Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 00:00:19:Houses are alive. 00:00:24:This is something we know. 00:00:26:News from our nerve endings. 00:00:51:lf we're quiet... 00:00:53:...if we listen... 00:00:55:... we can hear houses breathe. 00:00:58:Sometimes in the depth of night,|we hear them groan. 00:01:02:lt's as if they're having bad dreams. 00:02:41:A good house cradles and comforts. 00:02:44:A bad one fills us with|instinctive unease. 00:02:48:Bad houses hate our warmth,|our humanness. 00:02:52:That blind hate of our humanity|is what we mean by the word ''haunted. '' 00:03:00:Steve? Are you all right? 00:03:04:Yeah. 00:03:07:lt stopped. 00:03:09:l heard it too. But it stopped. 00:03:11:What did you hear? 00:03:13:There were words. lt wasn't clear.|Did any of you. . . . 00:03:16:l might have heard something.|lt may have been my imagination. 00:03:22:-What was it?|-l don't know. l'm not psychic. 00:03:26:You tested me yourself,|so there's no real-- 00:03:29:What? What are you looking at? 00:03:32:Nothing. 00:03:40:Pam. 00:03:42:Can you come here? 00:04:06:Well, we might as well get started. 00:04:09:Will you--? 00:04:11:All right. 00:04:21:Emers, old boy, give us a hand.|lt seems to be the butler's day off. 00:04:27:-Don't call me that.|-Come on. 00:04:29:For $5000 you can carry|a couple boxes. 00:04:33:l am not being paid for my services|as a porter' 00:04:49:Pam, you all right? 00:04:54:Hey, l thought this house was empty. 00:04:58:You would be Mr. Bollinger, l believe.|The reporter. 00:05:03:l'm Bollinger, but how did you know? 00:05:05:Come in, sir. You were expected. 00:05:09:This way. 00:05:12:Come in, sir. You were expected. 00:05:17:This way. 00:05:24:How old were you when you got|lost in there? Eight? Nine? 00:05:28:-What?|-The room with colored light. 00:05:31:The smell of sawdust. 00:05:33:What happened? What did you see? 00:05:36:What? What frightened you? 00:05:39:l don't know what|you're talking about. 00:05:48:You know, don't you? 00:05:51:But you're not saying. 00:06:06:What is it? 00:06:07:-lt's cold. Cold metal, that's all.|-No, but you spoke. 00:06:13:There was something there,|but it's gone. 00:06:17:l didn't like the way it felt. 00:08:37:The caretaker left it after he|let in the equipment guys. 00:08:42:-He'll miss it.|-Not after summer. 00:08:44:ln September there won't be|a gate to open' 00:08:50:There's a flashlight for everyone.|Keep it on you at all times. 00:08:55:The power's usually fine. 00:08:57:lf it goes out, l don't suppose|the fuse box does much good? 00:09:02:Nope, neither does calling|Puget Sound Energy. 00:09:06:-And your equipment?|-lf the power goes, it uses batteries. 00:09:10:We better get started. 00:09:20:Where's Annie? 00:09:29:She's wonderful. 00:09:37:Friday afternoon, 3: 1 7 p.m. 00:09:42:We've experienced our first paranormal|phenomenon: a phantom draft. 00:09:52:l insist that you don't go|exploring on your own. 00:09:56:The geography can seem unstable. 00:09:59:Let's double up on sleeping|arrangements. l'll share with Cathy. 00:10:03:The three of us could go in. 00:10:05:l'll sleep with Emery.|We'll raid the fridge. 00:10:09:No, the bedrooms are safe.|Just don't wander off. 00:10:16:-l think you'll find this interesting.|-Wow. 00:10:19:You could make Thanksgiving dinner|for a hundred people here. 00:10:23:-Maybe after the place was fumigated.|-You're such a charmer. 00:10:28:Was l talking to you? 00:10:32:Ellen Rimbauer called this|the Health Room. 00:10:35:We call it a solarium. 00:10:40:A railroad executive, George Meader,|drinking buddy. . . 00:10:44:. . .of John Rimbauer, died in here|just after the end of WWl. 00:10:49:According to a doctor,|he was stung by a bee. 00:10:52:He died of an extreme|allergic reaction. 00:10:59:As l told you, in Rose Red's heyday,|men didn't fair well here. 00:11:05:That's not very reassuring. 00:11:07:Nothing to worry about. Just use|the buddy system in the house. 00:11:15:-Now--|-Whoa. 00:11:16:What? 00:11:21:What's this? 00:11:22:-The caretaker leave that too?