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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:41,407 --> 00:00:43,408 [KNOCK ON DOOR] 2 00:00:43,409 --> 00:00:47,212 MRS. WESTON? IT'S GORDON GREGSON. 3 00:00:47,213 --> 00:00:49,347 MRS. WESTON? 4 00:00:51,084 --> 00:00:52,584 [SIGHS] 5 00:00:52,585 --> 00:00:54,319 OH, COME ON, ENID. TALK TO ME. 6 00:00:54,320 --> 00:00:56,088 ENID, TALK TO ME. 7 00:00:56,089 --> 00:00:57,755 LOOK, YOU MADE YOUR POINT. 8 00:00:57,756 --> 00:00:59,257 NOBODY'S LISTENING ANYMORE-- 9 00:00:59,258 --> 00:01:02,026 NOT THE COUNCIL, NOR THE PRESS, NOBODY. 10 00:01:02,027 --> 00:01:03,828 EVERYBODY'S GONE, ENID. 11 00:01:03,829 --> 00:01:05,697 DON'T "ENID" ME! 12 00:01:05,698 --> 00:01:08,533 AH, IT'S GOOD TO HEAR YOU'RE SOUNDING SO FIT. 13 00:01:08,534 --> 00:01:10,368 IT CAN'T BE ANY FUN IN THERE. 14 00:01:10,369 --> 00:01:12,003 I'LL WORRY ABOUT THAT. 15 00:01:12,004 --> 00:01:14,038 I'VE GOT SOMETHING FOR YOU-- 16 00:01:14,039 --> 00:01:16,040 A FIRST INSTALLMENT 17 00:01:16,041 --> 00:01:18,843 ON TOP OF WHAT'S ALREADY ON OFFER. 18 00:01:18,844 --> 00:01:22,314 KEEP IT. I DON'T WANT YOUR MONEY. 19 00:01:22,315 --> 00:01:25,517 I'M PUSHING IT THROUGH. 20 00:01:25,518 --> 00:01:27,319 I'M WARNING YOU, GREGSON. 21 00:01:30,623 --> 00:01:33,358 AH! YOU COW! 22 00:01:35,728 --> 00:01:38,463 AND DON'T THINK IT WERE WATER! 23 00:01:38,464 --> 00:01:39,797 ONE WAY OR ANOTHER, 24 00:01:39,798 --> 00:01:41,233 YOU'RE COMING OUT OF THERE. 25 00:01:41,234 --> 00:01:42,334 DO YOU HEAR? YOU'RE COMING OUT. 26 00:01:42,335 --> 00:01:44,302 AND I DON'T CARE IF IT'S IN A BOX! 27 00:02:49,034 --> 00:02:50,668 [WHIRRING] 28 00:03:02,681 --> 00:03:04,682 THE WHITBY GAZETTE DOESN'T HAVE 29 00:03:04,683 --> 00:03:07,351 A CLASSIFIED COLUMN FOR LOST RELATIVES. 30 00:03:07,352 --> 00:03:10,354 WHERE DO YOU THINK MY INQUIRY SHOULD GO? 31 00:03:10,355 --> 00:03:11,856 WELL, PUT A LITTLE BOX 32 00:03:11,857 --> 00:03:13,525 IN THE "FAMILY ANNOUNCEMENTS" SECTION-- 33 00:03:13,526 --> 00:03:15,359 YOUR COUSIN'S NAME ON TOP, 34 00:03:15,360 --> 00:03:17,194 ASKING HER TO GET IN TOUCH. 35 00:03:17,195 --> 00:03:18,863 JUST THAT? 36 00:03:18,864 --> 00:03:20,364 AND MAYBE SOMETHING LOWER DOWN 37 00:03:20,365 --> 00:03:22,934 TO SAY THERE'S NO MONEY IN IT FOR HER. 38 00:03:22,935 --> 00:03:25,102 THAT STRIMMER SEEMS TO BE WORKING. 39 00:03:25,103 --> 00:03:29,006 WHY DID NOREEN BAINBRIDGE THINK IT WAS YOURS? 40 00:03:29,007 --> 00:03:30,575 SHE DIDN'T. 41 00:03:30,576 --> 00:03:32,444 YOU MEAN SHE GAVE IT TO YOU? 42 00:03:32,445 --> 00:03:35,179 A "KISS AND MAKE UP" PRESENT PERHAPS. 43 00:03:35,180 --> 00:03:37,281 NOREEN? HA HA! 44 00:03:37,282 --> 00:03:38,983 NO, PERHAPS NOT. 45 00:03:38,984 --> 00:03:40,718 WELL, DON'T BRING IT IN HERE. 46 00:03:40,719 --> 00:03:42,554 YOU DON'T KNOW WHERE IT'S BEEN. 47 00:03:42,555 --> 00:03:44,055 [TELEPHONE RINGS] 48 00:03:44,056 --> 00:03:45,323 OH. 49 00:03:49,929 --> 00:03:52,163 HELLO. 50 00:03:52,164 --> 00:03:53,965 IS THIS THE WAINTHROP DETECTIVE AGENCY? 51 00:03:53,966 --> 00:03:55,066 YES. 52 00:03:55,067 --> 00:03:56,568 BRIAN WESTON. A FRIEND THOUGHT 53 00:03:56,569 --> 00:03:57,869 YOU MIGHT BE ABLE TO HELP. 54 00:03:57,870 --> 00:04:00,472 I'VE GOT A PROBLEM, WITH ME MOTHER. 55 00:04:00,473 --> 00:04:02,206 COME IN. 56 00:04:06,846 --> 00:04:09,180 YES, OF COURSE. I'VE READ ABOUT HER. 57 00:04:09,181 --> 00:04:12,016 BUCKLEY MA WESTON. "WILD WESTON." 58 00:04:12,017 --> 00:04:15,920 YES. WELL, AT FIRST, IT WAS FAIR ENOUGH. 59 00:04:15,921 --> 00:04:17,856 SHE HAD TO MAKE A PROTEST. OK. 60 00:04:17,857 --> 00:04:20,692 BUT SHE'S BEEN HOLED UP IN THAT PLACE 61 00:04:20,693 --> 00:04:22,694 WITHOUT WATER, GAS, OR ELECTRICITY 62 00:04:22,695 --> 00:04:24,929 FOR 6 MONTHS NOW. 63 00:04:24,930 --> 00:04:28,332 WHO'S SUPPLYING HER WITH FOOD? 64 00:04:28,333 --> 00:04:31,503 THANK YOU. ME, MY WIFE, FRIENDS. 65 00:04:31,504 --> 00:04:34,372 AS I REMEMBER, 66 00:04:34,373 --> 00:04:36,875 SHE WANTS TO DRAW ATTENTION TO THE BUILDING. 67 00:04:36,876 --> 00:04:40,044 GLEBE HAMLETS. OH, THERE'S NO QUESTION 68 00:04:40,045 --> 00:04:42,046 THE BUILDING'S A CIVIC DISGRACE. 69 00:04:42,047 --> 00:04:45,383 IT BEGAN FALLING APART AS SOON AS IT WAS BUILT, 70 00:04:45,384 --> 00:04:47,218 DUE TO SUBSIDENCE. 71 00:04:47,219 --> 00:04:49,453 MOM WANTS THE GUILTY PEOPLE NAMED 72 00:04:49,454 --> 00:04:51,389 AND BROUGHT TO BOOK. 73 00:04:51,390 --> 00:04:53,725 THE GUILTY PEOPLE? 74 00:04:53,726 --> 00:04:57,028 THE BUILDER, 75 00:04:57,029 --> 00:04:58,796 THE COUNCIL OFFICIALS WHO LET IT HAPPEN. 76 00:04:58,797 --> 00:05:01,198 AFTER NEARLY 30 YEARS? 77 00:05:01,199 --> 00:05:03,001 SHE SAYS WHEN THEY DEMOLISH THE BUILDING, 78 00:05:03,002 --> 00:05:05,236 THE EVIDENCE WILL BE DESTROYED AND EVERYTHING FORGOTTEN. 79 00:05:05,237 --> 00:05:06,671 AND WHAT DO YOU SAY? 80 00:05:06,672 --> 00:05:08,372 WELL, I SAY SHE SHOULD GIVE UP 81 00:05:08,373 --> 00:05:10,374 AND GET ON WITH HER LIFE. 82 00:05:10,375 --> 00:05:12,343 I THOUGHT THE LAW DECIDED THAT SORT OF THING. 83 00:05:12,344 --> 00:05:13,978 OH, SHE'S HAD EVICTION ORDERS, 84 00:05:13,979 --> 00:05:15,513 BUT IF SHE WON'T GIVE HERSELF UP, 85 00:05:15,514 --> 00:05:17,314 THEY'D HAVE TO USE FORCE, 86 00:05:17,315 --> 00:05:19,951 AND SO FAR, THE COUNCIL HAVE BACKED AWAY FROM THAT. 87 00:05:19,952 --> 00:05:21,686 DON'T WANT TO GIVE THE PRESS 88 00:05:21,687 --> 00:05:23,387 ANY MORE PHOTO OPPORTUNITIES, EH? 89 00:05:23,388 --> 00:05:26,024 RIGHT. WELL, IT'S A MEET-AND-DRINK TO THEM. 90 00:05:26,025 --> 00:05:27,358 SOME BARMY OLD DEAR, 91 00:05:27,359 --> 00:05:30,361 LAUGHING AT THEM BLINDLY BEHIND HER BARRICADES. 92 00:05:30,362 --> 00:05:32,864 WHAT ABOUT HER COUNCILLOR? CAN'T HE DO ANYTHING FOR HER? 93 00:05:32,865 --> 00:05:35,533 WELL, THAT'S WHY I'M HERE. 94 00:05:35,534 --> 00:05:37,635 I AM HER COUNCILLOR. 95 00:05:45,711 --> 00:05:47,311 [KNOCKS] 96 00:05:53,052 --> 00:05:54,886 IS...JANET IN? 97 00:05:54,887 --> 00:05:56,387 YEAH. YOU GEOFF? 98 00:05:56,388 --> 00:05:57,388 YES. 99 00:05:57,389 --> 00:06:00,291 HI. I'M ADIE. COME IN. 100 00:06:05,164 --> 00:06:07,665 SHE'S IN THE SHOWER. TAKE A PEW. 101 00:06:07,666 --> 00:06:09,433 OH. CHEERS. 102 00:06:21,513 --> 00:06:23,848 IT'S AN EMBARRASSMENT. OF COURSE IT IS. 103 00:06:23,849 --> 00:06:26,117 THE COUNCIL HAVE AGREED A PRICE FOR THE SITE, 104 00:06:26,118 --> 00:06:27,685 BUT A SALE WON'T GO THROUGH 105 00:06:27,686 --> 00:06:29,687 UNLESS THE BUYER GETS VACANT POSSESSION. 106 00:06:29,688 --> 00:06:31,189 YOUR MOTHER'S STANDING BETWEEN 107 00:06:31,190 --> 00:06:32,690 THE COUNCIL AND A FAIR 108 00:06:32,691 --> 00:06:34,192 FEW THOUSAND POUNDS, THEN. 109 00:06:34,193 --> 00:06:35,827 YOU MUST BE VERY POPULAR DOWN AT THE TOWN HALL. 110 00:06:35,828 --> 00:06:38,196 I'M GETTING STUCK FROM BOTH ENDS. 111 00:06:38,197 --> 00:06:40,364 BECAUSE I'M A COUNCILLOR, ME MOTHER WON'T BELIEVE 112 00:06:40,365 --> 00:06:42,834 I'VE TRIED TO GET TO THE TRUTH ABOUT GLEBE HAMLETS. 113 00:06:42,835 --> 00:06:43,835 AND HAVE YOU? 114 00:06:43,836 --> 00:06:45,870 WELL, I'VE DONE WHAT I CAN. 115 00:06:45,871 --> 00:06:48,039 BUT IF A WEEK'S A LONG TIME IN POLITICS, 116 00:06:48,040 --> 00:06:50,374 WHAT'S A QUARTER OF A CENTURY? 