Original subtitles

[CRICKETS CHIRPING]

[CAR DOOR SHUTS]

-[GASPS]-[MAN GRUNTS]

[MUSIC BOX PLAYING]

[RADIO TUNING STATIC]

[WOMAN SOBBING]

[LOUD ROCK PLAYING]* WHAT IF I COULD TAKE A WALK

[MUFFLED]* TO A BETTER PLACE...

[MUSIC CONTINUES]

[SIGHS]

[BANGS ON DOOR]CHRIS!

[BANGING]

CHRIS! WHAT THE HELL?

WOULD YOU KEEP IT DOWN?

[MUSIC STOPS]

-WHAT THE HELL?-WHAT?

PLEASE KEEP YOUR MUSIC DOWN.

I SWEAR, SHANNONIS GOING TO LEAVE ME

WITH ALL THIS LOUD MUSICYOU KEEP PLAYING.

I'LL KEEP IT DOWN.

LISTEN.

I KNOW I SAIDYOU COULD LIVE HERE,

AND YOU'RE MY BEST FRIEND,

BUT YOU'REREALLY AFFECTING MY LIFE.

I GET IT.

YOU AND YOUR GIRL WANT SPACE.

I'LL JUST FINDSOMEONE'S GARAGE.

IT'S NO BIG THING.

LISTEN. SHANNONIS NOT JUST ANY CHICK.

DON'T BE AFRAIDTO LOSE HER, MAN.

AND IF YOU DO, SO WHAT?

SHE'LL BE BACK.

YOU HAVE A GOOD THINGGOING HERE.

YOUR GRANDMOTHER LEFT YOUHER HOUSE.

SHE DIDN'T REALLY KNOWHOW TO DECORATE THAT WELL,

BUT THAT'S WHY I'M HERE.

JUST RELAX, DUDE.IT'S GONNA BE ALL RIGHT.

CHRIS, YOU'LL NEVER CHANGE.

[CHRIS]THIS...

[GIGGLING]

-[CHRIS] HELLO.-HELLO.

EXCUSE ME WHILEI COUGH THIS UP.

SO...

-[WOMAN] SHOTS.-[CHRIS] SHOTS?

[WOMAN]LET'S DO IT.

-DO YOU WANT MORE?-YEAH, YEAH, YEAH--

CHRIS! WHAT THE FUCK?REALLY?

-ANDY.-RIGHT NOW?

YOU KNOW SHANNON'S COMINGHOME IN, LIKE, 15 MINUTES,

AND SHE HATES YOU,

AND YOU'RE DESTROYINGOUR RELATIONSHIP.

COME ON.

YOU KNOW, WHEN I SAIDYOU COULD LIVE HERE,

I DIDN'T MEAN LIKE THIS.

ANDY, THESE ARE MY FRIENDS.

SAY HI.

-HI.-HI, ANDY.

-WE'LL BE DONE SOON.-I'VE NEVER SEEN YOUR FRIENDS--

THESE FRIENDS BEFORE.

YEAH, WELL--

THAT DOESN'T MAKE THEMANY LESS FRIENDS.

-OKAY?-HOW DO YOU KNOW THEM?

THEY'RE MY FRIENDS, ANDY.

-GET IN THE POOL.-GET IN THE POOL, MAN.

-ARE YOU DRUNK?-YES, I'M DRUNK.

OF COURSE.

IT'S NOT AN INSULT.

DON'T YOU HAVE WORKIN THE MORNING?

-ANDY, COME HAVE FUN WITH US.-CINDY. YOU CAN HAVE CINDY OVER HERE.

CANDY. CANDY OR CINDY?

YOU DON'T EVEN KNOWYOUR FRIENDS' NAMES, CHRIS.

-MY NAME'S KRISSY.-HOW DO YOU KNOW WHAT HER NAME IS?

MY NAME'S KRISSY.

WHATEVER.

CANDY'S A LOT DIFFERENTTHAN KRISSY, CHRIS.

SHE'S-- SHE'S--SHE TASTES LIKE CANDY.

-OH, NO. NO.-[KRISSY] ANDY.

NO, NO, NO, NO, NO.

STOP IT, GUYS.I CAN'T DO THIS RIGHT NOW.

-YES.-NO, NO, NO.

HAVE SOME FUN, ANDY.

