Original subtitles

OKAY.

EVERYBODY, LET'S, UH...

LET'S JUST RUN THROUGH THIS.

UM, BRENDON...

YOU'RE AUDITIONING FOR THE PART OF WILLIE?

UH, YEAH.

DOES EVERYBODY HAVE THEIR PARTS?

I DON'T THINK I'LL BE NEEDING THIS SCRIPT, THANKS.

GREAT... THAT'S GREAT!

UM, LET'S TAKE IT FROM THE "BIG CONFRONTATION" SCENE

ON PAGE TWO.

17 YEARS I BEEN WORKING AT THE SAME PLACE,

BUSTING MY HUMP.

WHAT, FOR THIS?

OKAY... I'M YOUR SON, UH...

DO YOU KNOW WHAT THAT MEANS?

WHAT ABOUT, UH...

OH, RIGHT.

I GOT TO LIVE WITH YOU BEING MY OLD MAN.

YOU GOT TO LET GO, MAN.

GET OFF MY BACK.

WHO DO YOU THINK YOU ARE, YOU LITTLE PUNK?!

YOU THINK YOU KNOW EVERYTHING!

YOU DON'T KNOW NOTHING!

YOU DON'T KNOW NOTHING!

HEY.

WHAT ARE YOU TELLING ME, HUH?

THAT I AIN'T A MAN?!

ARE YOU MAD AT ME?

I'M SORRY, BRENDON?

BRENDON, YOU MIGHT NOT BE READY FOR THIS.

UM... I OFFER AN ACTING CLASS.

WOULD YOU BE INTERESTED IN, UH...

IN TAKING MY ACTING CLASS?

I'VE NEVER BEEN SO INSULTED IN MY ENTIRE...

FINE.

WHEN DID YOU SAY IT WAS?

HEY, MY NAME IS PAULA SMALL.

I'LL BE HONEST—...

UM, I HAVEN'T TAUGHT FOR A WHILE SO BEAR WITH ME.

SO, OKAY, YOU'RE ALL INTERESTED IN CREATIVE WRITING?

I CAN ASSUME THIS, YES? THAT'S GREAT.

HOW MANY OF YOU HAVE WRITING EXPERIENCE?

HANDS?

ALL RIGHT... OH, YOU HAVE...

I JUST WANTED TO LET EVERYONE KNOW THAT I AM A PUBLISHED POET.

GREAT—— WH—WH—WHERE WERE YOU PUBLISHED?

XEROXED, I HAVE BEEN XEROXED.

XEROXED, OKAY...

WELL, THAT'S STILL, YOU KNOW...

MAYBE, UH... WE'LL MAKE YOU THE CLASS COPIER.

OKAY, I GUESS NOW'S A GOOD TIME TO TALK ABOUT NAMES.

UM...

OH, HI THERE.

ARE YOU HERE FOR CREATIVE WRITING?

UH... MM—HMM.

DID YOU HAVE TROUBLE FINDING THE PLACE?

NO.

LIKE TO INTRODUCE YOURSELF?

NOPE.

LIKE TO TELL THE CLASS ABOUT YOUR WRITING EXPERIENCES?

NOPE.

WELL, LET THAT BE A LESSON TO ALL OF YOU.

IF YOU SHOW UP LATE, I'LL ASK YOU IMPERSONAL QUESTIONS

THAT YOU MAY OR MAY NOT ANSWER.

SO THERE.

MOM, HOW IS... HOW IS MY CREDIT THESE DAYS?

WHAT DO YOU NEED MONEY FOR, BRENDON?

MOM, UM...

SPIT IT OUT—— "I WANT..."

I JUST, YOU KNOW... I JUST WANTED TO CHECK...

"I NEED FROM YOU..."

NO, NOT LIKE THAT.

I WOULD NEVER... ACTING CLASS!

ACTING CLASS?

YES, AT THE COMMUNITY THEATER.

UH—HUH.

I NEED TO LEARN SOMETHING SOON.

I DON'T KNOW, BRENDON.

I GUESS WE'LL HAVE SOME EXTRA MONEY FROM TEACHING

BUT LET ME THINK ABOUT IT, OKAY?