117 00:06:50,375 --> 00:06:52,810 SO, HOW CAN I HELP? 118 00:06:52,811 --> 00:06:56,147 WELL, I THINK IT'S A BIT OF A WILD-GOOSE CHASE, 119 00:06:56,148 --> 00:06:58,149 BUT IF SHE CAN BE CONVINCED 120 00:06:58,150 --> 00:07:01,152 THAT A PROPER INVESTIGATION'S BEEN CARRIED OUT, 121 00:07:01,153 --> 00:07:03,855 SHE JUST MIGHT COME OUT WITHOUT ANYMORE FUSS. 122 00:07:06,324 --> 00:07:07,825 HI. HIYA. 123 00:07:07,826 --> 00:07:09,493 ARE YOU PUTTING THAT STRAIGHT ON? 124 00:07:09,494 --> 00:07:10,995 YEAH. WHY? 125 00:07:10,996 --> 00:07:12,663 IT'S A BIT DAMP, ISN'T IT? 126 00:07:12,664 --> 00:07:14,331 IT'S ALL RIGHT. I'VE GOT TO GO. 127 00:07:14,332 --> 00:07:16,333 I'LL SEE YOU BOTH. HAVE A GOOD NIGHT. 128 00:07:16,334 --> 00:07:17,668 YEAH. BYE. 129 00:07:17,669 --> 00:07:19,003 OK. BYE-BYE. 130 00:07:19,004 --> 00:07:20,504 AH, HE'S A NICE BLOKE. 131 00:07:20,505 --> 00:07:21,839 YEAH? 132 00:07:21,840 --> 00:07:24,341 I WAS DEAD LUCKY. I COULD HAVE WOUND UP WITH ANYBODY. 133 00:07:24,342 --> 00:07:26,144 INSTEAD OF JUST HIS BODY. 134 00:07:26,145 --> 00:07:28,279 WHAT DO YOU MEAN? 135 00:07:28,280 --> 00:07:30,081 NOTHING. 136 00:07:30,082 --> 00:07:31,082 WHAT, GEOFF? 137 00:07:31,083 --> 00:07:33,084 WELL, IT'S JUST A BIT OFF-PUTTING 138 00:07:33,085 --> 00:07:36,120 TO BE MET AT THE DOOR BY A HALF-NAKED STRANGER, 139 00:07:36,121 --> 00:07:37,188 THAT'S ALL. 140 00:07:37,189 --> 00:07:38,189 HE WAS IRONING. 141 00:07:38,190 --> 00:07:39,356 YEAH, AS IT HAPPENS. 142 00:07:39,357 --> 00:07:40,424 SO? 143 00:07:40,425 --> 00:07:41,759 SO NOTHING. 144 00:07:41,760 --> 00:07:42,794 GOOD. 145 00:07:42,795 --> 00:07:45,163 ARE WE GOING OUT OR NOT? 146 00:07:45,164 --> 00:07:47,165 YEAH...IF YOU WANT. 147 00:07:47,166 --> 00:07:48,866 RIGHT. I'LL GET ME COAT. 148 00:07:48,867 --> 00:07:50,701 DO US A FAVOR. 149 00:07:50,702 --> 00:07:53,137 PUT THE IRONING BOARD AWAY, WILL YOU? 150 00:07:58,877 --> 00:08:00,577 [SIGHS] 151 00:08:06,785 --> 00:08:10,321 HE SEEMS A NICE ENOUGH LAD TO ME, GEOFFREY. 152 00:08:10,322 --> 00:08:12,556 HMM. 153 00:08:12,557 --> 00:08:15,392 YOU DON'T WANT THEM GETTING TOO PALLY, IS THAT IT? 154 00:08:15,393 --> 00:08:18,329 HE'S JUST FINISHED WITH HIS GIRLFRIEND. 155 00:08:18,330 --> 00:08:20,965 THAT'S WHY HE'S THERE. 156 00:08:20,966 --> 00:08:25,002 IF JANET AND THIS FELLA ARE WORKING TOGETHER 157 00:08:25,003 --> 00:08:29,173 AT THE GARAGE AND SHARING A FLAT... 158 00:08:29,174 --> 00:08:32,009 THERE'S MORE CHANCE OF BOREDOM SETTING IN 159 00:08:32,010 --> 00:08:33,711 THAN ANYTHING ELSE. 160 00:08:33,712 --> 00:08:36,747 THAT'S COMFORTING. 161 00:08:36,748 --> 00:08:39,217 I'D SAY SO. 162 00:08:48,526 --> 00:08:49,961 [ENGINE STOPS] 163 00:09:08,646 --> 00:09:10,147 [KNOCKING] 164 00:09:10,148 --> 00:09:12,483 MRS. WESTON? 165 00:09:12,484 --> 00:09:14,752 HETTY WAINTHROP. 166 00:09:14,753 --> 00:09:16,888 WHO'S THAT WITH YOU? 167 00:09:16,889 --> 00:09:18,956 MR. SHAWCROSS, MY PARTNER. 168 00:09:18,957 --> 00:09:20,758 GET RID OF HIM. 169 00:09:22,494 --> 00:09:24,661 WAIT IN THE CAR, GEOFFREY. 170 00:09:26,631 --> 00:09:28,432 [LATCHES RATTLING] 171 00:09:34,839 --> 00:09:37,174 YOU MUST FEEL VERY STRONGLY. 172 00:09:37,175 --> 00:09:39,476 OH, YOU COULD SAY. 173 00:09:39,477 --> 00:09:41,178 IT'S A LOUSY BUILDING, 174 00:09:41,179 --> 00:09:44,081 BUT THE PEOPLE THAT LIVED HERE WERE DIAMONDS. 175 00:09:44,082 --> 00:09:46,017 A HUNDRED OR SO AT ONE TIME-- A REAL COMMUNITY. 176 00:09:46,018 --> 00:09:47,318 THANK YOU. 177 00:09:47,319 --> 00:09:50,487 THEN CONDITIONS GOT SO BAD, PEOPLE HAD TO MOVE OUT. 178 00:09:50,488 --> 00:09:52,689 WOULDN'T THE COUNCIL REPAIR IT? 179 00:09:52,690 --> 00:09:55,592 NO. YOU CAN'T BLAME THEM. 180 00:09:55,593 --> 00:09:58,029 IT WOULD BE GOOD MONEY AFTER BAD. 181 00:09:58,030 --> 00:10:00,798 IT WANTS KNOCKING DOWN AND STARTING AGAIN. 182 00:10:00,799 --> 00:10:02,233 ISN'T THAT WHAT THEY WANT TO DO? 183 00:10:02,234 --> 00:10:05,536 OH, YES. AND DID MY SON TELL YOU, 184 00:10:05,537 --> 00:10:08,239 OH, THE COUNCIL ARE SELLING THE SITE, TOO? 185 00:10:08,240 --> 00:10:09,540 NO. 186 00:10:09,541 --> 00:10:10,707 GORDON GREGSON-- 187 00:10:10,708 --> 00:10:13,044 THE BUILDER THAT BUILT THIS ROTTEN PILE 188 00:10:13,045 --> 00:10:14,878 IN THE FIRST PLACE. 189 00:10:14,879 --> 00:10:17,881 WELL, PERHAPS HE'S LEARNED A THING OR 2 BY NOW. 190 00:10:17,882 --> 00:10:19,383 OH, I'M SURE. 191 00:10:19,384 --> 00:10:21,718 NEXT TIME, HE'LL LAY PROPER FOUNDATIONS 192 00:10:21,719 --> 00:10:23,754 FOR A START. 193 00:10:23,755 --> 00:10:26,057 BUT HE WON'T BE BUILDING FOR COUNCIL TENANTS. 194 00:10:26,058 --> 00:10:30,194 THEY'LL BE APARTMENTS FOR YOUNG PROFESSIONALS. 195 00:10:30,195 --> 00:10:32,563 AND YOU WANT TO EXPOSE THIS GREGSON 196 00:10:32,564 --> 00:10:34,031 AS A JERRY BUILDER? 197 00:10:34,032 --> 00:10:35,566 NO NEED FOR ME TO DO THAT. 198 00:10:35,567 --> 00:10:37,601 THAT'S FOR ANYONE TO SEE WITH THEIR OWN EYES. 199 00:10:37,602 --> 00:10:43,174 NO. I WANT TO NAIL HIM FOR CORRUPTION, 200 00:10:43,175 --> 00:10:45,943 HIM AND ANYONE ELSE THAT WERE IN WITH HIM. 201 00:10:45,944 --> 00:10:51,082 WE'RE TALKING OVER 25 YEARS, MRS. WESTON. 202 00:10:51,083 --> 00:10:53,250 IF THERE WAS ANY WRONGDOING, 203 00:10:53,251 --> 00:10:54,918 DON'T YOU THINK PEOPLE 204 00:10:54,919 --> 00:10:56,753 WOULD HAVE COVERED THEIR TRACKS BY NOW? 205 00:10:56,754 --> 00:10:58,089 ARE YOU A DETECTIVE OR NOT? 206 00:10:58,090 --> 00:10:59,923 YES. 207 00:10:59,924 --> 00:11:01,792 THEN GET A SCENT AND GO AFTER IT. 208 00:11:03,462 --> 00:11:07,698 I GOT A SCENT, ALL RIGHT. 209 00:11:07,699 --> 00:11:11,369 THE STATE SHE'S LIVING IN. 210 00:11:11,370 --> 00:11:13,371 I FEEL GUILTY TUCKING IN. 211 00:11:13,372 --> 00:11:15,373 SHE SOUNDS BATTY TO ME. 212 00:11:15,374 --> 00:11:17,041 NO, VERY MUCH WITH IT. 213 00:11:17,042 --> 00:11:19,543 DO YOU THINK WE CAN DO ANYTHING? 214 00:11:19,544 --> 00:11:21,379 I DON'T KNOW, GEOFFREY. 215 00:11:21,380 --> 00:11:23,381 ONE THING'S CERTAIN-- SHE WON'T GIVE UP 216 00:11:23,382 --> 00:11:27,651 UNTIL SHE'S CONVINCED ME THAT I DARN GOOD TRY. 217 00:11:29,721 --> 00:11:31,222 THANKS. THAT WAS GREAT. 218 00:11:31,223 --> 00:11:32,556 THERE'S SOME PUDDING. 219 00:11:32,557 --> 00:11:33,724 OH, NO, THANKS. 220 00:11:33,725 --> 00:11:35,226 I'M FULL TO BURSTING. 221 00:11:35,227 --> 00:11:36,227 OH. 222 00:11:36,228 --> 00:11:37,728 AND THERE'S SOMETHING 223 00:11:37,729 --> 00:11:39,230 I'VE GOT TO ASK JANET ABOUT. 224 00:11:39,231 --> 00:11:40,398 AH. 225 00:11:40,399 --> 00:11:41,565 ABOUT THE CAR. 226 00:11:41,566 --> 00:11:42,566 RIGHT. 227 00:11:42,567 --> 00:11:44,001 SO... SEE YOU LATER. 228 00:11:46,405 --> 00:11:47,905 HE'S LIKE A CAT UP THE CURTAIN 229 00:11:47,906 --> 00:11:49,507 SINCE SHE TOOK THAT LODGER. 230 00:11:49,508 --> 00:11:50,574 [DOOR CLOSES] 231 00:11:50,575 --> 00:11:52,043 WHAT HAVE YOU BEEN UP TO TODAY? 232 00:11:52,044 --> 00:11:54,912 DOING A GOOD TURN, OVER THE ROAD. 233 00:11:54,913 --> 00:11:56,047 OH? 234 00:11:56,048 --> 00:11:57,148 STRIMMING. 235 00:11:57,149 --> 00:11:59,083 NOREEN'S PUT THE WORD AROUND. 236 00:11:59,084 --> 00:12:00,584 NO WONDER SHE SAID 237 00:12:00,585 --> 00:12:02,186 YOU'RE NEVER ALONE WITH A STRIMMER. 