|-Doubt it. 00:11:25:-Well, then who?|-Press redial and see who answers. 00:11:37:You've reached Professor Miller|of the Psychology department. 00:11:42:l'm unable to answer the phone. Leave|a message. But remember Shakespeare: 00:11:47:-Who is it?|-Brevity is the soul of wit. 00:11:52:This is Joyce Reardon's friend,|Steven Rimbauer. 00:11:56:We found your property in Rose Red. 00:11:59:l'm sure you didn't drop it, since|we just saw you. But l know who did. 00:12:04:The guy who wrote the story.|Trespassing isn't serious. 00:12:08:Abetting a trespasser is less serious,|but your dignity will take a hit. 00:12:14:Guess who will be on next week's|newspaper cover? 00:12:17:-You have a nice day.|-Bravo, Steve, bravo. 00:12:21:-You can't be certain that's his phone.|-Of course it is. 00:12:27:l bet one of the numbers in memory|is that son of a bitch Bollinger. 00:12:31:lf the reporter had the phone,|where is he? 00:12:34:Maybe the house ate him.|lsn't that what it's supposed to do? 00:12:39:Something that he doesn't believe in|frightened him, and he ran off. 00:12:45:-Perhaps he's still in the house.|-Then we'll find him. 00:12:49:-Come on, folks--|-You sure we shouldn't notify somebody? 00:12:54:Why should we? lf he's here,|he's trespassing, like Steve said. 00:12:58:lf we call the cops, we'll|have half a dozen police. . . 00:13:02:. . .roiling up the atmosphere,|and he'll win! 00:13:05:That pig Miller will win,|and l can't have it. 00:13:08:Okay? l just won't. l can't. 00:13:11:lt's okay. He doesn't get to win. 00:13:14:And if we find Bollinger,|we spank him and send him on his way. 00:13:19:-Sounds good to me.|-Yeah, me too. 00:13:24:On with the show? 00:13:27:On with the show. 00:13:35:lt's a pity no one kept up|those vines. 00:13:38:There hasn't been a groundskeeper|since Omicron Oil fell off the board. 00:13:44:We're in the kitchen because. . . 00:13:47:. . .Joyce wants to tell you|about my great-aunt April. 00:13:51:-Go on.|-Are you sure? 00:13:53:Sure. That's what we're here for.|Besides, it was before my time. 00:13:57:April was 6 when she disappeared. Her|brother Adam was in boarding school. 00:14:03:-Boarding school at 8?|-lt was Rimbauer's idea. 00:14:06:Ellen ranted and raved. But John|put his foot down and kept it down. 00:14:12:He didn't trust Rose Red even then.|This was the last place. . . 00:14:16:. . .April was ever seen. 00:14:18:Sukeena stepped into the pantry|over there. . . 00:14:22:. . .for what she swore was no more than|30 seconds. When she came out. . . . 00:14:30:April? 00:14:33:April, honey, where are you? 00:14:38:April? 00:14:54:Fifty men searched the house|and grounds. They found nothing. 00:15:00:Not so much as a lock of hair|or a thread from her dress. 00:15:05:Great-Grandfather, convinced of|Sukeena's guilt, took her downtown. 00:15:12:Ellen objected in the strongest terms,|but John declined to listen. 00:15:17:-She's innocent!|-Ellen, stop it! 00:15:20:Please, John! Sukeena! 00:15:24:She was taken to a room and questioned|for 50 hours. No sleep, no food. . . 00:15:29:. . .no bathroom breaks, no mercy. 00:15:32:l don't know. 00:15:35:She was gone. 00:15:37:l don't know. 00:15:57:She convinced them she didn't know|about April's disappearance, but. . . 00:16:02:. . .it cost her three teeth,|a broken nose and a broken wrist. 00:16:07:Eventually, Ellen's maid was allowed|to return home again. 00:16:12:l mean, the only home she had left. 00:16:16:When do we go upstairs? l hear|that's where the weird stuff is. 00:16:22:No time like the present. 00:16:24:Come on, everybody. 00:16:37:l didn't notice that one before. 00:16:41:Neither did l. 00:16:43:Could you try to remember who's|running this expedition? 00:16:46:-Sure.|-Thanks. 00:16:51:Come here, please. 00:16:53:Tie your rope to that pole.|lt'll help us find our way back. 00:16:58:Couldn't we just go and get the plans? 00:17:02:-The plans don't always mean a lot.|-lt's a safety measure. 00:17:06:So follow me, and prepare|to be amazed. 