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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:28,125 --> 00:00:32,000 "I would like to write a book which would drive men mad, 2 00:00:32,083 --> 00:00:35,167 which would be like an open door leading them where they would never 3 00:00:35,250 --> 00:00:38,375 have consented to go, in short, a door that opens onto reality" 4 00:00:38,542 --> 00:00:41,292 [suspenseful music] 5 00:00:49,250 --> 00:00:50,708 [man] When I was 13, 6 00:00:51,125 --> 00:00:52,875 on my 13th birthday... 7 00:00:53,750 --> 00:00:56,125 There is a place in New Jersey, 8 00:00:56,625 --> 00:00:59,375 it's called Great Adventure... I don't know if it's there anymore, 9 00:00:59,500 --> 00:01:02,833 but they had this animal kingdom, 10 00:01:03,042 --> 00:01:05,083 and you could drive through the animal kingdom, 11 00:01:05,417 --> 00:01:08,083 and each area had different animals. 12 00:01:08,583 --> 00:01:10,792 We got into the baboon area... 13 00:01:11,500 --> 00:01:12,750 and, uh... 14 00:01:13,500 --> 00:01:15,292 there were baboons... 15 00:01:16,458 --> 00:01:18,792 There were baboons all over the car ahead of us. 16 00:01:19,167 --> 00:01:22,375 If you've never seen baboon hands, they are often horrible. 17 00:01:22,750 --> 00:01:26,708 The hairy, like, fully functioning baby... baby hands. 18 00:01:27,250 --> 00:01:31,583 And they were coming through the crack in the window of the car. 19 00:01:31,667 --> 00:01:34,708 See? My mom wanted us to have as much fun as the car ahead of us, 20 00:01:34,792 --> 00:01:36,875 which was completely covered with baboons. 21 00:01:37,375 --> 00:01:40,792 So we started giving Rolaids to the baboons, 22 00:01:40,875 --> 00:01:43,917 figuring that if they are good for us, they are good for baboons, right? 23 00:01:44,083 --> 00:01:45,208 It makes sense. 24 00:01:46,500 --> 00:01:48,125 [suspenseful music continues] 25 00:01:49,708 --> 00:01:52,417 It wasn't long before the car was covered with baboons. 26 00:01:53,042 --> 00:01:54,833 And... that was fun... 27 00:01:55,583 --> 00:01:57,333 until this one big baboon 28 00:01:57,458 --> 00:02:00,375 just squats right in front of my mom 29 00:02:00,667 --> 00:02:02,417 and he starts to get excited. 30 00:02:02,792 --> 00:02:04,958 And he starts to masturbate. 31 00:02:05,625 --> 00:02:10,208 And my mom is sort of looking around and going: "Maybe we'll go to Llama Land." 32 00:02:10,333 --> 00:02:13,375 You know, nobody wants to look. She is honking the horn 33 00:02:13,458 --> 00:02:15,208 and turning on the windshield wipers, 34 00:02:15,292 --> 00:02:18,458 and this baboon is just sitting there... masturbating. 35 00:02:18,500 --> 00:02:20,500 And I was 13, it's my 13th birthday. 36 00:02:20,583 --> 00:02:23,125 July, it's a hot day, I'll never forget it. 37 00:02:23,500 --> 00:02:26,417 My brother is in the back seat. He's 11, he doesn't know what's going on. 38 00:02:26,500 --> 00:02:28,208 You know? And so... 39 00:02:28,333 --> 00:02:30,250 I don't know where to look. Where do I look? 40 00:02:30,333 --> 00:02:31,750 But the horror of it is... 41 00:02:32,333 --> 00:02:34,167 that this baboon may finish 42 00:02:34,375 --> 00:02:36,708 and this is not a great adventure. 43 00:02:37,292 --> 00:02:38,333 A MOVIE BY ALEJANDRO AGRESTI 44 00:02:38,417 --> 00:02:40,917 The radio is on this closed circuit thing, 45 00:02:41,042 --> 00:02:43,250 -giving us fun facts about baboons. -[cell phone vibrating] 46 00:02:43,417 --> 00:02:46,667 "The baboons subsist mainly on bananas and coconuts." 47 00:02:46,750 --> 00:02:47,542 [door slams] 48 00:02:47,625 --> 00:02:49,708 WE'RE NO ANIMALS 49 00:02:49,792 --> 00:02:50,833 [soft music] 50 00:02:50,917 --> 00:02:53,333 -[man on the phone] Listen, Tony... -Hey, Nick, is that you? 51 00:02:53,417 --> 00:02:56,875 I want you to look over to your left... 52 00:02:57,417 --> 00:02:59,708 -behind the window, there. -Nick, I can't talk right now, 53 00:02:59,792 --> 00:03:00,958 I'm in the middle of a meeting. 54 00:03:01,083 --> 00:03:04,417 No, no, no, please, just listen to me. Just look. You see the guy... 55 00:03:04,500 --> 00:03:07,500 the kind of... the weirdo with the strange hat? 56 00:03:07,583 --> 00:03:10,792 Well, that's my friend, the artist I was telling you about. 57 00:03:10,875 --> 00:03:14,000 He's been following you for three days now, you know? 58 00:03:14,208 --> 00:03:15,875 [Nick] His name is Patrick Pesto. 59 00:03:16,042 --> 00:03:19,500 -Patrick what? -Pesto, Pesto, you know, like the sauce, 60 00:03:19,583 --> 00:03:22,333 -like the Italian sauce. Pesto! -Oh, oh, yeah, yeah... 61 00:03:22,417 --> 00:03:23,667 [Nick] P-E-S-T-O. 62 00:03:23,792 --> 00:03:27,500 He's got an experiment, he wants you to be a part of it. 63 00:03:27,708 --> 00:03:28,583 Experiment? 64 00:03:28,667 --> 00:03:31,792 The row behind, I want you to look... There is a guy there with a toothpick. 65 00:03:32,042 --> 00:03:34,417 [Nick] Do you see him? Well, that's my lawyer. 66 00:03:34,500 --> 00:03:37,875 He's a drunk, but he is okay. He's not drunk now, he's dry, 67 00:03:38,125 --> 00:03:40,667 but if he does drink I want you to call me, all right? 68 00:03:40,750 --> 00:03:42,083 Is he an entertainment lawyer? 69 00:03:42,208 --> 00:03:44,875 No, he's a criminal lawyer. You know, he's really... 70 00:03:45,000 --> 00:03:49,042 His wife's name is Peggy Nefasti, have you heard about her? Nefasta. 71 00:03:49,125 --> 00:03:51,750 -The singer? -Yeah. On their honeymoon, 72 00:03:51,833 --> 00:03:57,667 she, uh... she went blind. [stutters] A swordfish... Panic, decompression. 73 00:03:57,875 --> 00:04:00,458 I think it's a good idea to have a criminal... 74 00:04:00,667 --> 00:04:02,458 expert on the script. 75 00:04:02,500 --> 00:04:05,708 -What script? -Oh, you know, the guy, you see the guy-- 76 00:04:05,792 --> 00:04:08,208 Is he still talking about the baboon, that guy? 77 00:04:08,417 --> 00:04:10,917 His name is Rudy Maravilla. 78 00:04:11,417 --> 00:04:15,167 He did this thing, Sometimes, I'm Rudy. Fabulous. 79 00:04:15,292 --> 00:04:17,083 It was a masterpiece, I gotta tell you. 80 00:04:17,458 --> 00:04:21,042 I think maybe he could do the soundtrack, what do you think? 81 00:04:21,125 --> 00:04:22,792 -Where are you, man? -I'm in a bookstore, 82 00:04:22,875 --> 00:04:24,208 but my eyes are everywhere. 83 00:04:24,375 --> 00:04:26,917 -Tell me, Nick, what do you want? -I don't know. 84 00:04:27,042 --> 00:04:30,500 I want what I want. I mean, I want you to just do what we're gonna do, 85 00:04:30,500 --> 00:04:33,542 what we talked about doing. We're gonna go over, I want you to meet these guys, 86 00:04:33,625 --> 00:04:37,500 you don't know them. Introduce yourself, they are aware of what's going on. 87 00:04:37,542 --> 00:04:38,583 They know you. 88 00:04:38,750 --> 00:04:42,375 Okay, man, listen. Nick... I gotta go, um... 89 00:04:42,500 --> 00:04:45,375 [mumbles] I've got a feeling... I don't want you backing off this. 90 00:04:45,458 --> 00:04:46,542 You understand what I'm saying? 91 00:04:46,625 --> 00:04:48,292 I don't want it to be like the other things. 92 00:04:48,375 --> 00:04:51,542 You know? You go to the precipice, then you back away, and then you go, 93 00:04:51,625 --> 00:04:53,625 and then you never... You never go forward! 94 00:04:53,708 --> 00:04:55,667 You understand? You gotta move this. 95 00:04:55,750 --> 00:04:58,458 Take this job, take this leap with me, go ahead. 96 00:04:58,625 --> 00:04:59,792 [soft music continues] 97 00:05:01,333 --> 00:05:04,417 That freak with the fish is your snitch! 98 00:05:04,500 --> 00:05:07,375 "What an opportunity" is all I can tell you, you tell me. 99 00:05:07,542 --> 00:05:10,292 Going to Argentina, Buenos Aires, something like that. 100 00:05:10,375 --> 00:05:15,125 What will happen to you? All these things we talked about, wanting to breathe, 101 00:05:15,208 --> 00:05:17,458 wanting to get out, wanting to do something different. 102 00:05:17,500 --> 00:05:19,500 Wanting to just expand yourself. 103 00:05:19,542 --> 00:05:22,542 And, you know, I'll tell you the truth: he needs it too. 104 00:05:22,667 --> 00:05:25,167 That's the beauty of this. Tired of talking. 105 00:05:25,292 --> 00:05:27,042 Tony, I gotta get off the phone. 106 00:05:27,125 --> 00:05:29,208 You are gonna do this thing, I can feel it in your voice. 107 00:05:29,292 --> 00:05:30,208 I know, I know. 108 00:05:30,292 --> 00:05:32,500 I wanna go home, I wanna put my head on a pillow 109 00:05:32,542 --> 00:05:34,667 [high-pitched] and I wanna dream about it! 110 00:05:36,292 --> 00:05:37,333 Good night. 111 00:05:43,083 --> 00:05:45,667 14 WEDNESDAYS LATER 112 00:05:45,792 --> 00:05:46,708 [soft music ends] 113 00:05:46,833 --> 00:05:49,042 [indistinct chatter in a restaurant] 114 00:05:49,208 --> 00:05:53,208 AN ARGENTINIAN RESTAURANT IN BEVERLY HILLS 115 00:05:54,417 --> 00:05:56,542 -So, what was your name? -I'm Syd. 116 00:05:56,667 --> 00:06:03,625 Syd, Syd Kuliaky, he's the lawyer, yeah. And she is Conchita, she is Rosita... 117 00:06:04,292 --> 00:06:06,667 -Same country as you. -Yeah. 118 00:06:06,792 --> 00:06:11,750 Nick told me that... you learned English from watching porn movies, is that true? 119 00:06:11,875 --> 00:06:17,083 Porn movies, black and white, Manhattan, 16 mm, 1966. I was living in the Village 120 00:06:17,167 --> 00:06:20,417 before the Village had the mystique and all the bullshit you believe in. 121 00:06:20,500 --> 00:06:22,750 In the end, it was pussy. Just pussy. 122 00:06:23,542 --> 00:06:24,792 Did you miss Buenos Aires? 123 00:06:24,875 --> 00:06:28,125 Yeah, I missed Buenos Aires, but I came back in 1976, 124 00:06:28,208 --> 00:06:31,625 by the end of 1976, I think it was November. 125 00:06:31,750 --> 00:06:33,583 And then they were killing people. 126 00:06:34,708 --> 00:06:37,125 Actually, I came back to Buenos Aires because I thought: 127 00:06:37,208 --> 00:06:40,125 "Okay, I learned a lot of bullshit in New York, maybe the people, 128 00:06:40,208 --> 00:06:42,833 the young people, especially, can be happier." 129 00:06:42,958 --> 00:06:48,333 Making art with nothing, with Campbell's soup frames, or black stuff, 130 00:06:48,417 --> 00:06:52,417 or red stuff, like Ad Reinhardt or Russian Bach, or whatever. 131 00:06:52,500 --> 00:06:54,500 [Tony] You don't like anything... nothing modern, no? 132 00:06:54,583 --> 00:06:57,583 No, it's not "modern." Modern is what you don't know. 133 00:06:57,917 --> 00:06:58,708 [Tony grunts lightly] 134 00:06:58,792 --> 00:07:01,500 Look, let me focus this for a second. You... 135 00:07:01,750 --> 00:07:05,458 seem like a really interesting guy. We don't know each other very well, 136 00:07:05,500 --> 00:07:07,667 -but we have a common-- -We don't know each other at all. 137 00:07:07,750 --> 00:07:12,500 Okay. So, Nick has brought us together, he thinks highly of you... 138 00:07:12,583 --> 00:07:15,833 I don't mean to be kinda crass, but I have a thing I gotta go to. 139 00:07:15,917 --> 00:07:19,583 Maybe you can help me, we can help each other, to make a beautiful film. 140 00:07:20,250 --> 00:07:21,500 [Pesto] You can make the music. 141 00:07:22,458 --> 00:07:24,208 You can act in the film. 142 00:07:25,333 --> 00:07:27,375 He told me that you want to write. 143 00:07:29,583 --> 00:07:32,917 I think you'll have to talk with Conchita and Rosita. 144 00:07:33,125 --> 00:07:35,500 -[Tony] I'll just talk to them? Okay. -[Pesto] Yes, please. 145 00:07:35,542 --> 00:07:38,500 They can explain much better what I want to do. 146 00:07:39,500 --> 00:07:40,375 Done. 147 00:07:40,458 --> 00:07:44,583 Everything's been taken care of. You'll have dinner with the girls 148 00:07:44,750 --> 00:07:48,250 and they're gonna explain to you who I am and why you're here. 149 00:07:48,333 --> 00:07:49,875 -[Rudy] Great. -[Pesto] Fair enough? 150 00:07:50,500 --> 00:07:51,917 -[Syd] Fair enough. -My pleasure. 151 00:07:53,500 --> 00:07:54,583 [in English] Have a good night. 152 00:07:55,625 --> 00:07:58,167 -[Tony] Thank you. -Thank you. 153 00:08:01,000 --> 00:08:02,500 [soft rock music] 154 00:08:02,542 --> 00:08:04,625 202 WEDNESDAYS LATER 155 00:08:04,708 --> 00:08:07,333 EZEIZA AIRPORT 156 00:08:12,667 --> 00:08:14,667 ♪ When I'm blue I take it ♪ 157 00:08:14,750 --> 00:08:17,417 -[screams of excitement] - ♪ To the sea ♪ 158 00:08:17,625 --> 00:08:20,417 ♪ You shouted your name out loud ♪ 159 00:08:20,500 --> 00:08:23,458 ♪ Just for me to hear ♪ 160 00:08:23,500 --> 00:08:25,625 [screams of excitement continue] 161 00:08:25,708 --> 00:08:29,208 ♪ Now after all these years ♪ 162 00:08:32,958 --> 00:08:38,125 ♪ The sun is setting on my sea of red ♪ 163 00:08:38,833 --> 00:08:43,458 ♪ Sometimes the rain comes in right Through my head ♪ 164 00:08:49,667 --> 00:08:54,167 ♪ I've sat at tables You would not believe ♪ 165 00:08:54,958 --> 00:08:59,625 ♪ I have no problem When it's time to leave ♪ 166 00:08:59,708 --> 00:09:01,083 ♪ It's true ♪ 167 00:09:02,958 --> 00:09:06,333 ♪ I do the best that I can do ♪ 168 00:09:10,042 --> 00:09:15,458 ♪ I still remember Every single thing you said? ♪ 169 00:09:16,292 --> 00:09:20,667 ♪ Sometimes the rain comes in right Through my head ♪ 170 00:09:27,917 --> 00:09:30,500 No word from Pesto? He knows we are coming in today. 171 00:09:31,333 --> 00:09:33,667 -[Syd] Did you get anything from Pesto? -[Rudy] What, on my phone? 172 00:09:33,750 --> 00:09:35,458 -[Syd] Yeah. -[Rudy] Are you kidding me? 173 00:09:35,583 --> 00:09:40,083 My cousin came back from Europe and he had like an 8,000 dollar... 174 00:09:40,458 --> 00:09:43,375 Whatever, I mean... Look at you. 175 00:09:43,500 --> 00:09:46,292 You have... you have some sort of coverage. 176 00:09:46,750 --> 00:09:48,458 -You have total coverage. -No, I have coverage. 177 00:09:48,500 --> 00:09:51,208 I have "we fuck your ass and take your family away from you 178 00:09:51,292 --> 00:09:53,208 if you make a single phone call" coverage. 179 00:09:53,500 --> 00:09:56,792 [soft rock music continues] 180 00:10:13,167 --> 00:10:14,250 [Tony] Hello. 181 00:10:16,250 --> 00:10:17,292 [Rudy] Hi, how are you? 182 00:10:17,417 --> 00:10:19,708 -It's great, yeah? -[Rudy] Yeah. It's great. 183 00:10:19,792 --> 00:10:22,750 -These two are larger. -[all laugh] 184 00:10:22,833 --> 00:10:26,167 -[woman] They're quite similar, so... -Anything on the 6th floor would be nice. 185 00:10:26,250 --> 00:10:28,292 -[music continues] - ♪ Now you've been here for such a ♪ 186 00:10:28,375 --> 00:10:30,125 ♪ Long, long time ♪ 187 00:10:31,000 --> 00:10:36,500 ♪ You are officially a friend of mine All right... ♪ 188 00:10:36,583 --> 00:10:39,792 ...darker. There's a giant-- 189 00:10:40,500 --> 00:10:42,333 You wait there, I'll be right back. 190 00:10:46,833 --> 00:10:50,583 All right? I'm just getting all the numbers down because, like, 191 00:10:50,750 --> 00:10:54,500 I could, like, make you something and I could fuck you. 192 00:10:55,042 --> 00:10:56,750 ♪ ...through my head ♪ 193 00:11:01,583 --> 00:11:03,458 ♪ Oh, oh, oh, oh ♪ 194 00:11:06,292 --> 00:11:07,292 [music ends] 195 00:11:07,375 --> 00:11:09,583 -[woman] This way, please. Sorry. -Thank you. 196 00:11:10,750 --> 00:11:14,792 -This is the Imperial Suite. -Oh, great! Great, great, great... 197 00:11:15,417 --> 00:11:17,833 [woman] You have here, um, the living room. 198 00:11:18,500 --> 00:11:20,833 -Wow! -With a city view. 199 00:11:20,917 --> 00:11:22,500 -[Tony] Yeah! -[woman] Do you like it? 200 00:11:22,750 --> 00:11:23,667 [Tony] Sure. 201 00:11:23,750 --> 00:11:26,792 [woman] Um... I'm your Experience Manager, Fernanda is my name. 202 00:11:27,417 --> 00:11:29,833 -This is the best suite in the hotel. -[Tony] Yeah. 203 00:11:29,917 --> 00:11:31,500 [Fernanda] You had the Presidential Suite, 204 00:11:31,542 --> 00:11:34,250 but Mr. Pesto demanded that we give you this room. 205 00:11:34,375 --> 00:11:38,500 Oh, wow... So, I had the Presidential... This is the Imperial one, right? 206 00:11:38,583 --> 00:11:40,583 Exactly. So, I hope you like it. 207 00:11:40,667 --> 00:11:43,792 -Did he put a credit card down for this? -Yes, you're covered, you and your stay. 208 00:11:43,875 --> 00:11:48,417 It's amazing! It's always better to have the Imperial than the Presidential, yeah. 209 00:11:48,500 --> 00:11:49,625 -Yes. -Sure. 210 00:11:50,208 --> 00:11:52,417 [Fernanda] If you want, you can come outside 211 00:11:52,500 --> 00:11:54,042 and take a look at the view. 212 00:11:54,208 --> 00:11:56,625 [Tony] Yeah, okay. Do you guys have paparazzi here? 213 00:11:56,917 --> 00:11:57,625 [Fernanda] No. 214 00:11:57,708 --> 00:12:01,000 Nice! Nice, look at this! 215 00:12:01,292 --> 00:12:03,458 -Fernanda? -Fernanda is my name, yes. 216 00:12:03,500 --> 00:12:05,333 -What's your last name? -Maccio. 217 00:12:05,500 --> 00:12:08,750 -Fernanda Maccio? Italian? -Yes, exactly, yes. 218 00:12:08,875 --> 00:12:14,417 -Your parents were Italian-Spanish or...? -No, my parents are Argentinian. 219 00:12:14,500 --> 00:12:15,625 [in Spanish] Yes, yes. 220 00:12:15,708 --> 00:12:18,500 Yes. Do you know Spanish? Do you speak Spanish? 