238 00:12:02,187 --> 00:12:03,287 HA HA HA. 239 00:12:22,207 --> 00:12:23,907 [CAR DOOR CLOSES] 240 00:12:33,851 --> 00:12:37,188 HIYA. COME IN. 241 00:12:37,189 --> 00:12:38,622 THERE'S SOMETHING WRONG WITH THE CAR. 242 00:12:38,623 --> 00:12:40,724 OH. DO YOU WANT ADIE TO HAVE A LOOK AT IT FOR YOU? 243 00:12:40,725 --> 00:12:41,892 NO. 244 00:12:41,893 --> 00:12:43,160 ADIE. HI, GEOFF. 245 00:12:43,161 --> 00:12:44,562 ALL RIGHT. 246 00:12:44,563 --> 00:12:47,331 I WANT YOU TO HAVE A LOOK AT IT. 247 00:12:49,234 --> 00:12:51,235 WE WENT FOR A PIZZA. 248 00:12:51,236 --> 00:12:52,736 FOR 2 HOURS? 249 00:12:52,737 --> 00:12:54,738 IT'S SUPPOSED TO BE FAST FOOD. 250 00:12:54,739 --> 00:12:57,408 HE WANTS TO TALK ABOUT HIS EX-GIRLFRIEND. 251 00:12:57,409 --> 00:12:59,577 THEY WERE TOGETHER FOR MORE THAN A YEAR. 252 00:12:59,578 --> 00:13:01,345 HE'S PRETTY CAUGHT UP ABOUT IT. 253 00:13:01,346 --> 00:13:02,846 YES, YOU'VE SAID. 254 00:13:02,847 --> 00:13:04,348 AND YOU'RE A SHOULDER TO CRY ON. 255 00:13:04,349 --> 00:13:06,517 IS THERE SOMETHING WRONG WITH THAT? 256 00:13:06,518 --> 00:13:08,018 IT DEPENDS. 257 00:13:08,019 --> 00:13:09,720 HE DOESN'T FANCY ME, GEOFF. 258 00:13:09,721 --> 00:13:11,188 HOW DO YOU KNOW? 259 00:13:11,189 --> 00:13:13,090 I KNOW. THAT'S ALL. 260 00:13:13,091 --> 00:13:15,025 HAPPY NOW? 261 00:13:15,026 --> 00:13:16,193 NO. 262 00:13:16,194 --> 00:13:18,061 FOR PITY'S SAKE. 263 00:13:18,062 --> 00:13:20,864 HOW CAN I BE HAPPY, HIM UP THERE WITH YOU, 264 00:13:20,865 --> 00:13:22,366 SHARING HIS PIZZAS 265 00:13:22,367 --> 00:13:23,934 AND TESTING HIS SHIRTS FOR DAMPNESS? 266 00:13:23,935 --> 00:13:25,569 I DIDN'T SAY WE SHARED A PIZZA. 267 00:13:25,570 --> 00:13:27,804 WELL, DID YOU? 268 00:13:27,805 --> 00:13:29,406 YEAH. 269 00:13:29,407 --> 00:13:32,476 WELL, THERE YOU ARE, THEN. LIES ALREADY. 270 00:13:32,477 --> 00:13:34,044 IF YOU HADN'T BEEN SUCH A WIMP 271 00:13:34,045 --> 00:13:35,546 WITH THE WAINTHROPS, 272 00:13:35,547 --> 00:13:37,114 YOU COULD HAVE BEEN MY LODGER. 273 00:13:37,115 --> 00:13:39,250 YOU DIDN'T GIVE ME TIME TO TELL THEM. 274 00:13:39,251 --> 00:13:42,486 I DIDN'T HAVE TIME! 275 00:13:45,723 --> 00:13:49,092 THIS ISN'T GOING TO WORK, IS IT? 276 00:13:51,062 --> 00:13:52,329 NO. 277 00:14:22,527 --> 00:14:23,694 MR. GREGSON? 278 00:14:23,695 --> 00:14:24,861 YES. 279 00:14:24,862 --> 00:14:26,029 MRS. WAINTHROP. 280 00:14:26,030 --> 00:14:27,197 OH, YES. 281 00:14:27,198 --> 00:14:28,865 YOUR OFFICE SAID I MIGHT CATCH YOU HERE. 282 00:14:28,866 --> 00:14:30,367 DID THEY, NOW? 283 00:14:30,368 --> 00:14:31,902 I HOPE I'M NOT IMPOSING. 284 00:14:31,903 --> 00:14:34,371 THAT DEPENDS. WHAT CAN I DO FOR YOU? 285 00:14:34,372 --> 00:14:36,039 ENID WESTON. 286 00:14:36,040 --> 00:14:37,541 WHAT ABOUT HER? 287 00:14:37,542 --> 00:14:39,109 YOU KNOW HER, OF COURSE? 288 00:14:39,110 --> 00:14:41,044 YES, I KNOW HER, AND, NO, I WON'T BE 289 00:14:41,045 --> 00:14:43,046 PROPOSING HER FOR CLUB MEMBERSHIP. 290 00:14:43,047 --> 00:14:45,716 I LIKE A MAN WITH A SENSE OF HUMOR, MR. GREGSON. 291 00:14:45,717 --> 00:14:48,185 WHAT'S YOUR INTEREST? 292 00:14:48,186 --> 00:14:51,054 I'D LIKE MRS. WESTON TO LEAVE GLEBE HAMLETS 293 00:14:51,055 --> 00:14:53,223 BEFORE THEY FALL DOWN ON TOP OF HER. 294 00:14:53,224 --> 00:14:54,925 FINE BY ME. 295 00:14:54,926 --> 00:14:56,393 NOT TO MENTION THE COUNCIL. 296 00:14:56,394 --> 00:14:57,894 BUT IF YOU'RE A FRIEND, 297 00:14:57,895 --> 00:14:59,396 YOU'LL KNOW WHAT WE'RE UP AGAINST. 298 00:14:59,397 --> 00:15:02,065 THE MONEY'S THERE, IF SHE WANTS IT. 299 00:15:02,066 --> 00:15:05,869 YOU KNOW SHE WON'T BUDGE FOR MONEY. 300 00:15:05,870 --> 00:15:07,671 WHAT ELSE IS THERE? 301 00:15:07,672 --> 00:15:09,673 A CONFESSION PERHAPS. 302 00:15:09,674 --> 00:15:12,676 YOU BUILT GLEBE HAMLETS, DIDN'T YOU? 303 00:15:12,677 --> 00:15:14,845 AH...A LONG TIME AGO. 304 00:15:14,846 --> 00:15:17,180 NOT LONG FOR BRICKS AND MORTAR, THOUGH. 305 00:15:17,181 --> 00:15:20,551 IT'S NOT A SECRET-- MISTAKES WERE MADE. 306 00:15:20,552 --> 00:15:22,586 AND BRIBES TAKEN? 307 00:15:22,587 --> 00:15:24,355 YOU DON'T STRIKE ME AS THE KIND OF WOMAN 308 00:15:24,356 --> 00:15:26,022 WHO BELIEVES EVERYTHING SHE HEARS. 309 00:15:26,023 --> 00:15:28,359 IGNORANCE AND AMBITION-- THAT'S ALL I WAS GUILTY OF. 310 00:15:28,360 --> 00:15:29,960 OH, YOU DIDN'T KNOW 311 00:15:29,961 --> 00:15:33,464 YOU WERE BUILDING ON AN OLD LANDFILL SITE. 312 00:15:33,465 --> 00:15:35,699 I'VE JUST SAID, MISTAKES WERE MADE. 313 00:15:35,700 --> 00:15:37,701 THEN I'M SURPRISED YOU WANT TO BUY 314 00:15:37,702 --> 00:15:39,370 THE SAME SITES AND START AGAIN. 315 00:15:39,371 --> 00:15:40,871 KNOCK THE PLACE DOWN 316 00:15:40,872 --> 00:15:42,339 AND BUILD SOMETHING TO BE PROUD OF. 317 00:15:42,340 --> 00:15:44,207 WHAT BETTER WAY OF REPAIRING THE DAMAGE? 318 00:15:44,208 --> 00:15:47,310 TO YOUR OWN REPUTATION MAYBE. 319 00:15:47,311 --> 00:15:48,879 BUT THAT'S NO CONSOLATION 320 00:15:48,880 --> 00:15:50,481 FOR THE FAMILIES WHO HAVE LIVED THERE. 321 00:15:50,482 --> 00:15:51,849 IS THERE A POINT TO THIS? 322 00:15:51,850 --> 00:15:53,817 IF YOU'VE GOT ENID WESTON'S EAR, 323 00:15:53,818 --> 00:15:56,052 TELL HER TO TAKE THE MONEY AND MOVE OUT NOW 324 00:15:56,053 --> 00:15:57,554 BECAUSE, TAKE IT FROM ME, 325 00:15:57,555 --> 00:15:59,723 A SLEDGEHAMMER WILL HAVE THE LAST WORD, 326 00:15:59,724 --> 00:16:02,325 AND I'M SORRY I CAN'T INVITE YOU INTO THE CLUBHOUSE. 327 00:16:02,326 --> 00:16:06,597 WE DO HAVE RATHER A STRICT DRESS CODE. 328 00:16:22,680 --> 00:16:24,180 MRS. WAINTHROP? 329 00:16:24,181 --> 00:16:26,249 YES. 330 00:16:26,250 --> 00:16:28,118 WOULD YOU LIKE TO COME THIS WAY? 331 00:16:30,021 --> 00:16:33,023 THE CORRIDORS OF POWER, EH, GEOFFREY? 332 00:16:33,024 --> 00:16:35,025 MAKES YOU THINK, DOESN'T IT? 333 00:16:35,026 --> 00:16:36,693 YEAH. WHAT OF? 334 00:16:36,694 --> 00:16:38,529 FLOOR WAX MOSTLY. 335 00:16:38,530 --> 00:16:40,531 HA HA HA. YEAH. 336 00:16:40,532 --> 00:16:44,535 WE WERE NEVER BIG FANS OF BUREAUCRACY IN MY FAMILY. 337 00:16:44,536 --> 00:16:46,537 MY GRANDFATHER ALWAYS USED TO SAY, 338 00:16:46,538 --> 00:16:49,540 "THERE'S NO GOVERNMENT LIKE NO GOVERNMENT." 339 00:16:49,541 --> 00:16:52,042 STILL, I SUPPOSE THE WHEELY-BIN 340 00:16:52,043 --> 00:16:55,979 HAS BEEN SOMETHING OF A SUCCESS STORY. 341 00:16:58,683 --> 00:17:00,417 [MUSIC PLAYING] 342 00:17:15,500 --> 00:17:17,167 ALL DONE. 343 00:17:17,168 --> 00:17:19,636 ARE YOU SURE? 344 00:17:19,637 --> 00:17:21,071 YEAH. 345 00:17:21,072 --> 00:17:23,674 LET'S HAVE A LOOK. 346 00:17:23,675 --> 00:17:26,610 WHAT'S THE PROBLEM? IT'S DONE. 347 00:17:34,519 --> 00:17:37,020 JUST CHECKING. 348 00:17:43,528 --> 00:17:44,962 THANK YOU. 349 00:17:49,033 --> 00:17:51,034 WELL, IT DOESN'T LOOK AS THOUGH 350 00:17:51,035 --> 00:17:53,203 THEY'RE TRYING TO HIDE ANYTHING. 351 00:17:53,204 --> 00:17:55,539 OLDEST TRICK IN THE BOOK, GEOFFREY-- 352 00:17:55,540 --> 00:17:57,541 HIT YOU WITH A BLIZZARD OF PAPER, 353 00:17:57,542 --> 00:17:59,977 AND YOU'LL NEVER FIND WHAT YOU'RE LOOKING FOR. 354 00:18:02,847 --> 00:18:05,148 HAVE YOU FOUND SOMETHING? 355 00:18:05,149 --> 00:18:09,653 NO. IT'S ALL ABOUT REPAIRS TO GLEBE HAMLETS. 356 00:18:09,654 --> 00:18:13,089 NOTHING ABOUT THE ORIGINAL BUILDING WORK. 357 00:18:13,090 --> 00:18:17,160 THE NAME JAMES CARDWELL COMES UP A LOT IN THESE. 358 00:18:17,161 --> 00:18:18,729 WHO WAS HE? 359 00:18:18,730 --> 00:18:20,330 THE CLERK OF WORKS. 360 00:18:20,331 --> 00:18:23,534 HIS JOB WAS TO BE ON SITE TO CHECK THE WORK. 361 00:18:23,535 --> 00:18:24,735 HMM. 362 00:18:26,170 --> 00:18:28,005 ANY JOY? 363 00:18:28,006 --> 00:18:29,840 NO, NOT YET. 364 00:18:29,841 --> 00:18:31,842 IF YOU NEED ME FOR ANYTHING, 365 00:18:31,843 --> 00:18:34,177 JUST PICK UP THE PHONE AND DIAL 3491. 366 00:18:34,178 --> 00:18:35,846 THANK YOU. 367 00:18:35,847 --> 00:18:38,582 OH, THERE IS SOMETHING. 368 00:18:38,583 --> 00:18:40,116 YES? 369 00:18:40,117 --> 00:18:42,285 MR. JAMES CARDWELL, THE CLERK OF WORKS, 370 00:18:42,286 --> 00:18:44,588 IS RETIRED, I IMAGINE. 371 00:18:44,589 --> 00:18:47,791 OH, YES. A FEW YEARS BACK NOW. 372 00:18:47,792 --> 00:18:49,726 YOU DON'T HAPPEN TO HAVE AN ADDRESS FOR HIM? 373 00:18:49,727 --> 00:18:52,796 I CAN CHECK WITH PERSONNEL FOR YOU. 374 00:18:52,797 --> 00:18:53,730 THANK YOU. 375 00:18:55,166 --> 00:18:59,169 VERY OBLIGING. 376 00:18:59,170 --> 00:19:00,604 I WONDER WHY. 377 00:19:02,006 --> 00:19:03,473 MR. HOSKINS. 378 00:19:03,474 --> 00:19:04,975 HMM? 379 00:19:04,976 --> 00:19:06,910 [INAUDIBLE] 380 00:19:24,095 --> 00:19:25,495 MRS. WAINTHROP. 381 00:19:25,496 --> 00:19:26,663 YES? 382 00:19:26,664 --> 00:19:30,166 PHIL HOSKINS, DIRECTOR OF TECHNICAL SERVICES. 383 00:19:30,167 --> 00:19:31,434 OH. 384 00:19:31,435 --> 00:19:33,369 HAVE YOU FOUND WHAT YOU'RE LOOKING FOR? 385 00:19:33,370 --> 00:19:35,072 NOT REALLY, NO. 386 00:19:35,073 --> 00:19:37,007 OH. I UNDERSTAND YOU'RE INTERESTED 387 00:19:37,008 --> 00:19:39,309 IN DIGGING UP SOME ANCIENT DIRT 388 00:19:39,310 --> 00:19:42,045 ON THE BUILDING OF GLEBE HAMLETS. 389 00:19:42,046 --> 00:19:44,014 WHAT GAVE YOU THAT IDEA? 390 00:19:44,015 --> 00:19:45,682 WHY ELSE WOULD YOU BOTHER? 391 00:19:45,683 --> 00:19:47,684 YOU ARE A PRIVATE DETECTIVE, AREN'T YOU? 392 00:19:47,685 --> 00:19:50,020 WELL, THERE'S NO SECRET IN THAT, MR. HOSKINS. 393 00:19:50,021 --> 00:19:52,422 WE ARE IN THE YELLOW PAGES. 394 00:19:52,423 --> 00:19:54,024 I KNOW. I CHECKED. 395 00:19:54,025 --> 00:19:55,959 ENID WESTON MUST HAVE MORE MONEY THAN I THOUGHT. 396 00:19:55,960 --> 00:19:57,628 WE'RE VERY REASONABLE. 397 00:19:57,629 --> 00:19:59,562 MY PARTNER-- MR. SHAWCROSS. 398 00:19:59,563 --> 00:20:01,865 I HOPE YOU'LL TELL HER HOW HELPFUL WE'VE BEEN. 399 00:20:01,866 --> 00:20:03,199 WELL, THERE'S NOTHING HERE 400 00:20:03,200 --> 00:20:05,602 ABOUT THE BUILDING OF GLEBE HAMLETS. 401 00:20:05,603 --> 00:20:07,604 OH, I'M SURE YOU'LL FIND SOMETHING 402 00:20:07,605 --> 00:20:09,439 IF YOU'LL LOOK HARD ENOUGH. 403 00:20:09,440 --> 00:20:11,041 SOME DIRT, YOU MEAN? 404 00:20:11,042 --> 00:20:14,845 OH, I'M AFRAID THAT'S ALL IN ENID WESTON'S MIND. 405 00:20:14,846 --> 00:20:16,312 REALLY? 406 00:20:16,313 --> 00:20:21,118 GLEBE HAMLETS DOES NONE OF US ANY CREDIT. 407 00:20:21,119 --> 00:20:24,054 ON THE OTHER HAND, EVERYONE BUT OUR MRS. WESTON 408 00:20:24,055 --> 00:20:25,889 HAS BEEN RE-HOUSED. 409 00:20:25,890 --> 00:20:28,091 AWAY FROM FRIENDS THEY'VE KNOWN FOR YEARS. 410 00:20:28,092 --> 00:20:31,662 TO MAKE NEW STARTS IN BETTER PLACES. 411 00:20:31,663 --> 00:20:34,031 WE CAN'T OFFER MORE. 412 00:20:34,032 --> 00:20:36,066 GO BACK AND TELL YOUR CLIENT 413 00:20:36,067 --> 00:20:38,001 TO STOP WASTING HER MONEY. 414 00:20:40,004 --> 00:20:41,171 MR. HOSKINS. 415 00:20:41,172 --> 00:20:42,773 HMM? 416 00:20:42,774 --> 00:20:45,742 I'VE ASKED YOUR SECRETARY 417 00:20:45,743 --> 00:20:47,410 FOR MR. JAMES CARDWELL'S ADDRESS. 418 00:20:47,411 --> 00:20:51,481 I'LL SEE IF SHE'S FOUND ANYTHING. 419 00:20:51,482 --> 00:20:52,916 THANK YOU. 420 00:20:52,917 --> 00:20:54,851 [DOOR CLOSES] 421 00:20:56,487 --> 00:20:58,088 THE THING IS, REVEREND, 422 00:20:58,089 --> 00:21:00,157 IT'S NOT A HEAVY-DUTY STRIMMER. 423 00:21:00,158 --> 00:21:03,526 QUITE THE OPPOSITE. 424 00:21:03,527 --> 00:21:07,030 YES. YES. YES, SO YOU'VE SAID. 425 00:21:07,031 --> 00:21:10,200 BUT I REALLY FEEL THAT YOUR GRASS IS... 426 00:21:10,201 --> 00:21:12,235 I SEE. 427 00:21:12,236 --> 00:21:15,038 WELL, I SUPPOSE I COULD HAVE A LOOK. 428 00:21:15,039 --> 00:21:17,874 NOREEN BAINBRIDGE TOLD THE VICAR. 429 00:21:17,875 --> 00:21:20,210 OH, YOU'RE WELL BLESSED. 430 00:21:20,211 --> 00:21:22,612 MR. WESTON'S WAITING. 431 00:21:24,716 --> 00:21:26,149 SO, WHEN WOULD YOU LIKE ME... 432 00:21:26,150 --> 00:21:28,384 GOOD AFTERNOON, MR. WESTON. 433 00:21:28,385 --> 00:21:30,286 MR. WESTON. 434 00:21:30,287 --> 00:21:33,156 I'M SORRY TO CALL WITHOUT MAKING AN APPOINTMENT. 435 00:21:33,157 --> 00:21:34,891 OH, THAT'S ALL RIGHT. 436 00:21:34,892 --> 00:21:36,827 WE'VE NOTHING MUCH TO REPORT, I'M AFRAID. 437 00:21:36,828 --> 00:21:38,661 I'VE HEARD ENOUGH ALREADY. 438 00:21:38,662 --> 00:21:39,896 OH? 439 00:21:39,897 --> 00:21:41,732 YOU HAVEN'T TOLD ANYBODY IT WAS ME WHO SET YOU ON? 440 00:21:41,733 --> 00:21:42,766 NO. WHY? 441 00:21:42,767 --> 00:21:44,400 QUESTIONS FROM ABOVE. 442 00:21:44,401 --> 00:21:46,069 THE CHAIRMAN OF THE HOUSING COMMITTEE 443 00:21:46,070 --> 00:21:48,071 HAS HAD HOSKINS ON THE BLOWER, 444 00:21:48,072 --> 00:21:50,273 WANTING TO KNOW WHO'S PAYING YOU. 445 00:21:50,274 --> 00:21:55,045 WE'RE RUFFLING FEATHERS. THAT'S A GOOD SIGN. 446 00:21:55,046 --> 00:21:56,146 OH? 447 00:21:56,147 --> 00:21:58,081 YOU KNOW WHAT THEY SAY ABOUT OMELETS 448 00:21:58,082 --> 00:22:00,250 AND BROKEN EGGS, MR. WESTON. 449 00:22:00,251 --> 00:22:02,018 THE THING IS, HOSKINS SAYS 450 00:22:02,019 --> 00:22:03,854 THAT IF IT GOES ON MUCH LONGER, 451 00:22:03,855 --> 00:22:05,856 THEN GREGSON WILL BACK OUT OF BUYING THE SITE. 452 00:22:05,857 --> 00:22:07,357 GLEBE HAMLETS WILL STAY DERELICT, 453 00:22:07,358 --> 00:22:09,192 AND THE COUNCIL WILL LOSE THEIR MONEY. 454 00:22:09,193 --> 00:22:11,194 WON'T OTHER BUILDERS BE INTERESTED? 455 00:22:11,195 --> 00:22:13,529 EVERYBODY KNOWS IT WAS AN OLD TIP. 456 00:22:13,530 --> 00:22:16,032 THE COST OF FOUNDATION WORK SCARED THEM OFF. 457 00:22:16,033 --> 00:22:20,036 WE CAN STOP MAKING INQUIRIES WHENEVER YOU WANT, MR. WESTON. 458 00:22:20,037 --> 00:22:21,537 YOU CAN CONVINCE ME MOTHER 459 00:22:21,538 --> 00:22:23,039 THAT THERE'S NO POINT IN HER GOING ON? 460 00:22:23,040 --> 00:22:24,040 NO. 461 00:22:24,041 --> 00:22:25,742 OH. 462 00:22:25,743 --> 00:22:28,044 I'M INCLINED TO THE OPPOSITE VIEW. 463 00:22:28,045 --> 00:22:30,247 THE CHOICE IS YOURS, OF COURSE. 464 00:23:01,078 --> 00:23:04,014 THEY BOUGHT THE HOUSE OFF THE CARDWELLS 8 YEARS AGO. 465 00:23:04,015 --> 00:23:06,649 JIM CARDWELL DIED NOT LONG AFTER. 466 00:23:06,650 --> 00:23:10,553 OH. WHAT ABOUT HIS WIDOW? 467 00:23:10,554 --> 00:23:12,189 STILL ALIVE, SHE THINKS, 468 00:23:12,190 --> 00:23:15,992 BUT SHE HAS NO FORWARDING ADDRESS. 469 00:23:15,993 --> 00:23:17,894 WON'T SHE STILL HAVE HIS PENSION? 470 00:23:17,895 --> 00:23:21,932 THEY'RE USUALLY VERY STICKY ABOUT GIVING DETAILS. 471 00:23:21,933 --> 00:23:25,202 BESIDES, UNLESS THE CARDWELLS SHARED 472 00:23:25,203 --> 00:23:28,538 A MUTUAL FASCINATION FOR REINFORCED CONCRETE, 473 00:23:28,539 --> 00:23:32,575 IT'S HARD TO SEE HOW SHE CAN BE OF HELP. 474 00:23:42,553 --> 00:23:45,155 YOU SEE THE PROBLEM? YOU'RE ASKING A BOY 475 00:23:45,156 --> 00:23:46,723 TO DO A MAN'S JOB. 476 00:23:46,724 --> 00:23:48,225 WE HAVE 2 WEDDINGS ON SATURDAY, 477 00:23:48,226 --> 00:23:50,626 AND WITH MY USUAL MAN OFF SICK, 478 00:23:50,627 --> 00:23:53,029 I'M HARD-PRESSED TO GET IT LOOKING STRAIGHT. 479 00:23:53,030 --> 00:23:54,397 I'M ONLY TALKING ABOUT TIDYING THE GRAVES 480 00:23:54,398 --> 00:23:55,665 ON EITHER SIDE OF THE PATH. 481 00:23:59,170 --> 00:24:00,803 [MUSIC PLAYING] 482 00:24:05,209 --> 00:24:06,843 HIYA. 483 00:24:06,844 --> 00:24:09,346 HIYA. HOW'S IT GOING? 484 00:24:09,347 --> 00:24:10,847 FINE. WHAT'S UP? 485 00:24:10,848 --> 00:24:12,349 NOTHING. I JUST CAME DOWN 486 00:24:12,350 --> 00:24:14,184 TO SEE IF YOU NEED ANY HELP. 487 00:24:14,185 --> 00:24:16,519 WHAT SORT OF HELP? 488 00:24:16,520 --> 00:24:18,355 WHAT IS THIS? 489 00:24:18,356 --> 00:24:21,024 WELL, DON'T MAKE A FUSS. 490 00:24:21,025 --> 00:24:23,026 HAS HE SENT YOU? 491 00:24:23,027 --> 00:24:25,028 JUST LET ME LOOK LIKE I'M LOOKING. 492 00:24:25,029 --> 00:24:26,529 ALL RIGHT? 493 00:24:26,530 --> 00:24:29,032 NO, IT'S NOT ALL RIGHT. 494 00:24:29,033 --> 00:24:31,368 I SAID IT'S NOT ALL RIGHT, ADIE! 495 00:24:31,369 --> 00:24:32,635 JANET. 496 00:24:37,174 --> 00:24:39,475 WHY DID YOU ASK ADIE TO CHECK MY WORK? 497 00:24:39,476 --> 00:24:41,411 BECAUSE I'M THE GAFFER. THAT'S WHAT I DO HERE. 498 00:24:41,412 --> 00:24:43,013 HAS A CUSTOMER COMPLAINED? 499 00:24:43,014 --> 00:24:44,047 NO. 500 00:24:44,048 --> 00:24:45,882 THEN WHY NOT ASK ME TO CHECK ON HIM 501 00:24:45,883 --> 00:24:47,650 OR ANYONE ELSE IN THIS REPAIR SHOP, COME TO THAT? 502 00:24:47,651 --> 00:24:49,419 YOU WANT TO COOL YOUR BOOTS, YOUNG LADY. 503 00:24:49,420 --> 00:24:51,154 "LADY." IS THAT IT? 504 00:24:51,155 --> 00:24:53,290 IS THAT WHY YOU DON'T THINK I'M EQUAL 505 00:24:53,291 --> 00:24:54,958 TO ANY OF THESE BLOKES? 506 00:24:54,959 --> 00:24:56,726 LISTEN, IF THE BOSS WANTS TO SET YOU ON, 507 00:24:56,727 --> 00:24:58,194 THAT'S UP TO HIM. 508 00:24:58,195 --> 00:25:00,663 WHAT YOU DO HERE IS DOWN TO ME. 509 00:25:00,664 --> 00:25:02,598 SO PUT UP OR SHUT UP! 510 00:25:02,599 --> 00:25:03,934 STICK IT. 511 00:25:15,346 --> 00:25:18,848 AH, THANK YOU FOR COMING IN. DO YOU LIKE IT? 512 00:25:18,849 --> 00:25:20,850 IS THIS A STATUE? 513 00:25:20,851 --> 00:25:22,685 A STATUE OR A SCULPTURE, 514 00:25:22,686 --> 00:25:24,354 SOMETHING BY A LOCAL ARTIST PERHAPS. 515 00:25:24,355 --> 00:25:25,855 THERE'S NOT MUCH SPACE 516 00:25:25,856 --> 00:25:27,690 FOR CHILDREN TO PLAY, MR. GREGSON. 517 00:25:27,691 --> 00:25:30,026 NO, BUT THIS ISN'T DESIGNED FOR FAMILIES. 518 00:25:30,027 --> 00:25:33,363 COUPLES MOST LIKELY, AND SINGLES OF COURSE. 519 00:25:33,364 --> 00:25:36,366 IT'S A VERY BIG MARKET TODAY-- THE SINGLE PERSON. 520 00:25:36,367 --> 00:25:38,034 AND HAS IT A NAME? 521 00:25:38,035 --> 00:25:40,536 NO, BUT I'M OPEN TO SUGGESTIONS. 522 00:25:40,537 --> 00:25:42,372 SOMETHING LIKE ASCOT HOUSE PERHAPS 523 00:25:42,373 --> 00:25:44,640 OR WINDSOR COURT. 524 00:25:44,641 --> 00:25:46,609 WHAT ABOUT GREGSON TOWERS? 525 00:25:46,610 --> 00:25:48,345 I'LL PUT IT ON MY LIST. 526 00:25:48,346 --> 00:25:51,114 HOW ARE YOU GOING TO STABILIZE THIS? 527 00:25:51,115 --> 00:25:54,884 BY PILE-DRIVING THE FOUNDATIONS IN DEEP. 528 00:25:54,885 --> 00:25:58,321 WHY DIDN'T YOU DO THAT WITH GLEBE HAMLETS? 529 00:25:58,322 --> 00:26:00,723 OUR TEST HOLES MISSED THE SOFT SPOTS. 530 00:26:00,724 --> 00:26:03,493 WE THOUGHT WE WERE GOING TO BUILD ON SOLID GROUND. 531 00:26:03,494 --> 00:26:04,927 BUT YOU KNOW THIS. 532 00:26:04,928 --> 00:26:06,162 DO I? 533 00:26:06,163 --> 00:26:08,331 YOU'VE BEEN THROUGH THE RECORDS, HAVEN'T YOU? 534 00:26:08,332 --> 00:26:10,600 THE ONES THAT MATTER ARE MISSING, MR. GREGSON. 535 00:26:10,601 --> 00:26:11,667 OH? 536 00:26:11,668 --> 00:26:13,769 THE BUILDING INSPECTION REPORTS. 537 00:26:13,770 --> 00:26:16,806 BUT MAYBE YOUR OWN OFFICE HAS COPIES. 538 00:26:16,807 --> 00:26:18,841 CAN WE CUT THE CRAP, MRS. WAINTHROP? 539 00:26:18,842 --> 00:26:20,843 I DON'T KNOW WHAT YOUR ROLE IS IN THIS-- 540 00:26:20,844 --> 00:26:25,015 ENID WESTON'S FRIEND, A GO-BETWEEN, OR A BUSYBODY. 541 00:26:25,016 --> 00:26:27,984 WHY DON'T YOU JUST TELL ME HOW MUCH YOU WANT. 542 00:26:33,024 --> 00:26:35,025 THANK YOU. 543 00:26:35,026 --> 00:26:37,527 FILL YOUR LUNGS, GEOFFREY. 544 00:26:37,528 --> 00:26:40,763 PURE, FRESH AIR. 545 00:26:49,540 --> 00:26:51,807 DO YOU THINK SHE'LL CHANGE HER MIND? 546 00:26:51,808 --> 00:26:53,043 NO. 547 00:26:56,813 --> 00:27:00,116 THE SMELL OF CORRUPTION IS VERY PUNGENT, GEOFFREY. 548 00:27:00,117 --> 00:27:02,852 MAKE SURE IT NEVER STICKS TO YOU. 549 00:27:02,853 --> 00:27:06,189 RIGHT. STILL... 550 00:27:06,190 --> 00:27:07,723 STILL WHAT? 551 00:27:07,724 --> 00:27:10,427 THE MONEY WOULD HAVE COME IN HANDY. 552 00:27:10,428 --> 00:27:12,162 WHAT FOR? 553 00:27:12,163 --> 00:27:17,333 A HOLIDAY, A NEW STEREO SYSTEM... 554 00:27:17,334 --> 00:27:19,802 SEASON TICKET FOR MAN UNITED. 555 00:27:19,803 --> 00:27:22,004 AND WHAT'S THE GOOD OF ALL THAT 556 00:27:22,005 --> 00:27:25,808 IF YOU CAN'T LOOK YOURSELF IN THE FACE? 557 00:27:29,680 --> 00:27:32,815 [ENGINE STARTS] 558 00:27:43,494 --> 00:27:45,628 [STRIMMER WHIRRING] 559 00:27:53,437 --> 00:27:55,472 [WHIRRING STOPS] 560 00:27:59,009 --> 00:28:00,477 HIYA. 561 00:28:00,478 --> 00:28:02,178 HELLO. 562 00:28:02,179 --> 00:28:03,480 I CALLED AT THE HOUSE. 563 00:28:03,481 --> 00:28:04,780 NEXT-DOOR SAID YOU'D BE HERE. 564 00:28:04,781 --> 00:28:05,915 WHY AREN'T YOU AT WORK? 565 00:28:05,916 --> 00:28:07,450 I WALKED OUT. 566 00:28:07,451 --> 00:28:09,819 OH...WAS THAT WISE? 567 00:28:09,820 --> 00:28:11,988 NO. WHAT ARE YOU DOING? 568 00:28:11,989 --> 00:28:15,592 BURNING THIS STRIMMER OUT WITH ANY LUCK. 569 00:28:15,593 --> 00:28:17,494 HOW ARE YOU DOING, MR. WAINTHROP? 570 00:28:17,495 --> 00:28:18,995 I'M OVERHEATING, REVEREND. 571 00:28:18,996 --> 00:28:20,997 OH, DEAR. 572 00:28:20,998 --> 00:28:22,999 YOU NEED A PETROL-DRIVEN MOTOR FOR THIS JOB. 573 00:28:23,000 --> 00:28:24,000 YES. WE'VE GOT ONE ALREADY, BUT IT'S 574 00:28:24,001 --> 00:28:25,001 OUT OF COMMISSION, I'M AFRAID. 575 00:28:25,002 --> 00:28:26,336 YES. BUST? 576 00:28:26,337 --> 00:28:27,437 WHERE IS IT? 577 00:28:27,438 --> 00:28:28,904 IT'S IN THE SHED NEAR THE WEST DOOR. 578 00:28:28,905 --> 00:28:31,574 I'LL TAKE A LOOK AT IT, IF YOU LIKE. 579 00:28:31,575 --> 00:28:33,610 OH, YES, OF COURSE. LET ME SHOW YOU. 580 00:28:33,611 --> 00:28:34,544 RIGHT. 581 00:28:45,622 --> 00:28:47,190 RIGHT. I'LL COME WITH YOU. 582 00:28:47,191 --> 00:28:48,691 NO. SHE'LL BE WATCHING. 583 00:28:48,692 --> 00:28:50,193 I CAN'T LEAVE YOU HERE, MRS. WAINTHROP. 584 00:28:50,194 --> 00:28:52,362 I'LL BE ALL RIGHT. NOW OFF TO JANET'S. 585 00:28:52,363 --> 00:28:54,364 AND REMEMBER, LASHINGS OF SYMPATHY. 586 00:28:54,365 --> 00:28:58,969 YEAH. NOW, I'LL COLLECT YOU HERE IN ONE HOUR. 587 00:29:24,996 --> 00:29:26,930 [DOOR OPENS] 588 00:29:33,304 --> 00:29:34,837 HEY! 589 00:29:34,838 --> 00:29:36,806 [CRASH] 590 00:29:38,075 --> 00:29:39,943 [LAUGHTER] 591 00:29:44,148 --> 00:29:48,184 ENID! ENID! IT'S HETTY WAINTHROP. 592 00:29:48,185 --> 00:29:50,620 QUICKLY! QUICKLY! 