00:18:23:Ellen called this the|Perspective Hallway. 00:18:27:Her first major addition.|And no architect designed it. 00:18:32:She made it up herself?|Way to go, Ellen. 00:18:36:But she didn't. 00:18:39:Then who? 00:18:48:Sukeena. 00:18:50:-Her maid?|-Her companion. 00:18:54:lt's so wild, like something|in a fun house. 00:19:00:Oh, it's making my stomach turn. 00:19:06:l guess they're pieces|built in perspective. 00:19:11:Camouflaging the doors|was Great-Gram's idea. 00:19:14:She didn't want them to spoil|the illusion. 00:19:18:Bollinger! Hey, Bollinger,|are you in there? 00:19:23:Whoa! 00:19:25:Annie, no! 00:19:28:No! 00:19:30:You be quiet! 00:19:34:You wanted this place to wake up.|l'd say you've been successful. 00:19:39:Does she ever get assertive, or does|she always waffle like that? 00:19:44:She doesn't talk much, but|what she says, she means. 00:19:50:-l'll say.|-ln the mid-60s. . . 00:19:52:. . .a team of scientists spent|some time investigating Rose Red. . . 00:19:57:. . .and heard the house scream. 00:20:00:They recorded them, although|they don't sound impressive. 00:20:04:-And what did they conclude?|-That it was underground water. 00:20:10:Perhaps amplified by the water pipes|under this part of Seattle. 00:20:14:Underground water? 00:20:16:People facing these phenomena|tend to protect their belief systems. 00:20:21:This hallway was the last place|Ellen Rimbauer was ever seen. 00:20:26:They moved in on January 1 5th, 1 909. 00:20:30:Each January 1 5th, Ellen wore the same|dress she wore when they arrived. 00:20:36:Ellen threw a party every January 1 5th|and everybody showed up. 00:20:41:Politicians, hoodlums,|sports players, stars. 00:20:45:When the actress disappeared,|the parties stopped. 00:20:48:Finish telling us about|old Mrs. Rimbauer. 00:20:51:She disappeared on January 1 5th, 1 950.|She was 70. 00:20:58:A maid wished her good evening... 00:21:02:...and she swept by as if|she didn 't even hear. 00:21:06:And that was the last|anyone ever saw of her. 00:21:10:Come on, lots more to see. 00:21:18:This is the gymnasium. 00:21:20:The exercise equipment is out-of-date. 00:21:30:This room demands a particular|form of exercise. 00:21:33:-What--? How--?|-lt's the mirror library. 00:21:38:lt's not in the plans.|l remember seeing it as a boy. 00:21:42:They're not in the plans?|How can it not be in the plans? 00:21:46:Here's a camera. 00:21:55:Not good. Not good at all.|''The property of Kevin Bollinger. '' 00:21:59:-Mr. Bollinger, are you here?|-What's wrong? 00:22:03:l said this might happen.|Just use your flashlights. 00:22:07:-We should go back downstairs.|-Nonsense. 00:22:11:Oh, my--! Look. 00:22:20:Steve, roll tape, roll tape! 00:22:22:Annie. 00:22:29:Annie, no. 00:22:32:Annie, don't touch it. 00:22:45:Annie, no! 00:22:48:Annie, come home. 00:23:10:Come with me. 00:23:15:Stop her! Somebody's got to stop her! 00:23:36:Are you okay? 00:23:38:-How did you know to do that?|-l don't know, l just did it. 00:23:42:-Take it, l don't want it.|-Here, give it to me. 00:23:50:Try and get some good|pictures of them being psychic. 00:23:54:What's that supposed to mean? 00:23:56:lt's someone talking to Bollinger. 00:23:59:-l bet l know who.|-ls he alive? Can you tell? 00:24:03:He was when he dropped this camera,|l don't know. 00:24:07:We ought to get out of here. 00:24:09:Okay, folks, let's head back|downstairs. Break time. 00:24:13:Thank God. 00:24:25:Wait. 00:24:26:lt's not the same. 00:24:28:-The hallway.|-No, nonsense. 00:24:31:He's right. We're not going|the way we came. 00:24:34:-What in heaven's name is that?|-What's going on? 00:24:38:The building started again.|You wanted to wake the place up. 00:24:42:Now you got what you wanted. 00:24:44:-Who's building, and what?|-l don't know. 00:24:48:You're lying. 00:24:50:No, l'm not lying. 00:24:52:ls it too hard to remember?|Or too frightening to remember? 00:24:59:lt's gone. lt stopped. 00:25:03:l suggest we go downstairs|before it starts again. 00:25:40:Annie, l need your help. 00:25:50:Now put your hand here,|and push from here. 00:26:02:Annie, what are you doing? 