All language subtitles for Saturday.Night.Live.S48E16.WEB.x264-TORRENTGALAXY_Track03

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish Download
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,701 --> 00:00:14,673 . >> Announcer: AND NOW, A MESSAGE FROM FORMER PRESIDENT TRUMP. 2 00:00:14,675 --> 00:00:15,741 >> Announcer: AND NOW, A MESSAGE FROM FORMER PRESIDENT TRUMP. >>> HELLO. 3 00:00:15,743 --> 00:00:16,141 FROM FORMER PRESIDENT TRUMP. >>> HELLO. THANK YOU. 4 00:00:16,143 --> 00:00:16,975 >>> HELLO. THANK YOU. IT'S ME. 5 00:00:16,977 --> 00:00:17,242 THANK YOU. IT'S ME. HI. 6 00:00:17,244 --> 00:00:17,709 IT'S ME. HI. I'M THE PROBLEM. 7 00:00:17,711 --> 00:00:20,178 HI. I'M THE PROBLEM. IT'S ME. 8 00:00:20,180 --> 00:00:21,880 I'M THE PROBLEM. IT'S ME. WELL, FOLKS, IT HAPPENED. 9 00:00:21,882 --> 00:00:24,349 IT'S ME. WELL, FOLKS, IT HAPPENED. I GOT INDICTED, OR AS I SPELL 10 00:00:24,351 --> 00:00:26,218 WELL, FOLKS, IT HAPPENED. I GOT INDICTED, OR AS I SPELL IT, INDICATED. 11 00:00:26,220 --> 00:00:28,987 I GOT INDICTED, OR AS I SPELL IT, INDICATED. AND FRANKLY, IT'S TIME THAT I 12 00:00:28,989 --> 00:00:31,156 IT, INDICATED. AND FRANKLY, IT'S TIME THAT I COME CLEAN, ADMIT THAT I BROKE 13 00:00:31,158 --> 00:00:34,192 AND FRANKLY, IT'S TIME THAT I COME CLEAN, ADMIT THAT I BROKE THE LAW, AND GO QUIETLY TO 14 00:00:34,194 --> 00:00:34,526 COME CLEAN, ADMIT THAT I BROKE THE LAW, AND GO QUIETLY TO PRISON. 15 00:00:34,528 --> 00:00:37,395 THE LAW, AND GO QUIETLY TO PRISON. APRIL FOOLS! 16 00:00:37,397 --> 00:00:38,663 PRISON. APRIL FOOLS! THAT WAS A PRANK. 17 00:00:38,665 --> 00:00:42,267 APRIL FOOLS! THAT WAS A PRANK. I WAS DOING A JIM FROM OFFICE. 18 00:00:42,269 --> 00:00:46,805 THAT WAS A PRANK. I WAS DOING A JIM FROM OFFICE. BUT MAKE NO MISTAKE, WHAT THE 19 00:00:46,807 --> 00:00:48,340 I WAS DOING A JIM FROM OFFICE. BUT MAKE NO MISTAKE, WHAT THE RADICAL LEFT DEMOCRATS ARE DOING 20 00:00:48,342 --> 00:00:50,375 BUT MAKE NO MISTAKE, WHAT THE RADICAL LEFT DEMOCRATS ARE DOING TO ME IS WORSE THAN ANY CRIME 21 00:00:50,377 --> 00:00:51,810 RADICAL LEFT DEMOCRATS ARE DOING TO ME IS WORSE THAN ANY CRIME I'VE EVER COMMITTED, AND I'VE 22 00:00:51,812 --> 00:00:54,679 TO ME IS WORSE THAN ANY CRIME I'VE EVER COMMITTED, AND I'VE COMMITTED A LOT, CLOSE TO 34. 23 00:00:54,681 --> 00:00:56,615 I'VE EVER COMMITTED, AND I'VE COMMITTED A LOT, CLOSE TO 34. SOME ARE SAY I'M GOING TO USE 24 00:00:56,617 --> 00:00:58,483 COMMITTED A LOT, CLOSE TO 34. SOME ARE SAY I'M GOING TO USE THIS INDICTMENT TO RILE UP MY 25 00:00:58,485 --> 00:01:00,485 SOME ARE SAY I'M GOING TO USE THIS INDICTMENT TO RILE UP MY BASE SO THAT THEY GIVE ME MORE 26 00:01:00,487 --> 00:01:00,786 THIS INDICTMENT TO RILE UP MY BASE SO THAT THEY GIVE ME MORE MONEY. 27 00:01:00,788 --> 00:01:01,520 BASE SO THAT THEY GIVE ME MORE MONEY. NOT TRUE. 28 00:01:01,522 --> 00:01:02,487 MONEY. NOT TRUE. NOT TRUE. 29 00:01:02,489 --> 00:01:04,322 NOT TRUE. NOT TRUE. I DON'T WANT ANYTHING FROM MY 30 00:01:04,324 --> 00:01:06,057 NOT TRUE. I DON'T WANT ANYTHING FROM MY BASE EXCEPT THEIR LOVE, THEIR 31 00:01:06,059 --> 00:01:07,459 I DON'T WANT ANYTHING FROM MY BASE EXCEPT THEIR LOVE, THEIR VOTES, PERHAPS THEIR MONEY. 32 00:01:07,461 --> 00:01:08,193 BASE EXCEPT THEIR LOVE, THEIR VOTES, PERHAPS THEIR MONEY. AND I NEED THEIR MONEY MORE THAN 33 00:01:08,195 --> 00:01:10,996 VOTES, PERHAPS THEIR MONEY. AND I NEED THEIR MONEY MORE THAN EVER. 34 00:01:10,998 --> 00:01:13,632 AND I NEED THEIR MONEY MORE THAN EVER. NOW YOU MAY HAVE SEEN I'VE BEEN 35 00:01:13,634 --> 00:01:17,068 EVER. NOW YOU MAY HAVE SEEN I'VE BEEN OPENING MY RALLIES WITH MY 36 00:01:17,070 --> 00:01:18,436 NOW YOU MAY HAVE SEEN I'VE BEEN OPENING MY RALLIES WITH MY WONDERFUL SONG, "JUSTICE FOR 37 00:01:18,438 --> 00:01:22,808 OPENING MY RALLIES WITH MY WONDERFUL SONG, "JUSTICE FOR ALL" WHICH I PERFORMED WITH THE 38 00:01:22,810 --> 00:01:23,475 WONDERFUL SONG, "JUSTICE FOR ALL" WHICH I PERFORMED WITH THE J-6 CHOIR. 39 00:01:23,477 --> 00:01:24,843 ALL" WHICH I PERFORMED WITH THE J-6 CHOIR. THAT'S A REAL THING. 40 00:01:24,845 --> 00:01:26,611 J-6 CHOIR. THAT'S A REAL THING. VERY DISTURBING. 41 00:01:26,613 --> 00:01:31,416 THAT'S A REAL THING. VERY DISTURBING. IT WAS THE NUMBER ONE DOWNLOADED 42 00:01:31,418 --> 00:01:31,716 VERY DISTURBING. IT WAS THE NUMBER ONE DOWNLOADED SONG. 43 00:01:31,718 --> 00:01:32,984 IT WAS THE NUMBER ONE DOWNLOADED SONG. WE BEAT "FLOWERS" BY MILEY, 44 00:01:32,986 --> 00:01:35,654 SONG. WE BEAT "FLOWERS" BY MILEY, WHICH AS WE ALL KNOW IS ABOUT 45 00:01:35,656 --> 00:01:36,087 WE BEAT "FLOWERS" BY MILEY, WHICH AS WE ALL KNOW IS ABOUT LIAM. 46 00:01:36,089 --> 00:01:38,523 WHICH AS WE ALL KNOW IS ABOUT LIAM. BUT MY SONG RAKED IN SO MUCH 47 00:01:38,525 --> 00:01:40,425 LIAM. BUT MY SONG RAKED IN SO MUCH CASH, I THOUGHT WHY STOP THERE. 