Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:16,950 --> 00:00:19,190
BRING IN THE PUSSY LIGHT.
2
00:00:28,395 --> 00:00:29,695
YOU GOOD?
3
00:00:39,106 --> 00:00:40,884
AND...
4
00:00:40,908 --> 00:00:42,028
ACTION.
5
00:00:44,844 --> 00:00:46,211
CHINA, GET STARTED, THERE.
6
00:00:51,852 --> 00:00:54,886
AMBER, REALLY GET INTO IT.
7
00:00:56,323 --> 00:00:58,723
GREAT. NOW IN
WALKS THE PRINCIPAL.
8
00:01:00,126 --> 00:01:02,205
YOU READY, MAN, YOU GOT WOOD?
9
00:01:02,229 --> 00:01:04,407
OKAY, SO AT FIRST, YOU'RE MAD.
10
00:01:04,431 --> 00:01:05,431
GET IN THERE.
11
00:01:08,602 --> 00:01:09,512
GIRLS, YOU'RE EMBARRASSED
12
00:01:09,536 --> 00:01:12,716
AND SURPRISED.
13
00:01:12,740 --> 00:01:14,939
NOW YOU'RE HOT.
14
00:01:16,777 --> 00:01:19,222
NOW, CHINA, BLOW HIM.
15
00:01:19,246 --> 00:01:21,725
POP ON HER FACE,
GIVE HER A FACIAL,
16
00:01:21,749 --> 00:01:23,426
AND WHEN HE'S DONE THAT, CHINA,
17
00:01:23,450 --> 00:01:25,370
LOOK UP AND SAY,
"THAT WAS GREAT."
18
00:01:26,019 --> 00:01:27,030
THAT WAS GREAT.
19
00:01:27,054 --> 00:01:28,086
THAT WAS GREAT.
20
00:02:11,164 --> 00:02:13,810
OH, TINA.
21
00:02:13,834 --> 00:02:16,078
OH...
22
00:02:16,102 --> 00:02:17,514
IT'LL TAKE TIME,
23
00:02:17,538 --> 00:02:19,082
BUT WE'LL GET THROUGH IT.
24
00:02:19,106 --> 00:02:20,149
ALL RIGHT?
25
00:02:20,173 --> 00:02:22,919
WE'LL GET THROUGH IT.
26
00:02:22,943 --> 00:02:26,256
COME ON.
27
00:02:26,280 --> 00:02:27,957
[TIM]: SO GLAD YOU CAME OVER.
28
00:02:27,981 --> 00:02:29,626
SO... I'LL CALL YOU AFTER CLASS?
29
00:02:29,650 --> 00:02:30,894
OKAY. HAVE A GOOD DAY.
30
00:02:30,918 --> 00:02:32,284
BYE, TIM.
31
00:02:40,460 --> 00:02:41,793
OH.
32
00:02:43,731 --> 00:02:45,275
HI... TRISH.
33
00:02:45,299 --> 00:02:46,809
HI.
34
00:02:46,833 --> 00:02:48,945
UM...
35
00:02:48,969 --> 00:02:52,115
I'M JUST ON MY WAY TO
THE GROCERY STORE...
36
00:02:52,139 --> 00:02:55,918
UM, TO GET SOME BREAD...
37
00:02:55,942 --> 00:02:56,986
FOR TOAST.
38
00:02:57,010 --> 00:03:00,256
I'VE, UH...
39
00:03:00,280 --> 00:03:03,059
I FORGOT MY WALLET AND MY KEYS,
40
00:03:03,083 --> 00:03:06,195
SO I'M JUST GOING
TO GO GET THEM.
41
00:03:06,219 --> 00:03:07,519
WHERE'S MY HEAD?
42
00:03:09,189 --> 00:03:12,835
AND WHEN DOES IT START PREPPING?
43
00:03:12,859 --> 00:03:14,671
MM-HMM.
44
00:03:14,695 --> 00:03:15,871
GOOD.
45
00:03:15,895 --> 00:03:17,940
MM-HMM.
46
00:03:17,964 --> 00:03:20,843
SO WHEN DO I HAVE
TO GO TO VIRGINIA?
47
00:03:20,867 --> 00:03:21,978
THAT'S EXCITING.
48
00:03:22,002 --> 00:03:23,346
ALL RIGHT.
49
00:03:23,370 --> 00:03:25,336
ALL RIGHT, THANKS, VAL.
50
00:03:29,676 --> 00:03:32,022
YOU'RE GOING TO VIRGINIA?
51
00:03:32,046 --> 00:03:35,559
AS THE PERSONAL
FOR DREW BARRYMORE.
52
00:03:35,583 --> 00:03:36,893
IT'S A HUGE FASHION PICTURE,
53
00:03:36,917 --> 00:03:38,327
AND MY BUDGET'S GOING TO
BE THREE TIMES WHAT IT WAS
54
00:03:38,351 --> 00:03:40,496
ON DARKNESS.
55
00:03:40,520 --> 00:03:43,800
THAT'S WONDERFUL...
56
00:03:43,824 --> 00:03:45,267
BUT I WISH YOU HAD
DISCUSSED IT WITH ME
57
00:03:45,291 --> 00:03:46,569
BEFORE MAKING THAT DECISION.
58
00:03:46,593 --> 00:03:48,872
I DON'T KNOW WHAT
THERE IS TO DISCUSS.
59
00:03:48,896 --> 00:03:50,440
I GOT OFFERED A JOB.
60
00:03:50,464 --> 00:03:51,763
I TOOK IT.
61
00:03:57,204 --> 00:03:59,749
WHAT ABOUT OUR SUMMER HOLIDAY?
62
00:03:59,773 --> 00:04:00,983
I WAS ORGANIZING
THE HOUSE IN HYDRA.
63
00:04:01,007 --> 00:04:02,752
I NEVER SIGNED OFF ON HYDRA.
64
00:04:02,776 --> 00:04:06,723
WE TALKED ABOUT IT, BUT I
DIDN'T SAY BOOK A HOUSE.
65
00:04:06,747 --> 00:04:07,879
DID YOU BOOK A HOUSE?
66
00:04:12,853 --> 00:04:14,430
I JUST WANT TO
SPEND TIME WITH YOU.
67
00:04:14,454 --> 00:04:16,333
YOU'VE BEEN HERE SIX
WEEKS OUT OF AN ENTIRE YEAR.
68
00:04:16,357 --> 00:04:19,591
DON'T YOU WANT TO
SPEND TIME TOGETHER?
69
00:04:22,695 --> 00:04:23,815
COME AND BE WITH ME NOW.
70
00:04:26,533 --> 00:04:28,199
COME ON.
71
00:04:40,914 --> 00:04:42,892
NOW, THE FACT IS,
72
00:04:42,916 --> 00:04:45,227
I CAN'T AFFORD NOT
TO TAKE THIS JOB.
73
00:04:45,251 --> 00:04:48,764
DO YOU HAVE ANY IDEA
HOW MUCH YOU OWE?
74
00:04:48,788 --> 00:04:49,899
HMM?
75
00:04:49,923 --> 00:04:51,222
A LOT.
76
00:04:54,327 --> 00:04:56,071
SWEETHEART...
77
00:04:56,095 --> 00:04:59,775
I WANT YOU TO HAVE
YOUR BEAUTIFUL DREAM.
78
00:04:59,799 --> 00:05:00,810
THEN I HAVE TO GO TO WORK,
79
00:05:00,834 --> 00:05:02,578
DON'T I?
80
00:05:02,602 --> 00:05:04,769
TO TAKE CARE OF YOU.
81
00:05:19,687 --> 00:05:21,464
AND WHILE I'M GONE,
82
00:05:21,488 --> 00:05:22,765
YOU CAN RESUME YOUR LITTLE THING
83
00:05:22,789 --> 00:05:25,468
WITH JENNY.
84
00:05:25,492 --> 00:05:27,870
I KNOW YOU DON'T WANT
TO BE HERE WITH ME NOW.
85
00:05:27,894 --> 00:05:30,440
YOU WANT JENNY.
86
00:05:30,464 --> 00:05:33,476
AND HE'S ROUGH, YOU KNOW?
87
00:05:33,500 --> 00:05:34,744
IT'S, LIKE...
88
00:05:34,768 --> 00:05:36,779
FUCKS ME, YOU KNOW?
89
00:05:36,803 --> 00:05:37,847
IT'S HOT.
90
00:05:37,871 --> 00:05:39,448
YEAH, THAT'S...
THAT'S WICKED HOT.
91
00:05:39,472 --> 00:05:40,950
IT IS. IT REALLY IS,
92
00:05:40,974 --> 00:05:42,118
BECAUSE THERE'S NOT THAT,
93
00:05:42,142 --> 00:05:43,986
YOU KNOW, BULLSHIT,
OF, LIKE, YOU KNOW,
94
00:05:44,010 --> 00:05:45,588
I'LL DO YOU, THEN YOU DO ME,
95
00:05:45,612 --> 00:05:47,090
AND, YOU KNOW, WE'LL CHECK IN,
96
00:05:47,114 --> 00:05:48,057
HAVE WE HAD EQUAL TIME?
97
00:05:48,081 --> 00:05:49,492
ALL THAT CRAP.
98
00:05:49,516 --> 00:05:51,160
YOU KNOW, AL, JUST BECAUSE
YOU'RE RIDING THE BIG FAT WEINIE
99
00:05:51,184 --> 00:05:53,363
DOESN'T MEAN THERE'S
SOMETHING WRONG
100
00:05:53,387 --> 00:05:54,931
HEY, LOOK, NOW THAT
YOU'RE OUT BIG-TIME,
101
00:05:54,955 --> 00:05:57,066
LET'S GIVE YOU A MULLET.
102
00:05:57,090 --> 00:05:59,468
YES, COME ON.
HOCKEY HAIR'D BE HOT.
103
00:05:59,492 --> 00:06:00,870
I DON'T THINK SHE'S
READY TO BE A BULL DYKE.
104
00:06:00,894 --> 00:06:02,105
THANK YOU.
105
00:06:02,129 --> 00:06:03,372
OKAY.
106
00:06:03,396 --> 00:06:04,607
THE THING IS, THOUGH, YOU GUYS,
107
00:06:04,631 --> 00:06:05,608
I'VE, YOU KNOW,
108
00:06:05,632 --> 00:06:06,642
I'VE ONLY SLEPT WITH HIM,
109
00:06:06,666 --> 00:06:09,045
WHAT, LIKE, FIVE TIMES,
110
00:06:09,069 --> 00:06:10,045
SO IF I'M LATE...
111
00:06:10,069 --> 00:06:10,813
YOU'RE LATE?
112
00:06:10,837 --> 00:06:12,381
FOR MY PERIOD.
113
00:06:12,405 --> 00:06:13,817
I'M SURE YOU LEARNED
IN FIFTH GRADE
114
00:06:13,841 --> 00:06:14,684
THAT THAT'S PART OF YOUR
115
00:06:14,708 --> 00:06:16,052
REPRODUCTIVE CYCLE.
116
00:06:16,076 --> 00:06:17,387
WHOA, WHOA.
117
00:06:17,411 --> 00:06:18,621
SO WHAT ARE YOU SAYING, THEN?
118
00:06:18,645 --> 00:06:20,256
I'M SAYING, IF I'M LATE,
119
00:06:20,280 --> 00:06:23,392
IT WOULDN'T BE ANDREW'S.
120
00:06:23,416 --> 00:06:24,794
WELL, WOULD IT BE LISA'S?
121
00:06:24,818 --> 00:06:27,864
WOW.
122
00:06:27,888 --> 00:06:29,365
WELL, HE'D BE THE
FIRST LESBO IN HISTORY
123
00:06:29,389 --> 00:06:30,567
EVER TO PULL THAT ONE OFF.
124
00:06:30,591 --> 00:06:33,469
SHIT.
125
00:06:33,493 --> 00:06:35,438
OH, SO ACCORDING TO THE CAC,
126
00:06:35,462 --> 00:06:37,573
THE WORLD THAT WE
LIVE IN IS A GODLESS ONE.
127
00:06:37,597 --> 00:06:39,075
AND ART REFLECTS THAT.
128
00:06:39,099 --> 00:06:40,543
IT MIRRORS THE WORLD WE LIVE IN.
129
00:06:40,567 --> 00:06:44,614
DO YOU THINK THE FACT
THAT YOU'RE HOMOSEXUAL
130
00:06:44,638 --> 00:06:47,239
MAKES YOU MORALLY BANKRUPT?
131
00:06:48,208 --> 00:06:50,086
I AM A PERVERT...
132
00:06:50,110 --> 00:06:52,190
AND ONLY A PERVERT
COULD SHOW THIS WORK.
133
00:06:55,148 --> 00:06:57,326
I DIDN'T KNOW IT
WAS BEING TAPED.
134
00:06:57,350 --> 00:06:58,761
ANYWAY, THAT IS NOT WHAT I SAID.
135
00:06:58,785 --> 00:06:59,762
SHE TWISTED IT.
136
00:06:59,786 --> 00:07:00,696
THAT'S WHAT THEY DO.
137
00:07:00,720 --> 00:07:01,764
AND YOU CAN BE SURE
138
00:07:01,788 --> 00:07:03,065
THAT THIS TAPE HAS BEEN SENT
139
00:07:03,089 --> 00:07:06,135
TO EVERY CONSERVATIVE
CONGRESSMAN,
140
00:07:06,159 --> 00:07:07,537
ALONG WITH THIS
LOVELY DOCUMENT...
141
00:07:07,561 --> 00:07:08,771
A LIFE-SIZE PAINTING
142
00:07:08,795 --> 00:07:09,773
OF THE PRESIDENT
OF THE UNITED STATES
143
00:07:09,797 --> 00:07:11,307
IN AN SS UNIFORM,
144
00:07:11,331 --> 00:07:12,976
JESUS SODOMIZING MARY,
145
00:07:13,000 --> 00:07:14,377
AND THIS IS A DOOZY...