00:26:08:-Nick.|-Not now, Joyce. 00:26:17:Annie! 00:26:39:That wasn't funny. 00:26:44:Okay, l know another way down.|There might be something worth seeing. 00:26:50:-Are you sure you know the way?|-Yes. 00:26:58:Oh, my God. 00:27:01:-''Oh, my God'' is right.|-More camouflaged doors, Stevie? 00:27:06:Gram wasn't above using a trick twice.|This was a joke. . . 00:27:10:-. . .on her husband's business life.|-Did he get it? 00:27:13:l doubt it. l don't even|really get it. 00:27:17:Here's the door right here. 00:27:19:Just press right there. 00:27:30:This house has everything but chow. 00:27:46:Joyce, it's this way. 00:27:48:Oh, of course, l knew that. 00:28:12:Better, Emery? 00:28:14:Than nothing, l guess.|Too much mayo in the crabmeat. 00:28:18:What do you want? 00:28:20:Bare-breasted nymphs offering|delicacies from a silver platter? 00:28:25:Stop it. Stop harassing me. 00:28:27:Ever learn the difference|between joking and harassing? 00:28:31:l learned plenty in high school,|from guys like him, and you. 00:28:36:Come on, give it a rest. 00:28:38:Emery, l may have something better|for you in a while. 00:28:42:Tell us about the actress, Joyce.|l'm a sucker for celebrities. 00:28:47:Well, that's her, on Ellen's|wall of fame. 00:28:58:Deanna Petrie. . . 00:29:01:. . .was a fairly big star in the '40s. 00:29:06:Musical comedies mostly. 00:29:09:She could dance... 00:29:11:...sing a little... 00:29:13:...and she was sexy as hell. 00:29:19:She was one of Ellen's favorite guests|at her January 1 5th parties. 00:29:25:ln 1 946 she showed up in what Hedda|Hopper called ''The Cocktail Dress. '' 00:29:32:She was wearing it when|she disappeared. 00:29:35:She spent the night here,|in the billiard room. . . 00:29:38:. . .wowing guests with her many. . . 00:29:41:. . .talents. 00:29:43:She left behind a single earring. 00:29:45:A maid found it, but there was|no girl to go with it. 00:29:49:Deanna's disappearance made|Rose Red's reputation. 00:29:54:And now, Annie, if you've|finished eating. . . 00:29:59:. . .l have something to show you. 00:30:03:lt's nice. 00:30:04:You'll like it. l promise. 00:30:13:lt's okay. 00:30:30:Go up, Annie. Go up and see|what you find. 00:30:34:-lt's not dangerous is it?|-No, not a bit. Go on, Annie. 00:30:43:You okay, son? 00:30:45:Yeah. Sure, l'm fine. 00:30:49:Annie? 00:31:37:What in the world is it? 00:31:40:Whatever it is, she likes it. 00:32:32:Cathy, you were right. Revelation 1 2. 00:32:37:Oh, yeah. 00:32:41:No corporal presence in six centuries. 00:32:45:No psychic pulse. 00:32:50:Emery, are you thinking of|dressing for dinner? 00:32:57:You tell me. Read my mind. 00:33:06:Annie, Glenn Miller. 00:33:11:That doesn't work. l tried it|while l was setting up. 00:33:15:Sorry, Annie. 00:33:22:-Joyce?|-lt's all right. 00:33:52:Got three loaded for Reardon.|Large, with two six-packs of soda. 00:33:58:Thank you. l told you there'd be|something you'd like better. 00:34:02:Loaded. Excellent. 00:34:21:Miss Asbury? 00:34:24:May l? 00:34:25:Okay. 00:34:37:-Do this often?|-Every chance we get. How much? 00:34:44:-This is some place. ls it haunted?|-Yeah. . . 00:34:48:. . .by ghosts of delivery men who asked|stupid questions and never escaped. 00:34:57:This is unbelievable.|What are you doing to me? 00:35:01:She's terrific. 00:35:58:l wouldn't think you'd need a|telemetry readout to count heads. 00:36:03:Not human ones, certainly. 00:36:10:-l'm real worried about Mr. Bollinger.|-Don't bother, he'll show up. 00:36:15:l wish l was as sure of that as|you are. Where's Vic? 00:36:19:Right here. Anyone care to dance? 00:36:23:Well, not me, l'm pooped. 00:36:26:Where have you been? 00:36:28:l lost my book. 00:36:30:lt's story time. We've heard the one|about the actress. . . 00:36:34:. . .tell us about Rimbauer's|partner, Mr. Posey. 00:36:37:-Remember that séance l spoke about?|-Starring the gypsy psychic Cora Frye? 00:36:43:Yes. That was 1 91 4. . . 00:36:45:. . .and the war was heating up|the economy. 00:36:48:Omicron Oil was in clover.|Money was rolling in. . . 00:36:52:. . .and John Rimbauer was|tired of sharing. 00:36:55:ln October of that year, he gave|Douglas Posey the bum's rush. 00:37:00:According to family legend,|Uncle Posey had a taste for cowboys. 00:37:05:He liked chaps in chaps? 00:37:07:-Was he into roping or branding?|-Probably a little bit of both. 00:37:13:Rimbauer bought him out at|distressed sale prices. 00:37:16:He was told never to come back,|but he did, once. 00:37:20:That was in 1 91 5. John was in Europe,|and Adam and April were home with Mom. 00:38:38:Granddad never forgot Posey|tossing him that Tom Mix hat of his. 00:38:42:He wanted it and threw a tantrum|when his mother tried to take it. 00:38:47:And he never forgot April|catching the rose. 00:38:50:Why did Posey wait a year to do it?|And why here? Any ideas? 00:38:56:l don't have any answers. 00:38:58:After the suicide, John and Ellen kept|Adam away as much as possible. 00:39:03:He was at boarding school|when his sister disappeared. 00:39:07:He knew that something was|wrong here, even then. 00:39:11:The male descendants have|mostly stayed away. 00:39:14:l was here only a few times.|l got off on my own once. l was 8. 00:39:19:Your father-- 00:39:20:He hated this place. He was afraid.|My mother brought me. 00:39:25:l forgot till today.|l blocked it out, l guess. 00:39:28:Nick reminded me. She probably|couldn 't find a babysitter. 00:39:33:-What was she looking for?|-Loot. l think she was drunk. 00:39:37:That's my memory of it, but she so|often was in those days. 00:40:20:l know she and Dad were broke. 00:40:22:After we lost the oil company,|it's been a family disease. 00:40:26:Broke-itis. 00:40:30:And while your mother|was treasure hunting, you got lost. 00:40:35:Yeah. lt was no big deal, but-- 00:40:38:You were upstairs before you|realized how lost you were. 00:40:42:One floor above the mirror library.|Or was it three floors, or 1 0? 00:40:47:When this place gets going|and feels lively. . . 00:40:50:. . .when it has energy to use. . . 00:40:52:. . .it can make itself|as big as it wants. 00:40:55:But you got to the top. . . 00:40:58:. . .and that's where. . . . 00:41:03:Oh, my God! 00:41:09:What is it? Do you know? 00:41:11:lt's a cluster manifestation|with elements like an earthquake. 00:41:19:lt's the house! lt's coming alive! 00:41:25:How many are there? Can you tell? 00:41:33:Damn this thing! 00:41:35:l'm not so sure that there is|anyone here! 00:41:38:l know that sounds crazy, but--! 00:41:51:Be gone! 00:42:17:Oh, Annie, don't touch it. 00:43:15:-Go.|-Annie. 00:43:21:Go ahead. 00:43:24:Go. 00:43:25:Annie, come. 00:43:38:l'd advise none of you|to go wandering tonight. 00:43:43:-You'd agree, wouldn't you, Steve?|-As a matter of fact, l would. 00:44:01:lf we're quiet. . . 00:44:04:. . .if we listen. . . 00:44:06:. . .we can hear houses breathe. 00:44:08:Sometimes, in the depth|of the night. . . 00:44:12:. . .you can hear them groan as if|they were having bad dreams. 00:44:17:Can l ask you something? 00:44:21:Of course, Emery. 00:44:24:Will you come to bed with me? 00:44:28:Look, isn't that your mom? 00:44:31:That's not my mother. 00:44:33:That's just an old--|Pam? 00:44:39:-Pam, what are you doing?|-Say cheese. Say cheese, Emmy! 00:44:51:Oh, man! 00:45:25:Five grand wasn't enough, Ma,|not at all. 00:45:28:Twenty wouldn't have been enough. 00:45:55:Wanna get it on? 00:45:57:We've got all night, Emery. 00:45:59:-We've got forever.|-You're not there. Not there! 00:46:03:But l am. l'm your girl. 00:46:07:l'm your dream girl. 00:46:10:Not there, not there,|not there, not there. 00:50:41:Say cheese! 00:50:53:-Who is it?|-Cathy. 00:51:12:Come on, hurry up. 00:51:16:What is it? 00:51:18:Steve found something amazing.|lt explains so much. 00:51:22:Explains what?|What are you talking about? 00:52:50:Annie. . . 00:52:51:. . .turn your record player off,|Dad'll be pissed. 00:53:51:What is it? 00:54:04:Did you open that? 00:54:08:lf you opened it, close it. 00:54:12:l can't sleep with the door open. 00:54:14:l'm afraid of the bogeyman.