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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,503 --> 00:00:04,843 [ LAUGHTER ] 2 00:00:04,835 --> 00:00:06,215 HERE YOU GO. 3 00:00:06,217 --> 00:00:08,627 EW, VEGETABLES? 4 00:00:08,629 --> 00:00:10,009 WE'RE NOT GERBILS. 5 00:00:10,010 --> 00:00:12,300 IT'S A VEGETABLE MEDLEY, CLAIRE. 6 00:00:12,303 --> 00:00:13,513 WE WANT CHIPS. 7 00:00:13,514 --> 00:00:14,604 YEAH, AND COOKIES AND POPCORN 8 00:00:14,595 --> 00:00:15,805 COVERED IN HOT SAUCE. 9 00:00:15,806 --> 00:00:17,516 LOOK AT THE THREE OF YOU -- 10 00:00:17,518 --> 00:00:19,978 ALL YOU DO IS SIT AROUND EATING JUNK, WATCHING TV ALL DAY. 11 00:00:19,980 --> 00:00:22,770 I DON'T KNOW WHERE YOU GET THESE BAD HABITS FROM. 12 00:00:22,773 --> 00:00:25,993 HEY, WHAT'S ON TV? OH, LOOK, CARTOONS! YEAH. 13 00:00:25,986 --> 00:00:29,316 ♪ FROGGY WENT A-COURTIN' HE DID RIDE ♪ 14 00:00:29,320 --> 00:00:31,150 [ LAUGHTER ] 15 00:00:31,152 --> 00:00:32,912 WHAT'S UP WITH THE VEGETABLES? 16 00:00:32,913 --> 00:00:34,583 Y'ALL TURN INTO GERBILS OUT HERE? WHAT'S THAT? 17 00:00:34,575 --> 00:00:37,115 OKAY, I'M FINISHED WAITING ON ALL OF YOU! 18 00:00:37,118 --> 00:00:39,498 I'M FINISHED BEING YOUR MAID, YOUR COOK, YOUR PERSONAL VALET, 19 00:00:39,500 --> 00:00:41,290 AND YOU KNOW WHAT ELSE? AND I'M ABOUT THIS CLOSE 20 00:00:41,292 --> 00:00:44,002 FROM BEING FINISHED AS YOUR MOTHER AND YOUR WIFE. 21 00:00:44,004 --> 00:00:45,974 WOW, SHE TAKES THEM VEGETABLES SERIOUS. 22 00:00:45,966 --> 00:00:47,296 YEAH. 23 00:00:48,879 --> 00:00:50,969 LET ME GO TALK TO HER. 24 00:00:50,971 --> 00:00:53,011 OH, THE JOYS OF MARRIAGE. 25 00:00:57,678 --> 00:00:59,678 HEY, BABY, WHAT'S THE MATTER? 26 00:00:59,680 --> 00:01:01,180 NO! NOTHING'S WRONG. EVERYTHING'S FINE. 27 00:01:01,182 --> 00:01:02,892 EVERYTHING'S PERFECT. 28 00:01:02,893 --> 00:01:05,193 OKAY. GOOD. NO. EVER SINCE I STOPPED WORKING FOR YOU, 29 00:01:05,186 --> 00:01:07,026 I'VE BEEN STUCK IN THIS HOUSE 30 00:01:07,027 --> 00:01:09,447 TAKIN' CARE OF YOUR KIDS, LIVIN' OUT YOUR LITTLE FANTASY. 31 00:01:09,450 --> 00:01:10,990 THAT'S NOT MY FANTASY. 32 00:01:10,991 --> 00:01:12,781 MY FANTASY IS YOU AND SALMA HAYEK BUTT-NAKED-- 33 00:01:12,783 --> 00:01:14,463 SHUT UP, MICHAEL. 34 00:01:14,455 --> 00:01:16,655 CAN'T YOU SEE THAT I DON'T HAVE A LIFE OF MY OWN? 35 00:01:16,657 --> 00:01:18,697 EVERYTHING I DO IS FOR EVERYBODY ELSE. 36 00:01:18,699 --> 00:01:20,579 I DON'T EVEN KNOW WHO I AM ANYMORE. 37 00:01:20,581 --> 00:01:22,371 YOU KNOW WHAT THE PROBLEM IS? 38 00:01:22,373 --> 00:01:24,043 EVERYTHING! IF I WAS LIVIN' IN THE HOUSE ALONE, 39 00:01:24,044 --> 00:01:25,764 MAYBE WITH A CAT, 40 00:01:25,756 --> 00:01:28,296 I'D BE DOIN' SOMETHING A LITTLE BIT MORE STIMULATING! 41 00:01:28,299 --> 00:01:30,629 OKAY, YOU WANT ME TO GET YOU A CAT, I'LL GET YOU A CAT. 42 00:01:30,631 --> 00:01:32,261 A LITTLE CUTE LITTLE-- 43 00:01:32,263 --> 00:01:34,813 I DON'T WANT NO DAMN CAT! I WANT A LIFE, MICHAEL! 44 00:01:34,805 --> 00:01:37,305 I KEEP SAYIN' THE SAME THING OVER AND OVER AGAIN. 45 00:01:37,308 --> 00:01:39,058 I'M LIKE A HAMSTER IN A WHEEL. 46 00:01:39,059 --> 00:01:41,639 THERE'S A LOVELY VEGETABLE MEDLEY BACK THERE FOR YOU. 47 00:01:41,642 --> 00:01:43,982 STOP IT, MICHAEL -- AIN'T IN THE MOOD. 48 00:01:43,984 --> 00:01:45,864 I'M JUST TRYING TO LIGHTEN THINGS UP. 49 00:01:45,856 --> 00:01:46,986 COME ON, BABY. LISTEN... 50 00:01:46,987 --> 00:01:48,727 WE CAN MAKE SOME CHANGES. 51 00:01:48,729 --> 00:01:50,819 WE CAN START BY YOU NOT DOING EVERYTHING FOR EVERYBODY. 52 00:01:50,821 --> 00:01:53,321 NO, NO! THEN I REALLY WON'T HAVE ANYTHING TO DO. 53 00:01:53,324 --> 00:01:55,004 YOU SURE? YES, BABE. 54 00:01:54,995 --> 00:01:57,655 YOU POSITIVE ABOUT THAT? YES! 55 00:01:57,658 --> 00:02:00,158 OKAY. THEN COULD YOU FIX ME A SANDWICH? I'M STARVING. 56 00:02:00,161 --> 00:02:01,621 RUN. RUN. HUH? 57 00:02:01,622 --> 00:02:03,082 WHAT'D I SAY? 58 00:02:03,083 --> 00:02:04,713 RUN HARD AND FAST. 59 00:02:04,705 --> 00:02:06,915 LET ME KNOW WHAT I DID, OKAY? 60 00:02:09,510 --> 00:02:13,380 AND AFTER ALL THAT, MY CLIENT WAS ACQUITTED OF ALL CHARGES. 