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1
00:00:07,608 --> 00:00:09,386
HELLO?
2
00:00:09,410 --> 00:00:12,389
HEY. YOU NAKED? 'CAUSE I AM.
3
00:00:12,413 --> 00:00:15,325
CARLOS, IS THAT YOU?
4
00:00:15,349 --> 00:00:18,061
LISA? I THOUGHT I
WAS CALLING GRANDMA.
5
00:00:18,085 --> 00:00:19,363
HA HA HA!
6
00:00:19,387 --> 00:00:21,064
HEY, DREW, WHAT'S GOING ON?
7
00:00:21,088 --> 00:00:24,067
WELL, SINCE WE MISSED OUR SECRET
CONVERSATION AT WORK TODAY,
8
00:00:24,091 --> 00:00:27,737
I THOUGHT I'D MAKE IT UP
TO YOU OVER THE PHONE.
9
00:00:27,761 --> 00:00:30,740
RIGHT NOW I'M LAYING IN
THE TUB, SIPPING CHAMPAGNE,
10
00:00:30,764 --> 00:00:32,442
WEARING NOTHING BUT BUBBLES.
11
00:00:32,466 --> 00:00:33,743
REALLY?
12
00:00:33,767 --> 00:00:37,014
YOU SURE YOU'RE NOT ON
THE COUCH... EATING PIZZA?
13
00:00:37,038 --> 00:00:40,317
NO, I TOLD YOU, I'M IN THE TUB.
14
00:00:40,341 --> 00:00:43,887
HA HA HA! OK, TUB.
GOT IT. KEEP GOING.
15
00:00:43,911 --> 00:00:46,990
WELL, IF I WAS THERE WITH YOU,
16
00:00:47,014 --> 00:00:51,194
I WOULD KISS YOU OVER
EVERY INCH OF YOUR BODY.
17
00:00:51,218 --> 00:00:52,496
OH...
18
00:00:52,520 --> 00:00:56,366
I'M GONNA RUB YOUR
TUMMY TILL YOUR LEG SHAKES.
19
00:00:56,390 --> 00:00:59,636
HOLD ON A SECOND, THIS
PIZZA'S SLOWING ME DOWN.
20
00:00:59,660 --> 00:01:01,938
NO, I'M WASHING
THE DOG. KEEP GOING.
21
00:01:01,962 --> 00:01:03,407
OH.
22
00:01:03,431 --> 00:01:05,409
OH, DAMN, I GOT ANOTHER
CALL. CAN YOU HOLD ON?
23
00:01:05,433 --> 00:01:08,412
GO AHEAD AND TAKE IT. I GOT
TO ADD THE FLEA SHAMPOO.
24
00:01:08,436 --> 00:01:11,148
OH, SOMEDAY I'M GOING
TO BE IN THAT SINK.
25
00:01:11,172 --> 00:01:13,216
I'LL BE RIGHT BACK.
26
00:01:13,240 --> 00:01:14,418
HELLO?
27
00:01:14,442 --> 00:01:18,221
HI, DREW. IT'S OSWALD.
28
00:01:18,245 --> 00:01:22,025
I'VE BEEN TALKING SLOW ALL DAY.
29
00:01:22,049 --> 00:01:23,527
HEY, LISTEN, OSWALD,
CAN I CALL YOU BACK?
30
00:01:23,551 --> 00:01:24,627
I GOT LISA ON THE OTHER LINE.
31
00:01:24,651 --> 00:01:26,363
NO. IT'S REALLY
IMPORTANT. I'LL HOLD.
32
00:01:26,387 --> 00:01:27,964
ALL RIGHT.
33
00:01:27,988 --> 00:01:29,533
OK, NOW, WHERE WERE WE?
34
00:01:29,557 --> 00:01:32,102
I BELIEVE I WAS KISSING MY WAY
35
00:01:32,126 --> 00:01:33,203
STRAIGHT TO YOUR NIPPLES.
36
00:01:33,227 --> 00:01:36,540
WHAT ARE YOU GONNA
DO WHEN YOU GET THERE?
37
00:01:36,564 --> 00:01:37,807
OSWALD?
38
00:01:37,831 --> 00:01:39,076
LISA?
39
00:01:39,100 --> 00:01:41,078
YEAH?
40
00:01:41,102 --> 00:01:42,512
OH. SO WHERE WERE WE?
41
00:01:42,536 --> 00:01:45,248
I BELIEVE I WAS
KISSING MY WAY SOUTH...
42
00:01:46,673 --> 00:01:49,286
OH, GREAT. NOW I'VE
GOT ANOTHER CALL.
43
00:01:49,310 --> 00:01:50,842
GO AHEAD. I'LL WAIT.
44
00:01:52,546 --> 00:01:53,623
HELLO?
45
00:01:53,647 --> 00:01:54,958
HI, LISA, IT'S KATE.
46
00:01:54,982 --> 00:01:56,059
HEY, KATE.
47
00:01:56,083 --> 00:01:58,061
LISTEN, DREW'S
ON THE OTHER LINE,
48
00:01:58,085 --> 00:02:00,397
AND HE'S IN THE
MOOD FOR SEX TALK.
49
00:02:00,421 --> 00:02:02,532
OH! WELL, THAT WILL
ONLY TAKE A MINUTE.
50
00:02:02,556 --> 00:02:03,633
I'M AT THE WARSAW.
51
00:02:03,657 --> 00:02:05,297
LET ME PUT SOME MORE
MONEY IN THE MACHINE.
52
00:02:07,161 --> 00:02:10,073
OH, MAN, THIS IS
GONNA TAKE FOREVER.
53
00:02:10,097 --> 00:02:11,741
HEY, OSWALD, YOU STILL THERE?
54
00:02:11,765 --> 00:02:13,776
MM-HMM.
55
00:02:13,800 --> 00:02:15,378
LISA.
56
00:02:15,402 --> 00:02:18,014
OK, BACHELORETTE NUMBER ONE,
57
00:02:18,038 --> 00:02:21,718
I WANT YOU TO TELL ME
SOMETHING IN YOUR SEXIEST VOICE.
58
00:02:21,742 --> 00:02:25,277
HEY, BABY, WHO'S YOUR DADDY?
59
00:02:26,413 --> 00:02:27,757
DAMN YOU, OSWALD.
60
00:02:27,781 --> 00:02:28,958
LISA?
61
00:02:28,982 --> 00:02:30,260
YEAH, IT'S ME.
62
00:02:30,284 --> 00:02:31,428
HEY, LISTEN.
63
00:02:31,452 --> 00:02:32,895
LET'S AGREE NOT TO
TAKE ANY MORE CALLS, OK?
64
00:02:32,919 --> 00:02:33,963
NO MATTER WHAT.
65
00:02:33,987 --> 00:02:35,198
THAT SOUNDS GREAT. ALL RIGHT...
66
00:02:35,222 --> 00:02:38,602
LET ME TELL YOU WHAT
I'M GOING TO DO TO YOU.
67
00:02:38,626 --> 00:02:40,604
MR. CAREY, I HAVE A REQUEST
68
00:02:40,628 --> 00:02:42,872
FOR AN EMERGENCY
INTERRUPT FROM YOUR MOTHER.
69
00:02:42,896 --> 00:02:44,040
WILL YOU ACCEPT?
70
00:02:44,064 --> 00:02:46,075
AW, MAN, IF THIS ISN'T HER
71
00:02:46,099 --> 00:02:48,445
KNOCKING ON THE BATHROOM
DOOR ALL OVER AGAIN...
72
00:02:48,469 --> 00:02:49,779
YEAH, OPERATOR, I'LL ACCEPT.
73
00:02:49,803 --> 00:02:52,315
IT'S NOT YOUR MOM,
BUT IT'S AN EMERGENCY.
74
00:02:52,339 --> 00:02:53,650
WHAT IS IT, LEWIS?
75
00:02:53,674 --> 00:02:54,984
WELL, I HAVE TO MAKE A BET.
76
00:02:55,008 --> 00:02:59,344
WHO DO YOU THINK'S
FASTER... A MIDGET OR A PIG?
77
00:03:00,947 --> 00:03:04,861
♪ MOON OVER PARMA, BRING
MY LOVE TO ME TONIGHT ♪
78
00:03:04,885 --> 00:03:09,032
♪ GUIDE HER TO CLEVELAND
UNDERNEATH YOUR SILVERY LIGHT ♪
79
00:03:09,056 --> 00:03:10,800
♪ WE'RE GOIN' BOWLIN' ♪
80
00:03:10,824 --> 00:03:12,802
♪ SO DON'T LOSE HER IN SOLON ♪
81
00:03:12,826 --> 00:03:15,294
♪ MOON OVER PARMA TONIGHT ♪♪
82
00:03:19,533 --> 00:03:22,345
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
83
00:03:22,369 --> 00:03:23,780
WHAT'S WITH YOU GUYS,
84
00:03:23,804 --> 00:03:26,650
YOU MAKING A TOM PETTY VIDEO?
85
00:03:26,674 --> 00:03:28,317
DREW, YOU'VE GOT TO CHECK
86
00:03:28,341 --> 00:03:29,619
THE BIG REMODELING
SALE DOWNSTAIRS.
87
00:03:29,643 --> 00:03:31,521
THEY'RE SELLING
ALL THE OLD DISPLAYS,
88
00:03:31,545 --> 00:03:33,389
ALL THE FIXTURES
FOR, LIKE, NOTHING.
89
00:03:33,413 --> 00:03:36,125
THIS PENCIL COST
ME A DOLLAR. YEAH!
90
00:03:36,149 --> 00:03:38,389
WHAT ARE YOU
GOING TO DO WITH IT?
91
00:03:38,919 --> 00:03:41,431
A DOLLAR, THIS PENCIL. YEAH!
92
00:03:41,455 --> 00:03:45,035
YOU KNOW, SOMETIMES I THINK
THEY HAVE THESE REMODELING SALES
93
00:03:45,059 --> 00:03:46,736
JUST FOR SUCKERS LIKE YOU.
94
00:03:46,760 --> 00:03:49,172
HEY!
95
00:03:49,196 --> 00:03:53,076
THEY ACCEPTED MY
BID ON THE GIANT PUMP.
96
00:03:53,100 --> 00:03:54,343
WHY DON'T YOU GUYS
JUST PUT IT IN THERE
97
00:03:54,367 --> 00:03:55,579
AND WHEEL IT TO THE BREAK ROOM?
98
00:03:55,603 --> 00:03:56,580
MAN...
99
00:03:56,604 --> 00:03:59,148
THE CUTE ONES ARE
NEVER IN YOUR SIZE.
100
00:03:59,172 --> 00:04:01,406
BOY, I'D LIKE TO
MEET HER BROTHER.
101
00:04:04,979 --> 00:04:07,691
DREW... TOOK A MESSAGE FOR YOU.
102
00:04:07,715 --> 00:04:09,358
YOUR DOCTOR CALLED
ABOUT SOME BLOOD TESTS.
103
00:04:09,382 --> 00:04:10,794
WHAT?
104
00:04:10,818 --> 00:04:13,619
TURNS OUT YOU REALLY
ARE A PIG. HA HA HA!
105
00:04:16,356 --> 00:04:20,158
I HOPE THOSE RUG BURNS
TEACH YOU A LESSON, SPANKY.
106
00:04:21,762 --> 00:04:24,608
WHAT, IS IT NOON ALREADY?
107
00:04:24,632 --> 00:04:26,476
HEY, MIMI, YOU'RE
WANTED IN JERRY'S...
108
00:04:26,500 --> 00:04:28,411
OH, MR. BELL'S OFFICE.
109
00:04:28,435 --> 00:04:31,136
OH. I GUESS I'M
BATTING CLEAN-UP.
110
00:04:35,042 --> 00:04:37,087
SO, UH... SUZIE,
111
00:04:37,111 --> 00:04:38,287
THIS IS...
112
00:04:38,311 --> 00:04:39,388
KIND OF EMBARRASSING.
113
00:04:39,412 --> 00:04:41,891
I DON'T KNOW
EXACTLY HOW TO PUT IT,
114
00:04:41,915 --> 00:04:43,693
BUT YOUR SWEATER'S
ON INSIDE OUT.
115
00:04:43,717 --> 00:04:46,763
OH. I MUST HAVE PUT IT ON WRONG
116
00:04:46,787 --> 00:04:49,054
AFTER I HAD SEX WITH MR. BELL.
117
00:04:53,060 --> 00:04:54,504
SO I GUESS IT WON'T BOTHER YOU
118
00:04:54,528 --> 00:04:58,341
THAT YOU HAVE UNDERWEAR
STICKING OUT OF YOUR SHOE.
119
00:05:00,267 --> 00:05:01,410
YES, MR. BELL?
120
00:05:01,434 --> 00:05:03,479
CAREY, I'VE GOT
GOOD NEWS FOR YOU.
121
00:05:03,503 --> 00:05:05,015
YOU KNOW HOW YOU'VE ALWAYS SAID
122
00:05:05,039 --> 00:05:06,850
YOU WANTED TO HAVE AN ASSISTANT?
123
00:05:06,874 --> 00:05:08,317
THIS ISN'T LIKE THAT TIME
124
00:05:08,341 --> 00:05:09,986
YOU GAVE ME YOUR
KEYS TO YOUR PORSCHE
125
00:05:10,010 --> 00:05:12,421
AND THEN HAD SECURITY
BEAT ME UP, IS IT, SIR?
126
00:05:12,445 --> 00:05:14,057
HEH, HEH. NO, NO.
127
00:05:14,081 --> 00:05:16,159
AND THAT WASN'T MEANT
TO GO THAT FAR, CAREY.
128
00:05:16,183 --> 00:05:17,927
LISTEN, CONGRATULATIONS.
129
00:05:17,951 --> 00:05:19,595
YOU'VE GOT AN ASSISTANT.
130
00:05:19,619 --> 00:05:22,398
WHAT... WOW! THERE...
THAT'S GREAT, MR. BELL.
131
00:05:22,422 --> 00:05:25,401
YOU... YOU'VE GOT A
HEART AS BIG AS A...
132
00:05:25,425 --> 00:05:27,070
WELL, YOU HAVE A HEART.
133
00:05:29,496 --> 00:05:31,708
ASSISTANT TO MR. CAREY...
134
00:05:31,732 --> 00:05:32,809
WOW.
135
00:05:32,833 --> 00:05:33,810
HEY...
136
00:05:33,834 --> 00:05:35,178
HEY, MIMI.
137
00:05:35,202 --> 00:05:36,646
YOU'LL NEVER GUESS WHO'S
GETTING HIS OWN ASSISTANT.
138
00:05:36,670 --> 00:05:39,549
I'LL GIVE YOU A HINT...
HE HATES YOUR GUTS.
139
00:05:39,573 --> 00:05:42,874
AND IT'S NOT THE FREE-SAMPLE
GUY FROM HICKORY FARMS.
140
00:05:44,845 --> 00:05:47,157
OHH... WHAT ARE YOU DOING...
141
00:05:47,181 --> 00:05:50,160
BRINGING SOME GOODIES
FOR MY NEW ASSISTANT, HUH?
142
00:05:50,184 --> 00:05:52,128
WELL, THAT'S GREAT, MIMI.
143
00:05:52,152 --> 00:05:54,164
WOW, A TROLL STARTER KIT.
144
00:05:54,188 --> 00:05:56,166
THAT'S REALLY SWEET OF YOU.
145
00:05:56,190 --> 00:05:57,667
I CAN'T BELIEVE YOU'RE GOING
THROUGH ALL THIS TROUBLE,
146
00:05:57,691 --> 00:05:59,169
UNLESS YOU'RE MY NEW ASSISTANT,
147
00:05:59,193 --> 00:06:03,272
IN WHICH CASE I'M GONNA KILL
MYSELF WITH MY TAPE DISPENSER.
148
00:06:03,296 --> 00:06:04,874
HERE'S A LETTER OPENER.
149
00:06:04,898 --> 00:06:06,776
I'LL GET A BUCKET.
150
00:06:06,800 --> 00:06:09,112
NO! YOU CAN'T BE
MY NEW ASSISTANT.
151
00:06:09,136 --> 00:06:11,547
MY NEW ASSISTANT'S GOING
TO BE SWEET AND CHARMING
152
00:06:11,571 --> 00:06:13,216
AND SAY, "YES,
SIR" AND "NO, SIR."
153
00:06:13,240 --> 00:06:16,419
YES, SIR... LUNCH-A-LOT.
154
00:06:16,443 --> 00:06:17,754
AW, THIS IS STUPID.
155
00:06:17,778 --> 00:06:20,957
WHY IS THIS HAPPENING
TO ME? WHAT DID I DO?
156
00:06:20,981 --> 00:06:23,793
MR. BELL'S MAKING
SUZIE HIS NEW ASSISTANT.
157
00:06:23,817 --> 00:06:27,485
IT'S THE ONE POSITION SHE
HASN'T HAD WITH HIM YET.
158
00:06:34,728 --> 00:06:35,739
OW.
159
00:06:35,763 --> 00:06:36,806
EW.
160
00:06:36,830 --> 00:06:39,497
SO, HOW MANY TIMES
DID MIMI KICK YOU?
161
00:06:42,936 --> 00:06:44,247
LET'S SEE, I SAID,
162
00:06:44,271 --> 00:06:47,917
"GET YOUR FEET OUT FROM
UNDER MY SIDE OF THE DESK."
163
00:06:47,941 --> 00:06:50,508
AND THEN, "OW,
OW, OW, OW, OW..."
164
00:06:52,212 --> 00:06:54,690
"I MEAN IT. OW, OW, OW, OW.
165
00:06:54,714 --> 00:06:56,525
"STOP THAT... OW, HURTS.
166
00:06:56,549 --> 00:06:58,228
OW, OW, OW, OW, OW."
167
00:06:58,252 --> 00:06:59,550
15.
168
00:07:01,021 --> 00:07:03,466
UHH! OW! WAIT! WHAT'D
YOU DO THAT FOR?
169
00:07:03,490 --> 00:07:06,069
SEE? NOW IT LOOKS
LIKE A HAPPY FACE.
170
00:07:06,093 --> 00:07:07,137
OH...
171
00:07:07,161 --> 00:07:09,294
AAH! JEEZ! GOD!
172
00:07:10,998 --> 00:07:12,508
NEEDED A NOSE.
173
00:07:12,532 --> 00:07:14,844
HEY, WHY DON'T
YOU JUST FIRE MIMI?
174
00:07:14,868 --> 00:07:18,414
OH, I CAN'T. THERE'S NO
WAY MR. BELL WOULD LET ME.
175
00:07:18,438 --> 00:07:19,883
YOU KNOW, DREW, MAYBE YOU'RE
176
00:07:19,907 --> 00:07:21,985
SUPPOSED TO LEARN
A LIFE LESSON HERE.
177
00:07:22,009 --> 00:07:24,888
I MEAN, WE HAD THESE 2 GUYS AT
DRUGCO WHO HATED EACH OTHER.
178
00:07:24,912 --> 00:07:27,556
THEY FOUGHT FOR A WHILE, BUT THEN
THEY WORKED OUT THEIR DIFFERENCES,
179
00:07:27,580 --> 00:07:29,058
WENT TO A BAR TO CELEBRATE,
180
00:07:29,082 --> 00:07:30,226
GOT INTO A FIGHT
OVER A WAITRESS,
181
00:07:30,250 --> 00:07:32,829
AND ONE GUY KILLED THE OTHER.
182
00:07:32,853 --> 00:07:35,265
WE LAUGH ABOUT
THAT AT WORK A LOT.
183
00:07:35,289 --> 00:07:38,501
HAS ANYONE EVER
SURVIVED A JOB AT DRUGCO?
184
00:07:38,525 --> 00:07:41,637
SURE. THERE'S, UH,
ME AND COMA JOE.
185
00:07:42,863 --> 00:07:45,441
OH, I'M DYING. I CAN'T
TAKE ANOTHER STEP.
186
00:07:45,465 --> 00:07:47,911
LIE DOWN. I'LL MAKE
YOU FEEL BETTER.
187
00:07:47,935 --> 00:07:48,935
OOH.
188
00:07:50,337 --> 00:07:51,580
SHH.
189
00:07:51,604 --> 00:07:53,905
I SAW THIS ON THE
NATURE CHANNEL.
190
00:08:02,316 --> 00:08:04,928
JAY'S BACK IS OUT. I'M
JUST MASSAGING HIM.
191
00:08:04,952 --> 00:08:07,197
THERE'S NOT GOING TO BE ANY SEX
192
00:08:07,221 --> 00:08:09,833
UNLESS HE COUGHS
UP THE EXTRA 20 BUCKS.
193
00:08:09,857 --> 00:08:11,489
OH, I GOT 20 BUCKS.
194
00:08:13,060 --> 00:08:16,105
WE'RE SHORT-HANDED
'CAUSE MY EX-WIFE
195
00:08:16,129 --> 00:08:18,607
HIRED AWAY MY BEST MEN
FOR HER MOVING COMPANY.
196
00:08:18,631 --> 00:08:20,676
I'M SORRY I'M NOT GONNA BE ABLE
TO MOVE THOSE OLD DISPLAY CASES
197
00:08:20,700 --> 00:08:22,445
OUT OF THE STORE THIS WEEKEND.
198
00:08:22,469 --> 00:08:24,113
HEY, WE COULD HELP YOU.
199
00:08:24,137 --> 00:08:26,782
WAIT, LET'S SEE WHAT
THE EX-WIFE PAYS.
200
00:08:26,806 --> 00:08:28,417
I'LL HELP YOU, TOO, BUDDY.
201
00:08:28,441 --> 00:08:30,753
YOU SURE YOU CAN? WHAT
HAPPENED TO YOUR LEGS?
202
00:08:30,777 --> 00:08:32,543
SCABIES.
203
00:08:33,646 --> 00:08:35,424
MIMI KICKED HIM AT WORK TODAY.
204
00:08:35,448 --> 00:08:36,960
WOW. IF SHE'S YOUR ASSISTANT,
205
00:08:36,984 --> 00:08:39,184
WHAT DOES YOUR BOSS DO TO YOU?
206
00:08:40,988 --> 00:08:42,798
HEY. YOU KNOW, YOU'RE RIGHT.
207
00:08:42,822 --> 00:08:45,301
SHE'S WORKING FOR ME NOW.
208
00:08:45,325 --> 00:08:49,038
FROM NOW ON, I'M NOT
TAKING ANY MORE OF HER CRAP.
209
00:08:49,062 --> 00:08:50,273
UHH.
210
00:08:50,297 --> 00:08:51,975
COME ON, LET'S GO CELEBRATE.
211
00:08:51,999 --> 00:08:55,378
UHH UHH UHH UHH UHH.
212
00:08:55,402 --> 00:08:58,081
MIMI'S DAYS OF MESSING
WITH ME ARE OVER.
213
00:08:58,105 --> 00:09:01,184
HEY...
214
00:09:01,208 --> 00:09:03,419
"KICK ME" BRAND JACKETS.
215
00:09:03,443 --> 00:09:06,089
I USED TO WEAR
THESE IN HIGH SCHOOL.
216
00:09:06,113 --> 00:09:08,191
YEAH, THEY WENT REAL
GOOD WITH YOUR NIMROD HAT
217
00:09:08,215 --> 00:09:10,095
AND YOUR WEDGIE JEANS.
218
00:09:11,051 --> 00:09:13,696
"KICK ME." REAL CLEVER.
219
00:09:13,720 --> 00:09:16,032
YOU KNOW, IT
LOOKS LIKE "LICK ME."
220
00:09:16,056 --> 00:09:18,801
OH. THAT EXPLAINS THE
TROUBLE I HAD ON THE BUS TODAY.
221
00:09:18,825 --> 00:09:20,825
HA HA HA!
222
00:09:24,264 --> 00:09:25,541
MR. CAREY...
223
00:09:25,565 --> 00:09:27,710
I'M KIM DECKER. I'M
HERE TO INTERVIEW
224
00:09:27,734 --> 00:09:29,045
FOR THE HOUSEWARES POSITION.
225
00:09:29,069 --> 00:09:30,813
OH, WHAT A COINCIDENCE.
I'M HERE TO INTERVIEW PEOPLE
226
00:09:30,837 --> 00:09:33,357
FOR THE HOUSEWARES POSITION.
227
00:09:34,341 --> 00:09:38,343
T.G.I. FRIDAY'S IS NOW
OFFICIALLY OPENED.
228
00:09:41,548 --> 00:09:42,858
PLEASE HAVE A SEAT.
229
00:09:42,882 --> 00:09:44,560
YOU COLLECT TROLL DOLLS.
230
00:09:44,584 --> 00:09:47,263
NO. UH, THOSE BELONG
TO MY ASSISTANT.
231
00:09:47,287 --> 00:09:48,965
I USUALLY PUT JUST PICTURES
232
00:09:48,989 --> 00:09:50,922
OF MY FAMILY ON THE DESK.
233
00:09:54,794 --> 00:09:57,540
LET'S SEE WHAT WE HAVE HERE.
234
00:09:57,564 --> 00:10:00,776
OH, I SEE YOU WENT TO THE
UNIVERSITY OF WISCONSIN.
235
00:10:00,800 --> 00:10:02,900
HE SAID, LOOKING AT HER CHEST.
236
00:10:05,105 --> 00:10:08,084
THAT'S RIGHT. AND I MADE
DEAN'S LIST ALL 4 YEARS.
237
00:10:08,108 --> 00:10:09,185
AH, VERY IMPRESSIVE.
238
00:10:09,209 --> 00:10:11,520
I ONLY HAVE, UH, ONE
IMPORTANT QUESTION...
239
00:10:11,544 --> 00:10:14,545
COULD YOU EVER BE
ATTRACTED TO A FAT MAN?
240
00:10:20,653 --> 00:10:22,698
OK, THAT'S IT.
241
00:10:22,722 --> 00:10:24,367
WOULD YOU MIND, UH,
WAITING OUT IN THE LOBBY?
242
00:10:24,391 --> 00:10:25,701
I HAVE SOMETHING
TO DO RIGHT NOW...
243
00:10:25,725 --> 00:10:27,485
I DON'T WANT ANY WITNESSES.
244
00:10:29,196 --> 00:10:31,007
ALL RIGHT, LET'S GET
THIS STRAIGHT, MIMI.
245
00:10:31,031 --> 00:10:32,442
I AM YOUR BOSS NOW.
246
00:10:32,466 --> 00:10:33,542
AND I EXPECT YOU TO TREAT ME
247
00:10:33,566 --> 00:10:35,111
WITH A LITTLE BIT OF RESPECT.
248
00:10:35,135 --> 00:10:36,779
HOW LITTLE?
249
00:10:36,803 --> 00:10:40,071
LIKE WHEN YOU PUT ON
A LITTLE EYE SHADOW.
250
00:10:43,877 --> 00:10:45,688
AND, YOU KNOW,
251
00:10:45,712 --> 00:10:47,156
ALL THIS STUFF,
IT'S JUST LIKE...
252
00:10:47,180 --> 00:10:49,025
IT'S JUST VERY UNPROFESSIONAL.
253
00:10:49,049 --> 00:10:50,460
DON'T TOUCH THE TROLL!
254
00:10:51,684 --> 00:10:54,484
IS THAT WHAT YOUR MOM
USED TO SAY TO YOUR DATES?
255
00:10:59,226 --> 00:11:01,337
PUT THE TROLLS DOWN,
256
00:11:01,361 --> 00:11:04,540
OR I'LL PUT A STAPLE
RIGHT BETWEEN YOUR EYES.
257
00:11:04,564 --> 00:11:08,633
YOU DON'T HAVE THE GUTS.
258
00:11:11,538 --> 00:11:13,383
TRY ME.
259
00:11:13,407 --> 00:11:17,142
PUT THE TROLLS DOWN.
260
00:11:19,212 --> 00:11:20,212
FINE.
261
00:11:22,715 --> 00:11:24,827
OWW! OHH! OH!
262
00:11:27,320 --> 00:11:28,297
MIMI DID IT!
263
00:11:28,321 --> 00:11:29,432
DREW DID IT! IT WASN'T MY FAULT!
264
00:11:29,456 --> 00:11:32,668
SHUT UP! BOTH OF YOU!
265
00:11:32,692 --> 00:11:34,037
YOU TWO HAVE BEEN FIGHTING
266
00:11:34,061 --> 00:11:35,138
SINCE THE MOMENT YOU MET!
267
00:11:35,162 --> 00:11:37,240
WELL, IT'S GONE TOO FAR!
268
00:11:37,264 --> 00:11:39,675
YOU'RE BOTH SUSPENDED
FOR THE REST OF THE WEEK.
269
00:11:39,699 --> 00:11:42,145
AND IF THIS CONTINUES
WHEN YOU GET BACK,
270
00:11:42,169 --> 00:11:43,846
ONE OF YOU WON'T BE STAYING.
271
00:11:43,870 --> 00:11:45,181
YEAH, BUT, MR. BELL,
272
00:11:45,205 --> 00:11:46,849
YOU JUST DON'T
UNDERSTAND. SHE...
273
00:11:50,910 --> 00:11:52,855
I HOPE YOU'RE HAPPY.
274
00:11:52,879 --> 00:11:56,359
I HAVEN'T BEEN SUSPENDED
SINCE HIGH SCHOOL.
275
00:11:56,383 --> 00:11:58,361
AND JUST KEEP AWAY FROM ME,
276
00:11:58,385 --> 00:12:03,188
BECAUSE I KNOW 15
DIFFERENT WAYS TO KILL A MAN.
277
00:12:06,893 --> 00:12:10,861
DOESN'T THAT VIOLATE SOME
SORT OF CLOWN COLLEGE RULE?
278
00:12:17,404 --> 00:12:19,070
COMING!
279
00:12:22,342 --> 00:12:23,752
WHO IS IT?
280
00:12:23,776 --> 00:12:25,421
Jay: TRIPLE "A" ACTION MOVING.
281
00:12:25,445 --> 00:12:27,756
WE GOT YOUR DELIVERY
FROM WINFRED-LOUDER.
282
00:12:27,780 --> 00:12:29,358
HOW DO I KNOW
YOU'RE NOT SOME CREEP
283
00:12:29,382 --> 00:12:31,494
THAT JUST WANTS TO
GET INTO MY APARTMENT?
284
00:12:31,518 --> 00:12:34,763
BECAUSE IF I WAS A
CREEP, I'D JUST DO THIS...
285
00:12:34,787 --> 00:12:36,899
ALL RIGHT, ALL RIGHT.
286
00:12:36,923 --> 00:12:38,234
BUT I'M WARNING YOU,
287
00:12:38,258 --> 00:12:41,237
IF YOU TOUCH ANY OF
MY STUFF, YOU'RE DEAD.
288
00:12:41,261 --> 00:12:45,308
TOUCH IT? I CAN'T EVEN
STOP IT FROM SPINNING.
289
00:12:45,332 --> 00:12:47,776
BRING IT IN THE BEDROOM.
290
00:12:47,800 --> 00:12:50,112
WHOA. WHOA.
291
00:12:50,136 --> 00:12:53,115
YOU KNOW WHEN YOU
GO TO A YARD SALE,
292
00:12:53,139 --> 00:12:56,307
AND YOU WONDER WHO
BUYS ALL THAT CRAP?
293
00:12:57,810 --> 00:12:59,888
EXCUSE ME, BUT THERE'S A LITTLE
BIT OF SUBTLETY OVER THERE.
294
00:12:59,912 --> 00:13:01,224
YOU MIGHT WANT
TO GET RID OF THAT.
295
00:13:01,248 --> 00:13:04,126
YOU! WHAT THE HELL ARE
YOU DOING HERE? GET OUT!
296
00:13:04,150 --> 00:13:05,961
LOOK, I'M SORRY. BUT WHEN I
FOUND OUT MY FRIEND WAS GONNA BE
297
00:13:05,985 --> 00:13:07,963
MAKING A DELIVERY HERE, I HAD
TO COME OVER AND TALK TO YOU.
298
00:13:07,987 --> 00:13:11,267
WOW, MY EYES WON'T FOCUS.
299
00:13:11,291 --> 00:13:12,335
UH, WHILE YOU TWO
TALK, WHY DON'T YOU
300
00:13:12,359 --> 00:13:13,636
JUST POINT US TO THE BEDROOM?
301
00:13:13,660 --> 00:13:15,971
BEHIND THE BEADS
AND PAST THE WIGS.
302
00:13:15,995 --> 00:13:19,330
AND DON'T TOUCH MY
LIFE-SIZE ANTONIO BANDERAS.
303
00:13:21,100 --> 00:13:22,177
LOOK...
304
00:13:22,201 --> 00:13:24,280
I TRIED BEING YOUR
BOSS. THAT DIDN'T WORK.
305
00:13:24,304 --> 00:13:25,615
I CAN'T FIRE YOU.
306
00:13:25,639 --> 00:13:27,216
AND YOU KNOW I'M NOT
GOING ANYWHERE, EITHER.
307
00:13:27,240 --> 00:13:31,019
SO, WOULD YOU CONSIDER
JOINING ME IN SENSITIVITY TRAINING?
308
00:13:31,043 --> 00:13:33,110
BITE ME, DOUGHBOY.
309
00:13:34,347 --> 00:13:36,859
HELPED A LOT OF
PEOPLE AT MY COMPANY.
310
00:13:36,883 --> 00:13:38,750
BITE ME, STICK BOY.
311
00:13:41,755 --> 00:13:44,066
Oswald: IT SPRAYED ME!
ANTONIO SPRAYED ME!
312
00:13:44,090 --> 00:13:46,068
Jay: IT'S NOT THAT BAD, MAN,
313
00:13:46,092 --> 00:13:47,637
IT'S NOT THAT BAD.
314
00:13:47,661 --> 00:13:49,972
I TOLD THEM NOT
TO TOUCH ANTONIO.
315
00:13:49,996 --> 00:13:51,974
STAY HERE AND DON'T
TOUCH ANYTHING!
316
00:13:51,998 --> 00:13:53,942
DREW, LET'S GIVE IT UP
AND WAIT DOWNSTAIRS.
317
00:13:53,966 --> 00:13:56,479
I DON'T WANT TO
GET SPRAYED, MAN.
318
00:13:56,503 --> 00:13:58,013
WHAT'S THE MATTER WITH HER?
319
00:13:58,037 --> 00:14:00,516
WHY WON'T SHE EVEN
TRY TO WORK THIS OUT?
320
00:14:00,540 --> 00:14:02,518
H-H-HOW COULD SOMEONE
HATE ME SO MUCH?
321
00:14:02,542 --> 00:14:03,941
I DON'T KNOW.
322
00:14:05,412 --> 00:14:07,723
WHAT DO YOU THINK'S
IN THE CUPBOARD?
323
00:14:07,747 --> 00:14:09,258
I DON'T KNOW. WHY?
324
00:14:09,282 --> 00:14:11,260
'CAUSE IF THIS IS THE
STUFF SHE KEEPS OUT HERE,
325
00:14:11,284 --> 00:14:13,404
WHAT DO YOU THINK SHE HIDES?
326
00:14:17,089 --> 00:14:18,834
OH, MY GOD.
327
00:14:18,858 --> 00:14:20,035
WHAT IS IT?
328
00:14:20,059 --> 00:14:21,170
WELL, IT'S YOU.
329
00:14:21,194 --> 00:14:22,772
WHAT ARE YOU TALKING ABOUT?
330
00:14:22,796 --> 00:14:25,374
PICTURES OF YOU, HUNDREDS
OF PICTURES OF YOU.
331
00:14:25,398 --> 00:14:29,378
OH, MY GOD.
332
00:14:29,402 --> 00:14:31,781
LOOK. IT'S ME AT THE
COMPANY PICNIC. HUH.
333
00:14:31,805 --> 00:14:33,449
THIS IS ME AT CHRISTMAS.
334
00:14:33,473 --> 00:14:35,451
THIS IS ME AT THE OFFICE.
335
00:14:35,475 --> 00:14:37,787
THESE ARE ALL JUST
PICTURES OF ME.
336
00:14:37,811 --> 00:14:40,989
AND, HEY... SOME DAMN
GOOD PICTURES OF ME.
337
00:14:41,013 --> 00:14:44,360
HMM, DREW, NOT THIS
ONE AT THE WATER PARK.
338
00:14:44,384 --> 00:14:46,784
THIS IS SCARY, MAN.
339
00:14:47,987 --> 00:14:51,801
OH... I THINK SHE'S COMING.
PUT EVERYTHING BACK.
340
00:14:51,825 --> 00:14:53,035
LET'S JUST GO WAIT
OUT IN THE TRUCK.
341
00:14:53,059 --> 00:14:54,269
I THOUGHT YOU
WANTED TO TALK TO HER.
342
00:14:54,293 --> 00:14:55,827
YEAH. NOT ANYMORE.
343
00:14:59,833 --> 00:15:01,711
YOU KNOW, I'VE BEEN
MEANING TO GET MY HANDS
344
00:15:01,735 --> 00:15:04,313
ON ONE OF THESE BIG
BOYS FOR QUITE A WHILE.
345
00:15:04,337 --> 00:15:05,981
LIKE THE WAY IT HANDLES?
346
00:15:06,005 --> 00:15:07,049
AW, WHO CARES?
347
00:15:07,073 --> 00:15:08,718
YOU SAW THE SIGN, BUDDY!
348
00:15:08,742 --> 00:15:12,020
HOW AM I DRIVING? I
WANT TO KNOW NOW!
349
00:15:12,044 --> 00:15:14,357
WAIT TILL I MAKE A WIDE TURN.
350
00:15:14,381 --> 00:15:16,291
IT'S LIKE A LICENSE TO KILL.
351
00:15:16,315 --> 00:15:18,527
WHY'D YOU GET OUT OF
THERE SO FAST, DREW?
352
00:15:18,551 --> 00:15:20,763
WHAT WOULD YOU DO IF YOU
FOUND OUT THAT MIMI BOBECK
353
00:15:20,787 --> 00:15:23,366
HAD AN ENTIRE CABINET
FILLED WITH SNAPSHOTS OF YOU?
354
00:15:23,390 --> 00:15:25,735
I KNEW A GIRL WHO
COLLECTED PICTURES OF ME,
355
00:15:25,759 --> 00:15:26,969
BUT THAT WAS BECAUSE...
356
00:15:26,993 --> 00:15:30,272
OH, MY GOD. SHE'S
IN LOVE WITH YOU?
357
00:15:30,296 --> 00:15:31,607
SHH. NOT SO LOUD.
358
00:15:31,631 --> 00:15:34,276
WHOEVER'S IN CONTROL OF
IRONY COULD BE LISTENING.
359
00:15:34,300 --> 00:15:36,679
DREW, YOU HAVE TO
ADMIT IT TO YOURSELF.
360
00:15:36,703 --> 00:15:39,948
I KNOW, I KNOW. SHE'S...
UGH... IN LOVE WITH ME.
361
00:15:39,972 --> 00:15:42,050
BUT HOW IS IT POSSIBLE?
362
00:15:42,074 --> 00:15:43,318
YOU KNOW WHAT THEY SAY...
363
00:15:43,342 --> 00:15:45,588
THERE'S A FINE LINE
BETWEEN LOVE AND HATE.
364
00:15:45,612 --> 00:15:46,789
WHO'S THEY...
365
00:15:46,813 --> 00:15:50,053
ALL THE LITTLE TINY
JACKASSES INSIDE YOUR HEAD?
366
00:15:51,250 --> 00:15:52,728
YOU KNOW, THIS
WHOLE THING IS CRAZY.
367
00:15:52,752 --> 00:15:55,230
IT DOESN'T MAKE ANY SENSE.
368
00:15:55,254 --> 00:15:56,665
WHY NOT?
369
00:15:56,689 --> 00:15:59,435
BECAUSE... OH, GOD,
PLEASE GIVE ME SOMETHING.
370
00:15:59,459 --> 00:16:01,504
O.K. HERE'S WHY NOT...
371
00:16:01,528 --> 00:16:03,672
BECAUSE, UH, SHE'S ALWAYS
TRYING TO GET ME FIRED.
372
00:16:03,696 --> 00:16:06,041
AND THEN I'D BE OUT
OF HER LIFE FOREVER.
373
00:16:06,065 --> 00:16:07,765
OR YOU'D BE ON THE
SKIDS AND VULNERABLE.
374
00:16:09,068 --> 00:16:10,413
"I'M SO SORRY, DREW.
375
00:16:10,437 --> 00:16:11,881
"LET ME LEND YOU A FEW BUCKS.
376
00:16:11,905 --> 00:16:13,616
HERE, PUT YOUR HEAD
ON MY SHOULDER."
377
00:16:13,640 --> 00:16:14,950
"THAT'S NOT YOUR SHOULDER."
378
00:16:14,974 --> 00:16:17,553
"WHO CARES? TAKE ME
NOW, MY PORTLY STALLION.
379
00:16:17,577 --> 00:16:18,888
TAKE ME, TAKE ME!"
380
00:16:26,753 --> 00:16:29,865
YOU KNOW, I STILL DON'T KNOW
WHAT I'M GONNA SAY TO MIMI.
381
00:16:29,889 --> 00:16:33,001
YOU KNOW, DREW, YOU'RE
PROBABLY MAKING TOO MUCH OF THIS.
382
00:16:33,025 --> 00:16:34,970
MIMI'S A REASONABLE PERSON.
383
00:16:34,994 --> 00:16:36,939
I MEAN, AFTER ALL,
SHE IS A WOMAN.
384
00:16:36,963 --> 00:16:38,373
OH, YEAH, HERE WE GO.
385
00:16:38,397 --> 00:16:41,043
WHAT? IT'S A WELL-KNOWN FACT
386
00:16:41,067 --> 00:16:44,246
THAT IF WOMEN RAN THE
WORLD, THERE'D BE NO WARS.
387
00:16:44,270 --> 00:16:46,515
UH, I'M SURE NO ONE WOULD
START A FIGHT FOR NO REASON
388
00:16:46,539 --> 00:16:47,917
IF WOMEN RAN THE WORLD. RIGHT.
389
00:16:47,941 --> 00:16:48,918
"HI, THIS IS ENGLAND.
390
00:16:48,942 --> 00:16:49,985
HOW COME I'M BEING INVADED?"
391
00:16:50,009 --> 00:16:53,221
"OH, I THINK YOU KNOW WHY."
392
00:16:53,245 --> 00:16:54,890
OW! WHAT WAS THAT FOR?
393
00:16:54,914 --> 00:16:57,515
OH, I THINK YOU KNOW WHY.
394
00:16:59,318 --> 00:17:02,230
OH, WELL... SUZIE'S HERE.
395
00:17:02,254 --> 00:17:04,134
AT LEAST THAT'S ONE
PROBLEM I KNOW HOW TO SOLVE.
396
00:17:04,958 --> 00:17:06,602
SUZIE, HOW ARE YOU DOING?
397
00:17:06,626 --> 00:17:09,905
SO, MR. BELL'S REALLY GOT
YOU BACKED UP HERE, HUH?
398
00:17:09,929 --> 00:17:14,343
LOOK. ANOTHER ONE OF
THESE THINGS IN YOUR "IN" BOX.
399
00:17:14,367 --> 00:17:17,969
OH, THESE ARE JUST THE ASSEMBLY
INSTRUCTIONS FOR THE "IN" BOX.
400
00:17:20,039 --> 00:17:22,184
THERE YOU GO.
401
00:17:22,208 --> 00:17:24,386
THANKS.
402
00:17:24,410 --> 00:17:25,588
THAT'S THE TROUBLE
WITH THESE DESK JOBS,
403
00:17:25,612 --> 00:17:27,456
YOU'RE JUST SITTING
DOWN ALL DAY.
404
00:17:27,480 --> 00:17:29,057
THERE'S ALWAYS SOMETHING TO DO.
405
00:17:29,081 --> 00:17:31,927
THAT, AND, WELL,
YOU KNOW, JUST...
406
00:17:31,951 --> 00:17:33,228
OH, MY GOD, I'M NOT.
407
00:17:33,252 --> 00:17:36,031
WELL, IT'S NOT REALLY
FOR ME TO SAY... HOLY COW!
408
00:17:36,055 --> 00:17:39,401
AAH. IT IS BIGGER.
409
00:17:39,425 --> 00:17:40,836
I HATE THIS JOB.
410
00:17:40,860 --> 00:17:42,905
AND I'M AFRAID I'M
GONNA ADD TO IT.
411
00:17:42,929 --> 00:17:44,339
I NEED YOU TO POST THIS OPENING.
412
00:17:44,363 --> 00:17:45,407
IT'S FOR A NEW BUYER IN JEWELRY.
413
00:17:45,431 --> 00:17:46,909
WE HAD TO FIRE THE OTHER ONE
414
00:17:46,933 --> 00:17:49,166
BECAUSE IT'S JUST SO
EASY TO STEAL FROM THERE.
415
00:17:51,470 --> 00:17:53,103
WHEW.
416
00:17:54,807 --> 00:17:55,851
AHEM.
417
00:17:55,875 --> 00:17:56,919
MIMI.
418
00:17:56,943 --> 00:17:59,287
YEAH?
419
00:17:59,311 --> 00:18:00,756
WELL, YOU KNOW, WE...
420
00:18:00,780 --> 00:18:04,727
YOU KNOW, WE KIND OF GOT
INTERRUPTED YESTERDAY, AND...
421
00:18:04,751 --> 00:18:06,529
I DON'T KNOW HOW
TO PUT THIS EXACTLY.
422
00:18:06,553 --> 00:18:07,563
IT'S KIND OF DELICATE.
423
00:18:07,587 --> 00:18:10,365
OH? YEAH. YOU KNOW, UH...
424
00:18:10,389 --> 00:18:12,501
SOMETIMES WHEN PEOPLE
ACT LIKE THEY HATE EACH OTHER,
425
00:18:12,525 --> 00:18:15,470
WELL, ONE OF THESE PEOPLE
MAY BE HAVING FEELINGS
426
00:18:15,494 --> 00:18:16,639
THAT ARE THE OPPOSITE
OF WHAT THEY SEEM.
427
00:18:16,663 --> 00:18:18,473
REALLY?
428
00:18:18,497 --> 00:18:21,343
YES AND TO PROTECT
THOSE REAL FEELINGS...
429
00:18:21,367 --> 00:18:23,045
OR MAYBE THEY FEAR REJECTION,
430
00:18:23,069 --> 00:18:25,989
OR MAYBE IT'S JUST A TOTALLY
SCREWED-UP INDIVIDUAL.
431
00:18:26,039 --> 00:18:27,115
JUST A GUESS.
432
00:18:27,139 --> 00:18:30,719
UH... THEY ACT TOWARDS
THE OTHER PERSON
433
00:18:30,743 --> 00:18:33,255
WITH A LOT OF, YOU
KNOW, HOSTILITY.
434
00:18:33,279 --> 00:18:35,490
UH-HUH.
435
00:18:35,514 --> 00:18:37,359
WHAT ARE YOU TALKING ABOUT?
436
00:18:37,383 --> 00:18:40,462
MIMI, YOU HAVE A CUPBOARD
FULL OF MY PICTURES.
437
00:18:40,486 --> 00:18:41,597
NO, I DON'T.
438
00:18:41,621 --> 00:18:42,665
I SAW IT.
439
00:18:42,689 --> 00:18:45,300
WELL, IT'S JUST A
LITTLE CUPBOARD.
440
00:18:45,324 --> 00:18:47,269
LITTLE? IT'S LIKE A
MUSEUM OF ME IN THERE.
441
00:18:47,293 --> 00:18:50,072
IT'S LIKE THE... DREWVRE.
442
00:18:50,096 --> 00:18:52,541
SO, WHAT'S THE BIG DEAL?
443
00:18:52,565 --> 00:18:53,676
WHAT'S THE BIG DEAL?
444
00:18:53,700 --> 00:18:55,744
YOU'RE IN LOVE WITH
ME! THERE, YOU SAID IT!
445
00:18:55,768 --> 00:18:57,546
IN LOVE WITH YOU?
446
00:18:57,570 --> 00:18:59,570
I'LL SHOW YOU WHO'S
GONNA LOVE YOU.
447
00:19:01,074 --> 00:19:03,786
I'VE BEEN SENDING THOSE PICTURES
448
00:19:03,810 --> 00:19:07,511
TO LONELY MALE PRISONERS
ALONG WITH THIS LETTER.
449
00:19:12,852 --> 00:19:16,131
"I HOPE YOU COME SEE
ME WHEN YOU GET OUT"?
450
00:19:16,155 --> 00:19:20,069
YOUR FIRST DATE SHOULD
BE IN ABOUT... SIX MONTHS.
451
00:19:20,093 --> 00:19:22,771
THREE WITH GOOD
BEHAVIOR. HEH HEH HEH.
452
00:19:22,795 --> 00:19:26,575
HOW M... HOW M... HOW MANY
OF THESE DID YOU SEND OUT?
453
00:19:26,599 --> 00:19:28,243
NONE.
454
00:19:28,267 --> 00:19:30,913
I REALIZED IT GOT OUT OF HAND
455
00:19:30,937 --> 00:19:32,547
WHEN MR. BELL ALMOST FIRED US.
456
00:19:32,571 --> 00:19:34,850
YEAH, NO KIDDING.
457
00:19:34,874 --> 00:19:37,319
WHAT ARE WE GOING
TO DO ABOUT THIS?
458
00:19:37,343 --> 00:19:38,587
OH, THIS?
459
00:19:38,611 --> 00:19:40,589
I ALREADY TOOK CARE OF THIS.
460
00:19:40,613 --> 00:19:42,958
3, 2...
461
00:19:45,018 --> 00:19:46,194
YES, MR. BELL?
462
00:19:46,218 --> 00:19:47,362
IS MIMI THERE?
463
00:19:47,386 --> 00:19:49,031
YES, SIR, I'M RIGHT HERE.
464
00:19:49,055 --> 00:19:52,067
MIMI, LISTEN, I NEED YOU
BACK AT MY DESK IMMEDIATELY.
465
00:19:52,091 --> 00:19:54,369
SUZIE'S TO BE MOVING
TO A DIFFERENT POSITION.
466
00:19:54,393 --> 00:19:57,039
I BET IT'S STILL UNDER MR. BELL.
467
00:19:57,063 --> 00:20:00,208
I'LL BE RIGHT THERE, SIR.
468
00:20:00,232 --> 00:20:01,977
OH, AND, CAREY, I'M
SORRY ABOUT THIS.
469
00:20:02,001 --> 00:20:05,114
I KNOW I'M PULLING RANK IN A VERY
ARBITRARY AND HAPHAZARD MANNER,
470
00:20:05,138 --> 00:20:07,650
BUT... YOU REALLY
HAVE NO CHOICE.
471
00:20:10,043 --> 00:20:12,487
OOH, YOU... ARE REALLY GOOD.
472
00:20:12,511 --> 00:20:13,989
WHERE'S SUZIE GOING?
473
00:20:14,013 --> 00:20:15,557
SHE'S THE NEW BUYER IN JEWELRY.
474
00:20:15,581 --> 00:20:18,293
AND YOU DIDN'T EVEN CONSIDER ME?
475
00:20:18,317 --> 00:20:21,864
WHAT... OH, WOW, THE JOB
WOULD'VE BEEN PERFECT FOR YOU.
476
00:20:21,888 --> 00:20:24,199
OH, IT WOULD'VE BEEN
BETTER PAY, SHORTER HOURS,
477
00:20:24,223 --> 00:20:25,901
YOU WOULD'VE GOT TO TRAVEL.
478
00:20:25,925 --> 00:20:26,902
IT WOULD'VE BEEN YOUR DREAM JOB.
479
00:20:26,926 --> 00:20:29,359
BITE ME, DOUGH GIRL.
480
00:20:33,232 --> 00:20:36,311
I GUESS I DESERVE THAT.
481
00:20:36,335 --> 00:20:39,414
OH. I ALPHABETIZED
YOUR RECENT HIREES
482
00:20:39,438 --> 00:20:41,516
AND RESCHEDULED
YOUR APPOINTMENTS
483
00:20:41,540 --> 00:20:43,085
SO YOU COULD TAKE A LUNCH BREAK.
484
00:20:43,109 --> 00:20:46,889
WOW. Y-YOU MEAN
I'M ALL... CAUGHT UP?
485
00:20:46,913 --> 00:20:49,357
YEAH. IF YOU WANT
TO REVIEW THE DISKS,
486
00:20:49,381 --> 00:20:51,426
THEY'RE IN THE TOP
LEFT-HAND DRAWER.
487
00:20:51,450 --> 00:20:53,962
OH...
488
00:20:53,986 --> 00:20:54,963
GEE.
489
00:20:54,987 --> 00:20:58,167
I DON'T KNOW WHAT TO SAY.
490
00:20:58,191 --> 00:21:01,003
JUST... THANKS, MIMI.
491
00:21:01,027 --> 00:21:03,427
MY PLEASURE.
492
00:21:11,871 --> 00:21:13,570
HA HA HA!
493
00:21:19,278 --> 00:21:20,278
GOOD ONE.
494
00:21:26,986 --> 00:21:28,797
YEAH, HI.
495
00:21:28,821 --> 00:21:30,298
CAN YOU GET ME THE ADDRESS
496
00:21:30,322 --> 00:21:33,490
FOR THE CUYAHOGA COUNTY
WOMEN'S CORRECTIONAL CENTER?
497
00:21:35,227 --> 00:21:38,587
ALL RIGHT. LET'S GET
DOWN TO BUSINESS.
498
00:21:40,767 --> 00:21:44,502
AN AUTHENTIC PAIR OF ANTONIO
BANDERAS' BOXER SHORTS.
499
00:21:46,672 --> 00:21:48,417
WORN... BUT NOT WASHED.
500
00:21:48,441 --> 00:21:49,973
OHH.
501
00:21:51,844 --> 00:21:53,789
WAIT A MINUTE, IF
THEY'RE AUTHENTIC,
502
00:21:53,813 --> 00:21:55,357
HOW DID YOU GET THEM?
503
00:21:55,381 --> 00:21:56,625
OH, YOU WANT TO KNOW MY SOURCE?
504
00:21:56,649 --> 00:21:59,082
TWO WORDS... BITE ME.
505
00:22:03,222 --> 00:22:04,666
THEY'RE THE RIGHT SIZE.
506
00:22:04,690 --> 00:22:05,601
OF COURSE.
507
00:22:05,625 --> 00:22:07,892
WHAT WILL YOU GIVE ME FOR THEM?
508
00:22:08,494 --> 00:22:11,239
WAIT A MINUTE.
509
00:22:11,263 --> 00:22:15,477
POLY-COTTON BLEND?
510
00:22:15,501 --> 00:22:18,881
IF YOU READ YOUR ANTONIO
BANDERAS FAN LITERATURE,
511
00:22:18,905 --> 00:22:21,550
YOU'D KNOW HE ONLY
WEARS 100% COTTON.
512
00:22:21,574 --> 00:22:23,218
UH...
513
00:22:23,242 --> 00:22:25,020
THEY'RE FROM A MOVIE WARDROBE.
514
00:22:25,044 --> 00:22:27,022
YEAH, RIGHT. GET OUT!
515
00:22:27,046 --> 00:22:29,291
TAKE YOUR SCHEMING
UNDERWEAR WITH YOU.
516
00:22:29,315 --> 00:22:31,026
YOU'LL PAY FOR THIS!
517
00:22:31,050 --> 00:22:32,628
UH... DANNY BONADUCE?
518
00:22:32,652 --> 00:22:34,863
OUT!
519
00:22:34,887 --> 00:22:37,132
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
520
00:22:37,156 --> 00:22:40,156
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE www.ncicap.org...
36735
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