593 00:30:01,032 --> 00:30:02,532 NO, NO, NO. 594 00:30:02,533 --> 00:30:04,367 IT'LL STEADY YOU. 595 00:30:04,368 --> 00:30:06,970 NO. I'M ALL RIGHT NOW, THANK YOU. 596 00:30:08,539 --> 00:30:10,706 YOU SAY THIS HAPPENS ALL THE TIME? 597 00:30:10,707 --> 00:30:12,208 SOON AS IT'S DARK. 598 00:30:12,209 --> 00:30:13,709 WHO ARE THEY? 599 00:30:13,710 --> 00:30:15,211 I'VE NEVER SEEN THEIR FACES. 600 00:30:15,212 --> 00:30:16,879 I JUST HEAR THEM IN THE CORRIDORS, 601 00:30:16,880 --> 00:30:18,381 DOWN THE STAIRWELLS, 602 00:30:18,382 --> 00:30:19,715 IN THE FLATS ABOVE. 603 00:30:19,716 --> 00:30:20,883 GREGSON'S MEN? 604 00:30:20,884 --> 00:30:22,085 WHO ELSE? 605 00:30:25,056 --> 00:30:27,557 I WISH I HAD SOMETHING TO REPORT 606 00:30:27,558 --> 00:30:30,726 THAT WOULD PERSUADE YOU ONCE AND FOR ALL TO LEAVE. 607 00:30:30,727 --> 00:30:32,895 AS LONG AS I KNOW YOU'RE ON THE JOB, 608 00:30:32,896 --> 00:30:34,497 I'M HAPPY. 609 00:30:36,067 --> 00:30:37,567 THE TECHNICAL SERVICES DIRECTOR 610 00:30:37,568 --> 00:30:39,769 LET US SEE THE COUNCIL RECORDS. 611 00:30:39,770 --> 00:30:42,205 HOSKINS. 612 00:30:42,206 --> 00:30:44,907 MMM. WE FOUND NOTHING. 613 00:30:44,908 --> 00:30:47,344 NO SURPRISE THERE. 614 00:30:47,345 --> 00:30:48,911 HE WERE THE BUILDINGS INSPECTOR 615 00:30:48,912 --> 00:30:50,347 WHEN THIS PLACE WERE BUILT. 616 00:30:50,348 --> 00:30:53,583 HOSKINS AUTHORIZED THE CERTIFICATES? 617 00:30:56,753 --> 00:30:59,255 SO, IF THERE WAS ANY WRONGDOING, 618 00:30:59,256 --> 00:31:03,159 HE AND THE CLERK OF WORKS HAD TO BE IN IT TOGETHER. 619 00:31:03,160 --> 00:31:06,562 FIND JIM CARDWELL AND ASK HIM. 620 00:31:06,563 --> 00:31:10,400 I CAN'T. JIM CARDWELL'S DEAD. 621 00:31:12,636 --> 00:31:14,304 IT WASN'T ADIE'S FAULT, GEOFF. 622 00:31:14,305 --> 00:31:16,039 HE SHOULD HAVE STUCK UP FOR YOU. 623 00:31:16,040 --> 00:31:17,707 HE DIDN'T HAVE A CHANCE. 624 00:31:17,708 --> 00:31:20,210 HE COULD HAVE SAID NO TO CHECKING YOUR STUFF. 625 00:31:20,211 --> 00:31:23,013 YEAH, AND THAT WOULD HAVE MEANT 2 OF US OUT OF A JOB. 626 00:31:23,014 --> 00:31:26,049 PERHAPS HE COULD HAVE A WORD WITH YOUR BOSS, 627 00:31:26,050 --> 00:31:28,118 GET YOU BACK IN. 628 00:31:28,119 --> 00:31:30,553 FORGET IT. I WAS LIVING ON BORROWED TIME 629 00:31:30,554 --> 00:31:32,555 WITH THAT PIG IN THE OFFICE. 630 00:31:32,556 --> 00:31:35,492 IF I CAN'T BE TRUSTED TO DO THE JOB, THEN I DON'T WANT IT. 631 00:31:36,860 --> 00:31:38,861 YOU SHOULDN'T HAVE LEFT HER THERE. 632 00:31:38,862 --> 00:31:40,063 I KNOW. 633 00:31:40,064 --> 00:31:43,066 I TOLD HIM TO GO, ROBERT. IT'S ME OWN FAULT. 634 00:31:43,067 --> 00:31:45,568 MAYBE SO, BUT IT WAS STUPID AND DANGEROUS. 635 00:31:45,569 --> 00:31:49,972 ORGANIZED SCARE TACTICS. NOTHING MORE. 636 00:31:49,973 --> 00:31:53,076 NO MORE NIGHT CALLS. 637 00:31:53,077 --> 00:31:54,744 RIGHT. 638 00:31:54,745 --> 00:31:58,048 YOUR DAY SEEMS TO HAVE LEFT ITS MARK AS WELL. 639 00:31:58,049 --> 00:31:59,949 AYE. 640 00:31:59,950 --> 00:32:02,352 I'LL BE SEEING TOMBSTONES IN ME SLEEP. 641 00:32:02,353 --> 00:32:05,355 I'D HAVE GOT CLEAR AWAY IF JANET HADN'T GOT 642 00:32:05,356 --> 00:32:08,024 THEIR HEAVY-DUTY STRIMMER GOING. 643 00:32:08,025 --> 00:32:09,492 BLISTERS OR NOT, 644 00:32:09,493 --> 00:32:10,493 WE'D SWAP JOBS WITH YOU AT THE MOMENT. 645 00:32:10,494 --> 00:32:13,629 GREGSON TRIED TO BUY US OFF. 646 00:32:13,630 --> 00:32:15,031 OH? 647 00:32:15,032 --> 00:32:16,666 VERY SUNNY HE WAS AT FIRST, 648 00:32:16,667 --> 00:32:19,069 LIKE A BASKING SHARK. 649 00:32:19,070 --> 00:32:21,271 HE MUST HAVE THOUGHT YOU'D GOT SOMETHING. 650 00:32:21,272 --> 00:32:23,873 I ONLY WISH WE HAD. 651 00:32:23,874 --> 00:32:26,709 THE CLERK OF WORKS-- WHAT WAS HIS NAME AGAIN? 652 00:32:26,710 --> 00:32:27,910 CARDWELL. 653 00:32:27,911 --> 00:32:29,412 JIM CARDWELL. 654 00:32:29,413 --> 00:32:30,547 WHY? 655 00:32:30,548 --> 00:32:32,882 I'M NOT SURE. 656 00:32:32,883 --> 00:32:36,519 IT JUST SEEMS TO RING A BELL. 657 00:32:36,520 --> 00:32:38,721 [CHURCH BELL RINGING] 658 00:32:38,722 --> 00:32:40,223 YOU KNEW HIM? 659 00:32:40,224 --> 00:32:42,392 VERY WELL. HE WAS A SIDESMAN HERE. 660 00:32:42,393 --> 00:32:43,726 SMASHING FELLOW. 661 00:32:43,727 --> 00:32:45,228 WE WROTE A BOOKLET 662 00:32:45,229 --> 00:32:47,063 ON THE CHURCH'S HISTORY TOGETHER. 663 00:32:47,064 --> 00:32:48,965 REALLY? 664 00:32:50,568 --> 00:32:54,404 JIM WAS A DEAR FRIEND, AND LILIAN, TOO, HIS WIFE. 665 00:32:54,405 --> 00:32:56,573 JIM GOT ALL THE FACTS TOGETHER, 666 00:32:56,574 --> 00:32:58,074 AND I DID THE SCRIBBLE. 667 00:32:58,075 --> 00:32:59,509 KEEN ON HIS FACTS, WAS HE? 668 00:32:59,510 --> 00:33:02,412 OH, YES. VERY METICULOUS. 669 00:33:02,413 --> 00:33:04,747 HE LOVED ALL ASPECTS OF LOCAL HISTORY. 670 00:33:04,748 --> 00:33:06,649 MADE IT PART OF HIS JOB, HE SAID. 671 00:33:06,650 --> 00:33:08,251 AS CLERK OF WORKS? 672 00:33:08,252 --> 00:33:10,253 WHEREVER A SITE WAS BEING EXCAVATED, 673 00:33:10,254 --> 00:33:12,188 JIM WOULD BE THERE TO MAKE SURE 674 00:33:12,189 --> 00:33:14,690 THAT NOTHING WAS LOST TO POSTERITY. 675 00:33:14,691 --> 00:33:17,660 THANK YOU. 676 00:33:17,661 --> 00:33:19,695 DO YOU STILL SEE LILIAN CARDWELL? 677 00:33:19,696 --> 00:33:21,697 NO, NO. SHE'S IN A HOME. 678 00:33:21,698 --> 00:33:24,200 RATHER FRAGILE NOW, I BELIEVE. 679 00:33:24,201 --> 00:33:26,702 I STILL SAVE HER CHRISTMAS CARDS. 680 00:33:26,703 --> 00:33:28,471 [STRIMMER WHIRRING] 681 00:33:34,211 --> 00:33:36,045 HE'S RATHER ENJOYING HIMSELF. 682 00:33:36,046 --> 00:33:38,047 I DARESAY HE IS, REVEREND. 683 00:33:38,048 --> 00:33:40,049 HE ASKED ME WHERE HE SHOULD STOP. 684 00:33:40,050 --> 00:33:42,552 "FEEL FREE," I SAID. "THE WALL'S THE LIMIT." 685 00:33:42,553 --> 00:33:44,053 [BOTH LAUGHING] 686 00:33:44,054 --> 00:33:45,988 WELL, THANK YOU FOR YOUR TIME. 687 00:33:50,794 --> 00:33:53,663 SHE'S JUST OVER HERE. 688 00:33:56,733 --> 00:33:59,169 YOU'VE GOT VISITORS, LILIAN. 689 00:33:59,170 --> 00:34:00,970 VISITORS? 690 00:34:00,971 --> 00:34:04,006 HELLO, MRS. CARDWELL. IT'S HETTY WAINTHROP. 691 00:34:04,007 --> 00:34:08,311 AND I HAVE A YOUNG MAN WITH ME--GEOFFREY SHAWCROSS. 692 00:34:08,312 --> 00:34:10,112 HELLO. 693 00:34:10,113 --> 00:34:13,516 THANK YOU. 694 00:34:13,517 --> 00:34:14,517 HETTY WAINTHROP? 695 00:34:14,518 --> 00:34:15,652 YES. 696 00:34:15,653 --> 00:34:18,020 HETTY WAINTHROP? DO I KNOW YOU? 697 00:34:18,021 --> 00:34:19,522 NO. 698 00:34:19,523 --> 00:34:21,090 OH. 699 00:34:21,091 --> 00:34:25,562 WE WANT TO ASK YOU ABOUT YOUR HUSBAND, MRS. CARDWELL. 700 00:34:25,563 --> 00:34:27,963 JIM? MY JIM? 701 00:34:27,964 --> 00:34:29,599 YES. 702 00:34:29,600 --> 00:34:32,702 HE ISN'T HERE. HE PASSED AWAY. 703 00:34:32,703 --> 00:34:34,204 YES, WE KNOW. 704 00:34:34,205 --> 00:34:37,207 HE'S BEEN GONE SOME TIME. I'M SORRY. 705 00:34:37,208 --> 00:34:42,044 I FORGET HOW LONG. WHAT DID YOU WANT TO KNOW? 706 00:34:42,045 --> 00:34:44,146 CAN I HELP? 707 00:34:44,147 --> 00:34:45,781 I'M MRS. CARDWELL'S DAUGHTER. 708 00:34:52,723 --> 00:34:54,390 NATURALLY, WE WOULD HAVE CHECKED 709 00:34:54,391 --> 00:34:56,392 IF WE'D KNOWN WHERE TO MAKE CONTACT. 710 00:34:56,393 --> 00:34:57,927 NO HARM DONE. 711 00:34:57,928 --> 00:35:00,496 ALL VISITORS WELCOME. 712 00:35:00,497 --> 00:35:02,699 HOW LONG HAS YOUR MOTHER BEEN BLIND? 713 00:35:02,700 --> 00:35:04,033 10 YEARS OR MORE. 714 00:35:04,034 --> 00:35:07,203 PARTIALLY BLIND FOR 20 BEFORE THAT. 715 00:35:07,204 --> 00:35:09,772 OH, DEAR, THAT'S HARD. 716 00:35:09,773 --> 00:35:11,807 YES. HARD ON ALL THE FAMILY. 717 00:35:11,808 --> 00:35:13,175 YES, OF COURSE. 718 00:35:13,176 --> 00:35:17,280 DAD MADE IT HIS MISSION TO FIND A CURE FOR HER. 719 00:35:17,281 --> 00:35:19,014 JACKIE, DO YOU KNOW WHERE SHE KEEPS HER PHOTOS? 720 00:35:19,015 --> 00:35:20,316 THE ALBUM. 721 00:35:20,317 --> 00:35:23,119 NO, I'VE GOT THAT. THE LOOSE PHOTOS. 722 00:35:23,120 --> 00:35:27,323 OBVIOUSLY, HE FAILED TO FIND A CURE. 723 00:35:27,324 --> 00:35:29,191 IT WASN'T FOR THE WANT OF TRYING. 724 00:35:29,192 --> 00:35:30,693 HE EVEN TOOK HER TO THE STATES 725 00:35:30,694 --> 00:35:32,027 TO SEE A LEADING EYE SPECIALIST. 726 00:35:32,028 --> 00:35:33,162 OH, WHEN WAS THAT? 727 00:35:33,163 --> 00:35:34,864 IN THE EARLY SEVENTIES. 728 00:35:34,865 --> 00:35:38,167 HE WAS STILL PAYING OFF THE BILLS YEARS LATER. 729 00:35:38,168 --> 00:35:40,670 ARE THESE THEM? YES. 730 00:35:40,671 --> 00:35:42,138 THANKS, JACKIE. 731 00:35:43,540 --> 00:35:47,042 DID YOUR FATHER EVER MENTION GLEBE HAMLETS? 732 00:35:47,043 --> 00:35:49,312 GLEBE HAMLETS? 733 00:35:49,313 --> 00:35:50,546 IT'S A BLOCK OF COUNCIL FLATS. 734 00:35:50,547 --> 00:35:51,614 YES, I KNOW. 735 00:35:51,615 --> 00:35:54,083 WHY DO YOU WANT TO KNOW ABOUT GLEBE HAMLETS? 736 00:35:54,084 --> 00:35:56,386 IT'S ABOUT TO BE DEMOLISHED. 737 00:35:56,387 --> 00:35:58,454 AS LOCAL HISTORIANS, 738 00:35:58,455 --> 00:36:01,991 FOLLOWING IN YOUR FATHER'S FOOTSTEPS, 739 00:36:01,992 --> 00:36:04,960 WE'D LIKE TO DOCUMENT ITS RISE AND FALL. 740 00:36:04,961 --> 00:36:06,663 OH, I SEE. WELL, HE WAS 741 00:36:06,664 --> 00:36:09,432 RATHER ASHAMED OF IT TO BE HONEST. 742 00:36:09,433 --> 00:36:10,733 ASHAMED OF WHAT? 743 00:36:10,734 --> 00:36:13,336 THAT HE HADN'T DONE HIS JOB PROPERLY. 744 00:36:13,337 --> 00:36:15,505 THE BUILDING WAS GOING UP AT ABOUT THE TIME 745 00:36:15,506 --> 00:36:18,207 MY MOTHER'S CONDITION WAS DIAGNOSED. 746 00:36:18,208 --> 00:36:20,610 I DON'T THINK HIS MIND WAS ON IT. 747 00:36:22,179 --> 00:36:23,479 THAT'S DAD. 748 00:36:23,480 --> 00:36:25,014 OH, VERY SMART. 749 00:36:25,015 --> 00:36:26,516 NOT REALLY TYPICAL. 750 00:36:26,517 --> 00:36:28,785 HE WAS MORE A CARDIGAN AND SLIPPERS SORT OF MAN. 751 00:36:28,786 --> 00:36:31,153 [CHUCKLES] 752 00:36:31,154 --> 00:36:34,890 WHAT'S THAT A PHOTO OF? 753 00:36:34,891 --> 00:36:36,892 IT'S A TOPPING-OUT CEREMONY, 754 00:36:36,893 --> 00:36:38,528 WHEN THEY LAY THE LAST BRICK ON THE BUILDING 755 00:36:38,529 --> 00:36:40,363 BEFORE THE ROOF GOES ON. 756 00:36:40,364 --> 00:36:41,698 DID THEY TAKE A PHOTO 757 00:36:41,699 --> 00:36:43,366 OF GLEBE HAMLETS WHEN IT WAS TOPPED OUT? 758 00:36:43,367 --> 00:36:46,101 OH, I EXPECT SO. THEY ALWAYS DO. 759 00:36:51,375 --> 00:36:55,578 YES. GLEBE HAMLETS. YOU'RE IN LUCK. 760 00:36:55,579 --> 00:36:57,079 MAY I BORROW THIS? 761 00:36:57,080 --> 00:36:58,514 YES, OF COURSE. THANK YOU. 762 00:36:58,515 --> 00:37:01,651 I'LL TAKE THE ALBUM DOWNSTAIRS. 763 00:37:01,652 --> 00:37:05,588 SHE LIKES TO LOOK THROUGH IT. 764 00:37:19,002 --> 00:37:21,504 WHAT WOULD MAKE A DECENT GOD-FEARING MAN 765 00:37:21,505 --> 00:37:24,507 DESPERATE ENOUGH TO TAKE A BRIBE? 766 00:37:24,508 --> 00:37:27,443 TO SEE HIS WIFE GOING BLIND. 767 00:37:29,012 --> 00:37:30,513 WELL, IF THAT'S TRUE, 768 00:37:30,514 --> 00:37:32,948 HE MUST HAVE BEEN IN A DREADFUL TURMOIL. 769 00:37:50,267 --> 00:37:51,967 [DIALING CELL PHONE] 770 00:37:56,206 --> 00:37:57,874 HELLO. YES, IT'S JACKIE 771 00:37:57,875 --> 00:37:59,876 FROM WINSTON GRANGE RETIREMENT HOME. 772 00:37:59,877 --> 00:38:01,977 YEAH, YOU SAID TO CALL 773 00:38:01,978 --> 00:38:05,915 IF MRS. CARDWELL HAD ANY VISITORS. 774 00:38:05,916 --> 00:38:09,819 ASSUMING WE'RE RIGHT, WE STILL CAN'T PROVE ANYTHING. 775 00:38:09,820 --> 00:38:13,089 PERHAPS SOMEBODY IN THIS PICTURE CAN HELP. 776 00:38:13,090 --> 00:38:16,158 A FAIR FEW WILL BE DEAD BY NOW. 777 00:38:16,159 --> 00:38:18,027 TRUE. 778 00:38:18,028 --> 00:38:20,162 AND BY THE TIME WE'VE TRACED THE REST, 779 00:38:20,163 --> 00:38:24,333 NO DOUBT BRIAN WESTON'S MONEY WILL HAVE RUN OUT. 780 00:38:24,334 --> 00:38:25,735 EVEN SO... 781 00:38:25,736 --> 00:38:27,536 WHAT? 782 00:38:27,537 --> 00:38:30,506 JIM CARDWELL WAS AN AMATEUR HISTORIAN. 783 00:38:30,507 --> 00:38:33,342 HE WAS PASSIONATE ABOUT RECLAIMING 784 00:38:33,343 --> 00:38:35,678 THE PAST FOR POSTERITY. 785 00:38:35,679 --> 00:38:37,880 WHAT ARE YOU GETTING AT? 786 00:38:37,881 --> 00:38:41,684 I'M NOT SURE. 787 00:38:41,685 --> 00:38:43,686 MOST PEOPLE CHOOSE TO TAKE 788 00:38:43,687 --> 00:38:48,024 THEIR GUILTY SECRETS TO THE GRAVE, GEOFFREY. 789 00:38:48,025 --> 00:38:51,961 BUT I DON'T THINK HE WAS ONE OF THEM. 790 00:38:55,265 --> 00:38:57,299 [STRIMMER WHIRRING] 791 00:39:06,977 --> 00:39:08,343 NEARLY DONE? 792 00:39:10,981 --> 00:39:12,314 [WHIRRING STOPS] 793 00:39:12,315 --> 00:39:13,482 NEARLY DONE? 794 00:39:13,483 --> 00:39:15,484 AYE. I'VE BOOKED MYSELF THE END PLOT. 795 00:39:15,485 --> 00:39:17,887 THEN I COULD JUST DROP INTO IT WHEN I GET THERE. 796 00:39:17,888 --> 00:39:19,088 HA HA HA. 797 00:39:19,089 --> 00:39:21,356 WELL, YOU'VE DONE A GOOD JOB. 798 00:39:21,357 --> 00:39:23,358 HE MIGHT PERSUADE YOU TO STAY ON. 799 00:39:23,359 --> 00:39:25,795 OH, NOT LIKELY. OH, YOU MISSED JANET. 800 00:39:25,796 --> 00:39:26,796 OH? 801 00:39:26,797 --> 00:39:28,330 SHE'S TAKEN THE OTHER STRIMMER 802 00:39:28,331 --> 00:39:29,999 BACK TO NOREEN BAINBRIDGE FOR ME. 803 00:39:30,000 --> 00:39:32,001 THAT WOMAN THREATENED REVENGE ON ME, 804 00:39:32,002 --> 00:39:33,602 AND BY HECK, SHE'S HAD IT. 805 00:39:36,840 --> 00:39:40,009 ONLY JIM. I DON'T RECOGNIZE ANYBODY ELSE. 806 00:39:40,010 --> 00:39:43,012 BUT THEN, TO BE HONEST, I NEED MY GLASSES. 807 00:39:43,013 --> 00:39:46,381 SAME HERE. BUT I CAN JUST MAKE OUT 808 00:39:46,382 --> 00:39:48,017 HE'S HOLDING SOMETHING. 809 00:39:48,018 --> 00:39:49,384 YES. JIM IS? 810 00:39:49,385 --> 00:39:52,454 LET'S FIND MY MAGNIFYING GLASS. 811 00:39:57,027 --> 00:39:58,560 THERE. THAT'S BETTER. 812 00:39:58,561 --> 00:40:00,029 NOW THEN... 813 00:40:00,030 --> 00:40:02,198 YOU SEE, IT LOOKS LIKE HIS THERMOS FLASK. 814 00:40:02,199 --> 00:40:03,398 NO, NO, NO. 815 00:40:03,399 --> 00:40:04,867 IT'S A CONTAINER, ALL RIGHT, 816 00:40:04,868 --> 00:40:07,203 BUT IT'S NOT FOR HIS TEA, MRS. WAINTHROP. 817 00:40:07,204 --> 00:40:09,038 A TIME CAPSULE, I THINK. 818 00:40:09,039 --> 00:40:10,539 TIME CAPSULE? 819 00:40:10,540 --> 00:40:11,707 CONTAINING ARTIFACTS 820 00:40:11,708 --> 00:40:14,143 FOR FUTURE ARCHAEOLOGISTS TO FIND. 821 00:40:17,380 --> 00:40:19,481 MR. GREGSON. 822 00:40:39,002 --> 00:40:41,003 [LATCHES RATTLING] 823 00:40:42,906 --> 00:40:45,507 LOOKS AS THOUGH YOU'RE GOING TO BE RECEIVED. 824 00:40:46,943 --> 00:40:49,078 BUT WHAT USE IS AN OLD PHOTOGRAPH? 825 00:40:49,079 --> 00:40:51,080 YOU SAID THE RECORDS WERE CLEAN. 826 00:40:51,081 --> 00:40:52,748 IT WAS JUST A PHOTOGRAPH. 827 00:40:52,749 --> 00:40:54,583 WELL, ISN'T ONE SUPPOSED TO BE WORTH 828 00:40:54,584 --> 00:40:56,252 MORE THAN A THOUSAND WORDS? 829 00:40:56,253 --> 00:40:58,087 ARE YOU SURE THAT THE COUNCIL 830 00:40:58,088 --> 00:40:59,588 KEPT ITS OWN PRINT? 