Original subtitles

MAN: Hey, all you truck jockeys out yonder, it's 11:15.

It's already hotter than the devil's handshake.

Time for all you good old boys

to get out and find you some shade.

Time for you bad old boys

to go looking for that sexy blond

in that Corvette convertible.

You're listenin' to KRDY, this is Tumbleweed Tom.

Come on. Get on the phone.

TOM (on radio): Jimmy Don is sending along his hellos

to Dolly Mae in Albuquerque.

So honey, you better get curried and combed

and smelling pretty 'cause he's comin' home

and he's looking for love.

Remember, kids, heaven is only a sin away.

♪ Rollin' down the highway... ♪

More coffee?

Oh, yeah.

You should get out of this half-a-bit little town.

I'm headin' for Dallas, and I got the room.

Well, now how could any girl in her right mind

turn down an offer like that?

Well, what's stoppin' ya?

My fiancé.

He's the deputy sheriff in this town.

He gets real mean

when he sees any other man coming on in here...

As a matter of fact,

he's due in here just about any time now

for his cup of coffee.

Ma'am.

Thank you.

See you tomorrow, Harry.

Still sting like a hornet, don't ya?

And still as pretty as a flower in bloom.

Well, now, if it isn't Billy Kramer.

And I thought you told me

you were never coming back to this nowhere place.

Came to see you, gorgeous.

I'm engaged, Billy.

To Phil Kiper.

We're gettin' married tomorrow.

Married?

Hell, when I was around you didn't pay him no mind.

You left, Billy.

Phil stayed.

Now he's the deputy sheriff in this town.

Well, don't that make him the big man of South Succotash.

Shouldn't have come here, Billy.

What are you doin', Phil?

Your old boyfriend here just broke prison at Copper Lake.

Get up.

Up.

Let's go.

Go about your business.

Phil, we flunked second grade together, you know.

Get rid of it.

Now!

(scoffs)

Come on, Phil. In high school,

if I had a biscuit, you got half of it.

Compadres?

( suspenseful theme playing)

(Phil grunts)

Phil, Phil!

(groans)

You stay right there. No, Phil!

You're coming with me, darlin'.

(classical music playing)

(yells)

What are you doing down there?

I just need to know if it's too snug.

It's fine.

Cordell, are you sure

I've got to have one of these damn things?

C.D., you're giving your niece away. Cheer up.

Well, you're right. But I didn't know

it was gonna be such an ordeal.

Aren't you awfully overweight for a Texas Ranger?

Semiretired Ranger!

And I'll bet you don't do

a hell of a lot of P.R. work for this place, do you.

Kid she's marryin' wants to be a Ranger.

Yeah, I heard.

C.D.: Hey, Jimmy.

What do you think?

C.D., I got some bad news.

It's about your niece, Dory.

She's been kidnapped.

That's all we got right now.

What'll we do?

We find her.

(light rock action theme playing)

♪ In the eyes of a Ranger ♪

♪ The unsuspectin' stranger ♪

♪ Had better know the truth ♪

♪ Of wrong from right ♪

♪ 'Cause the eyes Of the Ranger ♪

♪ Are upon you ♪

♪ Any wrong you do He's gonna see ♪

♪ When you're in Texas Look behind you ♪

♪ 'Cause that's Where the Ranger's ♪

♪ Gonna be ♪

( dramatic theme playing)

Sis, I don't want you to worry now, honey.

C.D.: We're gonna find Dory, honey,

and we're gonna find the guy that took her.

We already know who it is.

It's Billy Kramer.

PHIL: Went to school together.

Dory was younger back then and, well,

she was kind of like a kid sister to us.

She had a big crush on Billy back then

and I had one on her.

Except I kept mine at a distance.

I remember him, Cordell.

C.D.: Real troublemaker.

Knocked off a convenience store,

beat the hell out of the owner, and ended up in jail.

You gotta find her, Walker.

You gotta bring her back.

You just take it easy.

We'll find her, Shirley.

All you Tumbleweed Tom fans that touch my heart,

this one is for you.

This one's for you.

(country music playing on radio)

Dory!

Where the hell are ya?

Why ain't you put that on yet?

I don't want it, Billy.

You know what I paid for that dress?

I want you lookin' good, honey.

Real good, especially if you're runnin' with me.

