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These are the user uploaded subtitles that are being translated: 1 00:00:01,199 --> 00:00:03,949 hi it's Ashley from AV Sound Advice 2 00:00:03,949 --> 00:00:03,959 hi it's Ashley from AV Sound Advice 3 00:00:03,959 --> 00:00:05,690 hi it's Ashley from AV Sound Advice today we're looking 4 00:00:05,690 --> 00:00:05,700 today we're looking 5 00:00:05,700 --> 00:00:07,870 today we're looking at the Gold note 6 00:00:07,870 --> 00:00:07,880 at the Gold note 7 00:00:07,880 --> 00:00:13,490 at the Gold note pa-1175 Mark II this is a review on that 8 00:00:13,490 --> 00:00:13,500 pa-1175 Mark II this is a review on that 9 00:00:13,500 --> 00:00:17,810 pa-1175 Mark II this is a review on that power amplifier and before we even start 10 00:00:17,810 --> 00:00:17,820 power amplifier and before we even start 11 00:00:17,820 --> 00:00:21,050 power amplifier and before we even start holy Moses or wow would be the word to 12 00:00:21,050 --> 00:00:21,060 holy Moses or wow would be the word to 13 00:00:21,060 --> 00:00:23,870 holy Moses or wow would be the word to use for this I have played with some big 14 00:00:23,870 --> 00:00:23,880 use for this I have played with some big 15 00:00:23,880 --> 00:00:28,730 use for this I have played with some big power amps over my time and this is 16 00:00:28,730 --> 00:00:28,740 power amps over my time and this is 17 00:00:28,740 --> 00:00:32,530 power amps over my time and this is certainly in my top five 18 00:00:32,530 --> 00:00:32,540 certainly in my top five 19 00:00:32,540 --> 00:00:37,069 certainly in my top five it's just sensationally uh the power and 20 00:00:37,069 --> 00:00:37,079 it's just sensationally uh the power and 21 00:00:37,079 --> 00:00:38,750 it's just sensationally uh the power and as I've mentioned in previous reviews we 22 00:00:38,750 --> 00:00:38,760 as I've mentioned in previous reviews we 23 00:00:38,760 --> 00:00:41,150 as I've mentioned in previous reviews we talked about you if you want to know 24 00:00:41,150 --> 00:00:41,160 talked about you if you want to know 25 00:00:41,160 --> 00:00:43,010 talked about you if you want to know um okay what was the preamplifier I've 26 00:00:43,010 --> 00:00:43,020 um okay what was the preamplifier I've 27 00:00:43,020 --> 00:00:44,750 um okay what was the preamplifier I've used for this well I actually did use 28 00:00:44,750 --> 00:00:44,760 used for this well I actually did use 29 00:00:44,760 --> 00:00:49,069 used for this well I actually did use the the is 1000 from gold note and I've 30 00:00:49,069 --> 00:00:49,079 the the is 1000 from gold note and I've 31 00:00:49,079 --> 00:00:52,190 the the is 1000 from gold note and I've also used the master sale daventi 32 00:00:52,190 --> 00:00:52,200 also used the master sale daventi 33 00:00:52,200 --> 00:00:54,049 also used the master sale daventi um valve amp which you know obviously 34 00:00:54,049 --> 00:00:54,059 um valve amp which you know obviously 35 00:00:54,059 --> 00:00:55,970 um valve amp which you know obviously one was staying with the traditional and 36 00:00:55,970 --> 00:00:55,980 one was staying with the traditional and 37 00:00:55,980 --> 00:00:57,229 one was staying with the traditional and the other way was allowing me to get 38 00:00:57,229 --> 00:00:57,239 the other way was allowing me to get 39 00:00:57,239 --> 00:01:00,350 the other way was allowing me to get into a tri-mode position so 40 00:01:00,350 --> 00:01:00,360 into a tri-mode position so 41 00:01:00,360 --> 00:01:02,270 into a tri-mode position so um wow if you really want to get some 42 00:01:02,270 --> 00:01:02,280 um wow if you really want to get some 43 00:01:02,280 --> 00:01:04,549 um wow if you really want to get some power into your system you're certainly 44 00:01:04,549 --> 00:01:04,559 power into your system you're certainly 45 00:01:04,559 --> 00:01:06,410 power into your system you're certainly not going to go past this gold node PA 46 00:01:06,410 --> 00:01:06,420 not going to go past this gold node PA 47 00:01:06,420 --> 00:01:09,710 not going to go past this gold node PA 1175 now it's 48 00:01:09,710 --> 00:01:09,720 1175 now it's 49 00:01:09,720 --> 00:01:11,050 1175 now it's really 50 00:01:11,050 --> 00:01:11,060 really 51 00:01:11,060 --> 00:01:13,730 really I'll I'll go through the specs as always 52 00:01:13,730 --> 00:01:13,740 I'll I'll go through the specs as always 53 00:01:13,740 --> 00:01:15,350 I'll I'll go through the specs as always because that's always the coolness about 54 00:01:15,350 --> 00:01:15,360 because that's always the coolness about 55 00:01:15,360 --> 00:01:17,270 because that's always the coolness about the sort of stuff it can also be used in 56 00:01:17,270 --> 00:01:17,280 the sort of stuff it can also be used in 57 00:01:17,280 --> 00:01:19,190 the sort of stuff it can also be used in mono so let's uh give you some numbers 58 00:01:19,190 --> 00:01:19,200 