|Aren't you? 00:54:33:No ''ogeyman. '' 00:54:37:No bogeyman? 00:54:40:''Ogey'' lady. 00:54:45:Bogey lady? 00:55:03:-Night-night.|-You are gonna get it now. 00:55:43:Sorry, your call can't be completed.|Pay your bill and kiss my ass. 00:55:49:No luck? 00:55:51:My mom will go crazy. lt's not a long|trip for her, even at the best times. 00:55:56:Sorry about that. 00:55:57:Yeah, well, l'm thinking about getting|out of here before she shows up. 00:56:03:l get tired of her, you know,|showing up. 00:56:06:Also, Rimbauer gets on my nerves.|Joyce too. 00:56:10:''On our left, the ghosts of|April Rimbauer and Douglas Posey. 00:56:14:Don't worry, they're perfectly|harmless. '' 00:56:17:And you know what? Under that|phony tour-guide shtick. . . 00:56:21:. . .she's as crazy as the Red Queen.|''Off with their heads. '' 00:56:25:And that creepy kid with that|creepy doll. 00:56:28:She's nuts too. 00:56:30:Rimbauer's just smart-ass du jour. 00:56:35:Well, what's this,|your shrink routine? 00:56:39:Just get it off your chest. 00:56:43:A dead cell, isn't that|what Joyce called it? 00:56:47:Wanna know about dead? l had a dead|movie star in bed last night. 00:56:51:-Deanna Petrie?|-Didn't last long, but it was a very. . . 00:56:56:. . .physical manifestation. l'm|getting tired of Rose Red's tricks. 00:57:00:Joyce wants some of her 5000 back,|l'll see her in court. 00:57:04:lf my mom doesn't hear from me soon,|she's really gonna go nuclear. 00:57:10:l will not try my call again later! 00:57:38:Good morning, Annie. 00:57:42:All right then. 00:57:53:-Good morning, Steve.|-Good morning. 00:57:58:-ls that Annie?|-Annie it is. 00:58:02:Would you like some eggs?|lt'd be a pleasure. 00:58:05:No, thanks. 00:58:06:-Seen Joyce?|-She's fiddling with her equipment. . . 00:58:10:. . .looking as if she last got a good|sleep circa 1 972. l'd tread carefully. 00:58:15:-She's crabby, huh?|-Very. Video's cloudy, audio garbled. . . 00:58:20:. . .no recorded telemetry of any use. 00:58:29:-What's that?|-That's the wine cellar. 00:58:32:lsn't it marvelous?|The door was open when l came down. 00:58:36:-Haven't you seen it before?|-No. 00:58:41:Rose Red hasn't just woken up. . . 00:58:44:. . .it's House & Garden 's|version of Frankenstein's monster. 00:58:48:-That's ridiculous.|-ls it? 00:58:51:Listen. 00:58:56:-You heard much of that?|-Enough to worry me. 00:58:59:Bollinger's persistent|nonappearance worries me too. 00:59:02:You would think,|if he was still here and alive. . . 00:59:06:-. . .we'd run into him, wouldn't you?|-l don't know. 00:59:10:The longer we go without|reporting his disappearance. . . 00:59:13:. . .the more peculiar our position is|if he turns up dead, or not at all. 00:59:25:Dom Perignon, 1 949. A very good year. 00:59:29:ln my experience, they're all|good years. 00:59:36:What goes better with eggs|than champagne? 00:59:39:Pull the cork, Steve. 00:59:51:-Will you wet your whistle?|-lt's a little early for me. 00:59:56:-Cheers.|-Cheers. 01:00:03:You know, this place|is feeding off us. 01:00:07:And although l'm sure|it finds us all. . . 01:00:10:. . .rather tasty, its primary sources|of nourishment are Annie and you. 01:00:15:-l don't have a telepathic bone in me.|-l don't know what you were before. . . 01:00:20:. . .and the house almost ate you,|but now you're a psychic transmitter. . . 01:00:25:. . .operating on Rose Red's wavelength.|lt almost had you. lt wants you back. 01:00:30:lt wants Annie too. 01:00:32:-You're crazy.|-Crazy? 01:00:34:Maybe. But l vouch|that Joyce is crazier. . . 01:00:37:. . .and she means to have proof|even if someone has to die. 01:00:41:-You're wrong.|-Really? 01:00:44:Let's ask Mr. Bollinger,|if we meet him again. 01:00:50:-What are you doing?|-Making sure Miller sent Bollinger. 01:00:54:-lf he did, l'll report him missing.|-Joyce won't like that. 01:00:59:According to you, she's|not very happy anyway. 01:01:11:Hey, professor,|what you doing here? 01:01:14:Minding my business, as l|hope you will yours. 