I NEED TECHNIQUE, MOM.

I NEED TO LEARN THE INVISIBLE BOX MIME THING OR THE ROPE.

OW, WHAT ARE YOU DOING?

I'M SORRY.

MY EYE.

I'M FINISHED.

I'M JUST SURPRISED, BRENDON, THAT'S ALL.

I MEAN, YOU WERE ALWAYS AGAINST ACTING CLASSES.

MAYBE IT'S NOTHING BUT IF I LEARN, LIKE, ONE THING,

THEN IT'LL BE WORTH IT.

OH, YUCK!

MY DAD MAKES THE WORST SANDWICHES.

WHAT IS THAT?

TARRAGON CHICKEN WITH SPROUTS AND DIJON MUSTARD ON FOCACCIA.

WOW, YOU MUST BE RICH.

DOES ANYONE WANT TO SWITCH?

I DON'T HAVE ANYTHING.

WHAT DO YOU HAVE, JASON?

AN OLIVE.

OH.

BRENDON,

UM... DON'T YOU WANT TO BE, UM... A DIRECTOR, NOT AN ACTOR?

WELL, I MEAN...

OH, BUT, BRENDON I HEARD THAT ALL DIRECTORS WANT TO ACT

AND THAT ALL ACTORS WANT TO DIRECT.

RIGHT.

IT'S LIKE THAT SAYING "THE GRASS IS ALWAYS GREENER ON THE OTHER SIDE."

RIGHT.

I'M NOT MUCH FOR TRAINING.

SCORSESE DOES A LITTLE ACTING.

YOU CALL THAT ACTING?

I'M, UM... MORE METHOD ORIENTED.

TAKE THE OLIVE OUT OF YOUR NOSE, JASON.

BRENDON, THERE'S SOME THINGS THAT YOU CAN'T LEARN IN...

IN A CLASSROOM.

YOU HAVE TO GO LIVE IT.

YEAH, WELL, I MEAN...

YOU COULD LEARN MORE FROM LIFE.

GOOD POINT—...

MELISSA HAS A GOOD POINT OVER THERE.

LIKE, FOR INSTANCE, UM... BRENDON...

OH, YEAH.

WHEN WE MADE THE MOVIE ABOUT THE KILLER LIZARD

I, UM... BECAME THE LIZARD.

YEAH, I COULD SEE THAT.

I, UM... SLEEP UNDER MY BED, NOT ON IT.

REALLY?

YES, BECAUSE I'M SCARED OF MY BED.

AREN'T YOU SCARED OF GETTING SMASHED BY YOUR BED?

AND IT SMELLS LIKE PEE.

OH.

OH.

ALL RIGHT, EVERYBODY, GATHER UP.

EVERYBODY, GATHER IN.

GATHER IN?

WHAT'S A BETTER WORD FOR "GATHER IN," BRENDON?

EVERYBODY, GET TOGETHER?

NO, THAT'S NOT GREAT.

WHAT ABOUT EVERYBODY, UM...

EVERYBODY, GATHER IN...

WHAT ABOUT "EVERYBODY, COME HERE?"

EVERYBODY, COME HERE.

THAT'S GOOD.

AND GATHER AROUND.

YEAH, THAT'S BETTER.

YOU NEED BOTH. RIGHT.

ALL RIGHT, TEAM, BRING IT IN.

BRING IT IN. ALL RIGHT, TEAM, LISTEN UP.

TOMORROW'S A VERY SPECIAL DAY FOR, UH... FOR THE TEAM

AND I'M GOING TO NEED VOLUNTEERS TO DO A SPECIAL, UH... THING.

IT'S A SPECIAL EVENT, ALL RIGHT?

COACH, WHAT EXACTLY ARE WE VOLUNTEERING FOR?

I'LL GET TO THAT, MELISSA.

IS IT ON THE SOCCER FIELD?

WHAT ARE YOU, A REPORTER?

I'M JUST NATURALLY CURIOUS.

COACH, WHAT...

EVERYBODY STOP TALKING.

JUST, WHAT ARE WE VOLUNTEERING FOR?

