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hi it's Ashley from AV Sound Advice
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hi it's Ashley from AV Sound Advice
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hi it's Ashley from AV Sound Advice
today we're looking
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today we're looking
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today we're looking
at the Gold note
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at the Gold note
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at the Gold note
pa-1175 Mark II this is a review on that
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pa-1175 Mark II this is a review on that
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pa-1175 Mark II this is a review on that
power amplifier and before we even start
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power amplifier and before we even start
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power amplifier and before we even start
holy Moses or wow would be the word to
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holy Moses or wow would be the word to
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holy Moses or wow would be the word to
use for this I have played with some big
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use for this I have played with some big
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use for this I have played with some big
power amps over my time and this is
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power amps over my time and this is
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power amps over my time and this is
certainly in my top five
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certainly in my top five
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certainly in my top five
it's just sensationally uh the power and
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it's just sensationally uh the power and
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it's just sensationally uh the power and
as I've mentioned in previous reviews we
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as I've mentioned in previous reviews we
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as I've mentioned in previous reviews we
talked about you if you want to know
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talked about you if you want to know
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talked about you if you want to know
um okay what was the preamplifier I've
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um okay what was the preamplifier I've
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um okay what was the preamplifier I've
used for this well I actually did use
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used for this well I actually did use
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used for this well I actually did use
the the is 1000 from gold note and I've
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the the is 1000 from gold note and I've
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the the is 1000 from gold note and I've
also used the master sale daventi
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also used the master sale daventi
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also used the master sale daventi
um valve amp which you know obviously
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um valve amp which you know obviously
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um valve amp which you know obviously
one was staying with the traditional and
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one was staying with the traditional and
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one was staying with the traditional and
the other way was allowing me to get
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the other way was allowing me to get
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the other way was allowing me to get
into a tri-mode position so
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into a tri-mode position so
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into a tri-mode position so
um wow if you really want to get some
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um wow if you really want to get some
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um wow if you really want to get some
power into your system you're certainly
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power into your system you're certainly
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power into your system you're certainly
not going to go past this gold node PA
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not going to go past this gold node PA
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not going to go past this gold node PA
1175 now it's
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1175 now it's
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1175 now it's
really
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really
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really
I'll I'll go through the specs as always
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I'll I'll go through the specs as always
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I'll I'll go through the specs as always
because that's always the coolness about