48 00:01:40,427 --> 00:01:42,427 BUT MY SONG RAKED IN SO MUCH CASH, I THOUGHT WHY STOP THERE. THAT'S WHY I'M PUTTING OUT MY 49 00:01:42,429 --> 00:01:45,397 CASH, I THOUGHT WHY STOP THERE. THAT'S WHY I'M PUTTING OUT MY NEW ALBUM, "NOW THAT'S WHAT I 50 00:01:45,399 --> 00:01:49,334 THAT'S WHY I'M PUTTING OUT MY NEW ALBUM, "NOW THAT'S WHAT I CALL MY LEGAL DEFENSE FUND", 51 00:01:49,336 --> 00:01:51,570 NEW ALBUM, "NOW THAT'S WHAT I CALL MY LEGAL DEFENSE FUND", AKA, TRUMP BOPS, AND I'M 52 00:01:51,572 --> 00:01:53,071 CALL MY LEGAL DEFENSE FUND", AKA, TRUMP BOPS, AND I'M BRINGING ALL THE THINGS 53 00:01:53,073 --> 00:01:55,640 AKA, TRUMP BOPS, AND I'M BRINGING ALL THE THINGS ♪ THAT AIN'T NOTHING, BUT 54 00:01:55,642 --> 00:01:56,675 BRINGING ALL THE THINGS ♪ THAT AIN'T NOTHING, BUT DRUGSTORE LOVING ♪ 55 00:01:56,677 --> 00:01:59,778 ♪ THAT AIN'T NOTHING, BUT DRUGSTORE LOVING ♪ ♪ HEY, LITTLE THINGS, LET ME 56 00:01:59,780 --> 00:02:02,214 DRUGSTORE LOVING ♪ ♪ HEY, LITTLE THINGS, LET ME LIGHT YOUR CANDLE ♪ 57 00:02:02,216 --> 00:02:03,815 ♪ HEY, LITTLE THINGS, LET ME LIGHT YOUR CANDLE ♪ WOW, WHAT A DEAL. 58 00:02:03,817 --> 00:02:08,787 LIGHT YOUR CANDLE ♪ WOW, WHAT A DEAL. JUST 30 CLASSIC OTHERS, ALL 59 00:02:08,789 --> 00:02:09,154 WOW, WHAT A DEAL. JUST 30 CLASSIC OTHERS, ALL HORRIBLE. 60 00:02:09,156 --> 00:02:09,921 JUST 30 CLASSIC OTHERS, ALL HORRIBLE. SUNG BY YOUR FAVORITE PRESIDENT 61 00:02:09,923 --> 00:02:12,457 HORRIBLE. SUNG BY YOUR FAVORITE PRESIDENT TO DEFEND OUR MOVEMENT, AND 62 00:02:12,459 --> 00:02:16,828 SUNG BY YOUR FAVORITE PRESIDENT TO DEFEND OUR MOVEMENT, AND MOSTLY MYSELF, FROM THE EVIL 63 00:02:16,830 --> 00:02:18,396 TO DEFEND OUR MOVEMENT, AND MOSTLY MYSELF, FROM THE EVIL MANHATTAN DA. 64 00:02:18,398 --> 00:02:21,066 MOSTLY MYSELF, FROM THE EVIL MANHATTAN DA. THAT MEANS DISTRICT ATTORNEY. 65 00:02:21,068 --> 00:02:24,102 MANHATTAN DA. THAT MEANS DISTRICT ATTORNEY. BUT I'M A FIGHTER, AND SPEAKING 66 00:02:24,104 --> 00:02:25,237 THAT MEANS DISTRICT ATTORNEY. BUT I'M A FIGHTER, AND SPEAKING OF FIGHTING AND TAKING ADVANTAGE 67 00:02:25,239 --> 00:02:26,705 BUT I'M A FIGHTER, AND SPEAKING OF FIGHTING AND TAKING ADVANTAGE OF FIGHTERS, HERE'S MY FRIEND 68 00:02:26,707 --> 00:02:28,306 OF FIGHTING AND TAKING ADVANTAGE OF FIGHTERS, HERE'S MY FRIEND DON KING. 69 00:02:28,308 --> 00:02:31,643 OF FIGHTERS, HERE'S MY FRIEND DON KING. >> HEY, EVERYBODY. 70 00:02:31,645 --> 00:02:34,145 DON KING. >> HEY, EVERYBODY. WHAT Y'ALL DOING TO THIS MAN IS 71 00:02:34,147 --> 00:02:36,948 >> HEY, EVERYBODY. WHAT Y'ALL DOING TO THIS MAN IS A TRAGEDY. 72 00:02:36,950 --> 00:02:38,950 WHAT Y'ALL DOING TO THIS MAN IS A TRAGEDY. >> SOMEBODY WITH THE BIG HAIR 73 00:02:38,952 --> 00:02:41,419 A TRAGEDY. >> SOMEBODY WITH THE BIG HAIR MURDERED A GUY. 74 00:02:41,421 --> 00:02:42,120 >> SOMEBODY WITH THE BIG HAIR MURDERED A GUY. CAN YOU BELIEVE IT. 75 00:02:42,122 --> 00:02:44,189 MURDERED A GUY. CAN YOU BELIEVE IT. ♪ ISLANDS IN THE STREAM, THAT IS 76 00:02:44,191 --> 00:02:46,892 CAN YOU BELIEVE IT. ♪ ISLANDS IN THE STREAM, THAT IS WHAT WE ARE, NO ONE IN BETWEEN, 77 00:02:46,894 --> 00:02:48,960 ♪ ISLANDS IN THE STREAM, THAT IS WHAT WE ARE, NO ONE IN BETWEEN, HOW CAN WE BE WRONG ♪ 78 00:02:48,962 --> 00:02:50,395 WHAT WE ARE, NO ONE IN BETWEEN, HOW CAN WE BE WRONG ♪ WE'RE NOT WRONG. 79 00:02:50,397 --> 00:02:52,364 HOW CAN WE BE WRONG ♪ WE'RE NOT WRONG. I'VE NEVER BEEN WRONG. 80 00:02:52,366 --> 00:02:55,400 WE'RE NOT WRONG. I'VE NEVER BEEN WRONG. ♪ MAKING LOVE TO EACH OTHER, 81 00:02:55,402 --> 00:02:55,800 I'VE NEVER BEEN WRONG. ♪ MAKING LOVE TO EACH OTHER, UH-HUH♪ 82 00:02:55,802 --> 00:03:00,405 ♪ MAKING LOVE TO EACH OTHER, UH-HUH♪ DON NG, EVERYBODY. 83 00:03:00,407 --> 00:03:04,009 UH-HUH♪ DON NG, EVERYBODY. SPEAKINGF LOVE, ME AND THE 84 00:03:04,011 --> 00:03:05,644 DON NG, EVERYBODY. SPEAKINGF LOVE, ME AND THE FIRST LADY, MELANIA, ARE IN HIGH 85 00:03:05,646 --> 00:03:05,977 SPEAKINGF LOVE, ME AND THE FIRST LADY, MELANIA, ARE IN HIGH SPIRITS. 86 00:03:05,979 --> 00:03:09,080 FIRST LADY, MELANIA, ARE IN HIGH SPIRITS. SINCE THE NEWS OF MY POSSIBLE 87 00:03:09,082 --> 00:03:11,716 SPIRITS. SINCE THE NEWS OF MY POSSIBLE IMPRISONMENT, I'VE NEVER SEEN 88 00:03:11,718 --> 00:03:13,051 SINCE THE NEWS OF MY POSSIBLE IMPRISONMENT, I'VE NEVER SEEN MELANIA HAPPIER. 89 00:03:13,053 --> 00:03:14,419 IMPRISONMENT, I'VE NEVER SEEN MELANIA HAPPIER. SHE'S THE MOST BEAUTIFUL WOMAN 90 00:03:14,421 --> 00:03:16,021 MELANIA HAPPIER. SHE'S THE MOST BEAUTIFUL WOMAN IN THE WORLD, SECOND ONLY TO 91 00:03:16,023 --> 00:03:18,056 SHE'S THE MOST BEAUTIFUL WOMAN IN THE WORLD, SECOND ONLY TO PERHAPS MANY YOUNGER, HOTTER 92 00:03:18,058 --> 00:03:18,356 IN THE WORLD, SECOND ONLY TO PERHAPS MANY YOUNGER, HOTTER WOMEN. 93 00:03:18,358 --> 00:03:19,624 PERHAPS MANY YOUNGER, HOTTER WOMEN. BUT WE LIKE HER. 94 00:03:19,626 --> 00:03:21,126 WOMEN. BUT WE LIKE HER. ALSO JUST TO SET THE RECORD 95 00:03:21,128 --> 00:03:23,561 BUT WE LIKE HER. ALSO JUST TO SET THE RECORD STRAIGHT, I DIDN'T EVEN SLEEP 96 00:03:23,563 --> 00:03:28,566 ALSO JUST TO SET THE RECORD STRAIGHT, I DIDN'T EVEN SLEEP WITH STORMY DANIELS, BUT IN MANY 97 00:03:28,568 --> 00:03:29,601 STRAIGHT, I DIDN'T EVEN SLEEP WITH STORMY DANIELS, BUT IN MANY WAYS, I DID. 98 00:03:29,603 --> 00:03:32,170 WITH STORMY DANIELS, BUT IN MANY WAYS, I DID. ISN'T IT IRONIC THE FIRST TIME I 99 00:03:32,172 --> 00:03:34,539 WAYS, I DID. ISN'T IT IRONIC THE FIRST TIME I PAY SOMEONE, THEY TRY TO SEND ME 100 00:03:34,541 --> 00:03:34,973 ISN'T IT IRONIC THE FIRST TIME I PAY SOMEONE, THEY TRY TO SEND ME TO JAIL. 101 00:03:34,975 --> 00:03:38,877 PAY SOMEONE, THEY TRY TO SEND ME TO JAIL. THAT'S WHY YOU DON'T PAY PEOPLE, 102 00:03:38,879 --> 00:03:39,177 TO JAIL. THAT'S WHY YOU DON'T PAY PEOPLE, FOLKS. 