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Official YIFY movies site:
YTS.MX
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*
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>> newsreel announcer:
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A PAGEANT UNPARALLELED
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IN SPLENDOR
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UNFOLDS BEFORE LONDON,
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CROWDED AS NEVER BEFORE
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FOR THE CORONATION
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OF QUEEN ELIZABETH II.
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ALL THE DRAMA AND MEDIEVAL POMP
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OF THE GREATEST SPECTACLE
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IN MODERN TIMES.
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HERE, 30,000 SCHOOL CHILDREN
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BRAVE THE WET AND COLD
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TO CATCH A GLIMPSE OF
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THE BEAUTIFUL YOUNG MONARCH
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ON HER CROWNING DAY.
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THE EPITOME OF QUEENLINESS,
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HER MAJESTY IN HER GORGEOUS GOWN
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AND DIAMOND-STUDDED DIADEM
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LEAVES BUCKINGHAM PALACE
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FOR HER SUPREME MOMENT
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AT WESTMINSTER ABBEY.
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MASSED THOUSANDS THUNDER
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WAVE UPON WAVE OF CHEERS
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FOR THIS 27-YEAR-OLD GIRL,
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SIXTH WOMAN EVER TO HOLD
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THE ENGLISH THRONE.
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BACK TO THE PALACE THEY RIDE
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IN THE GILDED COACH OF STATE,
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BUILT FOR KING GEORGE III
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BEFORE THE AMERICAN REVOLUTION.
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A GLITTERING SIGHT,
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LIKE A FAIRYTALE
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BROUGHT TO LIGHT.
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>> ELIZABETH!
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WATCH THE TIME, SWEETHEART!
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PROBABLY DOUBLE-CHECKING
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HER HOMEWORK.
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>>> Elizabeth:
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DEAREST QUEEN ELIZABETH II,
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YOU ARE OUR PRECIOUS SOVEREIGN,
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AND ALL OF NEW ZEALAND
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IS WAITING EAGERLY
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FOR YOUR VISIT,
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ESPECIALLY ME.
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I'VE DREAMED SO OFTEN
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OF MEETING YOU,
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AND NOW WOULD BE
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THE PERFECT OPPORTUNITY.
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I KNOW HOW BUSY YOU WILL BE,
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BUT IF YOU COULD POSSIBLY
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FIND THE TIME TO COME
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TO MY LITTLE TOWN OF MIDDLETON,
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YOU'D BE DELIGHTED I'M SURE.
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PEOPLE HERE ARE SO
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WARM AND FRIENDLY,
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AND WE MAKE VERY GOOD CHEESE.
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I LOVE AND ADMIRE YOU VERY MUCH,
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AND WOULD ESPECIALLY
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LIKE TO MEET YOU.
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OF COURSE, I WOULD BE
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HONORED TO MAKE A MORE
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FORMAL REQUEST IN PERSON,
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IF YOU SO DESIRE.
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>> COME ON, TREVOR.
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>> LET'S GO, TREVOR.
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>> THROW THE BRICK.
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>> THROW IT!
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>> COME ON, TREVOR.
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>> THROW IT, TREVOR.
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>> COME ON, LET'S GO!
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>> THROW IT, TREVOR.
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>> THROW IT, TREVOR,
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THROW THE BRICK!
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>> COME ON!
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>> COME ON,
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JUST THROW IT, TREVOR.
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>> THROW IT!
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>> COME ON!
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>> BLOODY COWARD,
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GIVE IT TO ME!
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>> YEAH, DO IT.
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>> JUST DO IT.
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>> THAT'S HOW YOU DO IT.
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>> THAT'LL SHOW
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THE OLD WITCH.
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>> COME ON, LET'S GO!
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GO, GO, GO!
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COME ON,
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LET'S GET OUT OF HERE!
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>> STUART WAKEFIELD,
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YOU'RE A RAT!
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>> SINE, COSINE
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TANGENT, HYPOTENUSE.
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TODAY WE SHALL BE EXPLORING
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THE DELIGHTS OF TRIGONOMETRY.
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FROM THE PYRAMID BUILDERS
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OF ANCIENT EGYPT
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TO THE MARINERS OF YORE,
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TRIANGLES HAVE ALWAYS
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BEEN THE GATEWAY
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TO A GLORIOUS UNIVERSE
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OF MATHEMATICAL WONDERS.
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*
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>> YOUR MAJESTY,
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PRESENTING YOUR NEWEST RECIPIENT
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OF THE ROYAL DOMINION ORDER
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OF CIVIC-MINDED GOODNESS,
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A PLUNKET SOCIETY VOLUNTEER,
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GIRL GUIDE TROOP LEADER,
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SUPREME MARCHING GIRL,
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AND CHAMPION
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PUBLIC LIBRARY BOOKSHELVER,
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LADY ELIZABETH.
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>> YOUR MAJESTY...
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>> I SHOULD HARDLY THINK SO.
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SO, YOUNG LADY,
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AM I TO SUPPOSE THAT PERHAPS
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YOU WERE COUNTING THE GEM STONES
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ON HER MAJESTY'S BALL FROCK
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>> NO, SIR.
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>> THEN I CAN ASSUME YOU KNOW
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THE ANSWER TO THE QUESTION.
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>> IS IT...33, SIR?
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>> MISS WAKEFIELD,
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IF YOU'RE GOING TO
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CHEAT ANSWERS FROM ONE
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OF YOUR SECRET ADMIRERS,
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MAY I SUGGEST YOU CHOOSE
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NOT A BLOCKHEAD
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LIKE THOMAS COOK...
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BUT SOMEONE WHO MAY
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WELL KNOW THE CORRECT ANSWER,
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LIKE RACHEL WICKSTEAD.
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>> VICTORIA?
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WE'VE HEARD THAT ELIZABETH
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HAS SINGLE-HANDEDLY
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TAKEN IT UPON HERSELF
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TO CONVINCE THE QUEEN
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TO VISIT MIDDLETON.
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>> IT'S ALL OVER THE TOWN.
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>> SHE MAY HAVE WRITTEN
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A LETTER OR TWO.
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>> OVER 50, I BELIEVE.
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>> NOT TO MENTION REQUESTING
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A PERSONAL AUDIENCE.
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>> WELL, THE MAYOR AND I
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THINK SHE'S A MODEL CITIZEN.
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>> THANK YOU, VIOLA.
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>> EMPTY-HEADED,
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IF YOU ASK ME.
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IT'LL BE A COLD DAY IN HELL
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BEFORE THE QUEEN
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VISITS THIS TOWN.
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REALLY, VICTORIA,
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I'M SURPRISED YOU LET
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YOUR CHILDREN SPEND
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THEIR TIME SO FRIVOLOUSLY.
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IT'S CERTAINLY
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NO WAY TO PREPARE THEM
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FOR THE REAL WORLD.
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>> ELIZABETH,
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STUART IS GOING TO KILL YOU
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WHEN HE FINDS OUT
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YOU TOOK HIS MONEY.
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>> LOOK, HE BROKE THE WINDOW,
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AND HE'S GOT TO PAY FOR IT.
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BESIDES, I'VE PUT
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AN IDENTICAL PIGGY BANK
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ON HIS SHELF.
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HE'LL NEVER KNOW
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THE DIFFERENCE.
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>> THIS IS CRAZY!
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I'VE HEARD SHE'S A WITCH.
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>> ANNABEL,
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DON'T BE RIDICULOUS.
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WE'LL JUST PUT IT HERE,
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IN HER LETTER BOX.
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>> THIS STUPID THING IS STUCK.
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>> GOOD.
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NOW LET'S GET OUT OF HERE.
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>> NO, WE'LL LEAVE IT
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ON THE VERANDA.
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>> WHAT? ARE YOU MAD?
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I'M NOT GOING UP THERE.
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WHAT IF SHE CASTS
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A SPELL ON US?
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>>
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YOU'RE SERIOUS, AREN'T YOU?
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ALL RIGHT.
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THEN GIVE IT TO ME.
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I'LL DO IT.
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>> ELIZABETH.
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ELIZABETH!
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WAIT FOR ME!
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GIVE IT TO ME!
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COME ON, OVER HERE.
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>> NO!
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>> PUT IT HERE.
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COME ON.
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>> NO, OVER HERE
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BY THE DOOR.
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>> SHH!
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>> QUICK, SHE'S COMING.
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>> NOW! RUN FOR IT!
208
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>> THIS CHEDDAR IS DELICIOUS.
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IS IT YOURS, FATHER?
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>> WELL, I CERTAINLY HOPE
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WE'RE NOT SUPPORTING
212
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ANYONE ELSE.
213
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>> STUART, DID YOU KNOW
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THAT YOUR FATHER'S FACTORY
215
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HAS RECEIVED
216
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ANOTHER COMMENDATION
217
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FROM HER MAJESTY'S
218
00:11:39,733 --> 00:11:42,533
MINISTRY OF TRADE?
219
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NEXT THING YOU KNOW,
220
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YOU'LL BE GETTING A CALL
221
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FROM THE QUEEN HERSELF.
222
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>> SORRY, KUPE.
223
00:11:51,267 --> 00:11:52,100
>> OH, DID YOU HEAR
224
00:11:52,100 --> 00:11:52,667
WE GOT NEW MECHANICAL
225
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STIRRING ARMS FOR THE VATS
226
00:11:53,500 --> 00:11:55,267
OF CURD AND THE WHEY?
227
00:11:55,267 --> 00:11:58,333
>> THAT'S NICE, DEAR.
228
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>> HMM...MY WATCH
229
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MUST HAVE STOPPED.
230
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DOES ANYONE HAVE THE TIME?
231
00:12:01,633 --> 00:12:03,167
>> ELIZABETH?
232
00:12:03,167 --> 00:12:04,200
>> SORRY, DAD.
233
00:12:04,200 --> 00:12:05,667
ANNABEL AND I WERE JUST, UM --
234
00:12:05,667 --> 00:12:06,133
>> MORE LETTER WRITING
235
00:12:06,133 --> 00:12:07,733
TO THE QUEEN?
236
00:12:07,733 --> 00:12:08,467
I HOPE THIS ISN'T
237
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GETTING IN THE WAY
238
00:12:09,367 --> 00:12:11,200
OF YOUR SCHOOL WORK.
239
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TURNING INTO AN OBSESSION,
240
00:12:12,100 --> 00:12:13,667
NOW DO WE, DEAR.
241
00:12:13,667 --> 00:12:16,200
>> TOO LATE FOR THAT.
242
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>> ACTUALLY, DAD,
243
00:12:17,300 --> 00:12:18,300
ANNABEL AND I WENT PAST
244
00:12:18,300 --> 00:12:19,400
THAT OLD MAORI WOMAN'S
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HOUSE TODAY.
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THROUGH HER WINDOW THIS MORNING.
247
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>> THAT'S TERRIBLE.
248
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>> THAT OLD WOMAN'S HOUSE
249
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IS AN EYESORE.
250
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SHOULD DO SOMETHING.
251
00:12:29,500 --> 00:12:30,333
THE WOMAN NEEDS
252
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PROPER CARE AND ASSISTANCE.
253
00:12:32,267 --> 00:12:34,300
>> SHE SEEMED VERY LIVELY TO ME.
254
00:12:34,300 --> 00:12:35,367
>> NEVERTHELESS,
255
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I WOULD RATHER YOU STAYED AWAY
256
00:12:36,233 --> 00:12:38,500
FROM THAT HOUSE IN THE FUTURE.
257
00:12:38,500 --> 00:12:40,167
SO HOW ARE THINGS GOING
258
00:12:40,167 --> 00:12:41,700
AT FREEZING WORKS, SON?
259
00:12:41,700 --> 00:12:43,167
>> COULDN'T BE BETTER.
260
00:12:43,167 --> 00:12:43,667
>> I NEVER THOUGHT
261
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I'D SEE A SON OF MINE
262
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WORKING IN A SLAUGHTER HOUSE.
263
00:12:47,033 --> 00:12:47,633
>> NOW, VICTORIA,
264
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AT LEAST HE'S GOT SOMETHING.
265
00:12:49,233 --> 00:12:50,200
A LOT OF OUR LOCAL BLOKES
266
00:12:50,200 --> 00:12:51,267
ARE LOSING THEIR JOBS
267
00:12:51,267 --> 00:12:52,400
TO THESE YOUNG MAORIS
268
00:12:52,400 --> 00:12:54,200
MOVING IN FROM THE COUNTRY.
269
00:12:54,200 --> 00:12:55,300
>> IT'S AN EPIDEMIC.
270
00:12:55,300 --> 00:12:56,500
>> NO, IT'S GOOD BUSINESS.
271
00:12:56,500 --> 00:12:58,300
THEY'RE HARD WORKERS.
272
00:12:58,300 --> 00:12:59,133
THEY'RE PREPARED
273
00:12:59,133 --> 00:13:00,600
TO WORK FOR LESS.
274
00:13:00,600 --> 00:13:01,600
IN FACT, I WAS THINKING
275
00:13:01,600 --> 00:13:03,233
OF HIRING A FEW MYSELF.
276
00:13:03,233 --> 00:13:04,033
>> I'M SURPRISED TO
277
00:13:04,033 --> 00:13:05,100
HEAR YOU SAY THAT, FATHER.
278
00:13:05,100 --> 00:13:05,600
YOU'D HIRE ONE OF THEM
279
00:13:05,600 --> 00:13:07,200
BEFORE YOU'D HIRE ONE OF US?
280
00:13:07,200 --> 00:13:09,300
>> YOU BETTER WATCH YOURSELF.
281
00:13:09,300 --> 00:13:10,200
YOU MIGHT FIND YOURSELF
282
00:13:10,200 --> 00:13:11,633
OUT OF A JOB AS WELL.
283
00:13:11,633 --> 00:13:13,300
>> I'M NOT WORRIED.
284
00:13:20,567 --> 00:13:21,500
>> DAD, WHY DON'T YOU WANT ME
285
00:13:21,500 --> 00:13:23,500
GOING NEAR THAT HOUSE?
286
00:13:23,500 --> 00:13:24,600
>> IT'S NONE OF OUR BUSINESS,
287
00:13:24,600 --> 00:13:25,733
YOUNG LADY.
288
00:13:25,733 --> 00:13:27,200
WE KEEP TO OUR KIND
289
00:13:27,200 --> 00:13:29,133
AND THEY KEEP TO THEIRS.
290
00:13:29,133 --> 00:13:31,100
THAT'S JUST THE WAY IT IS.
291
00:13:31,100 --> 00:13:31,767
WELL, THEY'RE NOT
292
00:13:31,767 --> 00:13:32,467
YOUR NORMAL SHOES,
293
00:13:32,467 --> 00:13:34,433
ARE THEY, LIZZIE?
294
00:13:34,433 --> 00:13:36,200
OH, NEWS TIME.
295
00:13:36,200 --> 00:13:37,200
AND NOW,
296
00:13:37,200 --> 00:13:38,767
THE LATEST ON THE ROYAL VISIT.
297
00:13:38,767 --> 00:13:39,667
BUCKINGHAM PALACE ANNOUNCED
298
00:13:39,667 --> 00:13:41,100
TODAY THAT THE ITINERARY FOR
299
00:13:41,100 --> 00:13:42,367
THE QUEEN'S UPCOMING VISIT
300
00:13:42,367 --> 00:13:43,600
TO NEW ZEALAND WAS STILL
301
00:13:43,600 --> 00:13:45,167
UNDERGOING FINAL CHANGES
302
00:13:45,167 --> 00:13:46,467
AS OF 5:00 YESTERDAY,
303
00:13:46,467 --> 00:13:48,233
LONDON TIME.
304
00:13:48,233 --> 00:13:49,433
>> I WISH THEY'D TELL US.
305
00:13:49,433 --> 00:13:50,200
>> WE'LL TELL YOU
306
00:13:50,200 --> 00:13:52,233
AS SOON AS WE KNOW.
307
00:13:52,233 --> 00:13:54,067
>> ITINERARY.
308
00:13:55,167 --> 00:13:55,733
THERE WON'T BE
309
00:13:55,733 --> 00:13:58,133
ANY SURPRISES THERE.
310
00:13:58,133 --> 00:13:59,200
WELLINGTON, CHRISTCHURCH.
311
00:13:59,200 --> 00:14:01,133
CERTAINLY NOWHERE OUT HERE.
312
00:14:01,133 --> 00:14:01,633
>> BUT THERE'S A CHANCE,
313
00:14:01,633 --> 00:14:02,533
ISN'T THERE?
314
00:14:02,533 --> 00:14:03,600
>> YEAH, SURE.
315
00:14:03,600 --> 00:14:04,400
AND I RECKON YOUR BROTHER
316
00:14:04,400 --> 00:14:05,333
MIGHT WIND UP BEING
317
00:14:05,333 --> 00:14:06,233
A RHODES SCHOLAR.
318
00:14:07,567 --> 00:14:09,767
>> I SUPPOSE YOU'RE RIGHT.
319
00:14:09,767 --> 00:14:10,733
DAD, WHY DON'T
320
00:14:10,733 --> 00:14:11,600
WE GO TO AUCKLAND
321
00:14:11,600 --> 00:14:13,233
AND SEE HER THERE?
322
00:14:13,233 --> 00:14:14,267
>> NOW, ELIZABETH,
323
00:14:14,267 --> 00:14:14,867
WE CAN'T JUST GO GALLIVANTING
324
00:14:14,867 --> 00:14:15,700
AROUND THE COUNTRYSIDE
325
00:14:15,700 --> 00:14:17,633
BECAUSE IT PLEASES US.
326
00:14:17,633 --> 00:14:18,567
YOU KNOW I CAN'T
327
00:14:18,567 --> 00:14:20,200
LEAVE THE FACTORY.
328
00:14:20,200 --> 00:14:20,633
IT'S OUR BUSIEST
329
00:14:20,633 --> 00:14:22,333
TIME OF THE YEAR.
330
00:14:22,333 --> 00:14:24,767
CHEER UP, SWEETHEART.
331
00:14:24,767 --> 00:14:25,567
YOU'VE GOT LOTS
332
00:14:25,567 --> 00:14:27,067
TO LOOK FORWARD TO.
333
00:14:27,067 --> 00:14:27,500
AFTER ALL,
334
00:14:27,500 --> 00:14:30,233
IT'S MARCHING SEASON.
335
00:14:30,533 --> 00:14:31,633
>>> THERE WAS NO SENSE
336
00:14:31,633 --> 00:14:33,433
TRYING TO HIDE IT.
337
00:14:33,433 --> 00:14:36,500
I HAD A DESPERATE MAD CRUSH.
338
00:14:36,500 --> 00:14:38,300
HE WAS MR. DIXON,
339
00:14:38,300 --> 00:14:41,033
OUR NEW DRILL TEAM INSTRUCTOR.
340
00:14:41,033 --> 00:14:41,700
>> LEFT.
341
00:14:41,700 --> 00:14:43,600
LEFT RIGHT LEFT.
342
00:14:43,600 --> 00:14:44,800
LEFT.
343
00:14:44,800 --> 00:14:46,733
LEFT RIGHT LEFT.
344
00:14:46,733 --> 00:14:49,600
LEFT, LEFT --
345
00:14:49,600 --> 00:14:53,633
>>> AND HE WAS JUST DREAMY.
346
00:15:02,467 --> 00:15:03,700
>> ALL RIGHT, GRENADIERS,
347
00:15:03,700 --> 00:15:06,267
I EXPECT 110 PERCENT FROM
348
00:15:06,267 --> 00:15:08,233
EACH AND EVERY ONE OF YOU.
349
00:15:08,233 --> 00:15:09,233
I WANT TO SEE
350
00:15:09,233 --> 00:15:11,367
AN A-PLUS ATTITUDE.
351
00:15:11,367 --> 00:15:12,400
I WANT TO SEE
352
00:15:12,400 --> 00:15:14,467
THAT FIGHTING SPIRIT.
353
00:15:14,467 --> 00:15:15,367
WE'RE A WHOLE NEW
354
00:15:15,367 --> 00:15:16,433
SQUAD OUT HERE,
355
00:15:16,433 --> 00:15:19,067
AND WE'RE GOING TO BE WINNERS.
356
00:15:19,067 --> 00:15:20,333
ELIZABETH, I'D LIKE YOU
357
00:15:20,333 --> 00:15:23,233
TO TRY LEADING THIS TIME.
358
00:15:27,733 --> 00:15:30,133
>> HE LOVES YOU.
359
00:15:45,700 --> 00:15:48,233
>> LOOKING FOR SOMETHING?
360
00:15:48,233 --> 00:15:51,200
>> I -- I -- I'VE LOST MY SHOE.
361
00:15:51,200 --> 00:15:54,400
I NEED IT BACK.
362
00:15:54,400 --> 00:15:58,767
>> INSIDE.
363
00:15:58,767 --> 00:16:02,333
BY THE FIRE.
364
00:17:10,667 --> 00:17:11,367
>> WHY DID YOU
365
00:17:11,367 --> 00:17:12,767
BRING ME THAT MONEY?
366
00:17:12,767 --> 00:17:14,667
>> WELL, TO PAY FOR YOUR WINDOW.
367
00:17:14,667 --> 00:17:16,367
>> BUT YOU DIDN'T BREAK IT.
368
00:17:16,367 --> 00:17:18,267
IT WAS A BOY IN A RED CAR.
369
00:17:18,267 --> 00:17:19,533
WHY ARE YOU PROTECTING HIM?
370
00:17:19,533 --> 00:17:20,767
WHY?
371
00:17:20,767 --> 00:17:21,667
>> I'M NOT.
372
00:17:21,667 --> 00:17:22,633
>> WHY?!
373
00:17:22,633 --> 00:17:23,433
>> I'M NOT.
374
00:17:23,433 --> 00:17:25,533
>> THEN WHO WAS IT, GIRLY?
375
00:17:25,533 --> 00:17:28,800
YOUR BOYFRIEND, YOUR LOVER?
376
00:17:28,800 --> 00:17:30,200
TELL ME WHO IT WAS!
377
00:17:30,200 --> 00:17:32,100
>> IT WAS MY BROTHER.
378
00:17:32,100 --> 00:17:33,267
>> YOUR BROTHER?
379
00:17:33,267 --> 00:17:34,633
WHY DID HE DO IT?
380
00:17:34,633 --> 00:17:36,033
>> I DON'T KNOW.
381
00:17:36,033 --> 00:17:37,400
>> YOU MUST KNOW! WHY?
382
00:17:37,400 --> 00:17:38,800
>> I DON'T, HONESTLY.
383
00:17:38,800 --> 00:17:40,700
>> YOU WORTHLESS LITTLE GIRL.
384
00:17:40,700 --> 00:17:42,267
YOU CAN'T EVEN ANSWER
385
00:17:42,267 --> 00:17:45,133
A SIMPLE QUESTION.
386
00:17:45,133 --> 00:17:47,033
LEAVE!
387
00:17:50,167 --> 00:17:51,100
AND I'LL THANK YOU
388
00:17:51,100 --> 00:17:53,267
NOT TO COME BACK.
389
00:18:13,233 --> 00:18:14,167
>> I'M LOOKING FOR MY BROTHER,
390
00:18:14,167 --> 00:18:16,367
STUART WAKEFIELD.
391
00:18:16,367 --> 00:18:17,600
HE WORKS HERE.
392
00:18:17,600 --> 00:18:19,633
>> NOT ANYMORE, LUV.
393
00:18:19,633 --> 00:18:22,467
I SACKED HIM LAST WEEK.
394
00:18:22,467 --> 00:18:25,567
RANGI'S GOT HIS JOB NOW.
395
00:18:25,567 --> 00:18:27,333
HE DOESN'T SLOW UP THE LINE
396
00:18:27,333 --> 00:18:29,233
LIKE YOUR BROTHER USED TO.
397
00:18:44,467 --> 00:18:46,433
>> EXCUSE ME.
398
00:18:46,433 --> 00:18:47,367
>> I THOUGHT I TOLD YOU
399
00:18:47,367 --> 00:18:50,067
NOT TO COME BACK.
400
00:18:50,067 --> 00:18:50,767
>> I KNOW WHY
401
00:18:50,767 --> 00:18:51,467
MY BROTHER DID IT,
402
00:18:51,467 --> 00:18:54,133
BROKE YOUR WINDOW.