831 00:40:59,589 --> 00:41:01,523 I MEAN, WHAT SORT OF A SYSTEM IS THIS? 832 00:41:01,524 --> 00:41:03,192 FOR PITY'S SAKE, WE'RE TALKING ABOUT 833 00:41:03,193 --> 00:41:05,027 25 YEARS' WORTH OF PHOTOGRAPHS! 834 00:41:05,028 --> 00:41:06,528 SO JUST FIND IT. 835 00:41:06,529 --> 00:41:07,963 [SLAMS HAND ON TABLE] 836 00:41:10,600 --> 00:41:12,201 THIS PICTURE WAS TAKEN 837 00:41:12,202 --> 00:41:13,869 AS THE LAST BRICK WAS LAID. 838 00:41:13,870 --> 00:41:16,705 AND YOU THINK HE PUT HIS CAPSULE BEHIND IT? 839 00:41:16,706 --> 00:41:18,373 THERE OR THEREABOUTS 840 00:41:18,374 --> 00:41:20,309 IN THE CAVITY WALL. 841 00:41:22,545 --> 00:41:24,213 YOU MUST KNOW THIS PLACE 842 00:41:24,214 --> 00:41:25,881 LIKE THE BACK OF YOUR HAND. 843 00:41:25,882 --> 00:41:28,217 ALL RIGHT, HOLD ON. THAT'S THE GABLE END. 844 00:41:28,218 --> 00:41:29,718 WHICH GABLE END? 845 00:41:29,719 --> 00:41:31,053 [THUNDER RUMBLES] 846 00:41:31,054 --> 00:41:34,056 I'LL LOOK AROUND FOR SOME TOOLS. 847 00:41:34,057 --> 00:41:36,058 YOU CAN'T SEE IN THIS LIGHT. 848 00:41:36,059 --> 00:41:37,726 COME ON OUTSIDE 849 00:41:37,727 --> 00:41:40,863 SO YOU CAN HAVE A PROPER LOOK. 850 00:41:44,334 --> 00:41:46,501 IT'S ALL RIGHT. 851 00:41:53,076 --> 00:41:55,177 GOT IT! 852 00:42:16,032 --> 00:42:17,399 WELL? 853 00:42:17,400 --> 00:42:20,035 NOTHING. 854 00:42:20,036 --> 00:42:22,037 SEE? IT'S JUST A PHOTOGRAPH. 855 00:42:22,038 --> 00:42:24,306 WHAT? WHAT'S THAT? 856 00:42:24,307 --> 00:42:25,440 THAT! 857 00:42:26,877 --> 00:42:28,710 I'LL CHECK THE ROOF SPACE. 858 00:42:28,711 --> 00:42:31,981 THAT'S WHERE THE LAST COURSE OF BRICKS MUST BE. 859 00:43:05,515 --> 00:43:07,016 YES. 860 00:43:07,017 --> 00:43:08,717 I'VE GOT SOMETHING! 861 00:43:08,718 --> 00:43:09,952 HELLO. 862 00:43:13,023 --> 00:43:15,057 COME ON! 863 00:43:41,551 --> 00:43:44,119 IT'S ALL HERE-- 864 00:43:44,120 --> 00:43:47,923 JIM CARDWELL'S CONFESSION, 865 00:43:47,924 --> 00:43:49,224 EVERYTHING. 866 00:43:49,225 --> 00:43:51,560 DOES HE NAME NAMES? 867 00:43:51,561 --> 00:43:54,063 OH, NAMES ARE NAMED, ALL RIGHT. 868 00:43:54,064 --> 00:43:55,697 [FOOTSTEPS APPROACHING] 869 00:43:57,067 --> 00:44:01,337 SO, YOU FOUND SOME OF THE COUNCIL'S PROPERTY. 870 00:44:01,338 --> 00:44:03,839 MR. HOSKINS WILL TAKE CHARGE OF THAT. 871 00:44:03,840 --> 00:44:05,474 NOT ON YOUR LIFE. 872 00:44:05,475 --> 00:44:06,875 SO YOU INTEND TO STEAL IT, DO YOU? 873 00:44:06,876 --> 00:44:09,845 YES. WHY DON'T YOU CALL THE POLICE? 874 00:44:09,846 --> 00:44:11,847 I'M SURE THAT A CITIZEN'S ARREST WILL DO. 875 00:44:11,848 --> 00:44:13,849 YOU'RE NO CITIZEN, MR. GREGSON. 876 00:44:13,850 --> 00:44:15,684 YOU AND THE PEOPLE IN YOUR POCKET 877 00:44:15,685 --> 00:44:17,353 ARE POISON TO DECENT CITIZENS. 878 00:44:17,354 --> 00:44:19,188 AND IF IT HADN'T BEEN FOR ENID WESTON, 879 00:44:19,189 --> 00:44:21,090 YOU'D HAVE GOT AWAY WITH IT SCOT-FREE. 880 00:44:21,091 --> 00:44:23,225 I'M SORRY, BUT IT'S NOT ME WITH MY BACK AGAINST THE WALL. 881 00:44:23,226 --> 00:44:25,961 YOU'RE GOING DOWN, BOTH OF YOU. 882 00:44:25,962 --> 00:44:27,629 JUST HAND THE STUFF OVER. 883 00:44:27,630 --> 00:44:29,999 THERE'S NO NEED FOR ANYBODY TO GET HURT. 884 00:44:30,000 --> 00:44:31,200 SCREAM. 885 00:44:31,201 --> 00:44:34,036 AAH! AAH! 886 00:44:34,037 --> 00:44:36,038 YOU FINISHED? 887 00:44:36,039 --> 00:44:37,539 OK. 888 00:44:37,540 --> 00:44:39,741 SO LET'S HAVE IT. 889 00:44:39,742 --> 00:44:42,411 AAH! AAH! 890 00:44:42,412 --> 00:44:44,113 LET'S HAVE IT! 891 00:44:44,114 --> 00:44:46,982 AAH! 892 00:44:46,983 --> 00:44:49,985 AAH! ME LEG! 893 00:44:49,986 --> 00:44:54,823 HOW DID YOU KNOW THEY WERE GOING DOWN? 894 00:45:19,449 --> 00:45:21,016 OH, HI. 895 00:45:21,017 --> 00:45:22,184 HIYA. 896 00:45:22,185 --> 00:45:24,186 ARE YOU GOING SOMEWHERE? 897 00:45:24,187 --> 00:45:26,188 I MADE UP WITH MY GIRLFRIEND. 898 00:45:26,189 --> 00:45:27,356 OH. 899 00:45:27,357 --> 00:45:28,990 YEAH. I'M MOVING BACK IN. 900 00:45:28,991 --> 00:45:31,026 IT'S A BIT AWKWARD-LIKE FOR JANET, 901 00:45:31,027 --> 00:45:32,961 BUT IT'S ONE OF THOSE THINGS. 902 00:45:32,962 --> 00:45:35,364 YEAH. DO YOU NEED ANY HELP? 903 00:45:35,365 --> 00:45:37,032 NO, THANKS. 904 00:45:37,033 --> 00:45:38,867 I'VE FINISHED. I'VE JUST GOT TO LOAD UP. 905 00:45:38,868 --> 00:45:40,402 YOU'RE BEST OFF IN THERE. 906 00:45:40,403 --> 00:45:45,474 RIGHT. WELL... I'LL SEE YOU AROUND. 907 00:45:45,475 --> 00:45:47,976 YEAH. OK. ALL RIGHT. 908 00:46:06,996 --> 00:46:08,297 HI. 909 00:46:10,533 --> 00:46:13,502 HE'S GONE, THEN? 910 00:46:13,503 --> 00:46:15,304 HAPPY NOW? 911 00:46:15,305 --> 00:46:16,838 OF COURSE NOT. 912 00:46:16,839 --> 00:46:18,340 I THOUGHT YOU WERE WORRIED 913 00:46:18,341 --> 00:46:20,775 HE WAS GOING TO SHOW ME HIS IRONING AGAIN. 914 00:46:26,015 --> 00:46:27,949 [CLEARS THROAT] 915 00:46:30,686 --> 00:46:32,687 WE GOT A RESULT TODAY. 916 00:46:32,688 --> 00:46:34,022 GOOD. 917 00:46:34,023 --> 00:46:36,024 DO YOU WANT TO GO OUT? 918 00:46:36,025 --> 00:46:38,527 TAKE ADIE. HE'S IN A CELEBRATION MOOD. 919 00:46:38,528 --> 00:46:40,862 WHAT ARE YOU GOING TO DO? 920 00:46:40,863 --> 00:46:43,298 I'M GOING TO HAVE AN EARLY NIGHT. 921 00:46:43,299 --> 00:46:45,534 I'VE GOT TO FIND A JOB AND A LODGER TOMORROW. 922 00:46:45,535 --> 00:46:47,503 IT'S NOT MY FAULT! 923 00:46:47,504 --> 00:46:49,871 NOT ALL OF IT ANYWAY. 924 00:46:49,872 --> 00:46:51,706 BUNG THE DOOR AS YOU GO. 925 00:46:51,707 --> 00:46:53,475 JANET-- 926 00:46:53,476 --> 00:46:55,043 NIGHT, GEOFF. 927 00:47:18,401 --> 00:47:20,001 THE SETTEE? 928 00:47:20,002 --> 00:47:21,170 YES. 929 00:47:21,171 --> 00:47:22,671 YOU CAN'T BE SERIOUS. 930 00:47:22,672 --> 00:47:24,339 I'M NOT GETTING SHORT OF EVERYTHING, BRIAN. 931 00:47:24,340 --> 00:47:26,007 YOU'RE MOVING TO A BRAND-NEW FLAT. 932 00:47:26,008 --> 00:47:27,476 IT'S A COMFORT. 933 00:47:27,477 --> 00:47:29,110 IT'S A HEALTH HAZARD. 934 00:47:29,111 --> 00:47:30,679 IT'S GOING. 935 00:47:30,680 --> 00:47:33,148 [SIGHS] 936 00:47:33,149 --> 00:47:34,683 LET IT REST, OR SHE'LL BE 937 00:47:34,684 --> 00:47:36,084 BACK BEHIND THE BARRICADES. 938 00:47:36,085 --> 00:47:39,555 AND TO THINK, THIS IS THE DAY I'VE BEEN PRAYING FOR. 939 00:47:39,556 --> 00:47:41,690 FUNNY THE WAY THINGS TURN OUT. 940 00:47:41,691 --> 00:47:43,692 THERE WAS A MOMENT WHEN IT LOOKED 941 00:47:43,693 --> 00:47:46,094 AS THOUGH YOU WANTED US TO CALL A HALT. 942 00:47:46,095 --> 00:47:48,730 YES. WELL, I HOPE I CAN STILL RELY ON YOUR DISCRETION. 943 00:47:48,731 --> 00:47:51,200 REALLY? I THOUGHT 944 00:47:51,201 --> 00:47:54,002 POLITICIANS ENJOYED TAKING THE CREDIT. 945 00:47:54,003 --> 00:47:56,538 TOO MUCH BLOOD ON THE CARPET FOR THAT, I'M AFRAID. 946 00:47:56,539 --> 00:47:58,540 BESIDES, WE'RE NOT ALWAYS BLAMELESS, 947 00:47:58,541 --> 00:48:00,108 AND WHO KNOWS? 948 00:48:00,109 --> 00:48:01,743 NEXT TIME, YOU MIGHT BE GUNNING FOR ME. 949 00:48:11,987 --> 00:48:14,989 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 950 00:48:14,990 --> 00:48:16,858 CAPTIONED BY NATIONAL CAPTIONING INSTITUTE 951 00:48:16,859 --> 00:48:17,926 --www.ncicap.org-- 952 00:48:17,976 --> 00:48:22,526 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 63916

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