103 00:03:39,179 --> 00:03:40,345 THAT'S WHY YOU DON'T PAY PEOPLE, FOLKS. YOU NEVER PAY PEOPLE. 104 00:03:40,347 --> 00:03:42,447 FOLKS. YOU NEVER PAY PEOPLE. PRETTY IRONIC. 105 00:03:42,449 --> 00:03:47,585 YOU NEVER PAY PEOPLE. PRETTY IRONIC. ♪ IT'S LIKE RAIN ON YOUR WEDDING 106 00:03:47,587 --> 00:03:50,822 PRETTY IRONIC. ♪ IT'S LIKE RAIN ON YOUR WEDDING DAY, WHO WOULD HAVE THOUGHT, IT 107 00:03:50,824 --> 00:03:51,323 ♪ IT'S LIKE RAIN ON YOUR WEDDING DAY, WHO WOULD HAVE THOUGHT, IT FIGURES ♪ 108 00:03:51,325 --> 00:03:53,692 DAY, WHO WOULD HAVE THOUGHT, IT FIGURES ♪ AND FOLKS, IF THEY CAN COME FOR 109 00:03:53,694 --> 00:03:55,260 FIGURES ♪ AND FOLKS, IF THEY CAN COME FOR ME, THEY CAN COME FOR YOU TOO. 110 00:03:55,262 --> 00:03:57,696 AND FOLKS, IF THEY CAN COME FOR ME, THEY CAN COME FOR YOU TOO. OR IN THE CASE OF JANUARY 6th, 111 00:03:57,698 --> 00:03:58,964 ME, THEY CAN COME FOR YOU TOO. OR IN THE CASE OF JANUARY 6th, THEY CAN COME FOR YOU AND NOT 112 00:03:58,966 --> 00:03:59,497 OR IN THE CASE OF JANUARY 6th, THEY CAN COME FOR YOU AND NOT FOR ME. 113 00:03:59,499 --> 00:04:01,232 THEY CAN COME FOR YOU AND NOT FOR ME. I LIKE THAT ONE A LITTLE BIT 114 00:04:01,234 --> 00:04:01,566 FOR ME. I LIKE THAT ONE A LITTLE BIT BETTER. 115 00:04:01,568 --> 00:04:03,268 I LIKE THAT ONE A LITTLE BIT BETTER. BECAUSE I REALLY DON'T WANT TO 116 00:04:03,270 --> 00:04:05,537 BETTER. BECAUSE I REALLY DON'T WANT TO GO TO JAIL, BUT WHEN I THINK 117 00:04:05,539 --> 00:04:08,173 BECAUSE I REALLY DON'T WANT TO GO TO JAIL, BUT WHEN I THINK ABOUT HOW SHREDDED I MIGHT GET, 118 00:04:08,175 --> 00:04:09,708 GO TO JAIL, BUT WHEN I THINK ABOUT HOW SHREDDED I MIGHT GET, IT'S AWFULLY TEMPTING. 119 00:04:09,710 --> 00:04:12,177 ABOUT HOW SHREDDED I MIGHT GET, IT'S AWFULLY TEMPTING. CAN YOU IMAGINE ME PUMPING IRON 120 00:04:12,179 --> 00:04:14,346 IT'S AWFULLY TEMPTING. CAN YOU IMAGINE ME PUMPING IRON IN THE JAIL YARD WITH THE 121 00:04:14,348 --> 00:04:14,679 CAN YOU IMAGINE ME PUMPING IRON IN THE JAIL YARD WITH THE HOMIES? 122 00:04:14,681 --> 00:04:16,715 IN THE JAIL YARD WITH THE HOMIES? GETTING REAL BIG ON TOP, LITTLE 123 00:04:16,717 --> 00:04:17,816 HOMIES? GETTING REAL BIG ON TOP, LITTLE ON BOTTOM. 124 00:04:17,818 --> 00:04:19,250 GETTING REAL BIG ON TOP, LITTLE ON BOTTOM. TOTALLY PRISON YOLKED, LOOKING 125 00:04:19,252 --> 00:04:21,386 ON BOTTOM. TOTALLY PRISON YOLKED, LOOKING LIKE A CANDY APPLE. 126 00:04:21,388 --> 00:04:23,221 TOTALLY PRISON YOLKED, LOOKING LIKE A CANDY APPLE. PERHAPS I MIGHT EVEN BECOME 127 00:04:23,223 --> 00:04:25,957 LIKE A CANDY APPLE. PERHAPS I MIGHT EVEN BECOME RECEPTIVE TO THE TEACHINGS OF 128 00:04:25,959 --> 00:04:27,959 PERHAPS I MIGHT EVEN BECOME RECEPTIVE TO THE TEACHINGS OF THE PROFIT MUHAMMAD. 129 00:04:27,961 --> 00:04:29,327 RECEPTIVE TO THE TEACHINGS OF THE PROFIT MUHAMMAD. ALTHOUGH WITH, I'VE NEVER SEEN 130 00:04:29,329 --> 00:04:31,196 THE PROFIT MUHAMMAD. ALTHOUGH WITH, I'VE NEVER SEEN ANY PICTURES OF HIM. 131 00:04:31,198 --> 00:04:33,565 ALTHOUGH WITH, I'VE NEVER SEEN ANY PICTURES OF HIM. KIND OF SUS. 132 00:04:33,567 --> 00:04:34,499 ANY PICTURES OF HIM. KIND OF SUS. UH-OH, WHO'S THIS? 133 00:04:34,501 --> 00:04:37,569 KIND OF SUS. UH-OH, WHO'S THIS? IT'S A MAN WHO, LIKEME, WAS 134 00:04:37,571 --> 00:04:39,604 UH-OH, WHO'S THIS? IT'S A MAN WHO, LIKEME, WAS ILLEGALLY RAIDED, AND HE'S 135 00:04:39,606 --> 00:04:42,440 IT'S A MAN WHO, LIKEME, WAS ILLEGALLY RAIDED, AND HE'S TURNING IT INTO BIG BUCKS. 136 00:04:42,442 --> 00:04:43,241 ILLEGALLY RAIDED, AND HE'S TURNING IT INTO BIG BUCKS. AFRO MAN. 137 00:04:43,243 --> 00:04:45,410 TURNING IT INTO BIG BUCKS. AFRO MAN. ♪ I WAS GOING TO GO TO CLASS, 138 00:04:45,412 --> 00:04:47,579 AFRO MAN. ♪ I WAS GOING TO GO TO CLASS, BUT THEN I GOT HIGH ♪ 139 00:04:47,581 --> 00:04:50,248 ♪ I WAS GOING TO GO TO CLASS, BUT THEN I GOT HIGH ♪ DRUGS ARE KILLING OUR CHILDREN. 140 00:04:50,250 --> 00:04:50,715 BUT THEN I GOT HIGH ♪ DRUGS ARE KILLING OUR CHILDREN. ♪ 141 00:04:50,717 --> 00:04:52,484 DRUGS ARE KILLING OUR CHILDREN. ♪ I COULD HAVE CHEATED, BUT I 142 00:04:52,486 --> 00:04:57,288 ♪ I COULD HAVE CHEATED, BUT I PASSED, AND THEN I GOT HIGH ♪ 143 00:04:57,290 --> 00:05:01,393 I COULD HAVE CHEATED, BUT I PASSED, AND THEN I GOT HIGH ♪ REAL SHAME. 144 00:05:01,395 --> 00:05:03,661 PASSED, AND THEN I GOT HIGH ♪ REAL SHAME. ♪ BECAUSE I GOT HIGH, BECAUSE I 145 00:05:03,663 --> 00:05:05,997 REAL SHAME. ♪ BECAUSE I GOT HIGH, BECAUSE I GOT HIGH, BECAUSE I GOT HIGH ♪ 146 00:05:05,999 --> 00:05:08,366 ♪ BECAUSE I GOT HIGH, BECAUSE I GOT HIGH, BECAUSE I GOT HIGH ♪ WE NEED TO BE EXECUTING OUR DRUG 147 00:05:08,368 --> 00:05:08,700 GOT HIGH, BECAUSE I GOT HIGH ♪ WE NEED TO BE EXECUTING OUR DRUG DEALERS. 148 00:05:08,702 --> 00:05:12,070 WE NEED TO BE EXECUTING OUR DRUG DEALERS. THANK YOU, AFRO MAN. 149 00:05:12,072 --> 00:05:14,506 DEALERS. THANK YOU, AFRO MAN. FOLKS, FOLKS, YOUR HARD-EARNED 150 00:05:14,508 --> 00:05:15,573 THANK YOU, AFRO MAN. FOLKS, FOLKS, YOUR HARD-EARNED MONEY IS IMPORTANT. 151 00:05:15,575 --> 00:05:18,143 FOLKS, FOLKS, YOUR HARD-EARNED MONEY IS IMPORTANT. IF I GO TO JAIL, I WILL NEED 152 00:05:18,145 --> 00:05:20,045 MONEY IS IMPORTANT. IF I GO TO JAIL, I WILL NEED MONEY FOR COMMISSARY SNACKS. 153 00:05:20,047 --> 00:05:27,919 IF I GO TO JAIL, I WILL NEED MONEY FOR COMMISSARY SNACKS. I WILL NEED A SUPPLY OF RAMONS 154 00:05:27,921 --> 00:05:29,821 MONEY FOR COMMISSARY SNACKS. I WILL NEED A SUPPLY OF RAMONS TO SUCCESSF BARTER WITH A 155 00:05:29,823 --> 00:05:32,424 I WILL NEED A SUPPLY OF RAMONS TO SUCCESSF BARTER WITH A MAN NAMED LIZARD. 156 00:05:32,426 --> 00:05:35,060 TO SUCCESSF BARTER WITH A MAN NAMED LIZARD. AND NOW MY MOST LOYAL SUPPORTER, 157 00:05:35,062 --> 00:05:37,062 MAN NAMED LIZARD. AND NOW MY MOST LOYAL SUPPORTER, I WISH HE WOULD GO AWAY. 158 00:05:37,064 --> 00:05:39,330 AND NOW MY MOST LOYAL SUPPORTER, I WISH HE WOULD GO AWAY. HE'S MY KENDALL ROY. 159 00:05:39,332 --> 00:05:39,964 I WISH HE WOULD GO AWAY. HE'S MY KENDALL ROY. IT'S DON JR. 160 00:05:39,966 --> 00:05:42,567 HE'S MY KENDALL ROY. IT'S DON JR. >> WOW, DAD, THIS IS REALLY 161 00:05:42,569 --> 00:05:42,934 IT'S DON JR. >> WOW, DAD, THIS IS REALLY EMOTIONAL. 162 00:05:42,936 --> 00:05:44,969 >> WOW, DAD, THIS IS REALLY EMOTIONAL. IT MIGHT BE THE LAST TIME I SEE 163 00:05:44,971 --> 00:05:45,270 EMOTIONAL. IT MIGHT BE THE LAST TIME I SEE YOU. 164 00:05:45,272 --> 00:05:47,238 IT MIGHT BE THE LAST TIME I SEE YOU. >> FROM YOUR MOUTH TO GOD'S 165 00:05:47,240 --> 00:05:47,539 YOU. >> FROM YOUR MOUTH TO GOD'S EARS. 166 00:05:47,541 --> 00:05:50,675 >> FROM YOUR MOUTH TO GOD'S EARS. ♪ THE BOY'S A LIAR, THE BOY'S A 167 00:05:50,677 --> 00:05:52,410 EARS. ♪ THE BOY'S A LIAR, THE BOY'S A LIAR, HE DOESN'T SEE YA, YOU'RE 168 00:05:52,412 --> 00:06:02,620 ♪ THE BOY'S A LIAR, THE BOY'S A LIAR, HE DOESN'T SEE YA, YOU'RE NOT LOOKING AT ME, BOY ♪ 169 00:06:02,622 --> 00:06:02,921 LIAR, HE DOESN'T SEE YA, YOU'RE NOT LOOKING AT ME, BOY ♪ YEAH! 170 00:06:02,923 --> 00:06:04,689 NOT LOOKING AT ME, BOY ♪ YEAH! VERY STRANGE ENERGY, MY SON. 171 00:06:04,691 --> 00:06:05,690 YEAH! VERY STRANGE ENERGY, MY SON. DON'T LIKE IT. 172 00:06:05,692 --> 00:06:10,862 VERY STRANGE ENERGY, MY SON. DON'T LIKE IT. HE'S SAYING THAT I'M GOOD 173 00:06:10,864 --> 00:06:13,565 DON'T LIKE IT. HE'S SAYING THAT I'M GOOD ENOUGH, GRABBING MY DRRR, WE 174 00:06:13,567 --> 00:06:15,700 HE'S SAYING THAT I'M GOOD ENOUGH, GRABBING MY DRRR, WE LOVE ICE SPICE, DON'T WE? 175 00:06:15,702 --> 00:06:17,936 ENOUGH, GRABBING MY DRRR, WE LOVE ICE SPICE, DON'T WE? ICE SPICE. 176 00:06:17,938 --> 00:06:20,004 LOVE ICE SPICE, DON'T WE? ICE SPICE. LOOK AT THIS BEAUTIFUL HAIR. 177 00:06:20,006 --> 00:06:22,006 ICE SPICE. LOOK AT THIS BEAUTIFUL HAIR. MANHATTAN, I'LL SEE YOU ON 178 00:06:22,008 --> 00:06:22,340 LOOK AT THIS BEAUTIFUL HAIR. MANHATTAN, I'LL SEE YOU ON TUESDAY. 179 00:06:22,342 --> 00:06:23,441 MANHATTAN, I'LL SEE YOU ON TUESDAY. WE'LL BE WILD. 180 00:06:23,443 --> 00:06:24,175 TUESDAY. WE'LL BE WILD. AND LIVE FROM NEW YORK, IT'S 181 00:06:24,177 --> 00:06:31,816 WE'LL BE WILD. AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 182 00:06:31,818 --> 00:06:33,184 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 183 00:06:33,186 --> 00:06:35,954 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 184 00:07:38,317 --> 00:07:39,317 FEATURING -- 185 00:08:16,755 --> 00:08:30,768 MUSICAL GUEST, LIL YACHTY. AND YOUR HOST, QUINTA BRUNSON. LADIES AND GENTLEMEN, QUINTA 186 00:08:30,770 --> 00:08:33,705 AND YOUR HOST, QUINTA BRUNSON. LADIES AND GENTLEMEN, QUINTA BRUNSON. 187 00:08:33,707 --> 00:08:54,425 LADIES AND GENTLEMEN, QUINTA BRUNSON. [ CHEERS AND APPLAUSE ] 188 00:08:54,427 --> 00:08:55,193 BRUNSON. [ CHEERS AND APPLAUSE ] >>> THANK YOU. 189 00:08:55,195 --> 00:08:55,860 [ CHEERS AND APPLAUSE ] >>> THANK YOU. THANK YOU! 190 00:08:55,862 --> 00:08:57,295 >>> THANK YOU. THANK YOU! THANK YOU SO VERY MUCH. 191 00:08:57,297 --> 00:08:59,464 THANK YOU! THANK YOU SO VERY MUCH. MY NAME IS QUINTA BRUNSON, AND 192 00:08:59,466 --> 00:09:01,566 THANK YOU SO VERY MUCH. MY NAME IS QUINTA BRUNSON, AND LET ME JUST FIRST SAY, I AM SO 193 00:09:01,568 --> 00:09:03,401 MY NAME IS QUINTA BRUNSON, AND LET ME JUST FIRST SAY, I AM SO EXCITED TO BE HERE. 194 00:09:03,403 --> 00:09:04,869 LET ME JUST FIRST SAY, I AM SO EXCITED TO BE HERE. I HAVE BEEN DREAMING ABOUT THIS 195 00:09:04,871 --> 00:09:09,874 EXCITED TO BE HERE. I HAVE BEEN DREAMING ABOUT THIS SINCE I WAS A KID. 196 00:09:09,876 --> 00:09:11,743 I HAVE BEEN DREAMING ABOUT THIS SINCE I WAS A KID. I ACTUALLY -- I WANTED TO BE ON 197 00:09:11,745 --> 00:09:12,777 SINCE I WAS A KID. I ACTUALLY -- I WANTED TO BE ON SNL BACK IN THE DAY. 198 00:09:12,779 --> 00:09:15,713 I ACTUALLY -- I WANTED TO BE ON SNL BACK IN THE DAY. BUT THE AUDITION PROCESS SEEMED 199 00:09:15,715 --> 00:09:16,447 SNL BACK IN THE DAY. BUT THE AUDITION PROCESS SEEMED WELL, LONG. 200 00:09:16,449 --> 00:09:19,884 BUT THE AUDITION PROCESS SEEMED WELL, LONG. SO INSTEAD, I JUST CREATED MY 201 00:09:19,886 --> 00:09:22,020 WELL, LONG. SO INSTEAD, I JUST CREATED MY OWN TV SHOW, MADE SURE IT BECAME 202 00:09:22,022 --> 00:09:24,422 SO INSTEAD, I JUST CREATED MY OWN TV SHOW, MADE SURE IT BECAME REALLY POPULAR, WON A BUNCH OF 203 00:09:24,424 --> 00:09:25,123 OWN TV SHOW, MADE SURE IT BECAME REALLY POPULAR, WON A BUNCH OF EMMYS, AND THEN GOT ASKED TO 204 00:09:25,125 --> 00:09:25,423 REALLY POPULAR, WON A BUNCH OF EMMYS, AND THEN GOT ASKED TO HOST. 205 00:09:25,425 --> 00:09:28,226 EMMYS, AND THEN GOT ASKED TO HOST. SO MUCH EASIER. 206 00:09:28,228 --> 00:09:30,161 HOST. SO MUCH EASIER. I HAVE A SHOW CALLED ABBOTT 207 00:09:30,163 --> 00:09:34,399 SO MUCH EASIER. I HAVE A SHOW CALLED ABBOTT ELEMENTARY. 208 00:09:34,401 --> 00:09:40,805 I HAVE A SHOW CALLED ABBOTT ELEMENTARY. AND IT'S KIND OF UNIQUE. 209 00:09:40,807 --> 00:09:42,273 ELEMENTARY. AND IT'S KIND OF UNIQUE. IT'S A STREAMING SHOW -- IT' 210 00:09:42,275 --> 00:09:42,840 AND IT'S KIND OF UNIQUE. IT'S A STREAMING SHOW -- IT' NOT A STREAMING SHOW. 211 00:09:42,842 --> 00:09:44,676 IT'S A STREAMING SHOW -- IT' NOT A STREAMING SHOW. IT'S A NETWORK SITCOM, LIKE 212 00:09:44,678 --> 00:09:45,677 NOT A STREAMING SHOW. IT'S A NETWORK SITCOM, LIKE FRIENDS EXCEPT INSTEAD OF BEING 213 00:09:45,679 --> 00:09:47,278 IT'S A NETWORK SITCOM, LIKE FRIENDS EXCEPT INSTEAD OF BEING ABOUT A GROUP OF FRIENDS, IT'S 214 00:09:47,280 --> 00:09:48,913 FRIENDS EXCEPT INSTEAD OF BEING ABOUT A GROUP OF FRIENDS, IT'S ABOUT A GROUP OF TEACHERS. 215 00:09:48,915 --> 00:09:51,115 ABOUT A GROUP OF FRIENDS, IT'S ABOUT A GROUP OF TEACHERS. AND INSTEAD OF NEW YORK, IT'S IN 216 00:09:51,117 --> 00:09:52,650 ABOUT A GROUP OF TEACHERS. AND INSTEAD OF NEW YORK, IT'S IN PHILADELPHIA, AND INSTEAD OF NOT 217 00:09:52,652 --> 00:09:58,956 AND INSTEAD OF NEW YORK, IT'S IN PHILADELPHIA, AND INSTEAD OF NOT HAVING BLACK PEOPLE, IT DOES. 218 00:09:58,958 --> 00:09:59,757 PHILADELPHIA, AND INSTEAD OF NOT HAVING BLACK PEOPLE, IT DOES. I GREW UP IN PHILLY, AND MY MOM 219 00:09:59,759 --> 00:10:02,260 HAVING BLACK PEOPLE, IT DOES. I GREW UP IN PHILLY, AND MY MOM WAS A TEACHER THERE, SO CREATING 220 00:10:02,262 --> 00:10:04,295 I GREW UP IN PHILLY, AND MY MOM WAS A TEACHER THERE, SO CREATING A SHOW ABOUT TEACHERS HAS BEEN 221 00:10:04,297 --> 00:10:06,864 WAS A TEACHER THERE, SO CREATING A SHOW ABOUT TEACHERS HAS BEEN REALLY SPECIAL. 222 00:10:06,866 --> 00:10:07,598 A SHOW ABOUT TEACHERS HAS BEEN REALLY SPECIAL. NOW, EVERY TIME THERE'S AN ISSUE 223 00:10:07,600 --> 00:10:08,866 REALLY SPECIAL. NOW, EVERY TIME THERE'S AN ISSUE WITH THE PUBLIC SCHOOL SYSTEM, 224 00:10:08,868 --> 00:10:10,902 NOW, EVERY TIME THERE'S AN ISSUE WITH THE PUBLIC SCHOOL SYSTEM, PEOPLE EXPECT ME TO SOLVE IT. 225 00:10:10,904 --> 00:10:12,370 WITH THE PUBLIC SCHOOL SYSTEM, PEOPLE EXPECT ME TO SOLVE IT. AND THAT'S NOT FAIR. 226 00:10:12,372 --> 00:10:14,772 PEOPLE EXPECT ME TO SOLVE IT. AND THAT'S NOT FAIR. LAST WEEK WHEN THAT BANK 227 00:10:14,774 --> 00:10:16,541 AND THAT'S NOT FAIR. LAST WEEK WHEN THAT BANK COLLAPSED, NO ONE WANTED TO GO 228 00:10:16,543 --> 00:10:18,843 LAST WEEK WHEN THAT BANK COLLAPSED, NO ONE WANTED TO GO UP TO THE CAST OF SUCCESSION 229 00:10:18,845 --> 00:10:20,778 COLLAPSED, NO ONE WANTED TO GO UP TO THE CAST OF SUCCESSION LIKE HOW DO WE FIX THIS? 230 00:10:20,780 --> 00:10:22,447 UP TO THE CAST OF SUCCESSION LIKE HOW DO WE FIX THIS? DON'T GET ME WRONG, I LOVE THAT 231 00:10:22,449 --> 00:10:24,749 LIKE HOW DO WE FIX THIS? DON'T GET ME WRONG, I LOVE THAT PEOPLE ARE ENJOYING ABBOTT, BUT 232 00:10:24,751 --> 00:10:26,584 DON'T GET ME WRONG, I LOVE THAT PEOPLE ARE ENJOYING ABBOTT, BUT I WISH THEY DIDN'T EXPECT ME TO 233 00:10:26,586 --> 00:10:30,755 PEOPLE ARE ENJOYING ABBOTT, BUT I WISH THEY DIDN'T EXPECT ME TO BE LIKE MY CHARACTER ALL THE 234 00:10:30,757 --> 00:10:31,055 I WISH THEY DIDN'T EXPECT ME TO BE LIKE MY CHARACTER ALL THE TIME. 235 00:10:31,057 --> 00:10:32,824 BE LIKE MY CHARACTER ALL THE TIME. JANINE TEAGUES IS A CARING 236 00:10:32,826 --> 00:10:34,058 TIME. JANINE TEAGUES IS A CARING SECOND GRADE TEACHER WHO IS GOOD 237 00:10:34,060 --> 00:10:36,627 JANINE TEAGUES IS A CARING SECOND GRADE TEACHER WHO IS GOOD AND WHOLESOME, AND I'M THE 238 00:10:36,629 --> 00:10:36,994 SECOND GRADE TEACHER WHO IS GOOD AND WHOLESOME, AND I'M THE OPPOSITE. 239 00:10:36,996 --> 00:10:40,164 AND WHOLESOME, AND I'M THE OPPOSITE. I'M NOT A FILTHY WHORE, BUT I 240 00:10:40,166 --> 00:10:40,865 OPPOSITE. I'M NOT A FILTHY WHORE, BUT I LIKE TO HAVE FUN. 241 00:10:40,867 --> 00:10:42,834 I'M NOT A FILTHY WHORE, BUT I LIKE TO HAVE FUN. I NEED TO LIVE MY LIFE WITHOUT 242 00:10:42,836 --> 00:10:45,903 LIKE TO HAVE FUN. I NEED TO LIVE MY LIFE WITHOUT SOMEONE SAYING, DAMN, 243 00:10:45,905 --> 00:10:46,771 I NEED TO LIVE MY LIFE WITHOUT SOMEONE SAYING, DAMN, 244 00:10:46,773 --> 00:10:49,040 SOMEONE SAYING, DAMN, MS. TEAGUES IS OUT HERE GETTING 245 00:10:49,042 --> 00:10:51,776 MS. TEAGUES IS OUT HERE GETTING WASTED AT UNIVERSAL STUDIOS. 246 00:10:51,778 --> 00:10:53,244 MS. TEAGUES IS OUT HERE GETTING WASTED AT UNIVERSAL STUDIOS. I JUST WANT PEOPLE TO LOWER 247 00:10:53,246 --> 00:10:54,912 WASTED AT UNIVERSAL STUDIOS. I JUST WANT PEOPLE TO LOWER THEIR EXPECTATIONS OF ME. 248 00:10:54,914 --> 00:10:56,948 I JUST WANT PEOPLE TO LOWER THEIR EXPECTATIONS OF ME. I'M STILL YOUNG, FIGURING THINGS 249 00:10:56,950 --> 00:10:57,215 THEIR EXPECTATIONS OF ME. I'M STILL YOUNG, FIGURING THINGS OUT. 250 00:10:57,217 --> 00:10:59,684 I'M STILL YOUNG, FIGURING THINGS OUT. I'VE HAD TO START LYING TO MY 251 00:10:59,686 --> 00:11:01,919 OUT. I'VE HAD TO START LYING TO MY MOM ABOUT WHO I'M HANGING OUT 252 00:11:01,921 --> 00:11:02,420 I'VE HAD TO START LYING TO MY MOM ABOUT WHO I'M HANGING OUT WITH. 253 00:11:02,422 --> 00:11:05,123 MOM ABOUT WHO I'M HANGING OUT WITH. I'M LIKE, I'M GOING TO CHILL 254 00:11:05,125 --> 00:11:07,358 WITH. I'M LIKE, I'M GOING TO CHILL WITH MY FRIEND IN HER GARDEN, 255 00:11:07,360 --> 00:11:09,527 I'M LIKE, I'M GOING TO CHILL WITH MY FRIEND IN HER GARDEN, AND I DON'T TELL HER IT'S 256 00:11:09,529 --> 00:11:10,528 WITH MY FRIEND IN HER GARDEN, AND I DON'T TELL HER IT'S OPRAH'S GARDEN. 257 00:11:10,530 --> 00:11:12,897 AND I DON'T TELL HER IT'S OPRAH'S GARDEN. OR WHEN I TELL HER I'M GOING OUT 258 00:11:12,899 --> 00:11:15,933 OPRAH'S GARDEN. OR WHEN I TELL HER I'M GOING OUT TO DINNER BUT NOT WITH WHO. 259 00:11:15,935 --> 00:11:17,568 OR WHEN I TELL HER I'M GOING OUT TO DINNER BUT NOT WITH WHO. >> I'M HAVING DINNER WITH YOUR 260 00:11:17,570 --> 00:11:18,269 TO DINNER BUT NOT WITH WHO. >> I'M HAVING DINNER WITH YOUR DAUGHTER HERE. 261 00:11:18,271 --> 00:11:20,238 >> I'M HAVING DINNER WITH YOUR DAUGHTER HERE. WE'RE SO PROUD OF HER, BUT WE'RE 262 00:11:20,240 --> 00:11:22,240 DAUGHTER HERE. WE'RE SO PROUD OF HER, BUT WE'RE ALSO PROUD OF YOU NOT ONLY 263 00:11:22,242 --> 00:11:23,908 WE'RE SO PROUD OF HER, BUT WE'RE ALSO PROUD OF YOU NOT ONLY BECAUSE YOU'RE A GREAT MOM BUT 264 00:11:23,910 --> 00:11:25,543 ALSO PROUD OF YOU NOT ONLY BECAUSE YOU'RE A GREAT MOM BUT BECAUSE YOU ARE A TEACHER. 265 00:11:25,545 --> 00:11:28,579 BECAUSE YOU'RE A GREAT MOM BUT BECAUSE YOU ARE A TEACHER. MOST IMPORTANT JOB THERE IS. 266 00:11:28,581 --> 00:11:32,650 BECAUSE YOU ARE A TEACHER. MOST IMPORTANT JOB THERE IS. >> AS MY FRIEND BARACK SAID -- I 267 00:11:32,652 --> 00:11:34,719 MOST IMPORTANT JOB THERE IS. >> AS MY FRIEND BARACK SAID -- I CALL HIM BARACK NOW. 268 00:11:34,721 --> 00:11:36,854 >> AS MY FRIEND BARACK SAID -- I CALL HIM BARACK NOW. MY MOM REALLY WAS AN AMAZING 269 00:11:36,856 --> 00:11:39,290 CALL HIM BARACK NOW. MY MOM REALLY WAS AN AMAZING TEACHER, AND I'M SO PROUD OF 270 00:11:39,292 --> 00:11:39,590 MY MOM REALLY WAS AN AMAZING TEACHER, AND I'M SO PROUD OF HER. 271 00:11:39,592 --> 00:11:41,893 TEACHER, AND I'M SO PROUD OF HER. BUT I ALSO NO FIRSTHAND THAT 272 00:11:41,895 --> 00:11:43,828 HER. BUT I ALSO NO FIRSTHAND THAT TEACHERS GET TAKEN FOR GRANTED. 273 00:11:43,830 --> 00:11:45,663 BUT I ALSO NO FIRSTHAND THAT TEACHERS GET TAKEN FOR GRANTED. LIKE I'VE ALWAYS HAD A 274 00:11:45,665 --> 00:11:46,063 TEACHERS GET TAKEN FOR GRANTED. LIKE I'VE ALWAYS HAD A DISHWASHER. 275 00:11:46,065 --> 00:11:48,299 LIKE I'VE ALWAYS HAD A DISHWASHER. NEVER THOUGHT ABOUT IT, LOADED 276 00:11:48,301 --> 00:11:52,170 DISHWASHER. NEVER THOUGHT ABOUT IT, LOADED IT UP, KICKED IT SHUT, WENT TO 277 00:11:52,172 --> 00:11:52,670 NEVER THOUGHT ABOUT IT, LOADED IT UP, KICKED IT SHUT, WENT TO BED WASTED. 278 00:11:52,672 --> 00:11:54,138 IT UP, KICKED IT SHUT, WENT TO BED WASTED. BUT THEN MY HUSBAND AND I MOVED 279 00:11:54,140 --> 00:11:56,841 BED WASTED. BUT THEN MY HUSBAND AND I MOVED INTO AN APARTMENT THAT DIDN'T 280 00:11:56,843 --> 00:11:59,243 BUT THEN MY HUSBAND AND I MOVED INTO AN APARTMENT THAT DIDN'T HAVE A DISHWASHER, AND AFTER ONE 281 00:11:59,245 --> 00:12:01,712 INTO AN APARTMENT THAT DIDN'T HAVE A DISHWASHER, AND AFTER ONE DAY, I WAS LIKE, WE GOT TO GET 282 00:12:01,714 --> 00:12:02,480 HAVE A DISHWASHER, AND AFTER ONE DAY, I WAS LIKE, WE GOT TO GET THE HELL OUT OF HERE. 283 00:12:02,482 --> 00:12:04,081 DAY, I WAS LIKE, WE GOT TO GET THE HELL OUT OF HERE. THAT'S HOW PARENTS FEEL WHEN 284 00:12:04,083 --> 00:12:05,883 THE HELL OUT OF HERE. THAT'S HOW PARENTS FEEL WHEN THEY DON'T HAVE A TEACHER DURING 285 00:12:05,885 --> 00:12:06,984 THAT'S HOW PARENTS FEEL WHEN THEY DON'T HAVE A TEACHER DURING THE PANDEMIC. 286 00:12:06,986 --> 00:12:08,386 THEY DON'T HAVE A TEACHER DURING THE PANDEMIC. SUDDENLY PARENTS ARE LIKE, WE 287 00:12:08,388 --> 00:12:11,255 THE PANDEMIC. SUDDENLY PARENTS ARE LIKE, WE HAVE TO TEACH THESE DISHES NOW? 288 00:12:11,257 --> 00:12:12,890 SUDDENLY PARENTS ARE LIKE, WE HAVE TO TEACH THESE DISHES NOW? FEED THESE DISHES NOW? 289 00:12:12,892 --> 00:12:15,293 HAVE TO TEACH THESE DISHES NOW? FEED THESE DISHES NOW? WHY DID I HAVE SO MANY DISHES? 290 00:12:15,295 --> 00:12:17,261 FEED THESE DISHES NOW? WHY DID I HAVE SO MANY DISHES? THAT LAST DISH WAS A MISTAKE. 291 00:12:17,263 --> 00:12:18,663 WHY DID I HAVE SO MANY DISHES? THAT LAST DISH WAS A MISTAKE. SERIOUSLY, TEACHERS ARE PEOPLE, 292 00:12:18,665 --> 00:12:19,964 THAT LAST DISH WAS A MISTAKE. SERIOUSLY, TEACHERS ARE PEOPLE, NOT APPLIANCES. 293 00:12:19,966 --> 00:12:21,499 SERIOUSLY, TEACHERS ARE PEOPLE, NOT APPLIANCES. SO PLEASE, REMEMBER HOW 294 00:12:21,501 --> 00:12:23,100 NOT APPLIANCES. SO PLEASE, REMEMBER HOW IMPORTANT TEACHERS ARE. 295 00:12:23,102 --> 00:12:24,168 SO PLEASE, REMEMBER HOW IMPORTANT TEACHERS ARE. ACKNOWLEDGE THE WORK THEY DO 296 00:12:24,170 --> 00:12:27,138 IMPORTANT TEACHERS ARE. ACKNOWLEDGE THE WORK THEY DO EVERY DAY, AND FOR THE LOVE OF 297 00:12:27,140 --> 00:12:30,608 ACKNOWLEDGE THE WORK THEY DO EVERY DAY, AND FOR THE LOVE OF GOD, PAY THEM THE MONEY THEY 298 00:12:30,610 --> 00:12:30,942 EVERY DAY, AND FOR THE LOVE OF GOD, PAY THEM THE MONEY THEY DESERVE. 299 00:12:30,944 --> 00:12:32,743 GOD, PAY THEM THE MONEY THEY DESERVE. WE GOT A GREATHOW FOR YOU 300 00:12:32,745 --> 00:12:33,077 DESERVE. WE GOT A GREATHOW FOR YOU TONIGHT. 301 00:12:33,079 --> 00:12:56,767 WE GOT A GREATHOW FOR YOU TONIGHT. LIL YACHTY 302 00:12:56,769 --> 00:12:59,837 TONIGHT. LIL YACHTY >>> DUDE, I THOUGHT THIS CLUB 303 00:12:59,839 --> 00:13:02,640 LIL YACHTY >>> DUDE, I THOUGHT THIS CLUB WAS A LITTLE SKETCHY AT FIRST, 304 00:13:02,642 --> 00:13:03,541 >>> DUDE, I THOUGHT THIS CLUB WAS A LITTLE SKETCHY AT FIRST, BUT THE GIRLS HERE ARE INSANE. 305 00:13:03,543 --> 00:13:04,842 WAS A LITTLE SKETCHY AT FIRST, BUT THE GIRLS HERE ARE INSANE. >> I KNOW. 306 00:13:04,844 --> 00:13:06,577 BUT THE GIRLS HERE ARE INSANE. >> I KNOW. I ALREADY GOT LIKE THREE PHONE 307 00:13:06,579 --> 00:13:06,944 >> I KNOW. I ALREADY GOT LIKE THREE PHONE NUMBERS. 308 00:13:06,946 --> 00:13:09,680 I ALREADY GOT LIKE THREE PHONE NUMBERS. >> THE ONLY THING THAT WOULD 309 00:13:09,682 --> 00:13:10,781 NUMBERS. >> THE ONLY THING THAT WOULD MAKE THIS NIGHT MORE PERFECT IS 310 00:13:10,783 --> 00:13:12,216 >> THE ONLY THING THAT WOULD MAKE THIS NIGHT MORE PERFECT IS IF WE COULD SCORE A LITTLE 311 00:13:12,218 --> 00:13:12,617 MAKE THIS NIGHT MORE PERFECT IS IF WE COULD SCORE A LITTLE SOMETHING. 312 00:13:12,619 --> 00:13:13,417 IF WE COULD SCORE A LITTLE SOMETHING. >> YOU MEAN LIKE COKE? 313 00:13:13,419 --> 00:13:14,886 SOMETHING. >> YOU MEAN LIKE COKE? >> YEAH, MAN. 314 00:13:14,888 --> 00:13:15,386 >> YOU MEAN LIKE COKE? >> YEAH, MAN. >> I DON'T KNOW. 315 00:13:15,388 --> 00:13:16,921 >> YEAH, MAN. >> I DON'T KNOW. >> WHY NOT? 316 00:13:16,923 --> 00:13:19,257 >> I DON'T KNOW. >> WHY NOT? WE'RE ON VACATION, RIGHT? 317 00:13:19,259 --> 00:13:20,224 >> WHY NOT? WE'RE ON VACATION, RIGHT? >> ALL RIGHT. 318 00:13:20,226 --> 00:13:21,492 WE'RE ON VACATION, RIGHT? >> ALL RIGHT. AS LONG AS WE CAN FIND SOMETHING 319 00:13:21,494 --> 00:13:22,093 >> ALL RIGHT. AS LONG AS WE CAN FIND SOMETHING THAT'S PURE. 320 00:13:22,095 --> 00:13:25,329 AS LONG AS WE CAN FIND SOMETHING THAT'S PURE. THERE'S A LOT OF GARBAGE GOING 321 00:13:25,331 --> 00:13:25,863 THAT'S PURE. THERE'S A LOT OF GARBAGE GOING AROUND RIGHT NOW. 322 00:13:25,865 --> 00:13:26,197 THERE'S A LOT OF GARBAGE GOING AROUND RIGHT NOW. >> HEY. 323 00:13:26,199 --> 00:13:28,132 AROUND RIGHT NOW. >> HEY. YOU GUYS LOOKING FOR SOME 324 00:13:28,134 --> 00:13:29,967 >> HEY. YOU GUYS LOOKING FOR SOME COCAINE? 325 00:13:29,969 --> 00:13:30,301 YOU GUYS LOOKING FOR SOME COCAINE? >> WHAT? 326 00:13:30,303 --> 00:13:32,703 COCAINE? >> WHAT? >> I SAID, DO YOU WANT TO GET 327 00:13:32,705 --> 00:13:33,037 >> WHAT? >> I SAID, DO YOU WANT TO GET HIGH? 328 00:13:33,039 --> 00:13:34,572 >> I SAID, DO YOU WANT TO GET HIGH? BECAUSE I CAN MAKE THAT HAPPEN. 329 00:13:34,574 --> 00:13:35,606 HIGH? BECAUSE I CAN MAKE THAT HAPPEN. >> WAIT, SERIOUSLY? 330 00:13:35,608 --> 00:13:37,875 BECAUSE I CAN MAKE THAT HAPPEN. >> WAIT, SERIOUSLY? >> I MEAN, IS IT PURE? 331 00:13:37,877 --> 00:13:39,310 >> WAIT, SERIOUSLY? >> I MEAN, IS IT PURE? >> IS IT PURE? 332 00:13:39,312 --> 00:13:40,945 >> I MEAN, IS IT PURE? >> IS IT PURE? DON'T INSULT ME, MAN. 333 00:13:40,947 --> 00:13:43,180 >> IS IT PURE? DON'T INSULT ME, MAN. MY PRODUCT IS SO PURE WHITE, 334 00:13:43,182 --> 00:13:45,316 DON'T INSULT ME, MAN. MY PRODUCT IS SO PURE WHITE, IT'S LIKE A BUNNY RABBIT MAKING 335 00:13:45,318 --> 00:13:46,717 MY PRODUCT IS SO PURE WHITE, IT'S LIKE A BUNNY RABBIT MAKING SNOW ANGELS ON A CLOUD. 336 00:13:46,719 --> 00:13:48,819 IT'S LIKE A BUNNY RABBIT MAKING SNOW ANGELS ON A CLOUD. >> SOUNDS GOOD TO ME. 337 00:13:48,821 --> 00:13:49,353 SNOW ANGELS ON A CLOUD. >> SOUNDS GOOD TO ME. >> HEY. 338 00:13:49,355 --> 00:13:51,722 >> SOUNDS GOOD TO ME. >> HEY. YOU GUYS LOOKING FOR COCAINE? 339 00:13:51,724 --> 00:13:53,591 >> HEY. YOU GUYS LOOKING FOR COCAINE? >> OH, I THINK WE FOUND SOME 340 00:13:53,593 --> 00:13:53,925 YOU GUYS LOOKING FOR COCAINE? >> OH, I THINK WE FOUND SOME ALREADY. 341 00:13:53,927 --> 00:13:54,625 >> OH, I THINK WE FOUND SOME ALREADY. >> YEAH. 342 00:13:54,627 --> 00:13:56,060 ALREADY. >> YEAH. THEY ALREADY FOUND SOME. 343 00:13:56,062 --> 00:13:57,194 >> YEAH. THEY ALREADY FOUND SOME. GET LOST. 344 00:13:57,196 --> 00:14:00,431 THEY ALREADY FOUND SOME. GET LOST. >> WELL, MY STUFF IS SO WHITE, 345 00:14:00,433 --> 00:14:03,100 GET LOST. >> WELL, MY STUFF IS SO WHITE, IT'S LIKE GWENYTH PALTROW SKIING 346 00:14:03,102 --> 00:14:04,135 >> WELL, MY STUFF IS SO WHITE, IT'S LIKE GWENYTH PALTROW SKIING IN UTAH. 347 00:14:04,137 --> 00:14:05,002 IT'S LIKE GWENYTH PALTROW SKIING IN UTAH. >> OKAY. 348 00:14:05,004 --> 00:14:05,636 IN UTAH. >> OKAY. >> DAMN. 349 00:14:05,638 --> 00:14:06,237 >> OKAY. >> DAMN. I'M SOLD. 350 00:14:06,239 --> 00:14:07,204 >> DAMN. I'M SOLD. HOW MUCH FOR THAT? 351 00:14:07,206 --> 00:14:08,372 I'M SOLD. HOW MUCH FOR THAT? >> WAIT A MINUTE. 352 00:14:08,374 --> 00:14:10,608 HOW MUCH FOR THAT? >> WAIT A MINUTE. MY COCAINE IS SO PURE WHITE, 353 00:14:10,610 --> 00:14:13,578 >> WAIT A MINUTE. MY COCAINE IS SO PURE WHITE, IT'S LIKE THE GUY THAT'S SUING 354 00:14:13,580 --> 00:14:15,379 MY COCAINE IS SO PURE WHITE, IT'S LIKE THE GUY THAT'S SUING GWENYTH PALTROW BECAUSE HE CAN'T 355 00:14:15,381 --> 00:14:17,048 IT'S LIKE THE GUY THAT'S SUING GWENYTH PALTROW BECAUSE HE CAN'T ENJOY WINE TASTINGS ANYMORE. 