146
00:07:14,401 --> 00:07:16,212
THIS IS A LIVE
PERFORMANCE PIECE.
147
00:07:16,236 --> 00:07:17,213
ARE YOU SURE THIS IS ART?
148
00:07:17,237 --> 00:07:18,648
ABSOLUTELY.
149
00:07:18,672 --> 00:07:20,550
WE PUT IT TO A VOTE, BERT.
150
00:07:20,574 --> 00:07:21,884
IT'S AN IMPORTANT EXHIBITION,
151
00:07:21,908 --> 00:07:22,885
AND THE MUSEUM STANDS BEHIND IT.
152
00:07:22,909 --> 00:07:24,142
OKAY.
153
00:07:26,213 --> 00:07:28,624
YOU ARE GOING TO HAVE TO LEARN
HOW TO DEAL WITH FAE BUCKLEY.
154
00:07:28,648 --> 00:07:30,259
SHE WAS CAUGHT OFF-GUARD, BERT.
155
00:07:30,283 --> 00:07:31,294
IT COULD HAPPEN TO ANYONE.
156
00:07:31,318 --> 00:07:32,862
AS YOUR COUNSEL, I CAN TELL YOU
157
00:07:32,886 --> 00:07:35,064
THAT THEY WILL TRY TO GET
AT YOU ON LEGAL GROUNDS.
158
00:07:35,088 --> 00:07:36,933
NOW, THE LAW IS PRETTY
MUCH ON YOUR SIDE RIGHT NOW.
159
00:07:36,957 --> 00:07:38,367
HOWEVER, THE
POLITICAL CLIMATE IS NOT.
160
00:07:38,391 --> 00:07:39,935
THERE'S TWO WAYS TO GO.
161
00:07:39,959 --> 00:07:43,539
ONE, THEY RANT AND RAVE
WHILE WE LOOK THE OTHER WAY.
162
00:07:43,563 --> 00:07:44,541
WE DO NOT ENGAGE.
163
00:07:44,565 --> 00:07:45,775
THAT IS WHAT WE'VE BEEN DOING,
164
00:07:45,799 --> 00:07:47,109
SITTING WITH OUR HANDS
FOLDED IN OUR LAPS
165
00:07:47,133 --> 00:07:49,044
WHILE THEY CALL US
PORNOGRAPHERS AND PEDOPHILES.
166
00:07:49,068 --> 00:07:50,613
THE OTHER STRATEGY IS
TO MEET THEM HEAD-ON,
167
00:07:50,637 --> 00:07:51,747
DUKE IT OUT.
168
00:07:51,771 --> 00:07:54,083
I WANT TO CHALLENGE
FAE BUCKLEY TO A DEBATE.
169
00:07:54,107 --> 00:07:56,252
THE WOMAN'S A GLADIATOR
IN THE PUBLIC ARENA.
170
00:07:56,276 --> 00:07:57,487
SHE'S BRILLIANT.
171
00:07:57,511 --> 00:07:58,554
SHE PRETTY MUCH ALWAYS WINS.
172
00:07:58,578 --> 00:08:00,656
LET'S DO IT.
173
00:08:00,680 --> 00:08:02,091
FUCK...
174
00:08:02,115 --> 00:08:03,593
WHAT AM I GONNA DO IF
I'M FUCKING PREGNANT?
175
00:08:03,617 --> 00:08:06,863
GET AN ABORTION, AL.
176
00:08:06,887 --> 00:08:08,847
OR GIVE THE BABY
TO BETTE AND TINA.
177
00:08:10,023 --> 00:08:11,534
WHAT, WE'RE
ALREADY LIKE A FAMILY.
178
00:08:11,558 --> 00:08:12,901
IT WOULD BE LIKE THE
KID BELONGS TO ALL OF US.
179
00:08:12,925 --> 00:08:14,203
SO INSTEAD OF HEATHER
HAS TWO MOMMIES,
180
00:08:14,227 --> 00:08:15,404
HEATHER HAS SIX MOMMIES?
181
00:08:15,428 --> 00:08:17,039
NO, BETTE AND TINA
WOULD BE THE MOMS,
182
00:08:17,063 --> 00:08:18,440
BUT WE'D ALL BE CONNECTED,
BECAUSE OF HOW IT WENT DOWN...
183
00:08:18,464 --> 00:08:19,676
LOOK, DANA,
184
00:08:19,700 --> 00:08:21,143
THIS IS GONNA BE
ENTIRELY NATURAL, OKAY?
185
00:08:21,167 --> 00:08:23,412
OKAY, AS LONG AS IT'S
NOT TOO, LIKE, CRAZY,
186
00:08:23,436 --> 00:08:24,480
OR, YOU KNOW...
187
00:08:24,504 --> 00:08:25,581
ALL RIGHT, OR TOO
COOL. I HEAR YOU.
188
00:08:25,605 --> 00:08:26,882
BUT THINK ABOUT IT.
189
00:08:26,906 --> 00:08:27,917
WE'D BE THE KID'S
EXTENDED FAMILY.
190
00:08:27,941 --> 00:08:29,352
THAT'S A GREAT IDEA, SHANE.
191
00:08:29,376 --> 00:08:31,187
LOOK, THERE'S NO
BIGGER KARMIC BLESSING
192
00:08:31,211 --> 00:08:32,955
THAN DOING SOMETHING
ENTIRELY SELFLESS
193
00:08:32,979 --> 00:08:34,524
FOR ANOTHER PERSON.
194
00:08:34,548 --> 00:08:35,758
I'M SERIOUS.
195
00:08:35,782 --> 00:08:37,702
HOW ABOUT A LITTLE
SUPPORT FOR ME?
196
00:08:39,352 --> 00:08:40,864
TINA, BETTE WOULD
HAVE HIRED SOMEBODY
197
00:08:40,888 --> 00:08:41,864
TO DO THIS FOR YOU.
198
00:08:41,888 --> 00:08:44,155
I WOULD HAVE DONE IT FOR YOU.
199
00:08:45,992 --> 00:08:47,737
I'M NOT GOING TO...
200
00:08:47,761 --> 00:08:50,039
COME TO YOUR... SHOW TONIGHT.
201
00:08:50,063 --> 00:08:51,741
I'M SORRY. I CAN'T.
202
00:08:51,765 --> 00:08:52,775
HEY, IT'S OKAY.
203
00:08:52,799 --> 00:08:56,033
I'M SURE BETTE WILL COME.
204
00:08:57,904 --> 00:08:58,881
TINA, I WOULDN'T WANT YOU
205
00:08:58,905 --> 00:09:00,450
TO DO ANYTHING
206
00:09:00,474 --> 00:09:02,451
YOU'RE NOT UP TO DOING...
207
00:09:02,475 --> 00:09:03,886
BUT DON'T YOU THINK
IT'D BE GOOD FOR YOU
208
00:09:03,910 --> 00:09:05,610
TO GET OUT?
209
00:09:18,725 --> 00:09:20,469
IT'S GREAT.
210
00:09:20,493 --> 00:09:21,471
I LOOK GOOD, RIGHT?
211
00:09:21,495 --> 00:09:22,872
YOU LOOK HOT.
212
00:09:22,896 --> 00:09:24,206
YOU LOOK EXCELLENT.
213
00:09:24,230 --> 00:09:25,207
LOOK AT THIS.
214
00:09:25,231 --> 00:09:26,275
FROM THE NECK UP.
215
00:09:26,299 --> 00:09:27,710
I MEAN, WE REALLY
HAVE TO DO SOMETHING
216
00:09:27,734 --> 00:09:28,878
ABOUT YOUR CLOTHES.
217
00:09:28,902 --> 00:09:29,979
WHAT DO YOU MEAN?
218
00:09:30,003 --> 00:09:31,046
WE'VE GOT TO TAKE
HER TO FRED SEGAL.
219
00:09:31,070 --> 00:09:32,815
I GOT THESE AT FRED SEGAL.
220
00:09:32,839 --> 00:09:34,250
SHANE...
221
00:09:34,274 --> 00:09:36,718
MADAME CHERIE, LINE THREE.
222
00:09:36,742 --> 00:09:38,320
SHE REQUIRES YOUR ATTENTION
223
00:09:38,344 --> 00:09:39,511
IMMEDIATEMENT.
224
00:09:40,314 --> 00:09:41,446
[HONKING]
225
00:09:49,856 --> 00:09:50,856
HELLO.
226
00:09:54,427 --> 00:09:55,504
HI.
227
00:09:55,528 --> 00:09:56,672
HI.
228
00:09:56,696 --> 00:09:57,873
WHERE ARE YOU TAKING ME?
229
00:09:57,897 --> 00:09:59,408
IT'S A SECRET.
230
00:09:59,432 --> 00:10:00,643
OKAY.
231
00:10:00,667 --> 00:10:01,667
LET'S GO.
232
00:10:18,718 --> 00:10:21,052
WELL?
233
00:10:23,122 --> 00:10:25,300
WELL, I DON'T KNOW
WHY WE'RE HERE.
234
00:10:25,324 --> 00:10:28,004
STEVE AND HARRY OWN
MOST OF THIS BLOCK.
235
00:10:28,028 --> 00:10:30,472
THEY'RE DEVELOPING IT,
236
00:10:30,496 --> 00:10:33,108
AND I'VE CONVINCED
STEVE TO INVEST IN YOU.
237
00:10:33,132 --> 00:10:36,612
SO YOU CAN OPEN YOUR OWN SHOP.
238
00:10:36,636 --> 00:10:39,515
NO WAY.
239
00:10:39,539 --> 00:10:41,859
BUT YOU CAN'T TELL HIM THAT
I BROUGHT YOU HERE, OKAY?
240
00:10:44,410 --> 00:10:46,678
ISN'T IT JUST OOZING
WITH POTENTIAL?
241
00:10:49,916 --> 00:10:52,362
IT'S BEAUTIFUL.
242
00:10:52,386 --> 00:10:53,829
IT...
243
00:10:53,853 --> 00:10:57,233
I MEAN, IT'S
UN-FUCKING-BELIEVABLE.
244
00:10:57,257 --> 00:11:00,502
I MEAN, I THINK I'D KEEP THIS
LIKE THE OLD BARBERSHOP.
245
00:11:00,526 --> 00:11:02,204
NO BIG RECEPTION
DESK OR ANYTHING.
246
00:11:02,228 --> 00:11:03,573
JUST THE CUTTING
STATIONS RIGHT HERE...
247
00:11:03,597 --> 00:11:05,207
AND THIS COULD BE
THE WAITING AREA
248
00:11:05,231 --> 00:11:07,776
WHERE THEY HAVE
SOFAS AND TABLES.
249
00:11:07,800 --> 00:11:11,247
I SEE IT MID-CENTURY MODERNE,
250
00:11:11,271 --> 00:11:13,515
KIND OF KITSCHY, BUT CHIC.
251
00:11:13,539 --> 00:11:15,050
HMM...
252
00:11:15,074 --> 00:11:17,594
I'M THINKING POOL TABLE...
253
00:11:19,145 --> 00:11:22,258
AND UP HERE IT COULD
BE THE COLORING
254
00:11:22,282 --> 00:11:24,526
OR SHAMPOO STATIONS.
255
00:11:24,550 --> 00:11:25,528
SHANE...
256
00:11:25,552 --> 00:11:28,530
YEAH?
257
00:11:28,554 --> 00:11:30,321
LOOK AT THIS.
258
00:11:37,297 --> 00:11:39,541
AH, FUCK.
259
00:11:39,565 --> 00:11:41,399
YES, PLEASE.
260
00:11:59,152 --> 00:12:00,985
[GIGGLING]
261
00:12:09,529 --> 00:12:15,110
I KNOW I WAS ONLY 12 WEEKS...
262
00:12:15,134 --> 00:12:21,183
BUT I FEEL LIKE I LOST SOMEONE
I WAS WITH MY WHOLE LIFE...
263
00:12:21,207 --> 00:12:23,041
MY BABY BOY.
264
00:12:28,114 --> 00:12:29,858
JUST LAST WEEK,
265
00:12:29,882 --> 00:12:33,183
WE FOUND OUT THAT IT
WAS GOING TO BE A BOY.
266
00:12:34,988 --> 00:12:37,833
YOU'LL TRY AGAIN.
267
00:12:37,857 --> 00:12:39,768
I KNOW IT'S HARD
TO THINK ABOUT IT
268
00:12:39,792 --> 00:12:40,836
RIGHT NOW,
269
00:12:40,860 --> 00:12:43,439
BUT YOU'LL TRY AGAIN.
270
00:12:43,463 --> 00:12:46,041
I KNOW THAT TINA'S DEVASTATED.
271
00:12:46,065 --> 00:12:47,543
FRANKLY, THAT'S THE WAY
SHE SHOULD BE FEELING.
272
00:12:47,567 --> 00:12:50,212
SHE'S GRIEVING.
273
00:12:50,236 --> 00:12:51,947
I'M WORRIED ABOUT YOU, BETTE.
274
00:12:51,971 --> 00:12:55,918
I SEE YOU STEADY AND STRONG,
275
00:12:55,942 --> 00:12:59,455
LETTING TINA LEAN ON YOU.
276
00:12:59,479 --> 00:13:02,091
HAS IT SUNK IN FOR YOU YET?
277
00:13:02,115 --> 00:13:03,058
HAVE YOU CRIED?
278
00:13:03,082 --> 00:13:05,928
BELIEVE ME, IT'S SUNK IN.
279
00:13:05,952 --> 00:13:08,764
BUT KAREN ASKED YOU
A SPECIFIC QUESTION.
280
00:13:08,788 --> 00:13:11,923
HAVE YOU CRIED?
281
00:13:17,597 --> 00:13:19,075
I DON'T NEED TO CRY.
282
00:13:19,099 --> 00:13:21,277
I WANT TO SEE SOME
EPISODES OF INSIGHT.
283
00:13:21,301 --> 00:13:23,634
CAN YOU GET ME SOME
TAPES TOMORROW MORNING?
284
00:13:24,270 --> 00:13:27,049
TINA, TINA, HI.
285
00:13:27,073 --> 00:13:29,117
NOW'S THE TIME, YOU KNOW?
286
00:13:29,141 --> 00:13:30,286
WHEN SOMETHING TERRIBLE HAPPENS,
287
00:13:30,310 --> 00:13:31,720
AND YOU FEEL
YOURSELF BEING SUCKED
288
00:13:31,744 --> 00:13:33,322
INTO THAT BLACK PIT OF DESPAIR,
289
00:13:33,346 --> 00:13:34,423
IT'S TIME TO GET
OUTSIDE YOURSELF
290
00:13:34,447 --> 00:13:35,424
AND FORCE YOURSELF
291
00:13:35,448 --> 00:13:36,491
TO DO SOMETHING FOR PEOPLE
292
00:13:36,515 --> 00:13:37,793
WHO CAN'T EVEN TELL
YOU WHAT DESPAIR IS,
293
00:13:37,817 --> 00:13:39,328
BECAUSE IT'S ALL
THEY'VE EVER KNOWN.
294
00:13:39,352 --> 00:13:41,052
I'LL BE THERE ALL DAY TOMORROW.
295
00:13:42,622 --> 00:13:43,765
WHAT DID HE WANT?
296
00:13:43,789 --> 00:13:45,634
HE WANTS ME TO VOLUNTEER.
297
00:13:45,658 --> 00:13:47,069
HMM, MAYBE YOU
SHOULD CHECK IT OUT.
298
00:13:47,093 --> 00:13:48,370
MAYBE IT WOULD BE GOOD FOR YOU.
299
00:13:48,394 --> 00:13:49,772
YEAH.
300
00:13:49,796 --> 00:13:50,773
DO YOU THINK YOU'RE
GOING TO BE ABLE TO MAKE IT
301
00:13:50,797 --> 00:13:51,874
TO KIT'S SHOW?
302
00:13:51,898 --> 00:13:53,075
BABE, I REALLY DON'T WANT TO.
303
00:13:53,099 --> 00:13:55,459
I TOLD KIT. SHE UNDERSTANDS.
304
00:14:02,875 --> 00:14:03,853
EXCUSE ME.
305
00:14:03,877 --> 00:14:06,010
EXCUSE ME, CAN I GET...
306
00:14:11,517 --> 00:14:12,494
THIS IS SO FUNNY.
307
00:14:12,518 --> 00:14:14,497
I HAD GROUP TODAY.
308
00:14:14,521 --> 00:14:15,964
YOU MISS MY ASS?
309
00:14:15,988 --> 00:14:18,033
YOU GUYS HAVE A WHOLE SESSION
TALKING ABOUT HOW YOU FEEL
310
00:14:18,057 --> 00:14:21,103
ABOUT ME GETTING
THE HELL OUT OF THERE?
311
00:14:21,127 --> 00:14:24,362
BUT I ADMIT IT'S NOT AS
INTENSE WITHOUT YOU.
312
00:14:26,499 --> 00:14:28,744
WHAT?
313
00:14:28,768 --> 00:14:30,079
THIS IS THE LAST PLACE ON
EARTH YOU'D EXPECT TO SEE ME.
314
00:14:30,103 --> 00:14:33,015
I JUST NEVER FIGURED
YOU TO BE A KIT PORTER FAN.
315
00:14:33,039 --> 00:14:34,316
SHE'S MY SISTER.
316
00:14:34,340 --> 00:14:35,685
EXCUSE ME. EXCUSE ME.
317
00:14:35,709 --> 00:14:36,752
HEY, HERE YOU GO.
318
00:14:36,776 --> 00:14:38,053
OH, MEET MY EX.
319
00:14:38,077 --> 00:14:41,190
BETTE PORTER, THIS
IS, UH, CANDACE JEWELL.
320
00:14:41,214 --> 00:14:42,191
NICE TO MEET YOU.
321
00:14:42,215 --> 00:14:43,625
NICE TO MEET YOU.
322
00:14:43,649 --> 00:14:44,627
DO YOU WANT TO SIT
WITH ME AT MY TABLE?
323
00:14:44,651 --> 00:14:45,661
IT'S JUST ME
324
00:14:45,685 --> 00:14:47,930
AND A COUPLE OF
MY SISTER'S FRIENDS.
325
00:14:47,954 --> 00:14:49,164
HEY, WHERE'S TINA, BY THE WAY?
326
00:14:49,188 --> 00:14:52,089
SHE WASN'T FEELING WELL.
327
00:14:53,660 --> 00:14:54,636
HEY...
328
00:14:54,660 --> 00:14:58,040
HEY, BABY SIS.
329
00:14:58,064 --> 00:14:59,775
THIS IS YOLANDA AND CANDACE.
330
00:14:59,799 --> 00:15:00,876
THIS IS SLIM DADDY.
331
00:15:00,900 --> 00:15:01,877
HI, NICE TO MEET YOU.
332
00:15:01,901 --> 00:15:02,878
HEY, BEAUTIFUL.
333
00:15:02,902 --> 00:15:04,480
AND NOW,
334
00:15:04,504 --> 00:15:05,648
PLEASE PUT YOUR HANDS TOGETHER.
335
00:15:05,672 --> 00:15:08,951
TOGETHER, TOGETHER,
TOGETHER, FOR...
336
00:15:08,975 --> 00:15:10,408
KIT PORTER!
337
00:15:11,744 --> 00:15:13,077
WHOO-HOO!
338
00:15:17,083 --> 00:15:18,093
WHOO!
339
00:15:18,117 --> 00:15:19,562
THIS, THIS IS SO COOL.
340
00:15:19,586 --> 00:15:20,629
IT'S OVERWHELMING.
341
00:15:20,653 --> 00:15:23,132
I... I THINK I NEED A DRINK.
342
00:15:23,156 --> 00:15:25,768
I WAS JUST KIDDING, BABY SISTER.
343
00:15:25,792 --> 00:15:27,303
MY BABY SISTER
IS IN HERE TONIGHT,
344
00:15:27,327 --> 00:15:31,440
AND SHE HAS HELPED ME GO
DOWN THAT STRAIGHT AND NARROW.
345
00:15:31,464 --> 00:15:36,100
IN THE HOUSE
TONIGHT IS SLIM DADDY!
346
00:15:41,407 --> 00:15:42,617
THANK YOU, THANK YOU.
347
00:15:42,641 --> 00:15:44,720
I DON'T KNOW WHAT I WANT TO SAY,
348
00:15:44,744 --> 00:15:46,455
BUT THERE'S NO
ONE LIKE THIS WOMAN.
349
00:15:46,479 --> 00:15:49,358
KIT PORTER IS A REAL,
MOTHERFUCKIN' DIVA.
350
00:15:49,382 --> 00:15:51,026
Y'ALL GO ON, GIVE IT UP FOR KIT.
351
00:15:51,050 --> 00:15:53,418
[APPLAUSE]
352
00:16:00,626 --> 00:16:01,703
I RESPECT THAT SHE'S YOUR WOMAN.
353
00:16:01,727 --> 00:16:02,705
SHE'S NOT.
354
00:16:02,729 --> 00:16:05,240
YOU MET MY WOMAN.
355
00:16:05,264 --> 00:16:06,842
OH, RIGHT, RIGHT.
356
00:16:06,866 --> 00:16:09,545
WELL, I STILL THINK THE
TWO OF YOU WOULD, UH...
357
00:16:09,569 --> 00:16:12,415
YOU KNOW...
358
00:16:12,439 --> 00:16:15,974
YEAH. LORD, HAVE MERCY ON ME.
359
00:16:20,546 --> 00:16:22,124
[SNAPS FINGERS]
360
00:16:22,148 --> 00:16:25,261
SING THAT SONG, KIT.
361
00:16:25,285 --> 00:16:30,933
♪ HOLD ON TO OUR LOVE ♪
362
00:16:30,957 --> 00:16:35,571
♪ WE CAN ♪
363
00:16:35,595 --> 00:16:38,441
♪ RISE ABOVE ♪
364
00:16:38,465 --> 00:16:46,465
♪ ALL THE THINGS THAT PEOPLE
SEEM TO THINK THEY KNOW ♪
365
00:16:47,473 --> 00:16:49,552
♪ THEY'RE JUST WORDS ♪
366
00:16:49,576 --> 00:16:57,576
♪ WE SHOULDN'T LISTEN ANYMORE ♪
367
00:16:57,950 --> 00:17:02,498
♪ HERE IN THE DARK ♪
368
00:17:02,522 --> 00:17:06,968
♪ NOTHING ELSE BUT US ♪
369
00:17:06,992 --> 00:17:11,206
♪ HERE IN THE DARK ♪
370
00:17:11,230 --> 00:17:15,411
♪ ALL I WANT TO DO
IS THINK OF YOU ♪
371
00:17:15,435 --> 00:17:19,815
♪ AND I ♪
372
00:17:19,839 --> 00:17:22,885
♪ I KNOW THAT I'LL NEVER SAY ♪
373
00:17:22,909 --> 00:17:27,122
♪ GOOD BYE ♪
374
00:17:27,146 --> 00:17:30,326
I PASS THE CALIFORNIA ART
CENTER EVERY MORNING.
375
00:17:30,350 --> 00:17:31,460
I'M DOING A JOB
RIGHT NEAR THERE.
376
00:17:31,484 --> 00:17:33,295
WHAT KIND OF JOB?
377
00:17:33,319 --> 00:17:34,529
MY PARTNER AND I ARE
DOING THE FINISH CARPENTRY
378
00:17:34,553 --> 00:17:36,031
ON A LOFT IN VENICE
WE'VE BEEN REMODELING.
379
00:17:36,055 --> 00:17:37,700
YOU'RE A CARPENTER?
380
00:17:37,724 --> 00:17:39,923
HEY...
381
00:17:41,260 --> 00:17:42,404
SURE YOU DON'T WANT TO HANG OUT
382
00:17:42,428 --> 00:17:43,805
WITH US TONIGHT, BABY SIS?
383
00:17:43,829 --> 00:17:47,676
WE GOT EVERYTHING FOR
EVERYONE WHO NEEDS ANYTHING.
384
00:17:47,700 --> 00:17:48,711
YEAH, I'M SURE.
385
00:17:48,735 --> 00:17:50,446
I'VE GOT TO GET HOME.
386
00:17:50,470 --> 00:17:53,115
WELL, I GUESS I'LL DREAM
ABOUT THE TWO OF YOU...
387
00:17:53,139 --> 00:17:55,217
BECAUSE I GOT
THAT BASIC INSTINCT
388
00:17:55,241 --> 00:17:57,920
ABOUT YOU.
389
00:17:57,944 --> 00:17:58,920
DON'T YOU GET MY SISTER
390
00:17:58,944 --> 00:18:00,423
INTO ANY TROUBLE.
391
00:18:00,447 --> 00:18:01,857
I CAN HANDLE IT.
392
00:18:01,881 --> 00:18:02,958
CONGRATULATIONS.
393
00:18:02,982 --> 00:18:04,927
THANK YOU, THANK YOU.
394
00:18:04,951 --> 00:18:06,528
ALL RIGHT, WELL...
395
00:18:06,552 --> 00:18:07,730
I'M SO PROUD OF YOU.
396
00:18:07,754 --> 00:18:10,132
LISTEN, I SHOULD
REALLY GET HOME.
397
00:18:10,156 --> 00:18:11,399
IT WAS NICE RUNNING INTO YOU.
398
00:18:11,423 --> 00:18:12,401
YEAH.
399
00:18:12,425 --> 00:18:14,069
NICE TO MEET YOU.
400
00:18:14,093 --> 00:18:15,537
YOU SHOULD COME BY AND
CHECK OUT THE MUSEUM
401
00:18:15,561 --> 00:18:16,872
ONE DAY ON YOUR LUNCH BREAK.
402
00:18:16,896 --> 00:18:17,906
YEAH.
403
00:18:17,930 --> 00:18:18,930
OKAY.
404
00:18:28,941 --> 00:18:30,719
[FRANCESCA]: THIS IS RIDICULOUS.
405
00:18:30,743 --> 00:18:31,920
[SHANE]: NO, I'LL GET IT.
406
00:18:31,944 --> 00:18:33,889
[FRANCESCA]: THE WAIT
STAFF ARE SO SLOW.
407
00:18:33,913 --> 00:18:36,280
THEY'RE USELESS.
408
00:18:39,085 --> 00:18:40,596
YOU SHOULDN'T BE DOING THAT.
409
00:18:40,620 --> 00:18:42,598
IT'S THEIR JOB.
410
00:18:42,622 --> 00:18:44,199
WELL, THEY'RE BUSY.
I'M HELPING THEM.
411
00:18:44,223 --> 00:18:45,767
YOU'RE CODDLING THEM.
412
00:18:45,791 --> 00:18:47,369
WE DIDN'T ORDER...
413
00:18:47,393 --> 00:18:48,703
DID ONE OF YOU ORDER THAT?
414
00:18:48,727 --> 00:18:49,771
IT'S A GIFT FROM ME.
415
00:18:49,795 --> 00:18:51,039
I WANT TO BE IN
PARIS THIS MORNING.
416
00:18:51,063 --> 00:18:53,642
AND I WANT TO BE
IN PROFIT SOME DAY.
417
00:18:53,666 --> 00:18:55,511
IT'S MY TREAT. ENJOY.
418
00:18:55,535 --> 00:18:57,468
PUT IT ON THE BOOKS.
419
00:19:00,639 --> 00:19:01,816
KATE MOSS, EAT YOUR HEART OUT!
420
00:19:01,840 --> 00:19:02,818
LOOK AT YOU.
421
00:19:02,842 --> 00:19:03,819
YEAH.
422
00:19:03,843 --> 00:19:05,488
IF I DIDN'T KNOW IT WAS YOU,
423
00:19:05,512 --> 00:19:07,756
I WOULD HAVE THOUGHT
SOMEONE HOT JUST WALKED IN.
424
00:19:07,780 --> 00:19:08,824
SHUT UP.
425
00:19:08,848 --> 00:19:10,192
I FEEL STUPID.
426
00:19:10,216 --> 00:19:11,893
YOU LOOK SO SEXY, DANA.
427
00:19:11,917 --> 00:19:13,128
OH, SHUT UP.
428
00:19:13,152 --> 00:19:14,129
REALLY, YOU LIKE THE 'DO?
429
00:19:14,153 --> 00:19:15,987
YEAH, GREAT.
430
00:19:16,889 --> 00:19:17,900
WHAT ARE YOU DOING?
431
00:19:17,924 --> 00:19:18,833
ME?
432
00:19:18,857 --> 00:19:19,835
YEAH.
433
00:19:19,859 --> 00:19:20,802
DRINKING COFFEE.
434
00:19:20,826 --> 00:19:21,904
OH, YOU CAN'T DO THAT.
435
00:19:21,928 --> 00:19:22,838
BETTE AND TINA WOULD KILL YOU,
436
00:19:22,862 --> 00:19:23,838
RIGHT, SHANE?
437
00:19:23,862 --> 00:19:25,674
BETTE AND TINA WOULD KILL HER,
438
00:19:25,698 --> 00:19:26,675
BECAUSE SHE'S DR...
439
00:19:26,699 --> 00:19:28,644
I...
440
00:19:28,668 --> 00:19:30,713
AH, FUCK, I'M SORRY.
441
00:19:30,737 --> 00:19:33,257
ALICE MIGHT BE PREGNANT.
442
00:19:33,306 --> 00:19:35,984
"MIGHT" BEING THE
WORD I'M CLINGING ONTO.
443
00:19:36,008 --> 00:19:36,951
AND WE JUST THOUGHT...
444
00:19:36,975 --> 00:19:38,754
WE THOUGHT IT WAS
KARMICALLY DESTINED,
445
00:19:38,778 --> 00:19:41,298
BECAUSE BETTE AND TINA
WANTED A BABY SO BADLY.
446
00:19:42,281 --> 00:19:44,093
YOU MEAN, YOU
WOULD HAVE A BABY...
447
00:19:44,117 --> 00:19:45,995
AND BETTE AND TINA WOULD
ADOPT IT, RIGHT, SHANE?
448
00:19:46,019 --> 00:19:46,995
YEAH, BUT...
449
00:19:47,019 --> 00:19:47,997
OH, MY GOD.
450
00:19:48,021 --> 00:19:49,998
HEY, LOOK, YOU
CAN'T SAY ANYTHING,
451
00:19:50,022 --> 00:19:51,166
BECAUSE THEY DON'T KNOW AND...
452
00:19:51,190 --> 00:19:52,233
YEAH, AND YOU MIGHT
BE MISREADING THE KARMA
453
00:19:52,257 --> 00:19:53,235
OR SOMETHING.
454
00:19:53,259 --> 00:19:54,269
OH, THE KARMA. YEAH.
455
00:19:54,293 --> 00:19:55,570
DO YOU KNOW
456
00:19:55,594 --> 00:19:56,772
WHAT AN EXTRAORDINARY
GIFT THAT WOULD BE?
457
00:19:56,796 --> 00:19:58,707
YEAH, THEY'RE MAKING
SUPER SURE I KNOW THAT.
458
00:19:58,731 --> 00:20:00,175
NOT JUST TO BETTE AND TINA,
459
00:20:00,199 --> 00:20:01,476
BUT TO ALL OF US.
460
00:20:01,500 --> 00:20:03,245
THE WHOLE DNA MODEL OF
FAMILY IS BEING REINVENTED.
461
00:20:03,269 --> 00:20:04,379
WE'RE MAKING A NEW WORLD
462
00:20:04,403 --> 00:20:06,781
THAT REFLECTS THE WAY WE LOVE
463
00:20:06,805 --> 00:20:08,350
AND MAKE RELATIONSHIPS AND...
464
00:20:08,374 --> 00:20:10,454
I'D LIKE TO SEE THAT
REFLECTED SOMEWHERE.
465
00:20:11,077 --> 00:20:12,077
WHAT?
466
00:20:14,580 --> 00:20:16,391
[CELLPHONE RINGING]
467
00:20:16,415 --> 00:20:18,493
UM...
468
00:20:18,517 --> 00:20:19,961
I'M GONNA TAKE CARE
OF THIS TODAY, OKAY?
469
00:20:19,985 --> 00:20:22,230
OH, IT'S MINE!
470
00:20:22,254 --> 00:20:23,432
HEY, NO, NO, NO,
471
00:20:23,456 --> 00:20:24,967
I HAVE A TAB TO
PAY. I'M PAYING IT.
472
00:20:24,991 --> 00:20:26,201
I'M GONNA GO CHECK
OUT THIS RAW SPACE
473
00:20:26,225 --> 00:20:27,936
WITH STEVE JAFFE, BECAUSE...
474
00:20:27,960 --> 00:20:29,070
YEAH?
475
00:20:29,094 --> 00:20:30,205
YEAH, HE'S TALKING ABOUT
476
00:20:30,229 --> 00:20:31,272
OPENING UP MY OWN SALON.
477
00:20:31,296 --> 00:20:32,641
NO WAY!
478
00:20:32,665 --> 00:20:35,043
YOU GOING TO CALL
IT "SHANE", SHANE?
479
00:20:35,067 --> 00:20:36,212
YEAH, I'M GOING TO GO.
480
00:20:36,236 --> 00:20:37,746
YOU LOOK GREAT.
481
00:20:37,770 --> 00:20:38,747
BYE.
482
00:20:38,771 --> 00:20:39,748
HEY, THANK YOU, THANK YOU.
483
00:20:39,772 --> 00:20:40,749
SEE YOU.
484
00:20:40,773 --> 00:20:41,817
BYE.
485
00:20:41,841 --> 00:20:43,218
HEY, THERE'S A LINE
AT THE COUNTER.
486
00:20:43,242 --> 00:20:45,487
MARINA...
487
00:20:45,511 --> 00:20:46,710
THERE'S A LINE.
488
00:20:48,447 --> 00:20:49,358
THERE SEEMS TO BE
489
00:20:49,382 --> 00:20:50,358
A COMMUNICATION BREAKDOWN.
490
00:20:50,382 --> 00:20:51,393
SHANE? YEAH?
491
00:20:51,417 --> 00:20:53,394
HOLD UP.
492
00:20:53,418 --> 00:20:54,396
I'LL SEE YOU GUYS LATER.
493
00:20:54,420 --> 00:20:55,397
I'VE GOT TO GO,
494
00:20:55,421 --> 00:20:56,331
AND THANK YOU FOR
ALL THE CROISSANTS,
495
00:20:56,355 --> 00:20:58,088
AND THE COFFEE I COULDN'T DRINK.
496
00:20:59,692 --> 00:21:00,768
AREN'T YOU LATE FOR SOMETHING?
497
00:21:00,792 --> 00:21:03,338
BYE. YES.
498
00:21:03,362 --> 00:21:05,173
UH, WAIT FOR ME!
499
00:21:05,197 --> 00:21:08,343
THANK YOU.
500
00:21:08,367 --> 00:21:09,578
BYE. YOU LOOK GREAT.
501
00:21:09,602 --> 00:21:10,602
BYE, THANKS.
502
00:21:12,905 --> 00:21:13,915
IS THERE SOMETHING
YOU WANT TO SAY?
503
00:21:13,939 --> 00:21:15,750
NO.
504
00:21:15,774 --> 00:21:17,919
YOU PICK A FIGHT WITH ME
505
00:21:17,943 --> 00:21:20,055
AND THEN YOU MAKE LIKE
YOU'RE... YOU'RE HURT,
506
00:21:20,079 --> 00:21:23,058
OR VICTIMIZED.
507
00:21:23,082 --> 00:21:25,126
YOU WANT SOMEONE TO
COME TO YOUR RESCUE?
508
00:21:25,150 --> 00:21:27,195
MAYBE.
509
00:21:27,219 --> 00:21:28,697
WHO, MARINA?
510
00:21:28,721 --> 00:21:32,101
I ALREADY RESCUED YOU.
511
00:21:32,125 --> 00:21:33,125
REMEMBER?
512
00:21:36,462 --> 00:21:38,139
HEY... HEY...
513
00:21:38,163 --> 00:21:39,274
COME ON, WE'LL TAKE THE JAG.
514
00:21:39,298 --> 00:21:40,509
ALL RIGHT.
515
00:21:40,533 --> 00:21:41,510
HOPE YOU DON'T MIND,
516
00:21:41,534 --> 00:21:42,511
WE'RE GOING TO DROP MY DAUGHTER
517
00:21:42,535 --> 00:21:43,912
ON THIRD STREET
518
00:21:43,936 --> 00:21:46,314
SO SHE CAN KILL A COUPLE
HUNDRED OF MY HARD-EARNED BUCKS
519
00:21:46,338 --> 00:21:47,749
ON AN OUTFIT THAT
LOOKS LIKE IT CAME
520
00:21:47,773 --> 00:21:49,985
FROM THE SALVATION
ARMY REJECT BIN.
521
00:21:50,009 --> 00:21:52,187
OH...
522
00:21:52,211 --> 00:21:54,189
THAT'S FINE.
523
00:21:54,213 --> 00:21:55,824
I WAS HOPING YOU MIGHT
524
00:21:55,848 --> 00:21:58,226
HANG OUT WITH CLEA FOR A WHILE.
525
00:21:58,250 --> 00:22:00,094
JUST SOMETHING.
526
00:22:00,118 --> 00:22:01,096
WELL...
527
00:22:01,120 --> 00:22:02,097
WELL, YOU KNOW WHAT?
528
00:22:02,121 --> 00:22:04,399
SHE QUIT COLLEGE
AFTER SIX MONTHS.
529
00:22:04,423 --> 00:22:05,400
SHE'S FLAILING.
530
00:22:05,424 --> 00:22:06,401
I THOUGHT MAYBE
531
00:22:06,425 --> 00:22:07,403
YOU COULD SPEND A LITTLE TIME
532
00:22:07,427 --> 00:22:08,403
WITH HER TODAY.
533
00:22:08,427 --> 00:22:09,804
SHE MIGHT OPEN UP TO YOU.
534
00:22:09,828 --> 00:22:14,276
JUST AN INSTINCT I HAVE.
535
00:22:14,300 --> 00:22:16,011
I DON'T KNOW, STEVE, IT'S...
536
00:22:16,035 --> 00:22:18,536
I WOULD CONSIDER IT A FAVOR.
537
00:22:21,874 --> 00:22:24,274
OH, YEAH, ABSOLUTELY.
538
00:22:25,912 --> 00:22:27,122
YES, NO, I'VE CHECKED THAT.
539
00:22:27,146 --> 00:22:30,525
I'M CHECKING IT TWICE
RIGHT NOW, ACTUALLY.
540
00:22:30,549 --> 00:22:31,759
THAT WE'RE A NON-PROFIT
ORGANIZATION?
541
00:22:31,783 --> 00:22:34,303
IT'S A TAX WRITEOFF?
542
00:22:34,654 --> 00:22:38,066
WELL, THEN, YOU SHOULD
LET HIM KNOW THAT WE...
543
00:22:38,090 --> 00:22:40,769
WE'RE WAITING FOR HIM.
544
00:22:40,793 --> 00:22:43,204
WE GOT A GRANT
TO HIRE A LAW FIRM.
545
00:22:43,228 --> 00:22:46,208
SO NOW MORE THAN 50,000 L.A.
GARMENT INDUSTRY WORKERS
546
00:22:46,232 --> 00:22:48,643
HAVE HEALTH BENEFITS
FOR THE FIRST TIME EVER.
547
00:22:48,667 --> 00:22:50,145
THAT WAS OUR BIGGEST PROJECT.
548
00:22:50,169 --> 00:22:53,282
MOSTLY WE DEAL WITH VERY
HUMAN-SCALE STUFF, YOU KNOW.
549
00:22:53,306 --> 00:22:56,451
HEY, I WANTED TO TELL YOU...
550
00:22:56,475 --> 00:22:57,852
WE ALSO HAVE
551
00:22:57,876 --> 00:22:59,421
A GAY AND LESBIAN ALLIANCE.
552
00:22:59,445 --> 00:23:00,455
I DON'T KNOW IF THAT'S SOMETHING
553
00:23:00,479 --> 00:23:01,957
YOU'D BE INTERESTED IN, OR...
554
00:23:01,981 --> 00:23:05,193
UM, I THINK I'D LIKE
TO DO SOMETHING...
555
00:23:05,217 --> 00:23:06,528
WITH KIDS.
556
00:23:06,552 --> 00:23:08,497
UNDERPRIVILEGED
OR AT-RISK CHILDREN.
557
00:23:08,521 --> 00:23:10,566
OKAY, OKAY.
558
00:23:10,590 --> 00:23:12,568
OYE, ESAI. COMO ESTA?
559
00:23:12,592 --> 00:23:13,568
COMO ESTA? BIEN.
560
00:23:13,592 --> 00:23:14,903
ESAI HERE IS WORKING
WITH THESE GUYS
561
00:23:14,927 --> 00:23:16,838
TO BRING DOWN CLAY PATTERSON.
562
00:23:16,862 --> 00:23:17,873
HE'S THE TELEVANGELIST
563
00:23:17,897 --> 00:23:19,274
WHOSE REFINERY IS GIVING CANCER
564
00:23:19,298 --> 00:23:22,210
TO HUNDREDS OF KIDS
IN THE SOUTH L.A. HOOD.
565
00:23:22,234 --> 00:23:23,412
OH, HE'S A BASTARD.
566
00:23:23,436 --> 00:23:25,347
HE GETS AROUND EVERY
COURT INJUNCTION.
567
00:23:25,371 --> 00:23:26,982
SOME CHRISTIAN, HUH?
568
00:23:27,006 --> 00:23:28,149
HAVE YOU EVER COME
ACROSS A WOMAN
569
00:23:28,173 --> 00:23:30,886
NAMED FAE BUCKLEY?
570
00:23:30,910 --> 00:23:33,021
BEN COUGHLIN JUST
RESIGNED FROM OUR BOARD.
571
00:23:33,045 --> 00:23:34,322
YOU'RE KIDDING.
572
00:23:34,346 --> 00:23:36,724
YESTERDAY IN THE MAIL HE
GOT 62 INDIVIDUAL LETTERS
573
00:23:36,748 --> 00:23:38,893
WITH HIS COMPANY CREDIT
CARD CHOPPED IN PIECES...
574
00:23:38,917 --> 00:23:40,362
FROM PEOPLE WHO DON'T
WANT TO BUY OFFICE SUPPLIES
575
00:23:40,386 --> 00:23:41,666
FROM A BLASPHEMING PORNOGRAPHER.
576
00:23:43,422 --> 00:23:45,600
SHALL WE GET BACK TO WORK?
577
00:23:45,624 --> 00:23:46,901
ORGANS OF DEAD
ANIMALS DECOMPOSING,
578
00:23:46,925 --> 00:23:48,670
A MAN STRANGLING HIMSELF
579
00:23:48,694 --> 00:23:50,371
WHILE MASTURBATING...
580
00:23:50,395 --> 00:23:52,106
YOU CALL THAT ART, MS. PORTER?
581
00:23:52,130 --> 00:23:53,342
THOSE ARE INFLAMMATORY
DESCRIPTIONS,
582
00:23:53,366 --> 00:23:54,376
MS. BUCKLEY,
583
00:23:54,400 --> 00:23:55,376
OF BUT A FEW WORKS OF ART
584
00:23:55,400 --> 00:23:56,812
IN A MUCH LARGER EXHIBITION.
585
00:23:56,836 --> 00:23:58,079
YEAH, BUT YOU DIDN'T
ANSWER THE QUESTION.
586
00:23:58,103 --> 00:24:00,082
WHAT MAKES THAT ART?
587
00:24:00,106 --> 00:24:01,204
[CELLPHONE RINGING]
588
00:24:02,107 --> 00:24:04,319
EXCUSE ME.
589
00:24:04,343 --> 00:24:05,320
I'M SORRY, I HAVE TO TAKE IT.
590
00:24:05,344 --> 00:24:06,321
IT'S TINA.
591
00:24:06,345 --> 00:24:07,355
SHE'S BEEN HAVING A ROUGH TIME.
592
00:24:07,379 --> 00:24:08,623
BABY, ARE YOU ALL RIGHT?
593
00:24:08,647 --> 00:24:10,592
I'M WITH OSCAR.
594
00:24:10,616 --> 00:24:11,593
OSCAR ALVAREZ.
595
00:24:11,617 --> 00:24:12,594
I'M RIGHT IN THE MIDDLE OF...
596
00:24:12,618 --> 00:24:13,395
YOU'RE NOT GOING TO BELIEVE
597
00:24:13,419 --> 00:24:14,462
WHAT HE DOES HERE.
598
00:24:14,486 --> 00:24:15,526
YOU HAVE TO COME BY.
599
00:24:21,660 --> 00:24:22,904
BABE...
600
00:24:22,928 --> 00:24:23,905
YOU'RE NOT GOING TO BELIEVE
601
00:24:23,929 --> 00:24:25,140
WHAT WE FOUND ON FAE BUCKLEY.
602
00:24:25,164 --> 00:24:26,141
IS THAT WHAT YOU'VE BEEN DOING?
603
00:24:26,165 --> 00:24:27,375
FAE BUCKLEY RESEARCH?
604
00:24:27,399 --> 00:24:28,876
YEAH. DO YOU KNOW SHE WAS ONE
605
00:24:28,900 --> 00:24:29,978
OF THE MAIN PEOPLE RESPONSIBLE
606
00:24:30,002 --> 00:24:31,513
FOR GETTING THAT TEACHER FIRED
607
00:24:31,537 --> 00:24:32,880
AT THE UNIVERSITY OF MISSOURI?
608
00:24:32,904 --> 00:24:34,449
YEAH, THEY TRUMPED
UP CHILD PORN CHARGES
609
00:24:34,473 --> 00:24:36,651
BASED ON PICTURES
OF HER THREE-YEAR-OLD
610
00:24:36,675 --> 00:24:38,920
I'VE BEEN DOING
THIS ALL DAY, TINA.
611
00:24:38,944 --> 00:24:40,789
I MEAN, I'VE HAD OUR
HIGHLY-PAID PR FIRM
612
00:24:40,813 --> 00:24:41,690
WORKING WITH ME.
613
00:24:41,714 --> 00:24:43,258
MY PEOPLE AREN'T SLOUCHES.
614
00:24:43,282 --> 00:24:45,827
LOOK, THIS IS WHAT
OSCAR DOES, OKAY?
615
00:24:45,851 --> 00:24:47,151
JUST LISTEN.
616
00:24:48,854 --> 00:24:49,731
IS THERE A PROBLEM?
617
00:24:49,755 --> 00:24:50,933
I THOUGHT THIS
WAS SUPPOSED TO BE
618
00:24:50,957 --> 00:24:52,901
ABOUT TINA FINDING
SOMETHING OF HER OWN.
619
00:24:52,925 --> 00:24:54,769
I THOUGHT THIS WAS SUPPOSED
TO BE ABOUT HELPING TINA
620
00:24:54,793 --> 00:24:56,872
GET OUT OF A BAD DEPRESSION.
621
00:24:56,896 --> 00:24:58,529
YOU'VE GOT TO LOOK AT THIS.
622
00:25:01,867 --> 00:25:03,178
I THINK YOU AND YOUR PEOPLE
623
00:25:03,202 --> 00:25:05,122
MIGHT FIND THIS
PRETTY INTERESTING.
624
00:25:18,150 --> 00:25:19,928
HEY...
625
00:25:19,952 --> 00:25:22,030
CLEA'LL BE RIGHT OUT.
626
00:25:22,054 --> 00:25:24,633
NOW, I WANT YOU TO KNOW,
I WILL NOT FORGET THIS.
627
00:25:24,657 --> 00:25:27,001
NOW, CHERIE'S PLANNING THIS
BIG MOTHER-DAUGHTER TRIP
628
00:25:27,025 --> 00:25:28,036
TO PARIS.
629
00:25:28,060 --> 00:25:29,104
YOU SHOULD HEAR HER
630
00:25:29,128 --> 00:25:30,138
MAKING ALL THESE ARRANGEMENTS.
631
00:25:30,162 --> 00:25:31,106
SOUNDS LIKE SHE'S PLANNING
632
00:25:31,130 --> 00:25:34,142
THE CAMP DAVID SUMMIT.
633
00:25:34,166 --> 00:25:35,811
NOW, CLEA DOESN'T WANT GO.
634
00:25:35,835 --> 00:25:37,755
SEE IF YOU CAN'T
CHANGE HER MIND.
635
00:25:42,909 --> 00:25:45,408
HAVE A GOOD TIME, SWEETHEART.
636
00:25:54,586 --> 00:25:57,499
LOOK, I KNOW THIS IS LAME,
637
00:25:57,523 --> 00:25:59,804
BUT YOUR FATHER ASKED
ME TO DO THIS, OKAY?
638
00:26:05,730 --> 00:26:08,043
CRAP.
639
00:26:08,067 --> 00:26:09,377
ALL RIGHT.
640
00:26:09,401 --> 00:26:10,412
ALL RIGHT, ALL RIGHT, ALL RIGHT.
641
00:26:10,436 --> 00:26:11,379
THIS SHOULD BE PRETTY EASY.
642
00:26:11,403 --> 00:26:12,503
MM-HMM.
643
00:26:15,073 --> 00:26:16,251
SHIT!
644
00:26:16,275 --> 00:26:17,285
FUCK ME!
645
00:26:17,309 --> 00:26:18,286
SORRY.
646
00:26:18,310 --> 00:26:19,788
[CLEA LAUGHS]
647
00:26:19,812 --> 00:26:20,812
NICE WORK.
648
00:26:22,114 --> 00:26:23,925
CAN I GO ONE MORE?
649
00:26:23,949 --> 00:26:25,394
YEAH.
650
00:26:25,418 --> 00:26:26,394
MAN, I HAVEN'T PLAYED THIS GAME
651
00:26:26,418 --> 00:26:27,663
SINCE I WAS, LIKE,
SEVEN YEARS OLD.
652
00:26:27,687 --> 00:26:28,663
NO?
653
00:26:28,687 --> 00:26:30,031
NO.
654
00:26:30,055 --> 00:26:31,366
I NEVER DID THIS AS A KID.
655
00:26:31,390 --> 00:26:32,734
WHAT, YOUR PARENTS
NEVER TOOK YOU?
656
00:26:32,758 --> 00:26:34,769
NO, THEY WEREN'T AROUND.
657
00:26:34,793 --> 00:26:36,171
I MET MY MOM ONCE.
658
00:26:36,195 --> 00:26:37,205
WOW, YOU DIDN'T LIVE WITH HER?
659
00:26:37,229 --> 00:26:38,239
NO.
660
00:26:38,263 --> 00:26:39,240
WOW.
661
00:26:39,264 --> 00:26:40,242
CAN I, UH,
662
00:26:40,266 --> 00:26:41,977
CAN I SHOW YOU SOMETHING?
663
00:26:42,001 --> 00:26:43,578
DO YOU MIND?
664
00:26:43,602 --> 00:26:45,079
SURE.
665
00:26:45,103 --> 00:26:46,081
MAY I SHOW YOU SOMETHING...
666
00:26:46,105 --> 00:26:47,115
SURE.
667
00:26:47,139 --> 00:26:49,117
BEFORE YOU HIT THE BALL,
668
00:26:49,141 --> 00:26:50,151
IF YOU TRY BOUNCING A FEW TIMES.
669
00:26:50,175 --> 00:26:51,620
BOUNCE?
670
00:26:51,644 --> 00:26:52,687
YEAH, WELL... YOU
WANT TO TRY IT?
671
00:26:52,711 --> 00:26:53,689
SURE.
672
00:26:53,713 --> 00:26:54,689
OKAY, READY?
673
00:26:54,713 --> 00:26:56,613
RIGHT. ONE, TWO THREE.
674
00:26:58,650 --> 00:27:00,328
AH, WELL.
675
00:27:00,352 --> 00:27:01,830
JUST ABOUT.
676
00:27:01,854 --> 00:27:02,898
NICE, NICE THOUGH.
677
00:27:02,922 --> 00:27:04,533
YEAH, IT WAS A GREAT
TECHNIQUE, THOUGH.
678
00:27:04,557 --> 00:27:05,533
IT'S ALMOST THERE.
679
00:27:05,557 --> 00:27:06,535
SMART-ASS.
680
00:27:06,559 --> 00:27:07,535
AH, WELL.
681
00:27:07,559 --> 00:27:08,559
SHUT UP.
682
00:27:09,895 --> 00:27:11,339
"HERE CUMS THE PRINCIPAL"?
683
00:27:11,363 --> 00:27:12,473
C-U-M-S.
684
00:27:12,497 --> 00:27:13,508
WHAT IS THIS?
685
00:27:13,532 --> 00:27:17,879
OKAY, HANG ON, HANG ON...
686
00:27:17,903 --> 00:27:19,047
JUST, JESUS, JUST TURN IT OFF.
687
00:27:19,071 --> 00:27:20,281
I MEAN, REALLY,
688
00:27:20,305 --> 00:27:21,516
WHAT ARE YOU GOING TO TELL ME?
689
00:27:21,540 --> 00:27:23,251
THAT FAE BUCKLEY
PRODUCES PORNO VIDEOS?
690
00:27:23,275 --> 00:27:24,386
NO, NO, NO NO...
691
00:27:24,410 --> 00:27:26,387
THERE. SEE THAT
GIRL RIGHT THERE?
692
00:27:26,411 --> 00:27:27,989
SHE'S 17.
693
00:27:28,013 --> 00:27:30,425
SHE RAN AWAY FROM
HOME WHEN SHE WAS 14.
694
00:27:30,449 --> 00:27:32,561
APPARENTLY, HER FATHER WAS
ABUSING THE HELL OUT OF HER,
695
00:27:32,585 --> 00:27:35,830
AND HER MOTHER COULDN'T
OR WOULDN'T STOP HIM.
696
00:27:35,854 --> 00:27:37,098
CHILD SERVICES REPORT WE PULLED
697
00:27:37,122 --> 00:27:40,335
HAS ALL THE GORY DETAILS,
698
00:27:40,359 --> 00:27:44,238
BUT HER PORN-STAR NAME IS CHINA,
699
00:27:44,262 --> 00:27:46,696
HER GIVEN NAME IS CORA BUCKLEY.
700
00:27:49,101 --> 00:27:51,179
I KNOW THEY KNOW THAT I'M GAY,
701
00:27:51,203 --> 00:27:52,347
I JUST REALLY DON'T WANT
702
00:27:52,371 --> 00:27:53,514
TO TALK ABOUT IT WITH THEM.
703
00:27:53,538 --> 00:27:57,285
AH, THEY'RE SUCH PERVS.
704
00:27:57,309 --> 00:27:59,754
WELL, WHY ARE THEY PERVS?
705
00:27:59,778 --> 00:28:01,589
WELL, THEY HAVE THIS CABINET
706
00:28:01,613 --> 00:28:02,657
THAT THEY NORMALLY KEEP LOCKED
707
00:28:02,681 --> 00:28:03,992
IN THE MEDIA ROOM.
708
00:28:04,016 --> 00:28:05,560
ANYWAY, ONE NIGHT THEY GOT DRUNK
709
00:28:05,584 --> 00:28:07,061
AND LEFT SOME STUFF OUT,
710
00:28:07,085 --> 00:28:08,196
AND CONSUELA WAS CLEANING
711
00:28:08,220 --> 00:28:09,631
THE NEXT DAY
712
00:28:09,655 --> 00:28:11,199
AND JUST HAPPENED TO
PUSH PLAY ON THE VCR,
713
00:28:11,223 --> 00:28:14,736
AND UP POPS MY MOM,
BUCK NAKED, OKAY?
714
00:28:14,760 --> 00:28:16,738
RIDING MY DAD,
715
00:28:16,762 --> 00:28:18,173
WHIPPING HIM WITH A SWITCH.
716
00:28:18,197 --> 00:28:19,607
[CHUCKLING]
717
00:28:19,631 --> 00:28:21,397
IT WAS PRETTY GROSS.
718
00:28:24,069 --> 00:28:25,647
YOU KNOW, BUT YOU'VE GOT TO...
719
00:28:25,671 --> 00:28:28,416
YOU'VE GOT TO GIVE IT
TO YOUR FOLKS, I MEAN,
720
00:28:28,440 --> 00:28:31,386
THEY WANT TO KEEP
THEIR LIFE INTERESTING...
721
00:28:31,410 --> 00:28:34,122
AND THEY STILL
WANT TO GET IT ON.
722
00:28:34,146 --> 00:28:35,512
GOD...
723
00:28:37,249 --> 00:28:40,261
YOU KNOW, I'VE NEVER MET ANYONE
724
00:28:40,285 --> 00:28:44,332
LIKE YOU BEFORE.
725
00:28:44,356 --> 00:28:48,336
THAT'S NOT NECESSARILY
A VERY GOOD THING.
726
00:28:48,360 --> 00:28:49,637
TELL ME MORE ABOUT YOUR PARENTS.
727
00:28:49,661 --> 00:28:54,242
LIKE, HOW COME YOU
DIDN'T LIVE WITH THEM?
728
00:28:54,266 --> 00:28:56,477
NO. NO.
729
00:28:56,501 --> 00:28:59,647
NO, I...
730
00:28:59,671 --> 00:29:01,049
NO, I CAN'T DO THAT.
731
00:29:01,073 --> 00:29:03,151
IT'S NOT RIGHT.
732
00:29:03,175 --> 00:29:04,318
BECAUSE THAT'S NOT
WHAT YOUR DAD HAD IN MIND
733
00:29:04,342 --> 00:29:05,320
WHEN HE ASKED ME
TO HANG OUT WITH YOU.
734
00:29:05,344 --> 00:29:06,321
GOD, I DON'T CARE.
735
00:29:06,345 --> 00:29:07,977
LOOK, CLEA...
736
00:29:09,714 --> 00:29:12,594
LOOK, I'M INVOLVED IN
A FEW THINGS THAT I...
737
00:29:12,618 --> 00:29:13,828
I... I JUST... I DON'T WANT...
738
00:29:13,852 --> 00:29:15,229
WHAT, LIKE DRUGS?
739
00:29:15,253 --> 00:29:16,653
WHAT?
740
00:29:18,724 --> 00:29:19,890
YEAH, THAT'S PART OF IT.
741
00:29:22,794 --> 00:29:24,206
WHAT IF IT'S NOT TRUE?
742
00:29:24,230 --> 00:29:26,107
NO, WE GOT AHOLD OF
THE POLICE RECORDS,
743
00:29:26,131 --> 00:29:27,776
AND THE MISSING PERSONS REPORT.
744
00:29:27,800 --> 00:29:28,843
WE HAVE EVIDENCE OF FAE
745
00:29:28,867 --> 00:29:30,112
PAYING OFF A
DISTRICT COURT JUDGE
746
00:29:30,136 --> 00:29:31,480
TO EXPUNGE THE RECORD.
747
00:29:31,504 --> 00:29:32,981
WELL, THEN WHY HAS
IT NEVER COME OUT?
748
00:29:33,005 --> 00:29:35,549
BECAUSE OUR PEOPLE DON'T
KNOW HOW TO PLAY THIS GAME.
749
00:29:35,573 --> 00:29:36,951
WE'RE PROGRESSIVES,
750
00:29:36,975 --> 00:29:38,720
AND WE'RE ACCUSED OF
BEING MORALLY BANKRUPT.
751
00:29:38,744 --> 00:29:40,722
THEY HAVE SO MANY FUCKING
SKELETONS IN THEIR CLOSETS,
752
00:29:40,746 --> 00:29:43,224
AND WE DON'T TOUCH THEM.
753
00:29:43,248 --> 00:29:46,161
WE TAKE THE HIGH ROAD,
WE WIND UP IN THE DITCH.
754
00:29:46,185 --> 00:29:48,296
WE LEAVE OUR DIRTY LAUNDRY
HANGING OUT ALL OVER THE PLACE,
755
00:29:48,320 --> 00:29:49,831
BECAUSE WE'RE NOT
SO ASHAMED OF IT.
756
00:29:49,855 --> 00:29:51,232
THEY GRAB IT, AND
THEY WAVE IT AROUND,
757
00:29:51,256 --> 00:29:53,434
THEY MAKE US LOOK LIKE PERVERTS.
758
00:29:53,458 --> 00:29:55,637
WE HAVE TO GET
INTO THEIR CLOSETS.
759
00:29:55,661 --> 00:29:58,606
WE CAN NOT AFFORD TO KEEP
ON BEING SO HIGH-MINDED,
760
00:29:58,630 --> 00:29:59,896
BECAUSE WE'RE GETTING KILLED.
761
00:30:02,200 --> 00:30:05,435
[♪♪♪]
762
00:30:13,245 --> 00:30:14,055
HEY...
763
00:30:14,079 --> 00:30:14,722
HI!
764
00:30:14,746 --> 00:30:16,224
DANA, RIGHT?
765
00:30:16,248 --> 00:30:17,225
JENNY. JENNY.
766
00:30:17,249 --> 00:30:18,226
ARE YOU ALONE?
767
00:30:18,250 --> 00:30:19,594
YEAH.
768
00:30:19,618 --> 00:30:21,663
CAN I SIT WITH YOU?
769
00:30:21,687 --> 00:30:22,964
YEAH, YEAH, YEAH, COME ON.
770
00:30:22,988 --> 00:30:23,988
HERE, SIT.
771
00:30:25,624 --> 00:30:26,968
I'VE NEVER DONE THIS BEFORE.
772
00:30:26,992 --> 00:30:29,404
YOU'VE NEVER BEEN
TO A BAR BEFORE?
773
00:30:29,428 --> 00:30:30,638
NO, A WOMEN'S BAR...
774
00:30:30,662 --> 00:30:31,639
BY MYSELF.
775
00:30:31,663 --> 00:30:33,407
OH. ME NEITHER.
776
00:30:33,431 --> 00:30:34,275
OH, YEAH?
777
00:30:34,299 --> 00:30:35,777
YEAH.
778
00:30:35,801 --> 00:30:37,144
WELL, ALICE WAS
SUPPOSED TO COME WITH ME,
779
00:30:37,168 --> 00:30:38,746
BUT HER BOYFRIEND CALLED, SO...
780
00:30:38,770 --> 00:30:40,270
ALICE IS BISEXUAL?
781
00:30:41,340 --> 00:30:42,340
YEAH.
782
00:30:45,611 --> 00:30:48,123
THIS IS LIKE SOMETHING
OUT OF THE 1950s.
783
00:30:48,147 --> 00:30:49,457
IT'S SO BUTCH AND FEMME.
784
00:30:49,481 --> 00:30:51,493
I KNOW.
785
00:30:51,517 --> 00:30:53,094
WELL, IT'S THE OLDEST
LESBIAN BAR IN L.A.
786
00:30:53,118 --> 00:30:56,798
ACTUALLY, IT PROBABLY
HASN'T CHANGED SINCE THE '50s...
787
00:30:56,822 --> 00:30:57,999
BUT, REALLY, IT'S NO DIFFERENT
THAN ANY OTHER CLUB,
788
00:30:58,023 --> 00:31:00,168
YOU KNOW, I MEAN,
789
00:31:00,192 --> 00:31:01,769
YOU HAVE A FEW DRINKS, YOU KNOW,
790
00:31:01,793 --> 00:31:05,373
TALK TO A FEW PEOPLE YOU
HAVE NOTHING IN COMMON WITH...
791
00:31:05,397 --> 00:31:06,707
REALIZE HOW UNLIKELY IT IS
792
00:31:06,731 --> 00:31:09,878
YOU'LL EVER MEET ANYONE
WHO'S RIGHT FOR YOU AGAIN.
793
00:31:09,902 --> 00:31:12,847
SO YOU HAVE MET SOMEONE
THAT'S RIGHT FOR YOU?
794
00:31:12,871 --> 00:31:15,572
WE BROKE UP.
795
00:31:28,988 --> 00:31:31,031
IT'S MESSY.
796
00:31:31,055 --> 00:31:32,367
I KNOW THAT.
797
00:31:32,391 --> 00:31:33,634
NO, NO, NO, IT'S NO PROBLEM.
798
00:31:33,658 --> 00:31:34,636
YEAH.
799
00:31:34,660 --> 00:31:35,637
IT'S FINE.
800
00:31:35,661 --> 00:31:36,704
IT'S SMALL.
801
00:31:36,728 --> 00:31:40,264
THERE AREN'T, UH, TOO
MANY PLACES TO SIT.
802
00:31:48,106 --> 00:31:49,806
OH, SORRY.
803
00:31:53,378 --> 00:31:56,079
SO YOU'RE A TENNIS PLAYER?
804
00:31:58,150 --> 00:31:59,416
MM-HMM.
805
00:32:01,787 --> 00:32:04,520
WHAT'S THAT LIKE?
806
00:32:06,892 --> 00:32:08,703
I TRAIN A LOT.
807
00:32:08,727 --> 00:32:12,707
WOW, THAT'S REALLY INTERESTING.
808
00:32:12,731 --> 00:32:14,041
I GO ON TOUR.
809
00:32:14,065 --> 00:32:15,110
OH, WOW.
810
00:32:15,134 --> 00:32:16,110
YEAH.
811
00:32:16,134 --> 00:32:17,500
YEAH.
812
00:32:20,639 --> 00:32:23,506
I DON'T HAVE ANYTHING TO DRINK.
813
00:32:25,878 --> 00:32:28,412
DO YOU WANT JUICE?
814
00:32:29,948 --> 00:32:31,359
SURE.
815
00:32:31,383 --> 00:32:32,816
OKAY.
816
00:32:39,591 --> 00:32:40,635
SO THIS IS WHERE YOU WRITE?
817
00:32:40,659 --> 00:32:43,537
YEAH, YEAH, I, UH...
818
00:32:43,561 --> 00:32:48,410
I PRETTY MUCH DO EVERYTHING
IN HERE, AS YOU CAN SEE.
819
00:32:48,434 --> 00:32:53,381
IT USED TO BE MY WRITING STUDIO,
820
00:32:53,405 --> 00:32:55,884
BUT, YOU KNOW, AFTER
THAT THING WITH TIM AND I...
821
00:32:55,908 --> 00:32:57,085
OH, RIGHT. YEAH, YEAH, YEAH.
822
00:32:57,109 --> 00:32:58,320
MM-HMM.
823
00:32:58,344 --> 00:33:02,790
SO HE'S LETTING ME
STAY HERE, SO FAR...
824
00:33:02,814 --> 00:33:05,627
AND I PAY HIM RENT,
825
00:33:05,651 --> 00:33:07,495
WHICH IS KIND OF WEIRD.
826
00:33:07,519 --> 00:33:09,385
YEAH.
827
00:33:35,413 --> 00:33:36,947
[CLEARS THROAT]
828
00:33:39,184 --> 00:33:40,762
OH, GOSH.
829
00:33:40,786 --> 00:33:42,763
OH, SH... I'M SO SORRY.
830
00:33:42,787 --> 00:33:43,764
OH, NO, NO...
831
00:33:43,788 --> 00:33:44,799
OH, GOD.
832
00:33:44,823 --> 00:33:45,767
NO, NO, NO. GOSH.
833
00:33:45,791 --> 00:33:46,767
GIVE THEM TO ME,
834
00:33:46,791 --> 00:33:47,769
I'LL GET THEM DRY CLEANED.
835
00:33:47,793 --> 00:33:49,103
NO, NO, IT'S OKAY...
836
00:33:49,127 --> 00:33:51,205
I KNOW THERE'S WORSE
STUFF ON IT THAN THAT.
837
00:33:51,229 --> 00:33:52,996
OH...
838
00:33:56,969 --> 00:33:59,069
OKAY.
839
00:34:16,821 --> 00:34:19,355
HERE...
840
00:34:21,126 --> 00:34:22,859
OOF!
841
00:34:24,028 --> 00:34:25,973
UM...
842
00:34:25,997 --> 00:34:27,808
JUST, UM...
843
00:34:27,832 --> 00:34:28,832
OOH!
844
00:34:30,635 --> 00:34:32,035
OKAY.
845
00:34:34,473 --> 00:34:35,516
OOF! DAMN!
846
00:34:35,540 --> 00:34:36,518
OH, I'M SORRY. DID THAT HURT?
847
00:34:36,542 --> 00:34:37,518
NO, IT'S ALL RIGHT.
848
00:34:37,542 --> 00:34:38,752
AH, HERE.
849
00:34:38,776 --> 00:34:39,821
IT'S OKAY.
850
00:34:39,845 --> 00:34:42,223
UM, YOU KNOW, WHY DON'T, UH...
851
00:34:42,247 --> 00:34:43,992
WHAT? IS THIS NO GOOD?
852
00:34:44,016 --> 00:34:45,393
YEAH, WHY DON'T YOU GET ON TOP?
853
00:34:45,417 --> 00:34:46,716
OKAY, HERE, HERE.
854
00:34:51,623 --> 00:34:52,600
OOH...
855
00:34:52,624 --> 00:34:53,600
HERE.
856
00:34:53,624 --> 00:34:54,702
OW!
857
00:34:54,726 --> 00:34:55,726
THAT'S OKAY.
858
00:35:03,835 --> 00:35:09,417
THIS IS A REALLY BAD IDEA...
859
00:35:09,441 --> 00:35:11,052
ISN'T IT?
860
00:35:11,076 --> 00:35:12,987
IT'S REALLY BAD.
861
00:35:13,011 --> 00:35:15,923
MAYBE WE SHOULD STOP
862
00:35:15,947 --> 00:35:19,093
BEFORE IT GETS TOO GRIM.
863
00:35:19,117 --> 00:35:22,652
I THINK SO.
864
00:35:32,430 --> 00:35:34,109
MAYBE WE SHOULD JUST BE FRIENDS
865
00:35:34,133 --> 00:35:35,109
OR SOMETHING...
866
00:35:35,133 --> 00:35:37,445
YEAH, YEAH, YEAH.
867
00:35:37,469 --> 00:35:39,714
I'LL JUST GRAB THIS.
868
00:35:39,738 --> 00:35:40,837
OKAY.
869
00:35:47,279 --> 00:35:49,490
OH, GOD...
870
00:35:49,514 --> 00:35:50,892
I AM SO PMS.
871
00:35:50,916 --> 00:35:53,294
IT'S GOOD TO GET OFF MY FEET.
872
00:35:53,318 --> 00:35:54,762
I HAVE SO MANY
FUNCTIONS THIS MONTH.
873
00:35:54,786 --> 00:35:55,763
STEVE AND I ARE THE CO-CHAIRS
874
00:35:55,787 --> 00:35:57,732
OF THE "I HAVE A DREAM" GALA...
875
00:35:57,756 --> 00:35:58,732
IT'S GOOD TO SEE YOU.
876
00:35:58,756 --> 00:36:00,034
I'VE BEEN DYING TO GET
877
00:36:00,058 --> 00:36:01,168
THESE CHROME HEARTS
MOTORCYCLE BOOTS.
878
00:36:01,192 --> 00:36:04,338
THEY WOULD LOOK AMAZING ON YOU.
879
00:36:04,362 --> 00:36:05,373
BABY, I NEED TO TALK TO YOU...
880
00:36:05,397 --> 00:36:07,917
I GOT YOU A PRESENT.
881
00:36:11,836 --> 00:36:14,482
NO...
882
00:36:14,506 --> 00:36:17,184
I CAN'T.
883
00:36:17,208 --> 00:36:18,386
DON'T BE RIDICULOUS, TRY IT ON.
884
00:36:18,410 --> 00:36:19,920
I CAN'T.
885
00:36:19,944 --> 00:36:20,922
LOOK, CHERIE,
886
00:36:20,946 --> 00:36:21,923
IF I'M GOING TO DO BUSINESS
887
00:36:21,947 --> 00:36:23,925
WITH YOU AND YOUR HUSBAND,
888
00:36:23,949 --> 00:36:24,925
I'M NOT GETTING INVOLVED
889
00:36:24,949 --> 00:36:25,927
IN YOUR MARRIAGE.
890
00:36:25,951 --> 00:36:27,016
I'M SORRY.
891
00:36:29,888 --> 00:36:32,488
YOU'RE NOT TRYING TO
BREAK UP WITH ME, ARE YOU?
892
00:36:35,026 --> 00:36:36,103
BECAUSE THAT WOULD BE...
893
00:36:36,127 --> 00:36:40,942
A VERY, VERY BAD THING TO DO.
894
00:36:40,966 --> 00:36:45,034
DO YOU LIKE FUCKING ME, SHANE?
895
00:36:47,005 --> 00:36:48,037
I LOVE IT.
896
00:36:50,108 --> 00:36:52,142
STEVE WILL NEVER FIND OUT.
897
00:37:00,652 --> 00:37:01,362
I'M NOT WEARING ANY UNDERWEAR.
898
00:37:01,386 --> 00:37:02,386
I KNOW. I CAN SEE THAT.
899
00:37:06,157 --> 00:37:07,434
YOU'RE CRAZY.
900
00:37:07,458 --> 00:37:08,670
YOU HAVE NO IDEA.
901
00:37:08,694 --> 00:37:11,806
UH, DOES IT LACK...
902
00:37:11,830 --> 00:37:12,807
OKAY, DOES IT LACK...
903
00:37:12,831 --> 00:37:13,808
DOES IT LACK...
904
00:37:13,832 --> 00:37:14,808
DOES IT LACK SERIOUS LITERARY,
905
00:37:14,832 --> 00:37:17,445
ARTISTIC, POLITICAL,
OR SCIENTIFIC VALUE?
906
00:37:17,469 --> 00:37:19,180
GOOD.
907
00:37:19,204 --> 00:37:20,214
INSIGHT'S JUST DOWN
HERE ON STAGE FOUR.
908
00:37:20,238 --> 00:37:21,282
NOW, WHAT ARE YOU GOING TO DO
909
00:37:21,306 --> 00:37:22,382
WHEN SHE BAITS YOU?
910
00:37:22,406 --> 00:37:23,418
SO, MISS PORTER,
911
00:37:23,442 --> 00:37:26,420
WHY ARE YOU SUCH
AN ANGRY LESBIAN?
912
00:37:26,444 --> 00:37:28,055
MS. BUCKLEY, WHY ARE YOU
913
00:37:28,079 --> 00:37:30,858
SUCH A LYING, SCHEMING BIGOT?
914
00:37:30,882 --> 00:37:33,460
OKAY, SORRY.
915
00:37:33,484 --> 00:37:34,462
MS. BUCKLEY,
916
00:37:34,486 --> 00:37:36,764
I DON'T DENY I AM A LESBIAN,
917
00:37:36,788 --> 00:37:38,366
AND IT MAKES ME ANGRY
918
00:37:38,390 --> 00:37:39,700
WHEN PEOPLE WHO
HAVEN'T TAKEN THE TIME
919
00:37:39,724 --> 00:37:40,901
TO SEE THE WORK
920
00:37:40,925 --> 00:37:42,170
DISTORT AND MISREPRESENT IT
921
00:37:42,194 --> 00:37:44,339
TO THE PUBLIC AND TO THE MEDIA.
922
00:37:44,363 --> 00:37:45,540
IS THAT BETTER?
923
00:37:45,564 --> 00:37:47,308
IT'S A LITTLE COMBATIVE,
924
00:37:47,332 --> 00:37:49,310
BUT IT'S GOOD.
925
00:37:49,334 --> 00:37:50,377
OKAY, WAIT.
926
00:37:50,401 --> 00:37:51,312
WHAT ELSE ARE WE FORGETTING?
927
00:37:51,336 --> 00:37:52,413
WHAT ELSE ARE WE FORGETTING?
928
00:37:52,437 --> 00:37:53,514
OKAY, WE DID CRITICAL THINKING,
929
00:37:53,538 --> 00:37:54,849
FIRST AMENDMENT,
930
00:37:54,873 --> 00:37:57,151
CENSORSHIP IN AMERICA.
931
00:37:57,175 --> 00:37:58,152
THERE'S THE KUROSAWA QUOTE.
932
00:37:58,176 --> 00:37:59,320
WHAT IS THE KUROSAWA QUOTE?
933
00:37:59,344 --> 00:38:01,155
OKAY, "NEVER AVERT YOUR EYES..."
934
00:38:01,179 --> 00:38:02,189
BABY, YOU ARE SO PREPARED.
935
00:38:02,213 --> 00:38:03,958
JUST RELAX.
936
00:38:03,982 --> 00:38:05,559
TAKE A DEEP BREATH.
937
00:38:05,583 --> 00:38:07,149
OKAY?
938
00:38:08,553 --> 00:38:09,673
YOU'RE GOING TO BE GREAT.
939
00:38:15,694 --> 00:38:17,271
THANK YOU SO MUCH
FOR BEING HERE WITH ME.
940
00:38:17,295 --> 00:38:20,107
I KNOW HOW HARD IT
IS FOR YOU RIGHT NOW
941
00:38:20,131 --> 00:38:21,142
JUST TO GET OUT OF BED
942
00:38:21,166 --> 00:38:23,278
IN THE MORNING.
943
00:38:23,302 --> 00:38:24,879
I'M GOING TO BE OKAY.
944
00:38:24,903 --> 00:38:27,637
I KNOW.
945
00:38:33,044 --> 00:38:35,589
LET'S DO THIS IN
FRONT OF FAE BUCKLEY.
946
00:38:35,613 --> 00:38:36,912
I'M THERE.
947
00:38:46,825 --> 00:38:48,569
[SPLASHING]
948
00:38:48,593 --> 00:38:50,271
TIM, NO!
949
00:38:50,295 --> 00:38:51,339
COME ON.
950
00:38:51,363 --> 00:38:53,462
I'M GOING TO GET YOU WITH THIS.
951
00:39:07,445 --> 00:39:08,789
JESUS CHRIST, IT WAS
HARD ENOUGH FINDING THIS...
952
00:39:08,813 --> 00:39:09,791
BETTE!
953
00:39:09,815 --> 00:39:11,459
I AM SO GLAD TO SEE YOU.
954
00:39:11,483 --> 00:39:13,261
I HAVE REALLY BEEN
LOOKING FORWARD TO THIS.
955
00:39:13,285 --> 00:39:15,330
YES, SO HAVE I.
956
00:39:15,354 --> 00:39:16,463
GOOD, I SEE YOU'VE MET.
957
00:39:16,487 --> 00:39:17,465
BETTE PORTER.
958
00:39:17,489 --> 00:39:18,466
WELCOME TO THE SHOW.
959
00:39:18,490 --> 00:39:19,466
NICE TO HAVE YOU AGAIN.
960
00:39:19,490 --> 00:39:20,468
OH, I'M SO GLAD TO BE HERE.
961
00:39:20,492 --> 00:39:21,468
DARLA WILL BE OUT
IN A FEW MINUTES
962
00:39:21,492 --> 00:39:22,837
TO TAKE YOU BOTH TO MAKEUP.
963
00:39:22,861 --> 00:39:24,138
I'LL SEE YOU ON SET.
964
00:39:24,162 --> 00:39:25,606
IT MUST BE HARD
FOR MAKEUP PEOPLE
965
00:39:25,630 --> 00:39:26,773
TO FIND YOUR COLOR.
966
00:39:26,797 --> 00:39:28,443
IT'S SO IN-BETWEEN.
967
00:39:28,467 --> 00:39:30,033
I GUESS DARLA WILL HAVE TO MIX.
968
00:39:32,870 --> 00:39:34,014
WHAT DID SHE MEAN BY THAT?
969
00:39:34,038 --> 00:39:35,049
SHE WAS LETTING YOU KNOW
970
00:39:35,073 --> 00:39:36,684
THAT SHE KNOWS PERSONAL
DETAILS ABOUT YOU.
971
00:39:36,708 --> 00:39:38,252
SHE KNOWS YOU'RE HALF BLACK.
972
00:39:38,276 --> 00:39:39,387
IS THAT A CRIME NOW?
973
00:39:39,411 --> 00:39:40,821
NO, SHE WAS TRYING
TO PSYCHE YOU OUT.
974
00:39:40,845 --> 00:39:42,556
I CAN SEE THAT IT WORKED.
975
00:39:42,580 --> 00:39:44,024
LOOK, BETTE...
976
00:39:44,048 --> 00:39:45,193
THE BOARD IS FINE WITH IT,
977
00:39:45,217 --> 00:39:46,360
I'M FINE WITH IT.
978
00:39:46,384 --> 00:39:48,017
IF YOU WANT TO USE THAT VIDEO...
979
00:39:53,591 --> 00:39:55,336
[TELEPHONE RINGING]
980
00:39:55,360 --> 00:39:57,438
WAIT A SECOND.
I'LL BE RIGHT BACK.
981
00:39:57,462 --> 00:39:58,694
I PROMISE.
982
00:40:06,671 --> 00:40:07,648
HELLO?
983
00:40:07,672 --> 00:40:09,883
HI.
984
00:40:09,907 --> 00:40:11,485
OKAY, TIM.
985
00:40:11,509 --> 00:40:12,486
WE NEED TO TALK.
986
00:40:12,510 --> 00:40:13,654
CAN'T IT WAIT?
987
00:40:13,678 --> 00:40:14,822
NO, NO, NO. IT CAN'T WAIT,
988
00:40:14,846 --> 00:40:15,789
BECAUSE YOU KNOW WHAT?
989
00:40:15,813 --> 00:40:17,124
EVERY MINUTE THAT GOES BY,
990
00:40:17,148 --> 00:40:18,259
YOU'RE GOING TO GET INTO
DEEPER AND DEEPER TROUBLE.
991
00:40:18,283 --> 00:40:20,428
YOU KNOW YOU SHOULDN'T
BE DATING A STUDENT.
992
00:40:20,452 --> 00:40:22,029
LOOK, JENNY, IT'S NONE
OF YOUR BUSINESS.
993
00:40:22,053 --> 00:40:23,364
I KNOW IT'S NONE OF
MY BUSINESS, OKAY?
994
00:40:23,388 --> 00:40:27,791
BUT WHAT IF RANDY
WERE TO FIND OUT, TIM?
995
00:40:32,363 --> 00:40:34,341
TIM...
996
00:40:34,365 --> 00:40:35,309
[KNOCKING]
997
00:40:35,333 --> 00:40:36,444
COME ON, OPEN THE DOOR.
998
00:40:36,468 --> 00:40:37,767
COME ON!
999
00:40:41,773 --> 00:40:43,584
IF RANDY WERE TO WHAT, HUH?
1000
00:40:43,608 --> 00:40:44,619
CAN YOU COME IN, PLEASE?
1001
00:40:44,643 --> 00:40:45,920
DON'T.
1002
00:40:45,944 --> 00:40:47,421
I'M NOT GOING TO DO THIS
IN FRONT OF HER, OKAY?
1003
00:40:47,445 --> 00:40:48,789
JENNY, YOU HAVE NO RIGHT.
1004
00:40:48,813 --> 00:40:49,891
STAY OUT OF MY LIFE.
1005
00:40:49,915 --> 00:40:51,447
NO.
1006
00:40:54,719 --> 00:40:55,930
WHAT ARE YOU
GONNA DO, JENNY, HUH?
1007
00:40:55,954 --> 00:40:57,198
YOU GONNA FUCKING REPORT ME?
1008
00:40:57,222 --> 00:40:59,233
FUCK YOU.
1009
00:40:59,257 --> 00:41:00,133
YOU'RE OBVIOUSLY
1010
00:41:00,157 --> 00:41:01,068
THAT FUCKING TREACHEROUS.
1011
00:41:01,092 --> 00:41:02,904
I HAVE WITH ME BETTE PORTER,
1012
00:41:02,928 --> 00:41:04,238
THE DIRECTOR OF THE
CALIFORNIA ART CENTER,
1013
00:41:04,262 --> 00:41:05,706
THE MUSEUM THAT IS MOUNTING
1014
00:41:05,730 --> 00:41:08,275
THE CONTROVERSIAL
ART EXHIBITION,
1015
00:41:08,299 --> 00:41:09,076
PROVOCATIONS,
1016
00:41:09,100 --> 00:41:10,378
AND FAE BUCKLEY
1017
00:41:10,402 --> 00:41:13,180
OF THE COALITION OF
CONCERNED CITIZENS,
1018
00:41:13,204 --> 00:41:15,282
THE GROUP THAT IS
LEADING THE EFFORTS
1019
00:41:15,306 --> 00:41:18,052
TO SHUT DOWN THE EXHIBITION...
1020
00:41:18,076 --> 00:41:19,186
SHE NEEDS TO LOOSEN UP.
1021
00:41:19,210 --> 00:41:20,587
SHE SHOULD SMILE.
1022
00:41:20,611 --> 00:41:22,022
EVERY TIME SOMETHING
DOESN'T GO THEIR WAY,
1023
00:41:22,046 --> 00:41:23,491
THEY CRY FASCISM.
1024
00:41:23,515 --> 00:41:25,126
AND I'M SORRY
1025
00:41:25,150 --> 00:41:26,159
THIS HAD TO HAPPEN
IN FRONT OF YOU,
1026
00:41:26,183 --> 00:41:27,161
BUT IF YOU REALLY
CARE ABOUT HIM,
1027
00:41:27,185 --> 00:41:28,425
YOU'RE GOING TO BACK OFF, OKAY?
1028
00:41:31,689 --> 00:41:33,533
LET ME TELL YOU
SOMETHING, JENNY.
1029
00:41:33,557 --> 00:41:36,837
NOBODY IN THEIR RIGHT MINDS
WOULD BELIEVE FOR A SECOND
1030
00:41:36,861 --> 00:41:39,021
THAT YOU GIVE A SHIT
ABOUT WHAT HAPPENS TO ME.
1031
00:41:44,802 --> 00:41:45,980
ARE YOU, IN FACT,
1032
00:41:46,004 --> 00:41:47,582
BETRAYING THE PUBLIC TRUST?
1033
00:41:47,606 --> 00:41:49,684
ON THE CONTRARY, GEORGE,
I'M TRUSTING THE PUBLIC.
1034
00:41:49,708 --> 00:41:51,052
I MEAN, WHAT GIVES ME
1035
00:41:51,076 --> 00:41:52,085
THE RIGHT TO DECIDE
1036
00:41:52,109 --> 00:41:53,287
WHAT YOU CAN AND CAN'T SEE?
1037
00:41:53,311 --> 00:41:57,257
I'M NO MORE ENTITLED
THAN MS. BUCKLEY IS
1038
00:41:57,281 --> 00:41:58,926
WHAT'S GOING TO UPLIFT
AND ENLIGHTEN YOU.
1039
00:41:58,950 --> 00:42:00,394
OH, THERE SHE GOES AGAIN
1040
00:42:00,418 --> 00:42:02,530
WITH THAT LIBERAL
DUCK AND PARRY.
1041
00:42:02,554 --> 00:42:04,198
IT'S JUST PLAIN BAD FAITH
1042
00:42:04,222 --> 00:42:07,067
TO PROMOTE AN AGENDA
THE WAY THIS ART SHOW DOES
1043
00:42:07,091 --> 00:42:08,668
AND THEN CLAIM NO RESPONSIBILITY
1044
00:42:08,692 --> 00:42:10,971
FOR THE IMMORAL
BEHAVIOR IT ENCOURAGES.
1045
00:42:10,995 --> 00:42:13,941
ART IS MEANT TO BE
PERCEIVED AND INTERPRETED.
1046
00:42:13,965 --> 00:42:17,445
IT DOESN'T INTRINSICALLY
ADVOCATE BEHAVIOR.
1047
00:42:17,469 --> 00:42:20,648
HOW CAN YOU SAY YOU'RE
NOT ADVOCATING BEHAVIOR?
1048
00:42:20,672 --> 00:42:24,351
YOUR WHOLE PURPOSE IS TO MAKE
THAT LIFESTYLE APPEAR NORMAL,
1049
00:42:24,375 --> 00:42:26,415
SO THAT MORE PEOPLE
WILL WANT TO TRY IT.
1050
00:42:28,012 --> 00:42:31,425
IF I WERE TRYING TO CONVERT
PEOPLE TO MY LIFESTYLE,
1051
00:42:31,449 --> 00:42:32,959
AS YOU SEEM TO BE
IMPLYING, MS. BUCKLEY,
1052
00:42:32,983 --> 00:42:34,362
DO YOU REALLY THINK I'D DO IT
1053
00:42:34,386 --> 00:42:36,830
BY USING IMAGES OF A
MAN FLAYING HIMSELF
1054
00:42:36,854 --> 00:42:38,132
AND TRUSSING UP HIS TESTICLES?
1055
00:42:38,156 --> 00:42:40,767
THAT PIECE MAKES
ME SO UNCOMFORTABLE
1056
00:42:40,791 --> 00:42:42,436
I CAN BARELY LOOK AT IT.
1057
00:42:42,460 --> 00:42:43,871
I DON'T THINK
1058
00:42:43,895 --> 00:42:45,406
IT WILL MAKE ANYONE
WANT TO BECOME A LESBIAN.
1059
00:42:45,430 --> 00:42:48,275
WHERE IS THE ACCOUNTABILITY?
1060
00:42:48,299 --> 00:42:49,476
SOMEBODY HAS GOT TO...
1061
00:42:49,500 --> 00:42:51,645
I OPENED THE '97 BRUNELLO.
1062
00:42:51,669 --> 00:42:54,749
IS THAT THE CAPARZO
OR THE CASTELGIOCONDO?
1063
00:42:54,773 --> 00:42:55,949
WELL, IF IT'S TOO EXPENSIVE,
1064
00:42:55,973 --> 00:43:00,354
I CAN ALWAYS PAWN MY WATCH.
1065
00:43:00,378 --> 00:43:01,588
THAT'S NOT HOW YOU
WANT ME TO REMEMBER YOU
1066
00:43:01,612 --> 00:43:02,623
WHEN I'M DECIDING WHO TO TAKE
1067
00:43:02,647 --> 00:43:05,147
TO ANTIGUA WHEN I WRAP.
1068
00:43:15,893 --> 00:43:17,238
SHE THINKS SHE'S CLEVER ENOUGH
1069
00:43:17,262 --> 00:43:18,572
TO TRICK THE REST OF US
1070
00:43:18,596 --> 00:43:20,808
INTO BELIEVING
THAT FILTH ISN'T FILTH,
1071
00:43:20,832 --> 00:43:22,176
BLASPHEMY ISN'T BLASPHEMY,
1072
00:43:22,200 --> 00:43:24,412
PORNOGRAPHY IS NOT PORNOGRAPHY,
1073
00:43:24,436 --> 00:43:27,147
BUT THE STUFF SPEAKS FOR ITSELF,
1074
00:43:27,171 --> 00:43:28,949
AND HOWEVER HARD
SHE TRIES TO DEFEND IT
1075
00:43:28,973 --> 00:43:31,084
WITH HER FANCY LANGUAGE
1076
00:43:31,108 --> 00:43:33,421
AND HER INSULTING LOGIC,
1077
00:43:33,445 --> 00:43:34,855
ALL IT IS
1078
00:43:34,879 --> 00:43:39,626
IS SHEER, DISGUSTING,
FILTHY, UGLY PORNOGRAPHY.
1079
00:43:39,650 --> 00:43:41,483
SHE IS A PORNOGRAPHER.
1080
00:43:46,357 --> 00:43:50,204
I...
1081
00:43:50,228 --> 00:43:54,175
I UNDERSTAND WHY MS.
BUCKLEY IS SO SICKENED
1082
00:43:54,199 --> 00:43:55,242
BY THE PORN INDUSTRY. I DO.
1083
00:43:55,266 --> 00:43:57,912
I MEAN, IT'S BRUTAL.
1084
00:43:57,936 --> 00:44:00,414
ESPECIALLY FOR THE POOR CHILDREN
1085
00:44:00,438 --> 00:44:01,716
AND TEENAGE GIRLS
1086
00:44:01,740 --> 00:44:05,552
WHO GET LURED IN AND EXPLOITED,
1087
00:44:05,576 --> 00:44:06,954
ALL BECAUSE THEY WERE
RUNNING AWAY FROM SOMETHING.
1088
00:44:06,978 --> 00:44:10,224
THOSE CHILDREN LACKED LOVE.
1089
00:44:10,248 --> 00:44:11,558
THEY WERE ABUSED.
1090
00:44:11,582 --> 00:44:14,094
I MEAN, HOW AWFUL IT MUST BE
1091
00:44:14,118 --> 00:44:17,130
TO COME FROM A HOME
LIFE SO DESPERATE.
1092
00:44:17,154 --> 00:44:20,600
THERE IS A WORLD OF DIFFERENCE
BETWEEN COMPLEX, PROVOCATIVE ART
1093
00:44:20,624 --> 00:44:23,437
AND THE TRAGEDY OF
THE PORN INDUSTRY.
1094
00:44:23,461 --> 00:44:26,273
[INTERVIEWER]: MAY I
ASK WHAT'S IN THE BOX?
1095
00:44:26,297 --> 00:44:27,708
[FAE]: DO YOU
BELIEVE IN GOD, BETTE?
1096
00:44:27,732 --> 00:44:30,844
BECAUSE IF YOU DID, THIS
WOULDN'T BE COMPLEX.
1097
00:44:30,868 --> 00:44:32,346
YOU SEE, GOD HAS
ALREADY DONE THE WORK
1098
00:44:32,370 --> 00:44:33,747
OF SORTING THROUGH
ALL OF THIS FOR US.
1099
00:44:33,771 --> 00:44:37,284
FAITH MAKES SEEMINGLY
COMPLEX THINGS
1100
00:44:37,308 --> 00:44:38,619
SIMPLE AND OBVIOUS...
1101
00:44:38,643 --> 00:44:40,554
GOD IS ABOUT THE MOST COMPLEX...
1102
00:44:40,578 --> 00:44:41,889
THE BIBLE CONDEMNS
1103
00:44:41,913 --> 00:44:44,125
HOMOSEXUALITY.
1104
00:44:44,149 --> 00:44:46,827
THAT'S WHY GOD TOOK
YOUR UNBORN CHILD
1105
00:44:46,851 --> 00:44:49,430
FROM YOUR LESBIAN LOVER,
1106
00:44:49,454 --> 00:44:52,165
AND THAT WAS A BLESSING.
1107
00:44:52,189 --> 00:44:54,201
THAT BABY IS WITH HIM NOW,
1108
00:44:54,225 --> 00:44:55,603
SO HE DOESN'T HAVE TO SUFFER
1109
00:44:55,627 --> 00:44:56,603
THE DEGRADATION
1110
00:44:56,627 --> 00:44:58,238
HE WOULD HAVE BEEN SUBJECT TO
1111
00:44:58,262 --> 00:45:00,896
HAD HE BEEN BORN INTO
YOUR DEPRAVED LIFE!
1112
00:45:06,871 --> 00:45:08,704
[CRYING]
1113
00:45:12,043 --> 00:45:13,721
MONSTER.
1114
00:45:13,745 --> 00:45:16,578
[♪♪♪]
1115
00:45:38,969 --> 00:45:40,802
MONSTER.
72567
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof