Original subtitles

(disco music playing on club PA)

♪ Come on, anybody ♪

♪ Listen to me now ♪

♪ Let's go to Cisco's And have a ball ♪

♪ If anybody ♪

♪ Likes to feel good ♪

♪ Then you should feel good ♪

♪ And get real small ♪

♪ Dit-doo Doo doo doo-doo doo ♪

♪ Dit dit-doo Doo doo doo-doo doo ♪

♪ Disco ♪

♪ Cisco ♪

♪ Dit dit-doo Doo doo doo-doo doo ♪

♪ Dit dit-doo Doo doo doo-doo doo ♪

♪ Disco ♪

♪ Cisco ♪

♪ Hey ♪

♪ All right ♪

♪ Whoo ♪

♪ Whoo ♪

♪ Oh, yeah All right ♪

♪ Everybody, come on ♪

♪ Is anybody ♪

♪ Here from Pittsburgh ♪

♪ Where the wind blows ♪

♪ All night long? ♪

♪ If anybody ♪

♪ Makes you feel good ♪

(whispering indistinctly) (laughs)

♪ Dit-doo Doo doo doo-doo doo ♪

♪ Dit dit-doo Doo doo doo-doo doo ♪

♪ Disco ♪

♪ Cisco ♪

♪ Dit dit-doo Doo doo doo-doo doo ♪

♪ Dit dit-doo Doo doo doo-doo doo ♪

♪ Disco ♪

♪ Cisco ♪

♪ Come on, come on ♪

(inaudible dialogue)

( tense theme playing)

You're not going back.

Just walk away with me now.

Two more days, that's all I need.

No, you've been under way too long.

Look, the decision's been made. Let's get out of here.

Forty million dollars worth of cocaine.

I'm this close to finding out how it's coming in.

Felix, you meet my cousin?

Aah!

I've got something really special

in mind for you, Alicia.

I think you're gonna like it.

WALKER: You know, your kicks are really getting good.

Let's work on the pads.

All right.

Let's work the spinning round kick,

going low, right for the thigh.

The key thing here, Trivette, is to roll the hip,

pivoting on the ball of the foot,

rolling the hip in from here.

Hold it down there. Here.

You okay? Yeah.

All right, now you try it.

Okay, fighting stance. (grunts)

Now, remember the key thing now is to roll the hip,

aiming right for the pad.

Okay, go for it. Go.

(grunting)

That's okay. It's all right.

I'm fine.

The pad.

Let's try the crescent kick.

All right?

Now, again, the same thing. It's all hip action,

but now you're hitting with the side part of the foot.

Now watch. From here, coming in,

and across right there.

All right, you try it.

All right.

Right here. Go.

(yelling)

I'm sorry. I'm sorry.

That's all right. That's all right.

I'm fine. I'm fine.

Okay, let's try our hands.

Here.

I'm sorry. That's okay.

All right. Now, this is the hit.

Coming through,

I want you to shove off on the back foot

as you shuffle through, then come straight in,

twisting the wrist over.

Watch. From here, slide up,

and straight in.

Your turn.

Okay, the hit.

Okay, give a right through there.

So you gotta slide up on that back foot,

throw that punch. Go.

I'm all right. Oh!

I'm fine.

(door opens)

Walker, I need to talk to you.

Thank God.

(mouthing words)

(groans)

You know a Commander Lane

with Drug Enforcement in Washington?

Yeah, I do.

I did some undercover work for him

down in the bayou.

Well, he wants to borrow you again

for an operation in Miami.

Well, it couldn't be any more dangerous

than working out with Trivette.

Don't count on it.

There's already one cop dead,

and it may be too late to save another.

He wants you on a plane as soon as you can get showered.

He said don't expect a friendly welcome.

(light rock action theme playing)

♪ In the eyes of a Ranger ♪

♪ The unsuspecting stranger ♪

♪ Had better know the truth ♪

♪ Of wrong from right ♪

♪ 'Cause the eyes Of the Ranger ♪

♪ Are upon you ♪

♪ Any wrong you do He's gonna see ♪

♪ When you're in Texas Look behind you ♪

♪ 'Cause that's where The Ranger's gonna be ♪

( upbeat theme playing)

♪ Hey, yeah ♪

♪ Ooh ooh-ooh ooh ♪

♪ Hey, hey ♪

♪ Hey, yeah, yeah, yeah ♪

♪ When the moon comes up In Miami town in F-L-A ♪

♪ Then it's time To get out to the grove ♪

♪ And it's time to play ♪

♪ Then it's time To get out to the grove ♪

♪ And it's time to play ♪

(disco music playing)

♪ When the heat is on ♪

♪ And you can't Slow me down ♪

♪ When the time is right ♪

♪ I wanna be around ♪

♪ And I lose control ♪

♪ It's an awful sound ♪

♪ Like I'm winnin' ♪

♪ And everything's Gonna make you sorry ♪

♪ If you don't Dance with me ♪

♪ Sorry ♪

♪ If you don't Dance with me ♪

♪ Sorry ♪

♪ If you don't Dance with me ♪

♪ Sorry ♪

♪ If you don't Dance with me ♪

(inaudible dialogue)

♪ Everybody wants to ♪

♪ I'm the one To show you how ♪

That's for you.

Okay.

♪ When the meter's on ♪

♪ And the table's set ♪

♪ I'm the girl for you ♪

♪ And that's a real good bet ♪

♪ 'Cause I like to dance ♪

♪ And I lose control ♪

♪ Like I'm spinnin' ♪

♪ And baby You're gonna be sorry ♪

(men laughing) Look, don't even tip.

Just take care of the tab, all right?

No, no, no, no, come on. What's wrong? You don't like us?

WAITRESS: No. No. MAN: You don't like us?

Oh, come on. How about a little dancing?

Come on.

You forgot your tip. Come on.

Hey, hey, back off, hotshot.

Who are you, her mother?

I can handle this, okay?

Yeah, sure you can. Come on.

Hey, don't turn your back on me.

(grunting)

Sit down.

All right. Be nice.

That was very nice of you. Thank you.

Don't mention it.

Can I get you anything to drink?

Yeah, beer would be fine.

All right.

♪ When the heat is on ♪

♪ You can't slow me down ♪

♪ When the time is right ♪

♪ I will be around ♪

♪ 'Cause I lose control ♪

♪ It's an awful sound ♪

♪ Like I'm breathin' ♪

♪ And everything's Gonna make you sorry ♪

♪ If you don't Dance with me ♪

♪ Sorry ♪

(inaudible dialogue)

♪ Sorry ♪

♪ If you don't Dance with me ♪

♪ Sorry ♪

♪ If you don't Dance with me ♪

You were asking for Mr. Darius?

That's right.

What's your business?

My business is none of your business.

You can tell me.

Who are you?

I am Mr. Darius' assistant.

I don't deal with assistants.

Felix, Felix,

at least wait until he leaves a tip, okay?

DARIUS: Felix,

why spoil a nice evening, my friend?

It's after business hours, wouldn't you say, Mr...?

Rankin.

Cord Rankin.

And I do business 24 hours a day.

What exactly is your business, Mr. Rankin?

I work for the Matchman's company in Dallas.

It's a respected company.

Yes, it is.

We'll be in touch.

Música.

(disco music playing)

All right. Thank you, sir.

MAN: Hey.

Welcome to Miami.

TRIVETTE: That's enough. Hold it.

Pick him up.

Miami P.D. Welcome to town.

Toss the car.

They don't got enough dope in Dallas?

You got a permit for this?

Car's clean. That's too bad.

We'll have to get you next time.

And there will be a next time.

( tense theme playing)

( suspenseful theme playing)

Captain Sutter?

Yep.

Hear our little show went off all right last night.

I was convinced.

Your boys seemed to enjoy it.

Well, they had to make it look real.

Besides, uh,

we've been down here on the line, month after month,

in the hottest drug town in the U.S.

We know what we're doing.

We can take care of it.

Can't blame the boys for getting upset

when an outsider is forced down our throat.

I know I am.

Look, I didn't come down here to step on anyone's toes.

But three of your undercover boys

have been killed in the last six months.

It's a tough business.

Well, that means there could be a leak,

and I've been sent down here to plug it.

Okay, but we do it my way, by my rules.

Fine by me. Let's just get the job done.

Okay.

I'm stuck with you and this Trivette,

so I intend to use the hell out of you, so let's get to it.

Anything new in your story I should know about?

I've been sent down here to buy drugs

for the Dallas syndicate.

I want to keep it simple.

Okay.

I'll introduce you to your backup.

Cousins.

Hell of a cop.

Yeah, he looks like he could handle himself.

Not him.

Her.

Walker, let me introduce you to Officer Cousins.

Yeah, we've met.

You came too close last night.

Darius' bodyguard you got nose to nose with?

You don't want him.

Well, we weren't exactly nose to nose.

COUSINS: If you mess with him,

we'll end up scraping you off the street too,

and I don't have time for that.

Captain, could I talk to you for a minute?

Alone.

Look, nothing personal,

but she couldn't handle two drunks last night.

You're looking at a tough lady there.

She's been on the inside of Darius' club

since the beginning.

She knows all the players.

Besides, you'll take whoever I give you.

Give her a shot, Ranger. She might just surprise you.

Well, I hope pleasantly.

(sighs)

WALKER: Where does Darius live?

COUSINS: With the big money.

Expensive houses, fast boats.

A lot of it bought with drug money.

The drugs have really changed Miami.

Drugs have changed the whole world.

Up ahead, that's Darius' estate.

Better not get too close.

A lot of security.

We had the place under surveillance once,

but the yachtsman got turned around

and asked for directions.

Guns came out everywhere.

The place is a fortress.

What makes you think your friend is still alive?

We never found her body.

We think Darius took her.

Maybe to find out what she knew.

That wouldn't take long,

then he'd kill her.

What makes you think he'd hold onto her?

Because Darius likes to inflict pain,

likes to make an example.

About a year ago, one of our agents disappeared.

We found him a month later, tortured and starved to death.

Alicia and I graduated from the academy together,

and there's nobody I'd rather have watch my back than her.

Her mom calls almost every day, worried to death.

I don't know. I try to sound hopeful, but...

last time I talked to her, I just lost it.

Well, I know how you feel, Jane.

I lost a partner of my own.

If she's alive, we'll find her,

and we'll deliver a little pain ourselves.

(footsteps on concrete)

Mr. Marchetti.

Yes, sir.

Carlos Darius.

Very well, thank you, and yourself?

Hm.

There is someone here in Miami bringing regards from you.

Yes.

He says regards from the Matchman.

That is a name I take very seriously, sir.

MARCHETTI (on phone): That's right. Cord Rankin.

We're in the market for a number of suits.

Our sources are having labor troubles.

Twenty would be nice.

Twenty, yes.

No, no, no. Yes, of course.

I can soon have that amount for you.

Very well. Thank you.

We'll be talking.

This Miami thing, this man, this is nothing to me.

We'll tell the judge you cooperated.

(lawn mower whirring)

(lawn mower whirring)

( man talking indistinctly)

( woman talking indistinctly)

( door opens)

( woman whimpering)

( suspenseful theme playing)

I heard some voices.

It sounded like a woman in distress.

It's too hard to tell,

so I'm gonna try to get the computer

to clean up the track.

Man, baby, you sure got a nice set of wheels on you.

Grow up, guys.

(laughing)

Oh, jeez, this is all I need.

The guys say she's a good cop, man.

Well, maybe so, but I don't have time for this.

Hey, darling, why don't you let me help you with that, huh?

That's giving a new meaning to the term "gentler sex."

Where'd you learn the martial arts?

Catholic school.

Oh, really?

Oh, whoa, whoa.

My hero. Oh, funny.

Let's go.

( woman whimpering)

Bits and pieces. That's all I got.

( woman whimpering)

That's her.

It's hard to tell.

No, I'm telling you, that's her.

We've gotta tell the captain. Gotta get her out of there.

We go galloping in there, they're gonna kill her

as soon as the fireworks start.

(knocking on door)

(whispers): Darius.

( tense theme playing)

I hope it's not too late.

No, come on in.

What's on your mind?

I thought we could talk a little business.

Well, that's what I'm down here for.

Where you going?

Any reason he shouldn't go in there?

Yeah, it's none of your business.

If you and I are going to do business, Mr. Rankin,

it is my business.

This is just a little embarrassing.

No, not at all.

Please forgive Felix's manners.

Let's go for a drive.

His cover's blown.

Hold on.

No time.

( suspenseful theme playing)

Where we going?

Mr. Marchetti says you know your business.

I like to see these things for myself.

(tires squealing)

All right, take it back.

(tires screeching)

(truck beeping reverse)

( suspenseful theme playing)

Why'd you bring me on this drug buy?

You'll see.

What do you think?

You could step on it all the way to New Orleans

and still be flying.

I love to hear it.

Felix, pay our friends.

WALKER: I don't get it.

This amount doesn't mean anything to you.

Just buying up the rival supply.

Eliminating the competition.

Pay attention.

( tense theme playing)

(grunting)

DARIUS: The reason I brought you along, Mr. Rankin,

is so that you could experience, up close and personal,

exactly what will happen to you if you cross me.

I get the point.

Tell the Matchman we have a deal.

He'll be glad to hear it.

We can work out the delivery arrangements

tomorrow at a little gathering I have planned.

Felix.

( suspenseful theme playing)

(door opens)

Well, we weren't sure you were coming back.

I was beginning to wonder myself.

You contact Sutter?

He listened to the tape

and he can't identify Alicia either.

Says he's not going in until he's sure.

Well, we may get a chance tomorrow afternoon.

(Latin dance music playing)

Cameras everywhere.

(inaudible dialogue)

Mr. Rankin,

I'm happy you could attend my party.

It's a pleasure.

Do you salsa dance, Mr. Darius?

Yes, I do.

As a matter of fact, I'm quite good.

I'll bet you are.

Do you mind?

No, not at all.

(music stops, applause)

(Latin dance music playing)

♪ Oh yeah ♪

♪ My house ♪

♪ See what we get to do ♪

♪ My house ♪

♪ Where we party for you ♪

♪ And there's no one ♪

♪ To tell us not to ♪

♪ Our house ♪

♪ Let the music Play all night ♪

♪ Sometimes we'll dance In the streets ♪

♪ Sometimes It's all for the scene ♪

♪ I don't know anything Better to do ♪

♪ Than to party with you ♪

♪ Party with you ♪

♪ My street ♪

♪ Everybody comes down ♪

♪ They all face Where the music's alive ♪

♪ And it's too hot ♪

♪ To do anything else ♪

♪ Our house Let the music play ♪

( tense theme playing)

(applause)

We move well together.

Yes, we do.

(playing Latin dance music)

Would you like another one?

It's tempting,

but I should attend to my guests,

including your new paramour.

Mr. Darius, really,

you've got me very much in the mood.

Couldn't we just dance once more?

( tense theme playing)

Maybe another time.

Okay.

She has excellent moves. You're a lucky man, Mr. Rankin.

Well, I'd feel a lot luckier if I could tell the Matchman

when the merchandise was coming in.

Tell him the suits arrive tonight.

I can fill your order tomorrow.

He'll be glad to hear about it.

Please enjoy yourselves.

Thank you.

Thank you.

Did you find her?

(whimpering)

( ominous theme playing)

(door opens)

No.

Please don't.

Please leave me alone.

(speaking Spanish)

I hate to see you in such pain, my dear.

You want me to go?

Hm?

You want me to leave? Just say no and I'll go.

You say yes, and it's happy hour.

Hm?

No?

Yes?

No?

Okay.

(whimpering)

Yes. What?

Hm?

Say it.

(gasping)

Y-Yes.

I can't hear you.

Yes.

Yes? All right.

Come here. Come on.

It's going to be all right.

Hold on tight now, baby.

You ready?

Hm?

(gasping)

( ominous theme playing)

WALKER: You send an army after Alicia,

they'll kill her before we can even get close.

This is my turf, Walker. I call the shots.

He's right, captain. That's enough, Cousins.

Let me go in after her.

You?

Yeah, with Jane as a backup.

No way.

Look, I don't know how you do it in Texas, Walker,

but I don't send my people in

without more backup than they need.

She's all the backup I'll need.

Look, Darius will be sending most of his men

to pick up the drugs tonight,

and you're gonna need every man you can get to make the bust.

Oh, the coke is coming in tonight, huh?

I don't suppose you could tell me where and when?

Pier 23 at 9:00 aboard the Luna Negra.

How in the hell do you know that?

Wiretap on Darius.

Like Walker said, he'll all his men there,

so you're gonna need all your men too.

What do you say, captain?

All right, Walker, it's your show,

but it better not fall flat on its ass.

(crickets chirping)

( suspenseful theme playing)

(birds calling)

Hey, sexy.

DARIUS: It's such a shame, Alicia.

I was really growing quite fond of toying with you,

but you're no fun anymore.

So I'm going to give you one last ride

on the golden pony.

A ride you'll enjoy very much,

all the way to the end.

I don't see anything. It's kind of quiet tonight.

No. Please, no.

Oh, that turns me on, Alicia.

I love it when narcs beg me for their lives.

ALICIA: No.

(groans)

You all right?

Who are you?

Never mind. Come on.

(grunting)

(man grunts)

(guns click)

Here, take her.

Get out of here.

( tense theme playing)

(both grunting)

(men grunting)

Listen, Alicia, I'll be right back.

(growls)

(grunting)

(gasping)

(both gasping)

(panting)

( action theme playing)

(engine revving)

(tires squealing)

(tires screeching)

(grunts)

(sirens wailing)

I appreciate you taking us to the airport.

It's the least I can do.

Thank you for saving Alicia's life.

Mine too.

Well, that's what partners are for.

You're a hell of a man, Walker.

Well, you're a hell of a cop.

C.D.: Alex, just look at this.

Made the front page.

The DEA took down a freighter

with $40 million worth of cocaine on it,

and Cordell did not get one sentence.

Well, isn't that the point? They were working undercover.

I mean, maybe the DEA will wanna use them again.

Well, that sounds right, but it just doesn't seem fair.

Good night! What happened to you?

You look like six miles of bad fence.

Make it 12.

Walker, what happened to you?

Well, actually, Trivette did most of this.

Hey, will you stop that?

I had a couple of Miami cops roust him.

They're holding me as he was hitting me.

TRIVETTE: Look, I...

A nine-foot-tall guy beat you up,

and you blame it on me.

Nine feet?

Will you stop exaggerating? I am not exaggerating.

WALKER: He was not nine feet tall.

How tall was he?

Well, no more than eight feet.

Eight feet?

Yeah. C.D.: Well, like they say,

the bigger they come, well, the...

Well, the harder they hit. Believe me.

( rustic theme playing)

( upbeat theme playing)

♪ 'Cause the eyes Of the Ranger ♪

♪ Are upon you ♪

♪ Any wrong you do He's gonna see ♪

♪ When you're in Texas Look behind you ♪

♪ 'Cause that's where The Ranger's gonna be ♪