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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,367 --> 00:00:02,667 [SIREN] 2 00:00:24,323 --> 00:00:25,490 STUART? 3 00:00:25,491 --> 00:00:27,992 CAN'T YOU HEAR IT? THE HOOTER. 4 00:00:27,993 --> 00:00:30,162 THEY'RE BLASTING-- BLASTING WITHOUT ME. 5 00:00:30,163 --> 00:00:31,563 WELL, WHAT'S IT MATTER? 6 00:00:31,564 --> 00:00:33,765 THEY NEVER BLAST WITHOUT ME. 7 00:00:33,766 --> 00:00:35,600 YOU'RE NOT NEEDED TILL AFTERNOON SHIFT. 8 00:00:35,601 --> 00:00:36,901 I HAVE TO BE THERE NOW. 9 00:00:36,902 --> 00:00:39,104 OUR HAPPINESS COULD BE BURIED FOREVER. 10 00:00:42,208 --> 00:00:44,142 [SIREN] 11 00:01:21,080 --> 00:01:23,014 [AIR HISSING] 12 00:01:30,556 --> 00:01:31,723 CLEAR! 13 00:01:31,724 --> 00:01:32,924 [EXPLOSION] 14 00:01:32,925 --> 00:01:34,659 JEEZ! AAH! 15 00:01:40,065 --> 00:01:43,001 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 16 00:02:33,051 --> 00:02:34,218 OH, NO! 17 00:02:34,219 --> 00:02:35,387 YOU SET THE ALARM! 18 00:02:35,388 --> 00:02:36,888 SUPPOSE WE MUST HAVE MISSED THEM. 19 00:02:36,889 --> 00:02:38,256 GEOFF. 20 00:02:40,025 --> 00:02:42,694 LOOK! HA HA! 21 00:02:42,695 --> 00:02:45,129 OH, GOOD TO SEE YOU! 22 00:02:45,130 --> 00:02:49,534 GEOFF. JANET. OH! 23 00:02:49,535 --> 00:02:50,835 IT SEEMED SO LONG. 24 00:02:50,836 --> 00:02:52,370 GREAT HAT! 25 00:02:52,371 --> 00:02:54,005 I'M TOLD IT'S FOR GARDENING. 26 00:02:54,006 --> 00:02:55,673 WELL, IT WOULD BE. 27 00:02:55,674 --> 00:02:57,542 YOU BOTH HAVE GREAT SUNTANS. 28 00:02:57,543 --> 00:02:58,710 WE'VE HAD A MARVELOUS HOLIDAY. 29 00:02:58,711 --> 00:03:00,311 ONCE WE MANAGED TO MEET UP. 30 00:03:00,312 --> 00:03:01,513 HETTY WAS IN AUSTRALIA. 31 00:03:01,514 --> 00:03:03,515 ROBERT HERE IN ENGLAND LOOKING FOR ME. 32 00:03:03,516 --> 00:03:05,550 WHAT A MIX-UP. 33 00:03:05,551 --> 00:03:07,385 I'M SO PLEASE YOU PERSUADED HIM 34 00:03:07,386 --> 00:03:09,186 TO COME OVER FOR CHRISTMAS. 35 00:03:09,187 --> 00:03:10,755 AYE. SO AM I. 36 00:03:10,756 --> 00:03:13,090 HAVE YOU BEEN WAITING LONG, GEOFFREY? 37 00:03:13,091 --> 00:03:16,193 NO TIME AT ALL, MRS. WAINTHROPP. 38 00:03:16,194 --> 00:03:19,230 OH. AUSTRALIA WAS WONDERFUL, 39 00:03:19,231 --> 00:03:22,133 BUT HOME IS HOME, ISN'T IT, ROBERT? 40 00:03:22,134 --> 00:03:23,301 Janet: OH, THEY'RE LOVELY. 41 00:03:23,302 --> 00:03:24,836 LOTS OF JEWELS. LOOK. 42 00:03:24,837 --> 00:03:27,505 FANCY STONES FROM DOWN UNDER. 43 00:03:27,506 --> 00:03:29,774 HERE, GEOFFREY. 44 00:03:29,775 --> 00:03:31,075 NOW. 45 00:03:31,076 --> 00:03:33,177 � � 46 00:03:33,178 --> 00:03:36,648 HA! MY WORD, ROBERT! 47 00:03:36,649 --> 00:03:38,082 I'VE BEEN PRACTICING. 48 00:03:38,083 --> 00:03:40,318 HERE, GEOFFREY. THIS IS YOUR INSTRUMENT, 49 00:03:40,319 --> 00:03:42,119 AND YOU HAVE TO SIT DOWN ON THE GROUND. 50 00:03:42,120 --> 00:03:45,089 SIT YOU DOWN. GO ON. PUCKER UP YOUR LIPS 51 00:03:45,090 --> 00:03:46,458 INSIDE THE MOUTHPIECE 52 00:03:46,459 --> 00:03:48,793 AND MAKE A SORT OF RASPBERRY SOUND. 53 00:03:48,794 --> 00:03:50,428 BREATHE IN THROUGH YOUR NOSE. 54 00:03:50,429 --> 00:03:53,698 YOU'VE GOT TO GET A SORT OF CIRCULAR BREATHING GOING 55 00:03:53,699 --> 00:03:55,266 IN THROUGH YOUR NOSE 56 00:03:55,267 --> 00:03:58,002 AND OUT INTO THE DIDGERIDOO, RIGHT. 57 00:03:58,003 --> 00:04:01,473 BREATHE IN AND OUT. 58 00:04:01,474 --> 00:04:02,674 [SQUEAK] 59 00:04:02,675 --> 00:04:04,576 [SPUTTERING] 60 00:04:04,577 --> 00:04:07,679 OF SOUND CAME THERE NONE. 61 00:04:07,680 --> 00:04:09,514 HA HA HA! 62 00:04:09,515 --> 00:04:11,649 NEVER MIND. NEXT TIME. 63 00:04:29,301 --> 00:04:31,235 [TELEPHONE RINGING] 64 00:04:38,844 --> 00:04:41,513 YES. YOU'RE SEEING YOUR COUSIN DOWN HERE. 65 00:04:41,514 --> 00:04:43,447 YES. TOMORROW. 66 00:04:43,448 --> 00:04:45,216 I'LL HAVE A WORD, GET BACK TO YOU. 67 00:04:45,217 --> 00:04:48,019 THAT'S ALL RIGHT. 68 00:04:48,020 --> 00:04:49,521 A CASE POSSIBLY. I DIDN'T WANT TO 69 00:04:49,522 --> 00:04:51,155 BOTHER YOU WITH IT STRAIGHTAWAY. 70 00:04:51,156 --> 00:04:53,424 GEOFFREY, I'M READY FOR WORK. 71 00:04:53,425 --> 00:04:55,259 I'M FIT AS A BOB, AND I'M REARING TO GO. 72 00:04:55,260 --> 00:04:57,061 WHO IS IT? WHAT'S IT ABOUT? 73 00:04:57,062 --> 00:05:01,032 WELL, TREASURE, HIDDEN TREASURE. 74 00:05:01,033 --> 00:05:04,301 IT WAS ABOUT 3 MONTHS AGO. 75 00:05:04,302 --> 00:05:07,005 STUART WAS IN A DISUSED PART OF THE MINE. 76 00:05:07,006 --> 00:05:09,073 AN IRON ORE MINE UP IN REDRIGG, 77 00:05:09,074 --> 00:05:11,976 MRS. WAINTHROPP. 78 00:05:11,977 --> 00:05:16,414 ON THE DAY HE DIED, HE CAME RUSHING HOME. 79 00:05:16,415 --> 00:05:17,649 THE WARNING HOOTER WAS SOUNDING. 80 00:05:17,650 --> 00:05:20,351 THEY WERE BLASTING UNDERGROUND. 81 00:05:20,352 --> 00:05:22,554 I DON'T KNOW-- I DON'T KNOW 82 00:05:22,555 --> 00:05:24,321 WHAT TOOK HIM BELOW. 83 00:05:24,322 --> 00:05:27,291 NOBODY COULD GIVE ME A PROPER REASON, 84 00:05:27,292 --> 00:05:30,361 BUT HE KNEW THEY WERE BLASTING NEARBY. 85 00:05:30,362 --> 00:05:33,464 HE KNEW THE DANGERS, 86 00:05:33,465 --> 00:05:36,100 AND THE TUNNEL COLLAPSED ON HIM. 87 00:05:36,101 --> 00:05:37,902 I'M VERY SORRY. 88 00:05:39,572 --> 00:05:42,173 BUT IT'S, UH, IT'S NOT HIS DEATH 89 00:05:42,174 --> 00:05:43,975 I'VE COME TO SEE YOU ABOUT. 90 00:05:43,976 --> 00:05:45,910 [DIDGERIDOO PLAYING] 91 00:05:51,249 --> 00:05:52,917 HEY. THAT'S DEAD COOL. 92 00:05:52,918 --> 00:05:55,152 REAL EUCALYPTUS WOOD. THAT'S WHY. 93 00:05:55,153 --> 00:05:58,957 HOLLOWED OUT BY ANTS AND TERMITES. 94 00:05:58,958 --> 00:06:00,157 IT SAYS HERE THAT THE ADVANCED 95 00:06:00,158 --> 00:06:01,793 DIDGERIDOOIST CAN IMITATE 96 00:06:01,794 --> 00:06:03,294 A CROCODILE'S GROWL. 97 00:06:03,295 --> 00:06:05,964 IS THAT A REQUEST, JANET. 98 00:06:05,965 --> 00:06:09,767 ONE CROCODILE GROWL COMING UP. 99 00:06:12,437 --> 00:06:15,439 I'VE ALWAYS WANTED A PUPPY. 100 00:06:15,440 --> 00:06:18,910 ROBERT, PLEASE. I'M WORKING. 101 00:06:18,911 --> 00:06:22,279 SORRY, HETTY. THE DINGO JUST LEAPT OUT. 102 00:06:22,280 --> 00:06:25,016 YES. WELL. 103 00:06:27,352 --> 00:06:29,687 Hetty: THIS BOOK OF YOUR HUSBAND'S 104 00:06:29,688 --> 00:06:32,556 THAT WAS STOLEN, THERE'S ONLY ONE COPY? 105 00:06:32,557 --> 00:06:34,592 YEAH. THAT'S WHY I'M SO DESPERATE 106 00:06:34,593 --> 00:06:35,760 TO GET IT BACK. 107 00:06:35,761 --> 00:06:37,294 IT WAS STUART'S LIFE'S WORK, 108 00:06:37,295 --> 00:06:39,563 ALL ABOUT THE MINES OF CUMBRIA. 109 00:06:39,564 --> 00:06:42,100 HE CALLED IT OUR PENSION, 110 00:06:42,101 --> 00:06:44,468 BUT SINCE STUART DIED, THERE'VE BEEN RUMORS 111 00:06:44,469 --> 00:06:46,671 ABOUT A MAP IN HIS BOOK THAT SHOWS 112 00:06:46,672 --> 00:06:50,207 WHERE SOME VALUABLE MINERALS ARE HIDDEN IN THE MINE. 113 00:06:50,208 --> 00:06:51,943 IT'S LIKE A TREASURE HORDE. 114 00:06:51,944 --> 00:06:53,511 MRS. PRIDWELL SAYS SOME STONES 115 00:06:53,512 --> 00:06:55,113 CAN FETCH THOUSANDS! 116 00:06:55,114 --> 00:06:57,348 IS THAT A FACT? 117 00:06:57,349 --> 00:06:59,984 WHO'D OWN THESE MINERAL THINGS? 118 00:06:59,985 --> 00:07:02,586 WELL, WHEN THE MINE CLOSED DOWN, 119 00:07:02,587 --> 00:07:04,922 COMPANY SOLD IT TO THE MINERS, 120 00:07:04,923 --> 00:07:06,124 BUT I SUPPOSE THE LANDOWNERS 121 00:07:06,125 --> 00:07:07,458 WOULD STILL HAVE THE RIGHTS. 