Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,624 --> 00:00:05,724
BOY, THAT WAS
A GREAT FILM.
2
00:00:05,716 --> 00:00:08,256
I AM GETTING TOO OLD
FOR THESE ACTION MOVIES,
3
00:00:08,259 --> 00:00:10,629
AND SO ARE SCHWARZENEGGER
AND STALLONE.
4
00:00:10,631 --> 00:00:12,801
OH, COME ON.
YOU DIDN'T ENJOY THAT?
5
00:00:12,803 --> 00:00:15,233
THAT'S THE FIRST TIME
THEY WORKED TOGETHER.
6
00:00:15,226 --> 00:00:19,396
[ Imitating Schwarzenegger ]
WE HAVE 3 SECONDS
TO SAVE THE WORLD.
7
00:00:19,400 --> 00:00:22,230
I NEED THE SPECIAL CODE
TO UNLOCK THE BOMB.
8
00:00:22,233 --> 00:00:25,283
[ Imitating Stallone ]
IT'S, UH...
9
00:00:25,276 --> 00:00:27,446
I THINK IT'S 4, 2, AND 7.
10
00:00:27,448 --> 00:00:30,568
[ Imitating Schwarzenegger ]
WHAT?! I DON'T UNDERSTAND
YOUR SPEECH IMPEDIMENT!
11
00:00:30,571 --> 00:00:32,991
[ Imitating Stallone ]
HEY, I DON'T UNDERSTAND
YOU, EITHER.
12
00:00:32,993 --> 00:00:35,213
I DON'T GIVE YOU GRIEF
ABOUT IT.
13
00:00:35,206 --> 00:00:37,326
I'M JUST TIRED OF THE SAME
OLD DINNER AND A MOVIE,
14
00:00:37,328 --> 00:00:39,158
DINNER AND A MOVIE,
DINNER AND A MOVIE.
15
00:00:39,160 --> 00:00:41,500
[ Normal voice ]
OKAY, WE'RE GONNA
MIX IT UP.
16
00:00:41,502 --> 00:00:44,092
NEXT WEEK -- MOVIE/DINNER,
MOVIE/DINNER, MOVIE/DINNER.
17
00:00:44,085 --> 00:00:45,255
IT'S ALWAYS THE SAME THING --
18
00:00:45,256 --> 00:00:47,126
WE GO TO CARMINE'S
ITALIAN KITCHEN,
19
00:00:47,128 --> 00:00:49,548
YOU ORDER THE PEPPERONI
PIZZA WITH EXTRA CHEESE,
20
00:00:49,550 --> 00:00:52,760
AND THEN YOU TELL THAT SAME OLD
STUPID JOKE TO JOE THE WAITER.
21
00:00:52,763 --> 00:00:53,973
NO, I DON'T.
22
00:00:53,974 --> 00:00:56,104
"DO YOU WANT
THE SOUP OR SALAD?"
23
00:00:56,097 --> 00:00:58,097
"NO, I DON'T WANT
THE SUPER SALAD.
24
00:00:58,099 --> 00:01:00,269
I'LL JUST HAVE
THE REGULAR ONE."
25
00:01:00,271 --> 00:01:02,851
YOU DIDN'T EVEN
DO IT FUNNY.
WHAT?!
26
00:01:02,853 --> 00:01:05,823
[ Italian accent ]
"DO YOU WANNA THE SOUP
OR THE SALAD?"
27
00:01:05,816 --> 00:01:08,856
[ Normal voice ]
"NO, I DON'T WANT
THE SUPER SALAD.
28
00:01:08,859 --> 00:01:10,109
I WANT THE REGULAR ONE!"
29
00:01:10,111 --> 00:01:13,071
SEE -- "THE REGULAR ONE!"
YOU BACKED OFF THE PUNCH LINE.
30
00:01:13,073 --> 00:01:15,003
ALL RIGHT, ALL RIGHT,
ALL RIGHT!
31
00:01:14,995 --> 00:01:18,535
WHAT I'M TRYING TO SAY IS WE
NEED TO SHAKE IT UP A BIT --
32
00:01:18,539 --> 00:01:20,749
ADD SOME VARIETY
LIKE WE USED TO.
33
00:01:20,751 --> 00:01:23,041
REMEMBER WHEN WE FIRST
STARTED DATING?
34
00:01:23,043 --> 00:01:26,303
YOU USED TO LOVE TAKING ME TO
MUSEUMS, AND HIKING, PICNICS.
35
00:01:26,297 --> 00:01:27,707
NO, I DIDN'T.
36
00:01:27,708 --> 00:01:30,878
I JUST LIKED WHERE THOSE PLACES
WERE GONNA TAKE ME --
37
00:01:30,881 --> 00:01:32,051
"PANTYVILLE."
38
00:01:32,052 --> 00:01:33,922
YOU KNOW WHAT I HEARD?
39
00:01:33,924 --> 00:01:37,604
I HEARD "PANTYVILLE" MIGHT BE
CLOSING DOWN FOR THE SEASON.
40
00:01:37,598 --> 00:01:39,598
NO, NOT "PANTYVILLE"!
NO!
41
00:01:43,724 --> 00:01:45,784
UH, UH, BEARD?
42
00:01:47,898 --> 00:01:49,528
SHAKY HAND?
43
00:01:50,611 --> 00:01:53,321
ABRAHAM LINCOLN WRITING
THE GETTYSBURG ADDRESS
44
00:01:53,324 --> 00:01:54,954
ON THE BACK OF AN ENVELOPE.
45
00:01:54,945 --> 00:01:57,035
OH, MY GOSH.
YOU ARE SO GOOD.
46
00:01:58,239 --> 00:01:59,909
HEY, WHAT ARE YOU TWO
UP TO?
47
00:01:59,910 --> 00:02:03,080
HOMEWORK. I HAVE TO DO A PAPER
ON NONVERBAL COMMUNICATION.
48
00:02:03,083 --> 00:02:05,343
KADY'S HELPING ME
BY PLAYING CHARADES.
49
00:02:05,336 --> 00:02:08,086
REALLY? I LOVE CHARADES.
I GOT ONE FOR YOU.
50
00:02:08,088 --> 00:02:09,748
OKAY.
51
00:02:10,511 --> 00:02:11,551
I...
52
00:02:11,552 --> 00:02:12,922
MM-HMM.
53
00:02:12,923 --> 00:02:14,433
SOUNDS LIKE...
54
00:02:15,466 --> 00:02:16,756
BUTTER...
55
00:02:16,757 --> 00:02:18,427
BUTTER -- MARGARINE!
56
00:02:20,811 --> 00:02:22,761
BUTTER -- BET--
BETTER? BETTER?
57
00:02:22,763 --> 00:02:24,483
I BETTER...
58
00:02:24,475 --> 00:02:26,225
SOUNDS LIKE...
59
00:02:26,227 --> 00:02:28,527
RAKE. CAKE. TAKE.