403
00:18:54,133 --> 00:18:55,567
>> AND?
404
00:18:55,567 --> 00:18:56,500
>> ONE OF YOUR PEOPLE TOOK
405
00:18:56,500 --> 00:18:58,367
HIS JOB AT THE FREEZING WORKS.
406
00:18:58,367 --> 00:19:00,200
>> JUST TOOK IT?
407
00:19:00,200 --> 00:19:02,233
MAYBE YOUR BROTHER
408
00:19:02,233 --> 00:19:04,300
WAS NO GOOD AT THE JOB.
409
00:19:04,300 --> 00:19:06,433
EVER THINK OF THAT?
410
00:19:06,433 --> 00:19:07,367
>> MY FATHER SAYS YOUR PEOPLE
411
00:19:07,367 --> 00:19:09,233
ARE HARD WORKERS.
412
00:19:09,233 --> 00:19:12,267
>> MY PEOPLE.
413
00:19:12,267 --> 00:19:14,533
SO THAT'S HOW YOU SEE US, IS IT,
414
00:19:14,533 --> 00:19:16,633
AS IF WE WERE THE FOREIGNERS.
415
00:19:16,633 --> 00:19:17,533
AND HOW LONG HAVE
416
00:19:17,533 --> 00:19:19,533
YOUR PEOPLE BEEN HERE?
417
00:19:19,533 --> 00:19:21,033
>> WHAT I MEANT WAS --
418
00:19:21,033 --> 00:19:23,533
>> I KNOW WHAT YOU MEANT.
419
00:19:35,800 --> 00:19:38,100
FOLLOW ME.
420
00:20:55,333 --> 00:20:56,600
>> GOSH, YOU CAN SEE
421
00:20:56,600 --> 00:20:59,533
ALL THE WAY TO THE OCEAN.
422
00:20:59,533 --> 00:21:01,133
>> THIS IS WHERE MY TRIBE
423
00:21:01,133 --> 00:21:03,667
LIVED FOR 500 YEARS
424
00:21:03,667 --> 00:21:06,367
BEFORE THE FIRST WHITE MAN
425
00:21:06,367 --> 00:21:09,667
EVER SAW THIS COUNTRY.
426
00:21:09,667 --> 00:21:12,200
>> YOU GREW UP IN MIDDLETON?
427
00:21:12,200 --> 00:21:14,300
>> THIS WAS GOD'S LAND.
428
00:21:14,300 --> 00:21:21,567
THERE WERE NO BOUNDARIES.
429
00:21:21,567 --> 00:21:25,800
AS FAR AS THE EYE COULD SEE.
430
00:21:25,800 --> 00:21:28,200
AND NOW THIS
431
00:21:28,200 --> 00:21:31,333
ONE PARCEL OF LAND,
432
00:21:31,333 --> 00:21:34,300
ALL THAT IS LEFT.
433
00:21:34,300 --> 00:21:38,100
>> WHAT HAPPENED?
434
00:21:38,100 --> 00:21:41,000
>> GREED.
435
00:21:57,067 --> 00:21:57,500
>>> I DIDN'T CARE
436
00:21:57,500 --> 00:21:59,233
WHAT PEOPLE WERE SAYING.
437
00:21:59,233 --> 00:22:05,133
I TRULY BELIEVED SHE WOULD COME,
438
00:22:05,133 --> 00:22:05,800
HE HAD BEEN SHELL-SHOCKED
439
00:22:05,800 --> 00:22:07,400
DURING THE WAR,
440
00:22:07,400 --> 00:22:08,333
AND HADN'T SPOKEN
441
00:22:08,333 --> 00:22:11,733
A SINGLE WORD SINCE 1943.
442
00:22:11,733 --> 00:22:14,167
>> NIGEL!
443
00:22:14,167 --> 00:22:15,233
>>> BUT SOMEHOW I KNEW
444
00:22:15,233 --> 00:22:16,267
HE LOVED THE QUEEN
445
00:22:16,267 --> 00:22:18,433
AS MUCH AS I DID.
446
00:22:18,433 --> 00:22:20,533
AND THAT CLUNKY OLD BIKE,
447
00:22:20,533 --> 00:22:21,467
IT WAS HIS MOST
448
00:22:21,467 --> 00:22:23,200
PRIZED POSSESSION.
449
00:22:23,200 --> 00:22:24,033
>> I'M WORRIED
450
00:22:24,033 --> 00:22:25,767
ABOUT HER, VICTORIA.
451
00:22:25,767 --> 00:22:26,333
I MEAN I JUST DON'T WANT HER
452
00:22:26,333 --> 00:22:26,833
TO BE DISAPPOINTED WHEN
453
00:22:26,833 --> 00:22:29,233
THE QUEEN DOESN'T COME HERE.
454
00:22:29,233 --> 00:22:31,233
YOU KNOW HOW CHILDREN GET.
455
00:22:31,233 --> 00:22:32,367
>> OH, WHAT I WOULDN'T HAVE
456
00:22:32,367 --> 00:22:33,633
GIVEN JUST TO HOLD THE HEM
457
00:22:33,633 --> 00:22:35,733
OF HER DRESS ON THAT DAY.
458
00:22:35,733 --> 00:22:39,200
>> SHE IS BEAUTIFUL, ISN'T SHE?
459
00:22:39,200 --> 00:22:40,100
>> IT MUST BE
460
00:22:40,100 --> 00:22:41,200
A WONDERFUL THING
461
00:22:41,200 --> 00:22:42,433
TO BE A QUEEN.
462
00:22:42,433 --> 00:22:43,733
THE ENDLESS PARTIES,
463
00:22:43,733 --> 00:22:46,233
THE RECEPTIONS,
464
00:22:46,233 --> 00:22:48,333
THE VICEROYS, THE EARLS.
465
00:22:48,333 --> 00:22:49,533
HOW DOES SHE KEEP TRACK
466
00:22:49,533 --> 00:22:51,800
OF THEM ALL?
467
00:22:51,800 --> 00:22:56,333
>> HE HELPS HER, I'M SURE.
468
00:22:56,333 --> 00:22:59,300
>> ANNABEL...
469
00:22:59,300 --> 00:23:00,200
THERE'S SOMETHING
470
00:23:00,200 --> 00:23:02,167
I THINK YOU SHOULD KNOW.
471
00:23:02,167 --> 00:23:04,700
I'VE MADE UP MY MIND.
472
00:23:04,700 --> 00:23:07,433
ONE DAY I'M GOING TO LEAVE HERE
473
00:23:07,433 --> 00:23:10,200
AND GO TO LIVE IN ENGLAND.
474
00:23:10,200 --> 00:23:11,233
>> LEAVE MIDDLETON?
475
00:23:11,233 --> 00:23:12,400
BUT, ELIZABETH,
476
00:23:12,400 --> 00:23:13,367
YOU HAVEN'T EVEN
477
00:23:13,367 --> 00:23:15,133
BEEN TO AUCKLAND.
478
00:23:15,133 --> 00:23:16,767
AND WHAT ABOUT THOMAS?
479
00:23:16,767 --> 00:23:18,667
I COULD NEVER LEAVE ROBERT.
480
00:23:18,667 --> 00:23:20,667
HE'S MY PRINCE.
481
00:23:20,667 --> 00:23:21,700
>> OH, ANNABEL,
482
00:23:21,700 --> 00:23:24,167
YOU'RE SO PROVINCIAL.
483
00:23:24,167 --> 00:23:28,133
JUST IMAGINE...
484
00:23:28,133 --> 00:23:29,767
THE TOWER OF LONDON,
485
00:23:29,767 --> 00:23:31,567
TRAFALGAR SQUARE,
486
00:23:31,567 --> 00:23:33,433
BIG BEN, THE THAMES,
487
00:23:33,433 --> 00:23:35,400
BUCKINGHAM PALACE,
488
00:23:35,400 --> 00:23:37,233
WESTMINSTER ABBEY.
489
00:23:37,233 --> 00:23:39,367
IT'S FUNNY.
490
00:23:39,367 --> 00:23:41,333
I FEEL SO CLOSE TO IT ALL,
491
00:23:41,333 --> 00:23:43,167
LIKE IT'S A PART OF ME,
492
00:23:43,167 --> 00:23:44,200
AND YET IT ALL
493
00:23:44,200 --> 00:23:46,333
SEEMS SO FAR AWAY.
494
00:23:46,333 --> 00:23:47,800
>> ELIZABETH, IT IS FAR AWAY.
495
00:23:47,800 --> 00:23:49,333
LONDON'S OVER 12,000 MILES
496
00:23:49,333 --> 00:23:50,800
FROM HERE.
497
00:23:50,800 --> 00:23:51,533
>> NO, SILLY,
498
00:23:51,533 --> 00:23:53,300
THAT'S NOT WHAT I MEAN.
499
00:23:53,300 --> 00:23:55,167
I'M TALKING ABOUT INSIDE,
500
00:23:55,167 --> 00:23:56,567
HOW YOU FEEL.
501
00:23:56,567 --> 00:23:58,033
>> WELL, TO TELL YOU THE TRUTH,
502
00:23:58,033 --> 00:23:59,333
I'M FEELING A LITTLE SICK
503
00:23:59,333 --> 00:24:00,533
RIGHT NOW FROM ALL THESE
504
00:24:00,533 --> 00:24:02,567
CHOCOLATES.
505
00:24:02,567 --> 00:24:03,733
GOSH, I'VE NEARLY
506
00:24:03,733 --> 00:24:05,133
ATE THE WHOLE BOX.
507
00:24:05,133 --> 00:24:06,200
NOW IT'S YOUR TURN.
508
00:24:06,200 --> 00:24:08,233
>> NO, NO!
509
00:24:10,067 --> 00:24:12,367
>> WHERE'S MY MONEY?
510
00:24:14,300 --> 00:24:15,433
>> WHAT MONEY?
511
00:24:15,433 --> 00:24:16,233
>> DON'T PULL THAT CRAP
512
00:24:16,233 --> 00:24:17,500
WITH ME, ELIZABETH.
513
00:24:17,500 --> 00:24:19,400
YOU KNOW DAMN WELL WHAT MONEY.
514
00:24:19,400 --> 00:24:20,533
I WANT IT ALL BACK
515
00:24:20,533 --> 00:24:22,300
OR YOU'RE IN BIG TROUBLE.
516
00:24:22,300 --> 00:24:22,767
>> I KNOW WHY YOU
517
00:24:22,767 --> 00:24:24,600
BROKE THE WINDOW, STUART.
518
00:24:24,600 --> 00:24:25,233
>> PISS OFF.
519
00:24:25,233 --> 00:24:26,033
YOU DON'T KNOW WHAT
520
00:24:26,033 --> 00:24:26,600
YOU'RE TALKING ABOUT.
521
00:24:26,600 --> 00:24:27,533
>> IF YOU GO BACK THERE AGAIN,
522
00:24:27,533 --> 00:24:28,333
I'LL TELL FATHER YOU GOT
523
00:24:28,333 --> 00:24:30,400
SACKED FROM YOUR JOB.
524
00:24:30,400 --> 00:24:31,433
>> YOU MAKE ME SICK,
525
00:24:31,433 --> 00:24:33,067
STICKING UP FOR THAT MAORI.
526
00:24:33,067 --> 00:24:34,200
SHE'S AN OLD CANNIBAL,
527
00:24:34,200 --> 00:24:35,133
ELIZABETH.
528
00:24:35,133 --> 00:24:36,367
SHE EATS PEOPLE.
529
00:24:36,367 --> 00:24:38,200
>> LEAVE HER ALONE, STUART.
530
00:24:40,400 --> 00:24:42,100
>>> I'LL NEVER FORGET.
531
00:24:42,100 --> 00:24:44,033
IT WAS A SATURDAY.
532
00:24:44,033 --> 00:24:44,700
IT WAS ACTUALLY ONE WEEK
533
00:24:44,700 --> 00:24:47,367
BEFORE MY 13TH BIRTHDAY.
534
00:24:47,367 --> 00:24:49,133
I WAS WORKING ON MY STEPS,
535
00:24:49,133 --> 00:24:50,433
PRACTICING MY LATEST FORMATIONS
536
00:24:50,433 --> 00:24:53,267
MR. DIXON HAD DIAGRAMMED FOR ME.
537
00:24:53,267 --> 00:24:55,633
I WANTED THEM TO BE JUST RIGHT.
538
00:24:55,633 --> 00:24:56,667
>> ELIZABETH, ELIZABETH,
539
00:24:56,667 --> 00:24:57,767
HAVE YOU HEARD THE NEWS?
540
00:24:57,767 --> 00:24:58,567
>> WHAT? WHAT IS IT?
541
00:24:58,567 --> 00:24:59,533
>> ISN'T IT WONDERFUL?
542
00:24:59,533 --> 00:25:00,533
ISN'T IT GRAND?
543
00:25:00,533 --> 00:25:02,033
>> TELL ME, WHAT IS IT?
544
00:25:02,033 --> 00:25:03,133
>> IT'S LIKE A DREAM COME TRUE.
545
00:25:03,133 --> 00:25:03,767
MORE THAN WE COULD
546
00:25:03,767 --> 00:25:05,300
EVER HOPE FOR.
547
00:25:05,300 --> 00:25:06,033
>> ANNABEL,
548
00:25:06,033 --> 00:25:07,167
WHAT ARE YOU TALKING ABOUT?
549
00:25:07,167 --> 00:25:08,367
CALM DOWN AND TELL ME.
550
00:25:08,367 --> 00:25:09,300
>> THE QUEEN.
551
00:25:09,300 --> 00:25:10,467
THE QUEEN IS COMING!
552
00:25:10,467 --> 00:25:11,600
TO MIDDLETON.
553
00:25:11,600 --> 00:25:12,433
THE QUEEN IS COMING
554
00:25:12,433 --> 00:25:13,433
TO MIDDLETON.
555
00:25:13,433 --> 00:25:14,400
SHE'S COMING HERE!
556
00:25:14,400 --> 00:25:15,300
>> BY CRIKEY, ANNABEL,
557
00:25:15,300 --> 00:25:16,267
DID YOU HEAR THIS
558
00:25:16,267 --> 00:25:16,733
ON THE RADIO?
559
00:25:16,733 --> 00:25:17,667
ARE YOU SURE?
560
00:25:17,667 --> 00:25:18,500
>> YES, THEY JUST
561
00:25:18,500 --> 00:25:19,733
ANNOUNCED HER ITINERARY.
562
00:25:19,733 --> 00:25:20,700
WE'RE ON IT.
563
00:25:20,700 --> 00:25:21,800
>> WHAT'S ALL THE COMMOTION?
564
00:25:21,800 --> 00:25:23,200
>> THE QUEEN IS COMING!
565
00:25:23,200 --> 00:25:24,267
MY GOD, VICTORIA,
566
00:25:24,267 --> 00:25:25,233
SHE MUST HAVE HEARD
567
00:25:25,233 --> 00:25:26,233
ABOUT THE CHEESE FACTORY.
568
00:25:26,233 --> 00:25:27,267
>> THE QUEEN IS COMING
569
00:25:27,267 --> 00:25:28,300
TO MIDDLETON!
570
00:25:36,633 --> 00:25:38,067
>> LOOK AT THAT, LIZZIE.
571
00:25:38,067 --> 00:25:40,200
THAT'S THE SPIRIT.
572
00:25:40,200 --> 00:25:41,033
REMINDS ME OF WHEN OUR BOYS
573
00:25:41,033 --> 00:25:44,333
CAME HOME FROM THE WAR.
574
00:25:44,333 --> 00:25:45,100
>> I STILL CAN'T BELIEVE
575
00:25:45,100 --> 00:25:45,433
SHE'S COMING.
576
00:25:46,700 --> 00:25:49,233
HI, NIGEL.
577
00:25:49,233 --> 00:25:50,400
>> IT'S REALLY GOING TO
578
00:25:50,400 --> 00:25:52,333
PUT THIS PLACE ON THE MAP.
579
00:25:52,333 --> 00:25:53,233
THE WAKEFIELD CHEESE COMPANY
580
00:25:53,233 --> 00:25:54,233
IS THE IDEAL PLACE
581
00:25:54,233 --> 00:25:55,733
FOR HER TO VISIT.
582
00:25:55,733 --> 00:25:56,500
IT'S A PERFECT CHANCE
583
00:25:56,500 --> 00:25:57,600
TO SHOW THE WORLD WHAT AN
584
00:25:57,600 --> 00:25:59,200
INDUSTRIOUS COMMUNITY WE ARE
585
00:25:59,200 --> 00:26:00,600
AND HOW WE ALL PULL TOGETHER.
586
00:26:00,600 --> 00:26:02,233
IT'S REALLY A GREAT HONOR.
587
00:26:02,233 --> 00:26:03,333
I SHALL SPRUCE UP THE FACTORY
588
00:26:03,333 --> 00:26:06,233
WITH A NEW SIGN.
589
00:26:06,233 --> 00:26:07,733
WHAT DO YOU SAY
590
00:26:07,733 --> 00:26:09,200
TO EVERYBODY WEARING
591
00:26:09,200 --> 00:26:11,200
AN EMBROIDERED NAME PATCH?
592
00:26:11,200 --> 00:26:12,500
>> BUT, DAD,
593
00:26:12,500 --> 00:26:13,300
WHO WILL ACTUALLY CHOOSE
594
00:26:13,300 --> 00:26:15,067
WHAT THE QUEEN WILL SEE HERE?
595
00:26:15,067 --> 00:26:16,333
>> WELL, I SUPPOSE
596
00:26:16,333 --> 00:26:17,167
THAT WILL BE DECIDED
597
00:26:17,167 --> 00:26:19,033
AT THE HIGHEST LEVEL.
598
00:26:21,333 --> 00:26:22,200
>> WELL, I THINK
599
00:26:22,200 --> 00:26:23,300
SHE'LL BE WEARING A CROWN.
600
00:26:23,300 --> 00:26:23,800
>> OH, I DON'T THINK SO.
601
00:26:23,800 --> 00:26:24,767
>> OF COURSE SHE WILL.
602
00:26:24,767 --> 00:26:26,033
>> ...WEARING A CROWN.
603
00:26:26,033 --> 00:26:27,200
>> SHE COULD WEAR ONE.
604
00:26:28,333 --> 00:26:29,533
>> RECOGNIZE THE CHAIR.
605
00:26:29,533 --> 00:26:32,300
RECOGNIZE THE CHAIR.
606
00:26:32,300 --> 00:26:33,367
WELL, AS PRESIDENT OF THE
607
00:26:33,367 --> 00:26:34,633
MIDDLETON RHODODENDRON TRUST,
608
00:26:34,633 --> 00:26:36,300
AND NOW, DULY ELECTED
609
00:26:36,300 --> 00:26:37,533
CHAIRWOMAN OF THE ROYAL
610
00:26:37,533 --> 00:26:38,800
WELCOMING COMMITTEE,
611
00:26:38,800 --> 00:26:39,567
I WOULD LIKE TO BRING
612
00:26:39,567 --> 00:26:42,567
THIS MEETING TO ORDER.
613
00:26:42,567 --> 00:26:44,400
NOW AS YOU ALL KNOW,
614
00:26:44,400 --> 00:26:46,067
HER MAJESTY THE QUEEN
615
00:26:46,067 --> 00:26:47,400
IS GRACING US WITH A VISIT
616
00:26:47,400 --> 00:26:48,767
IN SIX WEEKS' TIME.
617
00:26:48,767 --> 00:26:50,367
NOW, OBVIOUSLY THE FIRST
618
00:26:50,367 --> 00:26:52,033
ORDER OF BUSINESS IS TO
619
00:26:52,033 --> 00:26:53,200
ESTABLISH A SUITABLE SCHEDULE
620
00:26:53,200 --> 00:26:55,567
OF EVENTS FOR THE TOUR.
621
00:26:57,400 --> 00:26:58,800
WE MUST DECIDE WHAT
622
00:26:58,800 --> 00:27:00,267
WE FEEL IS MOST IMPORTANT
623
00:27:00,267 --> 00:27:02,367
FOR THE QUEEN TO SEE
624
00:27:02,367 --> 00:27:03,567
AND WHAT WOULD BEST REPRESENT
625
00:27:03,567 --> 00:27:05,800
OUR FAIR CITY.
626
00:27:05,800 --> 00:27:06,167
>> WELL, I THINK
627
00:27:06,167 --> 00:27:07,333
IT'S THE MUSEUM.
628
00:27:07,333 --> 00:27:08,333
>> OH, THE LIBRARY.
629
00:27:08,333 --> 00:27:09,333
>> THE GARDEN.
630
00:27:09,333 --> 00:27:11,767
>> LADIES, LADIES, PLEASE.
631
00:27:11,767 --> 00:27:14,467
CAN THERE BE ANY QUESTION.
632
00:27:14,467 --> 00:27:16,100
WE MUST SHOW HER MAJESTY
633
00:27:16,100 --> 00:27:18,300
THE NATURAL BEAUTY OF MIDDLETON.
634
00:27:18,300 --> 00:27:19,333
WE MUST TAKE HER ON A TOUR
635
00:27:19,333 --> 00:27:22,167
OF OUR FINE PARKS AND GARDENS.
636
00:27:22,167 --> 00:27:26,533
WE MUST SHOW HER...
637
00:27:26,533 --> 00:27:29,400
THE RHODODENDRON TRUST.
638
00:27:29,400 --> 00:27:30,800
>> OH, I AGREE WITH VIRGINIA.
639
00:27:30,800 --> 00:27:31,667
>> SO DO I.
640
00:27:31,667 --> 00:27:32,767
>> DEFINITELY THE FLOWERS.
641
00:27:32,767 --> 00:27:34,333
>> GOOD IDEA.
642
00:27:34,333 --> 00:27:35,267
>> LOVELY.
643
00:27:35,267 --> 00:27:35,667
>> WHAT ABOUT
644
00:27:35,667 --> 00:27:40,133
THE CHEESE FACTORY?
645
00:27:40,133 --> 00:27:41,367
>> WELL, IT CREATES JOBS
646
00:27:41,367 --> 00:27:43,633
AND IT PROMOTES THE COMMUNITY.
647
00:27:43,633 --> 00:27:44,733
NOT TO MENTION THAT
648
00:27:44,733 --> 00:27:46,333
MIDDLETON CHEDDAR WAS
649
00:27:46,333 --> 00:27:47,367
ENGLAND'S NUMBER ONE IMPORT
650
00:27:47,367 --> 00:27:49,033
DURING THE WAR.
651
00:27:49,033 --> 00:27:50,333
THE CHEESE FACTORY,
652
00:27:50,333 --> 00:27:53,567
THAT'S MY IDEA.
653
00:27:53,567 --> 00:27:55,300
>> THE QUEEN HAS NO INTENTION
654
00:27:55,300 --> 00:27:58,333
OF VISITING A CHEESE FACTORY.
655
00:27:58,333 --> 00:28:00,267
GOOD GOD, VICTORIA.
656
00:28:00,267 --> 00:28:01,033
WE THOUGHT YOU HAD
657
00:28:01,033 --> 00:28:03,333
BETTER TASTE THAN THAT.
658
00:28:04,800 --> 00:28:07,267
CLEANING UP THE TOWN.
659
00:28:07,267 --> 00:28:07,767
>> WELL, I VOTE WE START
660
00:28:07,767 --> 00:28:08,500
WITH THAT DREADFUL OLD
661
00:28:08,500 --> 00:28:10,033
DILAPIDATED HOUSE.
662
00:28:10,033 --> 00:28:10,700
THAT OLD WHAT'S HER NAME'S
663
00:28:10,700 --> 00:28:11,533
PLACE, SOMETHING'S GOT
664
00:28:11,533 --> 00:28:13,133
TO BE DONE ABOUT IT.
665
00:28:13,133 --> 00:28:14,233
>> I AGREE.
666
00:28:14,233 --> 00:28:15,267
>> INDEED.
667
00:28:15,267 --> 00:28:16,367
AN EYESORE LIKE THAT
668
00:28:16,367 --> 00:28:17,233
COULD JEOPARDIZE
669
00:28:17,233 --> 00:28:19,467
THE ENTIRE STATE VISIT.
670
00:28:21,100 --> 00:28:24,133
* GONNA PICK UP ALL THE PIECES
671
00:28:24,133 --> 00:28:27,200
* GONNA MAKE FOR SUNNY BREEZES
672
00:28:27,200 --> 00:28:27,667
* BEFORE THE WINTER
673
00:28:27,667 --> 00:28:29,267
WEATHER FREEZES *
674
00:28:29,267 --> 00:28:32,067
* GONNA MAKE SOME CHANGES HERE
675
00:28:32,067 --> 00:28:33,767
* GONNA WALK RIGHT --
676
00:28:33,767 --> 00:28:35,367
WALK RIGHT OUT THE DOOR *
677
00:28:35,367 --> 00:28:38,167
* GONNA MOVE ON DOWN THE TRACK
678
00:28:38,167 --> 00:28:39,700
* I WON'T BE --
679
00:28:39,700 --> 00:28:41,567
WON'T BE BACK FOR MORE *
680
00:28:41,567 --> 00:28:42,400
* UNTIL THE DAY
681
00:28:42,400 --> 00:28:45,067
SHE TAKES ME BACK *
682
00:28:46,367 --> 00:28:47,233
>> HIGH-RA.
683
00:28:47,233 --> 00:28:48,333
>> HIRA.
684
00:28:48,333 --> 00:28:51,100
>> HIRA, DID YOU KNOW --
685
00:28:51,100 --> 00:28:52,333
DID YOU KNOW THAT
686
00:28:52,333 --> 00:28:54,200
KIDS AT MY SCHOOL,
687
00:28:54,200 --> 00:28:55,700
WELL, THEY SAY
688
00:28:55,700 --> 00:28:57,367
YOU'RE A WITCH
689
00:28:57,367 --> 00:28:59,567
AND A CANNIBAL.
690
00:28:59,567 --> 00:29:03,100
>> THEN IT MUST BE TRUE.
691
00:29:05,700 --> 00:29:07,367
>> HIRA, DID YOU EVER --
692
00:29:07,367 --> 00:29:12,033
>> DID I EVER WHAT?
693
00:29:12,033 --> 00:29:15,767
EAT HUMAN FLESH?
694
00:29:15,767 --> 00:29:18,433
>> WELL, DID YOU?
695
00:29:18,433 --> 00:29:22,800
>> YES, BUT ONLY ONCE.
696
00:29:22,800 --> 00:29:25,533
JUST A FEW BITES.
697
00:29:25,533 --> 00:29:28,467
>> WHAT DID IT TASTE LIKE?
698
00:29:28,467 --> 00:29:32,067
>> A BIT SALTY.
699
00:29:32,067 --> 00:29:36,367
BUT NOT BAD.
700
00:29:36,367 --> 00:29:37,333
>> HIRA, DID YOU KNOW
701
00:29:37,333 --> 00:29:39,033
THAT THE QUEEN IS COMING?
702
00:29:39,033 --> 00:29:40,633
>> I KNOW.
703
00:29:40,633 --> 00:29:41,300
>> YOU DON'T SOUND
704
00:29:41,300 --> 00:29:42,433
VERY EXCITED.
705
00:29:42,433 --> 00:29:44,333
>> I'M NOT.
706
00:29:44,333 --> 00:29:46,267
>> I CAN HARDLY SLEEP.
707
00:29:46,267 --> 00:29:47,233
IT'S ONLY 39 DAYS
708
00:29:47,233 --> 00:29:48,700
UNTIL SHE ARRIVES.
709
00:29:48,700 --> 00:29:50,033
YOU KNOW, I KEEP HAVING
710
00:29:50,033 --> 00:29:51,267
THIS DREAM THAT I GET TO
711
00:29:51,267 --> 00:29:56,300
MEET HER MAJESTY PERSONALLY.
712
00:29:56,300 --> 00:29:57,800
>> WHAT?
713
00:29:57,800 --> 00:29:59,267
HOW CAN YOU SAY THAT?
714
00:29:59,267 --> 00:30:00,333
IT'S THE OPPORTUNITY
715
00:30:00,333 --> 00:30:01,533
OF A LIFETIME.
716
00:30:01,533 --> 00:30:03,733
IT'S WHAT WE ALL LIVE FOR.
717
00:30:03,733 --> 00:30:06,167
>> IS IT?
718
00:30:09,100 --> 00:30:13,233
THIS IS MY FATHER,
719
00:30:13,233 --> 00:30:15,800
A GREAT WARRIOR,
720
00:30:15,800 --> 00:30:21,500
THE CHIEF OF OUR TRIBE.
721
00:30:21,500 --> 00:30:22,700
FOR 20 YEARS THE BRITISH
722
00:30:22,700 --> 00:30:26,367
TRIED TO TAKE OUR LAND.
723
00:30:26,367 --> 00:30:27,533
BUT HE FOUGHT THEM
724
00:30:27,533 --> 00:30:30,500
TO A STANDSTILL.
725
00:30:30,500 --> 00:30:34,267
FINALLY, A TREATY WAS SIGNED,
726
00:30:34,267 --> 00:30:35,800
ALLOWING US TO KEEP
727
00:30:35,800 --> 00:30:39,233
THAT WHICH WAS ALREADY OURS.
728
00:30:39,233 --> 00:30:41,533
AND AFTER THAT DAY,
729
00:30:41,533 --> 00:30:44,333
MY FATHER WAS NOT
730
00:30:44,333 --> 00:30:46,200
SEEN BY THE WHITE MAN
731
00:30:46,200 --> 00:30:48,267
FOR MANY YEARS
732
00:30:48,267 --> 00:30:49,667
UNTIL YOUR QUEEN'S
733
00:30:49,667 --> 00:30:52,033
GREAT-GREAT UNCLE,
734
00:30:52,033 --> 00:30:53,667
PRINCE ALFRED,
735
00:30:53,667 --> 00:30:55,767
DUKE OF EDINBURGH,
736
00:30:55,767 --> 00:30:59,033
CAME TO NEW ZEALAND,
737
00:30:59,033 --> 00:31:02,667
THE FIRST ROYAL VISIT,
738
00:31:02,667 --> 00:31:04,567
AND ASKED SPECIFICALLY
739
00:31:04,567 --> 00:31:07,400
TO MEET MY FATHER.
740
00:31:07,400 --> 00:31:10,067
>> WHAT AN HONOR.
741
00:31:10,067 --> 00:31:11,367
>> OUT OF RESPECT FOR
742
00:31:11,367 --> 00:31:13,767
HIS COURAGE AND BRAVERY,
743
00:31:13,767 --> 00:31:15,500
YOUR QUEEN'S UNCLE
744
00:31:15,500 --> 00:31:18,067
GAVE MY FATHER A GIFT,
745
00:31:18,067 --> 00:31:19,433
TWO PEARL-HANDLED
746
00:31:19,433 --> 00:31:21,667
DUELING PISTOLS
747
00:31:21,667 --> 00:31:23,100
ONCE BELONGING
748
00:31:23,100 --> 00:31:25,733
TO KING CHARLES II.
749
00:31:25,733 --> 00:31:27,667
IN RETURN, MY FATHER
750
00:31:27,667 --> 00:31:29,267
GAVE THE PRINCE
751
00:31:29,267 --> 00:31:32,367
HIS MOST PRIZED POSSESSION,
752
00:31:32,367 --> 00:31:34,200
THE SPEAR YOU SEE
753
00:31:34,200 --> 00:31:37,067
IN THIS VERY PHOTOGRAPH.
754
00:31:39,133 --> 00:31:42,400
>> IT SOUNDS LIKE THEY GOT ON.
755
00:31:42,400 --> 00:31:44,700
>> TWO WEEKS AFTER
756
00:31:44,700 --> 00:31:48,467
THE PRINCE LEFT,
757
00:31:48,467 --> 00:31:50,333
MY FATHER WAS AMBUSHED
758
00:31:50,333 --> 00:31:54,067
AND MURDERED.
759
00:31:54,067 --> 00:31:57,400
THE PISTOLS STOLEN,
760
00:31:57,400 --> 00:31:58,667
AND OUR LAND TAKEN
761
00:31:58,667 --> 00:32:03,400
SOON AFTER THAT.
762
00:32:03,400 --> 00:32:04,500
FORGIVE ME FOR NOT
763
00:32:04,500 --> 00:32:08,133
SHARING YOUR ENTHUSIASM.
764
00:32:12,733 --> 00:32:13,600
>> OH, MY GOD,
765
00:32:13,600 --> 00:32:15,100
THEY'RE EXQUISITE.
766
00:32:15,100 --> 00:32:15,567
>> I'LL BET
767
00:32:15,567 --> 00:32:16,733
THEY'RE 200 YEARS OLD.
768
00:32:16,733 --> 00:32:18,300
>> MUST BE WORTH A FORTUNE.
769
00:32:18,300 --> 00:32:20,033
>> THEY WERE A GIFT
770
00:32:20,033 --> 00:32:21,633
FROM QUEEN ELIZABETH'S
771
00:32:21,633 --> 00:32:23,167
GREAT-GREAT UNCLE,
772
00:32:23,167 --> 00:32:24,100
PRINCE ALFRED,
773
00:32:24,100 --> 00:32:25,500
DUKE OF EDINBURGH,
774
00:32:25,500 --> 00:32:27,700
GIVEN TO MY GRANDFATHER,
775
00:32:27,700 --> 00:32:29,300
CHARLES RICHMOND,
776
00:32:29,300 --> 00:32:31,733
FOUNDER OF OUR TOWN.
777
00:32:31,733 --> 00:32:33,633
A TOKEN OF RESPECT
778
00:32:33,633 --> 00:32:35,667
FOR A MAN OF HONOR
779
00:32:35,667 --> 00:32:37,267
WHO FOUGHT COURAGEOUSLY
780
00:32:37,267 --> 00:32:38,333
TO SETTLE THIS LAND
781
00:32:38,333 --> 00:32:39,533
AND PROTECT OUR PEOPLE
782
00:32:39,533 --> 00:32:41,233
FROM THE UNCIVILIZED
783
00:32:41,233 --> 00:32:43,333
LOCAL SAVAGES.
784
00:32:43,333 --> 00:32:44,333
>> TO THINK WE WOULDN'T BE HERE
785
00:32:44,333 --> 00:32:47,433
IF NOT FOR MEN LIKE THAT.
786
00:32:47,433 --> 00:32:50,233
>> OH, WELL, YES.
787
00:32:50,233 --> 00:32:53,400
YES, EXACTLY.
788
00:32:53,400 --> 00:32:55,400
AND SO, AS A SYMBOL
789
00:32:55,400 --> 00:32:56,767
OF MY LOYALTY AND FAITH
790
00:32:56,767 --> 00:32:58,300
TO THE BRITISH CROWN,
791
00:32:58,300 --> 00:32:59,533
I INTEND TO HAND THESE
792
00:32:59,533 --> 00:33:01,733
ONE-OF-A-KIND PEARL-HANDLED
793
00:33:01,733 --> 00:33:03,267
DUELING PISTOLS
794
00:33:03,267 --> 00:33:04,467
BACK TO QUEEN ELIZABETH
795
00:33:04,467 --> 00:33:05,767
IN A SPECIAL CEREMONY
796
00:33:05,767 --> 00:33:08,100
FOLLOWING HER TOUR --
797
00:33:10,133 --> 00:33:12,467
OF THE RHODODENDRON TRUST.
798
00:33:12,467 --> 00:33:14,433
>> SPLENDID IDEA, VIRGINIA.
799
00:33:14,433 --> 00:33:16,100
BUT WHO SHALL WE SELECT TO MAKE
800
00:33:16,100 --> 00:33:18,767
THIS GLORIOUS PRESENTATION?
801
00:33:18,767 --> 00:33:20,400
>> WELL, OF COURSE,
802
00:33:20,400 --> 00:33:21,767
I THOUGHT I WOULD.
803
00:33:21,767 --> 00:33:22,433
>> SURELY WE CAN'T
804
00:33:22,433 --> 00:33:24,367
HAVE YOU DO IT.
805
00:33:24,367 --> 00:33:25,333
AFTER ALL, IT IS THE JOB
806
00:33:25,333 --> 00:33:28,333
FOR A MERE HANDMAIDEN.
807
00:33:28,333 --> 00:33:29,200
>> PERHAPS WE COULD
808
00:33:29,200 --> 00:33:30,800
GET A YOUNG PERSON?
809
00:33:30,800 --> 00:33:33,233
>> LIKE, UM, ONE OF
810
00:33:33,233 --> 00:33:34,467
>> YES, OF COURSE, THAT'S IT.
811
00:33:34,467 --> 00:33:36,400
DON'T YOU AGREE, VIRGINIA?
812
00:33:36,400 --> 00:33:39,200
>> I SUPPOSE IF CHOOSING
813
00:33:39,200 --> 00:33:41,267
A YOUNG PERSON IS WHAT WE FEEL
814
00:33:41,267 --> 00:33:43,767
WOULD BEST SERVE MIDDLETON...
815
00:33:43,767 --> 00:33:44,700
>> WELL, I THINK
816
00:33:44,700 --> 00:33:45,767
IT'S MARVELOUS OF YOU
817
00:33:45,767 --> 00:33:47,400
TO BE SO GENEROUS, VIRGINIA.
818
00:33:47,400 --> 00:33:49,633
DON'T YOU AGREE, LADIES?
819
00:33:49,633 --> 00:33:51,333
>> OH, YES.
820
00:33:51,333 --> 00:33:53,133
>> YES.
821
00:34:00,200 --> 00:34:02,633
>> IT IS THE MOST TAPU,
822
00:34:02,633 --> 00:34:05,267
THE MOST SACRED PLACE,
823
00:34:05,267 --> 00:34:06,500
AND YOU ARE THE FIRST
824
00:34:06,500 --> 00:34:09,367
NON-MAORI, ELIZABETH,
825
00:34:09,367 --> 00:34:10,800
THE FIRST PAKEHA EVER TO SEE
826
00:34:10,800 --> 00:34:15,200
WHAT I AM ABOUT TO SHOW YOU.
827
00:34:42,567 --> 00:34:45,367
>> WHAT IS IT?
828
00:34:45,367 --> 00:34:49,133
>> MY FATHER'S GRAVE.
829
00:35:05,633 --> 00:35:07,633
HOLD MY FEET.
830
00:35:07,633 --> 00:35:09,167
>> SORRY?
831
00:35:09,167 --> 00:35:12,500
>> MY FEET, GRAB MY FEET,
832
00:35:12,500 --> 00:35:15,533
AND DON'T LET GO.
833
00:36:14,567 --> 00:36:17,300
>> SOUNDS PRICEY TO ME, BOSS.
834
00:36:17,300 --> 00:36:19,133
>> JONESY, SPARE NO EXPENSE.
835
00:36:19,133 --> 00:36:20,433
I WANT THIS FACTORY TO SPARKLE
836
00:36:20,433 --> 00:36:22,200
LIKE THE CROWN JEWELS,
837
00:36:22,200 --> 00:36:23,633
INSIDE AND OUT.
838
00:36:23,633 --> 00:36:24,633
>> RIGHTY-O, BOSS.
839
00:36:24,633 --> 00:36:25,533
WHEN WE'RE DONE WITH IT,
840
00:36:25,533 --> 00:36:26,400
YOU WON'T FIND A SPECK OF DIRT
841
00:36:26,400 --> 00:36:27,433
ON A FLY'S ASS.
842
00:36:27,433 --> 00:36:28,333
>> YEAH, WELL, I'LL BE HAPPY
843
00:36:28,333 --> 00:36:29,467
IF WE DON'T FIND A FLY.
844
00:36:29,467 --> 00:36:31,367
>> EXCUSE ME, MR. WAKEFIELD.
845
00:36:31,367 --> 00:36:34,733
>> NOT NOW, IRIS.
846
00:36:34,733 --> 00:36:35,700
WILL BE MOST ATTRACTIVE
847
00:36:35,700 --> 00:36:38,400
ALONG THERE.
848
00:36:38,400 --> 00:36:39,333
>> SIR, I REALLY THINK YOU
849
00:36:39,333 --> 00:36:41,033
SHOULD HAVE A LOOK AT THIS.
850
00:36:41,033 --> 00:36:43,367
>> IRIS.
851
00:36:43,367 --> 00:36:44,267
"THE MAYOR'S OFFICE
852
00:36:44,267 --> 00:36:45,200
IN CONJUNCTION WITH
853
00:36:45,200 --> 00:36:46,267
THE ROYAL WELCOMING COMMITTEE
854
00:36:46,267 --> 00:36:47,700
ANNOUNCED THIS MORNING THAT --
855
00:36:47,700 --> 00:36:49,367
THE RHODODENDRON TRUST
856
00:36:49,367 --> 00:36:50,633
HAS BEEN SELECTED AS
857
00:36:50,633 --> 00:36:51,767
THE PRINCIPLE INSPECTION SITE
858
00:36:51,767 --> 00:36:54,300
FOR THE ROYAL'S VISIT."
859
00:36:54,300 --> 00:36:56,733
THIS IS AN OUTRAGE!
860
00:36:56,733 --> 00:36:57,733
WHAT IN HEAVEN'S NAME
861
00:36:57,733 --> 00:36:58,633
COULD HAVE MADE THE MAYOR
862
00:36:58,633 --> 00:37:00,500
AGREE TO SUCH A THING?
863
00:37:17,333 --> 00:37:20,133
>> MAYOR WICKSTEAD?
864
00:37:38,667 --> 00:37:42,100
>> WHO IS IT?
865
00:37:42,100 --> 00:37:43,233
HERE FOR THE HONEY.
866
00:37:43,233 --> 00:37:45,267
>> COME IN.
867
00:38:08,167 --> 00:38:10,233
>> THAT'S A NAUGHTY BOY.
868
00:38:14,667 --> 00:38:16,233
>> OF COURSE I'M SURE.
869
00:38:16,233 --> 00:38:17,633
I SAW IT WITH MY OWN EYES.
870
00:38:17,633 --> 00:38:19,033
>> MRS. HOBSON?
871
00:38:19,033 --> 00:38:21,700
>> YES, AND RACHEL'S FATHER.
872
00:38:21,700 --> 00:38:24,133
>> MAYOR WICKSTEAD?
873
00:38:24,133 --> 00:38:25,233
>> SHHH.
874
00:38:25,233 --> 00:38:27,200
HI, RACHEL.
875
00:38:30,200 --> 00:38:30,800
>> MAYBE THEY WERE JUST
876
00:38:30,800 --> 00:38:32,367
PRACTICING FOR THE THEATER.
877
00:38:32,367 --> 00:38:33,300
>> ANNABEL,
878
00:38:33,300 --> 00:38:35,333
THEY'RE HAVING AN AFFAIR.
879
00:38:35,333 --> 00:38:37,200
>> TEAM HALT.
880
00:38:37,200 --> 00:38:39,333
VERY GOOD.
881
00:38:39,333 --> 00:38:44,500
HAVE A SEAT, GIRLS.
882
00:38:44,500 --> 00:38:45,567
TODAY I HAVE A VERY
883
00:38:45,567 --> 00:38:48,133
SPECIAL ANNOUNCEMENT.
884
00:38:48,133 --> 00:38:49,433
AS I'M SURE YOU'RE ALL AWARE,
885
00:38:49,433 --> 00:38:50,433
HER MAJESTY,
886
00:38:50,433 --> 00:38:51,633
QUEEN ELIZABETH II,
887
00:38:51,633 --> 00:38:53,033
WILL BE VISITING MIDDLETON
888
00:38:53,033 --> 00:38:54,033
ON HER OFFICIAL STATE TOUR
889
00:38:54,033 --> 00:38:55,700
NEXT MONTH.
890
00:38:55,700 --> 00:38:57,200
AND I HAVE JUST RECEIVED
891
00:38:57,200 --> 00:38:58,367
WORD THIS AFTERNOON
892
00:38:58,367 --> 00:39:00,100
FROM RACHEL'S FATHER,
893
00:39:00,100 --> 00:39:01,400
MAYOR WICKSTEAD,
894
00:39:01,400 --> 00:39:03,267
THAT YOU GIRLS,
895
00:39:03,267 --> 00:39:05,200
THE 1953 MIDDLETON
896
00:39:05,200 --> 00:39:07,300
GRENADIER DISPLAY MARCH
897
00:39:07,300 --> 00:39:09,300
AND AGGREGATE DRILL TEAM,
898
00:39:09,300 --> 00:39:10,367
HAVE BEEN CHOSEN TO LEAD
899
00:39:10,367 --> 00:39:11,500
THE PARADE WHICH WILL WELCOME
900
00:39:11,500 --> 00:39:13,267
THE ROYAL ENTOURAGE.
901
00:39:18,067 --> 00:39:20,533
AND, AS AN ADDED BONUS,
902
00:39:20,533 --> 00:39:21,667
WHOEVER IS CHOSEN
903
00:39:21,667 --> 00:39:22,633
AT THE END OF THIS MONTH
904
00:39:22,633 --> 00:39:24,533
TO BE CAPTAIN OF OUR SQUAD
905
00:39:24,533 --> 00:39:26,233
WILL HAVE THE UNPRECEDENTED
906
00:39:26,233 --> 00:39:27,667
OPPORTUNITY TO MEET AND GREET
907
00:39:27,667 --> 00:39:31,333
HER MAJESTY PERSONALLY.
908
00:39:31,333 --> 00:39:34,233
>> OH, MY GOSH.
909
00:40:05,333 --> 00:40:08,367
>> ELIZABETH, DO BE CAREFUL.
910
00:40:08,367 --> 00:40:09,800
>> SORRY.
911
00:40:09,800 --> 00:40:12,133
AH, OH.
912
00:40:14,400 --> 00:40:17,367
>> WELL, IT'S OFFICIAL.
913
00:40:17,367 --> 00:40:18,567
YOUR RIDICULOUS SUBCOMMITTEE
914
00:40:18,567 --> 00:40:19,633
OR THE WELCOMING COMMITTEE,
915
00:40:19,633 --> 00:40:21,033
OR WHATEVER IT CALLS ITSELF,
916
00:40:21,033 --> 00:40:21,733
REFUSES TO RECONSIDER
917
00:40:21,733 --> 00:40:23,133
ITS DECISION.
918
00:40:23,133 --> 00:40:24,300
IT SAYS THE ROYAL VISIT
919
00:40:24,300 --> 00:40:25,567
IS LESS THAN A MONTH AWAY
920
00:40:25,567 --> 00:40:26,333
AND IT'S TOO LATE
921
00:40:26,333 --> 00:40:28,167
TO RETHINK THE MATTER.
922
00:40:28,167 --> 00:40:29,433
HOBSON.
923
00:40:29,433 --> 00:40:31,100
>> I DID WARN YOU, DEAR,
924
00:40:31,100 --> 00:40:31,633
SHE HAS A WAY OF GETTING
925
00:40:31,633 --> 00:40:33,633
WHAT SHE WANTS.
926
00:40:33,633 --> 00:40:35,667
>> WHERE'S THE GRATITUDE?
927
00:40:35,667 --> 00:40:37,100
WE DID MORE THAN OUR
928
00:40:37,100 --> 00:40:39,167
FAIR SHARE DURING THE WAR,
929
00:40:39,167 --> 00:40:40,100
SUPPLYING THE MOTHER COUNTRY
930
00:40:40,100 --> 00:40:41,367
IN HER TIME OF NEED.
931
00:40:41,367 --> 00:40:43,133
NOW IT'S OUR TIME OF NEED.
932
00:40:43,133 --> 00:40:44,600
>> JOHN, I TRIED.
933
00:40:44,600 --> 00:40:46,367
>> IT'S A TRAVESTY.
934
00:40:46,367 --> 00:40:47,300
DO YOU KNOW HOW MANY
935
00:40:47,300 --> 00:40:48,100
POUNDS OF CHEESE WE SENT
936
00:40:48,100 --> 00:40:49,267
TO ENGLAND LAST YEAR?
937
00:40:49,267 --> 00:40:51,233
>> THAT WOULD BE TWO MILLION.
938
00:40:51,233 --> 00:40:52,733
>> EXACTLY.
939
00:40:52,733 --> 00:40:53,467
YOU KNOW HOW MANY
940
00:40:53,467 --> 00:40:54,367
RUDDY, BLOODY, BLOOMING
941
00:40:54,367 --> 00:40:56,200
RHODODENDRONS WE SENT?
942
00:40:56,200 --> 00:40:57,367
>> NONE.
943
00:40:57,367 --> 00:41:01,267
>> IT'S NOT FAIR.
944
00:41:01,267 --> 00:41:04,600
>> DAD, PERHAPS YOU
945
00:41:04,600 --> 00:41:06,200
SOME OF YOUR CHEESE,
946
00:41:06,200 --> 00:41:07,267
AS A SNACK, EVEN IF
947
00:41:07,267 --> 00:41:08,167
SHE DOESN'T GET TO SEE
948
00:41:08,167 --> 00:41:11,267
THE ACTUAL FACILITY.
949
00:41:11,267 --> 00:41:13,400
>> WAIT A SECOND.
950
00:41:13,400 --> 00:41:14,533
ELIZABETH, YOU MIGHT BE
951
00:41:14,533 --> 00:41:16,500
ONTO SOMETHING THERE.
952
00:41:16,500 --> 00:41:18,800
LIKE AN AFTERNOON TEA.
953
00:41:18,800 --> 00:41:20,200
>> THEN IF SHE LIKES IT,
954
00:41:20,200 --> 00:41:21,600
PERHAPS SHE'LL ISSUE YOU
955
00:41:21,600 --> 00:41:23,367
WITH A ROYAL WARRANT.
956
00:41:23,367 --> 00:41:24,133
>> THE ULTIMATE
957
00:41:24,133 --> 00:41:27,200
SEAL OF APPROVAL.
958
00:41:27,200 --> 00:41:30,433
ELIZABETH, YOU'RE WONDERFUL!
959
00:41:50,667 --> 00:41:52,633
>> ALL RIGHT, BOY,
960
00:41:52,633 --> 00:41:53,467
WE'LL SHOW THEM
961
00:41:53,467 --> 00:41:55,700
SOMETHING WONDERFUL.
962
00:41:55,700 --> 00:41:57,433
GO ON, DIG THEM UP.
963
00:42:07,167 --> 00:42:07,733
>> IT'S AMAZING WHAT YOU'VE
964
00:42:07,733 --> 00:42:09,367
GOT HIDDEN BACK HERE,
965
00:42:09,367 --> 00:42:11,400
ONCE YOU GET PAST THE SCRUB.
966
00:42:11,400 --> 00:42:13,100
>> THE WORST OF IT IS,
967
00:42:13,100 --> 00:42:14,200
IT'S DIRECTLY IN THE ROUTE
968
00:42:14,200 --> 00:42:16,200
OF HER MAJESTY'S MOTORCADE.
969
00:42:16,200 --> 00:42:17,667
JUST IMAGINE WHAT WE COULD DO
970
00:42:17,667 --> 00:42:20,267
WITH THIS PROPERTY.
971
00:42:20,267 --> 00:42:21,400
WHY, WE COULD PLANT AN ADJUNCT
972
00:42:21,400 --> 00:42:23,467
TO THE RHODODENDRON TRUST.
973
00:42:23,467 --> 00:42:25,233
OR PERHAPS ERECT A STATUE
974
00:42:25,233 --> 00:42:26,800
HONORING THE FOUNDERS
975
00:42:26,800 --> 00:42:29,367
OF OUR TOWN.
976
00:42:29,367 --> 00:42:30,333
AS IT STANDS,
977
00:42:30,333 --> 00:42:32,267
THIS LAND IS JUST WASTED.
978
00:42:32,267 --> 00:42:33,667
SHE REFUSES TO SELL
979
00:42:33,667 --> 00:42:34,467
AND YET SHE DOES NOTHING
980
00:42:34,467 --> 00:42:36,300
TO KEEP IT UP.
981
00:42:36,300 --> 00:42:38,167
JUST LOOK AT THAT WOOD ROT.
982
00:42:39,600 --> 00:42:41,267
>> I SHOULD HAVE KNOWN.
983
00:42:41,267 --> 00:42:42,500
>> KNOWN WHAT?
984
00:42:42,500 --> 00:42:43,700
>> YOU DIDN'T DO ALL THAT WORK
985
00:42:43,700 --> 00:42:46,033
IN THE GARDEN JUST FOR ME.
986
00:42:46,033 --> 00:42:47,267
YOU DID IT FOR YOUR QUEEN,
987
00:42:47,267 --> 00:42:49,267
FOR YOURSELF.
988
00:42:49,267 --> 00:42:51,333
THE OLD BAGS SEND A LITTLE GIRL
989
00:42:51,333 --> 00:42:53,300
TO DO THEIR DIRTY WORK.
990
00:42:53,300 --> 00:42:54,200
>> THAT'S NOT TRUE.
991
00:42:54,200 --> 00:42:55,333
I CAME BECAUSE I WANTED TO,
992
00:42:55,333 --> 00:42:56,800
BECAUSE I LIKE YOU.
993
00:42:56,800 --> 00:42:58,433
>> I TRUSTED YOU.
994
00:42:58,433 --> 00:43:00,267
YOU BETRAYED ME.
995
00:43:00,267 --> 00:43:01,233
GET OUT!
996
00:43:01,233 --> 00:43:02,133
>> NO, LISTEN.
997
00:43:02,133 --> 00:43:03,067
ALL WE HAVE TO DO
998
00:43:03,067 --> 00:43:05,033
IS FINISH CLEANING THE YARD.
999
00:43:05,033 --> 00:43:06,367
YOU CAN PAINT THE FRONT DOOR.
1000
00:43:06,367 --> 00:43:07,200
THE QUEEN'S GOING TO
1001
00:43:07,200 --> 00:43:08,467
DRIVE RIGHT PAST HERE.
1002
00:43:08,467 --> 00:43:09,567
WE'VE GOT TO MAKE IT RIGHT.
1003
00:43:09,567 --> 00:43:11,500
WE HAVE TO.
1004
00:43:11,500 --> 00:43:12,367
>> THIS SITUATION
1005
00:43:12,367 --> 00:43:13,633
HAS GONE FAR ENOUGH.
1006
00:43:13,633 --> 00:43:15,100
THE QUEEN WILL BE HERE
1007
00:43:15,100 --> 00:43:17,167
IN LESS THAN THREE WEEKS,
1008
00:43:17,167 --> 00:43:18,300
AND WE CANNOT HAVE HER MAJESTY
1009
00:43:18,300 --> 00:43:19,667
EXPOSED TO THIS KIND OF POVERTY.
1010
00:43:19,667 --> 00:43:20,700
WE'LL BE THE LAUGHING STOCK
1011
00:43:20,700 --> 00:43:22,267
OF THE COUNTRY.
1012
00:43:22,267 --> 00:43:23,033
>> WELL, WHAT DO YOU
1013
00:43:23,033 --> 00:43:24,733
PROPOSE WE DO?
1014
00:43:24,733 --> 00:43:26,733
>> JUST YOU LEAVE THINGS TO ME.
1015
00:43:26,733 --> 00:43:28,133
I HAVE EXPERIENCE DEALING WITH
1016
00:43:28,133 --> 00:43:31,167
THE BUREAUCRACY OF THIS TOWN.
1017
00:43:32,367 --> 00:43:33,600
>> ALL RIGHT.
1018
00:43:33,600 --> 00:43:34,800
200 POUNDS,
1019
00:43:34,800 --> 00:43:36,300
THAT'S MY FINAL OFFER.
1020
00:43:36,300 --> 00:43:37,133
YOU CAN USE IT
1021
00:43:37,133 --> 00:43:38,500
ON ANY CIVIC PROJECT YOU WANT.
1022
00:43:38,500 --> 00:43:39,433
>> JOHN, BELIEVE ME,
1023
00:43:39,433 --> 00:43:41,267
IT'S NOT ABOUT THE MONEY.
1024
00:43:41,267 --> 00:43:42,333
YOU KNOW I'D LOVE TO HELP YOU.
1025
00:43:42,333 --> 00:43:43,300
BUT THE WELCOMING COMMITTEE
1026
00:43:43,300 --> 00:43:44,667
IS DEAD SET AGAINST SERVING
1027
00:43:44,667 --> 00:43:46,233
CHEDDAR CHEESE TO THE QUEEN
1028
00:43:46,233 --> 00:43:47,533
FOR AFTERNOON TEA.
1029
00:43:47,533 --> 00:43:48,600
>> DAMN IT, MAN,
1030
00:43:48,600 --> 00:43:49,667
YOU'RE THE MAYOR!
1031
00:43:49,667 --> 00:43:52,633
YOU RUN THE SHOW AROUND HERE.
1032
00:43:52,633 --> 00:43:54,067
>> SORRY, JOHN,
1033
00:43:54,067 --> 00:43:56,133
MY HANDS WERE TIED.
1034
00:43:56,133 --> 00:43:58,433
>> I'LL BET THEY WERE.
1035
00:43:58,433 --> 00:44:00,033
IT'S ABOUT WE HAD SOME FRESH
1036
00:44:00,033 --> 00:44:02,233
POLITICAL BLOOD AROUND HERE.
1037
00:44:02,233 --> 00:44:03,533
YOU CAN EXPECT TO HEAR FURTHER
1038
00:44:03,533 --> 00:44:06,233
FROM ME ON THAT SCORE.
1039
00:44:11,533 --> 00:44:13,300
>> AUNTIE.
1040
00:44:13,300 --> 00:44:15,267
IT'S ALL FIXED NOW.
1041
00:44:15,267 --> 00:44:16,733
>> THANK YOU.
1042
00:44:16,733 --> 00:44:18,700
>> OH, THANK YOU, AUNTIE.
1043
00:45:31,433 --> 00:45:32,600
>> AS THE CHAIRWOMAN OF
1044
00:45:32,600 --> 00:45:34,333
THE ROYAL WELCOMING COMMITTEE,
1045
00:45:34,333 --> 00:45:35,567
IT IS MY OFFICIAL DUTY,
1046
00:45:35,567 --> 00:45:37,033
HIRA MATA, TO INFORM YOU
1047
00:45:37,033 --> 00:45:38,100
THAT WE HAVE COME
1048
00:45:38,100 --> 00:45:40,333
TO MAKE YOU A FINAL OFFER.
1049
00:45:40,333 --> 00:45:45,033
>> SAVE YOUR BREATH, PAKEHA.
1050
00:45:45,033 --> 00:45:46,333
>> I THINK YOU SHOULD KNOW
1051
00:45:46,333 --> 00:45:47,367
I HAVE NO PERSONAL INTEREST
1052
00:45:47,367 --> 00:45:49,200
IN THIS WHATSOEVER.
1053
00:45:49,200 --> 00:45:50,433
I'M ONLY THINKING WHAT IS
1054
00:45:50,433 --> 00:45:53,200
BEST FOR THE ENTIRE TOWN.
1055
00:45:53,200 --> 00:45:55,433
>> WHAT'S BEST FOR THE TOWN, EH?
1056
00:45:55,433 --> 00:45:57,267
THE SAME WAY YOUR GRANDFATHER
1057
00:45:57,267 --> 00:45:59,367
AND HIS LAND-GRABBING PAKEHA
1058
00:45:59,367 --> 00:46:02,333
CONSPIRATORS WERE THINKING OF?
1059
00:46:02,333 --> 00:46:03,567
WHAT WAS BEST FOR THE TOWN
1060
00:46:03,567 --> 00:46:06,367
WHEN THEY KILLED MY FATHER,
1061
00:46:06,367 --> 00:46:07,333
CHEATED MY PEOPLE OF THEIR
1062
00:46:07,333 --> 00:46:10,333
BIRTHRIGHT?
1063
00:46:10,333 --> 00:46:11,233
THIS TOWN AND ALL THE LAND
1064
00:46:11,233 --> 00:46:12,333
AROUND IT WAS PAID FOR
1065
00:46:12,333 --> 00:46:15,467
WITH THE BLOOD OF MY ANCESTORS.
1066
00:46:15,467 --> 00:46:16,467
>> YES, WELL, OF COURSE
1067
00:46:16,467 --> 00:46:17,300
YOU'RE TALKING ABOUT
1068
00:46:17,300 --> 00:46:18,300
THINGS THAT HAPPENED
1069
00:46:18,300 --> 00:46:21,133
ALMOST 100 YEARS AGO.
1070
00:46:21,133 --> 00:46:22,167
>> AND HOW IS THAT DIFFERENT
1071
00:46:22,167 --> 00:46:23,333
FROM WHAT'S HAPPENING
1072
00:46:23,333 --> 00:46:25,533
IN THIS ROOM RIGHT NOW?
1073
00:46:25,533 --> 00:46:28,467
YOU POMPOUS OLD RAT BAG.
1074
00:46:28,467 --> 00:46:29,300
>> I DO NOT HAVE
1075
00:46:29,300 --> 00:46:31,100
TO TAKE THAT FROM YOU.
1076
00:46:31,100 --> 00:46:32,567
>> THAT'S RIGHT.
1077
00:46:32,567 --> 00:46:33,567
AND YOU WON'T TAKE
1078
00:46:33,567 --> 00:46:35,433
ANY OF THIS FROM ME
1079
00:46:35,433 --> 00:46:36,467
BECAUSE YOU'LL HAVE
1080
00:46:36,467 --> 00:46:39,267
TO KILL ME FIRST.
1081
00:46:39,267 --> 00:46:41,167
>> WELL...
1082
00:46:41,167 --> 00:46:44,133
WE'LL SEE ABOUT THAT.
1083
00:46:57,267 --> 00:46:58,167
>> SOMEBODY IS GOING
1084
00:46:58,167 --> 00:47:01,600
TO PAY FOR THIS!
1085
00:47:10,200 --> 00:47:11,233
>> BETTER GET THE TOP UP
1086
00:47:11,233 --> 00:47:12,233
ON THAT BEAUTY, STUART.
1087
00:47:12,233 --> 00:47:12,667
LOOKS LIKE WE'RE IN
1088
00:47:12,667 --> 00:47:14,800
FOR A SPOT OF NASTY WEATHER.
1089
00:47:14,800 --> 00:47:16,733
>> DAD?
1090
00:47:16,733 --> 00:47:18,367
UM, DID YOU HEAR
1091
00:47:18,367 --> 00:47:19,267
WHAT HAPPENED TODAY
1092
00:47:19,267 --> 00:47:20,667
AT THE RHODODENDRON TRUST?
1093
00:47:20,667 --> 00:47:22,167
>> BLIGHT?
1094
00:47:22,167 --> 00:47:23,800
>> YEAH, ALMOST AS GOOD.
1095
00:47:23,800 --> 00:47:25,267
NO, APPARENTLY A MAD DOG
1096
00:47:25,267 --> 00:47:26,267
WENT INTO A FEEDING FRENZY
1097
00:47:26,267 --> 00:47:28,367
ON MRS. HOBSON'S FLOWERS.
1098
00:47:28,367 --> 00:47:30,500
>> WELL, THAT'S A REAL TRAGEDY.
1099
00:47:30,500 --> 00:47:32,133
ALL GONE?
1100
00:47:32,133 --> 00:47:33,167
>> THERE'S A BIG QUESTION
1101
00:47:33,167 --> 00:47:33,600
WHETHER SHE CAN
1102
00:47:33,600 --> 00:47:34,633
BRING THEM BACK IN TIME.
1103
00:47:34,633 --> 00:47:36,600
>> FUNNY HOW THINGS WORK OUT.
1104
00:47:47,333 --> 00:47:49,133
>> YES, THANK YOU, OLIVER.
1105
00:47:49,133 --> 00:47:49,700
I CAN ASSURE YOU,
1106
00:47:49,700 --> 00:47:50,100
I SHALL CERTAINLY
1107
00:47:50,100 --> 00:47:52,467
LOOK INTO THE MATTER.
1108
00:47:55,633 --> 00:47:57,600
>> DINNER'S READY.
1109
00:47:57,600 --> 00:47:59,100
>> STUART, I'VE BEEN
1110
00:47:59,100 --> 00:48:01,233
THINKING IT OVER,
1111
00:48:01,233 --> 00:48:02,733
AND I FEEL IT'S TIME
1112
00:48:02,733 --> 00:48:05,333
YOU TOOK ON MORE RESPONSIBILITY.
1113
00:48:05,333 --> 00:48:06,367
>> ARE YOU SAYING THAT
1114
00:48:06,367 --> 00:48:08,167
I CAN COME TO WORK FOR YOU?
1115
00:48:08,167 --> 00:48:09,367
>> I'M SAYING THAT
1116
00:48:09,367 --> 00:48:10,233
SEEING AS YOU'RE DOING SO WELL
1117
00:48:10,233 --> 00:48:11,567
AT THE FREEZING WORKS --
1118
00:48:11,567 --> 00:48:12,333
YOU ARE DOING WELL
1119
00:48:12,333 --> 00:48:13,267
AT THE FREEZING WORKS,
1120
00:48:13,267 --> 00:48:14,067
AREN'T YOU, STUART?
1121
00:48:14,067 --> 00:48:15,200
>> OH, YES, FATHER, VERY WELL.
1122
00:48:15,200 --> 00:48:16,200
>> GOOD.
1123
00:48:16,200 --> 00:48:17,267
THEN YOU WON'T MIND
1124
00:48:17,267 --> 00:48:18,200
TAKING OVER YOUR OWN
1125
00:48:18,200 --> 00:48:19,567
CAR PAYMENTS.
1126
00:48:19,567 --> 00:48:20,467
>> I'VE HAD A FEW
1127
00:48:20,467 --> 00:48:22,467
UNEXPECTED EXPENSES.
1128
00:48:22,467 --> 00:48:23,433
IF YOU COULD HELP ME OUT FOR
1129
00:48:23,433 --> 00:48:24,433
JUST A LITTLE WHILE LONGER,
1130
00:48:24,433 --> 00:48:25,600
I'D REALLY APPRECIATE IT.
1131
00:48:25,600 --> 00:48:29,100
>> HOW MUCH LONGER?
1132
00:48:29,100 --> 00:48:32,233
UNTIL YOU FIND ANOTHER JOB.
1133
00:48:32,233 --> 00:48:35,267
YOU LIED TO ME, STUART,
1134
00:48:35,267 --> 00:48:36,300
AND YOU WERE SEEN
1135
00:48:36,300 --> 00:48:37,200
AT THE RHODODENDRON TRUST
1136
00:48:37,200 --> 00:48:38,300
WITH KUPE JUST BEFORE THOSE
1137
00:48:38,300 --> 00:48:40,200
FLOWERS WERE PULLED OUT.
1138
00:48:40,200 --> 00:48:40,800
WERE YOU RESPONSIBLE
1139
00:48:40,800 --> 00:48:42,233
FOR THE VANDALISM?
1140
00:48:42,233 --> 00:48:45,800
THE TRUTH NOW.
1141
00:48:45,800 --> 00:48:47,533
>> YES.
1142
00:48:47,533 --> 00:48:48,367
>> I CAN ABIDE
1143
00:48:48,367 --> 00:48:50,267
MANY THINGS IN A PERSON,
1144
00:48:50,267 --> 00:48:51,233
BUT ONE THING I CANNOT
1145
00:48:51,233 --> 00:48:54,500
AND WILL NOT TOLERATE
1146
00:48:54,500 --> 00:48:56,400
>> NO, YOU WERE NOT.
1147
00:48:56,400 --> 00:48:59,500
I'M VERY DISAPPOINTED IN YOU.
1148
00:48:59,500 --> 00:49:02,033
>> HOW DID YOU LOSE YOUR JOB?
1149
00:49:02,033 --> 00:49:03,200
>> A MAORI STOLE IT.
1150
00:49:03,200 --> 00:49:04,267
>> STOLE IT?!
1151
00:49:04,267 --> 00:49:05,800
YOU GOT SACKED
1152
00:49:05,800 --> 00:49:07,600
THE FOREMAN TOLD ME.
1153
00:49:07,600 --> 00:49:08,267
>> YOU KNEW STUART
1154
00:49:08,267 --> 00:49:10,033
HAD LOST HIS JOB?
1155
00:49:10,033 --> 00:49:10,533
>> WHAT ELSE IS GOING ON
1156
00:49:10,533 --> 00:49:11,367
IN THIS FAMILY
1157
00:49:11,367 --> 00:49:12,300
THAT I DON'T KNOW ABOUT?
1158
00:49:12,300 --> 00:49:13,267
>> SHE'S STILL VISITING
1159
00:49:13,267 --> 00:49:14,300
THAT OLD BROWN WITCH
1160
00:49:14,300 --> 00:49:16,267
AFTER YOU TOLD HER NOT TO.
1161
00:49:16,267 --> 00:49:18,467
>> ELIZABETH, IS THIS TRUE?
1162
00:49:18,467 --> 00:49:20,167
>> I LIKE HER.
1163
00:49:20,167 --> 00:49:22,133
SHE'S MY FRIEND.
1164
00:49:22,133 --> 00:49:23,067
>> YOU STAY AWAY FROM HER
1165
00:49:23,067 --> 00:49:23,767
IN THE FUTURE.
1166
00:49:23,767 --> 00:49:25,500
DO YOU UNDERSTAND?
1167
00:49:25,500 --> 00:49:26,367
>> YOUR PRECIOUS
1168
00:49:26,367 --> 00:49:27,200
MISS GOODY-TWO-SHOES
1169
00:49:27,200 --> 00:49:28,300
IS ALSO A THIEF.
1170
00:49:28,300 --> 00:49:29,067
>> I'M NOT A THIEF.
1171
00:49:29,067 --> 00:49:29,633
>> LIAR.
1172
00:49:29,633 --> 00:49:30,633
YOU STOLE MONEY FROM ME.
1173
00:49:30,633 --> 00:49:32,233
>> I DIDN'T STEAL IT.
1174
00:49:32,233 --> 00:49:33,467
I TOOK IT TO PAY FOR
1175
00:49:33,467 --> 00:49:35,367
THE WINDOW HE BROKE.
1176
00:49:35,367 --> 00:49:36,367
>> WHAT WINDOW?
1177
00:49:36,367 --> 00:49:37,267
>> HIRA'S.
1178
00:49:37,267 --> 00:49:38,267
HE WAS THE ONE WHO THREW
1179
00:49:38,267 --> 00:49:39,300
A BRICK THROUGH HER WINDOW.
1180
00:49:39,300 --> 00:49:41,233
>> I CERTAINLY HOPE NOT.
1181
00:49:41,233 --> 00:49:42,567
>> SHE'S ONLY A BLOODY MAORI.
1182
00:49:42,567 --> 00:49:44,367
>> SHE'S A PERSON JUST LIKE US.
1183
00:49:44,367 --> 00:49:45,633
>> THE SOONER SHE DROPS DEAD,
1184
00:49:45,633 --> 00:49:48,400
THE BETTER WE'LL ALL BE.
1185
00:49:51,267 --> 00:49:51,767
>> STUART, THAT WAS
1186
00:49:51,767 --> 00:49:54,167
A HORRIBLE THING TO SAY.
1187
00:49:54,167 --> 00:49:54,800
>> YOU DECEIVED YOUR PARENTS
1188
00:49:54,800 --> 00:49:55,700
AND YOU BROUGHT SHAME
1189
00:49:55,700 --> 00:49:57,267
ON THIS FAMILY.
1190
00:49:57,267 --> 00:49:58,300
AND AFTER WHAT
1191
00:49:58,300 --> 00:49:59,333
I'VE HEARD TODAY,
1192
00:49:59,333 --> 00:50:00,067
I'M EMBARRASSED
1193
00:50:00,067 --> 00:50:01,200
TO CALL YOU MY SON.
1194
00:50:01,200 --> 00:50:02,067
>> JOHN!
1195
00:50:02,067 --> 00:50:02,567
>> WHAT MAKES YOU THINK
1196
00:50:02,567 --> 00:50:04,167
I WANT YOU FOR A FATHER?
1197
00:50:04,167 --> 00:50:04,733
>> HOW DARE YOU
1198
00:50:04,733 --> 00:50:06,367
TALK TO ME LIKE THAT!
1199
00:50:06,367 --> 00:50:07,667
>> LOOK, STOP IT, BOTH OF YOU!
1200
00:50:07,667 --> 00:50:08,500
>> ELIZABETH STEALS FROM ME
1201
00:50:08,500 --> 00:50:10,200
AND YOU DON'T SAY A WORD.
1202
00:50:10,200 --> 00:50:10,767
NOTHING I EVER DO
1203
00:50:10,767 --> 00:50:12,200
IS GOOD ENOUGH FOR YOU.
1204
00:50:12,200 --> 00:50:12,733
WELL, I'M SORRY
1205
00:50:12,733 --> 00:50:14,233
I CAN'T BE PERFECT.
1206
00:50:14,233 --> 00:50:15,333
I CAN'T BE LIKE
1207
00:50:15,333 --> 00:50:17,167
ELIZABETH...AND YOU.
1208
00:50:51,333 --> 00:50:52,467
>> JOHN, DO YOU WANT
1209
00:50:52,467 --> 00:50:54,467
TO TALK ABOUT IT?
1210
00:50:54,467 --> 00:50:57,133
>> WHAT'S TO DISCUSS.
1211
00:50:57,133 --> 00:51:00,267
PEOPLE DO THINGS
1212
00:51:00,267 --> 00:51:02,300
YOU WISH THEY HADN'T.
1213
00:51:02,300 --> 00:51:05,200
WHAT'S DONE IS DONE.
1214
00:51:22,133 --> 00:51:25,200
>> STUBBORN LITTLE GIRL.
1215
00:51:34,267 --> 00:51:37,467
GET IN HERE IMMEDIATELY!
1216
00:51:37,467 --> 00:51:38,433
I CAN'T BE RESPONSIBLE
1217
00:51:38,433 --> 00:51:41,700
IF YOU DIE OF PNEUMONIA.
1218
00:51:55,733 --> 00:51:58,267
LOOK AT YOU, YOU'RE ALL WET.
1219
00:51:58,267 --> 00:52:00,500
GET OVER HERE.
1220
00:52:00,500 --> 00:52:02,800
GET CLOSE TO THE FIRE.
1221
00:52:02,800 --> 00:52:04,800
THERE.
1222
00:52:04,800 --> 00:52:07,400
WHAT ON EARTH GOT INTO YOU?
1223
00:52:07,400 --> 00:52:09,333
>> I DON'T KNOW.
1224
00:52:09,333 --> 00:52:11,333
I HAD TO SEE YOU.
1225
00:52:11,333 --> 00:52:12,233
SORRY YOU MISUNDERSTOOD
1226
00:52:12,233 --> 00:52:14,700
MY INTENTIONS.
1227
00:52:14,700 --> 00:52:15,800
I WASN'T TRYING TO TRICK YOU
1228
00:52:15,800 --> 00:52:18,433
OR BE DISRESPECTFUL.
1229
00:52:18,433 --> 00:52:19,700
I THOUGHT I WAS DOING
1230
00:52:19,700 --> 00:52:20,567
SOMETHING GOOD FOR YOU
1231
00:52:20,567 --> 00:52:23,033
AND THE TOWN.
1232
00:52:23,033 --> 00:52:23,600
HIRA, I WOULD NEVER
1233
00:52:23,600 --> 00:52:26,533
DO ANYTHING TO HURT YOU.
1234
00:52:26,533 --> 00:52:30,633
>> YOU ARE VERY SPECIAL.
1235
00:52:30,633 --> 00:52:32,167
BUT I THINK YOUR HEART
1236
00:52:32,167 --> 00:52:35,200
IS TOO BIG.
1237
00:52:38,133 --> 00:52:38,600
>> ANNABEL, YOU KNOW
1238
00:52:38,600 --> 00:52:39,600
I'D LOVE TO GO,
1239
00:52:39,600 --> 00:52:41,200
BUT I ALREADY MADE PLANS.
1240
00:52:41,200 --> 00:52:42,067
>> YOU COULD CHANGE THEM.
1241
00:52:42,067 --> 00:52:42,733
>> I CAN'T.
1242
00:52:42,733 --> 00:52:43,733
>> ELIZABETH, THIS IS IT,
1243
00:52:43,733 --> 00:52:45,467
OUR FIRST REAL DATE.
1244
00:52:45,467 --> 00:52:47,167
WE'VE GOT THE SAIL BOAT.
1245
00:52:47,167 --> 00:52:48,200
ROBERT'S GOING TO TAKE US OUT,
1246
00:52:48,200 --> 00:52:51,133
JUST THE FOUR OF US.
1247
00:52:55,067 --> 00:52:56,700
>> ANNABEL, I JUST CAN'T.
1248
00:52:56,700 --> 00:52:58,367
>> WHY NOT?
1249
00:52:58,367 --> 00:53:00,200
IT'S THAT WOMAN, ISN'T IT,
1250
00:53:00,200 --> 00:53:01,467
THAT OLD MAORI WOMAN.
1251
00:53:01,467 --> 00:53:02,367
YOU'RE GOING BACK
1252
00:53:02,367 --> 00:53:04,300
TO SEE HER, AREN'T YOU?
1253
00:53:04,300 --> 00:53:06,267
I CAN'T BELIEVE IT!
1254
00:53:06,267 --> 00:53:07,300
YOU WOULD RATHER SPEND TIME
1255
00:53:07,300 --> 00:53:08,600
WITH HER THAN ME.
1256
00:53:08,600 --> 00:53:09,600
IT'S LIKE -- LIKE SHE'S
1257
00:53:09,600 --> 00:53:10,600
GOT YOU UNDER A SPELL
1258
00:53:10,600 --> 00:53:11,233
OR SOMETHING.
1259
00:53:11,233 --> 00:53:12,333
>> ANNABEL, PLEASE!
1260
00:53:12,333 --> 00:53:13,300
>> YOU'VE CHANGED, ELIZABETH.
1261
00:53:13,300 --> 00:53:14,200
YOU'VE REALLY CHANGED,
1262
00:53:14,200 --> 00:53:15,200
AND NOT FOR THE BETTER
1263
00:53:15,200 --> 00:53:17,167
I MIGHT ADD.
1264
00:53:31,267 --> 00:53:32,300
>> HIRA, DID YOU REALLY
1265
00:53:32,300 --> 00:53:34,267
KNOW CAPTAIN COOK?
1266
00:53:34,267 --> 00:53:36,233
>> NOW, ELIZABETH,
1267
00:53:36,233 --> 00:53:38,233
I NEVER SAID THAT.
1268
00:53:38,233 --> 00:53:40,133
WHAT I SAID WAS,
1269
00:53:40,133 --> 00:53:42,133
WHEN I WAS A LITTLE GIRL,
1270
00:53:42,133 --> 00:53:43,433
I KNEW MEN AND WOMEN WHO WERE
1271
00:53:43,433 --> 00:53:45,433
ALIVE WHEN CAPTAIN COOK
1272
00:53:45,433 --> 00:53:48,367
FIRST CAME TO VISIT NEW ZEALAND.
1273
00:53:48,367 --> 00:53:50,633
>> THAT'S AMAZING.
1274
00:53:50,633 --> 00:53:53,100
HIRA, THE FIRST NIGHT I MET YOU,
1275
00:53:53,100 --> 00:53:56,400
YOU WERE TALKING TO THAT STICK.
1276
00:53:56,400 --> 00:53:58,667
WHAT WERE YOU DOING?
1277
00:53:58,667 --> 00:54:01,200
>> REMEMBERING WHO I AM
1278
00:54:01,200 --> 00:54:04,233
AND WHERE I CAME FROM.
1279
00:54:04,233 --> 00:54:07,067
WITH THIS...
1280
00:54:07,067 --> 00:54:09,700
WITH THIS... HAKAPAPA, MY MEMORY
1281
00:54:09,700 --> 00:54:11,633
I CAN TRACE MY ANCESTORS
1282
00:54:11,633 --> 00:54:13,800
BACK OVER 35 GENERATIONS
1283
00:54:13,800 --> 00:54:17,233
TO OUR FOUNDING CANOE,
1284
00:54:17,233 --> 00:54:19,200
AND EACH KNOB REPRESENTS
1285
00:54:19,200 --> 00:54:21,733
A DIFFERENT GENERATION
1286
00:54:21,733 --> 00:54:25,200
IN OUR TRIBE'S HISTORY.
1287
00:54:25,200 --> 00:54:27,367
ONCE IT WAS REQUIRED THAT
1288
00:54:27,367 --> 00:54:30,067
ALL MAORI CHILDREN MEMORIZE
1289
00:54:30,067 --> 00:54:33,367
THEIR ENTIRE FAMILY TREE.
1290
00:54:33,367 --> 00:54:36,333
BUT TODAY...
1291
00:54:36,333 --> 00:54:39,133
LIKE THE KUMARA
1292
00:54:39,133 --> 00:54:39,667
WHOSE ROOTS DO NOT
1293
00:54:39,667 --> 00:54:42,200
TAKE TO THE SOIL,
1294
00:54:42,200 --> 00:54:43,200
YOUNG PEOPLE LET GO
1295
00:54:43,200 --> 00:54:48,233
OF THEIR TRADITIONS...
1296
00:54:48,233 --> 00:54:51,367
JUST LIKE THAT.
1297
00:54:51,367 --> 00:54:52,767
>> WOULD YOU TEACH ME
1298
00:54:52,767 --> 00:54:55,167
YOUR HISTORY?
1299
00:55:10,400 --> 00:55:12,633
>> OW! THAT HURT.
1300
00:55:12,633 --> 00:55:13,600
>> NOW, I'M SURE YOU'RE ALL
1301
00:55:13,600 --> 00:55:15,033
WONDERING WHY WE'VE CALLED
1302
00:55:15,033 --> 00:55:17,133
THIS SPECIAL ASSEMBLY.
1303
00:55:19,367 --> 00:55:21,533
I'M WAITING.
1304
00:55:26,567 --> 00:55:27,700
MRS. VIRGINIA HOBSON
1305
00:55:27,700 --> 00:55:29,433
OF THE WELCOMING COMMITTEE --
1306
00:55:29,433 --> 00:55:30,467
>> ANNABEL!
1307
00:55:30,467 --> 00:55:31,567
>> -- AND MAYOR WICKSTEAD
1308
00:55:31,567 --> 00:55:33,167
HAVE COME ALONG TODAY
1309
00:55:33,167 --> 00:55:34,167
TO BRING US UP TO DATE
1310
00:55:34,167 --> 00:55:35,233
WITH THE PLANS
1311
00:55:35,233 --> 00:55:36,300
FOR THE ROYAL VISIT.
1312
00:55:36,300 --> 00:55:37,500
AS YOU KNOW,
1313
00:55:37,500 --> 00:55:39,167
IT'S ONLY 12 DAYS NOW
1314
00:55:39,167 --> 00:55:41,067
UNTIL THE BIG EVENT.
1315
00:55:41,067 --> 00:55:42,100
>> OPTIONS, OLIVER.
1316
00:55:42,100 --> 00:55:43,333
I NEED TO KNOW
1317
00:55:43,333 --> 00:55:45,367
WHAT ARE MY OPTIONS.
1318
00:55:45,367 --> 00:55:46,100
THAT DAMN WOMAN
1319
00:55:46,100 --> 00:55:47,300
REFUSES TO BUDGE.
1320
00:55:47,300 --> 00:55:48,333
>> HONEY BEE, YOU KNOW
1321
00:55:48,333 --> 00:55:50,100
I'D DO ANYTHING FOR YOU,
1322
00:55:50,100 --> 00:55:51,700
BUT LEGALLY WE CAN'T TOUCH HER.
1323
00:55:51,700 --> 00:55:53,100
THERE'S NO MORTGAGE ON RECORD.
1324
00:55:53,100 --> 00:55:55,267
NO DEED OF TITLE EVEN EXISTS.
1325
00:55:55,267 --> 00:55:56,233
THE HOUSE HAS BEEN THERE
1326
00:55:56,233 --> 00:55:57,400
FOR OVER A HUNDRED YEARS
1327
00:55:57,400 --> 00:55:58,400
FOR GOD'S SAKE.
1328
00:55:58,400 --> 00:55:59,767
>> THEN CONDEMN IT.
1329
00:55:59,767 --> 00:56:00,800
EVICT HER.
1330
00:56:00,800 --> 00:56:02,133
>> VIRGINIA,
1331
00:56:02,133 --> 00:56:02,667
I'VE ALREADY GOT WAKEFIELD
1332
00:56:02,667 --> 00:56:03,467
BREATHING DOWN MY NECK
1333
00:56:03,467 --> 00:56:04,700
OVER THE WAY YOU STEAMROLLED HIM
1334
00:56:04,700 --> 00:56:06,200
ON THE CHEESE FACTORY.
1335
00:56:06,200 --> 00:56:07,300
THE MAN'S TALKING ABOUT
1336
00:56:07,300 --> 00:56:08,233
RUNNING FOR MAYOR,
1337
00:56:08,233 --> 00:56:10,333
FOR GOD'S SAKE.
1338
00:56:10,333 --> 00:56:11,333
>> LOOK, OLIVER,
1339
00:56:11,333 --> 00:56:12,500
IF YOU WON'T HELP ME,
1340
00:56:12,500 --> 00:56:14,467
I'LL DO IT MYSELF.
1341
00:56:14,467 --> 00:56:16,100
>> -- LEAD THE PARADE,
1342
00:56:16,100 --> 00:56:17,533
THAT SAME LUCKY GIRL WILL HAVE
1343
00:56:17,533 --> 00:56:20,233
A ONCE IN A LIFETIME OPPORTUNITY
1344
00:56:20,233 --> 00:56:22,033
OF PRESENTING HER MAJESTY
1345
00:56:22,033 --> 00:56:26,367
WITH THIS UNIQUE GIFT.
1346
00:56:29,300 --> 00:56:31,333
>> A PAIR OF PRICELESS
1347
00:56:31,333 --> 00:56:33,800
PEARL-HANDLED DUELING PISTOLS
1348
00:56:33,800 --> 00:56:35,300
ORIGINALLY GIVEN BY
1349
00:56:35,300 --> 00:56:37,200
THE QUEEN'S GREAT-GREAT UNCLE
1350
00:56:37,200 --> 00:56:38,600
TO THE COURAGEOUS
1351
00:56:38,600 --> 00:56:40,633
FOUNDER OF OUR TOWN
1352
00:56:40,633 --> 00:56:42,400
AND THE GRANDFATHER OF OUR
1353
00:56:42,400 --> 00:56:45,333
VERY OWN MRS. VIRGINIA HOBSON,
1354
00:56:45,333 --> 00:56:47,567
WITHOUT WHOSE GENEROSITY
1355
00:56:47,567 --> 00:56:49,200
THIS PRESENTATION
1356
00:56:49,200 --> 00:56:51,233
WOULD NOT BE POSSIBLE.
1357
00:56:53,533 --> 00:56:54,333
>> BUT, HIRA,
1358
00:56:54,333 --> 00:56:55,667
MAYBE YOU'RE MISTAKEN.
1359
00:56:55,667 --> 00:56:57,133
>> MISTAKEN!
1360
00:56:57,133 --> 00:56:59,067
HOW CAN YOU BE SO IGNORANT?
1361
00:56:59,067 --> 00:57:00,267
I WAS THERE, I SAW IT.
1362
00:57:00,267 --> 00:57:01,167
>> BUT HEADMASTER STRINGFELLOW
1363
00:57:01,167 --> 00:57:02,267
SAID THAT --
1364
00:57:02,267 --> 00:57:03,167
>> LIES.
1365
00:57:03,167 --> 00:57:03,733
THOSE PISTOLS WERE
1366
00:57:03,733 --> 00:57:05,633
GIVEN TO MY FATHER.
1367
00:57:05,633 --> 00:57:06,267
>> SOMEBODY'S NOT
1368
00:57:06,267 --> 00:57:07,733
TELLING THE TRUTH.
1369
00:57:07,733 --> 00:57:08,533
>> YOU'RE BLOODY RIGHT
1370
00:57:08,533 --> 00:57:10,467
ABOUT THAT.
1371
00:57:10,467 --> 00:57:12,667
YOU HAVEN'T LEARNED A THING.
1372
00:57:18,300 --> 00:57:19,300
>> ALL RIGHT, GIRLS.
1373
00:57:19,300 --> 00:57:20,767
ONE LAST TIME,
1374
00:57:20,767 --> 00:57:22,700
SMILE FOR THE DICKYBIRD.
1375
00:57:27,367 --> 00:57:28,267
SPLENDID.
1376
00:57:28,267 --> 00:57:29,700
>> ENJOY THE WEEKEND, GIRLS.
1377
00:57:29,700 --> 00:57:30,767
>> BYE.
1378
00:57:30,767 --> 00:57:32,100
>> SEE YOU.
1379
00:57:39,300 --> 00:57:42,633
>> ANNABEL, WAIT FOR ME.
1380
00:57:42,633 --> 00:57:43,700
LISTEN, DO YOU WANT
1381
00:57:43,700 --> 00:57:45,233
TO GO TO THE PICTURES?
1382
00:57:45,233 --> 00:57:46,167
"ROMAN HOLIDAY"
1383
00:57:46,167 --> 00:57:47,367
IS PLAYING AT THE REGENT.
1384
00:57:47,367 --> 00:57:49,300
WE COULD CATCH A MATINEE.
1385
00:57:49,300 --> 00:57:50,200
>> ELIZABETH,
1386
00:57:50,200 --> 00:57:51,533
YOU KNOW I'D LOVE TO,
1387
00:57:51,533 --> 00:57:53,133
BUT I'VE ALREADY MADE PLANS
1388
00:57:53,133 --> 00:57:56,067
WITH SOME PEOPLE MY OWN AGE.
1389
00:57:56,067 --> 00:57:58,267
IMAGINE THAT.
1390
00:58:04,533 --> 00:58:07,033
>>> MY DEAREST IAN,
1391
00:58:07,033 --> 00:58:08,367
ORDINARY WORDS CANNOT
1392
00:58:08,367 --> 00:58:12,233
EXPRESS THE WAY I FEEL.
1393
00:58:12,233 --> 00:58:14,233
MY HEART DOES 10,000 SOMERSAULTS
1394
00:58:14,233 --> 00:58:17,567
EVERY TIME I'M NEAR YOU.
1395
00:58:17,567 --> 00:58:18,633
AND THE MERE MENTION OF
1396
00:58:18,633 --> 00:58:20,433
YOUR NAME MAKES MY BLOOD
1397
00:58:20,433 --> 00:58:23,033
RUSH LIKE A RAGING TORRENT.
1398
00:58:27,033 --> 00:58:28,467
* I WAS WALKING ALONG
1399
00:58:28,467 --> 00:58:30,700
DREAMING OF SOMEPLACE *
1400
00:58:30,700 --> 00:58:31,467
* WHEN OUT OF
1401
00:58:31,467 --> 00:58:34,200
AN ORANGE-COLORED SKY *
1402
00:58:34,200 --> 00:58:37,267
* FLASH! BAM! ALAKAZAM!
1403
00:58:37,267 --> 00:58:41,200
WONDERFUL YOU CAME BY *
1404
00:58:41,200 --> 00:58:43,233
* I WAS HUMMING A TUNE
1405
00:58:43,233 --> 00:58:45,200
DRINKING IN SUNSHINE *
1406
00:58:45,200 --> 00:58:46,300
* WHEN OUT OF THAT
1407
00:58:46,300 --> 00:58:49,133
ORANGE-COLORED VIEW *
1408
00:58:49,133 --> 00:58:52,267
* FLASH! BAM! ALAKAZAM!
1409
00:58:52,267 --> 00:58:56,767
I GOT A LOOK AT YOU *
1410
00:58:56,767 --> 00:58:59,600
* NO NEED FOR ALL THE OTHERS
1411
00:58:59,600 --> 00:59:01,100
* THIS MARCHING GIRL
1412
00:59:01,100 --> 00:59:03,333
SHE'S GOT CLASS *
1413
00:59:18,667 --> 00:59:20,667
* I WAS WALKING ALONG
1414
00:59:20,667 --> 00:59:23,200
DREAMING OF ONE DAY *
1415
00:59:23,200 --> 00:59:24,033
* WHEN LOVE CAME
1416
00:59:24,033 --> 00:59:26,500
AND HIT ME IN THE EYE *
1417
00:59:26,500 --> 00:59:30,167
* FLASH! BAM! ALAKAZAM!
1418
00:59:30,167 --> 00:59:34,267
* OUT OF AN ORANGE-COLORED
1419
00:59:34,267 --> 00:59:37,800
* PRETTY GREEN NEW ZEALAND SKY
1420
00:59:37,800 --> 00:59:41,433
* FLASH! BAM! ALAKAZAM!
1421
00:59:41,433 --> 00:59:44,300
* AND GOOD-BYE
1422
00:59:56,600 --> 00:59:58,633
>>> IAN, MY DARLING,
1423
00:59:58,633 --> 01:00:01,200
I KNOW THESE FEELINGS ARE REAL,
1424
01:00:01,200 --> 01:00:04,600
THAT YOU AND I WERE MEANT TO BE.
1425
01:00:04,600 --> 01:00:08,767
I AM YOURS FOR ETERNITY.
1426
01:00:08,767 --> 01:00:12,267
I...LOVE...YOU.
1427
01:00:14,267 --> 01:00:15,733
>> WHO DO YOU LOVE?
1428
01:00:15,733 --> 01:00:16,633
GIVE US A LOOK.
1429
01:00:16,633 --> 01:00:17,400
>> NO.
1430
01:00:17,400 --> 01:00:18,300
>> COME ON, GIVE US A LOOK.
1431
01:00:18,300 --> 01:00:20,167
>> GET AWAY!
1432
01:00:20,167 --> 01:00:22,567
>> STUART, LEAVE HER ALONE.
1433
01:00:22,567 --> 01:00:24,367
>> WE WERE ONLY MUCKING AROUND.
1434
01:00:24,367 --> 01:00:27,267
>> GET OUT OF HERE.
1435
01:00:30,533 --> 01:00:31,733
ELIZABETH, HAVE YOU BEEN TO
1436
01:00:31,733 --> 01:00:32,767
THAT HOUSE SINCE I TOLD YOU
1437
01:00:32,767 --> 01:00:34,667
NOT TO GO THERE?
1438
01:00:38,133 --> 01:00:40,667
>> NO, DAD.
1439
01:00:40,667 --> 01:00:42,767
>> ALL RIGHT, THEN.
1440
01:00:42,767 --> 01:00:44,733
GET READY FOR BED.
1441
01:00:48,733 --> 01:00:51,300
>> TREVOR, SPEED IT UP.
1442
01:00:51,300 --> 01:00:52,367
>> GEE, STUART,
1443
01:00:52,367 --> 01:00:53,233
I CAN'T BELIEVE YOUR OLD MAN
1444
01:00:53,233 --> 01:00:54,667
REALLY PULLED THE PLUG.
1445
01:00:54,667 --> 01:00:55,033
HOW YOU GOING TO
1446
01:00:55,033 --> 01:00:56,400
MAKE THE CAR PAYMENTS?
1447
01:01:06,100 --> 01:01:08,067
>> I'LL MANAGE.
1448
01:01:30,233 --> 01:01:31,467
>> WHY, ELIZABETH.
1449
01:01:31,467 --> 01:01:32,733
ELIZABETH WAKEFIELD,
1450
01:01:32,733 --> 01:01:34,500
WHAT A PLEASANT SURPRISE.
1451
01:01:34,500 --> 01:01:36,233
WHAT BRINGS YOU HERE,
1452
01:01:36,233 --> 01:01:38,600
ON A SATURDAY NO LESS?
1453
01:01:38,600 --> 01:01:41,100
>> I -- I --
1454
01:01:41,100 --> 01:01:43,267
I JUST WANT, UM --
1455
01:01:43,267 --> 01:01:45,600
WELL -- WELL, IAN --
1456
01:01:45,600 --> 01:01:48,300
I MEAN, MR. DIXON,
1457
01:01:48,300 --> 01:01:51,033
THERE'S SOMETHING --
1458
01:01:51,033 --> 01:01:51,533
THERE'S SOMETHING
1459
01:01:51,533 --> 01:01:53,167
I MUST TELL YOU.
1460
01:01:53,167 --> 01:01:54,367
>> CERTAINLY.
1461
01:01:54,367 --> 01:01:56,733
WHAT'S ON YOUR MIND.
1462
01:01:56,733 --> 01:02:02,067
>> I JUST LOVE...
1463
01:02:02,067 --> 01:02:03,600
OUR NEW UNIFORMS, SIR,
1464
01:02:03,600 --> 01:02:05,167
I THINK THEY'RE SMASHING.
1465
01:02:05,167 --> 01:02:06,500
YOU MADE AN EXCELLENT CHOICE.
1466
01:02:06,500 --> 01:02:08,067
>> OH, ELIZABETH,
1467
01:02:08,067 --> 01:02:09,167
YOU DON'T KNOW HOW HAPPY
1468
01:02:09,167 --> 01:02:10,333
THAT MAKES ME.
1469
01:02:10,333 --> 01:02:11,333
AS YOU KNOW
1470
01:02:11,333 --> 01:02:12,700
I PICKED THEM OUT MYSELF,
1471
01:02:12,700 --> 01:02:14,033
AND I WAS TERRIBLY WORRIED
1472
01:02:14,033 --> 01:02:15,567
YOU MIGHT NOT CARE FOR THEM.
1473
01:02:15,567 --> 01:02:18,133
>> OH, BUT I DO.
1474
01:02:18,133 --> 01:02:19,800
I DO -- I MEAN WE ALL
1475
01:02:19,800 --> 01:02:23,100
LIKE THEM VERY MUCH, SIR.
1476
01:02:23,100 --> 01:02:25,200
>> ELIZABETH, I HAVE
1477
01:02:25,200 --> 01:02:27,633
A CONFESSION TO MAKE.
1478
01:02:33,267 --> 01:02:35,100
I LIKE YOU.
1479
01:02:35,100 --> 01:02:36,267
YOU'RE DIFFERENT
1480
01:02:36,267 --> 01:02:38,333
FROM THE OTHER GIRLS.
1481
01:02:38,333 --> 01:02:40,300
YOU HAVE VERY SPECIAL QUALITIES,
1482
01:02:40,300 --> 01:02:42,633
AND THE OTHERS LOOK UP TO YOU.
1483
01:02:42,633 --> 01:02:46,267
YOU'RE A TRUE LEADER.
1484
01:02:46,267 --> 01:02:48,233
ARE YOU ALL RIGHT?
1485
01:02:48,233 --> 01:02:51,633
>> OH, YES.
1486
01:02:51,633 --> 01:02:52,600
>> SEE, ELIZABETH,
1487
01:02:52,600 --> 01:02:54,133
WHAT I WANT TO TELL YOU,
1488
01:02:54,133 --> 01:02:54,700
AND WE MUST KEEP THIS
1489
01:02:54,700 --> 01:02:57,433
OUR LITTLE SECRET,
1490
01:02:57,433 --> 01:02:59,233
IS THAT RIGHT NOW
1491
01:02:59,233 --> 01:03:01,167
YOU ARE MY FIRST CHOICE
1492
01:03:01,167 --> 01:03:02,400
TO BE NAMED TEAM CAPTAIN
1493
01:03:02,400 --> 01:03:04,167
OF THE GRENADIERS TO GREET
1494
01:03:04,167 --> 01:03:06,267
HER MAJESTY PERSONALLY
1495
01:03:06,267 --> 01:03:07,567
AND TO PRESENT HER WITH
1496
01:03:07,567 --> 01:03:09,533
A SPECIAL GIFT FROM THE CITY.
1497
01:03:09,533 --> 01:03:12,367
WHAT DO YOU THINK OF THAT?
1498
01:03:26,733 --> 01:03:30,400
>> OH, MY PRECIOUS RHODIES,
1499
01:03:30,400 --> 01:03:32,800
I'VE NURSED YOU BACK TO LIFE.
1500
01:03:37,333 --> 01:03:42,133
YOU KNOW WHAT IS EXPECTED.
1501
01:03:42,133 --> 01:03:43,100
YOU'LL GET THE REST OF THE MONEY
1502
01:03:43,100 --> 01:03:45,733
WHEN THE JOB IS DONE.
1503
01:04:39,267 --> 01:04:41,533
>> HIRA?
1504
01:04:52,700 --> 01:04:54,767
>> HOW CAN YOU BE SO IGNORANT?
1505
01:04:54,767 --> 01:04:55,467
I WAS THERE, I SAW IT.
1506
01:04:55,467 --> 01:05:00,500
YOU HAVEN'T LEARNED A THING.
1507
01:05:30,033 --> 01:05:30,800
>> STUART, I DON'T THINK
1508
01:05:30,800 --> 01:05:32,267
WE SHOULD BE DOING THIS.
1509
01:05:33,300 --> 01:05:35,100
>> COWARD.
1510
01:05:42,500 --> 01:05:43,267
>> I'M SORRY,
1511
01:05:43,267 --> 01:05:45,333
THERE MUST BE SOME MISTAKE.
1512
01:05:45,333 --> 01:05:46,267
>> BUT THE LETTER SAYS I MUST
1513
01:05:46,267 --> 01:05:48,233
APPEAR BEFORE THE MAGISTRATE
1514
01:05:48,233 --> 01:05:50,367
AT 2:00 TO ANSWER CHARGES
1515
01:05:50,367 --> 01:05:51,600
THAT I HAVE NEGLECTED
1516
01:05:51,600 --> 01:05:54,167
TO PAY MY PROPERTY TAXES.
1517
01:05:54,167 --> 01:05:54,800
>> YES, I REALIZE WHAT
1518
01:05:54,800 --> 01:05:56,200
THIS SAYS, BUT THIS LETTER
1519
01:05:56,200 --> 01:05:57,267
DIDN'T COME FROM OUR OFFICE.
1520
01:05:57,267 --> 01:05:59,067
IT'S NOT OUR STATIONERY.
1521
01:05:59,067 --> 01:06:00,267
>> WELL, IF YOU DIDN'T SEND IT,
1522
01:06:00,267 --> 01:06:03,033
WHO DID?
1523
01:06:12,100 --> 01:06:12,767
>> I DON'T KNOW
1524
01:06:12,767 --> 01:06:13,500
WHAT I'M DOING,
1525
01:06:13,500 --> 01:06:14,333
AND I DON'T CARE
1526
01:06:14,333 --> 01:06:16,233
IF I MAKE A MISTAKE.
1527
01:06:16,233 --> 01:06:19,533
>> ELIZABETH, IT'S ME.
1528
01:06:19,533 --> 01:06:21,267
>> STUART?
1529
01:06:21,267 --> 01:06:21,700
>> PUT DOWN THE GUN,
1530
01:06:21,700 --> 01:06:22,333
ELIZABETH.
1531
01:06:22,333 --> 01:06:23,633
>> NO.
1532
01:06:23,633 --> 01:06:24,567
>> ELIZABETH, YOU DON'T
1533
01:06:24,567 --> 01:06:26,367
KNOW WHAT YOU'RE DOING.
1534
01:06:26,367 --> 01:06:28,267
PUT DOWN THE GUN.
1535
01:06:28,267 --> 01:06:29,667
>> I WAS INSIDE.
1536
01:06:29,667 --> 01:06:31,433
YOU COULD HAVE KILLED ME.
1537
01:06:31,433 --> 01:06:32,767
>> BUT NOW YOU'RE OUT.
1538
01:06:32,767 --> 01:06:34,200
WE CAN DO THIS TOGETHER.
1539
01:06:34,200 --> 01:06:36,300
>> STAY WHERE YOU ARE.
1540
01:06:36,300 --> 01:06:37,300
>> ELIZABETH, WE'RE DOING THIS
1541
01:06:37,300 --> 01:06:40,067
FOR THE QUEEN, YOUR QUEEN.
1542
01:06:40,067 --> 01:06:42,100
IT'S WHAT SHE WOULD WANT.
1543
01:06:42,100 --> 01:06:42,767
>> NO.
1544
01:06:42,767 --> 01:06:43,667
THIS IS PRIVATE PROPERTY.
1545
01:06:43,667 --> 01:06:44,400
YOU'VE GOT NO BUSINESS
1546
01:06:44,400 --> 01:06:46,300
BEING HERE.
1547
01:06:46,300 --> 01:06:46,700
>> I HATE TO THINK
1548
01:06:46,700 --> 01:06:47,567
WHAT FATHER WOULD SAY.
1549
01:06:47,567 --> 01:06:49,067
>> SHUT UP.
1550
01:06:49,067 --> 01:06:49,500
>> I DON'T WANT YOU
1551
01:06:49,500 --> 01:06:50,367
TO GET HURT.
1552
01:06:50,367 --> 01:06:51,033
>> I'M NOT AFRAID
1553
01:06:51,033 --> 01:06:51,733
TO PULL THIS TRIGGER.
1554
01:06:51,733 --> 01:06:52,333
> YOU'D KILL YOUR OWN BROTHER
1555
01:06:52,333 --> 01:06:54,233
TO PROTECT A BLOODY MAORI?
1556
01:06:54,233 --> 01:06:55,300
WHAT KIND OF COWARD ARE YOU?
1557
01:07:10,433 --> 01:07:11,200
>> BUT, HIRA,
1558
01:07:11,200 --> 01:07:13,033
I CAN'T TAKE THIS.
1559
01:07:13,033 --> 01:07:14,233
THIS WAS YOUR FATHER'S.
1560
01:07:14,233 --> 01:07:15,633
IT'S A FAMILY HEIRLOOM.
1561
01:07:15,633 --> 01:07:18,500
>> NO, I WANT YOU TO HAVE IT.
1562
01:07:23,300 --> 01:07:26,267
BRAVE WARRIOR WHOSE COURAGE
1563
01:07:26,267 --> 01:07:27,433
IS LIKE THE HEART
1564
01:07:27,433 --> 01:07:32,800
OF THE TAWA TREE.
1565
01:07:32,800 --> 01:07:34,367
IT HAS MAGICAL POWERS
1566
01:07:34,367 --> 01:07:38,800
TO PROTECT YOU.
1567
01:07:38,800 --> 01:07:42,200
YOU WILL HAVE THE MANA,
1568
01:07:42,200 --> 01:07:44,467
THE PRESTIGE OF ALL THOSE
1569
01:07:44,467 --> 01:07:47,633
WHO HAVE WORN IT BEFORE YOU,
1570
01:07:47,633 --> 01:07:52,600
LIVING AND DEAD.
1571
01:07:52,600 --> 01:07:54,167
THEY CARVED CANOES
1572
01:07:54,167 --> 01:07:57,067
WITH THIS STUFF.
1573
01:07:57,067 --> 01:07:59,600
>> I'LL TREASURE IT ALWAYS.
1574
01:08:03,233 --> 01:08:05,233
>> AHH...
1575
01:08:05,233 --> 01:08:06,233
YOU'VE BEEN WONDERING
1576
01:08:06,233 --> 01:08:08,133
ABOUT MY MOKO, EH?
1577
01:08:08,133 --> 01:08:09,400
>> IT'S BEAUTIFUL.
1578
01:08:09,400 --> 01:08:12,667
>> MINE IS A CHISEL MOKO.
1579
01:08:12,667 --> 01:08:14,567
THESE DAYS I HEAR
1580
01:08:14,567 --> 01:08:17,367
SOME GET THEM WITH NEEDLES.
1581
01:08:17,367 --> 01:08:21,067
AH, BUT IT'S NOT THE SAME.
1582
01:08:21,067 --> 01:08:24,067
WHEN I WAS A GIRL
1583
01:08:24,067 --> 01:08:25,700
IT WAS THE BONE OF A WHALE
1584
01:08:25,700 --> 01:08:28,233
WHICH THEY USED.
1585
01:08:28,233 --> 01:08:30,467
>> DID IT HURT?
1586
01:08:30,467 --> 01:08:31,433
>> I THOUGHT
1587
01:08:31,433 --> 01:08:33,500
I WAS GOING TO DIE.
1588
01:08:33,500 --> 01:08:38,567
A VERY OLD MAN,
1589
01:08:38,567 --> 01:08:41,233
I THINK WAS HIS NAME,
1590
01:08:41,233 --> 01:08:42,700
DREW THE PATTERN THREE TIMES
1591
01:08:42,700 --> 01:08:45,367
BEFORE HE WAS SATISFIED.
1592
01:08:45,367 --> 01:08:47,200
THEN HE ASKED, "ARE YOU
1593
01:08:47,200 --> 01:08:50,033
WILLING TO TAKE THE MOKO,
1594
01:08:50,033 --> 01:08:51,067
AND ARE YOU ABLE
1595
01:08:51,067 --> 01:08:53,100
TO BEAR THE PAIN?"
1596
01:08:53,100 --> 01:08:54,267
>> BUT IF IT WAS SO PAINFUL,
1597
01:08:54,267 --> 01:08:56,267
WHY DID YOU DO IT?
1598
01:08:56,267 --> 01:08:57,367
>> BECAUSE IT WAS MY
1599
01:08:57,367 --> 01:09:00,467
MAORITANGA, MY IDENTITY.
1600
01:09:00,467 --> 01:09:03,500
IT WAS A SIGN OF ADULTHOOD,
1601
01:09:03,500 --> 01:09:05,733
AN INDICATION THAT YOU WERE
1602
01:09:05,733 --> 01:09:08,233
READY TO TAKE ON RESPONSIBILITY.
1603
01:09:08,233 --> 01:09:10,233
WEARING THE MOKO
1604
01:09:10,233 --> 01:09:12,500
WAS LIKE HAVING YOUR NAME
1605
01:09:12,500 --> 01:09:14,733
WRITTEN ON YOUR FACE
1606
01:09:14,733 --> 01:09:18,367
IN BEAUTIFUL WRITING.
1607
01:09:28,167 --> 01:09:30,400
>> ELIZABETH.
1608
01:09:30,400 --> 01:09:32,233
ELIZABETH.
1609
01:10:04,333 --> 01:10:07,567
>>
1610
01:10:07,567 --> 01:10:08,400
YOU SAID I WAS A BRAVE
1611
01:10:08,400 --> 01:10:10,333
AND COURAGEOUS WARRIOR,
1612
01:10:10,333 --> 01:10:11,200
THEN I'VE EARNED
1613
01:10:11,200 --> 01:10:13,100
WHAT I'M ASKING FOR.
1614
01:10:15,367 --> 01:10:18,367
>> ELIZABETH WAKEFIELD,
1615
01:10:18,367 --> 01:10:19,300
ARE YOU WILLING
1616
01:10:19,300 --> 01:10:21,367
TO TAKE THE MOKO,
1617
01:10:21,367 --> 01:10:22,267
AND ARE YOU ABLE
1618
01:10:22,267 --> 01:10:26,600
TO BEAR THE PAIN?
1619
01:10:26,600 --> 01:10:29,233
>> I AM.
1620
01:10:51,233 --> 01:10:52,433
>> ELIZABETH, I THOUGHT
1621
01:10:52,433 --> 01:10:53,233
WE SAID NO MAKEUP
1622
01:10:53,233 --> 01:10:55,467
UNTIL YOU'RE 15.
1623
01:10:55,467 --> 01:10:56,800
>> IT'S NOT MAKEUP.
1624
01:10:56,800 --> 01:10:58,267
IT'S A MAORI TATTOO,
1625
01:10:58,267 --> 01:10:59,033
AND I FIND IT
1626
01:10:59,033 --> 01:11:01,033
VERY DISRESPECTFUL.
1627
01:11:01,033 --> 01:11:02,633
>> I THINK IT LOOKS PRETTY.
1628
01:11:02,633 --> 01:11:04,733
>> THAT DOESN'T SURPRISE ME.
1629
01:11:04,733 --> 01:11:06,233
>> WATCH YOUR MOUTH, STUART.
1630
01:11:06,233 --> 01:11:07,200
DON'T YOU THINK FOR A SECOND
1631
01:11:07,200 --> 01:11:08,033
I DON'T KNOW WHAT YOU DID
1632
01:11:08,033 --> 01:11:09,300
TO YOUR SISTER'S PICTURES,
1633
01:11:09,300 --> 01:11:10,300
BECAUSE YOU ARE GOING
1634
01:11:10,300 --> 01:11:13,767
TO BE PUNISHED.
1635
01:11:13,767 --> 01:11:14,767
>> FATHER, I THINK YOU SHOULD
1636
01:11:14,767 --> 01:11:16,067
KNOW THAT YOUR DAUGHTER
1637
01:11:16,067 --> 01:11:17,100
IS STILL FRATERNIZING
1638
01:11:17,100 --> 01:11:18,100
WITH THAT OLD MAORI WOMAN
1639
01:11:18,100 --> 01:11:20,100
IN THAT DISGUSTING HOUSE,
1640
01:11:20,100 --> 01:11:20,767
THE ONE YOU SPECIFICALLY
1641
01:11:20,767 --> 01:11:23,733
TOLD HER TO STAY AWAY FROM.
1642
01:11:23,733 --> 01:11:26,467
>> ELIZABETH, IS THIS TRUE?
1643
01:11:26,467 --> 01:11:27,400
>> LOOK AT HER.
1644
01:11:27,400 --> 01:11:28,267
SHE'S TRYING TO
1645
01:11:28,267 --> 01:11:29,267
BE ONE OF THEM.
1646
01:11:29,267 --> 01:11:30,167
SHE IS AN EMBARRASSMENT
1647
01:11:30,167 --> 01:11:31,333
TO ALL OF US.
1648
01:11:31,333 --> 01:11:32,500
>> WELL, IS IT TRUE?
1649
01:11:32,500 --> 01:11:33,300
HAVE YOU STILL
1650
01:11:33,300 --> 01:11:34,567
BEEN GOING THERE?
1651
01:11:34,567 --> 01:11:36,167
>> YES, AND I INTEND
1652
01:11:36,167 --> 01:11:38,367
TO KEEP GOING THERE.
1653
01:11:38,367 --> 01:11:39,300
>>THEN YOU LIED TO ME,
1654
01:11:39,300 --> 01:11:40,633
DIDN'T YOU?
1655
01:11:40,633 --> 01:11:41,267
>> I LIED BECAUSE
1656
01:11:41,267 --> 01:11:42,800
HIRA IS MY FRIEND.
1657
01:11:42,800 --> 01:11:44,200
AND I WON'T BE PART OF IT,
1658
01:11:44,200 --> 01:11:45,467
THE WAY EVERYONE TREATS HER,
1659
01:11:45,467 --> 01:11:46,767
THE BIGOTRY.
1660
01:11:46,767 --> 01:11:48,233
>> BIGOTRY?
1661
01:11:48,233 --> 01:11:49,333
>> THAT'S RIGHT.
1662
01:11:49,333 --> 01:11:50,300
AND YOU'RE JUST AS PREJUDICED
1663
01:11:50,300 --> 01:11:52,233
AS EVERYONE ELSE IN THIS TOWN.
1664
01:11:52,233 --> 01:11:52,800
>> ELIZABETH, THAT IS NO WAY
1665
01:11:52,800 --> 01:11:55,300
TO TALK TO YOUR FATHER.
1666
01:11:55,300 --> 01:11:56,067
>> A GOOD CANING
1667
01:11:56,067 --> 01:11:57,167
WOULD SERVE HER WELL.
1668
01:11:57,167 --> 01:11:59,567
>> SHUT UP, STUART.
1669
01:11:59,567 --> 01:12:01,033
>> ELIZABETH, I THOUGHT
1670
01:12:01,033 --> 01:12:02,467
WE HAD AN UNDERSTANDING.
1671
01:12:02,467 --> 01:12:03,667
>> UNDERSTANDING?
1672
01:12:03,667 --> 01:12:05,200
YOU DON'T UNDERSTAND ANYTHING.
1673
01:12:05,200 --> 01:12:06,367
YOU DON'T KNOW HIRA.
1674
01:12:06,367 --> 01:12:07,067
YOU DON'T KNOW
1675
01:12:07,067 --> 01:12:08,233
ANYTHING ABOUT HER.
1676
01:12:08,233 --> 01:12:08,800
AND YOU'VE GOT NO IDEA
1677
01:12:08,800 --> 01:12:09,700
WHAT'S GOING ON
1678
01:12:09,700 --> 01:12:11,600
RIGHT UNDER YOUR OWN NOSE.
1679
01:12:11,600 --> 01:12:13,333
>> ELIZABETH, THAT IS ENOUGH!
1680
01:12:13,333 --> 01:12:14,200
>> "DON'T GO THERE.
1681
01:12:14,200 --> 01:12:15,233
STAY AWAY FROM HER."
1682
01:12:15,233 --> 01:12:15,767
STUART THROWS A BRICK
1683
01:12:15,767 --> 01:12:16,600
THROUGH HER WINDOW,
1684
01:12:16,600 --> 01:12:18,233
AMONG OTHER THINGS,
1685
01:12:18,233 --> 01:12:19,400
AND WHAT DO YOU DO?
1686
01:12:19,400 --> 01:12:20,567
NOTHING.
1687
01:12:20,567 --> 01:12:21,500
YOU PRACTICALLY
1688
01:12:21,500 --> 01:12:23,333
CONGRATULATED HIM.
1689
01:12:26,633 --> 01:12:28,300
NO WONDER HE IS THE WAY HE IS.
1690
01:12:28,300 --> 01:12:30,400
HE LEARNED IT FROM YOU.
1691
01:12:30,400 --> 01:12:32,300
>> ELIZABETH!
1692
01:13:08,500 --> 01:13:09,633
>> CHAPTER 7,
1693
01:13:09,633 --> 01:13:12,067
THE MAORI WARS.
1694
01:13:12,067 --> 01:13:13,233
TODAY'S LESSON FOCUSES ON
1695
01:13:13,233 --> 01:13:15,033
THE HOTLY CONTESTED BATTLES
1696
01:13:15,033 --> 01:13:16,667
AND SKIRMISHES FOUGHT
1697
01:13:16,667 --> 01:13:18,700
BETWEEN OUR COLONIAL REGULARS
1698
01:13:18,700 --> 01:13:22,233
AND THE MALCONTENT LOCAL SAVAGES
1699
01:13:22,233 --> 01:13:23,567
OF THE NORTH ISLAND
1700
01:13:23,567 --> 01:13:27,733
IN THE LATE 1800s.
1701
01:13:27,733 --> 01:13:30,533
MISS WAKEFIELD, YOU SEEM
1702
01:13:30,533 --> 01:13:32,433
PARTICULARLY WELL-SUITED
1703
01:13:32,433 --> 01:13:33,700
TO FAC THE SUBJECT
1704
01:13:33,700 --> 01:13:36,067
THIS MORNING.
1705
01:13:36,067 --> 01:13:37,700
HAVE YOU ANY THOUGHTS FOR US,
1706
01:13:37,700 --> 01:13:39,767
IN ENGLISH?
1707
01:13:43,033 --> 01:13:50,633
>> AS A MATTER OF FACT I DO.
1708
01:13:50,633 --> 01:13:52,200
HAVE YOU EVER CONSIDERED,
1709
01:13:52,200 --> 01:13:53,767
HEADMASTER, SIR, THAT MAYBE
1710
01:13:53,767 --> 01:13:55,333
THERE'S ANOTHER SIDE
1711
01:13:55,333 --> 01:13:57,267
TO YOUR VERSION OF THE STORY?
1712
01:14:08,733 --> 01:14:11,300
>> LET'S GO, COME ON.
1713
01:14:11,300 --> 01:14:12,567
>> WELL, WELL, IF IT ISN'T
1714
01:14:12,567 --> 01:14:15,167
THE LITTLE MAORI LOVER.
1715
01:14:15,167 --> 01:14:18,367
ON YOUR WAY TO A HANGI, ARE YOU?
1716
01:14:18,367 --> 01:14:20,500
YOU LIKE HAKA?
1717
01:14:20,500 --> 01:14:21,333
>> THAT'S CERTAINLY
1718
01:14:21,333 --> 01:14:22,733
AN IMPROVEMENT.
1719
01:14:22,733 --> 01:14:23,533
>> OH, YEAH.
1720
01:14:23,533 --> 01:14:25,100
AND WHAT'S THAT ON YOUR FACE?
1721
01:14:25,100 --> 01:14:26,267
>> NONE OF YOUR BUSINESS.
1722
01:14:26,267 --> 01:14:27,067
>> NOT GOOD ENOUGH
1723
01:14:27,067 --> 01:14:28,567
FOR YOU, ARE WE?
1724
01:14:28,567 --> 01:14:31,033
>> LET GO OF ME!
1725
01:14:31,033 --> 01:14:34,100
YOU CAN'T DO THIS!
1726
01:14:34,100 --> 01:14:34,733
>> MAYBE THIS WILL TEACH YOU
1727
01:14:34,733 --> 01:14:37,800
TO STICK TO YOUR OWN KIND.
1728
01:14:37,800 --> 01:14:39,100
YOU DON'T UNDERSTAND!
1729
01:14:42,100 --> 01:14:43,333
>> ON THE CONTRARY,
1730
01:14:43,333 --> 01:14:47,100
WE UNDERSTAND PERFECTLY WELL.
1731
01:14:47,100 --> 01:14:48,267
>> HA, SHE'LL NEVER
1732
01:14:48,267 --> 01:14:50,367
BE MARCHING CAPTAIN.
1733
01:14:50,367 --> 01:14:53,167
>> THE HEADMASTER HATES HER.
1734
01:15:01,200 --> 01:15:02,100
>> TOO BAD.
1735
01:15:02,100 --> 01:15:02,700
I THINK THE OLD HAG WOULD
1736
01:15:02,700 --> 01:15:04,200
HAVE COOKED RATHER EASILY.
1737
01:15:04,200 --> 01:15:05,233
>> YEAH, HERE'S TO STUART
1738
01:15:05,233 --> 01:15:07,467
FOR A SPORTING TRY, EH?
1739
01:15:07,467 --> 01:15:08,733
LITTLE SISTER OF HIS,
1740
01:15:08,733 --> 01:15:10,300
WE'D BE RID OF THE OLD CURSE.
1741
01:15:10,300 --> 01:15:11,267
>> YEAH.
1742
01:15:11,267 --> 01:15:12,067
PROBABLY TRYING TO HELP
1743
01:15:12,067 --> 01:15:13,300
HIS OLD MAN WIN VOTES, EH?
1744
01:15:13,300 --> 01:15:14,300
JUST CAME UP A BIT SHORT,
1745
01:15:14,300 --> 01:15:14,600
THAT'S ALL.
1746
01:15:26,333 --> 01:15:27,300
>> GIVE IT TO HIM.
1747
01:15:27,300 --> 01:15:31,133
GIVE IT TO HIM.
1748
01:16:02,167 --> 01:16:02,767
>> DRINK, STUART.
1749
01:16:02,767 --> 01:16:04,033
COME ON, DRINK IT.
1750
01:16:04,033 --> 01:16:05,267
DRINK, DRINK.
1751
01:16:05,267 --> 01:16:06,133
>> DRINK, STUART.
1752
01:16:06,133 --> 01:16:06,633
DRINK, DRINK.
1753
01:16:06,633 --> 01:16:08,300
>> YEAH, WELL DONE.
1754
01:16:08,300 --> 01:16:10,100
YEAH.
1755
01:16:10,100 --> 01:16:11,533
>> DRINK, DRINK.
1756
01:16:11,533 --> 01:16:13,300
COME ON.
1757
01:16:14,633 --> 01:16:15,367
>> FATHER.
1758
01:16:15,367 --> 01:16:16,333
>> GIVE ME THE KEYS.
1759
01:16:16,333 --> 01:16:19,033
>> WHAT'S GOING ON?
1760
01:16:23,467 --> 01:16:24,267
HOW LONG?
1761
01:16:24,267 --> 01:16:26,067
>> SIX MONTHS.
1762
01:16:26,067 --> 01:16:26,500
AND THAT'S JUST
1763
01:16:26,500 --> 01:16:28,333
FOR STARTERS, MY FRIEND.
1764
01:16:30,733 --> 01:16:32,600
AND MAKE IT SINCERE, SON.
1765
01:16:32,600 --> 01:16:33,400
WE'LL STAY OUT HERE ALL DAY
1766
01:16:33,400 --> 01:16:35,467
UNTIL YOU DO.
1767
01:16:40,333 --> 01:16:42,300
>> MRS. MATA, I WANT
1768
01:16:42,300 --> 01:16:43,733
TO APOLOGIZE ON BEHALF
1769
01:16:43,733 --> 01:16:47,333
OF MYSELF AND MY FAMILY
1770
01:16:47,333 --> 01:16:50,167
FOR MY RECENT CONDUCT
1771
01:16:50,167 --> 01:16:52,367
TOWARDS YOU AND YOUR HOUSE.
1772
01:16:52,367 --> 01:16:54,467
I WAS WRONG,
1773
01:16:54,467 --> 01:16:59,100
AND IT WON'T HAPPEN AGAIN.
1774
01:16:59,100 --> 01:17:02,033
THANK YOU.
1775
01:17:05,500 --> 01:17:07,433
>> GET IN THE CAR.
1776
01:17:38,433 --> 01:17:40,533
>> HE DIDN'T KNOW, ELIZABETH.
1777
01:17:40,533 --> 01:17:41,700
ALL THE HELP
1778
01:17:41,700 --> 01:17:43,667
YOU'VE BEEN GIVING HER,
1779
01:17:43,667 --> 01:17:45,033
ALL THE GOOD THINGS
1780
01:17:45,033 --> 01:17:49,767
YOU'VE DONE FOR HER.
1781
01:17:49,767 --> 01:17:50,500
SEE, WHEN YOUR FATHER
1782
01:17:50,500 --> 01:17:52,300
WAS A LITTLE BOY,
1783
01:17:52,300 --> 01:17:53,200
HIS GRANDFATHER,
1784
01:17:53,200 --> 01:17:54,300
WHO RAISED HIM,
1785
01:17:54,300 --> 01:17:55,100
WOULD NEVER LET HIM
1786
01:17:55,100 --> 01:17:55,700
NEAR THAT HOUSE.
1787
01:17:55,700 --> 01:17:58,533
YET NEVER TOLD HIM WHY.
1788
01:17:58,533 --> 01:17:59,600
ONE DAY YOUR FATHER
1789
01:17:59,600 --> 01:18:02,333
WAS AT THE LIBRARY
1790
01:18:02,333 --> 01:18:03,100
AND HE FOUND AN OLD
1791
01:18:03,100 --> 01:18:04,200
NEWSPAPER STORY
1792
01:18:04,200 --> 01:18:05,333
ABOUT SOME MEN IN OUR TOWN
1793
01:18:05,333 --> 01:18:07,267
WHO WERE PUT ON TRIAL FOR
1794
01:18:07,267 --> 01:18:10,767
THE MURDER OF A MAORI CHIEF.
1795
01:18:10,767 --> 01:18:13,733
HIS GRANDFATHER WAS ONE OF THEM.
1796
01:18:13,733 --> 01:18:17,367
>> DID HE KILL HIRA'S FATHER?
1797
01:18:17,367 --> 01:18:19,367
>> THE MEN WERE ACQUITTED,
1798
01:18:19,367 --> 01:18:20,633
BUT THE REAL TRUTH
1799
01:18:20,633 --> 01:18:23,533
WAS NEVER IN DOUBT.
1800
01:18:23,533 --> 01:18:26,200
>> DOES SHE KNOW THIS?
1801
01:18:26,200 --> 01:18:29,267
>> YES, SHE DOES.
1802
01:18:29,267 --> 01:18:29,833
>> AND THAT'S WHY HE DIDN'T
1803
01:18:29,833 --> 01:18:31,233
WANT ME GOING THERE.
1804
01:18:31,233 --> 01:18:33,533
>> UH-HUH.
1805
01:18:33,533 --> 01:18:36,233
>> BUT HIRA ACCEPTS ME.
1806
01:18:36,233 --> 01:18:37,367
WHAT HAPPENED TO HER FATHER
1807
01:18:37,367 --> 01:18:40,200
HAS GOT NOTHING TO DO WITH ME,
1808
01:18:40,200 --> 01:18:41,733
OR DAD.
1809
01:18:41,733 --> 01:18:42,800
>> I THINK HE FEELS ASHAMED,
1810
01:18:42,800 --> 01:18:44,733
ELIZABETH, OF HIS FAMILY'S
1811
01:18:44,733 --> 01:18:47,633
CONNECTION TO THE INCIDENT.
1812
01:18:47,633 --> 01:18:49,467
AND SOMETIMES WHEN
1813
01:18:49,467 --> 01:18:51,633
PEOPLE FEEL LIKE THAT
1814
01:18:51,633 --> 01:18:52,067
AND THEY DON'T KNOW
1815
01:18:52,067 --> 01:18:54,300
WHAT TO DO ABOUT IT,
1816
01:18:54,300 --> 01:18:58,467
THEY HIDE BEHIND THEIR PRIDE.
1817
01:19:02,467 --> 01:19:03,500
HE'S BEEN WANTING TO TELL YOU
1818
01:19:03,500 --> 01:19:06,500
FOR THE LONGEST TIME.
1819
01:19:14,733 --> 01:19:16,767
>> STUART, WHAT ARE YOU DOING?
1820
01:19:16,767 --> 01:19:17,500
>> WELL, IF IT ISN'T
1821
01:19:17,500 --> 01:19:18,400
LIZZIE THE LIZARD,
1822
01:19:18,400 --> 01:19:19,500
DADDY'S LITTLE PET.
1823
01:19:19,500 --> 01:19:20,267
>> GET OUT!
1824
01:19:20,267 --> 01:19:21,233
>> NOW, THAT'S NOT
1825
01:19:21,233 --> 01:19:21,700
A VERY NICE WAY
1826
01:19:21,700 --> 01:19:22,633
TO TALK TO YOUR BROTHER,
1827
01:19:22,633 --> 01:19:23,400
ESPECIALLY WHEN HE'S
1828
01:19:23,400 --> 01:19:25,800
BROUGHT YOU SUCH GOOD NEWS.
1829
01:19:25,800 --> 01:19:27,267
>> WHAT ARE YOU TALKING ABOUT?
1830
01:19:27,267 --> 01:19:28,300
>> YOUR BEST FRIEND,
1831
01:19:28,300 --> 01:19:29,500
ANNABEL LEACH,
1832
01:19:29,500 --> 01:19:30,800
SHE WAS MADE CAPTAIN
1833
01:19:30,800 --> 01:19:32,067
OF THE MARCHING TEAM
1834
01:19:32,067 --> 01:19:33,200
THIS AFTERNOON.
1835
01:19:33,200 --> 01:19:34,167
>> YOU'RE A LIAR.
1836
01:19:34,167 --> 01:19:35,333
>> OH, AM I?
1837
01:19:35,333 --> 01:19:36,333
WELL, PERHAPS YOU SHOULD
1838
01:19:36,333 --> 01:19:38,667
ASK YOUR DARLING MR. DIXON.
1839
01:19:38,667 --> 01:19:40,633
I'M SURE HE'LL TELL YOU.
1840
01:19:40,633 --> 01:19:42,300
ESPECIALLY IF YOU MAKE HIS BLOOD
1841
01:19:42,300 --> 01:19:45,233
RUSH LIKE A RAGING TORRENT.
1842
01:19:45,233 --> 01:19:48,100
10,000 SOMERSAULTS, REALLY.
1843
01:19:48,100 --> 01:19:48,733
AT LEAST YOU COULD HAVE BEEN
1844
01:19:48,733 --> 01:19:50,367
A LITTLE BIT ORIGINAL.
1845
01:19:50,367 --> 01:19:51,333
>> WHERE IS IT?
1846
01:19:51,333 --> 01:19:51,767
>> WHERE IS WHAT?
1847
01:19:51,767 --> 01:19:52,600
>> THE LETTER!
1848
01:19:52,600 --> 01:19:55,233
GIVE ME THE LETTER, STUART.
1849
01:19:55,233 --> 01:19:56,300
COMING FROM A LITTLE BIRD
1850
01:19:56,300 --> 01:19:57,233
LIKE YOU.
1851
01:19:57,233 --> 01:19:58,367
HEY, LIZARD.
1852
01:19:58,367 --> 01:19:59,200
>> WHAT DID YOU DO
1853
01:19:59,200 --> 01:20:00,433
WITH THE LETTER?
1854
01:20:00,433 --> 01:20:01,267
>> DON'T YOU THINK
1855
01:20:01,267 --> 01:20:02,233
HE'S A LITTLE OLD FOR YOU,
1856
01:20:02,233 --> 01:20:03,367
AND YOU A LITTLE
1857
01:20:03,367 --> 01:20:04,533
UNDERDEVELOPED FOR HIM.
1858
01:20:04,533 --> 01:20:05,800
>> WHERE IS IT?
1859
01:20:05,800 --> 01:20:07,333
>> I'VE POSTED IT.
1860
01:20:07,333 --> 01:20:08,367
>> YOU BASTARD.
1861
01:20:08,367 --> 01:20:09,500
I HOPE YOU ROT IN HELL.
1862
01:20:09,500 --> 01:20:10,767
>> WELL, I'LL SEE YOU THERE,
1863
01:20:10,767 --> 01:20:11,500
BECAUSE YOU'RE NEVER
1864
01:20:11,500 --> 01:20:12,700
GOING TO GET A HUSBAND,
1865
01:20:12,700 --> 01:20:14,267
NOT WITH A TWERPY FLAT-CHESTED
1866
01:20:14,267 --> 01:20:15,667
LITTLE BODY LIKE THAT.
1867
01:20:15,667 --> 01:20:16,767
>> I HATE YOU!
1868
01:20:16,767 --> 01:20:18,333
I HATE YOU, I HATE YOU!
1869
01:20:18,333 --> 01:20:20,233
I HATE YOU, I HATE YOU!
1870
01:20:31,133 --> 01:20:32,300
>> UNDER NO CIRCUMSTANCES
1871
01:20:32,300 --> 01:20:34,100
WILL THAT GIRL LEAD THE PARADE
1872
01:20:34,100 --> 01:20:34,800
OR PRESENT THIS GIFT
1873
01:20:34,800 --> 01:20:36,400
TO HER MAJESTY.
1874
01:20:36,400 --> 01:20:37,700
STRINGFELLOW, HE'S A BLOODY
1875
01:20:37,700 --> 01:20:39,800
HEARTLESS SON-OF-A --
1876
01:20:39,800 --> 01:20:41,533
>> IAN.
1877
01:20:41,533 --> 01:20:43,767
>> WELL, THAT'S WHAT HE IS.
1878
01:20:43,767 --> 01:20:46,333
EXECUTIVE DECISION, MY BACKSIDE.
1879
01:20:46,333 --> 01:20:47,200
HE'S DESTROYING
1880
01:20:47,200 --> 01:20:49,400
A LITTLE GIRL'S DREAM.
1881
01:20:52,300 --> 01:20:54,033
I'M SORRY, ELIZABETH.
1882
01:20:54,033 --> 01:20:55,333
I WANTED YOU TO BE CAPTAIN,
1883
01:20:55,333 --> 01:20:57,200
REALLY I DID.
1884
01:20:57,200 --> 01:21:00,300
I HOPE YOU UNDERSTAND.
1885
01:21:00,300 --> 01:21:02,200
I'D STILL LIKE YOU
1886
01:21:02,200 --> 01:21:04,133
TO MARCH WITH THE TEAM,
1887
01:21:04,133 --> 01:21:08,333
IF YOU'RE UP TO IT THAT IS.
1888
01:21:08,333 --> 01:21:11,300
OH, HOW THOUGHTLESS OF ME.
1889
01:21:11,300 --> 01:21:12,167
ELIZABETH, I'D LIKE YOU
1890
01:21:12,167 --> 01:21:14,333
TO MEET JENNIFER, MY FIANCE.
1891
01:21:14,333 --> 01:21:15,133
SHE'S COME FROM AUCKLAND
1892
01:21:15,133 --> 01:21:15,700
ESPECIALLY FOR
1893
01:21:15,700 --> 01:21:16,633
THE QUEEN'S VISIT.
1894
01:21:16,633 --> 01:21:17,733
>> I'M DELIGHTED TO MEET YOU.
1895
01:21:17,733 --> 01:21:21,067
IAN'S TOLD ME SO MUCH ABOUT YOU.
1896
01:21:44,300 --> 01:21:46,567
>> HOW'S MY LITTLE QUEEN?
1897
01:21:55,400 --> 01:21:56,367
I KNOW YOU'RE
1898
01:21:56,367 --> 01:22:02,200
DISAPPOINTED, DEAR.
1899
01:22:02,200 --> 01:22:04,267
YOU DESERVE TO BE CAPTAIN.
1900
01:22:04,267 --> 01:22:07,233
WE ALL KNOW THAT.
1901
01:22:07,233 --> 01:22:09,067
IT'S A COMPLICATED WORLD
1902
01:22:09,067 --> 01:22:11,133
OUT THERE, ELIZABETH.
1903
01:22:11,133 --> 01:22:11,800
THERE'S A LOT OF PEOPLE
1904
01:22:11,800 --> 01:22:12,300
WITH A LOT OF DIFFERENT
1905
01:22:12,300 --> 01:22:14,533
VIEWPOINTS.
1906
01:22:14,533 --> 01:22:16,700
YOU BELIEVED IN SOMETHING,
1907
01:22:16,700 --> 01:22:18,667
AND YOU STOOD UP FOR IT.
1908
01:22:18,667 --> 01:22:19,567
YOU HAVE NOTHING
1909
01:22:19,567 --> 01:22:23,300
TO BE ASHAMED OF.
1910
01:22:23,300 --> 01:22:25,067
THERE'S A PARADE TOMORROW.
1911
01:22:25,067 --> 01:22:26,767
I'M NOT SAYING YOU SHOULD GO.
1912
01:22:26,767 --> 01:22:28,700
I'M NOT SAYING YOU SHOULDN'T.
1913
01:22:28,700 --> 01:22:32,133
ONLY YOU CAN MAKE THAT DECISION.
1914
01:22:32,133 --> 01:22:34,367
BUT WHATEVER YOU CHOOSE,
1915
01:22:34,367 --> 01:22:35,700
I JUST WANT YOU TO KNOW
1916
01:22:35,700 --> 01:22:36,733
THAT YOUR MOTHER AND I ARE
1917
01:22:36,733 --> 01:22:38,733
BOTH BLOODY PROUD OF YOU,
1918
01:22:38,733 --> 01:22:41,733
AND WE LOVE YOU VERY MUCH.
1919
01:22:41,733 --> 01:22:46,133
>> DADDY, IT HURTS.
1920
01:22:46,133 --> 01:22:49,567
>> I KNOW, I KNOW.
1921
01:23:03,267 --> 01:23:04,133
>> SURELY YOU CAN UNDERSTAND THE
1922
01:23:04,133 --> 01:23:08,367
TERRIBLE PREDICAMENT WE'RE IN.
1923
01:23:08,367 --> 01:23:11,267
VICTORIA, WE HAVE NO CHOICE.
1924
01:23:11,267 --> 01:23:12,667
THE OLD WOMAN REFUSES TO DIVEST
1925
01:23:12,667 --> 01:23:15,267
HERSELF OF THE PROPERTY.
1926
01:23:15,267 --> 01:23:16,567
OH, FOR GOD'S SAKE,
1927
01:23:16,567 --> 01:23:17,500
THE QUEEN OF ENGLAND
1928
01:23:17,500 --> 01:23:18,467
IS SCHEDULED TO ARRIVE
1929
01:23:18,467 --> 01:23:21,200
IN LESS THAN FOUR HOURS.
1930
01:23:21,200 --> 01:23:23,333
THE EYES OF NEW ZEALAND
1931
01:23:23,333 --> 01:23:26,400
ARE UPON US.
1932
01:23:26,400 --> 01:23:27,700
NOW THE OTHERS HAVE
1933
01:23:27,700 --> 01:23:29,200
GIVEN ME THEIR VOTE.
1934
01:23:29,200 --> 01:23:31,500
DO I HAVE YOURS?
1935
01:23:31,500 --> 01:23:33,400
>> WELL, YOU ARE THE CHAIRWOMAN.
1936
01:23:33,400 --> 01:23:34,500
>>
1937
01:23:34,500 --> 01:23:35,767
PRECISELY.
1938
01:23:35,767 --> 01:23:37,033
WHICH IS WHY I --
1939
01:23:37,033 --> 01:23:38,800
>> I DON'T LIKE YOUR POLITICS.
1940
01:23:38,800 --> 01:23:40,400
>> I HEARTILY CONCUR.
1941
01:23:40,400 --> 01:23:41,267
>> FURTHERMORE, I WILL NOT
1942
01:23:41,267 --> 01:23:42,300
BE A PARTY TO ANY VIOLATION
1943
01:23:42,300 --> 01:23:44,333
OF HUMAN DECENCY.
1944
01:23:44,333 --> 01:23:46,133
YOU'VE INSULTED BY DAUGHTER.
1945
01:23:46,133 --> 01:23:46,800
YOU'VE TAKEN ADVANTAGE
1946
01:23:46,800 --> 01:23:48,167
OF MY SON.
1947
01:23:48,167 --> 01:23:49,167
AND YOU HAVE BELITTLED
1948
01:23:49,167 --> 01:23:50,300
MY HUSBAND'S VITAL CONTRIBUTION
1949
01:23:50,300 --> 01:23:52,133
TO THIS COMMUNITY.
1950
01:23:52,133 --> 01:23:53,033
>> NOT TO MENTION
1951
01:23:53,033 --> 01:23:53,600
YOUR GRUBBY LITTLE AFFAIR
1952
01:23:53,600 --> 01:23:54,800
WITH THE MAYOR.
1953
01:23:57,500 --> 01:24:00,100
>> KUPE, SHOW OUR GOOD FRIEND
1954
01:24:00,100 --> 01:24:02,600
MRS. HOBSON TO THE DOOR.
1955
01:24:07,767 --> 01:24:08,267
>> I THOUGHT YOU HANDLED
1956
01:24:08,267 --> 01:24:09,333
ALL OF THAT RATHER WELL,
1957
01:24:09,333 --> 01:24:10,500
DARLING.
1958
01:24:10,500 --> 01:24:12,267
>> THANK YOU, DEAR.
1959
01:24:12,267 --> 01:24:13,300
COME ALONG.
1960
01:24:13,300 --> 01:24:14,700
TIME TO GET DRESSED.
1961
01:24:14,700 --> 01:24:15,133
WE DON'T WANT TO BE
1962
01:24:15,133 --> 01:24:17,300
LATE FOR THE QUEEN.
1963
01:24:19,500 --> 01:24:20,667
>> OH, GREAT.
1964
01:24:20,667 --> 01:24:22,200
EASIEST TEN QUID I EVER MADE.
1965
01:24:22,200 --> 01:24:24,367
>> LET'S GET OUT OF HERE.
1966
01:24:39,333 --> 01:24:39,900
>> I DO THINK WE SHOULD SEE
1967
01:24:39,900 --> 01:24:42,300
IF ELIZABETH IS COMING.
1968
01:24:42,300 --> 01:24:43,267
>> NO, IT'S HER DECISION,
1969
01:24:43,267 --> 01:24:45,433
DARLING.
1970
01:25:07,300 --> 01:25:08,733
>> WELL, WELL, LIZZIE,
1971
01:25:08,733 --> 01:25:10,200
OFF TO SEE THE QUEEN, ARE WE?
1972
01:25:10,200 --> 01:25:12,667
>> GET OUT OF MY WAY, STUART.
1973
01:25:12,667 --> 01:25:14,467
GIVE ME THAT BACK!
1974
01:25:14,467 --> 01:25:15,233
>> YOU'VE CAUSED ME
1975
01:25:15,233 --> 01:25:16,333
A LOT OF TROUBLE.
1976
01:25:16,333 --> 01:25:17,367
YOU'VE TURNED FATHER AGAINST ME.
1977
01:25:17,367 --> 01:25:18,367
YOU STOLE MY MONEY.
1978
01:25:18,367 --> 01:25:19,167
YOU MADE A FOOL OF ME
1979
01:25:19,167 --> 01:25:20,300
IN THIS TOWN.
1980
01:25:20,300 --> 01:25:21,067
EVERYBODY THINKS
1981
01:25:21,067 --> 01:25:22,100
YOU'RE A BLOODY JOKE.
1982
01:25:22,100 --> 01:25:23,133
>> LET GO OF ME!
1983
01:25:23,133 --> 01:25:25,133
>>
1984
01:25:29,367 --> 01:25:30,633
NOW, LITTLE MISSY,
1985
01:25:30,633 --> 01:25:31,233
YOU'RE GOING TO HAVE SOME TIME
1986
01:25:31,233 --> 01:25:33,500
TO THINK ABOUT WHAT YOU'VE DONE.
1987
01:25:47,433 --> 01:25:49,367
>> TESTING, ONE, TWO.
1988
01:25:49,367 --> 01:25:50,667
TESTING.
1989
01:25:50,667 --> 01:25:51,633
TESTING.
1990
01:25:51,633 --> 01:25:53,367
TESTING, ONE, TWO.
1991
01:25:53,367 --> 01:25:55,633
TESTING, ONE, TWO.
1992
01:26:06,300 --> 01:26:08,533
GOOD CITIZENS,
1993
01:26:08,533 --> 01:26:10,767
WHAT A MOMENTOUS OCCASION
1994
01:26:10,767 --> 01:26:12,700
TODAY IS FOR ALL OF US
1995
01:26:12,700 --> 01:26:15,333
HERE IN MIDDLETON.
1996
01:26:15,333 --> 01:26:18,333
NOW, ACCORDING TO OUR SCHEDULE,
1997
01:26:18,333 --> 01:26:22,167
THE QUEEN SHOULD BE HERE IN --
1998
01:26:22,167 --> 01:26:25,333
WELL, VERY SHORTLY.
1999
01:26:28,400 --> 01:26:29,633
>> HELP! HELP!
2000
01:26:29,633 --> 01:26:30,700
SOMEBODY HELP!
2001
01:26:34,133 --> 01:26:44,167
HELP!
2002
01:26:44,167 --> 01:26:45,200
PLEASE HELP.
2003
01:26:45,200 --> 01:26:48,633
SOMEBODY HELP!
2004
01:26:54,533 --> 01:26:55,233
>> ALL RIGHT,
2005
01:26:55,233 --> 01:26:56,333
GRENADIERS, FALL IN.
2006
01:26:56,333 --> 01:26:58,267
STRAIGHTEN UP.
2007
01:26:58,267 --> 01:27:01,533
LOOK ALIVE.
2008
01:27:01,533 --> 01:27:02,633
WELL, ANNABEL,
2009
01:27:02,633 --> 01:27:04,067
WON'T BE LONG NOW.
2010
01:27:04,067 --> 01:27:05,267
THE SPOTLIGHT'S ON YOU.
2011
01:27:05,267 --> 01:27:06,400
THIS IS YOUR BIG MOMENT.
2012
01:27:06,400 --> 01:27:07,800
>> YES, SIR.
2013
01:27:07,800 --> 01:27:08,533
>> JUST REMEMBER,
2014
01:27:08,533 --> 01:27:09,767
GOOD POSTURE,
2015
01:27:09,767 --> 01:27:11,767
FULL ARM SWING, HIGH STEPS.
2016
01:27:11,767 --> 01:27:13,067
AND DON'T FORGET
2017
01:27:13,067 --> 01:27:15,100
THE SPECIAL PRESENTATION.
2018
01:27:15,100 --> 01:27:16,433
>> MR. DIXON,
2019
01:27:16,433 --> 01:27:18,267
HAVE YOU SEEN ELIZABETH?
2020
01:27:18,267 --> 01:27:22,100
>> NO, ACTUALLY I HAVEN'T.
2021
01:27:22,100 --> 01:27:23,333
I SUSPECT THE EVENTS
2022
01:27:23,333 --> 01:27:24,333
OF THE LAST FEW DAYS
2023
01:27:24,333 --> 01:27:27,233
MAY HAVE TAKEN THEIR TOLL.
2024
01:27:44,467 --> 01:27:45,800
>> AND SO IT IS
2025
01:27:45,800 --> 01:27:48,133
WITHOUT ANY FURTHER ADIEU,
2026
01:27:48,133 --> 01:27:51,300
I GIVE YOU MRS. VIRGINIA HOBSON,
2027
01:27:51,300 --> 01:27:52,333
CHAIRWOMAN OF THE ROYAL
2028
01:27:52,333 --> 01:27:54,633
WELCOMING COMMITTEE.
2029
01:28:01,667 --> 01:28:04,333
>> MY DEAR FELLOW CITIZENS,
2030
01:28:04,333 --> 01:28:05,600
I CAN'T BEGIN TO TELL YOU
2031
01:28:05,600 --> 01:28:06,733
WHAT A THRILLING DAY
2032
01:28:06,733 --> 01:28:08,600
THIS IS FOR ME.
2033
01:28:08,600 --> 01:28:11,200
AND FOR YOU.
2034
01:28:11,200 --> 01:28:14,433
NOW, THE QUEEN SHOULD BE HERE --
2035
01:28:14,433 --> 01:28:18,567
WELL, ANY MINUTE NOW.
2036
01:28:18,567 --> 01:28:19,300
>> YES, SHE'S OVER
2037
01:28:19,300 --> 01:28:20,467
45 MINUTES LATE
2038
01:28:20,467 --> 01:28:23,700
ACCORDING TO MY WATCH.
2039
01:28:23,700 --> 01:28:25,133
>> YES, I WONDER WHAT COULD
2040
01:28:25,133 --> 01:28:27,733
BE HOLDING UP THE QUEEN.
2041
01:28:27,733 --> 01:28:30,767
>> JOHN, YOU DIDN'T.
2042
01:28:50,300 --> 01:28:52,033
>> WELL, IRIS,
2043
01:28:52,033 --> 01:28:54,200
THE BOSS WILL BE PLEASED.
2044
01:28:54,200 --> 01:28:55,267
>> LET'S GO AND TELL THEM.
2045
01:28:55,267 --> 01:28:55,767
IF WE HURRY WE CAN BEAT
2046
01:28:55,767 --> 01:28:57,267
THE MOTORCADE BACK INTO TOWN.
2047
01:28:58,533 --> 01:28:59,667
>> KUPE?
2048
01:28:59,667 --> 01:29:00,667
KUPE!
2049
01:29:00,667 --> 01:29:02,033
GOOD BOY, GOOD BOY.
2050
01:29:02,033 --> 01:29:03,433
KUPE, GO GET HELP.
2051
01:29:03,433 --> 01:29:04,667
GO GET HELP.
2052
01:29:04,667 --> 01:29:06,067
KUPE, GO FIND HELP!
2053
01:29:06,067 --> 01:29:06,267
HURRY!
2054
01:29:06,267 --> 01:29:09,333
RUN, KUPE, RUN!
2055
01:29:14,267 --> 01:29:15,200
WONDERFUL, KUPE.
2056
01:29:15,200 --> 01:29:17,200
NOW WHAT ARE WE GOING TO DO?
2057
01:29:23,367 --> 01:29:25,267
>> HEY!
2058
01:29:25,267 --> 01:29:26,100
>> WELL, WELL, IF IT ISN'T
2059
01:29:26,100 --> 01:29:27,233
THE IRREPROACHABLE
2060
01:29:27,233 --> 01:29:28,333
ANNABEL LEACH.
2061
01:29:28,333 --> 01:29:29,267
CONGRATULATIONS, LOVE.
2062
01:29:29,267 --> 01:29:30,267
LOOKS LIKE YOU MADE
2063
01:29:30,267 --> 01:29:31,600
CAPTAIN OF THE SQUAD.
2064
01:29:31,600 --> 01:29:33,700
>> STUART, WHERE'S ELIZABETH?
2065
01:29:33,700 --> 01:29:35,467
>> ELIZABETH WHO?
2066
01:29:35,467 --> 01:29:37,233
>> ELIZABETH YOUR SISTER.
2067
01:29:37,233 --> 01:29:39,167
> >> OH, THAT ELIZABETH.
2068
01:29:39,167 --> 01:29:40,600
I'M AFRAID SHE'S...
2069
01:29:40,600 --> 01:29:42,600
INDISPOSED AT THE MOMENT.
2070
01:29:42,600 --> 01:29:44,200
TA-TA.
2071
01:29:51,167 --> 01:29:52,800
>> WHAT DO YOU WANT?
2072
01:29:52,800 --> 01:29:55,500
>> CHECK THE HOUSE.
2073
01:29:59,100 --> 01:30:01,233
>> ANNABEL, WAIT!
2074
01:30:04,200 --> 01:30:06,133
>> EXCUSE ME, PLEASE.
2075
01:30:17,667 --> 01:30:20,267
>> FOR ELIZABETH.
2076
01:30:29,200 --> 01:30:29,800
>> over P.A. system:
2077
01:30:29,800 --> 01:30:31,167
I UNDERSTAND THE MOTORCADE
2078
01:30:31,167 --> 01:30:32,267
HAS BEEN SPOTTED
2079
01:30:32,267 --> 01:30:34,633
JUST OUTSIDE OF TOWN.
2080
01:30:34,633 --> 01:30:36,467
IT WON'T BE LONG NOW.
2081
01:30:36,467 --> 01:30:39,167
ANY MINUTE NOW.
2082
01:30:42,600 --> 01:30:44,200
AS HER MAJESTY ARRIVES,
2083
01:30:44,200 --> 01:30:45,333
I WOULD ASK YOU, PLEASE,
2084
01:30:45,333 --> 01:30:47,233
NOT TO BREAK RANKS.
2085
01:30:47,233 --> 01:30:48,300
WE WANT TO SHOW HER MAJESTY
2086
01:30:48,300 --> 01:30:50,100
THAT WE ARE INDEED HER LOYAL
2087
01:30:50,100 --> 01:30:51,500
AND DEVOTED SUBJECTS.
2088
01:30:51,500 --> 01:30:53,367
ENTHUSIASTIC, YES...
2089
01:30:53,367 --> 01:30:54,233
>> HERE SHE COMES!
2090
01:30:56,067 --> 01:30:57,067
>> ...BUT DIGNIFIED.
2091
01:30:57,067 --> 01:30:58,067
>> THERE!
2092
01:31:08,767 --> 01:31:12,233
>> KUPE, WHAT ARE YOU DOING?
2093
01:31:12,233 --> 01:31:17,633
HOW DID YOU GET THIS?
2094
01:31:17,633 --> 01:31:19,200
CLOSE YOUR EYES, KUPE.
2095
01:31:19,200 --> 01:31:20,300
IT HAS MAGICAL POWERS
2096
01:31:20,300 --> 01:31:22,300
IF WE PRAY HARD ENOUGH.
2097
01:31:38,767 --> 01:31:41,333
>> I'M DRIVING.
2098
01:31:41,333 --> 01:31:43,167
>> OH, BOY.
2099
01:31:48,600 --> 01:31:49,700
>> IRIS, I'M NOT SURE
2100
01:31:49,700 --> 01:31:51,333
THIS IS SUCH A GOOD IDEA.
2101
01:31:51,333 --> 01:31:52,333
>> OH, RELAX, ANGUS.
2102
01:31:52,333 --> 01:31:53,333
YOU'VE GOT TO LIVE A LITTLE.
2103
01:31:53,333 --> 01:31:54,800
AFTER ALL, THE QUEEN'S COMING.
2104
01:31:54,800 --> 01:31:56,467
>> WAIT!
2105
01:31:56,467 --> 01:31:57,367
IRIS, LOOK OUT!
2106
01:32:34,267 --> 01:32:37,133
>> WHO AM I KIDDING?
2107
01:32:37,133 --> 01:32:38,700
WAIT A TICK.
2108
01:32:38,700 --> 01:32:40,600
WHAT DID HIRA SAY?
2109
01:32:40,600 --> 01:32:41,400
SHE SAID THEY CARVE
2110
01:32:41,400 --> 01:32:43,367
CANOES WITH THIS STUFF.
2111
01:32:43,367 --> 01:32:44,267
KUPE, IF YOU COULD
2112
01:32:44,267 --> 01:32:46,233
CARVE A CANOE...
2113
01:32:46,233 --> 01:32:48,567
>> YES, YES.
2114
01:32:48,567 --> 01:32:52,133
THIS IS WHAT YOU MUST DO.
2115
01:32:52,133 --> 01:32:53,667
>> WHAT'S THE QUEEN DOING?
2116
01:32:53,667 --> 01:32:55,333
WHY IS SHE STOPPING DOWN THERE?
2117
01:32:55,333 --> 01:32:55,733
>> I DON'T KNOW,
2118
01:32:55,733 --> 01:32:57,233
WHAT COULD BE DOING?
2119
01:32:57,233 --> 01:32:58,767
>> MUST BE THAT WOMAN.
2120
01:33:00,533 --> 01:33:02,300
THAT EVERYONE IN THE TOWN
2121
01:33:02,300 --> 01:33:03,400
THOUGHT YOU WERE GOING TO
2122
01:33:03,400 --> 01:33:07,267
VISIT THE RHODODENDRON TRUST.
2123
01:33:07,267 --> 01:33:08,800
>> INDEED, IF NOT FOR
2124
01:33:08,800 --> 01:33:12,067
A VERY PERSISTENT YOUNG GIRL.
2125
01:33:18,767 --> 01:33:20,733
>> ELIZABETH?
2126
01:33:20,733 --> 01:33:22,667
ELIZABETH, ARE YOU THERE?
2127
01:33:22,667 --> 01:33:24,167
>> ANNABEL?
2128
01:33:24,167 --> 01:33:24,800
>> SINCE THE MARCHING CAPTAIN
2129
01:33:24,800 --> 01:33:26,400
SEEMS TO HAVE DISAPPEARED,
2130
01:33:26,400 --> 01:33:27,433
I SUPPOSE I SHALL HAVE TO MAKE
2131
01:33:27,433 --> 01:33:29,200
THE PRESENTATION MYSELF.
2132
01:33:29,200 --> 01:33:31,167
AGREED?
2133
01:33:31,167 --> 01:33:31,800
>> OH, YES.
2134
01:33:31,800 --> 01:33:33,033
>> ABSOLUTELY.
2135
01:33:36,167 --> 01:33:37,133
>> ARE YOU ALL RIGHT?
2136
01:33:37,133 --> 01:33:38,200
>> YES, YES, WE'RE ALL RIGHT.
2137
01:33:38,200 --> 01:33:39,433
ANNABEL, THE QUEEN, IS SHE --
2138
01:33:39,433 --> 01:33:40,633
HAS SHE --
2139
01:33:40,633 --> 01:33:41,767
>> SHE'S -- I MEAN, NO,
2140
01:33:41,767 --> 01:33:42,733
SHE'S ONLY JUST ARRIVED.
2141
01:33:42,733 --> 01:33:44,367
>> ANNABEL, YOU'VE CUT YOUR LEG.
2142
01:33:44,367 --> 01:33:46,233
>> IT'S JUST A SCRAPE.
2143
01:33:46,233 --> 01:33:47,200
>> BUT ANNABEL,
2144
01:33:47,200 --> 01:33:48,467
WHY AREN'T YOU THERE?
2145
01:33:48,467 --> 01:33:49,300
>> ELIZABETH, I NEVER REALLY
2146
01:33:49,300 --> 01:33:50,433
CARED ABOUT THE SILLY PARADE
2147
01:33:50,433 --> 01:33:51,533
OR BEING CAPTAIN
2148
01:33:51,533 --> 01:33:53,133
OR ANY OF THAT STUFF.
2149
01:33:53,133 --> 01:33:54,700
I ONLY WANTED US TO BE TOGETHER.
2150
01:33:54,700 --> 01:33:56,133
YOU AND I, SO WE COULD
2151
01:33:56,133 --> 01:33:57,133
SAY THAT WE WERE THERE
2152
01:33:57,133 --> 01:33:58,500
AND THAT WE SAW THE QUEEN,
2153
01:33:58,500 --> 01:33:59,633
AND MAYBE ONE DAY TELL OUR
2154
01:33:59,633 --> 01:34:02,167
CHILDREN AND OUR GRANDCHILDREN.
2155
01:34:02,167 --> 01:34:03,033
>> WELL, THEN, COME ON.
2156
01:34:03,033 --> 01:34:04,267
WE CAN STILL MAKE IT.
2157
01:34:04,267 --> 01:34:05,567
>> TROUBLEMAKER.
2158
01:34:19,400 --> 01:34:20,333
>> ELIZABETH,
2159
01:34:20,333 --> 01:34:21,533
I'M SO SORRY WHAT HAPPENED.
2160
01:34:21,533 --> 01:34:22,600
I WAS SUCH A FOOL.
2161
01:34:22,600 --> 01:34:24,267
COULD YOU EVER FORGIVE ME?
2162
01:34:27,600 --> 01:34:29,300
WHAT HAVE THEY DONE?
2163
01:34:29,300 --> 01:34:31,200
WHAT HAVE THEY DONE TO HIRA?
2164
01:34:31,200 --> 01:34:33,233
LET US THROUGH.
2165
01:34:33,233 --> 01:34:34,567
LET US THROUGH!
2166
01:34:34,567 --> 01:34:36,633
>> YOU CAN'T GO IN THERE.
2167
01:34:36,633 --> 01:34:39,333
HEY! HEY, COME BACK HERE!
2168
01:34:39,333 --> 01:34:40,500
>> AND SO, AS A TOKEN
2169
01:34:40,500 --> 01:34:42,533
OF OUR UNDYING LOYALTY
2170
01:34:42,533 --> 01:34:43,767
AND ALLEGIANCE
2171
01:34:43,767 --> 01:34:45,400
TO THE BRITISH EMPIRE --
2172
01:34:54,267 --> 01:34:55,667
>> ANNABEL, GOOD GOD,
2173
01:34:55,667 --> 01:34:58,167
WE'VE BEEN WAITING FOR YOU.
2174
01:35:24,133 --> 01:35:26,100
>> ELIZABETH,
2175
01:35:26,100 --> 01:35:28,200
YOU DESERVE THIS.
2176
01:35:28,200 --> 01:35:31,200
I WANT YOU TO DO IT.
2177
01:35:56,633 --> 01:35:59,167
>> YOUR MAJESTY,
2178
01:35:59,167 --> 01:36:01,467
THIS GIFT WAS ORIGINALLY GIVEN
2179
01:36:01,467 --> 01:36:03,733
BY YOUR GREAT-GREAT UNCLE
2180
01:36:03,733 --> 01:36:05,333
TO A BRAVE AND COURAGEOUS
2181
01:36:05,333 --> 01:36:06,633
NEW ZEALANDER.
2182
01:36:06,633 --> 01:36:08,067
IT WAS INTENDED TODAY
2183
01:36:08,067 --> 01:36:10,267
THAT IT BE GIVEN BACK TO YOU.
2184
01:36:10,267 --> 01:36:11,367
IT IS A SYMBOL
2185
01:36:11,367 --> 01:36:12,567
OF OUR LOYALTY AND LOVE
2186
01:36:12,567 --> 01:36:15,300
FOR THE BRITISH EMPIRE.
2187
01:36:15,300 --> 01:36:16,767
BUT WITH ALL DUE RESPECT,
2188
01:36:16,767 --> 01:36:18,533
YOUR HIGHNESS,
2189
01:36:18,533 --> 01:36:22,500
THIS...
2190
01:36:22,500 --> 01:36:25,233
BELONGS TO HIRA.
2191
01:36:48,333 --> 01:36:49,367
>> YOU ARE ABSOLUTELY RIGHT,
2192
01:36:49,367 --> 01:36:51,767
MY DEAR.
2193
01:36:54,767 --> 01:36:58,267
HISTORY AND HISTORY BOOKS
2194
01:36:58,267 --> 01:36:59,633
HAVE A CURIOUS WAY OF
2195
01:36:59,633 --> 01:37:02,567
PROMOTING SELECTIVE MEMORY,
2196
01:37:02,567 --> 01:37:06,533
THIS EMPIRE NOTWITHSTANDING.
2197
01:37:06,533 --> 01:37:08,233
BUT NOTHING,
2198
01:37:08,233 --> 01:37:10,700
NOTHING IN ALL OF THE WORLD
2199
01:37:10,700 --> 01:37:13,300
CAN EVER BELIE THE TRUTH.
2200
01:37:31,067 --> 01:37:32,133
AND SO WE BRING A GIFT
2201
01:37:32,133 --> 01:37:35,500
TO YOU, HIRA MATA,
2202
01:37:35,500 --> 01:37:38,367
FOR YOUR STRENGTH AND COURAGE,
2203
01:37:38,367 --> 01:37:40,733
FOR YOUR INDOMITABLE SPIRIT,
2204
01:37:40,733 --> 01:37:43,333
FOR YOUR WILL TO SURVIVE.
2205
01:37:43,333 --> 01:37:44,200
YOU ARE THE HEART
2206
01:37:44,200 --> 01:37:47,233
AND SOUL OF THIS COUNTRY.
2207
01:37:47,233 --> 01:37:51,200
A TRUE NEW ZEALANDER.
2208
01:37:51,200 --> 01:37:52,133
I BELIEVE THIS BELONGED
2209
01:37:52,133 --> 01:37:54,067
TO YOUR FATHER.
2210
01:39:24,233 --> 01:39:25,133
>>> I GUESS IT WAS IRONIC
2211
01:39:25,133 --> 01:39:27,567
IN A WAY, WHAT HAPPENED.
2212
01:39:27,567 --> 01:39:29,233
YOU SEE, WITH THE QUEEN
2213
01:39:29,233 --> 01:39:31,467
BEING LATE AND ALL,
2214
01:39:31,467 --> 01:39:32,467
THE ROYAL PARTY ONLY HAD
2215
01:39:32,467 --> 01:39:35,067
TIME FOR A SHORT VISIT.
2216
01:39:35,067 --> 01:39:35,500
AND TO EVERYONE'S
2217
01:39:35,500 --> 01:39:37,500
GREAT SURPRISE,
2218
01:39:37,500 --> 01:39:39,067
HER MAJESTY SPECIFICALLY
2219
01:39:39,067 --> 01:39:40,267
REQUESTED TO MEET A WOMAN
2220
01:39:40,267 --> 01:39:41,333
WHOM SHE HAD HEARD
2221
01:39:41,333 --> 01:39:43,467
A GREAT DEAL ABOUT,
2222
01:39:43,467 --> 01:39:46,333
A WOMAN SHE ADMIRED TREMENDOUSLY
2223
01:39:46,333 --> 01:39:49,033
AND HELD IN THE HIGHEST ESTEEM.
2224
01:40:08,267 --> 01:40:09,267
>> AND SO AFTER ONE OF
2225
01:40:09,267 --> 01:40:10,233
THE MOST MEMORABLE VISITS
2226
01:40:10,233 --> 01:40:11,767
OF HER NEW ZEALAND TOUR,
2227
01:40:11,767 --> 01:40:13,300
THE QUEEN BIDS A FOND FAREWELL
2228
01:40:13,300 --> 01:40:15,067
TO HIRA MATA, A DAUGHTER
2229
01:40:15,067 --> 01:40:17,433
OF A FAMOUS MAORI CHIEFTAIN.
2230
01:40:17,433 --> 01:40:19,133
AND HERE WE SEE THE YOUNG GIRL
2231
01:40:19,133 --> 01:40:20,600
WHO BECAME KNOWN THE WORLD OVER
2232
01:40:20,600 --> 01:40:22,233
AS HER COUNTRY'S MOST PERSISTENT
2233
01:40:22,233 --> 01:40:23,733
LETTER WRITER.
2234
01:40:23,733 --> 01:40:24,733
OOPS, LOOKS LIKE WE FORGOT
2235
01:40:24,733 --> 01:40:26,400
TO PUT SOMETHING ON.
2236
01:40:26,400 --> 01:40:28,200
IT'S HER GREEN-STONE TIKI.
2237
01:40:28,200 --> 01:40:30,567
A GOOD LUCK CHARM.
2238
01:40:30,567 --> 01:40:32,133
AND THIS ONE LOOKS LIKE SHE'S
2239
01:40:32,133 --> 01:40:34,300
HAD A BIT OF AN ACCIDENT.
2240
01:40:34,300 --> 01:40:35,600
BUT ANNABEL LEACH
2241
01:40:35,600 --> 01:40:37,100
AND ELIZABETH WAKEFIELD
2242
01:40:37,100 --> 01:40:38,700
OF MIDDLETON COULDN'T CARE LESS.
2243
01:40:38,700 --> 01:40:40,267
THEY'RE TICKLED PINK.
2244
01:40:40,267 --> 01:40:41,200
QUITE A STORY TO TELL
2245
01:40:41,200 --> 01:40:42,300
YOUR GRANDKIDS ONE DAY,
2246
01:40:42,300 --> 01:40:44,700
EH, GIRLS?
128503
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