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[PROJECTOR CLICKING, ♪...]
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[HORNS HONKING...]
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[HORNS HONKING...]
[♪...]
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[♪...]
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[♪...]
[BIRDS CHIRPING...]
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[BIRDS CHIRPING...]
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[BIRDS CHIRPING...]
[ALARM BEEPING...]
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[ALARM BEEPING...]
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>> [GRUNTS SOFTLY]
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>> [GRUNTS SOFTLY]
[SIGHS]
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[SIGHS]
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[SIGHS]
[GROANS SOFTLY, KISSES]
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[GROANS SOFTLY, KISSES]
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>> HONEY, NO...
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UH-UH, NO, I HAVE
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A REALLY BUSY MORNING.
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>> [LAUGHING]: COME ON...
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COME BACK TO BED.
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>> REALLY, I CAN'T.
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>> PLEASE?
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>> PLEASE?
>> [SIGHS]
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>> [SIGHS]
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>> O.K., FINE, JUST REALLY
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QUICK THOUGH, O.K.?
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>> WHAT? NO, NO, NO,
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IT'S NOT WHAT... NO.
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>> [SIGHS]
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>> FORGET IT.
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[SIGHS]
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>> O.K..
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>> [SIGHS]
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[♪...]
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I LOVE YOU.
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>> I LOVE YOU TOO.
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[♪...]
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[♪...]
[TRAFFIC PASSING...]
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[TRAFFIC PASSING...]
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[TRAFFIC PASSING...]
[♪...]
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[♪...]
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[TRAFFIC, CONSTRUCTION NOISE...]
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[TRAFFIC, CONSTRUCTION NOISE...]
[♪...]
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[♪...]
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>> Man 2: GOTTA GET BACK TO HIM
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THIS MORNING...
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THE SMARMY LITTLE BASTARD.
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50 BUCKS FOR A BAG OF SOIL.
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IT'S DIRT, FOR CHRIST SAKES.
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IT'S DIRT, FOR CHRIST SAKES.
GO OUT AND DIG IT MYSELF.
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GO OUT AND DIG IT MYSELF.
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>> MORNING.
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>> MORNING.
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>> NEED A COUPLE MORE MINUTES?
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>> I'M O.K.
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WHAT DO YOU GOT?
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>> HERE IS THE ZONING PACKAGE,
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MINUS THE FINAL ADJUSTMENTS
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TO THE RETAIL ALLOCATIONS.
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OH, AND HERE'S THE FOLDER
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YOU WANTED ON THAT WATERFRONT
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PROJECT OUT IN JERSEY,
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McKEAN AND McKEAN.
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>> THANK YOU AND THANK YOU.
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>> OH, AND JOSH CALLED AGAIN.
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HE WANTS YOU TO CALL HIM
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THIS MORNING.
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>> [SIGHS] ALL RIGHT.
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THANKS, MEG.
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>> NEED ANYTHING ELSE?
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COFFEE, BAGEL?
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DELIVERY OF SEVERAL TONS
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OF DIRT PERHAPS?
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>> I'M O.K., THANKS.
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>> [LAUGHS] ALL RIGHT.
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>> [SIGHS]
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[♪...]
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>> Man 1: FINE, JUST PUSH THE
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SIGNING ON THE 27th TO THE
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AFTERNOON SO I CAN MAKE IT
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TO NATE'S SCIENCE FAIR.
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I REALLY DON'T WANT TO MISS IT.
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I REALLY DON'T WANT TO MISS IT.
[♪...]
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[♪...]
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O.K..
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ALL RIGHT, I'M HERE
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AT McKEAN AND McKEAN.
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CAN YOU GIVE ME THE, UH, NAMES
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OF THESE TWO FINE, FINE FELLOWS?
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SAM AND ALEX?
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ALL RIGHT, THANKS, MEG. BYE.
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ALL RIGHT, THANKS, MEG. BYE.
[♪...]
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[♪...]
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[COPIER WHIRRING...]
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[COPIER WHIRRING...]
[MUSIC PLAYING SOFTLY...]
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[MUSIC PLAYING SOFTLY...]
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>> EXCUSE ME.
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HI.
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I'M WILL SARGENT, I'M HERE TO
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MEET SAM AND ALEX McKEAN.
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>> HEY, WILL, HI.
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>> HI. >> I'M ALEX.
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>> OH. >> COME ON BACK.
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>> HI. [LAUGHS]
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>> HI, NICE TO MEET YOU.
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>> NICE TO MEET YOU.
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>> YOU FOUND US O.K.?
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>> YEAH, YEAH, NO,
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IT WAS NO PROBLEM.
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>> OH, GOOD-- SOME PEOPLE
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HAVE THE HARDEST TIME. >> AH.
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>> UM... SAM... >> YUP.
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>> WILL SARGENT IS HERE.
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>> HEY, WILL. HOW'S IT GOING?
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>> GOOD, HOW ARE YOU?
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>> I'LL BE RIGHT DOWN.
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YOU NEED SOMETHING TO DRINK?
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>> UH, ME? NO, I'M FINE.
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>> ALL RIGHT,
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I'LL BE RIGHT DOWN.
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>> CAN YOU BRING ME MY WATER?
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>> YOU GOT IT, BABE.
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>> THANK YOU.
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WE'RE SO HAPPY YOU CAME HERE.
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>> OH... >> I MEAN, WE'RE...
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HUGE FANS OF YOUR WORK.
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THE FERRY TERMINAL ON THE
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WEST SIDE IS ONE OF OUR
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FAVORITE BUILDINGS.
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>> OH, THANKS.
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>> HERE. THANKS.
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>> WELL, GOOD TO MEET YOU.
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>> YOU TOO.
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>> HERE YOU GO, HON. >> THANKS.
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>> Woman: SO THIS FRIEND OF
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MINE, SHE JUST WALKS UP TO THIS
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GUY AND SHE SAYS, "MY BIOLOGICAL
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CLOCK IS TICKING." [LAUGHS]
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>> SHE SAID THAT TO HIM?
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>> RIGHT TO HIS FACE.
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OH, CAN YOU PASS ME THAT?
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[LAUGHS]
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OH GOD... OH, 6:25, 6:25...
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>> I CAN'T BELIEVE
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KIT ISN'T HERE YET.
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>> WAIT, FINISH WHAT YOU WERE
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TELLING ME ABOUT THE JOB IN L.A.
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WHEN WOULD YOU HEAR BACK?
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>> I DON'T KNOW.
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YOU KNOW, THEY'RE GONNA HAVE
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ANOTHER ROUND OF INTERVIEWS
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IN OCTOBER AND THEN THEY SHOULD
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COME TO SOME SORT OF DECISION
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BY NOVEMBER, I, I THINK.
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>> SO DOES THAT MEAN THEY FLY
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YOU TO L.A. FOR AN INTERVIEW?
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>> [LAUGHS] I GUESS
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THAT'S THE IDEA.
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>> THAT'S SO AMAZING...
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EVEN TO BE CONSIDERED.
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>> YEAH, I KNOW.
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I'M JUST NOT SURE
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IF IT'S WHAT I WANT, YOU KNOW?
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I MEAN, I DON'T WANT TO
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LIVE IN L.A.
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>> KATE...
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>> OH, COME ON, I DON'T WANT TO
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LIVE IN THE SAME CITY AS HIM.
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>> IT'S L.A.
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I MEAN, YOU HAVE MORE
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OF A CHANCE OF RUNNING INTO HIM
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ON A TRIP TO CHINA.
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BESIDES, IT'S BEEN OVER A YEAR--
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YOU'RE SO TOTALLY OVER HIM.
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>> YEAH, I KNOW.
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>> I THINK IT SOUNDS
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LIKE A LOT OF FUN.
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>> WHAT SOUNDS
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LIKE A LOT OF FUN?
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>> OH, THAT L.A. DESIGN FIRM
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CALLED BACK FOR KATE.
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THEY'RE GOING TO FLY HER OUT FOR
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A SECOND ROUND OF INTERVIEWS.
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ISN'T THAT EXCITING?
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>> YEAH. [THEY KISS]
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YOU NEED TO FIND
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A NEW APARTMENT ANYWAY.
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>> KIT...
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>> I MIGHT'VE ALREADY FOUND ONE.
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>> REALLY?
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>> THERE IS A WOMAN AT MY
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OFFICE, HER SISTER HAS A SUBLET
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THAT STARTS NEXT MONTH.
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GUESS WHERE? >> WHERE?
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>> PIERREPONT AND WILLOW.
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>> OH! [BOTH LAUGH]
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THAT'D BE FANTASTIC.
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>> YEAH, BUT I DON'T SEE IT
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TILL FRIDAY.
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>> THAT'D MAKE THE MOVE EASY.
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>> I HAVEN'T GOTTEN IT YET, KIT.
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[DOOR BUZZER]
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>> OH, THAT'S THE ICE.
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>> SO... MOM CALLED.
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WILL YOU CALL HER BACK?
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>> KATE... CHILL OUT.
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I'LL CALL HER
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I'LL CALL HER
WHEN I GET A CHANCE.
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WHEN I GET A CHANCE.
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>> SO, HAVE YOU GUYS DECIDED
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WHAT YOU'RE GOING TO DO
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FOR THANKSGIVING YET?
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>> [LAUGHING]: KATE, THAT'S
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LIKE A MONTH AWAY.
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>> Woman: HEY, KIT, CAN YOU
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HELP ME WITH THESE?
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HELP ME WITH THESE?
>> [MOUTH FULL]: COMING...
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>> [MOUTH FULL]: COMING...
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>> YEAH, THE SHIPS ACTUALLY CAME
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INTO PIER 2 AND UNLOADED EITHER
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INTO THE HORSE CARRIAGES HERE OR
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ONTO THE RAIL LINES AT PIER 1.
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IT'S PRETTY INCREDIBLE ISN'T IT?
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>> Will: OH, IT'S UNBELIEVABLE.
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THE DETAILING IS STILL HERE.
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>> Alex: I KNOW.
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WE FELL IN LOVE WITH THE PIERS
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THE MOMENT WE SAW THEM.
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>> SO HOW LONG YOU GUYS
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BEEN MARRIED?
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>> Sam: [LAUGHS]
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NOT MARRIED... ACTUALLY.
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11 YEARS, TWO KIDS, ONE ON
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THE WAY, BUT NOT MARRIED.
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>> Alex: WAIT, HERE... SORRY.
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HERE'S WHERE THE, UH,
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SEWAGE PIPES THAT CAUSED ALL
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THOSE E.P.A. ISSUES YOU READ
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ABOUT ARE LOCATED.
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>> Will: MM-HMM.
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>> DO YOU SEE IT?
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>> YEAH.
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>> YEAH, WE WENT THROUGH MONTHS
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OF DELAYS WHILE THE STATE AND
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FEDERAL E.P.A.s DUKED IT OUT
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OVER WHO WAS RESPONSIBLE
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FOR SIGNING OFF AND...
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LETTING US MOVE FORWARD.
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>> YEAH, NOT TO MENTION
248
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THE USUAL CITY REGULATION
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AND THE PERMIT HULA HOOPS
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WE HAD TO JUMP THROUGH.
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>> JUST "HOOPS", BABE.
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THOUGH... YOU JUMPING
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THROUGH HULA HOOPS IS A NICE,
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VIVID IMAGE. [MEN LAUGH]
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>> Will: WELL, THE STRUCTURES
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ARE BEAUTIFUL.
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>> Alex: WELL, THAT'S OUR MAIN
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ISSUE, BECAUSE THE BIG
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DEVELOPERS AND ARCHITECTS WANT
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TO TEAR DOWN AND REBUILD AT
261
00:08:20,238 --> 00:08:21,979
LEAST TWO OF THE PIERS.
262
00:08:21,979 --> 00:08:22,980
I MEAN, WE ACTUALLY HEARD A
263
00:08:22,980 --> 00:08:24,634
RUMOR THAT THE WAHLSTEIN GROUP
264
00:08:24,634 --> 00:08:25,896
IS INTERESTED IN ACQUIRING YOU
265
00:08:25,896 --> 00:08:27,855
GUYS, AND I'M JUST SAYING THIS
266
00:08:27,855 --> 00:08:29,465
BECAUSE I DON'T THINK WE'D BE
267
00:08:29,465 --> 00:08:32,512
THE BEST FIT WITH THEM.
268
00:08:32,512 --> 00:08:36,298
>> SO IS... IS THAT A DONE DEAL?
269
00:08:36,298 --> 00:08:38,387
>> NO, IT'S NOT A DONE DEAL.
270
00:08:38,387 --> 00:08:40,607
WE HAVEN'T MADE ANY COMMITMENTS.
271
00:08:40,607 --> 00:08:44,262
>> WELL, THAT'S GOOD TO HEAR.
272
00:08:44,262 --> 00:08:45,481
>> LISTEN, WE'VE MET WITH
273
00:08:45,481 --> 00:08:47,135
SEVERAL FIRMS BUT WE JUST LOVE
274
00:08:47,135 --> 00:08:49,529
YOUR WORK, AND THERE'S NO REASON
275
00:08:49,529 --> 00:08:51,182
TO BEAT AROUND THE BUSH.
276
00:08:51,182 --> 00:08:54,490
YOU'D BE OUR FIRST CHOICE.
277
00:08:54,490 --> 00:08:55,360
>> IS THIS SOMETHING
278
00:08:55,360 --> 00:08:59,539
YOU'D BE INTERESTED IN?
279
00:08:59,539 --> 00:09:01,149
>> YEAH.
280
00:09:01,149 --> 00:09:03,107
IT IS.
281
00:09:03,107 --> 00:09:04,631
[♪...]
282
00:09:04,631 --> 00:09:09,549
[♪...]
[CONSTRUCTION NOISE...]
283
00:09:09,549 --> 00:09:12,334
[CONSTRUCTION NOISE...]
284
00:09:12,334 --> 00:09:14,641
>> Meg: WILL, IT'S JOSH.
285
00:09:14,641 --> 00:09:17,165
HE SAYS PICK UP.
286
00:09:17,165 --> 00:09:19,297
>> WHAT DO YOU WANT?
287
00:09:19,297 --> 00:09:22,083
YES. YES. I WILL BE THERE.
288
00:09:22,083 --> 00:09:23,867
NO, I DID NOT FORGET.
289
00:09:23,867 --> 00:09:27,044
UM... JUST GIVE ME THE, UH,
290
00:09:27,044 --> 00:09:29,917
ADDRESS AGAIN.
291
00:09:29,917 --> 00:09:31,309
ALL RIGHT.
292
00:09:31,309 --> 00:09:32,702
I'LL BE THERE.
293
00:09:32,702 --> 00:09:34,356
BYE.
294
00:09:34,356 --> 00:09:35,270
>> I'M HEADED
295
00:09:35,270 --> 00:09:36,837
BACK TO THE OFFICE.
296
00:09:36,837 --> 00:09:38,099
PETE WANTS US TO HAVE COPIES
297
00:09:38,099 --> 00:09:40,492
OF ALL BLUEPRINTS HERE ON SITE.
298
00:09:40,492 --> 00:09:41,581
>> THAT'S RIGHT.
299
00:09:41,581 --> 00:09:43,017
>> AND DON'T FORGET WE'VE GOT
300
00:09:43,017 --> 00:09:43,800
THE MONTHLY 10 A.M.
301
00:09:43,800 --> 00:09:44,758
WITH THE GREENPOINT COMMUNITY
302
00:09:44,758 --> 00:09:46,498
BOARD IN THE MORNING. >> RIGHT.
303
00:09:46,498 --> 00:09:47,587
>> ALSO, CATHERINE
304
00:09:47,587 --> 00:09:48,326
CALLED... TWICE.
305
00:09:48,326 --> 00:09:49,676
MADE ME PROMISE YOU'D BE HOME
306
00:09:49,676 --> 00:09:51,025
FOR THE RESTORATION COUNCIL
307
00:09:51,025 --> 00:09:52,287
BENEFIT AT SEVEN.
308
00:09:52,287 --> 00:09:55,595
>> OH... [DOOR CLOSES]
309
00:09:55,595 --> 00:09:57,945
[SIGHS]
310
00:09:57,945 --> 00:10:00,730
FANTASTIC...
311
00:10:00,730 --> 00:10:04,516
FANTASTIC...
[♪...]
312
00:10:04,516 --> 00:10:07,650
[♪...]
313
00:10:07,650 --> 00:10:09,609
[♪...]
>> Woman: I'LL GET IT!
314
00:10:09,609 --> 00:10:14,004
>> Woman: I'LL GET IT!
315
00:10:14,004 --> 00:10:15,745
>> HI.
316
00:10:15,745 --> 00:10:17,181
>> HI.
317
00:10:17,181 --> 00:10:19,488
>> UH... UH, I'M LOOKING FOR...
318
00:10:19,488 --> 00:10:21,490
>> HEY, THERE'S MY MAN!
319
00:10:21,490 --> 00:10:22,143
>> THERE HE IS.
320
00:10:22,143 --> 00:10:23,057
HAPPY BIRTHDAY.
321
00:10:23,057 --> 00:10:24,188
>> THANKS.
322
00:10:24,188 --> 00:10:25,450
YOU LOOK LIKE HELL, AS USUAL.
323
00:10:25,450 --> 00:10:26,974
WHEN ARE YOU GOING TO QUIT WITH
324
00:10:26,974 --> 00:10:28,149
THESE DEVELOPMENT MONSTROSITIES?
325
00:10:28,149 --> 00:10:29,672
BUILD ME A NICE LITTLE COTTAGE
326
00:10:29,672 --> 00:10:30,368
ON THE NORTH FORK?
327
00:10:30,368 --> 00:10:32,066
>> THAT'S YOUR BIRTHDAY PRESENT.
328
00:10:32,066 --> 00:10:32,936
>> UH, KATE, THIS IS
329
00:10:32,936 --> 00:10:34,329
WILL SARGENT, MY OVERWORKED,
330
00:10:34,329 --> 00:10:36,113
OVERPAID ROOMMATE FROM COLLEGE.
331
00:10:36,113 --> 00:10:37,724
WILL, THIS IS KATE BAASTE.
332
00:10:37,724 --> 00:10:38,463
>> HI. >> HI.
333
00:10:38,463 --> 00:10:39,247
>> THANKS FOR HAVING ME.
334
00:10:39,247 --> 00:10:40,509
>> OH, I... >> ACTUALLY, UH,
335
00:10:40,509 --> 00:10:41,771
KING KIT KAT IS THE ONE
336
00:10:41,771 --> 00:10:42,729
WHO SET THIS THING UP,
337
00:10:42,729 --> 00:10:43,817
ALTHOUGH I'M PRETTY SURE
338
00:10:43,817 --> 00:10:44,992
HE'S HAD HIS LOVELY FIANCEE
339
00:10:44,992 --> 00:10:46,341
DO ALL THE HEAVY LIFTING.
340
00:10:46,341 --> 00:10:47,211
>> YOU SHOULD BE GLAD.
341
00:10:47,211 --> 00:10:48,430
WE'D BE HAVING TAKE-OUT PIZZA
342
00:10:48,430 --> 00:10:50,650
INSTEAD OF JANEY'S DIM SUM.
343
00:10:50,650 --> 00:10:51,607
>> KIT, THIS IS WILL SARGENT.
344
00:10:51,607 --> 00:10:53,348
WILL, THIS IS KIT KAT BAASTE,
345
00:10:53,348 --> 00:10:54,654
MY BEST YOUNG SCOUT
346
00:10:54,654 --> 00:10:55,611
DOWN AT THE STATION.
347
00:10:55,611 --> 00:10:57,091
BROUGHT IN THE MOST DELICIOUS
348
00:10:57,091 --> 00:10:59,006
YOUNG ENSEMBLE LAST WEEK.
349
00:10:59,006 --> 00:10:59,963
ALL RIGHT, WELL, LET'S GET
350
00:10:59,963 --> 00:11:01,051
OUTSIDE, THINGS ARE JUST GETTING
351
00:11:01,051 --> 00:11:02,749
STARTED-- LET'S RING ME INTO 35!
352
00:11:02,749 --> 00:11:03,793
[JAZZ PLAYING...]
353
00:11:03,793 --> 00:11:09,059
>> [LAUGHS] TAKE THE PEANUTS.
354
00:11:09,059 --> 00:11:10,191
[LAUGHTER]
355
00:11:10,191 --> 00:11:11,758
>> Janey: OH, SO GLAD YOU ALL
356
00:11:11,758 --> 00:11:13,020
COULD MAKE IT.
357
00:11:13,020 --> 00:11:15,718
PLEASE ENJOY, HELP YOURSELVES.
358
00:11:15,718 --> 00:11:17,589
[JAZZ PLAYING...]
359
00:11:17,589 --> 00:11:21,637
[INDISTINCT CONVERSATIONS...]
360
00:11:21,637 --> 00:11:24,248
>> SO, WILL, ARE YOU RELATED
361
00:11:24,248 --> 00:11:25,902
TO THE SARGENTS THAT ARE PUTTING
362
00:11:25,902 --> 00:11:27,208
UP THAT GIANT HIGH-RISE
363
00:11:27,208 --> 00:11:28,035
OVER IN GREENPOINT?
364
00:11:28,035 --> 00:11:28,862
>> NO, HE'S NOT RELATED--
365
00:11:28,862 --> 00:11:29,776
HE
366
00:11:29,776 --> 00:11:31,560
AND IT'S NOT A HIGH-RISE,
367
00:11:31,560 --> 00:11:33,127
IT IS A "WORK, LIVE,
368
00:11:33,127 --> 00:11:34,128
LIFESTYLE OASIS."
369
00:11:34,128 --> 00:11:35,172
THERE'S A BIG DIFFERENCE.
370
00:11:35,172 --> 00:11:36,783
AND, YOU KNOW, IT DOESN'T MATTER
371
00:11:36,783 --> 00:11:38,480
HOW UGLY IT IS, BECAUSE IT IS
372
00:11:38,480 --> 00:11:40,221
GOING TO IMPROVE THE COMMUNITY
373
00:11:40,221 --> 00:11:42,397
BY INFUSING JOBS AND SAFETY
374
00:11:42,397 --> 00:11:44,834
AND A SENSE OF COMMUNITY.
375
00:11:44,834 --> 00:11:46,096
[LAUGHTER]
376
00:11:46,096 --> 00:11:46,923
I'M JUST GIVING YOU
377
00:11:46,923 --> 00:11:47,532
A HARD TIME, MAN.
378
00:11:47,532 --> 00:11:49,926
YOU'RE STILL THE BEST ARCHITECT
379
00:11:49,926 --> 00:11:51,667
WORKING ON THE EAST COAST.
380
00:11:51,667 --> 00:11:54,191
MAYBE, MAYBE THE WEST COAST TOO.
381
00:11:54,191 --> 00:11:55,105
[GROUP CHUCKLES]
382
00:11:55,105 --> 00:11:56,977
>> Janey: KATE'S A DESIGNER TOO.
383
00:11:56,977 --> 00:11:57,847
SHE DOES COMMERCIAL
384
00:11:57,847 --> 00:11:59,327
AND RETAIL SPACES.
385
00:11:59,327 --> 00:12:00,502
>> I WORK FOR PREVIN.
386
00:12:00,502 --> 00:12:01,764
>> Janey: SHE'S VERY TALENTED.
387
00:12:01,764 --> 00:12:03,244
YOU SHOULD SEE THE NEW DESIGNS
388
00:12:03,244 --> 00:12:04,201
SHE DID FOR THAT HEARST
389
00:12:04,201 --> 00:12:05,812
BUILDING OFF OF TIMES SQUARE.
390
00:12:05,812 --> 00:12:07,074
[TIMER BEEPING...]
391
00:12:07,074 --> 00:12:08,510
MMM, THAT'S THE DUCK.
392
00:12:08,510 --> 00:12:10,294
KIT, SWEETIE, CAN YOU HELP ME
393
00:12:10,294 --> 00:12:11,078
WITH THE DUCK?
394
00:12:11,078 --> 00:12:11,992
>> OH. >> YEAH.
395
00:12:11,992 --> 00:12:16,387
[JAZZ CONTINUES...]
396
00:12:16,387 --> 00:12:19,390
[JAZZ CONTINUES...]
[INDISTINCT CONVERSATIONS...]
397
00:12:19,390 --> 00:12:27,921
[INDISTINCT CONVERSATIONS...]
398
00:12:27,921 --> 00:12:29,836
>> SO YOU'RE THE... ARCHITECT
399
00:12:29,836 --> 00:12:31,315
FOR THE GREENPOINT PROJECT?
400
00:12:31,315 --> 00:12:33,100
>> I AM, YEAH.
401
00:12:33,100 --> 00:12:34,014
WELL, WE, WE DESIGNED IT
402
00:12:34,014 --> 00:12:35,145
BUT WE'RE PARTNERING WITH
403
00:12:35,145 --> 00:12:36,538
ANOTHER DEVELOPER TO BUILD IT.
404
00:12:36,538 --> 00:12:37,931
>> RIGHT, I READ THAT THE
405
00:12:37,931 --> 00:12:39,541
WAHLSTEIN COMPANIES
406
00:12:39,541 --> 00:12:40,542
OWN THAT LAND. >> YEAH.