60
00:02:28,529 --> 00:02:30,899
I BETTER TAKE...
61
00:02:32,443 --> 00:02:34,993
THE GARBAGE -- OKAY.
62
00:02:34,985 --> 00:02:36,485
OUT...
63
00:02:36,487 --> 00:02:38,487
OR -- OR...
64
00:02:40,451 --> 00:02:42,201
OHH. GOT IT.
65
00:02:42,203 --> 00:02:45,383
HEY, KADY, LET ME TRY
66
00:02:45,376 --> 00:02:48,336
SOME REGULAR, OLD VERBAL
COMMUNICATION ON YOU.
67
00:02:48,339 --> 00:02:49,589
YOU READY?
68
00:02:49,590 --> 00:02:52,920
IF EVERY TOY IN YOUR ROOM
ISN'T PICKED UP IN 5 MINUTES,
69
00:02:52,923 --> 00:02:54,433
IT'S GONNA GET THROWN AWAY.
70
00:02:54,425 --> 00:02:57,425
UH-OH.
BETTER HURRY.
71
00:02:57,428 --> 00:02:59,598
WOW. WE'RE GETTING
GOOD AT THIS.
72
00:02:59,600 --> 00:03:02,470
GUESS WHAT, MOM?
I MADE THE CHEERLEADING SQUAD.
73
00:03:02,473 --> 00:03:04,613
[ SQUEALING ]
74
00:03:04,605 --> 00:03:06,395
[ IMITATES SQUEALING ]
75
00:03:09,069 --> 00:03:12,979
OH, BABY!
I AM SO PROUD OF YOU!
76
00:03:12,983 --> 00:03:15,913
THIS CONTINUES A FAMILY
TRADITION, YOU KNOW?
77
00:03:15,906 --> 00:03:17,576
YOU WERE A CHEERLEADER?
78
00:03:17,578 --> 00:03:19,948
GIRLS, GIVE ME SOME ROOM.
GIVE ME SOME ROOM.
79
00:03:19,950 --> 00:03:21,280
GO ON, MAMA.
80
00:03:21,282 --> 00:03:22,622
ALL RIGHT, READY?
81
00:03:22,623 --> 00:03:26,133
[ Cheering ]
FIRECRACKER! FIRECRACKER!
BOOM, BOOM, BOOM!
82
00:03:26,126 --> 00:03:28,536
FIRECRACKER! FIRECRACKER!
BOOM, BOOM, BOOM!
83
00:03:28,539 --> 00:03:31,589
DADDY IS A MOVIE STAR,
MAMA IS A VIXEN!
84
00:03:31,592 --> 00:03:35,682
WE'RE GOING DOWN TO WASHINGTON
TO MEET PRESIDENT NIXON!
85
00:03:35,676 --> 00:03:36,676
WHO?!
86
00:03:36,677 --> 00:03:39,717
[ Cheering ]
I MEAN CLINTON!
87
00:03:39,720 --> 00:03:41,390
HIP-HIP HOORAY!
88
00:03:41,392 --> 00:03:43,102
YAY!
THAT WAS GREAT!
89
00:03:43,103 --> 00:03:45,113
YOU LIKE IT?
I GOT ANOTHER ONE.
90
00:03:45,105 --> 00:03:46,305
NO, NO, NO.
91
00:03:46,307 --> 00:03:48,107
YEAH.
THAT WAS GREAT, MOM.
92
00:03:48,108 --> 00:03:50,518
COME ON, GIRLS.
LET'S GO TO A DIFFERENT ROOM.
93
00:03:50,521 --> 00:03:53,151
IF YOU NEED ANY POINTERS,
DON'T HESITATE TO CALL ME.
94
00:03:53,153 --> 00:03:54,453
OH, YEAH, WE WILL --
95
00:03:54,445 --> 00:03:55,945
NOT.
96
00:03:55,946 --> 00:03:58,616
UM, AND WHERE DO YOU THINK
YOU'RE GOING?
97
00:03:58,619 --> 00:04:01,489
OH. WITH THEM, TO WORK
ON MY NONVERBAL COMMUNICATION.
98
00:04:01,492 --> 00:04:02,662
NO, YOU'RE NOT.
99
00:04:02,663 --> 00:04:04,163
CAN I STARE?
NO.
100
00:04:04,164 --> 00:04:05,874
CAN I JUST LISTEN?
NO.
101
00:04:05,866 --> 00:04:08,416
CAN I SNIFF?
[ SNIFFING ]
102
00:04:08,419 --> 00:04:13,039
HEY, HEY, HEY, HEY!
EASY, EASY. EASY, EASY.
103
00:04:14,925 --> 00:04:18,425
JUST GO ON UP
TO YOUR ROOM -- YOUR ROOM.
104
00:04:18,429 --> 00:04:19,509
ALL RIGHT.
105
00:04:21,592 --> 00:04:23,552
YOU SEE, JAY.
THAT'S WHAT SCARES ME --
106
00:04:23,554 --> 00:04:25,444
BOYS LIKE THAT SNIFFING AROUND
MY DAUGHTER
107
00:04:25,436 --> 00:04:27,646
WHILE SHE'S OUT THERE
SHAKING HER POMPOMS.
108
00:04:27,648 --> 00:04:29,648
OH, STOP IT, MICHAEL.
SHE'S GROWING UP.
109
00:04:29,650 --> 00:04:30,980
BOYS ARE GONNA SNIFF.
110
00:04:30,981 --> 00:04:33,311
OH, GREAT. THANK YOU.
THAT'S COMFORTING.
111
00:04:33,314 --> 00:04:35,494
AND SPEAKING OF SHAKING
YOUR POMPOMS,
112
00:04:35,486 --> 00:04:38,486
I'VE DECIDED WHAT WE'RE
GONNA DO ON OUR NEXT DATE NIGHT,
113
00:04:38,489 --> 00:04:41,069
AND, REMEMBER, YOU PROMISED
TO KEEP AN OPEN MIND.
114
00:04:41,071 --> 00:04:42,401
THE MIND IS OPEN!
115
00:04:42,403 --> 00:04:43,613
DANCING!
116
00:04:43,614 --> 00:04:45,624
LAP OR BELLY?
NEITHER.
117
00:04:45,616 --> 00:04:46,666
MIND'S CLOSED.
118
00:04:46,667 --> 00:04:48,537
NO!
MICHAEL, YOU PROMISED!
119
00:04:48,539 --> 00:04:50,999
ANYWAY, I ALREADY SET US UP
FOR SOME LESSONS.
120
00:04:51,001 --> 00:04:53,121
I DON'T NEED LESSONS.
LOOK -- I CAN ROBOT.
121
00:04:53,123 --> 00:04:55,473
WHY I NEED TO LEARN
TO DANCE?
122
00:04:55,466 --> 00:04:57,546
POW.
PAM. PAM. PAM. PAM.
123
00:04:57,548 --> 00:05:00,378
PAM. PAM. PAM. PAM.