01:01:19:Who locked this door? 01:01:21:l imagine you locked it yourself,|professor. lt being your office. 01:01:26:You must have the number,|it's your cell phone. 01:01:30:-Will you talk to him if he calls?|-l'd be delighted. 01:01:34:Thanks. 01:01:38:Guess who 's on the cover|of next week's paper? 01:01:42:You have a nice day. 01:01:45:-Damn you!|-Received at 8:42 a.m. 01:01:49:This is Steve again. l need|to talk to you about Kevin Bollinger. 01:01:53:He slit his wrists and wrote your|name in his blood before he died. 01:01:58:Joyce suggests you come|before we call the cops. 01:02:02:Maybe we can|minimize this scandal, but... 01:02:05:...it's imperative you come|the second you get this. 01:02:09:End of message.|You have no more new messages. 01:02:21:Have a nice day, professor. 01:02:48:Morning, Annie. 01:02:53:Good morning, Annie. 01:03:02:Good morning, Annie. 01:03:09:Good morning, Annie. 01:03:17:Good ''orning. '' 01:03:21:Steve. Good morning, Steve. 01:03:26:Good ''orning,'' Steve. 01:03:31:Right. 01:04:03:Knock yourself out. 01:04:28:That's pretty good. 01:05:17:She can also bend spoons, turn on|lights, and set off car alarms. 01:05:25:-l got babies.|-Yes, very nice babies. 01:05:32:l got Adam. l got April. 01:05:37:She never talks to strangers.|l'm impressed. 01:05:42:ln fact, l'm stunned. 01:05:43:Well, l've never heard Glenn Miller|playing out of a flower before. 01:05:52:You're Rachel.|That's right, isn't it? 01:05:54:Yeah. Most people call me|Sister or Sissy, for short. 01:05:58:l think l prefer Rachel. 01:06:01:So, this is a very big deal|for Joyce, right? 01:06:05:Yes, because of the|disappearances, Rose Red. . . 01:06:08:. . .is a white whale in the field of|psychic research. 01:06:12:Now that Miller got her tenure|revoked, it's more important. 01:06:16:lf Joyce gets proof of paranormal|activity, she's okay. lf not. . . . 01:06:20:l had no idea things were|so dire for her. 01:06:23:She's paying me a lot of money.|Paying Annie, l should say. 01:06:28:-l wonder if she can afford it.|-l wonder too. 01:06:31:You really don't know? l thought|you two were closer than that. 01:06:36:ln some ways, in others,|we're not in the same neighborhood. 01:06:40:Tell me about her. 01:06:43:She's 1 5. She's autistic. 01:06:47:She loves ''A Summer Place. ''|She loves big bands. 01:06:50:She's also telepathic and|psychokinetic. 01:06:55:Which are probably the|least important things about her. 01:06:59:-Can l show you something?|-Sure. 01:07:08:Everything was dead at this end|of the room yesterday. 01:07:12:We all feel the house|coming to life. 01:07:14:Maybe, but the house didn't|do this, Annie did. 01:07:19:lt's the other side of what she is.|lt's not all. . . 01:07:22:. . .frozen pipes and falling stones. 01:07:25:When l look at her,|l don't see ruin. l see roses. 01:07:32:When Annie was 5, a dog bit her. 01:07:39:Annie, make him go away! 01:07:42:Annie, make him stop! 01:07:44:Oh, Annie, make him go away! 01:07:54:What happened? Oh, my God. 01:07:58:He bit her. Your dog bit my sister! 01:08:01:Oh, my God.|Buddy, get back in the house! 01:08:04:l'm so sorry. He's never done this|before. He's never bitten anyone. 01:08:11:lt'll be all right, you'll see.|lt'll be just fine. 01:08:19:Sister, look at this. 01:08:22:Sister, l got baby. 01:08:32:Hey. Go on, now. 01:08:34:Stones from the skyjust fell on the|house. Nowhere else on the street. 01:08:39:The dog that hurt her|had been destroyed, but Annie-- 01:08:44:Annie didn't understand that. 01:08:47:-Stop it.|-Answer me! Are you proud of this? 01:08:50:-Stop it!|-No, l'm not going to! 01:08:52:How could you be so stupid? 01:08:55:How could you let a reporter|get Annie's drawings? 01:09:01:Annie came in while l was|arguing with my father and... 01:09:05:... well... 01:09:06:...l guess you could say|she lodged a protest. 01:09:49:She froze all|the water in the house. 01:09:53:She's a big-time telekinetic,|and that's all Joyce cares about. 