61 00:02:13,384 --> 00:02:16,144 WOW, SO YOU'RE LIKE JOHNNIE COCHRAN. 62 00:02:16,136 --> 00:02:19,136 NO, NO, NO, YOU MEAN "JOHNNIE COPYCAT." 63 00:02:19,139 --> 00:02:21,929 THE MAN STOLE EVERYTHING FROM ME -- 64 00:02:21,932 --> 00:02:25,532 THE SUITS, THE MUSTACHE, THE WHOLE "RHYMING THING." 65 00:02:25,526 --> 00:02:27,026 I STARTED THAT -- 66 00:02:27,027 --> 00:02:31,107 IF IT'S NOT HIS GUN, YOU MUST LET HIM RUN. 67 00:02:31,111 --> 00:02:32,611 THAT WAS YOU. 68 00:02:32,613 --> 00:02:34,953 1987. 69 00:02:34,945 --> 00:02:37,035 SO, WAIT A MINUTE -- WHY'D YOU QUIT? 70 00:02:37,037 --> 00:02:38,537 WELL, I GOT BORED. 71 00:02:38,539 --> 00:02:40,949 I GOT A DIVORCE, AND AFTER THAT, 72 00:02:40,951 --> 00:02:44,711 I DECIDED TO EMBARK ON A NEW AND WONDERFUL ADVENTURE 73 00:02:44,705 --> 00:02:46,585 THAT LOOKS A LOT LIKE YOU. 74 00:02:46,587 --> 00:02:48,997 YOU'RE A REAL SMOOTHY. 75 00:02:48,999 --> 00:02:52,169 [ Lisping ] YEAH, HE'S A SMOOTHY -- A FRUIT SMOOTHY. 76 00:02:52,172 --> 00:02:55,182 THERE YOU ARE, YOU CHEATIN' LITTLE SNAKE! 77 00:02:55,175 --> 00:02:56,885 YOU LEAVE YOUR TOOTHPASTE AT MY HOUSE, 78 00:02:56,887 --> 00:02:58,927 WHICH, BY THE WAY, YOU SQUEEZED IN THE MIDDLE 79 00:02:58,929 --> 00:03:01,639 AFTER I REPEATEDLY SPANKED YOUR LITTLE HAIRY BEHIND 80 00:03:01,642 --> 00:03:03,352 AND TOLD YOU NOT TO. 81 00:03:03,354 --> 00:03:06,734 HE'S GOT THE SAME MUSTACHE ON HIS BEHIND. 82 00:03:06,727 --> 00:03:08,307 DON'T YOU MAKE THEM FACES. 83 00:03:08,309 --> 00:03:09,899 YOU KNOW I-I CAN'T RESIST IT 84 00:03:09,900 --> 00:03:11,980 WHEN YOU POKE THAT BOTTOM LIP OUT AT ME. 85 00:03:11,982 --> 00:03:13,862 YOU'RE GONNA KILL ME? 86 00:03:13,864 --> 00:03:15,744 I'LL SCREAM BLOODY MURDER. 87 00:03:15,736 --> 00:03:18,196 AAHHH! 88 00:03:18,198 --> 00:03:20,408 DON'T TOUCH ME LIKE THAT! 89 00:03:24,455 --> 00:03:26,585 WAIT, THIS IS A FRIEND OF MINE. 90 00:03:26,587 --> 00:03:28,287 HE'S JUST JOKING. 91 00:03:28,289 --> 00:03:29,959 SO NOW I'M A BIG JOKE TO YOU? 92 00:03:29,960 --> 00:03:33,000 WHAT ABOUT WHEN WE WERE FLOATING ON A RAFT IN NEGILA 93 00:03:33,003 --> 00:03:35,053 AND YOU TOLD ME THAT YOU LOVED ME 94 00:03:35,045 --> 00:03:38,175 AND WANTED TO COMMIT TO MY LIFE AND BE MY LIFE PARTNER? 95 00:03:38,178 --> 00:03:40,758 WAS IT ALL LIES? WAS IT THE ALCOHOL TALKING? 96 00:03:40,761 --> 00:03:43,301 [ LAUGHS ] 97 00:03:43,304 --> 00:03:46,444 [ Normal voice ] SHE WAS HOT, DUDE. 98 00:03:46,437 --> 00:03:49,767 HEH HEH. YEAH, SHE WAS HOT. 99 00:03:49,770 --> 00:03:51,690 I'M GONNA GET YOU BACK FOR THIS. 100 00:03:51,692 --> 00:03:53,482 NO, WE'RE EVEN. WE ARE NEVER EVEN. 101 00:03:53,484 --> 00:03:55,784 HOW YOU BEEN, MAN? YOU LOOK GREAT. 102 00:03:55,776 --> 00:03:58,526 I'M GONNA GET YOU A DRINK. I FEEL GREAT, TOO, MAN. 103 00:03:58,529 --> 00:04:00,279 WOW. 104 00:04:00,281 --> 00:04:03,621 SINCE THE DIVORCE, MAN, I WAKE UP WHISTLIN' EVERY MORNING, 105 00:04:03,624 --> 00:04:06,044 AND I GOT NOBODY AT MY HOUSE TALKIN' 'BOUT, 106 00:04:06,036 --> 00:04:08,786 "WHY YOU SO HAPPY?" [ BOTH LAUGH ] 107 00:04:08,789 --> 00:04:10,749 I CAN'T REMEMBER WHAT THAT'S LIKE, MAN. 108 00:04:10,751 --> 00:04:13,041 I'VE BEEN MARRIED 15 YEARS -- FEELS LIKE FOREVER. 109 00:04:13,043 --> 00:04:16,303 YEAH, YOU KNOW WHAT THEY SAY -- "THE ASS IS ALWAYS GREENER..." 110 00:04:16,297 --> 00:04:18,297 [ LAUGHS ] 111 00:04:18,299 --> 00:04:20,259 THAT'S FUNNY. YEAH. 112 00:04:20,260 --> 00:04:22,720 NOT REALLY, MAN, 'CAUSE THE TRUTH IS, MIKE, 113 00:04:22,723 --> 00:04:25,943 IF I HAD A WOMAN LIKE JAY, I'D STILL BE MARRIED, MAN. 114 00:04:25,936 --> 00:04:27,726 SO HOW IS SHE ANYWAY? 115 00:04:27,728 --> 00:04:29,848 SHE'S GREAT. COME ON, TALK TO ME. 116 00:04:29,850 --> 00:04:31,890 NO, IT'S COOL -- YOU KNOW, MARRIAGE IS-- MIKE. 117 00:04:31,892 --> 00:04:33,562 IT'S THE UPS AND -- MICHAEL! 118 00:04:33,564 --> 00:04:35,664 OKAY, SHE'S DRIVING ME CRAZY. 119 00:04:35,656 --> 00:04:38,986 SHE'S ON THIS RANT NOW ABOUT HOW SHE DOESN'T KNOW WHO SHE IS. 120 00:04:38,989 --> 00:04:40,489 SHE FEELS LOSS. "I FEEL UNFULFILLED." 121 00:04:40,491 --> 00:04:42,571 I DON'T KNOW WHAT SHE'S TALKING ABOUT. 122 00:04:42,573 --> 00:04:44,113 YOU KNOW SOMETHING, MAN, 123 00:04:44,114 --> 00:04:46,004 MY EX-WIFE SHEILA WAS GOING THROUGH THE SAME THING, 124 00:04:45,996 --> 00:04:48,956 AND THEN I MADE THE SUGGESTION THAT SHE GO GET HERSELF A HOBBY. 125 00:04:48,959 --> 00:04:50,669 A HOBBY -- THAT'S A GOOD IDEA. 126 00:04:50,671 --> 00:04:52,501 YOU GOTTA BE CAREFUL, THOUGH. WHY? 127 00:04:52,503 --> 00:04:55,473 WELL, SEE, SHEILA WENT OUT AND STARTED, UM, 128 00:04:55,466 --> 00:04:58,336 TAKING UP SOME STRIPTEASE CLASSES. 129 00:04:58,339 --> 00:05:00,049 THAT SOUNDS GOOD. 130 00:05:00,050 --> 00:05:03,130 YEAH, UNFORTUNATELY, IT WAS AFTER THE KIDS, 131 00:05:03,133 --> 00:05:06,433 AND SHE WAS WEIGHING ABOUT 250 AT THE TIME. 132 00:05:06,427 --> 00:05:08,387 MIKE, SHE CAME OUT OF THE BATHROOM. 133 00:05:08,389 --> 00:05:11,189 SHE WAS TRYING TO DO THIS LITTLE SEDUCTIVE ROUTINE, 134 00:05:11,191 --> 00:05:12,771 SOMETHING SEXY FOR ME. 135 00:05:12,773 --> 00:05:15,863 SHE GRABBED HOLD TO THE BED POLE AND SHE SWUNG. 136 00:05:15,856 --> 00:05:17,936 SHE BENT THE BED POLE, MIKE. 137 00:05:17,938 --> 00:05:19,528 THE WHOLE POLE JUST CAVED IN. 138 00:05:19,530 --> 00:05:21,570 SHE HAD ON A THONG, TOO, 139 00:05:21,572 --> 00:05:23,532 BUT THEN AGAIN, THAT REALLY WASN'T A THONG. 140 00:05:23,534 --> 00:05:28,164 IT WAS A PAIR OF BOXERS THAT KIND OF GOT CAUGHT UP. 141 00:05:28,158 --> 00:05:31,078 IT WAS ABOUT AS SEXY AS TRYING TO TAKE A HAM OUT OF A CAN. 142 00:05:31,081 --> 00:05:33,541 WELL, YOU KNOW, A HOBBY IS NOT A BAD IDEA. 143 00:05:33,544 --> 00:05:35,884 YOU KNOW, MAYBE I CAN GET HER BACK INTO PAINTING. 144 00:05:35,876 --> 00:05:37,586 REMEMBER THE ART SHE USED TO DO? 145 00:05:37,588 --> 00:05:39,378 OH, YEAH, MAN. 146 00:05:39,380 --> 00:05:41,840 YEAH, SHE WAS GREAT AT THAT, TOO. YEAH. 147 00:05:41,842 --> 00:05:44,562 SO HOW ARE THE KIDS? AW, THEY'RE DOIN' GREAT, MAN. 148 00:05:44,555 --> 00:05:47,095 IT'S KIND OF BEEN TOUGH ON ALL OF US, YOU KNOW, 149 00:05:47,097 --> 00:05:49,057 IT'S A ROUGH TRANSITION WE'RE GOIN' THROUGH RIGHT NOW. 150 00:05:49,059 --> 00:05:51,639 BUT RIGHT NOW, I'M JUST FOCUSING, 151 00:05:51,642 --> 00:05:55,402 JUST PRETTY MUCH ON EVERY ASS... 152 00:05:55,396 --> 00:05:57,186 ...SPECT OF THEIR LIVES. 153 00:05:57,187 --> 00:06:00,277 I SEE. 154 00:06:08,248 --> 00:06:10,118 OKAY, HERE'S THE DEAL -- 155 00:06:10,120 --> 00:06:13,580 I AM ANNOUNCING THE BEGINNING OF ART-APPRECIATION WEEK. 156 00:06:13,584 --> 00:06:15,424 MOM! MOM! DAD! 157 00:06:15,416 --> 00:06:18,296 AND WE'RE GONNA START WITH THE ART OF SHUTTING UP! 158 00:06:18,298 --> 00:06:22,668 SHUT U-U-U-P! YOU'RE ALL GONNA DO THIS. 159 00:06:22,673 --> 00:06:25,183 I WANT EACH ONE OF YOU TO FIND A CREATIVE OUTLET, 160 00:06:25,175 --> 00:06:26,965 THEN I WANT YOU TO PRODUCE SOMETHING, 161 00:06:26,967 --> 00:06:29,137 AND WE'RE GONNA SHOWCASE IT AT THE END OF THE WEEK. 162 00:06:29,139 --> 00:06:30,719 LIKE WHAT? 163 00:06:30,721 --> 00:06:32,471 I DON'T KNOW. YOU LIKE CLOTHING, DON'T YOU? 164 00:06:32,473 --> 00:06:34,143 YES. YOU WANT TO TAKE ME SHOPPING? 165 00:06:34,144 --> 00:06:36,484 UH...NO. 166 00:06:37,938 --> 00:06:40,568 BUT YOU CAN CREATE YOUR OWN ORIGINAL DESIGNS. 167 00:06:40,571 --> 00:06:42,781 I SUPPOSE I COULD DO THAT. 168 00:06:42,783 --> 00:06:45,993 I'LL CALL IT "CLAIRE'S FASHION WEAR." AH! 169 00:06:45,986 --> 00:06:48,946 I WOULDN'T DARE BE CAUGHT IN "CLAIRE'S FASHION WEAR." 170 00:06:48,949 --> 00:06:50,449 HEY, THAT RHYMES. 171 00:06:50,451 --> 00:06:52,241 HEY, MAYBE THAT COULD BE MY ART. 172 00:06:52,242 --> 00:06:53,832 A POET? YEAH, SEE, SEE -- 173 00:06:53,834 --> 00:06:56,884 [ Rapping ] I'M A PLAYER, A SPOKEN-RHYME SAYER. 174 00:06:56,877 --> 00:07:01,457 I COOK FOOD WITH FLAMBE-AH. MY DAD DRINKS CHARDONNAY-AH. 175 00:07:01,462 --> 00:07:03,802 I GOT DIRTY STREAKS IN MY UNDERWEAR-AH, 176 00:07:03,804 --> 00:07:05,514 BUT I DON'T CARE-AH. 177 00:07:05,506 --> 00:07:07,636 UH...YEAH. 178 00:07:07,638 --> 00:07:11,218 WELL, I'M A LITTLE SCARE-AH THAT YOU DON'T HAVE A PRAYER 179 00:07:11,221 --> 00:07:14,821 AND YOU GOT ABOUT AS MUCH POTENTIAL AS I GOT HAIR... 180 00:07:14,815 --> 00:07:18,355 BUT IF YOU KEEP PRACTICING, YOU MAY PRODUCE SOMETHING GOOD. 181 00:07:18,358 --> 00:07:20,558 I THINK THIS IS A GREAT IDEA. THE KIDS DO NEED TO BE INSPIRED. 182 00:07:20,561 --> 00:07:22,061 IT'LL BROADEN THEIR HORIZONS. 183 00:07:22,062 --> 00:07:24,022 GREAT. SO, WHAT ARE YOU GONNA DO? 184 00:07:24,024 --> 00:07:25,744 WHO, ME? I BET YOUR PARDON? YEAH, YOU. 185 00:07:25,736 --> 00:07:27,866 YES, YOU ARE A PART OF THIS, TOO. 186 00:07:27,868 --> 00:07:31,068 UH... 187 00:07:31,071 --> 00:07:32,331 NO. 188 00:07:32,332 --> 00:07:33,872 COME ON. 189 00:07:33,874 --> 00:07:35,674 NO, I'M NOT PLAYIN' WITH Y'ALL. 190 00:07:35,666 --> 00:07:37,786 GET INTO THE SPIRIT OF THIS. INSPIRE THE KIDS. 191 00:07:37,788 --> 00:07:38,838 YOU'RE THE ARTISTIC ONE IN THE FAMILY. 192 00:07:38,839 --> 00:07:40,669 I DON'T KNOW, MICHAEL. 193 00:07:40,671 --> 00:07:42,581 YES! WHY DON'T YOU DO SOME OF THOSE FABULOUS PAINTINGS 194 00:07:42,583 --> 00:07:44,293 YOU USED TO DO? 195 00:07:44,294 --> 00:07:47,304 OH, BABY, I DON'T KNOW. I DON'T THINK I STILL GOT IT. 196 00:07:47,297 --> 00:07:51,047 OH, COME ON, JAY, YOU JUST DON'T LOSE A GIFT LIKE THAT. 197 00:07:51,051 --> 00:07:54,521 THAT WOULD BE LIKE THE MONA LISA LOSING HER SMILE. 198 00:07:54,515 --> 00:07:55,595 REALLY? 199 00:07:55,596 --> 00:07:57,146 YES. 200 00:07:57,147 --> 00:08:00,767 OH. OKAY, WELL, IN THE SPIRIT OF ART-APPRECIATION WEEK, 201 00:08:00,771 --> 00:08:04,481 AND TO PRESERVE THE MONA LISA, I'M GONNA HAVE TO DO THIS. 202 00:08:04,484 --> 00:08:06,784 GREAT. YEAH. WHAT ARE YOU GONNA DO? 203 00:08:06,777 --> 00:08:09,817 ME? WELL, YOU CAN'T HAVE ART-APPRECIATION WEEK 204 00:08:09,820 --> 00:08:11,370 WITHOUT THE APPRECIATOR. 205 00:08:11,371 --> 00:08:12,741 [ LAUGHS ] 206 00:08:12,743 --> 00:08:14,413 THAT'S WHAT I'M GONNA DO. OKAY. 207 00:08:14,414 --> 00:08:16,334 ALL RIGHT, SO LET'S GET STARTED. 208 00:08:16,326 --> 00:08:17,416 COME ON. 209 00:08:17,417 --> 00:08:18,917 WAIT A MINUTE! 210 00:08:18,919 --> 00:08:21,329 EVERYBODY HAS SOMETHING TO DO BUT ME. 211 00:08:21,331 --> 00:08:23,671 WELL, THEN, WHAT IS IT YOU LIKE DOING? 212 00:08:23,674 --> 00:08:27,094 WELL, THERE IS THIS ONE THING. 213 00:08:27,087 --> 00:08:29,427 [ POUNDING ] 214 00:08:35,095 --> 00:08:37,555 WHAT DO YOU THINK, DADDY? 215 00:08:37,558 --> 00:08:40,018 OH, THAT WAS -- THAT WAS...GREAT. 216 00:08:40,020 --> 00:08:41,600 SHOULD I PLAY SOME MORE? 217 00:08:41,602 --> 00:08:43,352 OH, UM, NOT RIGHT NOW. 218 00:08:43,353 --> 00:08:45,533 YOU WANT TO SAVE SOME OF THAT PRACTICING 219 00:08:45,525 --> 00:08:47,815 'CAUSE YOUR HANDS WILL GET ALL CRAMPED UP. 220 00:08:47,818 --> 00:08:50,608 THANKS, DADDY. I'M GONNA GO OUTSIDE AND PLAY WITH FRANKLIN. 221 00:08:50,611 --> 00:08:52,241 OKAY, BABY. 222 00:08:54,244 --> 00:08:56,214 HEY, SON, HOW'S THE POETRY GOING? 223 00:08:56,206 --> 00:08:57,956 GREAT. I JUST FINISHED MY FIRST POEM. 224 00:08:57,958 --> 00:08:59,658 OH, GOOD, LAY IT ON ME. 225 00:08:59,660 --> 00:09:01,000 ALL RIGHT. 226 00:09:01,001 --> 00:09:03,751 I CALL THIS ONE "WISDOM." 227 00:09:03,754 --> 00:09:05,474 "WISDOM." OKAY. 228 00:09:05,465 --> 00:09:07,795 "OPEN THE DOOR. CLOSE THE DOOR. 229 00:09:07,798 --> 00:09:10,298 "I AM SO CONFUSED. 230 00:09:10,300 --> 00:09:12,840 "LOST IN THE FRICTION OF LIFE -- 231 00:09:12,843 --> 00:09:18,853 "NO! I HAVE NEVER READ A DICTION...ARY IN MY LIFE. 232 00:09:18,849 --> 00:09:23,979 "QUITE SCARY -- MARY, MARY, QUITE CONTRARY... 233 00:09:23,984 --> 00:09:25,654 ISN'T IT?" 234 00:09:27,818 --> 00:09:31,858 "BUT MY HEAD IS BIG WITH WISDOM. 235 00:09:31,862 --> 00:09:33,742 "WISDOM. 236 00:09:33,744 --> 00:09:35,294 "WISDOM. 237 00:09:35,285 --> 00:09:37,245 [ High-pitched voice ] "WISDOM. 238 00:09:37,247 --> 00:09:39,247 [ Normal voice ] "WISDOM. 239 00:09:39,249 --> 00:09:41,619 "WICKY, WICKY, WICKY, WICKY, WICKY, WICKY, 240 00:09:41,622 --> 00:09:43,832 WICKY, WICKY, WICKY WISDOM." 241 00:09:47,127 --> 00:09:49,587 WOW. 242 00:09:49,589 --> 00:09:51,209 SO, WHAT DO YOU THINK? 243 00:09:51,211 --> 00:09:56,061 SON, YOU PUT THE "DUMB" IN "WISDOM." 244 00:09:56,056 --> 00:09:57,806 REALLY? THANKS, DAD! 245 00:09:57,808 --> 00:10:00,388 YEAH. I'M GONNA GO CHECK ON YOUR MOTHER. 246 00:10:00,390 --> 00:10:01,930 OKAY. YOU KEEP WRITIN'. 247 00:10:01,932 --> 00:10:03,392 I WILL. 248 00:10:03,393 --> 00:10:05,733 AND YOU CAME UP WITH THE "WICKY, WICKYS"? 249 00:10:05,726 --> 00:10:07,146 THAT WAS ME! 250 00:10:07,147 --> 00:10:08,647 WHOO! GENIUS! 251 00:10:08,649 --> 00:10:09,899 THANK YOU. 252 00:10:09,900 --> 00:10:12,030 [ DOOR OPENS ] HEY. 253 00:10:12,032 --> 00:10:14,072 WHAT'S UP, BABY? WHAT DO YOU THINK? 254 00:10:15,365 --> 00:10:17,695 [ SUCKING TEETH ] IT'S CUTE. 255 00:10:17,698 --> 00:10:18,738 CUTE? 256 00:10:18,739 --> 00:10:21,449 [ SUCKING TEETH ] 257 00:10:21,451 --> 00:10:22,951 IT'S NICE. 258 00:10:22,953 --> 00:10:24,203 JUST NICE? 259 00:10:24,204 --> 00:10:26,174 [ SUCKING TEETH ] 260 00:10:26,166 --> 00:10:27,836 IT'S GREAT! 261 00:10:27,838 --> 00:10:29,048 YOU'RE LYIN'! OW! 262 00:10:29,049 --> 00:10:31,089 NO, I'M NOT! YES, YOU ARE! 263 00:10:31,091 --> 00:10:32,881 I KNOW WHEN YOU'RE LYIN', MICHAEL, 264 00:10:32,883 --> 00:10:35,023 'CAUSE YOUR VOICE GOES UP FOUR OCTAVES! 265 00:10:35,015 --> 00:10:37,555 [ High-pitched voice ] WHAT ARE YOU TALKIN' ABOUT?! 266 00:10:37,557 --> 00:10:39,307 MICHAEL, WILL YOU JUST STOP IT 267 00:10:39,309 --> 00:10:41,639 AND GIVE ME YOUR HONEST CRITICISM, PLEASE? 268 00:10:41,641 --> 00:10:43,891 [ Normal voice ] OKAY, IT'S NOT CRITICISM, 269 00:10:43,894 --> 00:10:45,734 BUT IT LACKS A CERTAIN "JAY-NESS," 270 00:10:45,726 --> 00:10:47,476 A CERTAIN JE NE SAIS QUOI. 271 00:10:47,477 --> 00:10:49,357 THAT'S FRENCH FOR "PASSION." 272 00:10:49,359 --> 00:10:50,729 NO, IT ISN'T. 273 00:10:50,731 --> 00:10:52,231 DAMN THAT PORKY PIG! 274 00:10:52,232 --> 00:10:54,572 SO, YOU MEAN "BLEEK, BLEEK, BLEEK, BLEEK, BLEEK" 275 00:10:54,574 --> 00:10:55,994 IS NOT CHINESE? 276 00:10:58,739 --> 00:11:01,489 BUT WHAT'S MISSIN' IS PASSION. 277 00:11:01,491 --> 00:11:05,291 SO, WHAT AM I PASSIONATELY SUPPOSED TO PAINT, MR. EXPERT? 278 00:11:05,285 --> 00:11:07,245 I DON'T KNOW. WHAT DO YOU LOVE? 279 00:11:07,247 --> 00:11:09,047 WHAT EXCITES YOU? WHAT STIMULATES YOU? 280 00:11:09,049 --> 00:11:10,879 SEE? THAT'S WHAT I'M TALKING ABOUT RIGHT THERE -- 281 00:11:10,881 --> 00:11:15,221 HOW AM I SUPPOSED TO GET STIMULATED IN A GARAGE?! 282 00:11:15,215 --> 00:11:16,965 BLEEK, BLEEK, BLEEK, BLEEK -- I KNOW... 283 00:11:19,059 --> 00:11:21,009 OHH! OH, MY GOD! 284 00:11:21,011 --> 00:11:22,971 THANK YOU, BABY. 285 00:11:22,973 --> 00:11:24,513 I FEEL SO INSPIRED! 286 00:11:24,514 --> 00:11:25,694 YEAH! 287 00:11:25,685 --> 00:11:27,605 I FEEL LIKE I COULD DO GREAT THINGS! 288 00:11:27,607 --> 00:11:28,897 [ GASPING ] 289 00:11:28,899 --> 00:11:30,899 [ Gasping ] ANYTHING I CAN DO TO HELP. 290 00:11:30,901 --> 00:11:32,311 YOU KNOW IT! 291 00:11:32,312 --> 00:11:33,482 [ MUMBLING ] 292 00:11:39,199 --> 00:11:40,619 BABY... WHAT? 293 00:11:41,621 --> 00:11:43,701 [ GASPING ] 294 00:11:43,703 --> 00:11:45,423 I LOVE YOU! 295 00:11:45,415 --> 00:11:47,825 OH...AMAZING. 296 00:11:47,828 --> 00:11:48,878 OH! 297 00:11:59,840 --> 00:12:02,140 WHOO! 298 00:12:02,142 --> 00:12:03,262 OH! 299 00:12:03,263 --> 00:12:04,683 WHAT DO YOU THINK OF MY NEW OUTFIT, DAD? 300 00:12:04,684 --> 00:12:06,564 I DESIGNED IT MYSELF. 301 00:12:06,556 --> 00:12:08,646 WOW, THAT'S GREAT. I CAN'T WAIT FOR YOU TO FINISH IT. 302 00:12:08,648 --> 00:12:11,808 OH, YEAH, NO, I JUST GOTTA TAKE 3 INCHES FROM THE HEM, 303 00:12:11,812 --> 00:12:13,152 AND I'LL BE DONE. 304 00:12:13,153 --> 00:12:14,483 HUH. BABY, WITH ALL THAT TALENT, 305 00:12:14,484 --> 00:12:16,414 WHY DON'T YOU DESIGN MEN'S FASHION, 306 00:12:16,406 --> 00:12:18,526 'CAUSE THAT'S WHERE THE MONEY IS. REALLY? 307 00:12:18,528 --> 00:12:20,068 BECAUSE THEY USE MORE FABRIC. 308 00:12:20,070 --> 00:12:22,570 WHY DON'T YOU DESIGN SOMETHING FOR ME, HUH? 309 00:12:22,572 --> 00:12:24,322 ALL RIGHT. LET ME TAKE YOUR MEASUREMENTS. 310 00:12:24,324 --> 00:12:25,874 YOU DON'T HAVE TO DO THAT. I'M A 30. 311 00:12:25,866 --> 00:12:27,706 UH...NO. 312 00:12:33,173 --> 00:12:34,843 34. 313 00:12:34,835 --> 00:12:36,465 OKAY, THEN, MAKE IT 34. 314 00:12:36,466 --> 00:12:38,676 THE KIDS ARE WEARIN' 'EM BAGGY TODAY, ANYWAY. 315 00:12:38,678 --> 00:12:41,008 OKAY, I'LL MAKE IT A 38. 316 00:12:43,183 --> 00:12:46,483 HEY, BABY. WHO'S YOUR NEW FRIEND? 317 00:12:46,476 --> 00:12:49,386 THIS IS FRANKLIN. HE HAS A BIG CRUSH ON ME. 318 00:12:49,389 --> 00:12:51,939 YEP, I SURE DO. 319 00:12:51,942 --> 00:12:53,942 YOU LIKE MY DAUGHTER? 320 00:12:53,944 --> 00:12:56,744 I WOULD WALK THROUGH HECK AND BACK FOR HER. 321 00:12:56,736 --> 00:13:00,026 WOW, THROUGH HECK AND BACK -- THAT'S FAR. 322 00:13:00,030 --> 00:13:02,200 WELL, IT'S NICE TO MEET YOU, FRANKIE. 323 00:13:02,202 --> 00:13:03,862 IT'S FRANKLIN. 324 00:13:03,864 --> 00:13:05,084 OKAY, FRANK. 325 00:13:05,075 --> 00:13:06,865 FRANKLIN! 326 00:13:06,867 --> 00:13:09,407 OH, ALL RIGHT, FRANKFURTER. 327 00:13:12,913 --> 00:13:15,263 [ POUNDING ] 328 00:13:15,255 --> 00:13:17,085 OKAY, HEY, ALL RIGHT, BABY. 329 00:13:17,087 --> 00:13:20,127 ALL RIGHT, LOOK -- LET ME SHOW YOU AND FRANKEN-BERRY 330 00:13:20,130 --> 00:13:24,010 SOME OF THE FINER POINTS OF PLAYING THE PIANO. 331 00:13:24,014 --> 00:13:27,984 [ NOODLING ] 332 00:13:32,893 --> 00:13:34,603 YOU HEAR THAT? 333 00:13:34,604 --> 00:13:36,864 CAN I GIVE IT A TRY? 334 00:13:36,857 --> 00:13:39,437 SURE. YOU AIN'T GONNA GET BETTER THAN THAT. 335 00:13:39,439 --> 00:13:41,699 I'VE BEEN PRACTICING THAT FOR YEARS. 336 00:13:41,701 --> 00:13:44,111 IT TAKES A LOT OF KNUCKLE-WRIST MOTION. 337 00:13:44,114 --> 00:13:47,414 [ "MARY HAD A LITTLE LAMB" PLAYS ] 338 00:13:51,581 --> 00:13:54,211 VERY GOOD. THAT'S GOOD. 339 00:13:54,214 --> 00:13:57,554 [ UP-TEMPO CLASSICAL PLAYS ] 340 00:14:05,135 --> 00:14:06,805 WOW. 341 00:14:09,639 --> 00:14:12,639 AND YOU'RE NOT EVEN BLIND AND YOU CAN PLAY LIKE THAT. 342 00:14:16,186 --> 00:14:17,736 SO, HOW'D YOU TWO MEET? 343 00:14:17,737 --> 00:14:19,357 HE STROLLED INTO MY GALLERY 344 00:14:19,359 --> 00:14:21,609 PRETENDING TO LOOK FOR A PAINTING. 345 00:14:21,611 --> 00:14:24,191 AND THEN I STUMBLED ACROSS A MASTERPIECE. 346 00:14:24,194 --> 00:14:27,124 OH, GOD, YOU'RE NOT FALLING FOR THAT ONE, ARE YOU? 347 00:14:27,117 --> 00:14:29,197 I AM AS LONG AS HE'S BUYING MY ART. 348 00:14:29,199 --> 00:14:30,409 I HEAR THAT! YOU KNOW, I HAVE TO SAY 349 00:14:30,410 --> 00:14:32,290 I'M A LITTLE NERVOUS 350 00:14:32,292 --> 00:14:34,662 ABOUT SHOWING YOU MY PAINTINGS SINCE YOU'RE A PROFESSIONAL. 351 00:14:34,664 --> 00:14:36,924 DON'T BE NERVOUS. I'M SURE IT'LL BE GOOD. 352 00:14:36,917 --> 00:14:39,127 I HOPE SO. OH, I THINK THEY'RE STARTING. 353 00:14:39,129 --> 00:14:40,669 HERE, LET'S GO ON IN. 354 00:14:40,670 --> 00:14:42,590 OKAY. 355 00:14:45,845 --> 00:14:47,965 EVERYONE, GATHER AROUND THE RUNWAY. 356 00:14:47,968 --> 00:14:50,508 IT'S TIME TO BEGIN ART-APPRECIATION NIGHT, 357 00:14:50,510 --> 00:14:52,180 AND THIS IS MY CONTRIBUTION -- 358 00:14:52,182 --> 00:14:55,402 DADDY LOWRIDERS MODELED BY MIGUEL! 359 00:14:55,395 --> 00:14:58,185 ♪ I'M TOO SEXY FOR MY SHIRT ♪ 360 00:14:58,188 --> 00:15:00,398 ♪ TOO SEXY FOR MY SHIRT ♪ [ LAUGHS ] 361 00:15:00,400 --> 00:15:03,020 ♪ SO SEXY IT HURTS ♪ WHAT YOU COMIN' OVER HERE FOR? 362 00:15:03,023 --> 00:15:06,083 ♪ AND I'M TOO SEXY FOR MILAN ♪ DON'T COME OVER HERE. 363 00:15:06,076 --> 00:15:10,576 ♪ TOO SEXY FOR MILAN, NEW YORK, AND JAPAN ♪ 364 00:15:10,580 --> 00:15:13,870 WORK IT, BABY! WORK IT, BABY! 365 00:15:13,873 --> 00:15:15,133 AAHHH! 366 00:15:16,876 --> 00:15:18,536 HA HA! 367 00:15:18,538 --> 00:15:20,378 BABY, YOU DID A GREAT JOB. 368 00:15:20,380 --> 00:15:22,670 YES, CLAIRE, THESE ARE FANTASTIC. 369 00:15:22,672 --> 00:15:24,382 I THINK THEY'RE A LITTLE TOO LOW, THOUGH. 370 00:15:24,384 --> 00:15:26,934 NOT IF YOU'RE A PLUMBER. 371 00:15:26,926 --> 00:15:28,386 I'M GONNA GO CHANGE THESE 372 00:15:28,388 --> 00:15:29,548 AND WE'RE GONNA FINISH THE REST OF THIS. 373 00:15:32,432 --> 00:15:36,822 I ENTITLED THIS ONE "SUBURBAN PAIN." 374 00:15:36,816 --> 00:15:40,266 "KILL, PUNCH, STAB, BLEED!" 375 00:15:44,404 --> 00:15:47,914 "WHY IS THIS SUBURBAN KID SO MAD? 376 00:15:47,907 --> 00:15:51,487 "I HAVE NO CLUE... 377 00:15:51,491 --> 00:15:56,881 "BUT I'M SAYIN' I'D LIKE TO HURT ALL OF YOU. 378 00:15:56,876 --> 00:16:01,126 "BUT I GOTTA MAKE IT HOME BY CURFEW. 379 00:16:01,131 --> 00:16:03,081 "SO UNTIL I'M FREE 380 00:16:03,083 --> 00:16:07,263 FROM ALL THIS LOVE MY FAMILY 'SUPPOSEDLY' GIVIN' ME..." 381 00:16:09,929 --> 00:16:16,059 "I'M GONNA BE MAD... FOR NO DAMN REASON." 382 00:16:22,652 --> 00:16:25,452 "I LOVE YOU, DAD." 383 00:16:25,445 --> 00:16:27,195 [ BLOWS ] 384 00:16:27,197 --> 00:16:29,317 [ SCATTERED APPLAUSE ] 385 00:16:33,703 --> 00:16:36,123 I WILL NOW PLAY A CLASSICAL PIECE 386 00:16:36,116 --> 00:16:38,616 ACCOMPANIED BY MY FRIEND FRANKLIN. 387 00:16:38,618 --> 00:16:41,078 OKAY. BREAK A LEG, FRANKEN-BERRY. 388 00:16:43,253 --> 00:16:44,963 LET IT GO. 389 00:16:44,964 --> 00:16:48,554 [ UP-TEMPO CLASSICAL PLAYS ] 390 00:17:05,815 --> 00:17:07,485 YEAH! YAY! 391 00:17:07,487 --> 00:17:09,447 THAT WAS AMAZING. 392 00:17:09,449 --> 00:17:11,199 ISN'T SHE GREAT? 393 00:17:13,153 --> 00:17:14,613 I WANT TO THANK ALL MY CHILDREN 394 00:17:14,614 --> 00:17:16,374 FOR THEIR EFFORT AND COOPERATION THIS WEEK. 395 00:17:16,366 --> 00:17:19,536 I MUST SAY THAT THE ARTISTS AND THE ART HAS BEEN AMAZING. 396 00:17:19,539 --> 00:17:21,329 YES! 397 00:17:21,331 --> 00:17:23,661 AND NOW FOR THE PIECE OF RESISTANCE, 398 00:17:23,663 --> 00:17:26,933 MY BEAUTIFUL BRIDE WILL NOW UNVEIL HER LATEST CREATION. 399 00:17:26,926 --> 00:17:28,336 COME ON, BABY, SHOW US THE FRUITS OF YOUR LABOR. 400 00:17:28,338 --> 00:17:30,168 ALL RIGHT, ALL RIGHT. 401 00:17:30,170 --> 00:17:33,170 ALL RIGHT, YOU GUYS, I REALLY WANT YOUR HONEST CRITICISMS, 402 00:17:33,173 --> 00:17:35,353 ESPECIALLY YOU, TERESA, OKAY? 403 00:17:35,345 --> 00:17:37,345 HERE WE GO! 404 00:17:37,347 --> 00:17:38,677 [ GASPS ] 405 00:17:38,678 --> 00:17:40,388 AAHHH! 406 00:17:40,390 --> 00:17:45,360 [ STEVE LAUGHING HYSTERICALLY ] 407 00:17:45,355 --> 00:17:48,485 THAT'S FOUR NEGATIVE REVIEWS. BABY, WHAT DO YOU THINK? 408 00:17:48,488 --> 00:17:50,738 I THINK YOU PAINTED SOMEONE ELSE'S THINGY ON ME. 409 00:17:50,740 --> 00:17:52,400 BABE, I PAINTED IT 410 00:17:52,402 --> 00:17:55,332 AS IF IT WAS MICHELANGELO'S STATUE OF "DAVID." 411 00:17:55,325 --> 00:17:57,155 LIKE A MASTERPIECE. COULDN'T YOU HAVE PAINTED IT 412 00:17:57,157 --> 00:18:00,697 AS THE STATUE OF LEROY OR SOMETHING? 413 00:18:00,700 --> 00:18:02,870 WHATEVER. STEVE, WHAT DO YOU THINK? 414 00:18:02,872 --> 00:18:04,702 I THINK I GOT HIM BEAT. 415 00:18:04,704 --> 00:18:07,884 THAT'S BECAUSE IT'S NOT AN ACCURATE DEPICTION. 416 00:18:07,877 --> 00:18:10,007 I LOVE IT. YOU DO? 417 00:18:10,009 --> 00:18:11,589 REALLY? YOU LOVE IT REALLY? 418 00:18:11,591 --> 00:18:13,551 YES. JAY, YOU'RE A NATURAL. 419 00:18:13,553 --> 00:18:15,393 THIS IS A TERRIFIC PAINTING. 420 00:18:15,385 --> 00:18:17,635 BUT YOU HATE IT, DON'T YOU? 421 00:18:17,637 --> 00:18:20,267 YOU KNOW WHAT? I GOT A GREAT IDEA. 422 00:18:20,270 --> 00:18:23,350 YOU SHOULD HANG IT IN YOUR GALLERY. 423 00:18:23,353 --> 00:18:24,933 OH! NO, NO, NO. 424 00:18:24,934 --> 00:18:26,534 THAT'S A BAD IDEA. THAT'S A BAD IDEA. 425 00:18:26,526 --> 00:18:28,066 THAT'S A GREAT IDEA. 426 00:18:28,067 --> 00:18:29,397 [ JAY SQUEALS ] 427 00:18:29,399 --> 00:18:31,439 YOU ARE A MEAN AND HATEFUL MAN. 428 00:18:31,441 --> 00:18:34,611 [ Lisping ] YES, STEVEN IS. 429 00:18:38,578 --> 00:18:41,368 I DON'T UNDERSTAND YOU, JAY. I FEEL DIMINISHED. 430 00:18:41,371 --> 00:18:43,241 YOU MAKE ME FEEL THIS BIG -- 431 00:18:43,243 --> 00:18:45,043 NO, THAT BIG. 432 00:18:45,044 --> 00:18:47,634 YOU WERE THE ONE WHO TOLD ME TO PAINT WHAT I LOVE. 433 00:18:47,627 --> 00:18:49,127 WELL, I LOVE YOU. 434 00:18:49,128 --> 00:18:52,748 YOU ARE A STRONG, KIND, BEAUTIFUL MAN. 435 00:18:52,752 --> 00:18:54,422 NOT IN THAT PAINTING -- 436 00:18:54,424 --> 00:18:56,314 IN THAT PAINTING, I'M MINI-ME. 437 00:18:56,306 --> 00:19:00,256 MICHAEL, MICHELANGELO'S "DAVID" STOOD AS A SYMBOL OF MASCULINITY 438 00:19:00,260 --> 00:19:01,720 FOR CENTURIES. 