PAM. PAM. PAM. PAM.
124
00:05:00,381 --> 00:05:01,551
AND THAT'S WHY --
125
00:05:01,552 --> 00:05:03,592
I WANT TO DO
SOME ROMANTIC DANCING.
126
00:05:03,594 --> 00:05:05,934
JAY, LOOK, I'LL SLOW
THE ROBOT DOWN,
127
00:05:05,926 --> 00:05:07,596
PUT A FLOWER IN MY MOUTH.
128
00:05:07,598 --> 00:05:09,638
LOOK AT THIS --
PAM. PAM.
129
00:05:14,935 --> 00:05:16,935
BAM!
MICHAEL --
130
00:05:16,937 --> 00:05:18,487
ONE MORE.
PAM.
131
00:05:18,489 --> 00:05:19,609
NO.
132
00:05:19,610 --> 00:05:21,400
HEY, IF I DO THIS
WITH YOU,
133
00:05:21,402 --> 00:05:23,992
"PANTYVILLE" BETTER HAVE
SOME NEW RIDES THIS YEAR.
134
00:05:23,994 --> 00:05:25,754
I'LL SEE WHAT I CAN DO.
135
00:05:25,746 --> 00:05:28,576
BABY, THIS IS GONNA BE
SO MUCH FUN.
136
00:05:28,579 --> 00:05:32,289
WE ARE GOING TO LEARN
HOW TO DANCE WITH STYLE.
137
00:05:32,292 --> 00:05:33,952
IT'S SEXY, IT'S HOT...
138
00:05:33,954 --> 00:05:35,674
[ Foreign accent ]
IT'S SAMBA!
139
00:05:35,666 --> 00:05:37,086
AHHH...
140
00:05:37,087 --> 00:05:38,547
NO.
141
00:05:38,549 --> 00:05:42,419
OPEN MIND, MICHAEL.
OPEN MIND.
142
00:05:42,423 --> 00:05:44,683
MY NAME IS MARCELLO ROCOCO.
143
00:05:44,675 --> 00:05:46,515
I AM YOUR INSTRUCTOR
144
00:05:46,517 --> 00:05:50,057
AND 5-TIME WINNER
OF THE BAHIA LIA...
145
00:05:50,060 --> 00:05:51,890
SAMBA CONTEST.
146
00:05:51,892 --> 00:05:54,902
YEAH, WELL, I'M
MICHAEL KYLE, 5-TIME WINNER
147
00:05:54,895 --> 00:05:57,815
OF THE MICHAEL JACKSON
MOONWALK CONTEST,
148
00:05:57,818 --> 00:05:59,238
AND I'M OUT OF HERE.
149
00:05:59,239 --> 00:06:00,399
NO, NO!
150
00:06:00,401 --> 00:06:03,441
MICHAEL, STOP BEING A JERK.
BE SERIOUS.
151
00:06:03,444 --> 00:06:04,624
OKAY.
152
00:06:04,615 --> 00:06:06,745
YOU MUST BE JAY.
153
00:06:06,747 --> 00:06:09,987
WHAT A BEAUTIFUL WOMAN --
YOU REALLY ARE.
154
00:06:09,990 --> 00:06:11,410
AND MAY I SAY...
155
00:06:13,584 --> 00:06:15,924
BINK IS YOUR COLOR.
156
00:06:17,548 --> 00:06:19,258
IT'S PINK!
157
00:06:21,592 --> 00:06:23,962
SAMBA IS THE DANCE
OF SENSUALITY.
158
00:06:23,964 --> 00:06:26,854
YOU MUST FEEL
YOUR BODY.
159
00:06:26,847 --> 00:06:28,767
GO ON -- FEEL IT.
160
00:06:28,769 --> 00:06:29,809
YES, FEEL IT.
161
00:06:29,810 --> 00:06:31,470
COME ON, MICHAEL!
FEEL IT!
162
00:06:31,472 --> 00:06:33,012
OH, I FEEL IT.
163
00:06:33,013 --> 00:06:36,283
YOU KNOW WHAT MY BODY
FEELS LIKE?
164
00:06:36,276 --> 00:06:38,476
IT'S FEELS LIKE LEAVING.
165
00:06:38,479 --> 00:06:40,939
LISTEN TO THE RHYTHM
OF YOUR HEART.
166
00:06:40,941 --> 00:06:43,901
LET THE HEAT FROM THE FEET
MOVE YOUR HIP.
167
00:06:43,904 --> 00:06:45,704
THAT'S A SAMBA JOKE.
168
00:06:45,696 --> 00:06:47,156
[ LAUGHING ]
169
00:06:47,157 --> 00:06:50,197
[somebody]
WELL, SAMBA BODY
NEEDS ANOTHER WRITER.
170
00:06:50,200 --> 00:06:52,160
COME. WE BEGIN.
171
00:06:54,835 --> 00:06:57,665
FIRST, I WILL DEMONSTRATE
THE WOMAN'S PART.
172
00:06:57,668 --> 00:07:00,498
OH, YEAH. I GUESS I'LL
JUST BE OVER HERE.
173
00:07:02,132 --> 00:07:04,602
5, 6, 7, 8.
174
00:07:04,595 --> 00:07:07,005
BACKWARDS.
FORWARD. YES.
175
00:07:07,007 --> 00:07:08,717
BACKWARDS.
OKAY.
176
00:07:08,719 --> 00:07:10,049
FORWARDS.
177
00:07:10,050 --> 00:07:11,550
JUST SOME MORE HIP.
178
00:07:11,552 --> 00:07:13,892
PUT SOME MORE HIP
INTO IT -- YES.
179
00:07:13,894 --> 00:07:17,524
OKAY, YOU'RE GONNA HURT SOMEBODY
WITH ALL THAT HIP.
180
00:07:17,518 --> 00:07:21,108
BEAUTIFUL.
YOU ARE A NATURAL...
I AM?
181
00:07:21,111 --> 00:07:22,401
OH, YES.
182
00:07:22,402 --> 00:07:24,782
SURELY YOU MUST HAVE SOME
BRAZILIAN BLOOD
183
00:07:24,775 --> 00:07:27,325
COURSING THROUGH THIS
HOT BODY OF YOURS.
184
00:07:27,327 --> 00:07:30,407
ACTUALLY, NOW THAT I
THINK ABOUT IT, I DO HAVE
185
00:07:30,410 --> 00:07:33,370
A GREAT-GREAT-GRANDMOTHER
ON MY DADDY'S SIDE
186
00:07:33,373 --> 00:07:36,133
THAT HAD A SMIDGEN
OF BRAZILIAN IN HER.
187
00:07:38,499 --> 00:07:40,499
WHAT? IF YOU COULD BE
PART CHEROKEE,
188
00:07:40,501 --> 00:07:41,881
I COULD BE PART BRAZILIAN.
189
00:07:41,882 --> 00:07:45,762
SPEAKING OF "PART," I'M A PART
OF THIS LESSON HERE.