Now, go put it on.

What has happened to you, Billy?

I grew up.

Got myself the equalizer.

You almost killed Phil.

Yeah, well, nobody gets in my way.

( ominous theme playing)

I did it for you, honey.

Phil would have had you slingin' chitterlings

for the rest of your life in that nowhere town.

We gonna be famous.

Now, go on.

( suspenseful theme playing)

You okay?

You know, I was there when Dory was born.

If I lost her, it'd be just like losin' a daughter.

Maybe you're too close to it, C.D.

No, I don't want to hear that, Cordell, I'm...

You're just stuck with me, partner.

( tense theme playing)

Come on, get out.

Don't try nothin' stupid, now, honey.

Billy, I wanna go home.

No way.

Whoa.

BILLY: Would you look at that.

Now, that is one fancy getup.

♪ You buy me fancy things ♪

♪ Lace dresses And diamond rings ♪

♪ Want me to play your... ♪

Billy, where we goin' now?

Got some business to tend to.

Gonna take out a loan.

You need the right kind of night clothes, honey.

The kind I like. Come on.

How you doin', folks? This is a stickup. Back up.

Back up. Don't anybody try anything funny.

I'll shoot this girl, right here.

Back up!

Get your hands up! Get over there!

You. I want you to fill that moneybag there,

with all the money in there.

Don't try a thing.

I'm feeling twitchy!

Get your hands higher. Higher like this!

Hey, I'm crazy! Get them up!

Pass it down! Pass it... Fill that moneybag...

Get your... I wanna see you reach for the sky.

Fill it up! You're doin' great, baby.

Don't try anything.

Back up. Back up. Back up!

Come on.

♪ You touch my heart ♪

♪ Oh, yeah ♪

(glass shatters)

Hold up. Come here.

Here. Billy.

Don't get any stupid ideas. It's not loaded.

We're in this together. Now, go on.

Get up there.

We gotta find ourselves a manager.

(panting)

Stay right there.

Hi. How you doin'? get up.

How you doin', folks? This here's a holdup.

(women screaming)

You're in this too.

Yeah, that's it. That's it.

Come on, don't stop.

Come on!

Come on, now, zip it up.

Get against the wall. Go on.

Turn around, thank you.

Don't make a move, a muscle, till we're gone.

Let's go, baby.

(grunts)

(woman shrieking)

(alarm ringing)

Get out!

In this car, right here. Drive!

Drive. Hey, buddy, get out, get out.

Drive! I'm driving!

Now! Go, go!

(phone rings)

Walker.

Hey, he killed a bank guard in Coolidge.

Billy just killed a guy.

Oh, Lord. He's done it now.

There's more here.

They just got Kramer's rap sheet.

It's pretty short but it's scary.

This guy's got snakes in his head, Walker.

He broke Copper Lake three days ago.

He's a young, pretty-boy type.

Must have been rough in there for him.

Coolidge P.D. says he jacked a red GTO.

What do you think?

He could be heading east on 80.

Alert all units.

All right. Got you.

Good night.

( suspenseful theme playing)

You killed that man in cold blood.

What's wrong with you?

He was goin' for a gun.

You were robbin' the bank.

Well, you would have got caught in the crossfire

if I hadn't shot first.

I saved your life.

Look, Billy, please.

Please just let me go.

Look, I promise you

I won't tell anybody anything.

We just begun.

We're hot, honey.

We're on a streak.

We're gonna be celebrities.

People are gonna know who we are.

( dramatic theme continues)

MAN: I saw 'em just as they came out.

That girl drove the getaway car.

Is this the hostage?

Hostage? She's no hostage.

She had a gun in her hand.

Couldn't have a gun. She'd have shot him.

If Billy gave her a gun, C.D., it wasn't loaded.

Angela?

Yeah, I'm back at my desk.

I know. I know.

Look, if anything comes in on Billy Kramer,

call me, will you?

Okay, bye.

Dear Governor Bush,

why don't you pay me by the hour?

( suspenseful theme playing)

Trivette, anything more on Kramer?

The way I see it, this guy was headed for trouble

before his first diaper rash.

Wired against authority, man.

I'm talkin' teachers, cops, parents.

He's got a thing for guns and fast cars.

Just like Clyde Barrow.

Who was his cellmate?

Uh, a lifer named Clarkson.

I'm gonna go out and talk to him.

Meet us there.

TOM: Well, unless you've been livin' on the moon,

you gotta be aware of that notorious young couple

that's robbin' and shootin' their way across Texas.

Blazin' a trail of infamy.

TOM: They've robbed five banks... Hey!

Three people dead, two wounded...

Who do they remind you of? Listen up. Listen.

I'll give you a hint: Warren Beatty and Faye Dunaway.

Bonnie and Clyde, Bonnie and Clyde!

These kids are

the Bonnie and Clyde of the '90s.

You hear that? Tumbleweed Tom's talkin' about us.

Told you we was gonna be famous.

And where's the law I ask ya.

Where's a policeman when you need him?

TOM: Where's the legendary Texas Rangers?

Bonnie and Clyde. Ha-ha-ha.

First of them yokels to catch on.

You've read the story Of Jesse James,

how he lived and died.

Now here's the story of Bonnie and Clyde.

You're an idiot, Billy.

Yeah.

Yeah.

Bonnie and Clyde, baby!

Bonnie and Clyde.

Hee-hee.

( mysterious theme playing)

( ominous theme playing)

(door opens)

(buzzing)

(yells)

There is no escaping. (whimpering)

You're in as deep as I am. You heard what Tumbleweed said.

It's meant to be!

Like jam and jelly, ham and eggs,

Bonnie and Clyde.

Now, don't ruin it!

(glass shatters)

(panting)

You try it again, I will kill you.

CHORUS (on radio): ♪ KRDY ♪

♪ Hot country ♪

Tumbleweed Tom.

TOM: Yeah, Lucky Chuck,

put the pedal to the metal, your woman is waitin'

and she's feelin' frisky tonight.

Oh, people.

People, what's going on here?

The calls are pourin' in

and you all wanna talk about Bonnie and Clyde,

Bonnie and Clyde.

You'd think they were my personal friends.

TOM (on radio): Hey, Clyde, are you listenin'?

Why don't you give old Tumbleweed a call?

We'll have a nice talk.

People wanna know why...

Why you're doin' what you're doin'.

(alarm ringing)

Go on.

Go!

Get in, baby!

(tires screeching)

( dramatic theme playing)

(sirens blaring)

(horns honking)

(tires screeching)

(horns honking)

(horn honking)

(chatter on police radio)

He just grabbed that poor girl

and she seemed scared to death.

This girl?

Yeah. Yeah, that's her.

Whoo!

Yeah, baby!

We are Bonnie and Clyde now.

Ha-ha-ha! Come on.

C.D., a trooper found this

outside a motel on Route 50.

( melancholy theme playing)

TRIVETTE: Is it Dory's?

Yeah, I gave it to her on her 16th birthday.

Did you find anything else?

Yeah, he said there were signs of a struggle.

(exhales)

MAN: One more.

(grunts)

(men chattering)

That's him over against the fence.

WARDEN: The old timer.

I'll arrange an interrogation room.

I don't have time. I'm gonna go talk to him.

Are you crazy?

Half the guys on this yard, you put 'em in here.

Son of a bitch put me in here.

Never thought I'd get another shot at him.

( ominous theme playing)

(yells)

(crackles)

(moaning)

GUARD: Lock it up.

GUARD 1: Come on, get up.

GUARD 2: Come on, let's go.

Clarkson?

Heard a lot about you, Walker.

Anything good? (scoffs)

Depends on what side of the wall you standin' on.

What you want?

Billy Kramer.

(scoffs): That kid was a freak.

Especially when it come to his heroes,

Bonnie and Clyde.

Read everything about them.

Even read about old Frank Hamer,

the Texas Ranger brought them down.

Yeah, I've been hearin' about old Billy on the radio.

Got a girl with him.

Yeah, against her will.

(laughs)

That's because he needed a...

A Bonnie, a moll.

I told you, the boy obsessed with Clyde.

Wanna be just like him.

Anything else?

Tell you this, Ranger.

That boy ain't scared of dyin'.

He wanna go out in a blaze of glory

and a hail of bullets like his hero.

Thanks, Clarkson.

Hey.

Got a 12-year-old down there in juvie.

I can't do nothin' about him here.

What's his name?

Jerome.

I'll see what I can do.

You know, a lot of folks are fired up out there.

Bonnie and Clyde are on a tear

and people are thinkin',

"Somethin's gotta be done about this."

Wait a minute, folks.

I'm just gettin' a message from the booth.

The management

at KRDY is offering a reward of $10,000

for the capture of Bonnie and Clyde.

$10,000 for the capture

of the Bonnie and Clyde of the '90s.

That's a lot of money.

Cordell, we're gonna have

to head that crazy, mixed-up kid off

or we're gonna have a damn turkey shoot on our hands.

Well, last we heard he was still driving the convertible.

Trivette, raise a chopper. Check all roads heading east.

Why east?

Well, if Billy wants to follow in Clyde's footsteps,

he'd head east toward Louisiana.

Yeah, this is Ranger Trivette...

If he means to go out like Clyde,

he's gonna take Dory with him.

TRIVETTE: Yeah, get Jimmy out here with a chopper.

I'm at Copper Lake Prison.

Walker wants us to check all the roads headin' east.

Now, Long John, you're not suggesting

every cowpoke go vigilante, are ya?

MAN (over radio): You're damn right, I am.

We used to hang horse thieves, didn't we?

Yeah, wonderful. Better than the Gulf War.

We got Clyde on line two.

BILLY (over radio): About time you used my name with some respect, Tumbleweed.

Well, folks,

we got Clyde himself on the horn here.

BILLY: Look, if any of your

half-cocked, redneck listeners out there

get any ideas about coming after Bonnie and Clyde,

they're gonna get their heads blown off.

Tell 'em that, Tumbleweed.

Well, it's gonna be hard to turn 'em back, boy,

because that reward's going up to $15,000.

Yeah, well, by this time next week,

it's gonna go up to 50,000.

Damn it, somebody's gotta put the brakes on.

Dory's liable to get killed in his crossfire.

(men shouting)

(car honking)

TOM: Now, listen up all you cowboys out there.

This Clyde is one scary desperado.

I don't want all you wranglers and buckaroos

to get reckless out there.

These two are dangerous.

So if you've got your sights

set on the $15,000 cash bounty,

you better be sure Bonnie and Clyde

don't have their sights set on you.

Get 'em down at 32. Right.

In the hotel room.

(kissing, moaning)

(ricocheting)

(men whooping)

Gun them down, baby.

(siren beeps)

(men whooping)

Everybody stop those guns!

Get' em down! Get that gun down.

Come on. Right over there on the side of that truck.

Move. All of you move.

Don't you grin at me.

What the hell's going on here?

They're inside.

Bonnie and Clyde, I seen 'em!

I'll check it out, Cordell.

There's no point in goin'.

They're probably deader than canned pork.

If they're dead, can we still get the reward?

If they're dead, you guys are going to prison,

all of ya.

I ain't goin' to prison.

Get back up there!

Cordell, it's just two kids in there sparking.

(men murmuring)

All right, you boys are under arrest.

Get in the back of my pickup. Go on.

Come on.

Let's see your hands. Let's see your hands!

TOM: Hey, Bonnie and Clyde,

that reward's up to 20 grand,

but, Clyde, you give me a call.

I bet we can get that sucker up to $25,000.

WOMAN: Excuse me, you can't go in there.

Well, guess what folks.

The Texas Rangers just rode in.

No, Clyde, I don't know what they're doing here,

'cause if they're standing around lookin' at me,

they ain't out there lookin' for you

like they supposed to be.

(country music playing)

Gentlemen.

I wanna talk to Billy Kramer.

Ha-ha. Clyde.

He don't answer to Kramer no more.

I don't give a damn what he calls himself.

The kid's a killer and I wanna talk to him. Turn it on.

Come on, Ranger.

This ain't real, this is show business.

This is a character I play.

This is all about rating points

and audience participation.

Actually, somethin' like this

will bring people closer together.

Together in a lynch mob.

You're gonna fool around and get that little girl killed,

and yourself in a whole hell of a lot of trouble, mister.

Now, cut the music.

(music stops)

All right, you're hot.

Billy Kramer, this is Ranger Walker.

Call in.

Billy, call in.

There's people out there lookin' for you

to collect the reward.

You're not gonna be famous.

You're gonna be dead.

(country music playing)

♪ My love ♪

♪ is not for sale ♪

♪ Try the game ♪

♪ And you're gonna fail ♪

Dory, I want you to know we're gonna get to you, honey.

WALKER (on radio): Just hang in there.

♪ And all you gotta do ♪

♪ Is touch my heart ♪

♪ Come on, touch my heart ♪

Billy, do the right thing.

Call me.

♪ Touch my heart ♪

♪ Oh, yeah... ♪

BILLY (on radio): Okay, Ranger. It's me, Clyde.

You got him.

Yeah, I heard of you, Walker.

There was a lot of talk about you in prison.

Listen, Billy,

if you wanna get yourself killed, fine,

but leave Dory out of this.

Well, we're in this together, Bonnie and me.

No, we're not, he's forcin' me!

Damn you, don't you hurt that girl!

Some day we'll go down together,

and they'll bury us side by side.

BILLY: To few it'll be grief To the law a relief,

But it's death For Bonnie and Clyde

And that's the way it's gonna be.

Did you get it?

Yeah, the call came from a payphone

just outside of Nacogdoches.

Okay, set up a roadblock at Tyler junction.

Get a helicopter and meet me there.

On my way.

( suspenseful theme playing)

( suspenseful theme playing)

Yeah, I bet that Ranger's got himself an earache.

I hope he does come after us.

(laughs)

You know how they took down Bonnie and Clyde, don't ya?

Ambushed 'em.

Don't worry, Billy.

When he comes, you'll be the first to know.

Hey, Walker, we got 'em.

They're on 67, bound for Tyler junction.

Hang back. We don't wanna spook him.

All right.

Pull back, we don't want him to see us.

C.D., contact DPS.

Have 'em set up a roadblock at Tyler junction.

Cordell, if he makes a stand for it,

she's gonna be in the crossfire.

We have no choice, C.D.

( suspenseful theme playing)

(tires screeching)

(men shouting indistinctly)

(tires screeching)

OFFICER: We got 'em.

(officers shouting indistinctly)

(tires screech)

Billy, please, just give it up.

You just shut up, all right.

( dramatic theme playing)

Let's go.

Get out!

Go on, open the door. Get out!

Come on.

Huh?

(grunts)

Get in.

(dog barking)

(groaning)

OFFICER: Let's go boys.

Clear out the area.

At the end of the cul-de-sac,

get that lady out of that trailer.

Excuse me, ma'am. Have you seen this guy?

Uh-uh. Get her out of here.

(man groaning)

(coughing)

You all right? What happened?

Some guy hit me.

This the guy?

Yeah. Yeah, that's the guy.

Do you know where he is?

He's over there, in that trailer.

Take care of him.

OFFICER: Hold on, sir. You okay?

TOM (on radio): Clyde, are you still out there?

Those Rangers that passed through

informed old Tumbleweed

that the girl with you is a hostage.

Now, as I recall it,

Bonnie wanted to be with Clyde.

This girl doesn't want any part of you.

What's the problem, Billy?

You gotta drag a woman along?

Can't you get one on your own?

Clyde did!

What does he mean, hostage?!

(sobbing)

You wanna be here, don't you?

Huh?

(woman shouts indistinctly)

Rangers. Ha-ha-ha.

Watch it!

(Dory screams)

C.D.: Hold your fire.

(Dory sobbing)

BILLY: Back off!

I'll kill her, I mean it!

Give it up, Billy.

Hold on.

Well, if it ain't a real, live Texas Ranger.

Come on, Billy, let her go if you love her.

Come on, son.

We're together for life. Open the door.

BILLY: Go on, get in.

It's over, Billy.

Scoot across, nice and slowly.

BILLY: Come on, come on.

Turn on the engine.

We ain't gonna die, Ranger!

Come on, drive, drive.

Drive!

Hey, watch it!

(gunshot)

WALKER: Get back!

(men shouting)

We got to get to him, Cordell.

Okay.

( suspenseful theme playing)

(country music playing inside)

(indistinct shouting)

Get out.

Sounds like a hoedown.

Sooner or later you're gonna get us both killed, Billy.

Come on, honey bunny, that's no way to be.

Let's go inside and have ourselves a dance, come on.

MAN: ♪ That honky-tonk sound On the bayou grounds ♪

♪ Where guitars are made To slide ♪

♪ With the melody ♪

♪ And three-part harmony ♪

♪ Give me that sweet ♪

♪ Country music ♪

♪ Well, you can sing along ♪

♪ And understand the words ♪

♪ Give me that sweet ♪

♪ Country music ♪

Dance.

Dance.

Dance!

♪ A simple love song When you know you were wrong ♪

♪ You know it's gonna lead To romance ♪

♪ Some melodies And three-part harmony ♪

I like your woman.

I'm takin' her.

Get your own woman.

You can do that, can't ya?

Yeah.

♪ Give me that sweet ♪

(gasps)

There's a red convertible. Let's check it out.

(band playing country music)

♪ I can feel the heat ♪

♪ But I couldn't feel The flame ♪

♪ Where there's smoke ♪

WOMAN: Woo-hoo!

Here's your beer, and a whiskey back.

♪ I don't feel the flames ♪

♪ Gettin' hotter and higher ♪

You're them.

Bonnie and Clyde.

(people chattering)

Looks like a pretty good place to lay low for a while.

Pigs lookin' for you?

It sure would mean a lot to me if

they didn't catch up to us.

They won't.

Guaranteed.

(man whoops)

MAN: Hey, hey, hey, we got the Rangers here.

WOMAN: Ooh.

MAN: It's true. Let the pigs through.

(softly): Trouble.

Hey.

♪ I can feel the flames ♪

♪ Gettin' hotter and higher ♪

Where do you think you're goin', Pops?

(grunts)

Hey, hey, hey!

Hey, get out... Get out of my way.

You're goin' the wrong way.

Out of the way.

(band stops playing)

(crowd cheering)

Goddamn.

(crowd shouting)

He got away, Cordell.

( mysterious theme playing)

TOM: Hey, Clyde, where are you, boy?

We haven't heard from you in a while.

Are you scared?

Are you runnin' scared like a scalded hound

with your tail twixt your legs?

You're not livin' up to Clyde's reputation.

The price on your head's comin' down, boy.

Comin' down.

Well, folks, we got...

We got Clyde on the line again, only,

fact is, this ain't Clyde.

This is...

This is just little Billy Kramer.

He's an ex-con.

Oh, yeah? He's a loser.

I am Clyde, damn it. That's who I am.

No, boy, you're not Clyde.

And that little girl with you is not Bonnie.

Please,

let her go.

Please.

Then do the world a favor

and you give yourself up too.

Before somebody else dies.

Nobody's gonna take me down.

You know, I'm sick of hearin' your voice.

Somebody should come shut you up for good.

( suspenseful theme playing)

Carlin's the next town.

You think he'll hit the bank there?

No, I don't think so.

Cordell, what is he gonna do?

(yelling)

BILLY: Everybody, get out of here!

Get out, get out, get out!

Get out of here right now!

Go on!

I'm not runnin' anymore, Tumbleweed!

Anybody wanna come collect that reward,

they know where to find me!

Folks, somethin's come up. I'll get...

Get out, go on!

How you doin'? I'm Clyde.

This here's Bonnie.

I don't like what you been sayin' on the radio.

Someone's gotta take you off there for good.

Billy, no! Billy.

It's Ranger Walker.

You said you wanna take a Texas Ranger down?

Well, here I am.

WALKER: Or were you just talk?

Walker.

I'm waiting.

No, Billy. Please, no.

No.

Bonnie said herself:

"I will go with Clyde to the end."

BILLY: Prove it.

When he dies, I die!

Now, that's the way it's gonna be.

Is that how you're gonna take me down?

Hiding behind a girl?

You got a fair chance, Ranger.

All you gotta do is go for it.

Let her go, Billy.

Uh-uh.

We go down together. Isn't that right, sweetheart?

Ah, God!

Come here, sugar, come. It'll be all right.

It's over, Billy.

Let's go.

( dramatic theme playing)

(grunts)

Ah!

(grunts)

(light rock action theme playing)

♪ 'Cause the eyes Of the Ranger ♪

♪ Are upon you ♪

♪ Any wrong you do ♪

♪ He's gonna see ♪

♪ When you're in Texas ♪

♪ Look behind you ♪

♪ 'Cause that's Where the Ranger's ♪

♪ Gonna be ♪