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>>> EASTER, THE CELEBRATION OF
THE RESURRECTED CHRIST.
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>>> EASTER, THE CELEBRATION OF
THE RESURRECTED CHRIST.
THE BIBLE TELLS US JESUS
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THE RESURRECTED CHRIST.
THE BIBLE TELLS US JESUS
TRAVELED TO JERUSALEM FOR
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THE BIBLE TELLS US JESUS
TRAVELED TO JERUSALEM FOR
PASSOVER WHERE HIS MESSAGE OF
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TRAVELED TO JERUSALEM FOR
PASSOVER WHERE HIS MESSAGE OF
PEACE AND LOVE ENRAGED THE
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PASSOVER WHERE HIS MESSAGE OF
PEACE AND LOVE ENRAGED THE
AUTHORITIES.
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PEACE AND LOVE ENRAGED THE
AUTHORITIES.
IN THE COMING DAYS, HE WILL BE
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00:00:23,150 --> 00:00:25,050
AUTHORITIES.
IN THE COMING DAYS, HE WILL BE
ARRESTED, TRIED, AND EXECUTED.
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00:00:25,052 --> 00:00:27,786
IN THE COMING DAYS, HE WILL BE
ARRESTED, TRIED, AND EXECUTED.
THIS HE TELLS HIS DISCIPLES ON
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00:00:27,788 --> 00:00:29,621
ARRESTED, TRIED, AND EXECUTED.
THIS HE TELLS HIS DISCIPLES ON
THEIR FINAL EVENING TOGETHER, A
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00:00:29,623 --> 00:00:30,255
THIS HE TELLS HIS DISCIPLES ON
THEIR FINAL EVENING TOGETHER, A
MILLION WILL COME TO CALL.
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00:00:30,257 --> 00:00:39,264
THEIR FINAL EVENING TOGETHER, A
MILLION WILL COME TO CALL.
THE LAST SUPPER.
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MILLION WILL COME TO CALL.
THE LAST SUPPER.
[ CHEERS AND APPLAUSE ]
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THE LAST SUPPER.
[ CHEERS AND APPLAUSE ]
>> MY FRIENDS, AND JUDAS.
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[ CHEERS AND APPLAUSE ]
>> MY FRIENDS, AND JUDAS.
HEAR ME NOW FOR SOON I WILL
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00:00:53,914 --> 00:00:56,114
>> MY FRIENDS, AND JUDAS.
HEAR ME NOW FOR SOON I WILL
LEAVE YOU AND JOIN MY FATHER IN
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HEAR ME NOW FOR SOON I WILL
LEAVE YOU AND JOIN MY FATHER IN
HEAVEN.
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LEAVE YOU AND JOIN MY FATHER IN
HEAVEN.
>> WE CANNOT LOSE YOU, JESUS.
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HEAVEN.
>> WE CANNOT LOSE YOU, JESUS.
WE WILL PROTECT YOU.
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>> WE CANNOT LOSE YOU, JESUS.
WE WILL PROTECT YOU.
>> TLL NEVYO>> ALAS, ONE OF YOU
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00:01:05,559 --> 00:01:05,824
WE WILL PROTECT YOU.
>> TLL NEVYO>> ALAS, ONE OF YOU
ME.
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00:01:05,826 --> 00:01:06,158
>> TLL NEVYO>> ALAS, ONE OF YOU
ME.
>> NO.
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ME.
>> NO.
>> WHAT?
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>> NO.
>> WHAT?
>> IT IS FORETOLD, AND THOUGH I
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>> WHAT?
>> IT IS FORETOLD, AND THOUGH I
HAVE COMMITTED NO CRIME, I WILL
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>> IT IS FORETOLD, AND THOUGH I
HAVE COMMITTED NO CRIME, I WILL
BE ARRESTED, TRIED, AND FOUND
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HAVE COMMITTED NO CRIME, I WILL
BE ARRESTED, TRIED, AND FOUND
GUILTY.
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BE ARRESTED, TRIED, AND FOUND
GUILTY.
>> SOUND FAMILIAR?
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GUILTY.
>> SOUND FAMILIAR?
THANK YOU SO MUCH.
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>> SOUND FAMILIAR?
THANK YOU SO MUCH.
A FAMOUS, WONDERFUL MAN ARRESTED
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THANK YOU SO MUCH.
A FAMOUS, WONDERFUL MAN ARRESTED
FOR NO REASON AT ALL.
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A FAMOUS, WONDERFUL MAN ARRESTED
FOR NO REASON AT ALL.
IF YOU HAVEN'T PUT IT TOGETHER,
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FOR NO REASON AT ALL.
IF YOU HAVEN'T PUT IT TOGETHER,
FOLKS, I'M COMPARING MYSELF TO
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IF YOU HAVEN'T PUT IT TOGETHER,
FOLKS, I'M COMPARING MYSELF TO
JESUS AGAIN.
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FOLKS, I'M COMPARING MYSELF TO
JESUS AGAIN.
AND WHAT BETTER TIME THAN ON HIS
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JESUS AGAIN.
AND WHAT BETTER TIME THAN ON HIS
BIRTHDAY, EASTER?
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00:01:41,028 --> 00:01:43,395
AND WHAT BETTER TIME THAN ON HIS
BIRTHDAY, EASTER?
AS WE SPEAK, I AM BEING
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BIRTHDAY, EASTER?
AS WE SPEAK, I AM BEING
PERSECUTED ON A LEVEL THE LIKES
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AS WE SPEAK, I AM BEING
PERSECUTED ON A LEVEL THE LIKES
OF WHICH THE WORLD HAS NEVER
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PERSECUTED ON A LEVEL THE LIKES
OF WHICH THE WORLD HAS NEVER
SEEN, EVEN WORSE THAN THE LATE,
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OF WHICH THE WORLD HAS NEVER
SEEN, EVEN WORSE THAN THE LATE,
GREAT JESUS.
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SEEN, EVEN WORSE THAN THE LATE,
GREAT JESUS.
YOU KNOW, MANY PEOPLE ARE SAYING
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GREAT JESUS.
YOU KNOW, MANY PEOPLE ARE SAYING
WE'RE VERY SIMILAR.
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YOU KNOW, MANY PEOPLE ARE SAYING
WE'RE VERY SIMILAR.
WE'RE BOTH VERY TALL, VERY
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WE'RE VERY SIMILAR.
WE'RE BOTH VERY TALL, VERY
POPULAR, AND BOTH FRANKLY WHITE
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WE'RE BOTH VERY TALL, VERY
POPULAR, AND BOTH FRANKLY WHITE
AMERICANS.
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00:02:02,716 --> 00:02:04,516
POPULAR, AND BOTH FRANKLY WHITE
AMERICANS.
YOU KNOW, JESUS DID SOME
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00:02:04,518 --> 00:02:07,018
AMERICANS.
YOU KNOW, JESUS DID SOME
INCREDIBLE THINGS.
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YOU KNOW, JESUS DID SOME
INCREDIBLE THINGS.
SOME WOULD CALL THEM MIRACLES.
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INCREDIBLE THINGS.
SOME WOULD CALL THEM MIRACLES.
IN TERMS OF FISH AND WITH REGARD
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SOME WOULD CALL THEM MIRACLES.
IN TERMS OF FISH AND WITH REGARD
TO BREAD.
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00:02:13,994 --> 00:02:15,126
IN TERMS OF FISH AND WITH REGARD
TO BREAD.
FISH AND BREAD.
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TO BREAD.
FISH AND BREAD.
HE ROSE FROM THE DEAD ON THE
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FISH AND BREAD.
HE ROSE FROM THE DEAD ON THE
THIRD DAY.
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HE ROSE FROM THE DEAD ON THE
THIRD DAY.
I WOULD HAVE DONE IT FASTER,
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THIRD DAY.
I WOULD HAVE DONE IT FASTER,
POSSIBLY TWO DAYS.
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00:02:20,067 --> 00:02:21,666
I WOULD HAVE DONE IT FASTER,
POSSIBLY TWO DAYS.
I THINK WE COULD HAVE DONE IT A
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00:02:21,668 --> 00:02:22,634
POSSIBLY TWO DAYS.
I THINK WE COULD HAVE DONE IT A
LOT FASTER.
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I THINK WE COULD HAVE DONE IT A
LOT FASTER.
HE HAD A GOOD MIND FOR BUSINESS.
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LOT FASTER.
HE HAD A GOOD MIND FOR BUSINESS.
WATER INTO WINE.
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00:02:25,172 --> 00:02:27,939
HE HAD A GOOD MIND FOR BUSINESS.
WATER INTO WINE.
PURE PROFIT.
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00:02:27,941 --> 00:02:30,575
WATER INTO WINE.
PURE PROFIT.
AND HE HAD BIG, BIG RALLIES JUST
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00:02:30,577 --> 00:02:32,510
PURE PROFIT.
AND HE HAD BIG, BIG RALLIES JUST
LIKE ME, AND A LOT OF HIS
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00:02:32,512 --> 00:02:34,279
AND HE HAD BIG, BIG RALLIES JUST
LIKE ME, AND A LOT OF HIS
FOLLOWERS GOT IN BIG, BIG
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00:02:34,281 --> 00:02:35,881
LIKE ME, AND A LOT OF HIS
FOLLOWERS GOT IN BIG, BIG
TROUBLE, JUST LIKE MINE.
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00:02:35,883 --> 00:02:38,216
FOLLOWERS GOT IN BIG, BIG
TROUBLE, JUST LIKE MINE.
ALL BECAUSE I TOLD THEM EXACTLY
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TROUBLE, JUST LIKE MINE.
ALL BECAUSE I TOLD THEM EXACTLY
WHAT JESUS WOULD HAVE SAID, GET
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ALL BECAUSE I TOLD THEM EXACTLY
WHAT JESUS WOULD HAVE SAID, GET
VERY VIOLENT AND START A WAR.
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00:02:44,424 --> 00:02:47,492
WHAT JESUS WOULD HAVE SAID, GET
VERY VIOLENT AND START A WAR.
AND I'VE EVEN GOT MY VERY OWN
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VERY VIOLENT AND START A WAR.
AND I'VE EVEN GOT MY VERY OWN
JUDAS, RAN DeSANTIS.
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00:02:49,997 --> 00:02:52,130
AND I'VE EVEN GOT MY VERY OWN
JUDAS, RAN DeSANTIS.
RON DeSANTIS CAME TO ME, TEARS
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00:02:52,132 --> 00:02:54,633
JUDAS, RAN DeSANTIS.
RON DeSANTIS CAME TO ME, TEARS
IN HIS EYES, HE SAID, HELP ME,
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RON DeSANTIS CAME TO ME, TEARS
IN HIS EYES, HE SAID, HELP ME,
MR. TRUMP.
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00:02:55,335 --> 00:02:58,370
IN HIS EYES, HE SAID, HELP ME,
MR. TRUMP.
I'M GOING TO LOSE MY ELECTION.
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00:02:58,372 --> 00:02:59,738
MR. TRUMP.
I'M GOING TO LOSE MY ELECTION.
SO I VERY GENEROUSLY PRETENDED
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00:02:59,740 --> 00:03:02,807
I'M GOING TO LOSE MY ELECTION.
SO I VERY GENEROUSLY PRETENDED
TO LIKE HIM, AND THEN, HE DID A
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00:03:02,809 --> 00:03:03,108
SO I VERY GENEROUSLY PRETENDED
TO LIKE HIM, AND THEN, HE DID A
JUDAS.
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00:03:03,110 --> 00:03:05,076
TO LIKE HIM, AND THEN, HE DID A
JUDAS.
AND NOW HE CAN'T EVEN GET THE
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00:03:05,078 --> 00:03:10,282
JUDAS.
AND NOW HE CAN'T EVEN GET THE
GAYS OUT OF DISNEY WORLD.
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00:03:10,284 --> 00:03:12,584
AND NOW HE CAN'T EVEN GET THE
GAYS OUT OF DISNEY WORLD.
LOOK AT THESE GUYS BACK HERE,
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00:03:12,586 --> 00:03:12,851
GAYS OUT OF DISNEY WORLD.
LOOK AT THESE GUYS BACK HERE,
HUH?
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00:03:12,853 --> 00:03:14,953
LOOK AT THESE GUYS BACK HERE,
HUH?
THEY JUST HAVE TO SIT HERE
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00:03:14,955 --> 00:03:17,122
HUH?
THEY JUST HAVE TO SIT HERE
FROZEN WHILE I TALK.
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00:03:17,124 --> 00:03:17,989
THEY JUST HAVE TO SIT HERE
FROZEN WHILE I TALK.
CAN YOU BELIEVE THAT?
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00:03:17,991 --> 00:03:19,925
FROZEN WHILE I TALK.
CAN YOU BELIEVE THAT?
MR. JESUS, QUITE A GUY.
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00:03:19,927 --> 00:03:21,693
CAN YOU BELIEVE THAT?
MR. JESUS, QUITE A GUY.
BUT NOW PEOPLE ARE SAYING
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00:03:21,695 --> 00:03:23,995
MR. JESUS, QUITE A GUY.
BUT NOW PEOPLE ARE SAYING
PERHAPS I'M EVEN BETTER THAN
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BUT NOW PEOPLE ARE SAYING
PERHAPS I'M EVEN BETTER THAN
JESUS BECAUSE I'M A SELF-MADE
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00:03:26,199 --> 00:03:27,766
PERHAPS I'M EVEN BETTER THAN
JESUS BECAUSE I'M A SELF-MADE
BILLIONAIRE, AND CHRIST WAS --
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00:03:27,768 --> 00:03:30,869
JESUS BECAUSE I'M A SELF-MADE
BILLIONAIRE, AND CHRIST WAS --
LET'S CALL IT WHAT IT IS -- A
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BILLIONAIRE, AND CHRIST WAS --
LET'S CALL IT WHAT IT IS -- A
NEPO BABY.
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00:03:31,972 --> 00:03:32,437
LET'S CALL IT WHAT IT IS -- A
NEPO BABY.
OKAY?
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NEPO BABY.
OKAY?
I MEAN, HIS DAD WAS GOD.
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00:03:34,308 --> 00:03:37,442
OKAY?
I MEAN, HIS DAD WAS GOD.
IT'S PRETTY EASY TO START A
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I MEAN, HIS DAD WAS GOD.
IT'S PRETTY EASY TO START A
RELIGION WHEN YOUR DAD IS GOD.
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IT'S PRETTY EASY TO START A
RELIGION WHEN YOUR DAD IS GOD.
HE DID GOOD FRIDAY.
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RELIGION WHEN YOUR DAD IS GOD.
HE DID GOOD FRIDAY.
I SAID, WHY NOT MAKE IT GREAT?
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HE DID GOOD FRIDAY.
I SAID, WHY NOT MAKE IT GREAT?
WE CAN MAKE IT GREAT.
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I SAID, WHY NOT MAKE IT GREAT?
WE CAN MAKE IT GREAT.
WITH ME, WE'LL BE DOING GREAT
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WE CAN MAKE IT GREAT.
WITH ME, WE'LL BE DOING GREAT
FRIDAY, PERHAPS EVEN TGI-FRIDAYS
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WITH ME, WE'LL BE DOING GREAT
FRIDAY, PERHAPS EVEN TGI-FRIDAYS
WITH THE STUFF ON THE WALLS AND
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FRIDAY, PERHAPS EVEN TGI-FRIDAYS
WITH THE STUFF ON THE WALLS AND
EVERYTHING.
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WITH THE STUFF ON THE WALLS AND
EVERYTHING.
BUT WE LOVE EASTER, WE LOVE
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EVERYTHING.
BUT WE LOVE EASTER, WE LOVE
HIDING THE EGG.
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00:03:56,830 --> 00:03:57,829
BUT WE LOVE EASTER, WE LOVE
HIDING THE EGG.
DON'T WE, FOLKS?
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00:03:57,831 --> 00:04:00,065
HIDING THE EGG.
DON'T WE, FOLKS?
WE LOVE HIDING THE LITTLE EGGS.
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DON'T WE, FOLKS?
WE LOVE HIDING THE LITTLE EGGS.
YOU KNOW I HAVE MANY BEAUTIFUL
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00:04:01,668 --> 00:04:02,901
WE LOVE HIDING THE LITTLE EGGS.
YOU KNOW I HAVE MANY BEAUTIFUL
EGGS FROM MY TIME AT THE WHITE
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YOU KNOW I HAVE MANY BEAUTIFUL
EGGS FROM MY TIME AT THE WHITE
HOUSE, AND NOW THE DEPARTMENT OF
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00:04:05,272 --> 00:04:07,205
EGGS FROM MY TIME AT THE WHITE
HOUSE, AND NOW THE DEPARTMENT OF
JUSTICE ARE SAYING, WHERE ARE
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00:04:07,207 --> 00:04:08,206
HOUSE, AND NOW THE DEPARTMENT OF
JUSTICE ARE SAYING, WHERE ARE
THE EGGS?
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00:04:08,208 --> 00:04:09,674
JUSTICE ARE SAYING, WHERE ARE
THE EGGS?
WE NEED THE EGGS BACK.
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THE EGGS?
WE NEED THE EGGS BACK.
BUT I HID THEM.
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WE NEED THE EGGS BACK.
BUT I HID THEM.
THEY'RE MY EGGS TO TAKE, OKAY?
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BUT I HID THEM.
THEY'RE MY EGGS TO TAKE, OKAY?
SO TOMORROW, I WILL EAT MY
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00:04:15,582 --> 00:04:17,882
THEY'RE MY EGGS TO TAKE, OKAY?
SO TOMORROW, I WILL EAT MY
EASTER HAMBURGER WITH MY FAMILY,
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00:04:17,884 --> 00:04:20,218
SO TOMORROW, I WILL EAT MY
EASTER HAMBURGER WITH MY FAMILY,
OR HOPEFULLY NOT.
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00:04:20,220 --> 00:04:21,886
EASTER HAMBURGER WITH MY FAMILY,
OR HOPEFULLY NOT.
AND THEN AFTER THAT, THEY WILL
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00:04:21,888 --> 00:04:24,322
OR HOPEFULLY NOT.
AND THEN AFTER THAT, THEY WILL
COME FOR ME, LOCK ME AWAY.
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00:04:24,324 --> 00:04:26,925
AND THEN AFTER THAT, THEY WILL
COME FOR ME, LOCK ME AWAY.
BECAUSE JUST LIKE JESUS, ALL I
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00:04:26,927 --> 00:04:28,927
COME FOR ME, LOCK ME AWAY.
BECAUSE JUST LIKE JESUS, ALL I
DID WAS BE FRIENDLY TO A SEX
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00:04:28,929 --> 00:04:30,628
BECAUSE JUST LIKE JESUS, ALL I
DID WAS BE FRIENDLY TO A SEX
WORKER, AND NOW THEY WANT TO PUT
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00:04:30,630 --> 00:04:32,731
DID WAS BE FRIENDLY TO A SEX
WORKER, AND NOW THEY WANT TO PUT
ME IN JAIL.
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00:04:32,733 --> 00:04:33,298
WORKER, AND NOW THEY WANT TO PUT
ME IN JAIL.
JUST AWFUL.
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00:04:33,300 --> 00:04:35,700
ME IN JAIL.
JUST AWFUL.
BUT WHO KNOWS, FOLKS, MAYBE
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00:04:35,702 --> 00:04:38,203
JUST AWFUL.
BUT WHO KNOWS, FOLKS, MAYBE
PRISON WILL MAKE ME EVEN MORE
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00:04:38,205 --> 00:04:38,536
BUT WHO KNOWS, FOLKS, MAYBE
PRISON WILL MAKE ME EVEN MORE
POPULAR.
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00:04:38,538 --> 00:04:41,239
PRISON WILL MAKE ME EVEN MORE
POPULAR.
LIKE THAT GUY BACK THERE, JESUS
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00:04:41,241 --> 00:04:44,342
POPULAR.
LIKE THAT GUY BACK THERE, JESUS
OF ASKABAN, THAT GUY.
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00:04:44,344 --> 00:04:47,178
LIKE THAT GUY BACK THERE, JESUS
OF ASKABAN, THAT GUY.
JESUS OF ASKABAN, HE'S CALLED.
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00:04:47,180 --> 00:04:49,114
OF ASKABAN, THAT GUY.
JESUS OF ASKABAN, HE'S CALLED.
AND THAT IS THE STORY OF EASTER.
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00:04:49,116 --> 00:04:50,582
JESUS OF ASKABAN, HE'S CALLED.
AND THAT IS THE STORY OF EASTER.
HAPPY BIRTHDAY, JESUS.
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00:04:50,584 --> 00:04:55,520
AND THAT IS THE STORY OF EASTER.
HAPPY BIRTHDAY, JESUS.
LOOK AT THE FINGERS.
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00:04:55,522 --> 00:04:56,921
HAPPY BIRTHDAY, JESUS.
LOOK AT THE FINGERS.
DIDN'T STOP DOING THE FINGERS
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00:04:56,923 --> 00:04:58,056
LOOK AT THE FINGERS.
DIDN'T STOP DOING THE FINGERS
THE WHOLE TIME.
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00:04:58,058 --> 00:05:02,794
DIDN'T STOP DOING THE FINGERS
THE WHOLE TIME.
WEIRD CHOICE WITH THE FINGERS.
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00:05:02,796 --> 00:05:05,897
THE WHOLE TIME.
WEIRD CHOICE WITH THE FINGERS.
LOOK AT JESUS.
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00:05:05,899 --> 00:05:10,869
WEIRD CHOICE WITH THE FINGERS.
LOOK AT JESUS.
SO HAPPY HANUKKAH TO ALL THE
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00:05:10,871 --> 00:05:13,304
LOOK AT JESUS.
SO HAPPY HANUKKAH TO ALL THE
PASSOVERS, AND ALL THE RAMADANS
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00:05:13,306 --> 00:05:13,638
SO HAPPY HANUKKAH TO ALL THE
PASSOVERS, AND ALL THE RAMADANS
DO.
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00:05:13,640 --> 00:05:16,641
PASSOVERS, AND ALL THE RAMADANS
DO.
WE LOVE TO SAY RAMADAN.
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00:05:16,643 --> 00:05:18,777
DO.
WE LOVE TO SAY RAMADAN.
BUT MOSTLY HAPPY EASTER BECAUSE
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00:05:18,779 --> 00:05:21,312
WE LOVE TO SAY RAMADAN.
BUT MOSTLY HAPPY EASTER BECAUSE
WE LIKE JESUS, RIGHT?
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00:05:21,314 --> 00:05:23,581
BUT MOSTLY HAPPY EASTER BECAUSE
WE LIKE JESUS, RIGHT?
STILL FROZEN WITH THE LITTLE
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00:05:23,583 --> 00:05:23,882
WE LIKE JESUS, RIGHT?
STILL FROZEN WITH THE LITTLE
HANDS.
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00:05:23,884 --> 00:05:25,583
STILL FROZEN WITH THE LITTLE
HANDS.
THEY'RE NOT EVEN GOING TO GET TO
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00:05:25,585 --> 00:05:26,751
HANDS.
THEY'RE NOT EVEN GOING TO GET TO
SAY THE BIG LINE.
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00:05:26,753 --> 00:05:28,553
THEY'RE NOT EVEN GOING TO GET TO
SAY THE BIG LINE.
MAYBE IF YOU BREAK A BIG
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00:05:28,555 --> 00:05:29,721
SAY THE BIG LINE.
MAYBE IF YOU BREAK A BIG
POLITICAL CHARACTER, YOU CAN SAY
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00:05:29,723 --> 00:05:30,922
MAYBE IF YOU BREAK A BIG
POLITICAL CHARACTER, YOU CAN SAY
THE BIG LINE.
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00:05:30,924 --> 00:05:32,524
POLITICAL CHARACTER, YOU CAN SAY
THE BIG LINE.
I'M GOING TO DO IT BY MYSELF
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00:05:32,526 --> 00:05:33,258
THE BIG LINE.
I'M GOING TO DO IT BY MYSELF
RIGHT NOW.
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00:05:33,260 --> 00:05:35,060
I'M GOING TO DO IT BY MYSELF
RIGHT NOW.
SO HAPPY EASTER AND LIVE FROM
154
00:05:35,062 --> 00:05:43,368
RIGHT NOW.
SO HAPPY EASTER AND LIVE FROM
NEW YORK, IT'S SATURDAY NIGHT!
155
00:05:43,370 --> 00:05:44,069
SO HAPPY EASTER AND LIVE FROM
NEW YORK, IT'S SATURDAY NIGHT!
>> Announcer: IT'S "SATURDAY
156
00:05:44,071 --> 00:05:46,738
NEW YORK, IT'S SATURDAY NIGHT!
>> Announcer: IT'S "SATURDAY
NIGHT LIVE" WITH --
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00:06:50,002 --> 00:06:50,869
FEATURING --
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00:07:28,140 --> 00:07:41,986
MUSICAL GUEST, JONAS BROTHERS.
AND YOUR HOST, MOLLY SHANNON.
LADIES AND GENTLEMEN, MOLLY
159
00:07:41,988 --> 00:07:46,224
AND YOUR HOST, MOLLY SHANNON.
LADIES AND GENTLEMEN, MOLLY
SHANNON!
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00:07:46,226 --> 00:08:13,618
LADIES AND GENTLEMEN, MOLLY
SHANNON!
[ CHEERS AND APPLAUSE ]
161
00:08:13,620 --> 00:08:16,788
SHANNON!
[ CHEERS AND APPLAUSE ]
>>> THANK YOU.
162
00:08:16,790 --> 00:08:19,457
[ CHEERS AND APPLAUSE ]
>>> THANK YOU.
THANK YOU, THANK YOU, THANK YOU,
163
00:08:19,459 --> 00:08:20,124
>>> THANK YOU.
THANK YOU, THANK YOU, THANK YOU,
THANK YOU SO MUCH.
164
00:08:20,126 --> 00:08:21,426
THANK YOU, THANK YOU, THANK YOU,
THANK YOU SO MUCH.
OH, MY GOD.
165
00:08:21,428 --> 00:08:28,299
THANK YOU SO MUCH.
OH, MY GOD.
IT'S SO GREAT TO BE BACK.
166
00:08:28,301 --> 00:08:30,468
OH, MY GOD.
IT'S SO GREAT TO BE BACK.
I'VE HAD SUCH A FUN YEAR.
167
00:08:30,470 --> 00:08:32,637
IT'S SO GREAT TO BE BACK.
I'VE HAD SUCH A FUN YEAR.
MY DAUGHTER STELLA STARTED
168
00:08:32,639 --> 00:08:32,971
I'VE HAD SUCH A FUN YEAR.
MY DAUGHTER STELLA STARTED
COLLEGE.
169
00:08:32,973 --> 00:08:35,440
MY DAUGHTER STELLA STARTED
COLLEGE.
MY SON NOLAN'S ABOUT TO GRADUATE
170
00:08:35,442 --> 00:08:35,907
COLLEGE.
MY SON NOLAN'S ABOUT TO GRADUATE
HIGH SCHOOL.
171
00:08:35,909 --> 00:08:38,943
MY SON NOLAN'S ABOUT TO GRADUATE
HIGH SCHOOL.
AND I WROTE A BOOK ABOUT MY LIFE
172
00:08:38,945 --> 00:08:42,313
HIGH SCHOOL.
AND I WROTE A BOOK ABOUT MY LIFE
CALLED "HELLO MOLLY."
173
00:08:42,315 --> 00:08:44,849
AND I WROTE A BOOK ABOUT MY LIFE
CALLED "HELLO MOLLY."
AND YOU KNOW, IT'S INTERESTING
174
00:08:44,851 --> 00:08:46,451
CALLED "HELLO MOLLY."
AND YOU KNOW, IT'S INTERESTING
BECAUSE A LOT OF PEOPLE WERE
175
00:08:46,453 --> 00:08:47,919
AND YOU KNOW, IT'S INTERESTING
BECAUSE A LOT OF PEOPLE WERE
SURPRISED BY HOW HONEST I WAS
176
00:08:47,921 --> 00:08:49,821
BECAUSE A LOT OF PEOPLE WERE
SURPRISED BY HOW HONEST I WAS
ABOUT SOME OF THE HARD TIMES MY
177
00:08:49,823 --> 00:08:50,321
SURPRISED BY HOW HONEST I WAS
ABOUT SOME OF THE HARD TIMES MY
FAMILY HAD.
178
00:08:50,323 --> 00:08:53,024
ABOUT SOME OF THE HARD TIMES MY
FAMILY HAD.
I MEAN, WE ALL HAVE PROBLEMS,
179
00:08:53,026 --> 00:08:53,491
FAMILY HAD.
I MEAN, WE ALL HAVE PROBLEMS,
RIGHT?
180
00:08:53,493 --> 00:08:55,193
I MEAN, WE ALL HAVE PROBLEMS,
RIGHT?
BUT MY DAD ALWAYS TAUGHT ME TO
181
00:08:55,195 --> 00:08:57,428
RIGHT?
BUT MY DAD ALWAYS TAUGHT ME TO
KEEP MY CHIN UP AND NEVER GIVE
182
00:08:57,430 --> 00:09:00,365
BUT MY DAD ALWAYS TAUGHT ME TO
KEEP MY CHIN UP AND NEVER GIVE
UP ON MY SHOW BIZ DREAMS.
183
00:09:00,367 --> 00:09:03,935
KEEP MY CHIN UP AND NEVER GIVE
UP ON MY SHOW BIZ DREAMS.
HE WOULD PLAY ME OLD CLASSIC
184
00:09:03,937 --> 00:09:05,003
UP ON MY SHOW BIZ DREAMS.
HE WOULD PLAY ME OLD CLASSIC
MUSICALS AND HE WOULD TELL ME,
185
00:09:05,005 --> 00:09:07,372
HE WOULD PLAY ME OLD CLASSIC
MUSICALS AND HE WOULD TELL ME,
YOU KNOW, MOLLY, NO MATTER WHAT
186
00:09:07,374 --> 00:09:09,807
MUSICALS AND HE WOULD TELL ME,
YOU KNOW, MOLLY, NO MATTER WHAT
PROBLEMS YOU FACE, IF YOU KEEP A
187
00:09:09,809 --> 00:09:10,508
YOU KNOW, MOLLY, NO MATTER WHAT
PROBLEMS YOU FACE, IF YOU KEEP A
POSITIVE ATTITUDE, EVERYTHING
188
00:09:10,510 --> 00:09:12,644
PROBLEMS YOU FACE, IF YOU KEEP A
POSITIVE ATTITUDE, EVERYTHING
WILL TURN OUT OKAY.
189
00:09:12,646 --> 00:09:15,113
POSITIVE ATTITUDE, EVERYTHING
WILL TURN OUT OKAY.
I CAN ALMOST HEAR HIM NOW
190
00:09:15,115 --> 00:09:15,647
WILL TURN OUT OKAY.
I CAN ALMOST HEAR HIM NOW
SAYING --
191
00:09:15,649 --> 00:09:20,218
I CAN ALMOST HEAR HIM NOW
SAYING --
♪ YOU'LL BE SWELL, YOU'LL BE
192
00:09:20,220 --> 00:09:21,552
SAYING --
♪ YOU'LL BE SWELL, YOU'LL BE
GREAT, GONNA HAVE THE WHOLE
193
00:09:21,554 --> 00:09:23,121
♪ YOU'LL BE SWELL, YOU'LL BE
GREAT, GONNA HAVE THE WHOLE
WORLD ON A PLATE ♪
194
00:09:23,123 --> 00:09:27,825
GREAT, GONNA HAVE THE WHOLE
WORLD ON A PLATE ♪
♪ STARTING HERE, STARTING NOW,
195
00:09:27,827 --> 00:09:29,327
WORLD ON A PLATE ♪
♪ STARTING HERE, STARTING NOW,
HONEY, EVERYTHING'S COMING UP
196
00:09:29,329 --> 00:09:32,830
♪ STARTING HERE, STARTING NOW,
HONEY, EVERYTHING'S COMING UP
ROSES ♪
197
00:09:32,832 --> 00:09:36,134
HONEY, EVERYTHING'S COMING UP
ROSES ♪
♪ CURTAIN UP, LIGHT THE LIGHTS,
198
00:09:36,136 --> 00:09:40,438
ROSES ♪
♪ CURTAIN UP, LIGHT THE LIGHTS,
YOU GOT NOTHING TO HIT BUT THE
199
00:09:40,440 --> 00:09:40,838
♪ CURTAIN UP, LIGHT THE LIGHTS,
YOU GOT NOTHING TO HIT BUT THE
HEIGHT ♪
200
00:09:40,840 --> 00:09:44,442
YOU GOT NOTHING TO HIT BUT THE
HEIGHT ♪
>> MOLLY, SORRY TO CRASH YOUR
201
00:09:44,444 --> 00:09:45,543
HEIGHT ♪
>> MOLLY, SORRY TO CRASH YOUR
MONOLOGUE, BUT I KNOW EXACTLY
202
00:09:45,545 --> 00:09:47,378
>> MOLLY, SORRY TO CRASH YOUR
MONOLOGUE, BUT I KNOW EXACTLY
WHAT YOU MEAN.
203
00:09:47,380 --> 00:09:49,480
MONOLOGUE, BUT I KNOW EXACTLY
WHAT YOU MEAN.
I'VE GOT PROBLEMS TOO.
204
00:09:49,482 --> 00:09:50,648
WHAT YOU MEAN.
I'VE GOT PROBLEMS TOO.
>> WHAT'S YOUR PROBLEM?
205
00:09:50,650 --> 00:09:52,050
I'VE GOT PROBLEMS TOO.
>> WHAT'S YOUR PROBLEM?
>> WELL, I'M NOT REALLY IN THE
206
00:09:52,052 --> 00:09:54,552
>> WHAT'S YOUR PROBLEM?
>> WELL, I'M NOT REALLY IN THE
SHOW TONIGHT, SO I'M
207
00:09:54,554 --> 00:09:55,753
>> WELL, I'M NOT REALLY IN THE
SHOW TONIGHT, SO I'M
INTERRUPTING YOUR SONG TO GET
208
00:09:55,755 --> 00:10:00,958
SHOW TONIGHT, SO I'M
INTERRUPTING YOUR SONG TO GET
SOME MORE CAMERA TIME.
209
00:10:00,960 --> 00:10:02,126
INTERRUPTING YOUR SONG TO GET
SOME MORE CAMERA TIME.
CAN I STAY?
210
00:10:02,128 --> 00:10:02,794
SOME MORE CAMERA TIME.
CAN I STAY?
>> NO.
211
00:10:02,796 --> 00:10:07,265
CAN I STAY?
>> NO.
♪ BLOW A KISS, TAKE A BOW,
212
00:10:07,267 --> 00:10:11,336
>> NO.
♪ BLOW A KISS, TAKE A BOW,
HONEY, EVERYTHING'S COMING UP
213
00:10:11,338 --> 00:10:12,403
♪ BLOW A KISS, TAKE A BOW,
HONEY, EVERYTHING'S COMING UP
ROSES ♪
214
00:10:12,405 --> 00:10:13,838
HONEY, EVERYTHING'S COMING UP
ROSES ♪
KENAN, WHAT ABOUT YOU?
215
00:10:13,840 --> 00:10:15,340
ROSES ♪
KENAN, WHAT ABOUT YOU?
WHAT'S YOUR PROBLEM?
216
00:10:15,342 --> 00:10:19,444
KENAN, WHAT ABOUT YOU?
WHAT'S YOUR PROBLEM?
>> I CAN'T STOP BUYING FAKE
217
00:10:19,446 --> 00:10:19,811
WHAT'S YOUR PROBLEM?
>> I CAN'T STOP BUYING FAKE
ROLEXES.
218
00:10:19,813 --> 00:10:20,645
>> I CAN'T STOP BUYING FAKE
ROLEXES.
>> WHAT ABOUT YOU GUYS?
219
00:10:20,647 --> 00:10:21,846
ROLEXES.
>> WHAT ABOUT YOU GUYS?
WHAT'S YOUR PROBLEM?
220
00:10:21,848 --> 00:10:23,548
>> WHAT ABOUT YOU GUYS?
WHAT'S YOUR PROBLEM?
>> I STILL DRESS LIKE A LITTLE
221
00:10:23,550 --> 00:10:23,848
WHAT'S YOUR PROBLEM?
>> I STILL DRESS LIKE A LITTLE
BOY.
222
00:10:23,850 --> 00:10:26,050
>> I STILL DRESS LIKE A LITTLE
BOY.
>> I PRETEND TO HAVE A PEANUT
223
00:10:26,052 --> 00:10:26,918
BOY.
>> I PRETEND TO HAVE A PEANUT
ALLERGY FOR ATTENTION.
224
00:10:26,920 --> 00:10:28,653
>> I PRETEND TO HAVE A PEANUT
ALLERGY FOR ATTENTION.
>> I'M ATTRACTED TO MY
225
00:10:28,655 --> 00:10:29,187
ALLERGY FOR ATTENTION.
>> I'M ATTRACTED TO MY
THERAPIST.
226
00:10:29,189 --> 00:10:31,456
>> I'M ATTRACTED TO MY
THERAPIST.
>> I JUST TESTED POSITIVE FOR
227
00:10:31,458 --> 00:10:31,756
THERAPIST.
>> I JUST TESTED POSITIVE FOR
COVID.
228
00:10:31,758 --> 00:10:34,192
>> I JUST TESTED POSITIVE FOR
COVID.
>> WAIT, WHAT?
229
00:10:34,194 --> 00:10:39,564
COVID.
>> WAIT, WHAT?
♪ HONEY, EVERYTHING'S COMING UP
230
00:10:39,566 --> 00:10:40,498
>> WAIT, WHAT?
♪ HONEY, EVERYTHING'S COMING UP
ROSES ♪
231
00:10:40,500 --> 00:10:43,935
♪ HONEY, EVERYTHING'S COMING UP
ROSES ♪
>> HOW ABOUT YOU, THE AUDIENCE?
232
00:10:43,937 --> 00:10:45,203
ROSES ♪
>> HOW ABOUT YOU, THE AUDIENCE?
WHO HERE IS EMBARRASSED BY HOW
233
00:10:45,205 --> 00:10:47,472
>> HOW ABOUT YOU, THE AUDIENCE?
WHO HERE IS EMBARRASSED BY HOW
OFTEN THEY CHECK INSTAGRAM?
234
00:10:47,474 --> 00:10:49,807
WHO HERE IS EMBARRASSED BY HOW
OFTEN THEY CHECK INSTAGRAM?
WHO'S IN AN UNHEALTHY
235
00:10:49,809 --> 00:10:51,008
OFTEN THEY CHECK INSTAGRAM?
WHO'S IN AN UNHEALTHY
CODEPENDENT RELATIONSHIP?
236
00:10:51,010 --> 00:10:52,944
WHO'S IN AN UNHEALTHY
CODEPENDENT RELATIONSHIP?
OH, WE GOT A FEW.
237
00:10:52,946 --> 00:10:54,645
CODEPENDENT RELATIONSHIP?
OH, WE GOT A FEW.
WHO LOST THEIR JOB DURING THE
238
00:10:54,647 --> 00:10:56,147
OH, WE GOT A FEW.
WHO LOST THEIR JOB DURING THE
PANDEMIC AND SECRETLY HOPES THAT
239
00:10:56,149 --> 00:10:57,648
WHO LOST THEIR JOB DURING THE
PANDEMIC AND SECRETLY HOPES THAT
OTHER PEOPLE ARE SUFFERING TOO?
240
00:10:57,650 --> 00:10:59,117
PANDEMIC AND SECRETLY HOPES THAT
OTHER PEOPLE ARE SUFFERING TOO?
WHAT ABOUT YOU, LAUREN, WHAT'S
241
00:10:59,119 --> 00:11:00,017
OTHER PEOPLE ARE SUFFERING TOO?
WHAT ABOUT YOU, LAUREN, WHAT'S
YOUR PROBLEM?
242
00:11:00,019 --> 00:11:02,186
WHAT ABOUT YOU, LAUREN, WHAT'S
YOUR PROBLEM?
>> I DON'T HAVE ANY PROBLEMS.
243
00:11:02,188 --> 00:11:04,389
YOUR PROBLEM?
>> I DON'T HAVE ANY PROBLEMS.
>> WHAT ABOUT YOU, MARTIN SHORT?
244
00:11:04,391 --> 00:11:10,294
>> I DON'T HAVE ANY PROBLEMS.
>> WHAT ABOUT YOU, MARTIN SHORT?
>> I RAN OUT OF OZEMPIC!
245
00:11:10,296 --> 00:11:11,863
>> WHAT ABOUT YOU, MARTIN SHORT?
>> I RAN OUT OF OZEMPIC!
>> ERYONE, COME UP HERE.
246
00:11:11,865 --> 00:11:12,296
>> I RAN OUT OF OZEMPIC!
>> ERYONE, COME UP HERE.
COME ON.
247
00:11:12,298 --> 00:11:14,499
>> ERYONE, COME UP HERE.
COME ON.
PUT AWAY YOUR PROBLEMS AND STOP
248
00:11:14,501 --> 00:11:14,866
COME ON.
PUT AWAY YOUR PROBLEMS AND STOP
WORRYING.
249
00:11:14,868 --> 00:11:16,934
PUT AWAY YOUR PROBLEMS AND STOP
WORRYING.
YOU KNOW WHY?
250
00:11:16,936 --> 00:11:17,368
WORRYING.
YOU KNOW WHY?
BECAUSE --
251
00:11:17,370 --> 00:11:20,171
YOU KNOW WHY?
BECAUSE --
♪ YOU'LL BE SWELL, YOU'LL BE
252
00:11:20,173 --> 00:11:23,708
BECAUSE --
♪ YOU'LL BE SWELL, YOU'LL BE
GREAT, I CAN TELL, JUST YOU
253
00:11:23,710 --> 00:11:24,075
♪ YOU'LL BE SWELL, YOU'LL BE
GREAT, I CAN TELL, JUST YOU
WAIT ♪
254
00:11:24,077 --> 00:11:29,514
GREAT, I CAN TELL, JUST YOU
WAIT ♪
♪ AND NOTHING'S GONNA STOP US
255
00:11:29,516 --> 00:11:30,982
WAIT ♪
♪ AND NOTHING'S GONNA STOP US
TILL WE'RE THROUGH ♪
256
00:11:30,984 --> 00:11:35,853
♪ AND NOTHING'S GONNA STOP US
TILL WE'RE THROUGH ♪
♪ HONEY, EVERYTHING'S COMING UP
257
00:11:35,855 --> 00:11:38,256
TILL WE'RE THROUGH ♪
♪ HONEY, EVERYTHING'S COMING UP
ROSES AND DAFFODILS ♪
258
00:11:38,258 --> 00:11:42,293
♪ HONEY, EVERYTHING'S COMING UP
ROSES AND DAFFODILS ♪
♪ EVERYTHING'S COMING UP
259
00:11:42,295 --> 00:11:46,197
ROSES AND DAFFODILS ♪
♪ EVERYTHING'S COMING UP
SUNSHINE AND SANTA CLAUS,
260
00:11:46,199 --> 00:11:48,566
♪ EVERYTHING'S COMING UP
SUNSHINE AND SANTA CLAUS,
EVERYTHING'S COMING UP ROSES FOR
261
00:11:48,568 --> 00:11:57,642
SUNSHINE AND SANTA CLAUS,
EVERYTHING'S COMING UP ROSES FOR
ME AND FOR YOU ♪
262
00:11:57,644 --> 00:11:59,010
EVERYTHING'S COMING UP ROSES FOR
ME AND FOR YOU ♪
>> THANK YOU, DADDY.
263
00:11:59,012 --> 00:12:02,580
ME AND FOR YOU ♪
>> THANK YOU, DADDY.
SUPERSTAR!
264
00:12:02,582 --> 00:12:05,583
>> THANK YOU, DADDY.
SUPERSTAR!
WE'VE GOT A GREAT SHOW FOR YOU
265
00:12:05,585 --> 00:12:05,917
SUPERSTAR!
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
266
00:12:05,919 --> 00:12:07,919
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
JONAS BROTHERS ARE HERE, SO
267
00:12:07,921 --> 00:12:29,690
TONIGHT.
JONAS BROTHERS ARE HERE, SO
268
00:12:29,925 --> 00:12:37,064
>>> HELLO, EVERYONE, AND WELCOME
TO YOUR FIRST DAY AT VINCENT'S
VALETS.
269
00:12:37,066 --> 00:12:39,033
TO YOUR FIRST DAY AT VINCENT'S
VALETS.
NOW, BEING A VALET IS THE
270
00:12:39,035 --> 00:12:40,935
VALETS.
NOW, BEING A VALET IS THE
HARDEST JOB IN THE WORLD.
271
00:12:40,937 --> 00:12:42,303
NOW, BEING A VALET IS THE
HARDEST JOB IN THE WORLD.
FORGOT ABOUT BRAIN SURGERY.
272
00:12:42,305 --> 00:12:43,604
HARDEST JOB IN THE WORLD.
FORGOT ABOUT BRAIN SURGERY.
IT'S THE SECOND HARDEST JOB IN
273
00:12:43,606 --> 00:12:45,239
FORGOT ABOUT BRAIN SURGERY.
IT'S THE SECOND HARDEST JOB IN
THE WORLD.
274
00:12:45,241 --> 00:12:45,640
IT'S THE SECOND HARDEST JOB IN
THE WORLD.
>> GOT IT.
275
00:12:45,642 --> 00:12:45,973
THE WORLD.
>> GOT IT.
>> YES.
276
00:12:45,975 --> 00:12:46,374
>> GOT IT.
>> YES.
>> TOTALLY.
277
00:12:46,376 --> 00:12:47,775
>> YES.
>> TOTALLY.
>> OKAY.
278
00:12:47,777 --> 00:12:48,709
>> TOTALLY.
>> OKAY.
NOW, I BELIEVE THAT EVERYONE CAN
279
00:12:48,711 --> 00:12:51,479
>> OKAY.
NOW, I BELIEVE THAT EVERYONE CAN
BE A GREAT VALET, SO LONG AS YOU
280
00:12:51,481 --> 00:12:54,015
NOW, I BELIEVE THAT EVERYONE CAN
BE A GREAT VALET, SO LONG AS YOU
FOLLOW THESE THREE SIMPLE RULES.
281
00:12:54,017 --> 00:12:58,786
BE A GREAT VALET, SO LONG AS YOU
FOLLOW THESE THREE SIMPLE RULES.
LIL JOKE, LIL BOW, LIL JOG.
282
00:12:58,788 --> 00:13:00,621
FOLLOW THESE THREE SIMPLE RULES.
LIL JOKE, LIL BOW, LIL JOG.
THIS IS THE CORNER STONE OF
283
00:13:00,623 --> 00:13:02,490
LIL JOKE, LIL BOW, LIL JOG.
THIS IS THE CORNER STONE OF
QUALITY VALET.
284
00:13:02,492 --> 00:13:03,891
THIS IS THE CORNER STONE OF
QUALITY VALET.
ALLOW ME TO DEMONSTRATE.
285
00:13:03,893 --> 00:13:04,825
QUALITY VALET.
ALLOW ME TO DEMONSTRATE.
>> HERE YOU GO.
286
00:13:04,827 --> 00:13:06,627
ALLOW ME TO DEMONSTRATE.
>> HERE YOU GO.
>> OH, THANKS, LADIES.
287
00:13:06,629 --> 00:13:08,362
>> HERE YOU GO.
>> OH, THANKS, LADIES.
HEY, YOU KNOW, YOUR SISTER'S
288
00:13:08,364 --> 00:13:09,330
>> OH, THANKS, LADIES.
HEY, YOU KNOW, YOUR SISTER'S
QUITE THE LOOKER.
289
00:13:09,332 --> 00:13:10,464
HEY, YOU KNOW, YOUR SISTER'S
QUITE THE LOOKER.
>> OH, YOU'RE BAD.
290
00:13:10,466 --> 00:13:16,604
QUITE THE LOOKER.
>> OH, YOU'RE BAD.
>> Y'ALL ENJOY YOURSELF NOW.
291
00:13:16,606 --> 00:13:20,575
>> OH, YOU'RE BAD.
>> Y'ALL ENJOY YOURSELF NOW.
>> THAT WAS NEAT.
292
00:13:20,577 --> 00:13:22,510
>> Y'ALL ENJOY YOURSELF NOW.
>> THAT WAS NEAT.
>> THAT WAS THE LITTLEST JOG
293
00:13:22,512 --> 00:13:23,945
>> THAT WAS NEAT.
>> THAT WAS THE LITTLEST JOG
I'VE EVER SEEN I THINK.
294
00:13:23,947 --> 00:13:24,612
>> THAT WAS THE LITTLEST JOG
I'VE EVER SEEN I THINK.
>> THANK YOU.
295
00:13:24,614 --> 00:13:25,746
I'VE EVER SEEN I THINK.
>> THANK YOU.
STEVEN, YOUR TURN.
296
00:13:25,748 --> 00:13:29,116
>> THANK YOU.
STEVEN, YOUR TURN.
REMEMBER, LIL JOKE, LIL BOW, LIL
297
00:13:29,118 --> 00:13:29,417
STEVEN, YOUR TURN.
REMEMBER, LIL JOKE, LIL BOW, LIL
JOG.
298
00:13:29,419 --> 00:13:29,884
REMEMBER, LIL JOKE, LIL BOW, LIL
JOG.
>> YES, SIR.
299
00:13:29,886 --> 00:13:30,718
JOG.
>> YES, SIR.
HOWDY FOLKS.
300
00:13:30,720 --> 00:13:31,819
>> YES, SIR.
HOWDY FOLKS.
>> IT'S A PORSCHE.
301
00:13:31,821 --> 00:13:33,988
HOWDY FOLKS.
>> IT'S A PORSCHE.
>> OH, A PORSCHE.
302
00:13:33,990 --> 00:13:36,157
>> IT'S A PORSCHE.
>> OH, A PORSCHE.
COMPENSATING FOR SOMETHING?
303
00:13:36,159 --> 00:13:38,125
>> OH, A PORSCHE.
COMPENSATING FOR SOMETHING?
MY CONDOLENCES, MISS.
304
00:13:38,127 --> 00:13:40,094
COMPENSATING FOR SOMETHING?
MY CONDOLENCES, MISS.
SHE'S ALL, IS IT IN YET, AND
305
00:13:40,096 --> 00:13:41,596
MY CONDOLENCES, MISS.
SHE'S ALL, IS IT IN YET, AND
YOU'RE ALL, I'M GIVING IT ALL
306
00:13:41,598 --> 00:13:46,234
SHE'S ALL, IS IT IN YET, AND
YOU'RE ALL, I'M GIVING IT ALL
SHE'S GOT, CAPTAIN.
307
00:13:46,236 --> 00:13:50,671
YOU'RE ALL, I'M GIVING IT ALL
SHE'S GOT, CAPTAIN.
Y'ALL ENJOY YOURSELF NOW.
308
00:13:50,673 --> 00:13:51,172
SHE'S GOT, CAPTAIN.
Y'ALL ENJOY YOURSELF NOW.
>> NOPE.
309
00:13:51,174 --> 00:13:53,441
Y'ALL ENJOY YOURSELF NOW.
>> NOPE.
>> YOU KNOW WHAT?
310
00:13:53,443 --> 00:13:54,375
>> NOPE.
>> YOU KNOW WHAT?
DON'T EVEN SAY IT.
311
00:13:54,377 --> 00:13:58,112
>> YOU KNOW WHAT?
DON'T EVEN SAY IT.
I GAVE HIM BACK HIS KEYS.
312
00:13:58,114 --> 00:13:58,879
DON'T EVEN SAY IT.
I GAVE HIM BACK HIS KEYS.
I'M SO SORRY.
313
00:13:58,881 --> 00:14:00,648
I GAVE HIM BACK HIS KEYS.
I'M SO SORRY.
>> THAT AND YOUR JOKE WAS ABOUT
314
00:14:00,650 --> 00:14:03,317
I'M SO SORRY.
>> THAT AND YOUR JOKE WAS ABOUT
A CUSTOMER'S PENIS, AND YOU RAN
315
00:14:03,319 --> 00:14:04,218
>> THAT AND YOUR JOKE WAS ABOUT
A CUSTOMER'S PENIS, AND YOU RAN
AWAY AT TOP SPEED.
316
00:14:04,220 --> 00:14:06,721
A CUSTOMER'S PENIS, AND YOU RAN
AWAY AT TOP SPEED.
>> THAT WAS NOT CLOSE TO MY TOP
317
00:14:06,723 --> 00:14:07,221
AWAY AT TOP SPEED.
>> THAT WAS NOT CLOSE TO MY TOP
SPEED, BUTTOCK.
318
00:14:07,223 --> 00:14:09,624
>> THAT WAS NOT CLOSE TO MY TOP
SPEED, BUTTOCK.
>> JUST REMEMBER, KEEP IT LIL.
319
00:14:09,626 --> 00:14:12,560
SPEED, BUTTOCK.
>> JUST REMEMBER, KEEP IT LIL.
YOU SEE, SEE HOW LIL THIS IS,
320
00:14:12,562 --> 00:14:14,662
>> JUST REMEMBER, KEEP IT LIL.
YOU SEE, SEE HOW LIL THIS IS,
TOOK ME TEN YEARS TO GET THIS
321
00:14:14,664 --> 00:14:14,962
YOU SEE, SEE HOW LIL THIS IS,
TOOK ME TEN YEARS TO GET THIS
LIL.
322
00:14:14,964 --> 00:14:15,429
TOOK ME TEN YEARS TO GET THIS
LIL.
>> THAT IS LIL.
323
00:14:15,431 --> 00:14:17,765
LIL.
>> THAT IS LIL.
>> OKAY, JENNY, YOU WANT TO GO
324
00:14:17,767 --> 00:14:18,633
>> THAT IS LIL.
>> OKAY, JENNY, YOU WANT TO GO
GET THEIR KEYS.
325
00:14:18,635 --> 00:14:19,700
>> OKAY, JENNY, YOU WANT TO GO
GET THEIR KEYS.
>> SURE, OKAY.
326
00:14:19,702 --> 00:14:22,870
GET THEIR KEYS.
>> SURE, OKAY.
>> AGAIN, LIL JOKE, LIL BOW, LIL
327
00:14:22,872 --> 00:14:23,170
>> SURE, OKAY.
>> AGAIN, LIL JOKE, LIL BOW, LIL
JOG.
328
00:14:23,172 --> 00:14:24,305
>> AGAIN, LIL JOKE, LIL BOW, LIL
JOG.
>> GOT IT.
329
00:14:24,307 --> 00:14:25,573
JOG.
>> GOT IT.
HI, THERE, FOLKS.
330
00:14:25,575 --> 00:14:26,907
>> GOT IT.
HI, THERE, FOLKS.
DID I GET THE TICKET?
331
00:14:26,909 --> 00:14:28,576
HI, THERE, FOLKS.
DID I GET THE TICKET?
HERE YOU GO.
332
00:14:28,578 --> 00:14:28,843
DID I GET THE TICKET?
HERE YOU GO.
UM.
333
00:14:28,845 --> 00:14:30,111
HERE YOU GO.
UM.
>> OH, THANK YOU SO MUCH.
334
00:14:30,113 --> 00:14:32,980
UM.
>> OH, THANK YOU SO MUCH.
>> NICE CAR YOU GOT THERE.
335
00:14:32,982 --> 00:14:35,616
>> OH, THANK YOU SO MUCH.
>> NICE CAR YOU GOT THERE.
I MAY HAVE TO FEEL THAT BABY.
336
00:14:35,618 --> 00:14:36,651
>> NICE CAR YOU GOT THERE.
I MAY HAVE TO FEEL THAT BABY.
I'M JUST KIDDING.
337
00:14:36,653 --> 00:14:37,885
I MAY HAVE TO FEEL THAT BABY.
I'M JUST KIDDING.
I ACTUALLY COULD.
338
00:14:37,887 --> 00:14:38,786
I'M JUST KIDDING.
I ACTUALLY COULD.
JUST KIDDING.
339
00:14:38,788 --> 00:14:40,755
I ACTUALLY COULD.
JUST KIDDING.
I'M ACTUALLY IN LOVE WITH YOU.
340
00:14:40,757 --> 00:14:41,088
JUST KIDDING.
I'M ACTUALLY IN LOVE WITH YOU.
NO.
341
00:14:41,090 --> 00:14:41,989
I'M ACTUALLY IN LOVE WITH YOU.
NO.
I'M NOT.
342
00:14:41,991 --> 00:14:44,125
NO.
I'M NOT.
I'M REALLY MARRIED, WE BROKE UP,
343
00:14:44,127 --> 00:14:44,558
I'M NOT.
I'M REALLY MARRIED, WE BROKE UP,
THOUGH.
344
00:14:44,560 --> 00:14:47,295
I'M REALLY MARRIED, WE BROKE UP,
THOUGH.
I MET HIM ONLINE, AND TURNED OUT
345
00:14:47,297 --> 00:14:49,897
THOUGH.
I MET HIM ONLINE, AND TURNED OUT
HE WAS A SICK MIDDLE SCHOOLER
346
00:14:49,899 --> 00:14:51,032
I MET HIM ONLINE, AND TURNED OUT
HE WAS A SICK MIDDLE SCHOOLER
USING A HOSPITAL COMPUTER.
347
00:14:51,034 --> 00:14:52,066
HE WAS A SICK MIDDLE SCHOOLER
USING A HOSPITAL COMPUTER.
>> OKAY, NO.
348
00:14:52,068 --> 00:14:53,167
USING A HOSPITAL COMPUTER.
>> OKAY, NO.
BRING IT ON BACK.
349
00:14:53,169 --> 00:14:54,101
>> OKAY, NO.
BRING IT ON BACK.
OVER HERE.
350
00:14:54,103 --> 00:14:54,568
BRING IT ON BACK.
OVER HERE.
YEAH.
351
00:14:54,570 --> 00:14:55,303
OVER HERE.
YEAH.
GOOD TRY.
352
00:14:55,305 --> 00:14:57,471
YEAH.
GOOD TRY.
BUT I ALMOST WISH YOU STOPPED
353
00:14:57,473 --> 00:15:00,441
GOOD TRY.
BUT I ALMOST WISH YOU STOPPED
AFTER THE FIRST THING YOU SAID.
354
00:15:00,443 --> 00:15:00,741
BUT I ALMOST WISH YOU STOPPED
AFTER THE FIRST THING YOU SAID.
>> OH.
355
00:15:00,743 --> 00:15:01,809
AFTER THE FIRST THING YOU SAID.
>> OH.
WELL, HOW WAS THAT?
356
00:15:01,811 --> 00:15:02,443
>> OH.
WELL, HOW WAS THAT?
>> NOT VERY GOOD.
357
00:15:02,445 --> 00:15:03,944
WELL, HOW WAS THAT?
>> NOT VERY GOOD.
>> I'LL DO IT NEXT TIME.
358
00:15:03,946 --> 00:15:07,882
>> NOT VERY GOOD.
>> I'LL DO IT NEXT TIME.
>> STANLEY, YOU WANT TO GIVE IT
359
00:15:07,884 --> 00:15:08,182
>> I'LL DO IT NEXT TIME.
>> STANLEY, YOU WANT TO GIVE IT
A TRY?
360
00:15:08,184 --> 00:15:09,317
>> STANLEY, YOU WANT TO GIVE IT
A TRY?
>> OKEYDOKEY.
361
00:15:09,319 --> 00:15:10,151
A TRY?
>> OKEYDOKEY.
>> THANK YOU.
362
00:15:10,153 --> 00:15:13,220
>> OKEYDOKEY.
>> THANK YOU.
>> YOU EVER COME HERE BEFORE?
363
00:15:13,222 --> 00:15:13,688
>> THANK YOU.
>> YOU EVER COME HERE BEFORE?
>> WHAT?
364
00:15:13,690 --> 00:15:15,089
>> YOU EVER COME HERE BEFORE?
>> WHAT?
I'M SORRY.
365
00:15:15,091 --> 00:15:15,856
>> WHAT?
I'M SORRY.
I CAN'T REALLY HEAR WHAT YOU --
366
00:15:15,858 --> 00:15:20,761
I'M SORRY.
I CAN'T REALLY HEAR WHAT YOU --
>> PASS!
367
00:15:20,763 --> 00:15:21,128
I CAN'T REALLY HEAR WHAT YOU --
>> PASS!
>> YIKES.
368
00:15:21,130 --> 00:15:21,796
>> PASS!
>> YIKES.
YOU WANT TO TELL US WHAT
369
00:15:21,798 --> 00:15:24,765
>> YIKES.
YOU WANT TO TELL US WHAT
HAPPENED THERE, STANLEY?
370
00:15:24,767 --> 00:15:25,099
YOU WANT TO TELL US WHAT
HAPPENED THERE, STANLEY?
>> YES.
371
00:15:25,101 --> 00:15:26,801
HAPPENED THERE, STANLEY?
>> YES.
I TALKED TOO QUIET, AND THEN I
372
00:15:26,803 --> 00:15:27,702
>> YES.
I TALKED TOO QUIET, AND THEN I
SAID PASS REAL LOUD.
373
00:15:27,704 --> 00:15:29,670
I TALKED TOO QUIET, AND THEN I
SAID PASS REAL LOUD.
>> THAT'S RIGHT, STANLEY.
374
00:15:29,672 --> 00:15:29,970
SAID PASS REAL LOUD.
>> THAT'S RIGHT, STANLEY.
GOOD.
375
00:15:29,972 --> 00:15:31,439
>> THAT'S RIGHT, STANLEY.
GOOD.
WE GOT ANOTHER CUSTOMER.
376
00:15:31,441 --> 00:15:33,007
GOOD.
WE GOT ANOTHER CUSTOMER.
>> CAN YOU LET ME TRY THE NEXT
377
00:15:33,009 --> 00:15:33,274
WE GOT ANOTHER CUSTOMER.
>> CAN YOU LET ME TRY THE NEXT
ONE?
378
00:15:33,276 --> 00:15:34,375
>> CAN YOU LET ME TRY THE NEXT
ONE?
>> OKAY.
379
00:15:34,377 --> 00:15:34,742
ONE?
>> OKAY.
FINE.
380
00:15:34,744 --> 00:15:37,511
>> OKAY.
FINE.
BUT TAKE IT SLOW, JENNY.
381
00:15:37,513 --> 00:15:38,179
FINE.
BUT TAKE IT SLOW, JENNY.
>> OKAY.
382
00:15:38,181 --> 00:15:39,046
BUT TAKE IT SLOW, JENNY.
>> OKAY.
>> CAREFUL.
383
00:15:39,048 --> 00:15:40,314
>> OKAY.
>> CAREFUL.
SHE'S GOT A TEMPER.
384
00:15:40,316 --> 00:15:41,082
>> CAREFUL.
SHE'S GOT A TEMPER.
>> OKAY.
385
00:15:41,084 --> 00:15:42,149
SHE'S GOT A TEMPER.
>> OKAY.
ACTUALLY, ME TOO.
386
00:15:42,151 --> 00:15:43,517
>> OKAY.
ACTUALLY, ME TOO.
I'M KIDDING.
387
00:15:43,519 --> 00:15:43,784
ACTUALLY, ME TOO.
I'M KIDDING.
NO.
388
00:15:43,786 --> 00:15:45,753
I'M KIDDING.
NO.
ACTUALLY, I'M IN LOVE WITH YOU.
389
00:15:45,755 --> 00:15:47,621
NO.
ACTUALLY, I'M IN LOVE WITH YOU.
HOW ABOUT YOU RIP OFF THIS
390
00:15:47,623 --> 00:15:50,091
ACTUALLY, I'M IN LOVE WITH YOU.
HOW ABOUT YOU RIP OFF THIS
TURQUOISE AND PUT A BABY INSIDE
391
00:15:50,093 --> 00:15:50,424
HOW ABOUT YOU RIP OFF THIS
TURQUOISE AND PUT A BABY INSIDE
OF ME.
392
00:15:50,426 --> 00:15:50,758
TURQUOISE AND PUT A BABY INSIDE
OF ME.
>> BAIL.
393
00:15:50,760 --> 00:15:52,760
OF ME.
>> BAIL.
BAIL.
394
00:15:52,762 --> 00:15:54,528
>> BAIL.
BAIL.
>> GUYS, THIS IS SO HARD THE.
395
00:15:54,530 --> 00:15:56,664
BAIL.
>> GUYS, THIS IS SO HARD THE.
>> I THINK I GOT IT NOW, SIR.
396
00:15:56,666 --> 00:15:57,264
>> GUYS, THIS IS SO HARD THE.
>> I THINK I GOT IT NOW, SIR.
>> OKAY.
397
00:15:57,266 --> 00:15:58,466
>> I THINK I GOT IT NOW, SIR.
>> OKAY.
ARE YOU SURE, STANLEY?
398
00:15:58,468 --> 00:15:59,166
>> OKAY.
ARE YOU SURE, STANLEY?
>> YEAH.
399
00:15:59,168 --> 00:16:02,036
ARE YOU SURE, STANLEY?
>> YEAH.
IT'S A LIL JOKE, LIL BOW, AND A
400
00:16:02,038 --> 00:16:03,104
>> YEAH.
IT'S A LIL JOKE, LIL BOW, AND A
LIL JOG.
401
00:16:03,106 --> 00:16:04,872
IT'S A LIL JOKE, LIL BOW, AND A
LIL JOG.
PRETTY SIMPLE.
402
00:16:04,874 --> 00:16:06,107
LIL JOG.
PRETTY SIMPLE.
>> THAT'S WHAT I LIKE TO HR.
403
00:16:06,109 --> 00:16:07,575
PRETTY SIMPLE.
>> THAT'S WHAT I LIKE TO HR.
GO GIVE IT A SHOT.
404
00:16:07,577 --> 00:16:08,542
>> THAT'S WHAT I LIKE TO HR.
GO GIVE IT A SHOT.
>> ALL RIGHT.
405
00:16:08,544 --> 00:16:12,513
GO GIVE IT A SHOT.
>> ALL RIGHT.
LET DO THIS.
406
00:16:12,515 --> 00:16:12,780
>> ALL RIGHT.
LET DO THIS.
AHH!
407
00:16:12,782 --> 00:16:15,983
LET DO THIS.
AHH!
I'M GONNA STEAL YOUR CAR, YOU
408
00:16:15,985 --> 00:16:17,952
AHH!
I'M GONNA STEAL YOUR CAR, YOU
BLACK BITCH!
409
00:16:17,954 --> 00:16:20,454
I'M GONNA STEAL YOUR CAR, YOU
BLACK BITCH!
BEFORE YOU SAY ANYTHING, I KNOW
410
00:16:20,456 --> 00:16:20,988
BLACK BITCH!
BEFORE YOU SAY ANYTHING, I KNOW
THAT WASN'T RIGHT.
411
00:16:20,990 --> 00:16:21,522
BEFORE YOU SAY ANYTHING, I KNOW
THAT WASN'T RIGHT.
>> JUST FORGET IT.
412
00:16:21,524 --> 00:16:24,325
THAT WASN'T RIGHT.
>> JUST FORGET IT.
I MEAN, IF WE CAN'T GET THIS
413
00:16:24,327 --> 00:16:25,359
>> JUST FORGET IT.
I MEAN, IF WE CAN'T GET THIS
RIGHT, WE MIGHT AS WELL SHUT
414
00:16:25,361 --> 00:16:25,726
I MEAN, IF WE CAN'T GET THIS
RIGHT, WE MIGHT AS WELL SHUT
DOWN.
415
00:16:25,728 --> 00:16:27,228
RIGHT, WE MIGHT AS WELL SHUT
DOWN.
I GUESS RICH PEOPLE CAN PARK
416
00:16:27,230 --> 00:16:28,028
DOWN.
I GUESS RICH PEOPLE CAN PARK
THEIR OWN CARS.
417
00:16:28,030 --> 00:16:29,029
I GUESS RICH PEOPLE CAN PARK
THEIR OWN CARS.
>> HEY.
418
00:16:29,031 --> 00:16:31,432
THEIR OWN CARS.
>> HEY.
HEY, DON'T SAY THAT.
419
00:16:31,434 --> 00:16:33,367
>> HEY.
HEY, DON'T SAY THAT.
I PROMISE I'LL MAKE YOU PROUD.
420
00:16:33,369 --> 00:16:35,236
HEY, DON'T SAY THAT.
I PROMISE I'LL MAKE YOU PROUD.
>> AND I'LL PRACTICE MY JOG
421
00:16:35,238 --> 00:16:35,736
I PROMISE I'LL MAKE YOU PROUD.
>> AND I'LL PRACTICE MY JOG
EVERY DAY.
422
00:16:35,738 --> 00:16:37,772
>> AND I'LL PRACTICE MY JOG
EVERY DAY.
>> YOU WILL?
423
00:16:37,774 --> 00:16:38,873
EVERY DAY.
>> YOU WILL?
AW, THANKS, GUYS.
424
00:16:38,875 --> 00:16:39,974
>> YOU WILL?
AW, THANKS, GUYS.
>> YEAH.
425
00:16:39,976 --> 00:16:42,209
AW, THANKS, GUYS.
>> YEAH.
ALSO, I ACCIDENTALLY SWALLOWED
426
00:16:42,211 --> 00:16:42,777
>> YEAH.
ALSO, I ACCIDENTALLY SWALLOWED
ALL THE KEYS.
427
00:16:42,779 --> 00:16:43,844
ALSO, I ACCIDENTALLY SWALLOWED
ALL THE KEYS.
>> ALL RIGHT, THEN.
428
00:16:43,846 --> 00:16:58,292
ALL THE KEYS.
>> ALL RIGHT, THEN.
LET'S GO TO THE HOSPITAL.
429
00:16:58,294 --> 00:17:03,297
>> ALL RIGHT, THEN.
LET'S GO TO THE HOSPITAL.
>>> THEY'RE READY FOR YOU.
430
00:17:03,299 --> 00:17:06,033
LET'S GO TO THE HOSPITAL.
>>> THEY'RE READY FOR YOU.
♪
431
00:17:06,035 --> 00:17:08,269
>>> THEY'RE READY FOR YOU.
♪
>> THREE, TWO, ONE.
432
00:17:08,271 --> 00:17:15,743
♪
>> THREE, TWO, ONE.
AND WE'RE LIVE.
433
00:17:15,745 --> 00:17:17,711
>> THREE, TWO, ONE.
AND WE'RE LIVE.
>> HAVE YOU GUYS HEARD OF THIS
434
00:17:17,713 --> 00:17:18,679
AND WE'RE LIVE.
>> HAVE YOU GUYS HEARD OF THIS
TIKTOK THING?
435
00:17:18,681 --> 00:17:22,383
>> HAVE YOU GUYS HEARD OF THIS
TIKTOK THING?
THE ONLY TIKTOK I HEAR IS MY
436
00:17:22,385 --> 00:17:23,117
TIKTOK THING?
THE ONLY TIKTOK I HEAR IS MY
BIOLOGICAL CLOCK.
437
00:17:23,119 --> 00:17:25,119
THE ONLY TIKTOK I HEAR IS MY
BIOLOGICAL CLOCK.
DON'T GET ME STARTED.
438
00:17:25,121 --> 00:17:29,290
BIOLOGICAL CLOCK.
DON'T GET ME STARTED.
DON'T EVEN GET ME STARTED.
439
00:17:29,292 --> 00:17:32,159
DON'T GET ME STARTED.
DON'T EVEN GET ME STARTED.
>> JEANNIE DARCY, SELECTIVE
440
00:17:32,161 --> 00:17:32,526
DON'T EVEN GET ME STARTED.
>> JEANNIE DARCY, SELECTIVE
STARTAGE.
441
00:17:32,528 --> 00:17:35,563
>> JEANNIE DARCY, SELECTIVE
STARTAGE.
>> NO ONE BRINGS IT LIKE JEANNIE
442
00:17:35,565 --> 00:17:37,698
STARTAGE.
>> NO ONE BRINGS IT LIKE JEANNIE
DARCY, AND THIS TIME THE
443
00:17:37,700 --> 00:17:39,366
>> NO ONE BRINGS IT LIKE JEANNIE
DARCY, AND THIS TIME THE
DARCINATOR IS LIVE, WHICH MEANS
444
00:17:39,368 --> 00:17:41,569
DARCY, AND THIS TIME THE
DARCINATOR IS LIVE, WHICH MEANS
YOU'RE HEARING HER JOKES AT THE
445
00:17:41,571 --> 00:17:44,238
DARCINATOR IS LIVE, WHICH MEANS
YOU'RE HEARING HER JOKES AT THE
SAME TIME SHE'S TELLING THEM,
446
00:17:44,240 --> 00:17:46,240
YOU'RE HEARING HER JOKES AT THE
SAME TIME SHE'S TELLING THEM,
INSTEAD OF STREAMING IT LATER,
447
00:17:46,242 --> 00:17:47,975
SAME TIME SHE'S TELLING THEM,
INSTEAD OF STREAMING IT LATER,
WHICH IS THE REASON MOST PEOPLE
448
00:17:47,977 --> 00:17:49,276
INSTEAD OF STREAMING IT LATER,
WHICH IS THE REASON MOST PEOPLE
GET NETFLIX.
449
00:17:49,278 --> 00:17:51,545
WHICH IS THE REASON MOST PEOPLE
GET NETFLIX.
>> I HAD A BRA FITTING THE OTHER
450
00:17:51,547 --> 00:17:51,812
GET NETFLIX.
>> I HAD A BRA FITTING THE OTHER
DAY.
451
00:17:51,814 --> 00:17:55,149
>> I HAD A BRA FITTING THE OTHER
DAY.
I TRIED ONE ON AND HAD A FIT.
452
00:17:55,151 --> 00:17:57,151
DAY.
I TRIED ONE ON AND HAD A FIT.
MEN MUST DESIGN THESE THINGS.
453
00:17:57,153 --> 00:17:58,786
I TRIED ONE ON AND HAD A FIT.
MEN MUST DESIGN THESE THINGS.
HAS ANYONE EVER SEEN A JOCK
454
00:17:58,788 --> 00:18:00,721
MEN MUST DESIGN THESE THINGS.
HAS ANYONE EVER SEEN A JOCK
STRAP WITH UNDERWIRE?
455
00:18:00,723 --> 00:18:02,990
HAS ANYONE EVER SEEN A JOCK
STRAP WITH UNDERWIRE?
AM I RIGHT, LADY FRIENDS?
456
00:18:02,992 --> 00:18:04,959
STRAP WITH UNDERWIRE?
AM I RIGHT, LADY FRIENDS?
YOU GET MY 411?
457
00:18:04,961 --> 00:18:05,693
AM I RIGHT, LADY FRIENDS?
YOU GET MY 411?
DO NOT EVEN THINK OF GETTING ME
458
00:18:05,695 --> 00:18:08,195
YOU GET MY 411?
DO NOT EVEN THINK OF GETTING ME
STARTED.
459
00:18:08,197 --> 00:18:11,565
DO NOT EVEN THINK OF GETTING ME
STARTED.
>> JEANNIE DARCY IS A LEGEND.
460
00:18:11,567 --> 00:18:13,767
STARTED.
>> JEANNIE DARCY IS A LEGEND.
THAT GIRL INSPIRED A WHOLE
461
00:18:13,769 --> 00:18:15,603
>> JEANNIE DARCY IS A LEGEND.
THAT GIRL INSPIRED A WHOLE
GENERATION OF LESBIAN COMEDIANS.
462
00:18:15,605 --> 00:18:18,138
THAT GIRL INSPIRED A WHOLE
GENERATION OF LESBIAN COMEDIANS.
>> SHE'S NOT A LESBIAN.
463
00:18:18,140 --> 00:18:19,473
GENERATION OF LESBIAN COMEDIANS.
>> SHE'S NOT A LESBIAN.
>> SAY WHAT NOW?
464
00:18:19,475 --> 00:18:22,142
>> SHE'S NOT A LESBIAN.
>> SAY WHAT NOW?
>> JEANNIE DARCY TAKES NO
465
00:18:22,144 --> 00:18:22,543
>> SAY WHAT NOW?
>> JEANNIE DARCY TAKES NO
PRISONERS.
466
00:18:22,545 --> 00:18:24,078
>> JEANNIE DARCY TAKES NO
PRISONERS.
>> MY FRIEND GOT A DOG AND
467
00:18:24,080 --> 00:18:25,813
PRISONERS.
>> MY FRIEND GOT A DOG AND
ALWAYS COMPLAINS HE MESSES UP
468
00:18:25,815 --> 00:18:29,116
>> MY FRIEND GOT A DOG AND
ALWAYS COMPLAINS HE MESSES UP
HER HOUSE AND JUMPS IN HER BED.
469
00:18:29,118 --> 00:18:30,818
ALWAYS COMPLAINS HE MESSES UP
HER HOUSE AND JUMPS IN HER BED.
I SAID, ARE YOU SURE IT'S A DOG,
470
00:18:30,820 --> 00:18:32,753
HER HOUSE AND JUMPS IN HER BED.
I SAID, ARE YOU SURE IT'S A DOG,
OR IS IT MY EX-HUSBAND?
471
00:18:32,755 --> 00:18:34,321
I SAID, ARE YOU SURE IT'S A DOG,
OR IS IT MY EX-HUSBAND?
WHO'S WITH ME?
472
00:18:34,323 --> 00:18:35,756
OR IS IT MY EX-HUSBAND?
WHO'S WITH ME?
DON'T GET ME STARTED.
473
00:18:35,758 --> 00:18:37,124
WHO'S WITH ME?
DON'T GET ME STARTED.
DON'T EVEN GET ME STARTED.
474
00:18:37,126 --> 00:18:39,827
DON'T GET ME STARTED.
DON'T EVEN GET ME STARTED.
>> OH, MY GOD.
475
00:18:39,829 --> 00:18:42,763
DON'T EVEN GET ME STARTED.
>> OH, MY GOD.
JEANNIE IS AWESOME.
476
00:18:42,765 --> 00:18:46,800
>> OH, MY GOD.
JEANNIE IS AWESOME.
SHE EVEN GAVE ME HER SET LIST.
477
00:18:46,802 --> 00:18:49,603
JEANNIE IS AWESOME.
SHE EVEN GAVE ME HER SET LIST.
>> I PICKED UP ONE OF THOSE NEW
478
00:18:49,605 --> 00:18:50,771
SHE EVEN GAVE ME HER SET LIST.
>> I PICKED UP ONE OF THOSE NEW
TESLA ELECTRIC CARS.
479
00:18:50,773 --> 00:18:52,606
>> I PICKED UP ONE OF THOSE NEW
TESLA ELECTRIC CARS.
I COULDN'T GET IT STARTED.
480
00:18:52,608 --> 00:18:55,109
TESLA ELECTRIC CARS.
I COULDN'T GET IT STARTED.
DON'T GET ME STARTED.
481
00:18:55,111 --> 00:18:57,645
I COULDN'T GET IT STARTED.
DON'T GET ME STARTED.
>> JEANNIE DARCY, SELECTIVE
482
00:18:57,647 --> 00:18:59,046
DON'T GET ME STARTED.
>> JEANNIE DARCY, SELECTIVE
STARTAGE, STREAMING LIVE
483
00:18:59,048 --> 00:18:59,413
>> JEANNIE DARCY, SELECTIVE
STARTAGE, STREAMING LIVE
TONIGHT.
484
00:18:59,415 --> 00:19:03,684
STARTAGE, STREAMING LIVE
TONIGHT.
>> DON'T EVEN GET ME STARTED.
485
00:19:29,127 --> 00:19:34,431
>>> OH, MY GOD.
A WAFFLE MAKER.
THAT IS SO NICE, JACKIE.
486
00:19:34,433 --> 00:19:36,700
A WAFFLE MAKER.
THAT IS SO NICE, JACKIE.
>> WELL, I JUST THOUGHT MAYBE
487
00:19:36,702 --> 00:19:37,968
THAT IS SO NICE, JACKIE.
>> WELL, I JUST THOUGHT MAYBE
YOU COULD DO SUNDAY MORNING
488
00:19:37,970 --> 00:19:39,570
>> WELL, I JUST THOUGHT MAYBE
YOU COULD DO SUNDAY MORNING
WAFFLES WITH YOUR LITTLE GIRL.
489
00:19:39,572 --> 00:19:41,538
YOU COULD DO SUNDAY MORNING
WAFFLES WITH YOUR LITTLE GIRL.
>> THAT'S SO SWEET I COULD CRY.
490
00:19:41,540 --> 00:19:43,807
WAFFLES WITH YOUR LITTLE GIRL.
>> THAT'S SO SWEET I COULD CRY.
>> WE'RE JUST SO HAPPY FOR YOU,
491
00:19:43,809 --> 00:19:44,141
>> THAT'S SO SWEET I COULD CRY.
>> WE'RE JUST SO HAPPY FOR YOU,
SUSIE.
492
00:19:44,143 --> 00:19:44,575
>> WE'RE JUST SO HAPPY FOR YOU,
SUSIE.
>> YEAH.
493
00:19:44,577 --> 00:19:46,443
SUSIE.
>> YEAH.
AND WE'RE REALLY GOING TO MISS
494
00:19:46,445 --> 00:19:46,744
>> YEAH.
AND WE'RE REALLY GOING TO MISS
YOU.
495
00:19:46,746 --> 00:19:50,247
AND WE'RE REALLY GOING TO MISS
YOU.
>> WELL, I'LL BE BACK IN A FEW
496
00:19:50,249 --> 00:19:51,015
YOU.
>> WELL, I'LL BE BACK IN A FEW
MONTHS, UNLESS JIM FIRES ME.
497
00:19:51,017 --> 00:19:54,018
>> WELL, I'LL BE BACK IN A FEW
MONTHS, UNLESS JIM FIRES ME.
>> OH, COME ON NOW.
498
00:19:54,020 --> 00:19:54,918
MONTHS, UNLESS JIM FIRES ME.
>> OH, COME ON NOW.
I WOULDN'T DO THAT.
499
00:19:54,920 --> 00:19:56,186
>> OH, COME ON NOW.
I WOULDN'T DO THAT.
THAT WOULD BE SUPER ILLEGAL.
500
00:19:56,188 --> 00:19:58,222
I WOULDN'T DO THAT.
THAT WOULD BE SUPER ILLEGAL.
>> AND HEY, EVEN THOUGH I'M
501
00:19:58,224 --> 00:20:00,958
THAT WOULD BE SUPER ILLEGAL.
>> AND HEY, EVEN THOUGH I'M
STARTING MATERNITY LEAVE, I'M
502
00:20:00,960 --> 00:20:02,860
>> AND HEY, EVEN THOUGH I'M
STARTING MATERNITY LEAVE, I'M
SURE YOU'LL ALL BE SEEING PLENTY
503
00:20:02,862 --> 00:20:03,193
STARTING MATERNITY LEAVE, I'M
SURE YOU'LL ALL BE SEEING PLENTY
OF ME.
504
00:20:03,195 --> 00:20:04,128
SURE YOU'LL ALL BE SEEING PLENTY
OF ME.
>> I HOPE SO.
505
00:20:04,130 --> 00:20:07,765
OF ME.
>> I HOPE SO.
AFTER ALL, I'M THE GOD FATHER.
506
00:20:07,767 --> 00:20:09,800
>> I HOPE SO.
AFTER ALL, I'M THE GOD FATHER.
YOU GAVE ME AN OFFER I COULDN'T
507
00:20:09,802 --> 00:20:10,134
AFTER ALL, I'M THE GOD FATHER.
YOU GAVE ME AN OFFER I COULDN'T
REFUSE.
508
00:20:10,136 --> 00:20:11,602
YOU GAVE ME AN OFFER I COULDN'T
REFUSE.
I'M STILL WORKING ON THE
509
00:20:11,604 --> 00:20:11,969
REFUSE.
I'M STILL WORKING ON THE
IMPRESS.
510
00:20:11,971 --> 00:20:14,204
I'M STILL WORKING ON THE
IMPRESS.
>> I JUST CAN'T GET OVER HOW
511
00:20:14,206 --> 00:20:14,738
IMPRESS.
>> I JUST CAN'T GET OVER HOW
BEAUTIFUL YOU LOOK.
512
00:20:14,740 --> 00:20:16,907
>> I JUST CAN'T GET OVER HOW
BEAUTIFUL YOU LOOK.
>> CAN YOU T YOU, KENNEDY.
513
00:20:16,909 --> 00:20:18,575
BEAUTIFUL YOU LOOK.
>> CAN YOU T YOU, KENNEDY.
HONESTLY, I'VE ACTUALLY NEVER
514
00:20:18,577 --> 00:20:19,009
>> CAN YOU T YOU, KENNEDY.
HONESTLY, I'VE ACTUALLY NEVER
FELTBETTER.
515
00:20:19,011 --> 00:20:22,212
HONESTLY, I'VE ACTUALLY NEVER
FELTBETTER.
MY NAILS ARE STRONG, MY SKIN
516
00:20:22,214 --> 00:20:22,613
FELTBETTER.
MY NAILS ARE STRONG, MY SKIN
LOOKS GREAT.
517
00:20:22,615 --> 00:20:23,580
MY NAILS ARE STRONG, MY SKIN
LOOKS GREAT.
I'M JUST GLOWING.
518
00:20:23,582 --> 00:20:25,015
LOOKS GREAT.
I'M JUST GLOWING.
THIS IS EVERYTHING I'VE EVER
519
00:20:25,017 --> 00:20:25,349
I'M JUST GLOWING.
THIS IS EVERYTHING I'VE EVER
WANTED.
520
00:20:25,351 --> 00:20:30,020
THIS IS EVERYTHING I'VE EVER
WANTED.
>> WELL, I'LL LEAVE YOU GUYS
521
00:20:30,022 --> 00:20:32,022
WANTED.
>> WELL, I'LL LEAVE YOU GUYS
WITH THIS SAYING I FOUND ON
522
00:20:32,024 --> 00:20:34,458
>> WELL, I'LL LEAVE YOU GUYS
WITH THIS SAYING I FOUND ON
BRAINY QUOTE.COM THAT REALLY
523
00:20:34,460 --> 00:20:35,993
WITH THIS SAYING I FOUND ON
BRAINY QUOTE.COM THAT REALLY
CAPTURES KIND OF THE WAY I'M
524
00:20:35,995 --> 00:20:37,194
BRAINY QUOTE.COM THAT REALLY
CAPTURES KIND OF THE WAY I'M
FEELING RIGHT NOW.
525
00:20:37,196 --> 00:20:38,462
CAPTURES KIND OF THE WAY I'M
FEELING RIGHT NOW.
IT'S SO BEAUTIFUL.
526
00:20:38,464 --> 00:20:40,464
FEELING RIGHT NOW.
IT'S SO BEAUTIFUL.
A MOTHER ALWAYS HAS TO THINK
527
00:20:40,466 --> 00:20:41,699
IT'S SO BEAUTIFUL.
A MOTHER ALWAYS HAS TO THINK
TWICE, ONCE FOR HERSELF, AND
528
00:20:41,701 --> 00:20:44,468
A MOTHER ALWAYS HAS TO THINK
TWICE, ONCE FOR HERSELF, AND
ONCE FOR HER CHILD.
529
00:20:44,470 --> 00:20:45,736
TWICE, ONCE FOR HERSELF, AND
ONCE FOR HER CHILD.
>> AWW.
530
00:20:45,738 --> 00:20:48,138
ONCE FOR HER CHILD.
>> AWW.
>> THAT JUST ABSOLUTELY NAILS
531
00:20:48,140 --> 00:20:49,907
>> AWW.
>> THAT JUST ABSOLUTELY NAILS
MATERNAL FEELINGS SURGING
532
00:20:49,909 --> 00:20:51,342
>> THAT JUST ABSOLUTELY NAILS
MATERNAL FEELINGS SURGING
THROUGH MY BODY.
533
00:20:51,344 --> 00:20:52,076
MATERNAL FEELINGS SURGING
THROUGH MY BODY.
ANYWAY, LET ME JUST GRAB THIS
534
00:20:52,078 --> 00:20:54,878
THROUGH MY BODY.
ANYWAY, LET ME JUST GRAB THIS
WAFFLE MAKER.
535
00:20:54,880 --> 00:21:07,191
ANYWAY, LET ME JUST GRAB THIS
WAFFLE MAKER.
[ FLATULENT NOISE ]
536
00:21:07,193 --> 00:21:09,326
WAFFLE MAKER.
[ FLATULENT NOISE ]
GODDAMNIT, NOT AGAIN!
537
00:21:09,328 --> 00:21:10,994
[ FLATULENT NOISE ]
GODDAMNIT, NOT AGAIN!
HOW MANY FREAKING TIMES IS THIS
538
00:21:10,996 --> 00:21:13,697
GODDAMNIT, NOT AGAIN!
HOW MANY FREAKING TIMES IS THIS
GOING TO HAPPEN TO ME?
539
00:21:13,699 --> 00:21:16,533
HOW MANY FREAKING TIMES IS THIS
GOING TO HAPPEN TO ME?
>> UM, I'M SORRY.
540
00:21:16,535 --> 00:21:16,967
GOING TO HAPPEN TO ME?
>> UM, I'M SORRY.
WAS THAT --
541
00:21:16,969 --> 00:21:20,204
>> UM, I'M SORRY.
WAS THAT --
>> A FART, YES, JIM, I RIPPED A
542
00:21:20,206 --> 00:21:20,971
WAS THAT --
>> A FART, YES, JIM, I RIPPED A
BIG OLD FART.
543
00:21:20,973 --> 00:21:22,339
>> A FART, YES, JIM, I RIPPED A
BIG OLD FART.
ARE YOU HAPPY?
544
00:21:22,341 --> 00:21:22,973
BIG OLD FART.
ARE YOU HAPPY?
>> NO.
545
00:21:22,975 --> 00:21:25,876
ARE YOU HAPPY?
>> NO.
I DEFINITELY WOULDN'T SAY HAPPY.
546
00:21:25,878 --> 00:21:27,778
>> NO.
I DEFINITELY WOULDN'T SAY HAPPY.
>> SO IT WAS --
547
00:21:27,780 --> 00:21:33,183
I DEFINITELY WOULDN'T SAY HAPPY.
>> SO IT WAS --
>> NOT A BABY, JUST GAS, YEAH,
548
00:21:33,185 --> 00:21:34,151
>> SO IT WAS --
>> NOT A BABY, JUST GAS, YEAH,
KENNEDY, OBVIOUSLY.
549
00:21:34,153 --> 00:21:35,586
>> NOT A BABY, JUST GAS, YEAH,
KENNEDY, OBVIOUSLY.
GUESS YOU CAN HAVE YOUR WAFFLE
550
00:21:35,588 --> 00:21:36,553
KENNEDY, OBVIOUSLY.
GUESS YOU CAN HAVE YOUR WAFFLE
MAKER BACK.
551
00:21:36,555 --> 00:21:37,221
GUESS YOU CAN HAVE YOUR WAFFLE
MAKER BACK.
I CAN'T MAKE SUNDAY MORNING
552
00:21:37,223 --> 00:21:39,556
MAKER BACK.
I CAN'T MAKE SUNDAY MORNING
WAFFLES FOR A FART.
553
00:21:39,558 --> 00:21:41,191
I CAN'T MAKE SUNDAY MORNING
WAFFLES FOR A FART.
>> JUST KEEP IT.
554
00:21:41,193 --> 00:21:42,192
WAFFLES FOR A FART.
>> JUST KEEP IT.
I'M TOO EMBARRASSED TO EXPLAIN
555
00:21:42,194 --> 00:21:44,595
>> JUST KEEP IT.
I'M TOO EMBARRASSED TO EXPLAIN
WHY I'M RETURNING IT.
556
00:21:44,597 --> 00:21:46,897
I'M TOO EMBARRASSED TO EXPLAIN
WHY I'M RETURNING IT.
>> DAMN IT.
557
00:21:46,899 --> 00:21:50,267
WHY I'M RETURNING IT.
>> DAMN IT.
I'VE BEEN PLAYING MOZART TO A
558
00:21:50,269 --> 00:21:52,903
>> DAMN IT.
I'VE BEEN PLAYING MOZART TO A
GAS BUBBLE FOR EIGHT FREAKING
559
00:21:52,905 --> 00:21:53,237
I'VE BEEN PLAYING MOZART TO A
GAS BUBBLE FOR EIGHT FREAKING
MONTHS.
560
00:21:53,239 --> 00:21:56,173
GAS BUBBLE FOR EIGHT FREAKING
MONTHS.
I'M SO STUPID.
561
00:21:56,175 --> 00:21:59,543
MONTHS.
I'M SO STUPID.
>> SMELLS LIKE MAYBE IT WAS
562
00:21:59,545 --> 00:22:00,010
I'M SO STUPID.
>> SMELLS LIKE MAYBE IT WAS
TWINS.
563
00:22:00,012 --> 00:22:01,945
>> SMELLS LIKE MAYBE IT WAS
TWINS.
>> DIDN'T YOU GO TO A DOCTOR?
564
00:22:01,947 --> 00:22:04,782
TWINS.
>> DIDN'T YOU GO TO A DOCTOR?
>> WHAT KIND OF A DOCTOR,
565
00:22:04,784 --> 00:22:07,684
>> DIDN'T YOU GO TO A DOCTOR?
>> WHAT KIND OF A DOCTOR,
JACKIE, A FART DOCTOR?
566
00:22:07,686 --> 00:22:09,520
>> WHAT KIND OF A DOCTOR,
JACKIE, A FART DOCTOR?
WELL, WHATEVER, AT LEAST I STILL
567
00:22:09,522 --> 00:22:11,522
JACKIE, A FART DOCTOR?
WELL, WHATEVER, AT LEAST I STILL
GET SIX MONTHS MATERNITY LEAVE.
568
00:22:11,524 --> 00:22:13,557
WELL, WHATEVER, AT LEAST I STILL
GET SIX MONTHS MATERNITY LEAVE.
>> YOU DEFINITELY DO NOT.
569
00:22:13,559 --> 00:22:15,526
GET SIX MONTHS MATERNITY LEAVE.
>> YOU DEFINITELY DO NOT.
YOU FORFEITED YOUR MATERNITY
570
00:22:15,528 --> 00:22:16,960
>> YOU DEFINITELY DO NOT.
YOU FORFEITED YOUR MATERNITY
LEAVE WHEN YOU STUNK UP THE
571
00:22:16,962 --> 00:22:17,294
YOU FORFEITED YOUR MATERNITY
LEAVE WHEN YOU STUNK UP THE
OFFICE.
572
00:22:17,296 --> 00:22:21,165
LEAVE WHEN YOU STUNK UP THE
OFFICE.
>> SO, SUSIE, THIS HAS HAPPENED
573
00:22:21,167 --> 00:22:22,633
OFFICE.
>> SO, SUSIE, THIS HAS HAPPENED
MORE THAN ONCE?
574
00:22:22,635 --> 00:22:23,767
>> SO, SUSIE, THIS HAS HAPPENED
MORE THAN ONCE?
FOUR TIMES?
575
00:22:23,769 --> 00:22:26,069
MORE THAN ONCE?
FOUR TIMES?
>> HOW IS THAT EVEN POSSIBLE,
576
00:22:26,071 --> 00:22:26,370
FOUR TIMES?
>> HOW IS THAT EVEN POSSIBLE,
SUSIE?
577
00:22:26,372 --> 00:22:27,504
>> HOW IS THAT EVEN POSSIBLE,
SUSIE?
>> OH, MY GOD.
578
00:22:27,506 --> 00:22:28,138
SUSIE?
>> OH, MY GOD.
>> WHAT?
579
00:22:28,140 --> 00:22:29,640
>> OH, MY GOD.
>> WHAT?
>> I JUST REMEMBERED SOMETHING.
580
00:22:29,642 --> 00:22:30,974
>> WHAT?
>> I JUST REMEMBERED SOMETHING.
I FEEL SO BAD BECAUSE I ARE EM
581
00:22:30,976 --> 00:22:33,310
>> I JUST REMEMBERED SOMETHING.
I FEEL SO BAD BECAUSE I ARE EM
THIS MORNING ON THE BUS, AN OLD
582
00:22:33,312 --> 00:22:35,245
I FEEL SO BAD BECAUSE I ARE EM
THIS MORNING ON THE BUS, AN OLD
MAN GAVE ME HIS SEAT, AND THEN
583
00:22:35,247 --> 00:22:37,714
THIS MORNING ON THE BUS, AN OLD
MAN GAVE ME HIS SEAT, AND THEN
THE BUS HIT A BUMP, AND HE FELL
584
00:22:37,716 --> 00:22:39,450
MAN GAVE ME HIS SEAT, AND THEN
THE BUS HIT A BUMP, AND HE FELL
DOWN IN THE AISLE, AND HE DIED.
585
00:22:39,452 --> 00:22:41,718
THE BUS HIT A BUMP, AND HE FELL
DOWN IN THE AISLE, AND HE DIED.
>> THAT WAS THIS MORNING?
586
00:22:41,720 --> 00:22:42,853
DOWN IN THE AISLE, AND HE DIED.
>> THAT WAS THIS MORNING?
>> WHATEVER.
587
00:22:42,855 --> 00:22:43,821
>> THAT WAS THIS MORNING?
>> WHATEVER.
WELL, THE GOOD NEWS IS I CAN
588
00:22:43,823 --> 00:22:46,690
>> WHATEVER.
WELL, THE GOOD NEWS IS I CAN
START DRINKING AGAIN.
589
00:22:46,692 --> 00:22:47,357
WELL, THE GOOD NEWS IS I CAN
START DRINKING AGAIN.
>> YOU DO KNOW YOU AT WORK,
590
00:22:47,359 --> 00:22:50,494
START DRINKING AGAIN.
>> YOU DO KNOW YOU AT WORK,
RIGHT?
591
00:22:50,496 --> 00:22:51,695
>> YOU DO KNOW YOU AT WORK,
RIGHT?
>> HEY, SUSIE.
592
00:22:51,697 --> 00:22:53,997
RIGHT?
>> HEY, SUSIE.
I GOT YOUR LUNCH ORDER FROM TH
593
00:22:53,999 --> 00:22:54,398
>> HEY, SUSIE.
I GOT YOUR LUNCH ORDER FROM TH
CAFETERIA.
594
00:22:54,400 --> 00:22:55,699
I GOT YOUR LUNCH ORDER FROM TH
CAFETERIA.
>> THANK YOU SO MUCH, EVAN.
595
00:22:55,701 --> 00:22:56,166
CAFETERIA.
>> THANK YOU SO MUCH, EVAN.
>> NO PROBLEM.
596
00:22:56,168 --> 00:22:56,967
>> THANK YOU SO MUCH, EVAN.
>> NO PROBLEM.
>> WHAT DID YOU GET?
597
00:22:56,969 --> 00:22:58,535
>> NO PROBLEM.
>> WHAT DID YOU GET?
>> OH, I GET THE SAME THING
598
00:22:58,537 --> 00:22:59,603
>> WHAT DID YOU GET?
>> OH, I GET THE SAME THING
EVERY DAY.
599
00:22:59,605 --> 00:23:00,237
>> OH, I GET THE SAME THING
EVERY DAY.
I GET CAT FISH SLIDERS.
600
00:23:00,239 --> 00:23:03,941
EVERY DAY.
I GET CAT FISH SLIDERS.
>> WOW.
601
00:23:03,943 --> 00:23:04,775
I GET CAT FISH SLIDERS.
>> WOW.
>> MM.
602
00:23:04,777 --> 00:23:06,210
>> WOW.
>> MM.
THIS IS REALLY HITTING THE SPOT
603
00:23:06,212 --> 00:23:07,277
>> MM.
THIS IS REALLY HITTING THE SPOT
IN A VERY UNBELIEVABLE WAY.
604
00:23:07,279 --> 00:23:13,450
THIS IS REALLY HITTING THE SPOT
IN A VERY UNBELIEVABLE WAY.
MM.
605
00:23:13,452 --> 00:23:15,986
IN A VERY UNBELIEVABLE WAY.
MM.
>> SUSIE, LOOK AT YOUR STOMACH.
606
00:23:15,988 --> 00:23:18,021
MM.
>> SUSIE, LOOK AT YOUR STOMACH.
>> OH, MY GOD.
607
00:23:18,023 --> 00:23:18,422
>> SUSIE, LOOK AT YOUR STOMACH.
>> OH, MY GOD.
OH, MY GOD.
608
00:23:18,424 --> 00:23:21,525
>> OH, MY GOD.
OH, MY GOD.
IT'S A MIRACLE.
609
00:23:21,527 --> 00:23:21,925
OH, MY GOD.
IT'S A MIRACLE.
>> NO.
610
00:23:21,927 --> 00:23:22,459
IT'S A MIRACLE.
>> NO.
>> IT'S A MIRACLE.
611
00:23:22,461 --> 00:23:24,461
>> NO.
>> IT'S A MIRACLE.
>> NO.
612
00:23:24,463 --> 00:23:26,597
>> IT'S A MIRACLE.
>> NO.
>> GUYS, I HAVE SOME REALLY
613
00:23:26,599 --> 00:23:29,333
>> NO.
>> GUYS, I HAVE SOME REALLY
EXCITING NEWS.
614
00:23:29,335 --> 00:23:32,102
>> GUYS, I HAVE SOME REALLY
EXCITING NEWS.
I WANTED TO TELL YOU THAT I'M
615
00:23:32,104 --> 00:23:32,970
EXCITING NEWS.
I WANTED TO TELL YOU THAT I'M
PREGNANT AGAIN.
616
00:23:32,972 --> 00:23:34,872
I WANTED TO TELL YOU THAT I'M
PREGNANT AGAIN.
WELL, THERE'S NO NEED TO TAKE A
617
00:23:34,874 --> 00:23:35,439
PREGNANT AGAIN.
WELL, THERE'S NO NEED TO TAKE A
PREGNANCY TEST.
618
00:23:35,441 --> 00:23:38,008
WELL, THERE'S NO NEED TO TAKE A
PREGNANCY TEST.
CALL IT A MOTHER'S INTUITION.
619
00:23:38,010 --> 00:23:40,010
PREGNANCY TEST.
CALL IT A MOTHER'S INTUITION.
I REALLY THINK IT WILL BE A NICE
620
00:23:40,012 --> 00:23:41,745
CALL IT A MOTHER'S INTUITION.
I REALLY THINK IT WILL BE A NICE
GESTURE FOR ALL OF YOU TO
621
00:23:41,747 --> 00:23:44,214
I REALLY THINK IT WILL BE A NICE
GESTURE FOR ALL OF YOU TO
ORGANIZE A BABY SHOWER FOR ME.
622
00:23:44,216 --> 00:23:46,517
GESTURE FOR ALL OF YOU TO
ORGANIZE A BABY SHOWER FOR ME.
>> YOU'RE NOT PREGNANT, SUSIE.
623
00:23:46,519 --> 00:23:49,319
ORGANIZE A BABY SHOWER FOR ME.
>> YOU'RE NOT PREGNANT, SUSIE.
IT'S JUST GAS FROM YOUR HUNGRY
624
00:23:49,321 --> 00:23:51,488
>> YOU'RE NOT PREGNANT, SUSIE.
IT'S JUST GAS FROM YOUR HUNGRY
ASS CAT FISH SLIDERS AT 11:00
625
00:23:51,490 --> 00:23:51,788
IT'S JUST GAS FROM YOUR HUNGRY
ASS CAT FISH SLIDERS AT 11:00
A.M.
626
00:23:51,790 --> 00:23:54,024
ASS CAT FISH SLIDERS AT 11:00
A.M.
>> LOOK, KENNEDY, I KNOW YOU'RE
627
00:23:54,026 --> 00:23:57,895
A.M.
>> LOOK, KENNEDY, I KNOW YOU'RE
A SINGLE GAL WHORING AROUND THE
628
00:23:57,897 --> 00:23:59,363
>> LOOK, KENNEDY, I KNOW YOU'RE
A SINGLE GAL WHORING AROUND THE
CITY, SO YOU COULDN'T POSSIBLY
629
00:23:59,365 --> 00:23:59,863
A SINGLE GAL WHORING AROUND THE
CITY, SO YOU COULDN'T POSSIBLY
UNDERSTAND HOW --
630
00:23:59,865 --> 00:24:02,866
CITY, SO YOU COULDN'T POSSIBLY
UNDERSTAND HOW --
[ FLATULENT NOISE ]
631
00:24:02,868 --> 00:24:11,708
UNDERSTAND HOW --
[ FLATULENT NOISE ]
OH, MY GOD.
632
00:24:11,710 --> 00:24:12,009
[ FLATULENT NOISE ]
OH, MY GOD.
NO.
633
00:24:12,011 --> 00:24:15,746
OH, MY GOD.
NO.
HOW MUCH SUFFERING CAN ONE
634
00:24:15,748 --> 00:24:16,580
NO.
HOW MUCH SUFFERING CAN ONE
MOTHER BEAR?
635
00:24:16,582 --> 00:24:16,947
HOW MUCH SUFFERING CAN ONE
MOTHER BEAR?
WHATEVER.
636
00:24:16,949 --> 00:24:17,614
MOTHER BEAR?
WHATEVER.
WELL, AT LEAST I CAN SMOKE
637
00:24:17,616 --> 00:24:19,149
WHATEVER.
WELL, AT LEAST I CAN SMOKE
AGN.
638
00:24:19,151 --> 00:24:22,519
WELL, AT LEAST I CAN SMOKE
AGN.
>> WAIT, SUSIE -- DON'T LIGHT
639
00:24:22,521 --> 00:24:36,900
AGN.
>> WAIT, SUSIE -- DON'T LIGHT
THAT CIGAR!
640
00:24:36,902 --> 00:24:37,501
>> WAIT, SUSIE -- DON'T LIGHT
THAT CIGAR!
>>> HEY.
641
00:24:37,503 --> 00:24:39,536
THAT CIGAR!
>>> HEY.
ARE YOU GUYS FREE TO TALK?
642
00:24:39,538 --> 00:24:40,337
>>> HEY.
ARE YOU GUYS FREE TO TALK?
>> MOLLY!
643
00:24:40,339 --> 00:24:41,605
ARE YOU GUYS FREE TO TALK?
>> MOLLY!
>> HEY, MOLLY.
644
00:24:41,607 --> 00:24:43,240
>> MOLLY!
>> HEY, MOLLY.
>> COME ON IN.
645
00:24:43,242 --> 00:24:45,375
>> HEY, MOLLY.
>> COME ON IN.
WE'RE PLAGUE SOME VIDEO GAMES.
646
00:24:45,377 --> 00:24:51,782
>> COME ON IN.
WE'RE PLAGUE SOME VIDEO GAMES.
>> YOU WANT TO KNOW THE TRUTH --
647
00:24:51,784 --> 00:24:52,449
WE'RE PLAGUE SOME VIDEO GAMES.
>> YOU WANT TO KNOW THE TRUTH --
>> WAIT, WHAT GAME IS THIS.
648
00:24:52,451 --> 00:24:54,217
>> YOU WANT TO KNOW THE TRUTH --
>> WAIT, WHAT GAME IS THIS.
>> MOLLY 2 K 23.
649
00:24:54,219 --> 00:24:54,751
>> WAIT, WHAT GAME IS THIS.
>> MOLLY 2 K 23.
>> IT'S REALLY FUN.
650
00:24:54,753 --> 00:24:57,321
>> MOLLY 2 K 23.
>> IT'S REALLY FUN.
YOU PLAY AS MOLLY SHANNON
651
00:24:57,323 --> 00:24:59,890
>> IT'S REALLY FUN.
YOU PLAY AS MOLLY SHANNON
BOUNCING YOUR CAREER AS AN ACTOR
652
00:24:59,892 --> 00:25:01,558
YOU PLAY AS MOLLY SHANNON
BOUNCING YOUR CAREER AS AN ACTOR
WITH RAISING A FAMILY.
653
00:25:01,560 --> 00:25:03,327
BOUNCING YOUR CAREER AS AN ACTOR
WITH RAISING A FAMILY.
>> AND THAT'S HOW I EMBARRASSED
654
00:25:03,329 --> 00:25:04,928
WITH RAISING A FAMILY.
>> AND THAT'S HOW I EMBARRASSED
MYSELF IN FRONT OF OBAMA.
655
00:25:04,930 --> 00:25:07,464
>> AND THAT'S HOW I EMBARRASSED
MYSELF IN FRONT OF OBAMA.
>> OH, YOU JUST CRACKED JIMMY
656
00:25:07,466 --> 00:25:07,731
MYSELF IN FRONT OF OBAMA.
>> OH, YOU JUST CRACKED JIMMY
UP.
657
00:25:07,733 --> 00:25:08,999
>> OH, YOU JUST CRACKED JIMMY
UP.
>> THERE'S A GAME ABOUT MY LIFE?
658
00:25:09,001 --> 00:25:14,071
UP.
>> THERE'S A GAME ABOUT MY LIFE?
>> OH, DUDE.
659
00:25:14,073 --> 00:25:14,905
>> THERE'S A GAME ABOUT MY LIFE?
>> OH, DUDE.
WE UNLOCKED AN NYU COMMENTMENT
660
00:25:14,907 --> 00:25:15,505
>> OH, DUDE.
WE UNLOCKED AN NYU COMMENTMENT
SPEECH.
661
00:25:15,507 --> 00:25:20,143
WE UNLOCKED AN NYU COMMENTMENT
SPEECH.
PRESS A TO GET KIDS -- OR PRESS
662
00:25:20,145 --> 00:25:20,410
SPEECH.
PRESS A TO GET KIDS -- OR PRESS
B.
663
00:25:20,412 --> 00:25:25,015
PRESS A TO GET KIDS -- OR PRESS
B.
>> THIS GENERATION IS A BUNCH OF
664
00:25:25,017 --> 00:25:25,415
B.
>> THIS GENERATION IS A BUNCH OF
SNOWFLAKES.
665
00:25:25,417 --> 00:25:25,949
>> THIS GENERATION IS A BUNCH OF
SNOWFLAKES.
>> CAREER SETBACK.
666
00:25:25,951 --> 00:25:27,050
SNOWFLAKES.
>> CAREER SETBACK.
>> DAMN IT.
667
00:25:27,052 --> 00:25:30,287
>> CAREER SETBACK.
>> DAMN IT.
THAT MADE US DROP ALL OUR
668
00:25:30,289 --> 00:25:30,654
>> DAMN IT.
THAT MADE US DROP ALL OUR
TURNUPS.
669
00:25:30,656 --> 00:25:32,623
THAT MADE US DROP ALL OUR
TURNUPS.
>> WHAT ARE TURNUPS?
670
00:25:32,625 --> 00:25:33,690
TURNUPS.
>> WHAT ARE TURNUPS?
>> THEY ARE DOLLARS.
671
00:25:33,692 --> 00:25:35,826
>> WHAT ARE TURNUPS?
>> THEY ARE DOLLARS.
YOU CAN USE THEM TO BUY OUTFITS.
672
00:25:35,828 --> 00:25:38,195
>> THEY ARE DOLLARS.
YOU CAN USE THEM TO BUY OUTFITS.
>> SHOULDN'T I BE GETTING PAID
673
00:25:38,197 --> 00:25:38,795
YOU CAN USE THEM TO BUY OUTFITS.
>> SHOULDN'T I BE GETTING PAID
OR SOMETHING.
674
00:25:38,797 --> 00:25:40,297
>> SHOULDN'T I BE GETTING PAID
OR SOMETHING.
>> I WOULD ASSUME SO.
675
00:25:40,299 --> 00:25:41,999
OR SOMETHING.
>> I WOULD ASSUME SO.
THEY HAVE BEEN MAKING THEM FOR
676
00:25:42,001 --> 00:25:42,299
>> I WOULD ASSUME SO.
THEY HAVE BEEN MAKING THEM FOR
YEARS.
677
00:25:42,301 --> 00:25:44,401
THEY HAVE BEEN MAKING THEM FOR
YEARS.
>> WE'VE BEEN PLAYING THEM SINCE
678
00:25:44,403 --> 00:25:44,835
YEARS.
>> WE'VE BEEN PLAYING THEM SINCE
WE WERE KIDS.
679
00:25:44,837 --> 00:25:46,570
>> WE'VE BEEN PLAYING THEM SINCE
WE WERE KIDS.
>> OH, MY GOD.
680
00:25:46,572 --> 00:25:47,371
WE WERE KIDS.
>> OH, MY GOD.
IS THAT MY DAUGHTER?
681
00:25:47,373 --> 00:25:48,238
>> OH, MY GOD.
IS THAT MY DAUGHTER?
>> YEP.
682
00:25:48,240 --> 00:25:50,407
IS THAT MY DAUGHTER?
>> YEP.
JUST GIVING STELLA THE BIRDS AND
683
00:25:50,409 --> 00:25:50,941
>> YEP.
JUST GIVING STELLA THE BIRDS AND
THE BEES TALK.
684
00:25:50,943 --> 00:25:53,777
JUST GIVING STELLA THE BIRDS AND
THE BEES TALK.
>> AND REMEMBER, ALWAYS USE TWO
685
00:25:53,779 --> 00:25:54,144
THE BEES TALK.
>> AND REMEMBER, ALWAYS USE TWO
CONDOMS.
686
00:25:54,146 --> 00:25:55,512
>> AND REMEMBER, ALWAYS USE TWO
CONDOMS.
>> THANKS, MOM.
687
00:25:55,514 --> 00:25:58,048
CONDOMS.
>> THANKS, MOM.
>> HERE'S A TURNIP.
688
00:25:58,050 --> 00:25:59,282
>> THANKS, MOM.
>> HERE'S A TURNIP.
>> I WOULD NEVER SAY THAT.
689
00:25:59,284 --> 00:26:00,550
>> HERE'S A TURNIP.
>> I WOULD NEVER SAY THAT.
WHAT'S HAPPENING NOW.
690
00:26:00,552 --> 00:26:01,351
>> I WOULD NEVER SAY THAT.
WHAT'S HAPPENING NOW.
>> COMBAT MODE.
691
00:26:01,353 --> 00:26:03,854
WHAT'S HAPPENING NOW.
>> COMBAT MODE.
OUR MOLLYS ARE FIGHTING TO THE
692
00:26:03,856 --> 00:26:04,154
>> COMBAT MODE.
OUR MOLLYS ARE FIGHTING TO THE
DEATH.
693
00:26:04,156 --> 00:26:06,423
OUR MOLLYS ARE FIGHTING TO THE
DEATH.
WE CAN ALSO DO THE SKATE LEVEL.
694
00:26:06,425 --> 00:26:09,059
DEATH.
WE CAN ALSO DO THE SKATE LEVEL.
WE JUST LEARNED HOW TO MAKE
695
00:26:09,061 --> 00:26:09,760
WE CAN ALSO DO THE SKATE LEVEL.
WE JUST LEARNED HOW TO MAKE
TWISTS.
696
00:26:09,762 --> 00:26:12,529
WE JUST LEARNED HOW TO MAKE
TWISTS.
>> 2 K 24 IS SUPPOSED TO BE
697
00:26:12,531 --> 00:26:12,896
TWISTS.
>> 2 K 24 IS SUPPOSED TO BE
FLAWLESS.
698
00:26:12,898 --> 00:26:14,398
>> 2 K 24 IS SUPPOSED TO BE
FLAWLESS.
>> EMOTIONAL LEVELS ARE LOW.
699
00:26:14,400 --> 00:26:16,667
FLAWLESS.
>> EMOTIONAL LEVELS ARE LOW.
WE GOT TO GO TO THE THERAPIST.
700
00:26:16,669 --> 00:26:18,568
>> EMOTIONAL LEVELS ARE LOW.
WE GOT TO GO TO THE THERAPIST.
>> IN COLLEGE I ACTUALLY DATED A
701
00:26:18,570 --> 00:26:18,902
WE GOT TO GO TO THE THERAPIST.
>> IN COLLEGE I ACTUALLY DATED A
WOMAN.
702
00:26:18,904 --> 00:26:20,070
>> IN COLLEGE I ACTUALLY DATED A
WOMAN.
>> HOW DOES IT KNOW THAT?
703
00:26:20,072 --> 00:26:21,772
WOMAN.
>> HOW DOES IT KNOW THAT?
>> THIS GAME RULES.
704
00:26:21,774 --> 00:26:23,607
>> HOW DOES IT KNOW THAT?
>> THIS GAME RULES.
YOU CAN BE ANY MOLLY SHANNON YOU
705
00:26:23,609 --> 00:26:23,907
>> THIS GAME RULES.
YOU CAN BE ANY MOLLY SHANNON YOU
WANT.
706
00:26:23,909 --> 00:26:27,678
YOU CAN BE ANY MOLLY SHANNON YOU
WANT.
YOU CAN BE A SUPERHERO OR A
707
00:26:27,680 --> 00:26:28,011
WANT.
YOU CAN BE A SUPERHERO OR A
RAPPER.
708
00:26:28,013 --> 00:26:31,682
YOU CAN BE A SUPERHERO OR A
RAPPER.
>> I DON'T WANT TO BE A RAPPER.
709
00:26:31,684 --> 00:26:32,249
RAPPER.
>> I DON'T WANT TO BE A RAPPER.
I WANT TO BE MYSELF.
710
00:26:32,251 --> 00:26:34,084
>> I DON'T WANT TO BE A RAPPER.
I WANT TO BE MYSELF.
>> I'M TIRED OF GETTING YELLED
711
00:26:34,086 --> 00:26:35,652
I WANT TO BE MYSELF.
>> I'M TIRED OF GETTING YELLED
AT FOR A HOPBY I HAVE.
712
00:26:35,654 --> 00:26:39,856
>> I'M TIRED OF GETTING YELLED
AT FOR A HOPBY I HAVE.
SEE YOU LATER, MOLLY.
713
00:26:39,858 --> 00:26:42,225
AT FOR A HOPBY I HAVE.
SEE YOU LATER, MOLLY.
>> OH, MY -- MOLLY, ARE YOU
714
00:26:42,227 --> 00:26:43,160
SEE YOU LATER, MOLLY.
>> OH, MY -- MOLLY, ARE YOU
PLAYING THE GAME STILL.
715
00:26:43,162 --> 00:26:44,761
>> OH, MY -- MOLLY, ARE YOU
PLAYING THE GAME STILL.
>> I BECAME A RAPPER.
716
00:26:44,763 --> 00:26:45,662
PLAYING THE GAME STILL.
>> I BECAME A RAPPER.
>> WHAT?
717
00:26:45,664 --> 00:26:47,631
>> I BECAME A RAPPER.
>> WHAT?
>> MY NAME IS MOLLY THE RAPPER,
718
00:26:47,633 --> 00:26:48,699
>> WHAT?
>> MY NAME IS MOLLY THE RAPPER,
AND I'M REALLY GOOD NOW.
719
00:26:48,701 --> 00:26:52,969
>> MY NAME IS MOLLY THE RAPPER,
AND I'M REALLY GOOD NOW.
I'M ON LEVEL 99.
720
00:26:52,971 --> 00:26:55,672
AND I'M REALLY GOOD NOW.
I'M ON LEVEL 99.
♪ SAY MY MOTHER-LOVING NAME, YOU
721
00:26:55,674 --> 00:26:58,141
I'M ON LEVEL 99.
♪ SAY MY MOTHER-LOVING NAME, YOU
KNOW IT'S MOLLY SHANNON ♪
722
00:26:58,143 --> 00:27:01,712
♪ SAY MY MOTHER-LOVING NAME, YOU
KNOW IT'S MOLLY SHANNON ♪
♪ DOING HIGH KICKS, AND YOU KNOW
723
00:27:01,714 --> 00:27:03,346
KNOW IT'S MOLLY SHANNON ♪
♪ DOING HIGH KICKS, AND YOU KNOW
WHAT THE LOVE IS.
724
00:27:03,348 --> 00:27:05,882
♪ DOING HIGH KICKS, AND YOU KNOW
WHAT THE LOVE IS.
GOT MY FINGERS IN MY ARMS, CAN'T
725
00:27:05,884 --> 00:27:06,983
WHAT THE LOVE IS.
GOT MY FINGERS IN MY ARMS, CAN'T
PULL THEM OUT ♪
726
00:27:06,985 --> 00:27:11,722
GOT MY FINGERS IN MY ARMS, CAN'T
PULL THEM OUT ♪
♪ LIKE A CALIBER, SEASON 25
727
00:27:11,724 --> 00:27:13,490
PULL THEM OUT ♪
♪ LIKE A CALIBER, SEASON 25
CALIBER, PUNKS GETTING MARY
728
00:27:13,492 --> 00:27:15,559
♪ LIKE A CALIBER, SEASON 25
CALIBER, PUNKS GETTING MARY
CATHERINE GALLAGHER, BITCH.
729
00:27:15,561 --> 00:27:18,295
CALIBER, PUNKS GETTING MARY
CATHERINE GALLAGHER, BITCH.
>> OH, MY -- MOLLY SHANNON THE
730
00:27:18,297 --> 00:27:18,628
CATHERINE GALLAGHER, BITCH.
>> OH, MY -- MOLLY SHANNON THE
RAPPER.
731
00:27:18,630 --> 00:27:20,063
>> OH, MY -- MOLLY SHANNON THE
RAPPER.
THAT'S WHAT I'M TALKING ABOUT.
732
00:27:20,065 --> 00:27:21,198
RAPPER.
THAT'S WHAT I'M TALKING ABOUT.
>> THAT WAS SO GOOD.
733
00:27:21,200 --> 00:27:22,899
THAT'S WHAT I'M TALKING ABOUT.
>> THAT WAS SO GOOD.
>> THAT'S NOT GATORADE.
734
00:27:22,901 --> 00:27:23,734
>> THAT WAS SO GOOD.
>> THAT'S NOT GATORADE.
>> OH, MY GOD!
735
00:27:23,736 --> 00:27:30,040
>> THAT'S NOT GATORADE.
>> OH, MY GOD!
>> BITCH.
736
00:27:30,042 --> 00:27:35,078
>> OH, MY GOD!
>> BITCH.
>>> WOW, MY GIRLFRIEND SOPHIE, A
737
00:27:35,080 --> 00:27:36,580
>> BITCH.
>>> WOW, MY GIRLFRIEND SOPHIE, A
FANCY PLAY WRITE.
738
00:27:36,582 --> 00:27:37,047
>>> WOW, MY GIRLFRIEND SOPHIE, A
FANCY PLAY WRITE.
I'M SO PROUD.
739
00:27:37,049 --> 00:27:38,648
FANCY PLAY WRITE.
I'M SO PROUD.
>> THANKS, BRIAN.
740
00:27:38,650 --> 00:27:40,851
I'M SO PROUD.
>> THANKS, BRIAN.
>> I'M SO SORRY TO BUG YOU.
741
00:27:40,853 --> 00:27:47,724
>> THANKS, BRIAN.
>> I'M SO SORRY TO BUG YOU.
I'M A HUGE FAN OF YOUR WRITING.
742
00:27:47,726 --> 00:27:48,291
>> I'M SO SORRY TO BUG YOU.
I'M A HUGE FAN OF YOUR WRITING.
I SEE ALL YOUR PLAYS.
743
00:27:48,293 --> 00:27:48,859
I'M A HUGE FAN OF YOUR WRITING.
I SEE ALL YOUR PLAYS.
YOU'RE SO BRILLIANT.
744
00:27:48,861 --> 00:27:49,426
I SEE ALL YOUR PLAYS.
YOU'RE SO BRILLIANT.
>> THAT'S SO SWEET.
745
00:27:49,428 --> 00:27:50,427
YOU'RE SO BRILLIANT.
>> THAT'S SO SWEET.
THIS IS T FIRST PLAY THAT'S
746
00:27:50,429 --> 00:27:51,595
>> THAT'S SO SWEET.
THIS IS T FIRST PLAY THAT'S
ACTUALLY ABOUT MY LIFE.
747
00:27:51,597 --> 00:27:53,163
THIS IS T FIRST PLAY THAT'S
ACTUALLY ABOUT MY LIFE.
I'M NERVOUS, BRIAN.
748
00:27:53,165 --> 00:27:54,598
ACTUALLY ABOUT MY LIFE.
I'M NERVOUS, BRIAN.
>> DON'T BE.
749
00:27:54,600 --> 00:27:55,766
I'M NERVOUS, BRIAN.
>> DON'T BE.
EVERYBODY'S GOING TO LOVE IT.
750
00:27:55,768 --> 00:27:57,801
>> DON'T BE.
EVERYBODY'S GOING TO LOVE IT.
>> SOPHIE, WHAT'S HAPPENING?
751
00:27:57,803 --> 00:28:00,971
EVERYBODY'S GOING TO LOVE IT.
>> SOPHIE, WHAT'S HAPPENING?
IT'S YOUR WEDDING DAY.
752
00:28:00,973 --> 00:28:02,405
>> SOPHIE, WHAT'S HAPPENING?
IT'S YOUR WEDDING DAY.
AND EVERYONE'S EXPECTING YOU TO
753
00:28:02,407 --> 00:28:03,840
IT'S YOUR WEDDING DAY.
AND EVERYONE'S EXPECTING YOU TO
SAY I DO.
754
00:28:03,842 --> 00:28:05,776
AND EVERYONE'S EXPECTING YOU TO
SAY I DO.
BUT DO YOU?
755
00:28:05,778 --> 00:28:07,210
SAY I DO.
BUT DO YOU?
OR FOR ONCE, WOULD YOU RATHER DO
756
00:28:07,212 --> 00:28:11,948
BUT DO YOU?
OR FOR ONCE, WOULD YOU RATHER DO
YOU?
757
00:28:11,950 --> 00:28:13,116
OR FOR ONCE, WOULD YOU RATHER DO
YOU?
GIRL, YOU DON'T LOVE HIS SORRY
758
00:28:13,118 --> 00:28:15,552
YOU?
GIRL, YOU DON'T LOVE HIS SORRY
ASS.
759
00:28:15,554 --> 00:28:17,921
GIRL, YOU DON'T LOVE HIS SORRY
ASS.
>> GOD, THIS ACTRESS, SHE'S
760
00:28:17,923 --> 00:28:18,288
ASS.
>> GOD, THIS ACTRESS, SHE'S
AMAZING.
761
00:28:18,290 --> 00:28:20,957
>> GOD, THIS ACTRESS, SHE'S
AMAZING.
>> WHOA, YOU ALMOST GOT MARRIED?
762
00:28:20,959 --> 00:28:21,258
AMAZING.
>> WHOA, YOU ALMOST GOT MARRIED?
OKAY.
763
00:28:21,260 --> 00:28:22,893
>> WHOA, YOU ALMOST GOT MARRIED?
OKAY.
I'M SURPRISED THAT NEVER CAME
764
00:28:22,895 --> 00:28:23,160
OKAY.
I'M SURPRISED THAT NEVER CAME
UP.
765
00:28:23,162 --> 00:28:24,694
I'M SURPRISED THAT NEVER CAME
UP.
>> YOU'RE GOING TO LIVE YOUR
766
00:28:24,696 --> 00:28:25,796
UP.
>> YOU'RE GOING TO LIVE YOUR
TRUTH, SOPHIE.
767
00:28:25,798 --> 00:28:27,297
>> YOU'RE GOING TO LIVE YOUR
TRUTH, SOPHIE.
YOU'RE GOING TO LEF THIS CHUMP,
768
00:28:27,299 --> 00:28:28,064
TRUTH, SOPHIE.
YOU'RE GOING TO LEF THIS CHUMP,
AND YOU'RE GOING TO HAVE A YEAR
769
00:28:28,066 --> 00:28:33,303
YOU'RE GOING TO LEF THIS CHUMP,
AND YOU'RE GOING TO HAVE A YEAR
OF A THOUSAND MEN.
770
00:28:33,305 --> 00:28:34,805
AND YOU'RE GOING TO HAVE A YEAR
OF A THOUSAND MEN.
AND SO I DID.
771
00:28:34,807 --> 00:28:39,009
OF A THOUSAND MEN.
AND SO I DID.
I DATED A THOUSAND MEN IN ONE
772
00:28:39,011 --> 00:28:39,309
AND SO I DID.
I DATED A THOUSAND MEN IN ONE
YEAR.
773
00:28:39,311 --> 00:28:39,976
I DATED A THOUSAND MEN IN ONE
YEAR.
AND THAT'S WHEN EVERYTHING
774
00:28:39,978 --> 00:28:43,213
YEAR.
AND THAT'S WHEN EVERYTHING
CHANGED.
775
00:28:43,215 --> 00:28:48,785
AND THAT'S WHEN EVERYTHING
CHANGED.
♪ CHANGE, CHANGE, CHANGE ♪
776
00:28:48,787 --> 00:28:50,353
CHANGED.
♪ CHANGE, CHANGE, CHANGE ♪
>> DID SHE SAY A THOUSAND?
777
00:28:50,355 --> 00:28:51,254
♪ CHANGE, CHANGE, CHANGE ♪
>> DID SHE SAY A THOUSAND?
THAT'S MORE THAN TWO A DAY.
778
00:28:51,256 --> 00:28:53,690
>> DID SHE SAY A THOUSAND?
THAT'S MORE THAN TWO A DAY.
>> IT EXPLAINS.
779
00:28:53,692 --> 00:28:57,727
THAT'S MORE THAN TWO A DAY.
>> IT EXPLAINS.
>> WHO DID I DATE, YOU ASK?
780
00:28:57,729 --> 00:28:59,029
>> IT EXPLAINS.
>> WHO DID I DATE, YOU ASK?
EVERYONE FROM FINANCE BROS WITH
781
00:28:59,031 --> 00:29:01,531
>> WHO DID I DATE, YOU ASK?
EVERYONE FROM FINANCE BROS WITH
PERFECT ABS TO BROOKLYN ARTISTS
782
00:29:01,533 --> 00:29:03,900
EVERYONE FROM FINANCE BROS WITH
PERFECT ABS TO BROOKLYN ARTISTS
WITH UNCUT DONGS.
783
00:29:03,902 --> 00:29:05,869
PERFECT ABS TO BROOKLYN ARTISTS
WITH UNCUT DONGS.
AND THE LESS I WANTED THEM, THE
784
00:29:05,871 --> 00:29:07,103
WITH UNCUT DONGS.
AND THE LESS I WANTED THEM, THE
MORE THEY WANTED ME.
785
00:29:07,105 --> 00:29:10,640
AND THE LESS I WANTED THEM, THE
MORE THEY WANTED ME.
I WAS PULLED IN ALL DIRECTIONS.
786
00:29:10,642 --> 00:29:11,374
MORE THEY WANTED ME.
I WAS PULLED IN ALL DIRECTIONS.
>> SOPHIE.
787
00:29:11,376 --> 00:29:12,509
I WAS PULLED IN ALL DIRECTIONS.
>> SOPHIE.
>> SOPHIE.
788
00:29:12,511 --> 00:29:14,544
>> SOPHIE.
>> SOPHIE.
>> SOPHIE.
789
00:29:14,546 --> 00:29:14,945
>> SOPHIE.
>> SOPHIE.
>> SOPHIE.
790
00:29:14,947 --> 00:29:16,446
>> SOPHIE.
>> SOPHIE.
>> I WANT TO GET DRUNK ON YOUR
791
00:29:16,448 --> 00:29:16,780
>> SOPHIE.
>> I WANT TO GET DRUNK ON YOUR
FUMES.
792
00:29:16,782 --> 00:29:18,815
>> I WANT TO GET DRUNK ON YOUR
FUMES.
>> AND I DON'T WANT TO USE A
793
00:29:18,817 --> 00:29:19,149
FUMES.
>> AND I DON'T WANT TO USE A
CONDOM.
794
00:29:19,151 --> 00:29:20,650
>> AND I DON'T WANT TO USE A
CONDOM.
>> FINE BY ME.
795
00:29:20,652 --> 00:29:22,619
CONDOM.
>> FINE BY ME.
>> I THINK I'M GOING TO HEAD
796
00:29:22,621 --> 00:29:22,919
>> FINE BY ME.
>> I THINK I'M GOING TO HEAD
OUT.
797
00:29:22,921 --> 00:29:25,322
>> I THINK I'M GOING TO HEAD
OUT.
>> BABE, DON'T.
798
00:29:25,324 --> 00:29:27,123
OUT.
>> BABE, DON'T.
'S LOOSELY BASED ON MY LIFE.
799
00:29:27,125 --> 00:29:27,958
>> BABE, DON'T.
'S LOOSELY BASED ON MY LIFE.
IT'S NOT ALL TRUE.
800
00:29:27,960 --> 00:29:29,926
'S LOOSELY BASED ON MY LIFE.
IT'S NOT ALL TRUE.
>> ALL OF THIS IS TRUE.
801
00:29:29,928 --> 00:29:32,529
IT'S NOT ALL TRUE.
>> ALL OF THIS IS TRUE.
AS GOD AS MY WITNESS, THERE HAVE
802
00:29:32,531 --> 00:29:35,232
>> ALL OF THIS IS TRUE.
AS GOD AS MY WITNESS, THERE HAVE
BEEN NO EMBELLISHMENTS.
803
00:29:35,234 --> 00:29:37,868
AS GOD AS MY WITNESS, THERE HAVE
BEEN NO EMBELLISHMENTS.
ABOUT 998 BANGS LATER, I WAS
804
00:29:37,870 --> 00:29:40,237
BEEN NO EMBELLISHMENTS.
ABOUT 998 BANGS LATER, I WAS
STILL FEELING TOTALLY
805
00:29:40,239 --> 00:29:40,637
ABOUT 998 BANGS LATER, I WAS
STILL FEELING TOTALLY
UNFULFILLED.
806
00:29:40,639 --> 00:29:41,771
STILL FEELING TOTALLY
UNFULFILLED.
BUT ALL OF THAT WAS ABOUT TO
807
00:29:41,773 --> 00:29:45,108
UNFULFILLED.
BUT ALL OF THAT WAS ABOUT TO
CHANGE, BECAUSE I MET THE ONE.
808
00:29:45,110 --> 00:29:45,442
BUT ALL OF THAT WAS ABOUT TO
CHANGE, BECAUSE I MET THE ONE.
>> OKAY.
809
00:29:45,444 --> 00:29:49,246
CHANGE, BECAUSE I MET THE ONE.
>> OKAY.
THAT'S SWEET, I GUESS.
810
00:29:49,248 --> 00:29:50,480
>> OKAY.
THAT'S SWEET, I GUESS.
>> MY EX, TREVOR, THE ONE THAT
811
00:29:50,482 --> 00:30:00,724
THAT'S SWEET, I GUESS.
>> MY EX, TREVOR, THE ONE THAT
GOT AWAY.
812
00:30:00,726 --> 00:30:02,025
>> MY EX, TREVOR, THE ONE THAT
GOT AWAY.
>> HEY, BABE.
813
00:30:02,027 --> 00:30:04,027
GOT AWAY.
>> HEY, BABE.
I HOPE YOU DIDN'T MIND BEING ON
814
00:30:04,029 --> 00:30:06,696
>> HEY, BABE.
I HOPE YOU DIDN'T MIND BEING ON
TV WHILE WE SAT COURTSIDE AT THE
815
00:30:06,698 --> 00:30:07,130
I HOPE YOU DIDN'T MIND BEING ON
TV WHILE WE SAT COURTSIDE AT THE
LAKERS GAME.
816
00:30:07,132 --> 00:30:07,430
TV WHILE WE SAT COURTSIDE AT THE
LAKERS GAME.
>> NO.
817
00:30:07,432 --> 00:30:08,064
LAKERS GAME.
>> NO.
THAT'S OKAY.
818
00:30:08,066 --> 00:30:10,333
>> NO.
THAT'S OKAY.
I KNOW ALL THOSE GUYS ANYWAY.
819
00:30:10,335 --> 00:30:10,667
THAT'S OKAY.
I KNOW ALL THOSE GUYS ANYWAY.
>> WHAT?
820
00:30:10,669 --> 00:30:13,637
I KNOW ALL THOSE GUYS ANYWAY.
>> WHAT?
THE LAKERS?
821
00:30:13,639 --> 00:30:16,006
>> WHAT?
THE LAKERS?
>> BUT THEN I FOUND OUT AN UGLY
822
00:30:16,008 --> 00:30:17,007
THE LAKERS?
>> BUT THEN I FOUND OUT AN UGLY
TRUTH ABOUT HIM.
823
00:30:17,009 --> 00:30:19,342
>> BUT THEN I FOUND OUT AN UGLY
TRUTH ABOUT HIM.
>> DOCTORS TOLD ME I HAVE A
824
00:30:19,344 --> 00:30:19,709
TRUTH ABOUT HIM.
>> DOCTORS TOLD ME I HAVE A
CONDITION.
825
00:30:19,711 --> 00:30:22,479
>> DOCTORS TOLD ME I HAVE A
CONDITION.
WHERE ANY TIME YOU CLIMAX IN THE
826
00:30:22,481 --> 00:30:24,447
CONDITION.
WHERE ANY TIME YOU CLIMAX IN THE
FUTURE, IT WILL STILL BE BECAUSE
827
00:30:24,449 --> 00:30:25,148
WHERE ANY TIME YOU CLIMAX IN THE
FUTURE, IT WILL STILL BE BECAUSE
OF ME.
828
00:30:25,150 --> 00:30:25,849
FUTURE, IT WILL STILL BE BECAUSE
OF ME.
>> AND THEN, HE BROKE UP WITH
829
00:30:25,851 --> 00:30:32,522
OF ME.
>> AND THEN, HE BROKE UP WITH
ME.
830
00:30:32,524 --> 00:30:36,226
>> AND THEN, HE BROKE UP WITH
ME.
HE MOVED TO ANAHEIM TO PURSUE
831
00:30:36,228 --> 00:30:37,260
ME.
HE MOVED TO ANAHEIM TO PURSUE
HIS DREAM OF RUNNING SOCIAL
832
00:30:37,262 --> 00:30:38,328
HE MOVED TO ANAHEIM TO PURSUE
HIS DREAM OF RUNNING SOCIAL
MEDIA FOR GRUB HUB.
833
00:30:38,330 --> 00:30:40,297
HIS DREAM OF RUNNING SOCIAL
MEDIA FOR GRUB HUB.
SO THE NEXT DAY, I WENT TO A
834
00:30:40,299 --> 00:30:42,933
MEDIA FOR GRUB HUB.
SO THE NEXT DAY, I WENT TO A
BOWLING ALLY TO GET SLOPPY DRUNK
835
00:30:42,935 --> 00:30:54,744
SO THE NEXT DAY, I WENT TO A
BOWLING ALLY TO GET SLOPPY DRUNK
WHEN -- SOME GUY APPROACHED ME.
836
00:30:54,746 --> 00:30:55,412
BOWLING ALLY TO GET SLOPPY DRUNK
WHEN -- SOME GUY APPROACHED ME.
>> HELLO.
837
00:30:55,414 --> 00:30:57,814
WHEN -- SOME GUY APPROACHED ME.
>> HELLO.
I'M BRIAN.
838
00:30:57,816 --> 00:30:59,082
>> HELLO.
I'M BRIAN.
WOULD YOU LIKE TO GO OUT?
839
00:30:59,084 --> 00:31:01,184
I'M BRIAN.
WOULD YOU LIKE TO GO OUT?
>> UM, WHATEVER, I GUESS.
840
00:31:01,186 --> 00:31:05,889
WOULD YOU LIKE TO GO OUT?
>> UM, WHATEVER, I GUESS.
>> OH, MY GOD.
841
00:31:05,891 --> 00:31:10,694
>> UM, WHATEVER, I GUESS.
>> OH, MY GOD.
>> WELL, MY GIRLFRIEND, SOPHIE,
842
00:31:10,696 --> 00:31:12,062
>> OH, MY GOD.
>> WELL, MY GIRLFRIEND, SOPHIE,
A FANCY PLAY WRITE.
843
00:31:12,064 --> 00:31:13,163
>> WELL, MY GIRLFRIEND, SOPHIE,
A FANCY PLAY WRITE.
I'M SO PROUD.
844
00:31:13,165 --> 00:31:15,198
A FANCY PLAY WRITE.
I'M SO PROUD.
HIGH FIVE.
845
00:31:15,200 --> 00:31:15,532
I'M SO PROUD.
HIGH FIVE.
NOBODY?
846
00:31:15,534 --> 00:31:15,832
HIGH FIVE.
NOBODY?
OKAY.
847
00:31:15,834 --> 00:31:18,568
NOBODY?
OKAY.
>> AND AFTER FOUR WEEKS OF
848
00:31:18,570 --> 00:31:20,303
OKAY.
>> AND AFTER FOUR WEEKS OF
DATING, I COULDN'T HOLD HIM OFF
849
00:31:20,305 --> 00:31:20,837
>> AND AFTER FOUR WEEKS OF
DATING, I COULDN'T HOLD HIM OFF
ANYMORE.
850
00:31:20,839 --> 00:31:21,972
DATING, I COULDN'T HOLD HIM OFF
ANYMORE.
I HAD TO BUCK UP AND FINALLY
851
00:31:21,974 --> 00:31:26,276
ANYMORE.
I HAD TO BUCK UP AND FINALLY
HAVE SEX WITH HIM.
852
00:31:26,278 --> 00:31:27,077
I HAD TO BUCK UP AND FINALLY
HAVE SEX WITH HIM.
>> WHOO!
853
00:31:27,079 --> 00:31:28,778
HAVE SEX WITH HIM.
>> WHOO!
AS THEY SAY, THERE'S A FIRST
854
00:31:28,780 --> 00:31:30,080
>> WHOO!
AS THEY SAY, THERE'S A FIRST
TIME FOR EVERYTHING.
855
00:31:30,082 --> 00:31:32,182
AS THEY SAY, THERE'S A FIRST
TIME FOR EVERYTHING.
>> IT WAS ONE OF THE MOST
856
00:31:32,184 --> 00:31:34,784
TIME FOR EVERYTHING.
>> IT WAS ONE OF THE MOST
PAINFULLY BLAND EXPERIENCES OF
857
00:31:34,786 --> 00:31:35,118
>> IT WAS ONE OF THE MOST
PAINFULLY BLAND EXPERIENCES OF
MY LIFE.
858
00:31:35,120 --> 00:31:41,858
PAINFULLY BLAND EXPERIENCES OF
MY LIFE.
>> OKAY.
859
00:31:41,860 --> 00:31:44,828
MY LIFE.
>> OKAY.
>> AND THERE IT WAS, I HAD
860
00:31:44,830 --> 00:31:46,529
>> OKAY.
>> AND THERE IT WAS, I HAD
REACHED MY 1,000th MAN.
861
00:31:46,531 --> 00:31:49,466
>> AND THERE IT WAS, I HAD
REACHED MY 1,000th MAN.
IT WAS TIME TO OFFICIALLY SETTLE
862
00:31:49,468 --> 00:31:50,834
REACHED MY 1,000th MAN.
IT WAS TIME TO OFFICIALLY SETTLE
IN, UNTIL, I MET SOMEONE WHO
863
00:31:50,836 --> 00:31:53,770
IT WAS TIME TO OFFICIALLY SETTLE
IN, UNTIL, I MET SOMEONE WHO
WOULD CHANGE MY LIFE.
864
00:31:53,772 --> 00:31:55,472
IN, UNTIL, I MET SOMEONE WHO
WOULD CHANGE MY LIFE.
>> SORRY TO BUG YOU.
865
00:31:55,474 --> 00:31:57,540
WOULD CHANGE MY LIFE.
>> SORRY TO BUG YOU.
I'M JUST A HUGE FAN OF OUR
866
00:31:57,542 --> 00:31:57,874
>> SORRY TO BUG YOU.
I'M JUST A HUGE FAN OF OUR
WRITING.
867
00:31:57,876 --> 00:32:00,243
I'M JUST A HUGE FAN OF OUR
WRITING.
I SEE ALL YOUR PLAYS.
868
00:32:00,245 --> 00:32:01,011
WRITING.
I SEE ALL YOUR PLAYS.
YOU'RE BRILLIANT.
869
00:32:01,013 --> 00:32:04,280
I SEE ALL YOUR PLAYS.
YOU'RE BRILLIANT.
>> I MET MR. 1,001.
870
00:32:04,282 --> 00:32:04,881
YOU'RE BRILLIANT.
>> I MET MR. 1,001.
>> WAIT.
871
00:32:04,883 --> 00:32:06,649
>> I MET MR. 1,001.
>> WAIT.
IS THAT THE GUY FROM FIVE
872
00:32:06,651 --> 00:32:07,050
>> WAIT.
IS THAT THE GUY FROM FIVE
MINUTES AGO?
873
00:32:07,052 --> 00:32:18,028
IS THAT THE GUY FROM FIVE
MINUTES AGO?
OH, COME ON!
874
00:32:39,700 --> 00:32:44,170
>>> LADIES AND GENTLEMEN, JONAS
BROTHERS!
[ CHEERS AND APPLAUSE ]
875
00:32:44,172 --> 00:32:45,238
BROTHERS!
[ CHEERS AND APPLAUSE ]
♪ HEY NOW
876
00:32:45,240 --> 00:32:46,306
[ CHEERS AND APPLAUSE ]
♪ HEY NOW
WE NEVER KNEW
877
00:32:46,308 --> 00:32:47,374
♪ HEY NOW
WE NEVER KNEW
HOW TO FORFEIT ♪
878
00:32:47,376 --> 00:32:48,975
WE NEVER KNEW
HOW TO FORFEIT ♪
♪ HEY NOW
879
00:32:48,977 --> 00:32:50,110
HOW TO FORFEIT ♪
♪ HEY NOW
WE ALWAYS KNEW
880
00:32:50,112 --> 00:32:50,610
♪ HEY NOW
WE ALWAYS KNEW
HOW TO TALK♪
881
00:32:50,612 --> 00:32:52,712
WE ALWAYS KNEW
HOW TO TALK♪
HEY NOW ♪
882
00:32:52,714 --> 00:32:53,780
HOW TO TALK♪
HEY NOW ♪
♪ COUPLE NIGHTS
883
00:32:53,782 --> 00:32:54,848
HEY NOW ♪
♪ COUPLE NIGHTS
THREW GASOLINE
884
00:32:54,850 --> 00:32:58,585
♪ COUPLE NIGHTS
THREW GASOLINE
ON THE FIRE
885
00:32:58,587 --> 00:33:03,957
THREW GASOLINE
ON THE FIRE
HEY NOW ♪
886
00:33:03,959 --> 00:33:04,624
ON THE FIRE
HEY NOW ♪
♪ WE NEVER HOW TO PERFECT
887
00:33:04,626 --> 00:33:05,024
HEY NOW ♪
♪ WE NEVER HOW TO PERFECT
HEY NOW
888
00:33:05,026 --> 00:33:06,092
♪ WE NEVER HOW TO PERFECT
HEY NOW
WE ALWAYS KNEW
889
00:33:06,094 --> 00:33:07,127
HEY NOW
WE ALWAYS KNEW
IT WOULD WORK 'CAUSE ♪
890
00:33:07,129 --> 00:33:08,728
WE ALWAYS KNEW
IT WOULD WORK 'CAUSE ♪
♪ IF SOMETHING MISREAD
891
00:33:08,730 --> 00:33:10,330
IT WOULD WORK 'CAUSE ♪
♪ IF SOMETHING MISREAD
OR IF SOMETHING GOT SAID
892
00:33:10,332 --> 00:33:15,769
♪ IF SOMETHING MISREAD
OR IF SOMETHING GOT SAID
KNOW BEFORE THE NIGHT ENDS ♪
893
00:33:15,771 --> 00:33:20,073
OR IF SOMETHING GOT SAID
KNOW BEFORE THE NIGHT ENDS ♪
♪ NO DON'T GET STRESSED IT'S
894
00:33:20,075 --> 00:33:23,643
KNOW BEFORE THE NIGHT ENDS ♪
♪ NO DON'T GET STRESSED IT'S
GONNA GET FIGURED OUT
895
00:33:23,645 --> 00:33:24,210
♪ NO DON'T GET STRESSED IT'S
GONNA GET FIGURED OUT
OH DEEP CONVERSATIONS
896
00:33:24,212 --> 00:33:24,811
GONNA GET FIGURED OUT
OH DEEP CONVERSATIONS
AT THE WAFFLE HOUSE ♪
897
00:33:24,813 --> 00:33:25,712
OH DEEP CONVERSATIONS
AT THE WAFFLE HOUSE ♪
♪ HEADSTRONG FATHER
898
00:33:25,714 --> 00:33:29,883
AT THE WAFFLE HOUSE ♪
♪ HEADSTRONG FATHER
AND A DETERMINED MOTHER ♪
899
00:33:29,885 --> 00:33:34,020
♪ HEADSTRONG FATHER
AND A DETERMINED MOTHER ♪
♪ OH, THAT'S WHY SOME NIGHTS WE
900
00:33:34,022 --> 00:33:38,124
AND A DETERMINED MOTHER ♪
♪ OH, THAT'S WHY SOME NIGHTS WE
WOULD TRY TO KILL EACH OTHER ♪
901
00:33:38,126 --> 00:33:42,695
♪ OH, THAT'S WHY SOME NIGHTS WE
WOULD TRY TO KILL EACH OTHER ♪
♪ BUT YOU KNOW IT'S ALWAYS LOVE,
902
00:33:42,697 --> 00:33:43,096
WOULD TRY TO KILL EACH OTHER ♪
♪ BUT YOU KNOW IT'S ALWAYS LOVE,
HEY NOW ♪
903
00:33:43,098 --> 00:33:43,596
♪ BUT YOU KNOW IT'S ALWAYS LOVE,
HEY NOW ♪
♪ WE NEVER KNEW
904
00:33:43,598 --> 00:33:44,030
HEY NOW ♪
♪ WE NEVER KNEW
HOW TO FAKE IT
905
00:33:44,032 --> 00:33:44,431
♪ WE NEVER KNEW
HOW TO FAKE IT
HEY NOW ♪
906
00:33:44,433 --> 00:33:44,964
HOW TO FAKE IT
HEY NOW ♪
♪ WE ALWAYS KNEW
907
00:33:44,966 --> 00:33:45,365
HEY NOW ♪
♪ WE ALWAYS KNEW
HOW TO BREAK
908
00:33:45,367 --> 00:33:45,899
♪ WE ALWAYS KNEW
HOW TO BREAK
HEY NOW ♪
909
00:33:45,901 --> 00:33:46,466
HOW TO BREAK
HEY NOW ♪
♪ COUPLE NIGHTS
910
00:33:46,468 --> 00:33:46,966
HEY NOW ♪
♪ COUPLE NIGHTS
THREW GASOLINE
911
00:33:46,968 --> 00:33:47,567
♪ COUPLE NIGHTS
THREW GASOLINE
ON THE FIRE 'CAUSE ♪
912
00:33:47,569 --> 00:33:48,201
THREW GASOLINE
ON THE FIRE 'CAUSE ♪
♪ IF SOMETHING MISREAD
913
00:33:48,203 --> 00:33:49,602
ON THE FIRE 'CAUSE ♪
♪ IF SOMETHING MISREAD
OR IF SOMETHING GOT SAID
914
00:33:49,604 --> 00:33:53,606
♪ IF SOMETHING MISREAD
OR IF SOMETHING GOT SAID
KNOW BEFORE THE NIGHT ENDS ♪
915
00:33:53,608 --> 00:33:56,409
OR IF SOMETHING GOT SAID
KNOW BEFORE THE NIGHT ENDS ♪
♪ NO DON'T GET STRESSED IT'S
916
00:33:56,411 --> 00:33:57,777
KNOW BEFORE THE NIGHT ENDS ♪
♪ NO DON'T GET STRESSED IT'S
GONNA GET FIGURED OUT
917
00:33:57,779 --> 00:33:58,344
♪ NO DON'T GET STRESSED IT'S
GONNA GET FIGURED OUT
OH DEEP CONVERSATIONS
918
00:33:58,346 --> 00:33:58,945
GONNA GET FIGURED OUT
OH DEEP CONVERSATIONS
AT THE WAFFLE HOUSE ♪
919
00:33:58,947 --> 00:33:59,813
OH DEEP CONVERSATIONS
AT THE WAFFLE HOUSE ♪
♪ HEADSTRONG FATHER
920
00:33:59,815 --> 00:34:02,982
AT THE WAFFLE HOUSE ♪
♪ HEADSTRONG FATHER
AND A DETERMINED MOTHER ♪
921
00:34:02,984 --> 00:34:05,785
♪ HEADSTRONG FATHER
AND A DETERMINED MOTHER ♪
♪ OH, THAT'S WHY SOME NIGHTS WE
922
00:34:05,787 --> 00:34:06,820
AND A DETERMINED MOTHER ♪
♪ OH, THAT'S WHY SOME NIGHTS WE
WOULD TRY TO
923
00:34:06,822 --> 00:34:07,353
♪ OH, THAT'S WHY SOME NIGHTS WE
WOULD TRY TO
KILL EACH OTHER ♪
924
00:34:07,355 --> 00:34:11,558
WOULD TRY TO
KILL EACH OTHER ♪
♪ BUT YOU KNOW
925
00:34:11,560 --> 00:34:12,125
KILL EACH OTHER ♪
♪ BUT YOU KNOW
IT'S ALWAYS LOVE ♪
926
00:34:12,127 --> 00:34:12,559
♪ BUT YOU KNOW
IT'S ALWAYS LOVE ♪
♪ NA NA NA
927
00:34:12,561 --> 00:34:16,062
IT'S ALWAYS LOVE ♪
♪ NA NA NA
NA NA NA NA
928
00:34:16,064 --> 00:34:18,231
♪ NA NA NA
NA NA NA NA
YOU KNOW IT'S ALL LOVE ♪
929
00:34:18,233 --> 00:34:18,665
NA NA NA NA
YOU KNOW IT'S ALL LOVE ♪
♪ NA NA NA
930
00:34:18,667 --> 00:34:23,436
YOU KNOW IT'S ALL LOVE ♪
♪ NA NA NA
NA NA NA NA ♪
931
00:34:23,438 --> 00:34:24,137
♪ NA NA NA
NA NA NA NA ♪
♪ BUT YOU KNOW IT'S ALWAYS
932
00:34:24,139 --> 00:34:25,004
NA NA NA NA ♪
♪ BUT YOU KNOW IT'S ALWAYS
GON' GET FIGURED OUT
933
00:34:25,006 --> 00:34:26,039
♪ BUT YOU KNOW IT'S ALWAYS
GON' GET FIGURED OUT
DEEP CONVERSATIONS
934
00:34:26,041 --> 00:34:28,174
GON' GET FIGURED OUT
DEEP CONVERSATIONS
AT THE WAFFLE HOUSE ♪
935
00:34:28,176 --> 00:34:29,242
DEEP CONVERSATIONS
AT THE WAFFLE HOUSE ♪
♪ HEADSTRONG FATHER
936
00:34:29,244 --> 00:34:35,114
AT THE WAFFLE HOUSE ♪
♪ HEADSTRONG FATHER
AND A DETERMINED MOTHER ♪
937
00:34:35,116 --> 00:34:35,815
♪ HEADSTRONG FATHER
AND A DETERMINED MOTHER ♪
♪ OH THAT'S WHY SOME NIGHTS
938
00:34:35,817 --> 00:34:36,483
AND A DETERMINED MOTHER ♪
♪ OH THAT'S WHY SOME NIGHTS
WE TRIED TO KILL EACH OTHER
939
00:34:36,485 --> 00:34:41,554
♪ OH THAT'S WHY SOME NIGHTS
WE TRIED TO KILL EACH OTHER
BUT YOU KNOW
940
00:34:41,556 --> 00:34:42,655
WE TRIED TO KILL EACH OTHER
BUT YOU KNOW
IT'S ALWAYS LOVE ♪
941
00:34:42,657 --> 00:34:43,189
BUT YOU KNOW
IT'S ALWAYS LOVE ♪
♪ NA NA NA ♪
942
00:34:43,191 --> 00:34:46,993
IT'S ALWAYS LOVE ♪
♪ NA NA NA ♪
OH YEAH NA NA NA NA
943
00:34:46,995 --> 00:34:48,127
♪ NA NA NA ♪
OH YEAH NA NA NA NA
YOU KNOW IT'S ALL LOVE ♪
944
00:34:48,129 --> 00:34:49,062
OH YEAH NA NA NA NA
YOU KNOW IT'S ALL LOVE ♪
♪ NA NA NA
945
00:34:49,064 --> 00:34:53,299
YOU KNOW IT'S ALL LOVE ♪
♪ NA NA NA
HEY NA NA NA NA
946
00:34:53,301 --> 00:34:54,367
♪ NA NA NA
HEY NA NA NA NA
YOU KNOW IT'S ALWAYS LOVE ♪
947
00:34:54,369 --> 00:34:56,769
HEY NA NA NA NA
YOU KNOW IT'S ALWAYS LOVE ♪
♪ NA NA NA
948
00:34:56,771 --> 00:35:00,106
YOU KNOW IT'S ALWAYS LOVE ♪
♪ NA NA NA
NA NA NA NA ♪
949
00:35:00,108 --> 00:35:07,647
♪ NA NA NA
NA NA NA NA ♪
[ CHEERS AND APPLAUSE ]
950
00:35:31,171 --> 00:35:45,318
>> Announcer: IT'S "WEEKEND
UPDATE" WITH COLIN JOST AND
MICHAEL CHE.
951
00:35:45,320 --> 00:35:47,086
UPDATE" WITH COLIN JOST AND
MICHAEL CHE.
[ CHEERS AND APPLAUSE ]
952
00:35:47,088 --> 00:35:47,754
MICHAEL CHE.
[ CHEERS AND APPLAUSE ]
>>> GOOD EVENING, EVERYONE.
953
00:35:47,756 --> 00:35:48,488
[ CHEERS AND APPLAUSE ]
>>> GOOD EVENING, EVERYONE.
>> WELCOME TO "WEEKEND UPDATE."
954
00:35:48,490 --> 00:35:48,955
>>> GOOD EVENING, EVERYONE.
>> WELCOME TO "WEEKEND UPDATE."
I'M MICHAEL CHE.
955
00:35:48,957 --> 00:35:51,357
>> WELCOME TO "WEEKEND UPDATE."
I'M MICHAEL CHE.
>> I'M COLIN JOST.
956
00:35:51,359 --> 00:35:53,459
I'M MICHAEL CHE.
>> I'M COLIN JOST.
THE WALL STREET JOURNAL IS
957
00:35:53,461 --> 00:35:56,095
>> I'M COLIN JOST.
THE WALL STREET JOURNAL IS
CALLING ON RUSSIA TO RELEASE ONE
958
00:35:56,097 --> 00:35:56,796
THE WALL STREET JOURNAL IS
CALLING ON RUSSIA TO RELEASE ONE
OF THEIR JOURNALISTS WHO WAS
959
00:35:56,798 --> 00:35:58,264
CALLING ON RUSSIA TO RELEASE ONE
OF THEIR JOURNALISTS WHO WAS
ARRESTED ON ESPIONAGE CHARGES,
960
00:35:58,266 --> 00:35:59,299
OF THEIR JOURNALISTS WHO WAS
ARRESTED ON ESPIONAGE CHARGES,
AND I MIGHT HAVE THE PERFECT
961
00:35:59,301 --> 00:36:03,002
ARRESTED ON ESPIONAGE CHARGES,
AND I MIGHT HAVE THE PERFECT
IDEA FOR A PRISONER SWAP.
962
00:36:03,004 --> 00:36:04,604
AND I MIGHT HAVE THE PERFECT
IDEA FOR A PRISONER SWAP.
FORMER PRESIDENT TRUMP WAS
963
00:36:04,606 --> 00:36:06,205
IDEA FOR A PRISONER SWAP.
FORMER PRESIDENT TRUMP WAS
ARRAIGNED ON TUESDAY, AND A
964
00:36:06,207 --> 00:36:08,341
FORMER PRESIDENT TRUMP WAS
ARRAIGNED ON TUESDAY, AND A
PHOTOGRAPHER RELEASED THIS PHOTO
965
00:36:08,343 --> 00:36:09,943
ARRAIGNED ON TUESDAY, AND A
PHOTOGRAPHER RELEASED THIS PHOTO
OF TRUMP IN THE COURTROOM, AND I
966
00:36:09,945 --> 00:36:11,010
PHOTOGRAPHER RELEASED THIS PHOTO
OF TRUMP IN THE COURTROOM, AND I
DON'T LIKE THAT HE'S SLANKED BY
967
00:36:11,012 --> 00:36:13,112
OF TRUMP IN THE COURTROOM, AND I
DON'T LIKE THAT HE'S SLANKED BY
AN O.J. AMOUNT OF LAWYERS
968
00:36:13,114 --> 00:36:15,248
DON'T LIKE THAT HE'S SLANKED BY
AN O.J. AMOUNT OF LAWYERS
BECAUSE THAT TELLS ME HE'S
969
00:36:15,250 --> 00:36:15,915
AN O.J. AMOUNT OF LAWYERS
BECAUSE THAT TELLS ME HE'S
DEFINITELY GUILTY AND HE'S
970
00:36:15,917 --> 00:36:18,451
BECAUSE THAT TELLS ME HE'S
DEFINITELY GUILTY AND HE'S
DEFINITELY GETTING AWAY WITH IT.
971
00:36:18,453 --> 00:36:20,553
DEFINITELY GUILTY AND HE'S
DEFINITELY GETTING AWAY WITH IT.
TRUMP'S LAWYER, JOE TACOPINA,
972
00:36:20,555 --> 00:36:23,756
DEFINITELY GETTING AWAY WITH IT.
TRUMP'S LAWYER, JOE TACOPINA,
AKA, PHONY SOPRANO, SAID THAT HE
973
00:36:23,758 --> 00:36:25,358
TRUMP'S LAWYER, JOE TACOPINA,
AKA, PHONY SOPRANO, SAID THAT HE
DOESN'T THINK TRUMP IS GOING TO
974
00:36:25,360 --> 00:36:26,960
AKA, PHONY SOPRANO, SAID THAT HE
DOESN'T THINK TRUMP IS GOING TO
GET A FAIR TRIAL IN MANHATTAN.
975
00:36:26,962 --> 00:36:28,027
DOESN'T THINK TRUMP IS GOING TO
GET A FAIR TRIAL IN MANHATTAN.
I AGREE.
976
00:36:28,029 --> 00:36:29,095
GET A FAIR TRIAL IN MANHATTAN.
I AGREE.
EVEN THE COURTROOM SKETCH ARTIST
977
00:36:29,097 --> 00:36:34,968
I AGREE.
EVEN THE COURTROOM SKETCH ARTIST
SEEMS TO HATE HIM.
978
00:36:34,970 --> 00:36:35,702
EVEN THE COURTROOM SKETCH ARTIST
SEEMS TO HATE HIM.
WHEN HE SHOWED UP, I THOUGHT HE
979
00:36:35,704 --> 00:36:36,269
SEEMS TO HATE HIM.
WHEN HE SHOWED UP, I THOUGHT HE
LOOKED PERFECTLY NICE.
980
00:36:36,271 --> 00:36:37,103
WHEN HE SHOWED UP, I THOUGHT HE
LOOKED PERFECTLY NICE.
HE HAD BLENDED HIS FOUNDATION.
981
00:36:37,105 --> 00:36:39,739
LOOKED PERFECTLY NICE.
HE HAD BLENDED HIS FOUNDATION.
HE HAD STAPLED DOWN HIS HAIR.
982
00:36:39,741 --> 00:36:40,807
HE HAD BLENDED HIS FOUNDATION.
HE HAD STAPLED DOWN HIS HAIR.
BUT THE GUY STILL DREW HIM LIKE
983
00:36:40,809 --> 00:36:45,511
HE HAD STAPLED DOWN HIS HAIR.
BUT THE GUY STILL DREW HIM LIKE
THE MUD MONSTER FROM SCOOBY-DOO,
984
00:36:45,513 --> 00:36:47,847
BUT THE GUY STILL DREW HIM LIKE
THE MUD MONSTER FROM SCOOBY-DOO,
>> AFTER HIS ARRAIGNMENT, DONALD
985
00:36:47,849 --> 00:36:50,650
THE MUD MONSTER FROM SCOOBY-DOO,
>> AFTER HIS ARRAIGNMENT, DONALD
TRUMP SPOKE TO SUPPORTERS AT
986
00:36:50,652 --> 00:36:52,585
>> AFTER HIS ARRAIGNMENT, DONALD
TRUMP SPOKE TO SUPPORTERS AT
MAR-A-LAGO AND SAID THERE WAS A
987
00:36:52,587 --> 00:36:55,188
TRUMP SPOKE TO SUPPORTERS AT
MAR-A-LAGO AND SAID THERE WAS A
VERY DARK CLOUD OVER OUR BELOVED
988
00:36:55,190 --> 00:36:55,989
MAR-A-LAGO AND SAID THERE WAS A
VERY DARK CLOUD OVER OUR BELOVED
COUNTRY, WHICH IS ALSO WHAT HE
989
00:36:55,991 --> 00:36:58,825
VERY DARK CLOUD OVER OUR BELOVED
COUNTRY, WHICH IS ALSO WHAT HE
USED TO CALL OBAMA.
990
00:36:58,827 --> 00:37:01,094
COUNTRY, WHICH IS ALSO WHAT HE
USED TO CALL OBAMA.
INSIDERS ARE SAYING THAT SINCE
991
00:37:01,096 --> 00:37:02,495
USED TO CALL OBAMA.
INSIDERS ARE SAYING THAT SINCE
DONALD TRUMP'S INDICTMENT, HIS
992
00:37:02,497 --> 00:37:04,797
INSIDERS ARE SAYING THAT SINCE
DONALD TRUMP'S INDICTMENT, HIS
DAUGHTER IVANKA HAS BEEN ABSENT,
993
00:37:04,799 --> 00:37:06,099
DONALD TRUMP'S INDICTMENT, HIS
DAUGHTER IVANKA HAS BEEN ABSENT,
AND HIS OTHER DAUGHTER TIFFANY
994
00:37:06,101 --> 00:37:09,769
DAUGHTER IVANKA HAS BEEN ABSENT,
AND HIS OTHER DAUGHTER TIFFANY
IS TRYING TO TAKE HER PLACE BY
995
00:37:09,771 --> 00:37:10,470
AND HIS OTHER DAUGHTER TIFFANY
IS TRYING TO TAKE HER PLACE BY
HIS SIDE, JUST AS SOON AS SHE
996
00:37:10,472 --> 00:37:14,474
IS TRYING TO TAKE HER PLACE BY
HIS SIDE, JUST AS SOON AS SHE
GETS THROUGH SECURITY.
997
00:37:14,476 --> 00:37:16,409
HIS SIDE, JUST AS SOON AS SHE
GETS THROUGH SECURITY.
REPRESENTATIVE MARJORIE TAYLOR
998
00:37:16,411 --> 00:37:19,746
GETS THROUGH SECURITY.
REPRESENTATIVE MARJORIE TAYLOR
GREEN SEEN HERE SHOUTING, JUMP,
999
00:37:19,748 --> 00:37:21,614
REPRESENTATIVE MARJORIE TAYLOR
GREEN SEEN HERE SHOUTING, JUMP,
YOU COWARD!
1000
00:37:21,616 --> 00:37:23,182
GREEN SEEN HERE SHOUTING, JUMP,
YOU COWARD!
VISITED NEW YORK TO PROTEST THE
1001
00:37:23,184 --> 00:37:24,650
YOU COWARD!
VISITED NEW YORK TO PROTEST THE
ARREST OF DONALD TRUMP AND
1002
00:37:24,652 --> 00:37:27,487
VISITED NEW YORK TO PROTEST THE
ARREST OF DONALD TRUMP AND
CALLED THE CITY FILTHY,
1003
00:37:27,489 --> 00:37:29,756
ARREST OF DONALD TRUMP AND
CALLED THE CITY FILTHY,
DISGUSTING, AND REPULSIVE.
1004
00:37:29,758 --> 00:37:31,891
CALLED THE CITY FILTHY,
DISGUSTING, AND REPULSIVE.
AS A NEW YORKER, LET ME JUST
1005
00:37:31,893 --> 00:37:34,894
DISGUSTING, AND REPULSIVE.
AS A NEW YORKER, LET ME JUST
SAY, YOU FORGOT RAT INFESTED.
1006
00:37:34,896 --> 00:37:36,262
AS A NEW YORKER, LET ME JUST
SAY, YOU FORGOT RAT INFESTED.
DON'T FORGET OUR RATS.
1007
00:37:36,264 --> 00:37:37,296
SAY, YOU FORGOT RAT INFESTED.
DON'T FORGET OUR RATS.
>> NEVER.
1008
00:37:37,298 --> 00:37:39,432
DON'T FORGET OUR RATS.
>> NEVER.
A NEW REPORT DECLARES FOR
1009
00:37:39,434 --> 00:37:40,967
>> NEVER.
A NEW REPORT DECLARES FOR
DECADES, CHARNS THOMAS AND HIS
1010
00:37:40,969 --> 00:37:44,404
A NEW REPORT DECLARES FOR
DECADES, CHARNS THOMAS AND HIS
WIFE WENT ON LUXURY TRIPS BY
1011
00:37:44,406 --> 00:37:46,439
DECADES, CHARNS THOMAS AND HIS
WIFE WENT ON LUXURY TRIPS BY
REPUBLICAN MEGADONOR, AND
1012
00:37:46,441 --> 00:37:48,174
WIFE WENT ON LUXURY TRIPS BY
REPUBLICAN MEGADONOR, AND
WHITEST GUY WITH THE BLACKEST
1013
00:37:48,176 --> 00:37:50,109
REPUBLICAN MEGADONOR, AND
WHITEST GUY WITH THE BLACKEST
NAME, HARLAN CROW.
1014
00:37:50,111 --> 00:37:53,212
WHITEST GUY WITH THE BLACKEST
NAME, HARLAN CROW.
BECAUSE JUSTICE THOMAS HANDLED
1015
00:37:53,214 --> 00:37:54,080
NAME, HARLAN CROW.
BECAUSE JUSTICE THOMAS HANDLED
GIFTS FROM REPUBLICANS THE SAME
1016
00:37:54,082 --> 00:37:56,682
BECAUSE JUSTICE THOMAS HANDLED
GIFTS FROM REPUBLICANS THE SAME
WAY HE HANDLES SUPREME COURT
1017
00:37:56,684 --> 00:37:58,818
GIFTS FROM REPUBLICANS THE SAME
WAY HE HANDLES SUPREME COURT
CASES, WITH NO QUESTIONS ASKED.
1018
00:37:58,820 --> 00:38:00,987
WAY HE HANDLES SUPREME COURT
CASES, WITH NO QUESTIONS ASKED.
IT WAS ALSO REPORTED TODAY THAT
1019
00:38:00,989 --> 00:38:02,688
CASES, WITH NO QUESTIONS ASKED.
IT WAS ALSO REPORTED TODAY THAT
HARLAN CROW HAS A VAST
1020
00:38:02,690 --> 00:38:06,492
IT WAS ALSO REPORTED TODAY THAT
HARLAN CROW HAS A VAST
COLLECTION OF NAZI MEMORABILIA,
1021
00:38:06,494 --> 00:38:09,429
HARLAN CROW HAS A VAST
COLLECTION OF NAZI MEMORABILIA,
INCLUDING COPIES SIGNED BY
1022
00:38:09,431 --> 00:38:09,762
COLLECTION OF NAZI MEMORABILIA,
INCLUDING COPIES SIGNED BY
HITLER.
1023
00:38:09,764 --> 00:38:15,268
INCLUDING COPIES SIGNED BY
HITLER.
THE SIGNATURE READS, DEAR
1024
00:38:15,270 --> 00:38:16,135
HITLER.
THE SIGNATURE READS, DEAR
HARLAN, BIG FAN.
1025
00:38:16,137 --> 00:38:18,404
THE SIGNATURE READS, DEAR
HARLAN, BIG FAN.
>> TENNESSEE REPUBLICANS
1026
00:38:18,406 --> 00:38:21,074
HARLAN, BIG FAN.
>> TENNESSEE REPUBLICANS
EXPELLED TWO BLACK LAWMAKERS FOR
1027
00:38:21,076 --> 00:38:22,642
>> TENNESSEE REPUBLICANS
EXPELLED TWO BLACK LAWMAKERS FOR
PROTESTING GUN VIOLENCE, BUT DID
1028
00:38:22,644 --> 00:38:28,281
EXPELLED TWO BLACK LAWMAKERS FOR
PROTESTING GUN VIOLENCE, BUT DID
NOT EXPEL A WHITE PROTESTOR.
1029
00:38:28,283 --> 00:38:30,316
PROTESTING GUN VIOLENCE, BUT DID
NOT EXPEL A WHITE PROTESTOR.
THEY SAID, THEY KNOW WHAT IT
1030
00:38:30,318 --> 00:38:31,717
NOT EXPEL A WHITE PROTESTOR.
THEY SAID, THEY KNOW WHAT IT
LOOKED LIKE, BUT THEY WERE
1031
00:38:31,719 --> 00:38:35,054
THEY SAID, THEY KNOW WHAT IT
LOOKED LIKE, BUT THEY WERE
ACTUALLY EXPELLED BECAUSE THEIR
1032
00:38:35,056 --> 00:38:35,521
LOOKED LIKE, BUT THEY WERE
ACTUALLY EXPELLED BECAUSE THEIR
SKIN WAS BLACK.
1033
00:38:35,523 --> 00:38:37,256
ACTUALLY EXPELLED BECAUSE THEIR
SKIN WAS BLACK.
>> FLORIDA GOVERNOR RON
1034
00:38:37,258 --> 00:38:39,058
SKIN WAS BLACK.
>> FLORIDA GOVERNOR RON
DeSANTIS, WHO ALWAYS LOOKS LIKE
1035
00:38:39,060 --> 00:38:41,127
>> FLORIDA GOVERNOR RON
DeSANTIS, WHO ALWAYS LOOKS LIKE
SOMEONE TOLD HIM TO GO HOME AND
1036
00:38:41,129 --> 00:38:44,130
DeSANTIS, WHO ALWAYS LOOKS LIKE
SOMEONE TOLD HIM TO GO HOME AND
GET HIS SHINE BOX SIGNED A BILL
1037
00:38:44,132 --> 00:38:46,299
SOMEONE TOLD HIM TO GO HOME AND
GET HIS SHINE BOX SIGNED A BILL
THAT ALLOWS PEOPLE TO CARRY GUNS
1038
00:38:46,301 --> 00:38:47,333
GET HIS SHINE BOX SIGNED A BILL
THAT ALLOWS PEOPLE TO CARRY GUNS
WITHOUT A PERMIT.
1039
00:38:47,335 --> 00:38:50,903
THAT ALLOWS PEOPLE TO CARRY GUNS
WITHOUT A PERMIT.
BECAUSE FLORIDA IS DANGEROUS,
1040
00:38:50,905 --> 00:38:53,573
WITHOUT A PERMIT.
BECAUSE FLORIDA IS DANGEROUS,
AND YOU NEVER KNOW WHEN SOMEONE
1041
00:38:53,575 --> 00:38:56,409
BECAUSE FLORIDA IS DANGEROUS,
AND YOU NEVER KNOW WHEN SOMEONE
IS GOING TO RUN UP TO YOU AND
1042
00:38:56,411 --> 00:38:56,776
AND YOU NEVER KNOW WHEN SOMEONE
IS GOING TO RUN UP TO YOU AND
SAY GAY.
1043
00:38:56,778 --> 00:39:00,346
IS GOING TO RUN UP TO YOU AND
SAY GAY.
>> JILL BIDEN WILL ATTEND THE
1044
00:39:00,348 --> 00:39:05,618
SAY GAY.
>> JILL BIDEN WILL ATTEND THE
CORONATION ALONG WITH HER PLUS
1045
00:39:05,620 --> 00:39:07,220
>> JILL BIDEN WILL ATTEND THE
CORONATION ALONG WITH HER PLUS
ONE, THE IOWA WOMEN'S BASKETBALL
1046
00:39:07,222 --> 00:39:07,520
CORONATION ALONG WITH HER PLUS
ONE, THE IOWA WOMEN'S BASKETBALL
TEAM.
1047
00:39:07,522 --> 00:39:08,254
ONE, THE IOWA WOMEN'S BASKETBALL
TEAM.
>> KING CHARLES SAID RESEARCHERS
1048
00:39:08,256 --> 00:39:09,789
TEAM.
>> KING CHARLES SAID RESEARCHERS
WILL BE GIVE ACCESS TO ROYAL AR
1049
00:39:09,791 --> 00:39:13,192
>> KING CHARLES SAID RESEARCHERS
WILL BE GIVE ACCESS TO ROYAL AR
KOOIS AFS IT WAS DISCOVERED HIS
1050
00:39:13,194 --> 00:39:15,027
WILL BE GIVE ACCESS TO ROYAL AR
KOOIS AFS IT WAS DISCOVERED HIS
ANCESTORS HAD STAKE IN A
1051
00:39:15,029 --> 00:39:15,761
KOOIS AFS IT WAS DISCOVERED HIS
ANCESTORS HAD STAKE IN A
SLAVE-TRADING COMPANY.
1052
00:39:15,763 --> 00:39:17,997
ANCESTORS HAD STAKE IN A
SLAVE-TRADING COMPANY.
YEAH, IT WAS CALLED ENGLAND.
1053
00:39:17,999 --> 00:39:20,867
SLAVE-TRADING COMPANY.
YEAH, IT WAS CALLED ENGLAND.
>> THIS WEEK, RON DeSANTIS
1054
00:39:20,869 --> 00:39:22,768
YEAH, IT WAS CALLED ENGLAND.
>> THIS WEEK, RON DeSANTIS
RAMPED UP HIS WAR ON DISNEY.
1055
00:39:22,770 --> 00:39:25,438
>> THIS WEEK, RON DeSANTIS
RAMPED UP HIS WAR ON DISNEY.
HERE TO COMMENT IS THE VILLAIN
1056
00:39:25,440 --> 00:39:30,476
RAMPED UP HIS WAR ON DISNEY.
HERE TO COMMENT IS THE VILLAIN
FROM THE MOVIE ALADDIN, JAFAR.
1057
00:39:30,478 --> 00:39:32,011
HERE TO COMMENT IS THE VILLAIN
FROM THE MOVIE ALADDIN, JAFAR.
>> HELLO, MICHAEL.
1058
00:39:32,013 --> 00:39:34,647
FROM THE MOVIE ALADDIN, JAFAR.
>> HELLO, MICHAEL.
SO THIS IS THE FAMOUS
1059
00:39:34,649 --> 00:39:36,649
>> HELLO, MICHAEL.
SO THIS IS THE FAMOUS
ROCKEFELLER PALACE.
1060
00:39:36,651 --> 00:39:36,983
SO THIS IS THE FAMOUS
ROCKEFELLER PALACE.
>> OKAY.
1061
00:39:36,985 --> 00:39:38,985
ROCKEFELLER PALACE.
>> OKAY.
SO, JAFAR, AS A DISNEY
1062
00:39:38,987 --> 00:39:40,253
>> OKAY.
SO, JAFAR, AS A DISNEY
CHARACTER, WHAT DO YOU THINK OF
1063
00:39:40,255 --> 00:39:41,187
SO, JAFAR, AS A DISNEY
CHARACTER, WHAT DO YOU THINK OF
RON DeSANTIS?
1064
00:39:41,189 --> 00:39:42,555
CHARACTER, WHAT DO YOU THINK OF
RON DeSANTIS?
>> YOU MEAN, THE BOY?
1065
00:39:42,557 --> 00:39:44,557
RON DeSANTIS?
>> YOU MEAN, THE BOY?
WELL, MICHAEL, AS FAR AS
1066
00:39:44,559 --> 00:39:47,260
>> YOU MEAN, THE BOY?
WELL, MICHAEL, AS FAR AS
VILLAINS GO, THE BOY IS AN
1067
00:39:47,262 --> 00:39:47,593
WELL, MICHAEL, AS FAR AS
VILLAINS GO, THE BOY IS AN
AMATEUR.
1068
00:39:47,595 --> 00:39:51,464
VILLAINS GO, THE BOY IS AN
AMATEUR.
HE HAS NO RIZ, NO SPARK, NO
1069
00:39:51,466 --> 00:39:51,764
AMATEUR.
HE HAS NO RIZ, NO SPARK, NO
DRIP.
1070
00:39:51,766 --> 00:39:53,900
HE HAS NO RIZ, NO SPARK, NO
DRIP.
THE LOOK IS GIVING BABY MAYOR.
1071
00:39:53,902 --> 00:39:56,402
DRIP.
THE LOOK IS GIVING BABY MAYOR.
HE DID WEAR THOSE WHITE COWBOY
1072
00:39:56,404 --> 00:39:58,337
THE LOOK IS GIVING BABY MAYOR.
HE DID WEAR THOSE WHITE COWBOY
BOOTS, BUT LET'S BE HONEST, THEY
1073
00:39:58,339 --> 00:39:58,738
HE DID WEAR THOSE WHITE COWBOY
BOOTS, BUT LET'S BE HONEST, THEY
WORE HIM.
1074
00:39:58,740 --> 00:40:01,474
BOOTS, BUT LET'S BE HONEST, THEY
WORE HIM.
>> WELL, HE MIGHT NOT LOOK THE
1075
00:40:01,476 --> 00:40:04,810
WORE HIM.
>> WELL, HE MIGHT NOT LOOK THE
PART, BUT ARE YOU SAYING
1076
00:40:04,812 --> 00:40:05,444
>> WELL, HE MIGHT NOT LOOK THE
PART, BUT ARE YOU SAYING
DeSANTIS ISN'T BAD ENOUGH?
1077
00:40:05,446 --> 00:40:06,078
PART, BUT ARE YOU SAYING
DeSANTIS ISN'T BAD ENOUGH?
>> NOT AT ALL.
1078
00:40:06,080 --> 00:40:07,280
DeSANTIS ISN'T BAD ENOUGH?
>> NOT AT ALL.
DON'T GET ME WRONG.
1079
00:40:07,282 --> 00:40:09,749
>> NOT AT ALL.
DON'T GET ME WRONG.
THE BOY IS PLENTY EVIL.
1080
00:40:09,751 --> 00:40:11,884
DON'T GET ME WRONG.
THE BOY IS PLENTY EVIL.
BANNING ROSA PARKS IN SCHOOLS.
1081
00:40:11,886 --> 00:40:16,055
THE BOY IS PLENTY EVIL.
BANNING ROSA PARKS IN SCHOOLS.
I'M A DARK SOURCER, AND HEN I
1082
00:40:16,057 --> 00:40:16,956
BANNING ROSA PARKS IN SCHOOLS.
I'M A DARK SOURCER, AND HEN I
WAS LIKE, IT'S ROSA PARKS.
1083
00:40:16,958 --> 00:40:20,026
I'M A DARK SOURCER, AND HEN I
WAS LIKE, IT'S ROSA PARKS.
>> NOW HE'S COMING AFTER DISNEY
1084
00:40:20,028 --> 00:40:23,196
WAS LIKE, IT'S ROSA PARKS.
>> NOW HE'S COMING AFTER DISNEY
BECAUSE OF HIS STANCE OF THE
1085
00:40:23,198 --> 00:40:25,398
>> NOW HE'S COMING AFTER DISNEY
BECAUSE OF HIS STANCE OF THE
DON'T SAY GAY BILL.
1086
00:40:25,400 --> 00:40:26,465
BECAUSE OF HIS STANCE OF THE
DON'T SAY GAY BILL.
>> YOU CAN'T PREVENT DISNEY
1087
00:40:26,467 --> 00:40:27,767
DON'T SAY GAY BILL.
>> YOU CAN'T PREVENT DISNEY
WORLD FROM BEING GAY.
1088
00:40:27,769 --> 00:40:29,969
>> YOU CAN'T PREVENT DISNEY
WORLD FROM BEING GAY.
THAT CARPET HAS FLOWN.
1089
00:40:29,971 --> 00:40:30,536
WORLD FROM BEING GAY.
THAT CARPET HAS FLOWN.
KNOW WHAT I MEAN?
1090
00:40:30,538 --> 00:40:32,471
THAT CARPET HAS FLOWN.
KNOW WHAT I MEAN?
>> NO, I REALLY DON'T.
1091
00:40:32,473 --> 00:40:34,373
KNOW WHAT I MEAN?
>> NO, I REALLY DON'T.
>> I MEAN IF YOU OPEN UP GRINDER
1092
00:40:34,375 --> 00:40:38,077
>> NO, I REALLY DON'T.
>> I MEAN IF YOU OPEN UP GRINDER
ON MAIN STREET USA, YOUR PHONE
1093
00:40:38,079 --> 00:40:38,444
>> I MEAN IF YOU OPEN UP GRINDER
ON MAIN STREET USA, YOUR PHONE
EXPLODES.
1094
00:40:38,446 --> 00:40:40,079
ON MAIN STREET USA, YOUR PHONE
EXPLODES.
EVERYWHERE ELSE IN THE PARK,
1095
00:40:40,081 --> 00:40:41,747
EXPLODES.
EVERYWHERE ELSE IN THE PARK,
IT'S NOTHING BUT 40-YEAR-OLD MEN
1096
00:40:41,749 --> 00:40:42,982
EVERYWHERE ELSE IN THE PARK,
IT'S NOTHING BUT 40-YEAR-OLD MEN
WITH BRACES.
1097
00:40:42,984 --> 00:40:44,917
IT'S NOTHING BUT 40-YEAR-OLD MEN
WITH BRACES.
I DON'T KNOW WHAT THAT IS, BUT
1098
00:40:44,919 --> 00:40:45,451
WITH BRACES.
I DON'T KNOW WHAT THAT IS, BUT
IT AIN'T STRAIGHT.
1099
00:40:45,453 --> 00:40:47,720
I DON'T KNOW WHAT THAT IS, BUT
IT AIN'T STRAIGHT.
>> OH, ARE YOU SAYING THAT
1100
00:40:47,722 --> 00:40:48,120
IT AIN'T STRAIGHT.
>> OH, ARE YOU SAYING THAT
YOU'RE --
1101
00:40:48,122 --> 00:40:50,856
>> OH, ARE YOU SAYING THAT
YOU'RE --
>> A LITTLE LIGHT IN THE
1102
00:40:50,858 --> 00:40:51,290
YOU'RE --
>> A LITTLE LIGHT IN THE
LOAFERS?
1103
00:40:51,292 --> 00:40:55,628
>> A LITTLE LIGHT IN THE
LOAFERS?
DID MY STASH NOT TIP YOU OFF?
1104
00:40:55,630 --> 00:40:57,997
LOAFERS?
DID MY STASH NOT TIP YOU OFF?
OF COURSE I'M GAY, YOU FOOL.
1105
00:40:57,999 --> 00:41:00,166
DID MY STASH NOT TIP YOU OFF?
OF COURSE I'M GAY, YOU FOOL.
MY EYE LINER ON POINT.
1106
00:41:00,168 --> 00:41:04,237
OF COURSE I'M GAY, YOU FOOL.
MY EYE LINER ON POINT.
MY FORM AS A YOLKED GENIE WITH
1107
00:41:04,239 --> 00:41:04,537
MY EYE LINER ON POINT.
MY FORM AS A YOLKED GENIE WITH
NAILS.
1108
00:41:04,539 --> 00:41:06,772
MY FORM AS A YOLKED GENIE WITH
NAILS.
YEAH, MICHAEL, I LOVE COOCH.
1109
00:41:06,774 --> 00:41:09,342
NAILS.
YEAH, MICHAEL, I LOVE COOCH.
>> I GOT IT.
1110
00:41:09,344 --> 00:41:11,577
YEAH, MICHAEL, I LOVE COOCH.
>> I GOT IT.
WELL, SEEMS LIKE DeSANTIS
1111
00:41:11,579 --> 00:41:13,479
>> I GOT IT.
WELL, SEEMS LIKE DeSANTIS
DOESN'T EVEN WANT ANYTHING
1112
00:41:13,481 --> 00:41:15,815
WELL, SEEMS LIKE DeSANTIS
DOESN'T EVEN WANT ANYTHING
REMOTELY GAY HAPPENING AT DISNEY
1113
00:41:15,817 --> 00:41:16,582
DOESN'T EVEN WANT ANYTHING
REMOTELY GAY HAPPENING AT DISNEY
WORLD AT ALL.
1114
00:41:16,584 --> 00:41:18,317
REMOTELY GAY HAPPENING AT DISNEY
WORLD AT ALL.
>> THERE'S ALREADY A DISNEY
1115
00:41:18,319 --> 00:41:19,318
WORLD AT ALL.
>> THERE'S ALREADY A DISNEY
WORLD WHERE NOTHING GAY HAPPENS.
1116
00:41:19,320 --> 00:41:22,388
>> THERE'S ALREADY A DISNEY
WORLD WHERE NOTHING GAY HAPPENS.
IT'S CALLED SIX FLAGS.
1117
00:41:22,390 --> 00:41:25,424
WORLD WHERE NOTHING GAY HAPPENS.
IT'S CALLED SIX FLAGS.
THERE ARE LOTS OF DIFFERENCES AT
1118
00:41:25,426 --> 00:41:26,959
IT'S CALLED SIX FLAGS.
THERE ARE LOTS OF DIFFERENCES AT
DISNEY, MICHAEL.
1119
00:41:26,961 --> 00:41:30,863
THERE ARE LOTS OF DIFFERENCES AT
DISNEY, MICHAEL.
URSULA IS A LESBIAN, SCAR IS BI,
1120
00:41:30,865 --> 00:41:33,833
DISNEY, MICHAEL.
URSULA IS A LESBIAN, SCAR IS BI,
AND MULAN JUST GOT TOP SURGE ARE
1121
00:41:33,835 --> 00:41:34,066
URSULA IS A LESBIAN, SCAR IS BI,
AND MULAN JUST GOT TOP SURGE ARE
I.
1122
00:41:34,068 --> 00:41:35,868
AND MULAN JUST GOT TOP SURGE ARE
I.
NOW IF I MAY, I WOULD LIKE TO
1123
00:41:35,870 --> 00:41:38,070
I.
NOW IF I MAY, I WOULD LIKE TO
ADDRESS THE BOY, DeSANTIS.
1124
00:41:38,072 --> 00:41:42,208
NOW IF I MAY, I WOULD LIKE TO
ADDRESS THE BOY, DeSANTIS.
WELL, IF IT ISN'T THE SWAMP RAT.
1125
00:41:42,210 --> 00:41:44,644
ADDRESS THE BOY, DeSANTIS.
WELL, IF IT ISN'T THE SWAMP RAT.
BRAVO ATTEMPTING TO SEE THE
1126
00:41:44,646 --> 00:41:46,245
WELL, IF IT ISN'T THE SWAMP RAT.
BRAVO ATTEMPTING TO SEE THE
PRECIOUS LAND ONLY IT WOULD BE
1127
00:41:46,247 --> 00:41:47,480
BRAVO ATTEMPTING TO SEE THE
PRECIOUS LAND ONLY IT WOULD BE
THWARTED AGAIN BY THE HOUSE OF
1128
00:41:47,482 --> 00:41:47,880
PRECIOUS LAND ONLY IT WOULD BE
THWARTED AGAIN BY THE HOUSE OF
MOUSE.
1129
00:41:47,882 --> 00:41:50,483
THWARTED AGAIN BY THE HOUSE OF
MOUSE.
YOU CAN TRY TO STOP US, BOY, BUT
1130
00:41:50,485 --> 00:41:53,319
MOUSE.
YOU CAN TRY TO STOP US, BOY, BUT
WE WILL OUTSMART YOU AT EVERY
1131
00:41:53,321 --> 00:41:53,619
YOU CAN TRY TO STOP US, BOY, BUT
WE WILL OUTSMART YOU AT EVERY
TURN.
1132
00:41:53,621 --> 00:41:55,254
WE WILL OUTSMART YOU AT EVERY
TURN.
DON'T SAY GAY?
1133
00:41:55,256 --> 00:41:56,522
TURN.
DON'T SAY GAY?
WELL, IF THERE IS NO GAY, THERE
1134
00:41:56,524 --> 00:41:58,591
DON'T SAY GAY?
WELL, IF THERE IS NO GAY, THERE
IS NO DISNEY, AND EVERYONE LOVES
1135
00:41:58,593 --> 00:42:01,627
WELL, IF THERE IS NO GAY, THERE
IS NO DISNEY, AND EVERYONE LOVES
DISNEY, INCLUDING YOU BECAUSE
1136
00:42:01,629 --> 00:42:03,262
IS NO DISNEY, AND EVERYONE LOVES
DISNEY, INCLUDING YOU BECAUSE
YOUR DUMB ASS GOT MARRIED THERE,
1137
00:42:03,264 --> 00:42:04,030
DISNEY, INCLUDING YOU BECAUSE
YOUR DUMB ASS GOT MARRIED THERE,
AND THAT'S THE GAYEST THING YOU
1138
00:42:04,032 --> 00:42:06,766
YOUR DUMB ASS GOT MARRIED THERE,
AND THAT'S THE GAYEST THING YOU
CAN DO!
1139
00:42:06,768 --> 00:42:13,306
AND THAT'S THE GAYEST THING YOU
CAN DO!
SO I'M SORRY, THE GAYS SHALL
1140
00:42:13,308 --> 00:42:20,212
CAN DO!
SO I'M SORRY, THE GAYS SHALL
STAY, AND YOU CACHE AWAY.
1141
00:42:20,214 --> 00:42:21,814
SO I'M SORRY, THE GAYS SHALL
STAY, AND YOU CACHE AWAY.
WHERE WERE WE, MICHAEL?
1142
00:42:21,816 --> 00:42:24,150
STAY, AND YOU CACHE AWAY.
WHERE WERE WE, MICHAEL?
OH, YES, YOUR EARRING, IT
1143
00:42:24,152 --> 00:42:24,583
WHERE WERE WE, MICHAEL?
OH, YES, YOUR EARRING, IT
INTRIGUES ME.
1144
00:42:24,585 --> 00:42:27,253
OH, YES, YOUR EARRING, IT
INTRIGUES ME.
>> NO, NO, NO.
1145
00:42:27,255 --> 00:42:27,787
INTRIGUES ME.
>> NO, NO, NO.
JAFAR, EVERYBODY.
1146
00:42:27,789 --> 00:42:30,923
>> NO, NO, NO.
JAFAR, EVERYBODY.
>> I SAW YOU AT THE GRAND
1147
00:42:30,925 --> 00:42:31,290
JAFAR, EVERYBODY.
>> I SAW YOU AT THE GRAND
FLORIDIAN.
1148
00:42:31,292 --> 00:42:34,560
>> I SAW YOU AT THE GRAND
FLORIDIAN.
IT WAS A GORGEOUS WEDDING.
1149
00:42:34,562 --> 00:42:36,195
FLORIDIAN.
IT WAS A GORGEOUS WEDDING.
>> FLORIDIAN.
1150
00:42:36,197 --> 00:42:38,197
IT WAS A GORGEOUS WEDDING.
>> FLORIDIAN.
>> THAT'S A GREAT EARRING.
1151
00:42:38,199 --> 00:42:40,232
>> FLORIDIAN.
>> THAT'S A GREAT EARRING.
A NEW STUDY FINDS THAT THE
1152
00:42:40,234 --> 00:42:42,702
>> THAT'S A GREAT EARRING.
A NEW STUDY FINDS THAT THE
AVERAGE CHILD THROWS A TANTRUM
1153
00:42:42,704 --> 00:42:43,436
A NEW STUDY FINDS THAT THE
AVERAGE CHILD THROWS A TANTRUM
FOUR TIMES A WEEK, WEEKNIGHTS ON
1154
00:42:43,438 --> 00:42:45,871
AVERAGE CHILD THROWS A TANTRUM
FOUR TIMES A WEEK, WEEKNIGHTS ON
FOX.
1155
00:42:45,873 --> 00:42:48,207
FOUR TIMES A WEEK, WEEKNIGHTS ON
FOX.
>> RUPERT MURDOCH'S ENGAGEMENT
1156
00:42:48,209 --> 00:42:51,210
FOX.
>> RUPERT MURDOCH'S ENGAGEMENT
TO ANN LESLIE SMITH HAS BEEN
1157
00:42:51,212 --> 00:42:52,011
>> RUPERT MURDOCH'S ENGAGEMENT
TO ANN LESLIE SMITH HAS BEEN
CALLED OFF.
1158
00:42:52,013 --> 00:42:54,180
TO ANN LESLIE SMITH HAS BEEN
CALLED OFF.
APPARENTLY, SHE GOT COLD FEET
1159
00:42:54,182 --> 00:42:56,549
CALLED OFF.
APPARENTLY, SHE GOT COLD FEET
AFTER MURDOCH PASSED HIS
1160
00:42:56,551 --> 00:42:56,916
APPARENTLY, SHE GOT COLD FEET
AFTER MURDOCH PASSED HIS
PHYSICAL.
1161
00:42:56,918 --> 00:42:59,085
AFTER MURDOCH PASSED HIS
PHYSICAL.
IN A NEW DOCUMENTARY, POPE
1162
00:42:59,087 --> 00:43:01,721
PHYSICAL.
IN A NEW DOCUMENTARY, POPE
FRANCIS PRAISES THE SIR CHEWS OF
1163
00:43:01,723 --> 00:43:03,255
IN A NEW DOCUMENTARY, POPE
FRANCIS PRAISES THE SIR CHEWS OF
SEX, CALLING IT ONE OF THE
1164
00:43:03,257 --> 00:43:06,025
FRANCIS PRAISES THE SIR CHEWS OF
SEX, CALLING IT ONE OF THE
BEAUTIFUL THINGS THAT GOD HAS
1165
00:43:06,027 --> 00:43:06,659
SEX, CALLING IT ONE OF THE
BEAUTIFUL THINGS THAT GOD HAS
GIVEN TO THE HUMAN PERSON.
1166
00:43:06,661 --> 00:43:12,932
BEAUTIFUL THINGS THAT GOD HAS
GIVEN TO THE HUMAN PERSON.
NOT THE WAY I DO IT.
1167
00:43:12,934 --> 00:43:14,567
GIVEN TO THE HUMAN PERSON.
NOT THE WAY I DO IT.
AM I RIGHT, COLIN?
1168
00:43:14,569 --> 00:43:15,201
NOT THE WAY I DO IT.
AM I RIGHT, COLIN?
>> NO.
1169
00:43:15,203 --> 00:43:16,936
AM I RIGHT, COLIN?
>> NO.
>> OKAY.
1170
00:43:16,938 --> 00:43:18,070
>> NO.
>> OKAY.
>> I HOPE NOT.
1171
00:43:18,072 --> 00:43:18,738
>> OKAY.
>> I HOPE NOT.
I DON'T KNOW.
1172
00:43:18,740 --> 00:43:20,306
>> I HOPE NOT.
I DON'T KNOW.
A WOMAN HAS BEEN TRAVELING THE
1173
00:43:20,308 --> 00:43:22,441
I DON'T KNOW.
A WOMAN HAS BEEN TRAVELING THE
WORLD SO SHE'S GONE ON 34 FIRST
1174
00:43:22,443 --> 00:43:24,744
A WOMAN HAS BEEN TRAVELING THE
WORLD SO SHE'S GONE ON 34 FIRST
DATES IN NEARLY 20 COUNTRIES.
1175
00:43:24,746 --> 00:43:25,277
WORLD SO SHE'S GONE ON 34 FIRST
DATES IN NEARLY 20 COUNTRIES.
HERE SECRET?
1176
00:43:25,279 --> 00:43:33,619
DATES IN NEARLY 20 COUNTRIES.
HERE SECRET?
SHE'S BEING SEX TRAFFICKED.
1177
00:43:33,621 --> 00:43:35,454
HERE SECRET?
SHE'S BEING SEX TRAFFICKED.
>> THERE WAS CONTROVERSY THIS
1178
00:43:35,456 --> 00:43:39,625
SHE'S BEING SEX TRAFFICKED.
>> THERE WAS CONTROVERSY THIS
WEEK WHEN LSU WOMEN'S BASKETBALL
1179
00:43:39,627 --> 00:43:42,762
>> THERE WAS CONTROVERSY THIS
WEEK WHEN LSU WOMEN'S BASKETBALL
STAR ANGEL REESE REFUSED AN
1180
00:43:42,764 --> 00:43:45,097
WEEK WHEN LSU WOMEN'S BASKETBALL
STAR ANGEL REESE REFUSED AN
INVITATION TO THE WHITE HOUSE TO
1181
00:43:45,099 --> 00:43:47,333
STAR ANGEL REESE REFUSED AN
INVITATION TO THE WHITE HOUSE TO
CELEBRATE HER TEAM'S NATIONAL
1182
00:43:47,335 --> 00:43:47,767
INVITATION TO THE WHITE HOUSE TO
CELEBRATE HER TEAM'S NATIONAL
CHAMPIONSHIP.
1183
00:43:47,769 --> 00:43:49,368
CELEBRATE HER TEAM'S NATIONAL
CHAMPIONSHIP.
BUT NOW SHE HAS DECIDED TO GO.
1184
00:43:49,370 --> 00:43:51,103
CHAMPIONSHIP.
BUT NOW SHE HAS DECIDED TO GO.
SO HERE TO COMMENT IS ANGEL
1185
00:43:51,105 --> 00:43:51,437
BUT NOW SHE HAS DECIDED TO GO.
SO HERE TO COMMENT IS ANGEL
REESE.
1186
00:43:51,439 --> 00:43:53,472
SO HERE TO COMMENT IS ANGEL
REESE.
>> YEAH, THE BAYOU BARBIE IS IN
1187
00:43:53,474 --> 00:43:54,707
REESE.
>> YEAH, THE BAYOU BARBIE IS IN
THE BUILDING.
1188
00:43:54,709 --> 00:43:55,808
>> YEAH, THE BAYOU BARBIE IS IN
THE BUILDING.
LOUISIANA, STAND UP.
1189
00:43:55,810 --> 00:43:58,244
THE BUILDING.
LOUISIANA, STAND UP.
>> WELL, ANGEL, YOU HAD QUITE A
1190
00:43:58,246 --> 00:43:58,544
LOUISIANA, STAND UP.
>> WELL, ANGEL, YOU HAD QUITE A
WEEK.
1191
00:43:58,546 --> 00:43:59,645
>> WELL, ANGEL, YOU HAD QUITE A
WEEK.
>> YEAH.
1192
00:43:59,647 --> 00:44:02,381
WEEK.
>> YEAH.
I GOT PEOPLE BIG MAD.
1193
00:44:02,383 --> 00:44:04,216
>> YEAH.
I GOT PEOPLE BIG MAD.
FIRST THEY WAS MAD BECAUSE I WAS
1194
00:44:04,218 --> 00:44:05,851
I GOT PEOPLE BIG MAD.
FIRST THEY WAS MAD BECAUSE I WAS
TAUNTING, BUT ALL I DID WAS
1195
00:44:05,853 --> 00:44:06,152
FIRST THEY WAS MAD BECAUSE I WAS
TAUNTING, BUT ALL I DID WAS
THIS.
1196
00:44:06,154 --> 00:44:07,720
TAUNTING, BUT ALL I DID WAS
THIS.
YOU WOULD HAVE THOUGHT I PULLED
1197
00:44:07,722 --> 00:44:09,622
THIS.
YOU WOULD HAVE THOUGHT I PULLED
MY NIPPLE OUT AND FLICKED IT ON
1198
00:44:09,624 --> 00:44:10,556
YOU WOULD HAVE THOUGHT I PULLED
MY NIPPLE OUT AND FLICKED IT ON
NATIONAL TV.
1199
00:44:10,558 --> 00:44:11,624
MY NIPPLE OUT AND FLICKED IT ON
NATIONAL TV.
THEN THEY WERE MAD BECAUSE I
1200
00:44:11,626 --> 00:44:12,992
NATIONAL TV.
THEN THEY WERE MAD BECAUSE I
DIDN'T WANT TO GO TO THE WHITE
1201
00:44:12,994 --> 00:44:13,492
THEN THEY WERE MAD BECAUSE I
DIDN'T WANT TO GO TO THE WHITE
HOUSE.
1202
00:44:13,494 --> 00:44:15,694
DIDN'T WANT TO GO TO THE WHITE
HOUSE.
BUT, CHE, THEY INVITED IOWA TOO.
1203
00:44:15,696 --> 00:44:16,395
HOUSE.
BUT, CHE, THEY INVITED IOWA TOO.
>> BUT THEY LOST.
1204
00:44:16,397 --> 00:44:18,564
BUT, CHE, THEY INVITED IOWA TOO.
>> BUT THEY LOST.
>> EXACTLY.
1205
00:44:18,566 --> 00:44:19,965
>> BUT THEY LOST.
>> EXACTLY.
IN THE HISTORY OF SPORTS, WHEN
1206
00:44:19,967 --> 00:44:22,001
>> EXACTLY.
IN THE HISTORY OF SPORTS, WHEN
YOU LOSE, YOU TAKE YOUR ASS
1207
00:44:22,003 --> 00:44:22,301
IN THE HISTORY OF SPORTS, WHEN
YOU LOSE, YOU TAKE YOUR ASS
HOME.
1208
00:44:22,303 --> 00:44:25,738
YOU LOSE, YOU TAKE YOUR ASS
HOME.
BUT THEN, WHITE GIRLS LOSE, AND
1209
00:44:25,740 --> 00:44:28,674
HOME.
BUT THEN, WHITE GIRLS LOSE, AND
SUDDENLY, IT'S ALL TEAMS MATTER.
1210
00:44:28,676 --> 00:44:30,276
BUT THEN, WHITE GIRLS LOSE, AND
SUDDENLY, IT'S ALL TEAMS MATTER.
>> WELL, I'M GLAD YOU CHANGED
1211
00:44:30,278 --> 00:44:30,876
SUDDENLY, IT'S ALL TEAMS MATTER.
>> WELL, I'M GLAD YOU CHANGED
YOUR MIND.
1212
00:44:30,878 --> 00:44:32,044
>> WELL, I'M GLAD YOU CHANGED
YOUR MIND.
THAT WILL BE PRETTY COOL.
1213
00:44:32,046 --> 00:44:32,812
YOUR MIND.
THAT WILL BE PRETTY COOL.
>> YEAH.
1214
00:44:32,814 --> 00:44:34,680
THAT WILL BE PRETTY COOL.
>> YEAH.
IT WILL BE COOL, FOR THEM.
1215
00:44:34,682 --> 00:44:36,682
>> YEAH.
IT WILL BE COOL, FOR THEM.
I'M A BIG DEAL NOW, CHE.
1216
00:44:36,684 --> 00:44:38,651
IT WILL BE COOL, FOR THEM.
I'M A BIG DEAL NOW, CHE.
SINCE COLLEGE PLAYERS GET
1217
00:44:38,653 --> 00:44:40,286
I'M A BIG DEAL NOW, CHE.
SINCE COLLEGE PLAYERS GET
ENDORSEMENTS NOW, I'M ABOUT TO
1218
00:44:40,288 --> 00:44:41,687
SINCE COLLEGE PLAYERS GET
ENDORSEMENTS NOW, I'M ABOUT TO
CASH IN.
1219
00:44:41,689 --> 00:44:43,522
ENDORSEMENTS NOW, I'M ABOUT TO
CASH IN.
AND MY BRAND WORKS FOR ANYTHING.
1220
00:44:43,524 --> 00:44:47,526
CASH IN.
AND MY BRAND WORKS FOR ANYTHING.
HOW THIS SOUND, CHE?
1221
00:44:47,528 --> 00:44:50,763
AND MY BRAND WORKS FOR ANYTHING.
HOW THIS SOUND, CHE?
DEGREE DEODERANT, Y'ALL STANK.
1222
00:44:50,765 --> 00:44:51,864
HOW THIS SOUND, CHE?
DEGREE DEODERANT, Y'ALL STANK.
>> IT SEEMS AGGRESSIVE.
1223
00:44:51,866 --> 00:44:52,398
DEGREE DEODERANT, Y'ALL STANK.
>> IT SEEMS AGGRESSIVE.
>> OKAY.
1224
00:44:52,400 --> 00:44:54,033
>> IT SEEMS AGGRESSIVE.
>> OKAY.
HOW ABOUT THIS ONE?
1225
00:44:54,035 --> 00:44:57,503
>> OKAY.
HOW ABOUT THIS ONE?
GARDEN GNOMES, MAN, GET YOUR LIL
1226
00:44:57,505 --> 00:44:59,205
HOW ABOUT THIS ONE?
GARDEN GNOMES, MAN, GET YOUR LIL
ASS OUT MY FACE!
1227
00:44:59,207 --> 00:45:00,639
GARDEN GNOMES, MAN, GET YOUR LIL
ASS OUT MY FACE!
>> THAT'S A COMMERCIAL FOR
1228
00:45:00,641 --> 00:45:01,407
ASS OUT MY FACE!
>> THAT'S A COMMERCIAL FOR
GARDEN GNOMES?
1229
00:45:01,409 --> 00:45:01,974
>> THAT'S A COMMERCIAL FOR
GARDEN GNOMES?
>> YEAH.
1230
00:45:01,976 --> 00:45:04,310
GARDEN GNOMES?
>> YEAH.
IT'S THE MONEY, RIGHT?
1231
00:45:04,312 --> 00:45:07,680
>> YEAH.
IT'S THE MONEY, RIGHT?
NOW, HERE'S MY FAVORITE.
1232
00:45:07,682 --> 00:45:09,615
IT'S THE MONEY, RIGHT?
NOW, HERE'S MY FAVORITE.
BIG-ASS EYELASHES, EMPOWERING
1233
00:45:09,617 --> 00:45:17,823
NOW, HERE'S MY FAVORITE.
BIG-ASS EYELASHES, EMPOWERING
WOMEN BALLERS AND -- SINCE 1972.
1234
00:45:17,825 --> 00:45:19,825
BIG-ASS EYELASHES, EMPOWERING
WOMEN BALLERS AND -- SINCE 1972.
>> I'M GLAD YOU'RE ENJOYING THE
1235
00:45:19,827 --> 00:45:20,159
WOMEN BALLERS AND -- SINCE 1972.
>> I'M GLAD YOU'RE ENJOYING THE
MOMENT.
1236
00:45:20,161 --> 00:45:21,026
>> I'M GLAD YOU'RE ENJOYING THE
MOMENT.
>> YEAH, I AM.
1237
00:45:21,028 --> 00:45:24,897
MOMENT.
>> YEAH, I AM.
LAST WEEK, WOMEN'S SPORTS WAS
1238
00:45:24,899 --> 00:45:26,765
>> YEAH, I AM.
LAST WEEK, WOMEN'S SPORTS WAS
BORING, NOW ALL Y'ALL TALKING
1239
00:45:26,767 --> 00:45:28,267
LAST WEEK, WOMEN'S SPORTS WAS
BORING, NOW ALL Y'ALL TALKING
ABOUT WOMEN SPORTS THIS WEEK.
1240
00:45:28,269 --> 00:45:30,569
BORING, NOW ALL Y'ALL TALKING
ABOUT WOMEN SPORTS THIS WEEK.
MAN, I DROPPED 15 ON IOWA.
1241
00:45:30,571 --> 00:45:32,304
ABOUT WOMEN SPORTS THIS WEEK.
MAN, I DROPPED 15 ON IOWA.
I WENT HARD IN THE PAINT.
1242
00:45:32,306 --> 00:45:34,740
MAN, I DROPPED 15 ON IOWA.
I WENT HARD IN THE PAINT.
I DROPPED TEN BOARDS WITHOUT
1243
00:45:34,742 --> 00:45:37,243
I WENT HARD IN THE PAINT.
I DROPPED TEN BOARDS WITHOUT
EVEN MESSING UP ANY EYELASHES.
1244
00:45:37,245 --> 00:45:39,078
I DROPPED TEN BOARDS WITHOUT
EVEN MESSING UP ANY EYELASHES.
THE ONLY THING I REGRET IS NOT
1245
00:45:39,080 --> 00:45:40,212
EVEN MESSING UP ANY EYELASHES.
THE ONLY THING I REGRET IS NOT
GETTING MORE BUCKETS.
1246
00:45:40,214 --> 00:45:42,314
THE ONLY THING I REGRET IS NOT
GETTING MORE BUCKETS.
I COULD HAVE PICKED THAT BALL
1247
00:45:42,316 --> 00:45:44,383
GETTING MORE BUCKETS.
I COULD HAVE PICKED THAT BALL
UP, DROPPED IT ON THE GIRL'S
1248
00:45:44,385 --> 00:45:46,785
I COULD HAVE PICKED THAT BALL
UP, DROPPED IT ON THE GIRL'S
HEAD LIKE I WAS ON AN AND-ONE
1249
00:45:46,787 --> 00:45:48,787
UP, DROPPED IT ON THE GIRL'S
HEAD LIKE I WAS ON AN AND-ONE
TOUR, BUT I WAS IN FOUL TROUBLE,
1250
00:45:48,789 --> 00:45:51,323
HEAD LIKE I WAS ON AN AND-ONE
TOUR, BUT I WAS IN FOUL TROUBLE,
SO I HAD TO CHILL.
1251
00:45:51,325 --> 00:45:53,659
TOUR, BUT I WAS IN FOUL TROUBLE,
SO I HAD TO CHILL.
AND NOW I'M SITTING BACK GETTING
1252
00:45:53,661 --> 00:45:55,461
SO I HAD TO CHILL.
AND NOW I'M SITTING BACK GETTING
ALL THIS BABY GAP MONEY.
1253
00:45:55,463 --> 00:45:58,464
AND NOW I'M SITTING BACK GETTING
ALL THIS BABY GAP MONEY.
>> WHY ARE YOU ENDORSED BY BABY
1254
00:45:58,466 --> 00:45:58,831
ALL THIS BABY GAP MONEY.
>> WHY ARE YOU ENDORSED BY BABY
GAP?
1255
00:45:58,833 --> 00:46:00,533
>> WHY ARE YOU ENDORSED BY BABY
GAP?
>> BECAUSE ALL THESE BITCHES IS
1256
00:46:00,535 --> 00:46:00,900
GAP?
>> BECAUSE ALL THESE BITCHES IS
MY SON.
1257
00:46:00,902 --> 00:46:03,302
>> BECAUSE ALL THESE BITCHES IS
MY SON.
>> ANGEL, REESE, EVERYBODY.
1258
00:46:03,304 --> 00:46:04,970
MY SON.
>> ANGEL, REESE, EVERYBODY.
>> YOU CAN'T SEE ME.
1259
00:46:04,972 --> 00:46:07,273
>> ANGEL, REESE, EVERYBODY.
>> YOU CAN'T SEE ME.
WE GOING BACK TO BACK.
1260
00:46:07,275 --> 00:46:07,706
>> YOU CAN'T SEE ME.
WE GOING BACK TO BACK.
ANGEL REESE.
1261
00:46:07,708 --> 00:46:10,209
WE GOING BACK TO BACK.
ANGEL REESE.
>> A NEW APP CALLED GREET HER IS
1262
00:46:10,211 --> 00:46:12,011
ANGEL REESE.
>> A NEW APP CALLED GREET HER IS
DESIGNED TO HELP WOMEN TRAVEL
1263
00:46:12,013 --> 00:46:13,712
>> A NEW APP CALLED GREET HER IS
DESIGNED TO HELP WOMEN TRAVEL
ALONE SAFELY BY PROVIDING PEOPLE
1264
00:46:13,714 --> 00:46:15,481
DESIGNED TO HELP WOMEN TRAVEL
ALONE SAFELY BY PROVIDING PEOPLE
TO GREET THEM WHEN THEY ARRIVE
1265
00:46:15,483 --> 00:46:17,716
ALONE SAFELY BY PROVIDING PEOPLE
TO GREET THEM WHEN THEY ARRIVE
AT AIRPORTS OR HOTELS, AND IT'S
1266
00:46:17,718 --> 00:46:19,852
TO GREET THEM WHEN THEY ARRIVE
AT AIRPORTS OR HOTELS, AND IT'S
BEING USED FOR MURDER.
1267
00:46:19,854 --> 00:46:22,521
AT AIRPORTS OR HOTELS, AND IT'S
BEING USED FOR MURDER.
>> A VIRGINIA MAN WHO PRANKS
1268
00:46:22,523 --> 00:46:24,623
BEING USED FOR MURDER.
>> A VIRGINIA MAN WHO PRANKS
PEOPLE FOR YOUTUBE VIDEOS WAS
1269
00:46:24,625 --> 00:46:29,828
>> A VIRGINIA MAN WHO PRANKS
PEOPLE FOR YOUTUBE VIDEOS WAS
SHOT WHILE TRICKING SOMEONE IN A
1270
00:46:29,830 --> 00:46:30,129
PEOPLE FOR YOUTUBE VIDEOS WAS
SHOT WHILE TRICKING SOMEONE IN A
MALL.
1271
00:46:30,131 --> 00:46:31,163
SHOT WHILE TRICKING SOMEONE IN A
MALL.
GOOD.
1272
00:46:31,165 --> 00:46:33,065
MALL.
GOOD.
A 106-YEAR-OLD WOMAN IN THE
1273
00:46:33,067 --> 00:46:34,233
GOOD.
A 106-YEAR-OLD WOMAN IN THE
PHILIPPINES HAS BECOME THE
1274
00:46:34,235 --> 00:46:36,168
A 106-YEAR-OLD WOMAN IN THE
PHILIPPINES HAS BECOME THE
OLDEST VOGUE COVER MODEL EVER,
1275
00:46:36,170 --> 00:46:36,902
PHILIPPINES HAS BECOME THE
OLDEST VOGUE COVER MODEL EVER,
BEATING THE PREVIOUS RECORD OF
1276
00:46:36,904 --> 00:46:41,440
OLDEST VOGUE COVER MODEL EVER,
BEATING THE PREVIOUS RECORD OF
29.
1277
00:46:41,442 --> 00:46:44,209
BEATING THE PREVIOUS RECORD OF
29.
>> A JEOPARDY CONTESTANT THIS
1278
00:46:44,211 --> 00:46:46,545
29.
>> A JEOPARDY CONTESTANT THIS
WEEK WAS FORCED TO QUIT SOCIAL
1279
00:46:46,547 --> 00:46:48,881
>> A JEOPARDY CONTESTANT THIS
WEEK WAS FORCED TO QUIT SOCIAL
MEDIA AFTER PEOPLE SAID HIS
1280
00:46:48,883 --> 00:46:51,550
WEEK WAS FORCED TO QUIT SOCIAL
MEDIA AFTER PEOPLE SAID HIS
MUSTACHE LOOKED LIKE HITLERS.
1281
00:46:51,552 --> 00:46:53,319
MEDIA AFTER PEOPLE SAID HIS
MUSTACHE LOOKED LIKE HITLERS.
THE CONTESTANT SAID HE'S SO MAD
1282
00:46:53,321 --> 00:46:58,390
MUSTACHE LOOKED LIKE HITLERS.
THE CONTESTANT SAID HE'S SO MAD
THAT HE'S HAD IT UP TO HERE.
1283
00:46:58,392 --> 00:47:00,759
THE CONTESTANT SAID HE'S SO MAD
THAT HE'S HAD IT UP TO HERE.
>> NASA HAS NAMED THE FOUR
1284
00:47:00,761 --> 00:47:08,734
THAT HE'S HAD IT UP TO HERE.
>> NASA HAS NAMED THE FOUR
ASTRONAUTS IT WILL SEND ON THE
1285
00:47:08,736 --> 00:47:11,337
>> NASA HAS NAMED THE FOUR
ASTRONAUTS IT WILL SEND ON THE
ARTEMIS II MISSION TO THE MOON.
1286
00:47:11,339 --> 00:47:12,905
ASTRONAUTS IT WILL SEND ON THE
ARTEMIS II MISSION TO THE MOON.
IF ANYTHING GOES WRONG, I THINK
1287
00:47:12,907 --> 00:47:15,274
ARTEMIS II MISSION TO THE MOON.
IF ANYTHING GOES WRONG, I THINK
I KNOW WHO'S DYING FIRST.
1288
00:47:15,276 --> 00:47:22,214
IF ANYTHING GOES WRONG, I THINK
I KNOW WHO'S DYING FIRST.
HE CAN DO THE HITLER SALUTE,
1289
00:47:22,216 --> 00:47:22,548
I KNOW WHO'S DYING FIRST.
HE CAN DO THE HITLER SALUTE,
THOUGH.
1290
00:47:22,550 --> 00:47:25,084
HE CAN DO THE HITLER SALUTE,
THOUGH.
>> LAST WEEK, DATA SHOWED MORE
1291
00:47:25,086 --> 00:47:26,185
THOUGH.
>> LAST WEEK, DATA SHOWED MORE
AMERICANS ARE RETURNING TO THE
1292
00:47:26,187 --> 00:47:27,486
>> LAST WEEK, DATA SHOWED MORE
AMERICANS ARE RETURNING TO THE
OFFICE IN PERSON.
1293
00:47:27,488 --> 00:47:32,992
AMERICANS ARE RETURNING TO THE
OFFICE IN PERSON.
HERE TO COMMENT IS YOUR COWORKER
1294
00:47:32,994 --> 00:47:34,093
OFFICE IN PERSON.
HERE TO COMMENT IS YOUR COWORKER
SEEMINGLY BUSY DOING NOTHING.
1295
00:47:34,095 --> 00:47:35,527
HERE TO COMMENT IS YOUR COWORKER
SEEMINGLY BUSY DOING NOTHING.
>> WE GOT TO MAKE THIS QUICK
1296
00:47:35,529 --> 00:47:36,795
SEEMINGLY BUSY DOING NOTHING.
>> WE GOT TO MAKE THIS QUICK
BECAUSE I REALLY GOT TO GET
1297
00:47:36,797 --> 00:47:37,196
>> WE GOT TO MAKE THIS QUICK
BECAUSE I REALLY GOT TO GET
BACK.
1298
00:47:37,198 --> 00:47:38,063
BECAUSE I REALLY GOT TO GET
BACK.
I GOT TO GET BACK.
1299
00:47:38,065 --> 00:47:39,298
BACK.
I GOT TO GET BACK.
>> OH, OKAY.
1300
00:47:39,300 --> 00:47:40,933
I GOT TO GET BACK.
>> OH, OKAY.
WELL, YOU JUST GOT HERE,
1301
00:47:40,935 --> 00:47:41,266
>> OH, OKAY.
WELL, YOU JUST GOT HERE,
CRYSTAL.
1302
00:47:41,268 --> 00:47:42,267
WELL, YOU JUST GOT HERE,
CRYSTAL.
AND THANK YOU FOR BEING HERE.
1303
00:47:42,269 --> 00:47:44,670
CRYSTAL.
AND THANK YOU FOR BEING HERE.
>> ICE BREAKER, ICE BREAKER.
1304
00:47:44,672 --> 00:47:45,738
AND THANK YOU FOR BEING HERE.
>> ICE BREAKER, ICE BREAKER.
COLIN, HOW ARE YOU?
1305
00:47:45,740 --> 00:47:47,272
>> ICE BREAKER, ICE BREAKER.
COLIN, HOW ARE YOU?
DON'T ANSWER THAT.
1306
00:47:47,274 --> 00:47:48,374
COLIN, HOW ARE YOU?
DON'T ANSWER THAT.
LITERALLY DON'T HAVE TIME TO
1307
00:47:48,376 --> 00:47:49,241
DON'T ANSWER THAT.
LITERALLY DON'T HAVE TIME TO
HEAR YOUR ANSWER.
1308
00:47:49,243 --> 00:47:51,677
LITERALLY DON'T HAVE TIME TO
HEAR YOUR ANSWER.
I AM SO SLAMMED.
1309
00:47:51,679 --> 00:47:52,778
HEAR YOUR ANSWER.
I AM SO SLAMMED.
>> SO WHAT DO YOU DO FOR WORK.
1310
00:47:52,780 --> 00:47:55,748
I AM SO SLAMMED.
>> SO WHAT DO YOU DO FOR WORK.
>> UM, THIS.
1311
00:47:55,750 --> 00:47:56,982
>> SO WHAT DO YOU DO FOR WORK.
>> UM, THIS.
>> WOW.
1312
00:47:56,984 --> 00:47:57,282
>> UM, THIS.
>> WOW.
OKAY.
1313
00:47:57,284 --> 00:47:58,784
>> WOW.
OKAY.
WELL, I GUESS I WOULD LOVE TO
1314
00:47:58,786 --> 00:48:01,253
OKAY.
WELL, I GUESS I WOULD LOVE TO
GET A SENSE OF WHAT YOU DO IN A
1315
00:48:01,255 --> 00:48:01,553
WELL, I GUESS I WOULD LOVE TO
GET A SENSE OF WHAT YOU DO IN A
DAY.
1316
00:48:01,555 --> 00:48:02,454
GET A SENSE OF WHAT YOU DO IN A
DAY.
>> UM, YEAH.
1317
00:48:02,456 --> 00:48:03,856
DAY.
>> UM, YEAH.
WHAT DON'T I DO?
1318
00:48:03,858 --> 00:48:04,156
>> UM, YEAH.
WHAT DON'T I DO?
OKAY.
1319
00:48:04,158 --> 00:48:05,457
WHAT DON'T I DO?
OKAY.
ASK MY TEAM.
1320
00:48:05,459 --> 00:48:06,525
OKAY.
ASK MY TEAM.
WHERE ARE THEY?
1321
00:48:06,527 --> 00:48:08,894
ASK MY TEAM.
WHERE ARE THEY?
ON MY BACK.
1322
00:48:08,896 --> 00:48:10,963
WHERE ARE THEY?
ON MY BACK.
AND MY PHONE'S BLOWING UP.
1323
00:48:10,965 --> 00:48:11,397
ON MY BACK.
AND MY PHONE'S BLOWING UP.
I'M IN HELL.
1324
00:48:11,399 --> 00:48:13,832
AND MY PHONE'S BLOWING UP.
I'M IN HELL.
>> I'M SORRY YOU'RE SO SLAMMED,
1325
00:48:13,834 --> 00:48:14,199
I'M IN HELL.
>> I'M SORRY YOU'RE SO SLAMMED,
CRYSTAL.
1326
00:48:14,201 --> 00:48:15,668
>> I'M SORRY YOU'RE SO SLAMMED,
CRYSTAL.
>> I NEED A VACATION, BUT
1327
00:48:15,670 --> 00:48:17,536
CRYSTAL.
>> I NEED A VACATION, BUT
KNOWING ME, I WOULD BRING MY
1328
00:48:17,538 --> 00:48:21,707
>> I NEED A VACATION, BUT
KNOWING ME, I WOULD BRING MY
WORK PHONE, AKA, MY HUSBAND.
1329
00:48:21,709 --> 00:48:23,242
KNOWING ME, I WOULD BRING MY
WORK PHONE, AKA, MY HUSBAND.
>> OKAY.
1330
00:48:23,244 --> 00:48:24,410
WORK PHONE, AKA, MY HUSBAND.
>> OKAY.
WELL, I DON'T LOVE THAT YOU
1331
00:48:24,412 --> 00:48:25,310
>> OKAY.
WELL, I DON'T LOVE THAT YOU
KISSED YOUR PHONE.
1332
00:48:25,312 --> 00:48:26,679
WELL, I DON'T LOVE THAT YOU
KISSED YOUR PHONE.
I'M SO CURIOUS ABOUT WHAT YOUR
1333
00:48:26,681 --> 00:48:27,312
KISSED YOUR PHONE.
I'M SO CURIOUS ABOUT WHAT YOUR
JOB IS.
1334
00:48:27,314 --> 00:48:30,449
I'M SO CURIOUS ABOUT WHAT YOUR
JOB IS.
>> COLIN, TO EXPLAIN IT, THE
1335
00:48:30,451 --> 00:48:32,384
JOB IS.
>> COLIN, TO EXPLAIN IT, THE
LEVEL I WOULD HAVE TO START OUT,
1336
00:48:32,386 --> 00:48:34,920
>> COLIN, TO EXPLAIN IT, THE
LEVEL I WOULD HAVE TO START OUT,
I LITERALLY DON'T HAVE THE BAND
1337
00:48:34,922 --> 00:48:38,757
LEVEL I WOULD HAVE TO START OUT,
I LITERALLY DON'T HAVE THE BAND
WIDTH -- OH, MY -- OH, MY -- OH,
1338
00:48:38,759 --> 00:48:39,658
I LITERALLY DON'T HAVE THE BAND
WIDTH -- OH, MY -- OH, MY -- OH,
MY GOD.
1339
00:48:39,660 --> 00:48:42,494
WIDTH -- OH, MY -- OH, MY -- OH,
MY GOD.
OH, MY GOD, OKAY.
1340
00:48:42,496 --> 00:48:42,928
MY GOD.
OH, MY GOD, OKAY.
OH, MY GOD.
1341
00:48:42,930 --> 00:48:43,696
OH, MY GOD, OKAY.
OH, MY GOD.
>> ALL RIGHT.
1342
00:48:43,698 --> 00:48:44,430
OH, MY GOD.
>> ALL RIGHT.
>> LOOK.
1343
00:48:44,432 --> 00:48:45,130
>> ALL RIGHT.
>> LOOK.
>> YEAH.
1344
00:48:45,132 --> 00:48:46,899
>> LOOK.
>> YEAH.
THIS IS A SIGNUP SHEET FOR
1345
00:48:46,901 --> 00:48:47,700
>> YEAH.
THIS IS A SIGNUP SHEET FOR
BIRTHDAY CAKE.
1346
00:48:47,702 --> 00:48:48,767
THIS IS A SIGNUP SHEET FOR
BIRTHDAY CAKE.
>> YEAH.
1347
00:48:48,769 --> 00:48:49,034
BIRTHDAY CAKE.
>> YEAH.
YEP.
1348
00:48:49,036 --> 00:48:51,870
>> YEAH.
YEP.
AND THEN BRINGING OREO
1349
00:48:51,872 --> 00:48:52,271
YEP.
AND THEN BRINGING OREO
CHEESECAKE.
1350
00:48:52,273 --> 00:48:53,772
AND THEN BRINGING OREO
CHEESECAKE.
THAT AIN'T GONNA WORK.
1351
00:48:53,774 --> 00:48:55,307
CHEESECAKE.
THAT AIN'T GONNA WORK.
THERE GOES MY EASTER SUNDAY.
1352
00:48:55,309 --> 00:48:58,644
THAT AIN'T GONNA WORK.
THERE GOES MY EASTER SUNDAY.
>> WHY WOULD THERE GO YOUR
1353
00:48:58,646 --> 00:48:59,078
THERE GOES MY EASTER SUNDAY.
>> WHY WOULD THERE GO YOUR
EASTER SUNDAY?
1354
00:48:59,080 --> 00:49:02,715
>> WHY WOULD THERE GO YOUR
EASTER SUNDAY?
>> AND DOO, DOO, DOO, DOO, I'M
1355
00:49:02,717 --> 00:49:03,082
EASTER SUNDAY?
>> AND DOO, DOO, DOO, DOO, I'M
SCREWED.
1356
00:49:03,084 --> 00:49:04,650
>> AND DOO, DOO, DOO, DOO, I'M
SCREWED.
>> CRYSTAL, CAN YOU JUST TELL ME
1357
00:49:04,652 --> 00:49:05,150
SCREWED.
>> CRYSTAL, CAN YOU JUST TELL ME
ONE THING YOU DO?
1358
00:49:05,152 --> 00:49:05,484
>> CRYSTAL, CAN YOU JUST TELL ME
ONE THING YOU DO?
>> YEAH.
1359
00:49:05,486 --> 00:49:05,784
ONE THING YOU DO?
>> YEAH.
OKAY.
1360
00:49:05,786 --> 00:49:11,156
>> YEAH.
OKAY.
LOOK
1361
00:49:11,158 --> 00:49:11,657
OKAY.
LOOK
ALL RIGHT.
1362
00:49:11,659 --> 00:49:14,126
LOOK
ALL RIGHT.
SO LOOK AT MY SPREAD SHEET,
1363
00:49:14,128 --> 00:49:14,460
ALL RIGHT.
SO LOOK AT MY SPREAD SHEET,
OKAY?
1364
00:49:14,462 --> 00:49:18,931
SO LOOK AT MY SPREAD SHEET,
OKAY?
THESE ARE ALL EMAILS I RECEIVED.
1365
00:49:18,933 --> 00:49:20,399
OKAY?
THESE ARE ALL EMAILS I RECEIVED.
NOW YOU UNDERSTAND?
1366
00:49:20,401 --> 00:49:21,867
THESE ARE ALL EMAILS I RECEIVED.
NOW YOU UNDERSTAND?
>> NO, I DON'T.
1367
00:49:21,869 --> 00:49:22,835
NOW YOU UNDERSTAND?
>> NO, I DON'T.
NO, I DON'T UNDERSTAND.
1368
00:49:22,837 --> 00:49:23,402
>> NO, I DON'T.
NO, I DON'T UNDERSTAND.
WHERE DO YOU WORK?
1369
00:49:23,404 --> 00:49:25,704
NO, I DON'T UNDERSTAND.
WHERE DO YOU WORK?
>> IN THE WEEDS.
1370
00:49:25,706 --> 00:49:27,139
WHERE DO YOU WORK?
>> IN THE WEEDS.
>> OKAY.
1371
00:49:27,141 --> 00:49:28,173
>> IN THE WEEDS.
>> OKAY.
ALL RIGHT.
1372
00:49:28,175 --> 00:49:31,877
>> OKAY.
ALL RIGHT.
I MEAN SPECIFICALLY.
1373
00:49:31,879 --> 00:49:32,311
ALL RIGHT.
I MEAN SPECIFICALLY.
SPECIFICALLY.
1374
00:49:32,313 --> 00:49:35,114
I MEAN SPECIFICALLY.
SPECIFICALLY.
SPECIFICALLY, WHERE?
1375
00:49:35,116 --> 00:49:35,614
SPECIFICALLY.
SPECIFICALLY, WHERE?
>> NECK DEEP.
1376
00:49:35,616 --> 00:49:36,982
SPECIFICALLY, WHERE?
>> NECK DEEP.
>> THAT'S NOT AN ANSWER.
1377
00:49:36,984 --> 00:49:37,850
>> NECK DEEP.
>> THAT'S NOT AN ANSWER.
WHAT DO YOU DO?
1378
00:49:37,852 --> 00:49:39,518
>> THAT'S NOT AN ANSWER.
WHAT DO YOU DO?
>> WELL, I'LL TELL YOU WHAT I
1379
00:49:39,520 --> 00:49:41,353
WHAT DO YOU DO?
>> WELL, I'LL TELL YOU WHAT I
DON'T DO, EAT.
1380
00:49:41,355 --> 00:49:42,688
>> WELL, I'LL TELL YOU WHAT I
DON'T DO, EAT.
HAVEN'T EATEN IN A MONTH.
1381
00:49:42,690 --> 00:49:44,490
DON'T DO, EAT.
HAVEN'T EATEN IN A MONTH.
>> OH, MY GOD.
1382
00:49:44,492 --> 00:49:45,224
HAVEN'T EATEN IN A MONTH.
>> OH, MY GOD.
CRYSTAL, YOU NEED TO TAKE CARE
1383
00:49:45,226 --> 00:49:50,262
>> OH, MY GOD.
CRYSTAL, YOU NEED TO TAKE CARE
OF YOURSELF.
1384
00:49:50,264 --> 00:49:52,331
CRYSTAL, YOU NEED TO TAKE CARE
OF YOURSELF.
>> MM, KALE SEE CZAR.
1385
00:49:52,333 --> 00:49:53,165
OF YOURSELF.
>> MM, KALE SEE CZAR.
MY FAVORITE.
1386
00:49:53,167 --> 00:49:55,033
>> MM, KALE SEE CZAR.
MY FAVORITE.
YOU KNOW WHAT, IT'S KIND OF NICE
1387
00:49:55,035 --> 00:49:57,169
MY FAVORITE.
YOU KNOW WHAT, IT'S KIND OF NICE
EATING AT THE TABLE AND NOT ON A
1388
00:49:57,171 --> 00:49:57,503
YOU KNOW WHAT, IT'S KIND OF NICE
EATING AT THE TABLE AND NOT ON A
TOILET.
1389
00:49:57,505 --> 00:49:59,238
EATING AT THE TABLE AND NOT ON A
TOILET.
>> YOU EAT ON THE TOILET?
1390
00:49:59,240 --> 00:50:05,177
TOILET.
>> YOU EAT ON THE TOILET?
>> AND I SHOT GOT A CALL ON MY
1391
00:50:05,179 --> 00:50:05,611
>> YOU EAT ON THE TOILET?
>> AND I SHOT GOT A CALL ON MY
SALAD PHONE.
1392
00:50:05,613 --> 00:50:07,713
>> AND I SHOT GOT A CALL ON MY
SALAD PHONE.
>> WHAT DOES IT SAY?
1393
00:50:07,715 --> 00:50:11,583
SALAD PHONE.
>> WHAT DOES IT SAY?
>> I'M SCREWED.
1394
00:50:11,585 --> 00:50:15,521
>> WHAT DOES IT SAY?
>> I'M SCREWED.
>> STOP THROWING THINGS!
1395
00:50:15,523 --> 00:50:16,221
>> I'M SCREWED.
>> STOP THROWING THINGS!
>> KEEP TALKING BECAUSE I AM
1396
00:50:16,223 --> 00:50:19,391
>> STOP THROWING THINGS!
>> KEEP TALKING BECAUSE I AM
LISTENING.
1397
00:50:19,393 --> 00:50:20,959
>> KEEP TALKING BECAUSE I AM
LISTENING.
AND I -- OH, MY GOD.
1398
00:50:20,961 --> 00:50:23,595
LISTENING.
AND I -- OH, MY GOD.
I JUST PULLED MY PINKY.
1399
00:50:23,597 --> 00:50:27,299
AND I -- OH, MY GOD.
I JUST PULLED MY PINKY.
>> CRYSTAL, JUST STOP.
1400
00:50:27,301 --> 00:50:29,501
I JUST PULLED MY PINKY.
>> CRYSTAL, JUST STOP.
I JUST SAW ON YOUR COMPUTER THAT
1401
00:50:29,503 --> 00:50:31,804
>> CRYSTAL, JUST STOP.
I JUST SAW ON YOUR COMPUTER THAT
ALL YOU HAVE OPEN IS A BUNCH OF
1402
00:50:31,806 --> 00:50:35,307
I JUST SAW ON YOUR COMPUTER THAT
ALL YOU HAVE OPEN IS A BUNCH OF
TABS FOR ANN TAYLOR LOFT.
1403
00:50:35,309 --> 00:50:36,708
ALL YOU HAVE OPEN IS A BUNCH OF
TABS FOR ANN TAYLOR LOFT.
>> FOR WORK CLOTHES BECAUSE I AM
1404
00:50:36,710 --> 00:50:38,744
TABS FOR ANN TAYLOR LOFT.
>> FOR WORK CLOTHES BECAUSE I AM
ALWAYS HERE.
1405
00:50:38,746 --> 00:50:40,312
>> FOR WORK CLOTHES BECAUSE I AM
ALWAYS HERE.
>> RIGHT.
1406
00:50:40,314 --> 00:50:41,547
ALWAYS HERE.
>> RIGHT.
AND WHERE?
1407
00:50:41,549 --> 00:50:46,351
>> RIGHT.
AND WHERE?
LIKE HONESTLY, WHAT DO YOU DO?
1408
00:50:46,353 --> 00:50:46,952
AND WHERE?
LIKE HONESTLY, WHAT DO YOU DO?
>> I'M CHE'S ASSISTANT.
1409
00:50:46,954 --> 00:50:51,290
LIKE HONESTLY, WHAT DO YOU DO?
>> I'M CHE'S ASSISTANT.
>> OKAY.
1410
00:50:51,292 --> 00:50:53,625
>> I'M CHE'S ASSISTANT.
>> OKAY.
>> HEY, MAN, CRYSTAL'S THE BEST.
1411
00:50:53,627 --> 00:51:20,485
>> OKAY.
>> HEY, MAN, CRYSTAL'S THE BEST.
>> YOUR VERY BUSY COWORKER,
1412
00:51:20,487 --> 00:51:21,353
>> HEY, MAN, CRYSTAL'S THE BEST.
>> YOUR VERY BUSY COWORKER,
>>> OKAY.
1413
00:51:21,355 --> 00:51:23,021
>> YOUR VERY BUSY COWORKER,
>>> OKAY.
LOOKS LIKE OUR AORS HAVE
1414
00:51:23,023 --> 00:51:23,889
>>> OKAY.
LOOKS LIKE OUR AORS HAVE
ARRIVED ON SET.
1415
00:51:23,891 --> 00:51:25,891
LOOKS LIKE OUR AORS HAVE
ARRIVED ON SET.
WHAT DO YOWE DO THIS
1416
00:51:25,893 --> 00:51:26,191
ARRIVED ON SET.
WHAT DO YOWE DO THIS
THING?
1417
00:51:26,193 --> 00:51:28,627
WHAT DO YOWE DO THIS
THING?
>>NOW I'M READY.
1418
00:51:28,629 --> 00:51:28,961
THING?
>>NOW I'M READY.
>> YES.
1419
00:51:28,963 --> 00:51:29,328
>>NOW I'M READY.
>> YES.
>> YES.
1420
00:51:29,330 --> 00:51:31,296
>> YES.
>> YES.
>> KEITH, I JUST WANTED TO SAY
1421
00:51:31,298 --> 00:51:32,731
>> YES.
>> KEITH, I JUST WANTED TO SAY
THANK YOU SO MUCH FOR LETTING ME
1422
00:51:32,733 --> 00:51:33,966
>> KEITH, I JUST WANTED TO SAY
THANK YOU SO MUCH FOR LETTING ME
DO THIS DRUG COMMERCIAL.
1423
00:51:33,968 --> 00:51:35,267
THANK YOU SO MUCH FOR LETTING ME
DO THIS DRUG COMMERCIAL.
I'M SOMEONE WHO NEVER THOUGHT
1424
00:51:35,269 --> 00:51:36,902
DO THIS DRUG COMMERCIAL.
I'M SOMEONE WHO NEVER THOUGHT
MUCH ABOUT MEDICATIONS UNTIL I
1425
00:51:36,904 --> 00:51:40,505
I'M SOMEONE WHO NEVER THOUGHT
MUCH ABOUT MEDICATIONS UNTIL I
RELY SEN TO WOMEN'S I
1426
00:51:40,507 --> 00:51:43,375
MUCH ABOUT MEDICATIONS UNTIL I
RELY SEN TO WOMEN'S I
ISSUES AND HONESTLY I THINK WILL
1427
00:51:43,377 --> 00:51:43,809
RELY SEN TO WOMEN'S I
ISSUES AND HONESTLY I THINK WILL
HELP PEOPLE.
1428
00:51:43,811 --> 00:51:45,911
ISSUES AND HONESTLY I THINK WILL
HELP PEOPLE.
>> WELL, THANK YOU.
1429
00:51:45,913 --> 00:51:46,912
HELP PEOPLE.
>> WELL, THANK YOU.
I HOPE SO TOO.
1430
00:51:46,914 --> 00:51:50,148
>> WELL, THANK YOU.
I HOPE SO TOO.
WHAT DO YOU SAY WE GIVE IT A
1431
00:51:50,150 --> 00:51:50,515
I HOPE SO TOO.
WHAT DO YOU SAY WE GIVE IT A
TRY, HUH?
1432
00:51:50,517 --> 00:51:52,451
WHAT DO YOU SAY WE GIVE IT A
TRY, HUH?
>> I THINK THAT SOUNDS TERRIFIC.
1433
00:51:52,453 --> 00:51:53,218
TRY, HUH?
>> I THINK THAT SOUNDS TERRIFIC.
>> ALL RIGHT.
1434
00:51:53,220 --> 00:51:54,386
>> I THINK THAT SOUNDS TERRIFIC.
>> ALL RIGHT.
PLACES, EVERYBODY
1435
00:51:54,388 --> 00:51:55,354
>> ALL RIGHT.
PLACES, EVERYBODY
AND ACTION
1436
00:51:55,356 --> 00:51:56,855
PLACES, EVERYBODY
AND ACTION
♪ THERE'S A NEW DRUG FOR GALS
1437
00:51:56,857 --> 00:52:01,193
AND ACTION
♪ THERE'S A NEW DRUG FOR GALS
OVER 40, IT'S HORMONE-FREE AND
1438
00:52:01,195 --> 00:52:02,127
♪ THERE'S A NEW DRUG FOR GALS
OVER 40, IT'S HORMONE-FREE AND
MADE JUST FOR ME ♪
1439
00:52:02,129 --> 00:52:04,997
OVER 40, IT'S HORMONE-FREE AND
MADE JUST FOR ME ♪
♪ EASY TO USE AND IT'S SUPER
1440
00:52:04,999 --> 00:52:05,697
MADE JUST FOR ME ♪
♪ EASY TO USE AND IT'S SUPER
EFFECTIVE ♪
1441
00:52:05,699 --> 00:52:08,000
♪ EASY TO USE AND IT'S SUPER
EFFECTIVE ♪
♪ THAT'S UNEXPECTED, SO WHAT IS
1442
00:52:08,002 --> 00:52:09,401
EFFECTIVE ♪
♪ THAT'S UNEXPECTED, SO WHAT IS
IT CALLED ♪
1443
00:52:09,403 --> 00:52:12,004
♪ THAT'S UNEXPECTED, SO WHAT IS
IT CALLED ♪
♪ IT'S CALLED VA JERTED, HOW
1444
00:52:12,006 --> 00:52:16,909
IT CALLED ♪
♪ IT'S CALLED VA JERTED, HOW
GREAT A NAME IS THAT, IT'S
1445
00:52:16,911 --> 00:52:18,143
♪ IT'S CALLED VA JERTED, HOW
GREAT A NAME IS THAT, IT'S
1446
00:52:18,145 --> 00:52:18,911
GREAT A NAME IS THAT, IT'S
1447
00:52:18,913 --> 00:52:23,081
CALLED VAGERTED ♪
1448
00:52:23,083 --> 00:52:25,050
CALLED VAGERTED ♪
♪ AND WHERE IS IT INSERTED ♪
1449
00:52:25,052 --> 00:52:27,219
CALLED VAGERTED ♪
♪ AND WHERE IS IT INSERTED ♪
♪ YOU ALREADY KNOW ♪
1450
00:52:27,221 --> 00:52:29,488
♪ AND WHERE IS IT INSERTED ♪
♪ YOU ALREADY KNOW ♪
>> NOT BAD FOR A FIRST TAKE,
1451
00:52:29,490 --> 00:52:29,821
♪ YOU ALREADY KNOW ♪
>> NOT BAD FOR A FIRST TAKE,
Y'ALL.
1452
00:52:29,823 --> 00:52:31,623
>> NOT BAD FOR A FIRST TAKE,
Y'ALL.
>> I ACTUALLY HAVE A QUESTION.
1453
00:52:31,625 --> 00:52:33,992
Y'ALL.
>> I ACTUALLY HAVE A QUESTION.
>> YOU DON'T THINK IT'S
1454
00:52:33,994 --> 00:52:34,493
>> I ACTUALLY HAVE A QUESTION.
>> YOU DON'T THINK IT'S
DIGNIFIED ENOUGH.
1455
00:52:34,495 --> 00:52:35,060
>> YOU DON'T THINK IT'S
DIGNIFIED ENOUGH.
>> NO.
1456
00:52:35,062 --> 00:52:36,795
DIGNIFIED ENOUGH.
>> NO.
I ACTUALLY LOVE WHAT YOU'RE
1457
00:52:36,797 --> 00:52:38,263
>> NO.
I ACTUALLY LOVE WHAT YOU'RE
DOING WITH VAGERTED.
1458
00:52:38,265 --> 00:52:40,332
I ACTUALLY LOVE WHAT YOU'RE
DOING WITH VAGERTED.
I WAS JUST WONDERING IF WE'RE
1459
00:52:40,334 --> 00:52:41,900
DOING WITH VAGERTED.
I WAS JUST WONDERING IF WE'RE
ALL DOING IT JUSTICE.
1460
00:52:41,902 --> 00:52:44,469
I WAS JUST WONDERING IF WE'RE
ALL DOING IT JUSTICE.
SOME OF US ARE UP HERE REALLY
1461
00:52:44,471 --> 00:52:46,004
ALL DOING IT JUSTICE.
SOME OF US ARE UP HERE REALLY
SELLING IT AND SOME OF US, OR
1462
00:52:46,006 --> 00:52:48,507
SOME OF US ARE UP HERE REALLY
SELLING IT AND SOME OF US, OR
MAYBE ONE OR TWO OF US ARE NOT
1463
00:52:48,509 --> 00:52:50,609
SELLING IT AND SOME OF US, OR
MAYBE ONE OR TWO OF US ARE NOT
GIVING IT THE SAME ENERGY.
1464
00:52:50,611 --> 00:52:52,477
MAYBE ONE OR TWO OF US ARE NOT
GIVING IT THE SAME ENERGY.
I DON'T WANT TO POINT FINGER.
1465
00:52:52,479 --> 00:52:54,980
GIVING IT THE SAME ENERGY.
I DON'T WANT TO POINT FINGER.
IT WOULD BE SO SAD IF PEOPLE
1466
00:52:54,982 --> 00:52:57,082
I DON'T WANT TO POINT FINGER.
IT WOULD BE SO SAD IF PEOPLE
DIDN'T BUY VAGERTED BECAUSE THE
1467
00:52:57,084 --> 00:52:57,582
IT WOULD BE SO SAD IF PEOPLE
DIDN'T BUY VAGERTED BECAUSE THE
DANCING WAS MID.
1468
00:52:57,584 --> 00:52:58,350
DIDN'T BUY VAGERTED BECAUSE THE
DANCING WAS MID.
>> I DON'T KNOW WHAT THAT WAS.
1469
00:52:58,352 --> 00:53:00,152
DANCING WAS MID.
>> I DON'T KNOW WHAT THAT WAS.
BUT I ALSO HAVE A QUESTION.
1470
00:53:00,154 --> 00:53:02,621
>> I DON'T KNOW WHAT THAT WAS.
BUT I ALSO HAVE A QUESTION.
THIS DRUG IS FOR MEN PAUSE,
1471
00:53:02,623 --> 00:53:04,890
BUT I ALSO HAVE A QUESTION.
THIS DRUG IS FOR MEN PAUSE,
RIGHT, SO WHY DOESN'T THE SONG
1472
00:53:04,892 --> 00:53:06,091
THIS DRUG IS FOR MEN PAUSE,
RIGHT, SO WHY DOESN'T THE SONG
COME OUT AND SAY THAT?
1473
00:53:06,093 --> 00:53:08,660
RIGHT, SO WHY DOESN'T THE SONG
COME OUT AND SAY THAT?
>> WELL, WE DON'T WANT PEOPLE TO
1474
00:53:08,662 --> 00:53:09,928
COME OUT AND SAY THAT?
>> WELL, WE DON'T WANT PEOPLE TO
CHANGE THE CHANNEL.
1475
00:53:09,930 --> 00:53:11,430
>> WELL, WE DON'T WANT PEOPLE TO
CHANGE THE CHANNEL.
LET'S TRY THIS NEXT VERSE AND
1476
00:53:11,432 --> 00:53:12,664
CHANGE THE CHANNEL.
LET'S TRY THIS NEXT VERSE AND
GIVE IT MORE ENERGY THIS TIME.
1477
00:53:12,666 --> 00:53:13,899
LET'S TRY THIS NEXT VERSE AND
GIVE IT MORE ENERGY THIS TIME.
>> THAT'S A GREAT NOTE.
1478
00:53:13,901 --> 00:53:15,500
GIVE IT MORE ENERGY THIS TIME.
>> THAT'S A GREAT NOTE.
IT'S A GREAT NOTE FOR EVERYONE.
1479
00:53:15,502 --> 00:53:19,938
>> THAT'S A GREAT NOTE.
IT'S A GREAT NOTE FOR EVERYONE.
>> AND ACTION!
1480
00:53:19,940 --> 00:53:21,940
IT'S A GREAT NOTE FOR EVERYONE.
>> AND ACTION!
♪ IN JUST ONE WEEK, YOU'LL
1481
00:53:21,942 --> 00:53:23,842
>> AND ACTION!
♪ IN JUST ONE WEEK, YOU'LL
NOTICE A DIFFERENCE, INSERT IT
1482
00:53:23,844 --> 00:53:26,578
♪ IN JUST ONE WEEK, YOU'LL
NOTICE A DIFFERENCE, INSERT IT
DOWN THERE JUST AS DEEP AS YOU
1483
00:53:26,580 --> 00:53:29,081
NOTICE A DIFFERENCE, INSERT IT
DOWN THERE JUST AS DEEP AS YOU
CAN ♪
1484
00:53:29,083 --> 00:53:35,053
DOWN THERE JUST AS DEEP AS YOU
CAN ♪
♪ GOOD-BYE LABIDO, VAGERTED,
1485
00:53:35,055 --> 00:53:37,489
CAN ♪
♪ GOOD-BYE LABIDO, VAGERTED,
THAT'S THE NAME THEY CLOSE, THEY
1486
00:53:37,491 --> 00:53:39,558
♪ GOOD-BYE LABIDO, VAGERTED,
THAT'S THE NAME THEY CLOSE, THEY
CLOSE VAGERTED ♪
1487
00:53:39,560 --> 00:53:42,594
THAT'S THE NAME THEY CLOSE, THEY
CLOSE VAGERTED ♪
COME ON, GIRLS, LET'S DANCE.
1488
00:53:42,596 --> 00:53:44,963
CLOSE VAGERTED ♪
COME ON, GIRLS, LET'S DANCE.
>> VAGITA IS NOT FOR EVERYBODY,
1489
00:53:44,965 --> 00:53:46,365
COME ON, GIRLS, LET'S DANCE.
>> VAGITA IS NOT FOR EVERYBODY,
SO ASK YOUR DOCTOR IF IT'S RIGHT
1490
00:53:46,367 --> 00:53:46,898
>> VAGITA IS NOT FOR EVERYBODY,
SO ASK YOUR DOCTOR IF IT'S RIGHT
FOR YOU.
1491
00:53:46,900 --> 00:53:49,434
SO ASK YOUR DOCTOR IF IT'S RIGHT
FOR YOU.
IF HE SAYS NO, FIND ANOTHER
1492
00:53:49,436 --> 00:53:49,768
FOR YOU.
IF HE SAYS NO, FIND ANOTHER
DOCTOR.
1493
00:53:49,770 --> 00:53:51,403
IF HE SAYS NO, FIND ANOTHER
DOCTOR.
JUST KEEP GOING TO DIFFERENT
1494
00:53:51,405 --> 00:53:53,672
DOCTOR.
JUST KEEP GOING TO DIFFERENT
DOCTORS UNTIL ONE OF THEM SAYS
1495
00:53:53,674 --> 00:53:55,040
JUST KEEP GOING TO DIFFERENT
DOCTORS UNTIL ONE OF THEM SAYS
YOU CAN TAKE VAGITA.
1496
00:53:55,042 --> 00:53:57,843
DOCTORS UNTIL ONE OF THEM SAYS
YOU CAN TAKE VAGITA.
>> WHAT DID HE CALL IT?
1497
00:53:57,845 --> 00:54:03,715
YOU CAN TAKE VAGITA.
>> WHAT DID HE CALL IT?
>> DO NOT USE VAGITA IF YOU ARE
1498
00:54:03,717 --> 00:54:05,784
>> WHAT DID HE CALL IT?
>> DO NOT USE VAGITA IF YOU ARE
ALLERGIC TO VAGITA.
1499
00:54:05,786 --> 00:54:08,787
>> DO NOT USE VAGITA IF YOU ARE
ALLERGIC TO VAGITA.
IF YOU ARE ALERNL IT TO PEANUTS,
1500
00:54:08,789 --> 00:54:11,723
ALLERGIC TO VAGITA.
IF YOU ARE ALERNL IT TO PEANUTS,
DON'T PUT IT IN YOUR VA JURY TA.
1501
00:54:11,725 --> 00:54:14,860
IF YOU ARE ALERNL IT TO PEANUTS,
DON'T PUT IT IN YOUR VA JURY TA.
SOME PEOPLE LIKE VAGITA, SOME
1502
00:54:14,862 --> 00:54:16,094
DON'T PUT IT IN YOUR VA JURY TA.
SOME PEOPLE LIKE VAGITA, SOME
PEOPLE DO NOT.
1503
00:54:16,096 --> 00:54:18,296
SOME PEOPLE LIKE VAGITA, SOME
PEOPLE DO NOT.
I THINK IT'S VERY NICE.
1504
00:54:18,298 --> 00:54:20,032
PEOPLE DO NOT.
I THINK IT'S VERY NICE.
CLINICAL TRIALS HAVE NOT BEEN
1505
00:54:20,034 --> 00:54:21,099
I THINK IT'S VERY NICE.
CLINICAL TRIALS HAVE NOT BEEN
COMPLETES IN THE SENSE THAT THEY
1506
00:54:21,101 --> 00:54:22,100
CLINICAL TRIALS HAVE NOT BEEN
COMPLETES IN THE SENSE THAT THEY
HAVE NOT STARTED.
1507
00:54:22,102 --> 00:54:23,368
COMPLETES IN THE SENSE THAT THEY
HAVE NOT STARTED.
>> THAT'S NOT GOOD.
1508
00:54:23,370 --> 00:54:28,173
HAVE NOT STARTED.
>> THAT'S NOT GOOD.
>> VAGITA SHOULD NOT BE TAKEN
1509
00:54:28,175 --> 00:54:30,175
>> THAT'S NOT GOOD.
>> VAGITA SHOULD NOT BE TAKEN
ORALLY, EVEN THOUGH IT TASTES
1510
00:54:30,177 --> 00:54:32,044
>> VAGITA SHOULD NOT BE TAKEN
ORALLY, EVEN THOUGH IT TASTES
REAL GOOD.
1511
00:54:32,046 --> 00:54:34,012
ORALLY, EVEN THOUGH IT TASTES
REAL GOOD.
VAGITA IS HIGHLY ADDICTIVE.
1512
00:54:34,014 --> 00:54:37,382
REAL GOOD.
VAGITA IS HIGHLY ADDICTIVE.
IT GIVES YOU AN ALCOHOL-LIKE
1513
00:54:37,384 --> 00:54:38,617
VAGITA IS HIGHLY ADDICTIVE.
IT GIVES YOU AN ALCOHOL-LIKE
BUZZ WITHOUT A HANGOVER.
1514
00:54:38,619 --> 00:54:41,520
IT GIVES YOU AN ALCOHOL-LIKE
BUZZ WITHOUT A HANGOVER.
I WISH I HAD VAGITA SO I COULD
1515
00:54:41,522 --> 00:54:42,654
BUZZ WITHOUT A HANGOVER.
I WISH I HAD VAGITA SO I COULD
TAKE IT.
1516
00:54:42,656 --> 00:54:43,688
I WISH I HAD VAGITA SO I COULD
TAKE IT.
TRY VAGINA TODAY.
1517
00:54:43,690 --> 00:54:45,023
TAKE IT.
TRY VAGINA TODAY.
>> OKAY, CAN WE STOP.
1518
00:54:45,025 --> 00:54:46,158
TRY VAGINA TODAY.
>> OKAY, CAN WE STOP.
>> YEAH.
1519
00:54:46,160 --> 00:54:48,660
>> OKAY, CAN WE STOP.
>> YEAH.
HE JUST SAID TRY VAGINA TODAY.
1520
00:54:48,662 --> 00:54:50,228
>> YEAH.
HE JUST SAID TRY VAGINA TODAY.
THIS PRODUCT SOUNDS REALLY
1521
00:54:50,230 --> 00:54:50,562
HE JUST SAID TRY VAGINA TODAY.
THIS PRODUCT SOUNDS REALLY
AWFUL.
1522
00:54:50,564 --> 00:54:51,696
THIS PRODUCT SOUNDS REALLY
AWFUL.
>> I'LL TELL YOU WHAT'S AWFUL.
1523
00:54:51,698 --> 00:54:52,798
AWFUL.
>> I'LL TELL YOU WHAT'S AWFUL.
LOOK AROUND.
1524
00:54:52,800 --> 00:54:54,900
>> I'LL TELL YOU WHAT'S AWFUL.
LOOK AROUND.
IT'S LIKE ONE OF US IS BEYONCE
1525
00:54:54,902 --> 00:54:57,035
LOOK AROUND.
IT'S LIKE ONE OF US IS BEYONCE
AND THE OTHER TWO ARE REALLY BAD
1526
00:54:57,037 --> 00:54:57,602
IT'S LIKE ONE OF US IS BEYONCE
AND THE OTHER TWO ARE REALLY BAD
AT DANCING.
1527
00:54:57,604 --> 00:54:58,870
AND THE OTHER TWO ARE REALLY BAD
AT DANCING.
>> WHAT'S YOUR PROBLEM?
1528
00:54:58,872 --> 00:55:00,472
AT DANCING.
>> WHAT'S YOUR PROBLEM?
YOU WERE SO NICE AT THE
1529
00:55:00,474 --> 00:55:00,839
>> WHAT'S YOUR PROBLEM?
YOU WERE SO NICE AT THE
AUDITION.
1530
00:55:00,841 --> 00:55:01,540
YOU WERE SO NICE AT THE
AUDITION.
>> YEAH.
1531
00:55:01,542 --> 00:55:02,207
AUDITION.
>> YEAH.
THAT'S WHAT I DO.
1532
00:55:02,209 --> 00:55:02,774
>> YEAH.
THAT'S WHAT I DO.
>>KAY.
1533
00:55:02,776 --> 00:55:04,276
THAT'S WHAT I DO.
>>KAY.
WE'RE OUT OF HERE.
1534
00:55:04,278 --> 00:55:05,911
>>KAY.
WE'RE OUT OF HERE.
>> GOOD LUCK, KEITH.
1535
00:55:05,913 --> 00:55:07,145
WE'RE OUT OF HERE.
>> GOOD LUCK, KEITH.
YOU'LL NEVER REPLACE US.
1536
00:55:07,147 --> 00:55:08,847
>> GOOD LUCK, KEITH.
YOU'LL NEVER REPLACE US.
>> WELL, NOW WHAT DO WE DO?
1537
00:55:08,849 --> 00:55:12,751
YOU'LL NEVER REPLACE US.
>> WELL, NOW WHAT DO WE DO?
>> HIT THE MUSIC.
1538
00:55:12,753 --> 00:55:17,489
>> WELL, NOW WHAT DO WE DO?
>> HIT THE MUSIC.
♪ THERE'S A NEW DRUG FOR GALS
1539
00:55:17,491 --> 00:55:19,958
>> HIT THE MUSIC.
♪ THERE'S A NEW DRUG FOR GALS
OVER 40, IT'S CALLED
1540
00:55:19,960 --> 00:55:20,425
♪ THERE'S A NEW DRUG FOR GALS
OVER 40, IT'S CALLED
VA-JAY-JAY ♪
1541
00:55:20,427 --> 00:55:23,595
OVER 40, IT'S CALLED
VA-JAY-JAY ♪
>> I THINK IT'S VAGERTED.
1542
00:55:23,597 --> 00:55:24,029
VA-JAY-JAY ♪
>> I THINK IT'S VAGERTED.
>> WHATEVER.
1543
00:55:24,031 --> 00:55:25,564
>> I THINK IT'S VAGERTED.
>> WHATEVER.
>> ASK YOUR DOCTOR IF VA-JAY-JAY
1544
00:55:25,566 --> 00:55:27,999
>> WHATEVER.
>> ASK YOUR DOCTOR IF VA-JAY-JAY
IS RIGHT FOR YOU.
1545
00:55:51,674 --> 00:56:08,290
>>> ONCE AGAIN, JONAS BROTHERS.
[ CHEERS AND APPLAUSE ]
♪
1546
00:56:08,292 --> 00:56:10,358
[ CHEERS AND APPLAUSE ]
♪
♪ I GET TO SEE
1547
00:56:10,360 --> 00:56:16,231
♪
♪ I GET TO SEE
LIGHTNING IN HER HEART
1548
00:56:16,233 --> 00:56:22,904
♪ I GET TO SEE
LIGHTNING IN HER HEART
NEVER ENDING LIGHT
1549
00:56:22,906 --> 00:56:25,006
LIGHTNING IN HER HEART
NEVER ENDING LIGHT
WHAT A THOUGHT ♪
1550
00:56:25,008 --> 00:56:26,441
NEVER ENDING LIGHT
WHAT A THOUGHT ♪
♪ DARLING YOU'D MAKE
1551
00:56:26,443 --> 00:56:30,111
WHAT A THOUGHT ♪
♪ DARLING YOU'D MAKE
THE WALLS CRY
1552
00:56:30,113 --> 00:56:32,247
♪ DARLING YOU'D MAKE
THE WALLS CRY
DARLING YOU'D MAKE
1553
00:56:32,249 --> 00:56:36,518
THE WALLS CRY
DARLING YOU'D MAKE
THE WALLS CRY ♪
1554
00:56:36,520 --> 00:56:38,620
DARLING YOU'D MAKE
THE WALLS CRY ♪
♪ 'CAUSE TIME IS A DOORFRAME
1555
00:56:38,622 --> 00:56:40,722
THE WALLS CRY ♪
♪ 'CAUSE TIME IS A DOORFRAME
I WANNA GO THROUGH
1556
00:56:40,724 --> 00:56:43,391
♪ 'CAUSE TIME IS A DOORFRAME
I WANNA GO THROUGH
AS LONG AS IT LEADS ME
1557
00:56:43,393 --> 00:56:46,027
I WANNA GO THROUGH
AS LONG AS IT LEADS ME
BACK TO YOU YEAH ♪
1558
00:56:46,029 --> 00:56:48,730
AS LONG AS IT LEADS ME
BACK TO YOU YEAH ♪
♪ IF YOU EVER LEFT ME
1559
00:56:48,732 --> 00:56:49,798
BACK TO YOU YEAH ♪
♪ IF YOU EVER LEFT ME
I WOULD DIE
1560
00:56:49,800 --> 00:56:50,866
♪ IF YOU EVER LEFT ME
I WOULD DIE
AND EVEN THE WALLS
1561
00:56:50,868 --> 00:56:54,569
I WOULD DIE
AND EVEN THE WALLS
WOULD CRY ♪
1562
00:56:54,571 --> 00:56:59,407
AND EVEN THE WALLS
WOULD CRY ♪
♪
1563
00:56:59,409 --> 00:57:08,450
WOULD CRY ♪
♪
♪
1564
00:57:08,452 --> 00:57:13,755
♪
♪
♪ WHENEVER YOUR HEADLIGHTS
1565
00:57:13,757 --> 00:57:15,323
♪
♪ WHENEVER YOUR HEADLIGHTS
DO YOUR HEART
1566
00:57:15,325 --> 00:57:19,561
♪ WHENEVER YOUR HEADLIGHTS
DO YOUR HEART
I LOVE YOU ALL OVER
1567
00:57:19,563 --> 00:57:22,797
DO YOUR HEART
I LOVE YOU ALL OVER
EVERY START OHH ♪
1568
00:57:22,799 --> 00:57:26,001
I LOVE YOU ALL OVER
EVERY START OHH ♪
♪ DARLING YOU'D MAKE
1569
00:57:26,003 --> 00:57:29,204
EVERY START OHH ♪
♪ DARLING YOU'D MAKE
THE WALLS CRY
1570
00:57:29,206 --> 00:57:32,407
♪ DARLING YOU'D MAKE
THE WALLS CRY
DARLING YOU'D MAKE
1571
00:57:32,409 --> 00:57:35,076
THE WALLS CRY
DARLING YOU'D MAKE
THE WALLS CRY ♪
1572
00:57:35,078 --> 00:57:37,212
DARLING YOU'D MAKE
THE WALLS CRY ♪
♪ 'CAUSE TIME IS A DOORFRAME
1573
00:57:37,214 --> 00:57:39,848
THE WALLS CRY ♪
♪ 'CAUSE TIME IS A DOORFRAME
I WANNA GO THROUGH
1574
00:57:39,850 --> 00:57:42,517
♪ 'CAUSE TIME IS A DOORFRAME
I WANNA GO THROUGH
AS LONG AS IT LEADS ME
1575
00:57:42,519 --> 00:57:45,186
I WANNA GO THROUGH
AS LONG AS IT LEADS ME
BACK TO YOU YEAH ♪
1576
00:57:45,188 --> 00:57:47,789
AS LONG AS IT LEADS ME
BACK TO YOU YEAH ♪
♪ IF YOU EVER LEFT ME
1577
00:57:47,791 --> 00:57:49,391
BACK TO YOU YEAH ♪
♪ IF YOU EVER LEFT ME
I WOULD DIE
1578
00:57:49,393 --> 00:57:49,925
♪ IF YOU EVER LEFT ME
I WOULD DIE
AND EVEN THE WALLS
1579
00:57:49,927 --> 00:57:56,831
I WOULD DIE
AND EVEN THE WALLS
WOULD CRY ♪
1580
00:57:56,833 --> 00:58:02,103
AND EVEN THE WALLS
WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
1581
00:58:02,105 --> 00:58:04,272
WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
LEVANTATE EN AMOR
1582
00:58:04,274 --> 00:58:11,746
♪ EVEN THE WALLS WOULD CRY
LEVANTATE EN AMOR
EVEN THE WALLS WOULD CRY
1583
00:58:11,748 --> 00:58:13,915
LEVANTATE EN AMOR
EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
1584
00:58:13,917 --> 00:58:15,483
EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
♪ LEVANTATE
1585
00:58:15,485 --> 00:58:16,551
EVEN THE WALLS WOULD CRY ♪
♪ LEVANTATE
EVEN THE WALLS WOULD CRY
1586
00:58:16,553 --> 00:58:18,720
♪ LEVANTATE
EVEN THE WALLS WOULD CRY
LEVANTATE
1587
00:58:18,722 --> 00:58:26,227
EVEN THE WALLS WOULD CRY
LEVANTATE
EVEN THE WALLS WOULD CRY ♪
1588
00:58:26,229 --> 00:58:32,600
LEVANTATE
EVEN THE WALLS WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
1589
00:58:32,602 --> 00:58:40,542
EVEN THE WALLS WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY
1590
00:58:40,544 --> 00:58:46,381
♪ EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
1591
00:58:46,383 --> 00:58:47,949
EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
♪ AS WE PROCEED
1592
00:58:47,951 --> 00:58:53,788
EVEN THE WALLS WOULD CRY ♪
♪ AS WE PROCEED
EVEN THE WALLS WOULD CRY ♪
1593
00:58:53,790 --> 00:58:54,356
♪ AS WE PROCEED
EVEN THE WALLS WOULD CRY ♪
AS WE PROCEED
1594
00:58:54,358 --> 00:58:56,958
EVEN THE WALLS WOULD CRY ♪
AS WE PROCEED
EVEN THE WALLS WOULD CRY ♪
1595
00:58:56,960 --> 00:58:57,659
AS WE PROCEED
EVEN THE WALLS WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
1596
00:58:57,661 --> 00:58:58,259
EVEN THE WALLS WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY
1597
00:58:58,261 --> 00:59:00,695
♪ EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY
AS WE PROCEED
1598
00:59:00,697 --> 00:59:02,797
EVEN THE WALLS WOULD CRY
AS WE PROCEED
TO GIVE YOU WHAT YOU NEED ♪
1599
00:59:02,799 --> 00:59:05,967
AS WE PROCEED
TO GIVE YOU WHAT YOU NEED ♪
♪ EVEN THE WALLS WOULD CRY
1600
00:59:05,969 --> 00:59:07,569
TO GIVE YOU WHAT YOU NEED ♪
♪ EVEN THE WALLS WOULD CRY
AS WE PROCEED
1601
00:59:07,571 --> 00:59:10,205
♪ EVEN THE WALLS WOULD CRY
AS WE PROCEED
EVEN THE WALLS WOULD CRY ♪
1602
00:59:10,207 --> 00:59:10,705
AS WE PROCEED
EVEN THE WALLS WOULD CRY ♪
♪ AS WE PROCEED
1603
00:59:10,707 --> 00:59:15,510
EVEN THE WALLS WOULD CRY ♪
♪ AS WE PROCEED
EVEN THE WALLS WOULD CRY
1604
00:59:15,512 --> 00:59:17,645
♪ AS WE PROCEED
EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
1605
00:59:17,647 --> 00:59:19,748
EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
1606
00:59:19,750 --> 00:59:22,384
EVEN THE WALLS WOULD CRY ♪
♪ EVEN THE WALLS WOULD CRY
AS WE PROCD
1607
00:59:22,386 --> 00:59:23,952
♪ EVEN THE WALLS WOULD CRY
AS WE PROCD
TO GIVE YOU WHAT YOUEED ♪
1608
00:59:23,954 --> 00:59:32,427
AS WE PROCD
TO GIVE YOU WHAT YOUEED ♪
♪ EVEN THE WALLS WOULD CRY
1609
00:59:32,429 --> 00:59:38,233
TO GIVE YOU WHAT YOUEED ♪
♪ EVEN THE WALLS WOULD CRY
♪ EVEN THE WALLS WOULD CRY
1610
00:59:38,235 --> 00:59:46,674
♪ EVEN THE WALLS WOULD CRY
♪ EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
1611
00:59:46,676 --> 00:59:49,310
♪ EVEN THE WALLS WOULD CRY
EVEN THE WALLS WOULD CRY ♪
EVEN THE WALLS WOULD CRY ♪
1612
00:59:49,312 --> 00:59:52,247
EVEN THE WALLS WOULD CRY ♪
EVEN THE WALLS WOULD CRY ♪
♪
1613
00:59:52,249 --> 00:59:58,820
EVEN THE WALLS WOULD CRY ♪
♪
[ CHEERS AND APPLAUSE ]
1614
01:00:13,252 --> 01:00:22,460
♪
>>> OKAY, OKAY.
SORRY TO INTERRUPT.
1615
01:00:22,462 --> 01:00:24,028
>>> OKAY, OKAY.
SORRY TO INTERRUPT.
GIRLS, TAKE A GREAT.
1616
01:00:24,030 --> 01:00:24,829
SORRY TO INTERRUPT.
GIRLS, TAKE A GREAT.
GRETEL, TURBO.
1617
01:00:24,831 --> 01:00:26,331
GIRLS, TAKE A GREAT.
GRETEL, TURBO.
COME ON, WE NEED TO TALK.
1618
01:00:26,333 --> 01:00:27,065
GRETEL, TURBO.
COME ON, WE NEED TO TALK.
>> WHAT'S UP?
1619
01:00:27,067 --> 01:00:29,534
COME ON, WE NEED TO TALK.
>> WHAT'S UP?
>> WELL, AS THE JONAS BROTHERS
1620
01:00:29,536 --> 01:00:32,537
>> WHAT'S UP?
>> WELL, AS THE JONAS BROTHERS
MANAGER, PART OF MY JOB IS TO
1621
01:00:32,539 --> 01:00:33,671
>> WELL, AS THE JONAS BROTHERS
MANAGER, PART OF MY JOB IS TO
DELIVER BAD NEWS.
1622
01:00:33,673 --> 01:00:36,307
MANAGER, PART OF MY JOB IS TO
DELIVER BAD NEWS.
THE BOYS WANT TO HIRE A NEW
1623
01:00:36,309 --> 01:00:36,775
DELIVER BAD NEWS.
THE BOYS WANT TO HIRE A NEW
CHOREOGRAPHER.
1624
01:00:36,777 --> 01:00:37,509
THE BOYS WANT TO HIRE A NEW
CHOREOGRAPHER.
>> YOU CAN'T FIRE US.
1625
01:00:37,511 --> 01:00:41,079
CHOREOGRAPHER.
>> YOU CAN'T FIRE US.
WE INVENTED JOE BRO CORE OWE.
1626
01:00:41,081 --> 01:00:43,214
>> YOU CAN'T FIRE US.
WE INVENTED JOE BRO CORE OWE.
>> I GAVE NICK HIS HEAD BOP.
1627
01:00:43,216 --> 01:00:45,350
WE INVENTED JOE BRO CORE OWE.
>> I GAVE NICK HIS HEAD BOP.
I TOLD HIM T GO SIDE TO SIDE
1628
01:00:45,352 --> 01:00:46,918
>> I GAVE NICK HIS HEAD BOP.
I TOLD HIM T GO SIDE TO SIDE
WITH A FINGER SHIMMY.
1629
01:00:46,920 --> 01:00:49,420
I TOLD HIM T GO SIDE TO SIDE
WITH A FINGER SHIMMY.
>> BE THAT AS IT MAY, THE BOYS
1630
01:00:49,422 --> 01:00:51,856
WITH A FINGER SHIMMY.
>> BE THAT AS IT MAY, THE BOYS
FEEL THEY'RE NOT A TEENY BOPPER
1631
01:00:51,858 --> 01:00:52,390
>> BE THAT AS IT MAY, THE BOYS
FEEL THEY'RE NOT A TEENY BOPPER
BAND ANYMORE.
1632
01:00:52,392 --> 01:00:54,859
FEEL THEY'RE NOT A TEENY BOPPER
BAND ANYMORE.
AND THEY WANT A MORE MATURE
1633
01:00:54,861 --> 01:00:55,260
BAND ANYMORE.
AND THEY WANT A MORE MATURE
STAGE ACT.
1634
01:00:55,262 --> 01:00:56,594
AND THEY WANT A MORE MATURE
STAGE ACT.
>> THAT MA CHUR?
1635
01:00:56,596 --> 01:00:59,597
STAGE ACT.
>> THAT MA CHUR?
WHO DO THEY THINK CAN DO THAT?
1636
01:00:59,599 --> 01:01:01,332
>> THAT MA CHUR?
WHO DO THEY THINK CAN DO THAT?
>> HARD TO DESCRIBE.
1637
01:01:01,334 --> 01:01:01,800
WHO DO THEY THINK CAN DO THAT?
>> HARD TO DESCRIBE.
EASIER TO SEE.
1638
01:01:01,802 --> 01:01:08,740
>> HARD TO DESCRIBE.
EASIER TO SEE.
LET HER IN.
1639
01:01:08,742 --> 01:01:17,315
EASIER TO SEE.
LET HER IN.
[ CHEERS AND APPLAUSE ]
1640
01:01:17,317 --> 01:01:24,823
LET HER IN.
[ CHEERS AND APPLAUSE ]
>> MY NAME IS SALLY O'MALLEY.
1641
01:01:24,825 --> 01:01:25,623
[ CHEERS AND APPLAUSE ]
>> MY NAME IS SALLY O'MALLEY.
I'M 50 YEARS OLD.
1642
01:01:25,625 --> 01:01:27,425
>> MY NAME IS SALLY O'MALLEY.
I'M 50 YEARS OLD.
NOT ONE OF THOSE GALS WHO'S
1643
01:01:27,427 --> 01:01:29,194
I'M 50 YEARS OLD.
NOT ONE OF THOSE GALS WHO'S
AFRAID TO TELL HER REAL AGE.
1644
01:01:29,196 --> 01:01:33,498
NOT ONE OF THOSE GALS WHO'S
AFRAID TO TELL HER REAL AGE.
AND I LIKE TO KICK, STRETCH, AND
1645
01:01:33,500 --> 01:01:38,036
AFRAID TO TELL HER REAL AGE.
AND I LIKE TO KICK, STRETCH, AND
KICK!
1646
01:01:38,038 --> 01:01:41,306
AND I LIKE TO KICK, STRETCH, AND
KICK!
AND I'M 50 YEARS OLD.
1647
01:01:41,308 --> 01:01:41,773
KICK!
AND I'M 50 YEARS OLD.
50 YEARS OLD.
1648
01:01:41,775 --> 01:01:42,240
AND I'M 50 YEARS OLD.
50 YEARS OLD.
>> THAT'S RIGHT.
1649
01:01:42,242 --> 01:01:44,642
50 YEARS OLD.
>> THAT'S RIGHT.
THE BOYS WERE VISITING THEIR
1650
01:01:44,644 --> 01:01:46,678
>> THAT'S RIGHT.
THE BOYS WERE VISITING THEIR
GRANDMOTHER, AND SHE TOOK THEM
1651
01:01:46,680 --> 01:01:48,413
THE BOYS WERE VISITING THEIR
GRANDMOTHER, AND SHE TOOK THEM
TO HER SENIOR CENTER'S
1652
01:01:48,415 --> 01:01:50,114
GRANDMOTHER, AND SHE TOOK THEM
TO HER SENIOR CENTER'S
PRODUCTION OF ANNIE, AND SALLY
1653
01:01:50,116 --> 01:01:52,383
TO HER SENIOR CENTER'S
PRODUCTION OF ANNIE, AND SALLY
HERE WAS STARRING, AND SHE
1654
01:01:52,385 --> 01:01:53,284
PRODUCTION OF ANNIE, AND SALLY
HERE WAS STARRING, AND SHE
ROCKED THEIR WORLD.
1655
01:01:53,286 --> 01:01:54,853
HERE WAS STARRING, AND SHE
ROCKED THEIR WORLD.
THEY DON'T WANT TO FIRE ANYBODY.
1656
01:01:54,855 --> 01:01:56,387
ROCKED THEIR WORLD.
THEY DON'T WANT TO FIRE ANYBODY.
THEY WERE JUST HOPING YOU COULD
1657
01:01:56,389 --> 01:01:57,655
THEY DON'T WANT TO FIRE ANYBODY.
THEY WERE JUST HOPING YOU COULD
LET SALLY ADD A LITTLE
1658
01:01:57,657 --> 01:01:58,056
THEY WERE JUST HOPING YOU COULD
LET SALLY ADD A LITTLE
SOMETHING.
1659
01:01:58,058 --> 01:02:00,558
LET SALLY ADD A LITTLE
SOMETHING.
>> OKAY, SALLY, WHAT LITTLE
1660
01:02:00,560 --> 01:02:02,393
SOMETHING.
>> OKAY, SALLY, WHAT LITTLE
SOMETHING DO YOU THINK YOU CAN
1661
01:02:02,395 --> 01:02:02,827
>> OKAY, SALLY, WHAT LITTLE
SOMETHING DO YOU THINK YOU CAN
ADD?
1662
01:02:02,829 --> 01:02:06,397
SOMETHING DO YOU THINK YOU CAN
ADD?
>> 45 DECADES OF LITTLE DANCING
1663
01:02:06,399 --> 01:02:08,933
ADD?
>> 45 DECADES OF LITTLE DANCING
AND RED PANTS DANCING.
1664
01:02:08,935 --> 01:02:13,605
>> 45 DECADES OF LITTLE DANCING
AND RED PANTS DANCING.
I GOT HALF A CENTURY OF SHIZZLE
1665
01:02:13,607 --> 01:02:21,079
AND RED PANTS DANCING.
I GOT HALF A CENTURY OF SHIZZLE
IN MY LADY SNIZZLE.
1666
01:02:21,081 --> 01:02:25,850
I GOT HALF A CENTURY OF SHIZZLE
IN MY LADY SNIZZLE.
NOTHING WRONG WITH THAT.
1667
01:02:25,852 --> 01:02:31,089
IN MY LADY SNIZZLE.
NOTHING WRONG WITH THAT.
[ LAUGHTER ]
1668
01:02:31,091 --> 01:02:32,257
NOTHING WRONG WITH THAT.
[ LAUGHTER ]
BEING A WOMAN.
1669
01:02:32,259 --> 01:02:32,991
[ LAUGHTER ]
BEING A WOMAN.
THE GRAND CANYON'S GOT NOTHING
1670
01:02:32,993 --> 01:02:36,094
BEING A WOMAN.
THE GRAND CANYON'S GOT NOTHING
ON ME.
1671
01:02:36,096 --> 01:02:38,763
THE GRAND CANYON'S GOT NOTHING
ON ME.
>> YOU KNOW, I'VE ENGINEERED BY
1672
01:02:38,765 --> 01:02:39,764
ON ME.
>> YOU KNOW, I'VE ENGINEERED BY
ENTIRE LIFE SO I WOULD NEVER
1673
01:02:39,766 --> 01:02:43,501
>> YOU KNOW, I'VE ENGINEERED BY
ENTIRE LIFE SO I WOULD NEVER
HAVE TO E WHAT I JUST SAW.
1674
01:02:43,503 --> 01:02:46,104
ENTIRE LIFE SO I WOULD NEVER
HAVE TO E WHAT I JUST SAW.
AND RUSSELL, ARE YOU SURE SHE'S
1675
01:02:46,106 --> 01:02:46,371
HAVE TO E WHAT I JUST SAW.
AND RUSSELL, ARE YOU SURE SHE'S
50?
1676
01:02:46,373 --> 01:02:49,007
AND RUSSELL, ARE YOU SURE SHE'S
50?
>> HONEY, I'VE BEEN 50 SINCE
1677
01:02:49,009 --> 01:02:50,008
50?
>> HONEY, I'VE BEEN 50 SINCE
BEFORE YOU WAS BORN.
1678
01:02:50,010 --> 01:02:52,343
>> HONEY, I'VE BEEN 50 SINCE
BEFORE YOU WAS BORN.
>> CAN YOU PLEASE JUST GIVE IT A
1679
01:02:52,345 --> 01:02:52,610
BEFORE YOU WAS BORN.
>> CAN YOU PLEASE JUST GIVE IT A
TRY?
1680
01:02:52,612 --> 01:02:54,045
>> CAN YOU PLEASE JUST GIVE IT A
TRY?
THE BOYS FEEL THAT SALLY
1681
01:02:54,047 --> 01:02:54,979
TRY?
THE BOYS FEEL THAT SALLY
REPRESENTS WHO THEY ARE NOW.
1682
01:02:54,981 --> 01:02:56,147
THE BOYS FEEL THAT SALLY
REPRESENTS WHO THEY ARE NOW.
>> DO THEY?
1683
01:02:56,149 --> 01:02:58,049
REPRESENTS WHO THEY ARE NOW.
>> DO THEY?
THEN TELL US WHO YOU ARE, SALLY.
1684
01:02:58,051 --> 01:03:00,852
>> DO THEY?
THEN TELL US WHO YOU ARE, SALLY.
>> LISTEN, I'M A CHOO CHOO
1685
01:03:00,854 --> 01:03:04,923
THEN TELL US WHO YOU ARE, SALLY.
>> LISTEN, I'M A CHOO CHOO
CHARLIE AND A CLASS ACT.
1686
01:03:04,925 --> 01:03:06,691
>> LISTEN, I'M A CHOO CHOO
CHARLIE AND A CLASS ACT.
>> HEY, RUSSELL, I LOVE YOU.
1687
01:03:06,693 --> 01:03:10,628
CHARLIE AND A CLASS ACT.
>> HEY, RUSSELL, I LOVE YOU.
I JUST THINK THE JONAS BROTHERS
1688
01:03:10,630 --> 01:03:13,831
>> HEY, RUSSELL, I LOVE YOU.
I JUST THINK THE JONAS BROTHERS
ARE MAKING A HUGE MISTAKE.
1689
01:03:13,833 --> 01:03:18,102
I JUST THINK THE JONAS BROTHERS
ARE MAKING A HUGE MISTAKE.
>> IS THAT WHAT YOU THINK, HUH?
1690
01:03:18,104 --> 01:03:18,703
ARE MAKING A HUGE MISTAKE.
>> IS THAT WHAT YOU THINK, HUH?
1691
01:03:18,705 --> 01:03:21,506
>> IS THAT WHAT YOU THINK, HUH?
WELL, WELL, WELL, IF IT ISN'T
1692
01:03:21,508 --> 01:03:22,774
WELL, WELL, WELL, IF IT ISN'T
NEIL, CALVIN, AND JOHN.
1693
01:03:22,776 --> 01:03:26,377
WELL, WELL, WELL, IF IT ISN'T
NEIL, CALVIN, AND JOHN.
>> NICK, JOE, AND KEVIN.
1694
01:03:26,379 --> 01:03:28,313
NEIL, CALVIN, AND JOHN.
>> NICK, JOE, AND KEVIN.
WE CAME BY BECAUSE WE HAD A
1695
01:03:28,315 --> 01:03:29,480
>> NICK, JOE, AND KEVIN.
WE CAME BY BECAUSE WE HAD A
FEELING THEY MIGHT NOT
1696
01:03:29,482 --> 01:03:30,648
WE CAME BY BECAUSE WE HAD A
FEELING THEY MIGHT NOT
UNDERSTAND YOUR NEW CONCEPT.
1697
01:03:30,650 --> 01:03:36,854
FEELING THEY MIGHT NOT
UNDERSTAND YOUR NEW CONCEPT.
>> SO WE WANTED TO SHOW THEM.
1698
01:03:36,856 --> 01:03:49,734
UNDERSTAND YOUR NEW CONCEPT.
>> SO WE WANTED TO SHOW THEM.
>> LOOKING GOOD.
1699
01:03:49,736 --> 01:03:51,970
>> SO WE WANTED TO SHOW THEM.
>> LOOKING GOOD.
YOU'RE LOOKING GOOD, BOYS.
1700
01:03:51,972 --> 01:03:52,537
>> LOOKING GOOD.
YOU'RE LOOKING GOOD, BOYS.
NOW PUT SOME BONUS?
1701
01:03:52,539 --> 01:03:56,140
YOU'RE LOOKING GOOD, BOYS.
NOW PUT SOME BONUS?
YOUR JONAS.
1702
01:03:56,142 --> 01:04:00,144
NOW PUT SOME BONUS?
YOUR JONAS.
NOW, HIT IT, RUSSELL.
1703
01:04:00,146 --> 01:04:04,816
YOUR JONAS.
NOW, HIT IT, RUSSELL.
HIP, HIP, ARMS, ARMS, NOW KICK,
1704
01:04:04,818 --> 01:04:06,751
NOW, HIT IT, RUSSELL.
HIP, HIP, ARMS, ARMS, NOW KICK,
STRETCH, AND KICK, STRETCH,
1705
01:04:06,753 --> 01:04:07,452
HIP, HIP, ARMS, ARMS, NOW KICK,
STRETCH, AND KICK, STRETCH,
KICK, STRETCH.
1706
01:04:07,454 --> 01:04:08,386
STRETCH, AND KICK, STRETCH,
KICK, STRETCH.
>> WAIT A SECOND.
1707
01:04:08,388 --> 01:04:09,354
KICK, STRETCH.
>> WAIT A SECOND.
WAIT A SECOND.
1708
01:04:09,356 --> 01:04:10,021
>> WAIT A SECOND.
WAIT A SECOND.
OH, MY GOD.
1709
01:04:10,023 --> 01:04:12,090
WAIT A SECOND.
OH, MY GOD.
I AM SO SORRY I EVER DOUBTED
1710
01:04:12,092 --> 01:04:12,690
OH, MY GOD.
I AM SO SORRY I EVER DOUBTED
YOU, SALLY.
1711
01:04:12,692 --> 01:04:14,158
I AM SO SORRY I EVER DOUBTED
YOU, SALLY.
I SEE IT NOW.
1712
01:04:14,160 --> 01:04:15,727
YOU, SALLY.
I SEE IT NOW.
THEY ARE GOING TO PUT THE BOYS
1713
01:04:15,729 --> 01:04:19,897
I SEE IT NOW.
THEY ARE GOING TO PUT THE BOYS
ON STAGE IN PACKED STADIUMS
1714
01:04:19,899 --> 01:04:21,466
THEY ARE GOING TO PUT THE BOYS
ON STAGE IN PACKED STADIUMS
AROUND THE WORLD, AND THEY'RE
1715
01:04:21,468 --> 01:04:21,799
ON STAGE IN PACKED STADIUMS
AROUND THE WORLD, AND THEY'RE
GONNA.
1716
01:04:21,801 --> 01:04:23,267
AROUND THE WORLD, AND THEY'RE
GONNA.
>> KICK.
1717
01:04:23,269 --> 01:04:23,735
GONNA.
>> KICK.
>> STRETCH.
1718
01:04:23,737 --> 01:04:24,836
>> KICK.
>> STRETCH.
>> AND JUMP.
1719
01:04:24,838 --> 01:04:25,703
>> STRETCH.
>> AND JUMP.
>> JUMP?
1720
01:04:25,705 --> 01:04:26,938
>> AND JUMP.
>> JUMP?
NEIL, YOU'RE FIRED.
1721
01:04:26,940 --> 01:04:27,605
>> JUMP?
NEIL, YOU'RE FIRED.
>> WHAT?
1722
01:04:27,607 --> 01:04:30,074
NEIL, YOU'RE FIRED.
>> WHAT?
>> WAIT A SECOND, SALLY, YOU CAN
1723
01:04:30,076 --> 01:04:30,575
>> WHAT?
>> WAIT A SECOND, SALLY, YOU CAN
TAKE HIS PLACE.
1724
01:04:30,577 --> 01:04:32,276
>> WAIT A SECOND, SALLY, YOU CAN
TAKE HIS PLACE.
>> YEAH, THAT'S A GREAT IDEA.
1725
01:04:32,278 --> 01:04:33,678
TAKE HIS PLACE.
>> YEAH, THAT'S A GREAT IDEA.
DO YOU KNOW ANY OF OUR SONGS?
1726
01:04:33,680 --> 01:04:34,679
>> YEAH, THAT'S A GREAT IDEA.
DO YOU KNOW ANY OF OUR SONGS?
>> ABSOLUTELY NOT.
1727
01:04:34,681 --> 01:04:36,414
DO YOU KNOW ANY OF OUR SONGS?
>> ABSOLUTELY NOT.
I'M 50 YEARS OLD.
1728
01:04:36,416 --> 01:04:47,058
>> ABSOLUTELY NOT.
I'M 50 YEARS OLD.
50.
1729
01:04:55,601 --> 01:05:00,138
>>> THESE DAYS, IT'S HARD NOT TO
FEEL STRESSED OUT AND
OVERWHELMED.
1730
01:05:00,140 --> 01:05:01,472
FEEL STRESSED OUT AND
OVERWHELMED.
SURE, TRUMP GOT INDICTED, BUT
1731
01:05:01,474 --> 01:05:02,707
OVERWHELMED.
SURE, TRUMP GOT INDICTED, BUT
NOW EVERYONE SAYS THE CASE
1732
01:05:02,709 --> 01:05:05,076
SURE, TRUMP GOT INDICTED, BUT
NOW EVERYONE SAYS THE CASE
AGAINST HIM IS WEAK AND THAT
1733
01:05:05,078 --> 01:05:07,645
NOW EVERYONE SAYS THE CASE
AGAINST HIM IS WEAK AND THAT
HE'LL NEVER SERVE ANY JAIL TIME.
1734
01:05:07,647 --> 01:05:09,280
AGAINST HIM IS WEAK AND THAT
HE'LL NEVER SERVE ANY JAIL TIME.
AS SOMEONE WHOSE ENTIRE
1735
01:05:09,282 --> 01:05:10,415
HE'LL NEVER SERVE ANY JAIL TIME.
AS SOMEONE WHOSE ENTIRE
PERSONALITY IS HATING DONALD
1736
01:05:10,417 --> 01:05:11,582
AS SOMEONE WHOSE ENTIRE
PERSONALITY IS HATING DONALD
TRUMP, YOU NEED MORE.
1737
01:05:11,584 --> 01:05:13,951
PERSONALITY IS HATING DONALD
TRUMP, YOU NEED MORE.
YOU NEED TO FEEL CALM AND
1738
01:05:13,953 --> 01:05:14,318
TRUMP, YOU NEED MORE.
YOU NEED TO FEEL CALM AND
REASSURED.
1739
01:05:14,320 --> 01:05:20,591
YOU NEED TO FEEL CALM AND
REASSURED.
YOU NEED THE NEWEST MEDITATION
1740
01:05:20,593 --> 01:05:20,858
REASSURED.
YOU NEED THE NEWEST MEDITATION
APP.
1741
01:05:20,860 --> 01:05:21,125
YOU NEED THE NEWEST MEDITATION
APP.
CNZ.
1742
01:05:21,127 --> 01:05:23,461
APP.
CNZ.
NEW DETAILS FROM TRUMP'S ARREST,
1743
01:05:23,463 --> 01:05:26,030
CNZ.
NEW DETAILS FROM TRUMP'S ARREST,
FEATURING YOUR FAVORITE CNN
1744
01:05:26,032 --> 01:05:26,397
NEW DETAILS FROM TRUMP'S ARREST,
FEATURING YOUR FAVORITE CNN
ANCHORS.
1745
01:05:26,399 --> 01:05:27,398
FEATURING YOUR FAVORITE CNN
ANCHORS.
>> HE'S THE FIRST AMERICAN
1746
01:05:27,400 --> 01:05:28,933
ANCHORS.
>> HE'S THE FIRST AMERICAN
PRESIDENT TO EVER BE INDICTED.
1747
01:05:28,935 --> 01:05:32,036
>> HE'S THE FIRST AMERICAN
PRESIDENT TO EVER BE INDICTED.
THIS IS TRULY A HISTORIC AND
1748
01:05:32,038 --> 01:05:32,970
PRESIDENT TO EVER BE INDICTED.
THIS IS TRULY A HISTORIC AND
HUMILIATING MOMENT.
1749
01:05:32,972 --> 01:05:36,674
THIS IS TRULY A HISTORIC AND
HUMILIATING MOMENT.
>> TRUMP IS A BRAD, DEFEATED
1750
01:05:36,676 --> 01:05:36,941
HUMILIATING MOMENT.
>> TRUMP IS A BRAD, DEFEATED
MAN.
1751
01:05:36,943 --> 01:05:38,242
>> TRUMP IS A BRAD, DEFEATED
MAN.
THEY MADE HIM COME FROM FLORIDA
1752
01:05:38,244 --> 01:05:40,812
MAN.
THEY MADE HIM COME FROM FLORIDA
WHERE IT'S 80 DEGREES TO NEW
1753
01:05:40,814 --> 01:05:43,681
THEY MADE HIM COME FROM FLORIDA
WHERE IT'S 80 DEGREES TO NEW
YORK WHERE IT'S ONLY 60 DEGREES.
1754
01:05:43,683 --> 01:05:46,317
WHERE IT'S 80 DEGREES TO NEW
YORK WHERE IT'S ONLY 60 DEGREES.
HOW DEPRESSING.
1755
01:05:46,319 --> 01:05:48,719
YORK WHERE IT'S ONLY 60 DEGREES.
HOW DEPRESSING.
>> HIS MOTOR CADE WASN'T THAT
1756
01:05:48,721 --> 01:05:49,020
HOW DEPRESSING.
>> HIS MOTOR CADE WASN'T THAT
BIG.
1757
01:05:49,022 --> 01:05:50,621
>> HIS MOTOR CADE WASN'T THAT
BIG.
I THOUGHT IT WOULD BE BIGGER,
1758
01:05:50,623 --> 01:05:52,023
BIG.
I THOUGHT IT WOULD BE BIGGER,
BUT IT WAS SO SMALL.
1759
01:05:52,025 --> 01:05:53,758
I THOUGHT IT WOULD BE BIGGER,
BUT IT WAS SO SMALL.
>> DONALD WAS ALL ALONE, NO
1760
01:05:53,760 --> 01:05:55,259
BUT IT WAS SO SMALL.
>> DONALD WAS ALL ALONE, NO
FAMILY OR FRIENDS TO SUPPORT
1761
01:05:55,261 --> 01:05:55,526
>> DONALD WAS ALL ALONE, NO
FAMILY OR FRIENDS TO SUPPORT
HIM.
1762
01:05:55,528 --> 01:05:57,295
FAMILY OR FRIENDS TO SUPPORT
HIM.
I SHOULDN'T SAY THIS AS A
1763
01:05:57,297 --> 01:06:00,031
HIM.
I SHOULDN'T SAY THIS AS A
JOURNALIST, BUT THAT A LOSER.
1764
01:06:00,033 --> 01:06:03,935
I SHOULDN'T SAY THIS AS A
JOURNALIST, BUT THAT A LOSER.
>> THAT NEW YORK TIMES REPORTER
1765
01:06:03,937 --> 01:06:06,070
JOURNALIST, BUT THAT A LOSER.
>> THAT NEW YORK TIMES REPORTER
MAGGIE HABERMAN SOOTH YOU TO
1766
01:06:06,072 --> 01:06:06,404
>> THAT NEW YORK TIMES REPORTER
MAGGIE HABERMAN SOOTH YOU TO
SLEEP.
1767
01:06:06,406 --> 01:06:08,606
MAGGIE HABERMAN SOOTH YOU TO
SLEEP.
>> THAT IS A NIGHTMARE, AND HE'S
1768
01:06:08,608 --> 01:06:10,608
SLEEP.
>> THAT IS A NIGHTMARE, AND HE'S
REALLY FREAKING OUT BECAUSE NOW
1769
01:06:10,610 --> 01:06:12,810
>> THAT IS A NIGHTMARE, AND HE'S
REALLY FREAKING OUT BECAUSE NOW
HE KNOWS THERE ARE CONSEQUENCES.
1770
01:06:12,812 --> 01:06:14,946
REALLY FREAKING OUT BECAUSE NOW
HE KNOWS THERE ARE CONSEQUENCES.
>> YOU CAN ALSO LISTEN TO CLIPS
1771
01:06:14,948 --> 01:06:17,482
HE KNOWS THERE ARE CONSEQUENCES.
>> YOU CAN ALSO LISTEN TO CLIPS
OF TRUMP AND HIS ALLIES
1772
01:06:17,484 --> 01:06:17,882
>> YOU CAN ALSO LISTEN TO CLIPS
OF TRUMP AND HIS ALLIES
SPIRALING.
1773
01:06:17,884 --> 01:06:20,485
OF TRUMP AND HIS ALLIES
SPIRALING.
>> PLEASE, DONALD J. TRUMP IS AN
1774
01:06:20,487 --> 01:06:22,320
SPIRALING.
>> PLEASE, DONALD J. TRUMP IS AN
INNOCENT MAN AND HE NEEDS YOUR
1775
01:06:22,322 --> 01:06:22,620
>> PLEASE, DONALD J. TRUMP IS AN
INNOCENT MAN AND HE NEEDS YOUR
HELP.
1776
01:06:22,622 --> 01:06:26,190
INNOCENT MAN AND HE NEEDS YOUR
HELP.
SEND HIM ALL YOUR MONEY TODAY AT
1777
01:06:26,192 --> 01:06:32,864
HELP.
SEND HIM ALL YOUR MONEY TODAY AT
DON'T J. TRUMP RU/FUND RAISING
1778
01:06:32,866 --> 01:06:33,297
SEND HIM ALL YOUR MONEY TODAY AT
DON'T J. TRUMP RU/FUND RAISING
SCAM.GUILTY.
1779
01:06:33,299 --> 01:06:35,833
DON'T J. TRUMP RU/FUND RAISING
SCAM.GUILTY.
>> HIS COURT APPEARANCE WON'T BE
1780
01:06:35,835 --> 01:06:37,001
SCAM.GUILTY.
>> HIS COURT APPEARANCE WON'T BE
UNTIL AT LEAST DECEMBER.
1781
01:06:37,003 --> 01:06:39,070
>> HIS COURT APPEARANCE WON'T BE
UNTIL AT LEAST DECEMBER.
THAT'S WHY THEY HAVE A WHOLE
1782
01:06:39,072 --> 01:06:41,706
UNTIL AT LEAST DECEMBER.
THAT'S WHY THEY HAVE A WHOLE
LIST OF TRUMP INDICTMENT ASR.
1783
01:06:41,708 --> 01:06:44,208
THAT'S WHY THEY HAVE A WHOLE
LIST OF TRUMP INDICTMENT ASR.
>> CAN YOU HEAR HIM GETTING
1784
01:06:44,210 --> 01:06:46,110
LIST OF TRUMP INDICTMENT ASR.
>> CAN YOU HEAR HIM GETTING
FINGERPRINTED, AND THE DA
1785
01:06:46,112 --> 01:06:47,845
>> CAN YOU HEAR HIM GETTING
FINGERPRINTED, AND THE DA
OPENING HIS BIG LEATHER
1786
01:06:47,847 --> 01:06:50,348
FINGERPRINTED, AND THE DA
OPENING HIS BIG LEATHER
BRIEFCASE, AND A LITTLE GAVEL
1787
01:06:50,350 --> 01:06:50,948
OPENING HIS BIG LEATHER
BRIEFCASE, AND A LITTLE GAVEL
FROM THE JUDGE.
1788
01:06:50,950 --> 01:06:53,084
BRIEFCASE, AND A LITTLE GAVEL
FROM THE JUDGE.
I WONDER IF HE'LL EVEN HEAR HAND
1789
01:06:53,086 --> 01:06:57,088
FROM THE JUDGE.
I WONDER IF HE'LL EVEN HEAR HAND
CUFFS.
1790
01:06:57,090 --> 01:07:00,057
I WONDER IF HE'LL EVEN HEAR HAND
CUFFS.
>> WITH ADDITIONAL IN-APP
1791
01:07:00,059 --> 01:07:03,161
CUFFS.
>> WITH ADDITIONAL IN-APP
PURCHASES LIKE AUDIO E RAT KA OF
1792
01:07:03,163 --> 01:07:06,797
>> WITH ADDITIONAL IN-APP
PURCHASES LIKE AUDIO E RAT KA OF
ALVIN BRAGG READING ALL 40
1793
01:07:06,799 --> 01:07:07,298
PURCHASES LIKE AUDIO E RAT KA OF
ALVIN BRAGG READING ALL 40
FELONY ACCOUNTS.
1794
01:07:07,300 --> 01:07:08,666
ALVIN BRAGG READING ALL 40
FELONY ACCOUNTS.
>> COUNT ONE, FALSIFYING
1795
01:07:08,668 --> 01:07:10,334
FELONY ACCOUNTS.
>> COUNT ONE, FALSIFYING
BUSINESS RECORDS IN THE FIRST
1796
01:07:10,336 --> 01:07:10,668
>> COUNT ONE, FALSIFYING
BUSINESS RECORDS IN THE FIRST
DEGREE.
1797
01:07:10,670 --> 01:07:12,603
BUSINESS RECORDS IN THE FIRST
DEGREE.
COUNT TWO, FALSIFYING BUSINESS
1798
01:07:12,605 --> 01:07:14,038
DEGREE.
COUNT TWO, FALSIFYING BUSINESS
RECORDS IN THE FIRST DEGREE.
1799
01:07:14,040 --> 01:07:20,545
COUNT TWO, FALSIFYING BUSINESS
RECORDS IN THE FIRST DEGREE.
COUNT THREE, FALSIFYING --
1800
01:07:20,547 --> 01:07:22,380
RECORDS IN THE FIRST DEGREE.
COUNT THREE, FALSIFYING --
>> YOU WAITED SEVEN YEARS FOR
1801
01:07:22,382 --> 01:07:24,348
COUNT THREE, FALSIFYING --
>> YOU WAITED SEVEN YEARS FOR
THIS INDICTMENT, AND YOU WANT
1802
01:07:24,350 --> 01:07:25,950
>> YOU WAITED SEVEN YEARS FOR
THIS INDICTMENT, AND YOU WANT
EVERY DELICIOUS DETAIL.
1803
01:07:25,952 --> 01:07:28,186
THIS INDICTMENT, AND YOU WANT
EVERY DELICIOUS DETAIL.
>>, WHAT ETHNICITY IS TRUMP'S
1804
01:07:28,188 --> 01:07:29,120
EVERY DELICIOUS DETAIL.
>>, WHAT ETHNICITY IS TRUMP'S
JUDGE AGAIN?
1805
01:07:29,122 --> 01:07:32,557
>>, WHAT ETHNICITY IS TRUMP'S
JUDGE AGAIN?
>> HISPANIC.
1806
01:07:32,559 --> 01:07:34,425
JUDGE AGAIN?
>> HISPANIC.
>> CNZN, IN YOUR MIND, HE'S
1807
01:07:34,427 --> 01:07:48,906
>> HISPANIC.
>> CNZN, IN YOUR MIND, HE'S
ALREAWe aN JAIL.
1808
01:07:49,141 --> 01:07:58,282
>>> THANK YOU SO MUCH TO THE
JONAS BROTHERS.
MARTIN SHORT.
1809
01:07:58,284 --> 01:08:00,818
JONAS BROTHERS.
MARTIN SHORT.
I LOVE YOU, LAUREN MICHAELS.
1810
01:08:00,820 --> 01:08:02,987
MARTIN SHORT.
I LOVE YOU, LAUREN MICHAELS.
YOU ARE THE BEST.
1811
01:08:02,989 --> 01:08:06,991
I LOVE YOU, LAUREN MICHAELS.
YOU ARE THE BEST.
AND THIS BRILLIANT CAST, OH, MY
1812
01:08:06,993 --> 01:08:07,258
YOU ARE THE BEST.
AND THIS BRILLIANT CAST, OH, MY
GOD.
1813
01:08:07,260 --> 01:08:08,059
AND THIS BRILLIANT CAST, OH, MY
GOD.
SO GOOD!
1814
01:08:08,061 --> 01:08:09,927
GOD.
SO GOOD!
AND OUR WONDERFULCREW.
1815
01:08:09,929 --> 01:08:10,695
SO GOOD!
AND OUR WONDERFULCREW.
THIS IS JUST A GIFT TO BE BACK.
1816
01:08:10,697 --> 01:08:11,662
AND OUR WONDERFULCREW.
THIS IS JUST A GIFT TO BE BACK.
THANK YOU!
1817
01:08:11,664 --> 01:08:17,535
THIS IS JUST A GIFT TO BE BACK.
THANK YOU!
>> YEAH!
198407
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