BRENDON! WHAT DID I JUST SAY?

I REALLY DON'T KNOW.

YEAH, YOU DON'T KNOW.

THIS ISN'T OUR HOUSE.

YOU CAN'T MOUTH OFF TO EVERYBODY.

HEY.

ALL RIGHT, NOW, TOMORROW...

ARE YOU VOLUNTEERING?

I DON'T KNOW, ARE YOU?

NO.

OH—— WHY NOT?

LISTEN UP.

I DON'T KNOW.

YOU GUYS WANT TO GET IN TROUBLE?

NO.

NO.

YOU DON'T WANT TO GET IN TROUBLE?

YES.

NO.

NO, BRENDON, NO.

IF WE DON'T WANT TO GET IN TROUBLE THE ANSWER IS YES.

DOUBLE NEGATIVE.

ANYWAY, WHO... WHO'S GOING TO VOLUNTEER?

THAT MEANS, WHEN I SAY, "WHO HERE IS GOING TO VOLUNTEER?"

EVERYBODY RAISES THEIR HAND—— UNDERSTOOD?

WHO'S GOING TO VOLUNTEER?

COACH McGUIRK?

McGuirk: YEAH.

YOU STILL HAVEN'T TOLD US WHAT WE'RE VOLUNTEERING FOR.

OKAY, LISTEN, I HAVE 14,000 ENTRY FORMS

THAT NEED TO BE FILLED OUT BY NEXT WEEK

AND ENTERED INTO A SWEEPSTAKES.

WHAT ARE WE TRYING TO WIN?

THIS.

A TOY BOAT?

NOT A TOY BOAT, BRENDON.

IT'S A HOVERCRAFT.

OOH... COOL!

YEAH, THAT'S RIGHT.

NOW, WHO WANTS A PIECE OF THIS THING, HUH?

WHO'S GOING TO HELP ME FILL OUT 14,000 ENTRY FORMS, OKAY?

COACH, I FEEL LIKE I NEED TO ASK MY DAD IF I CAN DO THIS.

NO, HERE'S WHAT YOU DON'T DO, MELISSA—— ASK YOUR DAD.

BECAUSE YOU KNOW WHAT YOUR DAD WILL SAY?

WHAT?

WHY ARE YOU FILLING OUT FORMS INSTEAD OF PLAYING SOCCER?

AND THEN WHAT WOULD I SAY?

THEN YOU SAY BEC...

WELL, THAT'S WHY YOU DON'T SAY IT.

THAT QUESTION DOESN'T COME UP, ALL RIGHT?

WE HAVE TO DO THIS FOR THE TEAM, MELISSA, NOT FOR YOUR DAD.

WELL, WHO HERE CAN DO THIS WITHOUT ASKING THEIR PARENTS

OR EVER TELLING THEM ABOUT IT?

BRENDON...

YEAH.

I NEED YOUR HELP ON THIS.

YOU'RE A LOT BETTER OFF FILLING OUT FORMS

THAN YOU ARE PLAYING SOCCER.

YEAH, COACH, DO YOU THINK YOU MIGHT BE ABUSING YOUR POWER

JUST, YOU KNOW, A LITTLE BIT?

I DON'T THINK OF IT AS POWER.

YOU KNOW, IT'S MORE OF A SIZE ISSUE.

I'M BIGGER THAN THEM.

I DO WHAT I WANT.

TAKE A LOOK AT THIS BABY, BRENDON, HUH?

IT'S... IT'S...

LOOK AT THAT SWEETHEART.

IT'S A NICE...

WOULD YOU LIKE A RIDE IN THAT?

YES.

YEAH, IT'S A BEAUTIFUL PIECE OF MACHINERY, BRENDON.

HEY, I'D LOVE TO HELP BUT I REALLY CAN'T COMMIT

TO ANYTHING RIGHT NOW.

WELL, WHAT DO YOU HAVE TO DO, BRENDON?

UM... ACTING CLASS.

I'M STUDYING ACTING NOW BECAUSE SOMEDAY I'M GOING

TO BE A PROFESSIONAL ACTOR—...

WHAT?