mono so let's uh give you some numbers 59 00:01:19,200 --> 00:01:22,789 mono so let's uh give you some numbers so the power output on this amplifier is 60 00:01:22,789 --> 00:01:22,799 so the power output on this amplifier is 61 00:01:22,799 --> 00:01:26,929 so the power output on this amplifier is 200 Watts at 8 ohm per channel so well 62 00:01:26,929 --> 00:01:26,939 200 Watts at 8 ohm per channel so well 63 00:01:26,939 --> 00:01:28,310 200 Watts at 8 ohm per channel so well and truly not much it's not going to run 64 00:01:28,310 --> 00:01:28,320 and truly not much it's not going to run 65 00:01:28,320 --> 00:01:30,410 and truly not much it's not going to run and if you decide to put it under the 66 00:01:30,410 --> 00:01:30,420 and if you decide to put it under the 67 00:01:30,420 --> 00:01:31,490 and if you decide to put it under the bridge mode you're going to get around 68 00:01:31,490 --> 00:01:31,500 bridge mode you're going to get around 69 00:01:31,500 --> 00:01:38,210 bridge mode you're going to get around the 520 520 Watts uh into eight ohm so 70 00:01:38,210 --> 00:01:38,220 the 520 520 Watts uh into eight ohm so 71 00:01:38,220 --> 00:01:39,969 the 520 520 Watts uh into eight ohm so um not lacking there either 72 00:01:39,969 --> 00:01:39,979 um not lacking there either 73 00:01:39,979 --> 00:01:43,850 um not lacking there either we're frequency response from one HZ to 74 00:01:43,850 --> 00:01:43,860 we're frequency response from one HZ to 75 00:01:43,860 --> 00:01:49,010 we're frequency response from one HZ to 100 khz at plus minus 1 DB the total 76 00:01:49,010 --> 00:01:49,020 100 khz at plus minus 1 DB the total 77 00:01:49,020 --> 00:01:54,590 100 khz at plus minus 1 DB the total Distortion is at 0.1 at 20 HZ slash 20 78 00:01:54,590 --> 00:01:54,600 Distortion is at 0.1 at 20 HZ slash 20 79 00:01:54,600 --> 00:01:58,030 Distortion is at 0.1 at 20 HZ slash 20 khz signal to noise ratio 110 DB 80 00:01:58,030 --> 00:01:58,040 khz signal to noise ratio 110 DB 81 00:01:58,040 --> 00:02:03,230 khz signal to noise ratio 110 DB dampening Factor High 250 or low 25 the 82 00:02:03,230 --> 00:02:03,240 dampening Factor High 250 or low 25 the 83 00:02:03,240 --> 00:02:07,010 dampening Factor High 250 or low 25 the skew rate is 20V slash us or you I think 84 00:02:07,010 --> 00:02:07,020 skew rate is 20V slash us or you I think 85 00:02:07,020 --> 00:02:11,390 skew rate is 20V slash us or you I think it is us or Qs I'm not sure the 86 00:02:11,390 --> 00:02:11,400 it is us or Qs I'm not sure the 87 00:02:11,400 --> 00:02:15,589 it is us or Qs I'm not sure the audio inputs we have two rcas unbalanced 88 00:02:15,589 --> 00:02:15,599 audio inputs we have two rcas unbalanced 89 00:02:15,599 --> 00:02:17,690 audio inputs we have two rcas unbalanced and we also have one 90 00:02:17,690 --> 00:02:17,700 and we also have one 91 00:02:17,700 --> 00:02:20,690 and we also have one um XLR balanced of course 92 00:02:20,690 --> 00:02:20,700 um XLR balanced of course 93 00:02:20,700 --> 00:02:22,729 um XLR balanced of course there's two inputs so left and a right 94 00:02:22,729 --> 00:02:22,739 there's two inputs so left and a right 95 00:02:22,739 --> 00:02:25,490 there's two inputs so left and a right and we also have sensor sensitivity as 96 00:02:25,490 --> 00:02:25,500 and we also have sensor sensitivity as 97 00:02:25,500 --> 00:02:29,570 and we also have sensor sensitivity as one volt RCA four volt XLR the input 98 00:02:29,570 --> 00:02:29,580 one volt RCA four volt XLR the input 99 00:02:29,580 --> 00:02:31,550 one volt RCA four volt XLR the input impedance 47 100 00:02:31,550 --> 00:02:31,560 impedance 47 101 00:02:31,560 --> 00:02:33,229 impedance 47 ohms 102 00:02:33,229 --> 00:02:33,239 ohms 103 00:02:33,239 --> 00:02:35,210 ohms and we're dealing with a as I said the 104 00:02:35,210 --> 00:02:35,220 and we're dealing with a as I said the 105 00:02:35,220 --> 00:02:36,949 and we're dealing with a as I said the audio output speaker terminals 106 00:02:36,949 --> 00:02:36,959 audio output speaker terminals 107 00:02:36,959 --> 00:02:38,990 audio output speaker terminals gold-plated binding posts power 108 00:02:38,990 --> 00:02:39,000 gold-plated binding posts power 109 00:02:39,000 --> 00:02:44,210 gold-plated binding posts power consumption 1 200 Watts Max and 1.2 watt 110 00:02:44,210 --> 00:02:44,220 consumption 1 200 Watts Max and 1.2 watt 111 00:02:44,220 --> 00:02:46,970 consumption 1 200 Watts Max and 1.2 watt in idle mode and power supply is 100 to 112 00:02:46,970 --> 00:02:46,980 in idle mode and power supply is 100 to 113 00:02:46,980 --> 00:02:51,670 in idle mode and power supply is 100 to 120 or 220 to 240 50 60 hertz power 114 00:02:51,670 --> 00:02:51,680 120 or 220 to 240 50 60 hertz power 115 00:02:51,680 --> 00:02:58,550 120 or 220 to 240 50 60 hertz power Transformers 640 VA and dimensions 430 116 00:02:58,550 --> 00:02:58,560 Transformers 640 VA and dimensions 430 117 00:02:58,560 --> 00:03:03,589 Transformers 640 VA and dimensions 430 by 135 by 370 millimeters and weighs in 118 00:03:03,589 --> 00:03:03,599 by 135 by 370 millimeters and weighs in 119 00:03:03,599 --> 00:03:04,930 by 135 by 370 millimeters and weighs in at 20.5 120 00:03:04,930 --> 00:03:04,940 at 20.5 121 00:03:04,940 --> 00:03:08,330 at 20.5 and that is another one of those serious 122 00:03:08,330 --> 00:03:08,340 and that is another one of those serious 123 00:03:08,340 --> 00:03:10,130 and that is another one of those serious lifts 124 00:03:10,130 --> 00:03:10,140 lifts 125 00:03:10,140 --> 00:03:16,790 lifts so let's get into it now I I also 126 00:03:16,790 --> 00:03:16,800 so let's get into it now I I also 127 00:03:16,800 --> 00:03:19,610 so let's get into it now I I also which wasn't interesting I couldn't I 128 00:03:19,610 --> 00:03:19,620 which wasn't interesting I couldn't I 129 00:03:19,620 --> 00:03:20,750 which wasn't interesting I couldn't I guess 130 00:03:20,750 --> 00:03:20,760 guess 131 00:03:20,760 --> 00:03:23,509 guess um when we play with these things we 132 00:03:23,509 --> 00:03:23,519 um when we play with these things we 133 00:03:23,519 --> 00:03:25,190 um when we play with these things we think to ourselves 134 00:03:25,190 --> 00:03:25,200 think to ourselves 135 00:03:25,200 --> 00:03:26,509 think to ourselves um some of the features that are on 136 00:03:26,509 --> 00:03:26,519 um some of the features that are on 137 00:03:26,519 --> 00:03:28,490 um some of the features that are on board we obviously have that's the power 138 00:03:28,490 --> 00:03:28,500 board we obviously have that's the power 139 00:03:28,500 --> 00:03:30,170 board we obviously have that's the power button to turn it off we also have the 140 00:03:30,170 --> 00:03:30,180 button to turn it off we also have the 141 00:03:30,180 --> 00:03:34,790 button to turn it off we also have the DF button and I did it did give me the 142 00:03:34,790 --> 00:03:34,800 DF button and I did it did give me the 143 00:03:34,800 --> 00:03:36,890 DF button and I did it did give me the I'm just actually as we're going through 144 00:03:36,890 --> 00:03:36,900 I'm just actually as we're going through 145 00:03:36,900 --> 00:03:39,229 I'm just actually as we're going through this I'm having another Refresh on that 146 00:03:39,229 --> 00:03:39,239 this I'm having another Refresh on that 147 00:03:39,239 --> 00:03:41,390 this I'm having another Refresh on that and here we go do you have push the 148 00:03:41,390 --> 00:03:41,400 and here we go do you have push the 149 00:03:41,400 --> 00:03:43,190 and here we go do you have push the earphone to adjust the dampening factor 150 00:03:43,190 --> 00:03:43,200 earphone to adjust the dampening factor 151 00:03:43,200 --> 00:03:47,750 earphone to adjust the dampening factor from High 250 or low 25 when the DF is 152 00:03:47,750 --> 00:03:47,760 from High 250 or low 25 when the DF is 153 00:03:47,760 --> 00:03:50,750 from High 250 or low 25 when the DF is set to high the status LED is in blue 154 00:03:50,750 --> 00:03:50,760 set to high the status LED is in blue 155 00:03:50,760 --> 00:03:52,270 set to high the status LED is in blue which we can see there at the moment 156 00:03:52,270 --> 00:03:52,280 which we can see there at the moment 157 00:03:52,280 --> 00:03:56,089 which we can see there at the moment when it is set to low it is in green so 158 00:03:56,089 --> 00:03:56,099 when it is set to low it is in green so 159 00:03:56,099 --> 00:03:59,050 when it is set to low it is in green so there it is it's just changed to Green 160 00:03:59,050 --> 00:03:59,060 there it is it's just changed to Green 161 00:03:59,060 --> 00:04:02,089 there it is it's just changed to Green every time 162 00:04:02,089 --> 00:04:02,099 every time 163 00:04:02,099 --> 00:04:04,570 every time every time the pa11 164 00:04:04,570 --> 00:04:04,580 every time the pa11 165 00:04:04,580 --> 00:04:08,089 every time the pa11 75 was switched on the DF setting will 166 00:04:08,089 --> 00:04:08,099 75 was switched on the DF setting will 167 00:04:08,099 --> 00:04:11,869 75 was switched on the DF setting will go to High by default so 168 00:04:11,869 --> 00:04:11,879 go to High by default so 169 00:04:11,879 --> 00:04:13,429 go to High by default so there you go you've heard it directly 170 00:04:13,429 --> 00:04:13,439 there you go you've heard it directly 171 00:04:13,439 --> 00:04:15,350 there you go you've heard it directly from the manual 172 00:04:15,350 --> 00:04:15,360 from the manual 173 00:04:15,360 --> 00:04:17,090 from the manual so let's have a look let's go and have 174 00:04:17,090 --> 00:04:17,100 so let's have a look let's go and have 175 00:04:17,100 --> 00:04:18,710 so let's have a look let's go and have over to the back of this thing so let's 176 00:04:18,710 --> 00:04:18,720 over to the back of this thing so let's 177 00:04:18,720 --> 00:04:20,150 over to the back of this thing so let's come around the back and again look at 178 00:04:20,150 --> 00:04:20,160 come around the back and again look at 179 00:04:20,160 --> 00:04:22,610 come around the back and again look at the build quality Italian made product 180 00:04:22,610 --> 00:04:22,620 the build quality Italian made product 181 00:04:22,620 --> 00:04:23,830 the build quality Italian made product again 182 00:04:23,830 --> 00:04:23,840 again 183 00:04:23,840 --> 00:04:28,370 again massive componentry inside and as I said 184 00:04:28,370 --> 00:04:28,380 massive componentry inside and as I said 185 00:04:28,380 --> 00:04:31,430 massive componentry inside and as I said it is a sensational amplifier now at the 186 00:04:31,430 --> 00:04:31,440 it is a sensational amplifier now at the 187 00:04:31,440 --> 00:04:32,870 it is a sensational amplifier now at the back end here you can see here we've got 188 00:04:32,870 --> 00:04:32,880 back end here you can see here we've got 189 00:04:32,880 --> 00:04:37,610 back end here you can see here we've got our RCA unbalanced our balance XLR left 190 00:04:37,610 --> 00:04:37,620 our RCA unbalanced our balance XLR left 191 00:04:37,620 --> 00:04:38,629 our RCA unbalanced our balance XLR left and right 192 00:04:38,629 --> 00:04:38,639 and right 193 00:04:38,639 --> 00:04:40,790 and right see here so if we are going to run the 194 00:04:40,790 --> 00:04:40,800 see here so if we are going to run the 195 00:04:40,800 --> 00:04:42,890 see here so if we are going to run the mono mode this becomes the positive this 196 00:04:42,890 --> 00:04:42,900 mono mode this becomes the positive this 197 00:04:42,900 --> 00:04:44,689 mono mode this becomes the positive this becomes the negative so one amplifier 198 00:04:44,689 --> 00:04:44,699 becomes the negative so one amplifier 199 00:04:44,699 --> 00:04:47,990 becomes the negative so one amplifier will then run the system and the other 200 00:04:47,990 --> 00:04:48,000 will then run the system and the other 201 00:04:48,000 --> 00:04:50,030 will then run the system and the other amplifier will run the other so you have 202 00:04:50,030 --> 00:04:50,040 amplifier will run the other so you have 203 00:04:50,040 --> 00:04:52,430 amplifier will run the other so you have one amp per speaker 204 00:04:52,430 --> 00:04:52,440 one amp per speaker 205 00:04:52,440 --> 00:04:53,689 one amp per speaker so 206 00:04:53,689 --> 00:04:53,699 so 207 00:04:53,699 --> 00:04:55,610 so um very very nice and you can see here 208 00:04:55,610 --> 00:04:55,620 um very very nice and you can see here 209 00:04:55,620 --> 00:04:58,129 um very very nice and you can see here again a little switch we've got it in 210 00:04:58,129 --> 00:04:58,139 again a little switch we've got it in 211 00:04:58,139 --> 00:04:59,450 again a little switch we've got it in Stereo see the light's lighting up in 212 00:04:59,450 --> 00:04:59,460 Stereo see the light's lighting up in 213 00:04:59,460 --> 00:05:01,010 Stereo see the light's lighting up in Stereo flick the switch the other way 214 00:05:01,010 --> 00:05:01,020 Stereo flick the switch the other way 215 00:05:01,020 --> 00:05:03,590 Stereo flick the switch the other way and it'll move it to Mono and then you 216 00:05:03,590 --> 00:05:03,600 and it'll move it to Mono and then you 217 00:05:03,600 --> 00:05:05,270 and it'll move it to Mono and then you just obviously um 218 00:05:05,270 --> 00:05:05,280 just obviously um 219 00:05:05,280 --> 00:05:07,010 just obviously um you've got yourself a pretty serious 220 00:05:07,010 --> 00:05:07,020 you've got yourself a pretty serious 221 00:05:07,020 --> 00:05:08,570 you've got yourself a pretty serious setup if you have two of these things I 222 00:05:08,570 --> 00:05:08,580 setup if you have two of these things I 223 00:05:08,580 --> 00:05:09,710 setup if you have two of these things I can tell you that right now and of 224 00:05:09,710 --> 00:05:09,720 can tell you that right now and of 225 00:05:09,720 --> 00:05:11,390 can tell you that right now and of course the power switch here to turn on 226 00:05:11,390 --> 00:05:11,400 course the power switch here to turn on 227 00:05:11,400 --> 00:05:12,950 course the power switch here to turn on and off 228 00:05:12,950 --> 00:05:12,960 and off 229 00:05:12,960 --> 00:05:15,950 and off right I guess the big question and I 230 00:05:15,950 --> 00:05:15,960 right I guess the big question and I 231 00:05:15,960 --> 00:05:17,629 right I guess the big question and I also use these 232 00:05:17,629 --> 00:05:17,639 also use these 233 00:05:17,639 --> 00:05:20,090 also use these um again across a whole stack of 234 00:05:20,090 --> 00:05:20,100 um again across a whole stack of 235 00:05:20,100 --> 00:05:21,830 um again across a whole stack of different speakers but 236 00:05:21,830 --> 00:05:21,840 different speakers but 237 00:05:21,840 --> 00:05:25,490 different speakers but um the audiophysicmatics was one