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because that's always the coolness about
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because that's always the coolness about
the sort of stuff it can also be used in
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the sort of stuff it can also be used in
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the sort of stuff it can also be used in
mono so let's uh give you some numbers
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mono so let's uh give you some numbers
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mono so let's uh give you some numbers
so the power output on this amplifier is
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so the power output on this amplifier is
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so the power output on this amplifier is
200 Watts at 8 ohm per channel so well
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200 Watts at 8 ohm per channel so well
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200 Watts at 8 ohm per channel so well
and truly not much it's not going to run
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and truly not much it's not going to run
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and truly not much it's not going to run
and if you decide to put it under the
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and if you decide to put it under the
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and if you decide to put it under the
bridge mode you're going to get around
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bridge mode you're going to get around
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bridge mode you're going to get around
the 520 520 Watts uh into eight ohm so
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the 520 520 Watts uh into eight ohm so
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the 520 520 Watts uh into eight ohm so
um not lacking there either
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um not lacking there either
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um not lacking there either
we're frequency response from one HZ to
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we're frequency response from one HZ to
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we're frequency response from one HZ to
100 khz at plus minus 1 DB the total
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100 khz at plus minus 1 DB the total
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100 khz at plus minus 1 DB the total
Distortion is at 0.1 at 20 HZ slash 20
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Distortion is at 0.1 at 20 HZ slash 20
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Distortion is at 0.1 at 20 HZ slash 20
khz signal to noise ratio 110 DB
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khz signal to noise ratio 110 DB
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khz signal to noise ratio 110 DB
dampening Factor High 250 or low 25 the
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dampening Factor High 250 or low 25 the
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dampening Factor High 250 or low 25 the
skew rate is 20V slash us or you I think
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skew rate is 20V slash us or you I think
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skew rate is 20V slash us or you I think
it is us or Qs I'm not sure the
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it is us or Qs I'm not sure the
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it is us or Qs I'm not sure the
audio inputs we have two rcas unbalanced
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audio inputs we have two rcas unbalanced
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audio inputs we have two rcas unbalanced
and we also have one
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and we also have one
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and we also have one
um XLR balanced of course
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um XLR balanced of course
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um XLR balanced of course
there's two inputs so left and a right
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there's two inputs so left and a right
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there's two inputs so left and a right
and we also have sensor sensitivity as
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and we also have sensor sensitivity as
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and we also have sensor sensitivity as
one volt RCA four volt XLR the input
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one volt RCA four volt XLR the input
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one volt RCA four volt XLR the input
impedance 47
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impedance 47
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impedance 47
ohms
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ohms
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ohms
and we're dealing with a as I said the
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and we're dealing with a as I said the
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and we're dealing with a as I said the
audio output speaker terminals
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audio output speaker terminals