407
00:12:40,542 --> 00:12:41,456
>> HOW DO YOU LIKE
408
00:12:41,456 --> 00:12:42,500
WORKING WITH THEM?
409
00:12:42,500 --> 00:12:44,328
>> UH...
410
00:12:44,328 --> 00:12:46,243
[BOTH CHUCKLE...]
411
00:12:46,243 --> 00:12:47,331
WELL, AT LEAST YOU HAVE
412
00:12:47,331 --> 00:12:48,898
THE BIRDS OF B.Q.E.
413
00:12:48,898 --> 00:12:50,944
>> UH, THE WHAT?
414
00:12:50,944 --> 00:12:52,336
>> THE BIRDS IN THAT AREA
415
00:12:52,336 --> 00:12:52,728
OF TOWN.
416
00:12:52,728 --> 00:12:54,034
YOU MUST'VE SEEN THEM.
417
00:12:54,034 --> 00:12:55,252
>> UH, NO, WHAT ARE THEY?
418
00:12:55,252 --> 00:12:56,210
>> THEY LIVE... UNDER THE
419
00:12:56,210 --> 00:12:58,560
OVERPASSES, UM, OF THE B.Q.E.
420
00:12:58,560 --> 00:13:00,605
THEY'RE... THEY'RE JUST BIRDS
421
00:13:00,605 --> 00:13:03,783
REALLY, BUT... THERE'S NO, UH,
422
00:13:03,783 --> 00:13:04,696
TALL BUILDINGS IN THAT TOWN,
423
00:13:04,696 --> 00:13:06,960
SO THEY ARE ABLE TO FLY IN THESE
424
00:13:06,960 --> 00:13:08,657
HUGE, SWOOPING MOVEMENTS.
425
00:13:08,657 --> 00:13:10,267
IT'S REALLY BEAUTIFUL. >> HUH.
426
00:13:10,267 --> 00:13:11,138
>> YOU CAN PROBABLY SEE IT
427
00:13:11,138 --> 00:13:13,009
FROM YOUR JOB... SITE.
428
00:13:13,009 --> 00:13:14,532
WHERE ARE YOU EXACTLY?
429
00:13:14,532 --> 00:13:16,360
>> WE ARE BETWEEN 47th
430
00:13:16,360 --> 00:13:17,448
AND 49th AT WILSON.
431
00:13:17,448 --> 00:13:18,406
>> YEAH, YOU SHOULD LOOK OUT
432
00:13:18,406 --> 00:13:20,277
FOR THEM, IT'S... THEY...
433
00:13:20,277 --> 00:13:21,670
THEY LOOK LIKE THESE BEAUTIFUL,
434
00:13:21,670 --> 00:13:24,325
FLUTTERING CLOUDS. >> HUH.
435
00:13:24,325 --> 00:13:26,327
>> AND THERE'S A, UM... LOOK OUT
436
00:13:26,327 --> 00:13:28,633
FOR THE BRAZILIAN FOOD CART.
437
00:13:28,633 --> 00:13:30,200
>> OH, PEDRO'S?
438
00:13:30,200 --> 00:13:31,158
>> YOU KNOW HIM?
439
00:13:31,158 --> 00:13:31,898
>> OH... NO, WE HAVE
440
00:13:31,898 --> 00:13:32,507
PEDRO'S EVERY DAY.
441
00:13:32,507 --> 00:13:33,813
THE, UH... SOME OF THE GUYS...
442
00:13:33,813 --> 00:13:35,379
THE... ACTUALLY, THE CREW,
443
00:13:35,379 --> 00:13:36,598
THEY, THEY CONVINCED HIM
444
00:13:36,598 --> 00:13:37,817
TO BRING HIS CART OVER TO
445
00:13:37,817 --> 00:13:39,209
THE SITE SO THEY COULD HAVE
446
00:13:39,209 --> 00:13:40,689
LUNCH THERE EVERY DAY.
447
00:13:40,689 --> 00:13:42,473
>> REALLY?
448
00:13:42,473 --> 00:13:43,344
[SOFTER JAZZ,
449
00:13:43,344 --> 00:13:44,214
QUIETER CONVERSATION...
450
00:13:44,214 --> 00:13:45,172
...I DON'T KNOW, I'M TALKING
451
00:13:45,172 --> 00:13:47,043
TO THIS FIRM IN L.A., BUT REALLY
452
00:13:47,043 --> 00:13:48,349
I'VE ALWAYS WANTED TO START
453
00:13:48,349 --> 00:13:50,786
SOMETHING ON MY OWN. >> OH.
454
00:13:50,786 --> 00:13:52,744
>> WORK FOR MYSELF.
455
00:13:52,744 --> 00:13:54,703
I MEAN, IT'S ALWAYS
456
00:13:54,703 --> 00:13:57,010
WHAT I'VE WANTED.
457
00:13:57,010 --> 00:13:57,880
[SIGHS]
458
00:13:57,880 --> 00:13:59,142
YOU UNDERSTAND?
459
00:13:59,142 --> 00:14:01,971
>> YEAH.
460
00:14:01,971 --> 00:14:03,190
SO JANEY SAID YOU DID
461
00:14:03,190 --> 00:14:04,191
THIS PLACE.
462
00:14:04,191 --> 00:14:05,322
>> YEAH, I DID.
463
00:14:05,322 --> 00:14:06,976
KIT AND I MOVED INTO THE CITY
464
00:14:06,976 --> 00:14:07,977
A YEAR AGO.
465
00:14:07,977 --> 00:14:09,544
I'M ACTUALLY MOVING NEXT MONTH
466
00:14:09,544 --> 00:14:10,980
BECAUSE SINCE JANEY MOVED IN,
467
00:14:10,980 --> 00:14:12,155
IT'S JUST TOO CROWDED
468
00:14:12,155 --> 00:14:13,200
WITH THREE OF US.
469
00:14:13,200 --> 00:14:14,331
>> YOU KNOW, THIS PROJECT THAT
470
00:14:14,331 --> 00:14:15,202
I'M WORKING ON IN, UH,
471
00:14:15,202 --> 00:14:17,030
IN GREENPOINT IS, UM...
472
00:14:17,030 --> 00:14:18,553
IS TAKING SUBMISSIONS.
473
00:14:18,553 --> 00:14:19,946
>> WHAT KIND OF SUBMISSIONS?
474
00:14:19,946 --> 00:14:21,817
I'M SURE THEY'RE HUGE CONTRACTS.
475
00:14:21,817 --> 00:14:22,513
>> WELL, YOU KNOW,
476
00:14:22,513 --> 00:14:23,427
SOME OF THEM ARE.
477
00:14:23,427 --> 00:14:24,472
BUT THERE ARE A LOT
478
00:14:24,472 --> 00:14:25,560
OF DIFFERENT NEEDS.
479
00:14:25,560 --> 00:14:27,475
WE'RE TAKING BIDS FROM
480
00:14:27,475 --> 00:14:28,693
INDEPENDENT CONTRACTORS
481
00:14:28,693 --> 00:14:30,521
AND DESIGNERS AS WELL...
482
00:14:30,521 --> 00:14:32,872
IF YOU'D BE INTERESTED.
483
00:14:32,872 --> 00:14:33,873
>> OH... OH, NO, I'M SURE
484
00:14:33,873 --> 00:14:35,178
MY EXPERIENCE ISN'T RELEVANT
485
00:14:35,178 --> 00:14:36,092
FOR THAT KIND OF THING.
486
00:14:36,092 --> 00:14:37,311
>> IF YOU WANT TO SUBMIT YOUR
487
00:14:37,311 --> 00:14:38,225
PORTFOLIO, I'D BE MORE THAN
488
00:14:38,225 --> 00:14:42,011
HAPPY TO TAKE A LOOK.
489
00:14:42,011 --> 00:14:44,013
[JAZZ CONTINUES...]
490
00:14:44,013 --> 00:14:46,363
>> THANK YOU.
491
00:14:46,363 --> 00:14:47,451
>> Janey: HERE, PASS ME
492
00:14:47,451 --> 00:14:49,366
THOSE PLATES.
493
00:14:49,366 --> 00:14:51,194
>> Woman: FINALLY, ON BEHALF OF
494
00:14:51,194 --> 00:14:52,326
THE WAHLSTEIN COMPANIES,
495
00:14:52,326 --> 00:14:54,067
LET'S RAISE A GLASS TO THE
496
00:14:54,067 --> 00:14:55,285
EFFORTS OF THE PEOPLE HERE IN
497
00:14:55,285 --> 00:14:56,896
THIS ROOM AND THROUGHOUT THIS
498
00:14:56,896 --> 00:14:58,375
CITY WHO HELP MAKE THESE
499
00:14:58,375 --> 00:14:59,463
PROJECTS HAPPEN.
500
00:14:59,463 --> 00:15:00,682
THANK YOU SO MUCH
501
00:15:00,682 --> 00:15:01,813
FOR YOUR EFFORTS.
502
00:15:01,813 --> 00:15:03,293
>> All: CHEERS.
503
00:15:03,293 --> 00:15:04,512
[GLASSES CLINKING...]
504
00:15:04,512 --> 00:15:06,470
[SCATTERED APPLAUSE]
505
00:15:06,470 --> 00:15:08,646
[CLASSICAL MUSIC PLAYING...]
506
00:15:08,646 --> 00:15:09,909
>> OH, WILL, NICE OF YOU
507
00:15:09,909 --> 00:15:10,344
TO JOIN US.
508
00:15:10,344 --> 00:15:11,998
>> Catherine: OH, HI. [KISSES]
509
00:15:11,998 --> 00:15:13,695
THE ACCIDENT ON THE BRIDGE
510
00:15:13,695 --> 00:15:16,306
MUST HAVE BEEN AWFUL.
511
00:15:16,306 --> 00:15:17,264
>> YEAH, I KNOW, IT WAS.
512
00:15:17,264 --> 00:15:18,352
IT'S O.K., THOUGH.
513
00:15:18,352 --> 00:15:19,657
SORRY I'M LATE.
514
00:15:19,657 --> 00:15:21,355
>> THERE'S OUR GUY.
515
00:15:21,355 --> 00:15:21,921
[CHUCKLES]
516
00:15:21,921 --> 00:15:23,444
AND WORKING LATE THIS EVENING?
517
00:15:23,444 --> 00:15:25,446
NOW, THAT'S WHAT WE LIKE TO SEE.
518
00:15:25,446 --> 00:15:26,926
[ALL CHUCKLE]
519
00:15:26,926 --> 00:15:28,014
>> YOU MISSED PAMELA AND STEWART
520
00:15:28,014 --> 00:15:29,537
GIVE THE UPDATE ON THE HARLEM
521
00:15:29,537 --> 00:15:30,973
REDEVELOPMENT.
522
00:15:30,973 --> 00:15:32,409
>> IT'S GROUNDBREAKING,
523
00:15:32,409 --> 00:15:33,497
PARDON THE PUN.
524
00:15:33,497 --> 00:15:34,368
[ALL CHUCKLE]
525
00:15:34,368 --> 00:15:35,978
OVER 300 JOBS, A RETAIL CENTER,
526
00:15:35,978 --> 00:15:37,501
THE DEVELOPMENT ITSELF.
527
00:15:37,501 --> 00:15:38,415
MAKES GREENPOINT LOOK LIKE
528
00:15:38,415 --> 00:15:39,634
SMALL POTATOES.
529
00:15:39,634 --> 00:15:40,809
>> WELL, IF THE WAY YOU'VE
530
00:15:40,809 --> 00:15:41,853
MANAGED GREENPOINT IS ANY
531
00:15:41,853 --> 00:15:43,551
INDICATION, NO JOB WILL BE
532
00:15:43,551 --> 00:15:45,683
TOO MUCH FOR YOU.
533
00:15:45,683 --> 00:15:47,076
>> WE'LL SEE.
534
00:15:47,076 --> 00:15:48,512
>> CATHERINE, THANK YOU AGAIN
535
00:15:48,512 --> 00:15:49,731
FOR HOSTING THIS EVENING.
536
00:15:49,731 --> 00:15:51,298
IT WAS VERY GENEROUS AND A
537
00:15:51,298 --> 00:15:52,952
LOVELY EVENING YOU PUT ON.
538
00:15:52,952 --> 00:15:55,302
>> OH, PAMELA, WE LOVE DOING IT.
539
00:15:55,302 --> 00:15:57,086
>> WELL, GOOD.
540
00:15:57,086 --> 00:15:58,435
WILL YOU EXCUSE US?
541
00:15:58,435 --> 00:15:59,393
STEWART?
542
00:15:59,393 --> 00:16:00,350
>> NIGHT, ALL.
543
00:16:00,350 --> 00:16:01,612
>> GOOD NIGHT.
544
00:16:01,612 --> 00:16:03,005
>> ACTUALLY I THINK I'M GONNA
545
00:16:03,005 --> 00:16:04,572
TAKE OFF TOO. >> OH.
546
00:16:04,572 --> 00:16:06,182
>> GREAT... [KISSES]
547
00:16:06,182 --> 00:16:06,966
JOB TONIGHT.
548
00:16:06,966 --> 00:16:07,967
YOU ARE BORN TO IT.
549
00:16:07,967 --> 00:16:09,533
>> OH... SEE YOU TOMORROW.
550
00:16:09,533 --> 00:16:10,317
AND TELL TREVOR
551
00:16:10,317 --> 00:16:11,361
HE WAS MISSED TONIGHT.
552
00:16:11,361 --> 00:16:12,232
>> NOT BY ME.
553
00:16:12,232 --> 00:16:13,624
I HAD A GRAND OLD TIME.
554
00:16:13,624 --> 00:16:14,190
WILL...
555
00:16:14,190 --> 00:16:14,974
>> [CHUCKLES] SEE YOU.
556
00:16:14,974 --> 00:16:16,062
>> NICE JACKET.
557
00:16:16,062 --> 00:16:18,499
VERY, UM... OLIVER TWIST.
558
00:16:18,499 --> 00:16:22,329
[CLASSICAL MUSIC CONTINUES...]
559
00:16:22,329 --> 00:16:23,983
>> HI! EXCUSE US ONE MINUTE.
560
00:16:23,983 --> 00:16:25,506
I NEED TO STEAL MY HUSBAND AWAY
561
00:16:25,506 --> 00:16:26,550
TO GIVE ME A HAND
562
00:16:26,550 --> 00:16:27,595
IN THE KITCHEN.
563
00:16:27,595 --> 00:16:29,162
>> OH... SORRY.
564
00:16:29,162 --> 00:16:31,033
[MUSIC, CONVERSATIONS
565
00:16:31,033 --> 00:16:34,819
CONTINUE...]
566
00:16:34,819 --> 00:16:36,430
>> WHERE HAVE YOU BEEN?
567
00:16:36,430 --> 00:16:37,431
>> WHAT? >> I HAD TO MAKE UP
568
00:16:37,431 --> 00:16:38,780
SOME EXCUSE ABOUT AN ACCIDENT
569
00:16:38,780 --> 00:16:40,434
ON THE BRIDGE. >> WELL...
570
00:16:40,434 --> 00:16:41,478
>> IT LOOKS NICE,
571
00:16:41,478 --> 00:16:42,958
THOUGH, RIGHT?
572
00:16:42,958 --> 00:16:44,351
IT'S AN INCREDIBLE TURNOUT.
573
00:16:44,351 --> 00:16:45,134
DO YOU THINK PAMELA
574
00:16:45,134 --> 00:16:46,048
SEEMED HAPPY WITH IT?
575
00:16:46,048 --> 00:16:46,831
>> OH, IT LOOKS, UH...
576
00:16:46,831 --> 00:16:48,311
YEAH, IT LOOKS GREAT.
577
00:16:48,311 --> 00:16:49,704
>> OH, YOU WERE RIGHT
578
00:16:49,704 --> 00:16:50,313
ABOUT STEWART.
579
00:16:50,313 --> 00:16:51,184
BEFORE YOU WERE PUT UP
580
00:16:51,184 --> 00:16:52,315
FOR WAHLSTEIN HE NEVER USED TO
581
00:16:52,315 --> 00:16:53,534
GIVE ME THE TIME OF DAY.
582
00:16:53,534 --> 00:16:54,796
TONIGHT HE'S BEEN ALL OVER ME.
583
00:16:54,796 --> 00:16:56,015
[WHISPERS]: HE'S SUCH
584
00:16:56,015 --> 00:16:57,494
AN ASS-KISS.
585
00:16:57,494 --> 00:16:58,539
>> IS NATE ASLEEP?
586
00:16:58,539 --> 00:17:00,584
>> UH, YEAH, I THINK SO.
587
00:17:00,584 --> 00:17:01,803
OH, THERE'S CHANTAL.
588
00:17:01,803 --> 00:17:03,326
I NEED TO CONNECT WITH HER
589
00:17:03,326 --> 00:17:04,153
BEFORE SHE GOES.
590
00:17:04,153 --> 00:17:05,285
TRY TO CATCH BETH AND MICK
591
00:17:05,285 --> 00:17:06,503
BARESFORD-- THEY CAME ALL THE
592
00:17:06,503 --> 00:17:08,549
WAY IN FROM CONNECTICUT.
593
00:17:08,549 --> 00:17:10,986
[MUSIC, CONVERSATIONS
594
00:17:10,986 --> 00:17:12,161
CONTINUE...]
595
00:17:12,161 --> 00:17:19,255
[PARTY SOUNDS, FAINTER...]
596
00:17:19,255 --> 00:17:21,344
>> [CHUCKLES SOFTLY]
597
00:17:21,344 --> 00:17:25,435
>> [CHUCKLES SOFTLY]
[♪...]
598
00:17:25,435 --> 00:17:39,362
[♪...]
599
00:17:39,362 --> 00:17:41,321
[CHUCKLES]
600
00:17:41,321 --> 00:17:44,063
[CHUCKLES]
[♪...]
601
00:17:44,063 --> 00:17:47,501
[♪...]
602
00:17:47,501 --> 00:17:49,894
[BIRDS CHIRPING]
603
00:17:49,894 --> 00:17:53,333
>> Catherine: [LAUGHING]
604
00:17:53,333 --> 00:17:55,422
OH, I'M SO JEALOUS.
605
00:17:55,422 --> 00:17:56,510
I KNOW!
606
00:17:56,510 --> 00:17:58,816
I HEARD!
607
00:17:58,816 --> 00:18:03,821
THAT'S SO EXCITING. [LAUGHS]
608
00:18:03,821 --> 00:18:06,389
OH, GOD, O.K.
609
00:18:06,389 --> 00:18:07,477
SO GOOD TO HEAR FROM YOU.
610
00:18:07,477 --> 00:18:09,349
I'LL CALL YOU BACK.
611
00:18:09,349 --> 00:18:12,482
ALL RIGHT, BYE.
612
00:18:12,482 --> 00:18:14,441
AY YI YI.
613
00:18:14,441 --> 00:18:15,442
GOOD MORNING.
614
00:18:15,442 --> 00:18:18,097
>> MORNING.
615
00:18:18,097 --> 00:18:20,403
>> WILL... [CHUCKLES]
616
00:18:20,403 --> 00:18:22,492
THAT JACKET?
617
00:18:22,492 --> 00:18:24,103
YOU DON'T HAVE ANY MEETINGS
618
00:18:24,103 --> 00:18:26,496
TODAY?
619
00:18:26,496 --> 00:18:29,760
>> MY JACKET'S FINE.
620
00:18:29,760 --> 00:18:31,588
>> [SCOFFS] CALI, WHERE DID YOU
621
00:18:31,588 --> 00:18:33,547
PUT THE DRY CLEANING I PICKED UP
622
00:18:33,547 --> 00:18:36,767
YESTERDAY?
623
00:18:36,767 --> 00:18:38,595
SO, STEWART TOLD ME THAT THE
624
00:18:38,595 --> 00:18:40,119
WAHLSTEIN BOARD OF DIRECTORS IS
625
00:18:40,119 --> 00:18:42,860
MAKING A SITE VISIT ON THE 27th.
626
00:18:42,860 --> 00:18:45,428
>> YEAH.
627
00:18:45,428 --> 00:18:46,647
>> THAT'S SO EXCITING.
628
00:18:46,647 --> 00:18:48,431
THANK YOU.
629
00:18:48,431 --> 00:18:50,041
HONEY, I CAN'T BELIEVE WE'RE
630
00:18:50,041 --> 00:18:50,781
ALMOST THERE.
631
00:18:50,781 --> 00:18:52,087
>> ACTUALLY, UH... PETE'S GOING
632
00:18:52,087 --> 00:18:53,828
TO LEAD THE TOUR, I'M NOT GOING
633
00:18:53,828 --> 00:18:55,569
TO BE THERE.
634
00:18:55,569 --> 00:18:56,439
>> WHY NOT?
635
00:18:56,439 --> 00:18:57,701
YOU HAVE TO BE THERE.
636
00:18:57,701 --> 00:18:59,138
>> WELL, IT'S THE SAME DAY THAT
637
00:18:59,138 --> 00:19:01,618
NATE IS SHOWING HIS ANT FARM.
638
00:19:01,618 --> 00:19:03,533
>> NATE'S BIODIVERSITY FAIR?
639
00:19:03,533 --> 00:19:04,534
WILL, COME ON.
640
00:19:04,534 --> 00:19:06,057
YOU HAVE TO BE THERE FOR THE
641
00:19:06,057 --> 00:19:07,146
DIRECTOR VISIT.
642
00:19:07,146 --> 00:19:09,060
BOARD APPROVAL AND YOUR CONTRACT
643
00:19:09,060 --> 00:19:10,497
ARE THE ONLY TWO REMAINING
644
00:19:10,497 --> 00:19:10,801
ISSUES.
645
00:19:10,801 --> 00:19:12,151
>> THE THING WITH WAHLSTEIN IS
646
00:19:12,151 --> 00:19:12,629
NOT A DONE DEAL.
647
00:19:12,629 --> 00:19:14,153
>> NATE UNDERSTANDS, DON'T YOU,
648
00:19:14,153 --> 00:19:15,023
HONEY?
649
00:19:15,023 --> 00:19:16,198
DON'T YOU?
650
00:19:16,198 --> 00:19:18,722
THIS IS SO IMPORTANT TO DADDY.
651
00:19:18,722 --> 00:19:22,900
I MEAN, THIS MEANS EVERYTHING.
652
00:19:22,900 --> 00:19:26,774
IT'S OURS TO LOSE, WILL.
653
00:19:26,774 --> 00:19:28,384
OH, GOD, IF I DON'T LEAVE NOW
654
00:19:28,384 --> 00:19:29,907
I'M NEVER GONNA GET MY RUN IN.
655
00:19:29,907 --> 00:19:31,082
CALI, MAKE SURE THAT SARAH'S
656
00:19:31,082 --> 00:19:32,954
DROPPING NATE OFF AT SOCCER.
657
00:19:32,954 --> 00:19:33,476
[KISS]
658
00:19:33,476 --> 00:19:35,086
HAVE FUN AT SCHOOL, O.K.?
659
00:19:35,086 --> 00:19:37,176
HAVE FUN AT SCHOOL, O.K.?
I CAN PICK HIM UP.
660
00:19:37,176 --> 00:19:40,440
I CAN PICK HIM UP.
661
00:19:40,440 --> 00:19:41,571
>> HEY, SO YOU ALMOST READY WITH
662
00:19:41,571 --> 00:19:43,182
YOUR PROJECT FOR THE SCIENCE
663
00:19:43,182 --> 00:19:45,532
FAIR?
664
00:19:45,532 --> 00:19:49,623
>> IT'S A BIODIVERSITY FAIR.
665
00:19:49,623 --> 00:19:51,146
>> HEY, DON'T WORRY.
666
00:19:51,146 --> 00:19:52,626
I KNOW HOW HARD YOU WORKED ON
667
00:19:52,626 --> 00:19:54,628
THIS ANT FARM... I'M NOT GONNA
668
00:19:54,628 --> 00:19:55,368
MISS IT.
669
00:19:55,368 --> 00:19:56,978
>> YEAH, EXCEPT NOW GABRIELLA'S
670
00:19:56,978 --> 00:19:59,285
IN OUR GROUP AND SHE'S RUINING
671
00:19:59,285 --> 00:20:00,460
EVERYTHING.
672
00:20:00,460 --> 00:20:01,765
>> UGH, YOU DON'T LIKE HER?
673
00:20:01,765 --> 00:20:03,941
>> SHE'S BOSSY AND SHE TOLD MRS.
674
00:20:03,941 --> 00:20:05,726
BAKER THAT THE BASE AARON'S DAD
675
00:20:05,726 --> 00:20:08,337
BUILT IS TOO BIG FOR OUR TABLE.
676
00:20:08,337 --> 00:20:10,557
>> HUH... HOW BIG IS THE BASE?
677
00:20:10,557 --> 00:20:12,646
>> I DON'T KNOW, LIKE ABOUT
678
00:20:12,646 --> 00:20:13,212
THIS BIG?
