All language subtitles for Toot.Whistle.Plunk.and.Boom.1953.DVD.DD.2.0.ENG.Subs.x264_track5 French from subscene-en

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These are the user uploaded subtitles that are being translated: 1 00:00:46,200 --> 00:00:48,441 Aujourd’hui, nous allons Ă©tudier... 2 00:00:48,960 --> 00:00:51,019 ...|’hist0ire ancienne? 3 00:00:51,520 --> 00:00:53,659 — Les mathĂ©matiques? — Uacrobatie? 4 00:00:54,160 --> 00:00:56,367 — Uorthographe? — La narration? 5 00:00:56,880 --> 00:00:58,837 Non, non, non... 6 00:00:59,320 --> 00:01:03,496 L’étude des instruments de musique sera |’0bjet de Ia Iegon d’aujourd’hui. 7 00:01:04,280 --> 00:01:09,332 UĂ©tude des instruments de musique sera Fobjet de la legon d’auj0urd’hui 8 00:01:18,680 --> 00:01:21,308 Vous Ă©tes-vous dĂ©mandĂ©s, quand Forchestre se met Ă© jouer, 9 00:01:21,880 --> 00:01:23,974 d’oL‘| vient Ia musique? 10 00:01:24,480 --> 00:01:27,142 D’un “tut“ et d’un “sifïŹ‚et“, d’un “p|0nc“ et d’un “boum“... 11 00:01:27,720 --> 00:01:29,745 Cest de lĂ© que vient la musique 12 00:01:30,240 --> 00:01:32,834 Avez—v0usjamais compris ce qu’est une belle symphonie, 13 00:01:33,400 --> 00:01:35,562 pure et pleine de sentiments? 14 00:01:36,080 --> 00:01:38,674 U1? "tut" e2‘ an "s/fïŹ‚et" U1? "p/onc " e2‘ an "boum " 15 00:01:39,240 --> 00:01:41,265 Viennent des instruments 16 00:01:41,760 --> 00:01:44,491 Les cuivres font "tut" Les bois font "sifïŹ‚e" 17 00:01:45,080 --> 00:01:47,287 Les cordes font "plinc plonc plinc" 18 00:01:47,800 --> 00:01:50,497 La batterie fait "boum" Les cymbales "zim zoum" 19 00:01:51,080 --> 00:01:53,242 Tous ensemble ils font une mĂ©lodie 20 00:01:53,760 --> 00:01:56,593 N’0ub|iez pas ce qu’0n a Ă©tudiĂ© quand Forchestre se met Ă© jouer... 21 00:01:57,200 --> 00:01:59,157 D’0L‘| vient Ia musique. 22 00:01:59,640 --> 00:02:00,823 Uun... 23 00:02:01,200 --> 00:02:02,497 Et (Yun... 24 00:02:02,880 --> 00:02:05,508 Cest de lĂ© que vient la musique. 25 00:02:08,760 --> 00:02:11,912 Envo|ez—vous avec moi vers |’aube de |’hist0ire. 26 00:02:12,560 --> 00:02:17,543 Nous commencerons Ă© explorer Ie “tut“, Ie “sifïŹ‚et“, Ie “p|0nc“ et Ie “boum“. 27 00:02:18,440 --> 00:02:21,068 Vous en serez stimulĂ©s. 28 00:02:23,440 --> 00:02:25,431 Les gargons, c’est Ă© vous. 29 00:02:41,360 --> 00:02:43,954 Quand Yhomme des cavemes a soufïŹ‚Ă© dans une come de vache creusĂ©e, 30 00:02:44,520 --> 00:02:47,842 Ie premier “tut“ Ă©tait nĂ©. 31 00:02:52,160 --> 00:02:57,849 Ayangons dans |’hist0ire. Nous voici en Egypte, 2000 ans avantjĂ©sus-Christ. 32 00:03:00,360 --> 00:03:03,239 E1‘ la‘ sur les bards du Ni/ 33 00:03:03,840 --> 00:03:05,934 Le "tut" a vraiment change’ de style 34 00:03:06,440 --> 00:03:08,966 Et Ie vilain son Que les hommes des cavernes font 35 00:03:09,520 --> 00:03:12,353 N’est pas assez bon pour les Pharaons 36 00:03:16,600 --> 00:03:19,922 Non, ce n’est pas assez bon pour les Pharaons 37 00:03:36,800 --> 00:03:41,465 Plus ces trompettes Ă©taient Iongues, plus Ieur son Ă©tait bas. 38 00:03:51,600 --> 00:03:55,878 Mais unjour, que|qu’un s’est heurtĂ© Ă© un fait trĂ©s surprenant. 39 00:04:06,080 --> 00:04:09,653 II avait dĂ©couvert que changer Ia forme d’une trompette 40 00:04:10,360 --> 00:04:12,988 ne changeait pas son diapason. 41 00:04:15,680 --> 00:04:20,242 La trompette avait Ă©tĂ© inventĂ©e. 42 00:04:24,440 --> 00:04:27,523 Ma's cette trompette ne pouvmt produke que certames notes. 43 00:04:31,600 --> 00:04:35,559 Pourjouer un air, il fallait quatre trompettes de longueurs diffĂ©rentes. 44 00:04:45,920 --> 00:04:48,059 Coupez Ies bouts ajoutĂ©s. 45 00:04:49,760 --> 00:04:52,286 AktacheHes '21 une trompette. 