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audio output speaker terminals
gold-plated binding posts power
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gold-plated binding posts power
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gold-plated binding posts power
consumption 1 200 Watts Max and 1.2 watt
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consumption 1 200 Watts Max and 1.2 watt
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consumption 1 200 Watts Max and 1.2 watt
in idle mode and power supply is 100 to
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in idle mode and power supply is 100 to
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in idle mode and power supply is 100 to
120 or 220 to 240 50 60 hertz power
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120 or 220 to 240 50 60 hertz power
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120 or 220 to 240 50 60 hertz power
Transformers 640 VA and dimensions 430
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Transformers 640 VA and dimensions 430
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Transformers 640 VA and dimensions 430
by 135 by 370 millimeters and weighs in
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by 135 by 370 millimeters and weighs in
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by 135 by 370 millimeters and weighs in
at 20.5
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at 20.5
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at 20.5
and that is another one of those serious
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and that is another one of those serious
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and that is another one of those serious
lifts
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lifts
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lifts
so let's get into it now I I also
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so let's get into it now I I also
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so let's get into it now I I also
which wasn't interesting I couldn't I
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which wasn't interesting I couldn't I
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which wasn't interesting I couldn't I
guess
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guess
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guess
um when we play with these things we
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um when we play with these things we
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um when we play with these things we
think to ourselves
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think to ourselves
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think to ourselves
um some of the features that are on
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um some of the features that are on
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um some of the features that are on
board we obviously have that's the power
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board we obviously have that's the power
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board we obviously have that's the power
button to turn it off we also have the
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button to turn it off we also have the
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button to turn it off we also have the
DF button and I did it did give me the
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DF button and I did it did give me the
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DF button and I did it did give me the
I'm just actually as we're going through
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I'm just actually as we're going through
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I'm just actually as we're going through
this I'm having another Refresh on that
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this I'm having another Refresh on that
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this I'm having another Refresh on that
and here we go do you have push the
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and here we go do you have push the
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and here we go do you have push the
earphone to adjust the dampening factor
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earphone to adjust the dampening factor
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earphone to adjust the dampening factor
from High 250 or low 25 when the DF is
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from High 250 or low 25 when the DF is
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from High 250 or low 25 when the DF is
set to high the status LED is in blue
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set to high the status LED is in blue
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set to high the status LED is in blue
which we can see there at the moment
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which we can see there at the moment
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which we can see there at the moment
when it is set to low it is in green so
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when it is set to low it is in green so
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when it is set to low it is in green so
there it is it's just changed to Green
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there it is it's just changed to Green