221 00:12:18,500 --> 00:12:19,500 [in Spanish] A little bit. 222 00:12:21,500 --> 00:12:23,500 I hope you enjoy your stay. 223 00:12:23,542 --> 00:12:26,500 I'm your Experience Manager, Fernanda is my name 224 00:12:26,667 --> 00:12:29,500 -and you can find me at the reception. -Sure. 225 00:12:29,542 --> 00:12:31,083 -Just one thing... -Sure. 226 00:12:31,167 --> 00:12:34,917 -I saw your film, Dangerous Beach House . -[murmur of agreement] 227 00:12:35,042 --> 00:12:36,750 -You were great on it, but... -Thank you. 228 00:12:36,833 --> 00:12:38,500 I'm sorry, it was a piece of shit. 229 00:12:38,708 --> 00:12:40,583 -Yeah, yeah... -Why did you do that? 230 00:12:41,500 --> 00:12:45,875 [sighs] Oh... I guess... habit. Habit, greed, sloth. 231 00:12:46,250 --> 00:12:47,333 Those types of things. 232 00:12:47,417 --> 00:12:51,625 You are the best actor in Hollywood, and then you do that kind of thing... 233 00:12:51,750 --> 00:12:54,458 Yeah... well, sometimes we behave like donkeys. 234 00:12:54,500 --> 00:12:55,417 [both laugh] 235 00:12:55,500 --> 00:12:56,500 -Yes. -Yes. 236 00:12:56,583 --> 00:12:59,667 So, you can find me at the reception. You can dial zero to call the operator. 237 00:12:59,792 --> 00:13:00,542 [Tony] I will. 238 00:13:00,625 --> 00:13:03,208 -If you need anything else... -We're having a very honest experience. 239 00:13:03,292 --> 00:13:04,458 I'm just being honest. 240 00:13:04,500 --> 00:13:06,625 Yeah, I know, and that's the kind of experience I want. 241 00:13:06,708 --> 00:13:08,583 -Okay, perfect. -As a manager, yes... 242 00:13:08,667 --> 00:13:11,125 -Perfect. Have a great day. And please... -You too. 243 00:13:11,583 --> 00:13:14,167 -Don't do movies like that. -[Fernanda giggling] Exactly! 244 00:13:14,250 --> 00:13:18,125 -A real piece of crap. -Yeah, I got the picture... 245 00:13:18,208 --> 00:13:20,500 -Thank you so much. Okay. -[Fernanda] You're welcome. 246 00:13:23,833 --> 00:13:24,542 [door slams] 247 00:13:25,458 --> 00:13:28,875 [guitar music] 248 00:13:34,333 --> 00:13:36,792 ♪ She broke down and cried ♪ 249 00:13:37,583 --> 00:13:39,125 [Tony yells] 250 00:13:39,208 --> 00:13:43,500 ♪ On the day her baby said goodbye ♪ 251 00:13:43,708 --> 00:13:46,083 ♪ She broke down and cried ♪ 252 00:13:48,375 --> 00:13:52,167 ♪ When he told her he must go and ♪ 253 00:13:52,333 --> 00:13:56,417 ♪ Find a bunch of other people ♪ 254 00:13:56,833 --> 00:13:59,625 ♪ Living in the world ♪ 255 00:14:00,292 --> 00:14:03,167 ♪ They were born on ♪ 256 00:14:03,500 --> 00:14:06,583 ♪ The other side ♪ 257 00:14:06,833 --> 00:14:09,417 [guitar music continues] 258 00:14:15,750 --> 00:14:18,167 ♪ Shuffling down the street ♪ 259 00:14:20,542 --> 00:14:24,958 ♪ Too much drink And not enough to eat ♪ 260 00:14:25,208 --> 00:14:27,667 ♪ In the freezing cold ♪ 261 00:14:29,750 --> 00:14:33,292 ♪ In the blazing sun As children... ♪ 262 00:14:33,500 --> 00:14:35,792 Excuse me. Pardon me. 263 00:14:36,333 --> 00:14:38,375 Excuse me, ma'am. Do you speak English? 264 00:14:38,917 --> 00:14:41,083 -[in Spanish] You're super famous. -[in Spanish] English? 265 00:14:43,792 --> 00:14:45,417 I'm going to take a picture of you. 266 00:14:45,583 --> 00:14:51,375 [guitar music continues] ♪ Other side ♪ 267 00:15:08,500 --> 00:15:11,625 [crack of thunder] 268 00:15:12,583 --> 00:15:15,458 So, this is like "Faenaland" and that's Buenos Aires. 269 00:15:15,625 --> 00:15:18,167 -Yeah, it's... [chuckles] -And that's the moat that surrounds it, 270 00:15:18,250 --> 00:15:20,958 in case the natives try to get in. 271 00:15:21,083 --> 00:15:24,833 It's the Plata River. It's a brown and lonely river. 272 00:15:25,958 --> 00:15:28,750 [Rudy sings in a deep voice] ♪ It's a brown and lonely river ♪ 273 00:15:29,125 --> 00:15:33,167 ♪ That divides Faenaland From Buenos Aires ♪ 274 00:15:39,417 --> 00:15:40,375 WAITING FOR PESTO 275 00:15:40,458 --> 00:15:41,250 [silverware clinking] 276 00:15:41,333 --> 00:15:45,333 [Rudy] What if he doesn't show up? I mean, what if this is the movie? 277 00:15:46,583 --> 00:15:51,250 What if he's over there watching us? You know? It's a movie for one. 278 00:15:51,333 --> 00:15:54,292 [Tony] Don't you think he's just lost in a Borges' novel? You know... 279 00:15:54,417 --> 00:15:56,167 [Syd] Dude, that guy is the greatest. 280 00:15:56,250 --> 00:15:59,167 [Tony] Another guy who was a fucking motherfucker was Rodolfo Walsh. 281 00:15:59,292 --> 00:16:01,500 -[Syd] Who was he? -'74, he was this guy 282 00:16:01,583 --> 00:16:04,708 who wrote his famous... His famous letter that he-- 283 00:16:04,792 --> 00:16:06,750 -[Syd] He's 74 now? -No, no, he was like... 284 00:16:06,833 --> 00:16:10,500 Well, all the shit was happening in, like, '71, 2, 3, 4, 285 00:16:10,833 --> 00:16:13,292 -when they killed everybody. -[Syd] '76. Wasn't it later? 286 00:16:13,583 --> 00:16:16,042 I don't know the exact dates, but anyway... 287 00:16:16,125 --> 00:16:19,375 So, his famous famous, this letter that this guy wrote, 288 00:16:19,458 --> 00:16:24,292 was unbelievable. He was basically saying, you know, "come get me" and, like... 289 00:16:24,542 --> 00:16:25,958 "this is how I'm gonna go out." 290 00:16:26,708 --> 00:16:28,792 -[Syd] You have it? Is it in the... -Yeah, it's... Yeah. 291 00:16:28,875 --> 00:16:31,000 -[Syd] ...interwebs? Can we find it? -Yeah. 292 00:16:31,542 --> 00:16:33,042 It's probably one of the most powerful 293 00:16:33,125 --> 00:16:35,500 -journalistic poetry, kind of.... -[Syd] E-mail me that shit. 294 00:16:35,667 --> 00:16:37,292 ...call to arms I've ever read. 295 00:16:37,375 --> 00:16:39,083 [Syd] You know this travel agent? 296 00:16:39,167 --> 00:16:42,667 I said: "Help me out this time" So, there's... [stutters] 297 00:16:42,792 --> 00:16:45,750 There's some professor meeting me at the hotel. 298 00:16:45,833 --> 00:16:47,917 -You guys can talk to him if you want. -[Rudy] Sure. 299 00:16:48,083 --> 00:16:50,083 -Have you heard from Pesto? -I'm texting him now. 300 00:16:50,792 --> 00:16:54,042 [Tony] He called me like three weeks ago and... he was drunk. 301 00:16:54,208 --> 00:16:56,042 And he told me that he is a complete failure 302 00:16:56,125 --> 00:16:59,000 as a screenwriter, a filmmaker, an artist and a fisherman. 303 00:16:59,292 --> 00:17:02,500 He said: "Lovecraft, it's ten years in the making. Let's go. 304 00:17:02,500 --> 00:17:05,042 Get down here on the 25th." 305 00:17:05,375 --> 00:17:07,167 And I said: "What are we shooting? You know, 306 00:17:07,250 --> 00:17:08,792 what are we shooting? If we are gonna work on it..." 307 00:17:09,500 --> 00:17:12,250 He said: "Free spirits make original decisions 308 00:17:12,333 --> 00:17:14,958 based on no experience or authority. 309 00:17:15,083 --> 00:17:17,667 Let's have a specific temporal revelation." 310 00:17:17,750 --> 00:17:19,917 I think he wants to talk about the script, he wants to talk about 311 00:17:20,042 --> 00:17:22,167 what we are gonna do. Remember when we met the two girls? 312 00:17:22,542 --> 00:17:25,750 It will be my first film. I don't want to make any more paintings. 313 00:17:25,833 --> 00:17:28,250 -I just want to make a feature film. -[Tony] Just films? 314 00:17:28,375 --> 00:17:30,167 Yeah, films. No more painting for me. 315 00:17:30,500 --> 00:17:33,750 [Syd] Okay... Sorry, are you sisters? 316 00:17:33,958 --> 00:17:35,792 -Are you friends? -Yes! 317 00:17:36,000 --> 00:17:37,583 -[Syd] Oh, yeah, we... -No. 318 00:17:38,083 --> 00:17:39,792 -[Syd] No? -No, we don't know each other. 319 00:17:39,917 --> 00:17:41,833 So, what are you doing here, together? 320 00:17:41,917 --> 00:17:43,375 You're supposed to tell us. 321 00:17:43,500 --> 00:17:45,458 You look smaller in movies. 322 00:17:45,500 --> 00:17:47,542 -[all chuckle] -[Rosita, in Spanish] He does! 323 00:17:47,625 --> 00:17:50,708 -[Syd] You do, she's right. -Yeah, I think you look the same. 324 00:17:50,833 --> 00:17:54,250 -And that is what you wanna do? -Yeah... I think. 325 00:17:55,167 --> 00:17:57,083 -And you? -I'm a lawyer. 326 00:17:57,167 --> 00:17:58,792 -And? -That's a living. 327 00:17:59,292 --> 00:18:01,750 Why don't you tell us about, uh, yourselves... 328 00:18:02,167 --> 00:18:03,917 Rosita and Conchita? 329 00:18:04,292 --> 00:18:08,083 -We come from far. -I know, you come from faraway lands 330 00:18:08,167 --> 00:18:10,750 -and mystic lands and-- -You think we are prostitutes? 331 00:18:10,833 --> 00:18:13,250 -I... [stutters] You know what? -[Tony] No, no, no. 332 00:18:13,333 --> 00:18:15,750 -I have nothing against prostitutes. -[Tony] How long have you known, um... 333 00:18:17,250 --> 00:18:19,000 Emperor of Fucking Freak Show? 334 00:18:19,125 --> 00:18:21,000 [all laugh] 335 00:18:21,083 --> 00:18:24,500 Our parents were killed in a concentration camp. 336 00:18:25,875 --> 00:18:27,042 One more time. 337 00:18:27,333 --> 00:18:30,542 Our parents were killed in a concentration camp. 338 00:18:30,833 --> 00:18:35,500 But we are not talking about Nazi Germany, we are talking about Argentina. 339 00:18:35,583 --> 00:18:38,375 Are you... are you bullshitting us? Is that true, what happened to you? 340 00:18:38,458 --> 00:18:40,500 -It's true. -No, I know about Argentina, 341 00:18:40,583 --> 00:18:43,167 -I mean, for them. -We know you're a sweet guy. 342 00:18:43,250 --> 00:18:44,667 How do you know I'm a sweet guy? 343 00:18:45,125 --> 00:18:46,667 Because of the look of your eyes. 344 00:18:48,083 --> 00:18:52,667 The thing is, all this fucking business really makes you... paranoid. 345 00:18:53,375 --> 00:18:55,583 Especially when you are in front of some strangers. 346 00:18:55,667 --> 00:18:59,250 So, um, is that what this, um... film is supposed to be about? 347 00:18:59,500 --> 00:19:02,667 This, uh... Do you wanna talk to us about that? 348 00:19:02,917 --> 00:19:04,208 Not especially. 349 00:19:05,375 --> 00:19:09,583 -You don't either? -Not really, but... Pesto asked. 350 00:19:10,500 --> 00:19:12,500 [traffic noise] 351 00:19:14,667 --> 00:19:16,667 [Rudy] I wonder how much this place is, like, original 352 00:19:16,750 --> 00:19:18,792 and how much of it has completely changed? 353 00:19:19,792 --> 00:19:23,375 -[Tony] It was a Starbucks last year... -[Rudy, mockingly] Starbucks, yeah. 354 00:19:23,458 --> 00:19:25,708 ...and then they retrofitted it back to the revolutionary café. 355 00:19:25,792 --> 00:19:28,542 [chuckling] No, but it's an undercover Starbucks. 356 00:19:28,625 --> 00:19:30,167 -It's a long time ago... -It is. 357 00:19:30,250 --> 00:19:33,042 So, what would be... what's the analogy, right? It would be, like, um... 358 00:19:33,125 --> 00:19:35,583 You know, like a café of intellectuals. 359 00:19:35,917 --> 00:19:38,500 [Rudy] If this was life and death, I mean, this is where people... 360 00:19:38,708 --> 00:19:40,875 -[Syd] It's like... -[Rudy] This wasn't just intellectual. 361 00:19:40,958 --> 00:19:44,750 [Syd] The thing is that there's is this, there's like a sinister thing, no? 362 00:19:44,833 --> 00:19:49,500 Like, they fucking drove these green Ford Falcons 363 00:19:49,625 --> 00:19:51,667 and they fucking, like, pulled guys out 364 00:19:51,750 --> 00:19:53,667 and fucking... [imitates gunshots] 365 00:19:53,750 --> 00:19:56,375 [Tony] It would be like if somebody pulled Sinclair Lewis out of the-- 366 00:19:56,458 --> 00:19:58,875 Exactly, exactly! Or, like, Sartre, like [stutters] 367 00:20:00,167 --> 00:20:01,625 -Hi. -[Rudy] Hello. 368 00:20:01,792 --> 00:20:03,500 -[Syd, in Spanish] What a cutie! -[Rudy] Hello. 369 00:20:03,625 --> 00:20:05,208 -I want a pen. -[Rudy] What do you got? 370 00:20:05,833 --> 00:20:07,125 -How much? -[Syd, in Spanish] 20? 371 00:20:14,500 --> 00:20:16,708 -[Rudy] That was a good negotiation. -[in Spanish] Thank you. 372 00:20:16,792 --> 00:20:18,625 -[in Spanish] Yes, what a cutie! -Thank you. 373 00:20:23,208 --> 00:20:25,250 What the fuck calendar is this in here? 374 00:20:25,750 --> 00:20:27,500 -It is, um... -There's some sort of device, 375 00:20:27,500 --> 00:20:29,250 this thing... This thing's got a map on it! 376 00:20:31,375 --> 00:20:33,083 It's Pesto, sending us a message. 377 00:20:33,292 --> 00:20:36,625 [Pesto] Hey guys! Thank you for visiting La Paz Café. 378 00:20:36,708 --> 00:20:39,500 I was not able to receive you this morning at the airport, 379 00:20:39,500 --> 00:20:42,125 but tomorrow morning I promise I will be there. 380 00:20:43,500 --> 00:20:46,458 In the meantime, Carlo Rossi, the financier, 381 00:20:46,500 --> 00:20:48,833 -is throwing a party in your honor. -[Tony] Thank you. Hey! 382 00:20:48,917 --> 00:20:49,792 You must be Carlo! 383 00:20:49,875 --> 00:20:51,792 -Nice to meet you. -Nice to see you, man. How are you? 384 00:20:51,875 --> 00:20:54,125 -Who are your friends? -Oh, this is great. This is Rudy. 385 00:20:54,208 --> 00:20:55,833 -Rudy! Nice to meet you. -[Rudy] Hey! You, too. 386 00:20:55,917 --> 00:20:57,542 -[Syd] Syd Kuliaky. -Syd Kuliaky. 387 00:20:57,792 --> 00:21:00,750 [Pesto] After four years, I don't remember what this thing was about. 388 00:21:00,833 --> 00:21:03,500 The only thing I keep in mind are these kind of foggy, 389 00:21:03,583 --> 00:21:05,208 black and white images. 390 00:21:05,500 --> 00:21:08,833 Patrick told me that you are going to finance this project of his, yeah? 391 00:21:08,917 --> 00:21:10,792 -Yeah, yes, he told me about that, yes. -That's true? 392 00:21:10,875 --> 00:21:13,167 He did? But I don't... Do you know anything about it? 393 00:21:13,250 --> 00:21:15,792 -I will finance it, yes, yes. -Yeah, yeah... what is it? 394 00:21:16,083 --> 00:21:17,917 -I don't know. -[chuckling] I don't know either. 395 00:21:18,042 --> 00:21:20,042 -[Rudy] You don't know either? -Okay, nice to meet you. 396 00:21:20,125 --> 00:21:21,833 -Cheers! -I loved your last movie. 397 00:21:22,042 --> 00:21:25,167 -Oh, yeah, which one? Which one you saw? -Dangerous Beach House. 398 00:21:25,250 --> 00:21:27,500 [electronic music] 399 00:21:27,667 --> 00:21:31,833 [indistinct chatter] 400 00:21:35,250 --> 00:21:36,500 [Tony] Hi. 401 00:21:37,833 --> 00:21:39,083 [woman] Hi! 402 00:21:39,292 --> 00:21:43,333 -There were many different lenses. -[in Spanish] Different kinds of lenses. 403 00:21:43,500 --> 00:21:47,542 [indistinct chatter] 404 00:21:51,917 --> 00:21:54,667 [all in Spanish] Cheers! 405 00:21:54,833 --> 00:21:56,958 [in Spanish] To the Argentine government! 406 00:21:57,333 --> 00:21:58,917 [electronic music continues] 407 00:21:59,833 --> 00:22:02,583 -I don't... I don't know if I can-- -[Rudy] No, no, no, join us. 408 00:22:02,667 --> 00:22:05,708 -[Tony] Come, sit. -[indistinct chatter] 409 00:22:05,833 --> 00:22:07,750 -Where are you from? -I'm from-- 410 00:22:07,833 --> 00:22:10,667 -You're in Buenos Aires? -Yes, I live in Buenos Aires now. 411 00:22:10,792 --> 00:22:12,500 Men, so long... 412 00:22:12,500 --> 00:22:14,500 -So long. He is-- -You think? 413 00:22:14,500 --> 00:22:16,333 He is huge, I'm sure. 414 00:22:16,417 --> 00:22:18,917 [in Spanish] ...shirtless of the nation, 415 00:22:19,042 --> 00:22:20,875 the ones present here today. 416 00:22:21,042 --> 00:22:23,125 [imitating Evita in Spanish] Argentinians! 417 00:22:24,208 --> 00:22:25,833 Tonight... 418 00:22:27,250 --> 00:22:29,375 the general is asking me... 419 00:22:30,000 --> 00:22:31,958 and with a heavy heart... 420 00:22:32,125 --> 00:22:33,500 [Rudy] You're a peronist? 421 00:22:33,583 --> 00:22:35,667 [tries different pronunciations] Peronist... peronista? 422 00:22:35,875 --> 00:22:40,833 -Yes... yes, I am. -All right... then I am, too. 423 00:22:41,375 --> 00:22:42,708 [cork popping] 424 00:22:43,250 --> 00:22:44,333 [woman gasps] 425 00:22:45,500 --> 00:22:46,667 Touch this. 426 00:22:46,833 --> 00:22:50,000 No, no... Not like an animal. 427 00:22:50,083 --> 00:22:51,083 Not like an animal? 428 00:22:51,208 --> 00:22:52,875 [woman screaming in Spanish] Let me handle this! 429 00:22:53,000 --> 00:22:55,625 Otherwise I won't get horny, do you understand? 430 00:22:55,708 --> 00:22:58,667 -[woman] I'm gonna vomit. -Vomit? You gonna throw up? 431 00:22:58,750 --> 00:23:00,583 [electronic music continues] 432 00:23:00,792 --> 00:23:04,667 [indistinct chatter] 433 00:23:05,417 --> 00:23:10,875 [woman screaming to Syd in English] Fuck you! Fuck you, fuck, fuck! Fuck you! 434 00:23:11,000 --> 00:23:13,208 [woman screaming in Spanish] You thought you could just come 435 00:23:13,292 --> 00:23:14,500 to Argentina to fuck around? 436 00:23:17,375 --> 00:23:18,833 [electronic music ends] 437 00:23:22,250 --> 00:23:24,708 [indistinct chatter] 438 00:23:24,833 --> 00:23:29,542 HOW TO MAKE A MOVIE 439 00:23:29,792 --> 00:23:32,917 [mellow electric guitar music] 440 00:23:45,292 --> 00:23:47,125 [all in Spanish] I can't even remember what this is all about. 441 00:23:47,208 --> 00:23:50,042 I don't remember what this movie is about. I don't feel like shooting it. 442 00:23:50,125 --> 00:23:52,667 Don't make it if you don't want to, we can all go fishing, 443 00:23:52,750 --> 00:23:54,458 -the three of us... No, the five of us! -Yes! 444 00:23:54,500 --> 00:23:56,875 -That's what you like doing, come on. -Yes, that's what I like, 445 00:23:57,000 --> 00:23:59,500 also I haven't seen you two in like a month, I don't know... 446 00:23:59,542 --> 00:24:01,708 [Conchita] Syd didn't write anything, what has he been up to then? 447 00:24:01,792 --> 00:24:04,208 -[Pesto] He was researching! -[Rosita] Thank you. 448 00:24:04,375 --> 00:24:06,375 -You know? Researching-- -Researching what? 449 00:24:06,458 --> 00:24:09,500 Researching what happened here, what happened to your parents. 450 00:24:09,583 --> 00:24:11,750 -What a weird smell! -What does it smell like? 451 00:24:11,833 --> 00:24:12,792 I don't know... 452 00:24:12,875 --> 00:24:15,042 -Where are they? Have they arrived? -There! Isn't that Syd? 453 00:24:15,125 --> 00:24:18,000 -[in English] How long can you stay here? -It depends on what you wanna do. 454 00:24:18,333 --> 00:24:19,833 And where else did you go this morning? 455 00:24:20,000 --> 00:24:21,583 -Um... the Recoleta. -Yeah? 456 00:24:21,708 --> 00:24:24,792 -[Syd] We saw Evita, what's left of Evita. -[Pesto] Yeah... 457 00:24:24,917 --> 00:24:27,958 We saw... Luis Firpo. Tony likes that. 458 00:24:28,083 --> 00:24:29,833 -[Syd] You know, kickboxing and all that. -[Pesto] Yeah. 459 00:24:30,167 --> 00:24:33,292 And, um... Oh, and Ara... "Aramubu." 460 00:24:33,375 --> 00:24:34,375 Oh, Aramburu! 461 00:24:34,458 --> 00:24:36,833 [Syd] Yeah, he's in the fucking center of the... thing. 462 00:24:38,625 --> 00:24:40,792 -Where are the boys? At the gym? -It's been great. 463 00:24:40,875 --> 00:24:44,042 They sleep-- I don't know, they sleep all day, you know? 464 00:24:44,125 --> 00:24:45,833 [all laughing and talking loudly] 465 00:24:45,917 --> 00:24:47,958 -[Syd] Hey, is that Spanish? -[Rudy] Where are we going? 466 00:24:48,083 --> 00:24:51,083 -[Syd] Are you speaking Spanish? -Yes, I am! I'm dropping some español . 467 00:24:51,167 --> 00:24:53,667 -[rapping] Español , motherfucker! -[Rudy speaks simulated Spanish] 468 00:24:53,750 --> 00:24:55,917 [Pesto] I am not a filmmaker. I've never said I'm a filmmaker. 469 00:24:56,083 --> 00:24:58,625 But I know about films, I saw two films in my life. 470 00:24:58,708 --> 00:25:00,458 -[Tony] Which ones? -[Pesto] Half Doris Day, 471 00:25:00,500 --> 00:25:02,500 I don't remember, something about "pillow." 472 00:25:02,500 --> 00:25:04,958 -Yeah. [all chuckle] -[Pesto] And the other one, 473 00:25:05,083 --> 00:25:07,208 -with the guy who doesn't have hands. -[Tony] That's a great film. 474 00:25:07,333 --> 00:25:09,417 [indistinct chatter] 475 00:25:09,500 --> 00:25:11,875 Well, look man, [stutters] you know... What do you wanna do? 476 00:25:13,125 --> 00:25:14,958 I want a new drink, for instance. 477 00:25:15,083 --> 00:25:16,917 A character, maybe... It's just that... 478 00:25:17,042 --> 00:25:18,958 I'll tell you, personally, I don't want to do, like... 479 00:25:19,083 --> 00:25:21,667 I'll do whatever the fuck you want, I'll do whatever, but I don't wanna, 480 00:25:21,750 --> 00:25:23,458 like a drunk, play a drunk for three weeks. 481 00:25:23,500 --> 00:25:26,625 If you fuck a chimp and you are drunk, people will say: "Well, he was drunk." 482 00:25:26,958 --> 00:25:30,833 If you fuck a chimp and you never drink, you have a problem, because-- 483 00:25:30,917 --> 00:25:33,917 -Yeah, that's true. -Are we doing a movie? Or characters? 484 00:25:34,083 --> 00:25:35,250 Is it performance art? 485 00:25:35,333 --> 00:25:37,458 Do you think we need cameras, for instance? 486 00:25:37,625 --> 00:25:38,500 [chuckles] 487 00:25:39,208 --> 00:25:42,708 We need to shoot the film actually or... the thing can happen? 488 00:25:42,875 --> 00:25:44,583 -Just happens. -[all laugh] 489 00:25:44,667 --> 00:25:47,583 -You fucking... -[indistinct chatter] 490 00:25:47,667 --> 00:25:49,458 Let's go, I want to show you San Telmo. 491 00:25:50,542 --> 00:25:53,917 Why is that, um, the people who drive here are so crazy? 492 00:25:54,083 --> 00:25:55,917 -Yeah, there are no rules. -Is it like Boston? 493 00:25:56,042 --> 00:25:57,875 -[seat belt buckle clicks] -I don't know. 494 00:26:01,125 --> 00:26:05,375 [man, in Spanish] The thing is that, on Sunday, we went dancing. 495 00:26:05,833 --> 00:26:08,875 And this one hooked up with Silvina. 496 00:26:09,500 --> 00:26:13,167 "How is this possible?", we said. "What is happening to her?" 497 00:26:13,333 --> 00:26:16,417 -Was she high? Was she drunk? -Inexplicable. 498 00:26:16,500 --> 00:26:20,125 How could she sleep with this idiot? We had her just right in front of us. 499 00:26:20,208 --> 00:26:22,875 They were glued to each other, you know? Inexplicable! 500 00:26:23,000 --> 00:26:26,083 -She was rubbing her pussy against him. -[all cackle] 501 00:26:26,167 --> 00:26:29,375 What the fuck does this fatty have that we don't have? 502 00:26:29,458 --> 00:26:32,125 A pot belly! Acne! Motherfucker... 503 00:26:32,208 --> 00:26:35,208 Money! Oh, it could be money... 504 00:26:35,292 --> 00:26:38,292 The fatty's dad owned a shop. 505 00:26:38,583 --> 00:26:41,750 He had had three or four heart attack scares 506 00:26:41,833 --> 00:26:43,792 and he had been admitted to the Pirovano Hospital. 507 00:26:43,875 --> 00:26:46,292 So I said: "Pirovano, motherfucker!" 508 00:26:46,375 --> 00:26:48,458 -[high-pitched] I got it! -[all laugh] 509 00:26:48,500 --> 00:26:52,000 Silvina was a nurse at the Pirovano! Let me make this clear: 510 00:26:52,083 --> 00:26:55,708 that cheeky one smelled the money and gave away her pussy to the fatty 511 00:26:55,792 --> 00:26:59,167 because he was going to inherit the family business! 512 00:26:59,250 --> 00:27:02,833 -You should be a detective. -Motherfucker! We were all so fucking sad. 513 00:27:02,917 --> 00:27:06,833 "Fuck, what can we do?", until the short guy, the smart one, 514 00:27:07,042 --> 00:27:12,208 slapped the table and said: "We can't let this fucking bitch 515 00:27:12,417 --> 00:27:15,292 -take our friend away from us." -True friendship! 516 00:27:15,375 --> 00:27:20,750 We all got a bit crazy. For us, a juvenile bunch, this was a life lesson. 517 00:27:20,833 --> 00:27:23,833 We said: "We have to do something, we need to do something about this," 518 00:27:23,917 --> 00:27:27,250 and then someone came up with the idea of talking to the fatty. 519 00:27:27,333 --> 00:27:29,292 -I think that was me. -See? Then somebody else said: 520 00:27:29,375 --> 00:27:32,583 "No, no, we won't talk. We'll go beat her up!" 521 00:27:32,667 --> 00:27:35,750 -[all laugh] -I said: "No, no way, no... 522 00:27:35,875 --> 00:27:40,500 We'll all go and fuck her in the ass... and it's done!" 523 00:27:40,500 --> 00:27:42,542 -[all laugh hysterically] -Justice against injustice! 524 00:27:42,625 --> 00:27:47,125 -The idea spread around very quickly! -[man 2] One for all, all for one. 525 00:27:47,208 --> 00:27:50,583 One, two... go! Off to the building where the chick lived. 526 00:27:50,667 --> 00:27:52,542 We all went in like a hurricane, 527 00:27:52,625 --> 00:27:54,250 straight into the bedroom. 528 00:27:54,333 --> 00:27:56,792 The fatty was naked, sleeping. 529 00:27:56,875 --> 00:27:58,500 [imitates the fatty] "What's up? What's up?" 530 00:27:58,542 --> 00:28:00,792 "Take it easy, fatty, take it easy." 531 00:28:00,917 --> 00:28:02,500 We grabbed him like this. 532 00:28:02,500 --> 00:28:05,083 "Easy, take it easy." I was stroking his hair 533 00:28:05,208 --> 00:28:08,292 and I told him: "Look, we are here for revenge." 534 00:28:08,375 --> 00:28:11,667 In the meantime... in the meantime, do you know what Flavio did? [chuckles] 535 00:28:11,792 --> 00:28:14,500 -He took out the junk that God gave him... -[all cheering] 536 00:28:14,583 --> 00:28:17,167 ...and slid it inside her without any spit on! 537 00:28:17,250 --> 00:28:20,333 The chick tried to set herself free, we restrained her, knees on her back, 538 00:28:20,417 --> 00:28:23,125 little bitch, and a gun to her neck. 539 00:28:23,208 --> 00:28:25,042 -We all fucked her. -[cackles] 540 00:28:25,167 --> 00:28:27,875 -[man 1] The bitch fainted. -[all laugh] 541 00:28:28,083 --> 00:28:30,250 [man 1] Damn! See, how things go... 542 00:28:30,333 --> 00:28:34,500 How things go... Can you believe that the fucking fatty 543 00:28:34,625 --> 00:28:36,375 never talked to us again? 544 00:28:36,625 --> 00:28:38,750 Can you believe how ungrateful he is? 545 00:28:39,125 --> 00:28:41,792 In the end, the bitch married another one. 546 00:28:42,000 --> 00:28:44,125 She's as fat as a cow, has a million kids... 547 00:28:44,500 --> 00:28:46,042 [traffic noise] 548 00:28:49,125 --> 00:28:50,542 That's some story. 549 00:28:52,000 --> 00:28:54,458 You wouldn't believe what you can hear in places like this. 550 00:28:54,500 --> 00:28:56,792 [soft electric guitar music] 551 00:29:01,708 --> 00:29:04,625 [Tony] Do Argentinians love their country? I hope so. 552 00:29:05,833 --> 00:29:08,542 Do I love America? I don't know, sure. 553 00:29:09,625 --> 00:29:12,708 What does it mean to love a country? What does it mean to love your country? 554 00:29:14,750 --> 00:29:17,500 I feel I love my country, but maybe, um... 555 00:29:18,500 --> 00:29:19,250 [sighs] 556 00:29:19,333 --> 00:29:22,583 to love a country is fear masquerading as love. 557 00:29:23,167 --> 00:29:25,167 [Tony] Do I love my country? Sure. 558 00:29:25,417 --> 00:29:28,625 But I feel more American when I'm outside the United States. 559 00:29:39,417 --> 00:29:42,833 DEFINE YOURSELF 560 00:29:43,083 --> 00:29:45,292 [Pesto, in Spanish] Guys, don't worry if you can see the boom 561 00:29:45,375 --> 00:29:47,125 or the other camera. 562 00:29:47,208 --> 00:29:50,042 During this part, all the cameras can be seen. Understood? 563 00:29:50,208 --> 00:29:51,750 [in English] So, we're gonna shoot it, yeah? 564 00:29:51,833 --> 00:29:53,792 -[Pesto] No, I don't know, I mean... -Wait, hold on. 565 00:29:53,875 --> 00:29:56,375 We can do this in a minute, it's okay. We're not gonna shoot yet. 566 00:29:56,833 --> 00:29:59,250 Like in, um... [in Spanish] five minutes. 567 00:29:59,333 --> 00:30:01,000 -[hair stylist, giggling] Okay. -Okay. 568 00:30:01,083 --> 00:30:04,208 -[Pesto] What is this, black sugar? -Yeah. No, no, I mean, we'll do it later. 569 00:30:04,292 --> 00:30:06,208 -[hair stylist] Okay. -Okay, thank you. 570 00:30:06,958 --> 00:30:08,500 -All right, listen. -[Pesto] Yeah. 571 00:30:08,667 --> 00:30:11,292 We're trying to recreate what happened yesterday 572 00:30:11,417 --> 00:30:13,125 -with you, yeah? -[Pesto] Yeah. 573 00:30:13,208 --> 00:30:16,625 So, to me, that was... [stutters] What was most interesting about that 574 00:30:16,708 --> 00:30:20,500 is where we got to walk us through the story, take us to the story. [snorts] 575 00:30:20,500 --> 00:30:21,542 -[Pesto] Yeah. -And you sort of, 576 00:30:21,625 --> 00:30:24,208 -you didn't want to talk about it, right? -[Pesto] Yeah, right. 577 00:30:24,333 --> 00:30:26,583 [Tony] And then, at one point, we were asking more for, like, 578 00:30:26,667 --> 00:30:28,708 traditional definitions of "story," 579 00:30:29,167 --> 00:30:30,667 and you didn't wanna give it to us. 580 00:30:31,000 --> 00:30:31,875 No. 581 00:30:32,167 --> 00:30:34,167 And you were trying to get your sort of sea legs, 582 00:30:34,250 --> 00:30:37,042 and we were all trying to get our sea legs about what the story is. 583 00:30:37,208 --> 00:30:40,417 Because we are going through this stuff about, like... We structured and we said, 584 00:30:40,500 --> 00:30:43,458 you know, "who is Rudy?", you know, let's give him some definition. 585 00:30:43,500 --> 00:30:46,417 -You were like: "Define yourselves!" -[Pesto] Yeah. 586 00:30:46,500 --> 00:30:48,708 And then we said: "Yeah, but who the fuck is Conchita?" 587 00:30:48,792 --> 00:30:50,208 -and what's the other girl-- -Rosita. 588 00:30:50,292 --> 00:30:52,208 [Tony] We were, like, we didn't understand her place 589 00:30:52,292 --> 00:30:52,958 in the story. 590 00:30:53,083 --> 00:30:55,000 Because you read the script too quickly, you know? 591 00:30:55,083 --> 00:30:56,500 I understand, you receive many scripts, 592 00:30:56,583 --> 00:30:59,500 then you start to read and jumping lines. 593 00:30:59,833 --> 00:31:01,833 [Pesto] They explain it even in the dialogue. 594 00:31:02,500 --> 00:31:06,208 "We were born in a concentration camp... in Buenos Aires." 595 00:31:06,292 --> 00:31:07,417 -Yeah. -[Pesto] Okay? 596 00:31:08,083 --> 00:31:09,375 So, you know who they are. 597 00:31:10,125 --> 00:31:11,750 We didn't know our parents. 598 00:31:11,833 --> 00:31:15,083 Look, [stutters] I didn't mean to... offend you or anything. 599 00:31:15,333 --> 00:31:16,750 I don't know Pesto, so... 600 00:31:16,833 --> 00:31:19,125 Don't think anything wrong about him. 601 00:31:19,708 --> 00:31:25,083 [Argentine National Anthem played on piano] 602 00:31:26,125 --> 00:31:27,292 [chuckles] 603 00:31:28,167 --> 00:31:34,792 [improvises on the piano] 604 00:31:35,250 --> 00:31:37,833 As far as I'm concerned, [whispering] as far as... 605 00:31:37,917 --> 00:31:40,500 Hey! Chin-chin. 606 00:31:43,000 --> 00:31:43,917 [ice cubes rattle] 607 00:31:44,833 --> 00:31:45,917 [sigh of satisfaction] 608 00:31:46,417 --> 00:31:48,125 -[Syd] Professor Vidal? -Yes. 609 00:31:48,208 --> 00:31:50,417 -[Syd] Hola. Syd. -Hello, Syd. 610 00:31:50,500 --> 00:31:52,458 -Syd Kuliaky. -What? 611 00:31:52,500 --> 00:31:54,750 -[chuckling] Kuliaky. Syd Kuliaky. -Kuliaky... Mmm-hmm. 612 00:31:54,833 --> 00:31:56,125 [Syd] That's my name. [chuckles] 613 00:31:56,208 --> 00:31:57,500 -Thank you so much. -Sure. 614 00:31:57,583 --> 00:31:59,708 Thank you so much for taking the time to see me. 615 00:31:59,792 --> 00:32:01,417 -It's... You're very welcome. 616 00:32:01,500 --> 00:32:05,417 I don't know how much Daria explained to you about why I... 617 00:32:05,500 --> 00:32:06,583 wanted to talk to you. 618 00:32:06,667 --> 00:32:10,750 She explained a little bit what you wanna know. 619 00:32:10,875 --> 00:32:13,500 -You know, you are the expert, so... -[Vidal chuckles] 620 00:32:13,583 --> 00:32:16,875 I would imagine we begin talking about May 1810. 621 00:32:17,292 --> 00:32:21,417 Um... [sighs] May 1810 is May Revolution. 622 00:32:21,500 --> 00:32:22,292 Right. 623 00:32:22,417 --> 00:32:27,500 [stutters] In that time, to tell you the true, the truly true... the truth... 624 00:32:27,583 --> 00:32:28,375 The truth. 625 00:32:28,458 --> 00:32:32,833 In Argentina... it wasn't really... 626 00:32:33,458 --> 00:32:35,708 the Independence Day. 627 00:32:35,792 --> 00:32:38,583 [stuttering] I believe that the Army was-- 628 00:32:38,708 --> 00:32:40,167 How do you say it in English? 629 00:32:40,375 --> 00:32:43,583 - Fundacional. Foundati-- -[Syd] The foundation? 630 00:32:43,750 --> 00:32:45,500 -Foundation! -[Syd] The foundation. 631 00:32:45,542 --> 00:32:49,292 The foundation of this country [stutters] was with the Army. 632 00:32:49,417 --> 00:32:52,125 -Mmm-hmm. -[stuttering] The Army against Spain 633 00:32:52,208 --> 00:32:55,208 and the Army against, um... 634 00:32:55,500 --> 00:32:56,833 -Indians! -Yeah. 635 00:32:57,083 --> 00:32:58,500 -Natives. -Natives. 636 00:32:58,542 --> 00:33:01,542 -Yeah. -Indians. [imitates war whoop] 637 00:33:02,333 --> 00:33:03,333 [Tony] Page 19. 638 00:33:03,417 --> 00:33:05,750 "Maybe that's why Patrick Pesto insisted on calling the movie 639 00:33:05,833 --> 00:33:07,792 Project 'A Social Experiment,' 640 00:33:08,042 --> 00:33:10,500 but then he changed it to 'A Sociological Comedy,' 641 00:33:10,833 --> 00:33:13,333 and then he changed it to 'A Political Screwball.'" 642 00:33:13,500 --> 00:33:16,083 So, we are trying to get where our characters fit in. 643 00:33:16,167 --> 00:33:18,917 -[Vidal stuttering] -[Syd] This is Tony, Tony Lovecraft. 644 00:33:19,042 --> 00:33:20,167 -[Vidal chuckles] -How are you? 645 00:33:20,250 --> 00:33:23,250 -You came late to the history. -I did, I did, always late, yeah, yeah. 646 00:33:23,333 --> 00:33:24,583 -[Vidal] It's okay. -Nice to see you. 647 00:33:24,667 --> 00:33:27,375 -You wanna join us? All right! -I'll sit with you for a minute. Sure. 648 00:33:27,458 --> 00:33:29,333 -I was gonna go out, but I don't have to. -It's okay. 649 00:33:29,417 --> 00:33:31,708 [Syd] I think I told Tony that you were coming 650 00:33:31,875 --> 00:33:33,500 and who you are, Professor Vidal. 651 00:33:33,583 --> 00:33:34,500 Yeah. 652 00:33:35,167 --> 00:33:37,583 It's... I know you. 653 00:33:37,792 --> 00:33:40,250 Uh, I believe that I know you. 654 00:33:40,375 --> 00:33:42,500 -From the... from the movies? -[Vidal] Yeah, yeah. 655 00:33:42,583 --> 00:33:45,500 -Some of them played in Argentina. -[Pesto, in Spanish] Good afternoon. Hi. 656 00:33:45,542 --> 00:33:47,500 -How are you? Hi. -[Tony] Patrick Pesto. 657 00:33:47,500 --> 00:33:48,875 -[Syd] That's Pesto. -[Pesto] Patrick. 658 00:33:49,042 --> 00:33:51,208 -[Vidal chuckles] -[Pesto] Patrick. He's the professor you-- 659 00:33:51,292 --> 00:33:53,417 -This is Professor Vidal.. -Hi, man. How are you? 660 00:33:53,500 --> 00:33:55,250 -Good seeing you. -Nice to see you. 661 00:33:55,333 --> 00:33:56,333 -Okay. -[stammers] Can I...? 662 00:33:56,417 --> 00:33:58,375 -Please! Join us. All right! -[Tony] Yeah, yeah. 663 00:33:58,583 --> 00:34:01,083 [Syd] This becomes a... [stutters] The plot thickens. 664 00:34:01,167 --> 00:34:01,917 Wow. 665 00:34:02,042 --> 00:34:07,417 You said: "Sometimes it's important to look at history... from way back. 666 00:34:07,500 --> 00:34:10,042 And when it's too soon, it's..." [stutters] Right? 667 00:34:10,167 --> 00:34:11,458 -Exactly. -Then, I agreed with you-- 668 00:34:11,500 --> 00:34:13,750 To get the big picture [stammers] and the context. 669 00:34:13,875 --> 00:34:17,208 Right, and so I... I don't agree with that. I don't agree with that. 670 00:34:17,333 --> 00:34:19,000 That... [stutters] That's history. 671 00:34:19,083 --> 00:34:21,458 -It's not a zero-sum game. -[Pesto] But... Are you a Democrat? 