439 00:19:01,721 --> 00:19:03,851 YEAH, AND YOU KNOW WHAT KILLED DAVID? 440 00:19:03,853 --> 00:19:05,443 DEPRESSION AND HUMILIATION. 441 00:19:05,435 --> 00:19:08,605 HE WAS THE LAUGHINGSTOCK OF THE COLISEUM LOCKER ROOM. 442 00:19:08,608 --> 00:19:11,728 THEY'D GO, "HEY, HERE COMES LITTLE DAVEY -- HA HA!" 443 00:19:11,731 --> 00:19:14,481 EVEN THE LIONS LAUGHED -- [ GROWLING CHUCKLE ] 444 00:19:14,484 --> 00:19:15,784 YOU KNOW WHAT? 445 00:19:15,775 --> 00:19:17,905 [ Growling ] "WHO BIT THAT OFF?" 446 00:19:17,907 --> 00:19:20,277 FORGET IT. FORGET IT. JUST FORGET IT. 447 00:19:20,280 --> 00:19:23,120 THIS IS THE OPPOSITE EFFECT OF WHAT I INTENDED. 448 00:19:23,122 --> 00:19:25,752 I PUT MY HEART AND MY SOUL INTO THAT PAINTING. 449 00:19:25,745 --> 00:19:28,785 I WANTED YOU TO LOVE IT, BUT... YOU DON'T EVEN LIKE IT. 450 00:19:28,788 --> 00:19:31,378 SO, FINE, MICHAEL. I'LL THROW IT OUT. 451 00:19:31,381 --> 00:19:33,791 I'LL GO BACK TO DOIN' WHAT I DO BEST -- 452 00:19:33,793 --> 00:19:35,433 COOKIN' AND CLEANIN'. 453 00:19:38,258 --> 00:19:40,218 HEY... 454 00:19:40,220 --> 00:19:41,970 I'M SORRY. 455 00:19:41,971 --> 00:19:45,061 THE TRUTH IS, I LOVE THAT PAINTING. 456 00:19:45,064 --> 00:19:46,984 YOU LOVE IT? 457 00:19:46,976 --> 00:19:48,106 YEAH. 458 00:19:48,107 --> 00:19:49,857 AND I LOVED PAINTING IT. 459 00:19:49,859 --> 00:19:52,899 I LOVED SEEING YOU COME ALIVE WHILE YOU WERE PAINTING IT. 460 00:19:52,902 --> 00:19:56,992 BABY, I HAVEN'T FELT LIKE THAT IN SO LONG. 461 00:19:56,986 --> 00:19:58,816 YOU KNOW WHAT? 462 00:19:58,818 --> 00:20:01,318 YOU SHOULD PUT THAT PAINTING IN THE GALLERY. 463 00:20:01,321 --> 00:20:04,281 REALLY? BABY, REALLY? YOU DON'T HATE IT? REALLY? 464 00:20:04,284 --> 00:20:07,004 NO, I THINK IT'S PERFECT, AND I WOULDN'T CHANGE A THING. 465 00:20:13,503 --> 00:20:15,213 I AM SO NERVOUS. 466 00:20:15,214 --> 00:20:17,844 WHAT ARE YOU NERVOUS ABOUT? BABY, YOU'RE GONNA BE GREAT. 467 00:20:17,837 --> 00:20:22,047 [ INDISTINCT CONVERSATIONS ] 468 00:20:22,051 --> 00:20:23,761 AHH. 469 00:20:23,763 --> 00:20:25,483 YOU KNOW, YOU LOOK PRETTY RELAXED 470 00:20:25,475 --> 00:20:28,515 FOR A MAN THAT'S ABOUT TO BECOME ALL EXPOSED. 471 00:20:28,518 --> 00:20:31,018 I MEAN, JUST LOOK AT ALL THESE PEOPLE HERE. 472 00:20:31,020 --> 00:20:33,020 YEAH, I SEE. WHO ARE ALL THESE PEOPLE? 473 00:20:33,022 --> 00:20:37,162 OH...DIFFERENT FRIENDS OF MINE. YOU KNOW, PEOPLE LIKE TO TALK. 474 00:20:37,156 --> 00:20:38,656 HA HA HA. 475 00:20:38,658 --> 00:20:41,698 SO, I GUESS YOU GOT ME, HUH? YOU FINALLY GOT ME BACK. 476 00:20:41,701 --> 00:20:43,161 Yes. 477 00:20:43,162 --> 00:20:45,202 NOW MAY I PRESENT THE WORK OF A NEW ARTIST 478 00:20:45,204 --> 00:20:47,544 WHO HAS GREAT TALENT, AN ORIGINAL STYLE, 479 00:20:47,537 --> 00:20:50,207 AND A FANTASTIC EYE FOR DETAIL. 480 00:20:50,209 --> 00:20:52,039 HER NAME IS JAY KYLE, 481 00:20:52,041 --> 00:20:56,181 AND THIS WORK IS ENTITLED "A NUDE STUDY OF MY HUSBAND." 482 00:20:56,175 --> 00:20:59,005 WHOO! WHOO! WHOO! WHOO! 483 00:20:59,008 --> 00:21:00,878 HOLY MOLY! HELLO! 484 00:21:00,880 --> 00:21:03,430 HOW DO YOU FIND TIME TO PAINT?! 485 00:21:05,435 --> 00:21:07,435 YOU DEFACED MY PAINTING! 486 00:21:07,437 --> 00:21:09,187 I DIDN'T TOUCH THE FACE. 487 00:21:09,188 --> 00:21:11,188 [ CHUCKLES ] THANKS, MAN. 488 00:21:17,857 --> 00:21:19,737 I CALL THIS ONE "LOVE." 489 00:21:19,739 --> 00:21:21,359 WOW. 490 00:21:21,361 --> 00:21:24,531 "SHE'S NOT HALLE, NOR HARDLY BERRY, 491 00:21:24,534 --> 00:21:26,674 "NOT EVEN J. LO. 492 00:21:26,666 --> 00:21:28,496 "BEAUTY? [ LAUGHS ] 493 00:21:28,498 --> 00:21:31,828 "OH, NO. 494 00:21:31,831 --> 00:21:32,831 "SEXY GIRLS? 495 00:21:32,832 --> 00:21:34,832 "I WOULD LIKE TO MEET. 496 00:21:34,834 --> 00:21:39,054 BUT THE ONES I ATTRACT HAVE NO FRONT TEETH." 33622

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