All language subtitles for Aries.Spears.Hollywood.Look.Im.Smiling.2011.1080p.WEBRip.x264.AAC5.1-[YTS.MX]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:20,312 --> 00:00:22,773 ( hip-hop music playing ) 4 00:00:40,249 --> 00:00:43,168 ( cheering and applause ) 5 00:00:48,298 --> 00:00:50,509 Announcer: You've seen him on "MAD TV." 6 00:00:50,509 --> 00:00:53,095 One of the funniest cats in the game. 7 00:00:53,095 --> 00:00:55,097 Put your hands together 8 00:00:55,097 --> 00:00:57,724 for Aries Spears! 9 00:01:16,493 --> 00:01:20,080 NEW YORK CITY, WHAT'S HAPPENING, BABY? 10 00:01:22,040 --> 00:01:25,127 YOUR BOY IS HOME, NEW YORK. 11 00:01:27,421 --> 00:01:31,133 YEAH, NEW YORK CITY, BABY. I'M GLAD TO BE HERE. 12 00:01:31,133 --> 00:01:32,968 I'M GLAD TO BE HOME AND SHIT. 13 00:01:32,968 --> 00:01:34,970 MY MAN JAZZY JEFF, MUCH LOVE, MAN. 14 00:01:34,970 --> 00:01:36,972 I APPRECIATE YOU, BOY. 15 00:01:36,972 --> 00:01:39,683 NEW YORK, I'M GLAD WE'VE GOT AN ECLECTIC CROWD, MAN. 16 00:01:39,683 --> 00:01:41,226 THERE'S A LOT OF BLACK PEOPLE HERE. 17 00:01:41,226 --> 00:01:43,186 I WANT TO THANK THE WHITE PEOPLE FOR COMING. 18 00:01:43,186 --> 00:01:45,522 YOU MOTHERFUCKERS SHOWED THAT YOU STILL KNOW YOUR PLACE. 19 00:01:45,522 --> 00:01:47,858 IT'S AWESOME YOU CAME WITH THAT KIND OF CONFIDENCE. 20 00:01:47,858 --> 00:01:50,027 IS THAT YOUR MAN? OKAY, HOW ARE YOU DOING, BRO? 21 00:01:50,027 --> 00:01:52,237 NIGGA, UNFOLD YOUR ARMS. WHY ARE YOU LOOKING AT ME 22 00:01:52,237 --> 00:01:54,239 LIKE YOU'RE THE RENT COLLECTOR, NIGGA? 23 00:01:54,239 --> 00:01:56,325 UNFOLD YOUR ARMS. 24 00:01:56,325 --> 00:01:58,577 NO, NIGGA, I AIN'T NERVOUS. YOU'RE A BIG MOTHERFUCKER. 25 00:01:58,577 --> 00:02:02,039 I THROW A WEIGHT DOWN, YOU GOTTA MAKE A CHOICE, MOTHERFUCKER. 26 00:02:02,039 --> 00:02:05,000 SO IS THIS-- IS THIS YOUR FIRST NEGRO? 27 00:02:06,793 --> 00:02:09,254 THAT BITCH SAID, "HUH-UH." 28 00:02:09,254 --> 00:02:12,257 I SAID THAT SHIT LIKE HE COMES WITH A THEME SONG-- 29 00:02:12,257 --> 00:02:14,468 ♪ MY FIRST NEGRO. ♪ 30 00:02:14,468 --> 00:02:18,847 YOU SAID NO. THAT'S GONNA BE AN AWKWARD DRIVE HOME. 31 00:02:18,847 --> 00:02:22,225 "BITCH, YOU TOLD ME I WAS SPECIAL." 32 00:02:22,225 --> 00:02:24,686 Y'ALL PROBABLY HAVE GREAT SEX. 33 00:02:24,686 --> 00:02:26,855 Y'ALL ROLE-PLAY AT ALL? DO YOU ROLE-PLAY? 34 00:02:26,855 --> 00:02:28,440 NO? 35 00:02:28,440 --> 00:02:31,151 YOU EVER PLAY "ESCAPED SLAVE AND THE MASTER'S WIFE"? 36 00:02:31,151 --> 00:02:33,153 HURRY UP, NIGGA. GET BACK TO WORK. 37 00:02:33,153 --> 00:02:35,155 YOU'RE ON THE CLOCK. 38 00:02:35,155 --> 00:02:37,574 SHIT, YOU GOT A WHITE GIRL, YOU GOTTA DRESS UP LIKE O.J. ON HALLOWEEN, 39 00:02:37,574 --> 00:02:39,701 COME OUT OF THE CLOSET WITH A BUTCHER KNIFE, SCARE THE SHIT-- 40 00:02:39,701 --> 00:02:41,203 ARGHH! 41 00:02:41,203 --> 00:02:43,121 I'M GLAD Y'ALL ARE TOGETHER. THAT'S FINE. 42 00:02:43,121 --> 00:02:45,207 LET ME TELL YOU SOMETHING. WHEN Y'ALL HAVE SEX 43 00:02:45,207 --> 00:02:47,125 YOU GOTTA ROLE-PLAY. IT'S FUN, YOU KNOW WHAT I'M SAYING? 44 00:02:47,125 --> 00:02:49,211 BLACK WOMEN, DON'T GET ME WRONG, I LOVE Y'ALL, 45 00:02:49,211 --> 00:02:51,213 BUT CERTAIN SHIT YOU CAN'T DO WITH Y'ALL. 46 00:02:51,213 --> 00:02:53,215 Y'ALL HAVE TOO MANY RULES AND REGULATIONS. 47 00:02:53,215 --> 00:02:55,926 NIGGA, DON'T TOUCH MY HAIR. DON'T BE TOUCHING MY MOTHERFUCKING HAIR. 48 00:02:55,926 --> 00:02:58,136 I JUST GOT MY SHIT DID. NIGGA FUCKS YOU DOGGY STYLE, 49 00:02:58,136 --> 00:03:00,097 HE'S GOTTA KEEP HIS HANDS BEHIND HIS BACK AND SHIT. 50 00:03:00,097 --> 00:03:02,516 HE FEELS THE URGE TO GRAB YOUR SHIT, IT MIGHT COME OFF 51 00:03:02,516 --> 00:03:04,518 LIKE-- OH SHIT! 52 00:03:04,518 --> 00:03:07,270 YOU GOTTA HAVE A CHIN STRAP ON. YOU GOTTA KEEP IT LOCKED DOWN, MAN. 53 00:03:07,270 --> 00:03:09,439 YOU GOTTA HAVE FUN WITH THAT, MAN. 54 00:03:09,439 --> 00:03:12,150 I NOTICE WE'VE GOT A PRETTY ASIAN GIRL SITTING IN THE CROWD. 55 00:03:12,150 --> 00:03:14,027 HOW ARE YOU DOING, SWEETHEART? YOU ALL RIGHT? 56 00:03:14,027 --> 00:03:16,780 YES, BABY, YOU. BITCH, I'M LOOKING AT YOU. YES, THIS AIN'T-- 57 00:03:16,780 --> 00:03:18,949 YES, YOU, MOTHERF-- HOW ARE YOU DOING, SWEETHEART? 58 00:03:18,949 --> 00:03:21,701 I LOVE ASIAN WOMEN. SEE, I COULD HAVE FUN WITH YOU 59 00:03:21,701 --> 00:03:24,121 IF YOU WAS MY GIRL. WE COULD ROLE-PLAY, YOU KNOW. 60 00:03:24,121 --> 00:03:27,207 LIKE I COME HOME ONE DAY IN A SOLDIER'S OUTFIT. 61 00:03:27,207 --> 00:03:29,918 ( laughter ) 62 00:03:29,918 --> 00:03:31,962 AND I GOT MY DICK HANGING THROUGH THE ZIPPER. 63 00:03:31,962 --> 00:03:35,549 AND I'M LIKE, "I'M AN AMERICAN SOLDIER HERE TO SLAY SOME--" 64 00:03:35,549 --> 00:03:37,551 WHAT'S YOUR NATIONALITY, BABY? 65 00:03:37,551 --> 00:03:40,220 WHAT'S YOUR NATIONALITY? YOU FILIPINO? 66 00:03:40,220 --> 00:03:42,806 FUCK IT, IT'D WORK BETTER FOR THE JOKE IF YOU WERE VIETNAMESE. 67 00:03:42,806 --> 00:03:44,933 SO YOU'RE VIETNAMESE. 68 00:03:44,933 --> 00:03:48,687 LIKE, "I'M AN AMERICAN SOLDIER HERE TO SLAY SOME VIETNAMESE ASS." 69 00:03:48,687 --> 00:03:52,107 AND I CAN'T SEE YOU. YOU'RE SOMEWHERE IN THE HOUSE HIDDEN. 70 00:03:52,107 --> 00:03:54,568 BUT YOU GOT LIKE A POTATO SACK ON FOR A SHIRT, 71 00:03:54,568 --> 00:03:57,070 A LITTLE DIRT AND MUD ON YOUR FACE. 72 00:03:57,070 --> 00:03:58,989 AND I JUST HEAR YOU YELL FROM A DISTANCE, 73 00:03:58,989 --> 00:04:01,074 "YOU GO HOME, BLACK MAN. IT'S NOT YOUR WAR." 74 00:04:01,074 --> 00:04:03,827 AND THEN WHEN I SEE YOU, WE FUCK ON A BED OF RICE PADDIES. 75 00:04:03,827 --> 00:04:06,288 THAT WOULD BE AWESOME. 76 00:04:06,288 --> 00:04:11,001 DON'T GET EMBARRASSED. THIS IS REAL SHIT, MAN. 77 00:04:11,001 --> 00:04:13,211 AND I DON'T WANT NONE OF THE WHITE PEOPLE TO GET UNCOMFORTABLE 78 00:04:13,211 --> 00:04:15,213 'CAUSE I DO LIKE TO TALK ABOUT THE RACE ISSUE. 79 00:04:15,213 --> 00:04:18,175 'CAUSE A LOT OF Y'ALL TRY TO ACT LIKE THIS SHIT AIN'T RELEVANT NO MORE. 80 00:04:18,175 --> 00:04:20,177 LIKE IS RACE STILL RELEVANT IN AMERICA? 81 00:04:20,177 --> 00:04:23,013 LOOK AT SOME OF THE WHITE PEOPLE-- "WHATEVER DO YOU MEAN?" 82 00:04:23,013 --> 00:04:26,683 RACISM WILL ALWAYS BE RELEVANT IN AMERICA FOR TWO REASONS: 83 00:04:26,683 --> 00:04:28,560 ONE-- THERE'S TOO MUCH BAD HISTORY 84 00:04:28,560 --> 00:04:30,520 AND YOU CAN'T ERASE THAT MUCH BAD HISTORY; 85 00:04:30,520 --> 00:04:33,732 AND TWO-- I JUST THINK IT'S NATURAL FOR EVERYBODY TO BE A LITTLE BIT RACIST. 86 00:04:33,732 --> 00:04:36,109 I DON'T GIVE A FUCK WHAT COLOR YOU ARE. WHAT YOUR GENDER IS, 87 00:04:36,109 --> 00:04:38,111 HOW OLD YOU ARE, WE ARE ALL A LITTLE BIT RACIST. 88 00:04:38,111 --> 00:04:40,530 AND WHITE PEOPLE, Y'ALL ARE THE FIRST ONES TO DENOUNCE THAT SHIT-- 89 00:04:40,530 --> 00:04:42,741 "I'M NOT RACIST. I'M INCAPABLE OF BEING RACIST. 90 00:04:42,741 --> 00:04:45,035 MY BEST FRIEND IS BLACK. 91 00:04:45,035 --> 00:04:48,538 HE'S ALSO MY CHAUFFEUR, BUT HE'S MY BEST FRIEND." 92 00:04:48,538 --> 00:04:51,208 EVERYBODY IN THIS ROOM, 93 00:04:51,208 --> 00:04:53,668 EVERYBODY IN THIS COUNTRY IS AS LITTLE RACIST. 94 00:04:53,668 --> 00:04:56,546 YOU MIGHT NOT BE SMACK-A-TACO-OUT-OF- A-MEXICAN'S-HAND RACIST, 95 00:04:56,546 --> 00:04:59,424 BUT WE ARE ALL-- 96 00:04:59,424 --> 00:05:02,302 FUCK Y'ALL, THAT IS WAY FUNNIER THAN THAT. 97 00:05:02,302 --> 00:05:04,304 I DON'T KNOW WHY Y'ALL ARE SCARED TO LAUGH. 98 00:05:04,304 --> 00:05:06,640 YOU ACT LIKE 300 MEXICANS ARE GONNA POP OUT OF NOWHERE 99 00:05:06,640 --> 00:05:09,142 LIKE, "WHAT THE FUCK, FUCKER? 100 00:05:09,142 --> 00:05:12,187 I MAKE A SPECIAL SOUR CREAM FOR YOU, ESE." 101 00:05:12,187 --> 00:05:13,980 IT'S FUCKING HILARIOUS. 102 00:05:13,980 --> 00:05:16,316 AND I LIVE IN L.A. I LOVE THE MEXICANS, I DO. 103 00:05:16,316 --> 00:05:18,985 'CAUSE OF MEXICANS MY LAWN LOOKS FABULOUS. 104 00:05:18,985 --> 00:05:22,447 I GOT A LITTLE BIT OF MONEY. I LIVE IN A WHITE NEIGHBORHOOD. 105 00:05:22,447 --> 00:05:24,449 THEY'D BE OUT THERE CUTTING MY GRASS AND SHIT. 106 00:05:24,449 --> 00:05:26,243 IT'D BE HOT AS A MOTHERFUCKER OUTSIDE. 107 00:05:26,243 --> 00:05:28,703 I'D BE STARING AT THEM FROM THE HOUSE THROUGH THE BLINDS. 108 00:05:28,703 --> 00:05:30,997 LIKE, "MM MM MM." 109 00:05:30,997 --> 00:05:34,125 20 MINUTES LATER THEY KNOCK ON THE DOOR AND ASK ME FOR SHIT. 110 00:05:34,125 --> 00:05:36,628 "SENOR, IT'S HOT OUTSIDE." 111 00:05:36,628 --> 00:05:39,256 THEY ALL SOUND LIKE SPEEDY GONZALEZ. 112 00:05:39,256 --> 00:05:41,258 "IS HOT OUTSIDE. 113 00:05:41,258 --> 00:05:43,051 ME AND MY COMPADRES WAS WONDERING, 114 00:05:43,051 --> 00:05:45,095 CAN WE HAVE SOME AGUA?" 115 00:05:45,095 --> 00:05:47,097 I'M LIKE, "NO, BUT I CAN GIVE YOU SOME ADVICE-- 116 00:05:47,097 --> 00:05:50,308 HUM YOUR WAY THROUGH IT, MOTHERFUCKER. THAT'S HOW WE GOT BY-- BAM!" 117 00:05:50,308 --> 00:05:53,061 FUCK THAT. YOU GOT TO EARN YOUR TURN. 118 00:05:53,061 --> 00:05:55,605 YOU CAN'T JUST HOP OVER A FENCE 119 00:05:55,605 --> 00:05:59,109 AND EXPECT THE SAME RIGHTS. YOU GOT TO EARN YOUR TURN. 120 00:05:59,109 --> 00:06:01,444 LOOK AT SOME OF THE WHITE PEOPLE-- "OH MY GOD, HE SAID IT. 121 00:06:01,444 --> 00:06:03,530 THANK YOU. 122 00:06:03,530 --> 00:06:05,532 I'VE BEEN FEELING THIS, BLACK MAN. 123 00:06:05,532 --> 00:06:07,409 THANK YOU." 124 00:06:09,202 --> 00:06:11,288 AND I KNOW THAT'S A BIG DEAL IN THIS COUNTRY-- 125 00:06:11,288 --> 00:06:13,123 ILLEGAL IMMIGRATION. 126 00:06:13,123 --> 00:06:15,625 WHITE PEOPLE-- YOU GUYS GET BENT OUT OF SHAPE OVER THAT SHIT. 127 00:06:15,625 --> 00:06:17,878 I HEAR YOU COMPLAINING-- "FUCKING MEXICANS. 128 00:06:17,878 --> 00:06:19,879 THEY'RE COMING HERE TAKING OUR JOBS. 129 00:06:19,879 --> 00:06:21,881 SOME OF THEM HAVE CRIMINAL RECORDS. 130 00:06:21,881 --> 00:06:23,883 WE'RE NOT SAFE. WE DON'T KNOW WHO'S AMONG US." 131 00:06:23,883 --> 00:06:25,468 WELL, LET ME REMIND ALL THE WHITE PEOPLE 132 00:06:25,468 --> 00:06:27,262 WHY INSTEAD OF BEING MAD AT THE MEXICANS-- 133 00:06:27,262 --> 00:06:29,889 TECHNICALLY YOU GUYS WERE THE FIRST ILLEGAL IMMIGRANTS. 134 00:06:29,889 --> 00:06:32,225 'CAUSE WHEN YOU CAME TO THIS COUNTRY, IT BELONGED TO THE INDIANS. 135 00:06:32,225 --> 00:06:34,227 AND WE KNOW HOW THAT SHIT TURNED OUT. 136 00:06:34,227 --> 00:06:37,188 LOOK HOW QUIET THEY GOT. DID YOU FEEL THE TENSION ALL OF A SUDDEN? 137 00:06:37,188 --> 00:06:39,649 THEY'RE LIKE, "NIGGA, I CAN'T BELIEVE YOU WOULD SAY THAT. 138 00:06:39,649 --> 00:06:41,359 WE WERE JUST STARTING TO LIKE YOU. 139 00:06:41,359 --> 00:06:44,946 HOW COULD YOU BETRAY OUR TRUST?" 140 00:06:44,946 --> 00:06:47,991 LISTEN, I DON'T GIVE A FUCK IF YOU COME TO THIS COUNTRY 141 00:06:47,991 --> 00:06:49,868 LEGALLY OR ILLEGALLY, 'CAUSE AT THE END OF THE DAY 142 00:06:49,868 --> 00:06:52,037 WE'RE ALL FOREIGNERS TO SOME EXTENT. 143 00:06:52,037 --> 00:06:53,913 MY ONLY ISSUE IS IF YOU'RE GONNA COME TO THIS COUNTRY, 144 00:06:53,913 --> 00:06:57,042 I GOT ONE RULE-- LEARN HOW TO SPEAK FUCKING ENGLISH, PLEASE. 145 00:06:57,042 --> 00:06:59,544 YOU'VE GOT TO LEARN THE FUCKING LANGUAGE. 146 00:06:59,544 --> 00:07:01,630 'CAUSE THERE'S NOTHING MORE FRUSTRATING TO ME 147 00:07:01,630 --> 00:07:03,673 BEING IN POPEYE'S CHICKEN 148 00:07:03,673 --> 00:07:06,968 ARGUING WITH JORGE ABOUT WHAT THE FUCK I ORDERED. 149 00:07:06,968 --> 00:07:09,220 AND I'M TRYING TO CATCH THE SECOND HALF OF THE GAME. 150 00:07:09,220 --> 00:07:11,222 I AIN'T GOT TIME FOR THIS SHIT. 151 00:07:11,222 --> 00:07:13,975 YOU EVER TALKED TO SOMEBODY THAT DON'T KNOW HOW TO SPEAK ENGLISH? 152 00:07:13,975 --> 00:07:16,936 THEY ALWAYS GOT A LOOK AND A SOUND COMING OUT OF THEIR FACE 153 00:07:16,936 --> 00:07:20,065 LIKE THEY'RE IN THE MIDDLE OF TAKING A SHIT. IT'S HILARIOUS. 154 00:07:20,065 --> 00:07:22,067 LIKE, "EXCUSE ME, YOU KNOW WHAT TIME IT IS?" 155 00:07:22,067 --> 00:07:23,902 ( grunts ) 156 00:07:23,902 --> 00:07:26,488 "I DON'T SPEAK NO-- I DON'T--" 157 00:07:26,488 --> 00:07:28,782 ( grunts ) 158 00:07:28,782 --> 00:07:30,784 I WAS AT POPEYE'S CHICKEN 159 00:07:30,784 --> 00:07:33,244 AROUND THE PLAYOFFS FOR BASKETBALL 160 00:07:33,244 --> 00:07:35,747 AND I'M ARGUING WITH THIS MOTHERFUCKER ABOUT MY ORDER. 161 00:07:35,747 --> 00:07:38,750 HE DIDN'T UNDERSTAND ME. I DIDN'T UNDERSTAND HIM. SHIT WAS TERRIBLE. 162 00:07:38,750 --> 00:07:41,127 I WAS LIKE, "DAWG, LET ME GET A TWO-PIECE CHICKEN DINNER." 163 00:07:41,127 --> 00:07:43,129 HE TRIED TO REPEAT THE SHIT BACK TO ME-- 164 00:07:43,129 --> 00:07:45,924 ( moans ) "YOU WANT A TWO-PEE YICKIE? 165 00:07:45,924 --> 00:07:49,177 DO YOU WANT THE SPICY OR THE MAYO?" 166 00:07:49,177 --> 00:07:51,304 I SAID, "WHAT?" HE SAID, "THE SPICY OR THE MAYO?" 167 00:07:51,304 --> 00:07:54,015 I SAID, "WHAT NIGGA YOU KNOW PUTS MAYONNAISE ON CHICKEN? 168 00:07:54,015 --> 00:07:56,976 WHY WOULD I PUT MAYONNAISE ON CHICKEN? 169 00:07:56,976 --> 00:07:59,437 I'M A HOT-SAUCE NIGGA. MY DADDY WAS A HOT-SAUCE NIGGA." 170 00:07:59,437 --> 00:08:02,399 HE SAID, "NO, THE MAYO FOR THE PLAVOR." 171 00:08:02,399 --> 00:08:05,068 I SAID, "WHAT THE FUCK IS PLAVOR?" 172 00:08:05,068 --> 00:08:07,821 HE KEPT LOOKING AT THE MENU LIKE IT WAS "FAMILY FEUD" 173 00:08:07,821 --> 00:08:10,073 AND THE ANSWER WAS GONNA POP UP ON THE BOARD. 174 00:08:10,073 --> 00:08:12,158 ( thick accent ) "I DON'T KNOW-- THE TWO-PEE CHICKEN, 175 00:08:12,158 --> 00:08:15,870 THE SPICY OR THE MILD, SO YOU BETTER GET IT FOR YOU." 176 00:08:17,622 --> 00:08:21,084 I SAID, "LET ME GET A TWO-PIECE CHICKEN, SPICY." 177 00:08:21,084 --> 00:08:23,420 HE SAID, "DO YOU WANT A BUSY?" 178 00:08:23,420 --> 00:08:25,422 I SAID, "YES, MOTHERFUCKER, I'M BUSY. 179 00:08:25,422 --> 00:08:27,549 I DON'T HAVE TIME FOR THIS SHIT. 180 00:08:27,549 --> 00:08:29,134 I'M TRYING TO CATCH THE GAME. 181 00:08:29,134 --> 00:08:32,011 KOBE'S ON, NIGGA. COME ON." 182 00:08:32,011 --> 00:08:34,013 HE SAID, "NO, A BUSY." 183 00:08:34,013 --> 00:08:36,016 I SAID, "WHAT THE FUCK IS A BUSY?" 184 00:08:36,016 --> 00:08:38,017 "YOU PUT THE BUTTER AND THE CREAM CHEESE." 185 00:08:38,017 --> 00:08:40,020 I SAID, "A BISCUIT?" HE SAID, "SI SI, 186 00:08:40,020 --> 00:08:42,605 BUT IT'S GONNA BE A TWO-PEE CHICKEN WITH THE SPICY OR THE MILD. 187 00:08:42,605 --> 00:08:44,941 IT'S GONNA COME WITH A BUSY, SO YOU'D BETTER GET IT FOR YOU. 188 00:08:44,941 --> 00:08:47,694 ANDALE ANDALE ARRIBA ARRIBA." 189 00:08:47,694 --> 00:08:51,072 I SAID, "LET ME GET A TWO-PIECE CHICKEN, SPICY, WITH A BISCUIT." 190 00:08:51,072 --> 00:08:54,284 HE SAID, "NOW YOU HAVE TO PICKLE YOUR SIDES." 191 00:08:54,284 --> 00:08:56,494 I SAID, "I'M NOT PLAYING WITH MY PENIS 192 00:08:56,494 --> 00:08:58,496 IN POPEYE'S. I'M NOT DOING THAT. 193 00:08:58,496 --> 00:09:02,584 WHY WOULD I PULL MY DICK OUT AND JACK OFF NEAR THE CRUNCHY? I'M NOT DOING IT." 194 00:09:02,584 --> 00:09:05,170 HE SAID, "NO, YOU GET A TWO-SIDE ORDER." 195 00:09:05,170 --> 00:09:07,172 I SAID, "WHAT KIND OF SIDE YOU GOT?" 196 00:09:07,172 --> 00:09:09,174 HE SAID, "WE HABE DE-- 197 00:09:09,174 --> 00:09:12,135 WE HABE DE--" 198 00:09:12,135 --> 00:09:14,971 IT WAS "WE HAVE THE," BUT "WE HABE DE." 199 00:09:14,971 --> 00:09:19,476 "WE HABE DE YAKARONI AND YEESE. 200 00:09:19,476 --> 00:09:22,520 WE HABE DE YASHED POTATOES." 201 00:09:22,520 --> 00:09:26,149 I SAID, "FUCK IT, LET ME GO WITH THE YASHED POTATOES." 202 00:09:26,149 --> 00:09:28,151 "YOU WANT SOMETHING TO DRINK?" 203 00:09:28,151 --> 00:09:30,153 I SAID, "WHAT DO YOU HAVE TO DRINK?" 204 00:09:30,153 --> 00:09:33,531 "WE HABE DE-- 205 00:09:33,531 --> 00:09:36,201 WE HABE DE SODAS AND THE USES." 206 00:09:36,201 --> 00:09:38,787 I SAID, "I DON'T WANT NO SODA, 207 00:09:38,787 --> 00:09:41,039 BUT I'M CURIOUS ABOUT YOUR USES." 208 00:09:41,039 --> 00:09:43,500 WHAT THE FUCK IS "USE"? 209 00:09:43,500 --> 00:09:46,920 "WE HABE DE APPLE USE, ORANGE USE, GRAPEFRUIT USE." 210 00:09:46,920 --> 00:09:49,881 LISTEN, THE POINT IS WE HAVE TO DEMAND MORE FROM OUR ILLEGALS. 211 00:09:49,881 --> 00:09:52,342 I'M ARIES SPEARS AND I APPROVE THIS MESSAGE. 212 00:09:52,342 --> 00:09:57,305 WE HAVE TO DEMAND MORE. IT'S UNACCEPTABLE. 213 00:09:57,305 --> 00:09:59,474 FUNNY THING IS, YOU DON'T EVEN REALIZE 214 00:09:59,474 --> 00:10:02,101 HOW RACIST AMERICA IS UNTIL AFTER YOU LEAVE. 215 00:10:02,101 --> 00:10:05,814 LIKE I DID THIS SHOW NOT TOO LONG AGO IN EDMONTON, CANADA. 216 00:10:05,814 --> 00:10:08,024 THERE WAS NO RACIST VIBE IN EDMONTON. 217 00:10:08,024 --> 00:10:11,236 WELL, FIRST OF ALL, AIN'T NO NIGGAS OUT THERE, SO AIN'T NOBODY TO BE MAD AT. 218 00:10:11,236 --> 00:10:14,072 BUT I MUST HAVE WALKED AROUND THAT MOTHERFUCKER FOR FOUR DAYS 219 00:10:14,072 --> 00:10:17,033 LOOKING FOR A BLACK PERSON. FINALLY I SAW ONE. I AIN'T EVEN KNOW THE MOTHERFUCKER. 220 00:10:17,033 --> 00:10:19,994 I JUST RAN UP TO HIM AND HUGGED HIM LIKE, "NIGGA, WHERE YOU BEEN? 221 00:10:19,994 --> 00:10:22,455 WE NEED TO STICK TOGETHER." 222 00:10:22,455 --> 00:10:25,959 HE WAS OFFENDED. HE WAS LIKE, "DUDE, GET YOUR HANDS OFF ME, BRO. 223 00:10:25,959 --> 00:10:28,294 THAT'S, LIKE, TOTALLY ABSURD." 224 00:10:28,294 --> 00:10:31,756 I WAS LIKE, "SHIT, THEY GOT HIM." 225 00:10:31,756 --> 00:10:35,343 IT WAS TOO LATE. I COULDN'T SAVE HIM. 226 00:10:35,343 --> 00:10:38,137 I HAD WHITE KIDS LOOKING AT ME LIKE I WAS AN EXOTIC ANIMAL. 227 00:10:38,137 --> 00:10:40,515 THEY WAS LIKE, "MOM, LOOK AT HIM. 228 00:10:40,515 --> 00:10:43,101 HE'S SO CHOCOLATEY. 229 00:10:43,101 --> 00:10:45,436 I WANT ONE." 230 00:10:45,436 --> 00:10:47,438 THEY KEPT TRYING TO POUR MILK ON ME. 231 00:10:47,438 --> 00:10:52,026 I WAS LIKE, "IT AIN'T GONNA CHANGE COLORS. GET THE FUCK OFF ME." 232 00:10:52,026 --> 00:10:54,612 I SEE SOME OF THE WHITE PEOPLE, Y'ALL GETTING UNCOMFORTABLE. 233 00:10:54,612 --> 00:10:57,323 DON'T GET UNCOMFORTABLE. I LOVE WHITE PEOPLE, MAN. 234 00:10:57,323 --> 00:11:01,202 Y'ALL MY PEOPLE TOO. IT'S JUST CERTAIN SHIT I CAN'T DO WITH Y'ALL, 235 00:11:01,202 --> 00:11:03,913 LIKE GO DRINKING. EVERY TIME I DO A SHOW IN FRONT OF WHITE PEOPLE, 236 00:11:03,913 --> 00:11:06,040 AFTER THE SHOW Y'ALL ALWAYS WANT TO HANG OUT AND BUY ME A DRINK. 237 00:11:06,040 --> 00:11:08,376 I CAN'T DRINK WITH Y'ALL. AND IT'S NOT THAT I DON'T WANT TO. 238 00:11:08,376 --> 00:11:10,378 IT'S JUST I CAN'T HANG. YOU MOTHERFUCKERS ARE 239 00:11:10,378 --> 00:11:12,881 THE UNDISPUTED CHAMPS OF DRINKING. 240 00:11:12,881 --> 00:11:15,425 Y'ALL DRINK TILL Y'ALL FALL THE FUCK OUT. 241 00:11:15,425 --> 00:11:17,635 AND I KNOW WHEN Y'ALL GET GOOD AND DRUNK, 242 00:11:17,635 --> 00:11:20,555 'CAUSE THERE'S THAT NOISE Y'ALL MAKE-- "WHOO!" 243 00:11:20,555 --> 00:11:23,850 DON'T DO THAT. THAT SCARES BLACK FOLK. 244 00:11:23,850 --> 00:11:27,103 THERE'S A LOT OF BAD HISTORY BEHIND THAT NOISE. 245 00:11:27,103 --> 00:11:29,564 BLACK PEOPLE, WE HEAR "WHOO," 246 00:11:29,564 --> 00:11:32,817 WE START LOOKING OUT FOR PICKUP TRUCKS-- WHERE THE FUCK THEY AT? 247 00:11:32,817 --> 00:11:36,404 THAT'S WHY I DON'T LIKE FUCKING WITH EARL-- HE PLAYS TOO MUCH. 248 00:11:36,404 --> 00:11:38,406 I'M SERIOUS. A PARTY AIN'T A PARTY TO Y'ALL 249 00:11:38,406 --> 00:11:40,992 TILL THE FUCKING COPS SHOW UP. 250 00:11:40,992 --> 00:11:44,829 AND BLACK PEOPLE, Y'ALL KNOW, WE SEE THE POLICE-- PARTY OVER. 251 00:11:44,829 --> 00:11:47,081 WHITE PEOPLE, Y'ALL HAVE A FREEDOM WE JUST DON'T HAVE. 252 00:11:47,081 --> 00:11:48,791 Y'ALL SEE THE POLICE-- Y'ALL GET BRAVER. 253 00:11:48,791 --> 00:11:50,793 "DUDE, WHAT'S YOUR FUCKING BADGE NUMBER AND YOUR NAME? 254 00:11:50,793 --> 00:11:54,088 NO, DON'T FUCKING TOUCH ME. WHAT IF I FUCKING TOUCH YOU? 255 00:11:54,088 --> 00:11:57,133 NO, YOU SHUT THE FUCK UP AND MOVE ALONG. 256 00:11:57,133 --> 00:12:00,470 ARIES, WHY ARE YOU CRYING? RELAX. 257 00:12:00,470 --> 00:12:03,514 DO YOU KNOW WHO MY DAD IS? I'LL SUE, I SWEAR TO GOD. 258 00:12:03,514 --> 00:12:05,975 GET THE FUCK GOING." 259 00:12:05,975 --> 00:12:07,894 BLACK PEOPLE, WE'D BE IN THE BACK DOING SIGN LANGUAGE-- 260 00:12:07,894 --> 00:12:09,979 "MM, NIGGA, MM." 261 00:12:13,149 --> 00:12:16,986 ANY BLACK PEOPLE THAT HANG OUT WITH WHITE PEOPLE IN A GROUP, 262 00:12:16,986 --> 00:12:18,988 MAKE SURE IF Y'ALL GO OUT DRINKING IN A GROUP, 263 00:12:18,988 --> 00:12:21,032 GO WITH THEM WHEN THEY ORDER DRINKS. 264 00:12:21,032 --> 00:12:23,910 'CAUSE Y'ALL LIKE TO ANOINT SOMEBODY THE DESIGNATED DRINK ORDERER. 265 00:12:23,910 --> 00:12:26,996 ANYTIME I HANG OUT WITH MY WHITE FRIENDS, WHEN THEY GET UP FROM THE TABLE 266 00:12:26,996 --> 00:12:29,624 AND GO TO THE BAR TO GET A ROUND, I FOLLOW RIGHT BEHIND THEIR ASS. 267 00:12:29,624 --> 00:12:31,793 'CAUSE Y'ALL LIKE TO GO ORDER DRINKS AND THEN BRING IT BACK TO US 268 00:12:31,793 --> 00:12:33,753 LIKE IT'S A TOP C.I.A. SECRET. 269 00:12:33,753 --> 00:12:36,589 AS SOON AS YOU HAND ME THE DRINK, I GO, "MAN, WHAT THE FUCK IS IN THIS?" 270 00:12:36,589 --> 00:12:40,843 "DUDE, DON'T WORRY. DON'T ASK. 271 00:12:40,843 --> 00:12:42,971 JUST FUCKING CHUG IT." 272 00:12:42,971 --> 00:12:46,099 20 MINUTES LATER I'M BUCK NAKED WITH A COWBOY HAT ON-- 273 00:12:46,099 --> 00:12:48,643 "WHOO! 274 00:12:48,643 --> 00:12:51,104 I FUCKING LOVE YOU, BRAD. 275 00:12:51,104 --> 00:12:54,232 HEY, JUST FOR FUN LET'S GO HANG SOME NIGGAS." 276 00:12:54,232 --> 00:12:58,903 MM-MM, LET'S KEEP IT SAFE. 277 00:13:00,738 --> 00:13:03,783 SO ARE WE STILL EXCITED ABOUT BARACK OBAMA? 278 00:13:03,783 --> 00:13:06,869 ( cheering ) 279 00:13:06,869 --> 00:13:10,748 SEE, EVERY BLACK PERSON IN HERE SHOULD BE CLAPPING. 280 00:13:10,748 --> 00:13:14,752 'CAUSE WE GOT TO RIDE THAT NIGGA TILL THE WHEELS FALL OFF. 281 00:13:14,752 --> 00:13:17,088 YOU KNOW, IF THAT SHIT DON'T WORK, THE MINUTE WE GO TO WORK 282 00:13:17,088 --> 00:13:20,258 WHITE FOLKS IS LOOKING AT US LIKE, "HMM? 283 00:13:20,258 --> 00:13:23,302 YOU PICKED HIM." 284 00:13:23,302 --> 00:13:26,431 I CAN'T WAIT TILL HE RUNS FOR HIS SECOND TERM, MAN. 285 00:13:26,431 --> 00:13:29,559 'CAUSE THAT WAS THE MOST EXCITING PART ABOUT THE POLITICAL PROCESS 286 00:13:29,559 --> 00:13:32,020 TO ME, WAS THE CAMPAIGN. 'CAUSE YOU KNEW AT SOME POINT 287 00:13:32,020 --> 00:13:35,023 HE WAS SUPPOSED TO WIN. HE HAD ALL THE RIGHT INGREDIENTS 288 00:13:35,023 --> 00:13:37,692 THAT CAME TOGETHER AT THE RIGHT TIME. HE'S TALL, GOOD-LOOKING, 289 00:13:37,692 --> 00:13:39,694 ARTICULATE, HIGHLY INTELLIGENT, 290 00:13:39,694 --> 00:13:41,988 YOU KNOW, SMOOTH UNDER PRESSURE, CHARISMATIC. 291 00:13:41,988 --> 00:13:44,866 AND MOST IMPORTANTLY, HE WAS THE RIGHT SHADE. 292 00:13:44,866 --> 00:13:48,911 HE MADE WHITE PEOPLE FEEL COMFORTABLE. 293 00:13:48,911 --> 00:13:53,708 'CAUSE Y'ALL KNOW IF THAT NIGGA WAS BERNIE MAC BLACK 294 00:13:53,708 --> 00:13:58,254 OR PRECIOUS PURPLE, HE WOULDN'T HAVE WON. 295 00:13:58,254 --> 00:14:02,175 HE'S LIKE COFFEE WITH CREAM, IT GOES DOWN EASY. 296 00:14:02,175 --> 00:14:04,177 YOU EVER HAD COFFEE BLACK? IT'S TOO STRONG. 297 00:14:04,177 --> 00:14:06,179 YOU'D BE LIKE, "OOH." 298 00:14:06,179 --> 00:14:09,557 AMERICA IS NOT READY FOR "OOH." THEY'RE NOT READY YET. 299 00:14:14,979 --> 00:14:19,275 AND HE HAD 97% OF THE BLACK VOTE-- 97%. 300 00:14:19,275 --> 00:14:21,110 WHICH MEANS HE HAD BLACK PEOPLE ON LOCK. 301 00:14:21,110 --> 00:14:23,988 WE WERE LIKE A HAND AND A GLOVE. WE WERE TIED TOGETHER. 302 00:14:23,988 --> 00:14:26,616 BUT HE STILL COULDN'T BECOME PRESIDENT WITHOUT WHITE PEOPLE. 303 00:14:26,616 --> 00:14:28,618 SO FOR THE WHITE PEOPLE THAT VOTED FOR HIM, 304 00:14:28,618 --> 00:14:33,039 I THANK YOU, BECAUSE YOU HELPED MAKE HISTORY. 305 00:14:33,039 --> 00:14:35,583 BUT SOME OF Y'ALL ARE STARTING TO GET A LITTLE IMPATIENT. 306 00:14:35,583 --> 00:14:38,711 AND YOUR RACISM IS SEEPING OUT A LITTLE BIT. 307 00:14:38,711 --> 00:14:40,713 YOU SAY SHIT WHEN YOU'RE FRUSTRATED-- 308 00:14:40,713 --> 00:14:44,383 "I THOUGHT YOU NIGGAS WERE FAST. WHAT'S TAKING SO LONG?" 309 00:14:44,383 --> 00:14:46,803 IT TOOK EIGHT YEARS TO FUCK THIS COUNTRY UP. 310 00:14:46,803 --> 00:14:49,305 IT'S GONNA TAKE A SECOND TO GET IT TOGETHER. RELAX. 311 00:14:49,305 --> 00:14:52,934 HE'S GOT A LOT OF TOUGH SHIT HE'S GOT TO DEAL WITH, MAN. 312 00:14:52,934 --> 00:14:55,937 LIKE THE BIG CONTROVERSY RIGHT NOW-- THEY'RE TALKING ABOUT THAT MOSQUE 313 00:14:55,937 --> 00:14:58,731 NEAR SEPTEMBER 11. A LOT OF PEOPLE ARE UPSET ABOUT THAT. 314 00:14:58,731 --> 00:15:00,691 SEPTEMBER 11 JUST ROLLED AROUND. 315 00:15:00,691 --> 00:15:02,652 EVERY YEAR WE GOTTA RELIVE THAT BULLSHIT. 316 00:15:02,652 --> 00:15:04,654 BUT THERE WAS A BRIGHT SIDE, MAN. 317 00:15:04,654 --> 00:15:07,406 SEPTEMBER 11 BLACKS AND WHITES CAME TOGETHER LIKE NEVER BEFORE. 318 00:15:07,406 --> 00:15:12,161 'CAUSE AFTER SEPTEMBER 11 ARABS TOOK ALL THE PRESSURE OFF US. 319 00:15:12,161 --> 00:15:14,914 I'M TELLING YOU, THEY HAD NEW NIGGAS. IT'S AMAZING. 320 00:15:14,914 --> 00:15:18,709 I GET ON THE PLANE NOW, WHITE PEOPLE, Y'ALL BE HAPPY TO SEE US. 321 00:15:18,709 --> 00:15:20,711 "DUDE, BRO, COME HERE. 322 00:15:20,711 --> 00:15:23,339 HERE, SIT NEXT TO ME, MAN, RIGHT HERE. 323 00:15:23,339 --> 00:15:27,301 HERE, HOLD MY DAUGHTER. 324 00:15:27,301 --> 00:15:30,054 I LOVE YOU, NIGGA. COME HERE. 325 00:15:30,054 --> 00:15:32,056 WE GOTTA WATCH OUT FOR THOSE FUCKERS, 326 00:15:32,056 --> 00:15:34,350 FOR SHIZZLE, NIZZLE. HUH?" 327 00:15:34,350 --> 00:15:36,978 WE'VE BONDED NOW. THAT'S GOOD. 328 00:15:36,978 --> 00:15:41,107 AND I REALIZE CERTAIN ASPECTS OF THAT SHIT JUST AFFECTED PEOPLE DIFFERENTLY. 329 00:15:41,107 --> 00:15:44,152 LIKE WHEN THE ANTHRAX THING HAPPENED, WHITE PEOPLE, Y'ALL WAS VERY NERVOUS. 330 00:15:44,152 --> 00:15:46,154 Y'ALL WOULD COME UP TO ME AT WORK AND WARN ME 331 00:15:46,154 --> 00:15:48,781 LIKE, "OH MY GOD." 332 00:15:48,781 --> 00:15:50,867 THAT'S HOW WHITE PEOPLE GET WHEN THEY GET DRAMATIC-- 333 00:15:50,867 --> 00:15:53,452 "OH MY GOD. ARIES, BE CAREFUL. 334 00:15:53,452 --> 00:15:55,371 DON'T OPEN YOUR MAIL." 335 00:15:55,371 --> 00:15:59,041 LET ME TELL YOU SOMETHING-- BLACK PEOPLE WAS NEVER WORRIED ABOUT ANTHRAX. 336 00:15:59,041 --> 00:16:02,003 'CAUSE Y'ALL KNOW HALF THE TIME WE DON'T OPEN OUR MAIL NO WAY. 337 00:16:02,003 --> 00:16:05,006 WE THINK THAT SHIT IS A BILL. WE MIGHT HOLD IT TO THE LIGHT 338 00:16:05,006 --> 00:16:07,008 LIKE, "NO, THAT'S A RENT NOTICE. 339 00:16:07,008 --> 00:16:09,177 FUCK THAT." 340 00:16:09,177 --> 00:16:11,888 YOU WANT TO GET US WITH AN ANTHRAX, PUT THAT SHIT IN A JAY-Z CD 341 00:16:11,888 --> 00:16:13,890 THAT'S HOW YOU GET US. "I GOT THE NEW JIGGA-- 342 00:16:13,890 --> 00:16:16,058 OH SHIT. 343 00:16:16,058 --> 00:16:18,102 OSAMA GOT ME. MOTHERFUCKER. 344 00:16:18,102 --> 00:16:21,272 TRACK 12, NIGGA. BE CAREFUL. TRACK 12." 345 00:16:21,272 --> 00:16:24,400 IT'S THE ONLY WAY. 346 00:16:24,400 --> 00:16:26,903 AND I'M ORIGINALLY FROM HERE, BUT I LIVE IN L.A. 347 00:16:26,903 --> 00:16:29,030 AND I WAS IN L.A. WHEN THAT WHOLE THING WENT DOWN. 348 00:16:29,030 --> 00:16:31,657 IT WAS CRAZY, BECAUSE MY PEOPLE FROM BACK EAST CALLED ME, SAID, 349 00:16:31,657 --> 00:16:35,036 "MAN, TURN ON THE TV. A PLANE WAS TAKEN OVER-- A HOSTAGE SITUATION." 350 00:16:35,036 --> 00:16:37,997 AND I'VE SEEN THE MOVIES. SO WHEN I HEARD "HOSTAGE SITUATION," 351 00:16:37,997 --> 00:16:40,499 I'M THINKING BIG-ASS GUNS AND BOMBS WAS USED. 352 00:16:40,499 --> 00:16:42,501 THEY SAID, "HOMEMADE KNIVES." 353 00:16:42,501 --> 00:16:44,503 DO YOU KNOW WHAT A HOMEMADE KNIFE IS CALLED? 354 00:16:44,503 --> 00:16:46,047 A SHANK. 355 00:16:46,047 --> 00:16:48,799 IT'S A PRISON WEAPON. WE INVENTED THAT SHIT. 356 00:16:48,799 --> 00:16:52,011 SO I KNOW IT COULDN'T HAVE BEEN A PLANE FULL OF A BUNCH OF IGNORANT NIGGERS. 357 00:16:52,011 --> 00:16:54,013 THAT WOULD HAVE BEEN A DIFFERENT PHONE CALL 358 00:16:54,013 --> 00:16:56,098 LIKE, "OSAMA, WE WERE TRYING TO TAKE OVER THE PLANE. 359 00:16:56,098 --> 00:16:59,810 AS SOON AS WE PULL OUT KNIFE ALL THE NIGGAS SAY, 'OH NO YOU DIDN'T.' 360 00:16:59,810 --> 00:17:01,896 I GOT TO GO. I CALL YOU BACK. ( imitates Arabic ) 361 00:17:01,896 --> 00:17:04,315 ( snorts, hacks ) ALLAH!" 362 00:17:04,315 --> 00:17:06,275 ( ululates ) 363 00:17:06,275 --> 00:17:09,111 BROTHERS WOULD HAVE CALLED AIR TRAFFIC CONTROL LIKE, 364 00:17:09,111 --> 00:17:11,948 "YEAH, THIS TYRONE. THEY TRIED TO GET US WITH KNIVES. 365 00:17:11,948 --> 00:17:16,077 ( laughing loudly ) 366 00:17:16,077 --> 00:17:19,789 OH NO, WE WHUPPED THEIR ASS, BUT WHERE THE MANUAL AT? 367 00:17:19,789 --> 00:17:22,250 I GOT TO LAND THIS MOTHERFUCKER. 368 00:17:22,250 --> 00:17:26,837 I GOT TO GET BACK TO BROOKLYN. I GOT SHIT TO DO." 369 00:17:26,837 --> 00:17:28,965 AND I GET TIRED OF THEM FUCKING WITH ME AT THE AIRPORT. 370 00:17:28,965 --> 00:17:31,175 WHY I GOTTA BE THE ONE RANDOMLY SELECTED 371 00:17:31,175 --> 00:17:33,177 TO HAVE MY SHIT SEARCHED? 372 00:17:33,177 --> 00:17:36,013 I EVEN GET MAD FOR WHITE PEOPLE WHEN THEY SEARCH Y'ALL'S SHIT. 373 00:17:36,013 --> 00:17:38,599 'CAUSE AGAIN, I KNOW IT'S GONNA SOUND A LITTLE BIT RACIST, BUT LET'S BE REAL-- 374 00:17:38,599 --> 00:17:41,102 BLACK PEOPLE, WHITE PEOPLE, ASIANS, LATINOS-- 375 00:17:41,102 --> 00:17:43,229 WE'RE NOT KNOWN FOR BLOWING SHIT UP. 376 00:17:43,229 --> 00:17:45,231 BLACK PEOPLE-- WE HAVE SPECIFIC CRIMES. 377 00:17:45,231 --> 00:17:47,233 ( laughter ) 378 00:17:47,233 --> 00:17:49,819 WE DO SHIT LIKE ROB A 7-ELEVEN 379 00:17:49,819 --> 00:17:52,905 AND KILL EVERYBODY IN THAT MOTHERFUCKER 380 00:17:52,905 --> 00:17:55,575 FOR $4.80, 381 00:17:55,575 --> 00:17:57,577 A BAG OF DORITOS AND A PACK OF NEWPORTS. 382 00:17:57,577 --> 00:17:59,662 THAT'S NIGGA SHIT. YOU WANT TO SEARCH SOMEBODY, 383 00:17:59,662 --> 00:18:02,248 SEARCH THAT MOTHERFUCKER WHOSE NAME SOUNDS LIKE PUBIC HAIR 384 00:18:02,248 --> 00:18:04,250 CAUGHT IN YOUR ESOPHAGUS-- ( hacks ) 385 00:18:04,250 --> 00:18:07,003 --AND LEAVE ME THE FUCK ALONE. I'M NOT TRYING TO BLOW SHIT UP. 386 00:18:07,003 --> 00:18:09,130 I'M TRYING TO SMOKE A JOINT, PLAY X-BOX AND RUB ONE OUT. 387 00:18:09,130 --> 00:18:11,132 THAT'S WHAT THE FUCK I'M TRYING TO DO. 388 00:18:11,132 --> 00:18:14,260 'CAUSE TRUST ME, WHEN I EXPLODE, THIS IS THE BOMB RIGHT HERE. 389 00:18:14,260 --> 00:18:16,345 I BE WALKING AROUND THE HOUSE TERRORIZING SHIT. 390 00:18:16,345 --> 00:18:19,098 I'MA BLOW UP THE PUPPY. 391 00:18:19,098 --> 00:18:22,393 THIS RACISM SHIT IS AFFECTING EVERY ASPECT OF LIFE. 392 00:18:22,393 --> 00:18:24,395 EVEN MY BUSINESS-- THE MOVIE BUSINESS. 393 00:18:24,395 --> 00:18:27,648 LIKE THERE'S CERTAIN MOVIE ROLES BLACK PEOPLE-- WE JUST DON'T GET A LOT OF. 394 00:18:27,648 --> 00:18:30,359 LIKE I'VE NOTICED SINCE THE LATE '90s HORROR MOVIES MADE A HELL OF A COMEBACK. 395 00:18:30,359 --> 00:18:32,361 WHITE PEOPLE, Y'ALL GET ALL THE HORROR FLICKS. 396 00:18:32,361 --> 00:18:34,363 Y'ALL GET THE "CHUCKY" 397 00:18:34,363 --> 00:18:38,075 AND "I KNOW ABOUT THE LAST WEEK" AND ALL THAT SHIT. 398 00:18:38,075 --> 00:18:41,495 I USED TO GET MAD AND SAY, "HOW COME YOU DON'T SEE BLACK PEOPLE IN HORROR MOVIES?" 399 00:18:41,495 --> 00:18:43,998 THEN I PUT IT TOGETHER-- YOU CAN'T MAKE HORROR MOVIES WITH US 400 00:18:43,998 --> 00:18:46,959 'CAUSE IT AIN'T GONNA BE A MOVIE. IT'S GONNA BE A FUCKING COMMERCIAL. 401 00:18:46,959 --> 00:18:48,961 BLACK PEOPLE, Y'ALL KNOW WE DON'T FUCK AROUND. 402 00:18:48,961 --> 00:18:51,047 WE COULD BE HAVING A PARTY IN THE WOODS JAMMING. 403 00:18:51,047 --> 00:18:54,008 I DON'T GIVE A FUCK HOW LOUD THE MUSIC IS, HOW MUCH FUN WE'RE HAVING, 404 00:18:54,008 --> 00:18:56,469 IF WE HEAR SOME SHIT THAT DON'T SOUND RIGHT, 405 00:18:56,469 --> 00:18:59,555 IT'LL CUT THROUGH ALL THAT SHIT. 406 00:18:59,555 --> 00:19:01,640 WE'D BE OUT THERE DANCING LIKE, 407 00:19:01,640 --> 00:19:03,976 "WHOO! THIS SHIT IS HOT. HA HA!" 408 00:19:03,976 --> 00:19:07,146 ( imitates rustling ) "WHAT THE FUCK WAS THAT?" 409 00:19:07,146 --> 00:19:09,523 "I DON'T KNOW, NIGGA, BUT WE GOTTA PACK IT UP AND ROLL. 410 00:19:09,523 --> 00:19:11,484 THIS SHIT DON'T--" 411 00:19:11,484 --> 00:19:14,362 WHITE PEOPLE, Y'ALL CAN BE OUT THERE DANCING. 412 00:19:15,863 --> 00:19:19,742 Y'ALL DANCE LIKE TWO-YEAR-OLD BLACK BABIES. 413 00:19:20,951 --> 00:19:22,995 Y'ALL HEAR SOME SHIT-- "WHAT WAS THAT?" 414 00:19:22,995 --> 00:19:25,623 "I DON'T KNOW. LET'S GO CHECK IT OUT." 415 00:19:25,623 --> 00:19:27,958 AND WHY DO WHITE WOMEN FALL WHEN Y'ALL RUN? 416 00:19:27,958 --> 00:19:30,544 WHAT'S THAT SHIT ABOUT? EVERY TIME-- 417 00:19:30,544 --> 00:19:32,380 "OH MY GOD." 418 00:19:32,380 --> 00:19:34,173 A BLACK WOMAN HEARS SOMETHING-- SHE TAKES OFF THE PUMPS 419 00:19:34,173 --> 00:19:36,258 AND PUTS ON AIR JORDANS. 420 00:19:36,258 --> 00:19:39,261 SHE MIGHT START OUT RUNNING, BUT THAT BITCH'S GONNA TURN INTO NASCAR, 421 00:19:39,261 --> 00:19:41,722 LIKE, "WHOOSH." 422 00:19:41,722 --> 00:19:44,433 WHITE GUYS ARE FAITHFUL. 423 00:19:44,433 --> 00:19:46,936 YOUR LADIES FALL-- Y'ALL GO BACK. 424 00:19:46,936 --> 00:19:49,146 ( audience groans ) 425 00:19:49,146 --> 00:19:52,233 BLACK WOMEN, WE LOVE YOU, BUT IF YOU FALL, 426 00:19:52,233 --> 00:19:54,652 FUCK IT. 427 00:19:54,652 --> 00:19:56,737 WE MIGHT TRY AND COME BACK FOR YOU, LIKE, "OH MY GOD." 428 00:19:56,737 --> 00:19:59,365 ( growls ) "BITCH, COME ON! 429 00:20:06,330 --> 00:20:08,749 THAT BITCH IS GONE, DAWG. 430 00:20:10,501 --> 00:20:13,504 GODDAMN, THAT WAS SOME GOOD PUSSY TOO." 431 00:20:13,504 --> 00:20:17,091 LADIES, WORK ON YOUR TIMING. THAT'S ALL I'M SAYING. 432 00:20:17,091 --> 00:20:19,927 YOU KNOW, A REAL BLACK WOMAN WOULD BE WAITING FOR YOU AT THE CAR 433 00:20:19,927 --> 00:20:22,847 FILING HER FINGERNAILS-- "NIGGA, WHERE WAS YOU? 434 00:20:22,847 --> 00:20:27,768 YOU SAID, 'COME ON,' SO I COME ON." 435 00:20:27,768 --> 00:20:29,979 I'M ACTUALLY ON A MISSION, MAN, YOU KNOW. 436 00:20:29,979 --> 00:20:32,314 LIKE I DON'T EVEN THINK COMEDY IS MY CALLING IN LIFE. 437 00:20:32,314 --> 00:20:34,316 I THINK I'M MEANT FOR SOMETHING GREATER. 438 00:20:34,316 --> 00:20:36,402 LIKE I HAD A VISION THE OTHER NIGHT. IT CAME TO ME. 439 00:20:36,402 --> 00:20:40,573 I THINK MY MISSION IN LIFE IS TO HELP WHITE PEOPLE. 440 00:20:40,573 --> 00:20:43,033 LIKE REALLY, I WANT TO FEEL COMFORTABLE ENOUGH 441 00:20:43,033 --> 00:20:45,953 TO WALK IN YOUR HOUSE UNANNOUNCED 442 00:20:45,953 --> 00:20:48,998 AT 3:00 IN THE MORNING. 443 00:20:48,998 --> 00:20:52,501 JUST WAKE YOU UP AND GO, "COME WITH ME." 444 00:20:52,501 --> 00:20:55,629 LIKE COMICS, WE DON'T DO SHIT WHEN WE'RE ON THE ROAD 445 00:20:55,629 --> 00:20:57,339 EXCEPT STAY IN A HOTEL ROOM AND WATCH TV. 446 00:20:57,339 --> 00:20:59,091 AND I'M FLIPPING THROUGH SOME OF THE STATIONS 447 00:20:59,091 --> 00:21:01,010 AND I'M WATCHING THESE PROGRAMS LIKE "OPRAH" AND "PHIL." 448 00:21:01,010 --> 00:21:03,929 AND I'M SEEING SOME OF Y'ALL'S KIDS ARE OUT OF FUCKING CONTROL. 449 00:21:03,929 --> 00:21:06,599 I REALLY WANT TO ASK WHITE PEOPLE-- I'VE ALWAYS BEEN CURIOUS-- 450 00:21:06,599 --> 00:21:08,601 WHY DON'T Y'ALL JUST BEAT YOUR KIDS, MAN? 451 00:21:08,601 --> 00:21:10,603 BEAT 'EM. WHUP THEIR MOTHERFUCKING ASS. 452 00:21:10,603 --> 00:21:14,482 Y'ALL GIVE YOUR KIDS ALL KINDS OF TIMEOUTS AND SPECIAL PLACES. 453 00:21:14,482 --> 00:21:17,568 WHAT THE FUCK IS A SPECIAL PLACE? 454 00:21:17,568 --> 00:21:19,570 TO A BLACK CHILD THAT'S A COMA. 455 00:21:19,570 --> 00:21:21,947 WHAT IS A SPECIAL PLACE? 456 00:21:21,947 --> 00:21:24,909 BLACK KIDS DON'T KNOW SHIT ABOUT TIMEOUTS. 457 00:21:24,909 --> 00:21:27,286 WE KNOW ABOUT GETTING KNOCKED THE FUCK OUT, THAT'S IT. 458 00:21:27,286 --> 00:21:29,663 MY MOTHER USED TO SLAP THE SHIT OUT OF ME IN PUBLIC 459 00:21:29,663 --> 00:21:31,957 AND I WOULD LOOK AT PEOPLE FOR HELP. 460 00:21:31,957 --> 00:21:33,876 LIKE, "SHUT UP." 461 00:21:33,876 --> 00:21:37,713 ( gasps ) 462 00:21:37,713 --> 00:21:41,509 WHITE PEOPLE FELT MY PAIN-- "OH MY GOD. 463 00:21:41,509 --> 00:21:43,928 SHE JUST STRUCK HER CHILD." 464 00:21:43,928 --> 00:21:46,889 BLACK PEOPLE SEE BLACK KIDS GET HIT, WE BE LIKE, 465 00:21:46,889 --> 00:21:48,891 "HA HA. 466 00:21:48,891 --> 00:21:50,851 GET YOUR SHIT TOGETHER." 467 00:21:52,811 --> 00:21:56,023 BLACK PEOPLE WILL BEAT OTHER PEOPLE'S KIDS IF THEY'RE FUCKING UP TOO BAD. 468 00:21:56,023 --> 00:21:58,484 LIKE, "MISS, YOU NEED TO WHUP THIS UGLY MOTHERFUCKER. 469 00:21:58,484 --> 00:22:00,945 PUT THAT SHIT DOWN! HERE'S MY WEBSITE, EMAIL, HOME ADDRESS. 470 00:22:00,945 --> 00:22:02,947 CALL ME. I'LL FUCK HIM UP ANYTIME YOU NEED. 471 00:22:02,947 --> 00:22:05,074 YOU AIN'T GOT TO KILL HIM. JUST WATCH HIM TURN RED. 472 00:22:05,074 --> 00:22:07,076 JUST PUT THIS MOTHERFUCKER-- 473 00:22:07,076 --> 00:22:10,037 JUST CHOKE HIM OUT." 474 00:22:12,915 --> 00:22:15,543 YOU KNOW WHAT I FOUND OUT GROWING UP-- TOTALLY SHOCKED ME? 475 00:22:15,543 --> 00:22:19,046 WHITE KIDS ARE JUST AS SHOCKED TO FIND OUT BLACK KIDS DON'T TALK BACK TO THEIR PARENTS 476 00:22:19,046 --> 00:22:21,799 AS WE ARE WHEN WE HEAR THEM TALK BACK TO THEIRS. I USED TO HAVE A LITTLE BUDDY 477 00:22:21,799 --> 00:22:23,884 WOULD COME OVER TO MY HOUSE ON THE WEEKENDS-- LITTLE NATE. 478 00:22:23,884 --> 00:22:25,928 WE'D BE IN MY ROOM PLAYING VIDEO GAMES. MY MOTHER USED TO 479 00:22:25,928 --> 00:22:28,138 COME IN THE ROOM UNANNOUNCED, CUSS ME OUT FOR NO REASON. 480 00:22:28,138 --> 00:22:29,932 JUST SCARE THE SHIT OUT OF BOTH OF US. 481 00:22:29,932 --> 00:22:31,767 WE'D BE IN THE ROOM PLAYING "MARIO BROTHERS." 482 00:22:31,767 --> 00:22:33,769 SHE'D COME, KICK OPEN THE DOOR LIKE S.W.A.T. 483 00:22:33,769 --> 00:22:35,771 WE'D BE ON LEVEL 4. SHE'D JUST-- 484 00:22:35,771 --> 00:22:38,649 "ARIES, HOW MANY TIMES I TOLD YOU TO CLEAN THIS MOTHERFUCKING ROOM? 485 00:22:38,649 --> 00:22:40,734 CUT THAT GODDAMN GAME OFF AND CLEAN THIS ROOM. 486 00:22:40,734 --> 00:22:43,153 I COME BACK, THIS MOTHERFUCKING ROOM AIN'T CLEAN, I'MA TAKE THAT NINTENDO CORD, 487 00:22:43,153 --> 00:22:45,155 WRAP IT AROUND YOUR NECK AND STICK IT YOUR ASS. 488 00:22:45,155 --> 00:22:47,032 NIGGA, I AIN'T PLAYING WITH YOU. THIS AIN'T NO THREAT. 489 00:22:47,032 --> 00:22:49,868 THIS IS A PROMISE. TRY ME, MOTHERFUCKER. TRY ME." 490 00:22:49,868 --> 00:22:52,913 MY WHITE FRIEND WOULD TURN TO ME OFFENDED 491 00:22:52,913 --> 00:22:55,207 LIKE, "DUDE, WHAT THE FUCK? 492 00:22:55,207 --> 00:22:57,668 SHE CAN'T DO THAT, MAN. THIS IS YOUR SPACE. 493 00:22:57,668 --> 00:22:59,670 THIS IS YOUR AREA. 494 00:22:59,670 --> 00:23:02,756 SHE'S VIOLATING YOUR RIGHT TO PRIVACY. 495 00:23:02,756 --> 00:23:04,758 YOU SHOULD SAY SOMETHING. 496 00:23:04,758 --> 00:23:07,720 YOU WANT ME TO GO SAY SOMETHING?" 497 00:23:07,720 --> 00:23:09,513 I'D BE SO SCARED, I'D START TALKING TO HIM 498 00:23:09,513 --> 00:23:10,890 LIKE A SLAVE FROM "ROOTS," LIKE, 499 00:23:10,890 --> 00:23:12,975 "YOU'S GON' GET MES IN TROUBLES. 500 00:23:12,975 --> 00:23:15,477 I LIKE YOU, NATE, I REALLY DOS, 501 00:23:15,477 --> 00:23:17,771 BUT MY PARENTS IS GOOD BLACK FOLK. 502 00:23:17,771 --> 00:23:20,858 THEY GIVES ME FOOD. THEY GIVES ME SLEEPS. 503 00:23:20,858 --> 00:23:22,818 NOW YOU GET AWAY FROM ROUND HERE 504 00:23:22,818 --> 00:23:25,779 WITH THAT FOOLISHNESS. GO ON, GET FROM HERE." 505 00:23:25,779 --> 00:23:30,075 ( humming ) 506 00:23:30,075 --> 00:23:33,203 ♪ O LORD. ♪ 507 00:23:33,203 --> 00:23:36,206 MY MOTHER SMACKED THE SHIT OUT OF THE WHITE BOY, HE TURNED INTO ME-- 508 00:23:36,206 --> 00:23:39,793 ♪ WADE IN THE WATER. ♪ 509 00:23:43,464 --> 00:23:47,551 MY MOTHER WAS A CHAMP AT WHUPPING ASS TOO, MAN. 510 00:23:47,551 --> 00:23:50,304 SHE HAD A GOLD BELT AND EVERYTHING. 511 00:23:50,304 --> 00:23:52,640 I REMEMBER ONE TIME I STOLE A BIKE 512 00:23:52,640 --> 00:23:55,392 AND SHE HAD TO LEAVE HER JOB TO GET ME OUT OF JAIL. 513 00:23:55,392 --> 00:23:58,354 YOU KNOW, YOU GROW UP IN A SINGLE-PARENT HOUSEHOLD WITH A BLACK WOMAN 514 00:23:58,354 --> 00:24:00,356 AND SHE'S GOT TO LEAVE WORK TO GET YOU OUT-- 515 00:24:00,356 --> 00:24:03,692 I KNEW I WAS GOING TO THAT SPECIAL PLACE. 516 00:24:03,692 --> 00:24:06,528 I KNEW THAT ASS-WHUPPING WAS SERIOUS, 517 00:24:06,528 --> 00:24:08,822 'CAUSE WHEN WE GOT HOME, SHE TOOK HER WORK CLOTHES OFF 518 00:24:08,822 --> 00:24:11,867 AND PUT ON A JOGGING SUIT AND HEADBAND. 519 00:24:11,867 --> 00:24:14,578 LIKE WHAT KIND OF ASS-WHUPPING IS THAT 520 00:24:14,578 --> 00:24:16,497 THAT YOU'RE PREPARED TO SWEAT? 521 00:24:16,497 --> 00:24:20,626 SHE HAD A STOPWATCH AND A BOTTLE OF GATORADE WITH THE BELT. 522 00:24:20,626 --> 00:24:23,587 I SAID, "AT SOME POINT THIS BITCH IS FITTING TO REFUEL 523 00:24:23,587 --> 00:24:26,632 ON THIS ASS-WHUPPING." 524 00:24:31,011 --> 00:24:34,640 I THINK MY MOTHER TOOK SPECIAL JOY OUT OF FUCKING ME UP TOO, MAN. 525 00:24:34,640 --> 00:24:37,851 'CAUSE SHE CAME UP WITH UNCONVENTIONAL METHODS OF WHUPPING ASS-- 526 00:24:37,851 --> 00:24:40,854 SHIT THAT I KNEW FAR EXCEEDED NORMAL AND NECESSARY. 527 00:24:40,854 --> 00:24:42,940 LIKE I REMEMBER ONE TIME SHE WOKE ME UP OUT OF MY SLEEP 528 00:24:42,940 --> 00:24:46,026 AT 3:00 IN THE MORNING. YOU KNOW, YOU HAVE BEEN WOKEN UP OUT OF YOUR SLEEP, 529 00:24:46,026 --> 00:24:49,488 YOU KNOW WHEN THAT LIGHT HITS YOU, IT TAKES YOU A SECOND TO GET YOUR SHIT TOGETHER. 530 00:24:49,488 --> 00:24:52,241 YOU'D BE DISCOMBOBULATED. AND I'M EIGHT. 531 00:24:52,241 --> 00:24:54,785 SHE CAME IN, KICKED US OUT OF THE BED. 532 00:24:54,785 --> 00:24:56,787 "NIGGA, GET THE FUCK UP. 533 00:24:56,787 --> 00:24:58,539 YOU THOUGHT I FORGOT ABOUT THAT SHIT YOU DID EARLIER. 534 00:24:58,539 --> 00:25:00,666 YOU'RE GONNA GO AND GET SUSPENDED FROM THAT PRIVATE SCHOOL 535 00:25:00,666 --> 00:25:03,335 WHERE I MAKE ALL THAT MONEY AND WORK TWO HARD JOBS, AND YOU'RE GONNA GET SUSPENDED 536 00:25:03,335 --> 00:25:05,337 BY TELLING THE TEACHER TO SUCK YOUR DICK? 537 00:25:05,337 --> 00:25:08,924 HERE, PUT THIS ON." AND SHE THREW SOME BOXING HEAD GEAR AT ME. 538 00:25:08,924 --> 00:25:12,177 YOU KNOW THAT LEATHER HELMET BOXERS BE WEARING FOR PRACTICE FIGHTS? 539 00:25:12,177 --> 00:25:14,847 I'M LIKE, "MOM, WHY AM I PUTTING ON BOXER HEAD GEAR?" 540 00:25:14,847 --> 00:25:16,932 SHE SAID, "'CAUSE I'MA HIT YOUR HEAD WITH A PIPE 541 00:25:16,932 --> 00:25:19,184 AND I DON'T WANT TO KILL YOU. 542 00:25:19,184 --> 00:25:22,479 'CAUSE YOU'RE MY BABY. I LOVE YOU." 543 00:25:22,479 --> 00:25:24,773 I'VE JUST ALWAYS BEEN ENVIOUS 544 00:25:24,773 --> 00:25:27,943 OF THE RELATIONSHIP THE WHITE PARENTS HAVE WITH YOUR KIDS, MAN. 545 00:25:27,943 --> 00:25:31,488 YOU GUYS ACTUALLY HAVE A DEMOCRACY IN YOUR HOUSEHOLD. 546 00:25:31,488 --> 00:25:34,158 YOU ACTUALLY CARE... ( laughs ) 547 00:25:34,158 --> 00:25:36,827 ABOUT YOUR KIDS' OPINIONS. 548 00:25:36,827 --> 00:25:38,829 WHICH IS WHY YOU DON'T UNDERSTAND 549 00:25:38,829 --> 00:25:40,831 WHY THEY RUN RAMPANT OVER YOU AT THE SAME TIME. 550 00:25:40,831 --> 00:25:42,624 I GREW UP WITH A LOT OF WHITE KIDS. 551 00:25:42,624 --> 00:25:44,001 I'D HEAR THEIR PARENTS COMPLAIN TO MINE. 552 00:25:44,001 --> 00:25:46,003 IT WAS ALWAYS THE SAME ARGUMENT. 553 00:25:46,003 --> 00:25:48,213 "I DON'T UNDERSTAND WHY MY CHILD TALKS TO ME THIS WAY-- 554 00:25:48,213 --> 00:25:50,799 SUCH DISRESPECT. I DON'T KNOW WHAT TO DO. I'M AT MY WIT'S END." 555 00:25:50,799 --> 00:25:53,802 THE PROBLEM IS A LOT OF YOU GUYS PUT YOUR KIDS ON THE SAME LEVEL AS YOU. 556 00:25:53,802 --> 00:25:55,471 YOU CONSIDER THEM YOUR CONTEMPORARIES. 557 00:25:55,471 --> 00:25:57,306 HOW YOU PUT SOMEBODY ON THE SAME LEVEL AS YOU 558 00:25:57,306 --> 00:25:59,224 THAT CAN'T PAY THE RENT OR THE MORTGAGE, 559 00:25:59,224 --> 00:26:01,685 PUT FOOD IN THE REFRIGERATOR OR KEEP THE FUCKING LIGHTS ON? 560 00:26:01,685 --> 00:26:03,854 THEY'RE NOT YOUR CONTEMPORARIES. THEY'RE YOUR KIDS. 561 00:26:03,854 --> 00:26:06,106 MORAL OF THE STORY-- BEAT THEIR MOTHERFUCKING ASS. 562 00:26:06,106 --> 00:26:08,942 THERE'S SOMETHING ABOUT PAIN 563 00:26:08,942 --> 00:26:11,570 THAT MAKES MOTHERFUCKERS LISTEN. 564 00:26:11,570 --> 00:26:13,864 LIKE I JUST SAW THIS SHOW "THE NANNY." 565 00:26:13,864 --> 00:26:15,866 I COULD NOT BELIEVE THIS SHIT EXISTS. 566 00:26:15,866 --> 00:26:17,659 Y'ALL HAVE FLOWN AN ENGLISH BITCH IN 567 00:26:17,659 --> 00:26:19,661 TO TELL YOU HOW TO DEAL WITH YOUR KIDS. 568 00:26:19,661 --> 00:26:21,663 AND SHE ALWAYS HAS SOME PROFOUND SHIT TO SAY. 569 00:26:21,663 --> 00:26:24,541 "YOU MUST IGNORE THE CHILD'S BEHAVIOR BUT NOT THE CHILD." 570 00:26:24,541 --> 00:26:26,543 GET THE FUCK OUT OF HERE. 571 00:26:26,543 --> 00:26:28,921 THEY SHOULD REDO THAT SHOW, CALL IT "THE NIGGA NANNY." 572 00:26:28,921 --> 00:26:30,756 IT'D BE THREE MINUTES LONG. 573 00:26:30,756 --> 00:26:32,883 SHE'D SHOW UP TO THE DOOR, BOOM-BOOM, "WHERE'S THE MOTHERFUCKER AT?" 574 00:26:32,883 --> 00:26:34,843 POW! SHOW OVER. THEME SONG-- 575 00:26:34,843 --> 00:26:36,845 ♪ NIGGA NANNY. ♪ THAT'S IT. 576 00:26:36,845 --> 00:26:40,098 NO COMMERCIAL BREAKS. ONE EPISODE, IT'S OVER. 577 00:26:42,935 --> 00:26:45,771 THERE'S GONNA BE SOME WHITE PEOPLE DRIVING HOME SINGING THAT SHIT-- 578 00:26:45,771 --> 00:26:47,773 ♪ NIGGA NANNY. ♪ 579 00:26:47,773 --> 00:26:50,275 "ROLL THE WINDOWS UP. I'M IN THE MOOD." 580 00:26:53,695 --> 00:26:56,949 - WHERE THE WEED SMOKERS AT? - ( cheering ) 581 00:26:56,949 --> 00:26:59,243 FUCK THAT. Y'ALL ARE COPS. 582 00:26:59,243 --> 00:27:01,870 THAT WAS A TEST. REAL WEED SMOKERS DON'T YELL OUT. 583 00:27:01,870 --> 00:27:03,914 WE GOT CODES. 584 00:27:10,879 --> 00:27:14,675 I LIKE SMOKING WEED. YOU KNOW WHAT'S COOL ABOUT SMOKING WEED? 585 00:27:14,675 --> 00:27:16,969 IT MAKES YOU THINK ABOUT SHIT YOU NORMALLY WOULDN'T THINK ABOUT. 586 00:27:16,969 --> 00:27:19,221 LIKE I WAS SITTING AROUND THE HOUSE SMOKING WEED 587 00:27:19,221 --> 00:27:21,640 AND I GOT TO THINKING, "IS IT POSSIBLE 588 00:27:21,640 --> 00:27:24,768 FOR A MALE MIDGET--" 589 00:27:24,768 --> 00:27:28,647 YOU GOTTA BE HIGH TO BE THINKING ABOUT MIDGETS. 590 00:27:28,647 --> 00:27:30,649 I SAID, "IS IT POSSIBLE FOR A MALE MIDGET 591 00:27:30,649 --> 00:27:32,651 TO HAVE A REAL BIG DICK?" 592 00:27:32,651 --> 00:27:35,320 LIKE I AIN'T ON NO GAY SHIT, BUT EVERYTHING ON A MIDGET BE TINY. 593 00:27:35,320 --> 00:27:38,407 YOU EVER SEE THEIR FINGERS? THEY LOOK LIKE THEM LITTLE ORANGE BABY CARROTS. 594 00:27:38,407 --> 00:27:40,742 YOU EVER SEE? BUT COULD A MIDGET 595 00:27:40,742 --> 00:27:42,953 ACTUALLY HAVE SOME SHIT LIKE THIS? 596 00:27:42,953 --> 00:27:46,540 AND I ACTUALLY KNOW FAMOUS MIDGET PEOPLE. 597 00:27:46,540 --> 00:27:48,417 LIKE I'M GOOD FRIENDS WITH LITTLE WEBSTER. 598 00:27:48,417 --> 00:27:49,751 I GOT HIS NUMBER ON MY CELL PHONE. 599 00:27:49,751 --> 00:27:51,712 I DON'T KNOW WHY, BUT I GOT THE SHIT. 600 00:27:51,712 --> 00:27:53,839 AND I WAS HANGING OUT WITH LITTLE WEBSTER ONE TIME 601 00:27:53,839 --> 00:27:55,841 AND HE TOLD ME SOME SHIT THAT BLEW MY MIND. 602 00:27:55,841 --> 00:27:58,719 HE SAYS WHEN HE HAS SEX HE DON'T LIKE FUCKING WOMEN HIS SIZE. 603 00:27:58,719 --> 00:28:00,888 HE LIKES TO FUCK NORMAL-SIZE WOMEN. 604 00:28:00,888 --> 00:28:02,973 AND I WAS SITTING AROUND THE HOUSE SMOKING WEED 605 00:28:02,973 --> 00:28:05,559 AND I GOT TO THINKING, IF LITTLE WEBSTER 606 00:28:05,559 --> 00:28:08,896 WAS FUCKING A GROWN-SIZE WOMAN DOGGY-STYLE... 607 00:28:08,896 --> 00:28:10,898 ( laughs ) 608 00:28:10,898 --> 00:28:13,275 IS HE ACTUALLY STANDING UP IN THE BED? 609 00:28:13,275 --> 00:28:16,445 YOU GET A WOMAN ON ALL FOURS ON A MATTRESS, 610 00:28:16,445 --> 00:28:19,281 YOUR FEET FLAT-- IS HE STANDING STRAIGHT UP ON THE MATT--? 611 00:28:19,281 --> 00:28:21,283 LIKE IF YOU WALKED IN OR SOME SHIT LIKE THAT, 612 00:28:21,283 --> 00:28:23,285 YOUR INSTINCT WOULD BE TO LEAVE, 613 00:28:23,285 --> 00:28:26,830 BUT YOU'LL CHECK THAT SHIT OUT FOR A HOT SECOND. 614 00:28:26,830 --> 00:28:29,791 YOU WALK IN LIKE, "OH SHIT, I'M SORRY. 615 00:28:32,502 --> 00:28:34,796 NIGGA, LOOK AT THIS. THIS IS CRAZY. 616 00:28:34,796 --> 00:28:37,090 NO, HE'S STANDING ON A NIKE SHOEBOX. 617 00:28:37,090 --> 00:28:39,092 I CAN'T BELIEVE THIS SHIT." 618 00:28:39,092 --> 00:28:42,387 AND I DON'T THINK WE VALUE MIDGETS ENOUGH. 619 00:28:42,387 --> 00:28:44,181 I THINK WE TAKE THEM FOR GRANTED. 620 00:28:44,181 --> 00:28:46,141 'CAUSE I DON'T GIVE A FUCK HOW BAD YOUR DAY IS, 621 00:28:46,141 --> 00:28:47,935 YOU SEE A MIDGET, YOU PERK UP. 622 00:28:47,935 --> 00:28:50,938 'CAUSE WHEN YOU LEAVE YOUR HOUSE, YOU'RE NOT GUARANTEED 623 00:28:50,938 --> 00:28:53,774 TO HAVE A MIDGET SIGHTING. YOU'RE NOT GUARANTEED. 624 00:28:53,774 --> 00:28:56,068 HOW OFTEN DO YOU LEAVE YOUR HOUSE 625 00:28:56,068 --> 00:28:58,278 AND SPOT A MIDGET? IT'S RARE. 626 00:28:58,278 --> 00:29:00,405 YOU COULD BE HAVING THE WORST DAY IN THE WORLD. 627 00:29:00,405 --> 00:29:04,451 YOU SEE A MIDGET, YOU'RE LIKE, "OH SHIT, A MIDGET." 628 00:29:04,451 --> 00:29:07,204 AND WHEN THERE IS A MIDGET SIGHTING, IT'S ALWAYS ONE. 629 00:29:07,204 --> 00:29:10,624 YOU'VE NEVER SEEN A PACK OF MIDGETS. YOU'VE NEVER SEEN THAT. 630 00:29:10,624 --> 00:29:13,543 I REMEMBER ONE TIME I SAW 15 MIDGETS WALKING DOWN THE STREET. 631 00:29:13,543 --> 00:29:16,797 I HAD A TASTE FOR HOT WINGS ALL OF A SUDDEN. 632 00:29:16,797 --> 00:29:18,799 THEY'RE LIKE THE LITTLE DRUMETTE PIECE. 633 00:29:18,799 --> 00:29:21,760 THEY'RE LIKE THE SMALL-- OKAY. 634 00:29:21,760 --> 00:29:24,304 I REMEMBER I TOLD THAT JOKE ONE TIME 635 00:29:24,304 --> 00:29:26,348 AND THERE WAS AN ACTUAL MIDGET IN THE CROWD. 636 00:29:26,348 --> 00:29:29,643 HE GOT PISSED OFF. HE SAID SOME SHIT, FUCKED MY WHOLE NIGHT UP. 637 00:29:29,643 --> 00:29:33,313 HE WAS LIKE, "NIGGA, WATCH YOUR NUTS." I WAS LIKE, "WHAT?" 638 00:29:33,313 --> 00:29:35,691 LIKE I'VE HAD TO WATCH MY BACK A FEW TIMES, 639 00:29:35,691 --> 00:29:38,068 BUT I HAVE NEVER HAD TO WATCH MY NUTS. 640 00:29:38,068 --> 00:29:41,446 I WAS SCARED. I WENT STRAIGHT HOME. 641 00:29:41,446 --> 00:29:43,281 MY GIRL WAS LIKE, "I THOUGHT YOU WAS WITH YOUR BOYS." 642 00:29:43,281 --> 00:29:45,409 I SAID, "A MIDGET TOLD ME TO WATCH MY NUTS." 643 00:29:45,409 --> 00:29:48,287 I'M SERIOUS. I FILED A POLICE REPORT AND EVERYTHING. 644 00:29:48,287 --> 00:29:50,288 I'M LIKE, "HE'S ABOUT THIS HIGH. 645 00:29:50,288 --> 00:29:52,290 HE HAD ON OSHKOSH B'GOSH 646 00:29:52,290 --> 00:29:54,960 AND A LITTLE PROPELLER HAT. 647 00:29:54,960 --> 00:29:57,671 THE MOTHERFUCKER NIPPED ME ON THE WAY-- IT WAS TERRIBLE." 648 00:29:57,671 --> 00:30:00,882 LIKE I SAID, I DON'T DRINK WITH WHITE PEOPLE 649 00:30:00,882 --> 00:30:03,093 AND I DON'T SMOKE WEED WITH ASIANS. 650 00:30:04,594 --> 00:30:06,847 AGAIN, NOT THAT I GOT ANYTHING AGAINST ASIAN PEOPLE. 651 00:30:06,847 --> 00:30:08,557 IT'S JUST Y'ALL FUCK UP MY HIGH, MAN. 652 00:30:08,557 --> 00:30:11,018 'CAUSE WHEN YOU SMOKE WEED THE POINT IS TO BE IN A HAPPY PLACE. 653 00:30:11,018 --> 00:30:13,645 YOU'RE NOT SUPPOSED TO BE THINKING ABOUT TRAUMATIC SHIT. 654 00:30:13,645 --> 00:30:15,772 EVERY TIME I SMOKE WEED WITH MY ASIAN FRIENDS, 655 00:30:15,772 --> 00:30:18,358 I BE THINKING, "THEM MOTHERFUCKERS ARE DEAD." 656 00:30:18,358 --> 00:30:21,069 'CAUSE, YOU KNOW, WHEN YOU SMOKE YOUR EYES CLOSE A LITTLE BIT. 657 00:30:21,069 --> 00:30:23,822 AND THEY'RE 3/4 OF THE WAY THERE. 658 00:30:23,822 --> 00:30:25,824 THAT SHIT BE CONFUSING. 659 00:30:25,824 --> 00:30:28,535 I'D BE THREE HITS IN. I'D BE LIKE, "SHANG LEE!" 660 00:30:28,535 --> 00:30:30,454 "NIGGA, I'M UP. I'M JUST HIGH." 661 00:30:30,454 --> 00:30:34,291 I SAID, "ALL RIGHT, WELL, DO LIKE THIS EVERY FIVE MINUTES OR SOMETHING." 662 00:30:34,291 --> 00:30:37,210 IT'S FUCKING CONFUSING. 663 00:30:37,210 --> 00:30:39,796 I LIKE TO SMOKE WEED 664 00:30:39,796 --> 00:30:42,174 AND WATCH "NATIONAL GEOGRAPHIC," 665 00:30:42,174 --> 00:30:44,176 'CAUSE I LIKE THE NATURE CHANNEL. 666 00:30:44,176 --> 00:30:46,803 LIKE I WANT TO GO TO AFRICA ONE DAY, GO ON A SAFARI. 667 00:30:46,803 --> 00:30:48,805 SEE THE ANIMALS IN THEIR NATURAL HABITAT. 668 00:30:48,805 --> 00:30:50,807 BUT THE DIFFERENCE US AND Y'ALL IS 669 00:30:50,807 --> 00:30:53,602 WE STAY IN THE TRUCK. 670 00:30:53,602 --> 00:30:56,980 WHITE PEOPLE, Y'ALL GOT SOME SHIT CALLED "UP CLOSE AND PERSONAL." 671 00:30:56,980 --> 00:30:59,524 IT'S AMAZING TOO, BECAUSE BLACK PEOPLE-- 672 00:30:59,524 --> 00:31:01,401 WE JUST KNOW CERTAIN SHIT, YOU KNOW. 673 00:31:01,401 --> 00:31:03,945 LIKE WHITE PEOPLE, THAT'S WHY I STUDY Y'ALL, ENVY Y'ALL. 674 00:31:03,945 --> 00:31:06,239 I'M ENVIOUS OF Y'ALL. Y'ALL ARE A RACE-- 675 00:31:06,239 --> 00:31:08,241 Y'ALL DO WHATEVER THE FUCK Y'ALL WANT TO DO. 676 00:31:08,241 --> 00:31:10,243 YOU KNOW, Y'ALL ARE FREE. 677 00:31:10,243 --> 00:31:13,080 YOU'RE THE ONLY RACE OF PEOPLE THAT COULD LOOK AT A WILD LION AND GO, 678 00:31:13,080 --> 00:31:15,874 "I CAN BE FRIENDS WITH THAT." 679 00:31:15,874 --> 00:31:19,294 THAT'S WHY Y'ALL ARE ALWAYS ON "WHEN ANIMALS ATTACK." 680 00:31:19,294 --> 00:31:21,296 YOU WILL NEVER SEE BLACK PEOPLE 681 00:31:21,296 --> 00:31:23,298 ON "WHEN ANIMALS ATTACK." 682 00:31:23,298 --> 00:31:25,801 YOU MIGHT SEE US ON "WHEN COPS ATTACK," 683 00:31:25,801 --> 00:31:28,929 BUT YOU WILL NEVER SEE US ON "WHEN ANIMALS ATTACK." 684 00:31:28,929 --> 00:31:31,848 Y'ALL WILL DO SHIT LIKE TRANQUILIZE A LION 685 00:31:31,848 --> 00:31:33,892 AND HOLD THAT MOTHERFUCKER TILL HE WAKE UP. 686 00:31:33,892 --> 00:31:35,894 AND THAT BE HEAVY SHIT TO Y'ALL. 687 00:31:35,894 --> 00:31:38,730 Y'ALL BE IN THE CAMERA-- ( panting ) 688 00:31:38,730 --> 00:31:42,442 "WELL, MY PARTNER BOB AND I-- 689 00:31:42,442 --> 00:31:45,654 WE'VE BEEN TRACKING THIS PARTICULAR BEAST FOR QUITE SOME TIME. 690 00:31:45,654 --> 00:31:48,031 HER NAME IS UTULU. SHE'S SIX MONTHS OLD. 691 00:31:48,031 --> 00:31:52,869 WE JUST SHOT HER WITH 5cc OF TETRACORTILENE DARTS. 692 00:31:52,869 --> 00:31:56,832 WHEN SHE GETS UP, SHE IS GONNA BE FUCKING PISSED. 693 00:31:56,832 --> 00:31:59,167 OH MY GOD, BOB, DO YOU FEEL YOUR HEART POUNDING? 694 00:31:59,167 --> 00:32:01,795 THIS IS AMAZING. OH MY GOD, SHE'S GETTING UP. 695 00:32:01,795 --> 00:32:04,005 ( growls ) OH, SHE MAULED ME. 696 00:32:04,005 --> 00:32:06,007 WHAT AN EXPERIENCE. 697 00:32:06,007 --> 00:32:08,343 THE AFRICANS DON'T BE OUT THERE FUCKING WITH THE LIONS. 698 00:32:08,343 --> 00:32:10,971 THEY ASK THEM, "MR. MUTUMBU, WHY YOU DON'T PLAY WITH THE LIONS?" 699 00:32:10,971 --> 00:32:12,973 "I'M NOT FUCKING WITH THAT MOTHERFUCKER. 700 00:32:12,973 --> 00:32:14,975 FUCK HIM AND FUCK YOU. 701 00:32:14,975 --> 00:32:17,310 THAT SHIT IS NOT IN THE BROCHURE. I'M NOT DOING THAT SHIT. 702 00:32:17,310 --> 00:32:20,397 WHEN MY SHIFT IS OVER, I WANT TO GO HOME TO MY CHILDREN 703 00:32:20,397 --> 00:32:22,899 MUNGULU, MUNGALA AND OOF OOF OOF OOF. 704 00:32:22,899 --> 00:32:24,901 I CAN'T DO IT FUCKING WITH THAT. 705 00:32:24,901 --> 00:32:26,528 WHEN THIS SHIT RRARR, YOU'D BETTER COME. 706 00:32:26,528 --> 00:32:27,904 I WILL LEAVE YOU IN THE CAR." 707 00:32:27,904 --> 00:32:32,242 ( imitates African singing ) 708 00:32:34,286 --> 00:32:36,538 AIN'T NO AFRICAN PEOPLE HERE, IS THERE? 709 00:32:36,538 --> 00:32:38,665 ARE YOU AFRICAN, DAWG? MY BAD. 710 00:32:38,665 --> 00:32:41,001 I DON'T WANT TO PISS YOU OFF AND YOU'RE-- 711 00:32:41,001 --> 00:32:43,170 "MOTHERFUCKER." ( blows air ) 712 00:32:51,511 --> 00:32:53,513 YOU KNOW WHAT'S FUCKED UP? 713 00:32:53,513 --> 00:32:55,932 AFRICAN PEOPLE DON'T LIKE BLACK PEOPLE. 714 00:32:55,932 --> 00:32:58,977 Y'ALL KNOW THEY TREAT US LIKE SHIT. 715 00:32:58,977 --> 00:33:01,938 THEY TALK DOWN TO US. THEY THINK THEY'RE BETTER THAN US. 716 00:33:01,938 --> 00:33:03,648 AND I DON'T UNDERSTAND. 717 00:33:03,648 --> 00:33:07,986 'CAUSE WE'RE FROM THE SAME TRIBE KIND OF. 718 00:33:07,986 --> 00:33:10,655 THEY LIKE WHITE PEOPLE THOUGH. THEY TREAT Y'ALL LIKE FAMILY. 719 00:33:10,655 --> 00:33:12,657 AS SOON AS Y'ALL COME AROUND, THEY GET EXCITED. 720 00:33:12,657 --> 00:33:14,659 "EXCUSE ME, MR. WHITE MAN, 721 00:33:14,659 --> 00:33:16,870 THANK YOU FOR BRINGING US HERE. WE LOVE YOU." 722 00:33:16,870 --> 00:33:19,414 ♪ YEAH, THE WHITE MAN. ♪ ( kisses ) 723 00:33:21,625 --> 00:33:24,878 AS SOON AS THEY SEE US, THEY GET ATTITUDE. "HEY, HOW ARE YOU DOING?" 724 00:33:24,878 --> 00:33:27,422 ( clicks tongue ) "THIS NIGGA. 725 00:33:27,422 --> 00:33:29,841 WE DON'T LIKE THE BLACK MAN IN AMERICA. 726 00:33:29,841 --> 00:33:32,552 MOTHERFUCKER, YOU DON'T WORK. YOU DON'T DO SHIT. 727 00:33:32,552 --> 00:33:35,305 WE DON'T LIKE YOU, YOU BLACK MOTHERFUCKER." 728 00:33:35,305 --> 00:33:38,725 LIKE, WHO ARE YOU CALLING BLACK, MOTHERFUCKER? 729 00:33:38,725 --> 00:33:41,436 I'M BROWN. YOU'RE MIDNIGHT. WHO THE FUCK ARE YOU CALLING BLACK? 730 00:33:41,436 --> 00:33:43,730 LIKE, NIGGA, IF YOU STOOD UP AGAINST A BUILDING 731 00:33:43,730 --> 00:33:46,900 YOU'D LOOK LIKE AN ALLEY. WHO THE FUCK ARE YOU CALLING BLACK? 732 00:33:46,900 --> 00:33:48,944 THIS SHIT IS UNJUST. 733 00:33:48,944 --> 00:33:52,280 AFRICAN MEN DON'T UNDERSTAND WHY WHEN THEY COME TO AMERICA 734 00:33:52,280 --> 00:33:54,282 THEY HAVE A HARD TIME GETTING AMERICAN PUSSY. 735 00:33:54,282 --> 00:33:56,785 YOU CAN'T BE THAT AGGRESSIVE WITH AMERICAN WOMEN, 736 00:33:56,785 --> 00:33:58,787 ESPECIALLY BLACK WOMEN. YOU GOTTA KNOW HOW TO TALK. 737 00:33:58,787 --> 00:34:01,873 YOU GOTTA COME CORRECT. 'CAUSE IN AFRICA THEY'RE USED TO HAVING THEIR WAY. 738 00:34:01,873 --> 00:34:04,834 THEY GOT 15 WIVES AND SHIT. AND AFRICAN WOMEN ARE VERY OBEDIENT. 739 00:34:04,834 --> 00:34:07,462 THEY TELL THEIR WOMEN WHAT TO DO. IT'S NOT EVEN AN ISSUE. 740 00:34:07,462 --> 00:34:11,549 "BITCH, WHEN I COME HOME, YOU--" 741 00:34:13,593 --> 00:34:16,429 I DON'T KNOW WHY THEY DO THAT-- "YOU." 742 00:34:16,429 --> 00:34:20,850 "YOU'D BETTER CLEAN THIS SHIT FROM THE FLOOR." 743 00:34:20,850 --> 00:34:23,561 THEY BE IN THE CLUB STALKING WOMEN OUT HERE. 744 00:34:23,561 --> 00:34:25,689 YOU CAN'T EVEN SEE THEM. THEY BE AS BLACK AS MY JACKET. 745 00:34:25,689 --> 00:34:28,858 YOU JUST SEE THE YELLOW OF THE EYES FROM A DISTANCE, 746 00:34:28,858 --> 00:34:31,403 LOOKING LIKE CONGO IN THE BUSH. 747 00:34:31,403 --> 00:34:33,655 AS SOON AS YOU GO BUY YOUR DRINK, THEY JUMP OUT OF THE SHADOWS 748 00:34:33,655 --> 00:34:35,490 AND SCARE THE SHIT OUT OF YOU. "BITCH WHAT IS YOUR NAME? 749 00:34:35,490 --> 00:34:37,284 COME HERE. DON'T RUN FROM ME. 750 00:34:37,284 --> 00:34:38,868 ( blows air ) 751 00:34:38,868 --> 00:34:40,745 YOU'RE GOING TO BE MY WIFE." 752 00:34:40,745 --> 00:34:43,665 ( imitates African singing ) 753 00:34:43,665 --> 00:34:46,668 THEY'RE HUNTERS. IT'S INSTINCT. 754 00:34:46,668 --> 00:34:49,754 I THINK THAT'S THE KEY TO RACISM THOUGH. 755 00:34:49,754 --> 00:34:53,508 YOU GOTTA BE WILLING TO INVEST IN OTHER PEOPLE'S CULTURES. 756 00:34:53,508 --> 00:34:55,635 'CAUSE AT THE END OF THE DAY I DON'T GIVE A FUCK WHAT COLOR YOU ARE. 757 00:34:55,635 --> 00:34:58,513 EVERYBODY'S GOT SOMETHING TO BRING TO THE TABLE. AND LIFE IS SHORT, MAN. 758 00:34:58,513 --> 00:35:00,807 SAMPLE THAT SHIT. YOU DON'T KNOW WHAT YOU MIGHT BE MISSING. 759 00:35:00,807 --> 00:35:02,767 WHY DEPRIVE YOURSELF OF A GREAT HUMAN EXPERIENCE 760 00:35:02,767 --> 00:35:04,728 'CAUSE YOU'RE FUCKING MAD? IT'S RIDICULOUS. 761 00:35:04,728 --> 00:35:07,647 THAT'S WHY I APPRECIATE A GOOD CULTURE. I APPRECIATE A GOOD ACCENT. 762 00:35:07,647 --> 00:35:09,733 YOU GOT THE RIGHT ACCENT-- YOU CAN GET AWAY WITH A LOT OF SHIT. 763 00:35:09,733 --> 00:35:12,444 YOU'D BE IN THE CLUB AND SAY SOMETHING FOUL TO A WOMAN IN AMERICAN ACCENT, 764 00:35:12,444 --> 00:35:14,404 SHE MIGHT SLAP THE SHIT OUT OF YOU. 765 00:35:14,404 --> 00:35:17,532 LIKE, "EXCUSE ME, BABY, I DON'T MEAN TO BOTHER YOU, BUT YOU GOT A PHAT ASS. 766 00:35:17,532 --> 00:35:19,659 I'D LOVE TO TAKE YOU HOME AND FUCK THE SHIT OUT OF YOU." 767 00:35:19,659 --> 00:35:21,661 ( gasps ) "MOTHERFUCKER." PSHH! 768 00:35:21,661 --> 00:35:24,789 ENGLISH ACCENT-- THAT JUST ROLLS OFF THE TONGUE DIFFERENT. 769 00:35:24,789 --> 00:35:26,666 ( Cockney accent ) "EXCUSE ME, I DON'T MEAN TO BOTHER YOU, 770 00:35:26,666 --> 00:35:28,418 BUT I'D REALLY LOVE TO TAKE YOU BACK TO MY HOTEL 771 00:35:28,418 --> 00:35:30,795 AND FUCK YOU DOGGY-STYLE FOR A LITTLE BIT. YOU KNOW WHAT I MEAN?" 772 00:35:30,795 --> 00:35:32,672 "MOTHERFUCKER, WHERE ARE YOU FROM? 773 00:35:32,672 --> 00:35:34,674 THAT SHIT IS... 774 00:35:34,674 --> 00:35:36,092 OH MY GOD. 775 00:35:36,092 --> 00:35:39,220 SAY SOMETHING ELSE." 776 00:35:39,220 --> 00:35:41,222 LADIES, YOU'RE LAUGHING. 777 00:35:41,222 --> 00:35:43,641 SOME OF THE FELLOWS MIGHT TRY THAT ON THE WAY HOME. 778 00:35:43,641 --> 00:35:46,478 "DID YOU HAVE A GOOD TIME AT THE COMEDY SHOW TONIGHT? DID YOUR REALLY? 779 00:35:46,478 --> 00:35:49,105 AT THE NEXT LIGHT COULD YOU GIVE ME A LITTLE BIT OF A HEAD? 780 00:35:49,105 --> 00:35:51,107 JUST A LITTLE BIT? I DON'T WANT MUCH. 781 00:35:51,107 --> 00:35:54,778 I JUST WANT YOU TO POLISH ME KNOB, YOU KNOW WHAT I MEAN?" 782 00:35:54,778 --> 00:35:57,697 I AIN'T EVEN GONNA LIE-- I'LL USE THIS SHIT TO GET SOME PUSSY. 783 00:35:57,697 --> 00:36:00,116 I'LL WALK UP TO A WOMAN AND SAY ANYTHING. 784 00:36:00,116 --> 00:36:01,743 "EXCUSE ME, YOU KNOW WHAT TIME IT IS?" 785 00:36:01,743 --> 00:36:04,663 "OH MY GOD, YOUR ACCENT IS BEAUTIFUL. WHERE ARE YOU FROM?" 786 00:36:04,663 --> 00:36:06,665 I JUST MAKE SHIT UP. "McDONALDS, ENGLAND. 787 00:36:06,665 --> 00:36:08,667 HAVE YOU EVER HEARD OF IT? 788 00:36:08,667 --> 00:36:11,336 I LIVE RIGHT OFF EGG McMUFFIN LANE. HAVE YOU EVER HEARD?" 789 00:36:11,336 --> 00:36:14,464 "OH MY GOD, GIRL, HE LIVES OFF EGG McMUFFIN." 790 00:36:17,759 --> 00:36:19,761 I'LL TELL YOU WHAT ACCENT IS NOT SEXY, 791 00:36:19,761 --> 00:36:21,846 IS THAT EAST INDIAN ACCENT. THAT 7-ELEVEN SHIT. 792 00:36:21,846 --> 00:36:24,891 THAT TURBAN SHIT. THAT DOT, TOWEL SHIT. 793 00:36:24,891 --> 00:36:28,770 LADIES, TRUST ME, YOU DO NOT THAT ON TOP OF YOU ON A SATURDAY NIGHT. 794 00:36:28,770 --> 00:36:31,147 "I'M GOING TO GIVE IT TO YOU. 795 00:36:31,147 --> 00:36:33,149 I KNOW YOU WANT IT, YOU DIRTY BITCH. 796 00:36:33,149 --> 00:36:35,151 I KNOW YOU WANT IT. 797 00:36:35,151 --> 00:36:37,153 I'M GOING TO GIVE YOU MY PAKISTANI BEEF, 798 00:36:37,153 --> 00:36:39,114 YOU MOTHERFUCKER. 799 00:36:39,114 --> 00:36:42,158 SAY MY NAME. SAY, 'PUMASANJI, PUMASANJI.'" 800 00:36:42,158 --> 00:36:45,161 "UGH. 801 00:36:45,161 --> 00:36:47,163 WHERE'S MY DRAWERS? 802 00:36:47,163 --> 00:36:51,751 I'M SORRY, PUMASANJI. I'M JUST NOT FEELING IT." 803 00:36:51,751 --> 00:36:55,296 'CAUSE IT'S HARD TO ASK A WOMAN FOR CERTAIN SEXUAL FAVORS. 804 00:36:55,296 --> 00:36:57,132 LADIES, Y'ALL HAVE ADVANTAGES. 805 00:36:57,132 --> 00:36:58,800 Y'ALL WANT A MAN TO DO SOMETHING NASTY TO Y'ALL, 806 00:36:58,800 --> 00:37:01,845 YOU GOT ALL KINDS OF CUTE LITTLE SAYINGS AND SHIT Y'ALL USE. 807 00:37:01,845 --> 00:37:04,639 "COULD YOU PLEASE GO DOWNTOWN?" 808 00:37:04,639 --> 00:37:08,893 HOW DO YOU ASK A WOMAN TO GARGLE YOUR NUTS? 809 00:37:08,893 --> 00:37:10,895 ( East Indian accent ) "CAN YOU GARGLE MY NUTS? 810 00:37:10,895 --> 00:37:13,648 PUT THEM IN YOUR MOUTH AND GRRRR?" 811 00:37:13,648 --> 00:37:16,609 IT'S JUST NOT SEXY. 812 00:37:16,609 --> 00:37:20,780 I DIDN'T SEE MY FIRST INDIAN TILL I WAS 15 YEARS OLD. 813 00:37:20,780 --> 00:37:22,782 FUCKED ME UP. I DIDN'T KNOW WHAT TO MAKE OF HIM. 814 00:37:22,782 --> 00:37:24,826 IT'S LIKE, WHAT THE FUCK ARE YOU? 815 00:37:24,826 --> 00:37:27,454 I GREW UP AROUND BLACK PEOPLE AND WHITE PEOPLE. 816 00:37:27,454 --> 00:37:29,205 I KNEW WHAT THAT WAS. I SAW AN INDIAN, I WAS LIKE, 817 00:37:29,205 --> 00:37:32,250 "WHAT THE FUCK ARE YOU? YOU GOT NIGGA'S SKIN BUT WHITE PEOPLE'S HAIR. 818 00:37:32,250 --> 00:37:34,252 WHAT THE FUCK ARE YOU?" 819 00:37:34,252 --> 00:37:37,505 AND YOU CAN'T CALL THEM BLACK. THEY'RE AS DARK AS US, BUT THEY GET OFFENDED. 820 00:37:37,505 --> 00:37:39,883 "HEY, BROTHER, HOW ARE YOU DOING?" "I'M NOT YOUR BROTHER. 821 00:37:39,883 --> 00:37:43,011 DON'T CALL ME YOU. I AM NOT YOU." 822 00:37:43,011 --> 00:37:46,014 THEY TALK ALL THAT SHIT TILL YOU PULL THE GUN OUT TO ROB THEM 823 00:37:46,014 --> 00:37:48,850 AND ALL OF A SUDDEN WE'RE THE SAME. "GIVE ME YOUR MONEY, MOTHERFUCKER." 824 00:37:48,850 --> 00:37:50,935 "BROTHER, DON'T DO THIS. WE ARE THE SAME. 825 00:37:50,935 --> 00:37:52,937 PLEASE, YOU'RE CHOCOLATE. I'M PEANUT BUTTER. 826 00:37:52,937 --> 00:37:54,939 WE ARE REESE'S PIECES. 827 00:37:54,939 --> 00:37:57,692 WE COME TOGETHER. WE ARE THE SAME." 828 00:38:00,695 --> 00:38:03,031 THAT'S WHAT I LOVE ABOUT COMING BACK TO NEW YORK-- 829 00:38:03,031 --> 00:38:05,241 IT'S THE CULTURE, MAN. LIKE THE FUCKING ITALIANS. 830 00:38:05,241 --> 00:38:07,785 DO WE HAVE ANY ITALIANS IN HERE? ANY ITALIANS? 831 00:38:07,785 --> 00:38:09,829 ARE YOU ITALIAN, BABY? I LOVE ITALIANS, MAN. 832 00:38:09,829 --> 00:38:12,832 YOU KNOW WHAT I LOVE ABOUT ITALIAN PEOPLE? ITALIAN PEOPLE WILL MAKE UP 833 00:38:12,832 --> 00:38:15,335 CERTAIN WORDS AND PHRASES THAT ONLY THEY KNOW WHAT IT MEANS. 834 00:38:15,335 --> 00:38:18,338 LIKE, YOU EVER HEARD AN ITALIAN PERSON SAY THIS PHRASE-- "HALF A FAG"? 835 00:38:18,338 --> 00:38:20,340 WHAT THE FUCK DOES THAT MEAN? 836 00:38:20,340 --> 00:38:23,384 YOU COULD BE AROUND AN ITALIAN PERSON AND SAY SOME NORMAL SHIT LIKE, 837 00:38:23,384 --> 00:38:25,053 "MAN, YOU KNOW WHAT, USUALLY ON THE WEEKENDS 838 00:38:25,053 --> 00:38:26,930 ME AND MY GIRL GO OUT CLUBBING AND SHIT, 839 00:38:26,930 --> 00:38:30,183 BUT WE DECIDED TO STAY IN THIS WEEKEND AND MAKE IT A BLOCKBUSTER NIGHT. 840 00:38:30,183 --> 00:38:32,185 SO WE RENTED THIS MOVIE 'STEEL MAGNOLIAS.' 841 00:38:32,185 --> 00:38:34,437 NOW I KNOW IT'S A CHICK FLICK, BUT I'M GONNA BE HONEST, 842 00:38:34,437 --> 00:38:36,773 TOWARDS THE END I ACTUALLY CHOKED UP, CRIED A LITTLE BIT." 843 00:38:36,773 --> 00:38:39,192 "WHOA, NOT FOR NOTHING, 844 00:38:39,192 --> 00:38:42,320 YOU SOUND LIKE HALF A FAG." 845 00:38:42,320 --> 00:38:44,739 WHAT THE FUCK DOES THAT MEAN? 846 00:38:44,739 --> 00:38:47,075 EVEN WHEN THEY EXPLAIN IT TO YOU, 847 00:38:47,075 --> 00:38:49,077 THE MEANING MAKES LESS SENSE THAN THE TERM. 848 00:38:49,077 --> 00:38:51,663 LIKE, "WHAT DOES THAT MEAN?" "I DON'T KNOW, YOU MEET A GUY IN A BAR, 849 00:38:51,663 --> 00:38:53,498 YOU THROW BACK A COUPLE OF DRINKS. NEXT THING YOU KNOW, 850 00:38:53,498 --> 00:38:55,750 YOU TAKE HIM TO THE BATHROOM, YOU PULL DOWN YOUR TROUSERS, 851 00:38:55,750 --> 00:38:57,961 YOU PULL OUT YOUR COCK, YOU SHOVE IT HALFWAY DOWN HIS THROAT. 852 00:38:57,961 --> 00:39:00,588 SOMEWHERE IN THE PROCESS YOU GO, 'WHOA, THIS AIN'T FOR ME'-- 853 00:39:00,588 --> 00:39:02,632 HALF A FUCKING FAG." 854 00:39:05,134 --> 00:39:07,387 NIGGA, THAT MAKES NO SENSE. 855 00:39:07,387 --> 00:39:10,056 AND YOUNG BROTHERS KILL ME, 856 00:39:10,056 --> 00:39:11,683 'CAUSE WE LOVE ITALIAN CULTURE, MAN. 857 00:39:11,683 --> 00:39:14,769 LIKE THE RAPPERS AND SHIT-- THEY ALWAYS NAME THEMSELVES 858 00:39:14,769 --> 00:39:16,771 AFTER OLD-SCHOOL MOBSTERS AND SHIT, 859 00:39:16,771 --> 00:39:18,356 WHICH IS KIND OF STUPID TO ME 860 00:39:18,356 --> 00:39:21,109 'CAUSE OLD-SCHOOL ITALIANS HATE BLACK PEOPLE. 861 00:39:21,109 --> 00:39:23,778 THEY CALL US ALL KINDS OF MULIGNANS AND NIGGAS AND SHIT. 862 00:39:23,778 --> 00:39:26,072 BUT THE FUNNY THING IS-- OLD-SCHOOL ITALIANS ARE FUNNY, 863 00:39:26,072 --> 00:39:29,909 'CAUSE ANYTIME YOU HANG AROUND THEM, THEY SAY THE MOST RACIST SHIT IN FRONT OF YOU. 864 00:39:29,909 --> 00:39:33,037 AS LONG AS THEY END IT WITH "NO OFFENSE," IT'S OKAY. 865 00:39:33,037 --> 00:39:35,999 I REMEMBER ONE TIME I WENT TO GO VISIT A FRIEND OF MINE 866 00:39:35,999 --> 00:39:37,834 IN A BAR IN BROOKLYN IN AN ITALIAN NEIGHBORHOOD. 867 00:39:37,834 --> 00:39:40,211 I WALKED IN THE BAR, RIGHT AWAY THE DUDE KNEW WHO I WAS. 868 00:39:40,211 --> 00:39:43,298 HE WAS LIKE, "WHOA, THERE HE IS. FUCKING GUY FROM 'MAD TV,' 869 00:39:43,298 --> 00:39:45,800 ARIES SPEARS. HEY, MY FRIEND, LET ME TELL YOU, 870 00:39:45,800 --> 00:39:47,677 ME AND MY KIDS-- WE WATCH YOU EVERY SATURDAY NIGHT. 871 00:39:47,677 --> 00:39:50,138 YOU'RE THE FUCKING BEST. YOU'RE THE FUCKING BEST. 872 00:39:50,138 --> 00:39:52,140 BARTENDER, FOR MY FRIEND-- A DRINK. 873 00:39:52,140 --> 00:39:55,852 LET ME GUESS, YOU PEOPLE-- YOU LIKE THE FUCKING HENNESSY, I KNOW." 874 00:39:55,852 --> 00:39:57,854 FUCKED UP, 'CAUSE I WANTED A HENNESSY. 875 00:39:57,854 --> 00:39:59,856 I DIDN'T UNDERSTAND HOW-- 876 00:39:59,856 --> 00:40:03,109 SO HE GETS ME THE DRINK AND HE STARTS TELLING A STORY TO HIS BOYS. 877 00:40:03,109 --> 00:40:04,861 AND IT'S THE MOST RACIST SHIT EVER. 878 00:40:04,861 --> 00:40:07,155 "TOMMY, MIKEY, YOU HEAR ABOUT RICHIE? 879 00:40:07,155 --> 00:40:08,906 YEAH, THE GUY'S IN JAIL DOING IT BIG. 880 00:40:08,906 --> 00:40:11,117 KILLED HIS WIFE. CAUGHT HER FUCKING A MULIGNAN. 881 00:40:11,117 --> 00:40:13,077 CAN YOU BELIEVE THAT? I MEAN, LET'S BE HONEST, 882 00:40:13,077 --> 00:40:16,831 BETWEEN YOUSE AND ME, WE ALWAYS KNEW JEANIE HAD A THING FOR THE PEPPER. 883 00:40:16,831 --> 00:40:20,043 BUT TO ACTUALLY FUCK AN EGGPLANT? 884 00:40:20,043 --> 00:40:22,629 CAN YOU IMAGINE THAT? YOU KISS YOUR WIFE GOODBYE; 885 00:40:22,629 --> 00:40:24,297 YOU GET IN YOUR CAR; YOU DRIVE AWAY. 886 00:40:24,297 --> 00:40:26,299 YOU'RE TWO-THREE BLOCKS FROM YOUR HOUSE. YOU REALIZE, 887 00:40:26,299 --> 00:40:28,301 'WHOA, FORGOT MY FUCKING GLASSES.' 888 00:40:28,301 --> 00:40:30,094 YOU TURN THE CAR AROUND. YOU GO BACK INTO THE HOUSE. 889 00:40:30,094 --> 00:40:32,639 YOU KICK OPEN THE BEDROOM DOOR. AND THERE SHE IS GETTING THE OLD BRACIOLE 890 00:40:32,639 --> 00:40:34,974 FROM CURIOUS GEORGE. 891 00:40:34,974 --> 00:40:36,684 BUT LET'S LOOK AT THE BRIGHT SIDE-- 892 00:40:36,684 --> 00:40:38,269 AT LEAST IT WASN'T NONE OF OUR WIVES. 893 00:40:38,269 --> 00:40:40,229 CAN YOU IMAGINE YOUR WIFE FUCKING A RAISINET? 894 00:40:40,229 --> 00:40:43,316 AH, MADONN', GOD FORBID. HEY, ARIES, NO OFFENSE. 895 00:40:43,316 --> 00:40:44,692 SALUD." 896 00:40:49,656 --> 00:40:51,991 THAT WAS THE MOST RACIST SHIT, MAN. 897 00:40:51,991 --> 00:40:53,993 I DON'T KNOW, MAN. IT'S FUCKING CRAZY. 898 00:40:53,993 --> 00:40:55,995 THEY DO MAKE GREAT MOVIES THOUGH. 899 00:40:55,995 --> 00:40:58,957 I LIKE ALL THOSE ITALIAN MOBSTER MOVIES AND SHIT, YOU KNOW. 900 00:40:58,957 --> 00:41:01,125 LIKE, I'M REALLY TRYING TO MAKE IT IN HOLLYWOOD. 901 00:41:01,125 --> 00:41:03,211 LIKE, I WANT TO BE A MOVIE STAR. THAT'S MY DREAM. 902 00:41:03,211 --> 00:41:05,838 BUT I'M FINDING OUT HOLLYWOOD IS NOT WHAT YOU THINK IT'S ABOUT. 903 00:41:05,838 --> 00:41:08,508 PEOPLE MOVE OUT TO L.A. THINKING, "THIS SHIT IS ABOUT TALENT." 904 00:41:08,508 --> 00:41:10,843 SHIT IS NOT ABOUT TALENT. IT'S ABOUT SEX APPEAL. 905 00:41:10,843 --> 00:41:14,806 IT'S THE PART OF MY GAME I GOT TO WORK ON. 906 00:41:14,806 --> 00:41:16,808 GOTTA BE IN SHAPE TO BE A MOVIE STAR, MAN. 907 00:41:16,808 --> 00:41:19,727 MY PROBLEM IS I LIKE CUPCAKES TOO MUCH. 908 00:41:19,727 --> 00:41:22,271 I'M SERIOUS. SOMETIMES ON A SATURDAY NIGHT 909 00:41:22,271 --> 00:41:24,857 IF I GOT A CHOICE BETWEEN SOME PUSSY AND A CUPCAKE... 910 00:41:24,857 --> 00:41:27,694 ( sighs ) 911 00:41:27,694 --> 00:41:30,154 SOMETIMES CUPCAKE WINS. 912 00:41:30,154 --> 00:41:32,115 IT'S KIND OF LIKE PUSSY, IF YOU THINK ABOUT IT. 913 00:41:32,115 --> 00:41:34,617 ESPECIALLY IF YOU HEAT IT UP IN THE MICROWAVE FOR 15 SECONDS. 914 00:41:34,617 --> 00:41:37,328 IT'S ALL WARM ON THE INSIDE, CREAMY IN THE MIDDLE. 915 00:41:37,328 --> 00:41:40,289 AND WHEN IT'S OVER, IT'S MUCH EASIER TO WASH THAT SMELL OFF YOUR DICK, 916 00:41:40,289 --> 00:41:42,375 I'M TRYING TO TELL YOU. FUCK Y'ALL. FUNNY TO ME. 917 00:41:42,375 --> 00:41:44,752 I DON'T GIVE A FUCK. FUNNY TO ME. 918 00:41:46,295 --> 00:41:48,631 IT'S HARD FOR BLACKS TO MAKE IT IN HOLLYWOOD TOO, MAN, 919 00:41:48,631 --> 00:41:50,633 'CAUSE THE RULES ARE DIFFERENT, YOU KNOW. 920 00:41:50,633 --> 00:41:53,219 HOLLYWOOD-- YOU GOTTA BE HUMBLE NO MATTER WHAT COLOR YOU ARE. 921 00:41:53,219 --> 00:41:55,763 BUT IF YOU'RE BLACK, YOU REALLY GOTTA BE FUCKING HUMBLE. 922 00:41:55,763 --> 00:41:58,641 'CAUSE SOMETIMES IT DON'T MATTER HOW GOOD YOU ARE. 923 00:41:58,641 --> 00:42:00,685 I REMEMBER I HAD LUNCH WITH CHRIS ROCK ONE TIME. 924 00:42:00,685 --> 00:42:02,770 HE GAVE ME THE BEST ADVICE. HE WAS LIKE, "LOOK, MAN, 925 00:42:02,770 --> 00:42:04,772 ALL I CAN TELL YOU IS ONE-- KEEP WRITING, 926 00:42:04,772 --> 00:42:06,858 AND TWO-- TRY NOT TO PISS THESE WHITE FOLKS OFF." 927 00:42:06,858 --> 00:42:09,485 'CAUSE THAT SHIT IS TRUE. IT DON'T MATTER HOW GOOD YOU ARE, 928 00:42:09,485 --> 00:42:11,571 IF YOU'RE ANGRY, IF YOU'RE THE ANGRY BLACK MAN, 929 00:42:11,571 --> 00:42:14,407 THEY DON'T FUCK WITH YOU. CASE IN POINT-- PAUL MOONEY. 930 00:42:14,407 --> 00:42:17,285 THIS MOTHERFUCKER'S A LEGEND. EVERYBODY, Y'ALL KNOW PAUL MOONEY. 931 00:42:17,285 --> 00:42:19,662 THIS NIGGA WROTE FOR RICHARD PRYOR AND EDDIE MURPHY. 932 00:42:19,662 --> 00:42:22,790 YOU'RE A BAD MOTHERFUCKER WHEN YOU'RE WRITING FOR OTHER BAD MOTHERFUCKERS. 933 00:42:22,790 --> 00:42:26,461 THE PROBLEM WITH PAUL IS PAUL WILL TELL YOU HE'S A BAD MOTHERFUCKER. 934 00:42:26,461 --> 00:42:28,796 HE'LL SHOOT HIMSELF IN THE FOOT. I REMEMBER ONE TIME 935 00:42:28,796 --> 00:42:30,798 I TRIED TO GET HIM TO DO A JOB FOR "MAD TV." 936 00:42:30,798 --> 00:42:33,634 I WANTED HIM TO BE A WRITER. I SAID, "YO, WE'RE ALREADY A GREAT SHOW, 937 00:42:33,634 --> 00:42:35,636 BUT PAUL-- HE'LL TAKE US TO THE NEXT LEVEL." 938 00:42:35,636 --> 00:42:38,848 PAUL WOULD GO INTO THE FUCKING MEETING AND SHOOT HIMSELF IN THE FOOT. 939 00:42:38,848 --> 00:42:40,850 AS SOON AS HE WALKED IN THE PRODUCERS WERE LIKE, 940 00:42:40,850 --> 00:42:43,644 "PAUL, ARIES RECOMMENDS YOU HIGHLY. HE THINKS YOU'RE GREAT. 941 00:42:43,644 --> 00:42:45,730 LET ME ASK YOU, ARE YOU FAMILIAR WITH OUR SHOW?" 942 00:42:45,730 --> 00:42:47,732 PAUL WENT RIGHT INTO IT. "I'VE SEEN YOUR SHOW. 943 00:42:47,732 --> 00:42:49,734 ALL OF YOU NIGGAS HAVE STOLEN MY MATERIAL. 944 00:42:49,734 --> 00:42:52,487 YOU'VE ALL STOLEN FROM ME. I'VE SEEN IT. 945 00:42:52,487 --> 00:42:55,573 IT DOESN'T MA-- NO, HOMIE, HOMIE, LISTEN, LISTEN. 946 00:42:55,573 --> 00:42:58,993 'IN LIVING COLOR,' 'SATURDAY NIGHT LIVE'-- YOU ALL HAVE STOLEN MY SHIT. 947 00:42:58,993 --> 00:43:02,413 FIRST YOU STOLE NIGGAS, THEN YOU STOLE MY MATERIAL. 948 00:43:05,458 --> 00:43:07,460 AND IN CASE YOU DIDN'T KNOW, I INVENTED COMEDY. 949 00:43:07,460 --> 00:43:09,462 NIGGA, I INVENTED IT." 950 00:43:09,462 --> 00:43:12,340 AND THEN LATER ON I'LL SEE PAUL AND GO, "PAUL, HOW DID IT WORK?" 951 00:43:12,340 --> 00:43:14,926 "HOMIE, THEY'RE NOT GONNA HIRE ME. I'M TOO REAL. I'M TOO REAL. 952 00:43:14,926 --> 00:43:16,928 THEY'RE SCARED OF ME, HOMIE. I'M TOO REAL. 953 00:43:16,928 --> 00:43:18,930 TRUST ME, THEY LOVE NIGGAS THAT GRIN. 954 00:43:18,930 --> 00:43:22,600 WHEN YOU GRIN, YOU WIN. ALL THE NIGGAS THAT GRIN WIN. 955 00:43:22,600 --> 00:43:25,728 LOOK AT WAYNE BRADY. THEY LOVE THAT NIGGA. 956 00:43:25,728 --> 00:43:27,730 THAT NIGGA GRINS. 957 00:43:27,730 --> 00:43:31,067 THAT NIGGA-- HE HAS A HAIRDO FROM THE '50s. 958 00:43:31,067 --> 00:43:33,069 HE WEARS A PERM. HE'S A THROWBACK NIGGA. 959 00:43:33,069 --> 00:43:35,655 THEY LOVE HIM. THEY LOVE HIM. HOMIE, IT'S TRUE. 960 00:43:35,655 --> 00:43:38,783 WHITE FOLKS WILL TELL YOU, 'WHY CAN'T YOU BE MORE LIKE WAYNE? 961 00:43:38,783 --> 00:43:41,577 WE LOVE WAYNE.' THEY LOVE GRINNING NIGGAS. 962 00:43:41,577 --> 00:43:44,372 WHAT ABOUT THAT OTHER NIGGA THAT PLAYED BASKETBALL FOR THE LAKERS? 963 00:43:44,372 --> 00:43:46,749 THE NIGGA-- HE OWNS BUSINESSES. THE NIGGA WITH AIDS-- 964 00:43:46,749 --> 00:43:48,668 MAGIC JOHNSON. THEY LOVE THAT GRINNING NIGGA. 965 00:43:48,668 --> 00:43:50,753 THAT NIGGA GRINNED HIS WAY THROUGH AIDS, NIGGA. 966 00:43:50,753 --> 00:43:53,631 IT'S TRUE. 967 00:43:53,631 --> 00:43:55,633 HAVE YOU EVER SEEN THAT NIGGA'S GRIN? 968 00:43:55,633 --> 00:43:57,635 IT'S FROM TEMPLE TO TEMPLE. IT'S HUGE. 969 00:43:57,635 --> 00:44:00,763 THAT NIGGA LOOKS LIKE THE CAT FROM 'ALICE IN WONDERLAND.' 970 00:44:00,763 --> 00:44:03,641 THEY LOVE THAT NIGGA. 971 00:44:07,812 --> 00:44:09,814 HERE'S THE THING-- 972 00:44:09,814 --> 00:44:11,649 IF YOU'RE NOT GRINNING, THEY'LL TALK ABOUT YOU. 973 00:44:11,649 --> 00:44:13,651 IT SCARES WHITE FOLKS. IT SCARES THEM. 974 00:44:13,651 --> 00:44:15,736 I REMEMBER ONE TIME I WAS ON A LOT 975 00:44:15,736 --> 00:44:17,738 AND THEY SAID, '"GOOD MORNING, PAUL.' 976 00:44:17,738 --> 00:44:20,199 AND I DIDN'T GRIN. I JUST NODDED MY HEAD. THEY TALK ABOUT YOU. 977 00:44:20,199 --> 00:44:22,493 ( knocking ) 978 00:44:22,493 --> 00:44:25,621 'WHY IS THAT NIGGA NOT GRINNING? 979 00:44:25,621 --> 00:44:28,708 THAT NIGGA, DOESN'T HE KNOW WHERE HE IS? 980 00:44:28,708 --> 00:44:30,710 THAT NIGGA SHOULD BE GRINNING.' 981 00:44:30,710 --> 00:44:33,629 AND IF YOU GRIN TOO FAST, YOU SCARE WHITE FOLKS. 982 00:44:33,629 --> 00:44:35,256 I SAID 'GOOD MORNING' TO A WHITE WOMAN. 983 00:44:35,256 --> 00:44:37,216 I GRINNED REAL FAST. THAT BITCH WAS SCARED. 984 00:44:37,216 --> 00:44:39,635 I SAID, 'GOOD MORNING.' SHE SAID, 'ARGH! ARGH!' 985 00:44:39,635 --> 00:44:42,680 THAT BITCH TOOK OFF RUNNING. NIGGA, IT'S TRUE." 986 00:44:46,851 --> 00:44:49,937 IS THAT NIGGA GAY? 987 00:44:52,190 --> 00:44:54,734 "NIGGA, IT'S TRUE. NIGGA, IT'S TRUE." 988 00:44:54,734 --> 00:44:56,736 THEY LOVE IT, MAN. 989 00:44:56,736 --> 00:44:59,447 YOU GOTTA BE HUMBLE, MAN. 990 00:44:59,447 --> 00:45:01,782 ( laughs ) IT'S CRAZY, MAN. 991 00:45:01,782 --> 00:45:04,785 LIKE, I GOT A LOT OF RESPECT FOR THE ART, MAN, YOU KNOW. 992 00:45:04,785 --> 00:45:06,579 LIKE, I LOVE ALL THEM KIND OF MOVIES. 993 00:45:06,579 --> 00:45:08,372 LIKE, MY FAVORITE MOVIES ARE THEM GLADIATOR MOVIES 994 00:45:08,372 --> 00:45:10,208 LIKE "GLADIATOR" WITH RUSSELL CROWE, 995 00:45:10,208 --> 00:45:11,918 "TROY" WITH BRAD PITT, "BRAVEHEART." 996 00:45:11,918 --> 00:45:13,628 I DON'T EVEN LIKE IT FOR THE ACTION AND THE VIOLENCE. 997 00:45:13,628 --> 00:45:15,630 I LIKE IT FOR THE DIALOGUE. THAT'S SOME SMOOTH SHIT, 998 00:45:15,630 --> 00:45:17,465 THEY WAY THEY TALK IN THE MOVIES. 999 00:45:17,465 --> 00:45:19,508 IT'S LIKE THEY GOT THE OLD LANGUAGE. YOU HEARD IT BEFORE-- 1000 00:45:19,508 --> 00:45:21,510 "MILORD." 1001 00:45:21,510 --> 00:45:23,512 IT'S "MY LORD," BUT THAT'S HOW THEY SAY IT-- 1002 00:45:23,512 --> 00:45:26,390 "MILORD, LET IT BE KNOWN THAT XERXES IS A KIND GOD KING. 1003 00:45:26,390 --> 00:45:28,976 AND HE OFFERS THIS DECLARATION AS AN ALTERNATIVE TO WAR. 1004 00:45:28,976 --> 00:45:30,770 NOW LET ME SPEAK WITH THE NOBLES 1005 00:45:30,770 --> 00:45:32,730 OR I WILL ENGAGE WITH MY MILITARY." 1006 00:45:32,730 --> 00:45:34,607 IT'S MILITARY, BUT "MILITRY." 1007 00:45:34,607 --> 00:45:37,735 THE OTHER CHARACTER'S ALWAYS SOME POMPOUS, ARROGANT ASSHOLE. 1008 00:45:37,735 --> 00:45:40,863 "HERMETHEUS, PLEASE SPARE ME OF YOUR BANALITY. 1009 00:45:40,863 --> 00:45:43,115 THIS IS NOT ABOUT WAR. 1010 00:45:43,115 --> 00:45:45,117 THIS IS ABOUT MY DAUGHTER'S HAND IN MARRIAGE. 1011 00:45:45,117 --> 00:45:47,536 SO NEITHER TRY TO SEDUCE ME NOR BORE ME 1012 00:45:47,536 --> 00:45:49,538 WITH THE BELLIGERENCE OF YOUR INSOLENCE." 1013 00:45:49,538 --> 00:45:51,540 I BE IN THE THEATER EATING MY POPCORN LIKE, 1014 00:45:51,540 --> 00:45:53,084 "GOD DAMN, WHO GOT DIABETES?" 1015 00:45:58,798 --> 00:46:01,801 THERE'S SOME NIGGAS IN HERE THAT DON'T EVEN THINK I SAID ANYTHING WRONG. 1016 00:46:03,636 --> 00:46:07,807 LIKE, "NIGGA, MY GRANDMAMA GOT THE INSOLENCE." 1017 00:46:12,144 --> 00:46:15,272 THAT'S ONE OF MY FANTASIES. I WANT TO ROLE-PLAY LIKE THAT. 1018 00:46:15,272 --> 00:46:17,274 CALL MY GIRL UP ONE TIME, BE LIKE, 1019 00:46:17,274 --> 00:46:19,402 "LOOK, BABY, DON'T COOK NOTHING. I'MA COME HOME 1020 00:46:19,402 --> 00:46:21,404 AND PRETEND TO BE A ROMAN WARRIOR. 1021 00:46:21,404 --> 00:46:23,406 AND WE'RE GONNA SEND OUR SON OUT TO THE STORE 1022 00:46:23,406 --> 00:46:25,241 SO I HAVE SOME TIME ALONE TO SEDUCE YOU." 1023 00:46:25,241 --> 00:46:27,243 AND I COME IN THE HOUSE TALKING THAT SHIT, 1024 00:46:27,243 --> 00:46:29,745 "WRETCHED IS HOW I FEEL AS I SPEW 1025 00:46:29,745 --> 00:46:31,622 THESE WORDS OF HOSTILITY FROM MY LIPS. 1026 00:46:31,622 --> 00:46:36,294 AH, THERE YOU ARE, LAQUISHA, 1027 00:46:36,294 --> 00:46:38,796 THE BEAUTY OF MY SEDUCTION. 1028 00:46:38,796 --> 00:46:43,009 HOW I LONG TO RAVISH THE CONCUBINES OF YOUR CLAVICLE. 1029 00:46:43,009 --> 00:46:45,011 BUT FIRST I'MA SILENCE THESE ROARS 1030 00:46:45,011 --> 00:46:46,762 THAT STEM FROM BY BELLY DUE TO HUNGER, 1031 00:46:46,762 --> 00:46:49,265 FOR IT IS ONLY FIT FOR A KING TO DINE ON THE KILLING OF A CARCASS 1032 00:46:49,265 --> 00:46:51,267 AFTER A DAY OF DULY WAGES. 1033 00:46:51,267 --> 00:46:53,686 AH, THERE HE IS, MY SON, MY SEED, 1034 00:46:53,686 --> 00:46:56,272 MY YOUNG LOIN, THE MIRRORED ME THAT SPAWNS 1035 00:46:56,272 --> 00:46:59,775 FROM THE SPEW OF MY MALE MAYONNAISE. 1036 00:46:59,775 --> 00:47:02,903 I WANT YOU TO TAKE THESE METALS OF CURRENCY 1037 00:47:02,903 --> 00:47:04,905 AND GO DOWN TO THE LOCAL MARKETPLACE 1038 00:47:04,905 --> 00:47:06,866 AND TRADE THEM FOR A FEAST OF YEAST AND WINE. 1039 00:47:06,866 --> 00:47:09,493 NOW HITHER AWAY BEFORE THE THIRD PLANET FROM THE SUN 1040 00:47:09,493 --> 00:47:13,497 IS PLAGUED BY DARKNESS AT A COMMAND FROM THE HIGHER LORDS. 1041 00:47:13,497 --> 00:47:16,083 AS FOR YOU, MY LOVE, ONLY WHEN DARKNESS IS AMONG US 1042 00:47:16,083 --> 00:47:19,003 WILL I SHOWER YOU WITH THE FIRE THAT BURNS DEEP UNDERNEATH MY CLOAK. 1043 00:47:19,003 --> 00:47:21,714 FOR ONLY YOUR SEDUCTION 1044 00:47:21,714 --> 00:47:23,716 CAN FORCE ME TO FALL TO BENDED KNEE 1045 00:47:23,716 --> 00:47:25,718 AND SIP THE WET, SPICY NECTAR 1046 00:47:25,718 --> 00:47:29,096 WHICH FLOWS FROM THE PURR OF YOUR KITTY-CAT." 1047 00:47:29,096 --> 00:47:31,932 SHE'S LIKE, "HUH?" I'M LIKE, "BITCH, I'M TRYING TO EAT YOUR PUSSY. 1048 00:47:31,932 --> 00:47:33,934 I NEED YOU TO FOLLOW ME AND KEEP UP. 1049 00:47:33,934 --> 00:47:35,853 I CAN'T WORK UNDER THESE CONDITIONS." 1050 00:47:35,853 --> 00:47:38,773 I DON'T KNOW, MAN. IT'S CRAZY, TOO MUCH. 1051 00:47:38,773 --> 00:47:41,942 I RESPECT THE ART. I GET UPSET WHEN I HEAR ABOUT THESE ACTORS 1052 00:47:41,942 --> 00:47:45,821 THAT GET PAID $20 MILLION A MOVIE TO ACT. AND THE KEY WORD IS "ACT." 1053 00:47:45,821 --> 00:47:48,157 BUT THEY PAY THIS TO DUDES WHO NEVER COULD FUCKING ACT. 1054 00:47:48,157 --> 00:47:50,868 HOW DO YOU PAY STALLONE AND SCHWARZENEGGER $20 MILLION A MOVIE? 1055 00:47:50,868 --> 00:47:54,163 PAY THAT TO THE DUDES WHO DESERVE IT LIKE PACINO, De NIRO, DENZEL. 1056 00:47:54,163 --> 00:47:56,165 THOSE ARE FUCKING ACTORS, MAN. 1057 00:47:56,165 --> 00:47:58,459 'CAUSE TO THIS DAY ONE OF MY FAVORITE MOVIES OF ALL TIME 1058 00:47:58,459 --> 00:48:00,461 IS "HEAT" WITH PACINO AND De NIRO. 1059 00:48:00,461 --> 00:48:03,297 ANYBODY THAT'S EVER SEEN THE MOVIE KNOWS WHAT I'M TALKING ABOUT. 1060 00:48:03,297 --> 00:48:05,508 IT'S LIKE THEY TOOK THE TWO GREATEST ACTORS OF ALL TIME 1061 00:48:05,508 --> 00:48:08,260 AND PUT THEM IN A SCENE TOGETHER. IF YOU'VE NEVER SEEN THE MOVIE, 1062 00:48:08,260 --> 00:48:10,262 GO RENT IT, SMOKE A JOINT. IT'S GREAT. 1063 00:48:10,262 --> 00:48:12,640 THEY GOT THAT SCENE WHERE THEY MEET FOR THE FIRST TIME 1064 00:48:12,640 --> 00:48:15,601 AND PACINO IS SITTING THERE WITH De NIRO. HE'S BREAKING SHIT DOWN TO HIM. 1065 00:48:15,601 --> 00:48:17,645 HE'S LIKE, "YOU, SIR, ARE A BAD GUY. 1066 00:48:17,645 --> 00:48:19,897 I AM THE POLICE. 1067 00:48:19,897 --> 00:48:22,525 IT'S MY JOB TO STOP GUYS LIKE YOU-- 1068 00:48:22,525 --> 00:48:24,985 MURDERERS, RAPISTS, KILLERS. ( snapping fingers ) 1069 00:48:24,985 --> 00:48:26,779 IT'S WHAT I DO. 1070 00:48:26,779 --> 00:48:29,865 THERE MAY COME A TIME WHEN OUR PATHS CROSS. 1071 00:48:29,865 --> 00:48:31,826 I'M GONNA HAVE TO TAKE YOU DOWN. 1072 00:48:31,826 --> 00:48:33,285 I WON'T LIKE IT, BUT I'LL DO IT. 1073 00:48:33,285 --> 00:48:35,079 IT KEEPS ME HOT ON MY TOES... ( snapping fingers ) 1074 00:48:35,079 --> 00:48:37,081 WHERE I GOTTA BE." 1075 00:48:37,081 --> 00:48:39,083 De NIRO COMES BACK-- 1076 00:48:39,083 --> 00:48:41,836 "YOU KNOW THERE'S A FLIP SIDE TO THAT COIN. 1077 00:48:41,836 --> 00:48:43,838 GOOD FRIEND OF MINE-- JIMMY-- ONCE TOLD ME, 1078 00:48:43,838 --> 00:48:46,549 'NEVER GET ATTACHED TO ANYTHING THAT YOU CANNOT WALK OUT ON 1079 00:48:46,549 --> 00:48:49,301 IN 15 SECONDS FLAT IF YOU SPOT THE HEAT COMING AROUND THE CORNER.' 1080 00:48:49,301 --> 00:48:51,428 AND I ALSO LIKE GUYS LIKE YOU TO LIKE GUYS LIKE ME, 1081 00:48:51,428 --> 00:48:53,431 'CAUSE YOU KEEP ME HOT ON MY TOES... 1082 00:48:53,431 --> 00:48:55,432 ( pops mouth ) WHERE I GOTTA BE. 1083 00:48:55,432 --> 00:48:57,434 AND YOU'RE RIGHT. OUR PATHS, 1084 00:48:57,434 --> 00:48:59,437 THEY MAY CROSS. I'MA HAVE TO TAKE YOU DOWN. 1085 00:48:59,437 --> 00:49:01,522 I WON'T LIKE IT, BUT I WILL NOT-- 1086 00:49:01,522 --> 00:49:03,357 LA-LA-LA-LA-- HESITATE." 1087 00:49:03,357 --> 00:49:06,068 A GREAT SCENE. PICTURE THE SAME SCENE 1088 00:49:06,068 --> 00:49:08,654 WITH STALLONE AND SCHWARZENEGGER. 1089 00:49:08,654 --> 00:49:10,739 YOU AIN'T GONNA BE ABLE TO UNDERSTAND SHIT. 1090 00:49:10,739 --> 00:49:12,700 STALLONE IS DOING PACINO-- 1091 00:49:12,700 --> 00:49:14,910 ( mumbling ) 1092 00:49:17,538 --> 00:49:20,624 ( imitates Schwarzenegger ) "YOU KNOW THERE'S A FLIP SIDE TO THIS COIN. 1093 00:49:20,624 --> 00:49:22,626 I'MA HAVE TO TAKE YOU DOWN. 1094 00:49:22,626 --> 00:49:24,628 I WON'T LIKE IT, BUT I'LL DO IT." 1095 00:49:24,628 --> 00:49:27,506 ( grunting ) 1096 00:49:27,506 --> 00:49:29,133 EVEN DEAF PEOPLE WOULD BE LIKE, 1097 00:49:29,133 --> 00:49:30,718 "WHAT IS THIS? 1098 00:49:30,718 --> 00:49:33,387 I DON'T UNDERSTAND. WHAT IS THAT?" 1099 00:49:35,556 --> 00:49:38,309 CAN YOU IMAGINE HIM ASKING HIS WOMAN FOR HEAD? 1100 00:49:38,309 --> 00:49:41,353 "MARIA, COME ON, GIVE ME HEAD. GO DOWN. 1101 00:49:41,353 --> 00:49:45,316 DON'T COME UP FOR AIR. BREATHE THROUGH YOUR EARS." 1102 00:49:45,316 --> 00:49:47,526 FELLOWS, YOU WANT TO FREAK YOUR WOMAN OUT DURING SEX? 1103 00:49:47,526 --> 00:49:49,612 MAKE THAT NOISE. YOU'D BE HITTING IT FROM THE BACK-- 1104 00:49:49,612 --> 00:49:51,614 ( grunting ) 1105 00:49:51,614 --> 00:49:53,741 "WHAT THE FUCK IS WRONG WITH YOU?" 1106 00:49:53,741 --> 00:49:56,869 ( imitates Schwarzenegger ) "DON'T WORRY ABOUT WHAT'S GOING ON UP HERE. 1107 00:49:56,869 --> 00:49:58,871 PUT YOUR HEAD DOWN." 1108 00:49:58,871 --> 00:50:01,707 LADIES, IT'D WORK FOR YOU TOO. YOU DON'T WANT TO GIVE YOUR MAN HEAD-- 1109 00:50:01,707 --> 00:50:03,542 DO THAT. IT'LL STOP IMMEDIATELY. 1110 00:50:03,542 --> 00:50:05,544 AS SOON AS YOU GET DOWN THERE-- ( grunts ) 1111 00:50:05,544 --> 00:50:08,714 "BITCH, WHAT THE FUCK? 1112 00:50:08,714 --> 00:50:11,133 WHAT, ARE YOU MAKING KEYS OR SOMETHING? 1113 00:50:11,133 --> 00:50:13,677 NO, YOU AIN'T GONNA PUT A HANDICAPPED SIGN ON MY BALLS. 1114 00:50:13,677 --> 00:50:15,679 I'M GOOD." 1115 00:50:15,679 --> 00:50:18,557 THAT'S A GOOD NOISE TO MAKE IF YOU WANT PRIVACY IN A PUBLIC BATHROOM. 1116 00:50:18,557 --> 00:50:20,559 YOU WILL CLEAR THAT MOTHERFUCKER RIGHT OUT. 1117 00:50:20,559 --> 00:50:23,604 AS SOON AS YOU GET IN THERE-- ( grunts ) 1118 00:50:23,604 --> 00:50:26,190 "SIR, ARE YOU ALL RIGHT?" "GET OUT. GET AWAY. 1119 00:50:26,190 --> 00:50:28,275 THERE'S GOING TO BE AN EXPLOSION. 1120 00:50:28,275 --> 00:50:30,527 GET TO THE CHOPPER NOW!" 1121 00:50:30,527 --> 00:50:32,947 I DON'T KNOW WHY HE SAYS THAT. HE SAYS THAT IN EVERY MOVIE. 1122 00:50:32,947 --> 00:50:35,533 "GET TO THE CHOPPER NOW!" 1123 00:50:35,533 --> 00:50:38,577 I LIKE TO MAKE THAT NOISE ON A CROWDED ELEVATOR, 1124 00:50:38,577 --> 00:50:40,579 ESPECIALLY IF I'VE GOT TO FART. 1125 00:50:40,579 --> 00:50:43,290 PEOPLE JUST ASSUME THERE'S SOMETHING WRONG WITH ME. AS SOON AS I RIP ONE-- 1126 00:50:43,290 --> 00:50:45,876 "OH MY GOD, WHAT WAS THAT?" ( grunts ) 1127 00:50:45,876 --> 00:50:49,171 "SMELL IT. IT'S NASTY. SMELL IT. 1128 00:50:49,171 --> 00:50:51,674 GET TO THE CHOPPER. GET DOWN." 1129 00:50:51,674 --> 00:50:54,468 "OH MY GOD, HE'S RETARDED. 1130 00:50:54,468 --> 00:50:57,680 HE DIDN'T EVEN HAVE A HELMET ON." 1131 00:50:57,680 --> 00:51:00,349 YOU KNOW WHAT'S FUNNY? SOME OF Y'ALL ARE LAUGHING 1132 00:51:00,349 --> 00:51:02,559 BUT SOME OF Y'ALL ARE GONNA GO HOME AND FUCK TONIGHT. 1133 00:51:02,559 --> 00:51:04,937 AND WHEN YOU COME, YOU'RE GONNA DO THAT. IT'S GONNA BE HILARIOUS. 1134 00:51:04,937 --> 00:51:07,314 BE LIKE, "GIRL, I LOVE YOU. ( grunts ) 1135 00:51:07,314 --> 00:51:10,943 I'M FINISHED. GET ME A PAPER TOWEL. COME HERE. 1136 00:51:10,943 --> 00:51:13,988 WIPE ME DOWN. GET TO THE CHOPPER NOW!" 1137 00:51:13,988 --> 00:51:16,323 DON'T DRINK AND DRIVE, 1138 00:51:16,323 --> 00:51:18,325 'CAUSE IF YOU GET PULLED OVER, THAT'S EXACTLY HOW YOU SOUND. 1139 00:51:18,325 --> 00:51:20,536 "SIR, HAVE YOU BEEN DRINKING?" ( grunting ) 1140 00:51:20,536 --> 00:51:24,790 "I HAD A JAGER AND PATRON. TO THE CHOPPER NOW!" 1141 00:51:24,790 --> 00:51:28,043 "WE'RE GONNA NEED BACKUP. WE'RE GONNA NEED BACKUP. 1142 00:51:28,043 --> 00:51:32,923 AND APPARENTLY WE NEED A CHOPPER. I DON'T KNOW WHY." 1143 00:51:34,258 --> 00:51:36,260 ACTUALLY-- 1144 00:51:36,260 --> 00:51:39,388 I ACTUALLY MET ARNOLD SCHWARZENEGGER, MAN. 1145 00:51:39,388 --> 00:51:41,390 TRUE STORY. 1146 00:51:41,390 --> 00:51:43,642 I WAS DOING A SHOW IN SAN JOSE, CALIFORNIA. 1147 00:51:43,642 --> 00:51:47,521 IT'S LIKE A 5.5-HOUR DRIVE OUTSIDE OF L.A. 1148 00:51:47,521 --> 00:51:51,150 AND I STOPPED AT A CHEVRON AND THIS MOTHERFUCKER WAS ON PUMP NUMBER SEVEN 1149 00:51:51,150 --> 00:51:53,986 FILLING UP HIS H2. NOW I DON'T REALLY GET STAR-STRUCK. 1150 00:51:53,986 --> 00:51:57,698 IF THIS HAD BEEN VAN DAMM OR SEGAL, I'D HAVE BEEN LIKE, "WHATEVER." 1151 00:51:57,698 --> 00:51:59,658 THIS IS FUCKING TERMINATOR. THIS IS CONAN. 1152 00:51:59,658 --> 00:52:01,785 I GREW UP ON THIS MOTHERFUCKER. AND I SAW HIM 1153 00:52:01,785 --> 00:52:04,705 AND I WAS SO EXCITED. I WAS LIKE, "YO, ARNOLD, MAN, I LOVE YOUR SHIT." 1154 00:52:04,705 --> 00:52:07,416 HE AIN'T EVEN LOOKED AT ME. HE WAS JUST LIKE, "YEAH, HOW ARE YOU?" 1155 00:52:07,416 --> 00:52:10,169 AND I CALLED MY BOY AND I SAID, "NIGGA, YOU AIN'T GONNA BELIEVE IT. 1156 00:52:10,169 --> 00:52:12,755 ARNOLD SCHWARZENEGGER IS ON PUMP NUMBER SEVEN, FILLING UP." 1157 00:52:12,755 --> 00:52:14,840 HE WAS LIKE, "NIGGA, YOU'RE LYING." I SAID, "I SWEAR TO GOD." 1158 00:52:14,840 --> 00:52:16,842 HE WAS LIKE, "ARNOLD SCHWARZENEGGER?" I SAID, "NIGGA..." 1159 00:52:16,842 --> 00:52:18,844 ( grunts ) 1160 00:52:18,844 --> 00:52:21,722 AND ARNOLD HEARD ME AND I SWEAR HE WENT JUST LIKE THIS-- 1161 00:52:21,722 --> 00:52:23,724 ( grunts ) 1162 00:52:23,724 --> 00:52:26,727 IT'S LIKE HIS MARCO POLO. HE UNDERSTOOD. 1163 00:52:26,727 --> 00:52:29,605 IT WAS LIKE A MATING CALL. HE KNEW. 1164 00:52:32,232 --> 00:52:34,568 SOME OF THE FELLAS MIGHT REMEMBER WHERE I GOT THAT. 1165 00:52:34,568 --> 00:52:36,445 REMEMBER THE SCENE IN "PREDATOR" 1166 00:52:36,445 --> 00:52:38,739 WHEN HE GOT READY TO FIGHT THE ALIEN AND HE COVERED HIMSELF WITH MUD? 1167 00:52:38,739 --> 00:52:42,409 HE WAS LIKE, "I'M HERE. KILL ME. COME ON, DO IT." 1168 00:52:42,409 --> 00:52:44,661 ( grunts ) 1169 00:52:44,661 --> 00:52:49,500 THAT SHIT IS FUNNY, MAN. 1170 00:52:49,500 --> 00:52:52,294 I TRIED TO RENT THIS MOVIE, 1171 00:52:52,294 --> 00:52:54,380 AND AGAIN, NOT A GAY THING, 1172 00:52:54,380 --> 00:52:57,091 'CAUSE IF I WAS IN THE VIDEO STORE AND I SAW THAT "BROKEBACK MOUNTAIN" SHIT 1173 00:52:57,091 --> 00:53:00,511 AND I WAS JUST LIKE HOW DO MOTHERFUCKERS WATCH THAT? 1174 00:53:00,511 --> 00:53:02,596 AND I THOUGHT, "MAYBE, LET ME TRY." I COULDN'T REACH FOR IT. 1175 00:53:02,596 --> 00:53:04,556 MY HAND CAUGHT ARTHRITIS, AND I COULDN'T-- 1176 00:53:06,016 --> 00:53:09,478 SEEMS LIKE THERE'S A GAY EXPLOSION GOING ON IN AMERICA RIGHT NOW. 1177 00:53:09,478 --> 00:53:11,021 LIKE GAY PEOPLE WANT CERTAIN RIGHTS, 1178 00:53:11,021 --> 00:53:13,190 THEY WANT TO ADOPT KIDS, THEY WANT TO GET MARRIED. 1179 00:53:13,190 --> 00:53:14,691 AND I DON'T WANT TO HATE ON NOBODY'S HAPPINESS, 1180 00:53:14,691 --> 00:53:16,568 SO I DON'T WANT YOU TO THINK THAT BASED ON WHAT I'MA SAY, 1181 00:53:16,568 --> 00:53:18,070 I'M ANTI-GAY. 1182 00:53:18,070 --> 00:53:19,530 I'M NOT ANTI-GAY. 1183 00:53:19,530 --> 00:53:20,697 I'M JUST PRO-MORALS. 1184 00:53:20,697 --> 00:53:22,533 LET ME EXPLAIN WHAT I'M TALKING ABOUT. 1185 00:53:22,533 --> 00:53:24,576 IF GAY PEOPLE WANT TO GET MARRIED AND ADOPT KIDS, 1186 00:53:24,576 --> 00:53:26,412 THEY SHOULD HAVE THE RIGHT TO DO THAT. 1187 00:53:26,412 --> 00:53:28,747 GAY PEOPLE SHOULD HAVE ALL THE SAME RIGHTS AS EVERYBODY ELSE, 1188 00:53:28,747 --> 00:53:31,125 AND BE ALLOWED TO LIVE A LIFE FREE OF DISCRIMINATION 1189 00:53:31,125 --> 00:53:32,960 AND VERBAL AND PHYSICAL HARASSMENT. 1190 00:53:32,960 --> 00:53:35,504 'CAUSE THE THING IS THIS, WHETHER YOU AGREE WITH IT OR NOT, 1191 00:53:35,504 --> 00:53:37,297 OR WHETHER YOU LIKE IT OR NOT, THEY'RE HUMAN BEINGS 1192 00:53:37,297 --> 00:53:39,591 AND DESERVE TO BE TREATED WITH DIGNITY AND RESPECT. 1193 00:53:39,591 --> 00:53:42,010 THEY DESERVE TO BE TREATED FAIR. 1194 00:53:42,010 --> 00:53:43,929 THAT'S THE KEY WORD HERE, "FAIR." 1195 00:53:43,929 --> 00:53:46,682 BUT LET'S ANALYZE THAT WORD FOR A MINUTE. 1196 00:53:46,682 --> 00:53:48,726 WE'VE BECOME SO POLITICALLY CORRECT AS A NATION 1197 00:53:48,726 --> 00:53:50,727 THAT YOU'RE NOT ALLOWED TO HAVE AN OPINION ANYMORE 1198 00:53:50,727 --> 00:53:52,604 WITHOUT BEING LABELED AND JUDGED. 1199 00:53:52,604 --> 00:53:54,606 JUST LIKE IT'S OKAY FOR GAY PEOPLE TO MARCH DOWN THE STREET AND GO, 1200 00:53:54,606 --> 00:53:56,817 "WE'RE HERE, WE'RE QUEER. GET USED TO IT." 1201 00:53:56,817 --> 00:53:58,318 AND LET YOU KNOW HOW GAY THEY ARE 1202 00:53:58,318 --> 00:54:00,446 WHILE STANDING ON A FLOAT MADE OF BALLS. 1203 00:54:02,364 --> 00:54:03,991 FREE OF JUDGMENT. 1204 00:54:05,075 --> 00:54:06,952 HOW COME IS IT THAT STRAIGHT PEOPLE CAN NEVER SAY 1205 00:54:06,952 --> 00:54:09,371 THAT WE MORALLY DISAGREE WITH HOMOSEXUALITY 1206 00:54:09,371 --> 00:54:11,623 OR DENOUNCE A LIFESTYLE WITHOUT THEN BEING LABELED 1207 00:54:11,623 --> 00:54:14,001 AS TERRIBLE, BIGOTED, HATEFUL HUMAN BEINGS? 1208 00:54:14,001 --> 00:54:15,961 AT THE END OF THE DAY, IT'S A FUCKING OPINION. 1209 00:54:15,961 --> 00:54:17,754 THIS IS AMERICA, I'M ALLOWED TO MY OPINION. 1210 00:54:17,754 --> 00:54:19,673 JUST 'CAUSE I DON'T AGREE WITH WHAT YOU DO, 1211 00:54:19,673 --> 00:54:22,134 DOESN'T MEAN I'M SAYING YOU DON'T HAVE THE RIGHT TO DO IT. 1212 00:54:22,134 --> 00:54:24,720 BUT I SHOULD BE ABLE TO SAY HOW I FEEL, FREE OF JUDGMENT. 1213 00:54:24,720 --> 00:54:27,222 LIKE THIS IS SOME SHIT I OFTEN HEAR GAY PEOPLE SAY THAT'S FUNNY TO ME. 1214 00:54:27,222 --> 00:54:29,641 "YOU KNOW, WE DON'T CHOOSE THIS LIFESTYLE, WE'RE BORN THIS WAY. 1215 00:54:29,641 --> 00:54:31,101 SOME PEOPLE THINK BEING GAY IS A CHOICE. 1216 00:54:31,101 --> 00:54:33,604 WHY WOULD WE CHOOSE A LIFE OF RIDICULE AND HARASSMENT? 1217 00:54:33,604 --> 00:54:35,314 THIS IS NOT A CHOICE, THIS IS WHO WE ARE." 1218 00:54:35,314 --> 00:54:37,149 AND I BUY THAT. 1219 00:54:37,149 --> 00:54:39,151 IF YOU'RE BORN THAT WAY, AND THAT'S WHO YOU ARE, FUCK IT, IT'S WHO YOU ARE. 1220 00:54:39,151 --> 00:54:41,320 I JUST WISH GAY PEOPLE WOULD STOP TRYING TO CONVINCE 1221 00:54:41,320 --> 00:54:43,697 THE REST OF US THAT WHAT THEY DO IS NORMAL. 1222 00:54:46,950 --> 00:54:50,621 IT IS NOT NORMAL FOR A MAN TO BANG ANOTHER MAN IN THE ASS. 1223 00:54:50,621 --> 00:54:52,498 IF THAT WERE NORMAL, MEN WOULD BE ABLE 1224 00:54:52,498 --> 00:54:54,917 TO IMPREGNATE EACH OTHER AND CONTINUE LIFE. 1225 00:54:54,917 --> 00:54:56,376 IN ORDER TO HAVE HUMAN EXISTENCE, 1226 00:54:56,376 --> 00:54:57,628 YOU NEED TWO PIECES TO THE PUZZLE. 1227 00:54:57,628 --> 00:55:00,214 THIS PIECE AND THIS PIECE, WATCH THIS. 1228 00:55:00,214 --> 00:55:02,299 BOOM, THESE GO TOGETHER. 1229 00:55:02,299 --> 00:55:05,594 THE PUSSY LUBRICATES ITSELF WITH THE EXPECTATION OF DICK. 1230 00:55:05,594 --> 00:55:07,846 THIS SHIT IS BY DESIGN. 1231 00:55:07,846 --> 00:55:09,723 THIS SHIT... 1232 00:55:13,477 --> 00:55:16,146 PLAYING PENIS JOUST, THAT'S SOME SHIT YOU'RE DOING. 1233 00:55:17,981 --> 00:55:20,359 LIKE THIS IS A MEDICAL FACT, I'M NOT MAKING THIS UP. 1234 00:55:20,359 --> 00:55:22,861 IF YOU THINK I'M MAKING IT UP, GOOGLE IT, LOOK IT UP. 1235 00:55:22,861 --> 00:55:27,115 YOU KNOW, ASS FUCKING IS ONE OF THE SURE-FIRE WAYS TO CONTRACT HEPATITIS. 1236 00:55:27,115 --> 00:55:29,159 IN OTHER WORDS, I DON'T GIVE A FUCK HOW CLEAN YOUR ASS IS, 1237 00:55:29,159 --> 00:55:30,869 OR HOW MUCH YOU WASH IT, 1238 00:55:30,869 --> 00:55:33,747 THERE ARE CERTAIN GERMS AND BACTERIA THAT EXIST INSIDE THE HUMAN ASS 1239 00:55:33,747 --> 00:55:37,084 THAT CAN'T BE WASHED AWAY WITH ALL THE SOAP AND THE WATER IN THE WORLD. 1240 00:55:37,084 --> 00:55:39,169 YOU CAN'T GET TO IT, IT'S INTERNAL. 1241 00:55:39,169 --> 00:55:42,548 WHICH LETS YOU KNOW THAT AIN'T SOME SHIT YOU SUPPOSED TO DO. 1242 00:55:42,548 --> 00:55:44,091 NOW PEOPLE DO IT. 1243 00:55:44,091 --> 00:55:46,635 WHETHER IT'S MAN ON MAN OR MAN ON WOMAN, PEOPLE DO IT. 1244 00:55:46,635 --> 00:55:48,679 BUT JUST BECAUSE YOU CAN, DOESN'T MEAN YOU SHOULD. 1245 00:55:48,679 --> 00:55:51,348 LADIES, TRUST ME, IF WE COULD WE'D FUCK YOU IN YOUR NOSE. 1246 00:55:53,183 --> 00:55:54,977 THAT WOULD BE THE LATEST SENSATION. 1247 00:55:54,977 --> 00:55:56,562 BITCH, I DON'T WANT NO PUSSY OR HEAD. I WANT SOME NOSTRIL, BITCH. 1248 00:55:56,562 --> 00:55:58,939 FLARE UP. GET MAD. FLARE UP. 1249 00:56:00,274 --> 00:56:02,109 COULD YOU IMAGINE WHAT THAT WOULD SOUND LIKE? 1250 00:56:02,109 --> 00:56:03,694 ( grunts ) 1251 00:56:03,694 --> 00:56:06,071 THAT SHIT WOULD BE TERRIBLE. 1252 00:56:10,492 --> 00:56:12,953 AND IF THERE ARE ANY GAY PEOPLE HERE, I DON'T WANT TO OFFEND YOU IF YOU'RE GAY. 1253 00:56:12,953 --> 00:56:14,955 IF YOU'RE GAY AND THAT'S YOUR THING, ROCK ON. 1254 00:56:14,955 --> 00:56:16,665 I PERSONALLY DON'T UNDERSTAND. 1255 00:56:16,665 --> 00:56:17,916 YOU KNOW? 1256 00:56:17,916 --> 00:56:19,835 I HAVE TOO MUCH RESPECT FOR THE FEMALE BODY. 1257 00:56:19,835 --> 00:56:22,671 WOMEN, WHEN Y'ALL ARE NAKED, ALL THIS SHIT UP HERE, AND THE CURVES, MWAH. 1258 00:56:22,671 --> 00:56:24,047 IT'S A WORK OF ART, I LOVE IT. 1259 00:56:24,047 --> 00:56:25,549 I DON'T KNOW WHAT IT IS, THERE'S SOMETHING ABOUT 1260 00:56:25,549 --> 00:56:28,093 WHEN YOUR TITTIES POP OUT, MUSIC COME OUT OF NOWHERE. 1261 00:56:29,386 --> 00:56:32,264 LIKE, (smacks lips) HA-AH. IT'S BEAUTIFUL. 1262 00:56:32,264 --> 00:56:34,516 YOU EVER SEEN MALE NUTS? THAT'S SOME UGLY SHIT. 1263 00:56:34,516 --> 00:56:36,560 OUR SHIT LOOK LIKE MEAT WITH HAIR ON IT. 1264 00:56:36,560 --> 00:56:39,730 I PULL MY SHIT OUR RIGHT NOW, IT LOOKS LIKE SMEAGOL FROM "LORD OF THE RINGS." 1265 00:56:39,730 --> 00:56:42,899 (imitates Smeagol) THE PRECIOUS, THE PRECIOUS. 1266 00:56:42,899 --> 00:56:44,526 IT'S UGLY. 1267 00:56:46,737 --> 00:56:49,698 AND DON'T LET US GET OUT THE POOL, THAT SHIT LOOK LIKE YODA. HMM. 1268 00:56:50,782 --> 00:56:53,118 (imitates Yoda) PUSSY THIS IS, HMM. (regular voice) IT'S UGLY. 1269 00:56:54,536 --> 00:56:56,997 WOMEN, EVERYTHING Y'ALL DO, Y'ALL JUST DO IT BETTER THAN US. 1270 00:56:56,997 --> 00:57:00,709 Y'ALL ARE JUST SEXY BY NATURE. YOU BRING CLASS TO THE GAME. IT'S INSTINCT. 1271 00:57:00,709 --> 00:57:03,503 EVEN WHEN YOU MASTURBATE, YOU DON'T EVEN CALL IT MASTURBATION. 1272 00:57:03,503 --> 00:57:06,006 YOU CALL IT GETTING IN TOUCH WITH YOURSELF. 1273 00:57:06,006 --> 00:57:08,467 Y'ALL KNOW HOW TO DO IT. Y'ALL GET YOUR LUTHER VANDROSS 1274 00:57:08,467 --> 00:57:10,469 AND TEDDY PENDERGRASS CDs. 1275 00:57:10,469 --> 00:57:13,680 AND BATH TEMPERATURE-- OR THE TUB WATER BE JUST RIGHT. 1276 00:57:13,680 --> 00:57:16,266 A RAINBOW BE COMING THROUGH THE WINDOW. 1277 00:57:16,266 --> 00:57:20,520 BLUE JAYS AND CANARIES BE FLYING IN THE BATHROOM. 1278 00:57:20,520 --> 00:57:22,606 SQUIRRELS ARE GATHERING NUTS. IT'S BEAUTIFUL. 1279 00:57:22,606 --> 00:57:25,651 AHH-HH. NICE. 1280 00:57:25,651 --> 00:57:28,612 YOU EVER SEEN MEN MASTURBATE? WE LOOK LIKE HAIRY BEASTS. 1281 00:57:28,612 --> 00:57:30,739 MY MOTHER USED TO BUST IN THE ROOM ON ME. 1282 00:57:30,739 --> 00:57:32,574 I WAS LIKE CHEWBACCA FROM "STAR WARS." 1283 00:57:32,574 --> 00:57:35,202 "WHAT ARE YOU DOING?" ( groans ) 1284 00:57:35,202 --> 00:57:37,579 ( mumbles ) 1285 00:57:37,579 --> 00:57:40,040 'CAUSE THE ORGASM IS A MOTHERFUCKER. 1286 00:57:40,040 --> 00:57:42,959 LADIES, WHAT THE FUCK DOES IT TAKE? HURRY THE FUCK UP. 1287 00:57:42,959 --> 00:57:45,629 TO MAKE A MAN COME IS VERY EASY. 1288 00:57:45,629 --> 00:57:48,173 TUG LEFT, TUG RIGHT-- ( blows raspberry ) WE'RE THERE. 1289 00:57:48,173 --> 00:57:50,884 MAKING A WOMAN COME IS LIKE PLAYING "ZELDA" FOR NINTENDO. 1290 00:57:50,884 --> 00:57:53,595 YOU NEED THE AMULET, THE PRINCESS'S SCEPTER, 1291 00:57:53,595 --> 00:57:55,931 THE BAG OF WIZARD'S DUST, THE VIKING'S HELMET. 1292 00:57:55,931 --> 00:57:57,933 BITCH, HURRY THE FUCK UP. 1293 00:57:57,933 --> 00:58:00,644 WE'RE TRYING TO SEE THE SECOND HALF. SHIT. 1294 00:58:00,644 --> 00:58:03,730 FELLAS, YOU HAVE TO STOP LETTING WOMEN PUT ALL THIS PRESSURE ON US. 1295 00:58:03,730 --> 00:58:05,732 TALKING ABOUT, "I DIDN'T COME." "BITCH, I DID. 1296 00:58:05,732 --> 00:58:07,734 WHAT'S WRONG WITH YOUR SHIT?" 1297 00:58:07,734 --> 00:58:09,861 I TELL A WOMAN BEFORE WE EVEN GET STARTED, 1298 00:58:09,861 --> 00:58:12,656 "LOOK, TEAM BUS LEAVES IN TWO MINUTES AND EIGHT SECONDS. 1299 00:58:12,656 --> 00:58:15,534 I'MA SCREAM YOUR NAME TWICE AND THEN I'MA SCRATCH YOU OFF THE CLIPBOARD. 1300 00:58:15,534 --> 00:58:17,494 YOU'D BETTER HURRY THE FUCK UP. 1301 00:58:17,494 --> 00:58:22,416 COME TO THE TEAM MEETINGS. STOP BEING SELFISH." 1302 00:58:22,416 --> 00:58:25,669 SOME OF YOU WOMEN'S DEMANDS IS TOO MUCH-- 1303 00:58:25,669 --> 00:58:28,714 "LET'S FUCK ALL NIGHT." REALLY, BITCH? ALL NIGHT? 1304 00:58:28,714 --> 00:58:30,799 YOU KNOW HOW MUCH SHIT WE COULD DO 1305 00:58:30,799 --> 00:58:32,801 DURING THE COURSE OF AN ENTIRE NIGHT? 1306 00:58:32,801 --> 00:58:35,846 WE COULD WATCH A "LAW AND ORDER" MARATHON, PLAY A COUPLE OF GAMES OF CHECKERS. 1307 00:58:35,846 --> 00:58:39,057 WHY THE FUCK WE GOT TO HAVE THE ROOM SMELLING LIKE HOT MAYONNAISE AND MOTOR OIL? 1308 00:58:39,057 --> 00:58:42,436 THAT SHIT IS RIDICULOUS. 1309 00:58:42,436 --> 00:58:45,647 HOW MANY WOMEN, BY A ROUND OF APPLAUSE, GIVE HEAD? 1310 00:58:45,647 --> 00:58:47,649 ( applause ) 1311 00:58:47,649 --> 00:58:50,736 THANK YOU FOR YOUR HONESTY. THANK YOU. 1312 00:58:50,736 --> 00:58:53,196 THE REST OF Y'ALL ARE SOME LYING MOTHERFUCKERS. 1313 00:58:53,196 --> 00:58:55,198 AS A MATTER OF FACT, WHEN I ASKED THE QUESTION, 1314 00:58:55,198 --> 00:58:59,119 SOME OF Y'ALL STOPPED GIVING HEAD, LIKE, "WHAT DID HE SAY? 1315 00:58:59,119 --> 00:59:03,582 HE WAS TALKING TO ME? I DIDN'T EVEN-- OOH." 1316 00:59:03,582 --> 00:59:08,128 LADIES, GIVE HEAD. IT IS THE KEY TO A SUCCESSFUL RELATIONSHIP. 1317 00:59:08,128 --> 00:59:10,881 STOP BELIEVING ALL THAT BULLSHIT YOU SEE ON "OPRAH" 1318 00:59:10,881 --> 00:59:12,883 AND READ IN THE MAGAZINES, TALKING ABOUT 1319 00:59:12,883 --> 00:59:15,635 "THE KEY TO A MAN'S HEART IS THROUGH THE PSYCHOLOGICAL AND EMO--" 1320 00:59:15,635 --> 00:59:17,637 FUCK THAT. NUTS. 1321 00:59:17,637 --> 00:59:20,390 IT'S IN YOUR BEST INTEREST. 'CAUSE IF YOU DON'T GIVE IT TO US, 1322 00:59:20,390 --> 00:59:22,642 FUCK IT, WE'LL JUST SNEAK IT ON YOU WHEN YOU'RE ASLEEP. 1323 00:59:22,642 --> 00:59:24,936 ( snoring ) 1324 00:59:34,237 --> 00:59:36,740 GIVE IT UP. 1325 00:59:39,201 --> 00:59:41,453 YOU KNOW WHAT I LIKE ABOUT HEAD? 1326 00:59:41,453 --> 00:59:44,331 I LIKE THE NOISE THAT COMES FROM HEAD, 1327 00:59:44,331 --> 00:59:46,792 ESPECIALLY WHEN THE WOMAN COMMITS. 1328 00:59:46,792 --> 00:59:49,878 SOME OF Y'ALL BE DOWN THERE BULLSHITTING. 1329 00:59:49,878 --> 00:59:52,631 Y'ALL BE TREATING IT LIKE IT'S A SCOOP OF ICE CREAM. 1330 00:59:52,631 --> 00:59:55,383 ( slurping ) MM-MM. 1331 00:59:55,383 --> 00:59:58,094 I LIKE WHEN A WOMAN IS DOWN THERE AND SHE MAKES THAT NOISE YOU MAKE 1332 00:59:58,094 --> 01:00:00,263 LIKE WHEN YOU BITE INTO A SLICE OF PIZZA 1333 01:00:00,263 --> 01:00:03,433 THAT'S WAY TOO FUCKING HOT, SO YOU SWISH IT AROUND IN YOUR MOUTH 1334 01:00:03,433 --> 01:00:05,435 SO YOU DON'T BURN YOURSELF. 1335 01:00:05,435 --> 01:00:09,689 ( slurping ) 1336 01:00:09,689 --> 01:00:12,067 I'LL HIGH-FIVE THE BITCH ON THE FOREHEAD-- POW! 1337 01:00:12,067 --> 01:00:15,779 GRAB HER BY HER EARS-- "I LOVE YOU." 1338 01:00:17,489 --> 01:00:21,493 LADIES, COMMIT. THERE'S A WEDDING IN IT FOR YOU. 1339 01:00:23,620 --> 01:00:25,622 ALL RIGHT, BEFORE I GET OUT OF HERE-- 1340 01:00:25,622 --> 01:00:27,624 'CAUSE I GOTTA ALMOST WRAP IT UP REAL QUICK-- 1341 01:00:27,624 --> 01:00:30,585 I WANT TO TALK ABOUT THE STATE OF HIP-HOP FOR A SECOND. 1342 01:00:30,585 --> 01:00:32,587 'CAUSE I'M A BIG HIP-HOP FAN, MAN. 1343 01:00:32,587 --> 01:00:36,466 I JUST FEEL LIKE, YOU KNOW, A LOT OF THE SOUTHERN RAP IS DOMINATING HIP-HOP. 1344 01:00:36,466 --> 01:00:38,468 AND I DON'T WANT TO HATE ON THESE BROTHERS, MAN. 1345 01:00:38,468 --> 01:00:41,263 'CAUSE I'M HAPPY TO SEE ANY BLACK MAN IN AMERICA 1346 01:00:41,263 --> 01:00:43,598 GETTING MONEY. IT'S A BEAUTIFUL THING, YOU KNOW. 1347 01:00:43,598 --> 01:00:45,225 BUT SOME OF THESE SOUTHERN BROTHERS, MAN-- 1348 01:00:45,225 --> 01:00:47,143 A LOT OF THESE SOUTHERN RAPPERS NEED TO STEP THEIR GAME UP. 1349 01:00:47,143 --> 01:00:49,479 YOU KNOW WHAT I'M SAYING? 'CAUSE YOU TALK ABOUT-- 1350 01:00:49,479 --> 01:00:52,065 LIKE, NEW YORK-- WE'VE DOMINATED RAP FOR A LONG TIME. 1351 01:00:52,065 --> 01:00:55,569 AND I KNOW A LOT OF SOUTHERN PEOPLE FEEL LIKE NEW YORKERS ARE BITTER, 1352 01:00:55,569 --> 01:00:58,405 BUT COME ON, MAN, WE BIRTHED RAP. WE STARTED IT IN THE SOUTH BRONX. 1353 01:00:58,405 --> 01:01:02,284 AND LYRICS IS PART OF THE FUCKING GAME, YOU KNOW. 1354 01:01:02,284 --> 01:01:05,328 LIKE LUDACRIS, T.I., LITTLE WEEZY-- 1355 01:01:05,328 --> 01:01:07,497 I LOVE THEM NIGGAS, MAN. T.I. IS MY FAVORITE. 1356 01:01:07,497 --> 01:01:09,875 ANDRE 3000-- ONE OF THE BEST LYRICISTS IN THE GAME. 1357 01:01:09,875 --> 01:01:12,127 BUT A LOT OF THESE SOUTHERN NIGGAS-- THEY BE MAKING 1358 01:01:12,127 --> 01:01:14,129 THESE SINGY-SONGY CATCHY SONGS 1359 01:01:14,129 --> 01:01:16,131 THAT FIVE-YEAR-OLDS CAN DANCE TO. 1360 01:01:16,131 --> 01:01:18,383 COME ON, MAN, QUIT THAT DR. SEUSS SHIT. 1361 01:01:18,383 --> 01:01:20,468 NIGGAS, YOU GOTTA STEP Y'ALL GAME UP. 1362 01:01:20,468 --> 01:01:23,513 'CAUSE IT SEEMS LIKE NOWADAYS IF YOU COME UP WITH ANY SONG-- 1363 01:01:23,513 --> 01:01:25,515 IT DON'T MATTER WHAT THE LYRICS ARE-- 1364 01:01:25,515 --> 01:01:27,642 YOU GET YOU A SOUTHERN, YOU KNOW, CATCHY BEAT, 1365 01:01:27,642 --> 01:01:30,520 YOU COULD SPIT BULLSHIT AND IT'S A FUCKING HIT. 1366 01:01:30,520 --> 01:01:32,814 I KNOW. I GOT ONE. 1367 01:01:32,814 --> 01:01:36,651 SO I'MA INTRODUCE Y'ALL TO MY SOUTHERN RAP CHARACTER BIG BOOGA BOOGALOU 1368 01:01:36,651 --> 01:01:40,363 AND HIS HIT SONG "FUCK A BOOK, NIGGA, LOOK AT MY DANCE." 1369 01:01:40,363 --> 01:01:43,491 I CAN SHOW YOU BETTER THAN I CAN TELL YOU. 1370 01:01:47,621 --> 01:01:50,582 ♪ YEAH YEAH ♪ 1371 01:01:50,582 --> 01:01:52,083 ♪ GRRR ♪ 1372 01:01:52,083 --> 01:01:53,710 ♪ IT'S GOING DOWN, MAN ♪ 1373 01:01:53,710 --> 01:01:55,670 ♪ WE ABOUT TO MAKE THIS MOTHERFUCKER POP UP ON HER ♪ 1374 01:01:55,670 --> 01:01:58,340 ♪ DID THE DIRTY SOUTH KNUCKLE ♪ 1375 01:01:58,340 --> 01:01:59,883 ♪ YEAH ♪ 1376 01:01:59,883 --> 01:02:02,427 ♪ TAKE THAT, BITCH ♪ 1377 01:02:05,472 --> 01:02:06,723 ♪ YEAH ♪ 1378 01:02:06,723 --> 01:02:08,683 ♪ THIS YOUR BOY BIG BOOGA BOOGALOU ♪ 1379 01:02:08,683 --> 01:02:12,145 ♪ BIG BOOGALOU REPRESENTING THE DIRTY U.M. ♪ 1380 01:02:12,145 --> 01:02:14,689 ♪ I SAID REPRESENTING THE DIRTY U.M. ♪ 1381 01:02:14,689 --> 01:02:16,316 ♪ AND THIS RIGHT HERE IS ABOUT TO BE ♪ 1382 01:02:16,316 --> 01:02:17,651 ♪ THE HOTTEST JOINT OF THE SUMMER, MAN ♪ 1383 01:02:17,651 --> 01:02:19,527 ♪ DID YOU HEAR MY JOINT, MAN? ♪ 1384 01:02:19,527 --> 01:02:22,572 ♪ TO ALL THEM TEACHERS THAT SAID SCHOOLING WAS IMPORTANT ♪ 1385 01:02:22,572 --> 01:02:24,616 ♪ I SAY, SHIT, FUCK A BOOK, NIGGA ♪ 1386 01:02:24,616 --> 01:02:26,284 ♪ LOOK AT MY DANCE ♪ 1387 01:02:26,284 --> 01:02:28,453 ♪ FROM THE DIRTY DIRTY SOUTH DOING WHAT WE DOES ♪ 1388 01:02:28,453 --> 01:02:31,206 ♪ MAKING IT RAIN WITH THEM STRIPPERS IN THE CLUB ♪ 1389 01:02:31,206 --> 01:02:34,000 ♪ POP THAT BOOTY, BABY, CLAP IT, DROP IT LOW ♪ 1390 01:02:34,000 --> 01:02:36,544 ♪ IT'S A RECESSION, WE'RE CUTTING BACK, HO ♪ 1391 01:02:36,544 --> 01:02:40,131 ♪ HO HO HO ♪ 1392 01:02:40,131 --> 01:02:43,510 ♪ GOT THAT '67 CANDY CHEVY DROPPING TO THE FLOOR ♪ 1393 01:02:43,510 --> 01:02:46,429 ♪ WHEN I COME THROUGH THE HOOD, EVERYBODY KNOW ♪ 1394 01:02:46,429 --> 01:02:48,556 ♪ THE KIDS KNOW I'M RICH, THEY SAY THAT I'M THE MAN ♪ 1395 01:02:48,556 --> 01:02:52,018 ♪ SO FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1396 01:02:52,018 --> 01:02:54,396 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE... ♪ 1397 01:02:54,396 --> 01:02:56,147 MOTHERFUCKER. 1398 01:02:56,147 --> 01:02:57,565 ♪ LOOK AT MY DANCE ♪ 1399 01:02:57,565 --> 01:03:00,068 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1400 01:03:00,068 --> 01:03:02,487 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1401 01:03:02,487 --> 01:03:05,323 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1402 01:03:05,323 --> 01:03:08,118 ♪ EDUCATION? SHIT, LOOK AT MY DANCE ♪ 1403 01:03:08,118 --> 01:03:11,162 ♪ GOT THEM RIMS ON SHINE, THE GRILL IS LIKE, UH ♪ 1404 01:03:11,162 --> 01:03:13,623 ♪ SPEAKERS UP FRONT, GOT THE BITCHES IN THE TRUNK ♪ 1405 01:03:13,623 --> 01:03:16,584 ♪ POLICE SAY I'M FOUL, MY MAMA SAY I'M RECKLESS ♪ 1406 01:03:16,584 --> 01:03:19,170 ♪ WHO ELSE YOU KNOW GOT A CHICKEN CHAIN NECKLACE? ♪ 1407 01:03:19,170 --> 01:03:21,172 ♪ THAT'S RIGHT, NIGGA, CHICKEN CHAIN NECKLACE ♪ 1408 01:03:21,172 --> 01:03:23,550 ♪ AND I WEAR THIS MOTHERFUCKER RAW 'CAUSE WHEN I BE RHYMING ♪ 1409 01:03:23,550 --> 01:03:25,427 ♪ I BE HEATING UP, THIS MOTHERFUCKER COOKS ♪ 1410 01:03:25,427 --> 01:03:27,220 ♪ WHEN I'M HUNGRY, I EAT THIS SON OF A BITCH ♪ 1411 01:03:27,220 --> 01:03:30,181 ♪ RRARR, NIGGA! LOOK AT MY DANCE ♪ 1412 01:03:30,181 --> 01:03:32,475 ♪ I DO THE STANKY LEG WHILE CHILLING IN MY WHITE T ♪ 1413 01:03:32,475 --> 01:03:35,353 ♪ EATING LAFFY TAFFY, I BE LIKE, "HEY, BABY" ♪ 1414 01:03:35,353 --> 01:03:38,565 ♪ LEAN WITH IT, ROCK WITH IT, SUPERMAN, WHOA ♪ 1415 01:03:38,565 --> 01:03:40,775 ♪ IT'S ALL THE SAME SHIT, JUST LISTEN TO THE FLOW ♪ 1416 01:03:40,775 --> 01:03:43,486 ♪ ONLY GOT ONE MAN, AND THIS BE MY MAN ♪ 1417 01:03:43,486 --> 01:03:47,866 ♪ WHEN I SAY MY MAN, HE REALLY MY MAN ♪ 1418 01:03:47,866 --> 01:03:50,493 ♪ I RAP SO HARD FROM THE NORTH TO THE SOUTH ♪ 1419 01:03:50,493 --> 01:03:53,371 ♪ GOT RING FULL OF HAND AND GOLD FULL OF MOUTH ♪ 1420 01:03:53,371 --> 01:03:55,540 ♪ HUH? WAIT A MINUTE, HOW YOU GONNA HAVE ♪ 1421 01:03:55,540 --> 01:03:59,878 ♪ A RING OF HAND AND MOUTH WITH THE-- ♪ 1422 01:03:59,878 --> 01:04:01,463 ♪ AW SHIT ♪ 1423 01:04:01,463 --> 01:04:04,507 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1424 01:04:04,507 --> 01:04:06,634 ♪ YEAH, I WANT TO SEND A BIG SHOUTOUT ♪ 1425 01:04:06,634 --> 01:04:09,512 ♪ TO ALL THEM MOTHERFUCKING TEACHERS THAT SAID I WASN'T GONNA BE SHIT ♪ 1426 01:04:09,512 --> 01:04:12,098 ♪ MY ENGLISH TEACHER, MY MATH TEACHER ♪ 1427 01:04:12,098 --> 01:04:14,642 ♪ MY P.E. TEACHER, MY SPANISH TEACHER ♪ 1428 01:04:14,642 --> 01:04:17,771 ♪ OH YEAH, VETE A LA MIERDA! ♪ 1429 01:04:17,771 --> 01:04:20,398 ♪ THAT MEANS "FUCK YOU" IN SPANISH ♪ 1430 01:04:20,398 --> 01:04:23,151 ♪ VETE A LA MIERDA ♪ 1431 01:04:23,151 --> 01:04:26,279 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE... ♪ 1432 01:04:26,279 --> 01:04:28,323 ( music continues ) 1433 01:04:48,051 --> 01:04:50,845 I REMEMBER ONE TIME I WAS IN A STRIP CLUB IN NORTH CAROLINA. 1434 01:04:50,845 --> 01:04:54,182 I GAVE A BITCH A DOLLAR, BUT THEN SHE WAS PREGNANT-- NINE MONTHS. 1435 01:04:54,182 --> 01:04:56,768 THAT TURNED ME OFF. SO I TOOK THE MONEY BACK. 1436 01:04:56,768 --> 01:04:58,812 DO YOU KNOW, BEFORE I PUT THE MONEY IN MY POCKET 1437 01:04:58,812 --> 01:05:00,855 A BABY'S HAND CAME OUT OF HER PUSSY 1438 01:05:00,855 --> 01:05:02,565 AND SNATCHED THE DOLLAR BACK? 1439 01:05:02,565 --> 01:05:04,442 ♪ AW SHIT, LOOK AT MY DANCE ♪ 1440 01:05:04,442 --> 01:05:06,861 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1441 01:05:06,861 --> 01:05:09,447 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1442 01:05:09,447 --> 01:05:11,991 ♪ FUCK A BOOK, NIGGA, LOOK AT MY DANCE ♪ 1443 01:05:11,991 --> 01:05:14,994 ♪ EDUCATION? SHIT, LOOK AT MY DANCE ♪ 1444 01:05:16,496 --> 01:05:18,540 ♪ LOOK AT MY DANCE ♪ 1445 01:05:19,541 --> 01:05:21,918 ♪ LOOK AT MY DANCE ♪ 1446 01:05:21,918 --> 01:05:24,587 ♪ THIS HERE A RING TONE, NIGGA ♪ 1447 01:05:24,587 --> 01:05:26,756 ♪ LITTLE WEEZY, T.I. ♪ 1448 01:05:26,756 --> 01:05:28,508 ♪ GUCCI MANE ♪ 1449 01:05:28,508 --> 01:05:30,510 ♪ I'M COMING FOR YOU, NIGGAS, MAN ♪ 1450 01:05:30,510 --> 01:05:32,512 ♪ YEAH ♪ 1451 01:05:32,512 --> 01:05:35,431 ♪ THEM NIGGAS DON'T EVEN KNOW I GRADUATED FROM HARVARD. ♪ 1452 01:05:35,431 --> 01:05:37,433 ( audience cheering ) 1453 01:05:37,433 --> 01:05:39,018 HEY YO, NEW YORK, MAN, THANK YOU. 1454 01:05:39,018 --> 01:05:41,646 I APPRECIATE IT, BABY. I APPRECIATE THE LOVE. 1455 01:05:41,646 --> 01:05:43,523 THANK YOU VERY MUCH. 1456 01:06:17,599 --> 01:06:19,851 ( hip-hop music playing ) 116039

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