190
00:07:45,756 --> 00:07:48,426
I'M THE PART WHO SIGNS
THE CHECK.
191
00:07:48,428 --> 00:07:49,678
SURE.
192
00:07:49,680 --> 00:07:52,390
NOW I WILL SHOW YOU
THE MAN'S PART.
193
00:07:52,392 --> 00:07:54,812
IT IS SO SIMPLE --
SO VERY SIMPLE.
194
00:07:54,805 --> 00:07:56,895
I CAN DO SIMPLE.
GO AHEAD.
195
00:07:58,899 --> 00:08:01,599
THAT'S EASY.
I CAN DO THAT. SIMPLE.
196
00:08:06,316 --> 00:08:07,486
OLé!
197
00:08:07,487 --> 00:08:09,487
[ SQUEALS ]
GET DOWN!
198
00:08:09,489 --> 00:08:12,069
SEE? IT'S SIMPLE.
NOW YOU TRY IT.
199
00:08:12,072 --> 00:08:13,372
I CAN DO THAT.
200
00:08:13,373 --> 00:08:15,333
I USED TO HAVE ROACHES, TOO.
201
00:08:16,416 --> 00:08:17,746
GET OUT OF THE WAY!
202
00:08:17,748 --> 00:08:19,168
GET AWAY!
203
00:08:19,169 --> 00:08:20,619
GET AWAY!
204
00:08:23,584 --> 00:08:26,634
HA HA HA HA HA HA HA!
205
00:08:29,800 --> 00:08:31,340
HEY, BABY, SIT DOWN.
206
00:08:31,341 --> 00:08:33,511
I GOT A LITTLE PREVIEW
OF DINNER TONIGHT.
207
00:08:33,513 --> 00:08:36,103
YOU GOT TO TELL ME IF YOU
THINK THE KIDS WILL LIKE IT.
208
00:08:36,096 --> 00:08:39,396
I DON'T RECOGNIZE ANYTHING
ON THIS PLATE.
209
00:08:39,399 --> 00:08:42,939
OH, THAT'S FEIJOADA, GAZHA,
AND BOBO DE CAMARAO.
210
00:08:42,943 --> 00:08:44,863
BOBO DID WHAT TO THE COW?
211
00:08:44,855 --> 00:08:47,605
BOBO DE CAMARAO --
IT'S BRAZILIAN.
212
00:08:47,608 --> 00:08:48,528
OH. BRAZILIAN.
213
00:08:48,528 --> 00:08:51,238
YOU'RE GOING
BRAZILIAN CRAZY HERE.
214
00:08:51,241 --> 00:08:54,031
IS THAT WHY YOU'RE WEARING
THE PINK --
215
00:08:54,034 --> 00:08:57,504
BECAUSE MR. ROCOCA-COLA SAID
THAT WAS YOUR COLOR?
216
00:08:57,497 --> 00:09:00,077
DID HE SAY THAT?
[ GIGGLES ]
217
00:09:00,080 --> 00:09:02,460
HE MIGHT HAVE.
I DON'T KNOW.
218
00:09:02,462 --> 00:09:05,882
BABY, TASTE THE FOOD
BEFORE IT GETS COLD.
219
00:09:05,876 --> 00:09:09,166
LISTEN -- I DON'T LIKE THE
WAY THIS MAN LOOKS AT YOU.
220
00:09:09,169 --> 00:09:12,169
AND I DON'T' LIKE HIM TOUCHING
YOUR MOVING HIPS --
221
00:09:12,172 --> 00:09:13,302
THE HIPS THAT MOVE.
222
00:09:13,303 --> 00:09:15,563
THOSE ARE MY HIPS.
YOU DON'T MOVE THE HIPS.
223
00:09:15,555 --> 00:09:18,595
BABY, THE TEACHER HAS TO BE
ATTENTIVE TO THE PUPIL,
224
00:09:18,599 --> 00:09:21,349
AND THE PUPIL HAS TO BE
RESPONSIVE TO THE TEACHER.
225
00:09:21,351 --> 00:09:23,391
THIS GUY'S GETTING INTO
YOUR HEAD.
226
00:09:23,393 --> 00:09:25,283
YOU'RE BECOMING
BRAZILIAN CRAZY.
227
00:09:25,275 --> 00:09:26,485
I'M NOT BRAZILIAN CRAZY.
228
00:09:26,486 --> 00:09:30,236
NOW, SIéNTATE ALLá
WHILE I GO WATCH TELEMUNDO.
229
00:09:30,240 --> 00:09:34,240
MI ESPOSA ES MUY LOCA
EN LA CABEZA,
230
00:09:34,244 --> 00:09:38,544
PERO EL CULO ES MUY,
MUY GRANDE Y LINDA.
231
00:09:40,330 --> 00:09:42,410
LAST WEEK, WE LEARNED
A FEW SIMPLE STEPS.
232
00:09:42,412 --> 00:09:44,412
BUT THIS WEEK,
I WILL TEACH YOU
233
00:09:44,414 --> 00:09:46,634
THE ESSENCE OF WHAT
SAMBA IS ALL ABOUT.
234
00:09:46,627 --> 00:09:51,207
AND MAY I SAY
ORANGE...IS YOUR COLOR.
235
00:09:51,211 --> 00:09:53,881
WHAT HAPPENED TO BINK?
236
00:09:53,884 --> 00:09:56,274
YOU ARE A BEAUTIFUL WOMAN...
237
00:09:56,266 --> 00:09:59,136
WITH HIPS CONSTRUCTED
FOR SAMBA.
238
00:09:59,139 --> 00:10:01,889
YEAH, THAT'S WHY
I MARRIED HER.
239
00:10:01,892 --> 00:10:05,322
IN BRAZIL, YOU'D BE
CONSIDERED A GODDESS.
240
00:10:05,315 --> 00:10:09,025
WELL, HERE IN AMERICA,
SHE'S CONSIDERED MY WIFE!
241
00:10:09,029 --> 00:10:13,399
LET ME SET THE SCENE --
IT'S CARNAVAL IN RIO DE JANEIRO.
242
00:10:13,403 --> 00:10:16,873
THE SUN IS SETTING,
AND YOU ARE ON A BEACH --
243
00:10:16,867 --> 00:10:20,497
THE COPACABANA --
WEARING NOTHING BUT A THONG.
244
00:10:20,500 --> 00:10:22,740
YEAH, AND WHERE
AM I AT?
245
00:10:22,743 --> 00:10:25,593
YOU'RE AT THE HOTEL
TAKING A NAP.
246
00:10:25,585 --> 00:10:27,745
LOVE IS IN THE AIR --
SAMBA!
247
00:10:27,748 --> 00:10:30,958
NOW I MUST ADD ONE
OF MY FAVORITE MOVES
248
00:10:30,961 --> 00:10:34,511
IN SAMBA DANCING,
AND WE CALL IT THE BOUNCE MOVE!