of the 238 00:05:25,490 --> 00:05:25,500 um the audiophysicmatics was one of the 239 00:05:25,500 --> 00:05:27,830 um the audiophysicmatics was one of the speakers that I certainly felt that was 240 00:05:27,830 --> 00:05:27,840 speakers that I certainly felt that was 241 00:05:27,840 --> 00:05:29,390 speakers that I certainly felt that was this was a really good match and I 242 00:05:29,390 --> 00:05:29,400 this was a really good match and I 243 00:05:29,400 --> 00:05:31,550 this was a really good match and I noticed overseas 244 00:05:31,550 --> 00:05:31,560 noticed overseas 245 00:05:31,560 --> 00:05:33,830 noticed overseas um some of the big boys you know who are 246 00:05:33,830 --> 00:05:33,840 um some of the big boys you know who are 247 00:05:33,840 --> 00:05:35,029 um some of the big boys you know who are playing with this high-end stuff we're 248 00:05:35,029 --> 00:05:35,039 playing with this high-end stuff we're 249 00:05:35,039 --> 00:05:37,610 playing with this high-end stuff we're using two of these PA 1175s I absolutely 250 00:05:37,610 --> 00:05:37,620 using two of these PA 1175s I absolutely 251 00:05:37,620 --> 00:05:40,129 using two of these PA 1175s I absolutely love to get a second one of these and 252 00:05:40,129 --> 00:05:40,139 love to get a second one of these and 253 00:05:40,139 --> 00:05:41,930 love to get a second one of these and hear them on the mydex 254 00:05:41,930 --> 00:05:41,940 hear them on the mydex 255 00:05:41,940 --> 00:05:43,730 hear them on the mydex just to I mean as you can imagine 256 00:05:43,730 --> 00:05:43,740 just to I mean as you can imagine 257 00:05:43,740 --> 00:05:45,950 just to I mean as you can imagine anybody who's an audio file playing in 258 00:05:45,950 --> 00:05:45,960 anybody who's an audio file playing in 259 00:05:45,960 --> 00:05:48,070 anybody who's an audio file playing in this high-end stuff we we all know 260 00:05:48,070 --> 00:05:48,080 this high-end stuff we we all know 261 00:05:48,080 --> 00:05:51,469 this high-end stuff we we all know these massive amounts of power is not to 262 00:05:51,469 --> 00:05:51,479 these massive amounts of power is not to 263 00:05:51,479 --> 00:05:53,029 these massive amounts of power is not to turn the thing up there's massive amount 264 00:05:53,029 --> 00:05:53,039 turn the thing up there's massive amount 265 00:05:53,039 --> 00:05:55,490 turn the thing up there's massive amount of power provides tremendous attention 266 00:05:55,490 --> 00:05:55,500 of power provides tremendous attention 267 00:05:55,500 --> 00:05:57,650 of power provides tremendous attention to detail and fullness at low level so 268 00:05:57,650 --> 00:05:57,660 to detail and fullness at low level so 269 00:05:57,660 --> 00:06:00,529 to detail and fullness at low level so it's not all about loud level it's about 270 00:06:00,529 --> 00:06:00,539 it's not all about loud level it's about 271 00:06:00,539 --> 00:06:02,930 it's not all about loud level it's about uh at lower levels too we're providing 272 00:06:02,930 --> 00:06:02,940 uh at lower levels too we're providing 273 00:06:02,940 --> 00:06:05,450 uh at lower levels too we're providing the most detailed and most enjoyable 274 00:06:05,450 --> 00:06:05,460 the most detailed and most enjoyable 275 00:06:05,460 --> 00:06:06,890 the most detailed and most enjoyable depth 276 00:06:06,890 --> 00:06:06,900 depth 277 00:06:06,900 --> 00:06:08,390 depth um and really the best of the best of 278 00:06:08,390 --> 00:06:08,400 um and really the best of the best of 279 00:06:08,400 --> 00:06:10,550 um and really the best of the best of audio that that this these sorts of 280 00:06:10,550 --> 00:06:10,560 audio that that this these sorts of 281 00:06:10,560 --> 00:06:13,070 audio that that this these sorts of systems can bring so I'm just going to 282 00:06:13,070 --> 00:06:13,080 systems can bring so I'm just going to 283 00:06:13,080 --> 00:06:13,969 systems can bring so I'm just going to quickly 284 00:06:13,969 --> 00:06:13,979 quickly 285 00:06:13,979 --> 00:06:14,810 quickly um 286 00:06:14,810 --> 00:06:14,820 um 287 00:06:14,820 --> 00:06:16,129 um give you some of the other information 288 00:06:16,129 --> 00:06:16,139 give you some of the other information 289 00:06:16,139 --> 00:06:17,749 give you some of the other information from the site on this obviously it says 290 00:06:17,749 --> 00:06:17,759 from the site on this obviously it says 291 00:06:17,759 --> 00:06:19,430 from the site on this obviously it says the the power amplifier is the most 292 00:06:19,430 --> 00:06:19,440 the the power amplifier is the most 293 00:06:19,440 --> 00:06:21,710 the the power amplifier is the most demanding audio files will clearly 294 00:06:21,710 --> 00:06:21,720 demanding audio files will clearly 295 00:06:21,720 --> 00:06:23,029 demanding audio files will clearly um yes I would have to say I'm quite 296 00:06:23,029 --> 00:06:23,039 um yes I would have to say I'm quite 297 00:06:23,039 --> 00:06:24,110 um yes I would have to say I'm quite demanding and I've had this for quite 298 00:06:24,110 --> 00:06:24,120 demanding and I've had this for quite 299 00:06:24,120 --> 00:06:26,809 demanding and I've had this for quite some time and again I can't fault it do 300 00:06:26,809 --> 00:06:26,819 some time and again I can't fault it do 301 00:06:26,819 --> 00:06:28,490 some time and again I can't fault it do I want to return it absolutely not do I 302 00:06:28,490 --> 00:06:28,500 I want to return it absolutely not do I 303 00:06:28,500 --> 00:06:30,830 I want to return it absolutely not do I want another one absolutely so I think 304 00:06:30,830 --> 00:06:30,840 want another one absolutely so I think 305 00:06:30,840 --> 00:06:32,330 want another one absolutely so I think that answers that 306 00:06:32,330 --> 00:06:32,340 that answers that 307 00:06:32,340 --> 00:06:33,529 that answers that um it delivers 308 00:06:33,529 --> 00:06:33,539 um it delivers 309 00:06:33,539 --> 00:06:38,210 um it delivers um uh a optical bias that delivers high 310 00:06:38,210 --> 00:06:38,220 um uh a optical bias that delivers high 311 00:06:38,220 --> 00:06:41,450 um uh a optical bias that delivers high power through ultra low Distortion the 312 00:06:41,450 --> 00:06:41,460 power through ultra low Distortion the 313 00:06:41,460 --> 00:06:43,249 power through ultra low Distortion the optical bias controls 314 00:06:43,249 --> 00:06:43,259 optical bias controls 315 00:06:43,259 --> 00:06:44,990 optical bias controls um the voltage of the unit featuring 316 00:06:44,990 --> 00:06:45,000 um the voltage of the unit featuring 317 00:06:45,000 --> 00:06:48,469 um the voltage of the unit featuring decoupling to overcome the downgrading 318 00:06:48,469 --> 00:06:48,479 decoupling to overcome the downgrading 319 00:06:48,479 --> 00:06:50,029 decoupling to overcome the downgrading solutions of traditional Electronics 320 00:06:50,029 --> 00:06:50,039 solutions of traditional Electronics 321 00:06:50,039 --> 00:06:52,430 solutions of traditional Electronics analyzing the signal yeah I can see all 322 00:06:52,430 --> 00:06:52,440 analyzing the signal yeah I can see all 323 00:06:52,440 --> 00:06:53,749 analyzing the signal yeah I can see all that so 324 00:06:53,749 --> 00:06:53,759 that so 325 00:06:53,759 --> 00:06:54,650 that so um 326 00:06:54,650 --> 00:06:54,660 um 327 00:06:54,660 --> 00:06:56,090 um and of course you've got that high 328 00:06:56,090 --> 00:06:56,100 and of course you've got that high 329 00:06:56,100 --> 00:06:57,770 and of course you've got that high quality aluminum finish which is no 330 00:06:57,770 --> 00:06:57,780 quality aluminum finish which is no 331 00:06:57,780 --> 00:06:59,029 quality aluminum finish which is no argument that's the thickest I've ever 332 00:06:59,029 --> 00:06:59,039 argument that's the thickest I've ever 333 00:06:59,039 --> 00:07:00,950 argument that's the thickest I've ever seen on an amplifier so it's certainly 334 00:07:00,950 --> 00:07:00,960 seen on an amplifier so it's certainly 335 00:07:00,960 --> 00:07:03,830 seen on an amplifier so it's certainly very been very well thought through 336 00:07:03,830 --> 00:07:03,840 very been very well thought through 337 00:07:03,840 --> 00:07:05,210 very been very well thought through um it can be easily bridged as we went 338 00:07:05,210 --> 00:07:05,220 um it can be easily bridged as we went 339 00:07:05,220 --> 00:07:08,029 um it can be easily bridged as we went through into the mono mode and again the 340 00:07:08,029 --> 00:07:08,039 through into the mono mode and again the 341 00:07:08,039 --> 00:07:10,010 through into the mono mode and again the um the power Transformers and these 342 00:07:10,010 --> 00:07:10,020 um the power Transformers and these 343 00:07:10,020 --> 00:07:13,550 um the power Transformers and these things are a unique spiral nucleus 344 00:07:13,550 --> 00:07:13,560 things are a unique spiral nucleus 345 00:07:13,560 --> 00:07:15,350 things are a unique spiral nucleus um in the refined mechanical process 346 00:07:15,350 --> 00:07:15,360 um in the refined mechanical process 347 00:07:15,360 --> 00:07:17,450 um in the refined mechanical process makes the nucleus completely stable 348 00:07:17,450 --> 00:07:17,460 makes the nucleus completely stable 349 00:07:17,460 --> 00:07:20,450 makes the nucleus completely stable canceling any mechanical vibration to 350 00:07:20,450 --> 00:07:20,460 canceling any mechanical vibration to 351 00:07:20,460 --> 00:07:23,150 canceling any mechanical vibration to guarantee terrific performance and 352 00:07:23,150 --> 00:07:23,160 guarantee terrific performance and 353 00:07:23,160 --> 00:07:24,890 guarantee terrific performance and Perfection 354 00:07:24,890 --> 00:07:24,900 Perfection 355 00:07:24,900 --> 00:07:26,990 Perfection um insulation while small secondary 356 00:07:26,990 --> 00:07:27,000 um insulation while small secondary 357 00:07:27,000 --> 00:07:28,450 um insulation while small secondary Transformers 358 00:07:28,450 --> 00:07:28,460 Transformers 359 00:07:28,460 --> 00:07:30,469 Transformers Transformer power the auxiliary 360 00:07:30,469 --> 00:07:30,479 Transformer power the auxiliary 361 00:07:30,479 --> 00:07:32,210 Transformer power the auxiliary functions 362 00:07:32,210 --> 00:07:32,220 functions 363 00:07:32,220 --> 00:07:34,129 functions um designated suits outside the audio 364 00:07:34,129 --> 00:07:34,139 um designated suits outside the audio 365 00:07:34,139 --> 00:07:35,930 um designated suits outside the audio path signal so again you can see that 366 00:07:35,930 --> 00:07:35,940 path signal so again you can see that 367 00:07:35,940 --> 00:07:36,890 path signal so again you can see that everything's been thought through 368 00:07:36,890 --> 00:07:36,900 everything's been thought through 369 00:07:36,900 --> 00:07:39,469 everything's been thought through internally separating anything can cause 370 00:07:39,469 --> 00:07:39,479 internally separating anything can cause 371 00:07:39,479 --> 00:07:42,770 internally separating anything can cause any noises or the dampening Factor as 372 00:07:42,770 --> 00:07:42,780 any noises or the dampening Factor as 373 00:07:42,780 --> 00:07:44,990 any noises or the dampening Factor as you saw the the switch that you can on 374 00:07:44,990 --> 00:07:45,000 you saw the the switch that you can on 375 00:07:45,000 --> 00:07:46,070 you saw the the switch that you can on the button on the front that you can 376 00:07:46,070 --> 00:07:46,080 the button on the front that you can 377 00:07:46,080 --> 00:07:49,249 the button on the front that you can actually select so um now all in all if 378 00:07:49,249 --> 00:07:49,259 actually select so um now all in all if 379 00:07:49,259 --> 00:07:52,850 actually select so um now all in all if you're looking for a very high-end 380 00:07:52,850 --> 00:07:52,860 you're looking for a very high-end 381 00:07:52,860 --> 00:07:56,629 you're looking for a very high-end big kick a b 382 00:07:56,629 --> 00:07:56,639 big kick a b 383 00:07:56,639 --> 00:07:58,850 big kick a b um Power Amplifier you really wouldn't 384 00:07:58,850 --> 00:07:58,860 um Power Amplifier you really wouldn't 385 00:07:58,860 --> 00:08:02,450 um Power Amplifier you really wouldn't go past this gold note PA 1175 and if 386 00:08:02,450 --> 00:08:02,460 go past this gold note PA 1175 and if 387 00:08:02,460 --> 00:08:04,309 go past this gold note PA 1175 and if you want to double it up 388 00:08:04,309 --> 00:08:04,319 you want to double it up 389 00:08:04,319 --> 00:08:06,589 you want to double it up um please message me and Sophia love to 390 00:08:06,589 --> 00:08:06,599 um please message me and Sophia love to 391 00:08:06,599 --> 00:08:07,790 um please message me and Sophia love to have some feedback from everybody out 392 00:08:07,790 --> 00:08:07,800 have some feedback from everybody out 393 00:08:07,800 --> 00:08:09,790 have some feedback from everybody out there who's played but two of these PA 394 00:08:09,790 --> 00:08:09,800 there who's played but two of these PA 395 00:08:09,800 --> 00:08:12,830 there who's played but two of these PA 1175s it'd be great to hear what you you 396 00:08:12,830 --> 00:08:12,840 1175s it'd be great to hear what you you 397 00:08:12,840 --> 00:08:14,990 1175s it'd be great to hear what you you thought obviously I've already done this 398 00:08:14,990 --> 00:08:15,000 thought obviously I've already done this 399 00:08:15,000 --> 00:08:17,150 thought obviously I've already done this in the past I in the old days I had a 400 00:08:17,150 --> 00:08:17,160 in the past I in the old days I had a 401 00:08:17,160 --> 00:08:18,650 in the past I in the old days I had a couple of NAD 402 00:08:18,650 --> 00:08:18,660 couple of NAD 403 00:08:18,660 --> 00:08:22,670 couple of NAD um 2200 PES and there really is a big 404 00:08:22,670 --> 00:08:22,680 um 2200 PES and there really is a big 405 00:08:22,680 --> 00:08:24,529 um 2200 PES and there really is a big difference when you add two but in 406 00:08:24,529 --> 00:08:24,539 difference when you add two but in 407 00:08:24,539 --> 00:08:26,270 difference when you add two but in saying that back in those days this is 408 00:08:26,270 --> 00:08:26,280 saying that back in those days this is 409 00:08:26,280 --> 00:08:27,710 saying that back in those days this is still a very significant amplifier we're 410 00:08:27,710 --> 00:08:27,720 still a very significant amplifier we're 411 00:08:27,720 --> 00:08:30,950 still a very significant amplifier we're talking 200 RMS in its position where 412 00:08:30,950 --> 00:08:30,960 talking 200 RMS in its position where 413 00:08:30,960 --> 00:08:32,449 talking 200 RMS in its position where it's sitting in front of us and then 414 00:08:32,449 --> 00:08:32,459 it's sitting in front of us and then 415 00:08:32,459 --> 00:08:33,949 it's sitting in front of us and then adding a second one we're taking it to 416 00:08:33,949 --> 00:08:33,959 adding a second one we're taking it to 417 00:08:33,959 --> 00:08:36,589 adding a second one we're taking it to you know to over 500 watts a channel 418 00:08:36,589 --> 00:08:36,599 you know to over 500 watts a channel 419 00:08:36,599 --> 00:08:39,350 you know to over 500 watts a channel so it's a pretty serious amplifier so 420 00:08:39,350 --> 00:08:39,360 so it's a pretty serious amplifier so 421 00:08:39,360 --> 00:08:42,170 so it's a pretty serious amplifier so anybody who's run a pair of these in the 422 00:08:42,170 --> 00:08:42,180 anybody who's run a pair of these in the 423 00:08:42,180 --> 00:08:45,110 anybody who's run a pair of these in the Mono Way please in the comments let me 424 00:08:45,110 --> 00:08:45,120 Mono Way please in the comments let me 425 00:08:45,120 --> 00:08:46,910 Mono Way please in the comments let me know I'd love to to see hear any 426 00:08:46,910 --> 00:08:46,920 know I'd love to to see hear any 427 00:08:46,920 --> 00:08:49,070 know I'd love to to see hear any feedback it'd be great to to see what 428 00:08:49,070 --> 00:08:49,080 feedback it'd be great to to see what 429 00:08:49,080 --> 00:08:50,389 feedback it'd be great to to see what anyone thought of that but from my 430 00:08:50,389 --> 00:08:50,399 anyone thought of that but from my 431 00:08:50,399 --> 00:08:52,430 anyone thought of that but from my perspective as a standalone 432 00:08:52,430 --> 00:08:52,440 perspective as a standalone 433 00:08:52,440 --> 00:08:54,170 perspective as a standalone um certainly right up there my top five 434 00:08:54,170 --> 00:08:54,180 um certainly right up there my top five 435 00:08:54,180 --> 00:08:56,329 um certainly right up there my top five amplifiers 436 00:08:56,329 --> 00:08:56,339 amplifiers 437 00:08:56,339 --> 00:08:58,009 amplifiers uh in the sense of this type of 438 00:08:58,009 --> 00:08:58,019 uh in the sense of this type of 439 00:08:58,019 --> 00:08:59,449 uh in the sense of this type of amplifier 440 00:08:59,449 --> 00:08:59,459 amplifier 441 00:08:59,459 --> 00:09:01,430 amplifier um very very impressed so again big 442 00:09:01,430 --> 00:09:01,440 um very very impressed so again big 443 00:09:01,440 --> 00:09:03,290 um very very impressed so again big thank you to Gold Note 10 out of 10 to 444 00:09:03,290 --> 00:09:03,300 thank you to Gold Note 10 out of 10 to 445 00:09:03,300 --> 00:09:04,850 thank you to Gold Note 10 out of 10 to the technical guys at Gold note I think 446 00:09:04,850 --> 00:09:04,860 the technical guys at Gold note I think 447 00:09:04,860 --> 00:09:06,410 the technical guys at Gold note I think they've come up with a fantastic power 448 00:09:06,410 --> 00:09:06,420 they've come up with a fantastic power 449 00:09:06,420 --> 00:09:08,389 they've come up with a fantastic power amplifier and if anyone's listening over 450 00:09:08,389 --> 00:09:08,399 amplifier and if anyone's listening over 451 00:09:08,399 --> 00:09:09,949 amplifier and if anyone's listening over there I'd certainly be very happy with a 452 00:09:09,949 --> 00:09:09,959 there I'd certainly be very happy with a 453 00:09:09,959 --> 00:09:13,550 there I'd certainly be very happy with a super deal on a PA 1175 for a second one 454 00:09:13,550 --> 00:09:13,560 super deal on a PA 1175 for a second one 455 00:09:13,560 --> 00:09:16,250 super deal on a PA 1175 for a second one I mean obviously I'm very very impressed 456 00:09:16,250 --> 00:09:16,260 I mean obviously I'm very very impressed 457 00:09:16,260 --> 00:09:17,870 I mean obviously I'm very very impressed so um if you'd like to find out more 458 00:09:17,870 --> 00:09:17,880 so um if you'd like to find out more 459 00:09:17,880 --> 00:09:20,329 so um if you'd like to find out more information about The Golden Oak PA 117 460 00:09:20,329 --> 00:09:20,339 information about The Golden Oak PA 117 461 00:09:20,339 --> 00:09:22,730 information about The Golden Oak PA 117 T5 Mark II 462 00:09:22,730 --> 00:09:22,740 T5 Mark II 463 00:09:22,740 --> 00:09:24,889 T5 Mark II um please duck on to hifq dot code NZ 464 00:09:24,889 --> 00:09:24,899 um please duck on to hifq dot code NZ 465 00:09:24,899 --> 00:09:27,710 um please duck on to hifq dot code NZ for New Zealand or hifihq.com Australia 466 00:09:27,710 --> 00:09:27,720 for New Zealand or hifihq.com Australia 467 00:09:27,720 --> 00:09:29,329 for New Zealand or hifihq.com Australia and again I do appreciate everybody 468 00:09:29,329 --> 00:09:29,339 and again I do appreciate everybody 469 00:09:29,339 --> 00:09:31,610 and again I do appreciate everybody supporting the channel and we'll see you 470 00:09:31,610 --> 00:09:31,620 supporting the channel and we'll see you 471 00:09:31,620 --> 00:09:33,920 supporting the channel and we'll see you next time 41044

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