122 00:07:07,459 --> 00:07:09,761 SO THE MINERALS BELONG TO THEM. 123 00:07:09,762 --> 00:07:12,697 YES. LOOK. IF IT'S MONEY FOR YOUR HELP, 124 00:07:12,698 --> 00:07:14,465 DON'T WORRY. I'M WELL OFF. 125 00:07:14,466 --> 00:07:16,167 I HAVE ME HUSBAND'S REDUNDANCY, 126 00:07:16,168 --> 00:07:17,702 HIS INSURANCES. 127 00:07:17,703 --> 00:07:20,104 JUST FIND MY HUSBAND'S WRITING WORK, 128 00:07:20,105 --> 00:07:22,774 PUT IT BACK IN MY HANDS, PLEASE. 129 00:07:48,601 --> 00:07:51,970 IT'S RED. EVERYTHING'S RED. 130 00:07:51,971 --> 00:07:54,205 IT'S ALL THIS IRON STUFF IN THE SOIL. 131 00:07:54,206 --> 00:07:56,574 ORE. IRON ORE. 132 00:07:56,575 --> 00:07:59,143 AH. 133 00:07:59,144 --> 00:08:00,311 GOOD MORNING. 134 00:08:00,312 --> 00:08:02,413 MORNING. WHO ARE YOU LOOKING FOR? 135 00:08:02,414 --> 00:08:04,148 INFORMATION. 136 00:08:04,149 --> 00:08:05,349 I'M A WRITER RESEARCHING 137 00:08:05,350 --> 00:08:07,986 THE LIVES OF WOMEN MARRIED TO MINERS. 138 00:08:07,987 --> 00:08:09,587 WHY DO THAT? 139 00:08:09,588 --> 00:08:11,556 BECAUSE THEIR TRUE VOICE 140 00:08:11,557 --> 00:08:13,791 HAS SELDOM BEEN HEARD. 141 00:08:13,792 --> 00:08:15,326 I HEARD TOO MUCH OF MY WIFE'S VOICE 142 00:08:15,327 --> 00:08:19,063 WHEN I WERE MARRIED. HA HA HA! 143 00:08:19,064 --> 00:08:20,832 WOMEN HAVE A RIGHT TO BE HEARD. 144 00:08:20,833 --> 00:08:23,401 DON'T YOU FORGET THAT. 145 00:08:23,402 --> 00:08:25,169 HENRIETTA WAINTHROPP. 146 00:08:25,170 --> 00:08:27,104 SORRY. 147 00:08:27,105 --> 00:08:28,472 HA HA HA! 148 00:08:28,473 --> 00:08:31,609 GEOFFREY SHAWCROSS, MY RESEARCHER. 149 00:08:31,610 --> 00:08:33,511 JACK DUCKETT, FOREMAN. 150 00:08:33,512 --> 00:08:34,679 HOW DO YOU DO? 151 00:08:34,680 --> 00:08:35,847 HOW DO YOU DO? 152 00:08:35,848 --> 00:08:38,315 COME ON. I'LL SHOW YOU AROUND. 153 00:08:38,316 --> 00:08:39,751 RIGHT. 154 00:08:41,921 --> 00:08:43,888 ARE YOU STAYING HEREABOUTS? 155 00:08:43,889 --> 00:08:46,591 WITH MOIRA PRIDWELL AT SKIDDAW VIEW. 156 00:08:46,592 --> 00:08:49,393 OH. SHE COULD USE A GOOD PAYING GUEST. 157 00:08:49,394 --> 00:08:50,862 LOST HER HUSBAND. 158 00:08:50,863 --> 00:08:53,330 ACCIDENT IN PIT NUMBER 3 159 00:08:53,331 --> 00:08:55,499 JUST A WEEK AFTER HE'D PUT HIS REDUNDANCY CASH IN 160 00:08:55,500 --> 00:08:57,234 TO KEEP THE MINE GOING. 161 00:08:57,235 --> 00:08:59,737 BUT THERE WILL BE AN INCOME, SOME DIVIDENDS. 162 00:08:59,738 --> 00:09:02,907 I SURE HOPE SO. 163 00:09:02,908 --> 00:09:05,109 WE'RE HALF A WORKING MINE, HALF A HERITAGE CENTER, 164 00:09:05,110 --> 00:09:07,679 YOU KNOW, TOURS AND THAT. 165 00:09:07,680 --> 00:09:10,648 ONCE, 1,000 MINERS USED TO WORK ROUND HERE. 166 00:09:10,649 --> 00:09:12,650 NOW WE'RE DOWN TO LESS THAN A DOZEN. 167 00:09:12,651 --> 00:09:14,251 REALLY? 168 00:09:14,252 --> 00:09:17,689 CAN'T EVEN AFFORD TO RUN THE MAIN SHAFT ANYMORE. 169 00:09:17,690 --> 00:09:19,891 EVER BEEN BELOW? 170 00:09:19,892 --> 00:09:21,559 UNDERGROUND? 171 00:09:21,560 --> 00:09:24,028 THE LOWER DEPTHS. AYE. 172 00:09:24,029 --> 00:09:25,863 NO. 173 00:09:25,864 --> 00:09:27,699 RIGHT. I'LL GIVE YOU THE TOUR TOMORROW. 174 00:09:27,700 --> 00:09:29,701 IT WILL BE GRAND RESEARCH, GEOFFREY, 175 00:09:29,702 --> 00:09:31,335 FOR THE BOOK. 176 00:09:41,614 --> 00:09:44,415 CLOSED FOR LUNCH. 177 00:09:44,416 --> 00:09:46,550 OH. HA HA! 178 00:09:46,551 --> 00:09:49,386 I WONDERED WHERE I MIGHT FIND MRS. PRIDWELL. 179 00:09:49,387 --> 00:09:51,789 OH. WE HEARD THERE WAS 180 00:09:51,790 --> 00:09:53,625 A WRITER COMING TO THE VILLAGE. 181 00:09:53,626 --> 00:09:55,860 YOU WANT TO PUT US IN A BOOK? 182 00:09:55,861 --> 00:09:57,495 TRAGEDY THAT WOULD BE. 183 00:09:57,496 --> 00:09:58,696 WOULD IT? 184 00:09:58,697 --> 00:10:01,198 MEN AND KIDS-- THAT'S ALL WE KNOW. 185 00:10:01,199 --> 00:10:03,668 OH, I'M SURE YOU KNOW MORE THAN THAT. 186 00:10:03,669 --> 00:10:06,638 WOMEN'S TRUTHS-- THAT'S WHAT I'M AFTER. 187 00:10:06,639 --> 00:10:08,706 YOU STAYING WITH MOIRA PRIDWELL? 188 00:10:08,707 --> 00:10:10,474 YES, I AM. 189 00:10:10,475 --> 00:10:12,409 YOU'LL WRITE THE TRUTH THERE. 190 00:10:12,410 --> 00:10:13,645 WILL I? 191 00:10:13,646 --> 00:10:15,980 OH, YEAH. SHE TELLS A GOOD STORY. 192 00:10:15,981 --> 00:10:17,815 I'M ALWAYS KEEN ON THOSE. 193 00:10:17,816 --> 00:10:19,350 ASK HER FOR ONE ABOUT FILCHING 194 00:10:19,351 --> 00:10:20,652 FROM YOUR MATES. 195 00:10:20,653 --> 00:10:22,419 CONNIE, YOU DON'T KNOW. 196 00:10:22,420 --> 00:10:23,855 THAT'S WHAT MEN SAY. 197 00:10:23,856 --> 00:10:26,524 IF SHE'S GOT MONEY, WHY'S SHE TAKING IN LODGERS, 198 00:10:26,525 --> 00:10:27,992 SCRUBBING OUT VILLAGE HALL? 199 00:10:27,993 --> 00:10:30,094 TO COVER IT ALL UP. 200 00:10:30,095 --> 00:10:32,263 I HEARD MRS. PRIDWELL WAS WELL SETUP 201 00:10:32,264 --> 00:10:33,731 WITH INSURANCE. 202 00:10:33,732 --> 00:10:35,466 OH. IS THAT WHAT SHE CALLS IT? 203 00:10:35,467 --> 00:10:37,234 WHY? WHAT WOULD YOU CALL IT? 204 00:10:37,235 --> 00:10:39,003 ASK HER YOURSELF. 205 00:11:07,933 --> 00:11:10,101 BUSY LIZZIES? 206 00:11:14,439 --> 00:11:16,741 MAY I ASK JUST WHAT IT IS YOU'RE DOING? 207 00:11:16,742 --> 00:11:18,409 TRYING TO GET INTO THIS SHED. 208 00:11:18,410 --> 00:11:19,577 FOR WHAT PURPOSE? 209 00:11:19,578 --> 00:11:21,212 TO HOE OUT THEM BUSY LIZZIES. 210 00:11:21,213 --> 00:11:22,379 JOE MUST BE OFF HIS ROCKER, 211 00:11:22,380 --> 00:11:23,815 PLANTING THEM GAUDY THINGS. 212 00:11:23,816 --> 00:11:26,217 THIS LAND IS LEASED TO ME. 213 00:11:26,218 --> 00:11:27,885 THOSE PRETTY BLOOMS HAPPEN TO BE 214 00:11:27,886 --> 00:11:29,353 MY FAVORITE FLOWERS AND HAVE GOT NOTHING 215 00:11:29,354 --> 00:11:30,654 TO DO WITH YOU. 216 00:11:30,655 --> 00:11:33,157 EXCUSE ME. THIS IS MY ALLOTMENT. 217 00:11:33,158 --> 00:11:34,859 I'VE WORKED ON IT FOR YEARS. 218 00:11:34,860 --> 00:11:37,394 OHH. YOU MUST BE ROBERT WAINTHROPP. 219 00:11:37,395 --> 00:11:38,562 AYE. 220 00:11:38,563 --> 00:11:39,731 WELL, YOU SHOULD BE ASHAMED OF YOURSELF. 221 00:11:39,732 --> 00:11:41,099 IT WAS A WEED-STREWN WILDERNESS, 222 00:11:41,100 --> 00:11:43,534 RAMPANT WITH THE WORST EXCESSES OF GROUND ELDER, 223 00:11:43,535 --> 00:11:45,402 AND THE SHED'S A DISGRACE. 224 00:11:45,403 --> 00:11:47,171 NO, NO, NO. THERE MUST BE SOME MISTAKE. 225 00:11:47,172 --> 00:11:48,405 IT WAS TO BE LOOKED AFTER 226 00:11:48,406 --> 00:11:49,573 IN MY ABSENCE! 227 00:11:49,574 --> 00:11:51,042 NO. YOU'LL FIND THE NAME NOREEN BAINBRIDGE 228 00:11:51,043 --> 00:11:53,310 ON THIS ALLOTMENT, NOT ROBERT WAINTHROPP. 229 00:11:53,311 --> 00:11:54,578 I'LL HAVE TO APPROACH THE COMMITTEE 230 00:11:54,579 --> 00:11:55,947 ABOUT THIS. 231 00:11:55,948 --> 00:11:57,615 YOU'RE TRESPASSING! 232 00:11:57,616 --> 00:11:59,951 GET OFF MY LAND! 233 00:12:12,664 --> 00:12:14,565 I'M SELF-TAUGHT, YOU KNOW? 234 00:12:14,566 --> 00:12:18,870 OH! REALLY? I'D NEVER HAVE GUESSED. 235 00:12:18,871 --> 00:12:21,605 WORKED THE MINE. SURFACE MOSTLY. 236 00:12:21,606 --> 00:12:23,574 MM. THEN IT CLOSED. 237 00:12:23,575 --> 00:12:26,277 PUT ME REDUNDANCY INTO THIS. 238 00:12:26,278 --> 00:12:27,544 DON'T REGRET IT. 239 00:12:30,816 --> 00:12:33,284 HEY, BLUE, HOW ARE YOU? 240 00:12:33,285 --> 00:12:35,486 ANGRY ACTUALLY, VERY ANGRY. 241 00:12:35,487 --> 00:12:36,888 HAVE YOU SEEN JOE RAWLINGS? 