249
00:10:34,514 --> 00:10:36,724
YES, BOUNCE WITH ME!
YES, YES!
250
00:10:36,717 --> 00:10:39,057
VERY NICE.
TURN, TURN, TURN.
251
00:10:39,059 --> 00:10:40,559
SHAKE. KEEP SHAKING.
252
00:10:40,560 --> 00:10:42,430
OOH!
BRING IT OVER!
253
00:10:42,432 --> 00:10:45,362
YES! YES!
TURN AROUND AGAIN!
254
00:10:45,355 --> 00:10:47,025
OKAY.
LET'S BOUNCE OUT.
255
00:10:47,027 --> 00:10:48,607
BOUNCY, BOUNCY,
BOUNCE.
256
00:10:48,608 --> 00:10:50,528
BOUNCY, BOUNCY,
BOUNCE.
257
00:10:50,530 --> 00:10:52,980
BYE, MR. ROCOCO.
258
00:10:52,983 --> 00:10:54,653
BYE, JAY.
259
00:10:54,654 --> 00:10:56,664
BABY, THAT WAS
SO INVIGORATING.
260
00:10:56,656 --> 00:10:59,036
I FEEL SO ALIVE!
THAT WAS SO MUCH FUN!
261
00:10:59,039 --> 00:11:01,619
NOW I WANNA GO UPSTAIRS,
AND I WANT TO WATCH YOU
262
00:11:01,621 --> 00:11:04,581
DO THAT BOUNCY-BOUNCY MOVE OVER
ME ON THE BED.
263
00:11:04,584 --> 00:11:06,594
UNH-UNH. I'M TOO TIRED
FOR ALL THAT.
264
00:11:06,586 --> 00:11:08,496
JAY, LET'S QUIT THIS THING.
265
00:11:08,498 --> 00:11:11,918
LET'S GO BACK TO DOING
THE DINNER AND A MOVIE.
266
00:11:11,922 --> 00:11:14,972
NO, BABY. I GOT US
THE 10-LESSON PACKAGE.
267
00:11:14,965 --> 00:11:18,885
WE CAN'T DO THAT, 'CAUSE WE'VE
ONLY JUST BEGUN TO SAMBA!
268
00:11:18,889 --> 00:11:20,349
HA HA HA!
269
00:11:20,350 --> 00:11:21,760
[ SQUEALS ]
270
00:11:26,566 --> 00:11:29,516
[ Disguised voice ]
YES, IS THIS MR. ROCOCO?
271
00:11:29,519 --> 00:11:31,069
MY NAME IS WALTER JOHNSON
272
00:11:31,071 --> 00:11:34,481
FROM THE, UH, IMMIGRATION
AND NATURAL-L-IZATION SERVICES.
273
00:11:34,484 --> 00:11:39,164
THE IMMIGRATION AND
NATURAL-L-IZATION SERVICES.
274
00:11:39,159 --> 00:11:41,619
NATURAL-L-IZATION SERVICES.
275
00:11:41,621 --> 00:11:43,821
HEY, YOU KNOW
WHAT I'M SAYING.
276
00:11:43,824 --> 00:11:47,544
LISTEN, I'M CALLING TO SEE
IF YOUR PAPERS ARE IN ORDER.
277
00:11:47,537 --> 00:11:49,627
HELLO? HELLO?
278
00:11:52,833 --> 00:11:54,003
HEY, MOM.
279
00:11:54,004 --> 00:11:55,394
HEY. HEY, GIRLS.
280
00:11:55,385 --> 00:11:58,175
IS IT OKAY IF WE PRACTICE
IN THE GARAGE TODAY?
281
00:11:58,178 --> 00:11:59,338
OF COURSE.
282
00:11:59,339 --> 00:12:00,429
[ CHEERING ]
283
00:12:00,430 --> 00:12:03,390
OH.
284
00:12:03,393 --> 00:12:04,553
LET'S GO.
285
00:12:07,267 --> 00:12:10,187
YOU KNOW WHAT THEY'RE SAYING
AT SCHOOL ABOUT CLAIRE?
286
00:12:10,190 --> 00:12:12,350
THAT SHE ONLY GOT THE
CHEERLEADING SPOT
287
00:12:12,352 --> 00:12:14,952
BECAUSE SHE'S PRETTY,
WHICH IS RIDICULOUS,
288
00:12:14,945 --> 00:12:17,355
BECAUSE SHE DOES ABSOLUTELY
NOTHING FOR ME.
289
00:12:21,121 --> 00:12:23,781
SON, GO BACK
TO THE NONVERBAL YOU.
290
00:12:23,784 --> 00:12:26,374
DESPITE THAT LAST
LITTLE SLIP,
291
00:12:26,366 --> 00:12:30,246
CLAIRE IS AS COORDINATED
AND ATHLETIC AS HER MOTHER.
292
00:12:30,250 --> 00:12:33,540
AND AS ANY SAMBA INSTRUCTOR
WILL TELL YOU,
293
00:12:33,543 --> 00:12:35,383
HER MOTHER IS A NATURAL.
294
00:12:35,375 --> 00:12:37,465
COME ON.
I'LL PROVE IT TO YOU.
295
00:12:37,467 --> 00:12:39,507
LET'S GO WATCH
THEM PRACTICE.
296
00:12:39,509 --> 00:12:41,549
YAY!
[ SNIFFING ]
297
00:12:41,551 --> 00:12:43,341
HEY, BOY! BOY!
298
00:12:43,343 --> 00:12:44,473
COME HERE!
299
00:12:44,474 --> 00:12:46,024
WHOA, WHOA!
HEY!
300
00:12:46,016 --> 00:12:47,226
EASY, EASY.
301
00:12:47,227 --> 00:12:49,017
EASY. HEEL, BOY.
HEEL.
302
00:12:49,019 --> 00:12:51,059
HEY, YOU GUYS.
YOU MIND IF WE WATCH?
303
00:12:51,061 --> 00:12:52,231
OH, NO PROBLEM.
304
00:12:52,232 --> 00:12:54,522
WATCH. WATCH.
305
00:12:54,524 --> 00:12:58,164
LET'S START WITH THE
"YEAH, BABY" CHEER.
306
00:12:59,860 --> 00:13:01,570
5, 6, 7, 8.
307
00:13:01,571 --> 00:13:03,701
READY! HIT IT!
308
00:13:03,703 --> 00:13:05,673
[ Cheering ]
HEY, KATHY!
YEAH, BABY?!
309
00:13:05,665 --> 00:13:07,035
HEY, KATHY!
YEAH, BABY?!
310
00:13:07,037 --> 00:13:08,497
INTRODUCE YOURSELF!
OKAY!
311
00:13:08,498 --> 00:13:10,408
MY NAME IS KATHY!
312
00:13:10,410 --> 00:13:13,410
MY SIGN IS LIBRA!
I CHEER FOR KEVIN!
313
00:13:13,413 --> 00:13:15,303
RIGHT ON, RIGHT ON!