672 00:34:21,625 --> 00:34:22,500 Sure. 673 00:34:22,583 --> 00:34:23,833 -[Pesto] American Democrat? -Sure. 674 00:34:23,917 --> 00:34:26,083 But you are pissed at Obama at this moment. 675 00:34:26,167 --> 00:34:27,458 -I'm what? -[Pesto] You like him? 676 00:34:27,500 --> 00:34:29,208 -Yeah. -[Pesto] You like Obama. 677 00:34:29,292 --> 00:34:31,250 -You are happy with what Obama is doing. -He is a-- 678 00:34:31,333 --> 00:34:32,833 -Absolutely, absolutely. -Are you? 679 00:34:32,917 --> 00:34:34,083 -[Rudy] No. -No? You? 680 00:34:34,167 --> 00:34:35,500 I think he is a fucking disaster. 681 00:34:35,500 --> 00:34:38,333 -Why? -It's crazy. It's crazy. 682 00:34:38,500 --> 00:34:41,875 We had George Bush. He is a fascist... [stutters] I mean, whatever, not fascist, 683 00:34:41,958 --> 00:34:45,625 -but, I mean, we have Obama, we-- -Excuse me, why do you need politics? 684 00:34:45,708 --> 00:34:49,042 These guys use politics, I don't use politics. I believe in America. 685 00:34:49,167 --> 00:34:52,292 I want it to survive, I want it-- The world needs it to survive. 686 00:34:52,417 --> 00:34:56,708 The world needs it to thrive. These guys criticize it, I'm... I'm... 687 00:34:56,917 --> 00:34:58,250 I think America is good. 688 00:34:58,375 --> 00:35:01,500 We have a very sort of simple pop explanation in America 689 00:35:01,500 --> 00:35:04,708 of Perón, which is not even Perón, it's Eva Perón, it's Evita. 690 00:35:04,792 --> 00:35:08,208 We have a musical, we have, you know, movies, we have Madonna-- 691 00:35:08,292 --> 00:35:10,500 -Yes, I saw that musical. -[Syd] And, so-- 692 00:35:10,583 --> 00:35:13,750 -Did you like it? -[stutters] No, no. I don't understand... 693 00:35:14,375 --> 00:35:16,792 -You don't understand. -So, we have a feeling, 694 00:35:16,875 --> 00:35:19,083 we have a strong feeling that Evita is a bunch of bullshit. 695 00:35:19,167 --> 00:35:21,000 -[stutters] Excuse my language. -[Vidal] It's okay. 696 00:35:21,083 --> 00:35:25,708 To me, it seems like Eva Perón brought the love of the people 697 00:35:25,792 --> 00:35:29,083 to a pretty ordinary, military historian-- 698 00:35:29,167 --> 00:35:32,708 -Which people are you talking about? -The people, the... [stutters] pueblo , 699 00:35:32,792 --> 00:35:34,333 [in Spanish] the people, the... 700 00:35:34,417 --> 00:35:36,708 [in English] She was a person of the people, yeah? That's correct. 701 00:35:36,792 --> 00:35:38,875 [agitated] Perón brought what? 702 00:35:39,375 --> 00:35:43,417 Something was sleeping... [exhales sharply] and appeared 703 00:35:43,500 --> 00:35:45,667 like a... How do you say "malón"? 704 00:35:45,750 --> 00:35:47,625 -[both in Spanish] How do you say "malón"? -Me? 705 00:35:47,708 --> 00:35:50,833 -[Vidal mumbles] -Um... like in a crowd? 706 00:35:50,958 --> 00:35:54,375 -[both in English] Like in a bunch. -[Vidal] Yeah, when the Indians say: 707 00:35:54,500 --> 00:35:58,917 "We're all together," somebody called that "barbarie" , um... 708 00:35:59,208 --> 00:36:01,500 -Barbaric. Barbaric. -[all] Barbaric. 709 00:36:01,500 --> 00:36:04,708 -But you wouldn't call it that. -Of course I would! 710 00:36:04,792 --> 00:36:06,708 -[Syd] Let me ask you a question. 711 00:36:06,833 --> 00:36:09,500 I'm fascinated with the 1966... 712 00:36:09,542 --> 00:36:11,250 -[Vidal] Mmm-hmm. -"Ongalía"? 713 00:36:11,375 --> 00:36:14,375 -[Vidal] Onganía. -Onganía. Now, what happened there? 714 00:36:14,458 --> 00:36:15,667 [Vidal] Soft dictatorship. 715 00:36:15,833 --> 00:36:19,917 -[all] What? -Soft... dictatorship. 716 00:36:20,042 --> 00:36:22,625 How can you call it "soft dictatorship"? You know, it was a dictator-- 717 00:36:22,708 --> 00:36:25,333 [in Spanish] If you understand politics, you will surely understand 718 00:36:25,458 --> 00:36:28,542 that there is a transition from a populist movement-- 719 00:36:28,625 --> 00:36:32,125 [in English] What about Trelew, Mr. Soft Dictatorship? What happened? 720 00:36:32,208 --> 00:36:36,958 Lanusse gave the order to massacre, to kill all these kids! 721 00:36:37,708 --> 00:36:40,042 -You are a humanist. -[Tony] Did the United States-- 722 00:36:40,125 --> 00:36:44,458 Did the United Stated back the... [mumbles] How much... Any money into that? 723 00:36:44,500 --> 00:36:45,917 The regime, here? 724 00:36:47,458 --> 00:36:49,917 -[sighs] We needed help. -[woman clears her throat] 725 00:36:50,083 --> 00:36:53,875 The generals were, um, generals who were trained in West Point, yeah? 726 00:36:54,542 --> 00:36:56,500 [stutters] Of course, one of them. 727 00:36:56,583 --> 00:36:58,042 -Yeah. -[Vidal] Not all of them. 728 00:36:58,125 --> 00:37:02,125 -[stutters] One of them, only? -[Vidal] Only one, as far as I know. 729 00:37:02,208 --> 00:37:04,500 -What was his name? -I can't say. 730 00:37:04,583 --> 00:37:06,417 -[Syd] Videla? -[Pesto] Videla? 731 00:37:07,042 --> 00:37:09,042 Videla, can be. 732 00:37:09,792 --> 00:37:12,625 -[Syd] Massera? No? -No, not Massera. 733 00:37:14,542 --> 00:37:17,250 -[Pesto] Galtieri? -Can be, 734 00:37:17,333 --> 00:37:19,750 but I don't know for how long he was in West Point. 735 00:37:19,833 --> 00:37:22,500 [Pesto] You are a fucking disgrace for this country. 736 00:37:22,583 --> 00:37:24,083 -[Vidal] Thank you very much. -You know? 737 00:37:24,208 --> 00:37:26,167 People like you... You know? You're a fucker. 738 00:37:26,250 --> 00:37:28,875 -Violence? You want some violence? -Motherfucker! You don't have respect 739 00:37:28,958 --> 00:37:31,208 -for anybody! -You want some violence? I'm your friend! 740 00:37:31,333 --> 00:37:33,583 -[Pesto] Blow me! My friend? -Come on! I'm your friend! 741 00:37:33,708 --> 00:37:35,417 -[Vidal] Violent person. -[chuckles] Violent? 742 00:37:35,500 --> 00:37:37,250 -He's not a violent person! -He's an artist! 743 00:37:37,333 --> 00:37:40,292 -He's an artist, he's a beautiful person. -[Vidal] Some artists are violent. 744 00:37:40,500 --> 00:37:42,500 -[Tony] Yeah. -They try to change the world. 745 00:37:42,708 --> 00:37:46,208 Some artists are artists-- You, in your movies. 746 00:37:46,292 --> 00:37:47,750 -Yeah. -[Vidal] How many people do you kill? 747 00:37:47,833 --> 00:37:49,333 Do you try to change the world? 748 00:37:49,417 --> 00:37:51,083 -[Tony] How many people did you kill? -John Wayne? 749 00:37:51,167 --> 00:37:53,792 -He's been president three times. -[Vidal] Three times! [chuckles] 750 00:37:53,875 --> 00:37:55,083 You're talking about Reagan. 751 00:37:55,167 --> 00:37:57,542 Reagan was old John Wayne and Bush was young John Wayne. 752 00:37:57,625 --> 00:37:58,417 I love them! 753 00:37:58,500 --> 00:38:00,750 -[both in Spanish] What are you saying? -[Vidal] What do you mean? 754 00:38:00,875 --> 00:38:03,458 -[Vidal chuckles] I'm telling them that-- -What are you talking about? What-- 755 00:38:03,500 --> 00:38:06,500 [in English] I'm sorry to interrupt you, I don't mean to eavesdrop, 756 00:38:06,542 --> 00:38:10,292 I'm just working on my thing here, but... where did you guys find this guy? 757 00:38:11,500 --> 00:38:14,500 [Vidal] Oh boy! [in Spanish] Why don't you carry on with your duties? 758 00:38:14,542 --> 00:38:17,375 -You know what I think it is? -[Vidal, in Spanish] You might be pretty, 759 00:38:17,458 --> 00:38:20,125 but you have no right to interrupt a conversation between men. 760 00:38:20,208 --> 00:38:21,250 Professor, professor. 761 00:38:21,333 --> 00:38:23,667 [in Spanish] It's because of people like you that this country 762 00:38:23,750 --> 00:38:25,792 is the way it is today. You fascist motherfucker! 763 00:38:25,875 --> 00:38:27,333 ...they said: "If you are a fascist..." 764 00:38:27,417 --> 00:38:29,083 Everybody has a fascist in them, right? 765 00:38:29,167 --> 00:38:31,042 All you gotta do is find the right button to push. 766 00:38:31,167 --> 00:38:33,500 [soft electric guitar music] 767 00:38:36,500 --> 00:38:39,583 [woman] You know what? It's always the same story here. 768 00:38:39,708 --> 00:38:41,625 It's like we are stuck in time, you know? 769 00:38:41,708 --> 00:38:44,917 It's the same story over, and over and over again. 770 00:38:45,208 --> 00:38:46,333 [Tony murmurs in agreement] 771 00:38:46,500 --> 00:38:51,125 I worked for a newspaper. All day long in the basement, typing. 772 00:38:51,500 --> 00:38:56,375 I was young, I had ideals, I thought I could make a difference, you know? 773 00:38:56,458 --> 00:38:57,583 [loud sucking noise] 774 00:38:58,542 --> 00:39:00,500 -[sucking noise] -But, in this country, it's like... 775 00:39:01,458 --> 00:39:03,458 it just can't move forward! 776 00:39:03,500 --> 00:39:07,500 We're stuck. We're stuck in what happened 35 years ago. 777 00:39:08,500 --> 00:39:11,208 I always think of Argentina as a... 778 00:39:11,917 --> 00:39:13,458 as a black widow. 779 00:39:13,917 --> 00:39:17,333 Somebody whose husband died 35 years ago, 780 00:39:17,417 --> 00:39:19,500 and she was young and beautiful 781 00:39:19,583 --> 00:39:24,500 and could have redone her life and... meet new people, meet men, 782 00:39:24,500 --> 00:39:28,208 and... she just got stuck in the memory of her husband, 783 00:39:28,292 --> 00:39:30,500 and every day she cries for him. 784 00:39:30,750 --> 00:39:33,250 To be a member of the left or an artist back then 785 00:39:33,333 --> 00:39:35,333 -was to be hunted, yeah? -Completely. 786 00:39:35,417 --> 00:39:37,958 They had that in the States in the '60s and the '50s. 787 00:39:38,083 --> 00:39:40,750 [woman] But you have a country that gives you opportunities, like, 788 00:39:40,833 --> 00:39:42,500 you know, Manifest Destiny. 789 00:39:42,750 --> 00:39:44,500 I don't think we have that here. 790 00:39:44,583 --> 00:39:48,292 No, Manifest Destiny is an excuse to kill Native Americans. 791 00:39:48,667 --> 00:39:52,458 Well, but you live in a country where you can be anything you wanna be. 792 00:39:52,583 --> 00:39:54,542 Here it's not really like that. 793 00:39:54,708 --> 00:39:58,042 -We are much more narrow-minded, if you... -I don't think so. 794 00:39:58,208 --> 00:40:01,458 I don't have such a romantic vision of the United States, maybe, 795 00:40:01,542 --> 00:40:03,083 as some people do. 796 00:40:05,500 --> 00:40:09,708 HOW TO DEAL WITH BAD REVIEWS 797 00:40:10,500 --> 00:40:11,750 I don't think you trust me. 798 00:40:16,500 --> 00:40:19,042 Are you sure that I want to make a new film? 799 00:40:19,333 --> 00:40:23,875 No. Maybe I want to make... a film, or something 800 00:40:23,958 --> 00:40:26,250 that you've never experienced on a personal level, 801 00:40:26,333 --> 00:40:28,625 and I've never experienced on a personal level, 802 00:40:28,708 --> 00:40:31,042 and these guys have never experienced on a personal level. 803 00:40:31,208 --> 00:40:33,125 -Let's get that fucking unicycle. -[sipping] 804 00:40:33,208 --> 00:40:36,208 Let's get the unicycle, let's get the Fellini unicycle, right? 805 00:40:36,375 --> 00:40:39,208 And a juggler. And go through the background. 806 00:40:39,292 --> 00:40:40,875 Let's just do that. Let's just do that. 807 00:40:41,042 --> 00:40:42,917 Let's just have the fucking guys in the background, 808 00:40:43,042 --> 00:40:44,500 nothing means nothing. 809 00:40:44,500 --> 00:40:46,500 And you can fucking throw the booby trap [spilling] 810 00:40:46,500 --> 00:40:47,583 whenever, you know, 811 00:40:47,667 --> 00:40:50,417 whenever anybody tries to do something that means something, 812 00:40:50,500 --> 00:40:51,667 that has some literal sense. 813 00:40:51,750 --> 00:40:53,750 Let's just fucking, you know... [metal clanking] 814 00:40:53,833 --> 00:40:55,583 Let's just say: "Oh, it doesn't matter." 815 00:40:55,750 --> 00:40:58,375 "No, we're shooting the thing in the movie, inside of the movie." 816 00:40:58,542 --> 00:41:00,708 "No, no, that doesn't matter. [sighs loudly] 817 00:41:01,417 --> 00:41:02,500 We're talking about art." 818 00:41:02,625 --> 00:41:04,042 So, why don't you trust me? 819 00:41:05,500 --> 00:41:07,458 Can you fuck this girl in the bed now? 820 00:41:07,500 --> 00:41:09,750 -Who is this girl? -Eva Braun. 821 00:41:09,875 --> 00:41:13,042 -Eva Braun? Like, Hitler? -[Pesto] Yeah, I call her Eva Braun. 822 00:41:13,125 --> 00:41:15,917 She's full of my air. You know? My air. 823 00:41:16,042 --> 00:41:17,458 -[Syd chuckles] -[Pesto] So, she is part of me. 824 00:41:17,500 --> 00:41:19,292 [imitates blowing noise] I blow her... 825 00:41:19,375 --> 00:41:21,458 -[chuckling] You blow her? -...with my soul, with myself. 826 00:41:21,500 --> 00:41:24,875 So, her soul, her interior... 827 00:41:25,583 --> 00:41:26,917 is part of myself. 828 00:41:29,500 --> 00:41:31,083 Can we make... 829 00:41:31,292 --> 00:41:34,583 20 seconds of silence so Rudy can come into this scene? 830 00:41:34,667 --> 00:41:37,000 -[Syd] Yeah. -Please? Can we do that? 831 00:41:37,500 --> 00:41:39,208 -Sure, absolutely. -Okay. Rudy, please, 832 00:41:39,292 --> 00:41:41,167 -put music to this scene. -[Syd] Absolutely. 833 00:41:41,250 --> 00:41:42,875 -Rudy? -[Syd] Absolutely. 834 00:41:43,042 --> 00:41:45,500 [acoustic guitar music] 835 00:41:52,167 --> 00:41:55,583 [choir singing] 836 00:41:59,792 --> 00:42:01,625 -You know-- -[mumbles] 837 00:42:02,667 --> 00:42:04,750 [acoustic guitar music continues] 838 00:42:17,500 --> 00:42:18,292 [Syd clicks tongue] 839 00:42:19,000 --> 00:42:21,833 Now sing the one when Patti Lewis was in rehab, 840 00:42:22,167 --> 00:42:23,500 that you sang for her. 841 00:42:23,875 --> 00:42:25,708 That's my... [mutters] That's my favorite song... 842 00:42:25,792 --> 00:42:28,917 -[mutters] that you... have ever done. -He was doing something beautiful. 843 00:42:29,042 --> 00:42:31,375 -[mumbles] -New. New. 844 00:42:31,458 --> 00:42:33,542 You know, but I... [stutters] I wanna... 845 00:42:34,250 --> 00:42:35,250 hear that song. 846 00:42:35,958 --> 00:42:37,792 Why don't you let Rudy act? 847 00:42:39,250 --> 00:42:42,708 Thankfully, film criticism is pretty much dead, which is good. 848 00:42:42,875 --> 00:42:46,125 -Film criticism? Is dead? -Yeah. Nobody reads anything about films. 849 00:42:46,458 --> 00:42:48,000 -Well... -Even this. 850 00:42:48,083 --> 00:42:50,417 -You mean, how do you avoid this? -[Tony] Yeah. 851 00:42:50,500 --> 00:42:52,500 Well, it's presumptuous in the first place, right? 852 00:42:52,583 --> 00:42:54,917 -[Tony] Yeah. -To dare to even say something... 853 00:42:55,542 --> 00:42:57,458 uh, about something, to anybody. 854 00:42:57,500 --> 00:42:59,333 -It's presumptuous. Yeah. -[Tony] Yeah! 855 00:42:59,500 --> 00:43:01,458 We know that, it's like: 856 00:43:01,500 --> 00:43:02,625 "Excuse me, but... 857 00:43:03,042 --> 00:43:04,667 -who the fuck are you?" -[Tony] Right! 858 00:43:04,750 --> 00:43:05,875 [chuckles] Yeah. 859 00:43:06,292 --> 00:43:08,167 You gotta make it entertaining... 860 00:43:08,417 --> 00:43:11,500 -and slip it in somehow, right? -Yes. 861 00:43:11,500 --> 00:43:15,833 "Every poet and every artist is an antisocial being. 862 00:43:16,458 --> 00:43:18,292 -[Tony chuckles] -He's not that way 863 00:43:18,417 --> 00:43:21,917 because he wants to be. He can't be any other way. 864 00:43:22,167 --> 00:43:25,125 Of course the state has the right to chase him away! 865 00:43:25,292 --> 00:43:28,250 And if he really is an artist, it's in his nature 866 00:43:28,333 --> 00:43:30,208 not to want to be admitted. 867 00:43:30,292 --> 00:43:33,417 The right to free expression is something 868 00:43:33,500 --> 00:43:35,500 one seizes, 869 00:43:35,667 --> 00:43:38,000 not something one is given." 870 00:43:39,792 --> 00:43:41,708 I don't think you understood the script yet. 871 00:43:41,792 --> 00:43:44,167 -I can't believe you did it. -I don't think we do, you're right. 872 00:43:44,250 --> 00:43:46,667 -[Rudy mumbles] ...to hear you say it. -[Syd, in Spanish] I love it. 873 00:43:46,750 --> 00:43:50,250 But, you know, I don't know what I write. Sometimes I just want to fill pages 874 00:43:50,375 --> 00:43:53,042 to have more or less 100 pages because they told me, you told me, 875 00:43:53,125 --> 00:43:55,250 than, in a script, there are 120 pages. 876 00:43:55,667 --> 00:43:59,375 -Traditionally. Sometimes like 131. -Trad... And I bought this, um... final... 877 00:43:59,458 --> 00:44:01,792 -The final draft. -The final draft, so it looks like a... 878 00:44:02,042 --> 00:44:03,458 -a script. -It does look like a script! 879 00:44:03,500 --> 00:44:05,500 And when you start to say: "Yeah, but I don't want a script," 880 00:44:05,542 --> 00:44:07,042 I'll say: "Let's call it 'the ass.'" 881 00:44:07,292 --> 00:44:08,500 So, we have an ass. 882 00:44:08,583 --> 00:44:11,125 We can penetrate the ass, put a baby hippo in the ass, 883 00:44:11,208 --> 00:44:12,458 we can vaccinate the ass, 884 00:44:12,500 --> 00:44:15,208 we can kick the ass, you can kiss me the ass, whatever you want, 885 00:44:15,292 --> 00:44:16,250 but this is an ass. 886 00:44:16,333 --> 00:44:18,458 -[all laugh] -We have something, we're making a movie. 887 00:44:18,792 --> 00:44:20,833 So, we'll just make a movie about going around Buenos Aires, 888 00:44:20,917 --> 00:44:23,083 the fucking most beautiful place in the world, 889 00:44:23,167 --> 00:44:24,583 the most beautiful girls in the world. 890 00:44:24,667 --> 00:44:27,583 If we make a movie about the fact that people get killed... 891 00:44:28,417 --> 00:44:33,125 you know, we might as well fold up shop. And so what? 892 00:44:33,583 --> 00:44:35,500 It happens all around the world, every day, right? 893 00:44:35,583 --> 00:44:37,792 And we're lucky we're sitting in a fucking hotel. 894 00:44:37,875 --> 00:44:39,833 -Well, I-- -So, [stutters] but what's interesting 895 00:44:39,917 --> 00:44:41,583 is that you wanted to make a movie about it. 896 00:44:41,750 --> 00:44:42,875 So, that's what's interesting. 897 00:44:43,500 --> 00:44:44,917 -[Syd] Do you? I don't know. -Do you? 898 00:44:45,042 --> 00:44:47,875 You know, I don't know why these kinds of things happened in Argentina. 899 00:44:48,000 --> 00:44:49,833 I don't know why they killed so many people. 900 00:44:51,500 --> 00:44:54,208 I don't know... I don't know why they tortured people, 901 00:44:54,292 --> 00:44:57,500 I don't know why [voice cracking] they took out the nipples of girls. 902 00:44:57,583 --> 00:45:01,500 I don't know why they put rats in the intestines of people here. 903 00:45:01,833 --> 00:45:05,708 Don't ask me that. If I knew, if I even had... 904 00:45:06,042 --> 00:45:08,292 a little answer, I would be like them. 905 00:45:08,500 --> 00:45:09,542 [Syd, in Spanish] I understand. 906 00:45:11,125 --> 00:45:17,875 [church bells ringing] 907 00:45:26,292 --> 00:45:28,250 [motorcycle accelerating] 908 00:45:30,917 --> 00:45:33,833 [traffic noise, motorcycle braking] 909 00:45:45,042 --> 00:45:46,167 [footsteps] 910 00:45:56,125 --> 00:45:59,625 [mellow instrumental music] 911 00:46:48,833 --> 00:46:50,542 -[Tony] It's okay? -Sure. 912 00:46:51,500 --> 00:46:54,375 -[both in Spanish] How are you? -Fine. 913 00:46:56,833 --> 00:46:58,417 -[in English] What are you praying for? 914 00:46:58,500 --> 00:46:59,875 [Tony inhales deeply] 915 00:47:00,083 --> 00:47:01,375 Oh, I don't know yet. 916 00:47:08,375 --> 00:47:09,583 [Tony] What are you praying for? 917 00:47:09,833 --> 00:47:12,292 I can say I'm praying for courage. 918 00:47:14,458 --> 00:47:16,417 I hate too many people. [chuckles nervously] 919 00:47:18,292 --> 00:47:19,292 Mmm-hmm. 920 00:47:19,625 --> 00:47:23,792 -So, you pray for, um... -Courage to forgive people. 921 00:47:24,500 --> 00:47:27,542 It's one of the hardest things you can pray for, 922 00:47:27,625 --> 00:47:29,958 but also the most beautiful one. 923 00:47:30,208 --> 00:47:31,292 Maybe. 924 00:47:35,958 --> 00:47:37,000 Wow. 925 00:47:39,833 --> 00:47:41,667 [mellow instrumental music continues]. 926 00:48:00,833 --> 00:48:03,292 One thing I think is so crazy is that, 927 00:48:03,375 --> 00:48:05,500 at least when I go around the world, I see all these... 928 00:48:06,250 --> 00:48:09,875 fucking so-called "Christians," who are, like, these conservative... 929 00:48:10,375 --> 00:48:11,792 pretty much fascists. 930 00:48:12,500 --> 00:48:14,875 Um, not all, but some, and I think: 931 00:48:15,042 --> 00:48:18,083 "You idiots! Don't you know that Jesus Christ was the biggest radical 932 00:48:18,167 --> 00:48:19,583 who ever walked the face of the earth?" 933 00:48:19,750 --> 00:48:22,500 He told everybody how to forgive everybody, 934 00:48:22,500 --> 00:48:25,458 to love even the people who'd massacre your family. 935 00:48:25,583 --> 00:48:28,042 That's a radical! That's not a conservative. 936 00:48:28,125 --> 00:48:29,625 -That's a radical idea. -[Rudy] Yeah. 937 00:48:29,708 --> 00:48:32,458 -I don't know, I think it's the hardest-- -For some people, it's radical. 938 00:48:32,500 --> 00:48:35,500 For some people... [stutters] it's stupid. 939 00:48:36,083 --> 00:48:37,792 I don't think it's stupid, I think it's radical. 940 00:48:37,875 --> 00:48:40,333 What I'm saying is that I don't have the courage to do it 941 00:48:40,417 --> 00:48:42,417 and I haven't even had anything bad happen to me. 942 00:48:42,500 --> 00:48:45,417 I have the courage to... [stutters] It's not courage. 943 00:48:45,500 --> 00:48:48,375 -I don't think so. I wish it was courage. -Oh, come on! Come on. 944 00:48:48,458 --> 00:48:50,333 [stutters] It doesn't take courage to forgive? 945 00:48:50,417 --> 00:48:53,292 ♪ Well, I don't wanna miss you Don't wanna miss you ♪ 946 00:48:53,375 --> 00:48:55,583 ♪ Don't wanna miss you when I go ♪ 947 00:48:55,958 --> 00:48:58,500 ♪ Don't wanna miss you Don't wanna miss you ♪ 948 00:48:58,542 --> 00:49:00,500 ♪ Don't wanna miss you ♪ 949 00:49:01,167 --> 00:49:03,042 ♪ So I won't kiss you ♪ 950 00:49:04,042 --> 00:49:07,625 ♪ 'Cause I don't wanna, wanna Miss you when I go ♪ 951 00:49:07,750 --> 00:49:11,875 [harmonica solo] 952 00:49:12,042 --> 00:49:14,833 I'm not gonna... I'm not gonna try to seduce this girl. 953 00:49:15,500 --> 00:49:17,250 If you think that, I'm not gonna do it. 954 00:49:17,375 --> 00:49:19,500 -What? -Why? Why? 955 00:49:19,583 --> 00:49:23,375 -She's perfect for you! -Tony! Give the girl a chance! 956 00:49:23,542 --> 00:49:25,500 No, you can... really, you can keep filming, 957 00:49:25,542 --> 00:49:28,500 it's just that I didn't wanna make it seem like I... [stutters] 958 00:49:28,542 --> 00:49:29,750 I was trying to, you know... 959 00:49:29,833 --> 00:49:31,250 -[woman] Seduce me? -Seduce you. 960 00:49:31,417 --> 00:49:34,500 Shut up! [scoffs] Cut the lights, cut the sound, cut everything. 961 00:49:34,500 --> 00:49:37,125 -[indistinct chatter] -[Pesto] Go back to Hollywood! 962 00:49:37,500 --> 00:49:41,375 THINKING ABOUT THOUGHTS 963 00:49:42,458 --> 00:49:45,500 -Hello! -[in Spanish] Hi, guys! 964 00:49:45,708 --> 00:49:46,792 [Pesto] Hey, guys! 965 00:49:47,000 --> 00:49:48,417 [traffic noise] 966 00:49:48,625 --> 00:49:51,542 This is, um, this is, I believe, the law school. 967 00:49:52,333 --> 00:49:53,458 The law school? 968 00:49:53,917 --> 00:49:56,458 There's so much time to think, maybe, you know? I don't think that, 969 00:49:56,500 --> 00:49:57,583 before, people had... 970 00:49:58,333 --> 00:50:00,333 so much time to think, like we do. 971 00:50:00,500 --> 00:50:03,333 Even if we have stupid jobs, we have a lot of time to think. 972 00:50:03,500 --> 00:50:06,125 Maybe in a Chinese factory you don't have time to think. 973 00:50:07,208 --> 00:50:10,500 I think if I was committed, um, I think if I was... 974 00:50:10,583 --> 00:50:12,125 accused of a crime... 975 00:50:12,500 --> 00:50:16,208 I'd rather be on trial in, um, in L.A. than on trial here. 976 00:50:16,292 --> 00:50:17,917 Before, people worked all day 977 00:50:18,042 --> 00:50:20,333 and there were no electric lights, nothing, you know? 978 00:50:20,708 --> 00:50:22,250 They read a little bit the... [stutters] 979 00:50:22,667 --> 00:50:24,667 the Bible and they go to sleep, and, um... 980 00:50:24,792 --> 00:50:27,000 Yeah, and then in Europe they started to get time to think 981 00:50:27,083 --> 00:50:28,625 and then everybody wanted to kill themselves. 982 00:50:28,750 --> 00:50:29,583 [laughs loudly] 983 00:50:29,667 --> 00:50:33,042 ...but you can write up a contract that says: 984 00:50:33,125 --> 00:50:36,750 "If you sue me and you lose, you have to pay my fees." 985 00:50:36,833 --> 00:50:38,625 You're allowed to do that as a matter of contract, 986 00:50:38,708 --> 00:50:41,500 but it's not a matter of the operation of the common law. 987 00:50:41,792 --> 00:50:43,917 Shit like that. I'm good with shit like that, jerky. 988 00:50:44,042 --> 00:50:45,750 -All right. -That's the kind of shit you learn there, 989 00:50:45,833 --> 00:50:48,250 except that here, what they learn, I don't fucking know. 990 00:50:48,333 --> 00:50:50,292 -So, every lawyer-- -They learn, like, you know... 991 00:50:50,708 --> 00:50:52,458 "pay the guy 500 dollars," and... 992 00:50:52,542 --> 00:50:53,583 -you know. -Hmm. 993 00:50:53,667 --> 00:50:55,833 I don't know, that's, that's, that's sexist. 994 00:50:56,708 --> 00:50:59,042 I feel my kids saved my life so many times. 995 00:50:59,167 --> 00:51:00,917 [mellow music] 996 00:51:01,125 --> 00:51:04,667 But then you think, um, all the stuff, you know, the... 997 00:51:06,375 --> 00:51:08,375 [sighs] poetic stuff. 998 00:51:09,375 --> 00:51:11,458 Hmm, romantic poetic bullshit 999 00:51:11,500 --> 00:51:14,125 about not wanting to bring another kid into the world. 1000 00:51:14,250 --> 00:51:16,292 -Oh, right. -I don't know, it's just... 1001 00:51:16,458 --> 00:51:18,875 People who are really convinced 1002 00:51:19,000 --> 00:51:23,042 that bringing life into the world when the world is a mess... 1003 00:51:23,500 --> 00:51:25,375 [stutters] that's, in part, it's... 1004 00:51:25,458 --> 00:51:29,792 It's a big chunk of... narcissism, no? Because you think, um... 1005 00:51:30,250 --> 00:51:31,583 that, um... 1006 00:51:32,500 --> 00:51:33,875 that only you... 1007 00:51:34,500 --> 00:51:36,167 have the chance to change the world 1008 00:51:36,250 --> 00:51:39,458 and now the world didn't change, so your kids can't change the world, 1009 00:51:39,500 --> 00:51:40,792 and I think my kids can change the world. 1010 00:51:40,875 --> 00:51:43,000 Yeah, I'm gonna take my bone and I'm gonna go home. 1011 00:51:43,292 --> 00:51:46,167 [stutters] I, I... Turned out I wasn't the Messiah, 1012 00:51:46,375 --> 00:51:48,792 so, hmm, you know... fuck it. 1013 00:51:48,875 --> 00:51:49,750 Game over. 1014 00:51:50,500 --> 00:51:52,042 -You know what I mean? -Right. 1015 00:51:53,458 --> 00:51:54,750 Yeah, I think you're right. 1016 00:51:55,500 --> 00:51:59,500 [mellow music continues] 1017 00:52:03,625 --> 00:52:05,458 [traffic noise] 1018 00:52:17,250 --> 00:52:18,583 [silverware clinking] 1019 00:52:21,292 --> 00:52:23,875 [both in Spanish] Whatever you want, I don't know... it feels weird. 1020 00:52:24,042 --> 00:52:25,792 Why? Why does it feel weird? 1021 00:52:25,875 --> 00:52:28,208 A typewriter! Why? You never use typewriters. 1022 00:52:28,292 --> 00:52:30,750 No, but I find it... very romantic, 1023 00:52:30,917 --> 00:52:33,583 to receive a letter... 1024 00:52:34,667 --> 00:52:35,750 -No? -Sure. 1025 00:52:35,833 --> 00:52:37,500 [Pesto] At what age would you deliver it? 1026 00:52:37,542 --> 00:52:39,167 On his or her 20th birthday. 1027 00:52:39,542 --> 00:52:42,042 -[Pesto] No, it's okay. -"Letter for... 1028 00:52:42,208 --> 00:52:45,500 son/daughter." [typing] 1029 00:52:45,667 --> 00:52:48,250 [Pesto] Okay. I'm gonna say... 1030 00:52:48,375 --> 00:52:51,083 "I hope you're still making doodles." 1031 00:52:52,125 --> 00:52:53,167 [typing] "Still... 1032 00:52:53,292 --> 00:52:55,375 -[Pesto] Making doodles. -...making doodles." 1033 00:52:55,500 --> 00:52:56,708 And, if it's a girl, "doddlas." 1034 00:52:56,833 --> 00:52:57,958 [laughing] Okay. 1035 00:52:58,083 --> 00:52:59,625 [Pesto] "I hope you have your mother's eyes." 1036 00:52:59,875 --> 00:53:00,917 Aw. 1037 00:53:01,125 --> 00:53:03,458 -"Always listen to your mom." -[Pesto] "Listen to your mom." 1038 00:53:03,542 --> 00:53:04,708 "Listen to your mom." [typing] 1039 00:53:05,083 --> 00:53:06,417 [Pesto] Unless I'm there. 1040 00:53:06,500 --> 00:53:07,833 [both laugh] 1041 00:53:08,000 --> 00:53:09,875 -Travel. -Travel. 1042 00:53:12,042 --> 00:53:13,250 Without a camera. 1043 00:53:14,375 --> 00:53:17,250 -Without a camera? -Without a camera. 1044 00:53:19,875 --> 00:53:23,042 BACK TO WORK 1045 00:53:23,125 --> 00:53:24,125 [Pesto] And... action! 1046 00:53:24,208 --> 00:53:26,083 [Tony] We wanna see Rosita and Conchita, and he says: 1047 00:53:26,167 --> 00:53:28,292 "They're not ready for you. The film is not ready for you!" 1048 00:53:28,375 --> 00:53:30,708 [Rudy] What did he say about the film? Did you get any information? 1049 00:53:30,792 --> 00:53:33,500 [Tony] No, he's still pretending he doesn't know what a fucking camera is. 1050 00:53:33,542 --> 00:53:34,833 He said he wants to make something 1051 00:53:34,917 --> 00:53:37,167 and, I don't know, we'll probably end up making something... 1052 00:53:37,292 --> 00:53:40,500 -[Rudy] Doesn't it, like... bother you? -[Tony] ...against the white wall, 1053 00:53:40,583 --> 00:53:42,500 he'll throw paint on us or some shit like that, you know? 1054 00:53:42,542 --> 00:53:44,250 -An abstract. -[Rudy] That sounds like a good movie. 1055 00:53:44,333 --> 00:53:46,500 Yeah, it'd be fun, but, you know, let's get on with it, right? 1056 00:53:46,583 --> 00:53:49,125 Yeah, let's get on with the girls, we're here, let's go out. 1057 00:53:49,208 --> 00:53:51,500 -Please, please... -Am I supposed to write something? 1058 00:53:51,500 --> 00:53:53,292 You're supposed to write your great American novel 1059 00:53:53,375 --> 00:53:56,000 and one day Patrick Pesto will turn it into a big fish movie 1060 00:53:56,083 --> 00:53:57,833 and we will all... get rich! 1061 00:53:57,958 --> 00:53:59,792 -A four million dollar offer. -What about music? 1062 00:53:59,917 --> 00:54:02,125 [Tony] Music is post-production, bro, come on! 1063 00:54:02,208 --> 00:54:05,000 -Music, we'll do it later, let's go... -[indistinct chatter] 1064 00:54:05,083 --> 00:54:06,667 Yeah, it'd be fun, but let's get on-- 1065 00:54:06,750 --> 00:54:10,292 How is music "post-production," dude? I gotta start working now! 1066 00:54:11,208 --> 00:54:13,583 Why would you call that asshole back? 1067 00:54:13,833 --> 00:54:17,042 Because he's the gateway to my financial future. 1068 00:54:17,917 --> 00:54:18,792 Armand? 1069 00:54:18,917 --> 00:54:20,500 Yeah, Tony Lovecraft for Armand. 1070 00:54:21,750 --> 00:54:22,583 Armand? 1071 00:54:22,833 --> 00:54:23,542 Hi. 1072 00:54:24,125 --> 00:54:26,750 Yeah, finished it, I didn't... I mean, I finished 25 pages of it 1073 00:54:26,833 --> 00:54:28,292 and it's, it's really... 1074 00:54:29,000 --> 00:54:30,583 -Yeah. -...it's too bad. 1075 00:54:30,667 --> 00:54:32,417 -Yeah. -It's too bad 1076 00:54:32,500 --> 00:54:34,333 that I can't finish the script, really. 1077 00:54:34,417 --> 00:54:36,667 It's what it is. So, I can't do it. 1078 00:54:37,583 --> 00:54:39,958 [inhales sharply] Look, we have to just wait, you know? 1079 00:54:40,083 --> 00:54:41,833 Find us something else out in the marketplace. 1080 00:54:43,000 --> 00:54:45,292 -[mumbles] -I saw, I saw Ridley Scott 1081 00:54:45,375 --> 00:54:47,042 in the airport and, um... 1082 00:54:47,167 --> 00:54:49,500 -[Rudy] Tony, hang up. -...he said he is doing that Alien prequel 1083 00:54:49,500 --> 00:54:51,292 but he said Fox is beating the shit out of him, 1084 00:54:51,375 --> 00:54:54,208 so, I mean, look, if they are beating the shit out of fucking Ridley Scott... 1085 00:54:54,542 --> 00:54:55,500 You know what I mean? 1086 00:54:55,708 --> 00:54:57,250 We just gotta ride this thing-- 1087 00:54:59,250 --> 00:55:00,542 Armand! I don't wanna-- 1088 00:55:02,167 --> 00:55:03,542 Watch how you talk to me, man! 1089 00:55:03,625 --> 00:55:05,500 -Tony, hang up the phone. -Hang up. 1090 00:55:05,625 --> 00:55:06,792 Armand, what chimp? 1091 00:55:06,875 --> 00:55:08,250 -[Syd mumbles] -What chimp? 1092 00:55:08,375 --> 00:55:10,083 -Hang up. - Space Chimps ? 1093 00:55:10,208 --> 00:55:12,250 -Armand! Son of who? -Gimme the phone. 1094 00:55:12,333 --> 00:55:13,750 -Gimme the phone. -Who is he the son of? 1095 00:55:13,833 --> 00:55:15,542 I don't know what the fuck you're talking about! 1096 00:55:15,625 --> 00:55:16,833 Hang up the phone, Tony. 1097 00:55:16,917 --> 00:55:19,417 Hang up the phone and put my cock in your mouth. 1098 00:55:19,542 --> 00:55:20,500 [Syd mutters] Armand. 1099 00:55:21,250 --> 00:55:22,250 Priorities. 1100 00:55:22,500 --> 00:55:23,500 [Syd] Hi. 1101 00:55:26,917 --> 00:55:28,458 Syd, you're a sexy man. 1102 00:55:30,458 --> 00:55:32,333 So, I was telling... anyway, I told Armand, I said: 1103 00:55:32,417 --> 00:55:34,292 "Listen, well... [stutters] 1104 00:55:34,375 --> 00:55:38,375 the loss of innocence is the first casualty of, you know, this film." 1105 00:55:38,500 --> 00:55:40,833 And... and then he hung up on me. [clicks tongue] 1106 00:55:40,917 --> 00:55:43,500 I'd never had a relationship where people hang up on each other so much. 1107 00:55:43,583 --> 00:55:45,583 -Don't call! Just don't call. -[clicks tongue] I know. 1108 00:55:45,667 --> 00:55:48,833 You're here! Bad things, out. B.A., in. 1109 00:55:49,375 --> 00:55:50,250 [Tony] Yeah. 1110 00:55:50,417 --> 00:55:53,167 [Rudy] Especially at that pool, surrounded by such beauty. 1111 00:55:53,500 --> 00:55:54,917 -[Tony] Do you think-- -Sorry, gentlemen. 1112 00:55:55,042 --> 00:55:56,500 A message from Mr. Pesto. 1113 00:55:56,583 --> 00:55:58,250 He asked me to read this to you. 1114 00:55:58,500 --> 00:56:02,292 " Chicos: I was deeply wounded by the cruel statement of your email. 1115 00:56:02,375 --> 00:56:05,833 I'm hard at work and suggest that you, lazy bastards, do the same." 1116 00:56:16,333 --> 00:56:17,500 [Rudy] What is this? 1117 00:56:22,917 --> 00:56:24,500 [stutters] Storyboards. 1118 00:56:26,208 --> 00:56:28,292 "Syd: the dog trots in the street. 1119 00:56:28,625 --> 00:56:31,042 The things he sees are his reality." 1120 00:56:33,500 --> 00:56:36,375 [Rudy] This is all... [grunts] very helpful. 1121 00:56:39,792 --> 00:56:41,750 [bird chirping] 1122 00:56:43,333 --> 00:56:48,167 [helicopter approaching] 1123 00:56:58,750 --> 00:56:59,917 FEAR OF DEATH AND ADVERTISEMENT 1124 00:57:00,042 --> 00:57:01,417 [Tony] I was waiting for my father-- 1125 00:57:01,500 --> 00:57:03,500 Not waiting, but afraid that when he would die 1126 00:57:03,583 --> 00:57:06,500 he'd sort of tried to push it off, push off the date. 1127 00:57:06,500 --> 00:57:08,875 -[Syd] Yeah. -And when he dies, then you realize... 1128 00:57:09,458 --> 00:57:10,917 [chuckling] that you're next. 1129 00:57:11,042 --> 00:57:12,500 I can't even imagine it. 1130 00:57:12,542 --> 00:57:15,042 -And there's '77, and the idea... -But you do get a different sense-- 1131 00:57:15,125 --> 00:57:17,625 Because, you know, when we would go to the beach, I still remember 1132 00:57:17,708 --> 00:57:19,417 riding waves, you know, you ride a wave 1133 00:57:19,500 --> 00:57:21,458 and you're getting down the wave, and you look to see 1134 00:57:21,500 --> 00:57:22,958 if your mother is looking, you know? 1135 00:57:23,083 --> 00:57:25,417 You wave, and then you go back and that's what it's all about. 1136 00:57:25,500 --> 00:57:28,250 There's always something about that in everything I do. 1137 00:57:28,333 --> 00:57:30,417 -[Pesto] Mmm-hmm. -You know? And I just feel like... 1138 00:57:30,500 --> 00:57:34,208 [stutters] I can't even... I... I can't even think about 1139 00:57:34,292 --> 00:57:36,500 -the idea that one-- -[Pesto] No? 1140 00:57:36,583 --> 00:57:38,708 [clicks tongue] Every song, every thing, every... you know, 1141 00:57:38,792 --> 00:57:40,667 there's a little bit of "looking back at the beach." 1142 00:57:40,750 --> 00:57:44,292 But it's not a free fall. I always thought that death was like a free fall, a terror. 1143 00:57:44,375 --> 00:57:46,500 -Right. -But you get gifts from it, weirdly, 1144 00:57:46,500 --> 00:57:49,292 because then you see a whole life in a perspective, and then... 1145 00:57:49,417 --> 00:57:51,792 people come up to you and say: "Oh, your father did these things," 1146 00:57:51,875 --> 00:57:54,125 like, he... he met, you know 1147 00:57:54,208 --> 00:57:57,167 some young kid who was a waiter and said "I wanna write," 1148 00:57:57,333 --> 00:57:59,125 and he said "Okay, well, send me one of your things," 1149 00:57:59,208 --> 00:58:01,542 and then he kept a long correspondence with the kid 1150 00:58:01,625 --> 00:58:02,792 and really helped him. 1151 00:58:02,875 --> 00:58:05,208 -[Pesto] Nah. -All these things that come in, 1152 00:58:05,292 --> 00:58:07,667 -and then you think: "Oh, man." -[indistinct chatter] 1153 00:58:07,750 --> 00:58:09,375 And then you realize what kind of a heart-- 1154 00:58:09,458 --> 00:58:11,958 You thought he had a big heart, but then you realize that was his gift. 1155 00:58:12,083 --> 00:58:14,167 -[Pesto] My God! -He was a scholar, but he was a generous, 1156 00:58:14,250 --> 00:58:15,375 you know, he was so much more-- 1157 00:58:15,458 --> 00:58:19,125 I understand he was hugely successful at advertising and then went: 1158 00:58:19,333 --> 00:58:21,208 -"I don't wanna do this, I wanna go." -Oh, yeah. 1159 00:58:21,292 --> 00:58:22,500 [Rudy] And he turned his back on, 1160 00:58:22,542 --> 00:58:24,875 -Oh, yeah. -I mean, that's some pretty brave stuff. 1161 00:58:25,042 --> 00:58:26,500 -To go be an artist. -[stutters] Yeah. 1162 00:58:26,583 --> 00:58:28,500 Yeah, he just wanted-- He had to feed his family, 1163 00:58:28,583 --> 00:58:30,792 so he just did what a million people do. They do the job-- 1164 00:58:30,875 --> 00:58:32,500 Yeah, they do the gig, but a million people 1165 00:58:32,542 --> 00:58:35,375 don't just get to a point and go: "You know what? I'm done with that." 1166 00:58:35,458 --> 00:58:36,833 Advertisement is shit, uh? 1167 00:58:36,917 --> 00:58:39,875 ♪ There's a light in your eyes ♪ 1168 00:58:40,000 --> 00:58:42,875 ♪ I ain't seen in a while ♪ 1169 00:58:42,958 --> 00:58:47,542 ♪ Will you sing for me again? ♪ 1170 00:58:49,375 --> 00:58:54,792 ♪ People turn away All the things that they say ♪ 1171 00:58:54,875 --> 00:58:56,500 ♪ Let them talk ♪ 1172 00:58:56,833 --> 00:58:59,625 ♪ 'Cause I promise you when ♪ 1173 00:59:01,167 --> 00:59:03,708 ♪ You wake up Mmm-hmm ♪ 1174 00:59:03,792 --> 00:59:06,667 ♪ When you wake up Mmm-hmm ♪ 1175 00:59:06,750 --> 00:59:08,625 ♪ When you wake up ♪ 1176 00:59:09,208 --> 00:59:11,792 ♪ I'll be here ♪ 1177 00:59:12,583 --> 00:59:15,625 ♪ I feel you in my room ♪ [stumbles] 1178 00:59:15,750 --> 00:59:18,542 ♪ On this hot afternoon ♪ 1179 00:59:18,667 --> 00:59:23,083 ♪ Can you hear the things that I say? ♪ 1180 00:59:25,042 --> 00:59:27,417 ♪ 'Cause I couldn't get in ♪ 1181 00:59:27,500 --> 00:59:30,375 ♪ Oh, to see you again ♪ 1182 00:59:30,458 --> 00:59:32,208 ♪ Too much traffic ♪ 1183 00:59:32,708 --> 00:59:35,083 ♪ Blocking my way ♪ 1184 00:59:36,292 --> 00:59:39,250 ♪ But when you wake up Mmm-hmm ♪ 1185 00:59:39,333 --> 00:59:42,125 ♪ When you wake up Mmm-hmm ♪ 1186 00:59:42,250 --> 00:59:44,250 ♪ When you wake up ♪ 1187 00:59:44,500 --> 00:59:47,042 ♪ I'll be here ♪ 1188 00:59:47,542 --> 00:59:49,083 [helicopter approaching] 1189 00:59:49,208 --> 00:59:53,167 ♪ Oh, what to do with the day? ♪ 1190 00:59:54,917 --> 00:59:56,917 ♪ Oh, where to turn... ♪ 1191 00:59:57,083 --> 00:59:58,083 [Tony whistles] 1192 01:00:00,708 --> 01:00:01,958 [woman laughs] 1193 01:00:04,083 --> 01:00:04,958 [chuckles] 1194 01:00:05,292 --> 01:00:07,500 [in Spanish] Do you know what I like about all of this? 1195 01:00:08,250 --> 01:00:10,500 That there is no sweet talk, that there is no aspiration, 1196 01:00:10,583 --> 01:00:12,500 that you are not telling me lies. 1197 01:00:12,583 --> 01:00:14,000 It's very liberating. 1198 01:00:14,167 --> 01:00:14,917 Mmm-hmm. 1199 01:00:15,250 --> 01:00:18,792 Will you tell me if I'm too forward or... intense with you? 1200 01:00:19,375 --> 01:00:22,583 [in Spanish] No, I appreciate honesty and transparency. 1201 01:00:23,250 --> 01:00:27,167 You know? Few people feel confident enough 1202 01:00:27,417 --> 01:00:31,000 -to be this honest, so... -[Tony chuckles] 1203 01:00:31,250 --> 01:00:33,250 -[Tony] Nah, I think-- -You must be one of those. 1204 01:00:33,375 --> 01:00:36,000 No, no, you give me, um, you give me too much credit, that's... 1205 01:00:36,417 --> 01:00:37,167 I think it's you. 1206 01:00:37,250 --> 01:00:39,375 [in Spanish] I only hope this is not a dream. 1207 01:00:40,417 --> 01:00:42,125 [Tony] There's so much good stuff in here. 1208 01:00:42,500 --> 01:00:44,667 Maybe it would be better just as a novel. 1209 01:00:45,042 --> 01:00:47,500 "I believe she's the perfect woman, but too perfect. 1210 01:00:47,833 --> 01:00:49,792 I believe that, under certain circumstances, 1211 01:00:49,917 --> 01:00:51,708 we would have fallen in love, in a different age 1212 01:00:51,792 --> 01:00:53,625 or if I wasn't an actor, or public, or... 1213 01:00:53,875 --> 01:00:56,500 or if I wasn't suspicious of people that are so silent. 1214 01:00:56,833 --> 01:00:58,417 Nowadays, I need noise. 1215 01:00:58,542 --> 01:01:01,292 A woman who sufficiently resembles one I already had." 1216 01:01:01,417 --> 01:01:02,292 That's nice. 1217 01:01:02,500 --> 01:01:05,042 "Nowadays, you can't be beautiful and not say anything, 1218 01:01:05,208 --> 01:01:06,542 and not ask for anything." 1219 01:01:08,042 --> 01:01:11,875 -[Pesto] How are you doing? -I'm okay, I'm okay. How are you? 1220 01:01:12,375 --> 01:01:13,458 [Pesto] I'm fine. 1221 01:01:13,750 --> 01:01:14,667 Who's that? 1222 01:01:15,250 --> 01:01:16,375 It's David Wallace. 1223 01:01:16,500 --> 01:01:18,208 -You kind of look like him. -Yeah. 1224 01:01:18,292 --> 01:01:20,417 Can you see that? Bad resolution. 1225 01:01:20,792 --> 01:01:24,500 [Syd] This is an American writer who is my age, uh... 1226 01:01:24,833 --> 01:01:30,917 He's kind of romanticized right now because he killed himself, uh, in 2000... 1227 01:01:32,333 --> 01:01:34,042 Uh, in 2008. 1228 01:01:34,292 --> 01:01:37,250 [stutters] You know, he wrote an 1100-page book called Infinite Jest , 1229 01:01:37,333 --> 01:01:39,750 which was almost impossible to follow. 1230 01:01:39,833 --> 01:01:41,375 He couldn't finish his last book, 1231 01:01:41,458 --> 01:01:45,083 which was about a bunch of IRS... agents in Peoria, Illinois. 1232 01:01:45,167 --> 01:01:49,375 He picked the, literally, the most mundane and insane thing 1233 01:01:49,458 --> 01:01:51,333 he could possibly think of to write about, 1234 01:01:51,417 --> 01:01:53,042 and then he couldn't survive, he couldn't... 1235 01:01:53,125 --> 01:01:54,333 He couldn't get out of the book. 1236 01:01:54,417 --> 01:01:56,583 [Tony] I like that, uh, "couldn't get out of the book." 1237 01:01:57,083 --> 01:01:58,083 [Syd] He couldn't finish it. 1238 01:01:58,333 --> 01:02:00,167 -He couldn't get out of it. -[Syd] Yeah. 1239 01:02:00,333 --> 01:02:01,542 [Pesto] Did you ever try? 1240 01:02:01,875 --> 01:02:04,750 No, I never tried, I never wanted to try, I never thought about trying. 1241 01:02:04,875 --> 01:02:08,417 -[Pesto] You never even thought about it? -No. Not even in the worst. 1242 01:02:09,208 --> 01:02:10,250 [Pesto] You, Tony? 1243 01:02:11,125 --> 01:02:13,208 No. Not really. 1244 01:02:13,625 --> 01:02:14,792 [Pesto] Or you don't want to talk about it. 1245 01:02:14,917 --> 01:02:17,917 No, I'd talk about it, um, I would be too, um... 1246 01:02:18,500 --> 01:02:22,417 like, romantically, it's like a romantic thing. But, uh... 1247 01:02:24,500 --> 01:02:28,500 No, I'd still have whatever... some part of me still pulsing for... 1248 01:02:30,167 --> 01:02:31,042 life. 1249 01:02:33,500 --> 01:02:35,208 [Tony] Were you really thinking about it? 1250 01:02:38,167 --> 01:02:40,917 [Pesto] It was a Monday and I said: "On Friday, I'll kill myself." 1251 01:02:41,167 --> 01:02:43,500 [laughing] And then the police was knocking on my door 1252 01:02:43,500 --> 01:02:44,708 and they took me out. 1253 01:02:45,250 --> 01:02:47,458 [laughing] And I said: "No, I'm fine, I'm fine, please! 1254 01:02:47,542 --> 01:02:50,500 Don't put me in jail! I promise I'm not gonna kill myself." 1255 01:02:50,542 --> 01:02:53,125 And they brought me anyway, [catching breath] just in case. 1256 01:02:53,208 --> 01:02:56,208 -[Tony] They brought you to jail? -[Pesto] Yeah. Three girls, policewomen. 1257 01:02:56,292 --> 01:02:59,125 Beautiful like hell! Blonde... 1258 01:02:59,833 --> 01:03:01,917 And, you know, what can I say, you know? If you, um... 1259 01:03:02,250 --> 01:03:04,542 It's true that I'm a little bit depressed, 1260 01:03:04,625 --> 01:03:07,500 -you know, but-- -Now I don't believe your story anymore. 1261 01:03:07,542 --> 01:03:09,750 -Could you tell me the truth? -I'm telling you the truth. 1262 01:03:10,208 --> 01:03:12,250 Three beautiful policewomen came by... 1263 01:03:12,333 --> 01:03:13,458 -when you were... -Yeah. 1264 01:03:13,542 --> 01:03:14,833 Yeah, yeah. 1265 01:03:14,917 --> 01:03:16,667 There was a guy in the car, in the van, 1266 01:03:16,750 --> 01:03:19,000 but the ones who opened my door and came in 1267 01:03:19,083 --> 01:03:21,417 were three... beautiful... 1268 01:03:21,542 --> 01:03:25,125 One was... not, but two of them, for sure. They were. 1269 01:03:25,750 --> 01:03:28,667 And I even joked, I said: "Listen, I mean, I mean, if... 1270 01:03:28,750 --> 01:03:30,625 If you take off your clothes and you..." 1271 01:03:30,750 --> 01:03:33,042 And they were very affectionate, they were not rude or saying: 1272 01:03:33,125 --> 01:03:34,917 "Oh, but you, anyway, you have to come." 1273 01:03:35,125 --> 01:03:38,250 And I... I said: "If you take off your clothes and... 1274 01:03:38,875 --> 01:03:41,667 and I can prepare you dinner, and we can talk, 1275 01:03:41,875 --> 01:03:43,333 and you stay here... 1276 01:03:43,917 --> 01:03:45,042 [laughs] I promise... 1277 01:03:45,833 --> 01:03:47,208 that I will feel much better." 1278 01:03:47,292 --> 01:03:49,333 A real great writer friend committed suicide. 1279 01:03:49,583 --> 01:03:51,375 -[Syd] Hunter? -Hunter Thompson. 1280 01:03:51,458 --> 01:03:53,167 -[soft electric guitar music] -[inhales deeply] 1281 01:03:53,250 --> 01:03:55,750 He took a gun and he put it... [grunts lightly] It was interesting 1282 01:03:55,833 --> 01:04:00,542 because, uh, when I was at the death scene there, I went afterwards, he, um... 1283 01:04:01,583 --> 01:04:04,917 Where he used to sit, he used to sit, uh, at a kitchen table... 1284 01:04:05,500 --> 01:04:07,875 and, in front of him, he had an American flag. 1285 01:04:08,667 --> 01:04:10,208 It was Woody Creek. 1286 01:04:10,375 --> 01:04:11,708 And behind him... 1287 01:04:12,542 --> 01:04:15,250 there was like a cabinet top to a stove 1288 01:04:15,333 --> 01:04:17,333 you know, one of those overhead duct heaters? 1289 01:04:18,375 --> 01:04:21,625 And where he... put the bullet in his mouth 1290 01:04:21,875 --> 01:04:23,417 and where it struck... 1291 01:04:24,292 --> 01:04:25,417 the cabinet top, 1292 01:04:25,667 --> 01:04:29,000 was right in this... right in the perfect spot. 1293 01:04:30,083 --> 01:04:33,083 And all I kept thinking to myself was... 1294 01:04:33,500 --> 01:04:34,708 when I saw that, was: 1295 01:04:35,167 --> 01:04:36,292 "That was intentional." 1296 01:04:40,792 --> 01:04:43,958 And, um... I heard a lot of the romance about it. 1297 01:04:44,458 --> 01:04:45,542 [sucking noise] 1298 01:04:46,458 --> 01:04:47,167 [smacks lips] 1299 01:04:47,250 --> 01:04:49,417 A lot of romance about that sort of thing 1300 01:04:49,500 --> 01:04:51,250 and people talking about how... 1301 01:04:51,667 --> 01:04:53,708 you know, someone went out on their own terms 1302 01:04:53,792 --> 01:04:56,333 and all those things, and, uh... 1303 01:04:56,500 --> 01:04:58,500 And actually, I would give them that right, you know? 1304 01:04:58,583 --> 01:05:00,208 And... wish them the best. 1305 01:05:00,625 --> 01:05:01,667 Say: "Fare thee well." 1306 01:05:01,875 --> 01:05:05,458 But... I do think it's, uh... 1307 01:05:07,167 --> 01:05:09,792 just madness and gibberish, you know? 1308 01:05:09,875 --> 01:05:12,208 A lot of the romantic talk about it. 1309 01:05:14,083 --> 01:05:16,708 I think, uh, his body was broken down 1310 01:05:16,792 --> 01:05:18,375 and he didn't wanna go out on a wheelchair. 1311 01:05:18,500 --> 01:05:21,333 This is just my interpretation as a... a friend. 1312 01:05:21,417 --> 01:05:23,417 I don't think he could write anymore. 1313 01:05:23,500 --> 01:05:26,500 And I think, if he couldn't do that, he didn't wanna, you know... 1314 01:05:26,583 --> 01:05:29,958 So, this is just my... No factual evidence 1315 01:05:30,167 --> 01:05:34,083 for what I'm saying, this is just actually an uninformed opinion from an old friend. 1316 01:05:35,583 --> 01:05:37,708 What is the "omelet surprise"? 1317 01:05:37,792 --> 01:05:39,625 What is the surprise in the omelet? 1318 01:05:39,708 --> 01:05:42,500 [in Spanish] What is the surprise in the omelet surprise? 1319 01:05:43,125 --> 01:05:45,667 [waiter, in Spanish] It's a... sponge cake filled with ice cream. 1320 01:05:45,750 --> 01:05:48,458 -[Tony, in English] It is a what? -[waiter] Covered with Italian meringue. 1321 01:05:48,500 --> 01:05:50,167 [in Spanish] That's an "omelet surprise"? 1322 01:05:50,417 --> 01:05:52,292 My father would wake me up on Sunday mornings 1323 01:05:52,375 --> 01:05:53,500 to listen to the gospel music. 1324 01:05:53,542 --> 01:05:56,708 Local gospel music, [stutters] from Philadelphia. 1325 01:05:56,833 --> 01:05:58,500 -Mmm-hmm. -[Rudy] From the black churches. 1326 01:05:58,833 --> 01:06:02,208 And we had nothing like that in our church. I was raised Catholic, 1327 01:06:02,292 --> 01:06:03,500 in a Catholic school. 1328 01:06:03,583 --> 01:06:06,500 And so, on Sunday mornings we'd listen to this gospel music. 1329 01:06:06,542 --> 01:06:08,500 Yeah, the Catholic churches have no genitalia. 1330 01:06:08,500 --> 01:06:10,250 -Yeah, there were no balls. -[Pesto laughs] 1331 01:06:10,333 --> 01:06:12,625 -It was just, you know-- -[Tony] No vagina, no... 1332 01:06:12,750 --> 01:06:16,583 -It's like the Oscar, just a eunuch. -Yeah. And so, one day... 1333 01:06:17,208 --> 01:06:21,250 someone comes to the door and all the kids were craning their necks to see who it is. 1334 01:06:21,375 --> 01:06:24,250 Everybody is just looking at me, saying: [whispering] "Your dad!" 1335 01:06:24,333 --> 01:06:25,500 -And I'm thinking-- -[Pesto] What? 1336 01:06:25,583 --> 01:06:27,583 -[whispering] "It's your... father!" -[Pesto] Yeah. 1337 01:06:27,708 --> 01:06:33,125 "What?" And the nun said: "Rudy, get your books and get your coat." 1338 01:06:33,250 --> 01:06:35,583 I get my stuff, I walk up to the front 1339 01:06:35,792 --> 01:06:39,292 and my father says: "You have a dentist appointment at one o'clock." 1340 01:06:39,417 --> 01:06:42,208 And I know my father does not handle dentist appointments. 1341 01:06:42,292 --> 01:06:44,250 -So, we walk out-- -Not his department. 1342 01:06:44,333 --> 01:06:46,958 It's not his department. My mother handled that... and everything else. 1343 01:06:47,375 --> 01:06:50,167 We walk out of the school in silence, we get in the car. 1344 01:06:50,250 --> 01:06:52,625 [imitates bang] Doors closed. My father says: 1345 01:06:53,333 --> 01:06:55,625 "Don't tell your friends, don't tell your mother. 1346 01:06:56,458 --> 01:06:59,917 There's a movie on at one o'clock called The Treasure of the Sierra Madre , 1347 01:07:00,083 --> 01:07:02,083 -you have to see this movie." -On TV, at home? 1348 01:07:02,167 --> 01:07:04,375 Yeah. He took me out of school to watch this movie. 1349 01:07:04,458 --> 01:07:06,458 It was great. It was really cool. 1350 01:07:06,500 --> 01:07:07,833 That's a great movie, huh? 1351 01:07:07,917 --> 01:07:11,458 Until this day, my father quotes lines from Fred C. Dobbs. 1352 01:07:12,125 --> 01:07:15,042 -The character? Humphrey Bogart. -[Rudy] Humphrey Bogart's character. 1353 01:07:15,250 --> 01:07:17,167 I remember Walter Huston, dancing. [snaps fingers] 1354 01:07:17,500 --> 01:07:20,250 "You don't even recognize the gold under your own two feet." 1355 01:07:20,333 --> 01:07:21,667 [indistinct chatter] 1356 01:07:21,750 --> 01:07:23,333 And Bogart is always telling them, [chuckles] 1357 01:07:23,417 --> 01:07:25,417 he always calls the gold his "goods." 1358 01:07:25,500 --> 01:07:27,208 -[Rudy] His goods! -"I gotta protect my goods." 1359 01:07:27,292 --> 01:07:28,667 [Rudy] "What are you gonna do with them?" 1360 01:07:28,750 --> 01:07:30,833 "I'm gonna go to the finest restaurant in town, 1361 01:07:30,917 --> 01:07:32,792 I'm gonna order everything on the bill of fare 1362 01:07:33,042 --> 01:07:35,375 and [mumbles] when they bring it, even if it's perfect, 1363 01:07:35,458 --> 01:07:37,583 I'm gonna bawl the waiter out and send it all back." 1364 01:07:37,667 --> 01:07:38,708 [all laugh] 1365 01:07:39,125 --> 01:07:42,292 ♪ In the blazing sun As children ♪ 1366 01:07:42,833 --> 01:07:46,500 ♪ Running down the hallway Dreaming ♪ 1367 01:07:46,625 --> 01:07:49,833 ♪ Brother, can you spare a dime? ♪ 1368 01:07:50,250 --> 01:07:52,708 ♪ Out there on the ♪ 1369 01:07:53,458 --> 01:07:56,167 ♪ Other side ♪ 1370 01:07:58,500 --> 01:08:01,292 ♪ Out there on the ♪ 1371 01:08:01,750 --> 01:08:04,208 ♪ Other side ♪ 1372 01:08:04,375 --> 01:08:05,625 [strumming hard] 1373 01:08:08,500 --> 01:08:10,125 [all laugh] 1374 01:08:12,792 --> 01:08:13,792 Did you like that? 1375 01:08:13,917 --> 01:08:14,667 [girl] Yeah. 1376 01:08:15,667 --> 01:08:16,833 [Rudy] We'll teach you to play. 1377 01:08:16,958 --> 01:08:20,667 IN CASE OF EMERGENCY, FILM THE SCRIPT 1378 01:08:21,667 --> 01:08:23,750 [Tony] And, uh, and then we're talking about you 1379 01:08:23,833 --> 01:08:26,208 making an abstract feeling into film. 1380 01:08:26,417 --> 01:08:29,583 And then you challenge us to define ourselves and find our way into it, right? 1381 01:08:29,667 --> 01:08:32,167 Yeah, like, I think Rudy should be... more famous. 1382 01:08:32,250 --> 01:08:32,917 Why? 1383 01:08:33,333 --> 01:08:34,458 Not hugely famous, 1384 01:08:34,500 --> 01:08:36,125 -not famous like that famous. -I have some-- 1385 01:08:36,208 --> 01:08:38,375 -[Rudy] We're talking about one person-- -I have some mails-- 1386 01:08:38,458 --> 01:08:40,833 No, but we're talking about one time, getting recognized, 1387 01:08:40,917 --> 01:08:43,167 so it sets him up as someone who had records out. 1388 01:08:43,500 --> 01:08:46,375 -[fan] It's your album! -[Rudy] Somebody might remember him. 1389 01:08:46,458 --> 01:08:48,375 -[fan] You have fans. -[Rudy] All right! 1390 01:08:48,458 --> 01:08:49,500 Somebody who's there and says: 1391 01:08:49,542 --> 01:08:51,208 "Rudy Maravilla, I had your record in... 1392 01:08:51,292 --> 01:08:53,042 - in 1989." -[rock music] 1393 01:08:53,125 --> 01:08:54,417 -[fan 1] Hello. -[Rudy] Rudy. 1394 01:08:54,500 --> 01:08:55,667 [fan 2] Tomás, my name is Tomás. 1395 01:08:56,083 --> 01:08:58,083 -[Rudy] Cool! That's the original. -[fan 1] Yeah. 1396 01:08:58,167 --> 01:08:59,083 -[Rudy] That's awesome. 1397 01:08:59,167 --> 01:09:00,833 And I'm Alejandro. 1398 01:09:01,458 --> 01:09:03,250 [Rudy] All right. Alejandro, Tomás. 1399 01:09:03,375 --> 01:09:05,042 All right. Take good care, guys. 1400 01:09:05,458 --> 01:09:07,042 -[fan 1] Bye. -Bye, yeah. 1401 01:09:09,917 --> 01:09:12,542 Hey, guys! [horn honking] 1402 01:09:12,625 --> 01:09:15,167 [rock music continues] ♪ The first jazz went blooming ♪ 1403 01:09:15,875 --> 01:09:18,250 ♪ In the month of May ♪ 1404 01:09:18,750 --> 01:09:19,583 Thanks. 1405 01:09:19,667 --> 01:09:21,583 ♪ Like a good luck charm ♪ 1406 01:09:22,833 --> 01:09:25,083 ♪ Or a real good sign ♪ 1407 01:09:25,167 --> 01:09:28,333 What do you think about the movie? So far, what we shot. 1408 01:09:28,500 --> 01:09:31,375 I think it is at its most ambitious, right? 1409 01:09:31,458 --> 01:09:32,833 But we may be... 1410 01:09:33,500 --> 01:09:35,375 below masturbation. 1411 01:09:35,667 --> 01:09:38,375 At least we are honest and we show that we are masturbating. 1412 01:09:38,458 --> 01:09:39,833 That's what I'm saying... maybe. 1413 01:09:40,250 --> 01:09:43,375 [jazz music] 1414 01:09:44,333 --> 01:09:47,083 ♪ Like a good luck charm ♪ 1415 01:09:47,167 --> 01:09:49,458 ♪ Like a good luck charm ♪ 1416 01:09:49,500 --> 01:09:52,167 ♪ Or a real good sign ♪ 1417 01:09:52,292 --> 01:09:54,292 ♪ Or a real good sign ♪ 1418 01:09:54,375 --> 01:09:57,042 ♪ The first cop to arrive ♪ 1419 01:09:57,125 --> 01:09:59,125 ♪ The first cop to arrive ♪ 1420 01:09:59,208 --> 01:10:01,542 ♪ At the scene of the crime ♪ 1421 01:10:01,667 --> 01:10:04,167 ♪ At the scene of the crime ♪ 1422 01:10:04,250 --> 01:10:06,667 ♪ I will be yours ♪ 1423 01:10:08,708 --> 01:10:10,500 ♪ Will you be... ♪ 1424 01:10:10,542 --> 01:10:11,750 -[music ends] -[softly] Excuse me. 1425 01:10:13,500 --> 01:10:16,000 You're such a thinker. I'm just, I'm sorry to interrupt. 1426 01:10:16,083 --> 01:10:19,208 I'm just looking at you and you're just... You're not here. 1427 01:10:19,292 --> 01:10:22,250 You're somewhere, but it is not here. You're just so intense. 1428 01:10:22,333 --> 01:10:24,583 [Tony] A man comes to the unicorn room... 1429 01:10:25,208 --> 01:10:28,958 for a tranquility that is being shattered by... 1430 01:10:29,500 --> 01:10:31,042 the madness of your song. 1431 01:10:31,167 --> 01:10:31,875 [gasps] 1432 01:10:32,000 --> 01:10:34,125 I see, so it's about rage. 1433 01:10:34,292 --> 01:10:37,875 That's cool. That's totally cool because you've picked the right place. 1434 01:10:38,208 --> 01:10:41,875 Interesting, though, that you should end up... trapped inside this room. 1435 01:10:42,250 --> 01:10:45,125 Inside of a wedding cake lodged in the ass of... 1436 01:10:45,375 --> 01:10:47,167 the devil diablo himself. 1437 01:10:47,250 --> 01:10:48,167 I don't know. 1438 01:10:48,583 --> 01:10:54,250 But I see the white unicorns of war lined up across from each other. 1439 01:10:54,417 --> 01:10:58,417 Their red eyes are blazing, their unicorn horns are glazing. 1440 01:10:58,500 --> 01:11:02,875 They're ready to go to war for your soul. "What soul?", you say. 1441 01:11:03,333 --> 01:11:04,625 [Rudy] "Do I have a soul?" 1442 01:11:05,333 --> 01:11:06,792 "Have I ever had a soul?" 1443 01:11:07,458 --> 01:11:08,625 I don't know the answer to that, 1444 01:11:08,708 --> 01:11:10,542 but I know you're not gonna find it in that iPad, 1445 01:11:10,625 --> 01:11:12,750 and I know you're not gonna find it in your special water, 1446 01:11:12,833 --> 01:11:15,250 and your special drinks, your special cappuccino, 1447 01:11:15,333 --> 01:11:18,000 your special poop juice and your living herbs and spices 1448 01:11:18,083 --> 01:11:19,708 that I see "sflittered" all around the table, 1449 01:11:19,792 --> 01:11:22,875 bags, empty bags, all over the place. I know it's not gonna be there. 1450 01:11:23,000 --> 01:11:26,250 I know is not on that massive painting of the cast of Dreamgirls 1451 01:11:26,333 --> 01:11:29,083 as they kidnap a bemused and somewhat... 1452 01:11:29,500 --> 01:11:32,292 frightened Michael Bolton and take him to the land 1453 01:11:32,375 --> 01:11:34,917 where they interrogate people like him, David Lee Roth and other people, 1454 01:11:35,042 --> 01:11:37,208 about crimes, Boltness crimes, that they've committed. 1455 01:11:37,333 --> 01:11:39,750 -The Michael Bolton crimes? -The Michael Bolton crimes. 1456 01:11:39,833 --> 01:11:43,500 The interrogation is on, my friend, and the unicorns are lined up, 1457 01:11:43,583 --> 01:11:47,250 head to head, ready to go in the battle, battle for your soul. 1458 01:11:47,375 --> 01:11:50,083 I think that there's a race of humans and, side by side that race, 1459 01:11:50,167 --> 01:11:51,750 there is another race of inhumans. 1460 01:11:51,833 --> 01:11:53,583 The race of the "hinumans." 1461 01:11:53,667 --> 01:11:56,333 I don't care, all I know is they're gonna be wearing shorts, 1462 01:11:56,417 --> 01:11:57,208 short shorts. 1463 01:11:57,333 --> 01:11:59,583 I'm talking about like 1972 1464 01:11:59,667 --> 01:12:01,333 fucking short shorts, you know? 1465 01:12:01,417 --> 01:12:03,167 Before they started putting Nike on everything, 1466 01:12:03,250 --> 01:12:06,125 because that's when it all went south somewhere. 1467 01:12:06,208 --> 01:12:08,500 I am talking about unicorns. 1468 01:12:08,542 --> 01:12:11,208 Eyes are blazing, lined up, in a fight. 1469 01:12:11,375 --> 01:12:15,083 ♪ You gotta smell it like a man ♪ 1470 01:12:15,167 --> 01:12:18,125 -Pardon me? ♪ -You gotta smell it like a man ♪ 1471 01:12:18,208 --> 01:12:21,750 -I'm sorry? ♪ -And when you smell it like a man ♪ 1472 01:12:21,833 --> 01:12:25,417 -Yep? ♪ -You're gonna smell it like a man ♪ 1473 01:12:25,500 --> 01:12:29,750 -I didn't understand that first-- ♪ -My daughter smelled it like a man ♪ 1474 01:12:29,833 --> 01:12:32,625 ♪ My mamma smelled it like a man ♪ 1475 01:12:32,708 --> 01:12:36,833 -I think you're suggesting- ♪ -And when they smell it like a man ♪ 1476 01:12:36,917 --> 01:12:39,500 ♪ You gotta smell it like a man ♪ 1477 01:12:39,542 --> 01:12:40,708 The lyrics of this song-- 1478 01:12:40,792 --> 01:12:44,542 ♪ You gotta smell it like a man ♪ [voice cracking] 1479 01:12:46,458 --> 01:12:49,250 [Tony] How often does a piece of art, when it comes out, 1480 01:12:49,417 --> 01:12:53,292 gets appreciated for its real merit at the time that it comes out? 1481 01:12:53,375 --> 01:12:55,500 How many paintings or songs or albums? 1482 01:12:55,583 --> 01:12:57,208 -You're right with that. -So, society says: 1483 01:12:57,292 --> 01:12:59,083 "Everything right now, let me know right now, 1484 01:12:59,167 --> 01:13:01,167 whether your success or failure." It's like binary. 1485 01:13:01,250 --> 01:13:02,583 -Yeah-- -Yes or no, yes or no. 1486 01:13:02,667 --> 01:13:04,417 -[Pesto] True. -God or Devil, God or Devil. 1487 01:13:04,500 --> 01:13:06,583 Why do you have to think that way? It's so crazy. 1488 01:13:06,667 --> 01:13:08,792 [Pesto] What you say it's true, because Picasso also said: 1489 01:13:08,875 --> 01:13:11,375 "When there's a real new statement in art, 1490 01:13:11,458 --> 01:13:14,083 when something is really new in art, 1491 01:13:14,208 --> 01:13:16,375 always, at first... 1492 01:13:16,792 --> 01:13:18,333 seems to be a mistake." 1493 01:13:18,750 --> 01:13:20,042 [soft guitar music] 1494 01:13:20,125 --> 01:13:21,250 [stick beating on the ground] 1495 01:13:21,333 --> 01:13:22,500 [Tony] You won. 1496 01:13:23,208 --> 01:13:24,542 You got the money. 1497 01:13:27,083 --> 01:13:30,500 Well, what if you... What if you say "no"? 1498 01:13:31,917 --> 01:13:33,375 What if you say... 1499 01:13:34,625 --> 01:13:36,375 "Nah, I'm just gonna go do plays." 1500 01:13:37,292 --> 01:13:39,625 But who wants to do fucking plays? Really. 1501 01:13:41,792 --> 01:13:43,833 Truth of the matter is, I like the circus. 1502 01:13:44,250 --> 01:13:46,167 Truth of the matter is, I like the attention. 1503 01:13:46,458 --> 01:13:48,500 Truth of the matter is, I like the pussy. 1504 01:13:48,542 --> 01:13:50,542 Truth of the matter is, I'm lonely as fuck. 1505 01:13:50,708 --> 01:13:52,750 Truth of the matter is, I wanna change my life. 1506 01:13:52,917 --> 01:13:54,750 Truth of the matter is, I don't know how. 1507 01:13:55,000 --> 01:13:56,125 Truth of the matter is, 1508 01:13:56,208 --> 01:13:58,042 I wanna live in the United States of America. 1509 01:13:58,167 --> 01:13:59,125 Truth of the matter is, 1510 01:13:59,208 --> 01:14:01,917 I think the United States of America bores the shit out of me. 1511 01:14:02,125 --> 01:14:05,333 Truth of the matter is... I don't know what to fucking do. 1512 01:14:05,917 --> 01:14:08,750 [soft guitar music continues] 1513 01:14:15,792 --> 01:14:17,708 [Nick] You don't know what you're looking at and say: 1514 01:14:17,792 --> 01:14:19,375 "Well, I don't understand it." 1515 01:14:19,500 --> 01:14:21,917 -[Tony] To get led by impressions? -[Nick] But your impressions, 1516 01:14:22,042 --> 01:14:23,625 because you make it personal. 1517 01:14:24,125 --> 01:14:25,667 [Nick] The more personal it is... 1518 01:14:25,958 --> 01:14:27,667 the more that's apt to... 1519 01:14:27,792 --> 01:14:30,292 happen, because it becomes contagious. 1520 01:14:30,375 --> 01:14:31,917 It transmits itself 1521 01:14:32,042 --> 01:14:33,917 because it's so felt... 1522 01:14:34,458 --> 01:14:37,667 It's like anything, it's like... this, in a way. 1523 01:14:37,750 --> 01:14:40,208 When we're doing this, we're feeling it. 1524 01:14:40,792 --> 01:14:43,583 We're feeling each other's... without a story 1525 01:14:43,875 --> 01:14:45,375 [stutters] We have a reality! 1526 01:14:45,458 --> 01:14:47,500 -[Nick] That's a reality. -[Tony] Mmm-hmm. 1527 01:14:48,417 --> 01:14:50,375 KULIAKY'S LAW 1528 01:14:50,458 --> 01:14:52,167 [Syd] One of the things I'm fascinated about 1529 01:14:52,250 --> 01:14:54,500 is the difference in America, the great thing about America, 1530 01:14:54,500 --> 01:14:57,500 the predominant thing about America, ultimately, is the rule of law. 1531 01:14:57,583 --> 01:14:58,917 The rule of law dominates. 1532 01:14:59,042 --> 01:15:01,375 And when we really get to the bottom, we have the rule of law. 1533 01:15:01,458 --> 01:15:02,917 -You know? -We hope. 1534 01:15:03,167 --> 01:15:04,917 -But I think we do, Tony. -At its best. 1535 01:15:05,042 --> 01:15:09,625 I do think we do and here, for example, there's no rule of law. 1536 01:15:09,875 --> 01:15:10,792 Even today. 1537 01:15:10,875 --> 01:15:12,542 The best thing I've ever heard about it was-- 1538 01:15:12,625 --> 01:15:14,500 -You know Mario Cuomo? -Yeah. 1539 01:15:14,542 --> 01:15:17,083 Somebody asked him, on a campaign trail, they go: 1540 01:15:17,333 --> 01:15:20,333 "What would you do if someone raped your wife... 1541 01:15:20,792 --> 01:15:22,125 and killed your kid? 1542 01:15:22,500 --> 01:15:25,375 Would you still be against the death penalty?" 1543 01:15:25,500 --> 01:15:27,417 And he looked at the reporter and he said: 1544 01:15:27,500 --> 01:15:30,417 "If somebody touched my wife, I'd take a baseball bat 1545 01:15:30,500 --> 01:15:32,292 -and I would bash his brains out." -[all chuckle] 1546 01:15:32,375 --> 01:15:34,083 And he goes: "But let me tell you something: 1547 01:15:34,500 --> 01:15:37,875 the law is better than me. The law is supposed to be better than me." 1548 01:15:38,167 --> 01:15:40,833 -And I thought that was the most-- -[Syd] That's my point, too. 1549 01:15:40,917 --> 01:15:42,500 -[Tony] The most precise judgment. -That's my point, too. 1550 01:15:42,583 --> 01:15:44,875 You know what they should do if they find Osama bin Laden? 1551 01:15:44,958 --> 01:15:48,292 My kids asked me: "What should we do if we find Osama bin Laden?" 1552 01:15:48,375 --> 01:15:51,500 And I said: "What should we do? We should put him on trial every day." 1553 01:15:52,667 --> 01:15:53,542 [Obama] Good evening. 1554 01:15:54,500 --> 01:15:57,333 Tonight, I can report to the American people 1555 01:15:57,500 --> 01:15:58,500 and to the world... 1556 01:15:59,042 --> 01:16:02,042 that the United States has conducted an operation that killed 1557 01:16:02,125 --> 01:16:04,875 Osama bin Laden, the leader of Al-Qaeda... 1558 01:16:05,500 --> 01:16:09,000 and a terrorist who's responsible for the murder of thousands, 1559 01:16:09,125 --> 01:16:12,042 of innocent men, women and children. 1560 01:16:12,125 --> 01:16:13,125 [Tony] In this corner... 1561 01:16:13,208 --> 01:16:15,625 -Weighed in at 160 pounds, it's Obama! -[guitar music] 1562 01:16:15,708 --> 01:16:18,458 [both imitate boxing commentators] Weighed in at 140 pounds, soaking wet... 1563 01:16:18,500 --> 01:16:20,833 -It's... -The man from Nazareth, 1564 01:16:20,917 --> 01:16:24,625 Jesus Christ! 1565 01:16:24,708 --> 01:16:27,833 [Rudy] And in this corner, at 90 pounds... 1566 01:16:27,917 --> 01:16:30,250 -[Tony] The man with no face. -[Rudy] The man with no name. 1567 01:16:30,333 --> 01:16:35,375 [Tony] It's Muhammad! 1568 01:16:35,458 --> 01:16:38,583 [Rudy imitates crowd cheering] He's a crowd favorite. 1569 01:16:38,667 --> 01:16:40,792 [Tony] In this corner, he parted the Red Sea, 1570 01:16:40,875 --> 01:16:43,042 he gave you the fluid and never the FLUCOME, 1571 01:16:43,250 --> 01:16:46,167 he gave you justice and law, it's... 1572 01:16:46,250 --> 01:16:50,292 [Tony and Rudy] Mo-mo-mo... Moses! 1573 01:16:50,958 --> 01:16:52,500 [music ends abruptly] 1574 01:16:53,583 --> 01:16:56,667 TWO WEEKS LATER 1575 01:16:58,625 --> 01:17:05,542 [absolute silence] 1576 01:17:11,875 --> 01:17:13,458 [footsteps] 1577 01:17:19,875 --> 01:17:21,625 [footsteps] 1578 01:17:35,833 --> 01:17:37,917 [grunts] Fuck it. 1579 01:17:39,875 --> 01:17:41,250 [sighs] 1580 01:17:43,167 --> 01:17:45,917 [ocean waves] 1581 01:17:50,583 --> 01:17:53,208 [water running] 1582 01:17:53,458 --> 01:17:54,208 [mumbles] 1583 01:17:55,292 --> 01:17:57,583 [yelling] Ramona! 1584 01:17:59,667 --> 01:18:04,708 [mumbles] 1585 01:18:05,208 --> 01:18:06,708 [mutters] Filthy, fucking... 1586 01:18:06,792 --> 01:18:08,625 [dishes clattering] 1587 01:18:13,000 --> 01:18:14,625 [yelling] Ramona! 1588 01:18:17,792 --> 01:18:19,792 Ramona, are you up? 1589 01:18:24,083 --> 01:18:24,875 I can't-- 1590 01:18:25,083 --> 01:18:27,667 [yelling] I can't find the butter. 1591 01:18:29,375 --> 01:18:35,000 [phone rings] 1592 01:18:36,917 --> 01:18:37,958 [phone continues ringing] 1593 01:18:38,083 --> 01:18:39,208 -Yeah? -Hey! 1594 01:18:39,292 --> 01:18:42,292 -Hey! What are you doing, Tony? -[Tony] Hey, buddy. 1595 01:18:42,417 --> 01:18:45,417 -[Nick] How are you, babe? -[Tony] I'm good, you know, good. You? 1596 01:18:45,500 --> 01:18:48,625 Well, you know, it's seven in the morning here, uh... Tony. 1597 01:18:48,708 --> 01:18:51,042 -I'm in L.A., right? -[Tony] Yeah, yeah. 1598 01:18:51,125 --> 01:18:53,792 [Nick, mumbling] Can I put you on speakerphone for a minute? 1599 01:18:53,875 --> 01:18:55,958 -All right, buddy. -[Nick] Well, you know-- [slams phone] 1600 01:18:56,083 --> 01:18:57,417 -[Nick] Are you there? -[Tony] Yeah. 1601 01:18:57,500 --> 01:18:59,792 Okay. How are you doing, how's the movie? 1602 01:18:59,875 --> 01:19:02,500 [Tony] It's interesting, I don't know if it's gonna amount to anything, 1603 01:19:02,542 --> 01:19:05,708 -but, uh... but, uh... -What do you mean, "amount to anything"? 1604 01:19:05,792 --> 01:19:08,917 [Tony] Well, I don't know if it's a movie. We never know what we're filming... 1605 01:19:09,083 --> 01:19:09,750 [Nick] Yeah. 1606 01:19:09,917 --> 01:19:11,917 [Tony] And Pesto's gone actually, he left. 1607 01:19:12,333 --> 01:19:15,375 He just left you? What? [stutters] Did he have any reasons for it? 1608 01:19:15,458 --> 01:19:17,583 [Tony] Oh, he said he wanted to go fishing, uh... 1609 01:19:17,708 --> 01:19:19,542 But you're getting stuff on film, aren't you? 1610 01:19:19,625 --> 01:19:21,167 -[Tony] A lot of stuff! -Good. 1611 01:19:21,250 --> 01:19:23,875 -[Tony] I don't know what... [stutters] They're not really a story. 1612 01:19:24,083 --> 01:19:25,875 Well, don't worry about that, you know, that's... 1613 01:19:25,958 --> 01:19:28,917 All that stuff is supposed to cohere eventually, no? 1614 01:19:29,042 --> 01:19:30,417 [Tony] Yep, now we're doing that. 1615 01:19:30,500 --> 01:19:32,625 -[Nick] How long has he been gone? -[Tony] Two weeks. 1616 01:19:32,708 --> 01:19:35,167 -[Nick] Wow! -[Tony] He went to this place, Mar de Ajó. 1617 01:19:35,250 --> 01:19:37,500 Some half-heaven, half-hell shithole 1618 01:19:37,583 --> 01:19:39,250 where he likes to go painting or something. 1619 01:19:39,333 --> 01:19:42,750 Well, you know, he's got a... Jackson Pollock complex. 1620 01:19:43,042 --> 01:19:45,208 [Tony] You mean he wants to smash through a windshield? 1621 01:19:45,292 --> 01:19:48,333 Well, no, [chuckles] he just wants to, you know... 1622 01:19:48,500 --> 01:19:51,875 If he sees something that makes sense to him, you know, he wants to destroy it. 1623 01:19:52,125 --> 01:19:52,833 [Tony] Yeah, yeah. 1624 01:19:52,917 --> 01:19:55,708 [Nick] What are you doing for two weeks? Can you do anything without him? 1625 01:19:55,792 --> 01:19:57,708 [Tony] He left everybody here, there's a crew here, 1626 01:19:57,792 --> 01:19:59,292 but, you know, they're drunk and... 1627 01:19:59,375 --> 01:20:02,250 We never know when he's shooting or when he's not shooting, you know... 1628 01:20:02,375 --> 01:20:04,583 Sometimes he pretends like he doesn't even know what a camera is. 1629 01:20:04,667 --> 01:20:06,583 So... [stammers] where are you going with this thing? 1630 01:20:06,667 --> 01:20:08,500 Have you decided what it is? I mean... 1631 01:20:08,500 --> 01:20:11,292 What, is it a comedy? Is it, you know... [mutters] 1632 01:20:11,417 --> 01:20:14,667 [Tony] It's a scene where we are trying to make, sort of like a, a... 1633 01:20:14,750 --> 01:20:16,917 a painting, like a... with film, 1634 01:20:17,083 --> 01:20:18,750 where you just start painting with film. 1635 01:20:18,833 --> 01:20:20,167 [Nick] Like a collage or something. 1636 01:20:20,250 --> 01:20:22,917 [Tony] Nah, like an abstract or like an erroneous bash. 1637 01:20:23,042 --> 01:20:28,458 [yelling] Ramona! If you hear me, just make a sound! 1638 01:20:29,625 --> 01:20:31,667 Something, anything! 1639 01:20:32,458 --> 01:20:35,583 I don't wanna climb up the fucking stairs 1640 01:20:35,667 --> 01:20:38,208 to find out that you're not there! 1641 01:20:40,542 --> 01:20:44,375 I've got a maid who sleeps, uh, like there's no tomorrow. 1642 01:20:44,458 --> 01:20:46,292 You found a wife yet there, Tony? 1643 01:20:46,625 --> 01:20:48,500 You get someone like Ramona-- 1644 01:20:48,542 --> 01:20:51,708 Hey, get out! Get out, get out! Go, close the door! 1645 01:20:51,875 --> 01:20:53,042 Close the fucking door! 1646 01:20:53,125 --> 01:20:55,042 [Tony] Fuck off! Close the door! 1647 01:20:55,667 --> 01:20:56,625 Come on! 1648 01:20:59,958 --> 01:21:03,250 I might leave, just, you know, kinda come back and just to be... 1649 01:21:03,333 --> 01:21:05,375 -If you hear from-- -Listen, Tony. 1650 01:21:05,750 --> 01:21:07,542 [stammers] I've got, I've got, I've got a... 1651 01:21:07,625 --> 01:21:12,250 I've got a philosophical question for you right now, okay? Which is... 1652 01:21:13,500 --> 01:21:15,125 Do you trust me? 1653 01:21:16,417 --> 01:21:18,500 -[Tony] Yes! -I know you do. 1654 01:21:18,792 --> 01:21:19,667 Don't leave. 1655 01:21:19,792 --> 01:21:22,708 [hard rock music] 1656 01:21:32,500 --> 01:21:34,208 LIFE IS NOT PERFECT 1657 01:21:40,458 --> 01:21:42,458 [in Spanish] Are you going to shoot here, at the coast? 1658 01:21:42,500 --> 01:21:44,750 -Um, Mar de Ajó. -[man] Oh, Mar de Ajó! 1659 01:21:44,875 --> 01:21:47,208 [indistinct chatter] 1660 01:21:48,625 --> 01:21:51,583 [hard rock music continues] 1661 01:22:13,458 --> 01:22:20,333 [inaudible dialogue] 1662 01:22:30,250 --> 01:22:34,500 ♪ ...the road, little doggy Little doggy, little doggy ♪ 1663 01:22:34,583 --> 01:22:35,375 [Rudy chuckles] 1664 01:22:35,458 --> 01:22:38,750 ♪ Little doggy, little doggy ♪ 1665 01:22:38,917 --> 01:22:43,417 ♪ Take the road, little doggy Little doggy, little doggy ♪ 1666 01:22:43,500 --> 01:22:47,708 ♪ Take the road, little doggy [in a deep voice] In Mar de Ajó ♪ 1667 01:22:47,833 --> 01:22:52,167 ♪ Don't you be spooked By the wild dogs ♪ 1668 01:22:52,250 --> 01:22:56,292 ♪ They've all have their legs Mangled 17 times ♪ 1669 01:22:56,417 --> 01:23:01,042 -[Tony and Rudy laugh] -[Rudy] ♪ ...every hour on the hour ♪ 1670 01:23:01,125 --> 01:23:02,750 ♪ But they're wearing a smile ♪ 1671 01:23:02,833 --> 01:23:05,250 - ♪ And they're in Mar de Ajó ♪ -[Tony chuckles] 1672 01:23:05,333 --> 01:23:06,500 [Syd] Is it "chocolate bathroom"? 1673 01:23:06,583 --> 01:23:08,875 -Chocolate shell? -[attendant] "Chocolate bathroom." 1674 01:23:09,000 --> 01:23:10,917 -So it's a bathroom, a chocolate bathroom? -[ice cream man] Yes. 1675 01:23:11,042 --> 01:23:13,500 -What the fuck are you talking about? -It's a chocolate bathroom! 1676 01:23:13,542 --> 01:23:14,417 Order it, then. 1677 01:23:14,500 --> 01:23:18,042 -Order the chocolate bathroom. -[mutters] I got it, I got it, I got it... 1678 01:23:26,917 --> 01:23:28,750 [Syd, in Spanish] Lemon, pineapple, grapefruit... 1679 01:23:28,833 --> 01:23:31,167 -[Rudy] What did you get? Looks good. -[in Spanish] Thanks. 1680 01:23:31,250 --> 01:23:35,458 -[Syd, in Spanish] ...peach, plum, melon. -Uh... dulce de leche. 1681 01:23:35,500 --> 01:23:37,250 - Dulce de leche. -And... chocolate bathroom. 1682 01:23:37,333 --> 01:23:38,417 [Rudy] How do you say "half"? 1683 01:23:38,500 --> 01:23:40,333 [Pesto] ...and within the words, you define things, 1684 01:23:40,417 --> 01:23:44,125 but also words close doors instead of opening doors. 1685 01:23:44,208 --> 01:23:45,083 You know what I mean? 1686 01:23:45,167 --> 01:23:47,083 People say: "Okay, this is postmodernist." 1687 01:23:47,167 --> 01:23:49,000 -Or: "This is killing--" -[Tony] Who is the guy who said 1688 01:23:49,083 --> 01:23:51,250 "language is to experience 1689 01:23:51,333 --> 01:23:54,083 as, like, little tiny Matchbox cars are 1690 01:23:54,167 --> 01:23:55,750 to an actual car crash"? 1691 01:23:56,375 --> 01:23:58,208 [silverware clinking] 1692 01:23:58,292 --> 01:24:00,500 [clicks tongue] And this is another subject about Argentina 1693 01:24:00,500 --> 01:24:03,042 that I don't understand, you know, I always say that you have to... 1694 01:24:03,500 --> 01:24:06,167 Instead of making just victims, the people who died, 1695 01:24:06,250 --> 01:24:08,458 you have to talk about the ideology they had. 1696 01:24:09,125 --> 01:24:11,042 [Pesto] Innocents were killed everywhere. 1697 01:24:11,125 --> 01:24:13,500 -[Tony] Not civilians, innocents. -[Pesto] Not civilians, yeah. 1698 01:24:13,542 --> 01:24:14,750 I hate the word "civilians." 1699 01:24:14,833 --> 01:24:18,167 Then, the press keeps calling innocents... 1700 01:24:18,750 --> 01:24:20,458 -"civilians," you know? -[Rudy] Right. 1701 01:24:20,500 --> 01:24:21,875 [Pesto] A little baby, 1702 01:24:22,167 --> 01:24:26,208 just born, is killed with... [stutters] with his mother... 1703 01:24:26,375 --> 01:24:28,417 -[Syd] "Civilians." -...and they are two civilians less. 1704 01:24:28,500 --> 01:24:29,500 Fucking shit! 1705 01:24:29,500 --> 01:24:31,500 It's easier for people to take with their dinner 1706 01:24:31,542 --> 01:24:32,875 -as they watch the evening news. -[Pesto] Absolutely! 1707 01:24:33,000 --> 01:24:34,708 And it's completely different to say: 1708 01:24:34,792 --> 01:24:37,208 "Today we killed a thousand innocents... 1709 01:24:37,417 --> 01:24:38,708 -[Rudy] Yeah. -[Pesto] ...in Iraq." 1710 01:24:39,083 --> 01:24:41,167 [acoustic guitar music and choir singing] 1711 01:24:46,375 --> 01:24:48,250 Last time, we were fishing with Antonio 1712 01:24:48,333 --> 01:24:51,500 and then, we were sitting in the beach, after fishing, 1713 01:24:51,500 --> 01:24:53,833 you know, and we started looking at the stars. 1714 01:24:53,917 --> 01:24:55,750 And then, he started to ask me: 1715 01:24:55,833 --> 01:24:58,208 "Hey, daddy, how many planets are in this star? 1716 01:24:58,292 --> 01:25:00,750 In this other star? And this? And that?" There were millions of stars 1717 01:25:00,833 --> 01:25:02,458 and he started to ask me questions. 1718 01:25:02,500 --> 01:25:04,250 And I said: "I'm not Carl Sagan. 1719 01:25:04,333 --> 01:25:06,458 I don't know about the cosmos, you know?" 1720 01:25:06,500 --> 01:25:09,750 And then, and then, he took my hand and he said to me: 1721 01:25:09,875 --> 01:25:14,292 "Daddy, with you, it's so beautiful to share even what you don't know." 1722 01:25:14,458 --> 01:25:16,875 [music continues] 1723 01:25:25,708 --> 01:25:30,875 [all cheer loudly] 1724 01:25:32,792 --> 01:25:34,458 [cheering continues] 1725 01:25:34,500 --> 01:25:36,458 [all laugh] 1726 01:25:39,125 --> 01:25:42,250 [ocean waves] 1727 01:26:13,542 --> 01:26:18,042 The final, uh, act is to create art without any documentation. 1728 01:26:19,417 --> 01:26:21,917 No? [chuckling] Stop documenting it. 1729 01:26:22,083 --> 01:26:23,917 -Mmm-hmm. -Never show the movie. 1730 01:26:24,458 --> 01:26:26,500 Yeah. Oh, that's my idea too. [both chuckle] 1731 01:26:26,583 --> 01:26:28,417 -I thought... When I saw it, I said: -Yeah, you-- 1732 01:26:28,500 --> 01:26:31,083 -Play a performance to an empty house. -"This is too good to be shown." 1733 01:26:31,167 --> 01:26:32,750 -Yeah, we're just... [both cackle] 1734 01:26:33,000 --> 01:26:35,583 That's the ultimate in narcissism, isn't it? 1735 01:26:39,958 --> 01:26:42,708 ONE LAST QUESTION 1736 01:26:42,792 --> 01:26:45,167 [ocean waves] 1737 01:26:55,083 --> 01:26:56,125 [Tony grunts lightly] 1738 01:26:58,417 --> 01:27:01,875 -[both in Spanish] Hi. -Hi. 1739 01:27:07,708 --> 01:27:09,833 [in Spanish] How... How are you going to name it? 1740 01:27:10,875 --> 01:27:13,458 [in English] Um... if it's a girl... 1741 01:27:13,750 --> 01:27:15,500 -Coral. -Mmm-hmm. 1742 01:27:15,625 --> 01:27:18,208 And if it's a boy, Ale. 1743 01:27:19,583 --> 01:27:20,833 It's a boy. 1744 01:27:22,125 --> 01:27:23,833 [in Spanish] I want to name him "Carlitos." 1745 01:27:24,125 --> 01:27:25,333 [in English] Charlie. 1746 01:27:29,208 --> 01:27:31,375 [inhales deeply] 1747 01:27:34,583 --> 01:27:35,667 [gasps] 1748 01:27:36,583 --> 01:27:38,625 How do you say, in Spanish, 1749 01:27:39,125 --> 01:27:41,167 "do you think you will ever tell them... 1750 01:27:41,667 --> 01:27:43,583 what happened to your parents?" 1751 01:27:45,083 --> 01:27:46,958 [in Spanish] If we are going to tell our children 1752 01:27:47,083 --> 01:27:48,750 what happened to our parents? 1753 01:27:52,917 --> 01:27:53,667 Cut. 1754 01:27:54,542 --> 01:27:56,167 [tango music] ♪ Fade in, interior ♪ 1755 01:27:56,250 --> 01:27:57,208 ♪ Dark night ♪ 1756 01:27:58,625 --> 01:28:01,417 ♪ Action and cut you like a knife ♪ 1757 01:28:02,667 --> 01:28:05,417 ♪ A brutal street of twisted dreams ♪ 1758 01:28:06,500 --> 01:28:09,333 ♪ Lit up just like a Christmas tree ♪ 1759 01:28:10,500 --> 01:28:13,792 ♪ A million strangers in the shadows ♪ 1760 01:28:14,500 --> 01:28:17,083 ♪ A million minutes of your time ♪ 1761 01:28:18,333 --> 01:28:20,917 ♪ Going by a million frames a second ♪ 1762 01:28:22,542 --> 01:28:25,250 ♪ It's the role of a lifetime ♪ 1763 01:28:26,250 --> 01:28:29,000 ♪ Now you can run But you can't hide ♪ 1764 01:28:30,208 --> 01:28:32,875 ♪ The calls are coming from inside ♪ 1765 01:28:34,167 --> 01:28:36,875 ♪ The house you built on solid ground ♪ 1766 01:28:38,125 --> 01:28:40,750 ♪ The fault line Runs right through this town ♪ 1767 01:28:41,875 --> 01:28:44,792 ♪ And in the wee hours of the morning ♪ 1768 01:28:46,167 --> 01:28:48,667 ♪ When your head begins to grind ♪ 1769 01:28:49,792 --> 01:28:52,500 ♪ You know that that's only a movie ♪ 1770 01:28:53,208 --> 01:28:56,542 ♪ But this is The role of a lifetime ♪ 1771 01:29:00,083 --> 01:29:02,458 ♪ And every morning ♪ 1772 01:29:03,208 --> 01:29:06,333 ♪ Comes without a warning ♪ 1773 01:29:07,125 --> 01:29:12,125 ♪ And every time you dance You disappear ♪ 1774 01:29:14,833 --> 01:29:17,500 [instrumental guitar music] 1775 01:29:44,875 --> 01:29:47,500 ♪ The sun can bore a men to death ♪ 1776 01:29:48,750 --> 01:29:51,417 ♪ The artists took their paints and left ♪ 1777 01:29:52,708 --> 01:29:55,458 ♪ The big top tent is burning down ♪ 1778 01:29:56,542 --> 01:29:59,583 ♪ So many lost and broken clowns ♪ 1779 01:30:00,542 --> 01:30:03,500 ♪ And in your head You keep a picture ♪ 1780 01:30:04,500 --> 01:30:07,417 ♪ A perfect piece of space and time ♪ 1781 01:30:08,500 --> 01:30:11,542 ♪ You gun your engine down the coast of ♪ 1782 01:30:12,833 --> 01:30:15,500 ♪ The role of a lifetime ♪ 1783 01:30:16,333 --> 01:30:19,208 ♪ And there's no future with no past ♪ 1784 01:30:20,375 --> 01:30:23,083 ♪ Another day Another mask ♪ 1785 01:30:24,333 --> 01:30:27,500 ♪ A story nobody else knows ♪ 1786 01:30:28,167 --> 01:30:31,083 ♪ Wrapped up in someone else's clothes ♪ 1787 01:30:32,083 --> 01:30:35,292 ♪ And in the august night around you ♪ 1788 01:30:35,375 --> 01:30:36,250 THE RUM DIARY 1789 01:30:36,333 --> 01:30:38,792 ♪ You count your friends And walk the line ♪ 1790 01:30:39,917 --> 01:30:42,792 ♪ You pour your soul into the heart of ♪ 1791 01:30:44,417 --> 01:30:46,917 ♪ The role of a lifetime ♪ 1792 01:30:47,792 --> 01:30:50,958 ♪ You pour your soul into the heart of ♪ 1793 01:30:52,292 --> 01:30:54,583 ♪ The role of a lifetime ♪ 1794 01:30:55,625 --> 01:30:59,208 ♪ You pour your heart into the soul of ♪ 1795 01:31:00,167 --> 01:31:01,792 ♪ The role of a lifetime ♪ [tango music ends] 1796 01:31:02,958 --> 01:31:05,458 [guitar music] 1797 01:31:12,833 --> 01:31:16,750 ♪ Every cobblestone's a soul departed ♪ 1798 01:31:17,333 --> 01:31:21,667 ♪ Every corner is a dream Just starting out ♪ 1799 01:31:24,333 --> 01:31:26,583 ♪ A beautiful dream ♪ 1800 01:31:30,125 --> 01:31:35,708 ♪ Buenos Aires Sing to me your blues ♪ 1801 01:31:39,208 --> 01:31:43,625 ♪ So many pictures looking for a frame ♪ 1802 01:31:43,792 --> 01:31:48,500 ♪ You spoke so sweetly When you asked my name ♪ 1803 01:31:48,958 --> 01:31:53,542 ♪ And we danced Till the night was through ♪ 1804 01:31:56,667 --> 01:32:02,417 ♪ Buenos Aires Sing to me your blues ♪ 1805 01:32:05,500 --> 01:32:11,083 ♪ Buenos Aires Can I play for you? ♪ 1806 01:32:14,500 --> 01:32:18,875 ♪ From La Boca and San Telmo ♪ 1807 01:32:19,000 --> 01:32:23,417 ♪ To Belgrano and Palermo ♪ 1808 01:32:23,500 --> 01:32:27,500 ♪ Hollywood ♪ 1809 01:32:27,917 --> 01:32:32,250 ♪ On these streets The past and present ♪ 1810 01:32:32,333 --> 01:32:36,667 ♪ I can see where all the time went ♪ 1811 01:32:36,792 --> 01:32:43,792 ♪ Written on the wall ♪ 1812 01:32:46,250 --> 01:32:50,167 ♪ La, la, la, la, la La, la, la, la, la ♪ 1813 01:32:50,667 --> 01:32:55,167 ♪ La, la, la, la, la La, la, la, la, la ♪ 1814 01:32:56,542 --> 01:32:58,333 ♪ La, la La, la ♪ 1815 01:32:58,625 --> 01:32:59,500 ♪ La, la La, la ♪ 1816 01:32:59,583 --> 01:33:03,417 ♪ La, la, la, la, la La, la, la, la, la ♪ 1817 01:33:03,917 --> 01:33:07,458 [electric guitar solo] 1818 01:33:35,125 --> 01:33:39,208 ♪ You could kill a man Or make him stronger ♪ 1819 01:33:39,500 --> 01:33:43,500 ♪ Maybe I should stay a little longer ♪ 1820 01:33:44,500 --> 01:33:48,708 [in Spanish] ♪ Good afternoon, my love ♪ 1821 01:33:52,333 --> 01:33:57,500 ♪ Buenos Aires Sing to me your blues... ♪ 143846