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1
0:0:42,751 --> 0:0:45,295
- This whole world has just been
one big dream.
2
0:0:46,338 --> 0:0:48,715
- Okay, just relax.
3
0:0:49,383 --> 0:0:52,219
It all just feels like it's not
real.
4
0:0:55,931 --> 0:0:57,724
We didn't start making music
because
5
0:0:57,724 --> 0:0:59,476
we saw ourselves standing on
stage.
6
0:1:1,311 --> 0:1:2,604
We started making music
7
0:1:2,604 --> 0:1:5,23
because it's the way we connect.
8
0:1:10,28 --> 0:1:11,655
- (Radio chatter) The upstage
wall?
9
0:1:11,989 --> 0:1:14,32
- The hybrid blow-through.
Hybrid.
10
0:1:15,534 --> 0:1:17,160
- Copy, walking onstage.
11
0:1:19,288 --> 0:1:20,372
- Should be coming up in a
second.
12
0:1:23,667 --> 0:1:25,294
- Chrissy to Neil.
13
0:1:25,836 --> 0:1:27,4
- Go for Neil.
14
0:1:27,337 --> 0:1:29,798
- Are you ready for me to bring
drumline to you?
15
0:1:29,798 --> 0:1:32,134
- Yep, drumline can come up.
Drumline can come up.
16
0:1:33,218 --> 0:1:34,553
- IMAG, are you show ready?
17
0:1:35,304 --> 0:1:37,222
- IMAG show ready.
18
0:1:37,681 --> 0:1:39,182
- Wardrobe. Are you show ready?
19
0:1:39,850 --> 0:1:41,476
- Wardrobe ready.
20
0:1:42,144 --> 0:1:43,645
- Monitors, are you show ready?
21
0:1:44,271 --> 0:1:45,355
- Monitors show ready.
22
0:1:45,731 --> 0:1:47,107
- Lasers, are you show ready?
23
0:1:47,566 --> 0:1:48,525
- Lasers ready.
24
0:1:48,525 --> 0:1:50,986
- Backline and drum LED, are
you show ready?
25
0:1:50,986 --> 0:1:52,154
- Show ready.
26
0:1:52,154 --> 0:1:54,239
- Front of house lighting and
video, are you show ready?
27
0:1:54,239 --> 0:1:55,615
- Front of house, show ready.
28
0:1:55,615 --> 0:1:56,908
- Playback, are you show ready?
29
0:1:56,908 --> 0:1:57,993
- Show ready.
30
0:1:57,993 --> 0:1:59,870
- Neil, I'm coming up with the
guys to stage.
31
0:2:0,746 --> 0:2:4,416
- ODESZA, ODESZA, ODESZA!
32
0:2:15,510 --> 0:2:17,471
♪ This version of you
33
0:2:19,639 --> 0:2:22,267
Simply becomes real
34
0:2:27,939 --> 0:2:31,151
And you're right here with this
version of you
35
0:2:35,989 --> 0:2:38,700
To see things as they really are
36
0:2:42,245 --> 0:2:44,956
This version of you looking at
you
37
0:2:48,126 --> 0:2:50,295
You looking back
38
0:2:53,840 --> 0:2:56,927
This version of you welcoming
you
39
0:3:2,682 --> 0:3:5,769
This version of you saying,
"Yes"
40
0:3:13,276 --> 0:3:15,821
I'd like you to imagine
41
0:3:16,947 --> 0:3:18,907
This version of you ♪
42
0:7:53,181 --> 0:7:54,933
-We are...
43
0:7:54,933 --> 0:7:56,393
- I don't know what, 30 days?
44
0:7:56,393 --> 0:7:59,562
- Exactly a month, basically,
from today, so...
45
0:7:59,562 --> 0:8:1,231
- We will have our first show.
46
0:8:1,231 --> 0:8:2,148
- Back to it.
47
0:8:2,148 --> 0:8:4,192
- Whoa'.!
48
0:8:4,192 --> 0:8:5,568
Look at this! Where we at?
49
0:8:5,568 --> 0:8:6,152
Where we at?
50
0:8:6,152 --> 0:8:8,571
Oh, no!
51
0:8:8,571 --> 0:8:9,656
We're filming!
52
0:8:9,656 --> 0:8:10,365
- Stop!
53
0:8:10,365 --> 0:8:11,282
You got the camera.
54
0:8:11,282 --> 0:8:12,75
- Oh, always got the camera!
55
0:8:12,75 --> 0:8:12,617
This is the zoom.
56
0:8:12,617 --> 0:8:14,202
- Wow.
- Right there. And it's just there's....
57
0:8:14,202 --> 0:8:15,704
- There's some real nostalgia in
looking through this.
58
0:8:15,704 --> 0:8:17,414
Oh this zoom is good.
59
0:8:17,414 --> 0:8:18,873
Wow, it's like a pretty powerful
zoom.
60
0:8:18,873 --> 0:8:19,624
- Yeah.
61
0:8:19,624 --> 0:8:21,42
- There he is.
62
0:8:21,42 --> 0:8:22,252
- Hey!
63
0:8:22,252 --> 0:8:23,753
- Sky's in there.
64
0:8:23,753 --> 0:8:25,4
- Looking good!
65
0:8:25,4 --> 0:8:27,132
- Reed really has it with the,
when you look through it.
66
0:8:27,132 --> 0:8:27,590
- Yeah.
67
0:8:27,590 --> 0:8:28,800
- Hi, Chunky.
68
0:8:29,718 --> 0:8:30,885
-I mean, how long has it been
since, like,
69
0:8:30,885 --> 0:8:32,220
the crew's gotten back together?
70
0:8:32,512 --> 0:8:35,390
- Really, three years since the
last show - The Finale.
71
0:8:35,390 --> 0:8:37,58
So, it's been a while.
72
0:8:37,475 --> 0:8:38,435
Hey, he!!!
73
0:8:39,310 --> 0:8:40,520
I just want to play with the
PUPPY-
74
0:8:40,520 --> 0:8:41,521
(Dog howling)
75
0:8:41,980 --> 0:8:43,440
It's been a minute since we've
been here.
76
0:8:43,440 --> 0:8:44,941
- How we doing?
- Hey!
77
0:8:44,941 --> 0:8:48,695
Well as soon as the album was
finished, we started writing the set.
78
0:8:48,695 --> 0:8:50,905
- Day one of us all sitting
together working on the set.
79
0:8:50,905 --> 0:8:52,323
- How we feeling?
80
0:8:52,323 --> 0:8:54,409
- Bringing someone out is a
shift in the set.
81
0:8:54,409 --> 0:8:56,286
- Bringing the drum line out is
a shift in the set
82
0:8:56,286 --> 0:8:58,913
and you want those things to
all feel cohesive
83
0:8:58,913 --> 0:9:0,582
and also have impact.
84
0:9:0,582 --> 0:9:2,375
This, I think, would be an
interesting combo.
85
0:9:3,585 --> 0:9:5,920
Drum and bass “Falls”.
86
0:9:5,920 --> 0:9:8,506
- Yeah, that's interesting.
87
0:9:8,506 --> 0:9:9,924
I don't know. I don't know, man.
88
0:9:10,550 --> 0:9:13,136
- Can you drop me the “Behind
The Sun” stems?
89
0:9:13,887 --> 0:9:15,555
So what we're doing right now is
90
0:9:15,555 --> 0:9:17,390
we're listening to the final mix
down.
91
0:9:19,642 --> 0:9:20,477
- We'll get it.
92
0:9:20,935 --> 0:9:23,188
-And then build the transitions
and level things together
93
0:9:23,188 --> 0:9:25,356
so all the songs feel cohesive.
94
0:9:26,24 --> 0:9:28,443
Yeah, I guess you're going to want to
turn the drumline down anyways, right?
95
0:9:28,443 --> 0:9:31,696
- I'm going to go through the set
just to make sure that the lead vocal
96
0:9:31,696 --> 0:9:33,281
and the drum line are separated.
97
0:9:36,117 --> 0:9:40,330
Or I guess I can just get used
to doing this stuff before I start.
98
0:9:43,750 --> 0:9:45,919
- Yeah, we spent a lot of time
trying to focus on
99
0:9:45,919 --> 0:9:48,671
how these energy levels rise,
where we want to take the audience.
100
0:9:49,5 --> 0:9:50,590
Where we want to, like, kind of
surprise them,
101
0:9:50,590 --> 0:9:52,467
where we want to trick them a
little bit.
102
0:9:54,385 --> 0:9:58,264
Get rid of that guy and then
move them over one each.
103
0:10:4,437 --> 0:10:5,438
Start it over.
104
0:10:17,826 --> 0:10:19,536
- That's actually the scariest
part.
105
0:10:19,536 --> 0:10:22,539
I feel like all of us have been
so
106
0:10:23,331 --> 0:10:26,501
in the moment of, like, being
detail-orientated and making the show
107
0:10:26,501 --> 0:10:28,711
that we haven't been thinking
about actually playing the show.
108
0:10:30,421 --> 0:10:31,631
I'm a little nervous for sure.
109
0:10:31,631 --> 0:10:34,592
It's been three years, so we'll
see what happens.
110
0:10:35,510 --> 0:10:39,430
♪ I could be down on it
111
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You could be all we need
112
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I could be down on it
113
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You could be all we need
114
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This is not a tactic to expose
you babe
115
0:11:11,504 --> 0:11:14,340
I'm just trying to see you in
your moment baby
116
0:11:14,340 --> 0:11:17,343
I could be down on it
117
0:11:18,678 --> 0:11:22,557
You could be all we need
118
0:11:23,433 --> 0:11:27,353
I could be down on it
119
0:11:28,354 --> 0:11:32,233
You could be all we need
120
0:11:53,880 --> 0:11:57,759
I was thinking you and I could
121
0:11:58,509 --> 0:12:2,430
Skip the part where we small
talk each other
122
0:12:3,264 --> 0:12:7,185
Turn the beat up, turn it real
loud
123
0:12:8,61 --> 0:12:12,23
Turn the beat up, turn it real
loud
124
0:12:12,857 --> 0:12:15,193
Hold me to my word this time
125
0:12:15,193 --> 0:12:17,570
I'm gonna take another ride
126
0:12:17,570 --> 0:12:19,864
Call me on my bitter side
127
0:12:20,156 --> 0:12:22,325
Call me on my cell at night
128
0:12:22,325 --> 0:12:24,619
Take it to the limit babe
129
0:12:24,994 --> 0:12:27,205
Don't ask me to commit a thing
130
0:12:27,205 --> 0:12:29,499
if no one gets hurt, what was it
worth
131
0:12:29,499 --> 0:12:30,833
What was it worth
132
0:12:30,833 --> 0:12:33,795
I could be down on it
133
0:12:35,129 --> 0:12:39,50
You could be all we need
134
0:12:39,926 --> 0:12:43,805
I could be down on it
135
0:12:44,806 --> 0:12:48,685
You could be all we need ♪
136
0:13:36,941 --> 0:13:38,860
♪ You can't break my heart
137
0:13:38,860 --> 0:13:41,279
'Cause I was never in love
138
0:13:41,696 --> 0:13:43,197
Never in love
139
0:13:43,197 --> 0:13:45,658
'Cause I was never in love
140
0:13:46,200 --> 0:13:47,577
You can't break my heart
141
0:13:47,577 --> 0:13:49,996
'Cause I was never in love
142
0:13:50,455 --> 0:13:51,873
Never in love
143
0:13:52,457 --> 0:13:54,876
Oh, you can't break my heart
144
0:13:54,876 --> 0:13:56,377
You can't break my heart
145
0:13:56,878 --> 0:13:58,379
You can't break my heart
146
0:13:59,130 --> 0:14:0,631
You can't break my heart
147
0:14:1,466 --> 0:14:2,967
You can't break my heart
148
0:14:3,593 --> 0:14:5,94
You can't break my heart
149
0:14:5,720 --> 0:14:7,221
You can't break my heart
150
0:14:7,930 --> 0:14:9,474
You can't break my heart
151
0:14:20,526 --> 0:14:21,69
You can't
152
0:14:27,575 --> 0:14:29,702
Don't know where without your
love
153
0:14:29,702 --> 0:14:31,79
You can't break my heart
154
0:14:31,79 --> 0:14:33,539
'Cause I was never in love
155
0:14:38,503 --> 0:14:39,879
You can't break my heart
156
0:14:39,879 --> 0:14:42,298
'Cause I was never in love
157
0:14:42,882 --> 0:14:44,300
Never in love
158
0:14:44,300 --> 0:14:46,719
'Cause I was never in love
159
0:14:47,303 --> 0:14:48,679
You can't break my heart
160
0:14:48,679 --> 0:14:51,57
'Cause I was never in love
161
0:14:51,599 --> 0:14:53,17
Never in love
162
0:14:53,17 --> 0:14:55,478
'Cause I was never in love
163
0:14:55,978 --> 0:14:57,355
You can't break my heart
164
0:14:57,355 --> 0:14:59,774
'Cause I was never in love
165
0:15:0,358 --> 0:15:1,734
Never in love
166
0:15:2,360 --> 0:15:3,945
Oh, you can't break my heart
167
0:15:4,237 --> 0:15:4,654
Let's go
168
0:15:12,787 --> 0:15:13,329
You can't
169
0:15:20,44 --> 0:15:22,171
Don't know where without your
love
170
0:15:22,171 --> 0:15:23,548
You can't break my heart
171
0:15:23,548 --> 0:15:25,967
'Cause I was never in love
172
0:15:26,551 --> 0:15:27,969
Never in love
173
0:15:27,969 --> 0:15:30,388
'Cause I was never in love
174
0:15:30,888 --> 0:15:32,265
You can't break my heart
175
0:15:32,265 --> 0:15:34,684
'Cause I was never in love
176
0:15:35,226 --> 0:15:36,602
Never in love
177
0:15:37,270 --> 0:15:38,646
You can't
178
0:15:39,564 --> 0:15:40,898
You can't break my heart
179
0:15:48,281 --> 0:15:49,657
You can't break my heart
180
0:15:49,657 --> 0:15:52,76
'Cause I was never in love
181
0:15:52,660 --> 0:15:54,78
Never in love
182
0:15:54,78 --> 0:15:56,497
'Cause I was never in love
183
0:15:56,998 --> 0:15:58,374
You can't break my heart
184
0:15:58,374 --> 0:16:0,751
'Cause I was never in love
185
0:16:1,294 --> 0:16:2,670
Never in love
186
0:16:3,546 --> 0:16:4,922
Oh, you can't break my heart
187
0:16:21,105 --> 0:16:23,316
Don't know where without your
love
188
0:16:23,316 --> 0:16:24,525
You can't break my heart
189
0:16:25,484 --> 0:16:26,694
You can't break my heart
190
0:16:27,653 --> 0:16:28,905
You can't break my heart
191
0:16:29,864 --> 0:16:31,73
You can't break my heart
192
0:16:32,74 --> 0:16:33,534
- Seattle!
193
0:16:34,410 --> 0:16:36,78
Let me hear you!
194
0:16:38,623 --> 0:16:39,832
You can't break my heart
195
0:16:40,291 --> 0:16:40,708
Let's go
196
0:16:48,925 --> 0:16:49,342
You can't
197
0:16:55,890 --> 0:16:57,642
You can't break my heart ♪
198
0:18:1,914 --> 0:18:4,667
- There's something like really
primal about a wall of drums.
199
0:18:9,588 --> 0:18:11,215
- What's up?
- What's up, brother?
200
0:18:11,215 --> 0:18:12,341
- What's up, man?
201
0:18:12,341 --> 0:18:12,967
- I'm Jay.
202
0:18:12,967 --> 0:18:14,93
- Jay? Harrison.
203
0:18:14,93 --> 0:18:15,261
- What's up buddy?
204
0:18:15,261 --> 0:18:17,221
- Well, uh....
- Yeah. what are you guys thinking?
205
0:18:17,221 --> 0:18:19,557
- Like, do you want to run
through it from the top?
206
0:18:19,557 --> 0:18:22,226
We're refining some stuff with
“La Ciudad” and “Tense”.
207
0:18:22,226 --> 0:18:25,771
There's a couple staging things
still for, like, “Hopeful” and “AMA”
208
0:18:26,105 --> 0:18:27,481
that we haven't done yet.
209
0:18:27,481 --> 0:18:29,358
- I think It'd be great if we
just start at the top
210
0:18:29,358 --> 0:18:31,319
and just go “Behind The Sun”,
just down the line.
211
0:18:31,319 --> 0:18:32,611
- Like it's real!
212
0:18:32,611 --> 0:18:33,696
- Like it's real!
213
0:18:34,363 --> 0:18:36,657
- We're doing our first run
through physically
214
0:18:36,657 --> 0:18:37,867
of the drumline.
215
0:18:59,597 --> 0:19:0,973
Yeah, because they're going to
get lost back there.
216
0:19:6,645 --> 0:19:8,981
-Awesome, nice job you all.
217
0:19:9,940 --> 0:19:12,151
I'm curious if at the beginning
of “Bloom”,
218
0:19:12,151 --> 0:19:16,155
I'd like you to be closer than
being, like, stopping in the middle.
219
0:19:16,155 --> 0:19:19,617
You will probably push forward,
like, two steps.
220
0:19:19,617 --> 0:19:21,827
Yeah, we just wanted that to
feel like it moved a little bit.
221
0:19:21,827 --> 0:19:23,954
- Yeah.
- We'll be here-right here-the whole time.
222
0:19:41,430 --> 0:19:43,641
- 2016 was the first time we
ever got the call.
223
0:19:44,433 --> 0:19:46,560
And we were just dancing around
like a bunch of hooligans up there.
224
0:20:3,202 --> 0:20:5,538
- Give it up for the CU drum
line, everybody!
225
0:20:7,832 --> 0:20:11,43
- I think we played three tracks
and we were just happy to be there.
226
0:20:12,711 --> 0:20:15,548
- We thought that was going to
be our only time.
227
0:20:24,265 --> 0:20:27,601
Can we try a side-to-side where
you're not moving your feet?
228
0:20:27,601 --> 0:20:29,19
No foot turning.
229
0:20:29,687 --> 0:20:31,605
See if you can just, like, step
in and out.
230
0:20:35,67 --> 0:20:35,776
Don't turn your feet.
231
0:20:36,986 --> 0:20:39,822
And then do a head nod with it.
232
0:20:39,822 --> 0:20:40,614
Way better.
233
0:20:40,614 --> 0:20:41,574
- Yeah.
- Way better.
234
0:20:42,241 --> 0:20:43,951
That's it. That's the look.
Cool.
235
0:20:43,951 --> 0:20:45,369
That's it. It looked awesome.
236
0:20:45,369 --> 0:20:48,289
Every single element of that is
an awesome shift
237
0:20:48,289 --> 0:20:50,416
in energy and movement.
238
0:20:55,713 --> 0:20:59,592
- It wasn't until we had, like, our
crew now that we really started
239
0:20:59,592 --> 0:21:2,845
dialing in what it looks like,
what it sounds like.
240
0:21:2,845 --> 0:21:4,263
Treat that as, like, an actual
accent.
241
0:21:4,263 --> 0:21:7,933
You should go pretty much to match
here and then just turn your hand over.
242
0:21:9,393 --> 0:21:11,20
That's where it started really
becoming cohesive.
243
0:21:11,479 --> 0:21:13,189
Guys, when we grab each other on
two,
244
0:21:13,189 --> 0:21:16,984
we need to use a lot of energy
and core strength to get past
245
0:21:16,984 --> 0:21:18,527
these next people here.
246
0:21:19,445 --> 0:21:22,573
We'll write the drum line pieces
as best we can,
247
0:21:22,573 --> 0:21:24,742
not being drum line members.
248
0:21:26,702 --> 0:21:30,80
And then Ben and Kali do a
great job of kind of interpreting that,
249
0:21:30,80 --> 0:21:32,750
adding on to it, like, then
adding choreo onto that.
250
0:21:37,4 --> 0:21:41,217
And that's why we implemented
drums, like, in the first place.
251
0:21:41,217 --> 0:21:42,593
There's all these things that
you could be playing,
252
0:21:42,593 --> 0:21:44,512
but no one can really tell what
you're doing.
253
0:21:45,304 --> 0:21:46,722
This is such a visual thing.
254
0:21:47,681 --> 0:21:50,59
You know exactly what's being
played when you see it happen.
255
0:21:52,353 --> 0:21:54,563
We just got to see
256
0:21:54,563 --> 0:21:57,566
pieces we wrote on a tiny MIDI
keyboard in a small room
257
0:21:58,275 --> 0:22:3,239
get played by a very
professional drum line
258
0:22:3,239 --> 0:22:5,366
and it's pulling on my heart
strings.
259
0:22:5,366 --> 0:22:6,575
It's a beautiful moment.
260
0:22:6,575 --> 0:22:8,452
- He's gon' cry. He's gon' cry.
- I love it.
261
0:22:9,245 --> 0:22:10,120
Ugh.
262
0:22:11,539 --> 0:22:12,414
That's amazing.
263
0:22:12,414 --> 0:22:14,708
I've wanted to do that since I
was twelve-years-old.
264
0:22:14,708 --> 0:22:15,668
That's amazing.
265
0:26:58,742 --> 0:27:0,911
♪ I go the whole nine
266
0:27:2,37 --> 0:27:4,289
Driving through the whole night
267
0:27:5,40 --> 0:27:8,377
Hold you 'til the first light,
so tight
268
0:27:9,253 --> 0:27:11,338
Love is pain, right?
269
0:27:12,464 --> 0:27:16,93
And it's all in my head and I'm
stood on the ledge
270
0:27:16,93 --> 0:27:17,594
And the people
271
0:27:19,721 --> 0:27:21,223
Walk through their day
272
0:27:21,223 --> 0:27:23,934
While I'm trying to make sense
of the prequel
273
0:27:24,893 --> 0:27:27,437
I just want our love to be equal
274
0:27:38,657 --> 0:27:41,201
I just want our love to be equal
275
0:27:53,755 --> 0:27:55,883
I'd go the whole world
276
0:27:57,9 --> 0:27:59,261
Let emotions unfurl
277
0:28:0,12 --> 0:28:3,390
And my frustrations be heard and
nothing
278
0:28:5,17 --> 0:28:7,102
Will ever take me higher again
279
0:28:7,477 --> 0:28:9,730
And we're a wildfire
280
0:28:10,355 --> 0:28:13,775
Balanced on a thin line between
life
281
0:28:14,401 --> 0:28:16,236
And some Heaven
282
0:28:17,362 --> 0:28:20,198
Keeping it together
283
0:28:20,949 --> 0:28:24,578
And it's all in my head and I'm
stood on the ledge
284
0:28:24,578 --> 0:28:26,79
And the people
285
0:28:28,165 --> 0:28:29,625
Walk through their day
286
0:28:29,625 --> 0:28:32,294
While I'm trying to make sense
of the prequel
287
0:28:34,880 --> 0:28:38,508
And it's all in my head and I'm
stood on the ledge
288
0:28:38,508 --> 0:28:40,10
And the people
289
0:28:41,803 --> 0:28:43,305
Walk through their day
290
0:28:43,305 --> 0:28:45,974
While I'm tryna make sense of
the prequel
291
0:28:47,142 --> 0:28:49,686
I just want our love to be equal
292
0:29:1,31 --> 0:29:3,575
I just want our love to be equal
293
0:29:28,475 --> 0:29:30,602
I just want our love to be equal
294
0:29:42,280 --> 0:29:44,449
I just want our love to be equal
295
0:29:56,44 --> 0:29:58,171
I just want our love to be equal ♪
296
0:30:26,658 --> 0:30:28,618
- Buh-na, na-na.
297
0:30:31,705 --> 0:30:33,415
- Hey.
- Hello.
298
0:30:33,415 --> 0:30:35,292
- Hi, I'm Harrison.
- Hey, I'm Rachel.
299
0:30:35,292 --> 0:30:36,543
- Nice to meet you.
- Rachel. I'm Clay.
300
0:30:36,543 --> 0:30:38,128
Nice to meet you.
301
0:30:38,128 --> 0:30:39,129
Yeah, should we take our shoes
off?
302
0:30:39,129 --> 0:30:40,5
Okay.
303
0:30:40,5 --> 0:30:42,90
My room used to be this one.
304
0:30:42,90 --> 0:30:43,592
I don't know who's room this one
is.
305
0:30:43,592 --> 0:30:44,801
- Yay, that's my room!
306
0:30:44,801 --> 0:30:46,970
- Yeah. So I used to make a
bunch of music in here.
307
0:30:46,970 --> 0:30:48,597
-Yeah, you can go in.
- Is that okay?
308
0:30:48,597 --> 0:30:50,474
-Yeah. I mean it's, like, a
little messy.
309
0:30:50,474 --> 0:30:52,59
- It's not too bad. It's better
than I kept it.
310
0:30:52,59 --> 0:30:54,102
I had a desk set up right here.
311
0:30:54,102 --> 0:30:57,856
That's where I first, like, the first
machine set up that I was really...
312
0:30:57,856 --> 0:31:1,26
just stare at that window, look
at the grass and make beats.
313
0:31:1,610 --> 0:31:3,361
- Most of the music was made in
the basement, though.
314
0:31:3,361 --> 0:31:4,196
- Yeah.
315
0:31:4,196 --> 0:31:6,31
Then we moved, yeah, then we
moved down there.
316
0:31:6,31 --> 0:31:7,115
To the dungeon!
317
0:31:7,115 --> 0:31:7,741
. Wow!
318
0:31:11,703 --> 0:31:13,330
This was the studio set up.
319
0:31:13,330 --> 0:31:16,166
- Yeah, right here. There was a
drum set right here.
320
0:31:16,166 --> 0:31:17,626
And there was a long table
321
0:31:17,626 --> 0:31:20,670
and we had all our machines and,
like, keyboards and stuff.
322
0:31:20,670 --> 0:31:21,421
We were down here a lot.
323
0:31:21,421 --> 0:31:25,342
And then there was always, like,
friends coming through from college,
324
0:31:25,342 --> 0:31:27,969
and they would just, like, walk in
here and ask us what we were doing.
325
0:31:27,969 --> 0:31:29,387
Sometimes, people would walk by
and be like,
326
0:31:29,387 --> 0:31:31,139
“What afe you go Y3
' . now?” playing "Qht
327
0:31:33,475 --> 0:31:34,726
- Yeah, yeah. 'You're being
really loud.'
328
0:31:35,435 --> 0:31:36,436
Um....
329
0:31:38,105 --> 0:31:40,899
Yeah, it's super surreal.
330
0:31:50,742 --> 0:31:52,911
You know. It's the biggest show
we've ever done.
331
0:31:52,911 --> 0:31:56,957
And there's ninety people on the
road with twelve semi-trucks.
332
0:31:56,957 --> 0:31:58,208
- Obviously, we got lasers.
333
0:31:58,208 --> 0:31:58,708
- Right.
334
0:31:58,708 --> 0:32:1,2
- Pyro is getting installed next
week.
335
0:32:1,2 --> 0:32:2,796
- Custom, custom.
336
0:32:2,796 --> 0:32:5,966
- Harrison and Clay have always kind
of been together in the stage design.
337
0:32:6,633 --> 0:32:9,886
And this time around we decided
to split them apart from each other.
338
0:32:9,886 --> 0:32:12,13
So, Harrison and Clay now each
have their own riser
339
0:32:12,13 --> 0:32:14,850
and we've utilized the center
pathway,
340
0:32:14,850 --> 0:32:17,352
which the drum line uses to go
in and out.
341
0:32:17,978 --> 0:32:21,898
Also, we've decided to build
these custom steps with built in LED.
342
0:32:23,567 --> 0:32:24,484
- That ain't moving.
343
0:32:24,484 --> 0:32:28,113
- We have this like icosahedron
shape and it's this idea that, like,
344
0:32:28,113 --> 0:32:29,656
the 'ico' is the heartbeat.
345
0:32:29,656 --> 0:32:32,409
And then these echoes are
rippling out from it.
346
0:32:35,245 --> 0:32:38,498
- (Radio) Guys, we are doing a
full show run right now.
347
0:32:38,498 --> 0:32:39,207
Standby.
348
0:32:39,207 --> 0:32:41,418
- We're about to do the first
run through of the set.
349
0:32:41,877 --> 0:32:44,504
This is actually the first time
we are getting to see
350
0:32:44,504 --> 0:32:46,506
what we've programmed live on
the rig.
351
0:32:46,506 --> 0:32:47,507
- (Radio) Go house music.
352
0:32:47,507 --> 0:32:48,508
- Go house lights.
353
0:32:48,508 --> 0:32:49,301
- Roll the track.
354
0:32:49,634 --> 0:32:51,553
- We don't know if it's going to
translate
355
0:32:51,553 --> 0:32:52,929
or it's not going to translate.
356
0:32:52,929 --> 0:32:54,764
- (Radio) Stage is ready, I
believe.
357
0:32:54,764 --> 0:32:55,599
. okay, copy.
358
0:32:55,599 --> 0:32:56,266
- Roll playback.
359
0:32:56,266 --> 0:32:56,975
- Playback.
360
0:33:5,317 --> 0:33:6,484
A lot to do.
361
0:33:7,402 --> 0:33:8,653
First run through.
362
0:33:9,29 --> 0:33:10,697
First run through felt like the
first run though.
363
0:33:10,697 --> 0:33:11,698
That's for sure.
364
0:33:16,203 --> 0:33:17,787
It feels disconnected, right?
365
0:33:17,787 --> 0:33:18,246
- Yeah.
366
0:33:18,246 --> 0:33:20,957
- So I think that that was one
of our major concerns.
367
0:33:20,957 --> 0:33:24,753
- There could just be a laser moment
for the drop out on “The Last Goodbye.”
368
0:33:24,753 --> 0:33:26,671
Just go to one thing sometimes.
369
0:33:26,671 --> 0:33:28,965
-You have like all these
incredible tools.
370
0:33:28,965 --> 0:33:30,592
Just finding the right ways to
use it
371
0:33:30,592 --> 0:33:32,844
and use it in conjunction with
each other.
372
0:33:32,844 --> 0:33:34,429
We know what you want.
373
0:33:34,429 --> 0:33:36,556
We've been doing this long
enough that if you say,
374
0:33:36,556 --> 0:33:38,725
“Hey, at this moment, I want
this rise.”
375
0:33:39,184 --> 0:33:41,686
Give us the note, let us work on it,
because it's going to take us time.
376
0:33:57,285 --> 0:34:0,664
- We've designed an
hour-and-a-half for 15,000 people
377
0:34:0,664 --> 0:34:2,832
and it could go so wrong.
378
0:34:3,208 --> 0:34:4,709
- Everything.
379
0:34:4,709 --> 0:34:6,461
-And those, and that brightness
can decay
380
0:34:6,461 --> 0:34:7,754
Let the visual really pop.
381
0:34:8,171 --> 0:34:10,674
- Small little changes take a
huge amount of effort
382
0:34:10,674 --> 0:34:12,384
when everything's at this scale.
383
0:34:12,801 --> 0:34:14,219
- Can you turn the 'ico' on too?
384
0:34:14,844 --> 0:34:16,638
Can you just do the outside
'ico'?
385
0:34:16,638 --> 0:34:18,56
Yeah, that's kind of nice.
386
0:34:19,766 --> 0:34:22,769
- The whole thing's built on
moments.
387
0:34:22,769 --> 0:34:24,479
If you don't get that right
388
0:34:24,771 --> 0:34:26,648
then the whole thing kind of
falls apart.
389
0:34:27,107 --> 0:34:28,608
- Yeah, I think that's what you
do.
390
0:34:28,608 --> 0:34:30,26
Just, just shoot to that.
391
0:34:31,194 --> 0:34:33,446
It's just the kick and the bass
sit so well.
392
0:34:33,446 --> 0:34:34,823
- Yeah, kick.
- On the drop.
393
0:34:34,823 --> 0:34:36,324
- Kick, snare, bass.
394
0:34:36,950 --> 0:34:38,868
It's like a little more music
forward.
395
0:34:41,663 --> 0:34:42,706
- You guys ready?
396
0:34:42,706 --> 0:34:43,540
- Yeah, just the beginning.
397
0:34:44,207 --> 0:34:45,875
- I have never
398
0:34:45,875 --> 0:34:48,628
met or worked for anyone
399
0:34:48,628 --> 0:34:49,713
that cares more than Harrison
and Clay.
400
0:34:49,713 --> 0:34:52,173
And, like, really just, like, go
straight to horns.
401
0:34:52,173 --> 0:34:53,133
Kill everything else.
402
0:34:55,510 --> 0:34:57,887
- See that position and then you
move the stick up.
403
0:34:57,887 --> 0:34:59,264
- Do you like the stand?
404
0:34:59,264 --> 0:35:0,265
- I think the stand's a vibe!
405
0:35:0,265 --> 0:35:1,308
- I like the stand.
406
0:35:1,308 --> 0:35:4,227
♪ Something 'bout you...
407
0:35:5,395 --> 0:35:7,981
- Every single part of what they
touch
408
0:35:7,981 --> 0:35:10,233
they care so much about.
409
0:35:10,233 --> 0:35:12,152
- Great job, everybody!
410
0:35:16,614 --> 0:35:19,326
- We never anticipated growing
to this.
411
0:35:21,202 --> 0:35:22,620
We always thought there was
something there
412
0:35:22,620 --> 0:35:25,123
and it was worth us putting
everything we could into it.
413
0:35:26,499 --> 0:35:30,86
And we always felt like this
would just be a really good story
414
0:35:30,86 --> 0:35:31,963
for when we get real jobs.
415
0:35:42,682 --> 0:35:46,19
♪ Waiting at the party for you
416
0:35:46,644 --> 0:35:50,690
Your lovin' got me acting like a
fool
417
0:35:52,776 --> 0:35:54,611
Fool
418
0:35:58,281 --> 0:36:1,201
♪ Waiting at the party for you
419
0:36:1,993 --> 0:36:6,331
Your lovin' got me acting like a
fool
420
0:36:7,791 --> 0:36:9,626
Fool
421
0:36:12,754 --> 0:36:15,799
I've been wide awake feeling
422
0:36:16,591 --> 0:36:20,428
People seem to change their
feelings in time
423
0:36:20,428 --> 0:36:23,56
Did we make a mistake healing
424
0:36:24,182 --> 0:36:27,894
It's more than I can take not
feeling to fine
425
0:36:29,687 --> 0:36:33,400
There's something 'bout you
426
0:36:34,526 --> 0:36:36,361
You
427
0:36:38,405 --> 0:36:40,365
You
428
0:36:44,452 --> 0:36:47,372
Waiting at the party for you
429
0:36:48,164 --> 0:36:52,460
Your lovin' got me acting like a
fool
430
0:36:53,962 --> 0:36:55,797
Fool
431
0:36:59,634 --> 0:37:2,554
Waiting at the party for you
432
0:37:3,346 --> 0:37:7,725
Your lovin' got me acting like a
fool
433
0:37:9,227 --> 0:37:11,62
Fool
434
0:37:44,554 --> 0:37:47,640
I hate the way it aches
breathing
435
0:37:48,433 --> 0:37:52,228
Thought that I could put these
feelings aside
436
0:37:52,228 --> 0:37:54,898
There's something in my system's
fading
437
0:37:56,483 --> 0:38:0,195
Making me feel sober about
what's on my mind
438
0:38:2,71 --> 0:38:5,783
There's something 'bout you
439
0:38:6,910 --> 0:38:9,37
You
440
0:38:10,788 --> 0:38:12,665
You
441
0:38:16,586 --> 0:38:19,547
Waiting at the party for you
442
0:38:20,340 --> 0:38:24,677
Your lovin' got me acting like a
fool
443
0:38:26,179 --> 0:38:28,14
Fool
444
0:38:31,851 --> 0:38:34,771
Waiting at the party for you
445
0:38:35,563 --> 0:38:39,901
Your lovin' got me acting like a
fool
446
0:38:41,444 --> 0:38:43,279
Fool ♪
447
0:38:44,72 --> 0:38:45,573
Let's go Seattle!
448
0:39:21,859 --> 0:39:23,319
- Thank you guys so much!
449
0:39:23,820 --> 0:39:26,739
- Make some noise for Charlie
Houston!
450
0:44:29,792 --> 0:44:30,543
- Appreciate you guys coming.
451
0:44:33,754 --> 0:44:35,965
- This is all of the special
effects stuff
452
0:44:35,965 --> 0:44:37,842
that we just dialed in a little
bit.
453
0:44:37,842 --> 0:44:39,927
So I showed you a little bit of
this.
454
0:44:41,929 --> 0:44:44,390
Oh, that was sick.
455
0:44:44,390 --> 0:44:46,100
- Holy shit.
456
0:44:46,893 --> 0:44:48,728
- It's a lot of flames.
457
0:44:48,728 --> 0:44:50,396
I think old Luke and I have been
looking at this
458
0:44:50,396 --> 0:44:53,274
like on a Excel spreadsheet for
the last, uh...
459
0:44:53,274 --> 0:44:54,442
couple months.
460
0:44:54,442 --> 0:44:55,818
This is all a lot different than
that.
461
0:44:55,818 --> 0:44:59,113
You know, “cell C-4” doesn't
quite hit as hard.
462
0:45:1,782 --> 0:45:3,534
- What's so cool is the fact
that we have
463
0:45:3,534 --> 0:45:5,620
the same team around us since
the beginning.
464
0:45:6,329 --> 0:45:8,122
It's the same people that we
were friends with,
465
0:45:8,122 --> 0:45:8,998
who believed in us,
466
0:45:8,998 --> 0:45:11,125
who kind of got our vision and
had their own, too.
467
0:45:13,794 --> 0:45:15,171
- So me and Sean went to high
school together.
468
0:45:15,671 --> 0:45:17,757
He was super into film stuff.
469
0:45:17,757 --> 0:45:19,467
He always had his camera out
470
0:45:19,467 --> 0:45:21,52
and was always asking us
questions.
471
0:45:23,346 --> 0:45:24,138
Come on, Sean!
472
0:45:24,680 --> 0:45:26,557
-And then he ran into Harrison.
473
0:45:30,561 --> 0:45:31,771
Oh, shit!
474
0:45:32,104 --> 0:45:34,315
And he actually introduced us.
475
0:45:34,315 --> 0:45:36,817
And that was kind of the genesis
of this project.
476
0:45:59,6 --> 0:46:1,384
Okay, I like that one better.
477
0:46:1,384 --> 0:46:2,718
- Holy shit, dude.
478
0:46:3,177 --> 0:46:4,345
- You see this all day?
479
0:46:5,346 --> 0:46:6,305
Oh my god!
480
0:46:7,682 --> 0:46:9,934
- Luke and Sean have been with
us since the beginning.
481
0:46:9,934 --> 0:46:11,936
Luke was my best friend in
design school.
482
0:46:12,311 --> 0:46:13,145
- Hey Luke!
483
0:46:14,689 --> 0:46:15,898
When we started going on tour,
484
0:46:15,898 --> 0:46:18,693
we needed someone to operate the
projector and do some visuals.
485
0:46:20,820 --> 0:46:22,947
Um, the “lPlay” visuals.
486
0:46:22,947 --> 0:46:25,199
He just kind of did it to come
along for the ride.
487
0:46:27,785 --> 0:46:30,246
They're like, “you're going to put
this projector and this screen up.”
488
0:46:31,80 --> 0:46:33,82
Yeah, I don't even know how to
work a projector.
489
0:46:33,82 --> 0:46:34,709
Everyone's like, “yeah, just
figure it out.”
490
0:46:36,419 --> 0:46:37,336
Yeah, if you have a ladder
491
0:46:37,336 --> 0:46:38,295
that'd be great.
492
0:46:38,671 --> 0:46:40,6
It just looks so much better
493
0:46:40,6 --> 0:46:41,340
when the screen is like fully in
the air.
494
0:46:41,340 --> 0:46:42,675
It looks so pro.
495
0:46:45,428 --> 0:46:47,388
- He was a professional skier.
496
0:46:47,388 --> 0:46:48,389
- Nice!
497
0:46:48,389 --> 0:46:50,266
- He was going to go to Japan
and ski
498
0:46:51,100 --> 0:46:53,519
and we had to pull him away for
our first tour.
499
0:46:53,519 --> 0:46:55,479
And it was, like, the hardest
decision he ever made.
500
0:46:59,191 --> 0:47:1,610
- I never thought that this was,
like, going to be a thing.
501
0:47:2,236 --> 0:47:4,321
Harrison and Clay are making
music.
502
0:47:4,321 --> 0:47:6,449
This is going to last for six
months.
503
0:47:7,199 --> 0:47:8,534
Get it while the getting's good.
504
0:47:9,869 --> 0:47:12,371
How often do your friends get a
free bar tab
505
0:47:12,371 --> 0:47:14,665
and just travel around in a van?
506
0:47:14,665 --> 0:47:15,916
Like, that sounds awesome.
507
0:47:15,916 --> 0:47:16,959
- We were trying.
508
0:47:16,959 --> 0:47:18,544
And you guys supported us 100%.
509
0:47:18,544 --> 0:47:19,670
- And we sucked at it!
510
0:47:19,670 --> 0:47:21,630
- So, thank you. Thank you for
caring!
511
0:47:21,630 --> 0:47:23,174
- Quack, quack, quack, quack,
quack!
512
0:47:30,306 --> 0:47:32,725
Loyal, I think we had that King
last time.
513
0:47:32,725 --> 0:47:35,728
So, I think, like, we just make
it almost, like, bigger.
514
0:47:35,728 --> 0:47:37,855
So we turn it into this big
battle scene.
515
0:47:37,855 --> 0:47:39,857
And then as we kind of progress
through the song
516
0:47:39,857 --> 0:47:42,735
we realize, like, this army is
at odds with this king.
517
0:47:43,778 --> 0:47:44,653
It's been amazing
518
0:47:44,653 --> 0:47:47,656
to see Luke progress from
projecting
519
0:47:47,656 --> 0:47:50,951
just on a sheet to now creating
entire worlds,
520
0:47:51,744 --> 0:47:53,537
creating characters,
521
0:47:53,537 --> 0:47:56,373
working with artists all across
the globe for the show.
522
0:47:59,168 --> 0:48:1,3
Honestly, the biggest challenge
is just, like,
523
0:48:1,3 --> 0:48:2,46
there's so many things.
524
0:48:2,46 --> 0:48:4,423
It's like we're starting from
scratch.
525
0:48:4,423 --> 0:48:7,93
- People may not even know
526
0:48:7,93 --> 0:48:9,512
every visual they see on the LED
wall behind us
527
0:48:9,512 --> 0:48:13,224
has been created from scratch
for the entire show.
528
0:48:13,849 --> 0:48:15,518
- What kind of environment is
it?
529
0:48:15,518 --> 0:48:17,895
An old environment. A cleaner
environment?
530
0:48:17,895 --> 0:48:19,21
Yeah, and I think it should feel
531
0:48:19,21 --> 0:48:21,232
like some dystopian museum,
532
0:48:21,232 --> 0:48:23,67
but I want it to kind of fall
off to black.
533
0:48:23,67 --> 0:48:25,486
So you're really focused on
these two main characters.
534
0:48:25,986 --> 0:48:28,614
So maybe even like when we see
the King rising up,
535
0:48:28,614 --> 0:48:30,241
like, a few detail shots.
536
0:48:30,241 --> 0:48:32,243
- The kicks and the snares are
just
537
0:48:32,243 --> 0:48:33,786
being triggered by, like, light
sources.
538
0:48:36,539 --> 0:48:38,999
- That's what I have so much
pride in
539
0:48:38,999 --> 0:48:40,501
is, like, we thought they could
do it.
540
0:48:43,212 --> 0:48:46,340
- Yeah, let's just do one once
through, pause, and then...
541
0:48:48,551 --> 0:48:50,886
- Everyone's like, “just hire a
director”
542
0:48:50,886 --> 0:48:53,264
and “just hire a way better
visual person.”
543
0:48:53,264 --> 0:48:55,432
Like, “look, they worked with
this person and this person.”
544
0:49:0,771 --> 0:49:1,939
And we've never felt that way.
545
0:49:4,316 --> 0:49:5,860
- So, obviously a couple of
programming things that we need-
546
0:49:5,860 --> 0:49:7,236
we already have notes for.
547
0:49:7,236 --> 0:49:10,573
We'll break into individual groups
and make this thing even better!
548
0:49:11,699 --> 0:49:14,34
- For us, it's always felt like,
“who gets it?”
549
0:49:14,34 --> 0:49:15,536
“Who do we trust?"
550
0:49:15,536 --> 0:49:17,746
Every single time we've given
that to a friend-
551
0:49:17,746 --> 0:49:20,82
which can often be dangerous-
552
0:49:20,82 --> 0:49:22,42
they have rose to the occasion.
553
0:49:22,877 --> 0:49:23,752
- Great job, everyone.
554
0:49:23,752 --> 0:49:25,129
We're gonna do that one more
time.
555
0:49:36,56 --> 0:49:38,809
- Oh my God.
556
0:49:38,809 --> 0:49:40,519
Oh my god.
557
0:49:40,519 --> 0:49:41,270
' Banger!
558
0:49:41,270 --> 0:49:42,646
- Holy shit!
559
0:49:42,980 --> 0:49:44,190
- Great job, everyone!
560
0:49:45,482 --> 0:49:47,401
- Notes on “Loyal” and “Don't
Stop”?
561
0:52:28,103 --> 0:52:29,688
- Seattle!
562
0:52:30,647 --> 0:52:33,567
Let's fucking go!
563
0:53:44,721 --> 0:53:47,599
- Make some noise for the ODESZA
drum line!
564
0:55:13,310 --> 0:55:14,436
- Seattle!
565
0:55:14,978 --> 0:55:17,898
I want to see you shake the
building on this one!
566
0:56:26,842 --> 0:56:27,801
- Man, it would be so cool-
567
0:56:27,801 --> 0:56:30,262
I think one of my ultimate goals
is to live on the water.
568
0:56:31,972 --> 0:56:35,642
I don't feel relaxed very often,
569
0:56:36,810 --> 0:56:39,896
but for some reason just looking
at water is so hypnotizing
570
0:56:45,319 --> 0:56:48,322
No, never relaxed.
571
0:56:48,322 --> 0:56:49,740
It's kind of my m.o., man.
572
0:56:51,658 --> 0:56:52,409
It's just, uh...
573
0:56:52,743 --> 0:56:53,744
Who am I as a person?
574
0:56:53,744 --> 0:56:56,246
I've been doing this for six
years straight without even, like,
575
0:56:56,955 --> 0:56:58,665
thinking about anything else.
576
0:57:6,798 --> 0:57:8,8
- Tomorrow:
577
0:57:8,8 --> 0:57:9,468
do the show, 9:20 hit,
578
0:57:9,468 --> 0:57:11,178
shower, hang out and leave
around 2 a.m.
579
0:57:11,178 --> 0:57:12,679
to head to Madison.
580
0:57:21,146 --> 0:57:23,231
I don't know what airport we are
in
581
0:57:23,231 --> 0:57:24,775
or what state we are in right
now.
582
0:57:55,389 --> 0:57:57,724
I feel like we were really ready
after touring for
583
0:57:58,892 --> 0:58:1,103
eight years to
584
0:58:1,103 --> 0:58:3,230
finally relax and make music
585
0:58:3,230 --> 0:58:5,232
under not having pressure.
586
0:58:6,775 --> 0:58:9,27
But instead I feel like we were
met with,
587
0:58:11,29 --> 0:58:13,740
like, returning to a life we
hadn't figured out.
588
0:58:14,574 --> 0:58:18,286
Like, all the issues we may be
running from
589
0:58:18,286 --> 0:58:20,205
when we're on tour.
590
0:58:21,81 --> 0:58:23,542
Kind of running from ourselves
and distracting ourselves
591
0:58:23,542 --> 0:58:25,419
with the things that we do.
592
0:58:25,836 --> 0:58:27,879
So, my point is, it's been hard
to write music.
593
0:58:41,643 --> 0:58:44,146
- Yeah, some work for sure.
594
0:58:44,146 --> 0:58:46,148
- Part of me is like, “I really
like it.”
595
0:58:46,148 --> 0:58:48,66
-Yeah, and I think...
- The other part of me is, like, doubtful about it.
596
0:58:54,948 --> 0:58:55,782
- That's the problem.
597
0:58:55,782 --> 0:58:57,409
The problem isn't recreating the
sound.
598
0:58:57,409 --> 0:58:59,786
The problem is the sound itself
needs to be different.
599
0:58:59,786 --> 0:59:0,203
- Right.
600
0:59:1,538 --> 0:59:3,957
- I think we have a lot of cool
ideas.
601
0:59:3,957 --> 0:59:6,251
I think we're struggling to
figure out
602
0:59:7,878 --> 0:59:10,505
what the album means.
603
0:59:29,941 --> 0:59:31,485
-I haven't been here, though,
604
0:59:31,485 --> 0:59:34,613
since, like, sophomore year in
college.
605
0:59:38,950 --> 0:59:41,620
0-The beginning of this writing
process,
606
0:59:41,620 --> 0:59:45,123
we started collecting all this
old family footage.
607
0:59:45,707 --> 0:59:47,417
- There you go!
608
0:59:47,417 --> 0:59:49,85
- There you go!
- Yay!
609
0:59:49,753 --> 0:59:52,130
- Those moments where you get to
step back
610
0:59:52,130 --> 0:59:55,50
opened up all these new kind of
pathways
611
0:59:55,50 --> 0:59:57,93
and thought processes of where I
come from.
612
0:59:57,427 --> 0:59:58,512
- Hi, Clayton!
613
0:59:59,95 --> 1:0:0,639
- What makes me me.
614
1:0:0,639 --> 1:0:2,557
- Do you see a butterfly?
615
1:0:5,227 --> 1:0:6,186
- Good jump, Harry!
616
1:0:7,896 --> 1:0:9,606
- Looking at these home videos-
617
1:0:9,606 --> 1:0:11,650
it was something I did as a kid
for comfort.
618
1:0:14,653 --> 1:0:17,823
And going through this again at
my age now,
619
1:0:18,198 --> 1:0:21,117
I felt like there was a lot of
similarities happening of,
620
1:0:21,117 --> 1:0:22,619
like, trying to find myself.
621
1:0:27,916 --> 1:0:29,167
- I think it doesn't,
622
1:0:29,167 --> 1:0:30,794
but I'll just put it in and see.
623
1:0:34,756 --> 1:0:36,591
- Play the solo stem.
624
1:0:40,345 --> 1:0:42,305
- It feels better than I thought
it was going to feel.
625
1:0:42,305 --> 1:0:44,140
- I think we just re-approach
the chorus,
626
1:0:44,140 --> 1:0:46,59
synth-wise, everything-wise.
627
1:0:52,482 --> 1:0:55,944
- Kind of went back to some old
school ways of thought
628
1:0:55,944 --> 1:0:57,863
that we originally were trying
629
1:0:57,863 --> 1:0:59,322
when we were making Summer's
Gone.
630
1:0:59,823 --> 1:1:0,532
I love it.
631
1:1:0,866 --> 1:1:1,992
It also just feels like us.
632
1:1:9,708 --> 1:1:12,2
- What made our sound our sound?
633
1:1:13,44 --> 1:1:14,713
What made us us?
634
1:1:17,48 --> 1:1:18,884
-And then that's how I think
this idea of
635
1:1:18,884 --> 1:1:20,302
diving more into ourselves
636
1:1:20,302 --> 1:1:21,928
and our past and our lives-
637
1:1:21,928 --> 1:1:24,55
something we've never done on
any record-
638
1:1:24,389 --> 1:1:27,58
felt like a really interesting
topic to explore.
639
1:1:29,394 --> 1:1:30,395
- Seattle!
640
1:1:32,188 --> 1:1:33,398
- Goddamn it feels good to be
back!
641
1:1:35,233 --> 1:1:37,569
- Please welcome to the stage:
642
1:1:37,569 --> 1:1:38,987
Miss Naomi Wild.
643
1:1:45,76 --> 1:1:47,370
♪ Been trying to find it
644
1:1:47,662 --> 1:1:49,915
Been living on my mind, yeah
645
1:1:50,332 --> 1:1:52,626
What should I leave behind me?
646
1:1:56,129 --> 1:1:58,173
Looking for something
647
1:1:58,173 --> 1:2:0,467
Don't wanna live for nothing
648
1:2:1,92 --> 1:2:5,221
I could settle right now or I
could jump somehow
649
1:2:5,722 --> 1:2:8,99
One route, like there is no way
out
650
1:2:8,391 --> 1:2:10,769
They never teach you to reach
the stars
651
1:2:11,102 --> 1:2:13,730
No doubt, I'm feeling better now
652
1:2:13,730 --> 1:2:16,107
Gave it a try, now enjoying the
ride
653
1:2:17,233 --> 1:2:18,693
So what if I fall?
654
1:2:18,693 --> 1:2:21,655
Better that I try instead of
nothing at all
655
1:2:22,530 --> 1:2:23,990
Yeah I can say it's my fault
656
1:2:23,990 --> 1:2:26,993
I really don't mind, at least I
gave it a go
657
1:2:28,78 --> 1:2:29,537
So what if I fall?
658
1:2:29,537 --> 1:2:32,415
Better that I try instead of
nothing at all
659
1:2:33,291 --> 1:2:34,751
Yeah I can say it's my fault
660
1:2:34,751 --> 1:2:37,712
I really don't mind, at least I
gave it a go
661
1:2:39,381 --> 1:2:41,299
Been trying to fix it
662
1:2:41,299 --> 1:2:43,593
And find out what's been missing
663
1:2:44,177 --> 1:2:47,847
I want to live a life that is
worth living
664
1:2:48,848 --> 1:2:51,226
One route, like there is no way
out
665
1:2:51,518 --> 1:2:53,895
They never teach you to reach
the stars
666
1:2:54,229 --> 1:2:56,856
No doubt, I'm feeling better now
667
1:2:56,856 --> 1:2:59,234
Gave it a try, now enjoying the
ride
668
1:3:0,360 --> 1:3:1,820
So what if I fall?
669
1:3:1,820 --> 1:3:4,781
Better that I try instead of
nothing at all
670
1:3:5,657 --> 1:3:7,117
Yeah I can say it's my fault
671
1:3:7,117 --> 1:3:10,78
I really don't mind, at least I
gave it a go
672
1:3:11,162 --> 1:3:12,622
So what if I fall?
673
1:3:12,622 --> 1:3:15,583
Better that I try instead of
nothing at all
674
1:3:16,459 --> 1:3:17,919
Yeah I can say it's my fault
675
1:3:17,919 --> 1:3:20,880
I really don't mind, at least I
gave it a go
676
1:3:22,716 --> 1:3:27,137
At least I gave it a go
677
1:3:28,972 --> 1:3:31,224
I gave it a go
678
1:3:32,642 --> 1:3:36,396
I know it gets better and better
679
1:3:38,106 --> 1:3:41,818
I don't think it's all 'bout the
weather
680
1:3:43,611 --> 1:3:45,71
So what if I fall?
681
1:3:45,71 --> 1:3:48,33
Better that I try instead of
nothing at all
682
1:3:48,908 --> 1:3:50,368
Yeah I can say it's my fault
683
1:3:50,368 --> 1:3:53,329
I really don't mind, at least I
gave it a go
684
1:3:54,372 --> 1:3:55,832
So what if I fall?
685
1:3:55,832 --> 1:3:58,835
Better that I try instead of
nothing at all
686
1:3:59,294 --> 1:4:0,754
Yeah I can say it's my fault
687
1:4:0,754 --> 1:4:3,715
I really don't mind, at least I
gave it a go ♪
688
1:4:14,17 --> 1:4:14,726
- Hey!
689
1:4:18,730 --> 1:4:20,65
- Seattle, you know this one!
690
1:4:22,734 --> 1:4:24,736
1,2 ,3...
691
1:4:48,885 --> 1:4:51,54
♪ I'm feeling in and out
692
1:4:53,56 --> 1:4:55,975
I turn full circle round and
round
693
1:4:58,978 --> 1:5:1,898
So will you help me down
694
1:5:3,775 --> 1:5:6,694
Come grab my hand for solid
ground
695
1:5:10,615 --> 1:5:13,409
And I don't learn, no I don't
learn
696
1:5:13,827 --> 1:5:15,870
It'll all be fine this time
697
1:5:16,329 --> 1:5:18,998
And I don't learn, no I don't
learn
698
1:5:18,998 --> 1:5:21,334
'Cause you always seemed so kind
699
1:5:21,668 --> 1:5:24,3
And I don't learn, no I don't
learn
700
1:5:24,420 --> 1:5:26,422
It'll all be fine this time
701
1:5:26,714 --> 1:5:29,175
And I don't learn, no I don't
learn
702
1:5:39,435 --> 1:5:41,604
- Seattle, let me se your hands!
703
1:6:3,877 --> 1:6:8,298
Help me out, don't let me down
704
1:6:8,673 --> 1:6:10,842
I could learn from you
705
1:6:11,301 --> 1:6:13,511
I could learn from you
706
1:6:14,721 --> 1:6:19,309
Help me out, don't let me down
707
1:6:19,309 --> 1:6:21,477
I could learn from you
708
1:6:22,187 --> 1:6:24,355
I could learn from you
709
1:6:35,950 --> 1:6:40,371
Help me out, don't let me down
710
1:6:40,747 --> 1:6:42,916
I could learn from you
711
1:6:43,208 --> 1:6:45,418
I could learn from you ♪
712
1:7:14,530 --> 1:7:16,115
- The first time
713
1:7:16,741 --> 1:7:18,785
that I discovered ODESZA,
714
1:7:20,36 --> 1:7:22,747
I had snuck into Coachella.
715
1:7:22,747 --> 1:7:23,957
I was in high school.
716
1:7:23,957 --> 1:7:25,333
I was probably about seventeen.
717
1:7:26,876 --> 1:7:30,338
And I just had this really
captivating moment like,
718
1:7:30,338 --> 1:7:31,422
“Whoa!”
719
1:7:31,422 --> 1:7:32,799
“This is the coolest thing I've
seen all weekend.”
720
1:7:34,133 --> 1:7:35,134
“Who are they?”
721
1:7:39,597 --> 1:7:42,517
- My girlfriend told me that
this band is coming to town.
722
1:7:43,810 --> 1:7:45,103
I still remember, like, they had
this,
723
1:7:45,103 --> 1:7:48,398
like, big neon pink icosahedron
on the stage.
724
1:7:49,148 --> 1:7:50,942
I think I filmed almost every
single song.
725
1:7:51,526 --> 1:7:54,696
- It looks incredible. Thank you so much.
- I made that one for myself tonight.
726
1:7:54,696 --> 1:7:55,655
- Oh, that'll pop.
727
1:7:55,655 --> 1:7:57,240
That'll pop out there, that's
for sure.
728
1:7:57,240 --> 1:7:58,366
- Yeah, for sure.
729
1:7:58,992 --> 1:8:0,285
- I'd never heard of them
before.
730
1:8:0,285 --> 1:8:1,703
We were just kind of walking by
the stage
731
1:8:1,703 --> 1:8:3,121
and I was, like, “who are these
guys?”
732
1:8:3,121 --> 1:8:5,123
That was the best show I've ever
seen.
733
1:8:5,581 --> 1:8:7,208
- Got my ODESZA tattoo over
here.
734
1:8:8,1 --> 1:8:9,585
Got the Foreign Family one right
here.
735
1:8:9,585 --> 1:8:11,462
And the Bronson tat over here.
736
1:8:12,213 --> 1:8:14,215
The fireworks going off
737
1:8:14,215 --> 1:8:15,633
and we're just hugging each
other
738
1:8:15,633 --> 1:8:16,718
and crying.
739
1:8:17,510 --> 1:8:18,761
- It was amazing.
740
1:8:19,971 --> 1:8:20,471
. Yes!
741
1:8:21,806 --> 1:8:23,474
- So nice to meet you.
742
1:8:23,474 --> 1:8:25,226
- Nice to meet you!
743
1:8:25,226 --> 1:8:27,103
- There's nobody else in the
world
744
1:8:27,103 --> 1:8:29,147
that I want to experience this
with more than my mom.
745
1:8:30,815 --> 1:8:32,108
- ODESZA's music
746
1:8:32,108 --> 1:8:34,319
truly changed my life and
introduced me to
747
1:8:34,861 --> 1:8:36,362
a beautiful community.
748
1:8:36,362 --> 1:8:37,405
- Whoo whoo!
749
1:8:38,281 --> 1:8:40,33
- A lot of the feelings that we
have,
750
1:8:40,33 --> 1:8:41,284
especially relating to The Last
Goodbye ,
751
1:8:41,284 --> 1:8:42,702
I feel like we are not,
752
1:8:42,702 --> 1:8:44,37
sometimes, able to put into
words.
753
1:8:44,37 --> 1:8:46,414
And they have found a way to put
it through music.
754
1:8:46,414 --> 1:8:47,832
And we'll be eternally grateful
for that.
755
1:8:50,585 --> 1:8:51,419
- I remember
756
1:8:51,419 --> 1:8:54,5
literally standing there and
having this thought
757
1:8:54,922 --> 1:8:56,132
like “I want to sing with them.”
758
1:8:57,800 --> 1:8:59,510
♪ (Humming)
759
1:8:59,510 --> 1:9:2,180
♪ That I can't sleep tonight
760
1:9:2,889 --> 1:9:5,600
- I had written, like, the
beginnings
761
1:9:5,600 --> 1:9:6,976
of what “Higher Ground” was.
762
1:9:8,144 --> 1:9:9,687
♪ So lift me up
763
1:9:10,521 --> 1:9:12,607
♪ And give me higher ground
764
1:9:13,66 --> 1:9:14,734
- I had texted my manager and I
was like,
765
1:9:14,734 --> 1:9:16,986
“Can you please try to find
their email
766
1:9:16,986 --> 1:9:18,154
and, like, send it to them?”
767
1:9:20,73 --> 1:9:23,76
- Y'all's music has changed the
trajectory of my life.
768
1:9:23,76 --> 1:9:24,786
Like more than I can put into
words.
769
1:9:24,786 --> 1:9:25,578
- Appreciate that.
770
1:9:25,870 --> 1:9:28,706
-And you guys kind saved my
life over the last eight years.
771
1:9:28,706 --> 1:9:29,582
- Appreciate it.
772
1:9:29,582 --> 1:9:30,708
Bring it in, bring it in, dude.
773
1:9:30,708 --> 1:9:31,667
We're here for you.
774
1:9:33,252 --> 1:9:34,712
- Thank you so much.
775
1:9:37,340 --> 1:9:39,300
- Perfect, so we're going to
have you go out there.
776
1:9:39,300 --> 1:9:40,134
. okay-
777
1:9:40,134 --> 1:9:41,386
-And then we're just going to
run it a couple times.
778
1:9:41,386 --> 1:9:42,53
. okay-
779
1:9:42,53 --> 1:9:44,472
- I met them a couple of days
later in the studio.
780
1:9:44,764 --> 1:9:46,682
I Won't you love me better
781
1:9:47,58 --> 1:9:48,976
♪ I'm waiting here
782
1:9:48,976 --> 1:9:51,62
J I need you now
783
1:9:51,437 --> 1:9:53,564
- It was really nuts. It
happened really fast.
784
1:9:53,564 --> 1:9:54,565
- Nice job, Naomi.
785
1:9:55,274 --> 1:9:56,526
- That was really good, though!
786
1:9:56,526 --> 1:9:57,318
- Really? Okay.
787
1:9:57,318 --> 1:9:57,985
- It was perfect.
788
1:9:57,985 --> 1:9:59,362
- Good start!
- Keep going!
789
1:10:4,200 --> 1:10:6,35
- I was going through a really
difficult time.
790
1:10:6,702 --> 1:10:7,995
Clay and Harrison
791
1:10:7,995 --> 1:10:10,415
gave me courage to
792
1:10:10,415 --> 1:10:11,749
keep going-
793
1:10:13,167 --> 1:10:14,293
- Sometimes I don't know if I'm
going to
794
1:10:14,293 --> 1:10:16,379
see the next day.
795
1:10:20,466 --> 1:10:22,927
This album saved my soul.
796
1:10:23,428 --> 1:10:26,222
I don't think I would be here if
not for this album.
797
1:10:33,62 --> 1:10:35,148
- We had met about the song.
798
1:10:35,606 --> 1:10:38,443
It was about a year later that I
remember
799
1:10:38,776 --> 1:10:40,403
the email of them being, like,
800
1:10:40,403 --> 1:10:41,487
“Do you want to perform live?”
801
1:10:41,487 --> 1:10:42,905
And I was like, “yeah.”
802
1:10:42,905 --> 1:10:44,407
Like, “heck yeah!”
803
1:10:45,74 --> 1:10:47,702
I had never performed live
before.
804
1:10:49,871 --> 1:10:52,165
I just, like, remember feeling
like
805
1:10:53,499 --> 1:10:55,543
this was, like, the first kind
of place
806
1:10:55,543 --> 1:10:58,421
that I felt like I could really
belong.
807
1:11:22,445 --> 1:11:26,73
♪ Ain't no surprise
808
1:11:28,451 --> 1:11:31,287
That I can't sleep tonight
809
1:11:32,330 --> 1:11:34,916
My only vice
810
1:11:37,752 --> 1:11:40,630
ls standing by your side
811
1:11:41,5 --> 1:11:43,883
So won't you love me better
812
1:11:44,175 --> 1:11:46,10
I'm waiting here
813
1:11:46,469 --> 1:11:48,721
I need you now
814
1:11:51,557 --> 1:11:57,813
Gravity can't hold us down so
just take me there
815
1:11:58,648 --> 1:12:1,67
To higher ground
816
1:12:2,401 --> 1:12:3,653
Save me
817
1:12:4,612 --> 1:12:6,489
I'm holding onto you
818
1:12:6,489 --> 1:12:8,282
My soul is fading
819
1:12:9,242 --> 1:12:11,244
I'm falling into blue
820
1:12:11,244 --> 1:12:13,37
Why don't you save me?
821
1:12:14,121 --> 1:12:16,415
My blood is running cold
822
1:12:16,415 --> 1:12:19,919
So lift me up and give me higher
ground
823
1:12:34,350 --> 1:12:36,561
- Seattle, let me see some
lights.
824
1:12:41,983 --> 1:12:44,193
We missed you guys so much!
825
1:12:50,992 --> 1:12:53,869
Would you give me shelter
826
1:12:55,955 --> 1:12:58,332
I need you now
827
1:13:0,418 --> 1:13:3,212
if you lead I'll follow
828
1:13:5,339 --> 1:13:8,134
I'm reaching out
829
1:13:9,844 --> 1:13:12,638
So won't you love me better
830
1:13:13,55 --> 1:13:14,849
I'm waiting here
831
1:13:15,308 --> 1:13:17,560
I need you now
832
1:13:20,438 --> 1:13:26,694
Gravity can't hold us down so
just take me there
833
1:13:28,988 --> 1:13:31,782
So won't you love me better
834
1:13:32,241 --> 1:13:34,35
I'm waiting here
835
1:13:34,493 --> 1:13:36,746
I need you now
836
1:13:39,540 --> 1:13:45,838
Gravity can't hold us down so
just take me there
837
1:13:46,213 --> 1:13:48,633
To higher ground
838
1:13:50,384 --> 1:13:51,636
Save me
839
1:13:52,595 --> 1:13:54,472
I'm holding onto you
840
1:13:54,472 --> 1:13:56,265
My soul is fading
841
1:13:57,183 --> 1:13:59,185
I'm falling into blue
842
1:13:59,185 --> 1:14:0,978
Why don't you save me?
843
1:14:2,104 --> 1:14:4,440
My blood is running cold
844
1:14:4,440 --> 1:14:7,985
So lift me up and give me higher
ground ♪
845
1:14:49,276 --> 1:14:50,945
- Naomi Wild, everybody!
846
1:15:4,208 --> 1:15:5,0
- How we doing?
847
1:15:5,0 --> 1:15:5,918
Hey buddy!
848
1:15:7,503 --> 1:15:8,295
What are you looking at?
849
1:15:9,255 --> 1:15:11,632
Alright, let's do a little
diaper change.
850
1:15:11,966 --> 1:15:13,384
Ooh, he might have poopied.
851
1:15:13,676 --> 1:15:14,760
- Uh oh.
852
1:15:14,760 --> 1:15:16,345
- The full deal today.
853
1:15:17,346 --> 1:15:19,56
This is a little different than
touring.
854
1:15:20,683 --> 1:15:23,185
Yeah, see if you want to walk
down.
855
1:15:23,185 --> 1:15:24,270
You want to play a little piano?
856
1:15:24,270 --> 1:15:25,312
Okay.
857
1:15:25,312 --> 1:15:26,564
You want to try to play a little
bit?
858
1:15:28,607 --> 1:15:29,275
- Oh, oh!
859
1:15:33,154 --> 1:15:36,157
- Very avant garde, atmospheric.
860
1:15:38,701 --> 1:15:39,827
- Can you do that?
861
1:15:45,82 --> 1:15:46,792
- Super close!
862
1:15:47,918 --> 1:15:49,462
- Okay, Clayton, play us a tune.
863
1:15:49,462 --> 1:15:50,421
- Yeah.
864
1:15:58,846 --> 1:16:1,474
- I grew up with my dad playing
piano
865
1:16:4,518 --> 1:16:6,896
and I want to give my son the
same thing.
866
1:16:10,524 --> 1:16:12,568
Yeah, just to have these similar
things that I grew up with
867
1:16:12,568 --> 1:16:14,737
in my home, now that I'm
starting a family
868
1:16:14,737 --> 1:16:16,238
are really important to me.
869
1:16:18,657 --> 1:16:20,701
We're kind of these echoes and
repeats
870
1:16:20,701 --> 1:16:22,203
of these people that have come
before us.
871
1:16:29,710 --> 1:16:30,461
- Nice to take a break.
872
1:16:30,461 --> 1:16:31,796
Thanks for telling me to
873
1:16:32,922 --> 1:16:35,508
move away from the music for a
second.
874
1:16:35,508 --> 1:16:37,51
- Especially on a day like
today.
875
1:16:42,723 --> 1:16:43,808
Chunky, come here!
876
1:16:43,808 --> 1:16:44,308
- Sit.
877
1:16:46,977 --> 1:16:48,771
- You're not intimidating.
878
1:16:50,773 --> 1:16:53,442
(Phone buzzing)
879
1:16:53,818 --> 1:16:55,110
- Oh, it's my mom.
880
1:16:55,110 --> 1:16:55,778
- You mind taking this?
881
1:16:59,31 --> 1:16:59,657
- Hello?
882
1:17:0,324 --> 1:17:1,325
- Can you hear me?
883
1:17:1,325 --> 1:17:3,77
- Yeah, I can hear you.
884
1:17:7,665 --> 1:17:10,584
- So, I wanted to ask you some
questions.
885
1:17:11,335 --> 1:17:14,588
Kind of circling around the
ideas of the record.
886
1:17:15,506 --> 1:17:17,132
And I just wanted to get your
take
887
1:17:17,132 --> 1:17:19,93
as a person I admire and love.
888
1:17:19,93 --> 1:17:22,680
- Oh.
-And so I'm going to ask you a barrage of questions
889
1:17:22,680 --> 1:17:24,890
and just answer them however you
like.
890
1:17:24,890 --> 1:17:25,683
. okay-
891
1:17:29,770 --> 1:17:31,856
- Do you believe in true love?
892
1:17:33,190 --> 1:17:34,817
- Absolutely.
893
1:17:34,817 --> 1:17:36,652
- Why do you believe in true
love?
894
1:17:36,652 --> 1:17:37,945
- Because I've experienced it.
895
1:17:40,447 --> 1:17:42,324
Especially when I had you.
896
1:17:43,784 --> 1:17:46,287
It's a connection you've never
experienced before
897
1:17:46,287 --> 1:17:47,913
with anyone else.
898
1:17:49,582 --> 1:17:52,793
It's a bond that lasts a
lifetime.
899
1:17:52,793 --> 1:17:53,836
and beyond.
900
1:17:54,670 --> 1:17:57,47
The love that you feel for your
child
901
1:17:57,47 --> 1:17:58,632
is never ending.
902
1:17:58,632 --> 1:18:0,301
Goes on through eternity.
903
1:18:0,301 --> 1:18:2,219
- (Young Harrison) Goodbye,
mom.
904
1:18:2,219 --> 1:18:4,388
- See you later, partner.
905
1:18:4,972 --> 1:18:6,515
- So you feel it today, then?
906
1:18:6,932 --> 1:18:7,600
- Yes I do.
907
1:18:8,434 --> 1:18:9,727
- I feel it every day.
908
1:18:18,694 --> 1:18:21,322
- What is a moment in your life
that broke you?
909
1:18:25,534 --> 1:18:27,453
- When my parents died.
910
1:18:29,496 --> 1:18:32,333
- When your grandmother passed
away.
911
1:18:38,422 --> 1:18:39,673
- You know, when you're younger,
912
1:18:39,673 --> 1:18:41,634
you are on a journey and
sometimes
913
1:18:41,634 --> 1:18:43,344
you don't know what the answer
is
914
1:18:43,344 --> 1:18:44,678
to all kinds of questions.
915
1:18:48,15 --> 1:18:49,683
- I do think about
916
1:18:49,683 --> 1:18:51,101
having to say goodbye to them
917
1:18:51,101 --> 1:18:54,521
because you know that their time
on Earth
918
1:18:54,521 --> 1:18:55,606
is no longer here.
919
1:18:58,67 --> 1:18:59,610
That they're moving on
920
1:18:59,610 --> 1:19:1,737
to some other place in time and
space.
921
1:19:3,405 --> 1:19:6,617
- You're watching over them and
they're watching over you.
922
1:19:7,242 --> 1:19:9,119
- They're always with you.
923
1:24:55,674 --> 1:25:0,178
- ODESZA! ODESZA! ODESZA!
924
1:25:0,178 --> 1:25:4,975
One more song! One more song!
One more song!
925
1:25:16,445 --> 1:25:17,237
- I think this is it.
926
1:25:19,489 --> 1:25:22,75
So this is the record we found
927
1:25:22,75 --> 1:25:25,912
when we were searching for
samples for The Last Goodbye.
928
1:25:26,371 --> 1:25:28,915
And what came to be was from
this.
929
1:25:28,915 --> 1:25:30,959
Bettye LaVette's “Let Me Down
Easy”.
930
1:25:30,959 --> 1:25:32,127
It's an incredible song
931
1:25:32,127 --> 1:25:35,47
and it just caught us off guard.
932
1:25:35,47 --> 1:25:36,548
And it was so special
933
1:25:36,548 --> 1:25:38,50
we wanted to use it in some way.
934
1:25:48,477 --> 1:25:51,63
♪ Let me down easy
935
1:25:52,522 --> 1:25:55,817
For your love for me is strong
936
1:25:57,652 --> 1:25:59,571
Let me down easy J
937
1:25:59,571 --> 1:26:1,73
The theme for our whole album
938
1:26:1,73 --> 1:26:2,699
is kind of looking backwards
939
1:26:2,699 --> 1:26:5,369
to see how we can move forward.
940
1:26:6,119 --> 1:26:8,80
♪ I know it's all over
941
1:26:8,80 --> 1:26:9,831
- This really served as a
guiding light
942
1:26:9,831 --> 1:26:11,166
for the album itself.
943
1:26:11,166 --> 1:26:14,961
♪ For the last goodbye
944
1:26:16,129 --> 1:26:18,840
Oh oha'
945
1:26:18,840 --> 1:26:20,425
The song name
946
1:26:21,468 --> 1:26:23,345
comes from one of the lyrics
Bettye says,
947
1:26:23,345 --> 1:26:24,721
“The last goodbye”.
948
1:26:24,721 --> 1:26:28,16
And that lyric encapsulated our
whole album.
949
1:26:30,185 --> 1:26:33,480
♪ I know it's all over
950
1:26:34,689 --> 1:26:38,360
For the last goodbye
951
1:26:39,403 --> 1:26:41,863
Oh oh
952
1:26:42,864 --> 1:26:45,283
Let me down easy J
953
1:26:51,123 --> 1:26:54,42
♪ This version of you
954
1:26:55,335 --> 1:26:58,296
Simply becomes real J
955
1:27:8,98 --> 1:27:10,809
- I remember some pretty early
conversations.
956
1:27:10,809 --> 1:27:11,977
- Check, check, check.
957
1:27:16,189 --> 1:27:17,774
We can talk about, like,
958
1:27:17,774 --> 1:27:19,776
“Man, if we could only get a
show at Sasquatch.”
959
1:27:19,776 --> 1:27:21,862
That was kind of our big goal at
the time.
960
1:27:28,285 --> 1:27:30,120
And then we did that that year
961
1:27:30,120 --> 1:27:31,204
and then were like,
962
1:27:31,204 --> 1:27:33,165
you know, “damn, what do
we...what do we do now?”
963
1:27:36,42 --> 1:27:38,670
♪ This version of you, looking
at you
964
1:27:39,504 --> 1:27:41,840
But to have it reach this point-
965
1:27:41,840 --> 1:27:45,177
to be doing these size shows
with our friends
966
1:27:45,177 --> 1:27:47,596
and family and loved ones-
967
1:27:47,596 --> 1:27:50,307
it still does not register.
968
1:27:50,640 --> 1:27:52,726
It still blows my mind every
day.
969
1:27:54,769 --> 1:27:56,480
♪ I'd like you to imagine
970
1:27:58,106 --> 1:28:0,66
This version of you J
971
1:28:3,236 --> 1:28:4,946
- I didn't prepare anything.
972
1:28:4,946 --> 1:28:6,656
But I do want to say
973
1:28:6,656 --> 1:28:9,576
something is only as good as the
sum of its parts
974
1:28:9,576 --> 1:28:12,996
and everyone here is an
incredible, talented individual.
975
1:28:13,413 --> 1:28:14,789
We love you guys so much.
976
1:28:14,789 --> 1:28:15,874
Put your hand in.
977
1:28:15,874 --> 1:28:17,334
- Hell yeah, let's do this!
978
1:28:22,5 --> 1:28:23,6
- Where we at?
979
1:28:23,6 --> 1:28:25,425
- Oh! We're filming!
980
1:28:25,759 --> 1:28:26,760
Whoowee!
981
1:28:32,557 --> 1:28:33,475
We were trying.
982
1:28:33,475 --> 1:28:35,769
And you guys supported 100%.
983
1:28:35,769 --> 1:28:37,62
Thank you for caring!
984
1:28:41,483 --> 1:28:42,651
- Quack, quack
985
1:28:42,651 --> 1:28:46,738
quack, quack, quack, quack,
quack, quack!
986
1:29:8,134 --> 1:29:9,678
- Tentatively,
987
1:29:9,678 --> 1:29:11,888
the name of the record is The
Last Goodbye.
988
1:29:12,764 --> 1:29:14,15
- That's lovely.
989
1:29:17,894 --> 1:29:20,730
- I've really thought of my own
mortality quite a lot.
990
1:29:21,982 --> 1:29:23,483
I started questioning
991
1:29:23,483 --> 1:29:26,736
“When will be the last time that
I get to see you guys?”
992
1:29:29,197 --> 1:29:32,75
We just really grabbed onto this
sentiment of
993
1:29:32,75 --> 1:29:33,910
who you are comes with a piece
of
994
1:29:33,910 --> 1:29:35,370
everyone who came before you.
995
1:29:39,82 --> 1:29:42,43
You never really say goodbye to
anyone,
996
1:29:42,43 --> 1:29:43,461
because they're always with you.
997
1:29:49,718 --> 1:29:52,804
♪ Let me down easy
998
1:29:54,556 --> 1:29:57,642
All your love for me is gone
999
1:29:58,768 --> 1:30:1,855
Let me down easy
1000
1:30:2,731 --> 1:30:5,859
Since you feel to stay is wrong
1001
1:30:6,818 --> 1:30:9,904
I know it's all over
1002
1:30:11,156 --> 1:30:15,35
But the last goodbye
1003
1:30:15,910 --> 1:30:21,708
Oh, let me down easy
1004
1:30:23,43 --> 1:30:26,129
Let me down easy
1005
1:30:27,172 --> 1:30:30,300
Let me down easy
1006
1:30:31,509 --> 1:30:34,596
Let me down easy
1007
1:30:35,639 --> 1:30:38,725
Let me down easy
1008
1:31:30,235 --> 1:31:32,654
When you pass by me
1009
1:31:34,197 --> 1:31:36,825
Say hello once in a while
1010
1:31:38,576 --> 1:31:41,830
When you pass by me baby
1011
1:31:42,580 --> 1:31:45,875
Does it hurt so much to smile?
1012
1:31:46,668 --> 1:31:50,755
We promised that we'd still be
friends
1013
1:31:51,589 --> 1:31:55,677
'Til the very end
1014
1:31:57,429 --> 1:32:0,807
I'm begging you, baby
1015
1:32:1,182 --> 1:32:3,393
Let me down easy
1016
1:33:18,885 --> 1:33:21,95
Let me down easy
1017
1:33:22,472 --> 1:33:25,558
All your love for me is gone
1018
1:33:27,60 --> 1:33:29,854
Let me down easy
1019
1:33:31,105 --> 1:33:34,234
Since you feel to stay is wrong
1020
1:33:35,276 --> 1:33:38,363
I know it's all over
1021
1:33:39,489 --> 1:33:43,368
But the last goodbye
1022
1:33:44,118 --> 1:33:49,916
Oh, let me down easy
1023
1:33:51,793 --> 1:33:54,879
Let me down easy
1024
1:33:55,880 --> 1:33:59,50
Let me down easy
1025
1:34:0,260 --> 1:34:2,53
- Seattle!
1026
1:34:2,846 --> 1:34:5,682
Let me see you one last time!
1027
1:34:8,476 --> 1:34:11,396
Let me down easy ♪
66743
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