314
00:13:15,295 --> 00:13:16,965
HEY, SHANIKQUA!
YEAH!
315
00:13:16,967 --> 00:13:19,007
INTRODUCE YOURSELF!
ALL RIGHT.
316
00:13:19,009 --> 00:13:20,299
INTRODUCE YOURSELF!
317
00:13:20,300 --> 00:13:21,420
MY NAME'S SHANIKQUA!
318
00:13:21,421 --> 00:13:22,801
RIGHT ON, RIGHT NOW!
319
00:13:22,802 --> 00:13:24,092
I CHEER FOR CHANCE!
320
00:13:24,094 --> 00:13:26,434
RIGHT ON, RIGHT ON!
AND NOW CLAIRE!
321
00:13:26,426 --> 00:13:29,886
COME ON, CLAIRE! SHOW 'EM
WHAT MOMMY'S BABY'S MADE OF!
322
00:13:29,890 --> 00:13:31,100
HEY, CLAIRE!
323
00:13:31,101 --> 00:13:32,271
HUH?
324
00:13:32,272 --> 00:13:33,432
IT'S, "YEAH, BABY?"
325
00:13:33,433 --> 00:13:35,443
THAT'S RIGHT.
OKAY.
326
00:13:35,435 --> 00:13:36,355
YEAH, BABY?!
327
00:13:36,356 --> 00:13:38,066
INTRODUCE YOURSELF!
328
00:13:38,068 --> 00:13:39,238
MY NAME IS CLAIRE!
329
00:13:39,239 --> 00:13:40,489
RIGHT ON, RIGHT ON!
330
00:13:40,490 --> 00:13:42,280
MY SIGN IS --
WHAT'S MY SIGN, MOM?
331
00:13:42,282 --> 00:13:43,492
PISCES, GIRL!
332
00:13:43,493 --> 00:13:45,753
PISCES, GIRL!
RIGHT ON, RIGHT ON!
333
00:13:45,745 --> 00:13:48,245
I CHEER FOR TONY!
RIGHT ON, RIGHT ON!
334
00:13:48,248 --> 00:13:51,788
SW-W-O-O-O-O!
335
00:13:56,416 --> 00:13:57,756
[ KNOCK ON DOOR ]
336
00:13:57,757 --> 00:13:59,167
HEY. YOU GOT A SEC?
337
00:13:59,169 --> 00:14:00,759
SURE, DAD.
WHAT'S UP?
338
00:14:00,760 --> 00:14:03,590
DID YOU ENJOY WATCHING
YOUR LITTLE CHEERLEADER GO?
339
00:14:10,270 --> 00:14:13,390
YEAH, THAT'S ACTUALLY WHAT
I CAME TO TALK TO YOU ABOUT.
340
00:14:13,393 --> 00:14:14,983
WELL, WHAT DID YOU THINK?
341
00:14:14,975 --> 00:14:16,525
HONESTLY?
342
00:14:16,526 --> 00:14:19,436
I DON'T THINK YOU'RE QUITE UP TO
PAR WITH THE REST OF THE SQUAD.
343
00:14:19,439 --> 00:14:20,649
WHAT DO YOU MEAN?
344
00:14:20,650 --> 00:14:23,940
WELL, MAYBE CHEERLEADING
IS NOT YOUR FORTE.
345
00:14:23,944 --> 00:14:26,704
WHY DOES EVERYBODY
KEEP SAYING THAT?
346
00:14:26,696 --> 00:14:29,196
WELL, MAYBE BECAUSE
IT'S TRUE.
347
00:14:29,199 --> 00:14:32,489
BUT IF IT WERE TRUE,
WHY AM I ON THE SQUAD?
348
00:14:32,492 --> 00:14:35,632
IT'S BECAUSE
YOU'RE PRETTY, CLAIRE.
349
00:14:35,625 --> 00:14:38,995
SEE, PRETTY PEOPLE LIKE YOU...
AND ME
350
00:14:38,999 --> 00:14:42,379
HAVE CERTAIN DOORS OPENED
FOR THEM IN LIFE.
351
00:14:42,382 --> 00:14:44,672
IS THAT WHY
JUNIOR STRUGGLES?
352
00:14:44,674 --> 00:14:46,354
YES, EXACTLY.
353
00:14:46,346 --> 00:14:49,136
BUT YOU AND I -- WE CARRY
THE BURDEN OF BEAUTY,
354
00:14:49,139 --> 00:14:51,429
AND IT'S
A HEAVY LOAD SOMETIMES.
355
00:14:51,431 --> 00:14:55,481
YOU NEVER KNOW IF SOMEBODY
LIKES YOU FOR YOU
356
00:14:55,475 --> 00:14:57,065
OR FOR ALL OF THIS.
357
00:14:57,067 --> 00:15:01,277
SO IT'S YOUR RESPONSIBILITY
NOT TO SLIDE THROUGH LIFE
358
00:15:01,281 --> 00:15:04,521
JUST ON THE LAURELS
OF YOUR GOOD LOOKS.
359
00:15:04,524 --> 00:15:08,414
YOU HAVE TO FIND YOUR TALENTS
AND DEVELOP THEM.
360
00:15:08,408 --> 00:15:11,408
DON'T BE JUST
ANOTHER BEAUTIFUL GIRL.
361
00:15:11,411 --> 00:15:15,381
BE A BEAUTIFUL GIRL WITH
SOMETHING TO OFFER THE WORLD.
362
00:15:15,375 --> 00:15:17,495
SO, WHAT ARE YOU SAYING?
363
00:15:20,500 --> 00:15:22,040
OKAY.
364
00:15:23,543 --> 00:15:27,053
LOOK, ASK YOURSELF
THIS QUESTION, CLAIRE --
365
00:15:27,047 --> 00:15:29,467
DO I WANT TO BE A CHEERLEADER
366
00:15:29,469 --> 00:15:33,389
EVEN THOUGH THE ONLY REASON
WHY I'M THERE
367
00:15:33,393 --> 00:15:35,523
IS BECAUSE I LOOK GOOD?
368
00:15:37,477 --> 00:15:38,687
YEP.
369
00:15:38,688 --> 00:15:40,818
GOOD TALK.
370
00:15:43,693 --> 00:15:46,123
BABY, I AM SO LOOKING FORWARD
TO THIS.
371
00:15:46,116 --> 00:15:49,066
BABE, I LOVE THIS ATTITUDE
ADJUSTMENT YOU'VE MADE.
372
00:15:49,069 --> 00:15:52,119
HEY, IF SAMBA'S WHAT YOU WANT,
SAMBA'S WHAT YOU GET.
373
00:15:52,122 --> 00:15:53,452
OOH, BOY.
374
00:15:53,453 --> 00:15:54,953
[ SMOOCHES ]
375
00:15:54,954 --> 00:15:58,924
OH, HI. WE HAVE A 7:00
APPOINTMENT WITH MR. ROCOCO.