[CHRIS]GET WITH THE TIMES, ANDY.

-[WOMEN GIGGLING]-[ANDY MOANS]

WOW, THIS IS NICE.

SHANNON'S GONNA BESO MAD AT ME.

SHANNON'S NOT HERE.

-YOU'RE NOT WASTING---POURING TEQUILA.

I LOVE YOU, TOO.I LIKE YOU MORE.

-GOT IT.-YEAH.

WHAT THE FUCK.

-[WOMAN] WHAT THE FUCK IS THIS?-OH, SHIT.

STRIPPERS?

YOU, YOU, YOU, AND YOU,

GET THE FUCK OUT OF HERE.

SO SORRY, GUYS.

DID YOU JUST--DID YOU JUST APOLOGIZETO THEM?

YES.

ANDY, I WOULD EXPECTBETTER FROM YOU.

I CAN'T BELIEVE THIS SHIT.

SHANNON, I TRIEDTO GET THEM OUT OF HERE

-AS SOON AS I---OH, REALLY?

YOU-- YOU MEANLIKE I JUST DID?

NO.

YOU LET CHRIS RUNYOUR FUCKING LIFE,

AND YOU ALWAYS PUT HIMFIRST BEFORE ME.

I'D NEVER BE ABLE TO PARTYIN THIS HOUSE LIKE HE DOES.

I JUST CAN'T FUCKINGBELIEVE THIS.

I'VE HAD IT, ANDY.I'M NOT LIVING IN A HOUSE

THAT HAS STRIPPERSAND HOOKERS IN IT.

IT'S ME OR HIM.

SHANNON, YOU KNOW IT'S YOU.

-OF COURSE IT'S YOU.-YOU KNOW WHAT?

IT'S TOO LATE, ANDY.I CAN'T TAKE THIS ANYMORE.

I'M DONE.I'M SO FUCKING DONE.

-COME ON, SHANNON.-DON'T TOUCH ME.

WHY DO YOU HAVE TO BESUCH A BITCH?

-[GROANS]-[MUTTERING]

[GROANS]WHAT THE FUCK?

SHANNON? WHAT THE FUCK?

SHANNON, DON'T DO THIS.

DON'T GO.PLEASE DON'T DO THIS TO MERIGHT NOW.

LISTEN. I'LL KICK CHRIS OUT.

WE CAN HAVETHIS WHOLE PLACE TOGETHER.

PLEASE DON'T DO THIS.SHANNON.

SHANNON, PLEASE.

[SIGHS]I'M SORRY, ANDY.

[KNOCK ON DOOR]

HEY, BUDDY.

I HEARD YOU GUYS.

I'M SORRY YOU LOST HER.

I PROCESS PAIN A LITTLEDIFFERENTLY THAN YOU, BUT--

SO I KNOW I'M PROBABLYNOT MUCH USE.

JUST GO AWAY, CHRIS.

I JUST WANNA LAY HERE

LIKE AN ATOMOR A MOLECULE.

I CAN'T BE ANYTHING ELSE.

SPRING WILL COME.

ALL RIGHT.

I'LL CHECK IN WITH YOU LATER.

THE WALLS LOOK GOOD.

YEAH.

YOUR FUCKING PAINTINGIS IMPECCABLE.

WE LIVE IN HELL NOW.

LITERALLY.

I'LL JUST ORDERSOME FOOD THEN.

I DON'T WANNA DO THIS.

FUCK YOU.

[CHRIS]GOTTA TAKE A WHIZ, MAN.

WHAT THE FUCK ARE YOU DOING?

WHAT THE FUCK, MAN?

YOU DIDN'T TAKE ANY OF THOSE,DID YOU?

DID YOU TAKE THOSE?

-DID YOU---NO.

-NO.-LOOK AT ME.

DID YOU TAKE THOSE?

NO, I DIDN'T.

OKAY. GOOD 'CAUSE THAT'SBONER MEDICATION, BRO.

YOU'D HAVE HAD A BONERFOR A LONG TIME.

SHIT, MAN.

[MUTTERING]

COME ON.COME TO MY ROOM.

CHRIS, I DON'T WANT TO GOTO YOUR ROOM.

-LET'S GO.-I JUST WANNA GO TO SLEEP.

I WANNA SHOW YOU SOMETHING.LET'S GO. COME ON.

-YOU'RE GONNA LIKE THIS.-FINE.

YOU'RE GONNA LIKE IT.TRUST ME.

[ANDY]FINE.

LISTEN, MAN,I'VE BEEN THINKINGABOUT YOUR SITUATION

AND I'VE GOT SOMETHINGTO SHOW YOU.

THIS, MY FRIEND,IS THE DOLL.

HOT CHICKS.HOT RUSSIAN CHICKS.

THIS IS WHAT YOU DOALL DAY IN HERE?

-YEAH.-LOOK AT MAIL-ORDER BRIDES?

YEAH, SORTA.THEY'RE LIKE AN ESCORTOR A PRO HO.

UH...

THEY COME FOR A WEEK,

AND YOU GET TO TRY THEM OUT,

AND IT'LL BE FUN.

AND IT'LL MAKESHANNON JEALOUS.

-REALLY?-YEAH.

HMM.

YOU KNOW, CHICKS, DUDE,

THEY CAN'T FUCKING HANDLEWHEN A GUY UPGRADES

TO A BETTER MODEL.

AND THIS, MY FRIEND,

IS A MUCH BETTER MODEL.

HMM.

YOU KNOW WHAT?

THAT'S NOT A BAD IDEA.

IF SHE SEES MEWITH ONE OF THESE GIRLS,

SHE MIGHT COME BACK.

YEAH, I WISH I HAD THAT IDEA.

OKAY. LET ME LOOK INTO IT.

YEAH.

WATCH YOUR FEET,MOTHERFUCKER.

OH, WOW.

YEAH, SHE'S HOT, HUH?

-SHE'S DEFINITELY HOT.-YEAH?

I WOULD SAY SO.

UH, GIVE ME YOUR CARD.

WHY MINE?

BECAUSE I DON'T HAVEA BANK ACCOUNT.

COME ON.

ARE WE GONNA REALLY DO THIS?

WHAT KIND OF GUYSORDER ESCORTS?

ALL GUYS ORDER ESCORTS.

GIVE ME YOUR CARD, IDIOT.

AND I NEED YOUR PHONE.

WHAT ELSE DO YOU NEED?

UH...

THIS'LL BE GOOD FOR NOW.

RIGHT.HERE'S THE NUMBER.

OKAY.

[CHRIS]HI, I'D LIKE TO ORDERONE OF YOUR GIRLS...

THAT-- WELL--YEAH, NO, THE DOLLS.

[GRAVELLY VOICE]OKAY.

UH, FOR A WEEK.

A WEEK?

[FOREIGN ACCENT]I'LL PICK HER UP.

YEAH, A WEEK.

THIS GUY--HE'S GOT A THICK ACCENT.

I CAN'T UNDERSTANDWHAT HE SAYS.

GREAT. UM...

I CAN JUST TEXT YOUTHE INFORMATION, RIGHT?

ON THE CARD?

TEXT ME THE ADDRESS.

FANTASTIC. ALL RIGHT.THANKS.

CHRIS.

-WHAT?-HOW MUCH WAS SHE?

JUST A SECOND, DUDE.

[MAN]YOU ARE ALMOST COMPLETE.

PERFECT.

MADE FROMBEAUTIFUL HUMAN PARTS.

WE NOW HAVE TO RETRIEVEYOUR SOUL.

[CHANTING]

NOW YOU CAN KILL.

THAT'S ALL SHE WROTE,MY FRIEND.

TAKE YOUR SHIT.

AND WE GOTTA GET READY.

SHE'S GONNA BE HERE TONIGHT.LET'S GO.

OUT. DUDE, I GOTTA GET READY,MAN. COME ON.

A MAIL-ORDER RUSSIAN.

[WHIMPERING]

[DRILL WHIRRING]

[CRUNCH]

[CRICKETS CHIRPING]

[SLOW KNOCK ON DOOR]

[KNOCKING]

SHANNON?

HELLO.

PLEASE COME IN.

[FOREIGN ACCENT]ANDY?

YES. JUST GIVE ME A SECOND.

-OPEN UP.-[CHRIS GROANS]

OPEN UP.

DUDE, SHE'S HERE.

AND SHE'S UNREAL.YOU HAVE TO SEE THIS.

-SHOWTIME.-WHAT?

OH, MY GOD.

OH, MY FRICKIN' GOD.

WE HIT THE JACKPOT.

-MM-HMM.-UM, I'M CHRIS.

HOW ARE YOU?

I'M GONNA GET YOUR BAGS.

ANDY? WHERE AREWE GONNA PUT HER?

UM...

ATTIC?

YEAH, WE CAN PUT HER--WE CAN PUT HER IN THE ATTIC.

-RIGHT? YEAH.-YEAH, YEAH, I GUESS.

-THIS WAY.-THIS WAY.

UH, JUST STEP UPSTAIRS.

[CHRIS]ALL THE WAY UP.

I'LL CATCH YOU.DON'T WORRY.

DO YOU NEED ANYTHING?WATER?

IS THE TEMPERATURE ALL RIGHT?

OKAY, SO WE'LL SEE YOUIN THE MORNING?

OKAY, THEN.

UH...

ALL RIGHT,WE'LL SEE YOU IN THE MORNING.

YEAH.

DUDE, I CAN'T BELIEVEYOU PUT HER IN THE ATTIC.

IT'S CLASSIC, DUDE.

WHAT'S WRONG WITH THE ATTIC?

YOUR GRANDMOTHER'SSHIT IS UP THERE,

COVERED IN DUST, DUDE.

YOU KNOW I PROMISED HERI WOULDN'T MOVE IT.

SHE'LL BE ALL RIGHT.

I GOTTA GO TO BED.

GO TO BED?

[LAUGHS]

YOU WANNA GO TO BEDRIGHT NOW?

WHAT DO WE DO WITH HER?WHAT'S THE PLAN?

DUDE, CALM DOWN.

GO TAKE A SHOWERAND JERK OFF

AND WE'LL DEAL WITH ITIN THE MORNING.

-YEAH.-YEAH.

I'LL GO JERK OFF.

FUCK, WHAT ARE YOU GONNA DO?

OH, SHIT.

NATASHA.

WHAT ARE YOU DOING IN HERE?

OH, ARE YOU OKAY?

COME ON. LET'S--

LET'S GET YOU OUT OF HERE.

LET'S GET YOU TO BED.

COME ON.

[THUNDER]

ARE YOU SURE I CAN'T GETYOU ANYTHING TO DRINK?

WATER? SNACKS?

YOU'LL BE ALL RIGHT,

GET A GOOD NIGHT'SSLEEP HERE.

[THUNDER RUMBLES]

[THUNDER]

[KNOCKING]

HEY, ARE YOU OKAY?

CHRIS TOLD METHAT I SHOULD COME OVER

AND DROP SOMETHING OFF,

AND I WANTED TO KNOW IF...

IS EVERYTHING ALL RIGHT?

MISS?

[KNOCKING ON GLASS]

[KNOCKING CONTINUES]

THIS WAY, NATASHA.

PUT YOU BACK IN BED.

WELL, HELLO, GOOD LOOKING.I'M RON.

I'M LOOKING FOR CHRIS.

IT'S ABOUT ONE OF MY GIRLS.

YOU SEE,CHRIS LIKES TO ORDER MY GIRLS,

BUT THEN HE DOESN'T PAYFOR THEM

'CAUSE ALL OF HIS CREDIT CARDSGET DECLINED.

IT'S HURTING MY BUSINESS.

WHO DO YOU WORK FOR?

OH, LET ME GUESS. GUIDO.

ANOTHER DISHONESTLITTLE SNAKE.

HE OWES ME MONEY ALSO.

I TELL YOU WHAT.

DO ME A FAVOR.

IF YOU RUN INTO MARITZA,

AND YOU WILLBECAUSE SHE WORKS HERE--

SHE SHOULDN'T BUT SHE DOES.

IF YOU RUN INTO HER,

JUST SAY THAT I--

IF SHE HAD STUCK WITH ME

AND HADN'T LEFT,

SHE'D BE MAKING TWICETHE MONEY

SHE'S MAKING RIGHT NOW.

PLEASE TELL HER.OKAY?

ANYWAY, HERE.

MAKE SURE CHRIS KNOWS I GOTTAGET A HOLD OF HIM, OKAY?

OH, FOR GOD SAKES.

YOU DON'T EVEN SPEAK ENGLISH.

OH, THAT WASA GREAT WASTE OF TIME.

WELL, IF ANY GIRLSWANNA GET A HOLD OF ME--

AND THEY SHOULD,

HERE. OKAY? KEEP IT.

-[STABS]-UGH! STOP!

-[STABBING]-PLEASE. PLEASE.

PLEASE.

[DEATH METAL PLAYING]

YEAH, WHAT'S UP?

THERE'S SOMETHING WRONGWITH NATASHA.

SHE ISN'T NORMAL.

WHAT ARE YOU TALKING ABOUT?

SHE DID SOME WEIRD THINGSLAST NIGHT.

SHE'S BEEN HERE ONE NIGHT.

WHAT ARE YOU TALKING ABOUT?

SHE GOT IN THE SHOWERWITH ME.

SO THAT'S A GOOD THING,RIGHT?

WITH HER CLOTHES ON.

SHE'S FOREIGN.COME ON.

NO, YOU'RENOT LISTENING TO ME.

I WAS SLEEPING LAST NIGHT,

AND I WOKE UP,AND SHE WAS BANGING HER HEADAGAINST THE WALL.

IT'S REALLY WEIRD.

SHE BANGED HER WHATAGAINST THE WHAT?

[KNOCK ON DOOR]

WHO'S THAT?

IT'S ONLY 7:00IN THE MORNING.

IT'S PROBABLY THE POOL DUDE.

[KNOCK ON DOOR]

OH, SHIT.

IT'S SHANNON.

WHAT THE HELL'SSHE DOING HERE?

HEY, SHANNON.

FUCK YOU, CHRIS.

UM, LOOK.

MY MOM'S DOUCHEBAGBOYFRIEND IS BACK

AND I CAN'T STAND HIM.

HE'S DRUNK ALL THE TIME

AND HE HITS ON ME.

I NEED TO STAY HERE.

LOOK, I KNOW THINGSARE WEIRD BETWEEN US,

AND MAYBE I ACTEDTOO HASTILY.

IT'S OKAY.

-YOU CAN STAY HERE.-COME ON, MAN.

[MUTTERING]

SHUT UP, CHRIS.

UH, ANDY, I REALLY NEEDTO TAKE A SHOWER.

LET'S TALK AFTERWARDS, OKAY?

OKAY, I'LL GET YOUR BAGS.

OKAY, THANK YOU.

[SHANNON]AND, CHRIS?

I REALLY DON'T WANT ANY SHITFROM YOU, OKAY?

I DIDN'T SAY ANYTHING.

WHAT ARE YOU SMILING ABOUT?

OH, SHIT.

OH, SHIT.

-YEAH.-OH, SHIT.

-YEAH, I, UH---OKAY.

OKAY, OKAY.

WE NEED TO HIDE HER

BEFORE SHANNON GETSOUT OF THE SHOWER.

NO, I THINKYOU SHOULD INTRODUCE THEM.

NO, THAT IS A TERRIBLE IDEA.

WE'RE NOT DOING THAT.

YOU CAN EXPLAINTO YOUR GIRLFRIEND

WHY YOU HAVEA MAIL-ORDER WHORE HERE.

NO, I'M NOT DOING THAT.

OH, NO?

-UH...-WHERE SHOULD WE PUT HER?

I THINK THE ATTIC.

THAT WASN'T A GOOD IDEA.

SHE WAS WALKING AROUNDTHE ATTIC ALL LAST NIGHT.

LET ME THINK.

OKAY, UM...

LET'S JUST DO THIS.LET'S JUST GET HER.

-YOU WANNA TAKE HER?-YEAH, YEAH, GO FOR IT.

-YOU WANNA LEAD THE WAY?-LEAD THE WAY, LEAD THE WAY.

-SO WE'RE GOING THIS WAY.-RIGHT THIS WAY, MISS.

[ANDY]OKAY.

JUST RIGHT UP THIS WAY.

RIGHT THIS WAY.

NATASHA?

NATASHA,IS THERE ANYTHING

THAT YOU'D LIKE TO DOWHILE WE'RE GONE?

KNIT.

-WHAT?-KNIT?

-SHE WANTS TO KNIT.-OH.

HERE.

DO YOU WANT ANYTHING TO EAT?

UH, EGGS? COFFEE?

HOW DO YOU TAKE YOUR COFFEE?

BLACK?

BLACK IT IS.

ALL RIGHT, LET'S GO.

WOW, DUDE.

I TOLD YOU SHE WAS WEIRD,RIGHT?

IT'S JUST GOTTA BEA LANGUAGE BARRIER

OR SOMETHING.

-YEAH, I KNOW.-IT'S GOTTA BE.

FUCKING CRAZY.

SHE'LL BE OKAY UP THERE,RIGHT?

NO, SHE'S-- IT'S GOTTA BEA LANGUAGE BARRIER

-OR SOMETHING---[DOOR OPENS]

SHH.

WHAT ARE YOU GUYS DOING?

OH, NOTHING.WE WERE JUST TALKING.

CHRIS IS GOING TO MAKESOME EGGS AND COFFEE.

WEIRD. HE NEVER COOKS.

HE'S GOINGTO CULINARY ARTS SCHOOL.

YEAH, IT'S TRUE.

YEAH, RIGHT.HE JUST SAYS THATTO STAY HERE.

YOU KNOW, I--I'M GOING TO GO TAKE A NAP.

I'M REALLY TIRED,AND WE CAN TALK LATER. OKAY?

SURE, NO PROBLEM.I'VE GOTTA GO TO WORK ANYWAY.

OKAY.

SWEET DREAMS.

ANDY, I DON'T KNOW WHY YOULET HER TREAT YOU LIKE THAT.

SHE'S SUCH A BITCH.

PLEASE STOP CALLINGMY GIRLFRIEND A BITCH.

YOU'RE A LOST CAUSE, MAN.

LISTEN,I GOTTA GO TO WORK NOW.

CAN YOU HOLD DOWN THE FORTWHILE I'M GONE?

TAKE CARE OF NATASHA.CHECK ON SHANNON.

MAKE SURESHE DOESN'T FIND HER.

-OKAY.-GOT IT, DUDE.

YOU GOT IT?

I-- I GOT IT.GO TO WORK.

-YEAH.-OKAY.

GO TO WORK.I GOT IT.

[THUNDER]

[SLOW ROCK PLAYING ON DEVICE]

[FOOTSTEPS]

[SHANNON MOANS]

[WHISTLING]

NATASHA.

MADE YOU SOME EGGS.

OH, SHIT.

SO MUCH FOR THE APRON.

WHAT ARE YOU DOING?

UH, I WAS JUST COMINGTO CHECK ON YOU.

ANDY TOLD ME TO.

WHAT ARE YOU DOING UP THERE?

UH, SORTING STUFF.

OH, OKAY.WELL, I'M FINE.

GOOD, I'M GLAD.

ARE YOU OKAY?

YOU'RE SWEATING.

I WAS JUST MAKING EGGS.

OKAY.

UH...

[SIGHS]

I'M REALLY SORRY IFI'M HARD ON YOU SOMETIMES.

IT'S ONLY TOPROTECT ANDY, OKAY?

OKAY.

OKAY.

OKAY.

NATASHA. SH--

FUCK.

NATASHA, OH, MY GOD.

ARE YOU OKAY?

UH, OKAY.

OKAY, I'LL--I'LL CHECK ON YOU LATER, THEN.

ALL RIGHT?

OKAY.

SHIT, WHAT TIME IS IT?

HEY.

WHERE'S CHRIS?

I DON'T KNOW.I HAVEN'T SEEN HIM ALL DAY.

MAYBE IN HIS ROOM SLEEPING.

HE HASN'T BEEN OUT ALL DAY?

[KNOCK ON DOOR]

WHAT?

CHRIS, WHY ARE YOU SLEEPING?

UM...

I WAS TIRED.UM, I'M GOOD.

DON'T WORRY.

I'LL TAKE NATASHASOME FOOD IN AN HOUR.

DUDE, IT'S AFTER DARK NOW.

THIS IS GETTING CRAZY.SHE'S NOT AN ANIMAL.

SO WE HAVE TOGET RID OF HER, OKAY?

SHANNON IS IN THE NEXT ROOMWATCHING A MOVIE.

IT'S ONLY A MATTER OF TIMEBEFORE SHE SEES NATASHA.

DUDE, DON'T WORRY ABOUT IT.

I'LL CALL THAT NUMBER TO COMEAND GET HER,