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there it is it's just changed to Green
every time
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every time
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every time
every time the pa11
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every time the pa11
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every time the pa11
75 was switched on the DF setting will
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75 was switched on the DF setting will
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75 was switched on the DF setting will
go to High by default so
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go to High by default so
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go to High by default so
there you go you've heard it directly
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there you go you've heard it directly
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there you go you've heard it directly
from the manual
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from the manual
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from the manual
so let's have a look let's go and have
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so let's have a look let's go and have
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so let's have a look let's go and have
over to the back of this thing so let's
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over to the back of this thing so let's
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over to the back of this thing so let's
come around the back and again look at
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come around the back and again look at
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come around the back and again look at
the build quality Italian made product
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the build quality Italian made product
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the build quality Italian made product
again
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again
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again
massive componentry inside and as I said
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massive componentry inside and as I said
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massive componentry inside and as I said
it is a sensational amplifier now at the
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it is a sensational amplifier now at the
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it is a sensational amplifier now at the
back end here you can see here we've got
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back end here you can see here we've got
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back end here you can see here we've got
our RCA unbalanced our balance XLR left
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our RCA unbalanced our balance XLR left
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our RCA unbalanced our balance XLR left
and right
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and right
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and right
see here so if we are going to run the
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see here so if we are going to run the
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see here so if we are going to run the
mono mode this becomes the positive this
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mono mode this becomes the positive this
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mono mode this becomes the positive this
becomes the negative so one amplifier
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becomes the negative so one amplifier
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becomes the negative so one amplifier
will then run the system and the other
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00:04:47,990 --> 00:04:48,000
will then run the system and the other
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will then run the system and the other
amplifier will run the other so you have
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amplifier will run the other so you have
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amplifier will run the other so you have
one amp per speaker
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one amp per speaker
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one amp per speaker
so
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so
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so
um very very nice and you can see here
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um very very nice and you can see here
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um very very nice and you can see here
again a little switch we've got it in
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again a little switch we've got it in
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again a little switch we've got it in
Stereo see the light's lighting up in
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Stereo see the light's lighting up in
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Stereo see the light's lighting up in
Stereo flick the switch the other way
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Stereo flick the switch the other way
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Stereo flick the switch the other way
and it'll move it to Mono and then you
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00:05:03,590 --> 00:05:03,600
and it'll move it to Mono and then you
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and it'll move it to Mono and then you
just obviously um
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just obviously um
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just obviously um
you've got yourself a pretty serious
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you've got yourself a pretty serious
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you've got yourself a pretty serious
setup if you have two of these things I
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setup if you have two of these things I
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setup if you have two of these things I
can tell you that right now and of
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00:05:09,710 --> 00:05:09,720
can tell you that right now and of
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can tell you that right now and of
course the power switch here to turn on
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course the power switch here to turn on
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course the power switch here to turn on
and off
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and off
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and off
right I guess the big question and I
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right I guess the big question and I
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right I guess the big question and I
also use these
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also use these
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also use these
um again across a whole stack of
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um again across a whole stack of
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um again across a whole stack of
different speakers but
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different speakers but
237
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different speakers but
um the audiophysicmatics was one of the
238
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um the audiophysicmatics was one of the
239
00:05:25,500 --> 00:05:27,830
um the audiophysicmatics was one of the
speakers that I certainly felt that was
240
00:05:27,830 --> 00:05:27,840
speakers that I certainly felt that was
241
00:05:27,840 --> 00:05:29,390
speakers that I certainly felt that was
this was a really good match and I
242
00:05:29,390 --> 00:05:29,400
this was a really good match and I
243
00:05:29,400 --> 00:05:31,550
this was a really good match and I
noticed overseas
244
00:05:31,550 --> 00:05:31,560
noticed overseas
245
00:05:31,560 --> 00:05:33,830
noticed overseas
um some of the big boys you know who are
246
00:05:33,830 --> 00:05:33,840
um some of the big boys you know who are
247
00:05:33,840 --> 00:05:35,029
um some of the big boys you know who are
playing with this high-end stuff we're
248
00:05:35,029 --> 00:05:35,039
playing with this high-end stuff we're
249
00:05:35,039 --> 00:05:37,610
playing with this high-end stuff we're
using two of these PA 1175s I absolutely
250
00:05:37,610 --> 00:05:37,620
using two of these PA 1175s I absolutely
251
00:05:37,620 --> 00:05:40,129
using two of these PA 1175s I absolutely
love to get a second one of these and
252
00:05:40,129 --> 00:05:40,139
love to get a second one of these and
253
00:05:40,139 --> 00:05:41,930
love to get a second one of these and
hear them on the mydex
254
00:05:41,930 --> 00:05:41,940
hear them on the mydex
255
00:05:41,940 --> 00:05:43,730
hear them on the mydex
just to I mean as you can imagine
256
00:05:43,730 --> 00:05:43,740
just to I mean as you can imagine
257
00:05:43,740 --> 00:05:45,950
just to I mean as you can imagine
anybody who's an audio file playing in
258
00:05:45,950 --> 00:05:45,960
anybody who's an audio file playing in
259
00:05:45,960 --> 00:05:48,070
anybody who's an audio file playing in
this high-end stuff we we all know
260
00:05:48,070 --> 00:05:48,080
this high-end stuff we we all know
261
00:05:48,080 --> 00:05:51,469
this high-end stuff we we all know
these massive amounts of power is not to
262
00:05:51,469 --> 00:05:51,479
these massive amounts of power is not to
263
00:05:51,479 --> 00:05:53,029
these massive amounts of power is not to
turn the thing up there's massive amount
264
00:05:53,029 --> 00:05:53,039
turn the thing up there's massive amount
265
00:05:53,039 --> 00:05:55,490
turn the thing up there's massive amount
of power provides tremendous attention
266
00:05:55,490 --> 00:05:55,500
of power provides tremendous attention
267
00:05:55,500 --> 00:05:57,650
of power provides tremendous attention
to detail and fullness at low level so
268
00:05:57,650 --> 00:05:57,660
to detail and fullness at low level so
269
00:05:57,660 --> 00:06:00,529
to detail and fullness at low level so
it's not all about loud level it's about
270
00:06:00,529 --> 00:06:00,539
it's not all about loud level it's about
271
00:06:00,539 --> 00:06:02,930
it's not all about loud level it's about
uh at lower levels too we're providing
272
00:06:02,930 --> 00:06:02,940
uh at lower levels too we're providing
273
00:06:02,940 --> 00:06:05,450
uh at lower levels too we're providing
the most detailed and most enjoyable
274
00:06:05,450 --> 00:06:05,460
the most detailed and most enjoyable
275
00:06:05,460 --> 00:06:06,890
the most detailed and most enjoyable
depth
276
00:06:06,890 --> 00:06:06,900
depth
277
00:06:06,900 --> 00:06:08,390
depth
um and really the best of the best of
278
00:06:08,390 --> 00:06:08,400
um and really the best of the best of
279
00:06:08,400 --> 00:06:10,550
um and really the best of the best of
audio that that this these sorts of
280
00:06:10,550 --> 00:06:10,560
audio that that this these sorts of
281
00:06:10,560 --> 00:06:13,070
audio that that this these sorts of
systems can bring so I'm just going to
282
00:06:13,070 --> 00:06:13,080
systems can bring so I'm just going to
283
00:06:13,080 --> 00:06:13,969
systems can bring so I'm just going to
quickly
284
00:06:13,969 --> 00:06:13,979
quickly
285
00:06:13,979 --> 00:06:14,810
quickly
um
286
00:06:14,810 --> 00:06:14,820
um
287
00:06:14,820 --> 00:06:16,129
um
give you some of the other information
288
00:06:16,129 --> 00:06:16,139
give you some of the other information
289
00:06:16,139 --> 00:06:17,749
give you some of the other information
from the site on this obviously it says
290
00:06:17,749 --> 00:06:17,759
from the site on this obviously it says
291
00:06:17,759 --> 00:06:19,430
from the site on this obviously it says
the the power amplifier is the most
292
00:06:19,430 --> 00:06:19,440
the the power amplifier is the most
293
00:06:19,440 --> 00:06:21,710
the the power amplifier is the most
demanding audio files will clearly
294
00:06:21,710 --> 00:06:21,720
demanding audio files will clearly
295
00:06:21,720 --> 00:06:23,029
demanding audio files will clearly
um yes I would have to say I'm quite
296
00:06:23,029 --> 00:06:23,039
um yes I would have to say I'm quite
297
00:06:23,039 --> 00:06:24,110
um yes I would have to say I'm quite
demanding and I've had this for quite
298
00:06:24,110 --> 00:06:24,120
demanding and I've had this for quite
299
00:06:24,120 --> 00:06:26,809
demanding and I've had this for quite
some time and again I can't fault it do
300
00:06:26,809 --> 00:06:26,819
some time and again I can't fault it do
301
00:06:26,819 --> 00:06:28,490
some time and again I can't fault it do
I want to return it absolutely not do I
302
00:06:28,490 --> 00:06:28,500
I want to return it absolutely not do I
303
00:06:28,500 --> 00:06:30,830
I want to return it absolutely not do I
want another one absolutely so I think
304
00:06:30,830 --> 00:06:30,840
want another one absolutely so I think
305
00:06:30,840 --> 00:06:32,330
want another one absolutely so I think
that answers that
306
00:06:32,330 --> 00:06:32,340
that answers that
307
00:06:32,340 --> 00:06:33,529
that answers that
um it delivers
308
00:06:33,529 --> 00:06:33,539
um it delivers
309
00:06:33,539 --> 00:06:38,210
um it delivers
um uh a optical bias that delivers high
310
00:06:38,210 --> 00:06:38,220
um uh a optical bias that delivers high
311
00:06:38,220 --> 00:06:41,450
um uh a optical bias that delivers high
power through ultra low Distortion the
312
00:06:41,450 --> 00:06:41,460
power through ultra low Distortion the
313
00:06:41,460 --> 00:06:43,249
power through ultra low Distortion the
optical bias controls
314
00:06:43,249 --> 00:06:43,259
optical bias controls
315
00:06:43,259 --> 00:06:44,990
optical bias controls
um the voltage of the unit featuring
316
00:06:44,990 --> 00:06:45,000
um the voltage of the unit featuring
317
00:06:45,000 --> 00:06:48,469
um the voltage of the unit featuring
decoupling to overcome the downgrading
318
00:06:48,469 --> 00:06:48,479
decoupling to overcome the downgrading
319
00:06:48,479 --> 00:06:50,029
decoupling to overcome the downgrading
solutions of traditional Electronics
320
00:06:50,029 --> 00:06:50,039
solutions of traditional Electronics
321
00:06:50,039 --> 00:06:52,430
solutions of traditional Electronics
analyzing the signal yeah I can see all
322
00:06:52,430 --> 00:06:52,440
analyzing the signal yeah I can see all
323
00:06:52,440 --> 00:06:53,749
analyzing the signal yeah I can see all
that so
324
00:06:53,749 --> 00:06:53,759
that so
325
00:06:53,759 --> 00:06:54,650
that so
um
326
00:06:54,650 --> 00:06:54,660
um
327
00:06:54,660 --> 00:06:56,090
um
and of course you've got that high
328
00:06:56,090 --> 00:06:56,100
and of course you've got that high
329
00:06:56,100 --> 00:06:57,770
and of course you've got that high
quality aluminum finish which is no
330
00:06:57,770 --> 00:06:57,780
quality aluminum finish which is no
331
00:06:57,780 --> 00:06:59,029
quality aluminum finish which is no
argument that's the thickest I've ever
332
00:06:59,029 --> 00:06:59,039
argument that's the thickest I've ever
333
00:06:59,039 --> 00:07:00,950
argument that's the thickest I've ever
seen on an amplifier so it's certainly
334
00:07:00,950 --> 00:07:00,960
seen on an amplifier so it's certainly
335
00:07:00,960 --> 00:07:03,830
seen on an amplifier so it's certainly
very been very well thought through
336
00:07:03,830 --> 00:07:03,840
very been very well thought through
337
00:07:03,840 --> 00:07:05,210
very been very well thought through
um it can be easily bridged as we went
338
00:07:05,210 --> 00:07:05,220
um it can be easily bridged as we went
339
00:07:05,220 --> 00:07:08,029
um it can be easily bridged as we went
through into the mono mode and again the
340
00:07:08,029 --> 00:07:08,039
through into the mono mode and again the
341
00:07:08,039 --> 00:07:10,010
through into the mono mode and again the
um the power Transformers and these
342
00:07:10,010 --> 00:07:10,020
um the power Transformers and these
343
00:07:10,020 --> 00:07:13,550
um the power Transformers and these
things are a unique spiral nucleus
344
00:07:13,550 --> 00:07:13,560
things are a unique spiral nucleus
345
00:07:13,560 --> 00:07:15,350
things are a unique spiral nucleus
um in the refined mechanical process
346
00:07:15,350 --> 00:07:15,360
um in the refined mechanical process
347
00:07:15,360 --> 00:07:17,450
um in the refined mechanical process
makes the nucleus completely stable
348
00:07:17,450 --> 00:07:17,460
makes the nucleus completely stable
349
00:07:17,460 --> 00:07:20,450
makes the nucleus completely stable
canceling any mechanical vibration to
350
00:07:20,450 --> 00:07:20,460
canceling any mechanical vibration to
351
00:07:20,460 --> 00:07:23,150
canceling any mechanical vibration to
guarantee terrific performance and
352
00:07:23,150 --> 00:07:23,160
guarantee terrific performance and
353
00:07:23,160 --> 00:07:24,890
guarantee terrific performance and
Perfection
354
00:07:24,890 --> 00:07:24,900
Perfection
355
00:07:24,900 --> 00:07:26,990
Perfection
um insulation while small secondary
356
00:07:26,990 --> 00:07:27,000
um insulation while small secondary
357
00:07:27,000 --> 00:07:28,450
um insulation while small secondary
Transformers
358
00:07:28,450 --> 00:07:28,460
Transformers
359
00:07:28,460 --> 00:07:30,469
Transformers
Transformer power the auxiliary
360
00:07:30,469 --> 00:07:30,479
Transformer power the auxiliary
361
00:07:30,479 --> 00:07:32,210
Transformer power the auxiliary
functions
362
00:07:32,210 --> 00:07:32,220
functions
363
00:07:32,220 --> 00:07:34,129
functions
um designated suits outside the audio
364
00:07:34,129 --> 00:07:34,139
um designated suits outside the audio
365
00:07:34,139 --> 00:07:35,930
um designated suits outside the audio
path signal so again you can see that
366
00:07:35,930 --> 00:07:35,940
path signal so again you can see that
367
00:07:35,940 --> 00:07:36,890
path signal so again you can see that
everything's been thought through
368
00:07:36,890 --> 00:07:36,900
everything's been thought through
369
00:07:36,900 --> 00:07:39,469
everything's been thought through
internally separating anything can cause
370
00:07:39,469 --> 00:07:39,479
internally separating anything can cause
371
00:07:39,479 --> 00:07:42,770
internally separating anything can cause
any noises or the dampening Factor as
372
00:07:42,770 --> 00:07:42,780
any noises or the dampening Factor as
373
00:07:42,780 --> 00:07:44,990
any noises or the dampening Factor as
you saw the the switch that you can on
374
00:07:44,990 --> 00:07:45,000
you saw the the switch that you can on
375
00:07:45,000 --> 00:07:46,070
you saw the the switch that you can on
the button on the front that you can
376
00:07:46,070 --> 00:07:46,080
the button on the front that you can
377
00:07:46,080 --> 00:07:49,249
the button on the front that you can
actually select so um now all in all if
378
00:07:49,249 --> 00:07:49,259
actually select so um now all in all if
379
00:07:49,259 --> 00:07:52,850
actually select so um now all in all if
you're looking for a very high-end
380
00:07:52,850 --> 00:07:52,860
you're looking for a very high-end
381
00:07:52,860 --> 00:07:56,629
you're looking for a very high-end
big kick a b
382
00:07:56,629 --> 00:07:56,639
big kick a b
383
00:07:56,639 --> 00:07:58,850
big kick a b
um Power Amplifier you really wouldn't
384
00:07:58,850 --> 00:07:58,860
um Power Amplifier you really wouldn't
385
00:07:58,860 --> 00:08:02,450
um Power Amplifier you really wouldn't
go past this gold note PA 1175 and if
386
00:08:02,450 --> 00:08:02,460
go past this gold note PA 1175 and if
387
00:08:02,460 --> 00:08:04,309
go past this gold note PA 1175 and if
you want to double it up
388
00:08:04,309 --> 00:08:04,319
you want to double it up
389
00:08:04,319 --> 00:08:06,589
you want to double it up
um please message me and Sophia love to
390
00:08:06,589 --> 00:08:06,599
um please message me and Sophia love to
391
00:08:06,599 --> 00:08:07,790
um please message me and Sophia love to
have some feedback from everybody out
392
00:08:07,790 --> 00:08:07,800
have some feedback from everybody out
393
00:08:07,800 --> 00:08:09,790
have some feedback from everybody out
there who's played but two of these PA
394
00:08:09,790 --> 00:08:09,800
there who's played but two of these PA
395
00:08:09,800 --> 00:08:12,830
there who's played but two of these PA
1175s it'd be great to hear what you you
396
00:08:12,830 --> 00:08:12,840
1175s it'd be great to hear what you you
397
00:08:12,840 --> 00:08:14,990
1175s it'd be great to hear what you you
thought obviously I've already done this
398
00:08:14,990 --> 00:08:15,000
thought obviously I've already done this
399
00:08:15,000 --> 00:08:17,150
thought obviously I've already done this
in the past I in the old days I had a
400
00:08:17,150 --> 00:08:17,160
in the past I in the old days I had a
401
00:08:17,160 --> 00:08:18,650
in the past I in the old days I had a
couple of NAD
402
00:08:18,650 --> 00:08:18,660
couple of NAD
403
00:08:18,660 --> 00:08:22,670
couple of NAD
um 2200 PES and there really is a big
404
00:08:22,670 --> 00:08:22,680
um 2200 PES and there really is a big
405
00:08:22,680 --> 00:08:24,529
um 2200 PES and there really is a big
difference when you add two but in
406
00:08:24,529 --> 00:08:24,539
difference when you add two but in
407
00:08:24,539 --> 00:08:26,270
difference when you add two but in
saying that back in those days this is
408
00:08:26,270 --> 00:08:26,280
saying that back in those days this is
409
00:08:26,280 --> 00:08:27,710
saying that back in those days this is
still a very significant amplifier we're
410
00:08:27,710 --> 00:08:27,720
still a very significant amplifier we're
411
00:08:27,720 --> 00:08:30,950
still a very significant amplifier we're
talking 200 RMS in its position where
412
00:08:30,950 --> 00:08:30,960
talking 200 RMS in its position where
413
00:08:30,960 --> 00:08:32,449
talking 200 RMS in its position where
it's sitting in front of us and then
414
00:08:32,449 --> 00:08:32,459
it's sitting in front of us and then
415
00:08:32,459 --> 00:08:33,949
it's sitting in front of us and then
adding a second one we're taking it to
416
00:08:33,949 --> 00:08:33,959
adding a second one we're taking it to
417
00:08:33,959 --> 00:08:36,589
adding a second one we're taking it to
you know to over 500 watts a channel
418
00:08:36,589 --> 00:08:36,599
you know to over 500 watts a channel
419
00:08:36,599 --> 00:08:39,350
you know to over 500 watts a channel
so it's a pretty serious amplifier so
420
00:08:39,350 --> 00:08:39,360
so it's a pretty serious amplifier so
421
00:08:39,360 --> 00:08:42,170
so it's a pretty serious amplifier so
anybody who's run a pair of these in the
422
00:08:42,170 --> 00:08:42,180
anybody who's run a pair of these in the
423
00:08:42,180 --> 00:08:45,110
anybody who's run a pair of these in the
Mono Way please in the comments let me
424
00:08:45,110 --> 00:08:45,120
Mono Way please in the comments let me
425
00:08:45,120 --> 00:08:46,910
Mono Way please in the comments let me
know I'd love to to see hear any
426
00:08:46,910 --> 00:08:46,920
know I'd love to to see hear any
427
00:08:46,920 --> 00:08:49,070
know I'd love to to see hear any
feedback it'd be great to to see what
428
00:08:49,070 --> 00:08:49,080
feedback it'd be great to to see what
429
00:08:49,080 --> 00:08:50,389
feedback it'd be great to to see what
anyone thought of that but from my
430
00:08:50,389 --> 00:08:50,399
anyone thought of that but from my
431
00:08:50,399 --> 00:08:52,430
anyone thought of that but from my
perspective as a standalone
432
00:08:52,430 --> 00:08:52,440
perspective as a standalone
433
00:08:52,440 --> 00:08:54,170
perspective as a standalone
um certainly right up there my top five
434
00:08:54,170 --> 00:08:54,180
um certainly right up there my top five
435
00:08:54,180 --> 00:08:56,329
um certainly right up there my top five
amplifiers
436
00:08:56,329 --> 00:08:56,339
amplifiers
437
00:08:56,339 --> 00:08:58,009
amplifiers
uh in the sense of this type of
438
00:08:58,009 --> 00:08:58,019
uh in the sense of this type of
439
00:08:58,019 --> 00:08:59,449
uh in the sense of this type of
amplifier
440
00:08:59,449 --> 00:08:59,459
amplifier
441
00:08:59,459 --> 00:09:01,430
amplifier
um very very impressed so again big
442
00:09:01,430 --> 00:09:01,440
um very very impressed so again big
443
00:09:01,440 --> 00:09:03,290
um very very impressed so again big
thank you to Gold Note 10 out of 10 to
444
00:09:03,290 --> 00:09:03,300
thank you to Gold Note 10 out of 10 to
445
00:09:03,300 --> 00:09:04,850
thank you to Gold Note 10 out of 10 to
the technical guys at Gold note I think
446
00:09:04,850 --> 00:09:04,860
the technical guys at Gold note I think
447
00:09:04,860 --> 00:09:06,410
the technical guys at Gold note I think
they've come up with a fantastic power
448
00:09:06,410 --> 00:09:06,420
they've come up with a fantastic power
449
00:09:06,420 --> 00:09:08,389
they've come up with a fantastic power
amplifier and if anyone's listening over
450
00:09:08,389 --> 00:09:08,399
amplifier and if anyone's listening over
451
00:09:08,399 --> 00:09:09,949
amplifier and if anyone's listening over
there I'd certainly be very happy with a
452
00:09:09,949 --> 00:09:09,959
there I'd certainly be very happy with a
453
00:09:09,959 --> 00:09:13,550
there I'd certainly be very happy with a
super deal on a PA 1175 for a second one
454
00:09:13,550 --> 00:09:13,560
super deal on a PA 1175 for a second one
455
00:09:13,560 --> 00:09:16,250
super deal on a PA 1175 for a second one
I mean obviously I'm very very impressed
456
00:09:16,250 --> 00:09:16,260
I mean obviously I'm very very impressed
457
00:09:16,260 --> 00:09:17,870
I mean obviously I'm very very impressed
so um if you'd like to find out more
458
00:09:17,870 --> 00:09:17,880
so um if you'd like to find out more
459
00:09:17,880 --> 00:09:20,329
so um if you'd like to find out more
information about The Golden Oak PA 117
460
00:09:20,329 --> 00:09:20,339
information about The Golden Oak PA 117
461
00:09:20,339 --> 00:09:22,730
information about The Golden Oak PA 117
T5 Mark II
462
00:09:22,730 --> 00:09:22,740
T5 Mark II
463
00:09:22,740 --> 00:09:24,889
T5 Mark II
um please duck on to hifq dot code NZ
464
00:09:24,889 --> 00:09:24,899
um please duck on to hifq dot code NZ
465
00:09:24,899 --> 00:09:27,710
um please duck on to hifq dot code NZ
for New Zealand or hifihq.com Australia
466
00:09:27,710 --> 00:09:27,720
for New Zealand or hifihq.com Australia
467
00:09:27,720 --> 00:09:29,329
for New Zealand or hifihq.com Australia
and again I do appreciate everybody
468
00:09:29,329 --> 00:09:29,339
and again I do appreciate everybody
469
00:09:29,339 --> 00:09:31,610
and again I do appreciate everybody
supporting the channel and we'll see you
470
00:09:31,610 --> 00:09:31,620
supporting the channel and we'll see you
471
00:09:31,620 --> 00:09:33,920
supporting the channel and we'll see you
next time
41044
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