242 00:12:36,889 --> 00:12:38,555 HE WAS SUPPOSED TO LOOK AFTER MY ALLOTMENT. 243 00:12:38,556 --> 00:12:39,857 BEEN POORLY, HAS JOE. 244 00:12:39,858 --> 00:12:41,192 OH. SORRY TO HEAR THAT. 245 00:12:41,193 --> 00:12:42,426 BAD OPERATION. 246 00:12:42,427 --> 00:12:43,594 HE'S DOWN AT HIS DAUGHTER'S 247 00:12:43,595 --> 00:12:44,962 TRYING TO GET HIMSELF FIT. 248 00:12:44,963 --> 00:12:46,563 OH. THAT IS BAD NEWS. 249 00:12:46,564 --> 00:12:48,532 BAD FOR HIM AND BAD FOR ME. 250 00:12:48,533 --> 00:12:50,001 THEY'VE GONE AND GIVEN MY LAND 251 00:12:50,002 --> 00:12:51,502 TO SOMEONE WHO'S COLOR-BLIND. 252 00:12:51,503 --> 00:12:53,137 SHE GROWS BUSY LIZZIES. 253 00:12:53,138 --> 00:12:54,872 THAT'S A BIT EARLY. 254 00:12:54,873 --> 00:12:56,040 EH? 255 00:12:56,041 --> 00:12:58,475 WHY NOT SEE SOMEONE FROM COMMITTEE. 256 00:12:58,476 --> 00:13:00,377 UH, OH. FRED BUTTERWORTH'S ON HIS PATCH. 257 00:13:00,378 --> 00:13:04,115 RIGHT. I WILL. 258 00:13:04,116 --> 00:13:05,983 Geoffrey: YOU PAINT IT A LOT, DON'T YOU? 259 00:13:05,984 --> 00:13:07,584 GETS INTO YOU, 260 00:13:07,585 --> 00:13:09,120 AND YOU HATE IT, BUT YOU CAN'T 261 00:13:09,121 --> 00:13:10,688 LEAVE IT SOMEHOW. 262 00:13:13,192 --> 00:13:14,358 SEE ANYTHING YOU LIKE? 263 00:13:14,359 --> 00:13:16,027 I DO DISCOUNTS. 264 00:13:16,028 --> 00:13:20,564 OH. I'D LIKE A PROPER LOOK ROUND LATER, 265 00:13:20,565 --> 00:13:21,966 BUT RIGHT NOW, I'M LOOKING FOR SOMEWHERE 266 00:13:21,967 --> 00:13:24,101 TO STAY FOR A FEW DAYS. 267 00:13:24,102 --> 00:13:25,269 THERE'S A WIDOW-- MOIRA-- 268 00:13:25,270 --> 00:13:26,804 LOOKING FOR A LODGER. 269 00:13:26,805 --> 00:13:29,640 SHE'S A FINE WOMAN, VERY FINE. 270 00:13:29,641 --> 00:13:31,542 THAT ROOM'S TAKEN. 271 00:13:33,445 --> 00:13:34,678 BLACK BULL'S GOT ROOMS. 272 00:13:34,679 --> 00:13:36,580 OH. IF YOU SEE ME IN BAR, 273 00:13:36,581 --> 00:13:38,249 COST YOU A PINT FOR THE INFO. 274 00:13:38,250 --> 00:13:39,383 RIGHT. 275 00:14:06,544 --> 00:14:08,812 HELLO? 276 00:14:08,813 --> 00:14:11,315 OH. HOW DID YOU KNOW I WAS HERE? 277 00:14:11,316 --> 00:14:12,616 YOUR NAME'S ON THE NOTICE BOARD 278 00:14:12,617 --> 00:14:14,351 OUTSIDE-- MOIRA PRIDWELL, 279 00:14:14,352 --> 00:14:15,719 CARETAKER. 280 00:14:15,720 --> 00:14:17,120 WELL, IT'S AN INTEREST. 281 00:14:17,121 --> 00:14:18,589 I'M JUST GETTING THE PLACE SPICK-AND-SPAN 282 00:14:18,590 --> 00:14:20,658 FOR OUR ANNUAL DANCE. 283 00:14:20,659 --> 00:14:22,859 YOU MENTIONED REDUNDANCY PAYMENTS 284 00:14:22,860 --> 00:14:24,961 AND INSURANCE. 285 00:14:24,962 --> 00:14:27,964 I NEED THE FULL STORY, MOIRA. 286 00:14:27,965 --> 00:14:29,333 YOU'VE NOT BEEN STRAIGHT WITH ME 287 00:14:29,334 --> 00:14:31,669 ABOUT YOUR FINANCES. 288 00:14:31,670 --> 00:14:33,870 IT'S AS I SAID. 289 00:14:33,871 --> 00:14:36,340 I THINK THERE'S MORE TO IT THAN THAT. 290 00:14:41,479 --> 00:14:42,780 MOIRA? 291 00:14:49,454 --> 00:14:51,955 I'M SORRY. 292 00:14:51,956 --> 00:14:55,258 HETTY. 293 00:14:55,259 --> 00:14:56,927 YOU'RE MARRIED, AREN'T YOU? 294 00:14:56,928 --> 00:14:58,662 YES, I AM. 295 00:14:58,663 --> 00:15:00,431 THEN CHERISH HIM. 296 00:15:04,101 --> 00:15:05,336 YOU DON'T KNOW WHAT IT'S LIKE 297 00:15:05,337 --> 00:15:07,638 AFTER THEY'VE GONE. 298 00:15:07,639 --> 00:15:09,105 YOUR HOME'S AN EMPTY PLACE. 299 00:15:09,106 --> 00:15:11,608 IT'S--IT'S EMPTY. 300 00:15:11,609 --> 00:15:14,445 AND THAT BOOK-- MY HUSBAND WROTE IT. 301 00:15:14,446 --> 00:15:17,481 HE HAD YEARS OF HIS LIFE IN IT, 302 00:15:17,482 --> 00:15:20,784 AND I COULD SEE HIM AT THE TABLE WRITING. 303 00:15:26,958 --> 00:15:28,258 YOU KNOW WHAT THE WIVES ARE SAYING 304 00:15:28,259 --> 00:15:30,026 ABOUT STUART, DON'T YOU? 305 00:15:30,027 --> 00:15:31,995 WHAT DO THEY SAY? 306 00:15:31,996 --> 00:15:34,765 WELL, WHEN THE MINE WAS ABOUT TO CLOSE, 307 00:15:34,766 --> 00:15:36,767 THE MEN GOT TOGETHER AND POOLED ALL 308 00:15:36,768 --> 00:15:39,403 THE SPECIAL MINERALS THAT THEY'D FOUND, 309 00:15:39,404 --> 00:15:41,238 AND THEY HID THEM IN THE PIT, 310 00:15:41,239 --> 00:15:42,906 AND WHEN THE TIME CAME FOR THE SHARE-OUT, 311 00:15:42,907 --> 00:15:44,608 ALL THE BEST ONES HAD GONE, 312 00:15:44,609 --> 00:15:46,943 AND THEY SAID THAT MY STUART TOOK THEM 313 00:15:46,944 --> 00:15:48,679 FOR HIMSELF AND THAT HE DIED 314 00:15:48,680 --> 00:15:50,514 TRYING TO RESCUE THEM. 315 00:15:50,515 --> 00:15:52,148 DO THE VILLAGERS THINK YOU KNOW 316 00:15:52,149 --> 00:15:55,185 WHERE THE STONES ARE? 317 00:15:55,186 --> 00:15:58,389 BUT I SWEAR I DON'T. 318 00:15:58,390 --> 00:16:00,023 I JUST WANT STUART'S BOOK BACK. 319 00:16:00,024 --> 00:16:02,893 THAT'S TREASURE ENOUGH FOR ME. 320 00:16:02,894 --> 00:16:04,294 Man: WE'D NO CHOICE, MATE. 321 00:16:04,295 --> 00:16:05,596 DIDN'T I DESERVE A HEARING? 322 00:16:05,597 --> 00:16:07,498 YOU WERE OFF GALLIVANTING DOWN UNDER. 323 00:16:07,499 --> 00:16:09,400 YOUR PLOT WAS A DISGRACE. 324 00:16:09,401 --> 00:16:11,635 COMMITTEE INSPECTED, AND YOU HAD TO GO. 325 00:16:11,636 --> 00:16:12,803 JOE RAWLINGS-- 326 00:16:12,804 --> 00:16:14,571 I DON'T CARE. RULES IS RULES, 327 00:16:14,572 --> 00:16:15,739 AND YOU'RE OFF! 328 00:16:15,740 --> 00:16:17,775 YOU SOUND LIKE A FOOTBALL REFEREE. 329 00:16:17,776 --> 00:16:19,810 DON'T I EVEN GET A YELLOW CARD? 330 00:16:19,811 --> 00:16:20,977 VALUABLE PLOTS ARE THESE, 331 00:16:20,978 --> 00:16:23,013 AND YOU'LL GET YOUR TURN ON THE LIST. 332 00:16:23,014 --> 00:16:24,214 AM I ON THE LIST? 333 00:16:24,215 --> 00:16:27,618 AYE. RIGHT AT BOTTOM. 334 00:16:27,619 --> 00:16:30,987 Hetty: YES. I CAN'T PROMISE, BUT IF ANYTHING IS FOUND, 335 00:16:30,988 --> 00:16:34,658 IT WILL BE PASSED OVER TO YOU. 336 00:16:34,659 --> 00:16:36,593 THANK YOU, MR. FULTON. 337 00:16:38,563 --> 00:16:40,431 THE AGENTS FOR THE LANDOWNERS 338 00:16:40,432 --> 00:16:42,332 AGREED TO PAY BACK 1/3 OF THE SUM 339 00:16:42,333 --> 00:16:44,100 THE MISSING MINERALS FETCH. 340 00:16:44,101 --> 00:16:46,670 WELL, THAT'S FAIR. 341 00:16:46,671 --> 00:16:49,473 IF THEY DO TURN UP, I SUGGEST THE PROCEEDS 342 00:16:49,474 --> 00:16:52,075 ARE SHARED WITH EVERYONE IN THE VILLAGE. 343 00:16:53,912 --> 00:16:56,079 THAT WAY, I CAN BE PAID, 344 00:16:56,080 --> 00:16:59,950 AND NOBODY ELSE CAN BEAR A GRUDGE. 345 00:16:59,951 --> 00:17:01,351 ALL RIGHT. 346 00:17:01,352 --> 00:17:02,553 Geoffrey: ALL WE HAVE TO DO NOW 347 00:17:02,554 --> 00:17:04,755 IS FIND THE TREASURE. 348 00:17:04,756 --> 00:17:06,623 I'VE SEEN THE MAP IN STUART'S BOOK, 349 00:17:06,624 --> 00:17:09,960 BUT--BUT IT'S SOMETHING HE SAID. 350 00:17:09,961 --> 00:17:13,363 A PHRASE, A WORD? 351 00:17:13,364 --> 00:17:17,100 THE LAST WORDS HE SPOKE TO ME WERE 352 00:17:17,101 --> 00:17:20,337 SOMETHING ABOUT HAPPINESS BEING BURIED. 353 00:17:20,338 --> 00:17:22,473 HAPPINESS? 354 00:17:22,474 --> 00:17:24,508 YEAH. HE OFTEN SAID IT. 355 00:17:24,509 --> 00:17:28,779 YES. HAPPINESS AND LONELY HEARTS. 356 00:17:28,780 --> 00:17:30,814 COULD THEY BE LINKED TOGETHER? 357 00:17:30,815 --> 00:17:34,852 THERE WAS ANOTHER WORD THAT WAS-- 358 00:17:34,853 --> 00:17:36,520 NO. LONELY HEARTS. 359 00:17:36,521 --> 00:17:39,623 BETWEEN SOMETHING AND LONELY HEARTS 360 00:17:39,624 --> 00:17:41,992 LIES HAPPINESS. 361 00:17:41,993 --> 00:17:44,661 OH. IT'S PART OF THE MINE. 362 00:17:44,662 --> 00:17:48,532 IT'S CALLED, UM-- OH, CALLED, UH-- 363 00:17:48,533 --> 00:17:49,700 HUNCHBACK. 364 00:17:49,701 --> 00:17:52,402 YEAH! HOW DID YOU KNOW? 365 00:17:52,403 --> 00:17:54,304 GEOFFREY, HAVE YOU GONE PSYCHIC? 366 00:17:54,305 --> 00:17:56,439 NO. NO. I WENT TO AN ART GALLERY. 367 00:17:56,440 --> 00:17:57,875 THE PLACE WAS FILLED WITH PICTURES 368 00:17:57,876 --> 00:17:59,142 OF THE MINE. 369 00:17:59,143 --> 00:18:01,277 THEY ALL HAD TITLES, "PIT NUMBER THIS" 370 00:18:01,278 --> 00:18:02,779 OR "TUNNEL NUMBER THAT," 371 00:18:02,780 --> 00:18:05,315 BUT ONE OF THEM HAD A NAME, "HUNCHBACK." 372 00:18:05,316 --> 00:18:07,183 IT'S A BIG HUMP OF RED ROCK 373 00:18:07,184 --> 00:18:09,319 STICKING OUT INTO AN UNDERGROUND TUNNEL. 374 00:18:09,320 --> 00:18:13,123 BETWEEN HUNCHBACK AND LONELY HEARTS 375 00:18:13,124 --> 00:18:14,625 LIES HAPPINESS. 376 00:18:14,626 --> 00:18:16,393 LONELY HEARTS? 377 00:18:16,394 --> 00:18:17,661 WELL, THE MINERS HAD NICKNAMES 378 00:18:17,662 --> 00:18:20,163 FOR DIFFERENT PARTS OF THE MINES. 379 00:18:20,164 --> 00:18:22,065 I WONDER IF HUNCHBACK AND LONELY HEARTS 380 00:18:22,066 --> 00:18:24,835 ARE AREAS CLOSE TO EACH OTHER. 381 00:18:26,571 --> 00:18:28,138 Man: FANCY THAT, DO YOU? 382 00:18:30,307 --> 00:18:39,516 YES. IT'S SORT OF, UM, COMPELLING, 383 00:18:39,517 --> 00:18:44,220 THE LIGHTS, SHADOWS, SHADE. 384 00:18:44,221 --> 00:18:46,023 IS IT REALLY LIKE THAT? 385 00:18:46,024 --> 00:18:48,258 COPIED FROM LIFE, EH. 386 00:18:48,259 --> 00:18:49,426 WE USED TO PAT IT FOR LUCK 387 00:18:49,427 --> 00:18:51,161 AS WE WENT PAST. 388 00:18:51,162 --> 00:18:52,362 I'VE REALIZED IT RATHER WELL, 389 00:18:52,363 --> 00:18:53,530 DON'T YOU THINK? 390 00:18:53,531 --> 00:18:55,566 UH... 391 00:18:55,567 --> 00:19:00,170 125 QUID AND "THE HUNCHBACK'S" YOURS. 392 00:19:00,171 --> 00:19:01,872 I'M--I'M GOING DOWN PIT TODAY. 393 00:19:01,873 --> 00:19:04,007 I'LL--I'LL LOOK OUT FOR THIS. 394 00:19:07,211 --> 00:19:10,313 OH. UM, DO YOU HAVE ANY OTHER PAINTINGS 395 00:19:10,314 --> 00:19:15,452 CALLED "LONELY HEARTS" OR "HAPPINESS"? 396 00:19:15,453 --> 00:19:18,421 NO. WHY? 397 00:19:18,422 --> 00:19:21,524 THOUGHT I SAW ONE YESTERDAY. 398 00:19:21,525 --> 00:19:24,160 NO. 399 00:19:24,161 --> 00:19:25,328 110 FOR "THE HUNCHBACK. 400 00:19:25,329 --> 00:19:28,665 WHAT DO YOU SAY? 401 00:19:28,666 --> 00:19:31,568 I'LL THINK ABOUT IT. 402 00:19:46,517 --> 00:19:48,885 DON'T GO DOWN THE MINE, DADDY. 403 00:19:48,886 --> 00:19:50,053 SORRY, MRS. WAINTHROPP? 404 00:19:50,054 --> 00:19:51,321 IT'S AN OLD SONG. 405 00:19:51,322 --> 00:19:53,289 � DON'T GO DOWN THE MINE, DA � 406 00:19:53,290 --> 00:19:55,692 � DREAMS VERY OFTEN COME TRUE � 407 00:19:55,693 --> 00:19:56,860 IT'S LIKE... 408 00:19:56,861 --> 00:19:58,561 � BIG BAD JOHN � 409 00:19:58,562 --> 00:20:02,099 YOU KNOW, HERE LIES THE BODY OF A BIG MAN. 410 00:20:02,100 --> 00:20:04,267 EH, GEOFF? COME ON. 411 00:20:07,071 --> 00:20:09,773 WE'LL, UH, BE ABOUT AN HOUR, 412 00:20:09,774 --> 00:20:12,075 ALL THINGS BEING WELL, EH, GEOFF? 413 00:20:15,579 --> 00:20:17,347 GOOD LUCK, GEOFFREY. 414 00:20:17,348 --> 00:20:18,481 THANKS. 415 00:20:24,922 --> 00:20:26,589 Jack: COME ON! 416 00:20:32,797 --> 00:20:36,667 UH, SEE THE FAULTS? LIMESTONE. 417 00:20:36,668 --> 00:20:38,735 IRON'S WASHED DOWN INTO THE CRACKS. 418 00:20:38,736 --> 00:20:40,904 IRON ORE. 419 00:20:40,905 --> 00:20:43,573 YOU CATCH ON QUICK. 420 00:20:43,574 --> 00:20:46,242 JUST IRON ORE? NOTHING ELSE? 421 00:20:46,243 --> 00:20:48,779 WHO HAVE YOU BEEN TALKING TO? 422 00:20:48,780 --> 00:20:49,946 COME ON. I'LL SHOW YOU 423 00:20:49,947 --> 00:20:51,114 THE LOVE HOLES. 424 00:20:51,115 --> 00:20:53,717 THEY HOLD BARITE, CALCITE, FLUORIDE. 425 00:20:53,718 --> 00:20:56,953 SOME PEOPLE CALL IT FLUORSPAR. 426 00:20:56,954 --> 00:21:00,590 THIS WAY, PLEASE. HEY. 427 00:21:00,591 --> 00:21:03,060 BEST QUALITY KIN TO HEMATITE IS THAT. 428 00:21:03,061 --> 00:21:05,028 BLOODSTONE. IF WE HAD ENOUGH OF IT, 429 00:21:05,029 --> 00:21:07,430 WE'D BE LAUGHING OUR SOCKS OFF. 430 00:21:07,431 --> 00:21:10,266 HERE YOU ARE. THAT'S A LOVE HOLE. 431 00:21:10,267 --> 00:21:12,769 OH. MINERALS WOULD BE TAKEN OUT 432 00:21:12,770 --> 00:21:14,037 SO THEY COULD BE SOLD. 433 00:21:14,038 --> 00:21:15,205 AYE. 434 00:21:15,206 --> 00:21:16,372 WHO WOULD BUY THEM? 435 00:21:16,373 --> 00:21:18,341 OH. AGENT BLOKES FROM CARLISLE. 436 00:21:18,342 --> 00:21:19,876 HMM. WAS IT WORTH THE WHILE? 437 00:21:19,877 --> 00:21:21,644 OH, YEAH. SPECIAL PIECES, 438 00:21:21,645 --> 00:21:23,180 UNUSUAL SHAPES 439 00:21:23,181 --> 00:21:25,082 WOULD FETCH UP TO 5 GRAND. 440 00:21:29,821 --> 00:21:32,388 COMPRESSED AIR DRILLS TO GET AT THE ORE, 441 00:21:32,389 --> 00:21:33,556 AND THE DIGGER DIGS IT OUT 442 00:21:33,557 --> 00:21:35,592 AND LOADS IT ON THE BUGGIES. 443 00:21:35,593 --> 00:21:38,294 OH, THAT'S THE TRUCKS TO YOU. 444 00:21:38,295 --> 00:21:39,462 RIGHT. 445 00:21:39,463 --> 00:21:42,365 I'M SURE I'VE SEEN A PAINTING OF THAT. 446 00:21:42,366 --> 00:21:44,267 OH. AYE, AT TOMMY ESCOMBE'S. 447 00:21:44,268 --> 00:21:46,402 HE SWAPPED MINING FOR ART. 448 00:21:46,403 --> 00:21:48,171 AYE. SOMETHING LIKE THAT. 449 00:21:48,172 --> 00:21:50,207 HUNCHBACK. HA. 450 00:21:50,208 --> 00:21:51,742 ARE THERE ANY OTHER NAMES? 451 00:21:51,743 --> 00:21:53,509 OH, AYE. DEAD MAN'S DRIFT, 452 00:21:53,510 --> 00:21:55,545 RED RIVER VALLEY, LONELY HEARTS. 453 00:21:55,546 --> 00:21:56,747 SORRY. 454 00:21:56,748 --> 00:21:58,014 IT'S JUST AROUND THERE. 455 00:21:58,015 --> 00:21:59,249 MEN USED TO WORK THERE ON THEIR OWN, 456 00:21:59,250 --> 00:22:01,918 SO LONELY HEARTS. 457 00:22:01,919 --> 00:22:03,620 ONLY IT'S NOT USED ANYMORE. 458 00:22:03,621 --> 00:22:05,222 TOO DANGEROUS. 459 00:22:05,223 --> 00:22:07,758 THAT'S WHERE STUART PRIDWELL DIED. 460 00:22:07,759 --> 00:22:09,626 WHAT ABOUT HAPPINESS? 461 00:22:09,627 --> 00:22:10,794 WHAT ABOUT IT? 462 00:22:10,795 --> 00:22:12,495 WELL, IS THAT A PLACE, AS WELL? 463 00:22:12,496 --> 00:22:13,997 [MEN LAUGHING] 464 00:22:13,998 --> 00:22:15,198 OH. STUDENTS-- NEVER DO 465 00:22:15,199 --> 00:22:16,666 AS THEY'RE TOLD. STAY HERE. 466 00:22:16,667 --> 00:22:18,902 RIGHT. 467 00:22:18,903 --> 00:22:21,772 HELLO? HEY, YOU ALL! 468 00:22:31,115 --> 00:22:33,049 [MACHINERY MOVING] 469 00:22:39,556 --> 00:22:42,092 HEY, STOP! STOP! I'M HERE! 470 00:23:07,718 --> 00:23:09,519 [SIREN] 471 00:23:09,520 --> 00:23:11,188 MRS. WAINTHROPP! 472 00:23:11,189 --> 00:23:12,355 YES. WHAT'S HAPPENED? 473 00:23:12,356 --> 00:23:13,556 WE THINK THERE'S BEEN AN ACCIDENT. 474 00:23:13,557 --> 00:23:14,757 YOUNG GUY THAT WENT DOWN WITH JACK'S 475 00:23:14,758 --> 00:23:16,927 GONE MISSING. 476 00:23:16,928 --> 00:23:18,228 GEOFFREY?! 477 00:23:29,673 --> 00:23:31,341 CHARLIE AND STEVE, YOU STAY TOGETHER. 478 00:23:31,342 --> 00:23:33,676 CHECK THE FIRST LEVEL, YEAH? 479 00:23:33,677 --> 00:23:35,678 BUDDY, MIKE, YOU CHECK THE SECOND LEVEL. 480 00:23:42,386 --> 00:23:45,188 Jack: GO IN TWO. 481 00:23:45,189 --> 00:23:46,422 WHAT'S HAPPENED? 482 00:23:46,423 --> 00:23:47,757 I TOLD HIM TO STAY IN PIT NUMBER TWO, 483 00:23:47,758 --> 00:23:48,925 SECOND LEVEL. 484 00:23:48,926 --> 00:23:50,460 IT'S THOSE DAMN STUDENTS PRESSING BUTTONS 485 00:23:50,461 --> 00:23:52,195 AND PULLING THE LEVERS ON THE BUGGIES. 486 00:23:52,196 --> 00:23:53,730 HE'S GOT HIMSELF LOST. 487 00:23:53,731 --> 00:23:55,065 WE'LL DO A SYSTEMATIC SEARCH. 488 00:23:55,066 --> 00:23:56,233 ONE OF THE STUDENTS SAID HE THOUGHT HE HEARD 489 00:23:56,234 --> 00:23:57,400 SOME MACHINERY-- 490 00:23:57,401 --> 00:23:58,568 MACHINERY? AW, FOR-- 491 00:23:58,569 --> 00:24:00,103 WELL, WHAT ARE YOU WAITING FOR? 492 00:24:00,104 --> 00:24:01,271 GO AND FIND HIM! 493 00:24:01,272 --> 00:24:02,939 COME ON. LET'S GO! 494 00:24:02,940 --> 00:24:05,108 RIGHT. ROB, GO WITH CHARLIE. 495 00:24:05,109 --> 00:24:07,377 GET DOWN INTO THE LOWER MINES. 496 00:24:47,551 --> 00:24:48,651 [THUMP] 497 00:24:58,629 --> 00:24:59,996 OH. JANET. 498 00:24:59,997 --> 00:25:03,066 OH. SORRY, MR. WAINTHROPP. I USED MY KEY. 499 00:25:03,067 --> 00:25:05,235 I FORGOT ME HAIRDRYER. LEFT IT HERE. 500 00:25:05,236 --> 00:25:06,402 IF I'M GOING FOR INTERVIEWS, 501 00:25:06,403 --> 00:25:07,570 THEN I NEED TO LOOK THE BUSINESS. 502 00:25:07,571 --> 00:25:10,373 AYE. VERY IMPORTANT. CUP OF TEA? 503 00:25:10,374 --> 00:25:11,474 YEAH. 504 00:25:23,554 --> 00:25:25,021 HOW LONG'S IT BEEN? 505 00:25:25,022 --> 00:25:26,522 HE'S BEEN MISSING FOR ALMOST AN HOUR. 506 00:25:26,523 --> 00:25:27,690 WHO HAS? 507 00:25:30,261 --> 00:25:34,630 GEOFFREY, WHERE HAVE YOU BEEN? 508 00:25:34,631 --> 00:25:36,799 I CAME OUT THE BACK WAY, MRS. WAINTHROPP. 509 00:25:36,800 --> 00:25:38,869 [INDISTINCT] 510 00:25:38,870 --> 00:25:41,838 WE THOUGHT--OH! 511 00:25:43,407 --> 00:25:44,807 Janet: YOU DON'T MEAN IT! 512 00:25:44,808 --> 00:25:46,276 ORDERED OFF WITHOUT SO MUCH AS, 513 00:25:46,277 --> 00:25:47,878 "BY YOUR LEAVE." 514 00:25:47,879 --> 00:25:49,980 WELL, APPEAL, FIGHT. 515 00:25:49,981 --> 00:25:52,048 NO POINT. FRED BUTTERWORTH'S 516 00:25:52,049 --> 00:25:53,483 THE CHAIRMAN OF THE COMMITTEE, 517 00:25:53,484 --> 00:25:54,951 AND HE ORDERED ME OFF. 518 00:25:54,952 --> 00:25:57,287 WELL, WHO'S THIS BUSY LIZZIE WOMAN? 519 00:25:57,288 --> 00:26:00,090 A NOREEN BAINBRIDGE. 520 00:26:00,091 --> 00:26:01,858 AND WHO'S SHE WHEN SHE'S AT HOME? 521 00:26:01,859 --> 00:26:03,226 I DON'T KNOW, BUT SHE DRESSES UP 522 00:26:03,227 --> 00:26:06,029 LIKE AN ADVERT FOR THE CHELSEA FLOWER SHOW. 523 00:26:07,798 --> 00:26:09,732 [WATER RUNNING] 524 00:26:25,950 --> 00:26:28,851 Noreen: DON'T WORRY. I'LL SEE HE GETS IT. 525 00:26:28,852 --> 00:26:30,921 DIGGING'S HARD WORK. 526 00:26:43,734 --> 00:26:46,536 Geoffrey: MRS. WAINTHROPP, I THINK I CAN FIND 527 00:26:46,537 --> 00:26:49,005 MY WAY BACK TO LONELY HEARTS. 528 00:26:49,006 --> 00:26:50,640 ALL BY YOURSELF? 529 00:26:50,641 --> 00:26:52,775 EASY PEASY. 530 00:26:52,776 --> 00:26:55,178 AT LEAST WAIT UNTIL STUART PRIDWELL'S 531 00:26:55,179 --> 00:26:56,846 MAP'S BEEN FOUND. 532 00:26:56,847 --> 00:26:58,048 YEAH, BUT-- MEN HAVE BEEN 533 00:26:58,049 --> 00:27:00,216 KILLED DOWN THERE, GEOFFREY, 534 00:27:00,217 --> 00:27:03,486 AND YOU NEARLY JOINED THEM. 535 00:27:03,487 --> 00:27:06,789 WE SHOULD REALLY GIVE THIS TO THE POLICE. 536 00:27:06,790 --> 00:27:08,024 IT MIGHT HAVE BEEN AN ACCIDENT 537 00:27:08,025 --> 00:27:10,593 WHAT HAPPENED TO YOU, 538 00:27:10,594 --> 00:27:11,962 OR IT MIGHT HAVE BEEN SOMETHING ELSE. 539 00:27:11,963 --> 00:27:15,565 IT'S A SIDE PASSAGE, SOME HOLES ON THE WALL-- 540 00:27:15,566 --> 00:27:17,334 LOVE HOLES THEY CALL THEM. 541 00:27:17,335 --> 00:27:20,403 I'M SURE THAT'S WHERE HAPPINESS LIES. 542 00:27:20,404 --> 00:27:22,939 YOU'VE REALLY GOT IT, HAVEN'T YOU, GEOFFREY? 543 00:27:22,940 --> 00:27:24,274 WHAT? 544 00:27:24,275 --> 00:27:26,809 THE LUST FOR HIDDEN TREASURE. 545 00:27:26,810 --> 00:27:28,945 SUPPOSE I HAVE, YES. 546 00:27:28,946 --> 00:27:30,113 OHH! 547 00:27:30,114 --> 00:27:32,748 YOU'RE NOT THE ONLY ONE. 548 00:27:36,120 --> 00:27:38,054 SHE'S PUT THE PICKLES SEPARATELY. 549 00:27:38,055 --> 00:27:39,655 GOOD JOB. 550 00:27:39,656 --> 00:27:42,825 YES? DO YOU WANT SOMETHING? 551 00:27:42,826 --> 00:27:46,896 JUST A WORD WITH YOUR UNCLE. 552 00:27:46,897 --> 00:27:48,531 I'LL LOOK IN LATER. 553 00:27:48,532 --> 00:27:50,733 AYE. THANKS FOR THESE. 554 00:27:50,734 --> 00:27:52,135 WHAT DO YOU WANT? 555 00:27:52,136 --> 00:27:53,903 I'M NOT STANDING BY WHILE A GENTLEMAN 556 00:27:53,904 --> 00:27:56,339 LIKE MR. WAINTHROPP GETS TREATED LIKE THIS. 557 00:27:56,340 --> 00:27:58,475 WHAT I WANT IS JUSTICE. 558 00:28:00,878 --> 00:28:02,945 Man: OK, EVERYBODY. NOW, FOLLOW ME 559 00:28:02,946 --> 00:28:04,547 AND PLEASE STAY WITH THE GROUP 560 00:28:04,548 --> 00:28:06,282 AT ALL TIMES, ALL RIGHT? 561 00:28:17,794 --> 00:28:19,095 THIS WAY, PLEASE. 562 00:28:26,370 --> 00:28:28,738 SLOW DOWN, GEOFFREY. 563 00:28:28,739 --> 00:28:30,373 YOU MAY BE A BUDDING BEVIN BOY. 564 00:28:30,374 --> 00:28:31,741 I'M NOT. 565 00:28:31,742 --> 00:28:32,975 SORRY. 566 00:28:32,976 --> 00:28:35,078 GETTING NEAR THE HUNCHBACK PLACE. 567 00:28:35,079 --> 00:28:37,180 WE'LL BRANCH RIGHT. 568 00:28:37,181 --> 00:28:39,949 LEAD ON, MACDUFF. 569 00:28:39,950 --> 00:28:41,418 SHAKESPEARE. 570 00:28:44,555 --> 00:28:46,689 WELL, THE GUY NEXT DOOR MENTIONED NOREEN WAS 571 00:28:46,690 --> 00:28:47,957 THE BUTTERWORTH'S NIECE, 572 00:28:47,958 --> 00:28:50,260 SO I TOOK A CHANCE HE JUMPED HER UP THE LIST. 573 00:28:50,261 --> 00:28:52,128 I'LL GET ME PLOT BACK? 574 00:28:52,129 --> 00:28:53,996 WELL, YOU'RE NEXT IN LINE WHEN ONE COMES FREE. 575 00:28:53,997 --> 00:28:55,198 OH. 576 00:28:55,199 --> 00:28:57,033 IT WILL GIVE YOU A CHANCE TO PLAN IT PROPERLY. 577 00:28:57,034 --> 00:28:58,668 AYE. THAT'S TRUE. 578 00:28:58,669 --> 00:29:00,236 WHERE TO SOW YOUR BUSY LIZZIES. 579 00:29:00,237 --> 00:29:01,704 CHEEKY. 580 00:29:13,884 --> 00:29:15,685 TOUCH THE HUNCHBACK. 581 00:29:15,686 --> 00:29:16,886 WHAT? 582 00:29:16,887 --> 00:29:18,921 FOR LUCK. 583 00:29:18,922 --> 00:29:20,022 OH. 584 00:29:21,559 --> 00:29:22,658 THERE. 585 00:29:28,065 --> 00:29:32,135 WE NEED LUCK, DO WE, TO FIND OUR WAY? 586 00:29:32,136 --> 00:29:34,571 NO, NO. UM, LONELY HEARTS 587 00:29:34,572 --> 00:29:38,808 IS...THAT WAY. 588 00:29:38,809 --> 00:29:40,276 GOOD. 589 00:29:44,515 --> 00:29:46,116 [KNOCK ON DOOR] 590 00:29:48,586 --> 00:29:51,554 JUST PASSING. THOUGHT I'D SAY HELLO, 591 00:29:51,555 --> 00:29:52,922 PAY MY RESPECTS. 592 00:29:54,492 --> 00:29:56,726 CAN I, UH... 593 00:29:56,727 --> 00:30:00,029 DANCE ISN'T TILL SATURDAY, TOM. 594 00:30:00,030 --> 00:30:02,031 THOUGHT I'D CELEBRATE A BIT OF LUCK, 595 00:30:02,032 --> 00:30:03,466 STRONG PROSPECTS OF A SALE. 596 00:30:03,467 --> 00:30:07,036 OH, YES? YEAH. 597 00:30:07,037 --> 00:30:08,505 LODGER IN? 598 00:30:08,506 --> 00:30:12,275 SHE'S DOING THE MINE TOUR. 599 00:30:12,276 --> 00:30:13,943 I WONDERED IF YOU MIGHT FANCY A NOGGIN 600 00:30:13,944 --> 00:30:15,545 UP AT BLACK BULL? 601 00:30:15,546 --> 00:30:17,013 THANKS, BUT NO. 602 00:30:21,318 --> 00:30:23,620 STILL MISSING STUART? 603 00:30:23,621 --> 00:30:25,921 IT'S ONLY BEEN 3 MONTHS, TOM. 604 00:30:29,426 --> 00:30:32,162 SEEMS STRANGE, STUART NOT BEING HERE. 605 00:30:32,163 --> 00:30:33,696 BEEN PART OF MY LIFE EVER SINCE HE USED TO 606 00:30:33,697 --> 00:30:36,132 THUMP ME AT SCHOOL. 607 00:30:36,133 --> 00:30:38,034 NOT ONLY AT SCHOOL, EH? 608 00:30:38,035 --> 00:30:40,303 DON'T. 609 00:30:40,304 --> 00:30:41,871 MIGHT I SEE YOU AT THE DANCE? 610 00:30:41,872 --> 00:30:45,241 I HAVE TO BE THERE. I'M CARETAKER. 611 00:30:45,242 --> 00:30:47,310 I WISH YOU'D TAKE CARE OF ME. 612 00:30:47,311 --> 00:30:49,279 WELL, THANKS FOR STOPPING BY. 613 00:30:52,216 --> 00:30:54,484 I JUST WANT TO PUT ME MARKER DOWN. 614 00:30:54,485 --> 00:30:57,153 I KNOW JACK DUCKETT'S GONNA CALL ON YOU. 615 00:30:57,154 --> 00:31:00,190 THERE'S NO VACANCIES HERE, TOM. 616 00:31:00,191 --> 00:31:01,991 NOT FOR HIM? 617 00:31:01,992 --> 00:31:04,060 NOT FOR ANYBODY. 618 00:31:04,061 --> 00:31:06,896 Geoffrey: THIS IS WHERE I GOT TO. 619 00:31:06,897 --> 00:31:08,364 Hetty: LONELY HEARTS? 620 00:31:08,365 --> 00:31:10,032 NO. THIS MUST BE HAPPINESS. 621 00:31:10,033 --> 00:31:11,568 WELL, WHATEVER. LET'S GET ON. 622 00:31:11,569 --> 00:31:13,736 THEY'LL MISS US AT ANY MOMENT. 623 00:31:13,737 --> 00:31:14,837 RIGHT. 624 00:31:17,108 --> 00:31:18,308 ARE YOU SURE THIS IS WHERE 625 00:31:18,309 --> 00:31:20,042 HAPPINESS LIES, GEOFFREY? 626 00:31:20,043 --> 00:31:23,446 WELL, I THINK SO. 627 00:31:23,447 --> 00:31:26,782 IT'S DIFFERENT SOMEHOW. 628 00:31:26,783 --> 00:31:29,152 OH. THAT'S THE BEST IRON ORE. 629 00:31:29,153 --> 00:31:31,787 WELL, YOU'RE THE EXPERT, GEOFFREY, 630 00:31:31,788 --> 00:31:34,957 BUT TO ME, IT'S JUST LIKE WET CLAY. 631 00:31:49,540 --> 00:31:50,840 HERE IT IS! 632 00:31:52,743 --> 00:31:54,844 THIS IS IT, MRS. WAINTHROPP. 633 00:31:54,845 --> 00:31:55,945 WHAT? 634 00:31:59,250 --> 00:32:03,653 ALL THERE IS IS THIS 635 00:32:03,654 --> 00:32:05,788 AND THIS. 636 00:32:05,789 --> 00:32:07,290 Moira: WELL, IT'S A LOCKER KEY. 637 00:32:07,291 --> 00:32:09,359 ALL THE MEN AT THE MINE ARE ISSUED WITH ONE. 638 00:32:09,360 --> 00:32:12,094 AND THERE'S ONLY ONE LOCKER THIS WILL FIT? 639 00:32:12,095 --> 00:32:14,664 YES. DO YOU THINK THAT'S WHERE 640 00:32:14,665 --> 00:32:16,832 STUART'S BOOK'S HIDDEN? 641 00:32:16,833 --> 00:32:20,069 I DON'T KNOW UNTIL WE FIND THE RIGHT ONE. 642 00:32:20,070 --> 00:32:22,705 MEN'S LOCKERS ARE NEXT TO THE MUSEUM. 643 00:33:06,283 --> 00:33:07,383 [THUMP] 644 00:33:24,535 --> 00:33:26,269 [DOOR OPENS] 645 00:33:26,270 --> 00:33:28,804 WHAT ARE YOU DOING IN HERE? 646 00:33:28,805 --> 00:33:31,241 WE FOUND A KEY. 647 00:33:31,242 --> 00:33:33,676 WE WANTED TO SEE WHO IT MIGHT BELONG TO. 648 00:33:33,677 --> 00:33:37,614 WHY NOT HAND IT IN? 649 00:33:37,615 --> 00:33:39,616 IT'S GREAT RESEARCH. 650 00:33:39,617 --> 00:33:41,718 IN HERE'S A MAN'S WORLD, ONE THAT WOMEN NEVER SEE. 651 00:33:41,719 --> 00:33:43,686 I WANTED TO CROSS THE THRESHOLD, 652 00:33:43,687 --> 00:33:45,988 EXPERIENCE IT FIRSTHAND. 653 00:33:45,989 --> 00:33:48,190 FAIR DUES, I'M OUT OF ORDER. 654 00:33:48,191 --> 00:33:49,492 TELL ME WHO THE LOCKER BELONGS TO, 655 00:33:49,493 --> 00:33:52,862 I'LL APOLOGIZE TO HIM PERSONALLY. 656 00:33:52,863 --> 00:33:56,299 APOLOGIZE TO ME. THAT LOCKER'S MINE. 657 00:33:59,202 --> 00:34:01,971 [TELEPHONE RINGING] 658 00:34:01,972 --> 00:34:03,306 HELLO? 659 00:34:03,307 --> 00:34:04,774 JUST RINGING TO SAY HELLO 660 00:34:04,775 --> 00:34:06,542 AND THAT WE'RE STILL ON THE TREASURE TRAIL. 661 00:34:06,543 --> 00:34:07,810 I'M ON THE TRAIL OF A JOB. 662 00:34:07,811 --> 00:34:09,445 I'VE GOT AN INTERVIEW THIS AFTERNOON. 663 00:34:09,446 --> 00:34:10,747 MUMFREY GARAGE. 664 00:34:10,748 --> 00:34:12,382 AIM FOR THE STARS, EH, GEOFF? 665 00:34:12,383 --> 00:34:13,883 OH, YOU'LL FIND THE RIGHT JOB. 666 00:34:13,884 --> 00:34:15,184 YOU RECKON? 667 00:34:15,185 --> 00:34:16,519 WELL, WISH ME LUCK ANYWAY. 668 00:34:16,520 --> 00:34:17,820 YOU'VE GOT IT. OH, IF YOU SEE 669 00:34:17,821 --> 00:34:19,522 MR. WAINTHROPP, TELL HIM MRS. WAINTHROPP'S 670 00:34:19,523 --> 00:34:22,358 BEEN DOWN THE MINE, AND SHE'S FINE. 671 00:34:22,359 --> 00:34:23,526 WHAT? 672 00:34:23,527 --> 00:34:26,496 BETTER JUST SAY SHE'S FINE. 673 00:34:26,497 --> 00:34:28,998 RIGHT. WHERE ARE YOU, GEOFF? 674 00:34:28,999 --> 00:34:30,300 Jack: I HAD NOWT TO DO WITH IT, NOWT! 675 00:34:30,301 --> 00:34:31,534 NO ONE SAID YOU DID. 676 00:34:31,535 --> 00:34:33,403 ANYONE DOES, THEY CAN COME OUTSIDE! 677 00:34:33,404 --> 00:34:36,906 IN A MINERS' PUB. IT'S A BIT LIVELY. 678 00:34:36,907 --> 00:34:38,140 I MISS YOU. 679 00:34:38,141 --> 00:34:39,309 OH, THANKS. 680 00:34:39,310 --> 00:34:40,543 LISTEN. I'VE GOT TO GO. 681 00:34:40,544 --> 00:34:41,778 WE'LL TALK SOON, YEAH? 682 00:34:41,779 --> 00:34:44,947 OK. BYE, JANET. 683 00:34:44,948 --> 00:34:46,048 HEY, SON. 684 00:34:49,753 --> 00:34:51,987 STOOD UP BY YOUR GIRLFRIEND? 685 00:34:51,988 --> 00:34:53,790 EH, THAT'S THE WAY IT IS. 686 00:34:53,791 --> 00:34:55,491 HEY. I'LL HAVE THAT PINT NOW. 687 00:34:55,492 --> 00:34:57,727 OH. SURE. WHAT IS IT? 688 00:34:57,728 --> 00:35:00,996 BEST BITTER. NONE OF THAT LAGER RUBBISH. 689 00:35:00,997 --> 00:35:02,498 RIGHT. 690 00:35:02,499 --> 00:35:04,767 Jack: I LOST THE KEY YESTERDAY, 691 00:35:04,768 --> 00:35:06,336 OR SOMEONE TOOK IT. 692 00:35:06,337 --> 00:35:08,037 I'M ALWAYS LEAVING ME COAT LYING AROUND. 693 00:35:08,038 --> 00:35:09,339 HE DID SAY HE'D LOST IT. 694 00:35:09,340 --> 00:35:10,506 LISTEN. I HAVEN'T GOT ANY OF THE STONES, 695 00:35:10,507 --> 00:35:12,642 AND ANYONE WHO S-- 696 00:35:12,643 --> 00:35:15,812 WHAT ARE YOU LOOKING AT? 697 00:35:15,813 --> 00:35:20,082 JUST WANT TO ORDER A DRINK. 698 00:35:20,083 --> 00:35:21,718 TWO PINTS OF LAGER, PLEASE. 699 00:35:21,719 --> 00:35:25,755 OH, NO. BITTER. BEST BITTER. 700 00:35:25,756 --> 00:35:26,922 Man: THERE WAS A MAP. 701 00:35:26,923 --> 00:35:28,458 AYE, STUART'S. 702 00:35:28,459 --> 00:35:29,892 "X" MARKS SPOT. 703 00:35:29,893 --> 00:35:32,194 MARKED. SPOT'S EMPTY. 704 00:35:32,195 --> 00:35:34,096 WHO SET ME UP? 705 00:35:34,097 --> 00:35:35,732 FIND OUT, WE HIT THE JACKPOT. 706 00:35:35,733 --> 00:35:37,233 THEN WE HIT HIM. 707 00:35:41,438 --> 00:35:43,473 Hetty: WHY HIDE A LOCKER KEY 708 00:35:43,474 --> 00:35:45,541 IN A HOLE DOWN A MINE? 709 00:35:47,644 --> 00:35:51,213 AND THERE WAS NOTHING ELSE IN THAT TREASURE CHEST, 710 00:35:51,214 --> 00:35:53,416 JUST A BIT OF ROCK TO TELL US THE STONES 711 00:35:53,417 --> 00:35:55,385 HAD BEEN LIFTED. 712 00:35:55,386 --> 00:35:56,552 AND STUART'S MAP. 713 00:35:56,553 --> 00:36:00,823 WHICH MUST BE FROM HIS BOOK. 714 00:36:00,824 --> 00:36:04,126 WERE YOU AND JACK EVER INVOLVED WITH EACH OTHER? 715 00:36:04,127 --> 00:36:05,561 WELL, WE WENT OUT A FEW TIMES 716 00:36:05,562 --> 00:36:07,864 IN OUR TEENS, 717 00:36:07,865 --> 00:36:10,165 BUT THEN WE DECIDED TO MARRY OTHER PEOPLE. 718 00:36:10,166 --> 00:36:13,603 MY MARRIAGE WORKED, HIS DIDN'T. 719 00:36:13,604 --> 00:36:16,506 AND HE'S SINGLE AGAIN. 720 00:36:16,507 --> 00:36:18,641 STEALING STUART'S BOOK IS NOT LIKELY 721 00:36:18,642 --> 00:36:21,844 TO ENDEAR HIM TO ME, IS IT? 722 00:36:21,845 --> 00:36:23,880 NO. I DON'T SUPPOSE IT WOULD. 723 00:36:23,881 --> 00:36:27,550 [BAND PLAYING] 724 00:36:27,551 --> 00:36:30,720 OH, THE GAY GORDONS. 725 00:36:30,721 --> 00:36:33,155 CAN WE STILL CALL IT THAT? 726 00:36:33,156 --> 00:36:35,491 OF COURSE WE CAN. 727 00:36:35,492 --> 00:36:38,027 JUST REMEMBER WHAT IT REALLY MEANS-- 728 00:36:38,028 --> 00:36:44,500 JOLLY, MERRY, JOYOUS, CAREFREE, DEBONAIR. 729 00:36:44,501 --> 00:36:46,402 IS THAT NOT SO, GEOFFREY? 730 00:36:46,403 --> 00:36:47,570 WHAT'S THAT? 731 00:36:47,571 --> 00:36:50,105 THE GAY GORDONS SHOULD STAY THAT WAY. 732 00:36:50,106 --> 00:36:52,442 IT'S NOT UP TO THEM, MRS. WAINTHROPP. 733 00:36:55,879 --> 00:36:57,580 Hetty: OH, IT'S GOOD TO GET OUT OF REDRIGG 734 00:36:57,581 --> 00:36:59,916 FOR AN HOUR. 735 00:36:59,917 --> 00:37:01,317 Geoffrey: DO YOU KNOW HOW MANY LAKES THERE ARE 736 00:37:01,318 --> 00:37:04,487 IN THE LAKE DISTRICT, MRS. WAINTHROPP? 737 00:37:04,488 --> 00:37:07,590 THAT LOCKER KEY. ONE. 738 00:37:07,591 --> 00:37:11,327 BASSENTHWAITE. THAT ONE. 739 00:37:11,328 --> 00:37:16,732 ALL THE REST ARE CALLED WATER OR MERE. 740 00:37:16,733 --> 00:37:19,502 ONE LAKE IN THE LAKE DISTRICT. 741 00:37:22,405 --> 00:37:24,740 THOMAS ESCOMBE TOLD ME THAT. 742 00:37:24,741 --> 00:37:28,310 DID HE, GEOFFREY? 743 00:37:28,311 --> 00:37:29,612 I'D HOPED COMING UP HERE 744 00:37:29,613 --> 00:37:33,349 WOULD CLEAR OUR THOUGHTS ON OTHER MATTERS. 745 00:37:33,350 --> 00:37:34,617 SORRY, MRS. WAINTHROPP. 746 00:37:34,618 --> 00:37:37,887 THAT LOCKER KEY. 747 00:37:37,888 --> 00:37:40,289 HAS TO BE A PLANT, EITHER FOR US 748 00:37:40,290 --> 00:37:44,660 OR SOMEBODY ELSE TO FIND. 749 00:37:44,661 --> 00:37:49,331 WHO'D WANT TO DO THAT? 750 00:37:49,332 --> 00:37:52,434 STEAL THE BOOK, PUZZLE OUT THE MAP, 751 00:37:52,435 --> 00:37:53,603 FIND THE MINERALS, 752 00:37:53,604 --> 00:37:54,904 SELL THEM ON FOR PROFIT. 753 00:37:54,905 --> 00:37:57,439 I CAN UNDERSTAND ALL THAT, 754 00:37:57,440 --> 00:37:59,642 BUT WHY THIS NONSENSE OF PLANTED CLUES 755 00:37:59,643 --> 00:38:01,544 FOR US TO FIND? 756 00:38:01,545 --> 00:38:04,380 TO DISCREDIT JACK DUCKETT? 757 00:38:06,917 --> 00:38:08,450 YES, AND IF IT IS A PLANT, 758 00:38:08,451 --> 00:38:11,954 IT CAN'T BE HIM, CAN IT? 759 00:38:11,955 --> 00:38:15,658 THIS THOMAS ESCOMBE. MM. 760 00:38:15,659 --> 00:38:18,360 HE'S A BIT OF OUTCAST, YOU SAY? 761 00:38:18,361 --> 00:38:20,095 WELL, ONLY BECAUSE HE WOULDN'T PUT HIS MONEY 762 00:38:20,096 --> 00:38:22,297 INTO THE MINE. 763 00:38:22,298 --> 00:38:25,902 HE KEEPS ASKING ME TO BUY HIS TERRIBLE PAINTINGS. 764 00:38:25,903 --> 00:38:28,103 HE PAINTS THE MINE, DOES HE? 765 00:38:28,104 --> 00:38:29,572 HE DOES. 766 00:38:35,445 --> 00:38:37,346 MR. ESCOMBE ABOUT? 767 00:38:37,347 --> 00:38:38,648 HE'S GONE TO CARLISLE TODAY. 768 00:38:38,649 --> 00:38:39,815 HE'LL BE BACK TOMORROW. 769 00:38:39,816 --> 00:38:41,918 I'M IN CHARGE, THOUGH I DON'T KNOW WHY. 770 00:38:41,919 --> 00:38:44,720 PAINTINGS A BIT SLOW TO SHIFT. 771 00:38:44,721 --> 00:38:48,558 HE OFFERED ME ONE INSTEAD OF WAGES. 772 00:38:48,559 --> 00:38:50,225 YOU'D BE SPOILED FOR CHOICE. 773 00:38:50,226 --> 00:38:54,430 I WASN'T SPOILED FOR ANYTHING. 774 00:38:54,431 --> 00:38:56,832 Woman: OH, YOUR MEN HAD IT EASY. 775 00:38:56,833 --> 00:39:01,637 AUTOMATIC PICKS, DIGGERS. HA! 776 00:39:01,638 --> 00:39:05,041 I'VE SEEN MY MAN COME HOME SPITTING UP THAT RED MUCK 777 00:39:05,042 --> 00:39:07,276 FOR NIGH ON AN HOUR. 778 00:39:07,277 --> 00:39:10,345 KILLED HIM EVENTUALLY. 779 00:39:10,346 --> 00:39:12,414 SOME THINGS THEY DON'T TALK ABOUT. 780 00:39:12,415 --> 00:39:15,284 TWO MEN KILLED HERE IN 1920s. 781 00:39:15,285 --> 00:39:18,287 WIDOWS GOT �600 EACH. 782 00:39:18,288 --> 00:39:20,355 BUT I HEARD THERE WERE SOMETIMES BONUSES 783 00:39:20,356 --> 00:39:23,092 THE BOSSES KNEW NOTHING ABOUT. 784 00:39:23,093 --> 00:39:24,627 WHAT DO YOU MEAN? 785 00:39:24,628 --> 00:39:26,762 SPAR. 786 00:39:26,763 --> 00:39:28,564 YOU'RE NOT REFERRING TO A GROCERY STORE? 787 00:39:28,565 --> 00:39:33,168 NO, I'M NOT. I MEAN THE MINERALS. 788 00:39:33,169 --> 00:39:35,738 I UNDERSTAND THAT NOT ALL OF THEM FOUND 789 00:39:35,739 --> 00:39:38,307 WERE TURNED OVER TO THE OWNERS. 790 00:39:38,308 --> 00:39:40,876 LADS FIND A BATCH, WORD WOULD GO ROUND. 791 00:39:40,877 --> 00:39:43,145 BE SWEETS FOR KIDDIES THAT WEEKEND. 792 00:39:43,146 --> 00:39:45,147 HOW WOULD THEY BE SOLD? 793 00:39:45,148 --> 00:39:47,282 HARD TO SAY. BACK OF PUBS. 794 00:39:47,283 --> 00:39:49,585 BLOKES WHO CAME WOULDN'T ADVERTISE THEMSELVES MUCH. 795 00:39:49,586 --> 00:39:50,853 WHERE DID THEY COME FROM? 796 00:39:50,854 --> 00:39:53,923 OH, ALL OVER. 797 00:39:53,924 --> 00:39:56,425 RICHARD RYDELL, I REMEMBER HIM. 798 00:39:56,426 --> 00:39:59,394 WELL, YOU WOULD, WOULDN'T YOU? 799 00:39:59,395 --> 00:40:00,896 WHERE DID HE COME FROM? 800 00:40:00,897 --> 00:40:04,967 HE'S GOT A JEWELRY SHOP IN CARLISLE. 801 00:40:04,968 --> 00:40:08,470 CARLISLE, YOU SAID? 802 00:40:08,471 --> 00:40:10,706 OH, GEOFF PASSED ON A MESSAGE 803 00:40:10,707 --> 00:40:12,274 FROM MRS. WAINTHROPP. 804 00:40:12,275 --> 00:40:13,976 SHE'S FINE AND HOPES TO BE HOME 805 00:40:13,977 --> 00:40:15,144 IN A COUPLE OF DAYS. 806 00:40:15,145 --> 00:40:19,615 OH, RIGHT. THANKS. 807 00:40:19,616 --> 00:40:21,784 EVERYTHING ALL RIGHT, JANET? 808 00:40:21,785 --> 00:40:23,052 YEAH. 809 00:40:25,856 --> 00:40:30,026 NO. JOBS. ALL I'M OFFERED 810 00:40:30,027 --> 00:40:33,428 IS GREASE MONKEY, PEANUTS FOR WAGES. 811 00:40:33,429 --> 00:40:36,699 MM. HARD TO FIND SOMMAT PART-TIME. 812 00:40:36,700 --> 00:40:38,634 ONLY TROUBLE IS, IT'S EASIER TO FIND A JOB 813 00:40:38,635 --> 00:40:40,836 WHEN YOU'VE ALREADY GOT ONE. 814 00:40:40,837 --> 00:40:44,807 HEY. THAT'S RIGHT. THANKS. 815 00:40:44,808 --> 00:40:46,175 THANKS FOR WHAT? 816 00:40:46,176 --> 00:40:47,342 WELL, FOR SHOWING ME THAT ONE JOB 817 00:40:47,343 --> 00:40:48,811 CAN LEAD TO ANOTHER. 818 00:40:48,812 --> 00:40:53,282 OH. RIGHT. IS THAT WHAT I SAID? 819 00:40:55,285 --> 00:40:57,219 [BAND PLAYING] 820 00:41:12,468 --> 00:41:13,836 I FEEL LIKE CICELY COURTNEIDGE. 821 00:41:13,837 --> 00:41:15,404 CICELY WHO? NEVER MIND. 822 00:41:15,405 --> 00:41:17,472 TURN. TURN! 823 00:41:20,977 --> 00:41:22,945 MOIRA. 824 00:41:22,946 --> 00:41:24,146 THE HALL LOOKS GOOD. 825 00:41:24,147 --> 00:41:25,514 THANKS. 826 00:41:25,515 --> 00:41:26,682 FANCY A DRINK? 827 00:41:26,683 --> 00:41:29,384 MAYBE LATER. 828 00:41:29,385 --> 00:41:30,786 YOU LOOKING FOR SOMEONE? 829 00:41:30,787 --> 00:41:32,722 MY FRIEND HETTY. 830 00:41:32,723 --> 00:41:35,024 OH, LOOK. SHE'S DANCING. 831 00:41:35,025 --> 00:41:37,559 I CAN DANCE. 832 00:41:37,560 --> 00:41:39,628 I KNOW. 833 00:41:39,629 --> 00:41:42,031 WELL, HOW ABOUT IT? 834 00:41:42,032 --> 00:41:43,699 EXCUSE ME. 835 00:41:58,181 --> 00:42:00,515 MOIRA, CAN I INTEREST YOU IN A NOGGIN? 836 00:42:00,516 --> 00:42:01,683 NO, THANKS. 837 00:42:01,684 --> 00:42:03,119 IT'S THAT OTHER DANCE, ISN'T IT? 838 00:42:03,120 --> 00:42:05,554 CAN'T FORGET, WON'T FORGIVE. 839 00:42:05,555 --> 00:42:06,722 I CAN. 840 00:42:06,723 --> 00:42:07,890 I REMEMBER THAT DANCE. 841 00:42:07,891 --> 00:42:09,058 OH, TOM, PLEASE! 842 00:42:09,059 --> 00:42:11,060 ME AND HIM WENT OUTSIDE, SQUARED UP. 843 00:42:11,061 --> 00:42:12,228 I HATED THAT. 844 00:42:12,229 --> 00:42:13,996 ME, TOO. STUART GAVE ME A RIGHT GOOD HIDING, 845 00:42:13,997 --> 00:42:16,632 BUT IT'S GONE, TIME'S GONE, 846 00:42:16,633 --> 00:42:17,900 HE'S GONE. 847 00:42:17,901 --> 00:42:20,202 YES. EXCUSE ME. 848 00:42:20,203 --> 00:42:21,370 MOIRA, LISTEN, LISTEN. 849 00:42:21,371 --> 00:42:22,537 I WANT TO SELL THE GALLERY. 850 00:42:22,538 --> 00:42:24,273 THERE'S NOTHING IN REDRIGG FOR US. 851 00:42:24,274 --> 00:42:25,808 WHY DON'T WE MOVE AWAY TOGETHER? 852 00:42:25,809 --> 00:42:26,976 I BELONG HERE. 853 00:42:26,977 --> 00:42:29,078 A FRESH START WITH SOMEONE WHO LOVES YOU. 854 00:42:29,079 --> 00:42:30,846 NO. NO. NOW, LET GO OF ME! 855 00:42:30,847 --> 00:42:32,047 OI, ESCOMBE! 856 00:42:32,048 --> 00:42:35,918 NO, NO. STOP IT! STOP! 857 00:42:35,919 --> 00:42:37,686 HOW COULD YOU? 858 00:42:46,362 --> 00:42:48,130 MOIRA, WHAT'S HAPPENED? 859 00:42:48,131 --> 00:42:49,731 IT'S THOMAS ESCOMBE. 860 00:42:49,732 --> 00:42:52,434 HE WANTS ME TO RUN AWAY WITH HIM. 861 00:42:52,435 --> 00:42:55,337 HE STARTED ON ABOUT ANOTHER DANCE YEARS BACK 862 00:42:55,338 --> 00:42:58,007 WHEN HIM AND STUART HAD A FIGHT. 863 00:42:58,008 --> 00:43:00,009 OVER YOU? YEAH. 864 00:43:01,812 --> 00:43:06,415 WHY CAN'T HE JUST LEAVE ME ALONE? 865 00:43:06,416 --> 00:43:08,851 I LOVE STUART. 866 00:43:08,852 --> 00:43:11,287 I JUST WANT HIS BOOK BACK. 867 00:43:13,824 --> 00:43:15,991 HELP ME FIND IT, PLEASE. 868 00:43:15,992 --> 00:43:17,659 I'LL TRY. 869 00:43:20,897 --> 00:43:24,166 THANK YOU. THANK YOU. THANK YOU VERY MUCH. 870 00:43:24,167 --> 00:43:26,601 LADIES AND GENTLEMEN, WE'VE HAD A REQUEST 871 00:43:26,602 --> 00:43:28,037 FROM A MR. THOMAS ESCOMBE. 872 00:43:28,038 --> 00:43:33,475 "FOR A VERY SPECIAL LADY--MOIRA." 873 00:43:33,476 --> 00:43:35,978 � OH, IT HURTS TO GO AWAY � 874 00:43:35,979 --> 00:43:38,280 � IT'S IMPOSSIBLE TO STAY � 875 00:43:38,281 --> 00:43:43,085 � BUT THERE'S ONE THING I MUST SAY BEFORE I GO � 876 00:43:43,086 --> 00:43:47,056 � I LOVE YOU, YOU KNOW � 877 00:43:47,057 --> 00:43:48,891 HAVE YOU SEEN THOMAS ESCOMBE? 878 00:43:48,892 --> 00:43:50,659 HE TOOK A PINT OUTSIDE. 879 00:43:50,660 --> 00:43:52,461 THERE'S A YARD. 880 00:43:52,462 --> 00:43:56,365 � TIME IS MOVING ON, AND I SHOULD BE REALLY GONE � 881 00:43:56,366 --> 00:44:00,836 � BUT YOU KEEP ME HANGING ON FOR ONE MORE SMILE � 882 00:44:00,837 --> 00:44:03,405 � I LOVE YOU � 883 00:44:03,406 --> 00:44:05,307 � ALL THE WHILE... � 884 00:44:10,080 --> 00:44:12,147 THEY DO THAT IN RUSSIA. 885 00:44:12,148 --> 00:44:14,016 WHAT? OR IS IT GREECE? 886 00:44:14,017 --> 00:44:15,184 WHAT ARE YOU ON ABOUT? 887 00:44:15,185 --> 00:44:16,352 JUST CHATTING. 888 00:44:16,353 --> 00:44:17,686 GO AWAY. 889 00:44:21,124 --> 00:44:22,958 YOU'VE BEEN TALKING TO MOIRA. 890 00:44:22,959 --> 00:44:26,061 MIND YOUR OWN BUSINESS. 891 00:44:26,062 --> 00:44:30,099 YOU WANTED HER TO RUN AWAY WITH YOU. 892 00:44:30,100 --> 00:44:32,234 IS THAT BECAUSE YOU'VE RAISED SOME MONEY 893 00:44:32,235 --> 00:44:36,038 FROM THE MINERAL THINGS YOU TOOK FROM THE MINE? 894 00:44:36,039 --> 00:44:37,206 WHAT? 895 00:44:37,207 --> 00:44:39,808 I HEARD YOU'D GONE TO CARLISLE. 896 00:44:39,809 --> 00:44:42,444 I PHONED THE JEWELER, RICHARD RYDELL, 897 00:44:42,445 --> 00:44:44,479 TALKED TO HIS WIFE. 898 00:44:44,480 --> 00:44:47,349 I DESCRIBED YOU TO HER. 899 00:44:47,350 --> 00:44:50,986 SHE SAID YOU'D BEEN INTO THEIR SHOP. 900 00:44:50,987 --> 00:44:52,421 SHE WOULDN'T SAY WHAT FOR, 901 00:44:52,422 --> 00:44:56,691 BUT IT'S OBVIOUS-- TO SELL THE STONES. 902 00:44:56,692 --> 00:44:58,560 WHO THE HELL ARE YOU? 903 00:44:58,561 --> 00:45:03,665 A FRIEND OF A WOMAN WHO'S LOST HER HUSBAND. 904 00:45:03,666 --> 00:45:05,600 WHAT HAVE I DONE THAT SHE WON'T 905 00:45:05,601 --> 00:45:10,572 LOOK, LISTEN, LOVE ME? 906 00:45:10,573 --> 00:45:13,943 SHE THINKS YOU'RE NOT FOR HER. 907 00:45:17,547 --> 00:45:20,182 THEN WHY SHOULD I DO HER ANY FAVORS? 908 00:45:23,219 --> 00:45:24,853 IT'S CHILLY TONIGHT. 909 00:45:24,854 --> 00:45:26,922 I THINK I'LL GO AND LIGHT A FIRE. 910 00:45:37,167 --> 00:45:38,367 NO! 911 00:45:38,368 --> 00:45:39,534 JUST BURNING SOME RUBBISH. 912 00:45:39,535 --> 00:45:40,702 NO CRIME IN THAT. 913 00:45:40,703 --> 00:45:42,637 YOU SAY YOU LOVE MOIRA? 914 00:45:42,638 --> 00:45:44,239 WHAT KIND OF A LOVE DESTROYS A THING 915 00:45:44,240 --> 00:45:45,407 SHE CHERISHES? 916 00:45:45,408 --> 00:45:46,808 CHERISH? SHE DOESN'T KNOW WHAT 917 00:45:46,809 --> 00:45:48,177 THAT WORD MEANS. 918 00:45:48,178 --> 00:45:49,811 STUART JUST ACCEPTED HER. 919 00:45:49,812 --> 00:45:51,313 "THE WIFE," HE'D SAY, "THE WIFE," 920 00:45:51,314 --> 00:45:53,182 LIKE SHE WAS JUST ANY WOMAN. 921 00:45:53,183 --> 00:45:54,984 JACK DUCKETT'S JUST THE SAME. 922 00:45:54,985 --> 00:45:57,386 IS THAT WHY YOU PLANTED THOSE THINGS IN HIS LOCKER, 923 00:45:57,387 --> 00:45:59,154 TO DISCREDIT HIM WITH MOIRA? 924 00:45:59,155 --> 00:46:00,789 AYE. THAT LAD GEOFF PUT ME ON 925 00:46:00,790 --> 00:46:02,091 TO WHERE MINERALS MIGHT BE. 926 00:46:02,092 --> 00:46:03,292 HE ASKED ABOUT LONELY HEARTS 927 00:46:03,293 --> 00:46:04,460 AND HAPPINESS. 928 00:46:04,461 --> 00:46:05,660 THANK HIM FOR ME. 929 00:46:05,661 --> 00:46:08,563 YOU SAY YOU LOVE MOIRA? 930 00:46:08,564 --> 00:46:10,665 IF YOU BURN STUART'S BOOK, 931 00:46:10,666 --> 00:46:15,237 SHE CAN NEVER LOVE YOU. 932 00:46:15,238 --> 00:46:18,007 STUART STOLE THOSE STONES. 933 00:46:18,008 --> 00:46:22,978 HE WAS A THIEF, YET SHE LOVES HIM. 934 00:46:22,979 --> 00:46:25,180 I DO THE SAME AND... 935 00:46:28,818 --> 00:46:33,955 AND THIS, WELL, THIS. 936 00:46:33,956 --> 00:46:35,190 HERE. 937 00:46:43,133 --> 00:46:44,266 [DOOR OPENS] 938 00:46:47,337 --> 00:46:49,204 NOW, LOOK, JACK. I HAVE SOMETHING 939 00:46:49,205 --> 00:46:51,006 FOR YOU AND ALL THE LADS. 940 00:46:58,614 --> 00:47:00,849 PRICE IN CARLISLE WASN'T ENOUGH. 941 00:47:00,850 --> 00:47:02,251 TAKE THEM. 942 00:47:02,252 --> 00:47:03,985 THEY'RE NO USE TO ME NOW. 943 00:47:12,962 --> 00:47:14,496 THANK YOU. 944 00:47:21,771 --> 00:47:23,738 I START WORK TOMORROW. 945 00:47:23,739 --> 00:47:24,973 WHAT DOING? 946 00:47:24,974 --> 00:47:26,608 GARAGE WORK. 947 00:47:26,609 --> 00:47:28,077 OH. 948 00:47:28,078 --> 00:47:29,844 IT'S A START. 949 00:47:29,845 --> 00:47:31,913 NEW LIVES TAKE TIME TO PLAN. 950 00:47:31,914 --> 00:47:34,116 MR. WAINTHROPP PUT ME ON TO THAT. 951 00:47:34,117 --> 00:47:36,585 THE GUY IN THE LAST CASE FOUND THAT OUT, TOO. 952 00:47:36,586 --> 00:47:38,420 YEAH? 953 00:47:38,421 --> 00:47:40,622 EVERYTHING HE DID WAS FOR LOVE. 954 00:47:40,623 --> 00:47:43,525 AW. I'M ALL FOR THAT. 955 00:47:43,526 --> 00:47:44,960 Robert: AND THANKS TO JANET, I'VE BEEN 956 00:47:44,961 --> 00:47:47,028 REINSTATED TO THE TOP OF THE WAITING LIST. 957 00:47:47,029 --> 00:47:48,330 OH, THAT'S GOOD. 958 00:47:48,331 --> 00:47:49,864 BUT I'M AFRAID WE MAY HAVE TO DO 959 00:47:49,865 --> 00:47:53,435 WITHOUT RUNNER BEANS THIS YEAR. 960 00:47:53,436 --> 00:47:56,238 WE'LL SURVIVE SOMEHOW. 961 00:48:00,477 --> 00:48:02,744 WHAT'S THAT? 962 00:48:02,745 --> 00:48:04,113 A PRESENT. 963 00:48:04,114 --> 00:48:07,249 WHAT IS IT? 964 00:48:07,250 --> 00:48:10,452 STUFF THAT DREAMS ARE MADE OF. 965 00:48:15,492 --> 00:48:18,494 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 966 00:48:18,495 --> 00:48:20,496 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE 967 00:48:20,497 --> 00:48:21,597 --www.ncicap.org-- 968 00:48:21,647 --> 00:48:26,197 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 64072

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