01:09:57:-Joyce is--|-No! 01:10:00:No. l-- Thank you. 01:10:04:l do understand. l mean. . . 01:10:06:. . .l think even Annie understands|why we're here, in her own way. 01:10:12:But for me. . . 01:10:15:. . .the important thing about Annie,|all that's important about Annie. . . 01:10:20:. . .is that she responds|to love with love. 01:10:25:lsn't there a place for|the Annies of the world? 01:10:29:lt'd be nice to think so, but the|world isn't always fair, that's all. 01:10:35:l know it. 01:10:46:For the lamb shall lead and feed them|unto the living fountains of waters. 01:10:56:We must drink from the grape. . . 01:10:59:. . .and not the grain. 01:11:02:Maybe later. 01:11:06:You sure? 01:11:11:Could we. . .? 01:11:16:What's she thinking? Any idea at all? 01:11:20:Not the slightest. 01:11:22:Miss Asbury, you look|lovely this morning. 01:11:25:lf only l'd have known,|l would've dressed for the occasion. 01:11:38:What's wrong, sweetheart? 01:11:45:-Miss Asbury? Pam?|-lt's not much farther. 01:12:49:Who are you? 01:12:50:-l might ask you the same thing.|-Patricia Waterman, Emery's mom. 01:12:55:Professor Carl Miller. 01:12:57:Nice to meet you.|Are you going in? 01:12:59:-l'm afraid so.|-Good. l've come to get my boy. 01:13:03:Get the gate, would you? 01:13:15:Come on! Put your back into it! 01:13:34:-What is it you found?|-Something amazing. lt explains a lot. 01:13:38:-We should tell the others.|-We will. 01:13:41:But l wanted to show you first. 01:14:36:Daffy bitch! 01:14:48:Em? Emery! 01:14:57:What's wrong with you?|Look what you've done! 01:15:00:Emery! Come back! 01:15:07:Emery! 01:15:12:Woman! Can we exchange|insurance information? 01:15:15:Where are you? 01:15:20:Emers! 01:15:22:Emery! 01:15:25:Not there, not there, not there. 01:15:51:Emery! 01:15:54:Emery! 01:15:57:Emery, what's wrong? 01:16:00:Stop running! Let me help! 01:16:05:Pam? 01:16:23:Pam? 01:16:35:Woman! 01:16:37:Where are you? 01:16:41:Pam? 01:16:52:Be not afraid, only believe. 01:16:55:Be not afraid, only believe. 01:17:06:Emery! Emery! 01:17:13:Oh, my God. lt is her. 01:17:31:Woman! Where are you? 01:17:34:Emery! 01:17:37:Emers! 01:17:39:ls that you? 01:17:41:Emery! 01:17:44:Only believe. Only believe. 01:17:48:l don't believe it. 01:17:52:l don't believe. 01:17:58:l don't believe. 01:18:26:No! 01:18:34:-Emery!|-Help me, Mommy, l'm so scared. 01:18:38:-Emers.|-Help me, Mommy! 01:18:44:Mrs. Waterman? 01:18:46:Where are you? 01:19:12:Someone help me. She's alive. 01:19:16:Not there. Not there. Not there. 01:19:20:l don't want to go! Open the window!|Open the window and let me in! 01:19:27:Emery! 01:19:28:l'm having a heart attack! 01:19:31:-Call 91 1 .|-Not by the hair of my chinny chin chin. 01:19:35:Not there. Not there. Not there. 01:19:40:Emery. Look at me. Please!|Look at me! 01:19:45:For God's sake, open the window. 01:19:48:Not there. Not Mommy. Not Vic.|Not the actress. Not anyone. 01:19:54:Not there. Not there. 01:20:01:ln my hair, foul or fair.|Don't you dare. No one there. 01:20:05:Peach or pear. No one there.|ln my hair, foul or fair. 01:20:14:-Don't you dare. No one there!|-What's going on? 01:20:17:-No one there. Foul or fair!|-Vic! 01:20:24:He came to you for help and you|turned your back on him. 01:20:35:What the hell is going on? 01:20:46:Sir? Pardon me, sir. 01:20:51:-Yes?|-Are you here for Mr. Bollinger? 01:20:55:-ls he here?|-Oh, yes. . . 01:20:58:. . .waiting for you|in the solarium, sir. 01:21:01:lf you're Professor Miller, that is. 01:21:05:-He's all right? Not hurt, or--|-l believe he's impatient to go home. . . 01:21:10:. . .but otherwise he seems quite well. 01:21:13:lt's Rimbauer. 01:21:16:What is going on? 01:21:18:l'm sure l cannot say, sir. 01:21:20:Ms. Reardon's party seems|rather rambunctious. 01:21:25:Does it indeed? 01:21:27:Take me to Bollinger. 01:21:30:Right away, sir. 01:21:35:How did l get up here? 01:21:49:Ma'am, will you slow down a bit? 01:21:54:Where are you going? 01:21:59:Hello? 01:22:01:Ma'am? 01:22:04:Where are you? 01:22:11:What the hell? 01:23:24:[ENGLlSH] 00:00:00: 32765