YEAH, GOOD LUCK.

"COACH McGUIRK, HELP! HELP ME, I'M DROWNING."

OH, HEY, BRENDON, HOW ARE YOU?

HELP, I CAN'T SWIM.

OH, REALLY?

I CAN'T HEAR YOU BECAUSE MY HOVERCRAFT IS TOO LOUD.

SEE YOU LATER.

UM...

I LIKE WHEN YOU DO BOTH PARTS.

GO RUN LAPS.

AND... ACTION.

WHAT... YOU KNOW, I THINK YOU'RE WRONG ACTUALLY, STILL.

I MEAN, I KNOW THIS IS JUST AN EXERCISE

BUT... I THINK HE'D CROSS IN FRONT OF THE COFFEE TABLE,

YOU KNOW AND I DON'T SEE HIM ENTERING THE SCENE, NO.

I THINK HE WOULD HAVE BEEN THERE ALREADY IN, YOU KNOW,

THE WHOLE PLAY, IN EVERY SCENE...

AND ALSO, I'M SORRY BUT...

BUT CAN YOU THROW A GEL UP ON THAT LIGHT?

YOU KNOW, MY EYES ARE...

VERY SENSITIVE SO...

SENSITIVE EYES.

ACTION.

NO, THAT'S YOUR LINE—— ACTION.

IF YOU WANT TO START THE SCENE NOW, YOU CAN GO AHEAD.

THANK YOU.

OKAY, GREAT.

UH... DOES ANYONE ELSE WANT TO READ THEIR ASSIGNMENT?

HOW ABOUT YOU, MARY?

NO, MEREDITH.

STEVEN.

UH... STEVEN.

UH... WOULD YOU LIKE TO READ WHAT YOU HAVE?

OKAY...

"OFFICIALS WERE BAFFLED TODAY WHEN RODNEY PRINCETON,

"A LOCAL HISTORIAN BROUGHT TO THE PUBLIC'S ATTENTION

THAT A DOCUMENT SIGNED IN 1880 WAS PROVEN FALSE..."

OKAY, I'M GOING TO STOP YOU THERE.

ARE YOU READING FROM THE NEWSPAPER?

YES.

OKAY, WELL, THAT'S, UH...

I GOT SOMETHING TO READ.

OH, GREAT. OKAY, YOU ARE... DANIEL, AM I RIGHT?

NO.

JUST GO AHEAD.

"SHE IS MY WOMAN. "SHE BELONGS IN MY APARTMENT

"FEED HER THE FOOD I FIND "FROM MY GLOVE COMPARTMENT.

"HUGGING TURNS TO KISSING, "KISSING TURNS TO LOVE

"LOVE TURNS TO ME GOING "TO THE DRUGSTORE

"TO MAKE SURE THAT "I WON'T HAVE A SON.

"I TRY ON HER DRESS, SHE TRIES ON MINE..."

OKAY, I'M SORRY.

UM, YOU... YOU CAN JUST TURN YOUR ASSIGNMENT INTO ME.

I'M NOT FINISHED.

"HUGGING TURNS TO KISSING, "KISSING TURNS TO THROBBING

PUSHING, MORE THROBBING..."

SO, HAVE YOU LEARNED ANYTHING?

UH, YES AND NO, MOSTLY NO.

BRENDON, SHOULD I TAKE THE ACTING CLASS?

WELL, JASON, I MEAN, THERE ARE A LOT OF REASONS THAT...

FORGET IT.

SOUNDS BORING.

BRENDON, UM... WHAT ARE WE DOING HERE TODAY?

WELL, JASON, HOW WOULD YOU LIKE TO DIRECT?

REALLY?

OH, BRENDON, I DON'T THINK I'M READY YET.

YOU SHOULD TRY AND EXPAND YOUR HORIZONS, JASON.

WELL, SOME PEOPLE KNOW THEIR LIMITATIONS, MELISSA.

THAT'S A GOOD POINT.

WELL, WOULD YOU MIND TAKING OVER JUST FOR FUN FOR ME TODAY?

OKAY.

BECAUSE I WANTED TO WORK ON SOME OF THESE ACTING EXERCISES.

WELL, BRENDON, WHAT ABOUT ME?

WHAT AM I GOING TO DO?

WELL, MELISSA, HE ALREADY TOLD ME I'M DIRECTING.

I KNOW, BUT I WANT TO KNOW WHAT I'M DOING.

I NEED YOU IN THE EXERCISE.

OKAY.

I'M GOING TO TRY TO CONVEY AN EMOTION TO YOU

THROUGH MOVEMENT AND UNKNOWN WORDS.

IT'S A CLASSIC EXERCISE.

OKAY.

I, UM... UM... BRENDON...

I DON'T THINK THAT'S A GOOD IDEA.

IT'S JUST... IT'S JUST AN ACTING EXERCISE.

WELL, WHAT I LIKE TO DO IN MY FILMS...

THIS IS YOUR FIRST ONE.

MELISSA, SHH—— PLEASE.

YOU'RE SO EASILY REPLACEABLE.

OKAY, BRENDON...

YEAH.

WHAT I LIKE...

YOU KNOW WHAT I WAS THINKING, BRENDON?

MELISSA...

THAT MAYBE I'M GOING TO GO HOME AND THEN SEE IF YOU CAN

GET SOMEONE ON SUCH SHORT NOTICE.

MAYBE THAT'S A GOOD IDE...

HEY, WHOA! GUYS, HEY!

WELL, I DON'T KNOW WHY YOU MADE HIM DIRECTOR.

YOU KNOW HOW HE GETS.

GIVE HIM A LITTLE BIT OF POWER AND HE GOES CRAZY.

MELISSA, YOU'RE FIRED.

UM... TAKE FIVE...

ALL RIGHT.

YEARS.

CAN I TALK TO YOU PRIVATELY, BRENDON?

NOPE, I'M THE DIRECTOR, MELISSA, SO I'M—...

I'M THE TALENT.

OH, THAT'S CLEVER.

THAT'S SO CLEVER.

GUYS, PLEASE.

MELISSA, I THINK, MIGHT BE TOO HEAVY FOR THIS PART.

EXCUSE ME?

I GUESS MAYBE WE'LL HAVE TO REPLACE HER

WITH A THINNER ACTRESS.

MELISSA, DON'T LISTEN TO HIM, ALL RIGHT?

I'M NOT GOING TO SINK TO YOUR LEVEL, JASON.

WELL, BRENDON, MAYBE, UM, IF...

ALL RIGHT, COOL.

JASON, I LOVE THE DIRECTING IDEAS AND MELISSA...

YES.

YOU LOOK FABULOUS.

THANK YOU.

I STILL DON'T THINK WE'VE CLARIFIED...

I KNOW, I KNOW, THAT'S GREAT.

I LOVE THAT YOU'RE THINKING.

SO, UH... LET'S GET TO THE MOVIE.

SO, BRENDON, YOU'RE GOING TO BE SPEAKING AN UNKNOWN LANGUAGE?

EXACTLY—— JUST REACT TO IT, YEAH.

OKAY, BRENDON?

YEAH, YEAH.

WHAT BUTTON DO I PRESS?

REMIND ME NEVER TO GIVE THE CAMERA TO JASON AGAIN.

IT'S THE RED BUTTON RIGHT THERE.

OKAY, READY?

OKAY.

AND ACTION.

HEY...

EH?

HEY!

HMM? HUH?

UM, BRENDON...

I'M HAVING A HARD TIME UNDERSTANDING

WHAT YOU'RE SAYING.

WHAT... I'M SORRY, I'M SORRY.

CAN WE STOP?

WHAT IS IT NOW?!

I'M HAVING A CONCENTRATION PROBLEM BECAUSE THIS GUY

OVER HERE KEEPS ON MOUTHING MY LINES.

HE'S MOUTHING THE LINES BECAUSE HE'S SPEAKING THEM.

THEY'RE HIS LINES.

YOU DON'T HAVE ANY LINES IN THIS SCENE.

WELL, I GUESS I'D LIKE THAT GUY'S PART, YOU KNOW.

EV... EVERYBODY... EVERYBODY TAKE FIVE!

BRENDON!

BRENDON!

YEAH?

COME HERE, PLEASE.

I... OKAY.

HEY, GUYS, BE RIGHT BACK!

I'M KICKING YOU OUT OF CLASS.

RIGHT, OKAY.

I CAN'T TEACH THE CLASS WITH YOU HERE

INTERRUPTING EVERY FIVE SECONDS.

HMM.

I HAVE AN ENTIRE CLASS...

YEAH, I THINK I UNDERSTAND...

PLEASE DON'T INTERRUPT ME.

OH!

EVERYBODY'S COMPLAINING TO ME.

SO, I'M SORRY,

NO MORE ACTING CLASS.

NO, NO, I CAN'T BE...

BRENDON...

NO.

I CAN'T BE KICKED OUT OF ACTING C... CL... UH, UH... OKAY...

WILL THERE BE A REFUND?

NO.

MY MOM IS GOING TO KILL ME.

I... WAIT, NO, WAIT.

JUST THINK ABOUT THIS.

WHAT IF...

NO. WHAT IF...

HEY, DON'T MAKE ME CALL YOUR MOTHER.

WHOA.

I'LL CALL HER.

I'LL LEAVE QUIETLY RIGHT NOW IF YOU DON'T CALL HER.

I'M... I'M NOT GOOD AT REPRIMANDING PEOPLE

BUT I'M THE TEACHER, SO I FEEL LIKE I HAVE TO SAY SOMETHING

ABOUT THE INCIDENT IN CLASS.

UM... UH... ARE YOU LISTENING TO ME?

HMM.

AND WE'RE BOTH INTERESTED IN WRITING.

SO FOR THE SAKE OF THE PEOPLE IN THE CLASS

LET'S TRY TO GET ALONG, RIGHT?

HOW'S TEACHING?

NOTHING.

WHAT?

NOBODY.

I... I DON'T LIKE HIM.

WHAT?

TEACHING'S GREAT.

GREAT.

GREAT.

GOOD.

HOW'S ACTING CLASS?

FANTASTIC!

UM... SO GOOD I MIGHT NOT EVEN GO TONIGHT.

I'M AHEAD OF THEM.

I... YOU KNOW, THEY'RE JEALOUS.

THEY HATE ME MAYBE.

NO, I'M KIDDING.

IT'S REALLY GOOD.

CAN YOU PASS THE PLEASE PEAS?

I DIDN'T MAKE ANY PLEASE.

OH, NO, I MEANT PEAS.

OH, THAT'S WHAT I MEANT.

I FORGOT TO KISS THEM.

WHAT?

MAKE OUT... MAKE THEM.

WE'RE KICKED OUT OF PEAS?

WHAT?

NOTHING—— HOW ARE YOU?

WE'RE... VERY CLOSE FRIENDS.

VARICOSE?

OH, NO, I MEAN YOU AND ME.

OH.

RIGHT... FINE.

OKAY.

WELL, I'M A CHILD ACTOR.

I'M EIGHT, BUT I CAN PLAY SEVEN—AND—A—HALF TO NINE.

AND I'VE BEEN STUDYING STANISLAVSKY.

MM—HMM.

AND, UH, SO, YEAH, I NEED TO MAKE SOME MONEY NOW

BECAUSE I HAVE TO PAY MY MOM BACK BECAUSE...

BIG LONG STORY...

GREAT—— SO... THAT'S GREAT.

WE CAST FOR COMMERCIALS AND SOME FEATURES, MOSTLY COMMERCIALS.

YOU HAVE HEAD SHOTS?

UM... I'VE HAD FLU SHOTS—— IS...

NO, I NEED PICTURES OF YOUR FACE, BRANDON.

BRENDON.

RIGHT.

RIGHT—...

I HAVE MY CLASS PICTURES HERE.

RIGHT, THAT'S GREAT.

YOU CAN TELL I'M EXPERIENCING HAIR PROBLEMS.

I WOKE UP A LITTLE LATE FOR SCHOOL THAT DAY AND, YOU KNOW...

MY FAULT—— I FORGOT IT WAS PICTURE DAY, SO...

OKAY, WELL, DO YOU HAVE ANY FILM EXPERIENCE?

I DO HAPPEN TO HAVE A TAPE RIGHT HERE.

UH—HUH, GO AHEAD AND PUT IT IN.

Mmm, yeah, I'm a pretty lady.

DANG!

A very pretty lady...

SORRY.

A lady, lady, lady...

I THINK I GRABBED THE WRONG TAPE.

YEAH.

BRENDON, WHAT DO YOU WANT?

I NEED TO TALK TO YOU.

WELL, OFFICE HOURS CLOSED, BRENDON, SO SEE ME TOMORROW.

WOW. LOOK AT THAT, WILL YOU?

HUH!

OH... YEAH.

WELL, THAT'S... THAT'S KIND OF WHY I'M HERE, COACH.

KNOW, I'D LIKE TO WORK FOR YOU YOU KNOW, MAKE SOME EXTRA MONEY.

BRENDON...

YEAH?

NO—— THIS IS NOT A MONEY GIG.

THIS IS A VOLUNTEER GIG.

THEY WORK FOR FREE OR THEY DON'T WORK.

THEN MAYBE YOU AND I CAN WORK SOMETHING OUT.

YOU KNOW, I...

LISTEN, BRENDON, WHY PAY THE PIPER

WHEN THERE'S FREE PIPING DOWN THE STREET?

WAIT A MINUTE, I SCREWED THAT UP.

OKAY, COACH, I WONDER IF I COULD POSSIBLY

BORROW A SMALL FRACTION OF CASH.

BRENDON, I DON'T LOAN MONEY TO EIGHT—YEAR—OLDS... ANYMORE.

AND IF YOU SEE BILLY, TELL HIM I'M LOOKING FOR HIM.

YEAH.

"TEACH ME GOOD, TEACH ME ALL NIGHT.

"TEACH ME TO LOVE, TEACH ME TO WRITE.

"BABY LET ME TEACH YOU ABOUT THROBBING AND KICKING

AND CLASSROOM NECKING AND CREATIVE WRITING."

OKAY, THAT'S GREAT.

WHAT?

A—PLUS FOR YOU.

BUT I...

PLEASE, I CAN ALREADY TELL IT'S GREAT.

WHO ELSE?

UH, STUART?

STEVEN.

UM... ANYTHING HAPPEN IN THE NEWS?

"TWO CARGO TRAINS HEADING OPPOSITE DIRECTIONS

"COLLIDED EARLIER TODAY. PASSENGERS SUFFERED

MINOR INJURIES..."

GREAT—...

THAT'S ENOUGH.

OH.

CLASS DISMISSED. NO HOMEWORK.

I MEAN, I DON'T WANT TO SOUND PUSHY

BUT I THINK IT MIGHT BE BEST TO COOL IT.

I MEAN, I HAVE KIDS, I HAVE RESPONSIBILITIES.

I... I CAN'T GET ROMANTICALLY INVOLVED.

I DON'T EVEN KNOW YOUR NAME WHICH IS MY FAULT.

BUT, UH... IT'S UNPROFESSIONAL TO KEEP IT UP IN CLASS.

AND I'VE...

WHAT IS YOUR NAME?

WAIT—— DON'T ANSWER THAT.

IT'S BEST THAT I DON'T KNOW THAT.

WHAT ARE YOU TALKING ABOUT?

WHAT DO YOU MEAN, WHAT AM I TALKING ABOUT?

WE MADE OUT.

WE HAD A MAKE—OUT SESSION, AN UNSCHEDULED MAKE—OUT SESSION.

OH, THAT.

I ALWAYS MAKE OUT.

I'VE MADE OUT WITH NEARLY EVERYBODY IN CLASS.

REALLY?

LOOK, I MAKE OUT, THAT'S WHAT I DO.

IT'S MY INSPIRATION.

IT'S WHY I WRITE.

OKAY, WELL.

I WISH THERE WERE NOT AN AWKWARD WAY TO END THIS CONVERSATION.

HEY, LOOK, I'M A MARIACHI GUY.

THAT'S VERY GOOD.

THEY'RE... THEY'RE BASIC IMPROV TECHNIQUES.

LOOK, IT'S A HAT!

SORRY, THAT WAS A CRAPPY ONE.

SO, HOW DO YOU LIKE YOUR TEACHER?

WHAT'S HIS NAME?

MISTER... SOMETHING.

MR. SOMETHING—ALONG—THOSE—LINES, YOU KNOW.

DO YOU LIKE THE CURRICULUM?

OH, YEAH, YEAH, I LOVE THE CURRICULUM.

YOU KNOW, IT'S THE...

WHAT'S NOT TO LIKE?

WHAT ISN'T NOT TO LIKE?

NOT EVERYTHING ISN'T NOT TO LIKE?

ISN'T EVERYTHING NOT TO LIKE?

YOU GOT ME THERE.

AND I DON'T MEAN TO SOUND NEGATIVE OR DOUBLE NEGATIVE.

MOM, PLEASE, YOU DON'T NOT SOUND NEGATIVE

NOR NON NOT DOUBLE NEGATIVE, OKAY?

HEY, WHAT DO YOU SAY I PICK YOU UP AFTER CLASS TONIGHT

AND WE GO OUT TO EAT?

HMM... UH... HUH... NO, I CAN'T.

UH—OH...

WHY NOT?

I'M SPLITTING, YOU GET IT?

I CAN'T STICK AROUND IN THIS NOTHIN' TOWN NO MORE.

THIS PLACE, THESE PEOPLE—— NO WONDER YOU GOT PROBLEMS.

IT'S BECAUSE OF THIS TOWN, MAN.

DON'T YOU SEE?

DON'T YOU GET IT?

STOP IT, WILLIE!

STOP IT!

WHAT ARE YOU DOING?

HUH?

YOU'RE MY BROTHER.

WE GOT A FAMILY.

YOU GOT TO STAY.

YOU GOT RESPONSIBILITIES!

THE FACTORY.

WHAT ABOUT SHIRLEY?

YOU, GET OFF MY CASE.

YOU BETTER BACK OFF RIGHT NOW, MAN!

BOYS! TIME FOR DINNER!

WELL, BIG BROTHER LOOKS LIKE YOU GOT TO MAKE UP YOUR MIND.

YOU LEAVING OR YOU STAYING?

WILLIE?

JIMMY?

DINNER.

SORRY, TELL THE FOLKS I'LL MISS 'EM.

AND I GUESS I'LL MISS YOU, TOO, JIMMY.

I GUESS I'LL MISS YOU, TOO.

ADIOS.

BRENDON, COLOR ME IMPRESSED. THAT WAS VERY... IMPRESSIVE.

BUT CAN YOU SHOW ME THIS KIND OF FOCUS IN CLASS?

YES, I CAN.

I MEAN, I'M SORRY.

I WAS STUPID AND I WAS A PUNK

AND I DESERVED EVERYTHING I GOT AND I'M SORRY.

OKAY, OKAY, OKAY, OKAY, OKAY.

NOW YOU'RE... YOU'RE OVERACTING.

YOU'RE RIGHT—— THANK YOU.

I'm a pretty lady, pretty lady.

BRENDON, WHAT IS THAT?

THAT'S, UH... IT'S ME—...

I'M A PRETTY LADY. I'M A VERY PRETTY LADY.

WHEN DID I TAPE THAT?

LOOK, FRIEND, DON'T MAKE ME GO BACK TO MY HOUSE FOR 25 CENTS.

JUST GIVE ME THE SIX—PACK, ALL RIGHT?

GIVE ME FIVE.

I'LL TAKE A FIVE—PACK.

WHAT THE HELL IS THAT SOUND?

HUH?

OH, NO, NO.

HEY... HEY!

THAT'S MY HOVERCRAFT!

I WAS SUPPOSED TO WIN THAT!

OH, MAN.

YOU CAN'T GO.

WHERE WILL YOU GO?

I MEAN, WE NEED YOU HERE.

BESIDES, YOU'RE A VERY PRETTY LADY.

UH, YES, I SUPPOSE I AM.

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