Original subtitles

[dramatic music playing]

Miss, miss! The doctor on duty, we need someone here now.

Oh, my God.

-No police. -I wasn't. I was gonna call an ambulance.

No time. He won't survive the wait.

You need a hospital. This is a nursing home.

-Are you a nurse? -Yes.

Can we have that chair? This man needs your help.

He's losing too much blood. He needs a transfusion.

-He's been shot? -You have a medical unit?

Yes. But it's not an emergency room.

-We don't have a large supply of blood. -Stay here. Keep an eye.

We won't need it. I'll supply the blood directly.

A direct transfusion? That's unusual.

It may not be possible if your blood types aren't compatible.

-We are compatible. -There are protocols.

If you supply him, whatever blood he gets is blood you lose.

I don't know your history. It could have an impact on your health.

Hook us up now.

[tense music playing]

[inaudible dialogue]

[Ressler] Okay.

Cooper's here. He's coordinating the search for Dembe and Reddington.

-Are you all right? -Yeah. I'm okay.

Dembe was shot bad.

He was hit in the neck.

Hudson got ahold of Nixon's gun and panicked.

Hudson's dead.

Reddington dropped him right where he stood.

-Where's Dembe? -Reddington took him.

Chuck was here. They threw him in a van and took off.

-The closest hospitals aren't that close. -We'll check them.

What about those medical cubes Reddington has?

-He could've called for one. -Those take time to stand up.

The equipment, the doctors have to travel.

Dembe wouldn't make it. He was bleeding badly.

We'll find him.

Donald, listen to me. We'll find him.

Let's get you checked out.

My guess, multiple rib fractures. We'll take you in, get you checked out.

I'm staying here.

You knew, didn't you? You knew Reddington wouldn't abandon Zuma.

You let us roll into an ambush.

Are you kidding me? You think we planned this?

Reddington got his intel from somewhere. Zuma's gone.

You were knocked out, didn't see what went down.

[Cooper] Hey, that's enough.

Nobody wanted this to happen. Reddington did this on his own.

You expect me to believe you? Hudson is dead.

I'm doing everything to keep from losing my composure.

I suggest you do the same.

Look at that, three in the body armor.

Reddington's a crack shot, and you got lucky?

You can't help yourself, can you?

Our focus should be on finding Reddington and Zuma,

not pointing fingers at each other.

I'm onto you guys.

I'm coming for all of you.

If you think Hudson was relentless, you ain't seen nothing yet.

Hey, my partner just got shot in his neck.

Yeah. I guess Reddington didn't factor in Hudson having the stones

-to grab my gun and try to stop him. -What? Stones?

He got himself killed.

Agent Zuma got shot because Hudson had no idea what he was doing.

What was he thinking, pulling a weapon on Reddington?

-He should've let Zuma escape? -Jordan, you're wrong.

No, Zuma refused to escape. He never intended to go with Reddington.

I don't believe that. You're lucky I wasn't there.

[Ishwood] You weren't. But I was.

It's true, Jordan.

Zuma wasn't gonna leave. He told him he wasn't going anywhere.

You don't think that was part of the performance?

[Ishwood] Performance? You're not hearing me.

Zuma was unarmed.

When Hudson drew on him, Zuma was trying to calm things down.

He stepped in front of the gun. I saw it happen.

Zuma did everything he could to diffuse the situation.

[cell phone ringing]

-Agent Malik? -[Siya] I think we found him.

-How? -We reached out to D.C. Memorial,

one of their surgeons was medevac-ed to the field an hour ago.

Where in the field?

Uh, a nursing home, the Grandview, five miles from the crash site.

Send the address. We're on our way.

-We have a lead on Zuma's location. -Is he alive?

I don't know, but it's possible. He's at a nursing home.

If you are still working with Reddington,

your lead could take us in the wrong direction.

Does that mean you're not coming?

Officer. Assistant Director Cooper, FBI. What's going on here?

Some guys brought in an unknown subject with a gunshot wound.

-Where is he? -Medical clinic, end of the hall.

[suspenseful music playing]

If Reddington is in there, follow my lead.

[monitor beeping]

[Maloran] Out!

I said, get out now!

[Maloran] He's lucky to be alive. His airway's intact.

The bullet missed his carotid and spinal column but nicked his jugular.

He should stay here until he stabilizes.

[Nixon] The man who brought him in, you saw him?

[Maloran] Briefly. He left shortly after I arrived.

Dr. Maloran, that man was Raymond Reddington.

I don't know who that is.

Maybe he said something before he left?

-Something to indicate where he was going? -No.

Wherever he is, I hope he's resting.

Why is that?

Based on what I saw, he's not well.

You have to understand that, as the recipient,

Agent Zuma was saved by that transfusion.

But not everyone is a candidate to be the donor in a direct transfer.

-Was he exhibiting any symptoms? -No question.

He was weak, had shortness of breath.

He wasn't oxygenating well.

-I urged him to go to an emergency room. -Maybe he did.

I don't think so. "That, my dear, will have to wait.

I need to be traveling."

-Traveling? -That's what he said.

Sorry, fellas. That's all I got.

Okay. That was Ressler.

They're on their way back.

Dembe's gonna stay put until he shows more progress.

He's still not conscious?

Reddington told the surgeon he'd be traveling.

That's what my wife, Holly, would call unhelpful information.

We could start with the airports within maybe 50 miles or so,

see how many flights left after Reddington was last seen.

Okay.

-I spoke to Rutherford. -Go over her head.

She's the deputy director of National Intelligence.

If anyone knows, she knows.

None of the federal agencies have any intel on Reddington's location.

-How's that possible? -It's Reddington.

The world's been looking for the man since the mid-'90s.

Yeah, you mark my words, his time's running out.

-A doctor said he was compromised. -What does that mean?

It means you watch. Reddington will make a mistake.

When he does, someone will find him.

And I'm telling you now, if it's me? I won't be needing these.

Because I will put the man down.

Like he did to Arthur Hudson.

[Siya] So that happened.

He knew we were standing here. He saw us.

That's what this is. That's what we're doing.

-Herbie. -You heard him.

A federal agent, a sworn officer of the FBI,

brazen enough to say he intends to murder his target.

Well, his friend was killed. He was upset.

Meaning what? You don't think he'll do it?

Because he will.

No, he won't. Because we're gonna find Reddington first.

Sorry. I can't.

Finding Dembe, that was different.

But hunting Red? Helping them?

We're not helping them.

We're helping Ressler and Cooper avoid prosecution.

I like it here.

It's been fun, being part of the team.

But I never signed on for this.

I love Reddington.

And Holly and Sue adore him.

If I helped the FBI capture Raymond or worse...

they'd never forgive me.

I would never forgive me.

I understand.

I'm also ready for this to be over.

I'll let Cooper and Ressler know.

You sure you're on the right side?

He's not wrong to ask. This is hard for all of us.

[Ressler] I can't believe it happened.

Hudson was a pain in the ass, but he was one of the good guys.

I may not have liked him, but he wasn't wrong.

God knows we crossed the line more times than I care to admit or remember.

-We need to find Reddington. -I did some research.

Turns out, there were around two dozen private planes that left D.C.

in the first few hours after Reddington was last seen.

I was able to narrow them down

because not all were capable of international travel.

But even those will take some time to check out.

One went to Montreal,

the others to Mexico City, Caracas, Marseille, Tokyo, Kingston...

Let me guess, all the manifests, so far, are clean.

They are.

I don't think we'll find Reddington on any of those.

He was the best at moving around without raising suspicion.

-Start at the bathhouse. -He won't be there.

But his things were there.

Maybe he went back or left something that might tell us where he's going.

That makes sense. What about Nixon?

-Are we bringing him into the loop? -I wouldn't do that.

We have to. He already doesn't trust us.

I don't see any reason to hide anything.

Then it's a good thing I'm here, because I can give you a good reason.

[Cooper] Nixon!

Hey.

We may never find Reddington,

but we need to talk about what happens if we do.

And why's that?

You've been running your mouth about putting him down

-instead of bringing him in. -Running my mouth?

I don't care if you are an assistant director,

-you need to change your tone. -Act like a professional.

That's good, coming from the man who facilitated Reddington's treason.

I stand by my actions and anything this task force has ever done.

If someone well above your pay grade

wants to hold me accountable for anything, they know where to find me.

But that goes for you too.

If you execute Reddington,

if there's even a whiff of excessive force involved,

I'll make sure you're held accountable. Clear?

That man killed a congressman,

an honorable man, a public servant, and you're concerned about him?

This isn't about him. It's about me and you.

When this is finished,

Reddington will be judged for his crimes, and so will I.

But so will you.

Time's up, old man. The days of you protecting Reddington,

the days of your task force embarrassing this bureau...

-Step back. -Why? I thought this was about me and you.

I won't tell you again.

You won't tell me anything.

Easy, easy, easy!

Break it up. Neutral corners, fellas.

You all right?

Good talk, Grandpa.

Gave me a hard time for hitting Hudson, now you're getting physical?

We'll call you from New York.

["Stay Alive" playing]

♪ There's a rhythm and rush these days ♪

♪ Where the lights don't move And the colors don't fade ♪

♪ Leaves you empty With nothing but dreams ♪

♪ In a world gone shallow In a world gone lean ♪

♪ Sometimes there's things A man cannot know ♪

♪ The gears won't turn And the leaves won't grow ♪

I didn't expect him to be here,

but a part of me thought maybe, if he's not well.

It feels a bit eerie.

Reddington filled this place, you know?

This place and our lives for a long time now.

The man's worn many hats.

Friend, confidant, nemesis.

A grandparent to Agnes.

And an international fugitive

with books on advanced econometrics,

astrophysics, Micronesian art...

and Digital Literacy for Beginners.

[cell phone buzzing]

It's Agent Ressler.

How's Dembe?

Harold.

It is so good to hear your voice again.

-Thank God you're all right. -How you feeling?

Tired.

Raymond?

[Cooper] We're in New York. At the bathhouse.

He knows. We talked about everything,

Hudson, Nixon, what happened with Reddington.

-We have to find him. -We're trying, but there's no sign of him.

It's been a minute since I was here, but everything looks as it was.

[Ressler] That's what he does.

He'll walk away with nothing but what's left in his pockets.

-[Nixon] FBI! Federal agents! -[dramatic music playing]

-Stay where you are! -You've gotta be kidding.

-I'll call you back. -[Ishwood] Clear, sir.

Reddington's not here.

Director Cooper, tell me again about how we're all on the same side.

-What is this? -You want to catch Reddington, right?

That's why you failed to disclose you knew where he was living.

-How'd you find this? You followed us? -Damn right.

-Wanna tell me what you're doing here? -[Cooper] Looking for evidence.

If we'd have found any, we'd have shared it.

Let me guess, you didn't. Find any.

No. There's nothing useful here.

-We won't be taking your word for it. -Fine. Have at it.

Malik and I were just leaving.

[pensive music playing]

Good morning, Anhela.

It's not morning anymore.

You slept for a very long time.

-I did? -Mm-hm.

The soup was delicious. Thank you.

You're welcome.

How are you feeling?

These are quite something.

-[speaking Spanish] -Yes, orange blossoms.

So beautiful here this time of year.

You know, they say the golden apples of immortality,

the ones Hercules went looking for, they weren't apples.

They were bitter oranges.

[coughing]

You should go back to bed.

[groans]

[sighs]

Actually, I was thinking about taking a walk.

See how I do.

When you're feeling up to it,

you should try going over the hill in the back.

I grew up over there.

It's very beautiful.

[somber music playing]

[speaking indistinctly]

Ah-ah-ah.

[speaking Spanish]

[Raymond groans]

[in Spanish] I love these!

Last year...

I paid 6 euros for...

half.

[in English] I'd love to buy one.

[in Spanish] Carolina, my daughter.

Can you help this gentleman?

-[in Spanish] Carolina is your daughter? -My daughter, yes.

-Yes. I speak some English. -[speaking Spanish]

[in English] I'd love to buy one,

but I walked a long way,

so I can't carry it home.

That's not a problem. We can, uh...

How do you say it?

Bring them later?

-Deliver? Excellent. -Yeah. Deliver.

Uh, in that case...

[in Spanish] Two, please.

[Cooper over phone] I'm sure Nixon is realizing the bathhouse was a bust.

We're back to square one.

I can imagine him walking around, checking out all of Red's eccentricities.

We should find Edward.

One of the wealthiest men in the world and sleeping on a cot in a locker room.

That's my first call when I need to find him.

[Siya] No television, no Wi-Fi,

just a few books, a hot plate,

some clothes, and a huge burlap sack with the...

-Oh, my God. -Edward might be a little less helpful.

Reddington blew up his plane.

It wasn't there, the sack with the horns.

-It wasn't at the bathhouse. -You said nothing was missing.

I was wrong. A sack with the skull of Islero,

a Miura bull that gored the famous matador,

-the one that was killed... -Manolete.

[Siya] Yes, Manolete.

Raymond's always been very interested in him.

He told me all about him.

A man who found it easier to risk his life than live his life without risk.

Reddington went to Mexico.

He said, "A noble beast like that doesn't belong

on the wall above the bar of a dingy Mexican cantina."

What are you thinking?

He went back to the bathhouse to get the skull.

To bring it home.

[Siya] That's what he wanted. It was important to him.

-That'd mean he went to Spain. -To Seville. Uh, Andalusia.

I think the ranch is there, where Islero was raised.

My God, Marseille. One of the flights we looked at

was from D.C. to Marseille.

From there, it's what, maybe a two-hour trip to Seville?

Raymond knows that area.

There's a villa in a town near Carmona, northeast of the city.

-He's stayed there many times. -[Cooper] I like it.

Strange as it is, it feels like something he would do.

[pensive music playing]

[tablet chiming]

Pinky!

[chuckles]

And here I thought I was just gonna be leaving you a message.

What are you doing at home, sweetheart?

Working on this science fair project alone.

Wasn't that supposed to be a group project?

Supposed to be.

But Becky has relatives visiting town, and Andy, well, I don't know.

He...

Um, anyway, so I'm finishing it up myself.

Sometimes the greatest flights in history, my dear, have been solo.

What does that mean?

It means "keep up the good work." I don't...

Pinky, I heard pops on the phone.

Is he looking for you?

Are you okay?

I am.

It's nothing for you to worry about.

So Becky has relatives in town.

And Andy, what, he's too busy to help?

Andy has been acting really weird.

He told Caitlin in third period that he kind of liked me,

but then we got assigned this project together,

and now he won't talk to me or help me with it.

I'm not surprised.

Why is he acting so goofy?

I'd imagine he's nervous.

We often stumble

when we're closest to the object of our endearment.

It's just one of those little twists of fate and affection.

Agnes, sometimes boys can be so slow, and so dumb.

Give him time.

He's just trying to come to terms with his feelings for you.

Just keep crushing, but keep cool,

and soon enough, he'll figure out how to crush back.

Pinky, you're being such a mom.

Yeah.

I guess I just can't help it.

[groans]

Thought I knew what pain was.

Then I flew eight hours to Spain with two fractured ribs.

-And you can't take painkillers. -No. I'll pass.

I just got my one-year chip.

Don't think I want to reset that clock.

Villa Lobo. This must be the place.

[Cooper] You're there? Already?

Yeah. I went to see Commissioner Alvarez

with the National Police in Seville when I landed.

[Cooper] I spoke to him.

He'd be thrilled to let the world know

his department helped catch Reddington.

Yeah. They gave me a car.

Said that whatever else I need is just a phone call away.

This place is beautiful. No wonder Reddington likes it.

It's owned by one of Raymond's oldest friends.

Bernardo Lobo.

We met many years ago in a winery in the fields north of Bangkok.

[Cooper] I didn't know there were wineries in Thailand.

You're not alone.

The two of them were the only ones who showed up for the tour.

-[cell phone beeps] -Ressler, we're getting another call.

Oh. Take it.

Maybe it's a lead on Reddington.

Call us after you've checked out the villa.

Harold Cooper.

Harold. Sorry to intrude.

I called the front desk to speak with Dembe,

and they told me you were in for a visit.

[coughs] Raymond?

Ha! There you are.

Do me a favor, old friend.

Next time you get shot, make it an arm or a leg.

The neck is just such nasty business.

Reddington.

Where are you? What are you doing?

At the moment, I'm making myself a little something to eat.

But enough about me. I wanted to check in,

Dembe, and hear how you're doing.

I'm alive.

Which I'm told is thanks to you.

Yes, well, it's the chicken or the egg situation, really.

Who saves whom, and then gets saved themselves.

It's been so many times over so many years, I can't keep track.

[speaking Spanish]

Sorry. I don't speak much Spanish.

-You speak English. -Yes.

-You are an American? -From the United States.

My name is Donald Ressler. I'm a special agent for the FBI.

Is something wrong?

Yes, we're looking for someone.

His name is Raymond Reddington.

We received a tip that he might be here.

[ominous music playing]

Here?

This is the Villa Lobo.

Yes.

Maybe you know him by a different name. Have you seen that man?

Señor Lobo is away on business,

and there are no guests currently here in the house.

Maybe I could confirm that.

Do you mind if I come in, look around?

[Dembe] Raymond, the doctor here,

she said you didn't look too well.

Oh, no. You're not turning the tables.

This was my call to check up on you.

[Dembe] I'm worried.

This feels different.

A congressman is dead, and I'm afraid.

I'm afraid this time they won't be satisfied until you are too.

I'm fine, Dembe.

I'll call again when I have more time.

Oh. I thought of something.

A funny story that...

Oh, God.

I have to go.

I'll, uh...

Remind me next time.

Ah.

That's another suite for when we have guests.

That door, what's behind it?

It's a kitchen.

Señor.

Señor, I told you, there's nobody in the house.

[sighs]

Thank you. It must have been a mistake,

but here's my card in case you see or hear from Mr. Reddington.

Hopefully you'll call me.

I'll tell Señor Lobo you were here, and give him this when he returns.

Thank you.

No luck here.

That was Reddington on the other line. Can you imagine?

Cool as a cucumber.

You got to be kidding me.

[Cooper] Checking on Dembe. As if no one even cared where he was.

Well, I'll tell you where he's not, the Villa Lobo.

A woman let me search the house.

Reddington's not here.

It was just a theory. Maybe he's not in Seville.

Or maybe he is and he's already gone.

What about the market? As long as I've known him,

anytime he goes somewhere for more than a few days,

he visits the local fresh market.

That's not a bad idea.

If he is in Seville, someone there would've seen him.

It's worth a try, but it's getting late here.

I got to get back to the city, find a hotel for the night.

We'll try those markets in the morning.

How long ago?

A few minutes, maybe ten.

Who is he?

An American policeman.

With the FBI. Yes.

Humorless fellow with handsome hair?

Fair play, Donald.

I wonder what you'd actually do with yourself

if one day, you finally got your man?

What does it mean?

Are you leaving?

Anhela, how far is it to the Miura Bull Ranch from here?

It's about an hour's drive.

North and east.

Why?

What's at the Miura Ranch?

It's not what's at the Miura Ranch. It's what isn't, but should be.

[pensive music playing]

["Knockin' on Heaven's Door" playing]

Harold.

Sorry for the late visit.

It's been a long and crazy day.

It's okay. Come in.

I'm sure if you're here, it's because you have news.

I just spent the last few hours in a classified meeting at Main Justice.

The attorney general's decided not to file charges against you

for warning Reddington about the raid at the airfield.

But?

But you've been relieved of duty.

You're no longer an active agent with the bureau.

♪ I can't use it anymore... ♪

I'm sorry. I tried.

♪ It's getting dark... ♪

It's okay, Harold.

Really, it is.

No. It's not.

I'm telling you it is.

Sitting here...

all I've had is time to think.

And I think...

it's time for me to...

get out from in front of or behind guns.

♪ Knock-knock-knockin' on heaven's door ♪

♪ Oh... ♪

It's early.

Men will be coming.

They always come.

And before they come, I always go.

Where?

For a walk. Out back, over the hill.

Take some water.

[speaking Spanish]

[speaking Spanish]

♪ Mama put my guns in the ground ♪

♪ I can't shoot them anymore ♪

♪ That cold black cloud Is comin' around... ♪

[Cooper] It's hard to believe this is how it ends.

I mean, I always knew the task force would end one day.

That my career would end one day.

All of this.

After I was shot, lying there on the street...

I thought I was dying.

And in that moment, I was okay with that being the end.

With all the things going through my mind...

I also thought of Raymond.

More than anyone I've ever known, he's always been at peace with death.

He says death is inevitable.

It will come for us all.

And that inevitability robs death entirely of its significance.

What matters are the things that are not inevitable.

The things we create. The things we find.

The left we take when everything in our life is leading us right.

How we live.

[sighs] I've always loved him for that.

For his remarkable refusal to go quietly into that good night.

[Cooper] The poem by Dylan Thomas.

Rage, rage against the dying of the light

Yes.

Imagine.

Raymond, a man surrounded by death in so many ways,

so passionately committed to embracing life.

He could've surrendered a thousand times over and met some end.

But instead, he chooses to rage.

To rage against the dying of the light.

To rage against the bad guys that would do us all harm.

Rage to protect those people he loves.

To find moments of peace, and joy, and fun...

even though he knows the light is still dying.

To live a most passionate life,

knowing it will still lead to the same inevitable end...

is perhaps the most deeply moving choice one can make.

It is the lesson at the very core of my time with him.

You never imagine this is how it would end.

But our time with him, our time together,

was never about how it ended.

It was about the adventure, about life,

about Raymond constantly reminding us, showing us, imploring us...

[sobbing]

to rage.

To rage.

[soft music playing]

Excuse me. I was wondering if you could help.

I'm looking for this man.

No? Thank you.

Excuse me.

Have you seen this man?

You don't speak English.

This man here?

Thank you.

Excuse me.

This man. English?

He speaks English. This man.

Um... [speaking Spanish]

Uh, yes. Yes. From America.

[speaking Spanish]

Ah, America.

[speaking Spanish]

[speaking Spanish]

You know him?

That's great. Thank you. Thank you.

Where? Where was he?

I don't understand. I'm sorry. I don't understand...

Sorry. My father doesn't speak much English.

He said he saw this man here.

Yes. Yes, the day before yesterday.

Okay. This man's name is Raymond Reddington.

He's a fugitive. A criminal.

-The police are looking for him. -He's a criminal?

He bought two watermelons.

And we bring them to where he was staying, at the Villa Lobo.

Villa Lobo? No. I was there yesterday. I spoke with a woman. He wasn't there.

Oh, you mean the main house?

No, we didn't bring them to the main house.

-You didn't? -No.

The man you're looking for is staying in the small house.

The one that is for the staff on the property behind the house.

[speaking Spanish]

[doorbell rings]

[doorbell ringing]

Where is he?

Reddington?

Out, walking.

Walking? Where? Where did he go?

Out.

How long ago?

This is Agent Ressler with the FBI.

Put me in touch with Inspector Alvarez right away.

[bull bellowing]

[bull snorts]

["My Way" playing in Spanish]

What's that?

Bring it down here.

Harold, I've got him.

I've got him.

[somber music playing]