679
00:20:13,212 --> 00:20:14,300
>> NOW, LISTEN, WHY DON'T BRING
680
00:20:14,300 --> 00:20:16,171
THE BASE HOME AND WE'LL SEE IF
681
00:20:16,171 --> 00:20:17,390
WE CAN MAKE SOMETHING STRONGER
682
00:20:17,390 --> 00:20:19,305
THAT STILL SHOWS THE BOTTOM.
683
00:20:19,305 --> 00:20:19,783
>> Nate: YEAH.
684
00:20:19,783 --> 00:20:20,654
>> O.K., YOU LITTLE BUILDER,
685
00:20:20,654 --> 00:20:22,177
LET'S GET YOU OFF TO SCHOOL SO
686
00:20:22,177 --> 00:20:23,352
YOU DON'T BE LATE.
687
00:20:23,352 --> 00:20:24,484
>> HAVE A GOOD DAY, BUDDY.
688
00:20:24,484 --> 00:20:25,615
>> Nate: BYE.
689
00:20:25,615 --> 00:20:26,225
[MACHINERY POUNDING]
690
00:20:26,225 --> 00:20:27,400
>> Pete: YOU KNOW WHAT, THAT IS
691
00:20:27,400 --> 00:20:28,705
A BUNCH OF COCKAMAMIE BULLSHIT
692
00:20:28,705 --> 00:20:30,446
AND YOU KNOW IT.
693
00:20:30,446 --> 00:20:31,926
WHATEVER, I'LL TALK TO YOU
694
00:20:31,926 --> 00:20:32,622
LATER.
695
00:20:32,622 --> 00:20:33,841
>> NOT MORE OF THE "COCKAMAMIE
696
00:20:33,841 --> 00:20:34,233
BULLSHIT."
697
00:20:34,233 --> 00:20:35,625
>> DON'T START WITH ME OR I'LL
698
00:20:35,625 --> 00:20:36,887
PULL YOU INTO THE COCKAMAMIE
699
00:20:36,887 --> 00:20:37,497
BULLSHIT.
700
00:20:37,497 --> 00:20:39,281
>> Meg: WILL, KATE BAASTE ON
701
00:20:39,281 --> 00:20:42,197
>> Meg: WILL, KATE BAASTE ON
LINE TWO FOR YOU.
702
00:20:42,197 --> 00:20:46,593
LINE TWO FOR YOU.
703
00:20:46,593 --> 00:20:48,464
>> HELLO...
704
00:20:48,464 --> 00:20:50,640
NO, NO, NO, DON'T WORRY
705
00:20:50,640 --> 00:20:51,815
ABOUT IT.
706
00:20:51,815 --> 00:20:57,604
I'M GLAD YOU GOT MY NUMBER.
707
00:20:57,604 --> 00:20:59,649
YEAH, SURE, YOU COULD DROP BY,
708
00:20:59,649 --> 00:21:02,609
OR, UH...
709
00:21:02,609 --> 00:21:03,827
OR I COULD MEET YOU SOMEWHERE.
710
00:21:03,827 --> 00:21:05,568
I DON'T HAVE ANYTHING THIS
711
00:21:05,568 --> 00:21:08,267
MORNING.
712
00:21:08,267 --> 00:21:09,790
O.K., GREAT.
713
00:21:09,790 --> 00:21:13,750
O.K., GREAT.
I WILL SEE YOU THERE AT 11.
714
00:21:13,750 --> 00:21:27,068
I WILL SEE YOU THERE AT 11.
715
00:21:27,068 --> 00:21:27,982
>> Kate: HI.
716
00:21:27,982 --> 00:21:29,244
>> OH, HI.
717
00:21:29,244 --> 00:21:29,810
THIS PLACE IS GREAT.
718
00:21:29,810 --> 00:21:31,028
I'VE NEVER BEEN HERE BEFORE.
719
00:21:31,028 --> 00:21:32,682
>> YEAH, IT'S BRAND-NEW, IT JUST
720
00:21:32,682 --> 00:21:33,466
OPENED.
721
00:21:33,466 --> 00:21:34,293
APPARENTLY THERE'S SOME NEW
722
00:21:34,293 --> 00:21:36,512
RESIDENTIAL BUILDINGS GOING UP.
723
00:21:36,512 --> 00:21:37,383
>> APPARENTLY.
724
00:21:37,383 --> 00:21:38,732
>> SO IT'S REALLY GOOD TO
725
00:21:38,732 --> 00:21:39,472
SEE YOU.
726
00:21:39,472 --> 00:21:40,037
>> YEAH, YOU TOO.
727
00:21:40,037 --> 00:21:41,300
>> HOW ARE YOU DOING?
728
00:21:41,300 --> 00:21:42,344
>> GOOD.
729
00:21:42,344 --> 00:21:44,999
WELL, FINE, I DON'T... YOU KNOW.
730
00:21:44,999 --> 00:21:46,217
I DON'T KNOW.
731
00:21:46,217 --> 00:21:50,439
IT'S BEEN SORT OF A CURSED JOB.
732
00:21:50,439 --> 00:21:51,658
>> WHY?
733
00:21:51,658 --> 00:21:52,789
>> OH, I DON'T KNOW.
734
00:21:52,789 --> 00:21:53,834
BETWEEN TAKING CARE OF OUR
735
00:21:53,834 --> 00:21:56,402
CREWS, THE COMMUNITY BOARD, THE
736
00:21:56,402 --> 00:21:58,012
DEVELOPMENT PARTNER.
737
00:21:58,012 --> 00:21:59,100
IT FEELS LIKE THERE'S ALWAYS
738
00:21:59,100 --> 00:22:00,623
SOMETHING IN NEED OF TAKING
739
00:22:00,623 --> 00:22:01,232
CARE OF.
740
00:22:01,232 --> 00:22:02,799
>> NOW, IS ANYBODY TAKING CARE
741
00:22:02,799 --> 00:22:03,191
OF YOU?
742
00:22:03,191 --> 00:22:05,106
I MEAN, DO YOU HAVE A DOG OR
743
00:22:05,106 --> 00:22:06,586
ANYTHING?
744
00:22:06,586 --> 00:22:07,108
>> UH, NO.
745
00:22:07,108 --> 00:22:07,630
>> NO? ME NEITHER.
746
00:22:07,630 --> 00:22:08,805
I KEEP WAITING FOR THE RIGHT
747
00:22:08,805 --> 00:22:11,808
TIME BUT IT JUST NEVER HAPPENS.
748
00:22:11,808 --> 00:22:13,027
>> WHAT, THE RIGHT TIME?
749
00:22:13,027 --> 00:22:15,682
>> YEAH, THE RIGHT APARTMENT...
750
00:22:15,682 --> 00:22:16,857
YOU KNOW, THE RIGHT JOB, THE
751
00:22:16,857 --> 00:22:18,467
RIGHT TIME OF YEAR, IT JUST
752
00:22:18,467 --> 00:22:20,077
DOESN'T WORK THAT WAY.
753
00:22:20,077 --> 00:22:21,601
>> YEAH, NOT FOR MOST THINGS.
754
00:22:21,601 --> 00:22:23,037
>> THAT'S WHY I'M EXCITED ABOUT
755
00:22:23,037 --> 00:22:24,517
GOING OUT ON MY OWN.
756
00:22:24,517 --> 00:22:25,953
YOU KNOW, SO... I'LL BE THE ONE
757
00:22:25,953 --> 00:22:27,302
WHO DECIDES WHAT JOBS TO GO
758
00:22:27,302 --> 00:22:29,086
AFTER AND HOW MUCH OF MY LIFE
759
00:22:29,086 --> 00:22:31,654
I'M COMMITTING TO MY WORK.
760
00:22:31,654 --> 00:22:37,791
>> THAT'S THE IDEA.
761
00:22:37,791 --> 00:22:39,488
WAIT...
762
00:22:39,488 --> 00:22:41,142
THIS IS COUNTRY DAY ELEMENTARY.
763
00:22:41,142 --> 00:22:42,709
>> YEAH, IT WAS AN UNUSUAL JOB
764
00:22:42,709 --> 00:22:43,840
FOR PREVIN BUT I THOUGHT I
765
00:22:43,840 --> 00:22:44,667
SHOULD INCLUDE IT.
766
00:22:44,667 --> 00:22:45,973
MY PARTNER LAURYN CHASE AND I,
767
00:22:45,973 --> 00:22:48,279
WE DID THE ATRIUM EXPLORATORIUM
768
00:22:48,279 --> 00:22:49,063
ADDITION.
769
00:22:49,063 --> 00:22:50,673
>> YEAH, THAT'S THE... THAT'S
770
00:22:50,673 --> 00:22:52,371
THE BEST PART OF THE ADDITION.
771
00:22:52,371 --> 00:22:54,590
>> YOU'VE SEEN IT?
772
00:22:54,590 --> 00:22:55,069
>> YEAH.
773
00:22:55,069 --> 00:22:56,200
>> ACTUALLY, THE GYM WAS MY
774
00:22:56,200 --> 00:22:57,376
FAVORITE PART BUT I THINK THE
775
00:22:57,376 --> 00:22:59,856
WHOLE, THE WHOLE JOB WAS REALLY
776
00:22:59,856 --> 00:23:01,684
GREAT, EXCEPT THE SITE VISITS.
777
00:23:01,684 --> 00:23:03,164
I HATED THAT. >> [CHUCKLES]
778
00:23:03,164 --> 00:23:04,861
>> I DON'T KNOW HOW YOU DO IT,
779
00:23:04,861 --> 00:23:06,515
BEING UP SO HIGH WITHOUT ANY
780
00:23:06,515 --> 00:23:08,822
WALLS OR ANYTHING.
781
00:23:08,822 --> 00:23:09,823
>> YOU GET USED TO IT.
782
00:23:09,823 --> 00:23:11,955
>> YEAH, WELL, I'M TERRIFIED OF
783
00:23:11,955 --> 00:23:15,481
HEIGHTS... AND CAPTIVATED.
784
00:23:15,481 --> 00:23:16,786
>> WELL, YOU GET USED TO
785
00:23:16,786 --> 00:23:17,874
IGNORING IT.
786
00:23:17,874 --> 00:23:19,049
>> OH, BUT THE MORE I IGNORE
787
00:23:19,049 --> 00:23:20,703
SOMETHING THE LESS LIKELY IT IS
788
00:23:20,703 --> 00:23:25,882
TO GO AWAY.
789
00:23:25,882 --> 00:23:28,755
THERE THEY ARE.
790
00:23:28,755 --> 00:23:30,191
THOSE ARE THE BIRDS I WAS
791
00:23:30,191 --> 00:23:33,934
TELLING YOU ABOUT.
792
00:23:33,934 --> 00:23:36,632
GOD, AREN'T THEY BEAUTIFUL?
793
00:23:36,632 --> 00:23:38,895
[♪...]
794
00:23:38,895 --> 00:23:41,550
[♪...]
>> YEAH.
795
00:23:41,550 --> 00:23:46,120
>> YEAH.
796
00:23:46,120 --> 00:23:49,689
>> O.K., NEXT PAGE. >> YES.
797
00:23:49,689 --> 00:23:51,778
[MACHINERY POUNDING]
798
00:23:51,778 --> 00:23:54,302
[MACHINERY POUNDING]
[♪...]
799
00:23:54,302 --> 00:24:02,702
[♪...]
800
00:24:02,702 --> 00:24:03,877
>> Pete: HEY, HEY, WHERE
801
00:24:03,877 --> 00:24:04,399
YOU BEEN?
802
00:24:04,399 --> 00:24:05,052
IT'S QUARTER AFTER.
803
00:24:05,052 --> 00:24:06,314
>> HOW LONG HAVE YOU BEEN
804
00:24:06,314 --> 00:24:07,010
WAITING TO SAY THAT?
805
00:24:07,010 --> 00:24:08,838
>> FOR YEARS, AND FRANKLY, IT'S
806
00:24:08,838 --> 00:24:10,361
NOT AS GOOD AS SLEEPING IN.
807
00:24:10,361 --> 00:24:11,798
>> APPARENTLY YOU NEVER SLEEP.
808
00:24:11,798 --> 00:24:13,321
>> OH, YOU GOT MY MESSAGE THEN.
809
00:24:13,321 --> 00:24:13,626
>> YEAH.
810
00:24:13,626 --> 00:24:14,888
>> HOW THE HELL YOU THOUGHT OF
811
00:24:14,888 --> 00:24:15,758
THAT BLOWS MY MIND.
812
00:24:15,758 --> 00:24:16,977
WE TRIED [] EVERYTHING ON THAT
813
00:24:16,977 --> 00:24:17,325
MOTHER.
814
00:24:17,325 --> 00:24:18,718
ALL IT NEEDED WAS AN ADJACENT
815
00:24:18,718 --> 00:24:19,719
BRACE, EH?
816
00:24:19,719 --> 00:24:20,633
>> LUCKY GUESS.
817
00:24:20,633 --> 00:24:21,285
>> YEAH.
818
00:24:21,285 --> 00:24:22,548
>> SO I GOT HERE EARLY,
819
00:24:22,548 --> 00:24:23,070
YOU KNOW.
820
00:24:23,070 --> 00:24:29,816
[LOUD RUMBLING...]
821
00:24:29,816 --> 00:24:32,514
[MEN SHOUTING]
822
00:24:32,514 --> 00:24:36,736
[ALARM BEEPING]
823
00:24:36,736 --> 00:24:37,867
>> IS ANYBODY HURT?
824
00:24:37,867 --> 00:24:39,565
>> Man: MOTHER OF SHIT-- MY GOD,
825
00:24:39,565 --> 00:24:40,174
WHAT IS THAT?
826
00:24:40,174 --> 00:24:41,088
DID WE EXCAVATE HERE?
827
00:24:41,088 --> 00:24:42,742
>> GIVE ME THE SITE PLANS.
828
00:24:42,742 --> 00:24:43,917
>> JESUS, IT LOOKS LIKE A
829
00:24:43,917 --> 00:24:47,877
GODDAMN SUBWAY TUNNEL.
830
00:24:47,877 --> 00:24:49,009
>> Man: TONY, GET OUT OF
831
00:24:49,009 --> 00:24:49,662
THE WAY!
832
00:24:49,662 --> 00:24:54,928
[LOUD RUMBLE AND CRASHING]
833
00:24:54,928 --> 00:24:56,016
>> Man: ...DOWN HERE!
834
00:24:56,016 --> 00:24:56,756
HELP ME OUT OF HERE!
835
00:24:56,756 --> 00:24:58,453
>> Will: HERE YOU GO, HERE YOU
836
00:24:58,453 --> 00:25:01,282
GO... ALL RIGHT.
837
00:25:01,282 --> 00:25:02,501
PETE, WHAT DO YOU SEE?
838
00:25:02,501 --> 00:25:03,110
>> NOT A GODDAMN THING.
839
00:25:03,110 --> 00:25:04,372
WE MUST'VE BEEN TRAVERSING OVER
840
00:25:04,372 --> 00:25:05,678
THIS THING FOR THE PAST
841
00:25:05,678 --> 00:25:06,069
18 MONTHS.
842
00:25:06,069 --> 00:25:07,201
>> SAL, IT LOOKS LIKE THIS THING
843
00:25:07,201 --> 00:25:10,204
IS RUNNING LENGTHWISE NORTHWEST.
844
00:25:10,204 --> 00:25:11,553
ALL RIGHT, GET THE LULL OVER
845
00:25:11,553 --> 00:25:12,772
HERE AND GET THIS AREA
846
00:25:12,772 --> 00:25:14,730
CLEARED NOW.
847
00:25:14,730 --> 00:25:15,818
FIND OUT HOW LONG IT RUNS
848
00:25:15,818 --> 00:25:16,993
BECAUSE THIS IS BUILDING ONE'S
849
00:25:16,993 --> 00:25:17,864
PEDESTRIAN PLAZA.
850
00:25:17,864 --> 00:25:19,126
>> Pete: YEAH, YOU'RE DAMN
851
00:25:19,126 --> 00:25:21,781
STRAIGHT IT IS.
852
00:25:21,781 --> 00:25:24,174
[MEN MURMURING]
853
00:25:24,174 --> 00:25:25,828
>> Will: I SWEAR TO GOD, FROM
854
00:25:25,828 --> 00:25:27,438
DAY ONE THIS JOB...
855
00:25:27,438 --> 00:25:30,180
DAY ONE THIS JOB...
[♪...]
856
00:25:30,180 --> 00:25:37,623
[♪...]
857
00:25:37,623 --> 00:25:39,015
...COME ON, DAMN IT...
858
00:25:39,015 --> 00:25:40,321
[INDISTINCT]
859
00:25:40,321 --> 00:25:42,976
[INDISTINCT]
[♪...]
860
00:25:42,976 --> 00:25:46,849
[♪...]
861
00:25:46,849 --> 00:25:48,634
>> Woman: SO THAT'S ALL WE HAVE
862
00:25:48,634 --> 00:25:49,504
ON THE AGENDA.
863
00:25:49,504 --> 00:25:50,723
IF ANYONE ELSE HAS AN ISSUE
864
00:25:50,723 --> 00:25:54,857
THEY'D LIKE TO RAISE?
865
00:25:54,857 --> 00:25:56,772
ALL RITTY-RIGHTY.
866
00:25:56,772 --> 00:25:57,556
THEN I THINK THAT'S IT.
867
00:25:57,556 --> 00:25:58,818
WE'RE ALL SET FOR NEXT MONTH'S
868
00:25:58,818 --> 00:26:00,863
MEETING... NOVEMBER 29th STILL
869
00:26:00,863 --> 00:26:02,865
WORK FOR EVERYONE?
870
00:26:02,865 --> 00:26:05,825
GREAT.
871
00:26:05,825 --> 00:26:07,043
[WOMEN LAUGHING]
872
00:26:07,043 --> 00:26:08,349
>> Woman: I HAVE AN IDEA.
873
00:26:08,349 --> 00:26:10,220
LET'S HAVE A LONG, LEISURELY
874
00:26:10,220 --> 00:26:11,918
LUNCH, MAYBE WITH A GLASS OF
875
00:26:11,918 --> 00:26:12,962
WINE, MAYBE TWO.
876
00:26:12,962 --> 00:26:15,008
>> MMM, THAT SOUNDS SO GOOD.
877
00:26:15,008 --> 00:26:16,618
DO YOU REMEMBER THE LAST TIME?
878
00:26:16,618 --> 00:26:19,229
YOU GAVE ME FOUR GLASSES OF WINE
879
00:26:19,229 --> 00:26:21,231
AND I WENT HOME COMPLETELY DRUNK
880
00:26:21,231 --> 00:26:22,581
AT 4:30 IN THE AFTERNOON,
881
00:26:22,581 --> 00:26:24,060
TOTALLY MISSING MY HAIRCUT.
882
00:26:24,060 --> 00:26:25,845
>> YEP, AND IT'S BETTER THAT WAY
883
00:26:25,845 --> 00:26:27,150
BECAUSE YOUR HAIR LOOKS BETTER
884
00:26:27,150 --> 00:26:28,369
LONG.
885
00:26:28,369 --> 00:26:29,283
>> THANKS.
886
00:26:29,283 --> 00:26:30,197
I WISH, BUT I CAN'T.
887
00:26:30,197 --> 00:26:31,677
I HAVE TO GO TO THE GROCERY
888
00:26:31,677 --> 00:26:32,895
STORE AND THEN PICK UP NATE BY
889
00:26:32,895 --> 00:26:34,201
THREE, TAKE HIM TO SOCCER AND
890
00:26:34,201 --> 00:26:35,550
THEN I PROMISED KAREN THAT I
891
00:26:35,550 --> 00:26:36,638
WOULD MEET HER BEFORE HER
892
00:26:36,638 --> 00:26:37,552
BENEFIT TONIGHT AT SIX.
893
00:26:37,552 --> 00:26:38,771
>> LET ME GUESS, YOU ALREADY
894
00:26:38,771 --> 00:26:39,989
TOOK A RUN TODAY.
895
00:26:39,989 --> 00:26:40,947
>> I DID.
896
00:26:40,947 --> 00:26:41,904
>> UGH, YOU ARE SO
897
00:26:41,904 --> 00:26:42,905
OVER-COMMITTED.
898
00:26:42,905 --> 00:26:44,167
"ONE THING A DAY," THAT'S
899
00:26:44,167 --> 00:26:45,342
MY MOTTO.
900
00:26:45,342 --> 00:26:46,256
LEISURE IS MY FORTE.
901
00:26:46,256 --> 00:26:47,431
OH, SPEAKING OF, ARE YOU AND
902
00:26:47,431 --> 00:26:48,737
WILL IN FOR MUSTIQUE BECAUSE
903
00:26:48,737 --> 00:26:49,608
SARAH CALLED YESTERDAY AND
904
00:26:49,608 --> 00:26:50,826
THEY'RE BOOKING UP AND...
905
00:26:50,826 --> 00:26:52,219
>> YEAH, YEAH, WE'RE HOPING TO.
906
00:26:52,219 --> 00:26:52,959
>> WELL, WHAT'S THE HANG-UP?
907
00:26:52,959 --> 00:26:54,787
I MEAN, YOU GUYS DON'T HAVE TO
908
00:26:54,787 --> 00:26:55,396
COME THE WHOLE TIME.
909
00:26:55,396 --> 00:26:56,876
GOD KNOWS TREVOR WILL BE THERE
910
00:26:56,876 --> 00:26:57,616
FOR PROBABLY A DAY.
911
00:26:57,616 --> 00:26:58,921
>> WELL, WE JUST HAVE TO MAKE
912
00:26:58,921 --> 00:27:00,401
SURE THIS THING WITH WILL GOES
913
00:27:00,401 --> 00:27:00,793
THROUGH.
914
00:27:00,793 --> 00:27:01,881
>> OH, I THOUGHT THAT WAS
915
00:27:01,881 --> 00:27:02,316
A DONE DEAL.
916
00:27:02,316 --> 00:27:03,926
>> IT IS... THEY JUST HAVE TO
917
00:27:03,926 --> 00:27:04,405
SIGN IT, THOUGH.
918
00:27:04,405 --> 00:27:05,798
>> O.K., WELL, CAN YOU HURRY IT
919
00:27:05,798 --> 00:27:06,973
UP BECAUSE WE HAVE A LUXURIOUS,
920
00:27:06,973 --> 00:27:09,628
PRIVATE ISLAND VACATION TO PLAN.
921
00:27:09,628 --> 00:27:10,890
>> OH, GOD!
922
00:27:10,890 --> 00:27:12,761
>> TWO STRAIGHT WEEKS OF BEACH
923
00:27:12,761 --> 00:27:13,109
LIVING.
924
00:27:13,109 --> 00:27:15,024
I CAN'T WAIT WHERE OUR ONLY TASK
925
00:27:15,024 --> 00:27:16,852
IS TO FLY THE FLAG FOR A FRESH
926
00:27:16,852 --> 00:27:17,679
MARGARITA.
927
00:27:17,679 --> 00:27:18,288
>> YOU NEED HELP.
928
00:27:18,288 --> 00:27:19,681
>> I NEED A DRINK. [LAUGHS]
929
00:27:19,681 --> 00:27:20,639
>> I NEED TO GO.
930
00:27:20,639 --> 00:27:24,860
>> BYE. >> BYE. [AIR KISS]
931
00:27:24,860 --> 00:27:25,861
>> Man: AS LONG AS WAHLSTEIN
932
00:27:25,861 --> 00:27:27,515
SIGNS OFF ON THEM, I THINK THE
933
00:27:27,515 --> 00:27:28,864
STRUCTURAL REINFORCEMENTS FOR
934
00:27:28,864 --> 00:27:30,126
THAT SUBWAY TUNNEL WILL WORK
935
00:27:30,126 --> 00:27:30,910
FINE.
936
00:27:30,910 --> 00:27:31,911
>> YEAH, SOUNDS GOOD.
937
00:27:31,911 --> 00:27:37,917
I APPRECIATE YOUR TIME.
938
00:27:37,917 --> 00:27:38,482
BRAIN DAMAGE.
939
00:27:38,482 --> 00:27:39,962
I MEAN, THEY'RE THE IDIOTS THAT
940
00:27:39,962 --> 00:27:41,050
FORGOT THEY DUG THE TUNNEL.
941
00:27:41,050 --> 00:27:42,269
I CAN'T BELIEVE WE NEED THEIR
942
00:27:42,269 --> 00:27:43,357
APPROVAL FOR STRUCTURAL
943
00:27:43,357 --> 00:27:44,010
PROPOSALS.
944
00:27:44,010 --> 00:27:45,359
>> "AS LONG AS WAHLSTEIN SIGNS
945
00:27:45,359 --> 00:27:46,577
OFF ON THEM."
946
00:27:46,577 --> 00:27:47,578
>> YEAH, HEY, STILL, THEY DID
947
00:27:47,578 --> 00:27:49,319
JUST SAVE US ABOUT 80 MAN HOURS
948
00:27:49,319 --> 00:27:50,886
OF ENGINEERING ANALYSIS.
949
00:27:50,886 --> 00:27:53,062
OF ENGINEERING ANALYSIS.
>> YOU'RE RIGHT.
950
00:27:53,062 --> 00:27:55,891
>> YOU'RE RIGHT.
951
00:27:55,891 --> 00:27:56,892
>> HEY, MAN!
952
00:27:56,892 --> 00:27:57,458
WHAT'S HAPPENING?
953
00:27:57,458 --> 00:27:59,155
YOU DIDN'T HAVE TO WEAR A SUIT
954
00:27:59,155 --> 00:27:59,503
FOR ME.
955
00:27:59,503 --> 00:28:01,375
I LOVE YOU FOR WHO YOU ARE ON
956
00:28:01,375 --> 00:28:01,767
THE INSIDE.
957
00:28:01,767 --> 00:28:02,985
>> [CHUCKLES] SADLY I CAN'T SAY
958
00:28:02,985 --> 00:28:04,987
THE SAME ABOUT DICK CALLAHAN AT
959
00:28:04,987 --> 00:28:05,945
THE DEPARTMENT OF CITY PLANNING.
960
00:28:05,945 --> 00:28:07,598
>> COME TO THINK OF IT, THE LAST
961
00:28:07,598 --> 00:28:09,252
TIME I SAW YOU, YOU WERE IN
962
00:28:09,252 --> 00:28:09,818
A SUIT.
963
00:28:09,818 --> 00:28:10,558
WHAT'S WITH YOU?
964
00:28:10,558 --> 00:28:11,428
YOU GOT A NEW JOB?
965
00:28:11,428 --> 00:28:12,255
>> UGH, SORRY I'M LATE.
966
00:28:12,255 --> 00:28:13,953
SO HOW ARE THINGS WITH...
967
00:28:13,953 --> 00:28:15,128
WHAT'S HER NAME?
968
00:28:15,128 --> 00:28:20,742
>> MEESH! YOU SUCK AT NAMES.
969
00:28:20,742 --> 00:28:23,049
SHE MET MATTHEW THE OTHER NIGHT.
970
00:28:23,049 --> 00:28:25,747
MAUREEN DROPPED HIM OFF FOR THE
971
00:28:25,747 --> 00:28:26,574
NIGHT ON FRIDAY.
972
00:28:26,574 --> 00:28:27,923
I THINK IT WENT O.K.
973
00:28:27,923 --> 00:28:29,577
I MEAN, MAUREEN WAS A BITCH, BUT
974
00:28:29,577 --> 00:28:30,752
WHAT CAN YOU EXPECT?
975
00:28:30,752 --> 00:28:31,622
>> MATTHEW KNOWS YOU DATE.
976
00:28:31,622 --> 00:28:32,754
I'M SURE IT WENT FINE.
977
00:28:32,754 --> 00:28:33,712
>> YEAH, I THINK IT
978
00:28:33,712 --> 00:28:34,277
PROBABLY DID.
979
00:28:34,277 --> 00:28:35,583
I DON'T KNOW, I JUST GET
980
00:28:35,583 --> 00:28:36,366
SELF-CONSCIOUS ABOUT THE WHOLE
981
00:28:36,366 --> 00:28:37,977
THING, YOU KNOW, HOW MATTHEW'S
982
00:28:37,977 --> 00:28:39,848
GOING TO ACT TO MEESH AND ME.
983
00:28:39,848 --> 00:28:41,981
GOD BLESS MAUREEN, THOUGH, SHE'S
984
00:28:41,981 --> 00:28:43,156
ALWAYS CONSISTENT.
985
00:28:43,156 --> 00:28:44,592
>> Waitress: YOU KNOW WHAT YOU
986
00:28:44,592 --> 00:28:44,940
GUYS WANT?
987
00:28:44,940 --> 00:28:46,637
>> YEAH, I'M GONNA HAVE A B.L.T.
988
00:28:46,637 --> 00:28:48,161
WITH A SIDE OF COLE SLAW, ORDER
989
00:28:48,161 --> 00:28:50,685
OF CRISPY FRIES AND AN ICED TEA.
990
00:28:50,685 --> 00:28:52,121
>> AND...?
991
00:28:52,121 --> 00:28:53,906
>> DOUBLE THAT, IT SOUNDS FINE.
992
00:28:53,906 --> 00:28:54,210
>> O.K.
993
00:28:54,210 --> 00:28:55,690
>> HE'S ALWAYS TRYING TO BE
994
00:28:55,690 --> 00:28:56,125
LIKE ME.
995
00:28:56,125 --> 00:28:58,475
[WAITRESS LAUGHS]
996
00:28:58,475 --> 00:28:59,912
>> AH, HEY, CONGRATS ON THE
997
00:28:59,912 --> 00:29:00,303
PROMOTION.
998
00:29:00,303 --> 00:29:01,827
HEAD OF THE STATION, NOT BAD.
999
00:29:01,827 --> 00:29:02,697
>> YEAH, WELL, THEY'RE JUST
1000
00:29:02,697 --> 00:29:04,307
PAYING ME FOR WHAT I DO ALREADY.
1001
00:29:04,307 --> 00:29:06,005
YOU'RE GONNA COME TO MY PARTY,
1002
00:29:06,005 --> 00:29:06,483
THOUGH, RIGHT?
1003
00:29:06,483 --> 00:29:07,397
>> YEAH, YEAH, I'LL BE THERE.
1004
00:29:07,397 --> 00:29:08,529
>> THE GUYS ARE INSISTING ON
1005
00:29:08,529 --> 00:29:09,791
THROWING ME ONE AND...
1006
00:29:09,791 --> 00:29:14,578
>> AND YOU HATE A PARTY.
1007
00:29:14,578 --> 00:29:16,493
>> SO, UH...
1008
00:29:16,493 --> 00:29:18,147
HOW ARE THINGS COMING ALONG WITH
1009
00:29:18,147 --> 00:29:19,322
GREENPOINT?
1010
00:29:19,322 --> 00:29:21,107
>> FANTASTIC...
1011
00:29:21,107 --> 00:29:22,761
EXCEPT FOR A SMALL ISSUE OF AN
1012
00:29:22,761 --> 00:29:24,153
UNMARKED SUBWAY RUNNING
1013
00:29:24,153 --> 00:29:25,981
UNDERNEATH OUR SITE.
1014
00:29:25,981 --> 00:29:27,853
UNBELIEVABLE.
1015
00:29:27,853 --> 00:29:28,941
FORTUNATELY FOR US, WE HAVE
1016
00:29:28,941 --> 00:29:30,986
WAHLSTEIN TO HELP US OUT.
1017
00:29:30,986 --> 00:29:32,553
>> YEAH, WHAT'S GOING ON WITH
1018
00:29:32,553 --> 00:29:32,814
THAT?
1019
00:29:32,814 --> 00:29:34,076
YOU'RE NOT SERIOUSLY CONSIDERING
1020
00:29:34,076 --> 00:29:35,948
MERGING WITH THEM, ARE YOU?
1021
00:29:35,948 --> 00:29:36,775
>> WELL, HONESTLY, IT...
1022
00:29:36,775 --> 00:29:38,428
IT WOULDN'T BE THAT BIG OF A
1023
00:29:38,428 --> 00:29:38,820
DIFFERENCE.
1024
00:29:38,820 --> 00:29:40,474
IT'S MORE ABOUT JUST COMBINING
1025
00:29:40,474 --> 00:29:42,476
OUR RESOURCES TO GO AFTER THE
1026
00:29:42,476 --> 00:29:43,651
BIGGER JOBS.
1027
00:29:43,651 --> 00:29:44,957
>> GREENPOINT'S BEEN A THORN IN
1028
00:29:44,957 --> 00:29:46,523
YOUR ASS FROM DAY ONE.
1029
00:29:46,523 --> 00:29:47,960
>> IT WOULD DOUBLE OUR REVENUE
1030
00:29:47,960 --> 00:29:50,745
AND ALLOW US TO COMPETE FOR
1031
00:29:50,745 --> 00:29:52,181
PROJECTS THAT WE REALLY WOULD
1032
00:29:52,181 --> 00:29:53,182
NEVER HAVE ACCESS TO.
1033
00:29:53,182 --> 00:29:54,357
I PROBABLY HAVE A CHANCE OF
1034
00:29:54,357 --> 00:29:55,663
RUNNING THE WHOLE THING IN FIVE
1035
00:29:55,663 --> 00:30:01,800
OR 10 YEARS ONCE PAMELA RETIRES.
1036
00:30:01,800 --> 00:30:03,149
CATHERINE'S REALLY EXCITED
1037
00:30:03,149 --> 00:30:04,672
ABOUT IT.
1038
00:30:04,672 --> 00:30:05,891
>> YEAH?
1039
00:30:05,891 --> 00:30:07,109
>> YEAH.
1040
00:30:07,109 --> 00:30:08,632
>> WELL, NOT TO BE THE PAIN IN
1041
00:30:08,632 --> 00:30:09,808
THE ASS YOU'VE COME TO PREDICT,
1042
00:30:09,808 --> 00:30:13,507
BUT WHY DON'T
1043
00:30:13,507 --> 00:30:15,248
ABOUT IT?
1044
00:30:15,248 --> 00:30:16,640
>> I KNOW, UM...
1045
00:30:16,640 --> 00:30:18,120
I'M JUST AFRAID THAT I'LL, I'LL
1046
00:30:18,120 --> 00:30:20,253
REGRET IT IF I BACK OUT OF
1047
00:30:20,253 --> 00:30:21,297
SOMETHING THIS BIG.
1048
00:30:21,297 --> 00:30:21,994
>> THAT'S HORSESHIT.
1049
00:30:21,994 --> 00:30:23,082
YOU HAVE TO BE HONEST WITH
1050
00:30:23,082 --> 00:30:24,039
YOURSELF AND DO WHAT'S RIGHT
1051
00:30:24,039 --> 00:30:25,562
FOR YOU-- THAT'S ALL ANY OF US
1052
00:30:25,562 --> 00:30:27,303
CAN DO AND MOST OF US CAN'T EVEN
1053
00:30:27,303 --> 00:30:28,348
DO THAT MOST OF THE TIME.
1054
00:30:28,348 --> 00:30:29,436
>> YOU'RE RIGHT, YOU'RE RIGHT.
1055
00:30:29,436 --> 00:30:30,219
>> OF COURSE I'M RIGHT.
1056
00:30:30,219 --> 00:30:32,004
THAT'S WHY YOU BUY THE LUNCHES.
1057
00:30:32,004 --> 00:30:33,309
I'M LIKE YOUR LITTLE GENIE.
1058
00:30:33,309 --> 00:30:35,181
YOU JUST RUB MY BELLY AND I GIVE
1059
00:30:35,181 --> 00:30:36,617
YOU ALL THE WISDOM YOU NEED
1060
00:30:36,617 --> 00:30:36,922
IN LIFE.
1061
00:30:36,922 --> 00:30:38,010
GO AHEAD, COME ON, RUB IT.
1062
00:30:38,010 --> 00:30:39,141
RUB IT, RUB MY BELLY.
1063
00:30:39,141 --> 00:30:40,360
>> Waitress: CUTE.
1064
00:30:40,360 --> 00:30:42,101
EAT UP, BOYS!
1065
00:30:42,101 --> 00:30:43,058
>> NOTHING LIKE A LITTLE FRIED
1066
00:30:43,058 --> 00:30:44,843
PIG TO KEEP YOU GOING THROUGH
1067
00:30:44,843 --> 00:30:45,408
THE DAY.
1068
00:30:45,408 --> 00:30:47,062
THE DAY.
>> YOU BETCHA!
1069
00:30:47,062 --> 00:30:50,587
>> YOU BETCHA!
1070
00:30:50,587 --> 00:30:52,198
>> SO...
1071
00:30:52,198 --> 00:30:55,375
KIT TELLS ME THAT YOU'RE HELPING
1072
00:30:55,375 --> 00:30:57,856
HIS SISTER KATE WITH SOME
1073
00:30:57,856 --> 00:30:59,161
FREELANCE WORK OR...
1074
00:30:59,161 --> 00:31:00,423
>> YEAH, SHE'S SUBMITTING HER
1075
00:31:00,423 --> 00:31:02,121
BOOK FOR SOME OF THE RETAIL WORK
1076
00:31:02,121 --> 00:31:02,773
AT GREENPOINT.
1077
00:31:02,773 --> 00:31:04,253
>> THAT'S COOL.
1078
00:31:04,253 --> 00:31:05,341
>> YEAH.
1079
00:31:05,341 --> 00:31:07,300
>> APPARENTLY SHE'S QUITE GOOD.
1080
00:31:07,300 --> 00:31:08,214
>> KATE? OH, YEAH.
1081
00:31:08,214 --> 00:31:09,955
SHE'S GOT A REAL UNIQUE WAY OF
1082
00:31:09,955 --> 00:31:14,481
APPROACHING HER DESIGNS.
1083
00:31:14,481 --> 00:31:18,050
>> SHE'S A UNIQUE PERSON.
1084
00:31:18,050 --> 00:31:20,182
>> PASS THE KETCHUP.
1085
00:31:20,182 --> 00:31:24,360
[♪...]
1086
00:31:24,360 --> 00:31:27,798
[♪...]
[NO DIALOG]
1087
00:31:27,798 --> 00:31:33,543
[NO DIALOG]
1088
00:31:33,543 --> 00:31:35,589
[NO DIALOG]
1089
00:31:35,589 --> 00:31:38,244
[NO DIALOG]
[♪...]
1090
00:31:38,244 --> 00:32:20,939
[♪...]
1091
00:32:20,939 --> 00:32:26,161
[CALL RINGING THROUGH...]
1092
00:32:26,161 --> 00:32:26,857
[BEEP]
1093
00:32:26,857 --> 00:32:27,989
>> Kate on answering machine:
1094
00:32:27,989 --> 00:32:29,469
Hi, you've reached Kate Baaste
1095
00:32:29,469 --> 00:32:30,339
with Previn.
1096
00:32:30,339 --> 00:32:32,037
Please leave a message.
1097
00:32:32,037 --> 00:32:33,560
Please leave a message.
[BEEP]
1098
00:32:33,560 --> 00:32:36,955
[BEEP]
1099
00:32:36,955 --> 00:32:40,959
[BEEP]
[MUSIC PLAYING IN BAR]
1100
00:32:40,959 --> 00:32:43,570
[MUSIC PLAYING IN BAR]
1101
00:32:43,570 --> 00:32:44,223
>> Josh: EXCELLENT, MAN.
1102
00:32:44,223 --> 00:32:45,615
I'M SO GLAD YOU COULD COME ALL
1103
00:32:45,615 --> 00:32:46,921
THE WAY IN... REALLY GOOD
1104
00:32:46,921 --> 00:32:47,356
TO SEE YOU.
1105
00:32:47,356 --> 00:32:48,488
ARE YOU GOING TO STICK AROUND
1106
00:32:48,488 --> 00:32:49,489
FOR A WHILE? >> Man: YEAH.
1107
00:32:49,489 --> 00:32:50,577
>> ALL RIGHT, O.K., COOL.
1108
00:32:50,577 --> 00:32:51,186
HEY, THERE. >> HEY, MAN.
1109
00:32:51,186 --> 00:32:52,274
>> HEY, MATTY, LOOK WHO IT IS!
1110
00:32:52,274 --> 00:32:53,449
IT'S THE GUY WHO'S RESPONSIBLE
1111
00:32:53,449 --> 00:32:54,798
FOR ALL THOSE SILLY PICTURES OF
1112
00:32:54,798 --> 00:32:56,409
ME WE WERE GOING THROUGH THE
1113
00:32:56,409 --> 00:32:56,844
OTHER NIGHT.
1114
00:32:56,844 --> 00:32:57,976
>> GOOD TO SEE YOU, MATTY.
1115
00:32:57,976 --> 00:32:58,367
CONGRATS.
1116
00:32:58,367 --> 00:32:58,846
>> AH, WHATEVER.
1117
00:32:58,846 --> 00:33:00,282
IT'S THE SAME JOB, DIFFERENT
1118
00:33:00,282 --> 00:33:00,848
TITLE.
1119
00:33:00,848 --> 00:33:01,457
SAME STOMACH, OBVIOUSLY.
1120
00:33:01,457 --> 00:33:02,763
WHERE'S CATHERINE, IS SHE
1121
00:33:02,763 --> 00:33:03,329
COMING?
1122
00:33:03,329 --> 00:33:04,373
>> UH, I DON'T KNOW.
1123
00:33:04,373 --> 00:33:05,244
SHE MIGHT STOP BY LATER.
1124
00:33:05,244 --> 00:33:06,636
>> ALL RIGHT, GO GET YOURSELF A
1125
00:33:06,636 --> 00:33:07,986
DRINK BEFORE WE SHUT THIS THING
1126
00:33:07,986 --> 00:33:09,248
DOWN PROMPTLY AT EIGHT AND YOU
1127
00:33:09,248 --> 00:33:10,989
HAVE TO PAY FOR YOUR OWN LIQUOR.
1128
00:33:10,989 --> 00:33:13,078
>> Man: OH...
1129
00:33:13,078 --> 00:33:14,514
[INDISTINCT CONVERSATIONS,
1130
00:33:14,514 --> 00:33:17,865
[INDISTINCT CONVERSATIONS,
MUSIC PLAYING IN BAR]
1131
00:33:17,865 --> 00:33:22,522
MUSIC PLAYING IN BAR]
1132
00:33:22,522 --> 00:33:23,566
>> HI. >> HI.
1133
00:33:23,566 --> 00:33:25,394
>> I THOUGHT I'D SEE YOU HERE.
1134
00:33:25,394 --> 00:33:25,829
HOW ARE YOU?
1135
00:33:25,829 --> 00:33:27,092
>> GOOD, GOOD, IT'S GREAT TO
1136
00:33:27,092 --> 00:33:27,831
SEE YOU.
1137
00:33:27,831 --> 00:33:28,963
I SAW YOUR BROTHER OUTSIDE.
1138
00:33:28,963 --> 00:33:29,964
>> YEAH, HE LEFT EARLY.
1139
00:33:29,964 --> 00:33:31,444
HE HAS THE EIGHT TO MIDNIGHT
1140
00:33:31,444 --> 00:33:31,922
SHIFT.
1141
00:33:31,922 --> 00:33:33,185
THAT'S HIS FAVORITE TIME SLOT.
1142
00:33:33,185 --> 00:33:34,403
HE SAYS LISTENERS HAVE SMOKED
1143
00:33:34,403 --> 00:33:35,796
A BIG, FAT JOINT AND THEY'RE
1144
00:33:35,796 --> 00:33:36,840
READY FOR A FOUR-HOUR RIDE.
1145
00:33:36,840 --> 00:33:37,841
>> THAT WAS ALWAYS JOSH'S
1146
00:33:37,841 --> 00:33:38,842
FAVORITE TIME SLOT TOO.
1147
00:33:38,842 --> 00:33:40,844
>> IT'S LIKE THEY'RE IN SOME...
1148
00:33:40,844 --> 00:33:42,759
SUSPENDED SPATIAL WARP THAT
1149
00:33:42,759 --> 00:33:44,239
COCOONS THEM AND THE MUSIC AND
1150
00:33:44,239 --> 00:33:46,372
THEY CAN'T HEAR OR SEE OR FEEL
1151
00:33:46,372 --> 00:33:47,199
ANYTHING ELSE.
1152
00:33:47,199 --> 00:33:48,765
>> LISTENERS ARE DIALED IN AND
1153
00:33:48,765 --> 00:33:50,811
RESPONDING TO THE COMMANDS OF
1154
00:33:50,811 --> 00:33:52,769
THE MASTER PORTAL.
1155
00:33:52,769 --> 00:33:54,467
>> [LAUGHS] OH, NO!
1156
00:33:54,467 --> 00:33:55,990
DON'T TELL ME YOU'RE ONE
1157
00:33:55,990 --> 00:33:56,556
OF THEM.
1158
00:33:56,556 --> 00:33:59,298
>> NO, BELIEVE ME.
1159
00:33:59,298 --> 00:34:00,212
>> WHAT?
1160
00:34:00,212 --> 00:34:01,996
>> IT JUST REMINDED ME OF THIS
1161
00:34:01,996 --> 00:34:02,431
STORY.
1162
00:34:02,431 --> 00:34:04,259
ABOUT 10 YEARS AGO JOSH TAKES ME
1163
00:34:04,259 --> 00:34:06,044
TO SEE WYNTON MARSALIS AT
1164
00:34:06,044 --> 00:34:06,609
LINCOLN CENTER.
1165
00:34:06,609 --> 00:34:07,958
HE WAS COMPLETELY BROKE BUT HE
1166
00:34:07,958 --> 00:34:08,655
SPRINGS FOR THESE TICKETS
1167
00:34:08,655 --> 00:34:10,091
ANYWAY... MAKES ME PROMISE TO BE
1168
00:34:10,091 --> 00:34:11,745
THERE AT EIGHT P.M. RIGHT ON
1169
00:34:11,745 --> 00:34:12,050
THE DOT.
1170
00:34:12,050 --> 00:34:13,486
>> OH, GOD, NO, DON'T TELL ME
1171
00:34:13,486 --> 00:34:13,964
YOU WERE LATE?
1172
00:34:13,964 --> 00:34:15,401
>> NO, NO, NO, I WAS ON TIME,
1173
00:34:15,401 --> 00:34:16,663
BUT I WAS EXHAUSTED.
1174
00:34:16,663 --> 00:34:18,360
AND I SETTLE INTO ONE OF THOSE
1175
00:34:18,360 --> 00:34:20,101
BIG, COMFY LINCOLN CENTER CHAIRS
1176
00:34:20,101 --> 00:34:22,103
AND FALL SOUND ASLEEP.
1177
00:34:22,103 --> 00:34:23,409
>> KIT WOULD KILL ME IF I FELL
1178
00:34:23,409 --> 00:34:24,540
ASLEEP LISTENING TO AN ALBUM,
1179
00:34:24,540 --> 00:34:26,412
MUCH LESS A LIVE PERFORMANCE.
1180
00:34:26,412 --> 00:34:27,065
>> YEAH, I KNOW.
1181
00:34:27,065 --> 00:34:28,762
WELL, I, YOU KNOW, I, I WOKE UP
1182
00:34:28,762 --> 00:34:30,503
AFTER PROBABLY AN HOUR OR
1183
00:34:30,503 --> 00:34:33,332
SO INTO IT, IN A STATE OF
1184
00:34:33,332 --> 00:34:35,595
COMPLETE PANIC, AND I LOOK OVER
1185
00:34:35,595 --> 00:34:37,336
AT JOSH AND HE'S TOTALLY
1186
00:34:37,336 --> 00:34:38,859
ENGROSSED IN THE MUSIC, YOU
1187
00:34:38,859 --> 00:34:40,078
KNOW, THAT SPATIAL COCOON SORT
1188
00:34:40,078 --> 00:34:41,644
OF THING, AND HE DOESN'T EVEN
1189
00:34:41,644 --> 00:34:42,341
NOTICE.
1190
00:34:42,341 --> 00:34:44,212
WHEN I GET HOME, I REACH TO TAKE
1191
00:34:44,212 --> 00:34:46,084
MY TIE OFF AND I REALIZED THAT
1192
00:34:46,084 --> 00:34:47,650
HALF OF IT IS GONE.
1193
00:34:47,650 --> 00:34:50,218
THAT SON OF A BITCH HAD CUT THE
1194
00:34:50,218 --> 00:34:52,438
TIE FROM THE NUB DOWN.
1195
00:34:52,438 --> 00:34:53,091
>> NO!
1196
00:34:53,091 --> 00:34:54,701
>> HE LEFT ME WITH A NUB!
1197
00:34:54,701 --> 00:34:56,094
YEAH, WHEN I HAD FALLEN ASLEEP
1198
00:34:56,094 --> 00:34:57,399
HE TAKES OUT HIS LITTLE SWISS
1199
00:34:57,399 --> 00:34:59,097
ARMY KNIFE AND JUST HACKS OFF
1200
00:34:59,097 --> 00:35:02,361
HALF MY TIE... RIDICULOUS.
1201
00:35:02,361 --> 00:35:04,014
HE SAID IF I EVER DID IT AGAIN
1202
00:35:04,014 --> 00:35:05,277
HE'S GONNA SLICE A LITTLE
1203
00:35:05,277 --> 00:35:06,016
HIGHER.
1204
00:35:06,016 --> 00:35:08,323
>> I WON'T LET HIM.
1205
00:35:08,323 --> 00:35:09,890
ONE OF THE FIRST NIGHTS I MOVED
1206
00:35:09,890 --> 00:35:11,674
HERE ONE OF MY FRIENDS TOOK ME
1207
00:35:11,674 --> 00:35:13,415
TO THE STATEN ISLAND FERRY.
1208
00:35:13,415 --> 00:35:14,329
>> OH, YEAH? >> YEAH.
1209
00:35:14,329 --> 00:35:15,113
>> NEVER BEEN.
1210
00:35:15,113 --> 00:35:15,678
>> REALLY? >> NOPE.
1211
00:35:15,678 --> 00:35:16,984
>> OH, YOU SHOULD GO, IT'S
1212
00:35:16,984 --> 00:35:17,637
FANTASTIC.
1213
00:35:17,637 --> 00:35:18,420
>> AH, REALLY?
1214
00:35:18,420 --> 00:35:19,421
>> YEAH.
1215
00:35:19,421 --> 00:35:21,467
I REMEMBER BEING ALL BUNDLED UP,
1216
00:35:21,467 --> 00:35:22,555
STANDING ON THAT DECK, LOOKING
1217
00:35:22,555 --> 00:35:24,426
AT THE CITY FROM THE WATER
1218
00:35:24,426 --> 00:35:25,514
AND...
1219
00:35:25,514 --> 00:35:27,342
YOU KNOW, I NEVER WOULD'VE
1220
00:35:27,342 --> 00:35:29,518
ADMITTED IT THEN, BUT I WAS SO
1221
00:35:29,518 --> 00:35:31,216
TERRIFIED OF THE CITY.
1222
00:35:31,216 --> 00:35:33,131
BUT I ALSO KNEW I WAS IN LOVE
1223
00:35:33,131 --> 00:35:34,349
WITH IT TOO.
1224
00:35:34,349 --> 00:35:36,046
>> WHY WOULDN'T YOU ADMIT TO BE
1225
00:35:36,046 --> 00:35:39,006
TERRIFIED BY IT?
1226
00:35:39,006 --> 00:35:41,313
>> I DON'T KNOW.
1227
00:35:41,313 --> 00:35:42,357
>> IT'S FUNNY, FROM THE TIME
1228
00:35:42,357 --> 00:35:44,316
WE'RE KIDS WE'RE TAUGHT NOT TO
1229
00:35:44,316 --> 00:35:46,883
BE AFRAID.
1230
00:35:46,883 --> 00:35:48,146
IT'S THE ONE THING WE ALL
1231
00:35:48,146 --> 00:35:49,799
PRETEND NOT TO BE AND PROBABLY
1232
00:35:49,799 --> 00:35:53,455
PRETEND NOT TO BE AND PROBABLY
THE ONLY THING WE ALL ARE.
1233
00:35:53,455 --> 00:35:56,023
THE ONLY THING WE ALL ARE.
1234
00:35:56,023 --> 00:35:57,807
I WONDER WHAT IT WOULD BE LIKE
1235
00:35:57,807 --> 00:36:00,549
IF WE HAD NEVER LEARNED TO BURY
1236
00:36:00,549 --> 00:36:03,770
OUR FEARS BUT INSTEAD WE WERE
1237
00:36:03,770 --> 00:36:06,555
JUST TAUGHT TO ADMIT THEM.
1238
00:36:06,555 --> 00:36:10,080
[SUBWAY CAR SCREECHING BELOW]
1239
00:36:10,080 --> 00:36:11,343
>> THAT'S MY TRAIN.
1240
00:36:11,343 --> 00:36:13,171
I'VE GOT TO GO.
1241
00:36:13,171 --> 00:36:16,348
I'VE GOT TO GO.
[♪...]
1242
00:36:16,348 --> 00:36:40,720
[♪...]
1243
00:36:40,720 --> 00:36:41,329
>> HI.
1244
00:36:41,329 --> 00:36:42,461
>> Will: HI.
1245
00:36:42,461 --> 00:36:43,897
>> DID YOU HAVE A GOOD TIME
1246
00:36:43,897 --> 00:36:48,510
WITH JOSH?
1247
00:36:48,510 --> 00:36:50,251
>> YEAH.
1248
00:36:50,251 --> 00:36:53,559
>> GOOD.
1249
00:36:53,559 --> 00:36:57,563
>> GOOD.
OH, CAN YOU HAND THIS TO ME?
1250
00:36:57,563 --> 00:37:02,481
OH, CAN YOU HAND THIS TO ME?
1251
00:37:02,481 --> 00:37:04,570
OH, CAN YOU HAND THIS TO ME?
THANKS.
1252
00:37:04,570 --> 00:37:11,968
THANKS.
1253
00:37:11,968 --> 00:37:13,492
NATE WAS GREAT IN HIS SOCCER
1254
00:37:13,492 --> 00:37:15,972
GAME THIS AFTERNOON.
1255
00:37:15,972 --> 00:37:16,408
>> OH, YEAH?
1256
00:37:16,408 --> 00:37:18,540
>> YEAH... OH, YOU WOULD HAVE
1257
00:37:18,540 --> 00:37:19,411
DIED.
1258
00:37:19,411 --> 00:37:21,935
THOSE BOYS ARE SO CUTE, RUNNING
1259
00:37:21,935 --> 00:37:23,371
AROUND IN THOSE LITTLE BLUE
1260
00:37:23,371 --> 00:37:26,200
JERSEYS AND MATCHING SHORTS.
1261
00:37:26,200 --> 00:37:29,421
I TOOK ABOUT A HUNDRED PICTURES.
1262
00:37:29,421 --> 00:37:30,900
>> HE GET A CHANCE TO PLAY
1263
00:37:30,900 --> 00:37:32,206
GOALIE?
1264
00:37:32,206 --> 00:37:33,512
>> WELL, THEY PUT HIM IN AT THE
1265
00:37:33,512 --> 00:37:36,428
END, BUT I KNOW HE WAS HOPING
1266
00:37:36,428 --> 00:37:37,907
FOR SOME MORE ACTION.
1267
00:37:37,907 --> 00:37:39,605
HE STOPPED ONE GOAL, THOUGH.
1268
00:37:39,605 --> 00:37:42,825
>> YEAH, I BET HE DID GREAT.
1269
00:37:42,825 --> 00:37:44,697
>> OH, UM...
1270
00:37:44,697 --> 00:37:46,089
SO NINA MENTIONED THAT THE
1271
00:37:46,089 --> 00:37:47,177
FLIGHTS TO MUSTIQUE ARE STARTING
1272
00:37:47,177 --> 00:37:49,136
TO BOOK UP SO I'M GOING TO MAKE
1273
00:37:49,136 --> 00:37:49,789
US RESERVATIONS.
1274
00:37:49,789 --> 00:37:50,746
>> NO, CATHERINE, COME ON.
1275
00:37:50,746 --> 00:37:51,617
WE'VE TALKED ABOUT THIS.
1276
00:37:51,617 --> 00:37:53,096
THIS, THIS TRIP IS WAY TOO
1277
00:37:53,096 --> 00:37:54,184
EXPENSIVE FOR US.
1278
00:37:54,184 --> 00:37:55,011
>> NOT WITH THE WAHLSTEIN
1279
00:37:55,011 --> 00:37:56,317
SIGNING BONUS AND PLUS,
1280
00:37:56,317 --> 00:37:58,624
EVERYBODY'S EXPECTING US.
1281
00:37:58,624 --> 00:38:00,408
WE CAN DECIDE LATER.
1282
00:38:00,408 --> 00:38:02,541
WHEN YOU SIGN THE DEAL, IT'S ALL
1283
00:38:02,541 --> 00:38:05,979
GOING TO FEEL SO MUCH EASIER.
1284
00:38:05,979 --> 00:38:08,242
[HE SIGHS]
1285
00:38:08,242 --> 00:38:10,070
ANYWAYS, I'VE GOT TO GET SOME
1286
00:38:10,070 --> 00:38:13,116
E-MAILS OUT BEFORE I GO TO BED,
1287
00:38:13,116 --> 00:38:16,642
SO CAN YOU TURN THE LIGHTS OFF?
1288
00:38:16,642 --> 00:38:19,166
>> CATHERINE, WAIT.
1289
00:38:19,166 --> 00:38:23,344
UM... I...
1290
00:38:23,344 --> 00:38:25,607
CAN WE TALK?
1291
00:38:25,607 --> 00:38:29,524
>> YEAH... WHAT'S UP?
1292
00:38:29,524 --> 00:38:31,831
>> UM...
1293
00:38:31,831 --> 00:38:38,185
I DON'T KNOW, I JUST...
1294
00:38:38,185 --> 00:38:39,447
THIS THING WITH WAHLSTEIN.
1295
00:38:39,447 --> 00:38:40,709
>> WAHLSTEIN IS FINE.
1296
00:38:40,709 --> 00:38:42,494
WE ARE IN THE FINAL STRETCH.
1297
00:38:42,494 --> 00:38:44,757
EVERYTHING IS GOING TO WORK OUT
1298
00:38:44,757 --> 00:38:45,932
GREAT.
1299
00:38:45,932 --> 00:38:47,542
YOU REALLY DON'T NEED TO WORRY.
1300
00:38:47,542 --> 00:38:48,500
WHAT YOU DO NEED IS A GOOD
1301
00:38:48,500 --> 00:38:51,633
NIGHT'S SLEEP, SO WHY DON'T YOU
1302
00:38:51,633 --> 00:38:53,331
GO UPSTAIRS, GET INTO BED,
1303
00:38:53,331 --> 00:38:54,593
RELAX?
1304
00:38:54,593 --> 00:38:56,421
I'LL BE UP LATER, O.K.?
1305
00:38:56,421 --> 00:38:58,336
I'LL BE UP LATER, O.K.?
[KISS]
1306
00:38:58,336 --> 00:39:02,644
[KISS]
1307
00:39:02,644 --> 00:39:05,647
[DISTANT HORNS HONK]
1308
00:39:05,647 --> 00:39:08,868
[DISTANT HORNS HONK]
[MUSIC PLAYING SOFTLY...]
1309
00:39:08,868 --> 00:39:15,701
[MUSIC PLAYING SOFTLY...]
1310
00:39:15,701 --> 00:39:18,704
[PHONE RINGING]
1311
00:39:18,704 --> 00:39:22,229
[PHONE RINGS]
1312
00:39:22,229 --> 00:39:23,361
>> HELLO?
1313
00:39:23,361 --> 00:39:25,667
>> HELLO, IS WILL SARGENT THERE?
1314
00:39:25,667 --> 00:39:27,713
>> UH, HE'S NOT HERE RIGHT NOW.
1315
00:39:27,713 --> 00:39:29,454
>> O.K., UH, MY NAME
1316
00:39:29,454 --> 00:39:30,498
IS KATE BAASTE.
1317
00:39:30,498 --> 00:39:31,456
I MET WITH HIM REGARDING
1318
00:39:31,456 --> 00:39:33,022
THE WAHLSTEIN PROJECT.
1319
00:39:33,022 --> 00:39:35,111
>> UH-HUH.
1320
00:39:35,111 --> 00:39:36,504
>> UH, O.K., I HAD SOME
1321
00:39:36,504 --> 00:39:37,897
ADDITIONAL DRAWINGS BEING
1322
00:39:37,897 --> 00:39:38,332
DUPLICATED.
1323
00:39:38,332 --> 00:39:40,116
THEY'RE GOING TO BE BACK LATER.
1324
00:39:40,116 --> 00:39:40,900
>> UH-HUH.
1325
00:39:40,900 --> 00:39:43,772
>> WELL, UH... O.K., I WAS JUST
1326
00:39:43,772 --> 00:39:44,947
WONDERING THE BEST ADDRESS
1327
00:39:44,947 --> 00:39:46,079
TO DROP THEM BY.
1328
00:39:46,079 --> 00:39:47,472
>> UM, YEAH, YEAH, OF COURSE.
1329
00:39:47,472 --> 00:39:49,430
IT'S 37 BANK STREET,
1330
00:39:49,430 --> 00:39:52,172
BETWEEN CHARLES AND WAVERLY.
1331
00:39:52,172 --> 00:39:54,087
>> 37 BANK, BETWEEN...
1332
00:39:54,087 --> 00:39:56,306
>> 37 BANK, BETWEEN...
[DIAL TONE...]
1333
00:39:56,306 --> 00:40:00,354
[DIAL TONE...]
1334
00:40:00,354 --> 00:40:03,226
>> [CHUCKLES] O.K.
1335
00:40:03,226 --> 00:40:06,055
>> [CHUCKLES] O.K.
[DISTANT SIREN WAILING...]
1336
00:40:06,055 --> 00:40:12,627
[DISTANT SIREN WAILING...]
1337
00:40:12,627 --> 00:40:13,889
>> Alex: WILL! >> OH, HI.
1338
00:40:13,889 --> 00:40:14,673
>> HOW ARE YA?
1339
00:40:14,673 --> 00:40:15,282
>> HEY, GOOD.
1340
00:40:15,282 --> 00:40:16,718
>> Sam: GOOD TO SEE YOU, WILL.
1341
00:40:16,718 --> 00:40:18,111
HOW ARE YA? >> UH, GOOD.
1342
00:40:18,111 --> 00:40:20,200
>> YOU KNOW WE SAW ALAN STERG
1343
00:40:20,200 --> 00:40:20,853
ON MONDAY.
1344
00:40:20,853 --> 00:40:21,767
HE'S FANTASTIC.
1345
00:40:21,767 --> 00:40:23,421
HE'S REALLY EXCITED ABOUT
1346
00:40:23,421 --> 00:40:24,944
THE PROJECT, SO THANK YOU
1347
00:40:24,944 --> 00:40:25,858
FOR THE CONTACT.
1348
00:40:25,858 --> 00:40:26,467
>> I'M GLAD.
1349
00:40:26,467 --> 00:40:28,208
HE'S A, HE'S A GREAT ENGINEER.
1350
00:40:28,208 --> 00:40:28,556
>> YEAH.
1351
00:40:28,556 --> 00:40:30,297
>> LISTEN, I KNOW I OWE YOU GUYS
1352
00:40:30,297 --> 00:40:30,732
AN ANSWER.
1353
00:40:30,732 --> 00:40:31,733
[STAMMERS] I WAS HOPING TO RUN
1354
00:40:31,733 --> 00:40:32,821
SOME NUMBERS THIS PAST WEEKEND,
1355
00:40:32,821 --> 00:40:34,301
BUT I DIDN'T GET AROUND
1356
00:40:34,301 --> 00:40:34,649
TO IT YET.
1357
00:40:34,649 --> 00:40:35,737
>> OH, IT'S, IT'S NO PROBLEM.
1358
00:40:35,737 --> 00:40:37,783
WE, WE SORT OF FIGURED THAT WITH
1359
00:40:37,783 --> 00:40:39,611
ALL YOU HAVE GOING ON RIGHT NOW,
1360
00:40:39,611 --> 00:40:41,047
THE TIMING PROBABLY WASN'T GREAT
1361
00:40:41,047 --> 00:40:42,265
FOR YOU, SO...
1362
00:40:42,265 --> 00:40:44,267
>> YEAH. I MEAN, WE WOULD
1363
00:40:44,267 --> 00:40:45,573
HAVE LOVED IT IF YOU JOINED
1364
00:40:45,573 --> 00:40:47,880
THE PROJECT, BUT WE TOTALLY
1365
00:40:47,880 --> 00:40:49,708
UNDERSTOOD.
1366
00:40:49,708 --> 00:40:50,535
>> SO YOU FOUND ANOTHER
1367
00:40:50,535 --> 00:40:51,753
ARCHITECT?
1368
00:40:51,753 --> 00:40:52,798
>> UH, YEAH.
1369
00:40:52,798 --> 00:40:53,363
>> YEAH.
1370
00:40:53,363 --> 00:40:55,714
UM, IT LOOKS LIKE WE'RE GONNA
1371
00:40:55,714 --> 00:40:58,238
ENTER INTO A CONTRACT NEXT WEEK.
1372
00:40:58,238 --> 00:41:00,762
WE FOUND A DECENT MID-SIZE FIRM.
1373
00:41:00,762 --> 00:41:01,676
WOULDN'T HAVE BEEN
1374
00:41:01,676 --> 00:41:02,677
OUR FIRST CHOICE. [CHUCKLES]
1375
00:41:02,677 --> 00:41:03,765
>> LISTEN, YOU SEEM LIKE YOU'RE
1376
00:41:03,765 --> 00:41:05,463
IN A RUSH, SO WE'LL LET YOU GO,
1377
00:41:05,463 --> 00:41:07,116
BUT GOOD TO SEE YOU AGAIN, WILL.
1378
00:41:07,116 --> 00:41:08,248
>> Sam: GOOD TO SEE YOU.
1379
00:41:08,248 --> 00:41:09,075
>> TAKE CARE, WILL.
1380
00:41:09,075 --> 00:41:11,338
>> Will: BYE.
1381
00:41:11,338 --> 00:41:13,862
>> Will: BYE.
[♪...]
1382
00:41:13,862 --> 00:41:46,460
[♪...]
1383
00:41:46,460 --> 00:41:49,724
>> Catherine: [LAUGHING]
1384
00:41:49,724 --> 00:41:50,638
OH, HI, WILL.
1385
00:41:50,638 --> 00:41:51,639
>> HEY, EVERYBODY.
1386
00:41:51,639 --> 00:41:52,379
>> DO YOU REMEMBER AIDAN?
1387
00:41:52,379 --> 00:41:53,554
HE WORKS, UM, AT THE JOURNAL.
1388
00:41:53,554 --> 00:41:54,903
>> Aidan: HEY, GOOD TO SEE YOU.
1389
00:41:54,903 --> 00:41:55,817
>> Woman: HI, WILL.
1390
00:41:55,817 --> 00:41:56,862
GREAT TO SEE YOU.
1391
00:41:56,862 --> 00:41:57,906
>> Will: SURE.
1392
00:41:57,906 --> 00:42:00,430
>> Katherine: NATE, NO, I DO NOT
1393
00:42:00,430 --> 00:42:01,562
WANT THIS THING IN HERE.
1394
00:42:01,562 --> 00:42:02,737
I TOLD YOU, WAIT TILL
1395
00:42:02,737 --> 00:42:03,695
AFTER DINNER.
1396
00:42:03,695 --> 00:42:05,653
>> BUT DAD SAID HE'D HELP ME.
1397
00:42:05,653 --> 00:42:06,915
>> WELL, WILL, CAN YOU TWO
1398
00:42:06,915 --> 00:42:08,351
PLEASE... DO THIS LATER?
1399
00:42:08,351 --> 00:42:08,917
>> YEAH, YEAH, YEAH.
1400
00:42:08,917 --> 00:42:10,310
COME ON, LET'S GO OVER THERE.
1401
00:42:10,310 --> 00:42:11,050
COME ON, BUDDY.
1402
00:42:11,050 --> 00:42:11,659
[CATHERINE SCOFFS]
1403
00:42:11,659 --> 00:42:13,792
>> Cali: UH... DINNER'S READY,
1404
00:42:13,792 --> 00:42:14,662
MISS CATHERINE.
1405
00:42:14,662 --> 00:42:15,707
>> OH, THANK YOU, CALI.
1406
00:42:15,707 --> 00:42:17,535
O.K., GUYS, WELL, LET'S, UM,
1407
00:42:17,535 --> 00:42:18,536
GO INTO THE DINING ROOM.
1408
00:42:18,536 --> 00:42:19,624
>> Will: SHE SAID THIS IS
1409
00:42:19,624 --> 00:42:20,886
TOO BIG FOR THE COAT ROOM?
1410
00:42:20,886 --> 00:42:21,669
[DOORBELL RINGS]
1411
00:42:21,669 --> 00:42:22,540
>> YEAH, I DON'T--
1412
00:42:22,540 --> 00:42:23,845
>> WILL, CAN YOU GET THE DOOR?
1413
00:42:23,845 --> 00:42:24,629
IT'S SOME DESIGNER WOMAN.
1414
00:42:24,629 --> 00:42:25,891
SHE'S DROPPING OFF A RETAIL
1415
00:42:25,891 --> 00:42:26,674
PROPOSAL SUBMISSION.
1416
00:42:26,674 --> 00:42:27,719
>> Woman: AS USUAL, CATHERINE,
1417
00:42:27,719 --> 00:42:29,242
EVERYTHING LOOKS BEAUTIFUL.
1418
00:42:29,242 --> 00:42:30,373
>> OH, THANK YOU.
1419
00:42:30,373 --> 00:42:31,157
>> Will: WHAT?
1420
00:42:31,157 --> 00:42:32,637
>> I DON'T KNOW.
1421
00:42:32,637 --> 00:42:34,116
NATE, CAN YOU GO ON WITH CALI,
1422
00:42:34,116 --> 00:42:35,378
AND DADDY WILL HELP YOU
1423
00:42:35,378 --> 00:42:36,728
AFTER DINNER?
1424
00:42:36,728 --> 00:42:39,600
[PHONE RINGS]
1425
00:42:39,600 --> 00:42:41,602
[PHONE RINGS]
OH, GOSH.
1426
00:42:41,602 --> 00:42:46,694
OH, GOSH.
1427
00:42:46,694 --> 00:42:48,827
>> HI.
1428
00:42:48,827 --> 00:42:50,611
>> HI.
1429
00:42:50,611 --> 00:42:51,394
>> OH, MY GOD.
1430
00:42:51,394 --> 00:42:53,658
THIS IS YOUR HOUSE?
1431
00:42:53,658 --> 00:42:55,790
>> UM...
1432
00:42:55,790 --> 00:42:56,661
>> OH, MAN, I'M SO SORRY.
1433
00:42:56,661 --> 00:42:57,749
JOSH GAVE ME TWO NUMBERS.
1434
00:42:57,749 --> 00:43:00,708
I... THE LADY I SPOKE TO THIS
1435
00:43:00,708 --> 00:43:02,754
MORNING TOLD ME TO DROP IT HERE.
1436
00:43:02,754 --> 00:43:04,669
>> NO, IT'S, UH, IT'S FINE.
1437
00:43:04,669 --> 00:43:05,887
DON'T WORRY.
1438
00:43:05,887 --> 00:43:08,673
>> O.K.
1439
00:43:08,673 --> 00:43:09,499
>> UM...
1440
00:43:09,499 --> 00:43:11,719
>> HI. YOU MUST BE THE RETAIL
1441
00:43:11,719 --> 00:43:13,678
DESIGNER I TALKED TO EARLIER.
1442
00:43:13,678 --> 00:43:16,768
I'M KATHERINE SARGENT.
1443
00:43:16,768 --> 00:43:17,595
COME IN!
1444
00:43:17,595 --> 00:43:18,726
>> OH, UH, I CAN'T.
1445
00:43:18,726 --> 00:43:19,248
I'M SORRY.
1446
00:43:19,248 --> 00:43:20,293
UH, I DIDN'T REALIZE
1447
00:43:20,293 --> 00:43:21,076
THIS WAS A HOUSE.
1448
00:43:21,076 --> 00:43:22,774
I THOUGHT I WAS...
1449
00:43:22,774 --> 00:43:24,558
I THOUGHT I WAS STOPPING BY
1450
00:43:24,558 --> 00:43:25,298
A JOB SITE.
1451
00:43:25,298 --> 00:43:26,821
>> NO, DON'T BE SILLY.
1452
00:43:26,821 --> 00:43:27,648
COME IN.
1453
00:43:27,648 --> 00:43:28,823
ACTUALLY, THAT WAS MARGUERITE,
1454
00:43:28,823 --> 00:43:30,346
AIDAN'S WIFE, ON THE PHONE.
1455
00:43:30,346 --> 00:43:31,739
SHE'S NOT GONNA BE COMING, SO WE
1456
00:43:31,739 --> 00:43:33,828
HAVE AN EXTRA SEAT AT THE TABLE.
1457
00:43:33,828 --> 00:43:34,699
WHY DON'T YOU JOIN US?
1458
00:43:34,699 --> 00:43:35,874
>> UH, NO, I CAN'T.
1459
00:43:35,874 --> 00:43:37,092
I'M, I'M MEETING A FRIEND
1460
00:43:37,092 --> 00:43:38,224
FOR DINNER TONIGHT.
1461
00:43:38,224 --> 00:43:38,833
I...
1462
00:43:38,833 --> 00:43:39,965
>> OH, WHAT A SHAME.
1463
00:43:39,965 --> 00:43:41,836
IT WAS NICE TO MEET YOU.
1464
00:43:41,836 --> 00:43:44,709
IT WAS NICE TO MEET YOU.
SORRY YOU CAN'T JOIN US.
1465
00:43:44,709 --> 00:43:48,713
SORRY YOU CAN'T JOIN US.
1466
00:43:48,713 --> 00:43:51,629
>> O.K., WELL, I'M GONNA GO.
1467
00:43:51,629 --> 00:43:55,154
>> WAIT. UM...
1468
00:43:55,154 --> 00:43:58,070
UH... THOSE BIRDS THAT,
1469
00:43:58,070 --> 00:44:00,376
THAT WE SAW...
1470
00:44:00,376 --> 00:44:01,769
I HADN'T NOTICED THEM BEFORE,
1471
00:44:01,769 --> 00:44:05,860
BUT, UM...
1472
00:44:05,860 --> 00:44:10,343
I SEE 'EM ALL THE TIME NOW.
1473
00:44:10,343 --> 00:44:11,953
>> BYE, WILL.
1474
00:44:11,953 --> 00:44:14,086
>> BYE, WILL.
[♪...]
1475
00:44:14,086 --> 00:44:42,375
[♪...]
1476
00:44:42,375 --> 00:44:44,594
[♪...]
>> [CHUCKLES]
1477
00:44:44,594 --> 00:45:08,793
>> [CHUCKLES]
1478
00:45:08,793 --> 00:45:09,794
>> Nate: [SHRIEKS]
1479
00:45:09,794 --> 00:45:10,882
>> A-HA!
1480
00:45:10,882 --> 00:45:14,450
>> A-HA!
[DISTANT CHILDREN CHATTING...]
1481
00:45:14,450 --> 00:45:23,677
[DISTANT CHILDREN CHATTING...]
1482
00:45:23,677 --> 00:45:24,852
>> Man: THANK YOU FOR COMING IN.
1483
00:45:24,852 --> 00:45:26,593
WE'LL GET BACK TO YOU WITH DATES
1484
00:45:26,593 --> 00:45:28,290
FOR THE DESIGNER SITE VISIT.
1485
00:45:28,290 --> 00:45:29,204
VERY NICE.
1486
00:45:29,204 --> 00:45:32,512
>> Kate: THANK YOU.
1487
00:45:32,512 --> 00:45:34,949
>> GREAT JOB.
1488
00:45:34,949 --> 00:45:36,037
>> KATE.
1489
00:45:36,037 --> 00:45:37,038
[DOOR SHUTS]
1490
00:45:37,038 --> 00:45:38,866
HI.
1491
00:45:38,866 --> 00:45:44,829
UM... I WANTED TO, UH...
1492
00:45:44,829 --> 00:45:45,655
THE OTHER NIGHT--
1493
00:45:45,655 --> 00:45:46,569
>> I DIDN'T KNOW
1494
00:45:46,569 --> 00:45:48,571
YOU WERE MARRIED.
1495
00:45:48,571 --> 00:45:49,921
>> YEAH, I KNOW.
1496
00:45:49,921 --> 00:45:51,574
I, UM...
1497
00:45:51,574 --> 00:45:54,012
I DON'T KNOW WHY I NEVER...
1498
00:45:54,012 --> 00:45:55,143
>> YEAH, I DON'T KNOW
1499
00:45:55,143 --> 00:45:58,886
WHY EITHER.
1500
00:45:58,886 --> 00:46:00,975
YOU DON'T WEAR A RING.
1501
00:46:00,975 --> 00:46:02,107
>> WELL, I, I WORK
1502
00:46:02,107 --> 00:46:02,890
IN CONSTRUCTION.
1503
00:46:02,890 --> 00:46:04,109
PEOPLE DON'T WEAR RINGS
1504
00:46:04,109 --> 00:46:06,502
ON THE JOB.
1505
00:46:06,502 --> 00:46:08,940
>> YOU WORK IN AN OFFICE, WILL.
1506
00:46:08,940 --> 00:46:11,507
>> YOU WORK IN AN OFFICE, WILL.
YOU WEAR A SUIT.
1507
00:46:11,507 --> 00:46:16,512
YOU WEAR A SUIT.
1508
00:46:16,512 --> 00:46:19,037
YOU WEAR A SUIT.
[♪...]
1509
00:46:19,037 --> 00:46:27,001
[♪...]
1510
00:46:27,001 --> 00:46:28,176
>> Will: HOW DOES THAT HAPPEN?
1511
00:46:28,176 --> 00:46:29,830
HOW DO YOU, HOW DO YOU NOT
1512
00:46:29,830 --> 00:46:31,789
DISCOVER A SUBWAY TUNNEL
1513
00:46:31,789 --> 00:46:32,964
UNDERNEATH YOUR SITE?
1514
00:46:32,964 --> 00:46:34,922
HOW DO YOU NOT FIGURE THAT OUT?
1515
00:46:34,922 --> 00:46:37,490
LOOK. LOOK AT IT.
1516
00:46:37,490 --> 00:46:38,970
LOOK AT THAT ONE.
1517
00:46:38,970 --> 00:46:39,448
WHO NEEDS IT?
1518
00:46:39,448 --> 00:46:40,928
IF WE'RE NOT GONNA LOOK AT IT,
1519
00:46:40,928 --> 00:46:42,800
WE MIGHT AS WELL THROW IT AWAY,
1520
00:46:42,800 --> 00:46:45,803
USE IT FOR TOILET PAPER.
1521
00:46:45,803 --> 00:46:47,892
[THUNDER...]
1522
00:46:47,892 --> 00:46:49,937
>> Kit: KATE-LANDER!
1523
00:46:49,937 --> 00:46:50,851
YOU'RE PSYCHED.
1524
00:46:50,851 --> 00:46:51,896
YOU WON'T BE DEALING
1525
00:46:51,896 --> 00:46:53,636
WITH THIS SHIT ANYMORE.
1526
00:46:53,636 --> 00:46:54,289
>> WHAT?
1527
00:46:54,289 --> 00:46:55,290
>> THAT MESSAGE YOU'VE BEEN
1528
00:46:55,290 --> 00:46:57,858
WAITING FOR IS ON THE MACHINE.
1529
00:46:57,858 --> 00:46:58,337
YOU GOT IT.
1530
00:46:58,337 --> 00:47:01,079
YOU'RE MOVING TO L.A.
1531
00:47:01,079 --> 00:47:02,994
YOU'RE MOVING TO L.A.
SEE YA.
1532
00:47:02,994 --> 00:47:08,042
SEE YA.
1533
00:47:08,042 --> 00:47:09,000
>> Katherine: I HAVE
1534
00:47:09,000 --> 00:47:10,523
THE AIRLINES ON HOLD.
1535
00:47:10,523 --> 00:47:11,176
I RAN INTO STEWART.
1536
00:47:11,176 --> 00:47:12,438
HE SAID THE SITE VISIT WENT
1537
00:47:12,438 --> 00:47:14,179
FANTASTIC, AND THEY'RE ALL READY
1538
00:47:14,179 --> 00:47:16,355
TO SIGN THE DOCS ON FRIDAY.
1539
00:47:16,355 --> 00:47:16,877
MMM!
1540
00:47:16,877 --> 00:47:18,487
IT'S SO GREAT!
1541
00:47:18,487 --> 00:47:19,227
I'LL BE UPSTAIRS
1542
00:47:19,227 --> 00:47:20,098
IN A COUPLE MINUTES.
1543
00:47:20,098 --> 00:47:22,448
IN A COUPLE MINUTES.
GIVE NATE A KISS.
1544
00:47:22,448 --> 00:47:33,633
GIVE NATE A KISS.
1545
00:47:33,633 --> 00:47:35,853
>> Will: HEY.
1546
00:47:35,853 --> 00:47:37,506
>> Will: HEY.
>> HI.
1547
00:47:37,506 --> 00:47:42,816
>> HI.
1548
00:47:42,816 --> 00:47:44,035
PROMISE I'LL BE ALIVE IN THE
1549
00:47:44,035 --> 00:47:45,514
MORNING AND THAT THERE AREN'T
1550
00:47:45,514 --> 00:47:47,865
ANY SKELETONS OR SCARY MONSTERS
1551
00:47:47,865 --> 00:47:48,561
IN MY CLOSET?
1552
00:47:48,561 --> 00:47:49,910
>> YES, I PROMISE THAT YOU
1553
00:47:49,910 --> 00:47:52,260
WILL BE ALIVE AND WELL
1554
00:47:52,260 --> 00:47:53,522
IN THE MORNING.
1555
00:47:53,522 --> 00:47:54,784
>> AND THAT THERE AREN'T ANY
1556
00:47:54,784 --> 00:47:56,264
SKELETONS OR SCARY MONSTERS
1557
00:47:56,264 --> 00:47:59,877
IN MY CLOSET?
1558
00:47:59,877 --> 00:48:01,879
IN MY CLOSET?
>> LET ME CHECK.
1559
00:48:01,879 --> 00:48:09,408
>> LET ME CHECK.
1560
00:48:09,408 --> 00:48:10,931
ALL RIGHT. NOPE.
1561
00:48:10,931 --> 00:48:12,802
[CLEARS THROAT]
1562
00:48:12,802 --> 00:48:14,543
NO SKELETONS OR SCARY MONSTERS
1563
00:48:14,543 --> 00:48:17,546
NO SKELETONS OR SCARY MONSTERS
IN YOUR CLOSET.
1564
00:48:17,546 --> 00:48:21,072
IN YOUR CLOSET.
1565
00:48:21,072 --> 00:48:24,553
WHEW! OR UNDER YOUR BED.
1566
00:48:24,553 --> 00:48:25,946
>> BUT WHAT IF THEY'RE HIDING
1567
00:48:25,946 --> 00:48:27,556
AND THEY TRY TO COME TAKE ME
1568
00:48:27,556 --> 00:48:28,383
AFTER YOU LEAVE?
1569
00:48:28,383 --> 00:48:30,081
>> NATE, I PROMISE YOU, NO ONE
1570
00:48:30,081 --> 00:48:34,389
IS GONNA TAKE YOU AFTER I LEAVE.
1571
00:48:34,389 --> 00:48:36,000
WAIT A SECOND.
1572
00:48:36,000 --> 00:48:37,653
WAIT A SECOND.
HOW OLD ARE YOU?
1573
00:48:37,653 --> 00:48:39,960
HOW OLD ARE YOU?
1574
00:48:39,960 --> 00:48:40,961
SEVEN?
1575
00:48:40,961 --> 00:48:43,529
[SCOFFS] I SHOULD HAVE KNOWN.
1576
00:48:43,529 --> 00:48:45,139
THAT'S THE AGE.
1577
00:48:45,139 --> 00:48:46,271
THAT'S THE AGE WHERE YOU GET
1578
00:48:46,271 --> 00:48:48,838
TO PICK YOUR FIRST MAGIC WORD.
1579
00:48:48,838 --> 00:48:52,190
YES. YOU GET TO SAY A WORD, ANY
1580
00:48:52,190 --> 00:48:53,887
WORD, AND IT WILL PROTECT YOU.
1581
00:48:53,887 --> 00:48:55,758
ALL YOU GOT TO DO IS CLOSE YOUR
1582
00:48:55,758 --> 00:48:57,021
EYES REALLY, REALLY, REALLY
1583
00:48:57,021 --> 00:49:00,154
TIGHTLY AND THEN SAY THE WORD,
1584
00:49:00,154 --> 00:49:01,677
AND ALL THE SKELETONS AND THE
1585
00:49:01,677 --> 00:49:05,899
SCARY MONSTERS WILL DISAPPEAR.
1586
00:49:05,899 --> 00:49:10,121
>> WISTURBIAN.
1587
00:49:10,121 --> 00:49:12,514
>> WISTURBIAN?
1588
00:49:12,514 --> 00:49:16,214
>> THAT WILL MAKE THEM GO AWAY?
1589
00:49:16,214 --> 00:49:17,606
>> THAT...
1590
00:49:17,606 --> 00:49:21,393
HAS MADE THEM GO AWAY...
1591
00:49:21,393 --> 00:49:24,222
FOREVER.
1592
00:49:24,222 --> 00:49:25,832
>> LOVE YOU, DAD.
1593
00:49:25,832 --> 00:49:27,747
>> I LOVE YOU.
1594
00:49:27,747 --> 00:49:29,923
>> I LOVE YOU.
SLEEP TIGHT.
1595
00:49:29,923 --> 00:49:47,941
SLEEP TIGHT.
1596
00:49:47,941 --> 00:49:51,989
[DISTANT CHILDREN TALKING...]
1597
00:49:51,989 --> 00:49:53,033
>> KATE, YOU SURE YOU DON'T
1598
00:49:53,033 --> 00:49:54,165
NEED HELP WITH THESE?
1599
00:49:54,165 --> 00:49:55,993
IT SEEMS LIKE A LOT OF STUFF.
1600
00:49:55,993 --> 00:49:56,428
>> NO, I'M FINE.
1601
00:49:56,428 --> 00:49:58,734
I'M JUST GONNA FINISH UP WITH
1602
00:49:58,734 --> 00:50:00,171
THE SMALL STUFF AND WAIT TILL
1603
00:50:00,171 --> 00:50:02,129
THE MOVERS COME TO DO THE REST.
1604
00:50:02,129 --> 00:50:03,739
>> MM, SO DID YOU AND WILL
1605
00:50:03,739 --> 00:50:05,132
GRAB DINNER THE OTHER NIGHT?
1606
00:50:05,132 --> 00:50:07,047
YOU GOT HOME PRETTY LATE.
1607
00:50:07,047 --> 00:50:08,614
>> NO. I WORKED LATE, AND THEN
1608
00:50:08,614 --> 00:50:11,138
I GOT A SLICE AND I WALKED HOME.
1609
00:50:11,138 --> 00:50:13,662
I NEVER EXERCISE ANYMORE.
1610
00:50:13,662 --> 00:50:14,663
>> HMM.
1611
00:50:14,663 --> 00:50:17,275
>> SO... MONDAY'S THE BIG
1612
00:50:17,275 --> 00:50:18,319
DAY, HUH?
1613
00:50:18,319 --> 00:50:21,366
>> YEAH. SORRY TO SEE ME GO?
1614
00:50:21,366 --> 00:50:25,152
>> SORRY TO SEE YOUR STUFF GO.
1615
00:50:25,152 --> 00:50:26,849
CAN I GET... [THUMP]
1616
00:50:26,849 --> 00:50:30,114
SOME OF THAT?
1617
00:50:30,114 --> 00:50:32,246
SO, WERE YOU OUT WITH MR. FANCY
1618
00:50:32,246 --> 00:50:33,508
PANTS MARRIED MAN LAST NIGHT?
1619
00:50:33,508 --> 00:50:35,293
>> [SHOUTS]: NO, KIT, I WASN'T
1620
00:50:35,293 --> 00:50:36,468
OUT WITH ANYBODY!
1621
00:50:36,468 --> 00:50:39,427
JESUS!
1622
00:50:39,427 --> 00:50:43,083
[SIGHS] I'M SORRY.
1623
00:50:43,083 --> 00:50:44,737
I'M SORRY, I'M JUST SO TIRED.
1624
00:50:44,737 --> 00:50:48,088
WITH WORK AND PACKING, I'M,
1625
00:50:48,088 --> 00:50:49,307
I'M JUST EXHAUSTED.
1626
00:50:49,307 --> 00:50:51,178
I'M JUST EXHAUSTED.
I'M SORRY.
1627
00:50:51,178 --> 00:50:54,138
I'M SORRY.
1628
00:50:54,138 --> 00:50:56,140
>> WHATEVER, KATE.
1629
00:50:56,140 --> 00:50:58,272
>> WHATEVER, KATE.
[KATE SIGHS]
1630
00:50:58,272 --> 00:51:05,975
[KATE SIGHS]
1631
00:51:05,975 --> 00:51:08,152
[KATE SIGHS]
[DOOR CLOSES]
1632
00:51:08,152 --> 00:51:10,458
[DOOR CLOSES]
1633
00:51:10,458 --> 00:51:11,590
>> YOU O.K.?
1634
00:51:11,590 --> 00:51:13,157
>> HE'S SUCH AN ASSHOLE.
1635
00:51:13,157 --> 00:51:14,593
>> THEN WHY DON'T YOU TELL HIM
1636
00:51:14,593 --> 00:51:15,942
HE'S AN ASSHOLE?
1637
00:51:15,942 --> 00:51:17,074
>> IT WOULDN'T DO ANY GOOD.
1638
00:51:17,074 --> 00:51:18,205
HE'D STILL BE AN ASSHOLE.
1639
00:51:18,205 --> 00:51:20,338
>> IT MIGHT DO YOU SOME GOOD.
1640
00:51:20,338 --> 00:51:21,643
YOU KNOW, KATE, YOU GET
1641
00:51:21,643 --> 00:51:22,122
A SAY TOO.
1642
00:51:22,122 --> 00:51:23,123
YOU DON'T JUST HAVE TO
1643
00:51:23,123 --> 00:51:24,211
HAVE EVERYTHING ON EVERYONE
1644
00:51:24,211 --> 00:51:25,082
ELSE'S TERMS.
1645
00:51:25,082 --> 00:51:25,778
>> DO I?
1646
00:51:25,778 --> 00:51:26,822
DO I GET A SAY, JANEY?
1647
00:51:26,822 --> 00:51:28,607
DO I GET A SAY IN THE FACT THAT
1648
00:51:28,607 --> 00:51:30,391
I HAVE TO DEAL WITH MOM AGAIN ON
1649
00:51:30,391 --> 00:51:31,958
THANKSGIVING ALONE WHILE YOU
1650
00:51:31,958 --> 00:51:33,046
AND KIT GO TO L.A.?
1651
00:51:33,046 --> 00:51:34,787
DO I GET A SAY THAT I HAVE TO
1652
00:51:34,787 --> 00:51:35,788
LEAVE MY APARTMENT JUST BECAUSE
1653
00:51:35,788 --> 00:51:37,137
KIT'S NAME IS ON THE LEASE?
1654
00:51:37,137 --> 00:51:39,008
>> KATE, KATE, KATE.
1655
00:51:39,008 --> 00:51:40,532
YES, YOU DO GET A SAY
1656
00:51:40,532 --> 00:51:42,360
IN ALL THAT.
1657
00:51:42,360 --> 00:51:44,710
O.K.? YOU DON'T GET TO DECIDE
1658
00:51:44,710 --> 00:51:46,190
WHAT THE OTHER PERSON FEELS OR
1659
00:51:46,190 --> 00:51:48,409
EVEN DOES, BUT YOU GET TO DECIDE
1660
00:51:48,409 --> 00:51:50,324
HOW YOU FEEL.
1661
00:51:50,324 --> 00:51:51,282
>> THAT WOULDN'T DO
1662
00:51:51,282 --> 00:51:52,152
ANY GOOD, JANEY.
1663
00:51:52,152 --> 00:51:53,893
WHAT AM I GONNA DO, TELL MOM
1664
00:51:53,893 --> 00:51:55,590
I'M NOT COMING TO THANKSGIVING?
1665
00:51:55,590 --> 00:51:57,418
THAT I'M BUSY?
1666
00:51:57,418 --> 00:51:58,202
YOU KNOW HER.
1667
00:51:58,202 --> 00:51:59,464
SHE'LL JUST MAKE MY LIFE
1668
00:51:59,464 --> 00:52:02,119
MISERABLE.
1669
00:52:02,119 --> 00:52:03,511
>> ALL I'M SAYING, KATE, IS THAT
1670
00:52:03,511 --> 00:52:06,166
IF YOU NEVER SPEAK YOUR MIND AND
1671
00:52:06,166 --> 00:52:07,776
SAY HOW YOU FEEL AND WHAT YOU
1672
00:52:07,776 --> 00:52:09,343
NEED, YOU'RE GONNA END UP
1673
00:52:09,343 --> 00:52:10,910
MISERABLE THAT WAY TOO.
1674
00:52:10,910 --> 00:52:13,173
>> I KNOW.
1675
00:52:13,173 --> 00:52:15,001
[SNIFFS]
1676
00:52:15,001 --> 00:52:16,698
[EMOTIONALLY]: I KNOW.
1677
00:52:16,698 --> 00:52:18,874
[EMOTIONALLY]: I KNOW.
[CRYING...]
1678
00:52:18,874 --> 00:52:21,616
[CRYING...]
1679
00:52:21,616 --> 00:52:25,838
>> OH, COME ON, COME HERE.
1680
00:52:25,838 --> 00:52:28,406
>> [SOBS]
1681
00:52:28,406 --> 00:52:31,278
>> [SOBS]
>> IT'S GONNA BE O.K., HONEY.
1682
00:52:31,278 --> 00:52:38,198
>> IT'S GONNA BE O.K., HONEY.
1683
00:52:38,198 --> 00:52:39,156
WHAT'S GOING ON WITH WILL?
1684
00:52:39,156 --> 00:52:42,159
>> NOTHING. REALLY NOTHING.
1685
00:52:42,159 --> 00:52:43,377
[SNIFFS]
1686
00:52:43,377 --> 00:52:45,423
I MET HIS WIFE A COUPLE OF WEEKS
1687
00:52:45,423 --> 00:52:47,120
AGO WHEN I WAS DROPPING OFF
1688
00:52:47,120 --> 00:52:49,209
MY PORTFOLIO.
1689
00:52:49,209 --> 00:52:49,818
>> NO, REALLY?
1690
00:52:49,818 --> 00:52:50,906
>> I DIDN'T EVEN KNOW
1691
00:52:50,906 --> 00:52:51,603
HE WAS MARRIED.
1692
00:52:51,603 --> 00:52:52,865
JOSH DIDN'T TELL ME THAT,
1693
00:52:52,865 --> 00:52:54,127
AND HE NEVER WEARS A RING.
1694
00:52:54,127 --> 00:52:55,781
HOW WAS I SUPPOSED TO KNOW?
1695
00:52:55,781 --> 00:52:56,651
>> YOU MET HIS WIFE?
1696
00:52:56,651 --> 00:52:58,175
>> OH, GOD, IT WAS HORRIFYING.
1697
00:52:58,175 --> 00:52:59,567
AND YET, WHY SHOULD IT
1698
00:52:59,567 --> 00:53:00,133
HAVE BEEN?
1699
00:53:00,133 --> 00:53:01,221
I WAS JUST LIKE ANY OTHER
1700
00:53:01,221 --> 00:53:02,353
DESIGNER
DROPPING OFF A
1701
00:53:02,353 --> 00:53:03,005
PORTFOLIO.
1702
00:53:03,005 --> 00:53:04,137
AND THEN THE OTHER NIGHT,
1703
00:53:04,137 --> 00:53:05,269
I WAS SUCH A FREAK.
1704
00:53:05,269 --> 00:53:07,053
I JUST... I RAN OFF IN THE
1705
00:53:07,053 --> 00:53:08,185
MIDDLE OF A
CONVERSATION
1706
00:53:08,185 --> 00:53:09,403
WITH HIM.
1707
00:53:09,403 --> 00:53:11,927
>> OH... KATE, WHY DIDN'T
1708
00:53:11,927 --> 00:53:12,493
YOU SAY SOMETHING?
1709
00:53:12,493 --> 00:53:13,320
YOU'VE BEEN SO OFF
1710
00:53:13,320 --> 00:53:14,191
THE LAST FEW WEEKS.
1711
00:53:14,191 --> 00:53:15,714
I, I HAD NO IDEA.
1712
00:53:15,714 --> 00:53:17,019
>> WHAT WAS I SUPPOSED TO SAY?
1713
00:53:17,019 --> 00:53:19,108
THAT... IN THE MIDDLE OF MOVING
1714
00:53:19,108 --> 00:53:20,414
ACROSS COUNTRY, MET A MAN
1715
00:53:20,414 --> 00:53:24,418
AND SUBSEQUENTLY HIS
1716
00:53:24,418 --> 00:53:26,290
AND I NEVER SEE HIM, AND I CAN'T
1717
00:53:26,290 --> 00:53:28,466
TALK TO HIM, AND HE'S ALL I CAN
1718
00:53:28,466 --> 00:53:32,513
THINK ABOUT.
1719
00:53:32,513 --> 00:53:36,387
YOU KNOW, THE THING IS, JANEY,
1720
00:53:36,387 --> 00:53:38,824
I JUST THINK THAT IF HE
1721
00:53:38,824 --> 00:53:44,743
THINK ABOUT ME... HE WOULD.
1722
00:53:44,743 --> 00:53:46,353
OH, GOD, AND THAT JUST MAKES IT
1723
00:53:46,353 --> 00:53:48,225
ALL SO MUCH WORSE.
1724
00:53:48,225 --> 00:53:49,226
[SNIFFS]
1725
00:53:49,226 --> 00:53:51,489
>> KATE.
1726
00:53:51,489 --> 00:53:54,405
KATE, I'M SO SORRY, SWEETIE.
1727
00:53:54,405 --> 00:53:55,580
>> AND TO TOP IT ALL OFF,
1728
00:53:55,580 --> 00:53:58,452
>> AND TO TOP IT ALL OFF,
I JUST FEEL LIKE SUCH A FOOL.
1729
00:53:58,452 --> 00:54:03,240
I JUST FEEL LIKE SUCH A FOOL.
1730
00:54:03,240 --> 00:54:05,938
>> YOU ARE NOT A FOOL.
1731
00:54:05,938 --> 00:54:09,071
>> YOU ARE NOT A FOOL.
[♪...]
1732
00:54:09,071 --> 00:54:15,034
[♪...]
1733
00:54:15,034 --> 00:54:16,383
>> WASN'T THE DESIGN TOUR
1734
00:54:16,383 --> 00:54:18,255
SUPPOSED TO BE OVER BY NOON?
1735
00:54:18,255 --> 00:54:21,214
>> UH... YEAH.
1736
00:54:21,214 --> 00:54:23,042
FRIDAY, 10 TO 12,
1737
00:54:23,042 --> 00:54:24,304
DESIGNERS SITE VISIT, YEP.
1738
00:54:24,304 --> 00:54:25,610
>> WELL, THEY SHOULD BE
1739
00:54:25,610 --> 00:54:26,393
DONE BY NOW.
1740
00:54:26,393 --> 00:54:27,873
IT'S 12:15.
1741
00:54:27,873 --> 00:54:28,874
>> YEAH, WHICH MEANS
1742
00:54:28,874 --> 00:54:31,920
YOU NEED TO GET GOING.
1743
00:54:31,920 --> 00:54:33,182
YOUR CAR HAS BEEN HERE
1744
00:54:33,182 --> 00:54:33,792
FOR 15 MINUTES.
1745
00:54:33,792 --> 00:54:34,880
I'M SURE EVERYONE'S
1746
00:54:34,880 --> 00:54:37,143
I'M SURE EVERYONE'S
WAITING FOR YOU.
1747
00:54:37,143 --> 00:54:48,415
WAITING FOR YOU.
1748
00:54:48,415 --> 00:54:51,505
>> WILL?
1749
00:54:51,505 --> 00:54:53,290
>> HI.
1750
00:54:53,290 --> 00:54:55,379
UH, SO HOW'D THE TOUR GO?
1751
00:54:55,379 --> 00:54:57,163
>> GOOD. FINE.
1752
00:54:57,163 --> 00:54:58,295
>> Man: HEY! YOU SARGENT?
1753
00:54:58,295 --> 00:55:00,079
>> YEAH, YEAH, JUST A SECOND.
1754
00:55:00,079 --> 00:55:00,384
HOLD ON.
1755
00:55:00,384 --> 00:55:01,515
>> I'M SO GLAD I CAUGHT YOU.
1756
00:55:01,515 --> 00:55:02,995
I WANTED TO TELL YOU THAT MY
1757
00:55:02,995 --> 00:55:04,170
PARTNER LAURYN CHASE IS GONNA
1758
00:55:04,170 --> 00:55:05,563
BE TAKING OVER FOR ME.
1759
00:55:05,563 --> 00:55:07,521
I'M LEAVING PREVIN.
1760
00:55:07,521 --> 00:55:09,741
>> UM, WHAT ARE YOU DOING?
1761
00:55:09,741 --> 00:55:10,829
>> I'M MOVING TO L.A.
1762
00:55:10,829 --> 00:55:12,439
I ACTUALLY GOT A JOB AT
1763
00:55:12,439 --> 00:55:13,440
A SMALL DESIGN FIRM THERE.
1764
00:55:13,440 --> 00:55:14,615
I'VE BEEN SPEAKING WITH THEM
1765
00:55:14,615 --> 00:55:16,617
FOR SEVERAL WEEKS, SO...
1766
00:55:16,617 --> 00:55:20,491
>> WOW, UM, WHEN DO YOU LEAVE?
1767
00:55:20,491 --> 00:55:21,448
>> MM, MONDAY, ACTUALLY.
1768
00:55:21,448 --> 00:55:23,320
TODAY'S MY LAST DAY AT PREVIN.
1769
00:55:23,320 --> 00:55:23,581
LAURYN.
1770
00:55:23,581 --> 00:55:25,234
>> HI, YOU MUST BE WILL SARGENT.
1771
00:55:25,234 --> 00:55:25,496
>> YEAH.
1772
00:55:25,496 --> 00:55:26,671
>> LAURYN, WILL. WILL, LAURYN.
1773
00:55:26,671 --> 00:55:27,324
>> GREAT TO MEET YOU.
1774
00:55:27,324 --> 00:55:28,716
YOU'RE DOING AN AMAZING
1775
00:55:28,716 --> 00:55:29,413
JOB HERE.
1776
00:55:29,413 --> 00:55:30,936
>> OH, THANKS.
1777
00:55:30,936 --> 00:55:33,112
>> OH, THANKS.
UM...
1778
00:55:33,112 --> 00:55:37,116
UM...
1779
00:55:37,116 --> 00:55:38,465
>> IT WAS GOOD TO SEE YOU, WILL.
1780
00:55:38,465 --> 00:55:39,901
>> NICE TO MEET YOU, WILL.
1781
00:55:39,901 --> 00:55:41,512
>> YEAH.
1782
00:55:41,512 --> 00:55:43,992
>> YEAH.
[♪...]
1783
00:55:43,992 --> 00:57:05,465
[♪...]
1784
00:57:05,465 --> 00:57:06,074
>> HELLO, SIR.
1785
00:57:06,074 --> 00:57:07,162
WOULD YOU LIKE TO HEAR
1786
00:57:07,162 --> 00:57:08,207
OUR REPORT ON ANTS?
1787
00:57:08,207 --> 00:57:08,947
>> SURE.
1788
00:57:08,947 --> 00:57:09,948
>> DAD!
1789
00:57:09,948 --> 00:57:10,818
>> WHAT?
1790
00:57:10,818 --> 00:57:11,732
>> HEY, MR. SARGENT,
1791
00:57:11,732 --> 00:57:12,777
HAVE YOU SEEN OUR ANTS?
1792
00:57:12,777 --> 00:57:13,821
>> Girl: STOP IT, STOP IT.
1793
00:57:13,821 --> 00:57:16,171
YOU'RE GONNA MESS UP MY PILE.
1794
00:57:16,171 --> 00:57:17,434
>> HEY, NATE, PLEXIGLAS
1795
00:57:17,434 --> 00:57:18,435
LOOKS GREAT, HUH?
1796
00:57:18,435 --> 00:57:19,784
>> YEAH, AND IT'S SO COOL,
1797
00:57:19,784 --> 00:57:21,438
'CAUSE NOW YOU CAN SEE THE
1798
00:57:21,438 --> 00:57:22,743
BOTTOM, WHERE THE ANTS CLIMB
1799
00:57:22,743 --> 00:57:23,570
ALL OVER EACH OTHER.
1800
00:57:23,570 --> 00:57:24,528
>> REALLY? OH, YEAH.
1801
00:57:24,528 --> 00:57:25,485
>> EXCUSE ME, MISTER.
1802
00:57:25,485 --> 00:57:27,226
YOU
1803
00:57:27,226 --> 00:57:27,618
OUR REPORT.
1804
00:57:27,618 --> 00:57:28,749
>> YOU'RE RIGHT, I'M SORRY.
1805
00:57:28,749 --> 00:57:29,533
I'M SORRY.
1806
00:57:29,533 --> 00:57:30,490
>> WILL! GREAT SURPRISE.
1807
00:57:30,490 --> 00:57:30,925
>> HEY.
1808
00:57:30,925 --> 00:57:32,013
>> WHAT ARE YOU DOING HERE?
1809
00:57:32,013 --> 00:57:33,493
YOU HAVE THE DIRECTOR VISIT.
1810
00:57:33,493 --> 00:57:34,320
>> IT'S O.K.
1811
00:57:34,320 --> 00:57:35,495
I GOT IT PUSHED BACK.
1812
00:57:35,495 --> 00:57:36,540
>> YOU DID? TO WHAT?
1813
00:57:36,540 --> 00:57:37,628
>> WON'T START UNTIL TWO.
1814
00:57:37,628 --> 00:57:39,630
>> UNTIL TWO. IT'S 1:15--
1815
00:57:39,630 --> 00:57:41,327
BOYS! NATE! SLOW DOWN, PLEASE.
1816
00:57:41,327 --> 00:57:42,633
DO YOU HAVE A CAR
1817
00:57:42,633 --> 00:57:43,111
WAITING FOR YOU?
1818
00:57:43,111 --> 00:57:44,722
>> I'LL GET A CAB, IT'S O.K.
1819
00:57:44,722 --> 00:57:45,462
>> YOU KNOW WHAT?
1820
00:57:45,462 --> 00:57:46,463
I'VE GOT THE CAR.
1821
00:57:46,463 --> 00:57:47,638
I MIGHT AS WELL TAKE YOU.
1822
00:57:47,638 --> 00:57:48,465
IT'LL BE SO MUCH FASTER.
1823
00:57:48,465 --> 00:57:49,466
I'M GONNA GET MY PURSE.
1824
00:57:49,466 --> 00:57:50,641
>> IT'S PLAYING! IT'S PLAYING!
1825
00:57:50,641 --> 00:57:51,468
LISTEN.
1826
00:57:51,468 --> 00:57:52,643
[On tape]: Ants are very
1827
00:57:52,643 --> 00:57:54,514
socially complex creatures.
1828
00:57:54,514 --> 00:57:55,515
>> COME ON, LET'S GO.
1829
00:57:55,515 --> 00:57:56,560
>> Ants are different from
1830
00:57:56,560 --> 00:57:57,778
humans because they live...
1831
00:57:57,778 --> 00:57:59,476
>> WILL, COME ON! WILL!
1832
00:57:59,476 --> 00:58:01,260
>> Ants must follow their role
1833
00:58:01,260 --> 00:58:04,785
>> Ants must follow their role
and never object to the queen.
1834
00:58:04,785 --> 00:58:13,098
and never object to the queen.
1835
00:58:13,098 --> 00:58:15,274
and never object to the queen.
[HONK, HONK]
1836
00:58:15,274 --> 00:58:28,592
[HONK, HONK]
1837
00:58:28,592 --> 00:58:32,552
[MEN SPEAKING INDISTINCTLY...]
1838
00:58:32,552 --> 00:58:34,554
[MEN SPEAKING INDISTINCTLY...]
>> [LAUGHING...]
1839
00:58:34,554 --> 00:58:49,090
>> [LAUGHING...]
1840
00:58:49,090 --> 00:58:51,440
>> [LAUGHING...]
>> WHAT IS SO FUNNY?
1841
00:58:51,440 --> 00:58:57,621
>> WHAT IS SO FUNNY?
1842
00:58:57,621 --> 00:58:58,622
[MEN SPEAKING
1843
00:58:58,622 --> 00:59:00,972
INDISTINCTLY]
1844
00:59:00,972 --> 00:59:01,929
>> GOOD.
1845
00:59:01,929 --> 00:59:02,800
>> THE DEAL WILL BE
1846
00:59:02,800 --> 00:59:03,670
CLOSED THIS WEEK.
1847
00:59:03,670 --> 00:59:05,846
CLOSED THIS WEEK.
>> WELL, THAT'S IT.
1848
00:59:05,846 --> 00:59:09,763
>> WELL, THAT'S IT.
1849
00:59:09,763 --> 00:59:10,721
>> DID YOU SEE ABOUT THAT
1850
00:59:10,721 --> 00:59:11,939
MEETING ON THURSDAY MORNING?
1851
00:59:11,939 --> 00:59:12,810
>> YEAH. YEAH, I DID.
1852
00:59:12,810 --> 00:59:14,028
>> CANCELED. >> RIGHT.
1853
00:59:14,028 --> 00:59:15,726
>> SO, NO WORRIES ABOUT THAT.
1854
00:59:15,726 --> 00:59:16,857
>> GREAT TO SEE YOU, WILL.
1855
00:59:16,857 --> 00:59:17,597
COME ON IN.
1856
00:59:17,597 --> 00:59:18,642
THANK YOU, SUSAN.
1857
00:59:18,642 --> 00:59:20,078
>> GOOD TO SEE YOU, WILL.
1858
00:59:20,078 --> 00:59:21,558
>> WILL, NEVER GOT TO TELL YOU
1859
00:59:21,558 --> 00:59:22,602
DIRECTLY HOW IMPRESSED WE WERE
1860
00:59:22,602 --> 00:59:24,082
WITH THE TOUR OF GREENPOINT.
1861
00:59:24,082 --> 00:59:25,562
YOU AND YOUR TEAM HAVE DONE
1862
00:59:25,562 --> 00:59:26,693
AN INCREDIBLE JOB.
1863
00:59:26,693 --> 00:59:27,868
YOU'RE A GOOD GROUP.
1864
00:59:27,868 --> 00:59:28,869
WE'RE REALLY EXCITED
1865
00:59:28,869 --> 00:59:30,001
TO HAVE YOU ON BOARD.
1866
00:59:30,001 --> 00:59:31,698
>> SO, SAVE FOR A LAST FEW
1867
00:59:31,698 --> 00:59:33,308
BUSINESS POINTS, WHICH WE WILL
1868
00:59:33,308 --> 00:59:34,962
GET TO WHEN WE GET TO, WE HAVE
1869
00:59:34,962 --> 00:59:36,964
REDRAFTED THE CONTRACT ACCORDING
1870
00:59:36,964 --> 00:59:38,313
TO YOUR COMMENTS.
1871
00:59:38,313 --> 00:59:39,663
SO WE THOUGHT WE'D GIVE YOU A
1872
00:59:39,663 --> 00:59:41,360
FEW MINUTES TO LOOK THEM OVER
1873
00:59:41,360 --> 00:59:43,797
BEFORE WE SIGN, AND THEN MAYBE
1874
00:59:43,797 --> 00:59:45,146
CORRAL YOU INTO A LITTLE
1875
00:59:45,146 --> 00:59:46,147
CELEBRATORY LIBATION.
1876
00:59:46,147 --> 00:59:47,584
>> IT'S A REAL PLEASURE WORKING
1877
00:59:47,584 --> 00:59:48,454
WITH YOU, WILL.
1878
00:59:48,454 --> 00:59:49,194
>> THE CONTRACTS ARE
1879
00:59:49,194 --> 00:59:49,716
A MERE FORMALITY.
1880
00:59:49,716 --> 00:59:50,935
AFTER TWO YEARS ON GREENPOINT,
1881
00:59:50,935 --> 00:59:52,632
I THINK WE ALL KNOW WHAT WE'RE
1882
00:59:52,632 --> 00:59:53,111
GETTING INTO.
1883
00:59:53,111 --> 00:59:54,373
>> WE'RE REALLY LOOKING FORWARD
1884
00:59:54,373 --> 00:59:55,592
TO HAVING YOU ON BOARD.
1885
00:59:55,592 --> 00:59:57,594
>> O.K., SO WE'LL GIVE YOU A FEW
1886
00:59:57,594 --> 00:59:58,986
MINUTES AND SUSAN CAN GET YOU
1887
00:59:58,986 --> 01:00:01,380
MINUTES AND SUSAN CAN GET YOU
ANYTHING YOU MAY NEED.
1888
01:00:01,380 --> 01:00:05,123
ANYTHING YOU MAY NEED.
1889
01:00:05,123 --> 01:00:07,342
ANYTHING YOU MAY NEED.
>> GREAT TO HAVE YOU, WILL.
1890
01:00:07,342 --> 01:00:32,411
>> GREAT TO HAVE YOU, WILL.
1891
01:00:32,411 --> 01:00:34,543
>> GREAT TO HAVE YOU, WILL.
>> [SIGHS]
1892
01:00:34,543 --> 01:01:05,444
>> [SIGHS]
1893
01:01:05,444 --> 01:01:07,620
>> [SIGHS]
WISTURBIAN.
1894
01:01:07,620 --> 01:01:11,145
WISTURBIAN.
1895
01:01:11,145 --> 01:01:14,105
WISTURBIAN.
[♪...]
1896
01:01:14,105 --> 01:01:39,608
[♪...]
1897
01:01:39,608 --> 01:01:40,435
>> Kit: TAKE CARE,
1898
01:01:40,435 --> 01:01:42,046
>> Kit: TAKE CARE,
LITTLE KATIE-CAT.
1899
01:01:42,046 --> 01:01:43,874
LITTLE KATIE-CAT.
1900
01:01:43,874 --> 01:01:46,746
WE'LL SEE YOU IN A COUPLE WEEKS.
1901
01:01:46,746 --> 01:01:49,836
>> Janey: I MISS YOU ALREADY.
1902
01:01:49,836 --> 01:01:51,403
>> O.K., SO I'LL JUST CALL
1903
01:01:51,403 --> 01:01:52,883
WHEN I GET THERE.
1904
01:01:52,883 --> 01:01:55,320
OH, I DON'T WANT TO GO TO L.A.
1905
01:01:55,320 --> 01:01:56,451
>> Kit: OH...
1906
01:01:56,451 --> 01:01:58,671
YOU'RE GONNA BE FINE.
1907
01:01:58,671 --> 01:01:59,411
>> [SIGHS]
1908
01:01:59,411 --> 01:02:00,542
NO, I DON'T WANT...
1909
01:02:00,542 --> 01:02:03,720
I DON'T WANT TO GO.
1910
01:02:03,720 --> 01:02:04,808
>> KATE, IT'S A LITTLE
1911
01:02:04,808 --> 01:02:07,071
LATE FOR THAT.
1912
01:02:07,071 --> 01:02:08,376
>> [EMOTIONALLY]: I DON'T
1913
01:02:08,376 --> 01:02:09,464
WANT TO GO.
1914
01:02:09,464 --> 01:02:10,465
>> YOUR CAR'S HERE.
1915
01:02:10,465 --> 01:02:11,684
YOUR SHIT'S NOW HALFWAY
1916
01:02:11,684 --> 01:02:12,729
CROSS-COUNTRY.
1917
01:02:12,729 --> 01:02:13,555
HATE TO BREAK IT,
1918
01:02:13,555 --> 01:02:15,340
BUT YOU'RE GOING TO L.A.
1919
01:02:15,340 --> 01:02:18,169
>> I DON'T WANT TO GO TO L.A.
1920
01:02:18,169 --> 01:02:20,214
>> KATE, COME ON.
1921
01:02:20,214 --> 01:02:22,477
>> KATE, COME ON.
DON'T BE A FREAK.
1922
01:02:22,477 --> 01:02:24,697
DON'T BE A FREAK.
1923
01:02:24,697 --> 01:02:27,831
>> BETTER A FREAK THAN A FOOL.
1924
01:02:27,831 --> 01:02:30,268
>> BETTER A FREAK THAN A FOOL.
[♪...]
1925
01:02:30,268 --> 01:02:38,319
[♪...]
1926
01:02:38,319 --> 01:02:40,539
[♪...]
[DOOR CLOSES]
1927
01:02:40,539 --> 01:02:42,628
[DOOR CLOSES]
1928
01:02:42,628 --> 01:02:43,498
>> WHERE HAVE YOU BEEN?
1929
01:02:43,498 --> 01:02:45,109
I LEFT 20 MESSAGES ON YOUR CELL.
1930
01:02:45,109 --> 01:02:45,718
WHAT HAPPENED?
1931
01:02:45,718 --> 01:02:46,719
>> CATHERINE.
1932
01:02:46,719 --> 01:02:47,764
>> WHY DIDN'T YOU SIGN
1933
01:02:47,764 --> 01:02:48,460
YOUR CONTRACT?
1934
01:02:48,460 --> 01:02:48,982
I TALKED TO PETE.
1935
01:02:48,982 --> 01:02:50,854
HE SAID YOU DIDN'T SIGN IT.
1936
01:02:50,854 --> 01:02:51,115
WHY?
1937
01:02:51,115 --> 01:02:52,551
>> I JUST... I... [LAUGHS]
1938
01:02:52,551 --> 01:02:52,812
>> WHAT?
1939
01:02:52,812 --> 01:02:53,770
>> I COULDN'T SIGN IT.
1940
01:02:53,770 --> 01:02:54,814
>> WHY COULDN'T YOU SIGN IT?
1941
01:02:54,814 --> 01:02:55,772
DID SOMETHING HAPPEN?
1942
01:02:55,772 --> 01:02:57,904
>> NO, I JUST...
1943
01:02:57,904 --> 01:02:58,905
I COULDN'T SIGN IT.
1944
01:02:58,905 --> 01:02:59,776
>> WHY? WHY COULDN'T
1945
01:02:59,776 --> 01:03:00,211
YOU SIGN IT?
1946
01:03:00,211 --> 01:03:01,168
>> BECAUSE I DON'T... I, I...
1947
01:03:01,168 --> 01:03:02,387
>> YOU KNOW WHAT? WE'RE GONNA
1948
01:03:02,387 --> 01:03:03,388
HAVE TO THINK OF SOMETHING.
1949
01:03:03,388 --> 01:03:04,128
SOMETHING CAME UP. >> WHAT?
1950
01:03:04,128 --> 01:03:05,477
>> SOMETHING CAME UP AND YOU HAD
1951
01:03:05,477 --> 01:03:06,870
TO RUN OUT TO NATE, AND I HAD
1952
01:03:06,870 --> 01:03:08,349
AN EMERGENCY, SO I COULDN'T GO,
1953
01:03:08,349 --> 01:03:09,786
SO YOU HAD TO GO GET HIM.
1954
01:03:09,786 --> 01:03:10,264
>> CATHERINE.
1955
01:03:10,264 --> 01:03:11,222
[SHOUTING]: CATHERINE,
1956
01:03:11,222 --> 01:03:11,657
STOP THIS!
1957
01:03:11,657 --> 01:03:12,963
STOP IT! I DON'T WANT THIS!
1958
01:03:12,963 --> 01:03:13,833
I DON'T WANT WAHLSTEIN!
1959
01:03:13,833 --> 01:03:15,835
I DON'T WANT TO KEEP PRETENDING
1960
01:03:15,835 --> 01:03:16,836
THAT EVERYTHING IS FINE!
1961
01:03:16,836 --> 01:03:18,098
IT'S NOT!
1962
01:03:18,098 --> 01:03:22,450
I DON'T WANT ANY OF THIS!
1963
01:03:22,450 --> 01:03:27,455
>> YOU DON'T WANT ANY OF WHAT?
1964
01:03:27,455 --> 01:03:28,587
OH, GOD.
1965
01:03:28,587 --> 01:03:32,330
>> I...
1966
01:03:32,330 --> 01:03:34,680
[SIGHS]
1967
01:03:34,680 --> 01:03:35,855
WE'RE SO BUSY.
1968
01:03:35,855 --> 01:03:36,334
WE GO SO FAST.
1969
01:03:36,334 --> 01:03:38,075
I, I DON'T EVEN HAVE TIME
1970
01:03:38,075 --> 01:03:39,859
TO STOP FOR...
1971
01:03:39,859 --> 01:03:41,948
>> FOR WHAT?
1972
01:03:41,948 --> 01:03:43,689
>> FOR US.
1973
01:03:43,689 --> 01:03:44,821
WE WORK SO HARD, FOR WHAT?
1974
01:03:44,821 --> 01:03:46,257
WHAT ARE WE TRYING TO GET?
1975
01:03:46,257 --> 01:03:47,084
>> WE'RE TRYING TO
1976
01:03:47,084 --> 01:03:47,562
GET WAHLSTEIN.
1977
01:03:47,562 --> 01:03:48,912
THAT'S WHAT WE'RE TRYING TO GET.
1978
01:03:48,912 --> 01:03:50,304
>> O.K., AND THEN WHAT?
1979
01:03:50,304 --> 01:03:51,175
THEN WHAT?
1980
01:03:51,175 --> 01:03:52,829
AFTER THAT?
1981
01:03:52,829 --> 01:03:53,830
THERE'LL ALWAYS BE
1982
01:03:53,830 --> 01:03:54,265
SOMETHING ELSE.
1983
01:03:54,265 --> 01:03:56,136
>> NO! THERE'S NOT, BUT YOU
1984
01:03:56,136 --> 01:03:58,791
CAN'T JUST BACK OUT NOW, WILL.
1985
01:03:58,791 --> 01:03:59,661
UGH!
1986
01:03:59,661 --> 01:04:00,924
EVERYONE'S COUNTING ON YOU.
1987
01:04:00,924 --> 01:04:03,535
>> WHO'S EVERYONE? WHO CARES?
1988
01:04:03,535 --> 01:04:04,579
WHAT ABOUT WHAT WE WANT?
1989
01:04:04,579 --> 01:04:06,886
WHAT ABOUT WHAT I WANT?
1990
01:04:06,886 --> 01:04:07,495
AND NATE.
1991
01:04:07,495 --> 01:04:09,628
YOU THINK NATE'S HAPPY?
1992
01:04:09,628 --> 01:04:12,849
YOU? HUH?
1993
01:04:12,849 --> 01:04:15,982
WHAT DO YOU WANT?
1994
01:04:15,982 --> 01:04:16,896
>> OUR LIFE.
1995
01:04:16,896 --> 01:04:18,158
THIS ISN'T ABOUT ME.
1996
01:04:18,158 --> 01:04:20,726
THIS IS ABOUT YOU BEING HORRIBLY
1997
01:04:20,726 --> 01:04:25,122
SELFISH AT MY EXPENSE.
1998
01:04:25,122 --> 01:04:26,297
AT NATE'S EXPENSE.
1999
01:04:26,297 --> 01:04:31,171
AT EVERYBODY ELSE'S EXPENSE.
2000
01:04:31,171 --> 01:04:32,303
THIS IS AN OPPORTUNITY
2001
01:04:32,303 --> 01:04:32,999
OF A LIFETIME.
2002
01:04:32,999 --> 01:04:35,001
>> NO. NO, IT'S NOT.
2003
01:04:35,001 --> 01:04:36,220
>> YOU CAN'T TURN AWAY
2004
01:04:36,220 --> 01:04:36,829
FROM THIS.
2005
01:04:36,829 --> 01:04:38,309
>> CATHERINE, I DON'T WANT
2006
01:04:38,309 --> 01:04:39,049
TO FOLLOW ALONG.
2007
01:04:39,049 --> 01:04:41,225
I SPEND MY LIFE FOLLOWING ALONG,
2008
01:04:41,225 --> 01:04:43,227
AND ME SIGNING WITH THIS COMPANY
2009
01:04:43,227 --> 01:04:44,315
IS MORE OF US JUST
2010
01:04:44,315 --> 01:04:45,229
FOLLOWING ALONG.
2011
01:04:45,229 --> 01:04:46,099
>> [POUNDING TABLE]
2012
01:04:46,099 --> 01:04:47,405
I DO NOT FOLLOW ALONG!
2013
01:04:47,405 --> 01:04:49,537
>> CATHERINE, I JUST WANT US
2014
01:04:49,537 --> 01:04:51,104
TO SLOW DOWN.
2015
01:04:51,104 --> 01:04:52,714
I WANT US TO MAKE OUR LIFE
2016
01:04:52,714 --> 01:04:54,891
OUR LIFE AND DO WHAT'S
2017
01:04:54,891 --> 01:04:56,240
IMPORTANT FOR US, NOT JUST
2018
01:04:56,240 --> 01:04:58,720
WHAT'S EXPECTED OF US.
2019
01:04:58,720 --> 01:05:02,855
>> THIS IS WHAT I EXPECT.
2020
01:05:02,855 --> 01:05:04,422
>> THIS IS WHAT I EXPECT.
>> HONEY.
2021
01:05:04,422 --> 01:05:06,990
>> HONEY.
2022
01:05:06,990 --> 01:05:08,078
>> YOU'RE MAKING A BIG
2023
01:05:08,078 --> 01:05:10,297
CHOICE, WILL.
2024
01:05:10,297 --> 01:05:11,124
>> [STAMMERS]
2025
01:05:11,124 --> 01:05:12,821
THAT'S NOT WHAT I MEAN.
2026
01:05:12,821 --> 01:05:14,214
I, I...
2027
01:05:14,214 --> 01:05:16,434
[SIGHS]
2028
01:05:16,434 --> 01:05:19,393
I JUST WANT US TO BE HAPPY.
2029
01:05:19,393 --> 01:05:22,092
>> I AM HAPPY.
2030
01:05:22,092 --> 01:05:24,921
>> HOW CAN YOU SAY THAT?
2031
01:05:24,921 --> 01:05:28,228
LOOK AT US.
2032
01:05:28,228 --> 01:05:30,056
[DOOR CLOSES]
2033
01:05:30,056 --> 01:05:33,973
>> NATE'S HOME.
2034
01:05:33,973 --> 01:05:35,932
I CAN'T TALK ABOUT THIS
2035
01:05:35,932 --> 01:05:39,587
WITH YOU ANYMORE, WILL.
2036
01:05:39,587 --> 01:05:40,719
YOU CANNOT DRAG ME
2037
01:05:40,719 --> 01:05:44,027
INTO YOUR FAILURES.
2038
01:05:44,027 --> 01:05:46,333
INTO YOUR FAILURES.
[♪...]
2039
01:05:46,333 --> 01:05:54,602
[♪...]
2040
01:05:54,602 --> 01:05:56,735
[♪...]
>> [SIGHS]
2041
01:05:56,735 --> 01:06:18,975
>> [SIGHS]
2042
01:06:18,975 --> 01:06:22,021
YOU KNOW, I THINK...
2043
01:06:22,021 --> 01:06:23,544
ME NOT GOING TO WORK FOR THAT
2044
01:06:23,544 --> 01:06:25,982
COMPANY IS ACTUALLY A SMALL PART
2045
01:06:25,982 --> 01:06:28,027
OF SOMETHING BIGGER.
2046
01:06:28,027 --> 01:06:31,030
UM...
2047
01:06:31,030 --> 01:06:34,251
IT'S HARD TO EXPLAIN, BUT...
2048
01:06:34,251 --> 01:06:36,862
I... I HAVEN'T BEEN PAYING
2049
01:06:36,862 --> 01:06:38,864
A LOT OF ATTENTION LATELY.
2050
01:06:38,864 --> 01:06:40,909
DOES THAT MAKE ANY SENSE?
2051
01:06:40,909 --> 01:06:42,389
>> SORT OF.
2052
01:06:42,389 --> 01:06:43,695
>> YEAH.
2053
01:06:43,695 --> 01:06:44,913
I DIDN'T WANT TO MAKE YOUR
2054
01:06:44,913 --> 01:06:47,568
MOM MAD OR, OR ANYONE MAD.
2055
01:06:47,568 --> 01:06:50,354
I JUST REALIZED THAT GOING TO
2056
01:06:50,354 --> 01:06:53,270
WORK FOR THAT COMPANY IS NOT
2057
01:06:53,270 --> 01:06:57,317
THE RIGHT THING FOR ME.
2058
01:06:57,317 --> 01:06:58,840
>> ARE YOU AND MOM GONNA
2059
01:06:58,840 --> 01:07:01,017
>> ARE YOU AND MOM GONNA
GET A DIVORCE?
2060
01:07:01,017 --> 01:07:04,324
GET A DIVORCE?
2061
01:07:04,324 --> 01:07:05,804
>> YOUR MOM AND I HAVEN'T BEEN
2062
01:07:05,804 --> 01:07:07,545
DOING A VERY GOOD JOB OF TALKING
2063
01:07:07,545 --> 01:07:09,416
LATELY.
2064
01:07:09,416 --> 01:07:11,766
OR LISTENING, FOR THAT MATTER.
2065
01:07:11,766 --> 01:07:12,854
>> WELL, MAYBE YOU SHOULD
2066
01:07:12,854 --> 01:07:13,986
JUST TRY THAT JOB.
2067
01:07:13,986 --> 01:07:15,379
YOU'LL SEE THAT YOU LIKE IT,
2068
01:07:15,379 --> 01:07:17,729
AND THEN IT'LL BE O.K.
2069
01:07:17,729 --> 01:07:18,730
>> IT DOESN'T REALLY
2070
01:07:18,730 --> 01:07:20,036
WORK LIKE THAT.
2071
01:07:20,036 --> 01:07:21,776
HEY, YOU KNOW HOW MOM AND I
2072
01:07:21,776 --> 01:07:23,735
ALWAYS SAY HOW IMPORTANT
2073
01:07:23,735 --> 01:07:26,216
IT IS FOR US TO BE HONEST?
2074
01:07:26,216 --> 01:07:28,087
RIGHT? AND IF I PRETENDED
2075
01:07:28,087 --> 01:07:31,003
THAT I WANTED THAT JOB...
2076
01:07:31,003 --> 01:07:32,961
I WOULDN'T HAVE BEEN HONEST
2077
01:07:32,961 --> 01:07:33,397
WITH MYSELF.
2078
01:07:33,397 --> 01:07:34,180
>> BUT YOU DON'T
2079
01:07:34,180 --> 01:07:35,181
HAVE TO PRETEND.
2080
01:07:35,181 --> 01:07:36,443
YOU CAN JUST TELL THEM THAT YOU
2081
01:07:36,443 --> 01:07:37,923
DON'T WANT TO WORK FOR THEM
2082
01:07:37,923 --> 01:07:39,490
BUT THEN JUST WORK THERE ANYWAY.
2083
01:07:39,490 --> 01:07:41,013
I TELL AARON ALL THE TIME
2084
01:07:41,013 --> 01:07:42,275
THAT I DON'T WANT TO PLAY
2085
01:07:42,275 --> 01:07:43,885
COUNTER-STRIKE, BUT WE
2086
01:07:43,885 --> 01:07:46,714
STILL PLAY IT.
2087
01:07:46,714 --> 01:07:48,151
>> IT'S NOT REALLY THE SAME
2088
01:07:48,151 --> 01:07:50,501
THING THOUGH.
2089
01:07:50,501 --> 01:07:51,632
AND MY GUESS IS, IF YOU
2090
01:07:51,632 --> 01:07:52,764
REALLY DIDN'T WANT TO PLAY
2091
01:07:52,764 --> 01:07:54,809
COUNTER-STRIKE, IF IT REALLY
2092
01:07:54,809 --> 01:07:57,203
FELT WRONG TO YOU, YOU WOULDN'T
2093
01:07:57,203 --> 01:07:58,509
PLAY IT.
2094
01:07:58,509 --> 01:08:00,119
>> I WOULD IF AARON REALLY
2095
01:08:00,119 --> 01:08:02,687
>> I WOULD IF AARON REALLY
WANTED ME TO.
2096
01:08:02,687 --> 01:08:37,809
WANTED ME TO.
2097
01:08:37,809 --> 01:08:41,769
[PHONE RINGS]
2098
01:08:41,769 --> 01:08:43,031
>> WILL SARGENT.
2099
01:08:43,031 --> 01:08:44,859
>> HI, WILL.
2100
01:08:44,859 --> 01:08:46,774
IT'S KATE BAASTE.
2101
01:08:46,774 --> 01:08:50,604
>> KATE. HI.
2102
01:08:50,604 --> 01:08:51,214
HOW ARE YOU?
2103
01:08:51,214 --> 01:08:53,651
>> GOOD. I, I WAS JUST CALLING
2104
01:08:53,651 --> 01:08:55,392
TO LET YOU KNOW THAT PREVIN GOT
2105
01:08:55,392 --> 01:08:56,654
AWARDED ONE OF THE LOBBY
2106
01:08:56,654 --> 01:08:59,135
COMMISSIONS AT GREENPOINT, AND
2107
01:08:59,135 --> 01:09:00,919
I JUST WANTED TO SAY THANK YOU.
2108
01:09:00,919 --> 01:09:02,964
>> YEAH. THEY CALLED US
2109
01:09:02,964 --> 01:09:03,356
ON MONDAY.
2110
01:09:03,356 --> 01:09:04,923
THAT'S, THAT'S GREAT.
2111
01:09:04,923 --> 01:09:07,055
>> WELL, UH, I GOT YOU A COUPLE
2112
01:09:07,055 --> 01:09:08,492
OF TICKETS FOR RED FISH
2113
01:09:08,492 --> 01:09:09,145
BLUE FISH.
2114
01:09:09,145 --> 01:09:10,450
KIT SAYS THEY'RE REALLY GREAT,
2115
01:09:10,450 --> 01:09:13,018
AND I GUESS I'LL JUST DROP THEM
2116
01:09:13,018 --> 01:09:14,106
BY YOUR OFFICE AFTER WORK?
2117
01:09:14,106 --> 01:09:16,021
>> WAIT, YOU'RE IN TOWN?
2118
01:09:16,021 --> 01:09:17,849
>> YEAH.
2119
01:09:17,849 --> 01:09:20,547
>> OH, UM...
2120
01:09:20,547 --> 01:09:22,288
YOU KNOW, OR, UM...
2121
01:09:22,288 --> 01:09:24,116
OR I COULD MEET YOU IN PERSON
2122
01:09:24,116 --> 01:09:26,074
AND GET THEM FROM YOU DIRECTLY.
2123
01:09:26,074 --> 01:09:29,165
AND GET THEM FROM YOU DIRECTLY.
[MUSIC PLAYING SOFTLY...]
2124
01:09:29,165 --> 01:09:40,001
[MUSIC PLAYING SOFTLY...]
2125
01:09:40,001 --> 01:09:42,178
[MUSIC PLAYING SOFTLY...]
[DOOR OPENS]
2126
01:09:42,178 --> 01:09:50,273
[DOOR OPENS]
2127
01:09:50,273 --> 01:09:51,099
>> HI.
2128
01:09:51,099 --> 01:09:51,752
>> HI.
2129
01:09:51,752 --> 01:09:52,623
>> HOW ARE YOU?
2130
01:09:52,623 --> 01:09:54,538
>> [LAUGHS] GOOD.
2131
01:09:54,538 --> 01:09:56,192
UH, IT'S BEEN A LONG COUPLE
2132
01:09:56,192 --> 01:09:59,369
MONTHS, BUT, UH, I'M DOING GOOD.
2133
01:09:59,369 --> 01:10:00,196
>> GET YOU SOMETHING?
2134
01:10:00,196 --> 01:10:03,199
>> YEAH, I'LL HAVE ONE OF THOSE.
2135
01:10:03,199 --> 01:10:05,288
>> AND YOU? HOW'S THE JOB?
2136
01:10:05,288 --> 01:10:07,290
THOUGHT YOU'D BE GONE BY NOW.
2137
01:10:07,290 --> 01:10:09,205
>> I DIDN'T TAKE IT.
2138
01:10:09,205 --> 01:10:09,944
I DON'T KNOW.
2139
01:10:09,944 --> 01:10:11,555
I DIDN'T WANT TO GO TO L.A.
2140
01:10:11,555 --> 01:10:13,209
I WANTED TO STAY IN NEW YORK,
2141
01:10:13,209 --> 01:10:15,646
AND I WANT TO START MY OWN FIRM,
2142
01:10:15,646 --> 01:10:17,300
SO... I'VE BEEN GOING OUT
2143
01:10:17,300 --> 01:10:20,912
ON MY OWN.
2144
01:10:20,912 --> 01:10:24,045
I WANTED TO APOLOGIZE.
2145
01:10:24,045 --> 01:10:24,829
>> FOR...?
2146
01:10:24,829 --> 01:10:26,222
>> MM...
2147
01:10:26,222 --> 01:10:31,575
FOR LEAVING YOU, UM, SO ABRUPTLY
2148
01:10:31,575 --> 01:10:32,402
AT THE CONSTRUCTION SITE,
2149
01:10:32,402 --> 01:10:36,362
BUT LAURYN WALKED UP AND THEN...
2150
01:10:36,362 --> 01:10:40,540
SO... I'M SORRY.
2151
01:10:40,540 --> 01:10:44,501
AND HERE ARE YOUR TICKETS.
2152
01:10:44,501 --> 01:10:46,590
AND HERE ARE YOUR TICKETS.
>> THANKS.
2153
01:10:46,590 --> 01:10:52,770
>> THANKS.
2154
01:10:52,770 --> 01:10:54,902
>> THANKS.
>> [SIGHS]
2155
01:10:54,902 --> 01:11:00,865
>> [SIGHS]
2156
01:11:00,865 --> 01:11:02,214
>> WELL, I DIDN'T SIGN
2157
01:11:02,214 --> 01:11:03,433
WITH WAHLSTEIN.
2158
01:11:03,433 --> 01:11:05,826
I WALKED AWAY.
2159
01:11:05,826 --> 01:11:07,741
TWO YEARS OF WORKING TOGETHER
2160
01:11:07,741 --> 01:11:10,701
AND NEGOTIATING A DEAL,
2161
01:11:10,701 --> 01:11:13,660
AND I JUST WALKED AWAY.
2162
01:11:13,660 --> 01:11:15,271
WITH A SINGLE ACT, I MANAGED TO
2163
01:11:15,271 --> 01:11:20,798
MAKE A MESS OF... EVERYTHING.
2164
01:11:20,798 --> 01:11:23,235
THE THING IS, THOUGH, THE...
2165
01:11:23,235 --> 01:11:24,715
THE MESS FEELS BETTER THAN
2166
01:11:24,715 --> 01:11:26,847
THE MESS FEELS BETTER THAN
LIFE DID BEFORE.
2167
01:11:26,847 --> 01:11:29,676
LIFE DID BEFORE.
2168
01:11:29,676 --> 01:11:30,547
>> [CLEARS THROAT]
2169
01:11:30,547 --> 01:11:31,243
YOU KNOW THOSE BIRDS
2170
01:11:31,243 --> 01:11:33,201
I SHOWED YOU BY THE B.Q.E.?
2171
01:11:33,201 --> 01:11:33,593
>> YEAH.
2172
01:11:33,593 --> 01:11:35,856
>> YOU KNOW THEY'RE PIGEONS?
2173
01:11:35,856 --> 01:11:37,031
>> MM-HMM.
2174
01:11:37,031 --> 01:11:38,163
>> YOU DID? I DIDN'T.
2175
01:11:38,163 --> 01:11:39,817
>> [LAUGHS] REALLY?
2176
01:11:39,817 --> 01:11:41,209
>> NO. [CLEARS THROAT]
2177
01:11:41,209 --> 01:11:42,210
WHEN I FIRST SAW THEM,
2178
01:11:42,210 --> 01:11:45,170
I THOUGHT... THEY WERE SPARROWS
2179
01:11:45,170 --> 01:11:46,302
OR SOMETHING, BECAUSE THEY
2180
01:11:46,302 --> 01:11:47,825
WERE SO PRETTY.
2181
01:11:47,825 --> 01:11:50,001
AND THEN ONE DAY I REALIZED IT.
2182
01:11:50,001 --> 01:11:51,219
THEY ARE JUST DIRTY,
2183
01:11:51,219 --> 01:11:53,570
MESSY, ORDINARY, MUNDANE
2184
01:11:53,570 --> 01:11:55,311
STREET PIGEONS.
2185
01:11:55,311 --> 01:11:56,486
AND IT MADE PERFECT SENSE.
2186
01:11:56,486 --> 01:11:58,749
IT'S NOT THE TYPE OF BIRD.
2187
01:11:58,749 --> 01:12:01,491
IT'S NOT THE TYPE OF BIRD.
THAT'S WHAT'S SO BEAUTIFUL.
2188
01:12:01,491 --> 01:12:06,409
THAT'S WHAT'S SO BEAUTIFUL.
2189
01:12:06,409 --> 01:12:08,062
>> DO YOU HAVE ANY PLANS
2190
01:12:08,062 --> 01:12:08,976
TONIGHT?
2191
01:12:08,976 --> 01:12:11,588
TONIGHT?
[♪...]
2192
01:12:11,588 --> 01:12:14,982
[♪...]
2193
01:12:14,982 --> 01:12:17,420
[♪...]
[NO DIALOGUE...]
2194
01:12:17,420 --> 01:12:28,387
[NO DIALOGUE...]
2195
01:12:28,387 --> 01:12:34,611
>> Man: ♪ I'M ALWAYS THINKING
2196
01:12:34,611 --> 01:12:40,356
OF SOMEONE NEW ♪
2197
01:12:40,356 --> 01:12:46,623
♪ I'M NEVER SITTING
2198
01:12:46,623 --> 01:12:51,410
O.K. WITH YOU ♪
2199
01:12:51,410 --> 01:12:57,460
♪ THERE'S ALWAYS SOMETHING
2200
01:12:57,460 --> 01:13:03,248
ELSE ON MY MIND ♪
2201
01:13:03,248 --> 01:13:06,425
♪ THERE'S ALWAYS SOMETHING
2202
01:13:06,425 --> 01:13:09,297
♪ THERE'S ALWAYS SOMETHING
I CAN'T FIND ♪
2203
01:13:09,297 --> 01:13:15,303
I CAN'T FIND ♪
2204
01:13:15,303 --> 01:13:16,392
♪ YOU THINK ABOUT
2205
01:13:16,392 --> 01:13:20,700
ANYTHING YOU CAN ♪
2206
01:13:20,700 --> 01:13:26,358
♪ I THINK ABOUT YOU
2207
01:13:26,358 --> 01:13:30,318
♪ I'LL THINK ABOUT ANYTHING,
2208
01:13:30,318 --> 01:13:32,930
IT'S TRUE... ♪
2209
01:13:32,930 --> 01:13:35,062
IT'S TRUE... ♪
[♪...]
2210
01:13:35,062 --> 01:13:48,641
[♪...]
2211
01:13:48,641 --> 01:13:54,386
♪ I'M ALMOST PERFECT
2212
01:13:54,386 --> 01:14:00,392
SOME OF THE TIME ♪
2213
01:14:00,392 --> 01:14:06,006
♪ I'M ALSO SINKING
2214
01:14:06,006 --> 01:14:11,490
SOME OF THE TIME ♪
2215
01:14:11,490 --> 01:14:16,495
♪ I'M ALMOST READY,
2216
01:14:16,495 --> 01:14:23,197
YEAH, IT'S ALMOST TRUE,
2217
01:14:23,197 --> 01:14:27,463
FOR ALMOST ANYONE
2218
01:14:27,463 --> 01:14:29,682
FOR ALMOST ANYONE
BUT YOU ♪
2219
01:14:29,682 --> 01:14:35,035
BUT YOU ♪
2220
01:14:35,035 --> 01:14:36,515
♪ YOU THINK ABOUT
2221
01:14:36,515 --> 01:14:40,737
ANYTHING YOU CAN ♪
2222
01:14:40,737 --> 01:14:46,394
♪ I THINK ABOUT YOU
2223
01:14:46,394 --> 01:14:50,355
♪ I'LL THINK ABOUT EVERYTHING,
2224
01:14:50,355 --> 01:14:56,404
IT'S TRUE... ♪
2225
01:14:56,404 --> 01:15:02,149
♪ TRUE...
2226
01:15:02,149 --> 01:15:04,674
♪ TRUE...
2227
01:15:04,674 --> 01:15:07,328
♪ TRUE...
[♪...]
2228
01:15:07,328 --> 01:15:25,738
[♪...]
2229
01:15:25,738 --> 01:15:31,701
♪ I'M ALWAYS SINKING
2230
01:15:31,701 --> 01:15:37,533
BENEATH THE SAND ♪
2231
01:15:37,533 --> 01:15:41,145
♪ YOU'RE HOLDING NOTHING
2232
01:15:41,145 --> 01:15:43,539
♪ YOU'RE HOLDING NOTHING
IN YOUR HAND ♪
2233
01:15:43,539 --> 01:15:49,457
IN YOUR HAND ♪
2234
01:15:49,457 --> 01:15:50,546
♪ YOU THINK ABOUT
2235
01:15:50,546 --> 01:15:54,506
ANYTHING YOU CAN ♪
2236
01:15:54,506 --> 01:16:00,207
♪ I THINK ABOUT YOU
2237
01:16:00,207 --> 01:16:04,560
♪ BUT I'LL THINK ABOUT ANYTHING,
2238
01:16:04,560 --> 01:16:10,653
IT'S TRUE... ♪
2239
01:16:10,653 --> 01:16:16,702
♪ TRUE...
2240
01:16:16,702 --> 01:16:22,490
♪ TRUE...
2241
01:16:22,490 --> 01:16:22,969
♪ TRUE...
2242
01:16:22,969 --> 01:16:25,232
>> ♪ BAH, BAH-BAH, BAH, BAH,
2243
01:16:25,232 --> 01:16:27,583
BAH, BAH, BAH-BAH... ♪
2244
01:16:27,583 --> 01:16:28,235
>> ♪ TRUE...
2245
01:16:28,235 --> 01:16:30,498
>> ♪ BAH, BAH-BAH, BAH, BAH...
2246
01:16:30,498 --> 01:16:30,934
>> ♪ TRUE...
2247
01:16:30,934 --> 01:16:33,414
>> ♪ BAH, BAH-BAH, BAH, BAH...
2248
01:16:33,414 --> 01:16:33,850
>> ♪ TRUE...
2249
01:16:33,850 --> 01:16:35,765
>> ♪ BAH, BAH-BAH, BAH, BAH,
2250
01:16:35,765 --> 01:16:39,420
BAH, BAH-BAH, BAH, BAH... ♪
2251
01:16:39,420 --> 01:16:40,378
>> ♪ TRUE...
2252
01:16:40,378 --> 01:16:42,119
>> ♪ BAH, BAH-BAH, BAH, BAH...
2253
01:16:42,119 --> 01:16:43,599
>> ♪ TRUE...
2254
01:16:43,599 --> 01:16:45,949
>> ♪ BAH, BAH-BAH, BAH, BAH...
2255
01:16:45,949 --> 01:16:48,647
>> ♪ TRUE...
2256
01:16:48,647 --> 01:16:50,606
>> ♪ BAH, BAH-BAH, BAH, BAH...
2257
01:16:50,606 --> 01:16:51,650
>> ♪ TRUE...
2258
01:16:51,650 --> 01:16:53,478
>> ♪ BAH, BAH-BAH, BAH, BAH,
2259
01:16:53,478 --> 01:16:56,481
BAH, BAH-BAH, BAH, BAH... ♪
2260
01:16:56,481 --> 01:16:57,221
>> ♪ TRUE...
2261
01:16:57,221 --> 01:16:59,005
>> ♪ BAH, BAH-BAH, BAH, BAH,
2262
01:16:59,005 --> 01:17:02,139
BAH, BAH, BAH-BAH, BAH... ♪
2263
01:17:02,139 --> 01:17:02,618
>> ♪ TRUE...
2264
01:17:02,618 --> 01:17:04,620
>> ♪ BAH, BAH-BAH, BAH, BAH,
2265
01:17:04,620 --> 01:17:08,493
BAH, BAH-BAH, BAH, BAH, BAH ♪
2266
01:17:08,493 --> 01:17:09,320
>> ♪ TRUE...
2267
01:17:09,320 --> 01:17:12,149
>> ♪ BAH, BAH-BAH, BAH, BAH,
2268
01:17:12,149 --> 01:17:13,672
BAH, BAH, BAH, BAH... ♪
2269
01:17:13,672 --> 01:17:14,499
>> ♪ TRUE...
2270
01:17:14,499 --> 01:17:16,544
>> ♪ BAH, BAH-BAH, BAH, BAH,
2271
01:17:16,544 --> 01:17:18,808
BAH, BAH, BAH-BAH, BAH,
2272
01:17:18,808 --> 01:17:21,071
BAH, BAH, BAH-BAH, BAH,
BAH, BAH-BAH, BAH, BAH... ♪
133399
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