46 00:04:52,840 --> 00:04:56,208 Ajoutez des pistons pour contrĂ©ler Ie passage de |’air dans ces bouts ajoutĂ©s. 47 00:04:56,880 --> 00:05:00,805 Maintenant, vous pouvezjouer vos mĂ©lodies sur une seule trompette. 48 00:05:06,000 --> 00:05:09,959 (Test le principe de base de nos cuivres modernes. 49 00:05:18,920 --> 00:05:21,082 Maintenant, revenons Ă© notre sifïŹ‚et. 50 00:05:29,200 --> 00:05:31,931 Quand |’h0mme des cavernes dans un brin d’herbe a soufïŹ‚Ă©, 51 00:05:32,520 --> 00:05:35,182 c’est Ia premiĂ©re fois qu’0n a entendu sifïŹ‚er. 52 00:05:37,800 --> 00:05:40,394 Pour que sa femme des cavernes Iui sourie 53 00:05:40,960 --> 00:05:43,554 il fallait que son sifïŹ‚ement soit plusjoli. 54 00:05:49,560 --> 00:05:54,714 Quand il a vu qu’i| s’amĂ©|i0rait, il a ajoutĂ© des trous, 8 ou 9 Ă© peu prĂ©s. 55 00:06:01,480 --> 00:06:03,790 En utilisant sa tĂ©te p|ut6t que ses pieds, 56 00:06:04,320 --> 00:06:08,848 un gĂ©nie a trouvĂ© comment rĂ©soudre Ie problĂ©me avec une grande ingĂ©niositĂ©. 57 00:06:27,880 --> 00:06:30,850 Quand Ie troisiĂ©me homme des cavernes a pincĂ© Ia corde de son arc, 58 00:06:31,480 --> 00:06:34,734 ce fut Ie premier “p|0nc“, autant que |’0n sache. 59 00:06:36,920 --> 00:06:39,400 Dhbordp/"end/"e an arc E z‘ que/que temps aprĂ©s 60 00:06:39,960 --> 00:06:42,440 Ajouter unejarre Pour faire rĂ©sonnance 61 00:06:43,000 --> 00:06:45,458 Ajouter des cordes Ecoutez si ga s’acc0rde 62 00:06:46,000 --> 00:06:48,310 Changer la jarre pour une caisse de bois 63 00:06:48,840 --> 00:06:51,468 Placer la ca/sse tout en bas Ou/Q fest pa 64 00:06:52,040 --> 00:06:54,350 Ajouter quelques boutons Pour accorder Ies sons 65 00:06:54,880 --> 00:06:57,577 Changer un peu la forms E1‘ pa dev/ent une harpe 66 00:06:58,160 --> 00:07:00,959 Et IĂ©, il y a deux solutions. 67 00:07:01,560 --> 00:07:03,949 Vous pouvez la pincer, 68 00:07:05,800 --> 00:07:08,258 ou jouer avec un archet. 69 00:07:59,040 --> 00:08:01,384 De |’h0mme des cavernes qui en rythme frappe 70 00:08:01,920 --> 00:08:05,174 viennent tous Ies sons qui claquent et qui tapent. 71 00:08:05,840 --> 00:08:08,047 Les crissements... 72 00:08:09,520 --> 00:08:12,399 Les cloches... 73 00:08:13,000 --> 00:08:16,857 Et tous Ies instruments qui font “boum“. 74 00:08:48,080 --> 00:08:49,582 E1‘ le ”s/'fïŹ‚et ” 75 00:08:51,080 --> 00:08:53,606 E1‘ le ‘plant ” 76 00:08:54,160 --> 00:08:55,594 E1‘ le ”b0um ” 77 00:08:56,000 --> 00:08:58,560 Du fin fond des origines 78 00:09:00,080 --> 00:09:03,050 Partouz‘ on entend an bruit Ou une belle symphonfe 79 00:09:03,680 --> 00:09:05,603 Ou la musique dbrient 80 00:09:06,080 --> 00:09:08,981 U1? "tut" e2‘ an "s/fïŹ‚et" U1? "p/onc " e2‘ an "boum " 81 00:09:09,600 --> 00:09:11,625 D6 tOUS I65 instruments 82 00:09:12,120 --> 00:09:14,851 Le trombone fait "tut" 83 00:09:15,440 --> 00:09:18,410 Lbrgue siffle 84 00:09:19,040 --> 00:09:21,771 Et Ie banjo fait Plinc-eti-plinc-eti-plonc 85 00:09:22,360 --> 00:09:24,954 La batterfe fax? "boum " A vec an "c/fc c/ac 20am " 86 00:09:25,520 --> 00:09:28,467 Et des rythmes latins 87 00:09:29,080 --> 00:09:31,708 CONCERT CE SOIR 88 00:09:33,480 --> 00:09:36,245 N bubliez pas ce qubn a Ă©tudiĂ© 89 00:09:36,840 --> 00:09:39,923 Quand lbrchestre se met Ă©jouer 90 00:09:40,560 --> 00:09:46,067 Dbl) vient toute la musique 91 00:09:47,040 --> 00:09:48,405 D’un "tut"! 92 00:09:50,720 --> 00:09:52,188 Et d’un "sifïŹ‚et" 93 00:09:53,840 --> 00:09:55,069 El‘ dim ‘so/Ont,’ 94 00:09:57,040 --> 00:09:58,849 E1‘ (fun "boum" 95 00:10:01,000 --> 00:10:03,833 Cest de [Ă© que Ia musique Cest de lĂ© que la musique 96 00:10:04,440 --> 00:10:09,219 Cest de lĂ© que vient toute la musique 97 00:10:12,760 --> 00:10:16,685 FIN 8181

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