376
00:15:58,918 --> 00:16:00,668
[ Foreign accent ]
I'M SORRY TO INFORM YOU,
377
00:16:00,670 --> 00:16:02,500
BUT MR. ROCOCO
IS NO LONGER WITH US.
378
00:16:02,502 --> 00:16:04,212
OH, MAN!
379
00:16:04,214 --> 00:16:07,514
WELL, WHAT HAPPENED?
380
00:16:07,507 --> 00:16:09,757
HE HAD AN EMERGENCY
IN BRAZIL.
381
00:16:09,759 --> 00:16:12,929
OH, HE MUST'VE HAD SOMETHING
"DEPORTANT" TO DO.
382
00:16:12,932 --> 00:16:14,592
WE'RE REALLY DISAPPOINTED.
383
00:16:14,594 --> 00:16:17,654
WE WERE REALLY LOOKING FORWARD
TO OUR LESSON.
384
00:16:17,647 --> 00:16:20,057
NOT TO WORRY.
I'M SELMA.
385
00:16:20,060 --> 00:16:21,730
I'M HIS REPLACEMENT.
386
00:16:21,731 --> 00:16:23,231
HEY, SELMA.
387
00:16:23,233 --> 00:16:26,743
AND I WOULD BE PLEASED
TO BE YOUR NEW INSTRUCTOR.
388
00:16:26,736 --> 00:16:28,816
NO! NO! WE CAN'T DO THAT,
RIGHT, BABE?!
389
00:16:28,818 --> 00:16:30,408
WE SHOULD GO HOME.
390
00:16:30,410 --> 00:16:32,110
YOU'RE NOT REALLY
INTO THIS, ANYWAY, RIGHT?
391
00:16:32,112 --> 00:16:34,702
A DEAL IS A DEAL,
UH, UH...
392
00:16:34,704 --> 00:16:37,044
JAY!
JAY -- YEAH, JAY.
393
00:16:37,037 --> 00:16:39,457
I MEAN, WE'VE GOT
7 MORE LESSONS.
394
00:16:39,459 --> 00:16:41,919
LET'S JUST MUDDLE THROUGH
WITH SELMA.
395
00:16:41,921 --> 00:16:45,391
YOU CAN GO SIT DOWN. I LIKE
TO WORK WITH THE MAN FIRST.
396
00:16:45,385 --> 00:16:48,085
YEAH, SIT DOWN OVER THERE.
POR FAVOR, AQUí.
397
00:16:48,088 --> 00:16:49,428
SIéNTATE.
398
00:16:49,429 --> 00:16:52,389
FIRST, LET ME SET
THE SCENE.
399
00:16:52,392 --> 00:16:54,182
CARNAVAL.
400
00:16:54,184 --> 00:16:56,484
YEAH, AND YOU'RE LAYING ON THE
BEACH IN NOTHING BUT A THONG,
401
00:16:56,476 --> 00:16:58,476
AND SHE'S BACK AT THE HOTEL
TAKING A NAP.
402
00:17:00,019 --> 00:17:01,479
YEAH.
403
00:17:01,481 --> 00:17:04,481
NOW, LET ME DEMONSTRATE
THE BOUNCE MOVE.
404
00:17:04,484 --> 00:17:06,364
YEAH, LOOK AT THEM BOUNCE.
405
00:17:06,356 --> 00:17:07,276
OH, WAIT!
406
00:17:07,277 --> 00:17:09,487
OH HO HO.
HA HA HA.
407
00:17:09,489 --> 00:17:11,489
NO. SEE, WE HAD LEARNED
THAT ONE ALREADY.
408
00:17:11,491 --> 00:17:12,741
THAT ONE'S PLAYED OUT.
409
00:17:12,742 --> 00:17:14,782
I DIDN'T LEARN THAT,
REMEMBER?
410
00:17:14,784 --> 00:17:17,924
YOU LEARNED IT, AND I DIDN'T
GET A CHANCE TO LEARN.
411
00:17:17,917 --> 00:17:19,417
NO, I DON'T REMEMBER THAT.
412
00:17:19,419 --> 00:17:21,249
YOU WILL REMEMBER.
413
00:17:21,251 --> 00:17:23,961
FOLLOW THE RHYTHM
OF MY HIPS.
414
00:17:23,963 --> 00:17:28,133
WHOA. THAT'S A WHOLE
RHYTHM SECTION RIGHT THERE.
415
00:17:28,128 --> 00:17:29,258
WOW. OOH.
416
00:17:29,259 --> 00:17:30,509
HEY, HEY, BABE.
417
00:17:30,510 --> 00:17:32,840
I'M NOT REALLY FEELING
VERY COMFORTABLE ABOUT THIS.
418
00:17:32,842 --> 00:17:34,382
YOU'LL GET YOUR TURN
WITH SELMA,
419
00:17:34,384 --> 00:17:35,604
AND I WANT TO WATCH THAT.
420
00:17:35,595 --> 00:17:36,975
MICHAEL!
421
00:17:36,976 --> 00:17:38,436
WHAT?
422
00:17:38,438 --> 00:17:42,018
SHE'S JUST BEING A GOOD TEACHER,
AND I'M BEING A GREAT STUDENT.
423
00:17:44,023 --> 00:17:48,323
OH, YOU HAVE A VERY
STRONG CHEST.
424
00:17:48,318 --> 00:17:49,318
CHEST?
425
00:17:49,319 --> 00:17:50,489
YES.
426
00:17:50,490 --> 00:17:51,490
YES.
427
00:17:51,491 --> 00:17:54,321
[ GIGGLING ]
428
00:18:01,461 --> 00:18:04,001
♪ DOOM CHA-DAH
CHA-CHA CHA-CHA ♪
429
00:18:04,003 --> 00:18:05,713
♪ SHA!
LA-DAH DAH-DAH! ♪
430
00:18:05,705 --> 00:18:07,705
♪ DUM DAH-DAH
CHA-CHA DAH-DAH ♪
431
00:18:07,707 --> 00:18:09,917
♪ AND BOUNCY,
AND BOUNCY, BOUNCY ♪
432
00:18:09,919 --> 00:18:12,299
♪ BOUNCY,
BOUNCY, BOUNCY ♪
433
00:18:12,302 --> 00:18:13,842
♪ BOUNCY,
CHA-CHA-CHA ♪
434
00:18:13,843 --> 00:18:16,063
WHAT ARE YOU WEARING?!
435
00:18:16,055 --> 00:18:18,135
WHAT, THIS OLD THING?
436
00:18:19,429 --> 00:18:21,769
[ Foreign accent ]
YOU LIKE, YES OR NO?
437
00:18:21,771 --> 00:18:24,311
YES, I HAVE ONE JUST
LIKE IT IN MY CLOSET.
438
00:18:24,314 --> 00:18:27,034
I'M NOT GOING ANYWHERE
WITH YOU LOOKING LIKE THAT!
439
00:18:27,026 --> 00:18:29,316
I GUESS IT'S
JUST ME AND SELMA
440
00:18:29,319 --> 00:18:31,489
DANCING
THE NIGHT AWAY, HUH?
441
00:18:31,491 --> 00:18:33,111
OVER YOUR DEAD BODY.
442
00:18:33,112 --> 00:18:36,742
JANET MARIE KYLE, IF I
DIDN'T KNOW ANY BETTER,
443
00:18:36,736 --> 00:18:41,116
I'D SAY YOU WERE JEALOUS
OVER THE NEW DANCE INSTRUCTOR.
444
00:18:41,120 --> 00:18:43,500
I'M NOT JEALOUS.
JEALOUS!
445
00:18:43,503 --> 00:18:44,743
I'M NOT JEALOUS!
446
00:18:44,744 --> 00:18:46,344
I'M JUST NOT INTERESTED
447
00:18:46,336 --> 00:18:49,296
IN WATCHING YOU DROOL ALL
OVER THAT BRAZILIAN BIMBO.
448
00:18:49,299 --> 00:18:52,169
I WAS NOT DROOLING.
MY TONGUE WAS SWEATING.
449
00:18:52,172 --> 00:18:54,342
AND WASN'T IT YOU WHO SAID
450
00:18:54,344 --> 00:18:57,564
THAT THE INSTRUCTOR
HAD TO TOUCH YOUR HIPS
451
00:18:57,557 --> 00:19:01,017
IN ORDER TO SHOW YOU
THE RIGHT MOVES, HUH?
452
00:19:01,020 --> 00:19:03,930
OR WAS THAT ONLY WHEN YOU
WERE FLIRTING
453
00:19:03,933 --> 00:19:07,323
WITH MR. "5-TIME BAHIA-HIA,
SAMBA-SAMBA" CHAMPION
454
00:19:07,317 --> 00:19:08,767
MR. ROCOCO?
455
00:19:08,768 --> 00:19:10,318
I WAS NOT FLIRTING.
456
00:19:10,320 --> 00:19:13,270
[ Imitating Ricky Ricardo ]
LUCY...
457
00:19:15,275 --> 00:19:16,735
OKAY, OKAY.
458
00:19:16,736 --> 00:19:18,406
I WAS FLIRTING,
459
00:19:18,408 --> 00:19:22,238
BUT IT WAS INNOCENT,
AND IT WAS ALL IN FUN.
460
00:19:22,242 --> 00:19:24,782
IT WASN'T FUN FOR ME.
IT DROVE ME CRAZY.
461
00:19:24,784 --> 00:19:27,054
I CAN'T STAND TO SEE
ANOTHER MAN
462
00:19:27,046 --> 00:19:29,496
TOUCH YOU OR
LOOK AT YOU LIKE THAT.
463
00:19:29,499 --> 00:19:30,459
MMM, BABY.
464
00:19:30,460 --> 00:19:33,670
I THINK IT'S VERY SWEET THAT
AFTER ALL THESE YEARS,
465
00:19:33,673 --> 00:19:35,513
WE COULD STILL GET JEALOUS.
466
00:19:35,505 --> 00:19:38,385
YEAH, I'M ALWAYS GONNA
BE JEALOUS OF YOU.
467
00:19:38,388 --> 00:19:39,388
REALLY?
MM-HMM.
468
00:19:39,389 --> 00:19:41,059
EVEN IN THE NURSING HOME,
469
00:19:41,060 --> 00:19:43,430
I'LL BE JEALOUS OF THE GUY
THAT CHANGES YOUR DIAPER.
470
00:19:43,433 --> 00:19:46,313
[ Imitating old man ]
DON'T -- WHAT ARE YOU
LOOKING AT?!
471
00:19:46,306 --> 00:19:48,566
THAT'S MINE!
OHHH!
472
00:19:48,568 --> 00:19:51,398
[ Laughing ]
STOP IT!
473
00:19:56,656 --> 00:20:00,696
[ Italian accent ]
WOULD YOU LIKE A SOUP
OR SALAD?
474
00:20:00,700 --> 00:20:04,280
I DON'T WANT THE SUPER SALAD.
I WANT THE REGULAR ONE!
475
00:20:04,284 --> 00:20:05,714
HA HA HA.
476
00:20:05,705 --> 00:20:07,785
THE REGULAR!
477
00:20:07,787 --> 00:20:09,627
[ No accent ]
WHAT A JERK.
478
00:20:09,629 --> 00:20:11,789
HE LOVES WHEN I
DO THAT TO HIM.
479
00:20:11,791 --> 00:20:13,291
[ SIGHS ]
YEAH.
480
00:20:13,293 --> 00:20:15,473
OH, BOY.
EXCUSE ME A SECOND.
481
00:20:15,465 --> 00:20:16,965
MM-HMM.
482
00:20:21,801 --> 00:20:24,341
[ Foreign accent ]
MAY I HAVE THIS DANCE?
483
00:20:24,344 --> 00:20:26,314
[ LAUGHS ]
484
00:20:31,351 --> 00:20:34,151
PHH! PHH!
485
00:20:34,153 --> 00:20:35,323
PHH!
486
00:20:35,315 --> 00:20:36,315
[ LAUGHING ]
487
00:20:36,316 --> 00:20:37,526
YOU KNOW WHAT?
488
00:20:37,527 --> 00:20:39,697
THIS MOVE MAY JUST HAVE
EARNED YOU
489
00:20:39,699 --> 00:20:41,739
A SEASON PASS
TO "PANTYVILLE."
490
00:20:41,741 --> 00:20:42,951
OH, I LIKE THAT.
491
00:20:42,952 --> 00:20:45,332
I WANT TO RIDE
IN THE BUMPER CARS.
492
00:20:45,325 --> 00:20:46,495
[ LAUGHING ]
493
00:20:46,496 --> 00:20:48,866
YOU KNOW, THE ONLY SHAME
ABOUT THIS WHOLE THING
494
00:20:48,868 --> 00:20:50,748
IS THAT WE LOST
ALL THAT MONEY
495
00:20:50,750 --> 00:20:53,000
ON THE REST OF THOSE
SAMBA LESSONS.
496
00:20:53,002 --> 00:20:54,792
OH, I DON'T THINK
WE DID.
497
00:21:04,053 --> 00:21:06,483
[ SNIFFING ]
498
00:21:08,648 --> 00:21:13,148
[ As Schwarzenegger ]
WE ONLY HAVE 16 SECONDS
TO SAVE THE WORLD.
499
00:21:13,152 --> 00:21:14,392
WE NEED THE FUSE...
500
00:21:14,394 --> 00:21:16,744
AND I'M DOING ARNOLD S.
501
00:21:16,736 --> 00:21:18,196
[ LAUGHING ]
502
00:21:18,197 --> 00:21:20,487
DANCE WITH ME.
I CAN'T.
503
00:21:20,490 --> 00:21:23,490
I'M DOING A PAPER ON
NONVERBAL COMMUNICA--
33307
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof