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>> Announcer: AND NOW, A MESSAGE
FROM FORMER PRESIDENT TRUMP.
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00:00:14,675 --> 00:00:15,741
>> Announcer: AND NOW, A MESSAGE
FROM FORMER PRESIDENT TRUMP.
>>> HELLO.
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00:00:15,743 --> 00:00:16,141
FROM FORMER PRESIDENT TRUMP.
>>> HELLO.
THANK YOU.
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00:00:16,143 --> 00:00:16,975
>>> HELLO.
THANK YOU.
IT'S ME.
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00:00:16,977 --> 00:00:17,242
THANK YOU.
IT'S ME.
HI.
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00:00:17,244 --> 00:00:17,709
IT'S ME.
HI.
I'M THE PROBLEM.
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00:00:17,711 --> 00:00:20,178
HI.
I'M THE PROBLEM.
IT'S ME.
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00:00:20,180 --> 00:00:21,880
I'M THE PROBLEM.
IT'S ME.
WELL, FOLKS, IT HAPPENED.
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00:00:21,882 --> 00:00:24,349
IT'S ME.
WELL, FOLKS, IT HAPPENED.
I GOT INDICTED, OR AS I SPELL
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00:00:24,351 --> 00:00:26,218
WELL, FOLKS, IT HAPPENED.
I GOT INDICTED, OR AS I SPELL
IT, INDICATED.
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00:00:26,220 --> 00:00:28,987
I GOT INDICTED, OR AS I SPELL
IT, INDICATED.
AND FRANKLY, IT'S TIME THAT I
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00:00:28,989 --> 00:00:31,156
IT, INDICATED.
AND FRANKLY, IT'S TIME THAT I
COME CLEAN, ADMIT THAT I BROKE
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00:00:31,158 --> 00:00:34,192
AND FRANKLY, IT'S TIME THAT I
COME CLEAN, ADMIT THAT I BROKE
THE LAW, AND GO QUIETLY TO
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00:00:34,194 --> 00:00:34,526
COME CLEAN, ADMIT THAT I BROKE
THE LAW, AND GO QUIETLY TO
PRISON.
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00:00:34,528 --> 00:00:37,395
THE LAW, AND GO QUIETLY TO
PRISON.
APRIL FOOLS!
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00:00:37,397 --> 00:00:38,663
PRISON.
APRIL FOOLS!
THAT WAS A PRANK.
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00:00:38,665 --> 00:00:42,267
APRIL FOOLS!
THAT WAS A PRANK.
I WAS DOING A JIM FROM OFFICE.
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00:00:42,269 --> 00:00:46,805
THAT WAS A PRANK.
I WAS DOING A JIM FROM OFFICE.
BUT MAKE NO MISTAKE, WHAT THE
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00:00:46,807 --> 00:00:48,340
I WAS DOING A JIM FROM OFFICE.
BUT MAKE NO MISTAKE, WHAT THE
RADICAL LEFT DEMOCRATS ARE DOING
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00:00:48,342 --> 00:00:50,375
BUT MAKE NO MISTAKE, WHAT THE
RADICAL LEFT DEMOCRATS ARE DOING
TO ME IS WORSE THAN ANY CRIME
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00:00:50,377 --> 00:00:51,810
RADICAL LEFT DEMOCRATS ARE DOING
TO ME IS WORSE THAN ANY CRIME
I'VE EVER COMMITTED, AND I'VE
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00:00:51,812 --> 00:00:54,679
TO ME IS WORSE THAN ANY CRIME
I'VE EVER COMMITTED, AND I'VE
COMMITTED A LOT, CLOSE TO 34.
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00:00:54,681 --> 00:00:56,615
I'VE EVER COMMITTED, AND I'VE
COMMITTED A LOT, CLOSE TO 34.
SOME ARE SAY I'M GOING TO USE
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00:00:56,617 --> 00:00:58,483
COMMITTED A LOT, CLOSE TO 34.
SOME ARE SAY I'M GOING TO USE
THIS INDICTMENT TO RILE UP MY
25
00:00:58,485 --> 00:01:00,485
SOME ARE SAY I'M GOING TO USE
THIS INDICTMENT TO RILE UP MY
BASE SO THAT THEY GIVE ME MORE
26
00:01:00,487 --> 00:01:00,786
THIS INDICTMENT TO RILE UP MY
BASE SO THAT THEY GIVE ME MORE
MONEY.
27
00:01:00,788 --> 00:01:01,520
BASE SO THAT THEY GIVE ME MORE
MONEY.
NOT TRUE.
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00:01:01,522 --> 00:01:02,487
MONEY.
NOT TRUE.
NOT TRUE.
29
00:01:02,489 --> 00:01:04,322
NOT TRUE.
NOT TRUE.
I DON'T WANT ANYTHING FROM MY
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00:01:04,324 --> 00:01:06,057
NOT TRUE.
I DON'T WANT ANYTHING FROM MY
BASE EXCEPT THEIR LOVE, THEIR
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00:01:06,059 --> 00:01:07,459
I DON'T WANT ANYTHING FROM MY
BASE EXCEPT THEIR LOVE, THEIR
VOTES, PERHAPS THEIR MONEY.
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00:01:07,461 --> 00:01:08,193
BASE EXCEPT THEIR LOVE, THEIR
VOTES, PERHAPS THEIR MONEY.
AND I NEED THEIR MONEY MORE THAN
33
00:01:08,195 --> 00:01:10,996
VOTES, PERHAPS THEIR MONEY.
AND I NEED THEIR MONEY MORE THAN
EVER.
34
00:01:10,998 --> 00:01:13,632
AND I NEED THEIR MONEY MORE THAN
EVER.
NOW YOU MAY HAVE SEEN I'VE BEEN
35
00:01:13,634 --> 00:01:17,068
EVER.
NOW YOU MAY HAVE SEEN I'VE BEEN
OPENING MY RALLIES WITH MY
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00:01:17,070 --> 00:01:18,436
NOW YOU MAY HAVE SEEN I'VE BEEN
OPENING MY RALLIES WITH MY
WONDERFUL SONG, "JUSTICE FOR
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00:01:18,438 --> 00:01:22,808
OPENING MY RALLIES WITH MY
WONDERFUL SONG, "JUSTICE FOR
ALL" WHICH I PERFORMED WITH THE
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00:01:22,810 --> 00:01:23,475
WONDERFUL SONG, "JUSTICE FOR
ALL" WHICH I PERFORMED WITH THE
J-6 CHOIR.
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00:01:23,477 --> 00:01:24,843
ALL" WHICH I PERFORMED WITH THE
J-6 CHOIR.
THAT'S A REAL THING.
40
00:01:24,845 --> 00:01:26,611
J-6 CHOIR.
THAT'S A REAL THING.
VERY DISTURBING.
41
00:01:26,613 --> 00:01:31,416
THAT'S A REAL THING.
VERY DISTURBING.
IT WAS THE NUMBER ONE DOWNLOADED
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00:01:31,418 --> 00:01:31,716
VERY DISTURBING.
IT WAS THE NUMBER ONE DOWNLOADED
SONG.
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00:01:31,718 --> 00:01:32,984
IT WAS THE NUMBER ONE DOWNLOADED
SONG.
WE BEAT "FLOWERS" BY MILEY,
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00:01:32,986 --> 00:01:35,654
SONG.
WE BEAT "FLOWERS" BY MILEY,
WHICH AS WE ALL KNOW IS ABOUT
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00:01:35,656 --> 00:01:36,087
WE BEAT "FLOWERS" BY MILEY,
WHICH AS WE ALL KNOW IS ABOUT
LIAM.
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00:01:36,089 --> 00:01:38,523
WHICH AS WE ALL KNOW IS ABOUT
LIAM.
BUT MY SONG RAKED IN SO MUCH
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00:01:38,525 --> 00:01:40,425
LIAM.
BUT MY SONG RAKED IN SO MUCH
CASH, I THOUGHT WHY STOP THERE.
48
00:01:40,427 --> 00:01:42,427
BUT MY SONG RAKED IN SO MUCH
CASH, I THOUGHT WHY STOP THERE.
THAT'S WHY I'M PUTTING OUT MY
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00:01:42,429 --> 00:01:45,397
CASH, I THOUGHT WHY STOP THERE.
THAT'S WHY I'M PUTTING OUT MY
NEW ALBUM, "NOW THAT'S WHAT I
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00:01:45,399 --> 00:01:49,334
THAT'S WHY I'M PUTTING OUT MY
NEW ALBUM, "NOW THAT'S WHAT I
CALL MY LEGAL DEFENSE FUND",
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00:01:49,336 --> 00:01:51,570
NEW ALBUM, "NOW THAT'S WHAT I
CALL MY LEGAL DEFENSE FUND",
AKA, TRUMP BOPS, AND I'M
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00:01:51,572 --> 00:01:53,071
CALL MY LEGAL DEFENSE FUND",
AKA, TRUMP BOPS, AND I'M
BRINGING ALL THE THINGS
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00:01:53,073 --> 00:01:55,640
AKA, TRUMP BOPS, AND I'M
BRINGING ALL THE THINGS
♪ THAT AIN'T NOTHING, BUT
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00:01:55,642 --> 00:01:56,675
BRINGING ALL THE THINGS
♪ THAT AIN'T NOTHING, BUT
DRUGSTORE LOVING ♪
55
00:01:56,677 --> 00:01:59,778
♪ THAT AIN'T NOTHING, BUT
DRUGSTORE LOVING ♪
♪ HEY, LITTLE THINGS, LET ME
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00:01:59,780 --> 00:02:02,214
DRUGSTORE LOVING ♪
♪ HEY, LITTLE THINGS, LET ME
LIGHT YOUR CANDLE ♪
57
00:02:02,216 --> 00:02:03,815
♪ HEY, LITTLE THINGS, LET ME
LIGHT YOUR CANDLE ♪
WOW, WHAT A DEAL.
58
00:02:03,817 --> 00:02:08,787
LIGHT YOUR CANDLE ♪
WOW, WHAT A DEAL.
JUST 30 CLASSIC OTHERS, ALL
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00:02:08,789 --> 00:02:09,154
WOW, WHAT A DEAL.
JUST 30 CLASSIC OTHERS, ALL
HORRIBLE.
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00:02:09,156 --> 00:02:09,921
JUST 30 CLASSIC OTHERS, ALL
HORRIBLE.
SUNG BY YOUR FAVORITE PRESIDENT
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00:02:09,923 --> 00:02:12,457
HORRIBLE.
SUNG BY YOUR FAVORITE PRESIDENT
TO DEFEND OUR MOVEMENT, AND
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00:02:12,459 --> 00:02:16,828
SUNG BY YOUR FAVORITE PRESIDENT
TO DEFEND OUR MOVEMENT, AND
MOSTLY MYSELF, FROM THE EVIL
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00:02:16,830 --> 00:02:18,396
TO DEFEND OUR MOVEMENT, AND
MOSTLY MYSELF, FROM THE EVIL
MANHATTAN DA.
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00:02:18,398 --> 00:02:21,066
MOSTLY MYSELF, FROM THE EVIL
MANHATTAN DA.
THAT MEANS DISTRICT ATTORNEY.
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00:02:21,068 --> 00:02:24,102
MANHATTAN DA.
THAT MEANS DISTRICT ATTORNEY.
BUT I'M A FIGHTER, AND SPEAKING
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00:02:24,104 --> 00:02:25,237
THAT MEANS DISTRICT ATTORNEY.
BUT I'M A FIGHTER, AND SPEAKING
OF FIGHTING AND TAKING ADVANTAGE
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00:02:25,239 --> 00:02:26,705
BUT I'M A FIGHTER, AND SPEAKING
OF FIGHTING AND TAKING ADVANTAGE
OF FIGHTERS, HERE'S MY FRIEND
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00:02:26,707 --> 00:02:28,306
OF FIGHTING AND TAKING ADVANTAGE
OF FIGHTERS, HERE'S MY FRIEND
DON KING.
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00:02:28,308 --> 00:02:31,643
OF FIGHTERS, HERE'S MY FRIEND
DON KING.
>> HEY, EVERYBODY.
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00:02:31,645 --> 00:02:34,145
DON KING.
>> HEY, EVERYBODY.
WHAT Y'ALL DOING TO THIS MAN IS
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00:02:34,147 --> 00:02:36,948
>> HEY, EVERYBODY.
WHAT Y'ALL DOING TO THIS MAN IS
A TRAGEDY.
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00:02:36,950 --> 00:02:38,950
WHAT Y'ALL DOING TO THIS MAN IS
A TRAGEDY.
>> SOMEBODY WITH THE BIG HAIR
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00:02:38,952 --> 00:02:41,419
A TRAGEDY.
>> SOMEBODY WITH THE BIG HAIR
MURDERED A GUY.
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00:02:41,421 --> 00:02:42,120
>> SOMEBODY WITH THE BIG HAIR
MURDERED A GUY.
CAN YOU BELIEVE IT.
75
00:02:42,122 --> 00:02:44,189
MURDERED A GUY.
CAN YOU BELIEVE IT.
♪ ISLANDS IN THE STREAM, THAT IS
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00:02:44,191 --> 00:02:46,892
CAN YOU BELIEVE IT.
♪ ISLANDS IN THE STREAM, THAT IS
WHAT WE ARE, NO ONE IN BETWEEN,
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00:02:46,894 --> 00:02:48,960
♪ ISLANDS IN THE STREAM, THAT IS
WHAT WE ARE, NO ONE IN BETWEEN,
HOW CAN WE BE WRONG ♪
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00:02:48,962 --> 00:02:50,395
WHAT WE ARE, NO ONE IN BETWEEN,
HOW CAN WE BE WRONG ♪
WE'RE NOT WRONG.
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00:02:50,397 --> 00:02:52,364
HOW CAN WE BE WRONG ♪
WE'RE NOT WRONG.
I'VE NEVER BEEN WRONG.
80
00:02:52,366 --> 00:02:55,400
WE'RE NOT WRONG.
I'VE NEVER BEEN WRONG.
♪ MAKING LOVE TO EACH OTHER,
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00:02:55,402 --> 00:02:55,800
I'VE NEVER BEEN WRONG.
♪ MAKING LOVE TO EACH OTHER,
UH-HUH♪
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00:02:55,802 --> 00:03:00,405
♪ MAKING LOVE TO EACH OTHER,
UH-HUH♪
DON NG, EVERYBODY.
83
00:03:00,407 --> 00:03:04,009
UH-HUH♪
DON NG, EVERYBODY.
SPEAKINGF LOVE, ME AND THE
84
00:03:04,011 --> 00:03:05,644
DON NG, EVERYBODY.
SPEAKINGF LOVE, ME AND THE
FIRST LADY, MELANIA, ARE IN HIGH
85
00:03:05,646 --> 00:03:05,977
SPEAKINGF LOVE, ME AND THE
FIRST LADY, MELANIA, ARE IN HIGH
SPIRITS.
86
00:03:05,979 --> 00:03:09,080
FIRST LADY, MELANIA, ARE IN HIGH
SPIRITS.
SINCE THE NEWS OF MY POSSIBLE
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00:03:09,082 --> 00:03:11,716
SPIRITS.
SINCE THE NEWS OF MY POSSIBLE
IMPRISONMENT, I'VE NEVER SEEN
88
00:03:11,718 --> 00:03:13,051
SINCE THE NEWS OF MY POSSIBLE
IMPRISONMENT, I'VE NEVER SEEN
MELANIA HAPPIER.
89
00:03:13,053 --> 00:03:14,419
IMPRISONMENT, I'VE NEVER SEEN
MELANIA HAPPIER.
SHE'S THE MOST BEAUTIFUL WOMAN
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00:03:14,421 --> 00:03:16,021
MELANIA HAPPIER.
SHE'S THE MOST BEAUTIFUL WOMAN
IN THE WORLD, SECOND ONLY TO
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00:03:16,023 --> 00:03:18,056
SHE'S THE MOST BEAUTIFUL WOMAN
IN THE WORLD, SECOND ONLY TO
PERHAPS MANY YOUNGER, HOTTER
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00:03:18,058 --> 00:03:18,356
IN THE WORLD, SECOND ONLY TO
PERHAPS MANY YOUNGER, HOTTER
WOMEN.
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00:03:18,358 --> 00:03:19,624
PERHAPS MANY YOUNGER, HOTTER
WOMEN.
BUT WE LIKE HER.
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00:03:19,626 --> 00:03:21,126
WOMEN.
BUT WE LIKE HER.
ALSO JUST TO SET THE RECORD
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00:03:21,128 --> 00:03:23,561
BUT WE LIKE HER.
ALSO JUST TO SET THE RECORD
STRAIGHT, I DIDN'T EVEN SLEEP
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00:03:23,563 --> 00:03:28,566
ALSO JUST TO SET THE RECORD
STRAIGHT, I DIDN'T EVEN SLEEP
WITH STORMY DANIELS, BUT IN MANY
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00:03:28,568 --> 00:03:29,601
STRAIGHT, I DIDN'T EVEN SLEEP
WITH STORMY DANIELS, BUT IN MANY
WAYS, I DID.
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00:03:29,603 --> 00:03:32,170
WITH STORMY DANIELS, BUT IN MANY
WAYS, I DID.
ISN'T IT IRONIC THE FIRST TIME I
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00:03:32,172 --> 00:03:34,539
WAYS, I DID.
ISN'T IT IRONIC THE FIRST TIME I
PAY SOMEONE, THEY TRY TO SEND ME
100
00:03:34,541 --> 00:03:34,973
ISN'T IT IRONIC THE FIRST TIME I
PAY SOMEONE, THEY TRY TO SEND ME
TO JAIL.
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00:03:34,975 --> 00:03:38,877
PAY SOMEONE, THEY TRY TO SEND ME
TO JAIL.
THAT'S WHY YOU DON'T PAY PEOPLE,
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00:03:38,879 --> 00:03:39,177
TO JAIL.
THAT'S WHY YOU DON'T PAY PEOPLE,
FOLKS.
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00:03:39,179 --> 00:03:40,345
THAT'S WHY YOU DON'T PAY PEOPLE,
FOLKS.
YOU NEVER PAY PEOPLE.
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00:03:40,347 --> 00:03:42,447
FOLKS.
YOU NEVER PAY PEOPLE.
PRETTY IRONIC.
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00:03:42,449 --> 00:03:47,585
YOU NEVER PAY PEOPLE.
PRETTY IRONIC.
♪ IT'S LIKE RAIN ON YOUR WEDDING
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00:03:47,587 --> 00:03:50,822
PRETTY IRONIC.
♪ IT'S LIKE RAIN ON YOUR WEDDING
DAY, WHO WOULD HAVE THOUGHT, IT
107
00:03:50,824 --> 00:03:51,323
♪ IT'S LIKE RAIN ON YOUR WEDDING
DAY, WHO WOULD HAVE THOUGHT, IT
FIGURES ♪
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00:03:51,325 --> 00:03:53,692
DAY, WHO WOULD HAVE THOUGHT, IT
FIGURES ♪
AND FOLKS, IF THEY CAN COME FOR
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00:03:53,694 --> 00:03:55,260
FIGURES ♪
AND FOLKS, IF THEY CAN COME FOR
ME, THEY CAN COME FOR YOU TOO.
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00:03:55,262 --> 00:03:57,696
AND FOLKS, IF THEY CAN COME FOR
ME, THEY CAN COME FOR YOU TOO.
OR IN THE CASE OF JANUARY 6th,
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00:03:57,698 --> 00:03:58,964
ME, THEY CAN COME FOR YOU TOO.
OR IN THE CASE OF JANUARY 6th,
THEY CAN COME FOR YOU AND NOT
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00:03:58,966 --> 00:03:59,497
OR IN THE CASE OF JANUARY 6th,
THEY CAN COME FOR YOU AND NOT
FOR ME.
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00:03:59,499 --> 00:04:01,232
THEY CAN COME FOR YOU AND NOT
FOR ME.
I LIKE THAT ONE A LITTLE BIT
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00:04:01,234 --> 00:04:01,566
FOR ME.
I LIKE THAT ONE A LITTLE BIT
BETTER.
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00:04:01,568 --> 00:04:03,268
I LIKE THAT ONE A LITTLE BIT
BETTER.
BECAUSE I REALLY DON'T WANT TO
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00:04:03,270 --> 00:04:05,537
BETTER.
BECAUSE I REALLY DON'T WANT TO
GO TO JAIL, BUT WHEN I THINK
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00:04:05,539 --> 00:04:08,173
BECAUSE I REALLY DON'T WANT TO
GO TO JAIL, BUT WHEN I THINK
ABOUT HOW SHREDDED I MIGHT GET,
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00:04:08,175 --> 00:04:09,708
GO TO JAIL, BUT WHEN I THINK
ABOUT HOW SHREDDED I MIGHT GET,
IT'S AWFULLY TEMPTING.
119
00:04:09,710 --> 00:04:12,177
ABOUT HOW SHREDDED I MIGHT GET,
IT'S AWFULLY TEMPTING.
CAN YOU IMAGINE ME PUMPING IRON
120
00:04:12,179 --> 00:04:14,346
IT'S AWFULLY TEMPTING.
CAN YOU IMAGINE ME PUMPING IRON
IN THE JAIL YARD WITH THE
121
00:04:14,348 --> 00:04:14,679
CAN YOU IMAGINE ME PUMPING IRON
IN THE JAIL YARD WITH THE
HOMIES?
122
00:04:14,681 --> 00:04:16,715
IN THE JAIL YARD WITH THE
HOMIES?
GETTING REAL BIG ON TOP, LITTLE
123
00:04:16,717 --> 00:04:17,816
HOMIES?
GETTING REAL BIG ON TOP, LITTLE
ON BOTTOM.
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00:04:17,818 --> 00:04:19,250
GETTING REAL BIG ON TOP, LITTLE
ON BOTTOM.
TOTALLY PRISON YOLKED, LOOKING
125
00:04:19,252 --> 00:04:21,386
ON BOTTOM.
TOTALLY PRISON YOLKED, LOOKING
LIKE A CANDY APPLE.
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00:04:21,388 --> 00:04:23,221
TOTALLY PRISON YOLKED, LOOKING
LIKE A CANDY APPLE.
PERHAPS I MIGHT EVEN BECOME
127
00:04:23,223 --> 00:04:25,957
LIKE A CANDY APPLE.
PERHAPS I MIGHT EVEN BECOME
RECEPTIVE TO THE TEACHINGS OF
128
00:04:25,959 --> 00:04:27,959
PERHAPS I MIGHT EVEN BECOME
RECEPTIVE TO THE TEACHINGS OF
THE PROFIT MUHAMMAD.
129
00:04:27,961 --> 00:04:29,327
RECEPTIVE TO THE TEACHINGS OF
THE PROFIT MUHAMMAD.
ALTHOUGH WITH, I'VE NEVER SEEN
130
00:04:29,329 --> 00:04:31,196
THE PROFIT MUHAMMAD.
ALTHOUGH WITH, I'VE NEVER SEEN
ANY PICTURES OF HIM.
131
00:04:31,198 --> 00:04:33,565
ALTHOUGH WITH, I'VE NEVER SEEN
ANY PICTURES OF HIM.
KIND OF SUS.
132
00:04:33,567 --> 00:04:34,499
ANY PICTURES OF HIM.
KIND OF SUS.
UH-OH, WHO'S THIS?
133
00:04:34,501 --> 00:04:37,569
KIND OF SUS.
UH-OH, WHO'S THIS?
IT'S A MAN WHO, LIKEME, WAS
134
00:04:37,571 --> 00:04:39,604
UH-OH, WHO'S THIS?
IT'S A MAN WHO, LIKEME, WAS
ILLEGALLY RAIDED, AND HE'S
135
00:04:39,606 --> 00:04:42,440
IT'S A MAN WHO, LIKEME, WAS
ILLEGALLY RAIDED, AND HE'S
TURNING IT INTO BIG BUCKS.
136
00:04:42,442 --> 00:04:43,241
ILLEGALLY RAIDED, AND HE'S
TURNING IT INTO BIG BUCKS.
AFRO MAN.
137
00:04:43,243 --> 00:04:45,410
TURNING IT INTO BIG BUCKS.
AFRO MAN.
♪ I WAS GOING TO GO TO CLASS,
138
00:04:45,412 --> 00:04:47,579
AFRO MAN.
♪ I WAS GOING TO GO TO CLASS,
BUT THEN I GOT HIGH ♪
139
00:04:47,581 --> 00:04:50,248
♪ I WAS GOING TO GO TO CLASS,
BUT THEN I GOT HIGH ♪
DRUGS ARE KILLING OUR CHILDREN.
140
00:04:50,250 --> 00:04:50,715
BUT THEN I GOT HIGH ♪
DRUGS ARE KILLING OUR CHILDREN.
♪
141
00:04:50,717 --> 00:04:52,484
DRUGS ARE KILLING OUR CHILDREN.
♪
I COULD HAVE CHEATED, BUT I
142
00:04:52,486 --> 00:04:57,288
♪
I COULD HAVE CHEATED, BUT I
PASSED, AND THEN I GOT HIGH ♪
143
00:04:57,290 --> 00:05:01,393
I COULD HAVE CHEATED, BUT I
PASSED, AND THEN I GOT HIGH ♪
REAL SHAME.
144
00:05:01,395 --> 00:05:03,661
PASSED, AND THEN I GOT HIGH ♪
REAL SHAME.
♪ BECAUSE I GOT HIGH, BECAUSE I
145
00:05:03,663 --> 00:05:05,997
REAL SHAME.
♪ BECAUSE I GOT HIGH, BECAUSE I
GOT HIGH, BECAUSE I GOT HIGH ♪
146
00:05:05,999 --> 00:05:08,366
♪ BECAUSE I GOT HIGH, BECAUSE I
GOT HIGH, BECAUSE I GOT HIGH ♪
WE NEED TO BE EXECUTING OUR DRUG
147
00:05:08,368 --> 00:05:08,700
GOT HIGH, BECAUSE I GOT HIGH ♪
WE NEED TO BE EXECUTING OUR DRUG
DEALERS.
148
00:05:08,702 --> 00:05:12,070
WE NEED TO BE EXECUTING OUR DRUG
DEALERS.
THANK YOU, AFRO MAN.
149
00:05:12,072 --> 00:05:14,506
DEALERS.
THANK YOU, AFRO MAN.
FOLKS, FOLKS, YOUR HARD-EARNED
150
00:05:14,508 --> 00:05:15,573
THANK YOU, AFRO MAN.
FOLKS, FOLKS, YOUR HARD-EARNED
MONEY IS IMPORTANT.
151
00:05:15,575 --> 00:05:18,143
FOLKS, FOLKS, YOUR HARD-EARNED
MONEY IS IMPORTANT.
IF I GO TO JAIL, I WILL NEED
152
00:05:18,145 --> 00:05:20,045
MONEY IS IMPORTANT.
IF I GO TO JAIL, I WILL NEED
MONEY FOR COMMISSARY SNACKS.
153
00:05:20,047 --> 00:05:27,919
IF I GO TO JAIL, I WILL NEED
MONEY FOR COMMISSARY SNACKS.
I WILL NEED A SUPPLY OF RAMONS
154
00:05:27,921 --> 00:05:29,821
MONEY FOR COMMISSARY SNACKS.
I WILL NEED A SUPPLY OF RAMONS
TO SUCCESSF BARTER WITH A
155
00:05:29,823 --> 00:05:32,424
I WILL NEED A SUPPLY OF RAMONS
TO SUCCESSF BARTER WITH A
MAN NAMED LIZARD.
156
00:05:32,426 --> 00:05:35,060
TO SUCCESSF BARTER WITH A
MAN NAMED LIZARD.
AND NOW MY MOST LOYAL SUPPORTER,
157
00:05:35,062 --> 00:05:37,062
MAN NAMED LIZARD.
AND NOW MY MOST LOYAL SUPPORTER,
I WISH HE WOULD GO AWAY.
158
00:05:37,064 --> 00:05:39,330
AND NOW MY MOST LOYAL SUPPORTER,
I WISH HE WOULD GO AWAY.
HE'S MY KENDALL ROY.
159
00:05:39,332 --> 00:05:39,964
I WISH HE WOULD GO AWAY.
HE'S MY KENDALL ROY.
IT'S DON JR.
160
00:05:39,966 --> 00:05:42,567
HE'S MY KENDALL ROY.
IT'S DON JR.
>> WOW, DAD, THIS IS REALLY
161
00:05:42,569 --> 00:05:42,934
IT'S DON JR.
>> WOW, DAD, THIS IS REALLY
EMOTIONAL.
162
00:05:42,936 --> 00:05:44,969
>> WOW, DAD, THIS IS REALLY
EMOTIONAL.
IT MIGHT BE THE LAST TIME I SEE
163
00:05:44,971 --> 00:05:45,270
EMOTIONAL.
IT MIGHT BE THE LAST TIME I SEE
YOU.
164
00:05:45,272 --> 00:05:47,238
IT MIGHT BE THE LAST TIME I SEE
YOU.
>> FROM YOUR MOUTH TO GOD'S
165
00:05:47,240 --> 00:05:47,539
YOU.
>> FROM YOUR MOUTH TO GOD'S
EARS.
166
00:05:47,541 --> 00:05:50,675
>> FROM YOUR MOUTH TO GOD'S
EARS.
♪ THE BOY'S A LIAR, THE BOY'S A
167
00:05:50,677 --> 00:05:52,410
EARS.
♪ THE BOY'S A LIAR, THE BOY'S A
LIAR, HE DOESN'T SEE YA, YOU'RE
168
00:05:52,412 --> 00:06:02,620
♪ THE BOY'S A LIAR, THE BOY'S A
LIAR, HE DOESN'T SEE YA, YOU'RE
NOT LOOKING AT ME, BOY ♪
169
00:06:02,622 --> 00:06:02,921
LIAR, HE DOESN'T SEE YA, YOU'RE
NOT LOOKING AT ME, BOY ♪
YEAH!
170
00:06:02,923 --> 00:06:04,689
NOT LOOKING AT ME, BOY ♪
YEAH!
VERY STRANGE ENERGY, MY SON.
171
00:06:04,691 --> 00:06:05,690
YEAH!
VERY STRANGE ENERGY, MY SON.
DON'T LIKE IT.
172
00:06:05,692 --> 00:06:10,862
VERY STRANGE ENERGY, MY SON.
DON'T LIKE IT.
HE'S SAYING THAT I'M GOOD
173
00:06:10,864 --> 00:06:13,565
DON'T LIKE IT.
HE'S SAYING THAT I'M GOOD
ENOUGH, GRABBING MY DRRR, WE
174
00:06:13,567 --> 00:06:15,700
HE'S SAYING THAT I'M GOOD
ENOUGH, GRABBING MY DRRR, WE
LOVE ICE SPICE, DON'T WE?
175
00:06:15,702 --> 00:06:17,936
ENOUGH, GRABBING MY DRRR, WE
LOVE ICE SPICE, DON'T WE?
ICE SPICE.
176
00:06:17,938 --> 00:06:20,004
LOVE ICE SPICE, DON'T WE?
ICE SPICE.
LOOK AT THIS BEAUTIFUL HAIR.
177
00:06:20,006 --> 00:06:22,006
ICE SPICE.
LOOK AT THIS BEAUTIFUL HAIR.
MANHATTAN, I'LL SEE YOU ON
178
00:06:22,008 --> 00:06:22,340
LOOK AT THIS BEAUTIFUL HAIR.
MANHATTAN, I'LL SEE YOU ON
TUESDAY.
179
00:06:22,342 --> 00:06:23,441
MANHATTAN, I'LL SEE YOU ON
TUESDAY.
WE'LL BE WILD.
180
00:06:23,443 --> 00:06:24,175
TUESDAY.
WE'LL BE WILD.
AND LIVE FROM NEW YORK, IT'S
181
00:06:24,177 --> 00:06:31,816
WE'LL BE WILD.
AND LIVE FROM NEW YORK, IT'S
SATURDAY NIGHT!
182
00:06:31,818 --> 00:06:33,184
AND LIVE FROM NEW YORK, IT'S
SATURDAY NIGHT!
>> Announcer: IT'S "SATURDAY
183
00:06:33,186 --> 00:06:35,954
SATURDAY NIGHT!
>> Announcer: IT'S "SATURDAY
NIGHT LIVE" WITH --
184
00:07:38,317 --> 00:07:39,317
FEATURING --
185
00:08:16,755 --> 00:08:30,768
MUSICAL GUEST, LIL YACHTY.
AND YOUR HOST, QUINTA BRUNSON.
LADIES AND GENTLEMEN, QUINTA
186
00:08:30,770 --> 00:08:33,705
AND YOUR HOST, QUINTA BRUNSON.
LADIES AND GENTLEMEN, QUINTA
BRUNSON.
187
00:08:33,707 --> 00:08:54,425
LADIES AND GENTLEMEN, QUINTA
BRUNSON.
[ CHEERS AND APPLAUSE ]
188
00:08:54,427 --> 00:08:55,193
BRUNSON.
[ CHEERS AND APPLAUSE ]
>>> THANK YOU.
189
00:08:55,195 --> 00:08:55,860
[ CHEERS AND APPLAUSE ]
>>> THANK YOU.
THANK YOU!
190
00:08:55,862 --> 00:08:57,295
>>> THANK YOU.
THANK YOU!
THANK YOU SO VERY MUCH.
191
00:08:57,297 --> 00:08:59,464
THANK YOU!
THANK YOU SO VERY MUCH.
MY NAME IS QUINTA BRUNSON, AND
192
00:08:59,466 --> 00:09:01,566
THANK YOU SO VERY MUCH.
MY NAME IS QUINTA BRUNSON, AND
LET ME JUST FIRST SAY, I AM SO
193
00:09:01,568 --> 00:09:03,401
MY NAME IS QUINTA BRUNSON, AND
LET ME JUST FIRST SAY, I AM SO
EXCITED TO BE HERE.
194
00:09:03,403 --> 00:09:04,869
LET ME JUST FIRST SAY, I AM SO
EXCITED TO BE HERE.
I HAVE BEEN DREAMING ABOUT THIS
195
00:09:04,871 --> 00:09:09,874
EXCITED TO BE HERE.
I HAVE BEEN DREAMING ABOUT THIS
SINCE I WAS A KID.
196
00:09:09,876 --> 00:09:11,743
I HAVE BEEN DREAMING ABOUT THIS
SINCE I WAS A KID.
I ACTUALLY -- I WANTED TO BE ON
197
00:09:11,745 --> 00:09:12,777
SINCE I WAS A KID.
I ACTUALLY -- I WANTED TO BE ON
SNL BACK IN THE DAY.
198
00:09:12,779 --> 00:09:15,713
I ACTUALLY -- I WANTED TO BE ON
SNL BACK IN THE DAY.
BUT THE AUDITION PROCESS SEEMED
199
00:09:15,715 --> 00:09:16,447
SNL BACK IN THE DAY.
BUT THE AUDITION PROCESS SEEMED
WELL, LONG.
200
00:09:16,449 --> 00:09:19,884
BUT THE AUDITION PROCESS SEEMED
WELL, LONG.
SO INSTEAD, I JUST CREATED MY
201
00:09:19,886 --> 00:09:22,020
WELL, LONG.
SO INSTEAD, I JUST CREATED MY
OWN TV SHOW, MADE SURE IT BECAME
202
00:09:22,022 --> 00:09:24,422
SO INSTEAD, I JUST CREATED MY
OWN TV SHOW, MADE SURE IT BECAME
REALLY POPULAR, WON A BUNCH OF
203
00:09:24,424 --> 00:09:25,123
OWN TV SHOW, MADE SURE IT BECAME
REALLY POPULAR, WON A BUNCH OF
EMMYS, AND THEN GOT ASKED TO
204
00:09:25,125 --> 00:09:25,423
REALLY POPULAR, WON A BUNCH OF
EMMYS, AND THEN GOT ASKED TO
HOST.
205
00:09:25,425 --> 00:09:28,226
EMMYS, AND THEN GOT ASKED TO
HOST.
SO MUCH EASIER.
206
00:09:28,228 --> 00:09:30,161
HOST.
SO MUCH EASIER.
I HAVE A SHOW CALLED ABBOTT
207
00:09:30,163 --> 00:09:34,399
SO MUCH EASIER.
I HAVE A SHOW CALLED ABBOTT
ELEMENTARY.
208
00:09:34,401 --> 00:09:40,805
I HAVE A SHOW CALLED ABBOTT
ELEMENTARY.
AND IT'S KIND OF UNIQUE.
209
00:09:40,807 --> 00:09:42,273
ELEMENTARY.
AND IT'S KIND OF UNIQUE.
IT'S A STREAMING SHOW -- IT'
210
00:09:42,275 --> 00:09:42,840
AND IT'S KIND OF UNIQUE.
IT'S A STREAMING SHOW -- IT'
NOT A STREAMING SHOW.
211
00:09:42,842 --> 00:09:44,676
IT'S A STREAMING SHOW -- IT'
NOT A STREAMING SHOW.
IT'S A NETWORK SITCOM, LIKE
212
00:09:44,678 --> 00:09:45,677
NOT A STREAMING SHOW.
IT'S A NETWORK SITCOM, LIKE
FRIENDS EXCEPT INSTEAD OF BEING
213
00:09:45,679 --> 00:09:47,278
IT'S A NETWORK SITCOM, LIKE
FRIENDS EXCEPT INSTEAD OF BEING
ABOUT A GROUP OF FRIENDS, IT'S
214
00:09:47,280 --> 00:09:48,913
FRIENDS EXCEPT INSTEAD OF BEING
ABOUT A GROUP OF FRIENDS, IT'S
ABOUT A GROUP OF TEACHERS.
215
00:09:48,915 --> 00:09:51,115
ABOUT A GROUP OF FRIENDS, IT'S
ABOUT A GROUP OF TEACHERS.
AND INSTEAD OF NEW YORK, IT'S IN
216
00:09:51,117 --> 00:09:52,650
ABOUT A GROUP OF TEACHERS.
AND INSTEAD OF NEW YORK, IT'S IN
PHILADELPHIA, AND INSTEAD OF NOT
217
00:09:52,652 --> 00:09:58,956
AND INSTEAD OF NEW YORK, IT'S IN
PHILADELPHIA, AND INSTEAD OF NOT
HAVING BLACK PEOPLE, IT DOES.
218
00:09:58,958 --> 00:09:59,757
PHILADELPHIA, AND INSTEAD OF NOT
HAVING BLACK PEOPLE, IT DOES.
I GREW UP IN PHILLY, AND MY MOM
219
00:09:59,759 --> 00:10:02,260
HAVING BLACK PEOPLE, IT DOES.
I GREW UP IN PHILLY, AND MY MOM
WAS A TEACHER THERE, SO CREATING
220
00:10:02,262 --> 00:10:04,295
I GREW UP IN PHILLY, AND MY MOM
WAS A TEACHER THERE, SO CREATING
A SHOW ABOUT TEACHERS HAS BEEN
221
00:10:04,297 --> 00:10:06,864
WAS A TEACHER THERE, SO CREATING
A SHOW ABOUT TEACHERS HAS BEEN
REALLY SPECIAL.
222
00:10:06,866 --> 00:10:07,598
A SHOW ABOUT TEACHERS HAS BEEN
REALLY SPECIAL.
NOW, EVERY TIME THERE'S AN ISSUE
223
00:10:07,600 --> 00:10:08,866
REALLY SPECIAL.
NOW, EVERY TIME THERE'S AN ISSUE
WITH THE PUBLIC SCHOOL SYSTEM,
224
00:10:08,868 --> 00:10:10,902
NOW, EVERY TIME THERE'S AN ISSUE
WITH THE PUBLIC SCHOOL SYSTEM,
PEOPLE EXPECT ME TO SOLVE IT.
225
00:10:10,904 --> 00:10:12,370
WITH THE PUBLIC SCHOOL SYSTEM,
PEOPLE EXPECT ME TO SOLVE IT.
AND THAT'S NOT FAIR.
226
00:10:12,372 --> 00:10:14,772
PEOPLE EXPECT ME TO SOLVE IT.
AND THAT'S NOT FAIR.
LAST WEEK WHEN THAT BANK
227
00:10:14,774 --> 00:10:16,541
AND THAT'S NOT FAIR.
LAST WEEK WHEN THAT BANK
COLLAPSED, NO ONE WANTED TO GO
228
00:10:16,543 --> 00:10:18,843
LAST WEEK WHEN THAT BANK
COLLAPSED, NO ONE WANTED TO GO
UP TO THE CAST OF SUCCESSION
229
00:10:18,845 --> 00:10:20,778
COLLAPSED, NO ONE WANTED TO GO
UP TO THE CAST OF SUCCESSION
LIKE HOW DO WE FIX THIS?
230
00:10:20,780 --> 00:10:22,447
UP TO THE CAST OF SUCCESSION
LIKE HOW DO WE FIX THIS?
DON'T GET ME WRONG, I LOVE THAT
231
00:10:22,449 --> 00:10:24,749
LIKE HOW DO WE FIX THIS?
DON'T GET ME WRONG, I LOVE THAT
PEOPLE ARE ENJOYING ABBOTT, BUT
232
00:10:24,751 --> 00:10:26,584
DON'T GET ME WRONG, I LOVE THAT
PEOPLE ARE ENJOYING ABBOTT, BUT
I WISH THEY DIDN'T EXPECT ME TO
233
00:10:26,586 --> 00:10:30,755
PEOPLE ARE ENJOYING ABBOTT, BUT
I WISH THEY DIDN'T EXPECT ME TO
BE LIKE MY CHARACTER ALL THE
234
00:10:30,757 --> 00:10:31,055
I WISH THEY DIDN'T EXPECT ME TO
BE LIKE MY CHARACTER ALL THE
TIME.
235
00:10:31,057 --> 00:10:32,824
BE LIKE MY CHARACTER ALL THE
TIME.
JANINE TEAGUES IS A CARING
236
00:10:32,826 --> 00:10:34,058
TIME.
JANINE TEAGUES IS A CARING
SECOND GRADE TEACHER WHO IS GOOD
237
00:10:34,060 --> 00:10:36,627
JANINE TEAGUES IS A CARING
SECOND GRADE TEACHER WHO IS GOOD
AND WHOLESOME, AND I'M THE
238
00:10:36,629 --> 00:10:36,994
SECOND GRADE TEACHER WHO IS GOOD
AND WHOLESOME, AND I'M THE
OPPOSITE.
239
00:10:36,996 --> 00:10:40,164
AND WHOLESOME, AND I'M THE
OPPOSITE.
I'M NOT A FILTHY WHORE, BUT I
240
00:10:40,166 --> 00:10:40,865
OPPOSITE.
I'M NOT A FILTHY WHORE, BUT I
LIKE TO HAVE FUN.
241
00:10:40,867 --> 00:10:42,834
I'M NOT A FILTHY WHORE, BUT I
LIKE TO HAVE FUN.
I NEED TO LIVE MY LIFE WITHOUT
242
00:10:42,836 --> 00:10:45,903
LIKE TO HAVE FUN.
I NEED TO LIVE MY LIFE WITHOUT
SOMEONE SAYING, DAMN,
243
00:10:45,905 --> 00:10:46,771
I NEED TO LIVE MY LIFE WITHOUT
SOMEONE SAYING, DAMN,
244
00:10:46,773 --> 00:10:49,040
SOMEONE SAYING, DAMN,
MS. TEAGUES IS OUT HERE GETTING
245
00:10:49,042 --> 00:10:51,776
MS. TEAGUES IS OUT HERE GETTING
WASTED AT UNIVERSAL STUDIOS.
246
00:10:51,778 --> 00:10:53,244
MS. TEAGUES IS OUT HERE GETTING
WASTED AT UNIVERSAL STUDIOS.
I JUST WANT PEOPLE TO LOWER
247
00:10:53,246 --> 00:10:54,912
WASTED AT UNIVERSAL STUDIOS.
I JUST WANT PEOPLE TO LOWER
THEIR EXPECTATIONS OF ME.
248
00:10:54,914 --> 00:10:56,948
I JUST WANT PEOPLE TO LOWER
THEIR EXPECTATIONS OF ME.
I'M STILL YOUNG, FIGURING THINGS
249
00:10:56,950 --> 00:10:57,215
THEIR EXPECTATIONS OF ME.
I'M STILL YOUNG, FIGURING THINGS
OUT.
250
00:10:57,217 --> 00:10:59,684
I'M STILL YOUNG, FIGURING THINGS
OUT.
I'VE HAD TO START LYING TO MY
251
00:10:59,686 --> 00:11:01,919
OUT.
I'VE HAD TO START LYING TO MY
MOM ABOUT WHO I'M HANGING OUT
252
00:11:01,921 --> 00:11:02,420
I'VE HAD TO START LYING TO MY
MOM ABOUT WHO I'M HANGING OUT
WITH.
253
00:11:02,422 --> 00:11:05,123
MOM ABOUT WHO I'M HANGING OUT
WITH.
I'M LIKE, I'M GOING TO CHILL
254
00:11:05,125 --> 00:11:07,358
WITH.
I'M LIKE, I'M GOING TO CHILL
WITH MY FRIEND IN HER GARDEN,
255
00:11:07,360 --> 00:11:09,527
I'M LIKE, I'M GOING TO CHILL
WITH MY FRIEND IN HER GARDEN,
AND I DON'T TELL HER IT'S
256
00:11:09,529 --> 00:11:10,528
WITH MY FRIEND IN HER GARDEN,
AND I DON'T TELL HER IT'S
OPRAH'S GARDEN.
257
00:11:10,530 --> 00:11:12,897
AND I DON'T TELL HER IT'S
OPRAH'S GARDEN.
OR WHEN I TELL HER I'M GOING OUT
258
00:11:12,899 --> 00:11:15,933
OPRAH'S GARDEN.
OR WHEN I TELL HER I'M GOING OUT
TO DINNER BUT NOT WITH WHO.
259
00:11:15,935 --> 00:11:17,568
OR WHEN I TELL HER I'M GOING OUT
TO DINNER BUT NOT WITH WHO.
>> I'M HAVING DINNER WITH YOUR
260
00:11:17,570 --> 00:11:18,269
TO DINNER BUT NOT WITH WHO.
>> I'M HAVING DINNER WITH YOUR
DAUGHTER HERE.
261
00:11:18,271 --> 00:11:20,238
>> I'M HAVING DINNER WITH YOUR
DAUGHTER HERE.
WE'RE SO PROUD OF HER, BUT WE'RE
262
00:11:20,240 --> 00:11:22,240
DAUGHTER HERE.
WE'RE SO PROUD OF HER, BUT WE'RE
ALSO PROUD OF YOU NOT ONLY
263
00:11:22,242 --> 00:11:23,908
WE'RE SO PROUD OF HER, BUT WE'RE
ALSO PROUD OF YOU NOT ONLY
BECAUSE YOU'RE A GREAT MOM BUT
264
00:11:23,910 --> 00:11:25,543
ALSO PROUD OF YOU NOT ONLY
BECAUSE YOU'RE A GREAT MOM BUT
BECAUSE YOU ARE A TEACHER.
265
00:11:25,545 --> 00:11:28,579
BECAUSE YOU'RE A GREAT MOM BUT
BECAUSE YOU ARE A TEACHER.
MOST IMPORTANT JOB THERE IS.
266
00:11:28,581 --> 00:11:32,650
BECAUSE YOU ARE A TEACHER.
MOST IMPORTANT JOB THERE IS.
>> AS MY FRIEND BARACK SAID -- I
267
00:11:32,652 --> 00:11:34,719
MOST IMPORTANT JOB THERE IS.
>> AS MY FRIEND BARACK SAID -- I
CALL HIM BARACK NOW.
268
00:11:34,721 --> 00:11:36,854
>> AS MY FRIEND BARACK SAID -- I
CALL HIM BARACK NOW.
MY MOM REALLY WAS AN AMAZING
269
00:11:36,856 --> 00:11:39,290
CALL HIM BARACK NOW.
MY MOM REALLY WAS AN AMAZING
TEACHER, AND I'M SO PROUD OF
270
00:11:39,292 --> 00:11:39,590
MY MOM REALLY WAS AN AMAZING
TEACHER, AND I'M SO PROUD OF
HER.
271
00:11:39,592 --> 00:11:41,893
TEACHER, AND I'M SO PROUD OF
HER.
BUT I ALSO NO FIRSTHAND THAT
272
00:11:41,895 --> 00:11:43,828
HER.
BUT I ALSO NO FIRSTHAND THAT
TEACHERS GET TAKEN FOR GRANTED.
273
00:11:43,830 --> 00:11:45,663
BUT I ALSO NO FIRSTHAND THAT
TEACHERS GET TAKEN FOR GRANTED.
LIKE I'VE ALWAYS HAD A
274
00:11:45,665 --> 00:11:46,063
TEACHERS GET TAKEN FOR GRANTED.
LIKE I'VE ALWAYS HAD A
DISHWASHER.
275
00:11:46,065 --> 00:11:48,299
LIKE I'VE ALWAYS HAD A
DISHWASHER.
NEVER THOUGHT ABOUT IT, LOADED
276
00:11:48,301 --> 00:11:52,170
DISHWASHER.
NEVER THOUGHT ABOUT IT, LOADED
IT UP, KICKED IT SHUT, WENT TO
277
00:11:52,172 --> 00:11:52,670
NEVER THOUGHT ABOUT IT, LOADED
IT UP, KICKED IT SHUT, WENT TO
BED WASTED.
278
00:11:52,672 --> 00:11:54,138
IT UP, KICKED IT SHUT, WENT TO
BED WASTED.
BUT THEN MY HUSBAND AND I MOVED
279
00:11:54,140 --> 00:11:56,841
BED WASTED.
BUT THEN MY HUSBAND AND I MOVED
INTO AN APARTMENT THAT DIDN'T
280
00:11:56,843 --> 00:11:59,243
BUT THEN MY HUSBAND AND I MOVED
INTO AN APARTMENT THAT DIDN'T
HAVE A DISHWASHER, AND AFTER ONE
281
00:11:59,245 --> 00:12:01,712
INTO AN APARTMENT THAT DIDN'T
HAVE A DISHWASHER, AND AFTER ONE
DAY, I WAS LIKE, WE GOT TO GET
282
00:12:01,714 --> 00:12:02,480
HAVE A DISHWASHER, AND AFTER ONE
DAY, I WAS LIKE, WE GOT TO GET
THE HELL OUT OF HERE.
283
00:12:02,482 --> 00:12:04,081
DAY, I WAS LIKE, WE GOT TO GET
THE HELL OUT OF HERE.
THAT'S HOW PARENTS FEEL WHEN
284
00:12:04,083 --> 00:12:05,883
THE HELL OUT OF HERE.
THAT'S HOW PARENTS FEEL WHEN
THEY DON'T HAVE A TEACHER DURING
285
00:12:05,885 --> 00:12:06,984
THAT'S HOW PARENTS FEEL WHEN
THEY DON'T HAVE A TEACHER DURING
THE PANDEMIC.
286
00:12:06,986 --> 00:12:08,386
THEY DON'T HAVE A TEACHER DURING
THE PANDEMIC.
SUDDENLY PARENTS ARE LIKE, WE
287
00:12:08,388 --> 00:12:11,255
THE PANDEMIC.
SUDDENLY PARENTS ARE LIKE, WE
HAVE TO TEACH THESE DISHES NOW?
288
00:12:11,257 --> 00:12:12,890
SUDDENLY PARENTS ARE LIKE, WE
HAVE TO TEACH THESE DISHES NOW?
FEED THESE DISHES NOW?
289
00:12:12,892 --> 00:12:15,293
HAVE TO TEACH THESE DISHES NOW?
FEED THESE DISHES NOW?
WHY DID I HAVE SO MANY DISHES?
290
00:12:15,295 --> 00:12:17,261
FEED THESE DISHES NOW?
WHY DID I HAVE SO MANY DISHES?
THAT LAST DISH WAS A MISTAKE.
291
00:12:17,263 --> 00:12:18,663
WHY DID I HAVE SO MANY DISHES?
THAT LAST DISH WAS A MISTAKE.
SERIOUSLY, TEACHERS ARE PEOPLE,
292
00:12:18,665 --> 00:12:19,964
THAT LAST DISH WAS A MISTAKE.
SERIOUSLY, TEACHERS ARE PEOPLE,
NOT APPLIANCES.
293
00:12:19,966 --> 00:12:21,499
SERIOUSLY, TEACHERS ARE PEOPLE,
NOT APPLIANCES.
SO PLEASE, REMEMBER HOW
294
00:12:21,501 --> 00:12:23,100
NOT APPLIANCES.
SO PLEASE, REMEMBER HOW
IMPORTANT TEACHERS ARE.
295
00:12:23,102 --> 00:12:24,168
SO PLEASE, REMEMBER HOW
IMPORTANT TEACHERS ARE.
ACKNOWLEDGE THE WORK THEY DO
296
00:12:24,170 --> 00:12:27,138
IMPORTANT TEACHERS ARE.
ACKNOWLEDGE THE WORK THEY DO
EVERY DAY, AND FOR THE LOVE OF
297
00:12:27,140 --> 00:12:30,608
ACKNOWLEDGE THE WORK THEY DO
EVERY DAY, AND FOR THE LOVE OF
GOD, PAY THEM THE MONEY THEY
298
00:12:30,610 --> 00:12:30,942
EVERY DAY, AND FOR THE LOVE OF
GOD, PAY THEM THE MONEY THEY
DESERVE.
299
00:12:30,944 --> 00:12:32,743
GOD, PAY THEM THE MONEY THEY
DESERVE.
WE GOT A GREATHOW FOR YOU
300
00:12:32,745 --> 00:12:33,077
DESERVE.
WE GOT A GREATHOW FOR YOU
TONIGHT.
301
00:12:33,079 --> 00:12:56,767
WE GOT A GREATHOW FOR YOU
TONIGHT.
LIL YACHTY
302
00:12:56,769 --> 00:12:59,837
TONIGHT.
LIL YACHTY
>>> DUDE, I THOUGHT THIS CLUB
303
00:12:59,839 --> 00:13:02,640
LIL YACHTY
>>> DUDE, I THOUGHT THIS CLUB
WAS A LITTLE SKETCHY AT FIRST,
304
00:13:02,642 --> 00:13:03,541
>>> DUDE, I THOUGHT THIS CLUB
WAS A LITTLE SKETCHY AT FIRST,
BUT THE GIRLS HERE ARE INSANE.
305
00:13:03,543 --> 00:13:04,842
WAS A LITTLE SKETCHY AT FIRST,
BUT THE GIRLS HERE ARE INSANE.
>> I KNOW.
306
00:13:04,844 --> 00:13:06,577
BUT THE GIRLS HERE ARE INSANE.
>> I KNOW.
I ALREADY GOT LIKE THREE PHONE
307
00:13:06,579 --> 00:13:06,944
>> I KNOW.
I ALREADY GOT LIKE THREE PHONE
NUMBERS.
308
00:13:06,946 --> 00:13:09,680
I ALREADY GOT LIKE THREE PHONE
NUMBERS.
>> THE ONLY THING THAT WOULD
309
00:13:09,682 --> 00:13:10,781
NUMBERS.
>> THE ONLY THING THAT WOULD
MAKE THIS NIGHT MORE PERFECT IS
310
00:13:10,783 --> 00:13:12,216
>> THE ONLY THING THAT WOULD
MAKE THIS NIGHT MORE PERFECT IS
IF WE COULD SCORE A LITTLE
311
00:13:12,218 --> 00:13:12,617
MAKE THIS NIGHT MORE PERFECT IS
IF WE COULD SCORE A LITTLE
SOMETHING.
312
00:13:12,619 --> 00:13:13,417
IF WE COULD SCORE A LITTLE
SOMETHING.
>> YOU MEAN LIKE COKE?
313
00:13:13,419 --> 00:13:14,886
SOMETHING.
>> YOU MEAN LIKE COKE?
>> YEAH, MAN.
314
00:13:14,888 --> 00:13:15,386
>> YOU MEAN LIKE COKE?
>> YEAH, MAN.
>> I DON'T KNOW.
315
00:13:15,388 --> 00:13:16,921
>> YEAH, MAN.
>> I DON'T KNOW.
>> WHY NOT?
316
00:13:16,923 --> 00:13:19,257
>> I DON'T KNOW.
>> WHY NOT?
WE'RE ON VACATION, RIGHT?
317
00:13:19,259 --> 00:13:20,224
>> WHY NOT?
WE'RE ON VACATION, RIGHT?
>> ALL RIGHT.
318
00:13:20,226 --> 00:13:21,492
WE'RE ON VACATION, RIGHT?
>> ALL RIGHT.
AS LONG AS WE CAN FIND SOMETHING
319
00:13:21,494 --> 00:13:22,093
>> ALL RIGHT.
AS LONG AS WE CAN FIND SOMETHING
THAT'S PURE.
320
00:13:22,095 --> 00:13:25,329
AS LONG AS WE CAN FIND SOMETHING
THAT'S PURE.
THERE'S A LOT OF GARBAGE GOING
321
00:13:25,331 --> 00:13:25,863
THAT'S PURE.
THERE'S A LOT OF GARBAGE GOING
AROUND RIGHT NOW.
322
00:13:25,865 --> 00:13:26,197
THERE'S A LOT OF GARBAGE GOING
AROUND RIGHT NOW.
>> HEY.
323
00:13:26,199 --> 00:13:28,132
AROUND RIGHT NOW.
>> HEY.
YOU GUYS LOOKING FOR SOME
324
00:13:28,134 --> 00:13:29,967
>> HEY.
YOU GUYS LOOKING FOR SOME
COCAINE?
325
00:13:29,969 --> 00:13:30,301
YOU GUYS LOOKING FOR SOME
COCAINE?
>> WHAT?
326
00:13:30,303 --> 00:13:32,703
COCAINE?
>> WHAT?
>> I SAID, DO YOU WANT TO GET
327
00:13:32,705 --> 00:13:33,037
>> WHAT?
>> I SAID, DO YOU WANT TO GET
HIGH?
328
00:13:33,039 --> 00:13:34,572
>> I SAID, DO YOU WANT TO GET
HIGH?
BECAUSE I CAN MAKE THAT HAPPEN.
329
00:13:34,574 --> 00:13:35,606
HIGH?
BECAUSE I CAN MAKE THAT HAPPEN.
>> WAIT, SERIOUSLY?
330
00:13:35,608 --> 00:13:37,875
BECAUSE I CAN MAKE THAT HAPPEN.
>> WAIT, SERIOUSLY?
>> I MEAN, IS IT PURE?
331
00:13:37,877 --> 00:13:39,310
>> WAIT, SERIOUSLY?
>> I MEAN, IS IT PURE?
>> IS IT PURE?
332
00:13:39,312 --> 00:13:40,945
>> I MEAN, IS IT PURE?
>> IS IT PURE?
DON'T INSULT ME, MAN.
333
00:13:40,947 --> 00:13:43,180
>> IS IT PURE?
DON'T INSULT ME, MAN.
MY PRODUCT IS SO PURE WHITE,
334
00:13:43,182 --> 00:13:45,316
DON'T INSULT ME, MAN.
MY PRODUCT IS SO PURE WHITE,
IT'S LIKE A BUNNY RABBIT MAKING
335
00:13:45,318 --> 00:13:46,717
MY PRODUCT IS SO PURE WHITE,
IT'S LIKE A BUNNY RABBIT MAKING
SNOW ANGELS ON A CLOUD.
336
00:13:46,719 --> 00:13:48,819
IT'S LIKE A BUNNY RABBIT MAKING
SNOW ANGELS ON A CLOUD.
>> SOUNDS GOOD TO ME.
337
00:13:48,821 --> 00:13:49,353
SNOW ANGELS ON A CLOUD.
>> SOUNDS GOOD TO ME.
>> HEY.
338
00:13:49,355 --> 00:13:51,722
>> SOUNDS GOOD TO ME.
>> HEY.
YOU GUYS LOOKING FOR COCAINE?
339
00:13:51,724 --> 00:13:53,591
>> HEY.
YOU GUYS LOOKING FOR COCAINE?
>> OH, I THINK WE FOUND SOME
340
00:13:53,593 --> 00:13:53,925
YOU GUYS LOOKING FOR COCAINE?
>> OH, I THINK WE FOUND SOME
ALREADY.
341
00:13:53,927 --> 00:13:54,625
>> OH, I THINK WE FOUND SOME
ALREADY.
>> YEAH.
342
00:13:54,627 --> 00:13:56,060
ALREADY.
>> YEAH.
THEY ALREADY FOUND SOME.
343
00:13:56,062 --> 00:13:57,194
>> YEAH.
THEY ALREADY FOUND SOME.
GET LOST.
344
00:13:57,196 --> 00:14:00,431
THEY ALREADY FOUND SOME.
GET LOST.
>> WELL, MY STUFF IS SO WHITE,
345
00:14:00,433 --> 00:14:03,100
GET LOST.
>> WELL, MY STUFF IS SO WHITE,
IT'S LIKE GWENYTH PALTROW SKIING
346
00:14:03,102 --> 00:14:04,135
>> WELL, MY STUFF IS SO WHITE,
IT'S LIKE GWENYTH PALTROW SKIING
IN UTAH.
347
00:14:04,137 --> 00:14:05,002
IT'S LIKE GWENYTH PALTROW SKIING
IN UTAH.
>> OKAY.
348
00:14:05,004 --> 00:14:05,636
IN UTAH.
>> OKAY.
>> DAMN.
349
00:14:05,638 --> 00:14:06,237
>> OKAY.
>> DAMN.
I'M SOLD.
350
00:14:06,239 --> 00:14:07,204
>> DAMN.
I'M SOLD.
HOW MUCH FOR THAT?
351
00:14:07,206 --> 00:14:08,372
I'M SOLD.
HOW MUCH FOR THAT?
>> WAIT A MINUTE.
352
00:14:08,374 --> 00:14:10,608
HOW MUCH FOR THAT?
>> WAIT A MINUTE.
MY COCAINE IS SO PURE WHITE,
353
00:14:10,610 --> 00:14:13,578
>> WAIT A MINUTE.
MY COCAINE IS SO PURE WHITE,
IT'S LIKE THE GUY THAT'S SUING
354
00:14:13,580 --> 00:14:15,379
MY COCAINE IS SO PURE WHITE,
IT'S LIKE THE GUY THAT'S SUING
GWENYTH PALTROW BECAUSE HE CAN'T
355
00:14:15,381 --> 00:14:17,048
IT'S LIKE THE GUY THAT'S SUING
GWENYTH PALTROW BECAUSE HE CAN'T
ENJOY WINE TASTINGS ANYMORE.
356
00:14:17,050 --> 00:14:19,116
GWENYTH PALTROW BECAUSE HE CAN'T
ENJOY WINE TASTINGS ANYMORE.
>> Y'ALL LOOKING FOR SOME
357
00:14:19,118 --> 00:14:19,617
ENJOY WINE TASTINGS ANYMORE.
>> Y'ALL LOOKING FOR SOME
COCAINE?
358
00:14:19,619 --> 00:14:20,451
>> Y'ALL LOOKING FOR SOME
COCAINE?
>> NO.
359
00:14:20,453 --> 00:14:21,519
COCAINE?
>> NO.
>> T ALREADY DECIDED, MAN.
360
00:14:21,521 --> 00:14:23,754
>> NO.
>> T ALREADY DECIDED, MAN.
>> WELL, NO, WE HAVEN'T.
361
00:14:23,756 --> 00:14:25,723
>> T ALREADY DECIDED, MAN.
>> WELL, NO, WE HAVEN'T.
WE'RE JUST TRYING TO MAKE SURE
362
00:14:25,725 --> 00:14:26,123
>> WELL, NO, WE HAVEN'T.
WE'RE JUST TRYING TO MAKE SURE
IT'S PURE.
363
00:14:26,125 --> 00:14:28,225
WE'RE JUST TRYING TO MAKE SURE
IT'S PURE.
>> LET ME TELL YOU THIS, MAN,
364
00:14:28,227 --> 00:14:30,962
IT'S PURE.
>> LET ME TELL YOU THIS, MAN,
THE COKE I GOT IS SO WHITE, ITS
365
00:14:30,964 --> 00:14:32,897
>> LET ME TELL YOU THIS, MAN,
THE COKE I GOT IS SO WHITE, ITS
DAD SENDS IT MONEY EVERY MONTH
366
00:14:32,899 --> 00:14:33,331
THE COKE I GOT IS SO WHITE, ITS
DAD SENDS IT MONEY EVERY MONTH
FOR THE RENT.
367
00:14:33,333 --> 00:14:33,664
DAD SENDS IT MONEY EVERY MONTH
FOR THE RENT.
>> OKAY.
368
00:14:33,666 --> 00:14:35,032
FOR THE RENT.
>> OKAY.
I THINK I WANT THAT ONE.
369
00:14:35,034 --> 00:14:38,302
>> OKAY.
I THINK I WANT THAT ONE.
>> NO, NO, NO.
370
00:14:38,304 --> 00:14:38,736
I THINK I WANT THAT ONE.
>> NO, NO, NO.
THAT IS JUNK.
371
00:14:38,738 --> 00:14:39,870
>> NO, NO, NO.
THAT IS JUNK.
THIS STUFF RIGHT HERE IS SO
372
00:14:39,872 --> 00:14:41,672
THAT IS JUNK.
THIS STUFF RIGHT HERE IS SO
WHITE, IT TAKES ITS SHOES AND
373
00:14:41,674 --> 00:14:42,873
THIS STUFF RIGHT HERE IS SO
WHITE, IT TAKES ITS SHOES AND
SOCKS OFF ON A PLANE.
374
00:14:42,875 --> 00:14:44,308
WHITE, IT TAKES ITS SHOES AND
SOCKS OFF ON A PLANE.
>> NO, NO, NO.
375
00:14:44,310 --> 00:14:45,176
SOCKS OFF ON A PLANE.
>> NO, NO, NO.
YOU DON'T WANT THAT.
376
00:14:45,178 --> 00:14:46,877
>> NO, NO, NO.
YOU DON'T WANT THAT.
THIS IS WHAT YOU WANT, MAN.
377
00:14:46,879 --> 00:14:49,146
YOU DON'T WANT THAT.
THIS IS WHAT YOU WANT, MAN.
THIS COKE RIGHT HERE IS WHITER
378
00:14:49,148 --> 00:14:52,516
THIS IS WHAT YOU WANT, MAN.
THIS COKE RIGHT HERE IS WHITER
THAN SEASON TWO OF "THE WIRE."
379
00:14:52,518 --> 00:14:53,884
THIS COKE RIGHT HERE IS WHITER
THAN SEASON TWO OF "THE WIRE."
>> OH, YEAH?
380
00:14:53,886 --> 00:14:56,787
THAN SEASON TWO OF "THE WIRE."
>> OH, YEAH?
WELL, MY COKE IS LIKE --
381
00:14:56,789 --> 00:14:58,789
>> OH, YEAH?
WELL, MY COKE IS LIKE --
♪ CUT MY LIFE INTO PIECES, THIS
382
00:14:58,791 --> 00:15:01,826
WELL, MY COKE IS LIKE --
♪ CUT MY LIFE INTO PIECES, THIS
IS MY LAST RESORT ♪
383
00:15:01,828 --> 00:15:03,427
♪ CUT MY LIFE INTO PIECES, THIS
IS MY LAST RESORT ♪
>> MINE IS LIKE --
384
00:15:03,429 --> 00:15:05,429
IS MY LAST RESORT ♪
>> MINE IS LIKE --
♪ I CHIMED IN WITH A HAVEN'T YOU
385
00:15:05,431 --> 00:15:10,735
>> MINE IS LIKE --
♪ I CHIMED IN WITH A HAVEN'T YOU
PEOPLE EVER HEARD OF CLOSING THE
386
00:15:10,737 --> 00:15:12,670
♪ I CHIMED IN WITH A HAVEN'T YOU
PEOPLE EVER HEARD OF CLOSING THE
GOD DAMN DOOR ♪
387
00:15:12,672 --> 00:15:13,938
PEOPLE EVER HEARD OF CLOSING THE
GOD DAMN DOOR ♪
>> THAIS WHITE, YEAH.
388
00:15:13,940 --> 00:15:14,572
GOD DAMN DOOR ♪
>> THAIS WHITE, YEAH.
>> HEY.
389
00:15:14,574 --> 00:15:17,174
>> THAIS WHITE, YEAH.
>> HEY.
YOU GUYS LOOKING FOR SOME
390
00:15:17,176 --> 00:15:17,908
>> HEY.
YOU GUYS LOOKING FOR SOME
COCAINE?
391
00:15:17,910 --> 00:15:18,342
YOU GUYS LOOKING FOR SOME
COCAINE?
>> WE GOOD.
392
00:15:18,344 --> 00:15:19,477
COCAINE?
>> WE GOOD.
>> THEY'RE ALL SET, MAN.
393
00:15:19,479 --> 00:15:21,278
>> WE GOOD.
>> THEY'RE ALL SET, MAN.
>> WE'RE LOOKING FOR COKE THAT'S
394
00:15:21,280 --> 00:15:23,247
>> THEY'RE ALL SET, MAN.
>> WE'RE LOOKING FOR COKE THAT'S
SO PURE WHITE, IT GOT A LITTLE
395
00:15:23,249 --> 00:15:25,216
>> WE'RE LOOKING FOR COKE THAT'S
SO PURE WHITE, IT GOT A LITTLE
BOTTLE OPENER ON ITS FLIP FLOPS.
396
00:15:25,218 --> 00:15:27,184
SO PURE WHITE, IT GOT A LITTLE
BOTTLE OPENER ON ITS FLIP FLOPS.
>> MY COKE IS SO PURE, IT WAS
397
00:15:27,186 --> 00:15:29,420
BOTTLE OPENER ON ITS FLIP FLOPS.
>> MY COKE IS SO PURE, IT WAS
WRITTEN AND DIRECTED BY NOAH
398
00:15:29,422 --> 00:15:29,787
>> MY COKE IS SO PURE, IT WAS
WRITTEN AND DIRECTED BY NOAH
BAUMBACH.
399
00:15:29,789 --> 00:15:31,756
WRITTEN AND DIRECTED BY NOAH
BAUMBACH.
>> WHO THE HELL IS NOAH
400
00:15:31,758 --> 00:15:32,123
BAUMBACH.
>> WHO THE HELL IS NOAH
BAUMBACH?
401
00:15:32,125 --> 00:15:34,558
>> WHO THE HELL IS NOAH
BAUMBACH?
>> A POET.
402
00:15:34,560 --> 00:15:35,493
BAUMBACH?
>> A POET.
>> MAN, THAT'S NOTHING.
403
00:15:35,495 --> 00:15:38,295
>> A POET.
>> MAN, THAT'S NOTHING.
THIS COCAINE I GOT SAYS STUFF
404
00:15:38,297 --> 00:15:40,698
>> MAN, THAT'S NOTHING.
THIS COCAINE I GOT SAYS STUFF
LIKE, OOP, LET ME SCOOT RIGHT BY
405
00:15:40,700 --> 00:15:40,998
THIS COCAINE I GOT SAYS STUFF
LIKE, OOP, LET ME SCOOT RIGHT BY
YOU.
406
00:15:41,000 --> 00:15:42,533
LIKE, OOP, LET ME SCOOT RIGHT BY
YOU.
>> NO, NO, NO.
407
00:15:42,535 --> 00:15:44,669
YOU.
>> NO, NO, NO.
THIS COCAINE IS SO WHITE --
408
00:15:44,671 --> 00:15:46,504
>> NO, NO, NO.
THIS COCAINE IS SO WHITE --
>> OH, SORRY.
409
00:15:46,506 --> 00:15:47,638
THIS COCAINE IS SO WHITE --
>> OH, SORRY.
HOW WHITE IS IT?
410
00:15:47,640 --> 00:15:48,172
>> OH, SORRY.
HOW WHITE IS IT?
>> THANK YOU.
411
00:15:48,174 --> 00:15:50,641
HOW WHITE IS IT?
>> THANK YOU.
IT'S SO WHITE, IT STANDS LIKE
412
00:15:50,643 --> 00:15:54,078
>> THANK YOU.
IT'S SO WHITE, IT STANDS LIKE
THIS ADMIRING ITS LAWN.
413
00:15:54,080 --> 00:15:56,914
IT'S SO WHITE, IT STANDS LIKE
THIS ADMIRING ITS LAWN.
>> MY COKE IS SO WHITE --
414
00:15:56,916 --> 00:15:57,581
THIS ADMIRING ITS LAWN.
>> MY COKE IS SO WHITE --
>> LET ME JUST SCOOT BY YOU
415
00:15:57,583 --> 00:16:05,556
>> MY COKE IS SO WHITE --
>> LET ME JUST SCOOT BY YOU
THERE.
416
00:16:05,558 --> 00:16:06,057
>> LET ME JUST SCOOT BY YOU
THERE.
OKAY.
417
00:16:06,059 --> 00:16:06,424
THERE.
OKAY.
TOODLES.
418
00:16:06,426 --> 00:16:07,091
OKAY.
TOODLES.
>> IT'S THAT WHITE.
419
00:16:07,093 --> 00:16:08,225
TOODLES.
>> IT'S THAT WHITE.
>> I ALREADY SAID THAT ONE.
420
00:16:08,227 --> 00:16:09,393
>> IT'S THAT WHITE.
>> I ALREADY SAID THAT ONE.
>> ALL RIGHT, MAN.
421
00:16:09,395 --> 00:16:10,761
>> I ALREADY SAID THAT ONE.
>> ALL RIGHT, MAN.
SO WHAT DO YOU THINK?
422
00:16:10,763 --> 00:16:11,829
>> ALL RIGHT, MAN.
SO WHAT DO YOU THINK?
>> HUH, I DON'T KNOW.
423
00:16:11,831 --> 00:16:12,396
SO WHAT DO YOU THINK?
>> HUH, I DON'T KNOW.
I STILL CAN'T DECIDE.
424
00:16:12,398 --> 00:16:19,236
>> HUH, I DON'T KNOW.
I STILL CAN'T DECIDE.
>> HEY.
425
00:16:19,238 --> 00:16:22,039
I STILL CAN'T DECIDE.
>> HEY.
YOU GUYS LOOKING FOR SOME BLACK
426
00:16:22,041 --> 00:16:23,240
>> HEY.
YOU GUYS LOOKING FOR SOME BLACK
TAR HEROIN?
427
00:16:23,242 --> 00:16:24,508
YOU GUYS LOOKING FOR SOME BLACK
TAR HEROIN?
>> WHAT?
428
00:16:24,510 --> 00:16:24,775
TAR HEROIN?
>> WHAT?
NO.
429
00:16:24,777 --> 00:16:27,411
>> WHAT?
NO.
>> OH, TOO BAD BECAUSE I'VE GOT
430
00:16:27,413 --> 00:16:29,547
NO.
>> OH, TOO BAD BECAUSE I'VE GOT
SOME BLACK TAR HEROIN THAT'S SO
431
00:16:29,549 --> 00:16:30,981
>> OH, TOO BAD BECAUSE I'VE GOT
SOME BLACK TAR HEROIN THAT'S SO
BLACK, IT'S -- YOU KNOW WHAT,
432
00:16:30,983 --> 00:16:31,849
SOME BLACK TAR HEROIN THAT'S SO
BLACK, IT'S -- YOU KNOW WHAT,
MAYBE I SHOULDN'T SAY.
433
00:16:31,851 --> 00:16:33,217
BLACK, IT'S -- YOU KNOW WHAT,
MAYBE I SHOULDN'T SAY.
>> NO, NO, NO.
434
00:16:33,219 --> 00:16:34,685
MAYBE I SHOULDN'T SAY.
>> NO, NO, NO.
WANT TO HEAR IT.
435
00:16:34,687 --> 00:16:35,586
>> NO, NO, NO.
WANT TO HEAR IT.
GO AHEAD.
436
00:16:35,588 --> 00:16:36,887
WANT TO HEAR IT.
GO AHEAD.
>> PLEASE TELL US.
437
00:16:36,889 --> 00:16:39,690
GO AHEAD.
>> PLEASE TELL US.
>> I WAS GOING TO SAY IT'S SO
438
00:16:39,692 --> 00:16:40,357
>> PLEASE TELL US.
>> I WAS GOING TO SAY IT'S SO
BLACK THAT IT'S STRONG AND
439
00:16:40,359 --> 00:16:43,561
>> I WAS GOING TO SAY IT'S SO
BLACK THAT IT'S STRONG AND
EQUAL.
440
00:16:43,563 --> 00:16:44,762
BLACK THAT IT'S STRONG AND
EQUAL.
AND WE SHOULD ALL REALLY GIVE IT
441
00:16:44,764 --> 00:16:45,262
EQUAL.
AND WE SHOULD ALL REALLY GIVE IT
A CHANCE.
442
00:16:45,264 --> 00:16:47,031
AND WE SHOULD ALL REALLY GIVE IT
A CHANCE.
YOU KNOW, I'M NOT EVEN HERE.
443
00:16:47,033 --> 00:16:48,099
A CHANCE.
YOU KNOW, I'M NOT EVEN HERE.
>> THAT'S WHAT I THOUGHT.
444
00:16:48,101 --> 00:16:51,168
YOU KNOW, I'M NOT EVEN HERE.
>> THAT'S WHAT I THOUGHT.
LIKE I SAID, THIS COKE IS SO
445
00:16:51,170 --> 00:16:53,838
>> THAT'S WHAT I THOUGHT.
LIKE I SAID, THIS COKE IS SO
WHITE, IT LIKES TO SAY IT'S FROM
446
00:16:53,840 --> 00:16:55,806
LIKE I SAID, THIS COKE IS SO
WHITE, IT LIKES TO SAY IT'S FROM
CHICAGO, BUT IT'S FROM A SUBURB
447
00:16:55,808 --> 00:16:56,941
WHITE, IT LIKES TO SAY IT'S FROM
CHICAGO, BUT IT'S FROM A SUBURB
OUTSIDE OF CHICAGO.
448
00:16:56,943 --> 00:17:03,814
CHICAGO, BUT IT'S FROM A SUBURB
OUTSIDE OF CHICAGO.
>> MY COKE IS 20 PAIRS OF YEEZY
449
00:17:03,816 --> 00:17:04,181
OUTSIDE OF CHICAGO.
>> MY COKE IS 20 PAIRS OF YEEZY
SNEAKERS.
450
00:17:04,183 --> 00:17:05,182
>> MY COKE IS 20 PAIRS OF YEEZY
SNEAKERS.
>> THAT DOESN'T SOUND WHITE.
451
00:17:05,184 --> 00:17:06,751
SNEAKERS.
>> THAT DOESN'T SOUND WHITE.
>> THEY'RE ALL DIRTY.
452
00:17:06,753 --> 00:17:07,785
>> THAT DOESN'T SOUND WHITE.
>> THEY'RE ALL DIRTY.
>> THAT'S WHITE.
453
00:17:07,787 --> 00:17:09,286
>> THEY'RE ALL DIRTY.
>> THAT'S WHITE.
>> THAT'S ENOUGH.
454
00:17:09,288 --> 00:17:11,021
>> THAT'S WHITE.
>> THAT'S ENOUGH.
THOSE ALL SOUND VERY WHITE AND
455
00:17:11,023 --> 00:17:11,322
>> THAT'S ENOUGH.
THOSE ALL SOUND VERY WHITE AND
PURE.
456
00:17:11,324 --> 00:17:11,989
THOSE ALL SOUND VERY WHITE AND
PURE.
I CAN'T DECIDE.
457
00:17:11,991 --> 00:17:14,592
PURE.
I CAN'T DECIDE.
SO I GUESS WE'LL TAKE ONE FROM
458
00:17:14,594 --> 00:17:14,892
I CAN'T DECIDE.
SO I GUESS WE'LL TAKE ONE FROM
EACH.
459
00:17:14,894 --> 00:17:16,293
SO I GUESS WE'LL TAKE ONE FROM
EACH.
>> OKAY.
460
00:17:16,295 --> 00:17:16,761
EACH.
>> OKAY.
>> ALL RIGHT.
461
00:17:16,763 --> 00:17:18,395
>> OKAY.
>> ALL RIGHT.
>> AND YOU'RE ABSOLUTELY SURE
462
00:17:18,397 --> 00:17:20,498
>> ALL RIGHT.
>> AND YOU'RE ABSOLUTELY SURE
THERE IS NO FENTANYL IN THIS,
463
00:17:20,500 --> 00:17:20,798
>> AND YOU'RE ABSOLUTELY SURE
THERE IS NO FENTANYL IN THIS,
RIGHT?
464
00:17:20,800 --> 00:17:21,298
THERE IS NO FENTANYL IN THIS,
RIGHT?
>> NOBODY SAID --
465
00:17:21,300 --> 00:17:25,770
RIGHT?
>> NOBODY SAID --
>> WELL --
466
00:17:32,644 --> 00:17:38,182
>>> IT ALL STARTED WITH A BOX ON
MY DOORSTEP.
>> AND A NOTE WITH A QUESTION.
467
00:17:38,184 --> 00:17:39,850
MY DOORSTEP.
>> AND A NOTE WITH A QUESTION.
>> I JUST GOT THIS FEELING THAT
468
00:17:39,852 --> 00:17:41,585
>> AND A NOTE WITH A QUESTION.
>> I JUST GOT THIS FEELING THAT
IT WASN'T THE KIND OF QUESTION
469
00:17:41,587 --> 00:17:43,521
>> I JUST GOT THIS FEELING THAT
IT WASN'T THE KIND OF QUESTION
YOU COULD SAY NO TO.
470
00:17:43,523 --> 00:17:44,855
IT WASN'T THE KIND OF QUESTION
YOU COULD SAY NO TO.
>> WILL YOU --
471
00:17:44,857 --> 00:17:45,856
YOU COULD SAY NO TO.
>> WILL YOU --
>> BE MY --
472
00:17:45,858 --> 00:17:47,358
>> WILL YOU --
>> BE MY --
>> BRIDESMAID.
473
00:17:47,360 --> 00:17:49,426
>> BE MY --
>> BRIDESMAID.
>> FROM THE PEOPLE WHO BROUGHT
474
00:17:49,428 --> 00:17:52,696
>> BRIDESMAID.
>> FROM THE PEOPLE WHO BROUGHT
YOU KEEP SWEET, WILD WILD
475
00:17:52,698 --> 00:17:57,535
>> FROM THE PEOPLE WHO BROUGHT
YOU KEEP SWEET, WILD WILD
COUNTRY, AND THE DOCUMENTARY
476
00:17:57,537 --> 00:18:00,171
YOU KEEP SWEET, WILD WILD
COUNTRY, AND THE DOCUMENTARY
COMES A NEW STORY, I WAS A
477
00:18:00,173 --> 00:18:00,571
COUNTRY, AND THE DOCUMENTARY
COMES A NEW STORY, I WAS A
BRIDESMAID.
478
00:18:00,573 --> 00:18:03,073
COMES A NEW STORY, I WAS A
BRIDESMAID.
>> EACH YEAR, MORE THAN 6
479
00:18:03,075 --> 00:18:04,008
BRIDESMAID.
>> EACH YEAR, MORE THAN 6
MILLION WOMEN FALL INTO THIS
480
00:18:04,010 --> 00:18:05,409
>> EACH YEAR, MORE THAN 6
MILLION WOMEN FALL INTO THIS
TYPE OF CULT.
481
00:18:05,411 --> 00:18:07,611
MILLION WOMEN FALL INTO THIS
TYPE OF CULT.
THEY PREY ON COLLEGE ROOMMATES
482
00:18:07,613 --> 00:18:08,846
TYPE OF CULT.
THEY PREY ON COLLEGE ROOMMATES
AND SISTERS IN LAW.
483
00:18:08,848 --> 00:18:12,283
THEY PREY ON COLLEGE ROOMMATES
AND SISTERS IN LAW.
>> THEY SELL YOU ON A ONE DAY.
484
00:18:12,285 --> 00:18:14,118
AND SISTERS IN LAW.
>> THEY SELL YOU ON A ONE DAY.
THE BUT FOR 18 MONTHS, I WAS
485
00:18:14,120 --> 00:18:16,420
>> THEY SELL YOU ON A ONE DAY.
THE BUT FOR 18 MONTHS, I WAS
FULLY SUCKED IN.
486
00:18:16,422 --> 00:18:17,655
THE BUT FOR 18 MONTHS, I WAS
FULLY SUCKED IN.
>> THERE WAS AN EMAIL CHAIN,
487
00:18:17,657 --> 00:18:19,790
FULLY SUCKED IN.
>> THERE WAS AN EMAIL CHAIN,
GROUP TEXTS, DM, A WHOLE
488
00:18:19,792 --> 00:18:21,425
>> THERE WAS AN EMAIL CHAIN,
GROUP TEXTS, DM, A WHOLE
CONVERSATION AND VENMO.
489
00:18:21,427 --> 00:18:23,928
GROUP TEXTS, DM, A WHOLE
CONVERSATION AND VENMO.
>> GOT PULLED INTO A 200
490
00:18:23,930 --> 00:18:25,563
CONVERSATION AND VENMO.
>> GOT PULLED INTO A 200
QUESTION POLL ABOUT CUSTOMIZED
491
00:18:25,565 --> 00:18:25,896
>> GOT PULLED INTO A 200
QUESTION POLL ABOUT CUSTOMIZED
SHIRTS.
492
00:18:25,898 --> 00:18:28,532
QUESTION POLL ABOUT CUSTOMIZED
SHIRTS.
WE ENDED UP GOING WITH BRIDE
493
00:18:28,534 --> 00:18:28,866
SHIRTS.
WE ENDED UP GOING WITH BRIDE
TRIBE.
494
00:18:28,868 --> 00:18:30,568
WE ENDED UP GOING WITH BRIDE
TRIBE.
>> THEY ALSO TARGET ANOTHER
495
00:18:30,570 --> 00:18:32,703
TRIBE.
>> THEY ALSO TARGET ANOTHER
VULNERABLE GROUP, OUTGOING GAY
496
00:18:32,705 --> 00:18:33,003
>> THEY ALSO TARGET ANOTHER
VULNERABLE GROUP, OUTGOING GAY
MEN.
497
00:18:33,005 --> 00:18:34,872
VULNERABLE GROUP, OUTGOING GAY
MEN.
>> I HAVE BEEN A BRIDESMAID AT
498
00:18:34,874 --> 00:18:35,940
MEN.
>> I HAVE BEEN A BRIDESMAID AT
NINE WEDDINGS THIS YEAR.
499
00:18:35,942 --> 00:18:37,174
>> I HAVE BEEN A BRIDESMAID AT
NINE WEDDINGS THIS YEAR.
WHENEVER A GIRL STARTS CALLING
500
00:18:37,176 --> 00:18:41,645
NINE WEDDINGS THIS YEAR.
WHENEVER A GIRL STARTS CALLING
ME SIS, I KNOW I'M IN TROUBLE.
501
00:18:41,647 --> 00:18:44,348
WHENEVER A GIRL STARTS CALLING
ME SIS, I KNOW I'M IN TROUBLE.
>> THE BACHELORETTE PARTY IS THE
502
00:18:44,350 --> 00:18:45,482
ME SIS, I KNOW I'M IN TROUBLE.
>> THE BACHELORETTE PARTY IS THE
FIRST MAJOR RITUAL, ALMOST
503
00:18:45,484 --> 00:18:46,317
>> THE BACHELORETTE PARTY IS THE
FIRST MAJOR RITUAL, ALMOST
ALWAYS IN NASHVILLE.
504
00:18:46,319 --> 00:18:48,052
FIRST MAJOR RITUAL, ALMOST
ALWAYS IN NASHVILLE.
>> I TRY TODAY SAY I COULDN'T GO
505
00:18:48,054 --> 00:18:49,119
ALWAYS IN NASHVILLE.
>> I TRY TODAY SAY I COULDN'T GO
BECAUSE OF MY STUDENT LOANS.
506
00:18:49,121 --> 00:18:51,655
>> I TRY TODAY SAY I COULDN'T GO
BECAUSE OF MY STUDENT LOANS.
THE MAID OF HONOR TEXTED BACK,
507
00:18:51,657 --> 00:18:55,693
BECAUSE OF MY STUDENT LOANS.
THE MAID OF HONOR TEXTED BACK,
NO WORRIES WITH A SPARKLE EMOJI.
508
00:18:55,695 --> 00:18:57,328
THE MAID OF HONOR TEXTED BACK,
NO WORRIES WITH A SPARKLE EMOJI.
I KNEW WHAT THAT MEANT.
509
00:18:57,330 --> 00:19:00,664
NO WORRIES WITH A SPARKLE EMOJI.
I KNEW WHAT THAT MEANT.
>> AT FIRST, I THOUGHT IT WAS
510
00:19:00,666 --> 00:19:01,432
I KNEW WHAT THAT MEANT.
>> AT FIRST, I THOUGHT IT WAS
THE BRIDE IN CHARGE, BUT IT WAS
511
00:19:01,434 --> 00:19:03,767
>> AT FIRST, I THOUGHT IT WAS
THE BRIDE IN CHARGE, BUT IT WAS
THE WOMAN UNDER HER, MICHELLE.
512
00:19:03,769 --> 00:19:05,569
THE BRIDE IN CHARGE, BUT IT WAS
THE WOMAN UNDER HER, MICHELLE.
>> MICHELLE WAS A SOCIOPATH.
513
00:19:05,571 --> 00:19:07,438
THE WOMAN UNDER HER, MICHELLE.
>> MICHELLE WAS A SOCIOPATH.
>> FIRST, WE'RE GOING TO BE
514
00:19:07,440 --> 00:19:09,874
>> MICHELLE WAS A SOCIOPATH.
>> FIRST, WE'RE GOING TO BE
GETTING UP AT 6:00 A.M. FOR A
515
00:19:09,876 --> 00:19:13,177
>> FIRST, WE'RE GOING TO BE
GETTING UP AT 6:00 A.M. FOR A
POLL DANCE FITNESS CLASS.
516
00:19:13,179 --> 00:19:15,346
GETTING UP AT 6:00 A.M. FOR A
POLL DANCE FITNESS CLASS.
WE'RE GOING TO BE RUNNING A NINE
517
00:19:15,348 --> 00:19:17,548
POLL DANCE FITNESS CLASS.
WE'RE GOING TO BE RUNNING A NINE
BIKE PERSON, AND DRINKING,
518
00:19:17,550 --> 00:19:18,082
WE'RE GOING TO BE RUNNING A NINE
BIKE PERSON, AND DRINKING,
DRINKING, DRINKING.
519
00:19:18,084 --> 00:19:19,750
BIKE PERSON, AND DRINKING,
DRINKING, DRINKING.
>> I'M NOT FEELING SO GOOD, SO
520
00:19:19,752 --> 00:19:21,952
DRINKING, DRINKING.
>> I'M NOT FEELING SO GOOD, SO
I'M GOING TO MEET YOU GUYS
521
00:19:21,954 --> 00:19:22,286
>> I'M NOT FEELING SO GOOD, SO
I'M GOING TO MEET YOU GUYS
LATER.
522
00:19:22,288 --> 00:19:23,821
I'M GOING TO MEET YOU GUYS
LATER.
>> OH, THAT'S OKAY.
523
00:19:23,823 --> 00:19:27,291
LATER.
>> OH, THAT'S OKAY.
HEY, BRITTANY, CAN WE TALK FOR A
524
00:19:27,293 --> 00:19:27,691
>> OH, THAT'S OKAY.
HEY, BRITTANY, CAN WE TALK FOR A
SEC?
525
00:19:27,693 --> 00:19:29,159
HEY, BRITTANY, CAN WE TALK FOR A
SEC?
>> I DON'T HAVE MANY MEMORIES
526
00:19:29,161 --> 00:19:30,494
SEC?
>> I DON'T HAVE MANY MEMORIES
FROM THE BACHELORETTE TRIP
527
00:19:30,496 --> 00:19:33,163
>> I DON'T HAVE MANY MEMORIES
FROM THE BACHELORETTE TRIP
BECAUSE I WAS DRUGGED BY MYSELF.
528
00:19:33,165 --> 00:19:35,199
FROM THE BACHELORETTE TRIP
BECAUSE I WAS DRUGGED BY MYSELF.
I HAD NO CHOICE.
529
00:19:35,201 --> 00:19:36,934
BECAUSE I WAS DRUGGED BY MYSELF.
I HAD NO CHOICE.
THESE WOMEN WERE TERRORIZING
530
00:19:36,936 --> 00:19:38,068
I HAD NO CHOICE.
THESE WOMEN WERE TERRORIZING
EVERY GAY BAR IN TOWN.
531
00:19:38,070 --> 00:19:41,605
THESE WOMEN WERE TERRORIZING
EVERY GAY BAR IN TOWN.
>> AS WITH ALL CULTS, THERE IS A
532
00:19:41,607 --> 00:19:42,139
EVERY GAY BAR IN TOWN.
>> AS WITH ALL CULTS, THERE IS A
FINANCIAL ELEMENT.
533
00:19:42,141 --> 00:19:46,310
>> AS WITH ALL CULTS, THERE IS A
FINANCIAL ELEMENT.
>> I SPENT $300 ON A BRIDESMAID
534
00:19:46,312 --> 00:19:46,610
FINANCIAL ELEMENT.
>> I SPENT $300 ON A BRIDESMAID
DRESS.
535
00:19:46,612 --> 00:19:47,978
>> I SPENT $300 ON A BRIDESMAID
DRESS.
THE BRIDES I'VE TRIED OTHER
536
00:19:47,980 --> 00:19:50,948
DRESS.
THE BRIDES I'VE TRIED OTHER
TIMES TO WEAR IT.
537
00:19:50,950 --> 00:19:54,285
THE BRIDES I'VE TRIED OTHER
TIMES TO WEAR IT.
WHERE AM I GOING THAT CALLS FOR
538
00:19:54,287 --> 00:19:56,120
TIMES TO WEAR IT.
WHERE AM I GOING THAT CALLS FOR
A BLUE CHIFFON GOWN?
539
00:19:56,122 --> 00:19:57,955
WHERE AM I GOING THAT CALLS FOR
A BLUE CHIFFON GOWN?
>> MORE MONEY, MORE GIFTS, THERE
540
00:19:57,957 --> 00:20:00,224
A BLUE CHIFFON GOWN?
>> MORE MONEY, MORE GIFTS, THERE
WAS ALL THIS PENIS STUFF,
541
00:20:00,226 --> 00:20:02,159
>> MORE MONEY, MORE GIFTS, THERE
WAS ALL THIS PENIS STUFF,
SASHES, STRAWS, EVERYONE ACTED
542
00:20:02,161 --> 00:20:03,928
WAS ALL THIS PENIS STUFF,
SASHES, STRAWS, EVERYONE ACTED
LIKE IT WAS HILARIOUS.
543
00:20:03,930 --> 00:20:04,495
SASHES, STRAWS, EVERYONE ACTED
LIKE IT WAS HILARIOUS.
I DIDN'T UNDERSTAND.
544
00:20:04,497 --> 00:20:06,230
LIKE IT WAS HILARIOUS.
I DIDN'T UNDERSTAND.
>> THE PENIS STUFF IS VERY
545
00:20:06,232 --> 00:20:06,530
I DIDN'T UNDERSTAND.
>> THE PENIS STUFF IS VERY
FUNNY.
546
00:20:06,532 --> 00:20:08,132
>> THE PENIS STUFF IS VERY
FUNNY.
I WILL SAY THAT.
547
00:20:08,134 --> 00:20:10,467
FUNNY.
I WILL SAY THAT.
>> AND FINALLY, IT WAS TIME FOR
548
00:20:10,469 --> 00:20:10,901
I WILL SAY THAT.
>> AND FINALLY, IT WAS TIME FOR
THE BIG DAY.
549
00:20:10,903 --> 00:20:13,203
>> AND FINALLY, IT WAS TIME FOR
THE BIG DAY.
>> I WAS SEPARATED FROM MY
550
00:20:13,205 --> 00:20:15,406
THE BIG DAY.
>> I WAS SEPARATED FROM MY
BOYFRIEND AND GIVEN A NEW
551
00:20:15,408 --> 00:20:18,542
>> I WAS SEPARATED FROM MY
BOYFRIEND AND GIVEN A NEW
PARTNER, THE GROOM'S COUSIN
552
00:20:18,544 --> 00:20:21,512
BOYFRIEND AND GIVEN A NEW
PARTNER, THE GROOM'S COUSIN
DONNY, WHO WAS INEXPLICABLY 61.
553
00:20:21,514 --> 00:20:26,016
PARTNER, THE GROOM'S COUSIN
DONNY, WHO WAS INEXPLICABLY 61.
>> FINAL RITUAL WAS THE MOST
554
00:20:26,018 --> 00:20:26,383
DONNY, WHO WAS INEXPLICABLY 61.
>> FINAL RITUAL WAS THE MOST
DEMEANING.
555
00:20:26,385 --> 00:20:28,485
>> FINAL RITUAL WAS THE MOST
DEMEANING.
WE HAD TO WRITE AND PERFORM
556
00:20:28,487 --> 00:20:33,590
DEMEANING.
WE HAD TO WRITE AND PERFORM
ORIGINAL LYRICS TO FRESH PRINCE
557
00:20:33,592 --> 00:20:37,194
WE HAD TO WRITE AND PERFORM
ORIGINAL LYRICS TO FRESH PRINCE
OF BELAIR.
558
00:20:37,196 --> 00:20:39,229
ORIGINAL LYRICS TO FRESH PRINCE
OF BELAIR.
>> AND THEN, ALL OF A SUDDEN, IT
559
00:20:39,231 --> 00:20:40,531
OF BELAIR.
>> AND THEN, ALL OF A SUDDEN, IT
WAS OVER.
560
00:20:40,533 --> 00:20:43,968
>> AND THEN, ALL OF A SUDDEN, IT
WAS OVER.
BUT I JUST GOT ENGAGED.
561
00:20:43,970 --> 00:20:45,069
WAS OVER.
BUT I JUST GOT ENGAGED.
DON'T WORRY.
562
00:20:45,071 --> 00:20:45,769
BUT I JUST GOT ENGAGED.
DON'T WORRY.
I'M GOING TO BE SUCH A CHILL
563
00:20:45,771 --> 00:20:52,743
DON'T WORRY.
I'M GOING TO BE SUCH A CHILL
BRIDE.
564
00:20:52,745 --> 00:20:56,714
I'M GOING TO BE SUCH A CHILL
BRIDE.
>>> IT'S TIME FOR COUPLE WARS
565
00:20:56,716 --> 00:21:01,118
BRIDE.
>>> IT'S TIME FOR COUPLE WARS
WITH YOUR HOST, BOB DABILDA.
566
00:21:01,120 --> 00:21:04,154
>>> IT'S TIME FOR COUPLE WARS
WITH YOUR HOST, BOB DABILDA.
>> WELCOME TO COUPLE GOALS.
567
00:21:04,156 --> 00:21:06,557
WITH YOUR HOST, BOB DABILDA.
>> WELCOME TO COUPLE GOALS.
LET'S MEET TODAY'S CONTESTANTS.
568
00:21:06,559 --> 00:21:10,794
>> WELCOME TO COUPLE GOALS.
LET'S MEET TODAY'S CONTESTANTS.
THEY RECENTLY CELEBRATED THEIR
569
00:21:10,796 --> 00:21:11,495
LET'S MEET TODAY'S CONTESTANTS.
THEY RECENTLY CELEBRATED THEIR
TEN-YEAR ANNIVERSARY, IT'S
570
00:21:11,497 --> 00:21:12,930
THEY RECENTLY CELEBRATED THEIR
TEN-YEAR ANNIVERSARY, IT'S
THOMAS AND MIA ANDERSON.
571
00:21:12,932 --> 00:21:15,199
TEN-YEAR ANNIVERSARY, IT'S
THOMAS AND MIA ANDERSON.
AND THEY LIVED ACROSS FROM EACH
572
00:21:15,201 --> 00:21:18,135
THOMAS AND MIA ANDERSON.
AND THEY LIVED ACROSS FROM EACH
OTHER DURING THE PANDEMIC, IT'S
573
00:21:18,137 --> 00:21:19,870
AND THEY LIVED ACROSS FROM EACH
OTHER DURING THE PANDEMIC, IT'S
JOHN AND LINDA CRONIN.
574
00:21:19,872 --> 00:21:20,738
OTHER DURING THE PANDEMIC, IT'S
JOHN AND LINDA CRONIN.
LET'S GET STARTED.
575
00:21:20,740 --> 00:21:22,639
JOHN AND LINDA CRONIN.
LET'S GET STARTED.
AS YOU KNOW, YOUR SPOUSES
576
00:21:22,641 --> 00:21:23,874
LET'S GET STARTED.
AS YOU KNOW, YOUR SPOUSES
ANSWERED A SERIES OF QUESTIONS
577
00:21:23,876 --> 00:21:25,642
AS YOU KNOW, YOUR SPOUSES
ANSWERED A SERIES OF QUESTIONS
BEFORE THE SHOW, AND IT'S UP TO
578
00:21:25,644 --> 00:21:27,478
ANSWERED A SERIES OF QUESTIONS
BEFORE THE SHOW, AND IT'S UP TO
YOU TO GUESS WHAT THEY SAID.
579
00:21:27,480 --> 00:21:29,680
BEFORE THE SHOW, AND IT'S UP TO
YOU TO GUESS WHAT THEY SAID.
QUESTION ONE, WHAT WAS YOUR
580
00:21:29,682 --> 00:21:30,881
YOU TO GUESS WHAT THEY SAID.
QUESTION ONE, WHAT WAS YOUR
WIFE'S FAVORITE FOOD?
581
00:21:30,883 --> 00:21:33,250
QUESTION ONE, WHAT WAS YOUR
WIFE'S FAVORITE FOOD?
>> COME ON, BOB, THAT'S EASY.
582
00:21:33,252 --> 00:21:34,952
WIFE'S FAVORITE FOOD?
>> COME ON, BOB, THAT'S EASY.
SHE'S THE QUEEN OF BURGERS.
583
00:21:34,954 --> 00:21:36,520
>> COME ON, BOB, THAT'S EASY.
SHE'S THE QUEEN OF BURGERS.
>> LET'S SEE WHAT MIA SAID.
584
00:21:36,522 --> 00:21:37,888
SHE'S THE QUEEN OF BURGERS.
>> LET'S SEE WHAT MIA SAID.
>> BURGERS.
585
00:21:37,890 --> 00:21:39,189
>> LET'S SEE WHAT MIA SAID.
>> BURGERS.
I'M THE BURGER QUEEN.
586
00:21:39,191 --> 00:21:39,890
>> BURGERS.
I'M THE BURGER QUEEN.
>> ALL RIGHT.
587
00:21:39,892 --> 00:21:42,493
I'M THE BURGER QUEEN.
>> ALL RIGHT.
THE ANDERSONS ARE ON THE BOARD.
588
00:21:42,495 --> 00:21:44,528
>> ALL RIGHT.
THE ANDERSONS ARE ON THE BOARD.
LET'S GO TO THE CRONINS, JOHN.
589
00:21:44,530 --> 00:21:46,764
THE ANDERSONS ARE ON THE BOARD.
LET'S GO TO THE CRONINS, JOHN.
>> I'M GOING TO GO WITH MY GUT
590
00:21:46,766 --> 00:21:48,699
LET'S GO TO THE CRONINS, JOHN.
>> I'M GOING TO GO WITH MY GUT
HERE AND SAY CREPES.
591
00:21:48,701 --> 00:21:52,136
>> I'M GOING TO GO WITH MY GUT
HERE AND SAY CREPES.
>> OH, NO, I SAID FISH STICKS.
592
00:21:52,138 --> 00:21:53,704
HERE AND SAY CREPES.
>> OH, NO, I SAID FISH STICKS.
WE'LL GET THEM NEXT TIME, BABE.
593
00:21:53,706 --> 00:21:54,805
>> OH, NO, I SAID FISH STICKS.
WE'LL GET THEM NEXT TIME, BABE.
>> QUESTION TWO.
594
00:21:54,807 --> 00:21:57,574
WE'LL GET THEM NEXT TIME, BABE.
>> QUESTION TWO.
WHAT IS YOUR HUSBAND'S GREATEST
595
00:21:57,576 --> 00:21:57,875
>> QUESTION TWO.
WHAT IS YOUR HUSBAND'S GREATEST
FEAR?
596
00:21:57,877 --> 00:21:59,843
WHAT IS YOUR HUSBAND'S GREATEST
FEAR?
>> I'VE SEEN THIS MAN IN THE
597
00:21:59,845 --> 00:22:01,779
FEAR?
>> I'VE SEEN THIS MAN IN THE
GARAGE, ANDND TRUST ME, THE ANSR
598
00:22:01,781 --> 00:22:03,313
>> I'VE SEEN THIS MAN IN THE
GARAGE, ANDND TRUST ME, THE ANSR
IS SPIDERS.
599
00:22:03,315 --> 00:22:04,648
GARAGE, ANDND TRUST ME, THE ANSR
IS SPIDERS.
>> ALL RIGHT.
600
00:22:04,650 --> 00:22:06,483
IS SPIDERS.
>> ALL RIGHT.
MIA SAID SPIDERS, AND THOMAS
601
00:22:06,485 --> 00:22:08,786
>> ALL RIGHT.
MIA SAID SPIDERS, AND THOMAS
SAID HIS GREATEST FEAR IS --
602
00:22:08,788 --> 00:22:09,987
MIA SAID SPIDERS, AND THOMAS
SAID HIS GREATEST FEAR IS --
THAT YOU'LL FALL DOWN THE STAIRS
603
00:22:09,989 --> 00:22:12,423
SAID HIS GREATEST FEAR IS --
THAT YOU'LL FALL DOWN THE STAIRS
AND GET HURT SO BAD THAT I HAVE
604
00:22:12,425 --> 00:22:14,425
THAT YOU'LL FALL DOWN THE STAIRS
AND GET HURT SO BAD THAT I HAVE
TO GIVE UP MY DREAMS AND SPEND
605
00:22:14,427 --> 00:22:19,496
AND GET HURT SO BAD THAT I HAVE
TO GIVE UP MY DREAMS AND SPEND
THE REST OF MY LIFE CARING FOR
606
00:22:19,498 --> 00:22:19,763
TO GIVE UP MY DREAMS AND SPEND
THE REST OF MY LIFE CARING FOR
YOU.
607
00:22:19,765 --> 00:22:20,030
THE REST OF MY LIFE CARING FOR
YOU.
WOW.
608
00:22:20,032 --> 00:22:21,765
YOU.
WOW.
SO NO POINTS ON THAT ONE.
609
00:22:21,767 --> 00:22:24,001
WOW.
SO NO POINTS ON THAT ONE.
>> THAT'S YOUR BIGGEST FEAR?
610
00:22:24,003 --> 00:22:27,271
SO NO POINTS ON THAT ONE.
>> THAT'S YOUR BIGGEST FEAR?
>> SPIDERS, YEAH.
611
00:22:27,273 --> 00:22:28,272
>> THAT'S YOUR BIGGEST FEAR?
>> SPIDERS, YEAH.
SHOULD HAVE SAID SPIDERS.
612
00:22:28,274 --> 00:22:29,339
>> SPIDERS, YEAH.
SHOULD HAVE SAID SPIDERS.
>> OKAY.
613
00:22:29,341 --> 00:22:31,642
SHOULD HAVE SAID SPIDERS.
>> OKAY.
MOVING ON TO THE CRONINS.
614
00:22:31,644 --> 00:22:33,143
>> OKAY.
MOVING ON TO THE CRONINS.
LINDA, WHAT IS YOUR HUSBAND'S
615
00:22:33,145 --> 00:22:33,577
MOVING ON TO THE CRONINS.
LINDA, WHAT IS YOUR HUSBAND'S
GREATEST FEAR?
616
00:22:33,579 --> 00:22:35,746
LINDA, WHAT IS YOUR HUSBAND'S
GREATEST FEAR?
>> OH, I GOT THIS.
617
00:22:35,748 --> 00:22:36,847
GREATEST FEAR?
>> OH, I GOT THIS.
IT'S AIRPLANES.
618
00:22:36,849 --> 00:22:38,415
>> OH, I GOT THIS.
IT'S AIRPLANES.
>> NO, HONEY.
619
00:22:38,417 --> 00:22:39,149
IT'S AIRPLANES.
>> NO, HONEY.
IT'S SNAKES.
620
00:22:39,151 --> 00:22:39,516
>> NO, HONEY.
IT'S SNAKES.
REMEMBER?
621
00:22:39,518 --> 00:22:39,817
IT'S SNAKES.
REMEMBER?
>> OH.
622
00:22:39,819 --> 00:22:43,153
REMEMBER?
>> OH.
SO CLOSE.
623
00:22:43,155 --> 00:22:46,223
>> OH.
SO CLOSE.
>> WAS IT, THOUGH?
624
00:22:46,225 --> 00:22:46,924
SO CLOSE.
>> WAS IT, THOUGH?
WAS IT?
625
00:22:46,926 --> 00:22:47,958
>> WAS IT, THOUGH?
WAS IT?
>> OKAY.
626
00:22:47,960 --> 00:22:48,659
WAS IT?
>> OKAY.
NEXT QUESTION.
627
00:22:48,661 --> 00:22:50,160
>> OKAY.
NEXT QUESTION.
WHAT'S SOMETHING YOU DO IN BED
628
00:22:50,162 --> 00:22:54,264
NEXT QUESTION.
WHAT'S SOMETHING YOU DO IN BED
THAT YOUR HUSBAND DOES NOT LIKE.
629
00:22:54,266 --> 00:22:55,365
WHAT'S SOMETHING YOU DO IN BED
THAT YOUR HUSBAND DOES NOT LIKE.
MIA?
630
00:22:55,367 --> 00:22:55,799
THAT YOUR HUSBAND DOES NOT LIKE.
MIA?
631
00:22:55,801 --> 00:22:58,936
MIA?
>> WELL, THIS IS EMBARRASSING,
632
00:22:58,938 --> 00:23:01,171
>> WELL, THIS IS EMBARRASSING,
BUT KISSING HIM BEFORE I BRUSH
633
00:23:01,173 --> 00:23:01,572
>> WELL, THIS IS EMBARRASSING,
BUT KISSING HIM BEFORE I BRUSH
MY TEETH.
634
00:23:01,574 --> 00:23:03,207
BUT KISSING HIM BEFORE I BRUSH
MY TEETH.
>> AND THOMAS SAID, SLEEP TOO
635
00:23:03,209 --> 00:23:04,041
MY TEETH.
>> AND THOMAS SAID, SLEEP TOO
CLOSE TO THE EDGE.
636
00:23:04,043 --> 00:23:05,676
>> AND THOMAS SAID, SLEEP TOO
CLOSE TO THE EDGE.
>> THOMAS, YOU THINK I'M GOING
637
00:23:05,678 --> 00:23:08,812
CLOSE TO THE EDGE.
>> THOMAS, YOU THINK I'M GOING
TO FALL OUT OF BED AND BREAK MY
638
00:23:08,814 --> 00:23:09,146
>> THOMAS, YOU THINK I'M GOING
TO FALL OUT OF BED AND BREAK MY
NECK?
639
00:23:09,148 --> 00:23:09,847
TO FALL OUT OF BED AND BREAK MY
NECK?
>> WHAT'S THE NEXT QUESTION,
640
00:23:09,849 --> 00:23:12,316
NECK?
>> WHAT'S THE NEXT QUESTION,
MAN?
641
00:23:12,318 --> 00:23:13,884
>> WHAT'S THE NEXT QUESTION,
MAN?
>> OVER TO LINDA.
642
00:23:13,886 --> 00:23:15,352
MAN?
>> OVER TO LINDA.
WHAT'S ONE THING YOU DO IN BED
643
00:23:15,354 --> 00:23:17,121
>> OVER TO LINDA.
WHAT'S ONE THING YOU DO IN BED
THAT YOUR HUSBAND DOES NOT LIKE?
644
00:23:17,123 --> 00:23:18,122
WHAT'S ONE THING YOU DO IN BED
THAT YOUR HUSBAND DOES NOT LIKE?
>> I WOULD HAVE TO SAY GET ON
645
00:23:18,124 --> 00:23:19,723
THAT YOUR HUSBAND DOES NOT LIKE?
>> I WOULD HAVE TO SAY GET ON
TOP.
646
00:23:19,725 --> 00:23:24,027
>> I WOULD HAVE TO SAY GET ON
TOP.
>> OKAY.
647
00:23:24,029 --> 00:23:25,762
TOP.
>> OKAY.
AND JOHN SAID --
648
00:23:25,764 --> 00:23:27,798
>> OKAY.
AND JOHN SAID --
>> HOG THE SHEETS, BABE.
649
00:23:27,800 --> 00:23:30,300
AND JOHN SAID --
>> HOG THE SHEETS, BABE.
>> ONCE AGAIN, THE CRONINS ARE
650
00:23:30,302 --> 00:23:32,536
>> HOG THE SHEETS, BABE.
>> ONCE AGAIN, THE CRONINS ARE
NOT REMOTELY ON THE SAME PAGE.
651
00:23:32,538 --> 00:23:34,238
>> ONCE AGAIN, THE CRONINS ARE
NOT REMOTELY ON THE SAME PAGE.
NEXT QUESTION FOR THE ANDERSONS.
652
00:23:34,240 --> 00:23:34,905
NOT REMOTELY ON THE SAME PAGE.
NEXT QUESTION FOR THE ANDERSONS.
WHAT WAS YOUR BIGGEST FIGHT
653
00:23:34,907 --> 00:23:36,573
NEXT QUESTION FOR THE ANDERSONS.
WHAT WAS YOUR BIGGEST FIGHT
ABOUT?
654
00:23:36,575 --> 00:23:38,208
WHAT WAS YOUR BIGGEST FIGHT
ABOUT?
>> OH, I KNOW THIS ONE.
655
00:23:38,210 --> 00:23:39,443
ABOUT?
>> OH, I KNOW THIS ONE.
THAT WOULD BE THE BASKETBALL
656
00:23:39,445 --> 00:23:40,410
>> OH, I KNOW THIS ONE.
THAT WOULD BE THE BASKETBALL
GAME INCIDENT.
657
00:23:40,412 --> 00:23:40,911
THAT WOULD BE THE BASKETBALL
GAME INCIDENT.
>> OKAY.
658
00:23:40,913 --> 00:23:42,946
GAME INCIDENT.
>> OKAY.
THOMAS SAYS THE BASKETBALL GAME
659
00:23:42,948 --> 00:23:45,015
>> OKAY.
THOMAS SAYS THE BASKETBALL GAME
INCIDENT, AND MIA SAYS -- THE
660
00:23:45,017 --> 00:23:47,317
THOMAS SAYS THE BASKETBALL GAME
INCIDENT, AND MIA SAYS -- THE
TIME I HIT A HALF COURT SHOT AT
661
00:23:47,319 --> 00:23:49,720
INCIDENT, AND MIA SAYS -- THE
TIME I HIT A HALF COURT SHOT AT
A BASKETBALL GAME AND THEY GAVE
662
00:23:49,722 --> 00:23:51,188
TIME I HIT A HALF COURT SHOT AT
A BASKETBALL GAME AND THEY GAVE
ME FREE ROCK CLIMBING LESSONS
663
00:23:51,190 --> 00:23:53,690
A BASKETBALL GAME AND THEY GAVE
ME FREE ROCK CLIMBING LESSONS
FOR LIFE, AND YOU RAN AND
664
00:23:53,692 --> 00:23:56,793
ME FREE ROCK CLIMBING LESSONS
FOR LIFE, AND YOU RAN AND
RIPPED UP THE CERTIFICATE IN
665
00:23:56,795 --> 00:23:58,328
FOR LIFE, AND YOU RAN AND
RIPPED UP THE CERTIFICATE IN
FRONT OF THE WHOLE STADIUM.
666
00:23:58,330 --> 00:24:00,197
RIPPED UP THE CERTIFICATE IN
FRONT OF THE WHOLE STADIUM.
FIVE POINTS FOR THE ANDERSONS.
667
00:24:00,199 --> 00:24:02,900
FRONT OF THE WHOLE STADIUM.
FIVE POINTS FOR THE ANDERSONS.
>> WE RUNNINGY IT NOW,
668
00:24:02,902 --> 00:24:03,934
FIVE POINTS FOR THE ANDERSONS.
>> WE RUNNINGY IT NOW,
HUH, BABY?
669
00:24:03,936 --> 00:24:05,769
>> WE RUNNINGY IT NOW,
HUH, BABY?
>> THAT SOUND MEANS IT'S TIME
670
00:24:05,771 --> 00:24:07,204
HUH, BABY?
>> THAT SOUND MEANS IT'S TIME
FOR A BONUS QUESTION.
671
00:24:07,206 --> 00:24:09,806
>> THAT SOUND MEANS IT'S TIME
FOR A BONUS QUESTION.
WHO HAS HAD THE BIGGEST
672
00:24:09,808 --> 00:24:11,208
FOR A BONUS QUESTION.
WHO HAS HAD THE BIGGEST
INFLUENCE ON YOUR HUSBAND'S
673
00:24:11,210 --> 00:24:12,209
WHO HAS HAD THE BIGGEST
INFLUENCE ON YOUR HUSBAND'S
LIFE?
674
00:24:12,211 --> 00:24:12,676
INFLUENCE ON YOUR HUSBAND'S
LIFE?
>> HIS FATHER.
675
00:24:12,678 --> 00:24:13,010
LIFE?
>> HIS FATHER.
>> YEP.
676
00:24:13,012 --> 00:24:14,878
>> HIS FATHER.
>> YEP.
MY DAD.
677
00:24:14,880 --> 00:24:16,713
>> YEP.
MY DAD.
MY PARENTS ARE ACTUALLY HERE
678
00:24:16,715 --> 00:24:17,014
MY DAD.
MY PARENTS ARE ACTUALLY HERE
TODAY.
679
00:24:17,016 --> 00:24:18,015
MY PARENTS ARE ACTUALLY HERE
TODAY.
HOW AM I DOING, DAD?
680
00:24:18,017 --> 00:24:29,493
TODAY.
HOW AM I DOING, DAD?
>> YOU'RE DOING GREAT, SON.
681
00:24:29,495 --> 00:24:33,564
HOW AM I DOING, DAD?
>> YOU'RE DOING GREAT, SON.
>> BACK TO LINDA.
682
00:24:33,566 --> 00:24:35,832
>> YOU'RE DOING GREAT, SON.
>> BACK TO LINDA.
WHAT IS YOUR HUSBAND'S DREAM
683
00:24:35,834 --> 00:24:36,266
>> BACK TO LINDA.
WHAT IS YOUR HUSBAND'S DREAM
VACATION?
684
00:24:36,268 --> 00:24:36,733
WHAT IS YOUR HUSBAND'S DREAM
VACATION?
>> I DON'T KNOW.
685
00:24:36,735 --> 00:24:40,504
VACATION?
>> I DON'T KNOW.
>> YEAH.RLD?
686
00:24:40,506 --> 00:24:41,605
>> I DON'T KNOW.
>> YEAH.RLD?
WORLD.
687
00:24:41,607 --> 00:24:42,739
>> YEAH.RLD?
WORLD.
NO, YOU IDIOT.
688
00:24:42,741 --> 00:24:44,474
WORLD.
NO, YOU IDIOT.
I JUST SAID I DON'T LIKE SNAKES.
689
00:24:44,476 --> 00:24:46,977
NO, YOU IDIOT.
I JUST SAID I DON'T LIKE SNAKES.
>> OOH, CALLING YOUR SPOUSE AN
690
00:24:46,979 --> 00:24:48,245
I JUST SAID I DON'T LIKE SNAKES.
>> OOH, CALLING YOUR SPOUSE AN
IDIOT AND LOSE A TURN.
691
00:24:48,247 --> 00:24:49,947
>> OOH, CALLING YOUR SPOUSE AN
IDIOT AND LOSE A TURN.
ALL RIGHT.
692
00:24:49,949 --> 00:24:52,082
IDIOT AND LOSE A TURN.
ALL RIGHT.
MIA, WHAT'S YOUR HUSBAND'S DREAM
693
00:24:52,084 --> 00:24:52,449
ALL RIGHT.
MIA, WHAT'S YOUR HUSBAND'S DREAM
VACATION.
694
00:24:52,451 --> 00:24:53,884
MIA, WHAT'S YOUR HUSBAND'S DREAM
VACATION.
>> AT THIS POINT, WHO KNOWS, BUT
695
00:24:53,886 --> 00:24:55,819
VACATION.
>> AT THIS POINT, WHO KNOWS, BUT
HE ALWAYS SAID ARUBA.
696
00:24:55,821 --> 00:24:56,153
>> AT THIS POINT, WHO KNOWS, BUT
HE ALWAYS SAID ARUBA.
>> YES.
697
00:24:56,155 --> 00:24:58,822
HE ALWAYS SAID ARUBA.
>> YES.
YES, BABY.
698
00:24:58,824 --> 00:24:59,723
>> YES.
YES, BABY.
>> FINALLY.
699
00:24:59,725 --> 00:25:01,391
YES, BABY.
>> FINALLY.
THERE'S THE MAN I MARRIED.
700
00:25:01,393 --> 00:25:02,292
>> FINALLY.
THERE'S THE MAN I MARRIED.
>> UH-HUH.
701
00:25:02,294 --> 00:25:04,828
THERE'S THE MAN I MARRIED.
>> UH-HUH.
AND WHAT'S THAT LITTLE ASHTRAY?
702
00:25:04,830 --> 00:25:08,632
>> UH-HUH.
AND WHAT'S THAT LITTLE ASHTRAY?
>> OH, THAT'S JUST THIS.
703
00:25:08,634 --> 00:25:11,201
AND WHAT'S THAT LITTLE ASHTRAY?
>> OH, THAT'S JUST THIS.
>> AS LONG AS YOU'RE STILL
704
00:25:11,203 --> 00:25:11,602
>> OH, THAT'S JUST THIS.
>> AS LONG AS YOU'RE STILL
HEALTHY.
705
00:25:11,604 --> 00:25:15,872
>> AS LONG AS YOU'RE STILL
HEALTHY.
IF NOT, THEN BIG SURF WITH YOUR
706
00:25:15,874 --> 00:25:16,206
HEALTHY.
IF NOT, THEN BIG SURF WITH YOUR
SISTER.
707
00:25:16,208 --> 00:25:18,442
IF NOT, THEN BIG SURF WITH YOUR
SISTER.
AFTER YEARS OF CARING FOR YOU
708
00:25:18,444 --> 00:25:19,409
SISTER.
AFTER YEARS OF CARING FOR YOU
TOGETHER, WE WILL HAVE GROWN
709
00:25:19,411 --> 00:25:21,578
AFTER YEARS OF CARING FOR YOU
TOGETHER, WE WILL HAVE GROWN
CLOSE IN A WAY WE NEVER
710
00:25:21,580 --> 00:25:23,647
TOGETHER, WE WILL HAVE GROWN
CLOSE IN A WAY WE NEVER
EXPECTED, AND WHEN WE FINALLY
711
00:25:23,649 --> 00:25:25,849
CLOSE IN A WAY WE NEVER
EXPECTED, AND WHEN WE FINALLY
CLIMAX TOGETHER UNDER THE
712
00:25:25,851 --> 00:25:27,317
EXPECTED, AND WHEN WE FINALLY
CLIMAX TOGETHER UNDER THE
REDWOODS, WE'LL HOLD EACH OTHER
713
00:25:27,319 --> 00:25:29,720
CLIMAX TOGETHER UNDER THE
REDWOODS, WE'LL HOLD EACH OTHER
AND WEEP, NOT JUST BECAUSE THE
714
00:25:29,722 --> 00:25:31,054
REDWOODS, WE'LL HOLD EACH OTHER
AND WEEP, NOT JUST BECAUSE THE
PLEASURE IS SO INTENSE BUT
715
00:25:31,056 --> 00:25:33,590
AND WEEP, NOT JUST BECAUSE THE
PLEASURE IS SO INTENSE BUT
BECAUSE WE FINALLY FEEL RELIEF
716
00:25:33,592 --> 00:25:35,392
PLEASURE IS SO INTENSE BUT
BECAUSE WE FINALLY FEEL RELIEF
FROM OUR TRAGICALLY SHARED
717
00:25:35,394 --> 00:25:35,759
BECAUSE WE FINALLY FEEL RELIEF
FROM OUR TRAGICALLY SHARED
BURDEN.
718
00:25:35,761 --> 00:25:40,130
FROM OUR TRAGICALLY SHARED
BURDEN.
WELL, YOU BOTH SAID ARUBA, THAT
719
00:25:40,132 --> 00:25:41,431
BURDEN.
WELL, YOU BOTH SAID ARUBA, THAT
FIVE POINTS PUTS YOU OVER THE
720
00:25:41,433 --> 00:25:42,332
WELL, YOU BOTH SAID ARUBA, THAT
FIVE POINTS PUTS YOU OVER THE
TOP.
721
00:25:42,334 --> 00:25:43,567
FIVE POINTS PUTS YOU OVER THE
TOP.
ANDERSONS, YOU HAVE WON OUR
722
00:25:43,569 --> 00:25:44,001
TOP.
ANDERSONS, YOU HAVE WON OUR
GRAND PRIZE.
723
00:25:44,003 --> 00:25:45,335
ANDERSONS, YOU HAVE WON OUR
GRAND PRIZE.
>> WAIT, WE DID?
724
00:25:45,337 --> 00:25:46,937
GRAND PRIZE.
>> WAIT, WE DID?
>> WE WON, BABY.
725
00:25:46,939 --> 00:25:50,440
>> WAIT, WE DID?
>> WE WON, BABY.
>> AND THAT IS AN ALL EXPENSES
726
00:25:50,442 --> 00:25:53,310
>> WE WON, BABY.
>> AND THAT IS AN ALL EXPENSES
PAID TRIP TO BALI'S TEMPLE OF A
727
00:25:53,312 --> 00:25:53,777
>> AND THAT IS AN ALL EXPENSES
PAID TRIP TO BALI'S TEMPLE OF A
THOUSAND STEPS.
728
00:25:53,779 --> 00:25:58,282
PAID TRIP TO BALI'S TEMPLE OF A
THOUSAND STEPS.
>> NO!
729
00:26:26,944 --> 00:26:37,554
SHE ALMOST PLOWED INTO US.
LUNATIC.
>> OH, MY GOD, DAD, DON'T BE SO
730
00:26:37,556 --> 00:26:37,921
LUNATIC.
>> OH, MY GOD, DAD, DON'T BE SO
AWKWARD.
731
00:26:37,923 --> 00:26:39,356
>> OH, MY GOD, DAD, DON'T BE SO
AWKWARD.
>> SHE ALMOST CAUSED AN ACCIDENT
732
00:26:39,358 --> 00:26:40,123
AWKWARD.
>> SHE ALMOST CAUSED AN ACCIDENT
JUST TO SIT THERE IN BUMPER TO
733
00:26:40,125 --> 00:26:43,226
>> SHE ALMOST CAUSED AN ACCIDENT
JUST TO SIT THERE IN BUMPER TO
BUMPER TRAFFIC.
734
00:26:43,228 --> 00:26:43,493
JUST TO SIT THERE IN BUMPER TO
BUMPER TRAFFIC.
HEY!
735
00:26:43,495 --> 00:26:45,962
BUMPER TRAFFIC.
HEY!
HELLO?
736
00:26:45,964 --> 00:26:47,531
HEY!
HELLO?
HEY!
737
00:26:47,533 --> 00:26:49,900
HELLO?
HEY!
HEY!
738
00:26:49,902 --> 00:26:54,104
HEY!
HEY!
>> WHAT?
739
00:26:54,106 --> 00:26:58,141
HEY!
>> WHAT?
>> YOU CUT ME OFF.
740
00:26:58,143 --> 00:27:00,410
>> WHAT?
>> YOU CUT ME OFF.
YOU DRIVE CRAZY.
741
00:27:00,412 --> 00:27:03,080
>> YOU CUT ME OFF.
YOU DRIVE CRAZY.
>> YOU KNOW WHAT?
742
00:27:03,082 --> 00:27:04,781
YOU DRIVE CRAZY.
>> YOU KNOW WHAT?
EAT -- EAT ME.
743
00:27:04,783 --> 00:27:06,349
>> YOU KNOW WHAT?
EAT -- EAT ME.
EAT ME.
744
00:27:06,351 --> 00:27:10,120
EAT -- EAT ME.
EAT ME.
I HAD MY BLINKER ON.
745
00:27:10,122 --> 00:27:13,690
EAT ME.
I HAD MY BLINKER ON.
>> THAT'S A LIE.
746
00:27:13,692 --> 00:27:15,392
I HAD MY BLINKER ON.
>> THAT'S A LIE.
YOU LIE.
747
00:27:15,394 --> 00:27:16,560
>> THAT'S A LIE.
YOU LIE.
SHAME ON YOU.
748
00:27:16,562 --> 00:27:18,495
YOU LIE.
SHAME ON YOU.
>> OKAY.
749
00:27:18,497 --> 00:27:19,663
SHAME ON YOU.
>> OKAY.
EAT -- EAT MY BUTT.
750
00:27:19,665 --> 00:27:23,100
>> OKAY.
EAT -- EAT MY BUTT.
THIS, ALL OF THIS.
751
00:27:23,102 --> 00:27:29,106
EAT -- EAT MY BUTT.
THIS, ALL OF THIS.
>> YOU, YOU ARE A SAD WOMAN.
752
00:27:29,108 --> 00:27:32,743
THIS, ALL OF THIS.
>> YOU, YOU ARE A SAD WOMAN.
YOU, SAD WOMAN.
753
00:27:32,745 --> 00:27:33,777
>> YOU, YOU ARE A SAD WOMAN.
YOU, SAD WOMAN.
>> OKAY.
754
00:27:33,779 --> 00:27:35,812
YOU, SAD WOMAN.
>> OKAY.
WELL, WHY DON'T YOU ROLL DOWN
755
00:27:35,814 --> 00:27:36,747
>> OKAY.
WELL, WHY DON'T YOU ROLL DOWN
YOUR WINDOW AND SAY THAT TO MY
756
00:27:36,749 --> 00:27:39,349
WELL, WHY DON'T YOU ROLL DOWN
YOUR WINDOW AND SAY THAT TO MY
FACE?
757
00:27:39,351 --> 00:27:43,787
YOUR WINDOW AND SAY THAT TO MY
FACE?
>> WHY DID YOU MIME A CRANK?
758
00:27:43,789 --> 00:27:47,724
FACE?
>> WHY DID YOU MIME A CRANK?
NO CARS HAVE THOSE WINDOWS.
759
00:27:47,726 --> 00:27:48,492
>> WHY DID YOU MIME A CRANK?
NO CARS HAVE THOSE WINDOWS.
POWER WINDOWS NOW.
760
00:27:48,494 --> 00:27:53,230
NO CARS HAVE THOSE WINDOWS.
POWER WINDOWS NOW.
DO THIS.
761
00:27:53,232 --> 00:27:53,597
POWER WINDOWS NOW.
DO THIS.
BOOM.
762
00:27:53,599 --> 00:27:54,731
DO THIS.
BOOM.
THAT'S GOOD.
763
00:27:54,733 --> 00:27:55,031
BOOM.
THAT'S GOOD.
BOOM.
764
00:27:55,033 --> 00:27:56,433
THAT'S GOOD.
BOOM.
>> NO.
765
00:27:56,435 --> 00:27:56,700
BOOM.
>> NO.
NO.
766
00:27:56,702 --> 00:27:59,202
>> NO.
NO.
THIS IS TOO SMALL.
767
00:27:59,204 --> 00:28:03,140
NO.
THIS IS TOO SMALL.
IT WOULDN'T READ.
768
00:28:03,142 --> 00:28:03,640
THIS IS TOO SMALL.
IT WOULDN'T READ.
>> I GUESS.
769
00:28:03,642 --> 00:28:08,979
IT WOULDN'T READ.
>> I GUESS.
I GUESS.
770
00:28:08,981 --> 00:28:11,114
>> I GUESS.
I GUESS.
>> YOU -- YOU ARE SCARED BECAUSE
771
00:28:11,116 --> 00:28:11,648
I GUESS.
>> YOU -- YOU ARE SCARED BECAUSE
YOU AREN'T A MAN.
772
00:28:11,650 --> 00:28:16,453
>> YOU -- YOU ARE SCARED BECAUSE
YOU AREN'T A MAN.
YOU'RE NOT A BIG MAN.
773
00:28:16,455 --> 00:28:18,288
YOU AREN'T A MAN.
YOU'RE NOT A BIG MAN.
>> SHUT UP.
774
00:28:18,290 --> 00:28:18,922
YOU'RE NOT A BIG MAN.
>> SHUT UP.
SHUT UP.
775
00:28:18,924 --> 00:28:21,224
>> SHUT UP.
SHUT UP.
I AM A MAN.
776
00:28:21,226 --> 00:28:23,593
SHUT UP.
I AM A MAN.
I'M A VERY STRONG MAN!
777
00:28:23,595 --> 00:28:26,429
I AM A MAN.
I'M A VERY STRONG MAN!
>> NO, NO.
778
00:28:26,431 --> 00:28:28,832
I'M A VERY STRONG MAN!
>> NO, NO.
YOU ARE A LITTLE BITCH.
779
00:28:28,834 --> 00:28:33,236
>> NO, NO.
YOU ARE A LITTLE BITCH.
YOU'RE A LITTLE BITCH.
780
00:28:33,238 --> 00:28:36,206
YOU ARE A LITTLE BITCH.
YOU'RE A LITTLE BITCH.
>> IS SHE -- IS SHE USING YOU
781
00:28:36,208 --> 00:28:37,674
YOU'RE A LITTLE BITCH.
>> IS SHE -- IS SHE USING YOU
FOR THE WORD BITCH?
782
00:28:37,676 --> 00:28:40,877
>> IS SHE -- IS SHE USING YOU
FOR THE WORD BITCH?
>> THAT IS SO MESSED UP.
783
00:28:40,879 --> 00:28:42,012
FOR THE WORD BITCH?
>> THAT IS SO MESSED UP.
YOU SUCK.
784
00:28:42,014 --> 00:28:42,712
>> THAT IS SO MESSED UP.
YOU SUCK.
YOU SUCK!
785
00:28:42,714 --> 00:28:48,752
YOU SUCK.
YOU SUCK!
>> HEY, DON'T -- DON'T DO THAT!
786
00:28:48,754 --> 00:28:49,886
YOU SUCK!
>> HEY, DON'T -- DON'T DO THAT!
FIRST OF ALL, I DON'T LOVE THAT
787
00:28:49,888 --> 00:28:55,358
>> HEY, DON'T -- DON'T DO THAT!
FIRST OF ALL, I DON'T LOVE THAT
YOU USED TWO HANDS.
788
00:28:55,360 --> 00:28:57,227
FIRST OF ALL, I DON'T LOVE THAT
YOU USED TWO HANDS.
SECOND OF ALL, JUST DON'T DO IT.
789
00:28:57,229 --> 00:28:58,361
YOU USED TWO HANDS.
SECOND OF ALL, JUST DON'T DO IT.
YOU KNOW WHAT?
790
00:28:58,363 --> 00:29:01,898
SECOND OF ALL, JUST DON'T DO IT.
YOU KNOW WHAT?
YOU KNOW WHAT, BYE.
791
00:29:01,900 --> 00:29:02,499
YOU KNOW WHAT?
YOU KNOW WHAT, BYE.
BYE.
792
00:29:02,501 --> 00:29:04,367
YOU KNOW WHAT, BYE.
BYE.
YOU, NOT WORTH MY TIME.
793
00:29:04,369 --> 00:29:07,404
BYE.
YOU, NOT WORTH MY TIME.
>> BYE.
794
00:29:07,406 --> 00:29:14,311
YOU, NOT WORTH MY TIME.
>> BYE.
YOU ARE A GIANT -- THAT'S RIGHT.
795
00:29:14,313 --> 00:29:17,814
>> BYE.
YOU ARE A GIANT -- THAT'S RIGHT.
>> WHAT WOULD YOUR MOTHER SAY IF
796
00:29:17,816 --> 00:29:22,452
YOU ARE A GIANT -- THAT'S RIGHT.
>> WHAT WOULD YOUR MOTHER SAY IF
SHE SAW YOU DO THAT?
797
00:29:22,454 --> 00:29:31,127
>> WHAT WOULD YOUR MOTHER SAY IF
SHE SAW YOU DO THAT?
>> MY MOM TOLD ME TO DO IT.
798
00:29:31,129 --> 00:29:36,099
SHE SAW YOU DO THAT?
>> MY MOM TOLD ME TO DO IT.
>> SHAME ON YOU.
799
00:29:36,101 --> 00:29:40,403
>> MY MOM TOLD ME TO DO IT.
>> SHAME ON YOU.
THAT WAS RACIST.
800
00:29:40,405 --> 00:29:42,138
>> SHAME ON YOU.
THAT WAS RACIST.
>> NO.
801
00:29:42,140 --> 00:29:43,740
THAT WAS RACIST.
>> NO.
DON'T HATE ALL WHITE PEOPLE,
802
00:29:43,742 --> 00:29:47,377
>> NO.
DON'T HATE ALL WHITE PEOPLE,
JUST YOU.
803
00:29:47,379 --> 00:29:50,447
DON'T HATE ALL WHITE PEOPLE,
JUST YOU.
>> BRAVO.
804
00:29:50,449 --> 00:29:50,847
JUST YOU.
>> BRAVO.
BRAVO.
805
00:29:50,849 --> 00:29:52,716
>> BRAVO.
BRAVO.
YOU, BAD PERSON.
806
00:29:52,718 --> 00:29:56,152
BRAVO.
YOU, BAD PERSON.
I FEEL BAD FOR YOUR HUSBAND.
807
00:29:56,154 --> 00:29:58,989
YOU, BAD PERSON.
I FEEL BAD FOR YOUR HUSBAND.
>> NO HUSBAND.
808
00:29:58,991 --> 00:30:00,090
I FEEL BAD FOR YOUR HUSBAND.
>> NO HUSBAND.
HE WENT BYE BYE.
809
00:30:00,092 --> 00:30:01,625
>> NO HUSBAND.
HE WENT BYE BYE.
WE SPLIT UP.
810
00:30:01,627 --> 00:30:04,194
HE WENT BYE BYE.
WE SPLIT UP.
>> OH.
811
00:30:04,196 --> 00:30:07,964
WE SPLIT UP.
>> OH.
ME TOO.
812
00:30:07,966 --> 00:30:09,065
>> OH.
ME TOO.
WIFE LEFT.
813
00:30:09,067 --> 00:30:10,066
ME TOO.
WIFE LEFT.
BUT IT'S GOOD.
814
00:30:10,068 --> 00:30:11,968
WIFE LEFT.
BUT IT'S GOOD.
SHE WAS A BITCH.
815
00:30:11,970 --> 00:30:15,238
BUT IT'S GOOD.
SHE WAS A BITCH.
>> DAD!
816
00:30:15,240 --> 00:30:21,011
SHE WAS A BITCH.
>> DAD!
>> RESPECT, RESPECT.
817
00:30:21,013 --> 00:30:25,048
>> DAD!
>> RESPECT, RESPECT.
HEY, THIS MIGHT BE CRAZY.
818
00:30:25,050 --> 00:30:31,087
>> RESPECT, RESPECT.
HEY, THIS MIGHT BE CRAZY.
BUT ARE YOU HUNGRY?
819
00:30:31,089 --> 00:30:33,690
HEY, THIS MIGHT BE CRAZY.
BUT ARE YOU HUNGRY?
>> YEAH.
820
00:30:33,692 --> 00:30:38,395
BUT ARE YOU HUNGRY?
>> YEAH.
I COULD EAT.
821
00:30:38,397 --> 00:30:42,832
>> YEAH.
I COULD EAT.
>> DO YOU MAYBE WANT TO EAT THIS
822
00:30:42,834 --> 00:30:43,133
I COULD EAT.
>> DO YOU MAYBE WANT TO EAT THIS
BUTT?
823
00:30:43,135 --> 00:30:49,272
>> DO YOU MAYBE WANT TO EAT THIS
BUTT?
HUH?
824
00:30:49,274 --> 00:30:49,706
BUTT?
HUH?
EAT THE BUTT.
825
00:30:49,708 --> 00:30:51,308
HUH?
EAT THE BUTT.
>> SHAME ON YOU.
826
00:30:51,310 --> 00:30:52,275
EAT THE BUTT.
>> SHAME ON YOU.
SHAME ON YOU.
827
00:30:52,277 --> 00:30:53,310
>> SHAME ON YOU.
SHAME ON YOU.
>> YOU SUCK!
828
00:30:53,312 --> 00:30:54,044
SHAME ON YOU.
>> YOU SUCK!
>> STOP DOING THAT!
829
00:30:54,046 --> 00:31:00,817
>> YOU SUCK!
>> STOP DOING THAT!
STOP IT!
830
00:31:24,742 --> 00:31:33,416
>>> LADIES AND GENTLEMEN, LIL
YACHTY.
♪
831
00:31:33,418 --> 00:31:33,950
YACHTY.
♪
♪ SEX SYMBOL
832
00:31:33,952 --> 00:31:39,356
♪
♪ SEX SYMBOL
THE BLACK SEMINOLE
833
00:31:39,358 --> 00:31:40,457
♪ SEX SYMBOL
THE BLACK SEMINOLE
A SEX SYMBOL
834
00:31:40,459 --> 00:31:46,429
THE BLACK SEMINOLE
A SEX SYMBOL
THE BLACK SEMINOLE ♪
835
00:31:46,431 --> 00:31:47,497
A SEX SYMBOL
THE BLACK SEMINOLE ♪
♪ AFRICAN RAMBO
836
00:31:47,499 --> 00:31:52,936
THE BLACK SEMINOLE ♪
♪ AFRICAN RAMBO
WITH MORE AMMO
837
00:31:52,938 --> 00:31:54,571
♪ AFRICAN RAMBO
WITH MORE AMMO
CAN'T BE ESCAPED
838
00:31:54,573 --> 00:31:56,740
WITH MORE AMMO
CAN'T BE ESCAPED
I'M ON EVERY CHANNEL ♪
839
00:31:56,742 --> 00:31:59,476
CAN'T BE ESCAPED
I'M ON EVERY CHANNEL ♪
♪ WHAT'S WRONG
840
00:31:59,478 --> 00:32:00,043
I'M ON EVERY CHANNEL ♪
♪ WHAT'S WRONG
WHAT'S WRONG
841
00:32:00,045 --> 00:32:03,813
♪ WHAT'S WRONG
WHAT'S WRONG
MR. MAN ♪
842
00:32:03,815 --> 00:32:06,016
WHAT'S WRONG
MR. MAN ♪
♪ YOUR EYES ARE LOW
843
00:32:06,018 --> 00:32:07,083
MR. MAN ♪
♪ YOUR EYES ARE LOW
AND YOU'RE WALKING
844
00:32:07,085 --> 00:32:08,718
♪ YOUR EYES ARE LOW
AND YOU'RE WALKING
WITH BOTH HANDS
845
00:32:08,720 --> 00:32:11,454
AND YOU'RE WALKING
WITH BOTH HANDS
ON YOUR HEAD ♪
846
00:32:11,456 --> 00:32:13,089
WITH BOTH HANDS
ON YOUR HEAD ♪
♪ HIS RESPONSE
847
00:32:13,091 --> 00:32:14,157
ON YOUR HEAD ♪
♪ HIS RESPONSE
HE'S ON A CLEAN
848
00:32:14,159 --> 00:32:16,359
♪ HIS RESPONSE
HE'S ON A CLEAN
CLEAN HIGH♪
849
00:32:16,361 --> 00:32:17,427
HE'S ON A CLEAN
CLEAN HIGH♪
♪ BOTH FEET
850
00:32:17,429 --> 00:32:19,596
CLEAN HIGH♪
♪ BOTH FEET
UP ON THE GROUND
851
00:32:19,598 --> 00:32:22,899
♪ BOTH FEET
UP ON THE GROUND
BUT HIS HEAD'S
852
00:32:22,901 --> 00:32:26,703
UP ON THE GROUND
BUT HIS HEAD'S
WAY WAY WAY IN THE SKY ♪
853
00:32:26,705 --> 00:32:28,905
BUT HIS HEAD'S
WAY WAY WAY IN THE SKY ♪
♪
854
00:32:28,907 --> 00:32:30,540
WAY WAY WAY IN THE SKY ♪
♪
♪ THE BLACK SEMINOLE
855
00:32:30,542 --> 00:32:36,513
♪
♪ THE BLACK SEMINOLE
A HEAD GENERAL
856
00:32:36,515 --> 00:32:37,047
♪ THE BLACK SEMINOLE
A HEAD GENERAL
DISTANT CONNECTIONS
857
00:32:37,049 --> 00:32:42,519
A HEAD GENERAL
DISTANT CONNECTIONS
A LARGE INTERVAL ♪
858
00:32:42,521 --> 00:32:44,154
DISTANT CONNECTIONS
A LARGE INTERVAL ♪
♪ A BLACK MAN WITH
859
00:32:44,156 --> 00:32:49,559
A LARGE INTERVAL ♪
♪ A BLACK MAN WITH
MOUTHS TO FEED
860
00:32:49,561 --> 00:32:50,693
♪ A BLACK MAN WITH
MOUTHS TO FEED
EMBRACING EQUALITY
861
00:32:50,695 --> 00:32:56,132
MOUTHS TO FEED
EMBRACING EQUALITY
THROUGHOUT GREED ♪
862
00:32:56,134 --> 00:32:58,935
EMBRACING EQUALITY
THROUGHOUT GREED ♪
♪ NO TIME TO JOKE AROUND
863
00:32:58,937 --> 00:33:02,705
THROUGHOUT GREED ♪
♪ NO TIME TO JOKE AROUND
THE KID IS NOW A MAN
864
00:33:02,707 --> 00:33:04,340
♪ NO TIME TO JOKE AROUND
THE KID IS NOW A MAN
AND THE SILENCE IS FILLED
865
00:33:04,342 --> 00:33:07,077
THE KID IS NOW A MAN
AND THE SILENCE IS FILLED
WI REMARKABLE SOUNDS ♪
866
00:33:07,079 --> 00:33:10,413
AND THE SILENCE IS FILLED
WI REMARKABLE SOUNDS ♪
♪ THIS PART
867
00:33:10,415 --> 00:33:13,683
WI REMARKABLE SOUNDS ♪
♪ THIS PART
I'VE SEEN IN MY DREAMS ♪
868
00:33:13,685 --> 00:33:16,386
♪ THIS PART
I'VE SEEN IN MY DREAMS ♪
♪ LOVE IS NOT A LIE
869
00:33:16,388 --> 00:33:19,622
I'VE SEEN IN MY DREAMS ♪
♪ LOVE IS NOT A LIE
IT JUST FEELS LIKE
870
00:33:19,624 --> 00:33:25,628
♪ LOVE IS NOT A LIE
IT JUST FEELS LIKE
A TARANTINO MOVIE SCENE ♪
871
00:33:25,630 --> 00:33:31,601
IT JUST FEELS LIKE
A TARANTINO MOVIE SCENE ♪
♪
872
00:33:31,603 --> 00:33:37,073
A TARANTINO MOVIE SCENE ♪
♪
♪
873
00:33:37,075 --> 00:33:39,242
♪
♪
♪ EXACTLY ♪
874
00:33:39,244 --> 00:33:55,558
♪
♪ EXACTLY ♪
♪
875
00:33:55,560 --> 00:33:57,760
♪ EXACTLY ♪
♪
♪ NOW
876
00:33:57,762 --> 00:34:00,997
♪
♪ NOW
OH OHH
877
00:34:00,999 --> 00:34:05,368
♪ NOW
OH OHH
OHH OHH-OH ♪
878
00:34:05,370 --> 00:34:11,341
OH OHH
OHH OHH-OH ♪
♪ OHH OHH OH-OH
879
00:34:11,343 --> 00:34:16,779
OHH OHH-OH ♪
♪ OHH OHH OH-OH
OHH OHH-OH OHH-OH OHH-OH
880
00:34:16,781 --> 00:34:24,387
♪ OHH OHH OH-OH
OHH OHH-OH OHH-OH OHH-OH
OHH-OHH-OHH OHHH ♪
881
00:34:24,389 --> 00:34:31,461
OHH OHH-OH OHH-OH OHH-OH
OHH-OHH-OHH OHHH ♪
♪ EE-HEE EE-HEE
882
00:34:31,463 --> 00:34:34,197
OHH-OHH-OHH OHHH ♪
♪ EE-HEE EE-HEE
OHH-OHH-OHH OHHH ♪
883
00:34:34,199 --> 00:34:40,170
♪ EE-HEE EE-HEE
OHH-OHH-OHH OHHH ♪
♪ EE-HEE EE-HEE
884
00:34:40,172 --> 00:34:48,344
OHH-OHH-OHH OHHH ♪
♪ EE-HEE EE-HEE
OHH-OH ♪
885
00:34:48,346 --> 00:34:53,783
♪ EE-HEE EE-HEE
OHH-OH ♪
♪ MM-MM MM
886
00:34:53,785 --> 00:34:57,587
OHH-OH ♪
♪ MM-MM MM
MM-HMM MM
887
00:34:57,589 --> 00:35:12,335
♪ MM-MM MM
MM-HMM MM
MM-HM MM
888
00:35:12,337 --> 00:35:13,937
MM-HMM MM
MM-HM MM
MM-MM-HM ♪
889
00:35:13,939 --> 00:35:18,274
MM-HM MM
MM-MM-HM ♪
♪ YEAH-AH
890
00:35:18,276 --> 00:35:27,550
MM-MM-HM ♪
♪ YEAH-AH
YEAH-AH-AHH
891
00:35:27,552 --> 00:35:42,732
♪ YEAH-AH
YEAH-AH-AHH
YEAH YEAH-HEE ♪
892
00:35:42,734 --> 00:35:44,400
YEAH-AH-AHH
YEAH YEAH-HEE ♪
♪ YEAH-AH
893
00:35:44,402 --> 00:35:50,807
YEAH YEAH-HEE ♪
♪ YEAH-AH
OHH ♪
894
00:36:18,085 --> 00:36:28,695
>> Announcer: IT'S "WEEKEND
UPDATE" WITH COLIN JOST AND
MICHAEL CHE.
895
00:36:28,697 --> 00:36:29,862
UPDATE" WITH COLIN JOST AND
MICHAEL CHE.
>>> THANK YOU VERY MUCH.
896
00:36:29,864 --> 00:36:31,030
MICHAEL CHE.
>>> THANK YOU VERY MUCH.
GOOD EVENING, EVERYONE.
897
00:36:31,032 --> 00:36:36,736
>>> THANK YOU VERY MUCH.
GOOD EVENING, EVERYONE.
>> WELCOME TO "WEEKEND UPDATE."
898
00:36:36,738 --> 00:36:38,604
GOOD EVENING, EVERYONE.
>> WELCOME TO "WEEKEND UPDATE."
I'M MICHAEL CHE.
899
00:36:38,606 --> 00:36:40,440
>> WELCOME TO "WEEKEND UPDATE."
I'M MICHAEL CHE.
>> I'M COLIN JOST.
900
00:36:40,442 --> 00:36:41,808
I'M MICHAEL CHE.
>> I'M COLIN JOST.
NEW YORK IS FINALLY CRACKING
901
00:36:41,810 --> 00:36:44,310
>> I'M COLIN JOST.
NEW YORK IS FINALLY CRACKING
DOWN ON CRIME.
902
00:36:44,312 --> 00:36:45,078
NEW YORK IS FINALLY CRACKING
DOWN ON CRIME.
FORMER PRESIDENT DONALD TRUMP
903
00:36:45,080 --> 00:36:47,347
DOWN ON CRIME.
FORMER PRESIDENT DONALD TRUMP
WAS INDICTED IN HIS ROLE IN
904
00:36:47,349 --> 00:36:50,550
FORMER PRESIDENT DONALD TRUMP
WAS INDICTED IN HIS ROLE IN
PAYING HUSH MONEY TO STORMY
905
00:36:50,552 --> 00:36:52,018
WAS INDICTED IN HIS ROLE IN
PAYING HUSH MONEY TO STORMY
DANIELS, AND THE TRIAL WILL BE
906
00:36:52,020 --> 00:36:54,320
PAYING HUSH MONEY TO STORMY
DANIELS, AND THE TRIAL WILL BE
LIKE A STORMY DANIELS MOVIE,
907
00:36:54,322 --> 00:36:56,990
DANIELS, AND THE TRIAL WILL BE
LIKE A STORMY DANIELS MOVIE,
BECAUSE I'M DEEPLY ASHAMED AT
908
00:36:56,992 --> 00:36:59,592
LIKE A STORMY DANIELS MOVIE,
BECAUSE I'M DEEPLY ASHAMED AT
HOW EXCITED I AM TO WATCH IT.
909
00:36:59,594 --> 00:37:04,864
BECAUSE I'M DEEPLY ASHAMED AT
HOW EXCITED I AM TO WATCH IT.
HIS LAWYER, JOE, WHO HE CALLED
910
00:37:04,866 --> 00:37:07,900
HOW EXCITED I AM TO WATCH IT.
HIS LAWYER, JOE, WHO HE CALLED
JOE TAPIOCA SAID HE WILL NOT BE
911
00:37:07,902 --> 00:37:10,103
HIS LAWYER, JOE, WHO HE CALLED
JOE TAPIOCA SAID HE WILL NOT BE
PUT IN HAND CUFFS, THOUGH HE
912
00:37:10,105 --> 00:37:14,841
JOE TAPIOCA SAID HE WILL NOT BE
PUT IN HAND CUFFS, THOUGH HE
WILL WEAR BARACK AWAY HAND CUFF
913
00:37:14,843 --> 00:37:16,976
PUT IN HAND CUFFS, THOUGH HE
WILL WEAR BARACK AWAY HAND CUFF
AND A SUPERMAN T-SHIRT.
914
00:37:16,978 --> 00:37:19,412
WILL WEAR BARACK AWAY HAND CUFF
AND A SUPERMAN T-SHIRT.
I'M SURE HE'S HOPING HIS MUG
915
00:37:19,414 --> 00:37:32,358
AND A SUPERMAN T-SHIRT.
I'M SURE HE'S HOPING HIS MUG
SHOT WILL LOOK COOL LIKE FRANK
916
00:37:32,360 --> 00:37:33,659
I'M SURE HE'S HOPING HIS MUG
SHOT WILL LOOK COOL LIKE FRANK
917
00:37:33,661 --> 00:37:34,093
SHOT WILL LOOK COOL LIKE FRANK
918
00:37:34,095 --> 00:37:34,494
SINATRA'S.
919
00:37:34,496 --> 00:37:36,396
SINATRA'S.
>> TRUMP WILL BE ALSO CHARGED
920
00:37:36,398 --> 00:37:37,930
SINATRA'S.
>> TRUMP WILL BE ALSO CHARGED
WITH FRAUD.
921
00:37:37,932 --> 00:37:40,133
>> TRUMP WILL BE ALSO CHARGED
WITH FRAUD.
PRESIDENT BIDEN ON FRIDAY TOLD
922
00:37:40,135 --> 00:37:43,403
WITH FRAUD.
PRESIDENT BIDEN ON FRIDAY TOLD
REPORTERS HE HADOMME
923
00:37:43,405 --> 00:37:45,505
PRESIDENT BIDEN ON FRIDAY TOLD
REPORTERS HE HADOMME
TRUMP'S INDICTMENT, ANDHEN HE
924
00:37:45,507 --> 00:37:50,376
REPORTERS HE HADOMME
TRUMP'S INDICTMENT, ANDHEN HE
DANCED AWAY LILAGS GUY.
925
00:37:50,378 --> 00:37:52,879
TRUMP'S INDICTMENT, ANDHEN HE
DANCED AWAY LILAGS GUY.
>> I THINK IN GENERAL, THE
926
00:37:52,881 --> 00:37:54,647
DANCED AWAY LILAGS GUY.
>> I THINK IN GENERAL, THE
PEOPLE MIGHT BE OVERREACTING TO
927
00:37:54,649 --> 00:37:55,348
>> I THINK IN GENERAL, THE
PEOPLE MIGHT BE OVERREACTING TO
THIS INDICTMENT.
928
00:37:55,350 --> 00:37:57,116
PEOPLE MIGHT BE OVERREACTING TO
THIS INDICTMENT.
LIKE AN ACTUAL INDICTMENT ON CNN
929
00:37:57,118 --> 00:37:58,451
THIS INDICTMENT.
LIKE AN ACTUAL INDICTMENT ON CNN
YESTERDAY WAS NOTHING IN
930
00:37:58,453 --> 00:38:01,621
LIKE AN ACTUAL INDICTMENT ON CNN
YESTERDAY WAS NOTHING IN
AMERICAN HISTORY APPROACHES THE
931
00:38:01,623 --> 00:38:03,923
YESTERDAY WAS NOTHING IN
AMERICAN HISTORY APPROACHES THE
CHARGES AND POSSIBLE TRIAL AND
932
00:38:03,925 --> 00:38:04,524
AMERICAN HISTORY APPROACHES THE
CHARGES AND POSSIBLE TRIAL AND
CONVICTION OF A FORMER
933
00:38:04,526 --> 00:38:04,891
CHARGES AND POSSIBLE TRIAL AND
CONVICTION OF A FORMER
PRESIDENT.
934
00:38:04,893 --> 00:38:06,659
CONVICTION OF A FORMER
PRESIDENT.
A MORE ACCURATE HEADLINE WOULD
935
00:38:06,661 --> 00:38:11,998
PRESIDENT.
A MORE ACCURATE HEADLINE WOULD
BE, MAN WE ALL KNEW WAS CRIMINAL
936
00:38:12,000 --> 00:38:12,732
A MORE ACCURATE HEADLINE WOULD
BE, MAN WE ALL KNEW WAS CRIMINAL
IS CRIMINAL.
937
00:38:12,734 --> 00:38:14,100
BE, MAN WE ALL KNEW WAS CRIMINAL
IS CRIMINAL.
I WENT DOWN TO THE COURTHOUSE
938
00:38:14,102 --> 00:38:14,767
IS CRIMINAL.
I WENT DOWN TO THE COURTHOUSE
TODAY, AND I WAS THE ONLY
939
00:38:14,769 --> 00:38:22,508
I WENT DOWN TO THE COURTHOUSE
TODAY, AND I WAS THE ONLY
PROTESTOR THERE.
940
00:38:22,510 --> 00:38:23,876
TODAY, AND I WAS THE ONLY
PROTESTOR THERE.
>> I TOLD THEM NOT TO LAUGH AT
941
00:38:23,878 --> 00:38:34,187
PROTESTOR THERE.
>> I TOLD THEM NOT TO LAUGH AT
YOU.
942
00:38:34,189 --> 00:38:39,725
>> I TOLD THEM NOT TO LAUGH AT
YOU.
[ CHEERS AND APPLAUSE ]
943
00:38:39,727 --> 00:38:43,362
YOU.
[ CHEERS AND APPLAUSE ]
>> AM I NOT MICCED?
944
00:38:43,364 --> 00:38:45,865
[ CHEERS AND APPLAUSE ]
>> AM I NOT MICCED?
THEN I WAS LIKE, OH, I JUST
945
00:38:45,867 --> 00:38:46,165
>> AM I NOT MICCED?
THEN I WAS LIKE, OH, I JUST
SUCK.
946
00:38:46,167 --> 00:38:55,074
THEN I WAS LIKE, OH, I JUST
SUCK.
>> MOVING RIGHT ALONG --
947
00:38:55,076 --> 00:38:55,541
SUCK.
>> MOVING RIGHT ALONG --
>> YOU'RE EVIL.
948
00:38:55,543 --> 00:38:57,043
>> MOVING RIGHT ALONG --
>> YOU'RE EVIL.
>> MARJORIE TAYLOR GREEN PLANS
949
00:38:57,045 --> 00:38:58,744
>> YOU'RE EVIL.
>> MARJORIE TAYLOR GREEN PLANS
TO COME TO NEW YORK ON TUESDAY
950
00:38:58,746 --> 00:39:01,681
>> MARJORIE TAYLOR GREEN PLANS
TO COME TO NEW YORK ON TUESDAY
TO PROTEST TRUMP'S INDICTMENT,
951
00:39:01,683 --> 00:39:02,615
TO COME TO NEW YORK ON TUESDAY
TO PROTEST TRUMP'S INDICTMENT,
BECAUSE APPARENTLY IT TAKES HER
952
00:39:02,617 --> 00:39:04,951
TO PROTEST TRUMP'S INDICTMENT,
BECAUSE APPARENTLY IT TAKES HER
THREE DAYS TO PUT ON HER JOKER
953
00:39:04,953 --> 00:39:05,284
BECAUSE APPARENTLY IT TAKES HER
THREE DAYS TO PUT ON HER JOKER
MAKEUP.
954
00:39:05,286 --> 00:39:06,018
THREE DAYS TO PUT ON HER JOKER
MAKEUP.
THEY'LL PROBABLY LAUGH AT THIS
955
00:39:06,020 --> 00:39:09,255
MAKEUP.
THEY'LL PROBABLY LAUGH AT THIS
NEXT ONE.
956
00:39:09,257 --> 00:39:10,656
THEY'LL PROBABLY LAUGH AT THIS
NEXT ONE.
>> THAT'S THE MEANEST THING
957
00:39:10,658 --> 00:39:13,893
NEXT ONE.
>> THAT'S THE MEANEST THING
YOU'VE EVER DONE TO ME.
958
00:39:13,895 --> 00:39:20,533
>> THAT'S THE MEANEST THING
YOU'VE EVER DONE TO ME.
I'M COVERED IN SWEAT.
959
00:39:20,535 --> 00:39:23,836
YOU'VE EVER DONE TO ME.
I'M COVERED IN SWEAT.
[ CHEERS AND APPLAUSE ]
960
00:39:23,838 --> 00:39:26,606
I'M COVERED IN SWEAT.
[ CHEERS AND APPLAUSE ]
DON'T EVEN DARE!
961
00:39:26,608 --> 00:39:35,515
[ CHEERS AND APPLAUSE ]
DON'T EVEN DARE!
DON'T YOU EVEN DARE TRY NOW.
962
00:39:35,517 --> 00:39:38,851
DON'T EVEN DARE!
DON'T YOU EVEN DARE TRY NOW.
FLORIDA GOVERNOR RON DeSANTIS
963
00:39:38,853 --> 00:39:44,857
DON'T YOU EVEN DARE TRY NOW.
FLORIDA GOVERNOR RON DeSANTIS
WHO THINKS HE'S GASTON, BUT,
964
00:39:44,859 --> 00:39:52,865
FLORIDA GOVERNOR RON DeSANTIS
WHO THINKS HE'S GASTON, BUT,
GIRL, YOU LeFOU.
965
00:39:52,867 --> 00:39:55,535
WHO THINKS HE'S GASTON, BUT,
GIRL, YOU LeFOU.
RON DE -- I'M SHAKING.
966
00:39:55,537 --> 00:39:57,670
GIRL, YOU LeFOU.
RON DE -- I'M SHAKING.
RON DeSANTIS SAID FLORIDA
967
00:39:57,672 --> 00:39:59,372
RON DE -- I'M SHAKING.
RON DeSANTIS SAID FLORIDA
OFFICIALS WOULD NOT HELP
968
00:39:59,374 --> 00:40:00,873
RON DeSANTIS SAID FLORIDA
OFFICIALS WOULD NOT HELP
EXTRADITE TRUMP BACK TO NEW YORK
969
00:40:00,875 --> 00:40:03,109
OFFICIALS WOULD NOT HELP
EXTRADITE TRUMP BACK TO NEW YORK
UNLESS OF COURSE HE AGREES TO
970
00:40:03,111 --> 00:40:03,876
EXTRADITE TRUMP BACK TO NEW YORK
UNLESS OF COURSE HE AGREES TO
TAKE A BUS LOAD OF MIGRANTS WITH
971
00:40:03,878 --> 00:40:06,812
UNLESS OF COURSE HE AGREES TO
TAKE A BUS LOAD OF MIGRANTS WITH
HIM.
972
00:40:06,814 --> 00:40:08,915
TAKE A BUS LOAD OF MIGRANTS WITH
HIM.
>> IN THE WAKE OF THE NATIONAL
973
00:40:08,917 --> 00:40:09,749
HIM.
>> IN THE WAKE OF THE NATIONAL
SHOOTING, PRESIDENT BIDEN ONCE
974
00:40:09,751 --> 00:40:11,551
>> IN THE WAKE OF THE NATIONAL
SHOOTING, PRESIDENT BIDEN ONCE
AGAIN CALLED ON CONGRESS TO PASS
975
00:40:11,553 --> 00:40:14,754
SHOOTING, PRESIDENT BIDEN ONCE
AGAIN CALLED ON CONGRESS TO PASS
AN ASSAULT WEAPONS BAN, OR, HEAR
976
00:40:14,756 --> 00:40:18,157
AGAIN CALLED ON CONGRESS TO PASS
AN ASSAULT WEAPONS BAN, OR, HEAR
ME OUT, STOP AND FRISK FOR
977
00:40:18,159 --> 00:40:18,491
AN ASSAULT WEAPONS BAN, OR, HEAR
ME OUT, STOP AND FRISK FOR
WHITES.
978
00:40:18,493 --> 00:40:19,825
ME OUT, STOP AND FRISK FOR
WHITES.
HOW LONG BEFORE THESE KIDS EARN
979
00:40:19,827 --> 00:40:27,533
WHITES.
HOW LONG BEFORE THESE KIDS EARN
A STEREO TYPE?
980
00:40:27,535 --> 00:40:30,436
HOW LONG BEFORE THESE KIDS EARN
A STEREO TYPE?
>> CONGRESSMAN ANDY OGLES WHO
981
00:40:30,438 --> 00:40:33,472
A STEREO TYPE?
>> CONGRESSMAN ANDY OGLES WHO
RESPECTS THE DISTRICT WHERE THE
982
00:40:33,474 --> 00:40:35,274
>> CONGRESSMAN ANDY OGLES WHO
RESPECTS THE DISTRICT WHERE THE
NASHVILLE SHOOTING TOOK PLACE IS
983
00:40:35,276 --> 00:40:37,243
RESPECTS THE DISTRICT WHERE THE
NASHVILLE SHOOTING TOOK PLACE IS
BEING CRITICIZED FOR A CHRISTMAS
984
00:40:37,245 --> 00:40:39,979
NASHVILLE SHOOTING TOOK PLACE IS
BEING CRITICIZED FOR A CHRISTMAS
CARD WHERE HE AND HIS FAMILY ARE
985
00:40:39,981 --> 00:40:41,214
BEING CRITICIZED FOR A CHRISTMAS
CARD WHERE HE AND HIS FAMILY ARE
HOLDING ASSAULT RIFLES.
986
00:40:41,216 --> 00:40:43,216
CARD WHERE HE AND HIS FAMILY ARE
HOLDING ASSAULT RIFLES.
WHO ARE YOU PSYCHOS SENDING
987
00:40:43,218 --> 00:40:44,483
HOLDING ASSAULT RIFLES.
WHO ARE YOU PSYCHOS SENDING
THESE CARDS TO?
988
00:40:44,485 --> 00:40:46,519
WHO ARE YOU PSYCHOS SENDING
THESE CARDS TO?
IF I RECEIVED THAT IN THE MAIL,
989
00:40:46,521 --> 00:40:47,320
THESE CARDS TO?
IF I RECEIVED THAT IN THE MAIL,
I WOULD MOVE.
990
00:40:47,322 --> 00:40:51,257
IF I RECEIVED THAT IN THE MAIL,
I WOULD MOVE.
ALL THIS CARD TELLS YOU IS I AM
991
00:40:51,259 --> 00:40:52,058
I WOULD MOVE.
ALL THIS CARD TELLS YOU IS I AM
ARMED, I HAVE TERRIBLE JUDGMENT,
992
00:40:52,060 --> 00:40:54,293
ALL THIS CARD TELLS YOU IS I AM
ARMED, I HAVE TERRIBLE JUDGMENT,
AND I KNOW WHERE YOU LIVE.
993
00:40:54,295 --> 00:40:56,362
ARMED, I HAVE TERRIBLE JUDGMENT,
AND I KNOW WHERE YOU LIVE.
>> DEMOCRATIC REPRESENTATIVE
994
00:40:56,364 --> 00:40:59,498
AND I KNOW WHERE YOU LIVE.
>> DEMOCRATIC REPRESENTATIVE
JAMAL BOWMAN AND THOMAS MASSEY
995
00:40:59,500 --> 00:41:01,934
>> DEMOCRATIC REPRESENTATIVE
JAMAL BOWMAN AND THOMAS MASSEY
GOT IN A SCREAMING MATCH ON
996
00:41:01,936 --> 00:41:03,936
JAMAL BOWMAN AND THOMAS MASSEY
GOT IN A SCREAMING MATCH ON
CAPITOL HILL AFTER HE CALLED
997
00:41:03,938 --> 00:41:06,172
GOT IN A SCREAMING MATCH ON
CAPITOL HILL AFTER HE CALLED
THEM COWARDS FOR OPPOSING GUN
998
00:41:06,174 --> 00:41:06,672
CAPITOL HILL AFTER HE CALLED
THEM COWARDS FOR OPPOSING GUN
CONTROL.
999
00:41:06,674 --> 00:41:08,841
THEM COWARDS FOR OPPOSING GUN
CONTROL.
IF THERE'S ONE THING REPUBLICANS
1000
00:41:08,843 --> 00:41:11,644
CONTROL.
IF THERE'S ONE THING REPUBLICANS
HAVE, IT'S BIG OLD GUTS.
1001
00:41:11,646 --> 00:41:13,346
IF THERE'S ONE THING REPUBLICANS
HAVE, IT'S BIG OLD GUTS.
>> TRUMP HAS ALSO BEEN PROMOTING
1002
00:41:13,348 --> 00:41:15,248
HAVE, IT'S BIG OLD GUTS.
>> TRUMP HAS ALSO BEEN PROMOTING
A SONG CALLED JUSTICE FOR ALL,
1003
00:41:15,250 --> 00:41:17,216
>> TRUMP HAS ALSO BEEN PROMOTING
A SONG CALLED JUSTICE FOR ALL,
WHICH FEATURES HIMSELF AND A
1004
00:41:17,218 --> 00:41:19,385
A SONG CALLED JUSTICE FOR ALL,
WHICH FEATURES HIMSELF AND A
CHOIR OF MEN JAILED FOR THEIR
1005
00:41:19,387 --> 00:41:21,153
WHICH FEATURES HIMSELF AND A
CHOIR OF MEN JAILED FOR THEIR
ROLES IN THE JANUARY 6th ATTACK.
1006
00:41:21,155 --> 00:41:24,857
CHOIR OF MEN JAILED FOR THEIR
ROLES IN THE JANUARY 6th ATTACK.
I FEEL BAD FOR THE JANUARY 6th
1007
00:41:24,859 --> 00:41:26,058
ROLES IN THE JANUARY 6th ATTACK.
I FEEL BAD FOR THE JANUARY 6th
SINGERS BECAUSE YOU KNOW JAIL
1008
00:41:26,060 --> 00:41:28,160
I FEEL BAD FOR THE JANUARY 6th
SINGERS BECAUSE YOU KNOW JAIL
GETS MUCH WORSE WHEN THE OTHER
1009
00:41:28,162 --> 00:41:31,063
SINGERS BECAUSE YOU KNOW JAIL
GETS MUCH WORSE WHEN THE OTHER
PRISONERS FIND OUT YOU'RE IN AN
1010
00:41:31,065 --> 00:41:31,530
GETS MUCH WORSE WHEN THE OTHER
PRISONERS FIND OUT YOU'RE IN AN
ACAPELLA GROUP.
1011
00:41:31,532 --> 00:41:32,665
PRISONERS FIND OUT YOU'RE IN AN
ACAPELLA GROUP.
>> LAST WREAK, A FLORIDA
1012
00:41:32,667 --> 00:41:35,334
ACAPELLA GROUP.
>> LAST WREAK, A FLORIDA
PRINCIPAL WAS FORCED TO RESIGN
1013
00:41:35,336 --> 00:41:38,170
>> LAST WREAK, A FLORIDA
PRINCIPAL WAS FORCED TO RESIGN
WHEN PARENTS WERE OUTRAGED WHEN
1014
00:41:38,172 --> 00:41:41,707
PRINCIPAL WAS FORCED TO RESIGN
WHEN PARENTS WERE OUTRAGED WHEN
MICHAEL ANGLO'S STATUE WAS
1015
00:41:41,709 --> 00:41:42,074
WHEN PARENTS WERE OUTRAGED WHEN
MICHAEL ANGLO'S STATUE WAS
REVEALED.
1016
00:41:42,076 --> 00:41:44,777
MICHAEL ANGLO'S STATUE WAS
REVEALED.
HERE TO COMMENT, MICHAEL
1017
00:41:44,779 --> 00:41:52,485
REVEALED.
HERE TO COMMENT, MICHAEL
ANGELO'S DAVID.
1018
00:41:52,487 --> 00:41:53,619
HERE TO COMMENT, MICHAEL
ANGELO'S DAVID.
>> HEY.
1019
00:41:53,621 --> 00:41:54,387
ANGELO'S DAVID.
>> HEY.
1020
00:41:54,389 --> 00:41:55,021
>> HEY.
THANKS FOR HAVING ME.
1021
00:41:55,023 --> 00:41:57,290
THANKS FOR HAVING ME.
>> MICHAEL ANGELO'S DAVID.
1022
00:41:57,292 --> 00:41:58,691
THANKS FOR HAVING ME.
>> MICHAEL ANGELO'S DAVID.
I'M SORRY.
1023
00:41:58,693 --> 00:41:59,525
>> MICHAEL ANGELO'S DAVID.
I'M SORRY.
I'M OVER HERE.
1024
00:41:59,527 --> 00:42:01,360
I'M SORRY.
I'M OVER HERE.
CAN YOU NOT TURN YOUR HEAD?
1025
00:42:01,362 --> 00:42:03,462
I'M OVER HERE.
CAN YOU NOT TURN YOUR HEAD?
>> I'VE ACTUALLY NEVER TRIED.
1026
00:42:03,464 --> 00:42:03,929
CAN YOU NOT TURN YOUR HEAD?
>> I'VE ACTUALLY NEVER TRIED.
LET'S FIND OUT.
1027
00:42:03,931 --> 00:42:12,238
>> I'VE ACTUALLY NEVER TRIED.
LET'S FIND OUT.
AHH!
1028
00:42:12,240 --> 00:42:15,107
LET'S FIND OUT.
AHH!
THAT HURT LIKE HELL.
1029
00:42:15,109 --> 00:42:17,109
AHH!
THAT HURT LIKE HELL.
>> SO DAVID, HOW ARE YOU DEALING
1030
00:42:17,111 --> 00:42:19,278
THAT HURT LIKE HELL.
>> SO DAVID, HOW ARE YOU DEALING
WITH THIS FLORIDA CONTROVERSY?
1031
00:42:19,280 --> 00:42:21,547
>> SO DAVID, HOW ARE YOU DEALING
WITH THIS FLORIDA CONTROVERSY?
THOSE PARENTS ARE PRETTY UPSET.
1032
00:42:21,549 --> 00:42:23,949
WITH THIS FLORIDA CONTROVERSY?
THOSE PARENTS ARE PRETTY UPSET.
>> THOSE PARENTS ARE IGNORANT
1033
00:42:23,951 --> 00:42:24,417
THOSE PARENTS ARE PRETTY UPSET.
>> THOSE PARENTS ARE IGNORANT
PRUDES.
1034
00:42:24,419 --> 00:42:30,256
>> THOSE PARENTS ARE IGNORANT
PRUDES.
I'M THE WORLD'S GREATEST
1035
00:42:30,258 --> 00:42:31,023
PRUDES.
I'M THE WORLD'S GREATEST
SCULPTURE, AND I'M A VERY PRETTY
1036
00:42:31,025 --> 00:42:31,324
I'M THE WORLD'S GREATEST
SCULPTURE, AND I'M A VERY PRETTY
BOY.
1037
00:42:31,326 --> 00:42:32,625
SCULPTURE, AND I'M A VERY PRETTY
BOY.
>> SOUNDS LIKE THE PARENTS
1038
00:42:32,627 --> 00:42:34,994
BOY.
>> SOUNDS LIKE THE PARENTS
DIDN'T WANT THE KIDS TO SEE YOUR
1039
00:42:34,996 --> 00:42:35,361
>> SOUNDS LIKE THE PARENTS
DIDN'T WANT THE KIDS TO SEE YOUR
PRIVATES.
1040
00:42:35,363 --> 00:42:37,396
DIDN'T WANT THE KIDS TO SEE YOUR
PRIVATES.
>> I'M PROUD OF MY TINY PENIS
1041
00:42:37,398 --> 00:42:40,299
PRIVATES.
>> I'M PROUD OF MY TINY PENIS
AND BIG STONED PRUNED.
1042
00:42:40,301 --> 00:42:43,169
>> I'M PROUD OF MY TINY PENIS
AND BIG STONED PRUNED.
I'M BEAUTIFUL, AND I THINK YOUR
1043
00:42:43,171 --> 00:42:44,203
AND BIG STONED PRUNED.
I'M BEAUTIFUL, AND I THINK YOUR
AUDIENCE DESERVES TO SEE THAT.
1044
00:42:44,205 --> 00:42:46,172
I'M BEAUTIFUL, AND I THINK YOUR
AUDIENCE DESERVES TO SEE THAT.
>> NO, YOU CAN'T DO THAT.
1045
00:42:46,174 --> 00:42:48,174
AUDIENCE DESERVES TO SEE THAT.
>> NO, YOU CAN'T DO THAT.
WHEREAS WRONG WITH YOU PEOPLE?
1046
00:42:48,176 --> 00:42:48,574
>> NO, YOU CAN'T DO THAT.
WHEREAS WRONG WITH YOU PEOPLE?
>> WHY?
1047
00:42:48,576 --> 00:42:49,975
WHEREAS WRONG WITH YOU PEOPLE?
>> WHY?
I WANT TO DO THAT.
1048
00:42:49,977 --> 00:42:52,011
>> WHY?
I WANT TO DO THAT.
>> YOU CAN'T SHOW THAT.
1049
00:42:52,013 --> 00:42:53,579
I WANT TO DO THAT.
>> YOU CAN'T SHOW THAT.
ONE PARENT SAID IT WAS
1050
00:42:53,581 --> 00:42:54,013
>> YOU CAN'T SHOW THAT.
ONE PARENT SAID IT WAS
PORNOGRAPHIC.
1051
00:42:54,015 --> 00:42:54,780
ONE PARENT SAID IT WAS
PORNOGRAPHIC.
>> IT'S ART.
1052
00:42:54,782 --> 00:42:55,981
PORNOGRAPHIC.
>> IT'S ART.
IT'S NOT PORNOGRAPHY.
1053
00:42:55,983 --> 00:42:56,949
>> IT'S ART.
IT'S NOT PORNOGRAPHY.
OKAY, WELL, RIGHT NOW, IT'S
1054
00:42:56,951 --> 00:42:59,719
IT'S NOT PORNOGRAPHY.
OKAY, WELL, RIGHT NOW, IT'S
PORNOGRAPHY.
1055
00:42:59,721 --> 00:43:02,188
OKAY, WELL, RIGHT NOW, IT'S
PORNOGRAPHY.
I'LL TELL YOU WHEN IT'S ART
1056
00:43:02,190 --> 00:43:02,521
PORNOGRAPHY.
I'LL TELL YOU WHEN IT'S ART
AGAIN.
1057
00:43:02,523 --> 00:43:03,155
I'LL TELL YOU WHEN IT'S ART
AGAIN.
>> THAT'S FINE.
1058
00:43:03,157 --> 00:43:04,990
AGAIN.
>> THAT'S FINE.
IF PEOPLE WANT TO SEE IT, THEY
1059
00:43:04,992 --> 00:43:07,860
>> THAT'S FINE.
IF PEOPLE WANT TO SEE IT, THEY
CAN GO TO A MUSEUM IN ITALY OR
1060
00:43:07,862 --> 00:43:09,662
IF PEOPLE WANT TO SEE IT, THEY
CAN GO TO A MUSEUM IN ITALY OR
LOOK AT IT ONLINE.
1061
00:43:09,664 --> 00:43:11,263
CAN GO TO A MUSEUM IN ITALY OR
LOOK AT IT ONLINE.
>> OH, YOU'RE ONE OF THOSE GUYS.
1062
00:43:11,265 --> 00:43:13,132
LOOK AT IT ONLINE.
>> OH, YOU'RE ONE OF THOSE GUYS.
I CAN SEE WHATEVER I NEED TO
1063
00:43:13,134 --> 00:43:13,466
>> OH, YOU'RE ONE OF THOSE GUYS.
I CAN SEE WHATEVER I NEED TO
ONLINE.
1064
00:43:13,468 --> 00:43:14,367
I CAN SEE WHATEVER I NEED TO
ONLINE.
THAT'S SAD.
1065
00:43:14,369 --> 00:43:17,136
ONLINE.
THAT'S SAD.
LOOK, I AM FROM THE BIBLE, OKAY?
1066
00:43:17,138 --> 00:43:21,173
THAT'S SAD.
LOOK, I AM FROM THE BIBLE, OKAY?
I KILLED GOLIATH WITH A TINY
1067
00:43:21,175 --> 00:43:23,509
LOOK, I AM FROM THE BIBLE, OKAY?
I KILLED GOLIATH WITH A TINY
ROCK AND MY TINY DONG OUT.
1068
00:43:23,511 --> 00:43:25,044
I KILLED GOLIATH WITH A TINY
ROCK AND MY TINY DONG OUT.
YOU EVER BEEN IN A FIGHT WITH
1069
00:43:25,046 --> 00:43:26,278
ROCK AND MY TINY DONG OUT.
YOU EVER BEEN IN A FIGHT WITH
YOUR DONG OUT?
1070
00:43:26,280 --> 00:43:26,779
YOU EVER BEEN IN A FIGHT WITH
YOUR DONG OUT?
>> NO.
1071
00:43:26,781 --> 00:43:27,213
YOUR DONG OUT?
>> NO.
>> ANSWER ME.
1072
00:43:27,215 --> 00:43:29,048
>> NO.
>> ANSWER ME.
>> I DID ANSWER YOU.
1073
00:43:29,050 --> 00:43:29,448
>> ANSWER ME.
>> I DID ANSWER YOU.
I SAID NO.
1074
00:43:29,450 --> 00:43:31,217
>> I DID ANSWER YOU.
I SAID NO.
>> I'M SERIOUS, CHE.
1075
00:43:31,219 --> 00:43:33,052
I SAID NO.
>> I'M SERIOUS, CHE.
FIGHT WITH YOUR DONG OUT, YES OR
1076
00:43:33,054 --> 00:43:33,753
>> I'M SERIOUS, CHE.
FIGHT WITH YOUR DONG OUT, YES OR
NO?
1077
00:43:33,755 --> 00:43:34,220
FIGHT WITH YOUR DONG OUT, YES OR
NO?
>> NO.
1078
00:43:34,222 --> 00:43:36,389
NO?
>> NO.
>> WELL, YOU SHOULD TRY IT.
1079
00:43:36,391 --> 00:43:38,391
>> NO.
>> WELL, YOU SHOULD TRY IT.
IT REALLY DISTRACTS THE OTHER
1080
00:43:38,393 --> 00:43:38,657
>> WELL, YOU SHOULD TRY IT.
IT REALLY DISTRACTS THE OTHER
GUY.
1081
00:43:38,659 --> 00:43:40,526
IT REALLY DISTRACTS THE OTHER
GUY.
QUITE A BIT, YOU KNOW WHAT I
1082
00:43:40,528 --> 00:43:40,826
GUY.
QUITE A BIT, YOU KNOW WHAT I
MEAN?
1083
00:43:40,828 --> 00:43:41,160
QUITE A BIT, YOU KNOW WHAT I
MEAN?
>> NO.
1084
00:43:41,162 --> 00:43:41,927
MEAN?
>> NO.
>> YOU KNOW WHAT?
1085
00:43:41,929 --> 00:43:44,930
>> NO.
>> YOU KNOW WHAT?
I'M JUST GOING TO SHOW IT.
1086
00:43:44,932 --> 00:43:47,199
>> YOU KNOW WHAT?
I'M JUST GOING TO SHOW IT.
I'LL JUST SHOW IT.
1087
00:43:47,201 --> 00:43:47,767
I'M JUST GOING TO SHOW IT.
I'LL JUST SHOW IT.
>> PLEASE DON'T, MAN.
1088
00:43:47,769 --> 00:43:48,467
I'LL JUST SHOW IT.
>> PLEASE DON'T, MAN.
>> COME ON!
1089
00:43:48,469 --> 00:43:51,070
>> PLEASE DON'T, MAN.
>> COME ON!
WHAT ARE YOU SCARED OF?
1090
00:43:51,072 --> 00:43:53,439
>> COME ON!
WHAT ARE YOU SCARED OF?
ALL THE BEST ART IS NUDE.
1091
00:43:53,441 --> 00:43:57,877
WHAT ARE YOU SCARED OF?
ALL THE BEST ART IS NUDE.
ME, NUDE, VENUS DeMILO, NUDE,
1092
00:43:57,879 --> 00:44:00,112
ALL THE BEST ART IS NUDE.
ME, NUDE, VENUS DeMILO, NUDE,
STATUE OF LIBERTY, SHOWS FEET.
1093
00:44:00,114 --> 00:44:01,213
ME, NUDE, VENUS DeMILO, NUDE,
STATUE OF LIBERTY, SHOWS FEET.
>> WHAT ARE YOU TALKING ABOUT?
1094
00:44:01,215 --> 00:44:03,582
STATUE OF LIBERTY, SHOWS FEET.
>> WHAT ARE YOU TALKING ABOUT?
>> YOU HAVE THE MOST BEAUTIFUL
1095
00:44:03,584 --> 00:44:04,984
>> WHAT ARE YOU TALKING ABOUT?
>> YOU HAVE THE MOST BEAUTIFUL
PIECE OF ART IN THE WORLD NEXT
1096
00:44:04,986 --> 00:44:06,886
>> YOU HAVE THE MOST BEAUTIFUL
PIECE OF ART IN THE WORLD NEXT
TO YOU AND YOU DON'T WANT TO
1097
00:44:06,888 --> 00:44:07,286
PIECE OF ART IN THE WORLD NEXT
TO YOU AND YOU DON'T WANT TO
LOOK AT IT.
1098
00:44:07,288 --> 00:44:09,255
TO YOU AND YOU DON'T WANT TO
LOOK AT IT.
>> I CAN SEE IT NOW.
1099
00:44:09,257 --> 00:44:10,156
LOOK AT IT.
>> I CAN SEE IT NOW.
>> AND.
1100
00:44:10,158 --> 00:44:12,091
>> I CAN SEE IT NOW.
>> AND.
>> I'M NO EXPERT, BUT IT'S KIND
1101
00:44:12,093 --> 00:44:12,491
>> AND.
>> I'M NO EXPERT, BUT IT'S KIND
OF SMALL.
1102
00:44:12,493 --> 00:44:14,860
>> I'M NO EXPERT, BUT IT'S KIND
OF SMALL.
>> WELL, MOST PEOPLE SEE IT FROM
1103
00:44:14,862 --> 00:44:15,161
OF SMALL.
>> WELL, MOST PEOPLE SEE IT FROM
BELOW.
1104
00:44:15,163 --> 00:44:16,595
>> WELL, MOST PEOPLE SEE IT FROM
BELOW.
DO YOU WANT TO COME UNDER AND
1105
00:44:16,597 --> 00:44:17,830
BELOW.
DO YOU WANT TO COME UNDER AND
SEE IT FROM BELOW?
1106
00:44:17,832 --> 00:44:18,964
DO YOU WANT TO COME UNDER AND
SEE IT FROM BELOW?
>> NO, I DO NOT.
1107
00:44:18,966 --> 00:44:21,967
SEE IT FROM BELOW?
>> NO, I DO NOT.
>> WELL, WHILE YOU'RE LOOKING AT
1108
00:44:21,969 --> 00:44:23,269
>> NO, I DO NOT.
>> WELL, WHILE YOU'RE LOOKING AT
IT, DO YOU NOTICE HOW THE HAIR
1109
00:44:23,271 --> 00:44:25,805
>> WELL, WHILE YOU'RE LOOKING AT
IT, DO YOU NOTICE HOW THE HAIR
UP HERE IS THE SAME DOWN HERE?
1110
00:44:25,807 --> 00:44:28,307
IT, DO YOU NOTICE HOW THE HAIR
UP HERE IS THE SAME DOWN HERE?
THAT'S NOT LIKE RIGHT, RIGHT?
1111
00:44:28,309 --> 00:44:29,275
UP HERE IS THE SAME DOWN HERE?
THAT'S NOT LIKE RIGHT, RIGHT?
IT'S TOO THICK.
1112
00:44:29,277 --> 00:44:30,309
THAT'S NOT LIKE RIGHT, RIGHT?
IT'S TOO THICK.
IT'S LIKE ROCKS, LOOK.
1113
00:44:30,311 --> 00:44:34,580
IT'S TOO THICK.
IT'S LIKE ROCKS, LOOK.
>> DUDE, NO.
1114
00:44:34,582 --> 00:44:35,881
IT'S LIKE ROCKS, LOOK.
>> DUDE, NO.
DON'T SHOW THAT, PLEASE.
1115
00:44:35,883 --> 00:44:37,016
>> DUDE, NO.
DON'T SHOW THAT, PLEASE.
>> IT'S JUST ROCKS.
1116
00:44:37,018 --> 00:44:39,018
DON'T SHOW THAT, PLEASE.
>> IT'S JUST ROCKS.
GOD, AMERICANS ARE UPTIGHT.
1117
00:44:39,020 --> 00:44:41,854
>> IT'S JUST ROCKS.
GOD, AMERICANS ARE UPTIGHT.
DID YOU KNOW IN THE ITALIAN
1118
00:44:41,856 --> 00:44:45,357
GOD, AMERICANS ARE UPTIGHT.
DID YOU KNOW IN THE ITALIAN
VERSION OF SNL YOU CAN SHOW FULL
1119
00:44:45,359 --> 00:44:45,758
DID YOU KNOW IN THE ITALIAN
VERSION OF SNL YOU CAN SHOW FULL
PENETRATION?
1120
00:44:45,760 --> 00:44:53,732
VERSION OF SNL YOU CAN SHOW FULL
PENETRATION?
>> WHAT?
1121
00:44:53,734 --> 00:44:54,166
PENETRATION?
>> WHAT?
1122
00:44:54,168 --> 00:44:55,534
>> WHAT?
YOU KNOW WHAT, IF YOU WANT TO
1123
00:44:55,536 --> 00:44:57,570
YOU KNOW WHAT, IF YOU WANT TO
SHOW IT SO BAD, JUST SHOW IT.
1124
00:44:57,572 --> 00:44:58,337
YOU KNOW WHAT, IF YOU WANT TO
SHOW IT SO BAD, JUST SHOW IT.
WE'RE ALL WATCHING.
1125
00:44:58,339 --> 00:45:00,940
SHOW IT SO BAD, JUST SHOW IT.
WE'RE ALL WATCHING.
>> WELL, NOW I'M SHY.
1126
00:45:00,942 --> 00:45:04,643
WE'RE ALL WATCHING.
>> WELL, NOW I'M SHY.
>> MICHAEL ANGELO'S DAVID,
1127
00:45:04,645 --> 00:45:05,010
>> WELL, NOW I'M SHY.
>> MICHAEL ANGELO'S DAVID,
EVERYBODY.
1128
00:45:05,012 --> 00:45:10,382
>> MICHAEL ANGELO'S DAVID,
EVERYBODY.
GET OUT OF HERE!
1129
00:45:10,384 --> 00:45:11,617
EVERYBODY.
GET OUT OF HERE!
>> APPLE HAS LAUNCHED A NEW
1130
00:45:11,619 --> 00:45:13,052
GET OUT OF HERE!
>> APPLE HAS LAUNCHED A NEW
FEATURE CALLED PAY LATER THAT
1131
00:45:13,054 --> 00:45:15,154
>> APPLE HAS LAUNCHED A NEW
FEATURE CALLED PAY LATER THAT
LETS USERS SPREAD OUT PAYMENTS
1132
00:45:15,156 --> 00:45:17,523
FEATURE CALLED PAY LATER THAT
LETS USERS SPREAD OUT PAYMENTS
FOR APPS OVER THE COURSE OF SIX
1133
00:45:17,525 --> 00:45:17,857
LETS USERS SPREAD OUT PAYMENTS
FOR APPS OVER THE COURSE OF SIX
WEEKS.
1134
00:45:17,859 --> 00:45:19,792
FOR APPS OVER THE COURSE OF SIX
WEEKS.
THIS HAS ALSO LAUNCHED MY NEW
1135
00:45:19,794 --> 00:45:23,596
WEEKS.
THIS HAS ALSO LAUNCHED MY NEW
FAVORITE INSULT, YO MAMA IS SO
1136
00:45:23,598 --> 00:45:26,131
THIS HAS ALSO LAUNCHED MY NEW
FAVORITE INSULT, YO MAMA IS SO
POOR, SHE PUT CANDY CRUSH ON LA
1137
00:45:26,133 --> 00:45:26,432
FAVORITE INSULT, YO MAMA IS SO
POOR, SHE PUT CANDY CRUSH ON LA
AWAY.
1138
00:45:26,434 --> 00:45:28,434
POOR, SHE PUT CANDY CRUSH ON LA
AWAY.
>> AFTER A RECENT CHEMICAL SPILL
1139
00:45:28,436 --> 00:45:29,835
AWAY.
>> AFTER A RECENT CHEMICAL SPILL
IN THE DELAWARE RIVER,
1140
00:45:29,837 --> 00:45:31,637
>> AFTER A RECENT CHEMICAL SPILL
IN THE DELAWARE RIVER,
PHILADELPHIA OFFICIALS SAY THE
1141
00:45:31,639 --> 00:45:33,806
IN THE DELAWARE RIVER,
PHILADELPHIA OFFICIALS SAY THE
CITY'S DRINKING WATER IS FINALLY
1142
00:45:33,808 --> 00:45:35,040
PHILADELPHIA OFFICIALS SAY THE
CITY'S DRINKING WATER IS FINALLY
SAFE, UNLESS IT'S BEING HANDED
1143
00:45:35,042 --> 00:45:39,345
CITY'S DRINKING WATER IS FINALLY
SAFE, UNLESS IT'S BEING HANDED
TO YOU BY THIS PHILADELPHIAN.
1144
00:45:39,347 --> 00:45:42,314
SAFE, UNLESS IT'S BEING HANDED
TO YOU BY THIS PHILADELPHIAN.
YOU GUYS DON'T LIKE SAFETY
1145
00:45:42,316 --> 00:45:42,715
TO YOU BY THIS PHILADELPHIAN.
YOU GUYS DON'T LIKE SAFETY
PRECAUTIONS?
1146
00:45:42,717 --> 00:45:45,317
YOU GUYS DON'T LIKE SAFETY
PRECAUTIONS?
CUP NOODLES HAS INTRODUCED A
1147
00:45:45,319 --> 00:45:47,119
PRECAUTIONS?
CUP NOODLES HAS INTRODUCED A
BREAKFAST VERSION OF THEIR
1148
00:45:47,121 --> 00:45:49,555
CUP NOODLES HAS INTRODUCED A
BREAKFAST VERSION OF THEIR
INSTANT RAMON.
1149
00:45:49,557 --> 00:45:52,625
BREAKFAST VERSION OF THEIR
INSTANT RAMON.
THE FLAVOR WILL BE CALLED, "MOM
1150
00:45:52,627 --> 00:45:55,594
INSTANT RAMON.
THE FLAVOR WILL BE CALLED, "MOM
LEFT."
1151
00:45:55,596 --> 00:45:57,997
THE FLAVOR WILL BE CALLED, "MOM
LEFT."
I LIKE THIS CROWD A LOT, MAN.
1152
00:45:57,999 --> 00:45:58,330
LEFT."
I LIKE THIS CROWD A LOT, MAN.
>> YEAH.
1153
00:45:58,332 --> 00:46:02,568
I LIKE THIS CROWD A LOT, MAN.
>> YEAH.
YEAH, ME TOO.
1154
00:46:02,570 --> 00:46:09,174
>> YEAH.
YEAH, ME TOO.
AGREED.
1155
00:46:09,176 --> 00:46:10,075
YEAH, ME TOO.
AGREED.
AN 89-YEAR-OLD JAPANESE MAN HAS
1156
00:46:10,077 --> 00:46:12,378
AGREED.
AN 89-YEAR-OLD JAPANESE MAN HAS
BEEN RECOGNIZED AS THE OLDEST
1157
00:46:12,380 --> 00:46:13,946
AN 89-YEAR-OLD JAPANESE MAN HAS
BEEN RECOGNIZED AS THE OLDEST
MALE SURFER EVER.
1158
00:46:13,948 --> 00:46:18,217
BEEN RECOGNIZED AS THE OLDEST
MALE SURFER EVER.
HE TRULY EMBODIES THE SURFING
1159
00:46:18,219 --> 00:46:19,618
MALE SURFER EVER.
HE TRULY EMBODIES THE SURFING
LIFESTYLE BECAUSE EVERY PART OF
1160
00:46:19,620 --> 00:46:21,754
HE TRULY EMBODIES THE SURFING
LIFESTYLE BECAUSE EVERY PART OF
HIS BODY HANGS LOOSE.
1161
00:46:21,756 --> 00:46:22,821
LIFESTYLE BECAUSE EVERY PART OF
HIS BODY HANGS LOOSE.
NEW YORK CITY IS EXPECTED TO END
1162
00:46:22,823 --> 00:46:24,957
HIS BODY HANGS LOOSE.
NEW YORK CITY IS EXPECTED TO END
THE WINTER WITH THE LOWEST
1163
00:46:24,959 --> 00:46:26,025
NEW YORK CITY IS EXPECTED TO END
THE WINTER WITH THE LOWEST
SNOWFALL ON RECORD.
1164
00:46:26,027 --> 00:46:31,564
THE WINTER WITH THE LOWEST
SNOWFALL ON RECORD.
YOU LYING SON OF A BITCH.
1165
00:46:31,566 --> 00:46:34,133
SNOWFALL ON RECORD.
YOU LYING SON OF A BITCH.
>> NEW YORK CITY FIRE DEPARTMENT
1166
00:46:34,135 --> 00:46:36,168
YOU LYING SON OF A BITCH.
>> NEW YORK CITY FIRE DEPARTMENT
RESCUED FIVE CHILDREN WHO GOT
1167
00:46:36,170 --> 00:46:39,905
>> NEW YORK CITY FIRE DEPARTMENT
RESCUED FIVE CHILDREN WHO GOT
THEMSELVES LOST IN THE STATEN
1168
00:46:39,907 --> 00:46:43,175
RESCUED FIVE CHILDREN WHO GOT
THEMSELVES LOST IN THE STATEN
ISLAND SUER SYSTEM.
1169
00:46:43,177 --> 00:46:44,310
THEMSELVES LOST IN THE STATEN
ISLAND SUER SYSTEM.
IT'S HARD TO BELIEVE A PLACE
1170
00:46:44,312 --> 00:46:46,979
ISLAND SUER SYSTEM.
IT'S HARD TO BELIEVE A PLACE
THAT FILTHY AND DISGUSTING HAS A
1171
00:46:46,981 --> 00:46:48,213
IT'S HARD TO BELIEVE A PLACE
THAT FILTHY AND DISGUSTING HAS A
SUER SYSTEM.
1172
00:46:48,215 --> 00:46:51,083
THAT FILTHY AND DISGUSTING HAS A
SUER SYSTEM.
BUILD A BEAR HAS INTRODUCED A
1173
00:46:51,085 --> 00:46:52,151
SUER SYSTEM.
BUILD A BEAR HAS INTRODUCED A
NEW RUE PAUL DOLL.
1174
00:46:52,153 --> 00:46:53,419
BUILD A BEAR HAS INTRODUCED A
NEW RUE PAUL DOLL.
AND HONESTLY, AFTER A FEW BEERS,
1175
00:46:53,421 --> 00:46:59,024
NEW RUE PAUL DOLL.
AND HONESTLY, AFTER A FEW BEERS,
I WOULD.
1176
00:46:59,026 --> 00:47:00,559
AND HONESTLY, AFTER A FEW BEERS,
I WOULD.
>> NEW YORK CITY OFFICIALS
1177
00:47:00,561 --> 00:47:01,493
I WOULD.
>> NEW YORK CITY OFFICIALS
ANNOUNCED THEY WILL STOP CALLING
1178
00:47:01,495 --> 00:47:03,462
>> NEW YORK CITY OFFICIALS
ANNOUNCED THEY WILL STOP CALLING
THE CITY'S PARK BATHROOMS
1179
00:47:03,464 --> 00:47:04,930
ANNOUNCED THEY WILL STOP CALLING
THE CITY'S PARK BATHROOMS
COMFORT STATIONS AND WILL
1180
00:47:04,932 --> 00:47:06,832
THE CITY'S PARK BATHROOMS
COMFORT STATIONS AND WILL
INSTEAD CALL THEM THE MORE
1181
00:47:06,834 --> 00:47:16,642
COMFORT STATIONS AND WILL
INSTEAD CALL THEM THE MORE
ACCURATE STANK SHACKS.
1182
00:47:16,644 --> 00:47:20,012
INSTEAD CALL THEM THE MORE
ACCURATE STANK SHACKS.
SAVED A MAN AFTER HE INSERTED A
1183
00:47:20,014 --> 00:47:23,215
ACCURATE STANK SHACKS.
SAVED A MAN AFTER HE INSERTED A
WATER GLASS INTO HIS RECTUM FOR
1184
00:47:23,217 --> 00:47:26,485
SAVED A MAN AFTER HE INSERTED A
WATER GLASS INTO HIS RECTUM FOR
SEXUAL GRATIFICATION, AND IT GOT
1185
00:47:26,487 --> 00:47:26,785
WATER GLASS INTO HIS RECTUM FOR
SEXUAL GRATIFICATION, AND IT GOT
STUFF.
1186
00:47:26,787 --> 00:47:28,954
SEXUAL GRATIFICATION, AND IT GOT
STUFF.
I THINK HE FELT POSITIVE ABOUT
1187
00:47:28,956 --> 00:47:30,255
STUFF.
I THINK HE FELT POSITIVE ABOUT
THE EXPERIENCE BECAUSE HE SAID
1188
00:47:30,257 --> 00:47:31,991
I THINK HE FELT POSITIVE ABOUT
THE EXPERIENCE BECAUSE HE SAID
THE GLASS WAS HALF FULL.
1189
00:47:31,993 --> 00:47:33,993
THE EXPERIENCE BECAUSE HE SAID
THE GLASS WAS HALF FULL.
>> THE FIRST MARIJUANA
1190
00:47:33,995 --> 00:47:35,961
THE GLASS WAS HALF FULL.
>> THE FIRST MARIJUANA
DISPENSARY OWNED BY A WOMAN HAS
1191
00:47:35,963 --> 00:47:38,964
>> THE FIRST MARIJUANA
DISPENSARY OWNED BY A WOMAN HAS
OPENED IN QUEENS NEW YORK.
1192
00:47:38,966 --> 00:47:40,566
DISPENSARY OWNED BY A WOMAN HAS
OPENED IN QUEENS NEW YORK.
UNFORTUNATELY, THEY HAD TO SHUT
1193
00:47:40,568 --> 00:47:41,433
OPENED IN QUEENS NEW YORK.
UNFORTUNATELY, THEY HAD TO SHUT
DOWN BECAUSE SHE COULDN'T OPEN
1194
00:47:41,435 --> 00:47:47,539
UNFORTUNATELY, THEY HAD TO SHUT
DOWN BECAUSE SHE COULDN'T OPEN
THE WEED JARS ON HER OWN.
1195
00:47:47,541 --> 00:47:49,141
DOWN BECAUSE SHE COULDN'T OPEN
THE WEED JARS ON HER OWN.
>> SIMMER DOWN.
1196
00:47:49,143 --> 00:47:51,610
THE WEED JARS ON HER OWN.
>> SIMMER DOWN.
A SPERM DONOR IN THE NETHERLANDS
1197
00:47:51,612 --> 00:47:53,912
>> SIMMER DOWN.
A SPERM DONOR IN THE NETHERLANDS
WHO ALLEGEDLY FATHERED MORE THAN
1198
00:47:53,914 --> 00:47:55,581
A SPERM DONOR IN THE NETHERLANDS
WHO ALLEGEDLY FATHERED MORE THAN
500 CHILDREN IS BEING SUED FOR
1199
00:47:55,583 --> 00:47:57,082
WHO ALLEGEDLY FATHERED MORE THAN
500 CHILDREN IS BEING SUED FOR
INCREASING THE RISK OF
1200
00:47:57,084 --> 00:47:58,751
500 CHILDREN IS BEING SUED FOR
INCREASING THE RISK OF
ACCIDENTAL INCEST AMONG THE
1201
00:47:58,753 --> 00:47:59,051
INCREASING THE RISK OF
ACCIDENTAL INCEST AMONG THE
KIDS.
1202
00:47:59,053 --> 00:48:01,587
ACCIDENTAL INCEST AMONG THE
KIDS.
ACCIDENTAL INCEST IS ALSO THE
1203
00:48:01,589 --> 00:48:02,321
KIDS.
ACCIDENTAL INCEST IS ALSO THE
TITLE OF THE WORST AMERICAN PIE
1204
00:48:02,323 --> 00:48:04,657
ACCIDENTAL INCEST IS ALSO THE
TITLE OF THE WORST AMERICAN PIE
SEQUEL.
1205
00:48:04,659 --> 00:48:07,926
TITLE OF THE WORST AMERICAN PIE
SEQUEL.
WELL, GUYS, IT'S APRIL, AND THAT
1206
00:48:07,928 --> 00:48:09,695
SEQUEL.
WELL, GUYS, IT'S APRIL, AND THAT
CAN ONLY MEAN ONE THING, THE
1207
00:48:09,697 --> 00:48:11,263
WELL, GUYS, IT'S APRIL, AND THAT
CAN ONLY MEAN ONE THING, THE
CELEBRATION OF SHORT MEN THAT
1208
00:48:11,265 --> 00:48:14,466
CAN ONLY MEAN ONE THING, THE
CELEBRATION OF SHORT MEN THAT
THE INTERNET HAS DUBBED SHORT
1209
00:48:14,468 --> 00:48:16,669
CELEBRATION OF SHORT MEN THAT
THE INTERNET HAS DUBBED SHORT
KING SPRING.
1210
00:48:16,671 --> 00:48:17,670
THE INTERNET HAS DUBBED SHORT
KING SPRING.
HERE TO COMMENT IS OUR VERY OWN
1211
00:48:17,672 --> 00:48:20,172
KING SPRING.
HERE TO COMMENT IS OUR VERY OWN
SHORT KING, MARCELLO HERNANDEZ.
1212
00:48:20,174 --> 00:48:21,507
HERE TO COMMENT IS OUR VERY OWN
SHORT KING, MARCELLO HERNANDEZ.
>> HEY, COLIN.
1213
00:48:21,509 --> 00:48:22,908
SHORT KING, MARCELLO HERNANDEZ.
>> HEY, COLIN.
IT'S GREAT TO BE HERE.
1214
00:48:22,910 --> 00:48:24,677
>> HEY, COLIN.
IT'S GREAT TO BE HERE.
>> HEY, MARCELLO.
1215
00:48:24,679 --> 00:48:26,078
IT'S GREAT TO BE HERE.
>> HEY, MARCELLO.
THANKS FOR BEING HERE.
1216
00:48:26,080 --> 00:48:27,312
>> HEY, MARCELLO.
THANKS FOR BEING HERE.
CAN YOU WALK US THROUGH WHAT IT
1217
00:48:27,314 --> 00:48:28,614
THANKS FOR BEING HERE.
CAN YOU WALK US THROUGH WHAT IT
MEANS TO BE A SHORT KING?
1218
00:48:28,616 --> 00:48:30,649
CAN YOU WALK US THROUGH WHAT IT
MEANS TO BE A SHORT KING?
>> COLIN, IT'S BASICALLY
1219
00:48:30,651 --> 00:48:33,185
MEANS TO BE A SHORT KING?
>> COLIN, IT'S BASICALLY
SOMETHING WOMEN SAY AS IF IT'S A
1220
00:48:33,187 --> 00:48:33,585
>> COLIN, IT'S BASICALLY
SOMETHING WOMEN SAY AS IF IT'S A
COMPLIMENT.
1221
00:48:33,587 --> 00:48:45,698
SOMETHING WOMEN SAY AS IF IT'S A
COMPLIMENT.
BUT IT'S KIND OF CONDESCENDING.
1222
00:48:45,700 --> 00:48:48,033
COMPLIMENT.
BUT IT'S KIND OF CONDESCENDING.
>> WELL, IF IT HELPS, I NEVER
1223
00:48:48,035 --> 00:48:50,736
BUT IT'S KIND OF CONDESCENDING.
>> WELL, IF IT HELPS, I NEVER
THOUGHT OF YOU AS A SHORT MAN,
1224
00:48:50,738 --> 00:48:51,437
>> WELL, IF IT HELPS, I NEVER
THOUGHT OF YOU AS A SHORT MAN,
AND YOU'RE WELCOME FOR THAT.
1225
00:48:51,439 --> 00:48:52,771
THOUGHT OF YOU AS A SHORT MAN,
AND YOU'RE WELCOME FOR THAT.
>> I KNOW I'M SHORT.
1226
00:48:52,773 --> 00:48:55,274
AND YOU'RE WELCOME FOR THAT.
>> I KNOW I'M SHORT.
WHEN I LIE ABOUT MY HEIGHT, I
1227
00:48:55,276 --> 00:48:58,377
>> I KNOW I'M SHORT.
WHEN I LIE ABOUT MY HEIGHT, I
SAY I'M 5'9", WHICH MEANS I'M
1228
00:48:58,379 --> 00:49:00,546
WHEN I LIE ABOUT MY HEIGHT, I
SAY I'M 5'9", WHICH MEANS I'M
REALLY 5'7" 1/2, AND I'M LYING
1229
00:49:00,548 --> 00:49:01,847
SAY I'M 5'9", WHICH MEANS I'M
REALLY 5'7" 1/2, AND I'M LYING
ABOUT THE HALF.
1230
00:49:01,849 --> 00:49:03,849
REALLY 5'7" 1/2, AND I'M LYING
ABOUT THE HALF.
WHAT HEIGHT DO YOU SAY, COLIN?
1231
00:49:03,851 --> 00:49:04,983
ABOUT THE HALF.
WHAT HEIGHT DO YOU SAY, COLIN?
>> I'M 6 FEET.
1232
00:49:04,985 --> 00:49:07,219
WHAT HEIGHT DO YOU SAY, COLIN?
>> I'M 6 FEET.
>> SO YOU'RE 5'9"?
1233
00:49:07,221 --> 00:49:08,821
>> I'M 6 FEET.
>> SO YOU'RE 5'9"?
>> NO, I'M 6 FEET.
1234
00:49:08,823 --> 00:49:10,556
>> SO YOU'RE 5'9"?
>> NO, I'M 6 FEET.
>> IF YOU WERE 6 FEET, YOU WOULD
1235
00:49:10,558 --> 00:49:11,623
>> NO, I'M 6 FEET.
>> IF YOU WERE 6 FEET, YOU WOULD
SAY 6'2".
1236
00:49:11,625 --> 00:49:14,159
>> IF YOU WERE 6 FEET, YOU WOULD
SAY 6'2".
>> I'M EXACTLY 6 FEET.
1237
00:49:14,161 --> 00:49:15,527
SAY 6'2".
>> I'M EXACTLY 6 FEET.
>> THEN LET'S STAND BACK TO
1238
00:49:15,529 --> 00:49:15,828
>> I'M EXACTLY 6 FEET.
>> THEN LET'S STAND BACK TO
BACK.
1239
00:49:15,830 --> 00:49:16,895
>> THEN LET'S STAND BACK TO
BACK.
>> I DON'T WANT TO DO THAT.
1240
00:49:16,897 --> 00:49:18,497
BACK.
>> I DON'T WANT TO DO THAT.
>> INTERESTING.
1241
00:49:18,499 --> 00:49:20,365
>> I DON'T WANT TO DO THAT.
>> INTERESTING.
COLIN, SHORT INC. CANS LIKE US
1242
00:49:20,367 --> 00:49:22,134
>> INTERESTING.
COLIN, SHORT INC. CANS LIKE US
SHOULD BE PROUD OF OUR HERITAGE.
1243
00:49:22,136 --> 00:49:24,336
COLIN, SHORT INC. CANS LIKE US
SHOULD BE PROUD OF OUR HERITAGE.
WE COME FROM A LONG LINE OF
1244
00:49:24,338 --> 00:49:28,140
SHOULD BE PROUD OF OUR HERITAGE.
WE COME FROM A LONG LINE OF
GREATS, KEVIN HART, BRUNO MARS,
1245
00:49:28,142 --> 00:49:30,743
WE COME FROM A LONG LINE OF
GREATS, KEVIN HART, BRUNO MARS,
PRINCE, THE MINIONS, AL PACINO,
1246
00:49:30,745 --> 00:49:35,848
GREATS, KEVIN HART, BRUNO MARS,
PRINCE, THE MINIONS, AL PACINO,
MARK WAHLBERG, JACK BLACK, YODA,
1247
00:49:35,850 --> 00:49:38,584
PRINCE, THE MINIONS, AL PACINO,
MARK WAHLBERG, JACK BLACK, YODA,
TOM HOLLAND, LIL WANE, RIGHT
1248
00:49:38,586 --> 00:49:40,586
MARK WAHLBERG, JACK BLACK, YODA,
TOM HOLLAND, LIL WANE, RIGHT
THERE IN THE NAME, MARTIN SHORT,
1249
00:49:40,588 --> 00:49:43,222
TOM HOLLAND, LIL WANE, RIGHT
THERE IN THE NAME, MARTIN SHORT,
AGAIN, RIGHT THERE IN THE NAME.
1250
00:49:43,224 --> 00:49:46,291
THERE IN THE NAME, MARTIN SHORT,
AGAIN, RIGHT THERE IN THE NAME.
BEETHOVEN, THE COMPOSER, WAS
1251
00:49:46,293 --> 00:49:48,193
AGAIN, RIGHT THERE IN THE NAME.
BEETHOVEN, THE COMPOSER, WAS
5'6", AND THE DOG WAS EVEN
1252
00:49:48,195 --> 00:49:48,560
BEETHOVEN, THE COMPOSER, WAS
5'6", AND THE DOG WAS EVEN
SHORTER.
1253
00:49:48,562 --> 00:49:49,061
5'6", AND THE DOG WAS EVEN
SHORTER.
>> GREAT TO KNOW.
1254
00:49:49,063 --> 00:49:50,362
SHORTER.
>> GREAT TO KNOW.
I THINK WE GET IT.
1255
00:49:50,364 --> 00:49:53,465
>> GREAT TO KNOW.
I THINK WE GET IT.
>> NOW LET'S THINK OF SOME TALL
1256
00:49:53,467 --> 00:49:54,166
I THINK WE GET IT.
>> NOW LET'S THINK OF SOME TALL
GUYS.
1257
00:49:54,168 --> 00:49:59,204
>> NOW LET'S THINK OF SOME TALL
GUYS.
OSAMA BIN LADEN IS 6'4", ARMIE
1258
00:49:59,206 --> 00:50:00,639
GUYS.
OSAMA BIN LADEN IS 6'4", ARMIE
HAMMER, 7'3".
1259
00:50:00,641 --> 00:50:03,242
OSAMA BIN LADEN IS 6'4", ARMIE
HAMMER, 7'3".
>> ARMIE HAMMER IS NOT 7'3".
1260
00:50:03,244 --> 00:50:04,176
HAMMER, 7'3".
>> ARMIE HAMMER IS NOT 7'3".
>> OKAY.
1261
00:50:04,178 --> 00:50:04,877
>> ARMIE HAMMER IS NOT 7'3".
>> OKAY.
SORRY, I FORGOT YOU TWO WERE
1262
00:50:04,879 --> 00:50:06,912
>> OKAY.
SORRY, I FORGOT YOU TWO WERE
FRIENDS.
1263
00:50:06,914 --> 00:50:10,249
SORRY, I FORGOT YOU TWO WERE
FRIENDS.
>> WE'RE FRIENDLY.
1264
00:50:10,251 --> 00:50:11,784
FRIENDS.
>> WE'RE FRIENDLY.
>> YOU KNOW, THE WORST THING
1265
00:50:11,786 --> 00:50:14,286
>> WE'RE FRIENDLY.
>> YOU KNOW, THE WORST THING
ABOUT TALL MEN IS WHEN THEY SAY
1266
00:50:14,288 --> 00:50:17,689
>> YOU KNOW, THE WORST THING
ABOUT TALL MEN IS WHEN THEY SAY
HELLO TO US PETITE PRINCES.
1267
00:50:17,691 --> 00:50:20,092
ABOUT TALL MEN IS WHEN THEY SAY
HELLO TO US PETITE PRINCES.
THEY GO LOW AND USE A BABY
1268
00:50:20,094 --> 00:50:20,425
HELLO TO US PETITE PRINCES.
THEY GO LOW AND USE A BABY
VOICE.
1269
00:50:20,427 --> 00:50:22,694
THEY GO LOW AND USE A BABY
VOICE.
THEY GO, HEY, MAN, EVERYTHING
1270
00:50:22,696 --> 00:50:24,196
VOICE.
THEY GO, HEY, MAN, EVERYTHING
GOOD DOWN THERE.
1271
00:50:24,198 --> 00:50:25,697
THEY GO, HEY, MAN, EVERYTHING
GOOD DOWN THERE.
AND WHEN THEY' DONE TALKING TO
1272
00:50:25,699 --> 00:50:27,966
GOOD DOWN THERE.
AND WHEN THEY' DONE TALKING TO
YOU, IT FEELS LIKE THEY SAY IT,
1273
00:50:27,968 --> 00:50:29,501
AND WHEN THEY' DONE TALKING TO
YOU, IT FEELS LIKE THEY SAY IT,
WHEN THEY'RE DONE TALKING, THEY
1274
00:50:29,503 --> 00:50:30,269
YOU, IT FEELS LIKE THEY SAY IT,
WHEN THEY'RE DONE TALKING, THEY
GO, ALL RIGHT, I GOT TO GO BACK
1275
00:50:30,271 --> 00:50:35,007
WHEN THEY'RE DONE TALKING, THEY
GO, ALL RIGHT, I GOT TO GO BACK
UP.
1276
00:50:35,009 --> 00:50:36,842
GO, ALL RIGHT, I GOT TO GO BACK
UP.
COLIN, WHAT I'M TRYING TO SAY IS
1277
00:50:36,844 --> 00:50:39,611
UP.
COLIN, WHAT I'M TRYING TO SAY IS
US TINY TITANS, WE GOT TO
1278
00:50:39,613 --> 00:50:39,978
COLIN, WHAT I'M TRYING TO SAY IS
US TINY TITANS, WE GOT TO
STICK --
1279
00:50:39,980 --> 00:50:41,313
US TINY TITANS, WE GOT TO
STICK --
>> STOP SAYING US.
1280
00:50:41,315 --> 00:50:43,282
STICK --
>> STOP SAYING US.
>> THEN STAND BACK TO BACK WITH
1281
00:50:43,284 --> 00:50:43,549
>> STOP SAYING US.
>> THEN STAND BACK TO BACK WITH
ME.
1282
00:50:43,551 --> 00:50:43,882
>> THEN STAND BACK TO BACK WITH
ME.
>> NO.
1283
00:50:43,884 --> 00:50:44,283
ME.
>> NO.
>> OKAY.
1284
00:50:44,285 --> 00:50:46,451
>> NO.
>> OKAY.
WELL, LOOK, SHORT KINGS, WE WERE
1285
00:50:46,453 --> 00:50:47,853
>> OKAY.
WELL, LOOK, SHORT KINGS, WE WERE
BORN KINGS.
1286
00:50:47,855 --> 00:50:49,021
WELL, LOOK, SHORT KINGS, WE WERE
BORN KINGS.
WE'VE BECOME KINGS.
1287
00:50:49,023 --> 00:50:50,022
BORN KINGS.
WE'VE BECOME KINGS.
WE'VE DONE THE WORK.
1288
00:50:50,024 --> 00:50:51,590
WE'VE BECOME KINGS.
WE'VE DONE THE WORK.
WE LEARNED HOW TO DANCE, NOT
1289
00:50:51,592 --> 00:50:55,928
WE'VE DONE THE WORK.
WE LEARNED HOW TO DANCE, NOT
BECAUSE WE WANTED TO BUT BECAUSE
1290
00:50:55,930 --> 00:50:56,995
WE LEARNED HOW TO DANCE, NOT
BECAUSE WE WANTED TO BUT BECAUSE
WE HAD TO.
1291
00:50:56,997 --> 00:51:00,933
BECAUSE WE WANTED TO BUT BECAUSE
WE HAD TO.
TALL GUYS LIKE MICHAEL CHE DON'T
1292
00:51:00,935 --> 00:51:02,201
WE HAD TO.
TALL GUYS LIKE MICHAEL CHE DON'T
GOT TO LEARN HOW TO DANCE.
1293
00:51:02,203 --> 00:51:03,902
TALL GUYS LIKE MICHAEL CHE DON'T
GOT TO LEARN HOW TO DANCE.
THEY STAND AT THE BACK OF THE
1294
00:51:03,904 --> 00:51:06,104
GOT TO LEARN HOW TO DANCE.
THEY STAND AT THE BACK OF THE
PARTY LIKE -- MEANWHILE, YOU AND
1295
00:51:06,106 --> 00:51:07,639
THEY STAND AT THE BACK OF THE
PARTY LIKE -- MEANWHILE, YOU AND
ME ARE ON THE DANCE FLOOR
1296
00:51:07,641 --> 00:51:08,740
PARTY LIKE -- MEANWHILE, YOU AND
ME ARE ON THE DANCE FLOOR
WORKING, COLIN.
1297
00:51:08,742 --> 00:51:10,409
ME ARE ON THE DANCE FLOOR
WORKING, COLIN.
NOT BECAUSE WE WANT TO BUT
1298
00:51:10,411 --> 00:51:11,777
WORKING, COLIN.
NOT BECAUSE WE WANT TO BUT
BECAUSE WE HAD TO.
1299
00:51:11,779 --> 00:51:13,812
NOT BECAUSE WE WANT TO BUT
BECAUSE WE HAD TO.
>> AGAIN, I'M 6 FEET TALL.
1300
00:51:13,814 --> 00:51:17,149
BECAUSE WE HAD TO.
>> AGAIN, I'M 6 FEET TALL.
>> YEAH, YOU'RE A TOWER.
1301
00:51:17,151 --> 00:51:17,482
>> AGAIN, I'M 6 FEET TALL.
>> YEAH, YOU'RE A TOWER.
ANYWAY.
1302
00:51:17,484 --> 00:51:19,952
>> YEAH, YOU'RE A TOWER.
ANYWAY.
FOR ALL MY SHORT KINGS WATCHING
1303
00:51:19,954 --> 00:51:21,987
ANYWAY.
FOR ALL MY SHORT KINGS WATCHING
AT HOME, STAY STRONG, LIVE
1304
00:51:21,989 --> 00:51:23,956
FOR ALL MY SHORT KINGS WATCHING
AT HOME, STAY STRONG, LIVE
LARGE, AND BE PROUD OF THE TINY
1305
00:51:23,958 --> 00:51:25,257
AT HOME, STAY STRONG, LIVE
LARGE, AND BE PROUD OF THE TINY
LITTLE PERSON THAT YOU ARE.
1306
00:51:25,259 --> 00:51:27,125
LARGE, AND BE PROUD OF THE TINY
LITTLE PERSON THAT YOU ARE.
SO LET'S SHOW THEM, COLIN.
1307
00:51:27,127 --> 00:51:28,760
LITTLE PERSON THAT YOU ARE.
SO LET'S SHOW THEM, COLIN.
STAND UP AND GO BACK TO BACK
1308
00:51:28,762 --> 00:51:29,328
SO LET'S SHOW THEM, COLIN.
STAND UP AND GO BACK TO BACK
WITH ME.
1309
00:51:29,330 --> 00:51:31,496
STAND UP AND GO BACK TO BACK
WITH ME.
>> FOR THE LAST TIME, I CAN'T DO
1310
00:51:31,498 --> 00:51:31,797
WITH ME.
>> FOR THE LAST TIME, I CAN'T DO
THAT.
1311
00:51:31,799 --> 00:51:32,698
>> FOR THE LAST TIME, I CAN'T DO
THAT.
>> WHY NOT?
1312
00:51:32,700 --> 00:51:33,932
THAT.
>> WHY NOT?
>> BECAUSE, MARCELLO, I'M
1313
00:51:33,934 --> 00:51:37,336
>> WHY NOT?
>> BECAUSE, MARCELLO, I'M
ALREADY STANDING.
1314
00:51:37,338 --> 00:51:38,503
>> BECAUSE, MARCELLO, I'M
ALREADY STANDING.
>> I KNEW IT!
1315
00:51:38,505 --> 00:51:41,940
ALREADY STANDING.
>> I KNEW IT!
I KNEW IT!
1316
00:51:41,942 --> 00:51:47,880
>> I KNEW IT!
I KNEW IT!
>> MARCELLO SHORT KING
1317
00:51:47,882 --> 00:51:48,247
I KNEW IT!
>> MARCELLO SHORT KING
HERNANDEZ.
1318
00:51:48,249 --> 00:51:49,047
>> MARCELLO SHORT KING
HERNANDEZ.
I'M COLIN JOST.
1319
00:51:49,049 --> 00:51:50,199
HERNANDEZ.
I'M COLIN JOST.
>> I'M
1320
00:52:14,007 --> 00:52:18,644
>>> OKAY, MRS. MURPHY, YOUR
CONTRACTIONS ARE 30 SECONDS
APART.
1321
00:52:18,646 --> 00:52:19,912
CONTRACTIONS ARE 30 SECONDS
APART.
THIS BABY IS COMING.
1322
00:52:19,914 --> 00:52:23,215
APART.
THIS BABY IS COMING.
>> BUT I'M NOT DUE FOR ANOTHER
1323
00:52:23,217 --> 00:52:23,615
THIS BABY IS COMING.
>> BUT I'M NOT DUE FOR ANOTHER
TWO WEEKS.
1324
00:52:23,617 --> 00:52:26,251
>> BUT I'M NOT DUE FOR ANOTHER
TWO WEEKS.
>> I KNOW IT'S SCARY, BUT LISTEN
1325
00:52:26,253 --> 00:52:26,785
TWO WEEKS.
>> I KNOW IT'S SCARY, BUT LISTEN
TO ME AND BREATHE.
1326
00:52:26,787 --> 00:52:28,654
>> I KNOW IT'S SCARY, BUT LISTEN
TO ME AND BREATHE.
>> WHAT ABOUT MY MIDWIFE?
1327
00:52:28,656 --> 00:52:29,788
TO ME AND BREATHE.
>> WHAT ABOUT MY MIDWIFE?
>> HE'S ON HIS WAY.
1328
00:52:29,790 --> 00:52:32,491
>> WHAT ABOUT MY MIDWIFE?
>> HE'S ON HIS WAY.
>> I NEED HIM HERE!
1329
00:52:32,493 --> 00:52:34,426
>> HE'S ON HIS WAY.
>> I NEED HIM HERE!
>> CLEAR A PATH, CLEAR A PATH.
1330
00:52:34,428 --> 00:52:35,394
>> I NEED HIM HERE!
>> CLEAR A PATH, CLEAR A PATH.
I'M THE MIDWIFE.
1331
00:52:35,396 --> 00:52:42,000
>> CLEAR A PATH, CLEAR A PATH.
I'M THE MIDWIFE.
>> BARRY, THANK GOD.
1332
00:52:42,002 --> 00:52:42,534
I'M THE MIDWIFE.
>> BARRY, THANK GOD.
1333
00:52:42,536 --> 00:52:44,169
>> BARRY, THANK GOD.
THIS IS MY MIDWIFE BARRY.
1334
00:52:44,171 --> 00:52:47,639
THIS IS MY MIDWIFE BARRY.
>> NICE TO MEET YOU, BARRY.
1335
00:52:47,641 --> 00:52:48,240
THIS IS MY MIDWIFE BARRY.
>> NICE TO MEET YOU, BARRY.
>> ACTUALLY, WE'VE MET.
1336
00:52:48,242 --> 00:52:49,074
>> NICE TO MEET YOU, BARRY.
>> ACTUALLY, WE'VE MET.
>> I'M SORRY.
1337
00:52:49,076 --> 00:52:50,943
>> ACTUALLY, WE'VE MET.
>> I'M SORRY.
OF COURSE.
1338
00:52:50,945 --> 00:52:52,844
>> I'M SORRY.
OF COURSE.
IT IS NICE TO SEE YOU.
1339
00:52:52,846 --> 00:52:57,716
OF COURSE.
IT IS NICE TO SEE YOU.
SO SHE'S ALREADY DILATED 10
1340
00:52:57,718 --> 00:53:00,686
IT IS NICE TO SEE YOU.
SO SHE'S ALREADY DILATED 10
CENTIMETERS, WE'VE GOT TO MOVE
1341
00:53:00,688 --> 00:53:00,986
SO SHE'S ALREADY DILATED 10
CENTIMETERS, WE'VE GOT TO MOVE
FAST.
1342
00:53:00,988 --> 00:53:04,723
CENTIMETERS, WE'VE GOT TO MOVE
FAST.
>> DO YOU REALLY NOT REMEMBER
1343
00:53:04,725 --> 00:53:04,990
FAST.
>> DO YOU REALLY NOT REMEMBER
ME?
1344
00:53:04,992 --> 00:53:06,558
>> DO YOU REALLY NOT REMEMBER
ME?
>> SHE'S CROWNING.
1345
00:53:06,560 --> 00:53:08,493
ME?
>> SHE'S CROWNING.
>> WE MET AT DANIELLE'S
1346
00:53:08,495 --> 00:53:08,860
>> SHE'S CROWNING.
>> WE MET AT DANIELLE'S
BARBECUE.
1347
00:53:08,862 --> 00:53:10,495
>> WE MET AT DANIELLE'S
BARBECUE.
>> CAN YOU ASK HER ABOUT THIS
1348
00:53:10,497 --> 00:53:10,796
BARBECUE.
>> CAN YOU ASK HER ABOUT THIS
LATER?
1349
00:53:10,798 --> 00:53:13,532
>> CAN YOU ASK HER ABOUT THIS
LATER?
>> FOR SURE.
1350
00:53:13,534 --> 00:53:16,101
LATER?
>> FOR SURE.
IT WAS THE BARBECUE BEFORE THE
1351
00:53:16,103 --> 00:53:17,169
>> FOR SURE.
IT WAS THE BARBECUE BEFORE THE
MACKLEMORE CONCERT?
1352
00:53:17,171 --> 00:53:20,472
IT WAS THE BARBECUE BEFORE THE
MACKLEMORE CONCERT?
>> SO WE MET IN 2012 ONE TIME?
1353
00:53:20,474 --> 00:53:22,140
MACKLEMORE CONCERT?
>> SO WE MET IN 2012 ONE TIME?
I CAN'T DEAL WITH THIS ONE TIME?
1354
00:53:22,142 --> 00:53:23,709
>> SO WE MET IN 2012 ONE TIME?
I CAN'T DEAL WITH THIS ONE TIME?
>> REALLY?
1355
00:53:23,711 --> 00:53:26,078
I CAN'T DEAL WITH THIS ONE TIME?
>> REALLY?
HOW COME WHILE YOU WERE BEING
1356
00:53:26,080 --> 00:53:26,812
>> REALLY?
HOW COME WHILE YOU WERE BEING
DEFENSIVE, I WAS DELIVERING THIS
1357
00:53:26,814 --> 00:53:36,021
HOW COME WHILE YOU WERE BEING
DEFENSIVE, I WAS DELIVERING THIS
BABY?
1358
00:53:36,023 --> 00:53:39,057
DEFENSIVE, I WAS DELIVERING THIS
BABY?
>> PUSH, MRS. SULLIVAN, PUSH.
1359
00:53:39,059 --> 00:53:41,259
BABY?
>> PUSH, MRS. SULLIVAN, PUSH.
>> IS MY MIDWIFE HERE YET?
1360
00:53:41,261 --> 00:53:42,394
>> PUSH, MRS. SULLIVAN, PUSH.
>> IS MY MIDWIFE HERE YET?
>> CLEAR A PATH.
1361
00:53:42,396 --> 00:53:44,563
>> IS MY MIDWIFE HERE YET?
>> CLEAR A PATH.
IT'S BARRY, THE MIDWIFE.
1362
00:53:44,565 --> 00:53:45,897
>> CLEAR A PATH.
IT'S BARRY, THE MIDWIFE.
>> THAT'S HIM.
1363
00:53:45,899 --> 00:53:46,298
IT'S BARRY, THE MIDWIFE.
>> THAT'S HIM.
THANK GOD.
1364
00:53:46,300 --> 00:53:48,300
>> THAT'S HIM.
THANK GOD.
>> BARRY, IT'S NICE TO SEE YOU
1365
00:53:48,302 --> 00:53:48,633
THANK GOD.
>> BARRY, IT'S NICE TO SEE YOU
AGAIN.
1366
00:53:48,635 --> 00:53:49,534
>> BARRY, IT'S NICE TO SEE YOU
AGAIN.
>> AGAIN?
1367
00:53:49,536 --> 00:53:50,736
AGAIN.
>> AGAIN?
OH, HAVE WE MET?
1368
00:53:50,738 --> 00:53:52,904
>> AGAIN?
OH, HAVE WE MET?
>> ARE YOU SERIOUS?
1369
00:53:52,906 --> 00:53:53,905
OH, HAVE WE MET?
>> ARE YOU SERIOUS?
>> YEAH.
1370
00:53:53,907 --> 00:53:55,674
>> ARE YOU SERIOUS?
>> YEAH.
NEVER SEEN YOU BEFORE IN MY
1371
00:53:55,676 --> 00:53:55,974
>> YEAH.
NEVER SEEN YOU BEFORE IN MY
LIFE.
1372
00:53:55,976 --> 00:53:57,075
NEVER SEEN YOU BEFORE IN MY
LIFE.
>> I PROMISE YOU HAVE.
1373
00:53:57,077 --> 00:53:58,844
LIFE.
>> I PROMISE YOU HAVE.
WE MET AT THIS HOSPITAL IN THIS
1374
00:53:58,846 --> 00:53:59,378
>> I PROMISE YOU HAVE.
WE MET AT THIS HOSPITAL IN THIS
EXACT ROOM.
1375
00:53:59,380 --> 00:54:01,146
WE MET AT THIS HOSPITAL IN THIS
EXACT ROOM.
>> WHAT IS THE PURPOSE OF THIS?
1376
00:54:01,148 --> 00:54:03,515
EXACT ROOM.
>> WHAT IS THE PURPOSE OF THIS?
TO EMBARRASS ME?
1377
00:54:03,517 --> 00:54:04,883
>> WHAT IS THE PURPOSE OF THIS?
TO EMBARRASS ME?
WE'VE NEVER MET.
1378
00:54:04,885 --> 00:54:05,517
TO EMBARRASS ME?
WE'VE NEVER MET.
GIRL, RESPECT YOURSELF.
1379
00:54:05,519 --> 00:54:06,451
WE'VE NEVER MET.
GIRL, RESPECT YOURSELF.
>> WHAT'S GOING ON?
1380
00:54:06,453 --> 00:54:07,619
GIRL, RESPECT YOURSELF.
>> WHAT'S GOING ON?
>> DON'T WORRY.
1381
00:54:07,621 --> 00:54:08,887
>> WHAT'S GOING ON?
>> DON'T WORRY.
I'LL EXPLAIN.
1382
00:54:08,889 --> 00:54:10,422
>> DON'T WORRY.
I'LL EXPLAIN.
BARRY IS PRETENDING NOT TO
1383
00:54:10,424 --> 00:54:14,760
I'LL EXPLAIN.
BARRY IS PRETENDING NOT TO
REMEMBER DR. ROGERS BECAUSE
1384
00:54:14,762 --> 00:54:15,427
BARRY IS PRETENDING NOT TO
REMEMBER DR. ROGERS BECAUSE
THREE YEARS AGO SHE DIDN'T
1385
00:54:15,429 --> 00:54:17,062
REMEMBER DR. ROGERS BECAUSE
THREE YEARS AGO SHE DIDN'T
REMEMBER MEETING HIM AT A
1386
00:54:17,064 --> 00:54:17,429
THREE YEARS AGO SHE DIDN'T
REMEMBER MEETING HIM AT A
BARBECUE.
1387
00:54:17,431 --> 00:54:21,633
REMEMBER MEETING HIM AT A
BARBECUE.
>> BEFORE A MACKLEMORE CONCERT.
1388
00:54:21,635 --> 00:54:23,201
BARBECUE.
>> BEFORE A MACKLEMORE CONCERT.
>> MACKLEMORE?
1389
00:54:23,203 --> 00:54:25,937
>> BEFORE A MACKLEMORE CONCERT.
>> MACKLEMORE?
YOU REALLY REMEMBER ME.
1390
00:54:25,939 --> 00:54:28,673
>> MACKLEMORE?
YOU REALLY REMEMBER ME.
I'M CURIOUS AS TO WHY.
1391
00:54:28,675 --> 00:54:30,075
YOU REALLY REMEMBER ME.
I'M CURIOUS AS TO WHY.
ANYWAY, WHILE YOU WERE BEING
1392
00:54:30,077 --> 00:54:31,043
I'M CURIOUS AS TO WHY.
ANYWAY, WHILE YOU WERE BEING
DR. GASLIGHT, I WAS DELIVERING
1393
00:54:31,045 --> 00:54:36,882
ANYWAY, WHILE YOU WERE BEING
DR. GASLIGHT, I WAS DELIVERING
THIS BABY.
1394
00:54:36,884 --> 00:54:41,686
DR. GASLIGHT, I WAS DELIVERING
THIS BABY.
>> THANKS FOR HAVING US AT YOUR
1395
00:54:41,688 --> 00:54:42,220
THIS BABY.
>> THANKS FOR HAVING US AT YOUR
BARBECUE, DANIELLE.
1396
00:54:42,222 --> 00:54:43,422
>> THANKS FOR HAVING US AT YOUR
BARBECUE, DANIELLE.
>> NO PROBLEM.
1397
00:54:43,424 --> 00:54:46,324
BARBECUE, DANIELLE.
>> NO PROBLEM.
I WISH YOU COULD COME TO THE
1398
00:54:46,326 --> 00:54:46,992
>> NO PROBLEM.
I WISH YOU COULD COME TO THE
MACKLEMORE CONCERT LATER.
1399
00:54:46,994 --> 00:54:47,626
I WISH YOU COULD COME TO THE
MACKLEMORE CONCERT LATER.
>> I CAN'T.
1400
00:54:47,628 --> 00:54:48,493
MACKLEMORE CONCERT LATER.
>> I CAN'T.
I HAVE WORK.
1401
00:54:48,495 --> 00:54:50,095
>> I CAN'T.
I HAVE WORK.
THAT'S WHY I'M DRESSED LIKE
1402
00:54:50,097 --> 00:54:50,395
I HAVE WORK.
THAT'S WHY I'M DRESSED LIKE
THIS.
1403
00:54:50,397 --> 00:54:52,798
THAT'S WHY I'M DRESSED LIKE
THIS.
>> CLEAR A PATH FOR BARRY THE
1404
00:54:52,800 --> 00:54:53,365
THIS.
>> CLEAR A PATH FOR BARRY THE
HUNGRY MIDWIFE.
1405
00:54:53,367 --> 00:54:54,466
>> CLEAR A PATH FOR BARRY THE
HUNGRY MIDWIFE.
>> HI, I'M JILL.
1406
00:54:54,468 --> 00:54:55,434
HUNGRY MIDWIFE.
>> HI, I'M JILL.
IT'S NICE TO MEET YOU.
1407
00:54:55,436 --> 00:54:57,235
>> HI, I'M JILL.
IT'S NICE TO MEET YOU.
>> IT'S NICE TO MEET YOU TOO.
1408
00:54:57,237 --> 00:54:59,004
IT'S NICE TO MEET YOU.
>> IT'S NICE TO MEET YOU TOO.
WOW, YOU LOVE YOUR HAIR.
1409
00:54:59,006 --> 00:55:00,972
>> IT'S NICE TO MEET YOU TOO.
WOW, YOU LOVE YOUR HAIR.
I'VE ALWAYS WANTED TO LONG.
1410
00:55:00,974 --> 00:55:01,740
WOW, YOU LOVE YOUR HAIR.
I'VE ALWAYS WANTED TO LONG.
>> REALLY?
1411
00:55:01,742 --> 00:55:02,974
I'VE ALWAYS WANTED TO LONG.
>> REALLY?
I DON'T THINK THAT'S A GOOD
1412
00:55:02,976 --> 00:55:03,475
>> REALLY?
I DON'T THINK THAT'S A GOOD
IDEA.
1413
00:55:03,477 --> 00:55:05,010
I DON'T THINK THAT'S A GOOD
IDEA.
I WOULDN'T RECOGNIZE YOU IF I
1414
00:55:05,012 --> 00:55:05,844
IDEA.
I WOULDN'T RECOGNIZE YOU IF I
SAW YOU AGAIN IN THE FUTURE.
1415
00:55:05,846 --> 00:55:22,260
I WOULDN'T RECOGNIZE YOU IF I
SAW YOU AGAIN IN THE FUTURE.
>> IS THAT A THREAT?
1416
00:55:22,262 --> 00:55:25,530
SAW YOU AGAIN IN THE FUTURE.
>> IS THAT A THREAT?
>> MRS. MURPHY, LONG TIME NO
1417
00:55:25,532 --> 00:55:25,831
>> IS THAT A THREAT?
>> MRS. MURPHY, LONG TIME NO
SEE.
1418
00:55:25,833 --> 00:55:27,165
>> MRS. MURPHY, LONG TIME NO
SEE.
I CAN'T BELIEVE THIS IS BABY
1419
00:55:27,167 --> 00:55:27,599
SEE.
I CAN'T BELIEVE THIS IS BABY
NUMBER TWO.
1420
00:55:27,601 --> 00:55:28,033
I CAN'T BELIEVE THIS IS BABY
NUMBER TWO.
>> I KNOW.
1421
00:55:28,035 --> 00:55:29,835
NUMBER TWO.
>> I KNOW.
LIFE HAPPENS SO FAST.
1422
00:55:29,837 --> 00:55:31,403
>> I KNOW.
LIFE HAPPENS SO FAST.
OH, AND THIS IS MY MIDWIFE.
1423
00:55:31,405 --> 00:55:33,705
LIFE HAPPENS SO FAST.
OH, AND THIS IS MY MIDWIFE.
YOU GUYS REMEMBER EACH OTHER,
1424
00:55:33,707 --> 00:55:34,005
OH, AND THIS IS MY MIDWIFE.
YOU GUYS REMEMBER EACH OTHER,
RIGHT?
1425
00:55:34,007 --> 00:55:39,177
YOU GUYS REMEMBER EACH OTHER,
RIGHT?
>> ACTUALLY, WE DO.
1426
00:55:39,179 --> 00:55:41,046
RIGHT?
>> ACTUALLY, WE DO.
I'M SO SORRY, DR. ROGERS.
1427
00:55:41,048 --> 00:55:43,248
>> ACTUALLY, WE DO.
I'M SO SORRY, DR. ROGERS.
I OWE YOU AN APOLL.
1428
00:55:43,250 --> 00:55:45,517
I'M SO SORRY, DR. ROGERS.
I OWE YOU AN APOLL.
I PRETENDED NOT TO REMEMBER YOU
1429
00:55:45,519 --> 00:55:46,985
I OWE YOU AN APOLL.
I PRETENDED NOT TO REMEMBER YOU
BECAUSE YOU DIDN'T REMEMBER ME,
1430
00:55:46,987 --> 00:55:48,520
I PRETENDED NOT TO REMEMBER YOU
BECAUSE YOU DIDN'T REMEMBER ME,
AND IT MADE ME SO FURIOUS.
1431
00:55:48,522 --> 00:55:50,055
BECAUSE YOU DIDN'T REMEMBER ME,
AND IT MADE ME SO FURIOUS.
>> I'M SORRY, BARRY.
1432
00:55:50,057 --> 00:55:51,756
AND IT MADE ME SO FURIOUS.
>> I'M SORRY, BARRY.
I FELT SO BAD THAT I DIDN'T
1433
00:55:51,758 --> 00:55:55,060
>> I'M SORRY, BARRY.
I FELT SO BAD THAT I DIDN'T
REMEMBER YOU, IT MADE ME FEEL
1434
00:55:55,062 --> 00:55:55,494
I FELT SO BAD THAT I DIDN'T
REMEMBER YOU, IT MADE ME FEEL
EMBARRASSED.
1435
00:55:55,496 --> 00:55:56,194
REMEMBER YOU, IT MADE ME FEEL
EMBARRASSED.
>> ARE YOU SERIOUS?
1436
00:55:56,196 --> 00:55:59,931
EMBARRASSED.
>> ARE YOU SERIOUS?
I WAS BEING AN EMOTIONAL JERK.
1437
00:55:59,933 --> 00:56:01,133
>> ARE YOU SERIOUS?
I WAS BEING AN EMOTIONAL JERK.
>> OH, MY GOD.
1438
00:56:01,135 --> 00:56:02,834
I WAS BEING AN EMOTIONAL JERK.
>> OH, MY GOD.
DID WE MISS IT?
1439
00:56:02,836 --> 00:56:04,703
>> OH, MY GOD.
DID WE MISS IT?
HONEY, WE GOT HERE AS FAST AS WE
1440
00:56:04,705 --> 00:56:05,036
DID WE MISS IT?
HONEY, WE GOT HERE AS FAST AS WE
COULD.
1441
00:56:05,038 --> 00:56:05,570
HONEY, WE GOT HERE AS FAST AS WE
COULD.
>> IT'S OKAY.
1442
00:56:05,572 --> 00:56:09,007
COULD.
>> IT'S OKAY.
THIS IS MY HUSBAND AND MY FIRST
1443
00:56:09,009 --> 00:56:10,175
>> IT'S OKAY.
THIS IS MY HUSBAND AND MY FIRST
DAUGHTER KAYLA, YOU DELIVERED
1444
00:56:10,177 --> 00:56:10,475
THIS IS MY HUSBAND AND MY FIRST
DAUGHTER KAYLA, YOU DELIVERED
HER.
1445
00:56:10,477 --> 00:56:12,144
DAUGHTER KAYLA, YOU DELIVERED
HER.
>> HI, KAYLA!
1446
00:56:12,146 --> 00:56:13,111
HER.
>> HI, KAYLA!
>> NICE TO MEET YOU.
1447
00:56:13,113 --> 00:56:15,213
>> HI, KAYLA!
>> NICE TO MEET YOU.
>> ACTUALLY, WE'VE MET.
1448
00:56:15,215 --> 00:56:16,281
>> NICE TO MEET YOU.
>> ACTUALLY, WE'VE MET.
>> WELL, THEN IT'S NICE TO SEE
1449
00:56:16,283 --> 00:56:47,779
>> ACTUALLY, WE'VE MET.
>> WELL, THEN IT'S NICE TO SEE
YOU, OKAY?
1450
00:56:47,781 --> 00:56:53,385
>> WELL, THEN IT'S NICE TO SEE
YOU, OKAY?
>>> ONCE AGAIN, LIL YACHTY.
1451
00:56:53,387 --> 00:56:55,053
YOU, OKAY?
>>> ONCE AGAIN, LIL YACHTY.
♪
1452
00:56:55,055 --> 00:56:57,722
>>> ONCE AGAIN, LIL YACHTY.
♪
♪
1453
00:56:57,724 --> 00:57:10,302
♪
♪
♪
1454
00:57:10,304 --> 00:57:12,003
♪
♪
♪ IMAGINE LIFE WITHOUT ME
1455
00:57:12,005 --> 00:57:14,172
♪
♪ IMAGINE LIFE WITHOUT ME
IT'S A WASTE OF TIME
1456
00:57:14,174 --> 00:57:15,807
♪ IMAGINE LIFE WITHOUT ME
IT'S A WASTE OF TIME
YOU WANT THE KIND OF LOVE
1457
00:57:15,809 --> 00:57:17,442
IT'S A WASTE OF TIME
YOU WANT THE KIND OF LOVE
THAT CAN MAKE A CHILD ♪
1458
00:57:17,444 --> 00:57:25,684
YOU WANT THE KIND OF LOVE
THAT CAN MAKE A CHILD ♪
♪ DON'T WANT JUST ANYBODY
1459
00:57:25,686 --> 00:57:26,218
THAT CAN MAKE A CHILD ♪
♪ DON'T WANT JUST ANYBODY
MM YEAH ♪
1460
00:57:26,220 --> 00:57:27,852
♪ DON'T WANT JUST ANYBODY
MM YEAH ♪
♪ GOOD LOVE FILLS
1461
00:57:27,854 --> 00:57:28,453
MM YEAH ♪
♪ GOOD LOVE FILLS
MY BODY UP LIKE A GLASS
1462
00:57:28,455 --> 00:57:29,988
♪ GOOD LOVE FILLS
MY BODY UP LIKE A GLASS
WHEN YOU POUR IT ALL OUT ♪
1463
00:57:29,990 --> 00:57:31,089
MY BODY UP LIKE A GLASS
WHEN YOU POUR IT ALL OUT ♪
♪ IF YOU KNOW ME
1464
00:57:31,091 --> 00:57:32,123
WHEN YOU POUR IT ALL OUT ♪
♪ IF YOU KNOW ME
YOU KNOW I MIND
1465
00:57:32,125 --> 00:57:32,691
♪ IF YOU KNOW ME
YOU KNOW I MIND
SOMEONE LIKE ME
1466
00:57:32,693 --> 00:57:34,826
YOU KNOW I MIND
SOMEONE LIKE ME
IS HARD TO FIND ♪
1467
00:57:34,828 --> 00:57:36,027
SOMEONE LIKE ME
IS HARD TO FIND ♪
♪ NOT MISTAKEN
1468
00:57:36,029 --> 00:57:36,595
IS HARD TO FIND ♪
♪ NOT MISTAKEN
IF I'M THERE
1469
00:57:36,597 --> 00:57:38,230
♪ NOT MISTAKEN
IF I'M THERE
WELL AWARE
1470
00:57:38,232 --> 00:57:40,365
IF I'M THERE
WELL AWARE
YOU ARE ALWAYS MINE ♪
1471
00:57:40,367 --> 00:57:42,567
WELL AWARE
YOU ARE ALWAYS MINE ♪
♪ AND STILL
1472
00:57:42,569 --> 00:57:46,905
YOU ARE ALWAYS MINE ♪
♪ AND STILL
YOU SEEM SO SURPRISED
1473
00:57:46,907 --> 00:57:47,439
♪ AND STILL
YOU SEEM SO SURPRISED
WHEN YOU'RE ALWAYS
1474
00:57:47,441 --> 00:57:52,344
YOU SEEM SO SURPRISED
WHEN YOU'RE ALWAYS
GON' BE MINE ♪
1475
00:57:52,346 --> 00:57:53,979
WHEN YOU'RE ALWAYS
GON' BE MINE ♪
♪ I WANNA BE WHERE YOU ARE
1476
00:57:53,981 --> 00:57:56,181
GON' BE MINE ♪
♪ I WANNA BE WHERE YOU ARE
I JUST CAN'T WALK AWAY
1477
00:57:56,183 --> 00:57:58,883
♪ I WANNA BE WHERE YOU ARE
I JUST CAN'T WALK AWAY
YOU DRIVE ME CRAZY AH
1478
00:57:58,885 --> 00:58:00,518
I JUST CAN'T WALK AWAY
YOU DRIVE ME CRAZY AH
I LOSE IT LOSE IT ♪
1479
00:58:00,520 --> 00:58:01,052
YOU DRIVE ME CRAZY AH
I LOSE IT LOSE IT ♪
♪ AND I WANNA
1480
00:58:01,054 --> 00:58:03,221
I LOSE IT LOSE IT ♪
♪ AND I WANNA
BE WHERE YOU ARE
1481
00:58:03,223 --> 00:58:05,423
♪ AND I WANNA
BE WHERE YOU ARE
I JUST CAN'T WALK AWAY ♪
1482
00:58:05,425 --> 00:58:08,159
BE WHERE YOU ARE
I JUST CAN'T WALK AWAY ♪
♪ YOU DRIVE ME CRAZY AH
1483
00:58:08,161 --> 00:58:09,761
I JUST CAN'T WALK AWAY ♪
♪ YOU DRIVE ME CRAZY AH
I LOSE IT LOSE IT ♪
1484
00:58:09,763 --> 00:58:12,530
♪ YOU DRIVE ME CRAZY AH
I LOSE IT LOSE IT ♪
♪ IMAGINE ME
1485
00:58:12,532 --> 00:58:14,132
I LOSE IT LOSE IT ♪
♪ IMAGINE ME
CIRCLIN' THROUGH LIFE
1486
00:58:14,134 --> 00:58:17,369
♪ IMAGINE ME
CIRCLIN' THROUGH LIFE
WITHOUT A PIECE OF YOU ♪
1487
00:58:17,371 --> 00:58:18,470
CIRCLIN' THROUGH LIFE
WITHOUT A PIECE OF YOU ♪
♪ SEVEN OUT OF SEVEN DAYS
1488
00:58:18,472 --> 00:58:20,138
WITHOUT A PIECE OF YOU ♪
♪ SEVEN OUT OF SEVEN DAYS
I'M NEEDIN' YOU
1489
00:58:20,140 --> 00:58:20,672
♪ SEVEN OUT OF SEVEN DAYS
I'M NEEDIN' YOU
YOU BRIN' LIFE
1490
00:58:20,674 --> 00:58:27,245
I'M NEEDIN' YOU
YOU BRIN' LIFE
TO THE PARTY ♪
1491
00:58:27,247 --> 00:58:28,313
YOU BRIN' LIFE
TO THE PARTY ♪
♪ MM-MM AH AH AH
1492
00:58:28,315 --> 00:58:30,515
TO THE PARTY ♪
♪ MM-MM AH AH AH
GOOD LOVE FEELS LIKE
1493
00:58:30,517 --> 00:58:31,116
♪ MM-MM AH AH AH
GOOD LOVE FEELS LIKE
BUTTERFLIES SUFFOCATIN'
1494
00:58:31,118 --> 00:58:32,684
GOOD LOVE FEELS LIKE
BUTTERFLIES SUFFOCATIN'
YOUR INSIDES ♪
1495
00:58:32,686 --> 00:58:33,785
BUTTERFLIES SUFFOCATIN'
YOUR INSIDES ♪
♪ OH IT'S A LATE NIGHT
1496
00:58:33,787 --> 00:58:34,853
YOUR INSIDES ♪
♪ OH IT'S A LATE NIGHT
YOU KNOW I TRY
1497
00:58:34,855 --> 00:58:35,387
♪ OH IT'S A LATE NIGHT
YOU KNOW I TRY
I CANNOT PICTURE
1498
00:58:35,389 --> 00:58:37,055
YOU KNOW I TRY
I CANNOT PICTURE
WHEN YOU RIDE ♪
1499
00:58:37,057 --> 00:58:38,123
I CANNOT PICTURE
WHEN YOU RIDE ♪
♪ I'M MISTAKEN
1500
00:58:38,125 --> 00:58:38,723
WHEN YOU RIDE ♪
♪ I'M MISTAKEN
THINKIN' YOU WERE TAKEN
1501
00:58:38,725 --> 00:58:40,325
♪ I'M MISTAKEN
THINKIN' YOU WERE TAKEN
KNOWIN' NOW
1502
00:58:40,327 --> 00:58:42,594
THINKIN' YOU WERE TAKEN
KNOWIN' NOW
YOU WERE ALWAYS MINE ♪
1503
00:58:42,596 --> 00:58:49,401
KNOWIN' NOW
YOU WERE ALWAYS MINE ♪
♪ AND STILL
1504
00:58:49,403 --> 00:58:51,202
YOU WERE ALWAYS MINE ♪
♪ AND STILL
YOU SEEM SO SURPRISE ED
1505
00:58:51,204 --> 00:58:51,703
♪ AND STILL
YOU SEEM SO SURPRISE ED
WHEN YOU'RE ALWAYS
1506
00:58:51,705 --> 00:58:58,076
YOU SEEM SO SURPRISE ED
WHEN YOU'RE ALWAYS
GON' BE MINE ♪
1507
00:58:58,078 --> 00:58:59,144
WHEN YOU'RE ALWAYS
GON' BE MINE ♪
♪
1508
00:58:59,146 --> 00:59:06,251
GON' BE MINE ♪
♪
♪ YEAH YEAH YEAH
1509
00:59:06,253 --> 00:59:07,319
♪
♪ YEAH YEAH YEAH
MM HMM
1510
00:59:07,321 --> 00:59:13,825
♪ YEAH YEAH YEAH
MM HMM
MM HMM-MM ♪
1511
00:59:13,827 --> 00:59:23,768
MM HMM
MM HMM-MM ♪
♪
1512
00:59:23,770 --> 00:59:24,369
MM HMM-MM ♪
♪
♪ RARELY EVER MISSIN'
1513
00:59:24,371 --> 00:59:24,869
♪
♪ RARELY EVER MISSIN'
TALK IS CHEAP
1514
00:59:24,871 --> 00:59:26,471
♪ RARELY EVER MISSIN'
TALK IS CHEAP
AND TIME IS TICKIN' ♪
1515
00:59:26,473 --> 00:59:27,572
TALK IS CHEAP
AND TIME IS TICKIN' ♪
♪ RARELY EVER TRICKIN'
1516
00:59:27,574 --> 00:59:28,640
AND TIME IS TICKIN' ♪
♪ RARELY EVER TRICKIN'
CATCH ME SLIPPIN'
1517
00:59:28,642 --> 00:59:31,876
♪ RARELY EVER TRICKIN'
CATCH ME SLIPPIN'
♪ I'M ON MISSION' ♪
1518
00:59:31,878 --> 00:59:36,381
CATCH ME SLIPPIN'
♪ I'M ON MISSION' ♪
PAYIN' MILLIONS
1519
00:59:36,383 --> 00:59:38,683
♪ I'M ON MISSION' ♪
PAYIN' MILLIONS
I'M TAKING YOU OUT TO EAT
1520
00:59:38,685 --> 00:59:39,217
PAYIN' MILLIONS
I'M TAKING YOU OUT TO EAT
OKAY OKAY OKAY ♪
1521
00:59:39,219 --> 00:59:39,751
I'M TAKING YOU OUT TO EAT
OKAY OKAY OKAY ♪
♪ OUT LATE NIGHT
1522
00:59:39,753 --> 00:59:40,218
OKAY OKAY OKAY ♪
♪ OUT LATE NIGHT
I'M SINNIN'
1523
00:59:40,220 --> 00:59:40,752
♪ OUT LATE NIGHT
I'M SINNIN'
STILL A CHRISTIAN
1524
00:59:40,754 --> 00:59:41,920
I'M SINNIN'
STILL A CHRISTIAN
DON'T TELL MY DEACON ♪
1525
00:59:41,922 --> 00:59:42,954
STILL A CHRISTIAN
DON'T TELL MY DEACON ♪
♪ I MEAN PASTOR
1526
00:59:42,956 --> 00:59:45,090
DON'T TELL MY DEACON ♪
♪ I MEAN PASTOR
OIL HER DOWN
1527
00:59:45,092 --> 00:59:47,859
♪ I MEAN PASTOR
OIL HER DOWN
NOT TALKIN' CASTOR ♪
1528
00:59:47,861 --> 00:59:48,460
OIL HER DOWN
NOT TALKIN' CASTOR ♪
♪ RIDIN' 'ROUND WITH
1529
00:59:48,462 --> 00:59:49,027
NOT TALKIN' CASTOR ♪
♪ RIDIN' 'ROUND WITH
SIX-SEVEN WITH NO TINT
1530
00:59:49,029 --> 00:59:49,994
♪ RIDIN' 'ROUND WITH
SIX-SEVEN WITH NO TINT
YOU CAN TELL I'M PIMPIN' ♪
1531
00:59:49,996 --> 00:59:50,662
SIX-SEVEN WITH NO TINT
YOU CAN TELL I'M PIMPIN' ♪
♪ BIG FOUR-FIVE ON MY HIP
1532
00:59:50,664 --> 00:59:56,134
YOU CAN TELL I'M PIMPIN' ♪
♪ BIG FOUR-FIVE ON MY HIP
LOOK LIKE I'M LIMPIN'
1533
00:59:56,136 --> 00:59:58,069
♪ BIG FOUR-FIVE ON MY HIP
LOOK LIKE I'M LIMPIN'
ALWAYS SIMPIN ♪
1534
00:59:58,071 --> 00:59:58,803
LOOK LIKE I'M LIMPIN'
ALWAYS SIMPIN ♪
♪ ONE OF MY COUSINS CRIPPIN'
1535
00:59:58,805 --> 00:59:59,270
ALWAYS SIMPIN ♪
♪ ONE OF MY COUSINS CRIPPIN'
ALWAYS GRIPPIN'
1536
00:59:59,272 --> 00:59:59,871
♪ ONE OF MY COUSINS CRIPPIN'
ALWAYS GRIPPIN'
STUFF GET DANGEROUS ♪
1537
00:59:59,873 --> 01:00:00,505
ALWAYS GRIPPIN'
STUFF GET DANGEROUS ♪
♪ ALWAYS KEEP IT PLAYER
1538
01:00:00,507 --> 01:00:00,972
STUFF GET DANGEROUS ♪
♪ ALWAYS KEEP IT PLAYER
WE CAN SWAP OUT
1539
01:00:00,974 --> 01:00:01,606
♪ ALWAYS KEEP IT PLAYER
WE CAN SWAP OUT
SWAP OUT SWAP OUT SWAP OUT
1540
01:00:01,608 --> 01:00:02,307
WE CAN SWAP OUT
SWAP OUT SWAP OUT SWAP OUT
♪ OKAY
1541
01:00:02,309 --> 01:00:02,841
SWAP OUT SWAP OUT SWAP OUT
♪ OKAY
ONLY LOVE MY MOTHER
1542
01:00:02,843 --> 01:00:08,313
♪ OKAY
ONLY LOVE MY MOTHER
MY SISTER MY DAUGHTER ♪
1543
01:00:08,315 --> 01:00:10,248
ONLY LOVE MY MOTHER
MY SISTER MY DAUGHTER ♪
♪ ALL Y'ALL GET SLAUGHTERED,
1544
01:00:10,250 --> 01:00:10,682
MY SISTER MY DAUGHTER ♪
♪ ALL Y'ALL GET SLAUGHTERED,
CAN'T BE MINE
1545
01:00:10,684 --> 01:00:14,486
♪ ALL Y'ALL GET SLAUGHTERED,
CAN'T BE MINE
PRAY TO THE FATHER ♪
1546
01:00:14,488 --> 01:00:19,924
CAN'T BE MINE
PRAY TO THE FATHER ♪
♪ MM HM
1547
01:00:19,926 --> 01:00:21,526
PRAY TO THE FATHER ♪
♪ MM HM
MMM HMM
1548
01:00:21,528 --> 01:00:28,066
♪ MM HM
MMM HMM
MM-HM ♪
1549
01:00:28,068 --> 01:00:34,339
MMM HMM
MM-HM ♪
♪
1550
01:00:34,341 --> 01:00:52,240
MM-HM ♪
♪
[ CHEERS AND APPLAUSE ]
1551
01:00:52,242 --> 01:00:55,176
♪
[ CHEERS AND APPLAUSE ]
>>> SO, JANET, HOW'S YOUR FIRST
1552
01:00:55,178 --> 01:00:57,078
[ CHEERS AND APPLAUSE ]
>>> SO, JANET, HOW'S YOUR FIRST
MONTH HERE BEEN?
1553
01:00:57,080 --> 01:00:58,213
>>> SO, JANET, HOW'S YOUR FIRST
MONTH HERE BEEN?
>> IT'S BEEN GREAT.
1554
01:00:58,215 --> 01:01:00,281
MONTH HERE BEEN?
>> IT'S BEEN GREAT.
I'M SO HAPPY TO BE WORKING HERE.
1555
01:01:00,283 --> 01:01:01,950
>> IT'S BEEN GREAT.
I'M SO HAPPY TO BE WORKING HERE.
>> WE'RE LUCKY TO HAVE YOU.
1556
01:01:01,952 --> 01:01:03,485
I'M SO HAPPY TO BE WORKING HERE.
>> WE'RE LUCKY TO HAVE YOU.
>> I DON'T WANT TO MAKE THIS A
1557
01:01:03,487 --> 01:01:04,185
>> WE'RE LUCKY TO HAVE YOU.
>> I DON'T WANT TO MAKE THIS A
BIG DEAL.
1558
01:01:04,187 --> 01:01:06,721
>> I DON'T WANT TO MAKE THIS A
BIG DEAL.
I THINK DANIELS HAS BEEN WEIRD
1559
01:01:06,723 --> 01:01:07,288
BIG DEAL.
I THINK DANIELS HAS BEEN WEIRD
TO ME.
1560
01:01:07,290 --> 01:01:10,492
I THINK DANIELS HAS BEEN WEIRD
TO ME.
>> HE'S ALWAYS BEEN COOL TO ME.
1561
01:01:10,494 --> 01:01:11,126
TO ME.
>> HE'S ALWAYS BEEN COOL TO ME.
>> IT'S PROBABLY NOTHING.
1562
01:01:11,128 --> 01:01:12,193
>> HE'S ALWAYS BEEN COOL TO ME.
>> IT'S PROBABLY NOTHING.
FORGET I SAID ANYTHING.
1563
01:01:12,195 --> 01:01:14,562
>> IT'S PROBABLY NOTHING.
FORGET I SAID ANYTHING.
>> HEY, MURPHY, HOW ARE YOU?
1564
01:01:14,564 --> 01:01:15,730
FORGET I SAID ANYTHING.
>> HEY, MURPHY, HOW ARE YOU?
HOW ARE THE KIDS?
1565
01:01:15,732 --> 01:01:16,731
>> HEY, MURPHY, HOW ARE YOU?
HOW ARE THE KIDS?
>> THEY'RE GOOD.
1566
01:01:16,733 --> 01:01:19,634
HOW ARE THE KIDS?
>> THEY'RE GOOD.
JUST SENT MY OLDEST OFF TO PENN
1567
01:01:19,636 --> 01:01:19,968
>> THEY'RE GOOD.
JUST SENT MY OLDEST OFF TO PENN
STATE.
1568
01:01:19,970 --> 01:01:22,670
JUST SENT MY OLDEST OFF TO PENN
STATE.
>> GOSH, THAT MUST BE HARD -- ON
1569
01:01:22,672 --> 01:01:24,672
STATE.
>> GOSH, THAT MUST BE HARD -- ON
THE OLD BANK ACCOUNT.
1570
01:01:24,674 --> 01:01:26,374
>> GOSH, THAT MUST BE HARD -- ON
THE OLD BANK ACCOUNT.
AND WE HITTING THE LINKS LATER
1571
01:01:26,376 --> 01:01:31,079
THE OLD BANK ACCOUNT.
AND WE HITTING THE LINKS LATER
OR WHAT, BUDDY?
1572
01:01:31,081 --> 01:01:33,381
AND WE HITTING THE LINKS LATER
OR WHAT, BUDDY?
>> 5:00 ON THE DOT, DANIELS.
1573
01:01:33,383 --> 01:01:36,751
OR WHAT, BUDDY?
>> 5:00 ON THE DOT, DANIELS.
>> LOOKING FORWARD TO IT.
1574
01:01:36,753 --> 01:01:42,490
>> 5:00 ON THE DOT, DANIELS.
>> LOOKING FORWARD TO IT.
AND SIMMONS, BIG BUTT, SETTING
1575
01:01:42,492 --> 01:01:44,559
>> LOOKING FORWARD TO IT.
AND SIMMONS, BIG BUTT, SETTING
OFF THE PENIS ALARM.
1576
01:01:44,561 --> 01:01:46,728
AND SIMMONS, BIG BUTT, SETTING
OFF THE PENIS ALARM.
MURPHY, YOU GET THAT REPORT INTO
1577
01:01:46,730 --> 01:01:47,795
OFF THE PENIS ALARM.
MURPHY, YOU GET THAT REPORT INTO
ME BY MONDAY OR WHAT?
1578
01:01:47,797 --> 01:01:50,165
MURPHY, YOU GET THAT REPORT INTO
ME BY MONDAY OR WHAT?
>> ABSOLUTELY.
1579
01:01:50,167 --> 01:01:52,934
ME BY MONDAY OR WHAT?
>> ABSOLUTELY.
>> AND BEFORE I FORGET, WE GOT A
1580
01:01:52,936 --> 01:01:54,702
>> ABSOLUTELY.
>> AND BEFORE I FORGET, WE GOT A
COMPANY WIDE ZOOM MEETING AT
1581
01:01:54,704 --> 01:01:56,771
>> AND BEFORE I FORGET, WE GOT A
COMPANY WIDE ZOOM MEETING AT
6:00 WHERE I'LL BE ZOOMING IN ON
1582
01:01:56,773 --> 01:01:58,473
COMPANY WIDE ZOOM MEETING AT
6:00 WHERE I'LL BE ZOOMING IN ON
THOSE BOOBIES.
1583
01:01:58,475 --> 01:02:00,475
6:00 WHERE I'LL BE ZOOMING IN ON
THOSE BOOBIES.
COMPUTER ENHANCE, ENGAGING X-RAY
1584
01:02:00,477 --> 01:02:07,582
THOSE BOOBIES.
COMPUTER ENHANCE, ENGAGING X-RAY
VISION.
1585
01:02:07,584 --> 01:02:10,051
COMPUTER ENHANCE, ENGAGING X-RAY
VISION.
HOUSTON, WE HAVE NIPPLE!
1586
01:02:10,053 --> 01:02:12,587
VISION.
HOUSTON, WE HAVE NIPPLE!
>> MURPHY, LISTEN, THAT TURNER
1587
01:02:12,589 --> 01:02:14,155
HOUSTON, WE HAVE NIPPLE!
>> MURPHY, LISTEN, THAT TURNER
FILE IS NOT GOING TO FILE
1588
01:02:14,157 --> 01:02:14,956
>> MURPHY, LISTEN, THAT TURNER
FILE IS NOT GOING TO FILE
ITSELF, A RIGHT?
1589
01:02:14,958 --> 01:02:16,958
FILE IS NOT GOING TO FILE
ITSELF, A RIGHT?
>> SO YOU GUYS SAW THAT, RIGHT?
1590
01:02:16,960 --> 01:02:18,426
ITSELF, A RIGHT?
>> SO YOU GUYS SAW THAT, RIGHT?
>> SAW WHAT?
1591
01:02:18,428 --> 01:02:21,896
>> SO YOU GUYS SAW THAT, RIGHT?
>> SAW WHAT?
>> DANIELS, WHEN HE TALKED TO
1592
01:02:21,898 --> 01:02:23,364
>> SAW WHAT?
>> DANIELS, WHEN HE TALKED TO
ME, HE DID AN IMPRESSION OF A
1593
01:02:23,366 --> 01:02:23,798
>> DANIELS, WHEN HE TALKED TO
ME, HE DID AN IMPRESSION OF A
SEX COMPUTER.
1594
01:02:23,800 --> 01:02:26,467
ME, HE DID AN IMPRESSION OF A
SEX COMPUTER.
>> I THOUGHT HE WAS BEING GOOFY,
1595
01:02:26,469 --> 01:02:27,502
SEX COMPUTER.
>> I THOUGHT HE WAS BEING GOOFY,
BUT I'M OLD SCHOOL.
1596
01:02:27,504 --> 01:02:28,603
>> I THOUGHT HE WAS BEING GOOFY,
BUT I'M OLD SCHOOL.
>> IF YOU'RE HAVING A PROBLEM
1597
01:02:28,605 --> 01:02:31,005
BUT I'M OLD SCHOOL.
>> IF YOU'RE HAVING A PROBLEM
WITH HIM, YOU CAN ALWAYS TALK TO
1598
01:02:31,007 --> 01:02:31,339
>> IF YOU'RE HAVING A PROBLEM
WITH HIM, YOU CAN ALWAYS TALK TO
BENSON.
1599
01:02:31,341 --> 01:02:32,707
WITH HIM, YOU CAN ALWAYS TALK TO
BENSON.
>> BENSON?
1600
01:02:32,709 --> 01:02:33,041
BENSON.
>> BENSON?
REALLY?
1601
01:02:33,043 --> 01:02:34,108
>> BENSON?
REALLY?
>> TOTALLY.
1602
01:02:34,110 --> 01:02:35,210
REALLY?
>> TOTALLY.
HE'S BEEN HERE FOREVER.
1603
01:02:35,212 --> 01:02:37,212
>> TOTALLY.
HE'S BEEN HERE FOREVER.
HE JUST GETS IT.
1604
01:02:37,214 --> 01:02:37,812
HE'S BEEN HERE FOREVER.
HE JUST GETS IT.
SPEAKING OF THE DEVIL.
1605
01:02:37,814 --> 01:02:40,682
HE JUST GETS IT.
SPEAKING OF THE DEVIL.
>> LOOKY HERE, ALL OF MY
1606
01:02:40,684 --> 01:02:41,182
SPEAKING OF THE DEVIL.
>> LOOKY HERE, ALL OF MY
FAVORITE PEOPLE.
1607
01:02:41,184 --> 01:02:41,649
>> LOOKY HERE, ALL OF MY
FAVORITE PEOPLE.
>> HOW ARE YOU?
1608
01:02:41,651 --> 01:02:44,519
FAVORITE PEOPLE.
>> HOW ARE YOU?
>> I WANT TO THANK YOU AGAIN FOR
1609
01:02:44,521 --> 01:02:46,688
>> HOW ARE YOU?
>> I WANT TO THANK YOU AGAIN FOR
SHOWING UP TO MY GRANDDAUGHTER'S
1610
01:02:46,690 --> 01:02:47,455
>> I WANT TO THANK YOU AGAIN FOR
SHOWING UP TO MY GRANDDAUGHTER'S
FOOD DRIVE.
1611
01:02:47,457 --> 01:02:48,356
SHOWING UP TO MY GRANDDAUGHTER'S
FOOD DRIVE.
IT MEANT THE WORLD.
1612
01:02:48,358 --> 01:02:50,558
FOOD DRIVE.
IT MEANT THE WORLD.
>> ANYTHING FOR YOU, BENSON.
1613
01:02:50,560 --> 01:02:52,560
IT MEANT THE WORLD.
>> ANYTHING FOR YOU, BENSON.
>> WE FED 500 FAMILIES IN NEED
1614
01:02:52,562 --> 01:02:54,429
>> ANYTHING FOR YOU, BENSON.
>> WE FED 500 FAMILIES IN NEED
BECAUSE OF YOU GUYS.
1615
01:02:54,431 --> 01:02:57,765
>> WE FED 500 FAMILIES IN NEED
BECAUSE OF YOU GUYS.
I MEAN, SIMMONS, I KNOW IT MEANT
1616
01:02:57,767 --> 01:02:58,967
BECAUSE OF YOU GUYS.
I MEAN, SIMMONS, I KNOW IT MEANT
THE WORLD TO MY GRANDDAUGHTER
1617
01:02:58,969 --> 01:03:00,134
I MEAN, SIMMONS, I KNOW IT MEANT
THE WORLD TO MY GRANDDAUGHTER
THAT YOU BROUGHT THOSE.
1618
01:03:00,136 --> 01:03:01,135
THE WORLD TO MY GRANDDAUGHTER
THAT YOU BROUGHT THOSE.
>> THOSE WHAT?
1619
01:03:01,137 --> 01:03:04,539
THAT YOU BROUGHT THOSE.
>> THOSE WHAT?
>> WHY, THOSE BIG BUTTERED YAMS,
1620
01:03:04,541 --> 01:03:05,006
>> THOSE WHAT?
>> WHY, THOSE BIG BUTTERED YAMS,
OF COURSE.
1621
01:03:05,008 --> 01:03:07,642
>> WHY, THOSE BIG BUTTERED YAMS,
OF COURSE.
WHAT I WOULD DO TO JUMP OFF A
1622
01:03:07,644 --> 01:03:09,444
OF COURSE.
WHAT I WOULD DO TO JUMP OFF A
DIVING BOARD AND CANNON BALL
1623
01:03:09,446 --> 01:03:11,179
WHAT I WOULD DO TO JUMP OFF A
DIVING BOARD AND CANNON BALL
INTO THAT CLEAVAGE.
1624
01:03:11,181 --> 01:03:11,512
DIVING BOARD AND CANNON BALL
INTO THAT CLEAVAGE.
HELP!
1625
01:03:11,514 --> 01:03:12,981
INTO THAT CLEAVAGE.
HELP!
I'MDROWNING!
1626
01:03:12,983 --> 01:03:15,216
HELP!
I'MDROWNING!
BUT DON'T SAVE I WANT TO DIE
1627
01:03:15,218 --> 01:03:16,017
I'MDROWNING!
BUT DON'T SAVE I WANT TO DIE
IN THERE.
1628
01:03:16,019 --> 01:03:18,152
BUT DON'T SAVE I WANT TO DIE
IN THERE.
ALL RIGHT, TEAM, IF YOU NEED
1629
01:03:18,154 --> 01:03:21,756
IN THERE.
ALL RIGHT, TEAM, IF YOU NEED
ANYTHING AT ALL, GIVE ME A CALL.
1630
01:03:21,758 --> 01:03:22,824
ALL RIGHT, TEAM, IF YOU NEED
ANYTHING AT ALL, GIVE ME A CALL.
I WOULD DO ANYTHING FOR YOU
1631
01:03:22,826 --> 01:03:23,224
ANYTHING AT ALL, GIVE ME A CALL.
I WOULD DO ANYTHING FOR YOU
GUYS.
1632
01:03:23,226 --> 01:03:24,826
I WOULD DO ANYTHING FOR YOU
GUYS.
I WOULD EVEN ADOPT THOSE
1633
01:03:24,828 --> 01:03:26,694
GUYS.
I WOULD EVEN ADOPT THOSE
GORGEOUS TWINS AND RAISE THEM IN
1634
01:03:26,696 --> 01:03:30,131
I WOULD EVEN ADOPT THOSE
GORGEOUS TWINS AND RAISE THEM IN
A HOTEL LIKE ZACK AND CODY.
1635
01:03:30,133 --> 01:03:33,501
GORGEOUS TWINS AND RAISE THEM IN
A HOTEL LIKE ZACK AND CODY.
DUTY CALLS, SEE YOU GUYS LATER.
1636
01:03:33,503 --> 01:03:34,335
A HOTEL LIKE ZACK AND CODY.
DUTY CALLS, SEE YOU GUYS LATER.
LOVE YOU GUYS.
1637
01:03:34,337 --> 01:03:39,941
DUTY CALLS, SEE YOU GUYS LATER.
LOVE YOU GUYS.
>> LOVE YOU, MAN.
1638
01:03:39,943 --> 01:03:40,708
LOVE YOU GUYS.
>> LOVE YOU, MAN.
>> YOU GUYS NOTICED THAT, RIGHT?
1639
01:03:40,710 --> 01:03:43,144
>> LOVE YOU, MAN.
>> YOU GUYS NOTICED THAT, RIGHT?
>> I WANT TO SAY YES SO YOU
1640
01:03:43,146 --> 01:03:45,446
>> YOU GUYS NOTICED THAT, RIGHT?
>> I WANT TO SAY YES SO YOU
DON'T FEEL CRAZY, BUT NO.
1641
01:03:45,448 --> 01:03:47,815
>> I WANT TO SAY YES SO YOU
DON'T FEEL CRAZY, BUT NO.
>> HOW?
1642
01:03:47,817 --> 01:03:50,251
DON'T FEEL CRAZY, BUT NO.
>> HOW?
>> THIS IS INSANE.
1643
01:03:50,253 --> 01:03:53,421
>> HOW?
>> THIS IS INSANE.
>> I'M HEATHER FROM HR, AND IF
1644
01:03:53,423 --> 01:03:55,256
>> THIS IS INSANE.
>> I'M HEATHER FROM HR, AND IF
ANYONE IS MAKING YOU
1645
01:03:55,258 --> 01:03:57,125
>> I'M HEATHER FROM HR, AND IF
ANYONE IS MAKING YOU
UNCOMFORTABLE, WE WILL HANDLE IT
1646
01:03:57,127 --> 01:04:00,295
ANYONE IS MAKING YOU
UNCOMFORTABLE, WE WILL HANDLE IT
RIGHT NOW IN A COMPANY-WIDE
1647
01:04:00,297 --> 01:04:00,662
UNCOMFORTABLE, WE WILL HANDLE IT
RIGHT NOW IN A COMPANY-WIDE
MEETING.
1648
01:04:00,664 --> 01:04:01,095
RIGHT NOW IN A COMPANY-WIDE
MEETING.
>> THANK YOU.
1649
01:04:01,097 --> 01:04:03,831
MEETING.
>> THANK YOU.
>> BUT FIRST, WE HAVE A MUSICAL
1650
01:04:03,833 --> 01:04:05,700
>> THANK YOU.
>> BUT FIRST, WE HAVE A MUSICAL
PERFORMANCE FROM THE PENIS
1651
01:04:05,702 --> 01:04:06,067
>> BUT FIRST, WE HAVE A MUSICAL
PERFORMANCE FROM THE PENIS
BROTHERS.
1652
01:04:06,069 --> 01:04:06,601
PERFORMANCE FROM THE PENIS
BROTHERS.
>> WHAT IS GOING ON?
1653
01:04:06,603 --> 01:04:08,202
BROTHERS.
>> WHAT IS GOING ON?
>> COME ON, Y'ALL.
1654
01:04:08,204 --> 01:04:11,306
>> WHAT IS GOING ON?
>> COME ON, Y'ALL.
THIS ONE GOES OUT TO OUR TWO
1655
01:04:11,308 --> 01:04:12,173
>> COME ON, Y'ALL.
THIS ONE GOES OUT TO OUR TWO
FAVORITE LADIES.
1656
01:04:12,175 --> 01:04:14,442
THIS ONE GOES OUT TO OUR TWO
FAVORITE LADIES.
SIMMONS LEFT, AND SIMMONS RIGHT,
1657
01:04:14,444 --> 01:04:14,776
FAVORITE LADIES.
SIMMONS LEFT, AND SIMMONS RIGHT,
Y'ALL.
1658
01:04:14,778 --> 01:04:17,912
SIMMONS LEFT, AND SIMMONS RIGHT,
Y'ALL.
>> OH, MY GOD, THE PENIS
1659
01:04:17,914 --> 01:04:18,446
Y'ALL.
>> OH, MY GOD, THE PENIS
BROTHERS.
1660
01:04:18,448 --> 01:04:19,814
>> OH, MY GOD, THE PENIS
BROTHERS.
>> THE MOMENT YOU'VE ALL BEEN
1661
01:04:19,816 --> 01:04:24,152
BROTHERS.
>> THE MOMENT YOU'VE ALL BEEN
WAITING FOR, THE BROTHERS BONGO
1662
01:04:24,154 --> 01:04:24,619
>> THE MOMENT YOU'VE ALL BEEN
WAITING FOR, THE BROTHERS BONGO
BOOB EXPERIENCE.
1663
01:04:24,621 --> 01:04:33,428
WAITING FOR, THE BROTHERS BONGO
BOOB EXPERIENCE.
♪
1664
01:04:33,430 --> 01:04:35,663
BOOB EXPERIENCE.
♪
>> HOW I IT MAKING THAT SOUND?
1665
01:04:35,665 --> 01:04:37,765
♪
>> HOW I IT MAKING THAT SOUND?
>> MURPHY, YOU GOT THAT FILE FOR
1666
01:04:37,767 --> 01:04:38,666
>> HOW I IT MAKING THAT SOUND?
>> MURPHY, YOU GOT THAT FILE FOR
ME OR WHAT?
1667
01:04:38,668 --> 01:04:40,501
>> MURPHY, YOU GOT THAT FILE FOR
ME OR WHAT?
>> HEY, I DO, DANIELS.
1668
01:04:40,503 --> 01:04:43,304
ME OR WHAT?
>> HEY, I DO, DANIELS.
BY THE WAY, I GOT AN EMAIL FROM
1669
01:04:43,306 --> 01:04:43,971
>> HEY, I DO, DANIELS.
BY THE WAY, I GOT AN EMAIL FROM
CORPORATE, AND YOU'RE BOTH
1670
01:04:43,973 --> 01:05:05,676
BY THE WAY, I GOT AN EMAIL FROM
CORPORATE, AND YOU'RE BOTH
FIRED.
1671
01:05:05,678 --> 01:05:06,644
CORPORATE, AND YOU'RE BOTH
FIRED.
>>> THIS IS NEW YORK.
1672
01:05:06,646 --> 01:05:10,148
FIRED.
>>> THIS IS NEW YORK.
THE MELTING POT OF OVER THREE
1673
01:05:10,150 --> 01:05:12,683
>>> THIS IS NEW YORK.
THE MELTING POT OF OVER THREE
CULTURES, AND FOOD IS ITS
1674
01:05:12,685 --> 01:05:13,217
THE MELTING POT OF OVER THREE
CULTURES, AND FOOD IS ITS
UNIVERSAL LANGUAGE.
1675
01:05:13,219 --> 01:05:15,586
CULTURES, AND FOOD IS ITS
UNIVERSAL LANGUAGE.
>> MY NAME IS ROCCO.
1676
01:05:15,588 --> 01:05:16,054
UNIVERSAL LANGUAGE.
>> MY NAME IS ROCCO.
>> HEAVY CAT.
1677
01:05:16,056 --> 01:05:17,422
>> MY NAME IS ROCCO.
>> HEAVY CAT.
>> AND MY NAME IS DONALD TRUMP.
1678
01:05:17,424 --> 01:05:20,158
>> HEAVY CAT.
>> AND MY NAME IS DONALD TRUMP.
WE MOVED HERE FOR COLLEGE, AND
1679
01:05:20,160 --> 01:05:22,160
>> AND MY NAME IS DONALD TRUMP.
WE MOVED HERE FOR COLLEGE, AND
WE'VE BEEN HERE EVER SINCE
1680
01:05:22,162 --> 01:05:22,693
WE MOVED HERE FOR COLLEGE, AND
WE'VE BEEN HERE EVER SINCE
EXCEPT FOR COVID.
1681
01:05:22,695 --> 01:05:24,262
WE'VE BEEN HERE EVER SINCE
EXCEPT FOR COVID.
>> TODAY, WE'RE GOING TO SHOW
1682
01:05:24,264 --> 01:05:26,497
EXCEPT FOR COVID.
>> TODAY, WE'RE GOING TO SHOW
YOU OUR NEW YORK, THE REAL NEW
1683
01:05:26,499 --> 01:05:27,598
>> TODAY, WE'RE GOING TO SHOW
YOU OUR NEW YORK, THE REAL NEW
YORK, ONE BITE AT A TIME.
1684
01:05:27,600 --> 01:05:29,267
YOU OUR NEW YORK, THE REAL NEW
YORK, ONE BITE AT A TIME.
>> THIS IS STREET EATS.
1685
01:05:29,269 --> 01:05:31,569
YORK, ONE BITE AT A TIME.
>> THIS IS STREET EATS.
TODAY, WE ARE IN THE MIDDLE OF
1686
01:05:31,571 --> 01:05:34,005
>> THIS IS STREET EATS.
TODAY, WE ARE IN THE MIDDLE OF
JAMAICAN PART OF THE CITY,
1687
01:05:34,007 --> 01:05:35,740
TODAY, WE ARE IN THE MIDDLE OF
JAMAICAN PART OF THE CITY,
JAMAICAN QUEEN, AND WE ARE ON
1688
01:05:35,742 --> 01:05:38,576
JAMAICAN PART OF THE CITY,
JAMAICAN QUEEN, AND WE ARE ON
THE HUNT FOR SOME AUTHENTIC JERK
1689
01:05:38,578 --> 01:05:38,943
JAMAICAN QUEEN, AND WE ARE ON
THE HUNT FOR SOME AUTHENTIC JERK
CHICKEN.
1690
01:05:38,945 --> 01:05:47,618
THE HUNT FOR SOME AUTHENTIC JERK
CHICKEN.
>> AND QUEENS MAKE SOME NOISE!
1691
01:05:47,620 --> 01:05:51,489
CHICKEN.
>> AND QUEENS MAKE SOME NOISE!
>> RICE, THE STINKING MAN'S
1692
01:05:51,491 --> 01:05:51,823
>> AND QUEENS MAKE SOME NOISE!
>> RICE, THE STINKING MAN'S
CHIPS.
1693
01:05:51,825 --> 01:05:53,191
>> RICE, THE STINKING MAN'S
CHIPS.
>> WHAT THE HELL ARE Y'ALL
1694
01:05:53,193 --> 01:05:53,658
CHIPS.
>> WHAT THE HELL ARE Y'ALL
DOING?
1695
01:05:53,660 --> 01:05:55,626
>> WHAT THE HELL ARE Y'ALL
DOING?
>> WE'RE JUST HERE TO FIND OUT
1696
01:05:55,628 --> 01:05:58,096
DOING?
>> WE'RE JUST HERE TO FIND OUT
WHAT JA-MAKES YOUR FOOD SO
1697
01:05:58,098 --> 01:05:58,463
>> WE'RE JUST HERE TO FIND OUT
WHAT JA-MAKES YOUR FOOD SO
SPECIAL.
1698
01:05:58,465 --> 01:05:59,263
WHAT JA-MAKES YOUR FOOD SO
SPECIAL.
>> GOT IT.
1699
01:05:59,265 --> 01:06:01,699
SPECIAL.
>> GOT IT.
SO Y'ALL JUST MOVED HERE FOR
1700
01:06:01,701 --> 01:06:02,366
>> GOT IT.
SO Y'ALL JUST MOVED HERE FOR
CONNECTICUT, RIGHT?
1701
01:06:02,368 --> 01:06:03,468
SO Y'ALL JUST MOVED HERE FOR
CONNECTICUT, RIGHT?
YOU HAVE TO STOP YELLING.
1702
01:06:03,470 --> 01:06:05,870
CONNECTICUT, RIGHT?
YOU HAVE TO STOP YELLING.
>> WELL, I NOTICED YOU WERE
1703
01:06:05,872 --> 01:06:07,338
YOU HAVE TO STOP YELLING.
>> WELL, I NOTICED YOU WERE
SELLING DELICIOUS JAMAICAN FOOD,
1704
01:06:07,340 --> 01:06:09,207
>> WELL, I NOTICED YOU WERE
SELLING DELICIOUS JAMAICAN FOOD,
BUT YOU YOURSELF ARE NOT
1705
01:06:09,209 --> 01:06:09,574
SELLING DELICIOUS JAMAICAN FOOD,
BUT YOU YOURSELF ARE NOT
JAMAICAN.
1706
01:06:09,576 --> 01:06:10,441
BUT YOU YOURSELF ARE NOT
JAMAICAN.
TELL US ABOUT THAT.
1707
01:06:10,443 --> 01:06:12,577
JAMAICAN.
TELL US ABOUT THAT.
>> NO, I'M JAMAICAN.
1708
01:06:12,579 --> 01:06:17,281
TELL US ABOUT THAT.
>> NO, I'M JAMAICAN.
>> HOW WOULD THAT BE --
1709
01:06:17,283 --> 01:06:19,383
>> NO, I'M JAMAICAN.
>> HOW WOULD THAT BE --
>> SPOTS LIKE THAT ARE EXACTLY
1710
01:06:19,385 --> 01:06:22,320
>> HOW WOULD THAT BE --
>> SPOTS LIKE THAT ARE EXACTLY
WHAT MAKES NEW YORK SO GREAT.
1711
01:06:22,322 --> 01:06:23,421
>> SPOTS LIKE THAT ARE EXACTLY
WHAT MAKES NEW YORK SO GREAT.
TACO, OH, SPICY.
1712
01:06:23,423 --> 01:06:26,124
WHAT MAKES NEW YORK SO GREAT.
TACO, OH, SPICY.
>> SO YOU WANT JERK CHICKEN WITH
1713
01:06:26,126 --> 01:06:29,360
TACO, OH, SPICY.
>> SO YOU WANT JERK CHICKEN WITH
NO CAYENNE, NO CUMIN, SALT,
1714
01:06:29,362 --> 01:06:29,694
>> SO YOU WANT JERK CHICKEN WITH
NO CAYENNE, NO CUMIN, SALT,
PEPPER?
1715
01:06:29,696 --> 01:06:30,928
NO CAYENNE, NO CUMIN, SALT,
PEPPER?
>> NOPE, CAN'T DO IT.
1716
01:06:30,930 --> 01:06:32,997
PEPPER?
>> NOPE, CAN'T DO IT.
>> SO YOU JUST WANT A BLANK ASS
1717
01:06:32,999 --> 01:06:35,199
>> NOPE, CAN'T DO IT.
>> SO YOU JUST WANT A BLANK ASS
PIECE OF CHICKEN?
1718
01:06:35,201 --> 01:06:38,503
>> SO YOU JUST WANT A BLANK ASS
PIECE OF CHICKEN?
>> WHAT'S GOING ON HERE?
1719
01:06:38,505 --> 01:06:39,003
PIECE OF CHICKEN?
>> WHAT'S GOING ON HERE?
>> IN NEW YORK.
1720
01:06:39,005 --> 01:06:41,205
>> WHAT'S GOING ON HERE?
>> IN NEW YORK.
>> NEXT, WE DECIDED TO HIT UP A
1721
01:06:41,207 --> 01:06:44,242
>> IN NEW YORK.
>> NEXT, WE DECIDED TO HIT UP A
NEW YORK STAPLE, SO WE HEADED
1722
01:06:44,244 --> 01:06:46,477
>> NEXT, WE DECIDED TO HIT UP A
NEW YORK STAPLE, SO WE HEADED
ALL THE WAY UP AND WE WALKED
1723
01:06:46,479 --> 01:06:48,246
NEW YORK STAPLE, SO WE HEADED
ALL THE WAY UP AND WE WALKED
HERE BECAUSE WE COULD NOT FIND
1724
01:06:48,248 --> 01:06:48,679
ALL THE WAY UP AND WE WALKED
HERE BECAUSE WE COULD NOT FIND
THE ONE SAY.
1725
01:06:48,681 --> 01:06:50,148
HERE BECAUSE WE COULD NOT FIND
THE ONE SAY.
>> KEEP GOING THIS WAY?
1726
01:06:50,150 --> 01:06:51,716
THE ONE SAY.
>> KEEP GOING THIS WAY?
>> RULE NUMBER ONE, YOU'VE GOT
1727
01:06:51,718 --> 01:06:54,218
>> KEEP GOING THIS WAY?
>> RULE NUMBER ONE, YOU'VE GOT
TO ORDER LIKE A NEW YORKER.
1728
01:06:54,220 --> 01:06:57,555
>> RULE NUMBER ONE, YOU'VE GOT
TO ORDER LIKE A NEW YORKER.
HEY, YO, BOSS, LET ME GET SOME
1729
01:06:57,557 --> 01:06:58,322
TO ORDER LIKE A NEW YORKER.
HEY, YO, BOSS, LET ME GET SOME
MAYO AND BREAD.
1730
01:06:58,324 --> 01:07:00,258
HEY, YO, BOSS, LET ME GET SOME
MAYO AND BREAD.
>> HEY, THERE'S A LINE.
1731
01:07:00,260 --> 01:07:02,527
MAYO AND BREAD.
>> HEY, THERE'S A LINE.
>> I GOT IT.
1732
01:07:02,529 --> 01:07:07,498
>> HEY, THERE'S A LINE.
>> I GOT IT.
HEY, FORGET ABOUT --
1733
01:07:07,500 --> 01:07:09,400
>> I GOT IT.
HEY, FORGET ABOUT --
>> MY FATHER IS A LAWYER!
1734
01:07:09,402 --> 01:07:11,936
HEY, FORGET ABOUT --
>> MY FATHER IS A LAWYER!
>> CAN'T CUT THE LINE, MAN.
1735
01:07:11,938 --> 01:07:13,070
>> MY FATHER IS A LAWYER!
>> CAN'T CUT THE LINE, MAN.
WE'VE BEEN WORKING ALL DAY.
1736
01:07:13,072 --> 01:07:15,406
>> CAN'T CUT THE LINE, MAN.
WE'VE BEEN WORKING ALL DAY.
>> WELL, I HOPE THE BUILDING
1737
01:07:15,408 --> 01:07:17,208
WE'VE BEEN WORKING ALL DAY.
>> WELL, I HOPE THE BUILDING
YOU'RE WORKING ON EXPLODES.
1738
01:07:17,210 --> 01:07:20,745
>> WELL, I HOPE THE BUILDING
YOU'RE WORKING ON EXPLODES.
THEY HATED US THERE.
1739
01:07:20,747 --> 01:07:23,648
YOU'RE WORKING ON EXPLODES.
THEY HATED US THERE.
BUT AT LEAST WE HAVE FRIENDS IN
1740
01:07:23,650 --> 01:07:26,150
THEY HATED US THERE.
BUT AT LEAST WE HAVE FRIENDS IN
THAT FAKE JAMAICAN LADY.
1741
01:07:26,152 --> 01:07:26,684
BUT AT LEAST WE HAVE FRIENDS IN
THAT FAKE JAMAICAN LADY.
SHE LOVED US.
1742
01:07:26,686 --> 01:07:29,320
THAT FAKE JAMAICAN LADY.
SHE LOVED US.
>> I HATED THEM, BUT I READ THE
1743
01:07:29,322 --> 01:07:31,656
SHE LOVED US.
>> I HATED THEM, BUT I READ THE
COMMENTS ON THEIR VIDEOS, AND NO
1744
01:07:31,658 --> 01:07:32,857
>> I HATED THEM, BUT I READ THE
COMMENTS ON THEIR VIDEOS, AND NO
ONE SHOULD HAVE TO READ THAT
1745
01:07:32,859 --> 01:07:34,091
COMMENTS ON THEIR VIDEOS, AND NO
ONE SHOULD HAVE TO READ THAT
ABOUT THEMSELVES.
1746
01:07:34,093 --> 01:07:38,129
ONE SHOULD HAVE TO READ THAT
ABOUT THEMSELVES.
THE NICEST ONE I SAW SAID GAY
1747
01:07:38,131 --> 01:07:38,429
ABOUT THEMSELVES.
THE NICEST ONE I SAW SAID GAY
FAIL.
1748
01:07:38,431 --> 01:07:39,330
THE NICEST ONE I SAW SAID GAY
FAIL.
I MADE THEM SOME PLAIN ASS
1749
01:07:39,332 --> 01:07:41,465
FAIL.
I MADE THEM SOME PLAIN ASS
CHICKEN, AND THEY LOVED IT.
1750
01:07:41,467 --> 01:07:42,867
I MADE THEM SOME PLAIN ASS
CHICKEN, AND THEY LOVED IT.
>> AUTHENTIC JERK CHICKEN.
1751
01:07:42,869 --> 01:07:43,901
CHICKEN, AND THEY LOVED IT.
>> AUTHENTIC JERK CHICKEN.
>> WHAT A BEAUTIFUL NEW YORK
1752
01:07:43,903 --> 01:07:44,202
>> AUTHENTIC JERK CHICKEN.
>> WHAT A BEAUTIFUL NEW YORK
DAY.
1753
01:07:44,204 --> 01:07:48,072
>> WHAT A BEAUTIFUL NEW YORK
DAY.
WE HAD SOME CHICKEN.
1754
01:07:48,074 --> 01:07:49,740
DAY.
WE HAD SOME CHICKEN.
NO ONE CAN DO IT LIKE US.
1755
01:07:49,742 --> 01:08:11,128
WE HAD SOME CHICKEN.
NO ONE CAN DO IT LIKE US.
>> NEW YORK!
1756
01:08:11,130 --> 01:08:12,663
NO ONE CAN DO IT LIKE US.
>> NEW YORK!
AND THEIR INCREDIBLE BAND.
1757
01:08:12,665 --> 01:08:14,765
>> NEW YORK!
AND THEIR INCREDIBLE BAND.
I WANT TO SAY THANK YOU TO MY
1758
01:08:14,767 --> 01:08:17,735
AND THEIR INCREDIBLE BAND.
I WANT TO SAY THANK YOU TO MY
ENTIRE CAST THAT DID A
1759
01:08:17,737 --> 01:08:20,238
I WANT TO SAY THANK YOU TO MY
ENTIRE CAST THAT DID A
WONDERFUL, WONDERFUL -- THEY DID
1760
01:08:20,240 --> 01:08:24,075
ENTIRE CAST THAT DID A
WONDERFUL, WONDERFUL -- THEY DID
IT -- WHAT DO YOU CALL IT?
1761
01:08:24,077 --> 01:08:26,744
WONDERFUL, WONDERFUL -- THEY DID
IT -- WHAT DO YOU CALL IT?
PANEL WITHOUT ME TODAY BECAUSE I
1762
01:08:26,746 --> 01:08:29,380
IT -- WHAT DO YOU CALL IT?
PANEL WITHOUT ME TODAY BECAUSE I
WAS HOSTING SNL.
1763
01:08:29,382 --> 01:08:32,016
PANEL WITHOUT ME TODAY BECAUSE I
WAS HOSTING SNL.
I WANT TO THANK EVERYBODY AT
1764
01:08:32,018 --> 01:08:33,584
WAS HOSTING SNL.
I WANT TO THANK EVERYBODY AT
ABBOTT ELEMENTARY FOR HELPING ME
1765
01:08:33,586 --> 01:08:34,185
I WANT TO THANK EVERYBODY AT
ABBOTT ELEMENTARY FOR HELPING ME
GET HERE.
1766
01:08:34,187 --> 01:08:35,953
ABBOTT ELEMENTARY FOR HELPING ME
GET HERE.
THANK YOU TO MY FANS AND FAMILY,
1767
01:08:35,955 --> 01:08:37,321
GET HERE.
THANK YOU TO MY FANS AND FAMILY,
WHO SOME OF THEM ARE HERE
1768
01:08:37,323 --> 01:08:37,655
THANK YOU TO MY FANS AND FAMILY,
WHO SOME OF THEM ARE HERE
TONIGHT.
1769
01:08:37,657 --> 01:08:39,523
WHO SOME OF THEM ARE HERE
TONIGHT.
I WANT TO SAY THANK YOU TO THIS
1770
01:08:39,525 --> 01:08:41,158
TONIGHT.
I WANT TO SAY THANK YOU TO THIS
INCREDIBLE CREW, THE PEOPLE AT
1771
01:08:41,160 --> 01:08:43,027
I WANT TO SAY THANK YOU TO THIS
INCREDIBLE CREW, THE PEOPLE AT
SNL WORK SO HARD, AND THEY ARE
1772
01:08:43,029 --> 01:08:44,996
INCREDIBLE CREW, THE PEOPLE AT
SNL WORK SO HARD, AND THEY ARE
UNREAL, AND THEY DO IT EVERY
1773
01:08:44,998 --> 01:08:47,298
SNL WORK SO HARD, AND THEY ARE
UNREAL, AND THEY DO IT EVERY
WEEK, AND IT'S NUTS, THE CAST,
1774
01:08:47,300 --> 01:08:47,648
UNREAL, AND THEY DO IT EVERY
WEEK, AND IT'S NUTS, THE CAST,
THE EW, IT'S I
192330
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