,
373
00:15:44,531 --> 00:15:48,119
ALL I CAN THINK ABOUTIS WORST-CASE SCENARIOS.
374
00:15:53,290 --> 00:15:55,585
SO JACK JUSTTOOK ERIC OUTSIDE.
375
00:15:55,668 --> 00:15:56,544
WELL, THAT'S GOOD,
376
00:15:56,669 --> 00:15:58,755
BECAUSE SHELLY IS NOTREADY TO TALK TO HIM.
377
00:15:58,838 --> 00:16:00,298
YEAH, WELL, I SAW HIM,AND I'M TELLING YOU,
378
00:16:00,382 --> 00:16:01,508
THERE'S NO WAYYOU'RE GONNA BE ABLE
379
00:16:01,633 --> 00:16:02,635
TO STOP HIM FROM GOING IN THERE.
380
00:16:02,843 --> 00:16:05,345
I'M NOT TRYING TO STOP HIM.I'M JUST TRYING TO DELAY HIM.
381
00:16:05,429 --> 00:16:08,015
BOTH YOU AND I KNOW WHATIT'S LIKE TO BE IN A HOSPITAL,
382
00:16:08,056 --> 00:16:09,350
ABOUT TO GIVE BIRTH.
383
00:16:09,350 --> 00:16:12,520
IT IS NOT THE BEST TIMETO BE MAKING BIG LIFE DECISIONS.
384
00:16:12,561 --> 00:16:14,898
NOPE.
385
00:16:19,986 --> 00:16:22,114
CAN I ASK YOUA FAVOR?
386
00:16:22,197 --> 00:16:22,865
SURE.
387
00:16:22,865 --> 00:16:24,825
MY BOYFRIEND'SOUT THERE--
388
00:16:24,867 --> 00:16:27,745
HE REALLY WANTSTO TALK TO YOU.
389
00:16:27,870 --> 00:16:30,540
I'M NOT READYTO SEE HIM.
390
00:16:30,581 --> 00:16:32,083
GOT IT.
391
00:16:32,125 --> 00:16:33,168
THANK YOU.
392
00:16:33,251 --> 00:16:35,045
I'LL TELL HIM"DOCTOR'S ORDERS."
393
00:16:35,086 --> 00:16:37,297
[FOOTSTEPS RECEDING]
394
00:16:38,965 --> 00:16:41,302
[DOOR OPENS]
395
00:16:45,973 --> 00:16:47,558
MISS SHERMAN?
396
00:16:47,641 --> 00:16:49,226
OH, HI.YOU CALLED EARLIER.
397
00:16:49,310 --> 00:16:53,606
YEAH. I HAVE SEVERALPIECES BY JOHN BOWMAN,
398
00:16:53,690 --> 00:16:55,108
BUT HE'S ONLYEVER DONE TWO--
399
00:16:55,192 --> 00:16:56,693
TWO PORTRAITS.
400
00:16:56,734 --> 00:16:58,445
YEAH.
401
00:16:58,528 --> 00:16:59,613
HEY.
402
00:16:59,738 --> 00:17:01,740
YOU'RE THE OTHER PORTRAIT.
403
00:17:01,782 --> 00:17:03,659
YEAH.
404
00:17:03,742 --> 00:17:06,745
[♪]
405
00:17:06,829 --> 00:17:07,956
HELLO?
406
00:17:08,039 --> 00:17:10,416
YEAH--YES. SORRY.
407
00:17:10,499 --> 00:17:12,586
I'LL HAVE IT READYFOR YOU THIS AFTERNOON.
408
00:17:12,669 --> 00:17:14,879
PERFECT.THANK YOU.
409
00:17:19,634 --> 00:17:22,012
[♪]
410
00:17:27,184 --> 00:17:28,769
OLIVIA.
411
00:17:28,811 --> 00:17:30,939
OLIVIA!WHAT'S GOING ON?
412
00:17:30,939 --> 00:17:31,772
SHELLY'S RESTING.
413
00:17:31,857 --> 00:17:33,608
WELL, I DON'T CARE.I HAVE TO SEE HER.
414
00:17:33,650 --> 00:17:35,026
NO, ERIC,SHE JUST NEEDS HER REST.
415
00:17:35,110 --> 00:17:36,820
WHY WON'T SHE SEE ME?
416
00:17:36,945 --> 00:17:38,614
IT'S NOT THAT SHE--
417
00:17:38,697 --> 00:17:39,573
WHAT DID SHE SAY TO YOU?
418
00:17:39,656 --> 00:17:40,782
DOES SHE WANT TOGIVE UP OUR BABY?
419
00:17:40,907 --> 00:17:43,452
SHE'S SCARED AND UPSET.
420
00:17:43,452 --> 00:17:44,746
JUST GIVE HER SOME SPACE.
421
00:17:44,787 --> 00:17:46,664
SO SHE DOES WANTTO GIVE OUR BABY UP
422
00:17:46,748 --> 00:17:47,707
FOR ADOPTION.
423
00:17:47,790 --> 00:17:48,625
ERIC, LISTENTO OLIVIA.
424
00:17:48,791 --> 00:17:50,752
NO. NO. I AM DONELISTENING AND WAITING.
425
00:17:50,793 --> 00:17:52,795
HEY, ERIC. ERIC!
426
00:17:52,879 --> 00:17:54,006
SORRY, YOU CAN'TGO IN THERE.
427
00:17:54,047 --> 00:17:55,132
YES, I CAN.
428
00:17:55,173 --> 00:17:57,342
SHELLY'S DOCTOR LEFT ORDERS THATSHE NOT BE DISTURBED.
429
00:17:57,384 --> 00:18:00,178
I THINK IT'S BESTYOU LET SHELLY REST.
430
00:18:01,222 --> 00:18:01,972
DAD?
431
00:18:02,055 --> 00:18:04,517
WELL, OLIVIA MAKESA GOOD POINT, OKAY?
432
00:18:04,600 --> 00:18:07,061
AND IF IT'SDOCTOR'S ORDERS...
433
00:18:08,897 --> 00:18:10,189
THANKS, DAD.
434
00:18:11,107 --> 00:18:13,026
-THANKS FOR NOTHING.-ERIC.
435
00:18:13,109 --> 00:18:15,070
HEY! ERIC!
436
00:18:18,657 --> 00:18:21,076
[♪]
437
00:18:25,665 --> 00:18:27,083
WE GOTTA DO IT.WE GOT TO HIRE HIM.
438
00:18:27,167 --> 00:18:28,001
IT'S THE ONLY WAY
439
00:18:28,126 --> 00:18:29,419
WE'RE GONNA BE ABLETO GET EVERYTHING DONE.
440
00:18:29,502 --> 00:18:30,586
WE HAVE NO MORE MONEY.
441
00:18:30,629 --> 00:18:32,548
WE'LL FIGURESOMETHING OUT.
442
00:18:32,589 --> 00:18:34,925
THAT ESTIMATE IS MORETHAN MY FIRST CAR,
443
00:18:35,008 --> 00:18:36,177
AND IT'S JUSTAN ESTIMATE.
444
00:18:36,218 --> 00:18:37,344
WE CAN DO THIS.
445
00:18:37,386 --> 00:18:38,804
ONCE WE GET THE RESTAURANTUP AND RUNNING,
446
00:18:38,845 --> 00:18:40,347
WE'LL BE ABLE TOPAY IT ALL BACK.
447
00:18:40,389 --> 00:18:42,099
HOW? BY PRINTINGOUR OWN MONEY
448
00:18:42,183 --> 00:18:43,100
IN THE BASEMENT?
449
00:18:43,142 --> 00:18:45,937
THAT'SA BRILLIANT IDEA.
450
00:18:46,020 --> 00:18:46,938
SO YOU'RE SAYINGYOU WANT
451
00:18:47,021 --> 00:18:49,024
TO HIRE THE CONTRACTORAND FINISH THE SALE?
452
00:18:49,066 --> 00:18:49,983
DON'T YOU?
453
00:18:50,067 --> 00:18:52,695
I JUST THINK THATWE HAVE AN OUT.
454
00:18:52,695 --> 00:18:54,988
I MEAN,IF WE WANT IT.
455
00:18:55,030 --> 00:18:56,281
WHAT?
456
00:18:56,365 --> 00:18:58,701
LOOK, I TALKED TO MY MOM,AND IN THE EYES OF THE LAW,
457
00:18:58,784 --> 00:19:00,035
THE RESTAURANTISN'T OURS YET,
458
00:19:00,161 --> 00:19:01,537
BUT IF WE GOTHROUGH ESCROW,
459
00:19:01,579 --> 00:19:02,371
THEN WE OWN IT,
460
00:19:02,455 --> 00:19:04,373
AND ALL OF THE PROBLEMSTHAT GO WITH IT.
461
00:19:04,415 --> 00:19:06,710
WE PUT EVERYTHING WE OWNINTO THE RENOVATION.
462
00:19:06,751 --> 00:19:09,546
I MEAN, THE ONLY WAYI SEE OUT OF IT
463
00:19:09,588 --> 00:19:10,714
IS THROUGH IT.
464
00:19:10,839 --> 00:19:11,923
DON'T FORGETWHY WE DID THIS,
465
00:19:12,007 --> 00:19:14,718
IT WAS SO WE COULD FINALLYBE TOGETHER, YOU AND ME.
466
00:19:14,760 --> 00:19:15,510
I KNOW.
467
00:19:15,594 --> 00:19:18,138
IT'S GONNA BE ALRIGHT.YOU'LL SEE.
468
00:19:19,640 --> 00:19:21,141
[CHUCKLES] OH, HO.
469
00:19:21,226 --> 00:19:23,144
WOW!
470
00:19:23,228 --> 00:19:25,438
HELLO!
471
00:19:27,398 --> 00:19:28,524
JUSTINE.
472
00:19:31,403 --> 00:19:33,322
SETH.
473
00:19:39,704 --> 00:19:40,412
OH, HO, HO.
474
00:19:40,454 --> 00:19:42,707
FANCY MEETINGYOU GUYS HERE, HUH?
475
00:19:42,749 --> 00:19:44,251
AREN'T YOU SUPPOSEDTO BE IN JAIL?
476
00:19:44,292 --> 00:19:46,878
HUH. WELL, IT'S NICETO SEE YOU, TOO, JUSTINE.
477
00:19:46,919 --> 00:19:48,421
HOW DID YOU GET OUT?
478
00:19:48,463 --> 00:19:52,009
WELL, INNOCENT MENDON'T BELONG IN JAIL...
479
00:19:52,092 --> 00:19:53,051
SETH.
480
00:19:53,093 --> 00:19:55,263
YOU'RE HARDLYINNOCENT.
481
00:19:56,472 --> 00:19:58,641
-HOW'S YOUR WIFE?-SHE'S NOT MY WIFE, ACTUALLY.
482
00:19:58,724 --> 00:20:00,977
SHE'S MY GIRLFRIEND.
483
00:20:01,060 --> 00:20:02,436
OR WAS.
484
00:20:02,478 --> 00:20:03,938
ANYWAY, LOOK, I THINKMY PERSONAL LIFE
485
00:20:03,980 --> 00:20:05,607
STOPPED BEINGANY OF YOUR CONCERN
486
00:20:05,649 --> 00:20:07,942
THE MOMENT YOU GAVE METHAT RING BACK, RIGHT?
487
00:20:09,694 --> 00:20:12,072
ALRIGHT, LOOK.
488
00:20:12,114 --> 00:20:13,365
I WAS JUST GONNA SWING BY
489
00:20:13,448 --> 00:20:15,034
AND CHECK OUT THE DAMAGEIN THE RESTAURANT MYSELF.
490
00:20:15,075 --> 00:20:16,952
YOU TWO ARE OKAY,THOUGH, RIGHT?
491
00:20:17,036 --> 00:20:18,078
I MEAN, YOU HAD INSURANCE?
492
00:20:18,120 --> 00:20:19,872
YOU KNOW THATWE WEREN'T INSURED.
493
00:20:19,955 --> 00:20:20,873
RIGHT.
494
00:20:20,915 --> 00:20:22,959
I'M SORRY.I TOTALLY FORGOT.
495
00:20:23,043 --> 00:20:26,505
I GUESS IT MEANS, LEGALLY,I STILL OWN BUILDING.
496
00:20:26,588 --> 00:20:28,507
WHICH ALSO MEANSI'M GONNA GET A HUGE PAYCHECK
497
00:20:28,632 --> 00:20:29,758
FROM MY INSURANCE COMPANY.
498
00:20:29,800 --> 00:20:31,802
SETH, DON'T.
499
00:20:31,843 --> 00:20:33,804
YES, SETH.
500
00:20:33,846 --> 00:20:35,514
DON'T.
501
00:20:35,556 --> 00:20:39,936
WOULDN'T WANT ME TO CALLTHE POLICE NOW, WOULD YOU?
502
00:20:39,977 --> 00:20:42,522
SO I ASSUMEYOU STILL WANT TO CONTINUE?
503
00:20:42,647 --> 00:20:43,523
BUYINGTHE RESTAURANT?
504
00:20:43,648 --> 00:20:46,276
NO ONE'S GONNA STOP USFROM OPENING THAT PLACE.
505
00:20:46,318 --> 00:20:47,402
NO ONE.
506
00:20:47,485 --> 00:20:48,654
SETH.
507
00:20:48,654 --> 00:20:51,699
I GUESS THAT MEANS YOU STILLWANT TO GO THROUGH WITH IT?
508
00:20:51,740 --> 00:20:52,908
ABSOLUTELY.
509
00:20:52,991 --> 00:20:54,077
SETH.
510
00:20:56,329 --> 00:20:57,789
WELL, THAT'S GREAT NEWS.
511
00:20:57,831 --> 00:20:58,915
SETH, IT'S FANTASTIC.
512
00:20:59,040 --> 00:21:01,585
WHY DON'T YOU DO ME A FAVORAND GET YOUR FINANCIALS ALL SET,
513
00:21:01,668 --> 00:21:05,880
SWING BY MY OFFICE,AND WE'LL CLOSE THE DEAL. OKAY?
514
00:21:07,174 --> 00:21:09,176
JUSTINE.
515
00:21:11,095 --> 00:21:13,514
[FOOTSTEPS RECEDING]
516
00:21:15,266 --> 00:21:17,518
WE'LL BE OKAY.
517
00:21:20,856 --> 00:21:21,857
HEY.
518
00:21:21,940 --> 00:21:24,025
THERE YOU ARE.I WAS LOOKING FOR YOU.
519
00:21:24,067 --> 00:21:25,276
IS SHELLY OKAY?
520
00:21:25,319 --> 00:21:27,196
SHE'S FINE.NO SIGNS OF LABOR.
521
00:21:27,321 --> 00:21:28,864
I SENT ERIC TO THE CAFETERIA
522
00:21:28,947 --> 00:21:30,199
TO GET SOMETHING TO EAT.
523
00:21:30,241 --> 00:21:31,075
GRACE IS THERE,
524
00:21:31,200 --> 00:21:32,827
IN CASESOMETHING HAPPENS.
525
00:21:32,869 --> 00:21:35,121
I'M WORRIED ABOUT YOU.
526
00:21:35,204 --> 00:21:37,874
YEAH, I'M KIND OFWORRIED ABOUT MYSELF.
527
00:21:37,957 --> 00:21:39,334
ERIC?
528
00:21:39,376 --> 00:21:40,543
YEAH.
529
00:21:40,627 --> 00:21:43,630
YOU KNOW, EVERY TIME I THINKI'M MAKING PROGRESS WITH HIM,
530
00:21:43,714 --> 00:21:47,009
IT'S JUST...RIGHT BACK WHERE I STARTED,
531
00:21:47,050 --> 00:21:48,636
AND YOU KNOW?I DESERVE IT.
532
00:21:48,677 --> 00:21:50,804
I WAS SUCH A HORRIBLE FATHER.
533
00:21:50,888 --> 00:21:54,058
MAYBE YOU WEREN'T ALWAYSTHE FATHER YOU ARE TODAY,
534
00:21:54,100 --> 00:21:56,728
BUT YOU HAVE WORKED HARDTO OVERCOME YOUR PAST
535
00:21:56,770 --> 00:21:58,062
AND START FRESH.
536
00:21:58,104 --> 00:21:59,898
ERIC DOESN'T KNOWWHAT HE'S DOING
537
00:21:59,939 --> 00:22:01,065
OR SAYING.
538
00:22:01,065 --> 00:22:02,359
HE'S TAKING IT OUT ON YOU.
539
00:22:02,401 --> 00:22:03,777
YOU HAVE TO STOP THIS.
540
00:22:03,860 --> 00:22:05,112
YOU HAVE TO BE STRONG.
541
00:22:05,195 --> 00:22:07,447
HE NEEDS YOU.
542
00:22:07,489 --> 00:22:09,659
THAT MAY BE.
543
00:22:09,742 --> 00:22:11,286
BUT HE DOESN'T WANT ME.
544
00:22:13,579 --> 00:22:15,665
[♪]
545
00:22:31,933 --> 00:22:33,435
SO YOU FOUNDTHE PLACE OKAY?
546
00:22:33,518 --> 00:22:34,436
OH, YEAH.
547
00:22:34,519 --> 00:22:37,105
THANKS FOR MEETING MEON SUCH SHORT NOTICE.
548
00:22:37,147 --> 00:22:38,731
HOW'S YOUR MOM?
549
00:22:38,773 --> 00:22:41,443
SHE'S GREAT, ROY.THANKS FOR ASKING.
550
00:22:41,484 --> 00:22:42,695
SHE SAID
551
00:22:42,778 --> 00:22:45,113
YOU USED TO WORK WITHTHE SEATTLE POLICE DEPARTMENT?
552
00:22:45,155 --> 00:22:48,451
NOW I AMA PRIVATE INVESTIGATOR.
553
00:22:49,327 --> 00:22:52,747
I THINK MY, UH...
554
00:22:52,789 --> 00:22:56,125
FRIEND JOHN BOWMANIS IN TROUBLE.
555
00:22:56,167 --> 00:22:57,294
THE PHOTOGRAPHER?
556
00:22:57,336 --> 00:22:59,045
-MM-HMM.-I SAW HIS WORK...
557
00:22:59,129 --> 00:23:01,465
...AT LAST YEAR'S ARTWALK.TALENTED GUY.
558
00:23:01,506 --> 00:23:02,925
HE IS.
559
00:23:02,967 --> 00:23:06,011
SO WHAT KIND OF TROUBLEHAS HE GOTTEN HIMSELF INTO?
560
00:23:06,095 --> 00:23:09,349
THAT'S WHAT I'M HOPINGYOU CAN TELL ME.
561
00:23:10,057 --> 00:23:12,060
TWO MEN CAMEINTO THE GALLERY TODAY,
562
00:23:12,143 --> 00:23:12,978
LOOKING FOR JOHN.
563
00:23:13,061 --> 00:23:14,730
THEY SAIDTHEY WERE FRIENDS OF HIS,
564
00:23:14,813 --> 00:23:16,732
BUT I DON'T BUY IT.
565
00:23:16,815 --> 00:23:18,191
BEFORE THEY DROVE AWAY,
566
00:23:18,274 --> 00:23:21,695
I WROTE DOWNTHEIR LICENSE PLATE NUMBER.
567
00:23:24,323 --> 00:23:25,867
THOSE MEN SCARED ME,
568
00:23:25,950 --> 00:23:28,369
AND NOWI'M SCARED FOR JOHN.
569
00:23:28,452 --> 00:23:30,287
I'LL LOOK INTO IT.
570
00:23:30,330 --> 00:23:32,624
THANKS.
571
00:23:34,501 --> 00:23:36,336
AND, UM, ROY?
572
00:23:36,378 --> 00:23:38,171
MM-HMM?
573
00:23:38,213 --> 00:23:39,965
PLEASE...
574
00:23:40,007 --> 00:23:42,301
NO POLICE. OKAY?
575
00:23:42,343 --> 00:23:44,262
OKAY.
576
00:23:50,184 --> 00:23:53,271
[DOOR OPENS, THEN SHUTS]
577
00:23:54,564 --> 00:23:57,067
[♪]
578
00:24:01,363 --> 00:24:03,240
IS THAT YOUR SON?
579
00:24:03,323 --> 00:24:04,909
HANDSOME.
580
00:24:04,992 --> 00:24:06,076
AND SMART.
581
00:24:06,160 --> 00:24:07,495
WHAT'S HIS NAME?
582
00:24:07,537 --> 00:24:08,371
JORDAN.
583
00:24:08,454 --> 00:24:10,498
HE LOOKS SO HAPPY.
584
00:24:10,540 --> 00:24:12,793
HE DOES, DOESN'T HE?
585
00:24:20,384 --> 00:24:22,678
FRESH FROM THE CAFETERIA!
586
00:24:22,762 --> 00:24:24,847
I THINK THE GREEN STUFFIS LETTUCE.
587
00:24:24,889 --> 00:24:25,932
I'M NOT HUNGRY.
588
00:24:26,015 --> 00:24:27,350
TOO BAD.YOU NEED TO EAT.
589
00:24:27,392 --> 00:24:28,351
GRACE.
590
00:24:28,393 --> 00:24:29,477
OLIVIA.
591
00:24:30,520 --> 00:24:32,355
THANK YOU.
592
00:24:35,233 --> 00:24:37,778
SO... HOW ARE YOU?
593
00:24:39,572 --> 00:24:41,199
WELL...
594
00:24:41,240 --> 00:24:42,951
JACK KEEPSBLAMING HIMSELF
595
00:24:43,034 --> 00:24:45,036
FOR HIS AND ERIC'SRELATIONSHIP PROBLEMS,
596
00:24:45,119 --> 00:24:46,495
AND I'M WORRIEDABOUT SHELLY--
597
00:24:46,579 --> 00:24:48,540
I DIDN'TASK YOU THAT.
598
00:24:48,582 --> 00:24:49,583
HOW ARE YOU?
599
00:24:49,624 --> 00:24:50,375
I'M FINE.
600
00:24:50,459 --> 00:24:53,212
OH, YOU LIAR, LIAR,PANTS ON FIRE.
601
00:24:53,253 --> 00:24:55,214
GRACE? REALLY?
602
00:24:55,255 --> 00:24:56,048
"LIAR, LIAR?"
603
00:24:56,090 --> 00:24:57,549
WELL, QUIT DODGINGTHE QUESTION.
604
00:24:57,591 --> 00:24:59,426
AND THE QUESTION IS?
605
00:24:59,510 --> 00:25:00,385
I FIND IT
606
00:25:00,470 --> 00:25:02,930
IMPOSSIBLETO BE INSIDE THIS HOSPITAL
607
00:25:03,013 --> 00:25:04,724
AND NOT THINK ABOUT JORDAN.
608
00:25:06,059 --> 00:25:09,437
I DON'T WANT TO TALKABOUT THE DAY JORDAN DIED.
609
00:25:09,437 --> 00:25:12,483
I AM HERE TO HELP SHELLY.
610
00:25:13,609 --> 00:25:15,694
GOT IT.
611
00:25:16,903 --> 00:25:19,824
THANK YOU SO MUCHFOR BEING HERE FOR ME.
612
00:25:19,866 --> 00:25:23,495
I DON'T KNOW WHATI WOULD DO WITHOUT YOU.
613
00:25:25,330 --> 00:25:27,457
NOW...
614
00:25:29,292 --> 00:25:30,627
GO HOME.
615
00:25:30,710 --> 00:25:31,503
WHAT?
616
00:25:31,628 --> 00:25:33,589
GO HOME.GO HOME. GO HOME.
617
00:25:33,631 --> 00:25:36,091
FINE. I'LL GO.
618
00:25:36,133 --> 00:25:37,635
BUT I'LL BE BACK.
619
00:25:37,635 --> 00:25:39,137
WELL, YOU DON'THAVE TO.
620
00:25:39,220 --> 00:25:40,804
JUST TRY AND STOP ME.
621
00:25:40,889 --> 00:25:42,515
LET ME WALK YOUTO YOUR CAR.
622
00:25:45,477 --> 00:25:48,355
[♪]
623
00:25:54,111 --> 00:25:57,072
I SAY SKIP LUNCHAND GO STRAIGHT TO DESSERT.
624
00:25:57,156 --> 00:25:59,241
BOB.
625
00:26:00,618 --> 00:26:01,827
MM! IT WOULD BE CRUEL
626
00:26:01,869 --> 00:26:03,872
FOR ME TO HAVE TO SHARE THISWITH THE GUESTS.
627
00:26:03,955 --> 00:26:05,331
THE GUESTS ARE GONNAHAVE CHOCOLATE CAKE.
628
00:26:05,331 --> 00:26:06,291
WELL, I DON'T LIKE CAKE.
629
00:26:06,332 --> 00:26:08,960
WHICH IS WHY I MADE YOU THIS.
630
00:26:11,171 --> 00:26:12,506
[SIGHS]
631
00:26:12,548 --> 00:26:14,675
YOU GOING TO TELL MEWHAT'S GOING ON,
632
00:26:14,758 --> 00:26:17,053
OR DO WE HAVE TO KEEPTALKING ABOUT THIS PIE?
633
00:26:17,094 --> 00:26:18,345
I'M SORRY.
634
00:26:18,429 --> 00:26:20,056
I'M JUST WORRIED.
635
00:26:20,139 --> 00:26:21,474
SHELLY?
636
00:26:21,516 --> 00:26:23,643
I JUST CALLED HERAT THE HOSPITAL.
637
00:26:23,685 --> 00:26:26,104
SHE SOUNDS SO FRIGHTENED.
638
00:26:26,188 --> 00:26:27,355
LOOK, I'VE GOTAN IDEA.
639
00:26:27,439 --> 00:26:28,356
WHY DON'T WE JUST
640
00:26:28,440 --> 00:26:29,357
LET THIS PIE COOL,
641
00:26:29,399 --> 00:26:32,319
AND YOU AND I TAKEA NICE, RELAXING DRIVE
642
00:26:32,361 --> 00:26:33,696
TO THE HOSPITAL?
643
00:26:33,737 --> 00:26:35,739
YOU THINK?
644
00:26:35,823 --> 00:26:37,158
MM.
645
00:26:37,200 --> 00:26:38,617
I DON'TWANT TO INTRUDE, THOUGH.
646
00:26:38,659 --> 00:26:40,411
SHELLY'S PRACTICALLY FAMILY.
647
00:26:40,494 --> 00:26:41,329
NO.
648
00:26:41,370 --> 00:26:43,415
SHE IS FAMILY.
649
00:26:43,498 --> 00:26:44,207
[PHONE RINGS]
650
00:26:44,290 --> 00:26:46,793
WHICH IS WHYWE'RE GONNA GO SEE HER.
651
00:26:49,588 --> 00:26:51,548
THYME AND TIDE.
652
00:26:51,631 --> 00:26:54,552
HELLO?
653
00:26:56,053 --> 00:26:57,597
OKAY, HAVE A NICE DAY.
654
00:26:57,680 --> 00:26:59,307
UH, BOB?
655
00:26:59,390 --> 00:27:01,434
JACK?
656
00:27:02,393 --> 00:27:04,395
[♪]
657
00:27:05,271 --> 00:27:06,482
JACK, WHAT'S GOING ON?
658
00:27:06,565 --> 00:27:08,442
ARE YOU OKAY?
659
00:27:08,484 --> 00:27:09,485
[JACK SIGHS]
660
00:27:09,568 --> 00:27:12,196
♪ THE GREATEST HEARTSARE ALWAYS BROKEN ♪
661
00:27:12,238 --> 00:27:14,573
♪ BEFORE THEY GET THE CHANCE
662
00:27:14,615 --> 00:27:15,617
♪ TO LOVE THE ONE
663
00:27:15,700 --> 00:27:18,703
♪ WHO WILL LOVE THEM RIGHT
664
00:27:19,996 --> 00:27:23,041
♪ THE TRUEST LOVECOMES WITH PATIENCE ♪
665
00:27:23,083 --> 00:27:25,668
♪ AND WAITING ON
666
00:27:25,711 --> 00:27:28,171
♪ THE ONE TO HOLD THEM CLOSE
667
00:27:28,255 --> 00:27:29,757
HI.
668
00:27:32,343 --> 00:27:34,262
WHAT AREYOU DOING HERE?
669
00:27:34,303 --> 00:27:36,430
WE NEED TO TALK.
670
00:27:45,774 --> 00:27:48,318
[♪]
671
00:27:56,786 --> 00:27:58,371
HEY. HEY.
672
00:27:58,454 --> 00:27:59,998
HEY.
673
00:28:01,667 --> 00:28:03,460
I'M GONNA GO CHECKON SHELLY AND OLIVIA,
674
00:28:03,502 --> 00:28:07,048
SO I'M GONNA LEAVE YOU GUYSTO TALK, HUH?
675
00:28:12,261 --> 00:28:15,014
I SHOULDN'T HAVE CALLED.I, UH...
676
00:28:16,266 --> 00:28:17,600
I'M YOUR SPONSOR.
677
00:28:17,642 --> 00:28:20,562
YOU MOST DEFINITELYSHOULD HAVE CALLED.
678
00:28:21,396 --> 00:28:25,484
THAT'S MY COMMITMENTTO YOU AND YOUR SOBRIETY.
679
00:28:27,110 --> 00:28:30,031
WAS IT THIS HARDYOUR FIRST YEAR?
680
00:28:30,156 --> 00:28:32,158
IT WAS HARD MY FIRST YEAR,
681
00:28:32,200 --> 00:28:33,409
MY SECOND YEAR.
682
00:28:33,492 --> 00:28:36,037
IT'S HARD TODAY.
683
00:28:37,664 --> 00:28:40,584
ONE DAY AT A TIME, RIGHT?
684
00:28:41,793 --> 00:28:43,795
YOU WANT TO TALK ABOUT IT?
685
00:28:45,297 --> 00:28:46,465
NO.
686
00:28:46,506 --> 00:28:48,383
BUT YOU WANT A DRINK?
687
00:28:49,344 --> 00:28:50,720
YES.
688
00:28:55,350 --> 00:28:58,311
I'M BETTER NOW.I, UH...
689
00:28:58,353 --> 00:29:00,355
I'M NOT GOING TO DRINK.
690
00:29:00,439 --> 00:29:01,565
I'M NOT.
691
00:29:02,858 --> 00:29:04,401
OKAY.
692
00:29:04,485 --> 00:29:06,612
[SIGHS]
693
00:29:10,074 --> 00:29:12,702
YOU'RE JUST GOING TOSIT HERE WITH ME?
694
00:29:12,744 --> 00:29:14,829
YUP.
695
00:29:15,747 --> 00:29:17,624
NO TALKING?
696
00:29:17,707 --> 00:29:19,835
NOPE.
697
00:29:24,382 --> 00:29:25,674
PLEASE DON'T DO THIS.
698
00:29:25,716 --> 00:29:26,717
MY MIND IS MADE UP.
699
00:29:26,800 --> 00:29:28,552
-THEN I'LL RAISE HER ALONE.-NO.
700
00:29:28,594 --> 00:29:31,640
YOU WOULD RATHER HAVESTRANGERS RAISE OUR DAUGHTER?
701
00:29:31,723 --> 00:29:32,557
YES.
702
00:29:32,599 --> 00:29:33,600
COME ON, SHELLY.
703
00:29:33,725 --> 00:29:34,726
ERIC, YOU'RE HERE NOW,
704
00:29:34,726 --> 00:29:35,644
AND YOU'RE COMMITTED,
705
00:29:35,769 --> 00:29:37,103
JUST LIKE WHEN I FOUND OUTI WAS PREGNANT,
706
00:29:37,187 --> 00:29:39,314
BUT THEN YOU GOT SCAREDAND YOU FELT PRESSURED,
707
00:29:39,398 --> 00:29:40,274
AND YOU BOLTED.
708
00:29:40,315 --> 00:29:42,109
WHY CAN'T YOU SEETHAT I'VE CHANGED?
709
00:29:42,151 --> 00:29:44,153
WELL, WHAT HAPPENSIF YOU HAVEN'T CHANGED?
710
00:29:44,236 --> 00:29:45,613
WHAT'S YOUR BACK-UP PLAN?
711
00:29:45,655 --> 00:29:48,824
YOU JUST GONNA LEAVE THE BABYWITH YOUR FATHER?
712
00:29:48,908 --> 00:29:50,368
I WOULD NEVER DO THAT.
713
00:29:50,410 --> 00:29:51,744
YOU KNOW WHATMY CHILDHOOD WAS LIKE.
714
00:29:51,827 --> 00:29:54,414
MY MOM BARELY THERE,MY DAD TOOK OFF.
715
00:29:54,497 --> 00:29:56,332
IF I WASN'T GOINGINTO A FOSTER HOME,
716
00:29:56,416 --> 00:29:57,376
WE WERE MOVING.
717
00:29:57,584 --> 00:30:00,086
THERE WAS BARELY ENOUGH MONEYTO PAY FOR THE BASICS.
718
00:30:00,171 --> 00:30:03,007
REMEMBER, YOU WERETHE ONE WHO WANTED
719
00:30:03,090 --> 00:30:04,425
TO GIVE UP THE BABYIN THE FIRST PLACE.
720
00:30:04,508 --> 00:30:06,385
I DIDN'T KNOWWHAT I WAS SAYING.
721
00:30:06,427 --> 00:30:08,054
NO, I THINKIT'S WHAT YOU WANTED,
722
00:30:08,137 --> 00:30:10,473
BUT THEN YOU CAMEBACK TO CEDAR COVE,
723
00:30:10,557 --> 00:30:12,267
AND YOU SAW MEAND YOU SAW THE SONOGRAM,
724
00:30:12,309 --> 00:30:15,603
AND YOU LET YOUR EMOTIONSRUN AWAY WITH YOU.
725
00:30:15,687 --> 00:30:17,230
I DID, TOO.
726
00:30:18,566 --> 00:30:21,151
PLEASE BE REASONABLE.
727
00:30:21,860 --> 00:30:23,779
I AM GOING TO DOWHAT'S BEST FOR OUR BABY,
728
00:30:23,862 --> 00:30:26,199
AND I HOPEYOU'LL GO ALONG WITH IT.
729
00:30:26,282 --> 00:30:30,078
PLEASE, ERIC,DON'T FIGHT ME ON THIS.
730
00:30:31,746 --> 00:30:34,082
[♪]
731
00:31:09,787 --> 00:31:10,830
CLIFF?
732
00:31:10,872 --> 00:31:13,208
IN THE KITCHEN.
733
00:31:17,045 --> 00:31:19,757
OOH. LOOK AT YOU.
734
00:31:20,549 --> 00:31:22,676
HOW'S EVERYTHING GOINGAT THE HOSPITAL?
735
00:31:22,718 --> 00:31:25,554
UGH. COMPLICATED.
736
00:31:25,596 --> 00:31:26,848
I COOKED.
737
00:31:26,890 --> 00:31:28,016
I CAN SEE THAT.
738
00:31:28,057 --> 00:31:31,353
IT'S NICE TO SMELL SOMETHINGOTHER THAN HOSPITAL FOOD.
739
00:31:31,436 --> 00:31:33,022
BEEF STEW.
740
00:31:33,063 --> 00:31:34,564
FAMILY RECIPE.
741
00:31:34,648 --> 00:31:35,482
MM!
742
00:31:35,607 --> 00:31:36,984
ONLY MADE FOR THOSEWHO ARE VERY SPECIAL.
743
00:31:37,026 --> 00:31:37,818
THAT'S REALLY GOOD.
744
00:31:37,902 --> 00:31:39,487
I CAN'T BELIEVEYOU CAN COOK.
745
00:31:39,570 --> 00:31:40,946
WELL, YOU'RE A COWBOYAND YOU DON'T,
746
00:31:41,030 --> 00:31:42,114
YOU STARVE.
747
00:31:42,198 --> 00:31:44,742
NOT A LOT OF TAKEOUTON THE OPEN RANGE.
748
00:31:44,784 --> 00:31:45,743
[CHUCKLES]
749
00:31:45,826 --> 00:31:47,162
-YOU HUNGRY?-MM.
750
00:31:48,079 --> 00:31:50,165
[DOOR OPENS]
751
00:31:53,043 --> 00:31:56,088
HEY. CLIFF MADE STEW.
752
00:31:58,549 --> 00:32:00,259
HONEY, WHAT'S THE MATTER?
753
00:32:03,179 --> 00:32:04,264
IT'S JOHN.
754
00:32:04,389 --> 00:32:05,973
I THINK HE'S IN TROUBLE.
755
00:32:08,518 --> 00:32:10,771
I'M SORRY.
756
00:32:15,901 --> 00:32:16,777
YOU KNOW WHAT?
757
00:32:16,902 --> 00:32:18,487
I THINK I'M GONNA HEAD ONBACK TO THE RANCH.
758
00:32:18,571 --> 00:32:19,405
I AM SO SORRY.
759
00:32:19,530 --> 00:32:21,908
NO, NO. SOMEBODY NEEDS YOUMORE THAN I DO.
760
00:32:21,950 --> 00:32:23,492
YOU ARE SO...
761
00:32:23,577 --> 00:32:24,786
I AM, AREN'T I?
762
00:32:24,869 --> 00:32:26,162
YEAH. MM.
763
00:32:28,122 --> 00:32:29,749
I'M A LUCKY LADY.
764
00:32:29,833 --> 00:32:32,127
I'M THE LUCKY ONE.
765
00:32:39,260 --> 00:32:42,013
[♪]
766
00:32:49,980 --> 00:32:53,359
[VEHICLE DOORS SHUT,ENGINE TURNS OVER]
767
00:32:56,779 --> 00:32:59,198
[♪]
768
00:33:09,084 --> 00:33:10,669
MOM.
769
00:33:10,753 --> 00:33:12,921
I'M IN HERE.
770
00:33:15,799 --> 00:33:17,260
IS SHELLY ALRIGHT?
771
00:33:17,343 --> 00:33:19,345
I DON'T KNOW.THAT'S NOT WHY I'M HERE.
772
00:33:19,470 --> 00:33:20,555
WHAT ARE YOU DOING HERE?
773
00:33:20,639 --> 00:33:22,265
OH, MY DOCKET'S DOUBLEDFOR TOMORROW.
774
00:33:22,348 --> 00:33:23,683
I HAD TO PICK UPTHESE FILES TO PREP.
775
00:33:23,808 --> 00:33:25,101
WARREN'S BACK IN TOWN.
776
00:33:25,144 --> 00:33:26,686
IMPOSSIBLE.
777
00:33:26,770 --> 00:33:27,687
I JUST SAW HIM.
778
00:33:27,771 --> 00:33:29,732
HE'S HERE,WALKING AROUND FREE.
779
00:33:29,815 --> 00:33:30,983
HOW DID WARREN SAGET
780
00:33:31,108 --> 00:33:32,485
GET OUT OFFEDERAL CUSTODY?
781
00:33:32,527 --> 00:33:33,569
I HAVE NO IDEA.
782
00:33:33,653 --> 00:33:34,654
ARE YOU ALRIGHT?
783
00:33:34,695 --> 00:33:36,281
[DRYLY]: GREAT.
784
00:33:36,322 --> 00:33:37,490
[HUFFS]
785
00:33:37,532 --> 00:33:38,533
IT LOOKS LIKE
786
00:33:38,741 --> 00:33:40,493
SETH AND I ARE GOING THROUGHWITH BUYING THE RESTAURANT,
787
00:33:40,618 --> 00:33:42,203
ALTHOUGH I HAVENO IDEA HOW.
788
00:33:42,287 --> 00:33:45,123
REALLY? I THOUGHT THATWAS STILL UP IN THE AIR.
789
00:33:45,165 --> 00:33:46,292
WARREN STARTED POKING US
790
00:33:46,333 --> 00:33:47,626
ABOUT FINISHINGTHE SALE OF THE RESTAURANT--
791
00:33:47,668 --> 00:33:49,336
IS THAT WHAT YOU WANT?
792
00:33:49,962 --> 00:33:52,256
MOM, SETH GAVE UP WHAT HE LOVESTO BE HERE,
793
00:33:52,339 --> 00:33:54,592
SO THAT WE COULD HAVEA REAL RELATIONSHIP.
794
00:33:54,634 --> 00:33:56,678
THAT IS NOTWHAT I ASKED YOU.
795
00:33:56,678 --> 00:33:58,513
STOP CROSS-EXAMINING ME.
796
00:33:58,638 --> 00:34:00,390
THEN ANSWER THE QUESTION.
797
00:34:02,017 --> 00:34:02,935
OKAY.
798
00:34:03,018 --> 00:34:05,187
TAKE THE MONEY OUT OF IT.
799
00:34:05,228 --> 00:34:06,021
HOW?
800
00:34:06,146 --> 00:34:08,190
I'M HAPPY TO GIVEYOU AND SETH THE MONEY.
801
00:34:08,231 --> 00:34:09,858
YOU CAN PAY ME BACK.
802
00:34:09,858 --> 00:34:10,901
YOU DON'T NEED A LOAN.
803
00:34:11,026 --> 00:34:12,778
BUT SETH WANTS US TO--
804
00:34:12,861 --> 00:34:14,363
I KNOWWHAT SETH WANTS.
805
00:34:14,447 --> 00:34:16,365
HE WANTS YOU, AT ANY COST,
806
00:34:16,365 --> 00:34:19,160
AND HE'S WILLING TO SACRIFICEANYTHING AND EVERYTHING
807
00:34:19,202 --> 00:34:20,161
TO HAVE YOU,
808
00:34:20,203 --> 00:34:22,914
BUT IT'S YOUR LIFE, TOO.
809
00:34:22,997 --> 00:34:25,709
WHAT ARE YOU WILLINGTO SACRIFICE FOR?
810
00:34:25,709 --> 00:34:27,920
TO GIVE ANYTHING FOR?
811
00:34:28,045 --> 00:34:30,715
IS IT THE RESTAURANT?
812
00:34:30,798 --> 00:34:32,967
IS IT SETH?
813
00:34:34,469 --> 00:34:38,264
I THINK THAT'S THE QUESTIONYOU NEED TO ANSWER.
814
00:34:43,228 --> 00:34:45,606
[SETH AND DEREK LAUGHING]
815
00:34:45,689 --> 00:34:47,066
[DEREK]: COME ON.YOU CAN'T BE SERIOUS.
816
00:34:47,191 --> 00:34:48,525
[SETH]: I'M NOT INTERESTED.
817
00:34:48,567 --> 00:34:49,944
-BULL.-TRUTH.
818
00:34:49,986 --> 00:34:50,903
I KNOW YOU!
819
00:34:51,070 --> 00:34:53,072
WELL, MAYBE YOU DON'T KNOW ME ASWELL AS YOU THINK.
820
00:34:53,072 --> 00:34:54,532
WHAT ARE YOU DOING HERE?
821
00:34:54,574 --> 00:34:55,825
A RESTAURANT?
822
00:34:55,908 --> 00:34:58,120
REALLY? COME ON!
823
00:34:59,079 --> 00:35:00,914
I'M NOT LEAVING CEDAR COVE.
824
00:35:00,956 --> 00:35:02,666
DON'T PASS THIS UP.
825
00:35:02,708 --> 00:35:03,834
I GOT FINANCED FOR TWO BOATS.
826
00:35:03,917 --> 00:35:04,877
I CAN ONLY CAPTAIN ONE.
827
00:35:04,960 --> 00:35:06,879
THE OTHER ONEIS YOURS FOR THE TAKING.
828
00:35:06,962 --> 00:35:08,297
-NO.-YOU COULD MAKE ENOUGH MONEY--
829
00:35:08,381 --> 00:35:10,591
...TO BUY ANOTHER BOAT,YOUR OWN BOAT.
830
00:35:10,633 --> 00:35:13,136
I STILL CAN'T BELIEVEYOU SOLD THE FIRST ONE.
831
00:35:13,219 --> 00:35:14,012
FOR WHAT?
832
00:35:14,095 --> 00:35:14,929
TO RUN A RESTAURANT?
833
00:35:15,054 --> 00:35:16,014
HEY, THE LIGHTHOUSERESTAURANT
834
00:35:16,139 --> 00:35:17,974
IS GOING TO BE FANTASTICWHEN I'M DONE WITH IT,
835
00:35:18,057 --> 00:35:20,560
AND I WILL GLADLY BUYANY FISH YOU CAN SUPPLY.
836
00:35:20,644 --> 00:35:22,104
WHAT IF I MAKE YOUA FULL PARTNER?
837
00:35:22,229 --> 00:35:23,272
I DON'T HAVE ANY MONEY.
838
00:35:23,272 --> 00:35:24,606
YEAH, BUTYOU HAVE SKILL,
839
00:35:24,649 --> 00:35:28,361
AND I NEED THAT SKILLTO DOUBLE MY PROFITS.
840
00:35:29,237 --> 00:35:30,405
WHAT ARE YOU SAYING?
841
00:35:30,488 --> 00:35:32,657
SALARYWITH A PERCENT OF PROFITS,
842
00:35:32,740 --> 00:35:34,617
AND A CONTRACT
843
00:35:34,659 --> 00:35:36,912
THAT WILL ALLOW YOU TO BUYTHE SECOND BOAT FROM ME,
844
00:35:36,953 --> 00:35:38,955
AS LONG ASWE STAY PARTNERS.
845
00:35:41,250 --> 00:35:43,502
[SETH CHUCKLES]
846
00:35:44,628 --> 00:35:45,963
THANKS, BUT...
847
00:35:46,047 --> 00:35:47,256
NO THANKS.
848
00:35:47,298 --> 00:35:49,008
[DEREK SIGHS]
849
00:35:49,091 --> 00:35:50,968
I JUST HOPESHE'S WORTH IT.
850
00:35:51,052 --> 00:35:51,969
JUSTINE IS.
851
00:35:52,053 --> 00:35:53,346
AND THE ONLY WAY TO KEEP HER
852
00:35:53,430 --> 00:35:55,598
IS TO GET THIS RESTAURANTUP AND RUNNING.
853
00:35:55,640 --> 00:35:57,642
[DEREK SIGHS]
854
00:35:57,725 --> 00:35:58,936
LOVE.
855
00:35:58,977 --> 00:36:00,771
[LAUGHS]
856
00:36:00,813 --> 00:36:02,356
YEAH.
857
00:36:03,023 --> 00:36:05,276
MAN, I'M GONNA MISS YOUIN ALASKA.
858
00:36:06,319 --> 00:36:07,946
HEY, CAN YOU DO ME A FAVOR?
859
00:36:07,987 --> 00:36:09,113
SURE.
860
00:36:09,155 --> 00:36:10,865
DON'T TELL JUSTINEABOUT THE JOB.
861
00:36:10,949 --> 00:36:13,159
OH... WELL,IT'S YOUR FUNERAL.
862
00:36:13,201 --> 00:36:13,993
NO.
863
00:36:14,077 --> 00:36:17,081
IT'S MY LIFE,WITH THE WOMAN I LOVE.
864
00:36:17,164 --> 00:36:18,916
CHEERS TO THAT.
865
00:36:19,834 --> 00:36:21,001
[CLINK]
866
00:36:21,043 --> 00:36:22,837
THERE SHE IS.
867
00:36:22,878 --> 00:36:24,046
SORRY I'M LATE.
868
00:36:24,088 --> 00:36:25,631
THAT'S OKAY.
869
00:36:25,673 --> 00:36:27,592
-HI, JUSTINE.-HEY, DEREK.
870
00:36:27,675 --> 00:36:28,593
YOU GONNA JOIN US?
871
00:36:28,676 --> 00:36:30,261
HE WAS JUST LEAVING.
872
00:36:30,345 --> 00:36:31,763
I WAS?
873
00:36:31,847 --> 00:36:32,931
YOU WERE.
874
00:36:33,014 --> 00:36:34,683
WHAT ABOUT MY BEER?
875
00:36:34,725 --> 00:36:36,518
TAKE IT TO GO.
876
00:36:37,769 --> 00:36:40,064
[SIGHS] IT'S GOOD TO SEE YA.
877
00:36:41,190 --> 00:36:43,567
SEE YOU.
878
00:36:45,527 --> 00:36:46,988
YOU HUNGRY?
879
00:36:47,029 --> 00:36:47,947
I'M STARVING.
880
00:36:48,030 --> 00:36:50,032
SO WHAT DID HE WANT?
881
00:36:50,700 --> 00:36:54,079
HE'S HEADING UP TO ALASKA.HE'S GOT A COUPLE OF BOATS.
882
00:36:54,162 --> 00:36:56,206
JEALOUS?
883
00:36:56,248 --> 00:36:57,666
NO.
884
00:36:57,750 --> 00:37:01,462
I GOT EVERYTHING I WANTRIGHT HERE.
885
00:37:04,132 --> 00:37:06,342
[CELL PHONE RINGS]
886
00:37:08,011 --> 00:37:09,012
HELLO?
887
00:37:09,053 --> 00:37:11,055
JOHNNY-BOY.
888
00:37:11,097 --> 00:37:12,140
SAM?
889
00:37:12,181 --> 00:37:15,019
LOOK. LOOK, SAM, STOP CALLING.
890
00:37:15,060 --> 00:37:18,230
I APPRECIATE EVERYTHINGTHAT YOU'VE DONE FOR ME--
891
00:37:18,313 --> 00:37:19,732
YOU KNOW,I SHOULD BE IN SEATTLE,
892
00:37:19,815 --> 00:37:21,358
GETTING READYTO DELIVER A TRUNKLOAD
893
00:37:21,401 --> 00:37:25,155
OF FAKE I.D.s, GREENCARDS,PASSPORTS, CREDIT CARDS,
894
00:37:25,238 --> 00:37:26,447
TO MY GUY DOWN IN L.A.,
895
00:37:26,531 --> 00:37:29,659
BUT HERE I AM,STANDING ON SOME PIER,
896
00:37:29,743 --> 00:37:33,163
BECAUSE THIS IS THE ONLY PLACEYOU CAN GET CELL SERVICE
897
00:37:33,204 --> 00:37:35,123
IN THIS STUPID LITTLE TOWN.
898
00:37:35,249 --> 00:37:37,168
YOU'RE IN CEDAR COVE?
899
00:37:37,251 --> 00:37:38,335
I AM.
900
00:37:38,419 --> 00:37:39,503
[BEEP]
901
00:37:40,587 --> 00:37:43,132
[♪]
902
00:37:45,302 --> 00:37:46,928
HONEY?
903
00:37:47,011 --> 00:37:49,139
THOUGHT YOU MIGHT BE HUNGRY.
904
00:37:49,222 --> 00:37:50,182
OH, THAT'S SWEET, MOM,
905
00:37:50,223 --> 00:37:53,060
BUT I DON'THAVE AN APPETITE.
906
00:37:54,311 --> 00:37:55,353
OKAY.
907
00:37:55,395 --> 00:37:57,064
YOU SHOULDGET BACK TO CLIFF.
908
00:37:57,105 --> 00:37:58,316
HE LEFT.
909
00:37:58,357 --> 00:37:59,275
OH, I'M SORRY.
910
00:37:59,317 --> 00:38:01,945
-WHY?-WELL, I RUINED YOUR DATE.
911
00:38:01,986 --> 00:38:04,363
NO! YOU DID NOT.
912
00:38:05,949 --> 00:38:08,952
NOW, YOU NEED TOTELL ME WHAT IS GOING ON
913
00:38:09,035 --> 00:38:11,371
INSIDE THAT HEADOF YOURS.
914
00:38:13,123 --> 00:38:15,500
[♪]
915
00:38:17,086 --> 00:38:19,213
COME HERE.
916
00:38:23,009 --> 00:38:24,970
OH, SORRY!
917
00:38:25,053 --> 00:38:26,471
[MONITOR BEEPING]
918
00:38:26,512 --> 00:38:28,724
[♪]
919
00:38:47,202 --> 00:38:48,661
ARE YOUGONNA BE OKAY?
920
00:38:48,703 --> 00:38:53,166
OH, HEY, I AM... BETTER.MOVING TOWARDS "OKAY."
921
00:38:53,208 --> 00:38:54,960
YEAH.
922
00:38:55,002 --> 00:38:56,170
-OH, HEY.-HEY.
923
00:38:56,212 --> 00:38:57,171
HEY, GUYS.
924
00:38:57,255 --> 00:38:58,422
HOW ARE THINGS UPSTAIRS?
925
00:38:58,506 --> 00:38:59,423
SHELLY'S BETTER.
926
00:38:59,465 --> 00:39:01,300
YEAH?IS OLIVIA WITH HER?
927
00:39:01,384 --> 00:39:03,094
JUST STEPPED OUTTO GET SOME AIR.
928
00:39:03,177 --> 00:39:04,137
OKAY.
929
00:39:04,178 --> 00:39:06,515
LISTEN,THANK YOU FOR COMING.
930
00:39:06,598 --> 00:39:08,517
OH, JACK, COME ON.
931
00:39:08,558 --> 00:39:09,851
YOU AND OLIVIA,
932
00:39:09,935 --> 00:39:10,978
AND NOWSHELLY AND ERIC,
933
00:39:11,061 --> 00:39:12,855
YOU GUYS ARE FAMILY,YOU KNOW THAT.
934
00:39:12,897 --> 00:39:14,482
-MM.-ANYTHING CHANGES...
935
00:39:14,524 --> 00:39:16,817
I WILL CALL.
936
00:39:18,319 --> 00:39:20,405
YEAH.
937
00:39:24,534 --> 00:39:26,202
SO HOW IS JACK?
938
00:39:26,244 --> 00:39:27,538
REALLY?
939
00:39:27,579 --> 00:39:29,248
SHAKY.
940
00:39:29,331 --> 00:39:30,291
SHELLY?
941
00:39:30,374 --> 00:39:33,460
SHE'S JUSTSO SCARED, BOB.
942
00:39:33,544 --> 00:39:34,461
YEAH?
943
00:39:34,503 --> 00:39:35,880
SCARED OFHAVING THE BABY,
944
00:39:35,963 --> 00:39:38,049
AND THEN SCAREDOF RAISING THE BABY,
945
00:39:38,132 --> 00:39:39,842
WITH OR WITHOUT ERIC.
946
00:39:39,884 --> 00:39:42,262
WHAT DO YOU THINKSHE'S GOING TO DO?
947
00:39:42,387 --> 00:39:44,264
I HONESTLYDON'T KNOW.
948
00:39:44,347 --> 00:39:46,308
WHAT DO YOU HOPESHE'S GONNA DO?
949
00:39:46,391 --> 00:39:48,060
THE RIGHT THING.
950
00:39:48,143 --> 00:39:51,188
YEAH, THAT'S ALWAYSTHE HARDEST, ISN'T IT?
951
00:39:51,229 --> 00:39:52,398
YES, IT IS.
952
00:39:52,481 --> 00:39:55,026
HEY, DO YOU NEEDTO STAY HERE WITH JACK?
953
00:39:55,068 --> 00:39:56,110
NO.
954
00:39:56,235 --> 00:39:58,071
HE PROMISED HE'D CALL.
955
00:39:58,738 --> 00:40:01,074
LOOK, WE CAN EITHER STAY HEREAND WORRY,
956
00:40:01,074 --> 00:40:02,992
OR WE GO HOMEAND WORRY.
957
00:40:03,076 --> 00:40:05,370
I GOT PIE AT HOME.
958
00:40:05,412 --> 00:40:07,832
HOME IT IS.
959
00:40:11,418 --> 00:40:13,588
HEY.
960
00:40:21,387 --> 00:40:22,347
HELLO?
961
00:40:22,430 --> 00:40:23,306
-HI.-YOU OKAY?
962
00:40:23,389 --> 00:40:25,517
YEAH, I'M GREAT.LET'S GO CHECK ON THE KIDS.
963
00:40:25,601 --> 00:40:28,479
OKAY. GOOD IDEA.
964
00:40:29,396 --> 00:40:32,149
[♪]
965
00:40:37,655 --> 00:40:39,782
HI THERE.
966
00:40:44,997 --> 00:40:47,207
[KNOCKING]
967
00:40:49,710 --> 00:40:51,295
EVENING, GRACE.
968
00:40:51,295 --> 00:40:53,547
HEY, GUYS. WHAT'S UP?
969
00:40:53,589 --> 00:40:56,300
WE NEED TO SPEAKTO MARYELLEN.
970
00:40:58,637 --> 00:41:01,140
IT'S JOHN, ISN'T IT?
971
00:41:01,140 --> 00:41:02,224
I'M AFRAID IT IS.
972
00:41:02,307 --> 00:41:04,476
I TOLD YOU I DIDN'TWANT TO CALL THE POLICE.
973
00:41:04,601 --> 00:41:06,395
I DIDN'THAVE ANY CHOICE.
974
00:41:06,478 --> 00:41:08,230
OKAY, SOMEBODY HADBETTER START TELLING ME
975
00:41:08,272 --> 00:41:09,774
WHAT IS GOING ONRIGHT NOW.
976
00:41:09,857 --> 00:41:11,984
WE GOT SOME INFORMATIONON JOHN BOWMAN
977
00:41:12,026 --> 00:41:13,111
AND THE TWO MEN
978
00:41:13,153 --> 00:41:14,612
MARYELLEN METIN THE GALLERY.
979
00:41:14,654 --> 00:41:16,322
IT'S NOT GOOD.
980
00:41:17,490 --> 00:41:19,910
[SIGHS]COME ON IN. PLEASE.
981
00:41:24,665 --> 00:41:28,753
[♪]
982
00:41:33,341 --> 00:41:34,842
IS SHELLY ALRIGHT?
983
00:41:34,967 --> 00:41:36,010
I WAITED FOR YOU TO GET BACK
984
00:41:36,053 --> 00:41:38,055
SO I COULDTO TELL YOU TO YOUR FACE.
985
00:41:38,138 --> 00:41:39,347
TELL US WHAT?
986
00:41:39,431 --> 00:41:40,974
I'M GONNA STOP YOU.
987
00:41:41,016 --> 00:41:44,395
NOBODY'S GIVING MY BABY AWAY.NOT WITHOUT MY PERMISSION.
988
00:41:44,478 --> 00:41:45,729
NOT YOU, OR YOU,
989
00:41:45,813 --> 00:41:46,980
OR SHELLY.
990
00:41:47,022 --> 00:41:48,232
HEY, ERIC, YOUNEED TO CALM DOWN.
991
00:41:48,316 --> 00:41:50,526
SHE ISN'T THE ONLY ONEWHO HAS RIGHTS.
992
00:41:50,568 --> 00:41:52,195
I'M GOING TO HIRE A LAWYER.
993
00:41:52,320 --> 00:41:55,198
YOU AREN'T GIVING MY BABY AWAY.
994
00:41:55,239 --> 00:41:58,034
[QUIET GROAN] OH.
995
00:41:58,076 --> 00:42:12,258
[♪]
63830
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