356 00:14:17,050 --> 00:14:19,116 GWENYTH PALTROW BECAUSE HE CAN'T ENJOY WINE TASTINGS ANYMORE. >> Y'ALL LOOKING FOR SOME 357 00:14:19,118 --> 00:14:19,617 ENJOY WINE TASTINGS ANYMORE. >> Y'ALL LOOKING FOR SOME COCAINE? 358 00:14:19,619 --> 00:14:20,451 >> Y'ALL LOOKING FOR SOME COCAINE? >> NO. 359 00:14:20,453 --> 00:14:21,519 COCAINE? >> NO. >> T ALREADY DECIDED, MAN. 360 00:14:21,521 --> 00:14:23,754 >> NO. >> T ALREADY DECIDED, MAN. >> WELL, NO, WE HAVEN'T. 361 00:14:23,756 --> 00:14:25,723 >> T ALREADY DECIDED, MAN. >> WELL, NO, WE HAVEN'T. WE'RE JUST TRYING TO MAKE SURE 362 00:14:25,725 --> 00:14:26,123 >> WELL, NO, WE HAVEN'T. WE'RE JUST TRYING TO MAKE SURE IT'S PURE. 363 00:14:26,125 --> 00:14:28,225 WE'RE JUST TRYING TO MAKE SURE IT'S PURE. >> LET ME TELL YOU THIS, MAN, 364 00:14:28,227 --> 00:14:30,962 IT'S PURE. >> LET ME TELL YOU THIS, MAN, THE COKE I GOT IS SO WHITE, ITS 365 00:14:30,964 --> 00:14:32,897 >> LET ME TELL YOU THIS, MAN, THE COKE I GOT IS SO WHITE, ITS DAD SENDS IT MONEY EVERY MONTH 366 00:14:32,899 --> 00:14:33,331 THE COKE I GOT IS SO WHITE, ITS DAD SENDS IT MONEY EVERY MONTH FOR THE RENT. 367 00:14:33,333 --> 00:14:33,664 DAD SENDS IT MONEY EVERY MONTH FOR THE RENT. >> OKAY. 368 00:14:33,666 --> 00:14:35,032 FOR THE RENT. >> OKAY. I THINK I WANT THAT ONE. 369 00:14:35,034 --> 00:14:38,302 >> OKAY. I THINK I WANT THAT ONE. >> NO, NO, NO. 370 00:14:38,304 --> 00:14:38,736 I THINK I WANT THAT ONE. >> NO, NO, NO. THAT IS JUNK. 371 00:14:38,738 --> 00:14:39,870 >> NO, NO, NO. THAT IS JUNK. THIS STUFF RIGHT HERE IS SO 372 00:14:39,872 --> 00:14:41,672 THAT IS JUNK. THIS STUFF RIGHT HERE IS SO WHITE, IT TAKES ITS SHOES AND 373 00:14:41,674 --> 00:14:42,873 THIS STUFF RIGHT HERE IS SO WHITE, IT TAKES ITS SHOES AND SOCKS OFF ON A PLANE. 374 00:14:42,875 --> 00:14:44,308 WHITE, IT TAKES ITS SHOES AND SOCKS OFF ON A PLANE. >> NO, NO, NO. 375 00:14:44,310 --> 00:14:45,176 SOCKS OFF ON A PLANE. >> NO, NO, NO. YOU DON'T WANT THAT. 376 00:14:45,178 --> 00:14:46,877 >> NO, NO, NO. YOU DON'T WANT THAT. THIS IS WHAT YOU WANT, MAN. 377 00:14:46,879 --> 00:14:49,146 YOU DON'T WANT THAT. THIS IS WHAT YOU WANT, MAN. THIS COKE RIGHT HERE IS WHITER 378 00:14:49,148 --> 00:14:52,516 THIS IS WHAT YOU WANT, MAN. THIS COKE RIGHT HERE IS WHITER THAN SEASON TWO OF "THE WIRE." 379 00:14:52,518 --> 00:14:53,884 THIS COKE RIGHT HERE IS WHITER THAN SEASON TWO OF "THE WIRE." >> OH, YEAH? 380 00:14:53,886 --> 00:14:56,787 THAN SEASON TWO OF "THE WIRE." >> OH, YEAH? WELL, MY COKE IS LIKE -- 381 00:14:56,789 --> 00:14:58,789 >> OH, YEAH? WELL, MY COKE IS LIKE -- ♪ CUT MY LIFE INTO PIECES, THIS 382 00:14:58,791 --> 00:15:01,826 WELL, MY COKE IS LIKE -- ♪ CUT MY LIFE INTO PIECES, THIS IS MY LAST RESORT ♪ 383 00:15:01,828 --> 00:15:03,427 ♪ CUT MY LIFE INTO PIECES, THIS IS MY LAST RESORT ♪ >> MINE IS LIKE -- 384 00:15:03,429 --> 00:15:05,429 IS MY LAST RESORT ♪ >> MINE IS LIKE -- ♪ I CHIMED IN WITH A HAVEN'T YOU 385 00:15:05,431 --> 00:15:10,735 >> MINE IS LIKE -- ♪ I CHIMED IN WITH A HAVEN'T YOU PEOPLE EVER HEARD OF CLOSING THE 386 00:15:10,737 --> 00:15:12,670 ♪ I CHIMED IN WITH A HAVEN'T YOU PEOPLE EVER HEARD OF CLOSING THE GOD DAMN DOOR ♪ 387 00:15:12,672 --> 00:15:13,938 PEOPLE EVER HEARD OF CLOSING THE GOD DAMN DOOR ♪ >> THAIS WHITE, YEAH. 388 00:15:13,940 --> 00:15:14,572 GOD DAMN DOOR ♪ >> THAIS WHITE, YEAH. >> HEY. 389 00:15:14,574 --> 00:15:17,174 >> THAIS WHITE, YEAH. >> HEY. YOU GUYS LOOKING FOR SOME 390 00:15:17,176 --> 00:15:17,908 >> HEY. YOU GUYS LOOKING FOR SOME COCAINE? 391 00:15:17,910 --> 00:15:18,342 YOU GUYS LOOKING FOR SOME COCAINE? >> WE GOOD. 392 00:15:18,344 --> 00:15:19,477 COCAINE? >> WE GOOD. >> THEY'RE ALL SET, MAN. 393 00:15:19,479 --> 00:15:21,278 >> WE GOOD. >> THEY'RE ALL SET, MAN. >> WE'RE LOOKING FOR COKE THAT'S 394 00:15:21,280 --> 00:15:23,247 >> THEY'RE ALL SET, MAN. >> WE'RE LOOKING FOR COKE THAT'S SO PURE WHITE, IT GOT A LITTLE 395 00:15:23,249 --> 00:15:25,216 >> WE'RE LOOKING FOR COKE THAT'S SO PURE WHITE, IT GOT A LITTLE BOTTLE OPENER ON ITS FLIP FLOPS. 396 00:15:25,218 --> 00:15:27,184 SO PURE WHITE, IT GOT A LITTLE BOTTLE OPENER ON ITS FLIP FLOPS. >> MY COKE IS SO PURE, IT WAS 397 00:15:27,186 --> 00:15:29,420 BOTTLE OPENER ON ITS FLIP FLOPS. >> MY COKE IS SO PURE, IT WAS WRITTEN AND DIRECTED BY NOAH 398 00:15:29,422 --> 00:15:29,787 >> MY COKE IS SO PURE, IT WAS WRITTEN AND DIRECTED BY NOAH BAUMBACH. 399 00:15:29,789 --> 00:15:31,756 WRITTEN AND DIRECTED BY NOAH BAUMBACH. >> WHO THE HELL IS NOAH 400 00:15:31,758 --> 00:15:32,123 BAUMBACH. >> WHO THE HELL IS NOAH BAUMBACH? 401 00:15:32,125 --> 00:15:34,558 >> WHO THE HELL IS NOAH BAUMBACH? >> A POET. 402 00:15:34,560 --> 00:15:35,493 BAUMBACH? >> A POET. >> MAN, THAT'S NOTHING. 403 00:15:35,495 --> 00:15:38,295 >> A POET. >> MAN, THAT'S NOTHING. THIS COCAINE I GOT SAYS STUFF 404 00:15:38,297 --> 00:15:40,698 >> MAN, THAT'S NOTHING. THIS COCAINE I GOT SAYS STUFF LIKE, OOP, LET ME SCOOT RIGHT BY 405 00:15:40,700 --> 00:15:40,998 THIS COCAINE I GOT SAYS STUFF LIKE, OOP, LET ME SCOOT RIGHT BY YOU. 406 00:15:41,000 --> 00:15:42,533 LIKE, OOP, LET ME SCOOT RIGHT BY YOU. >> NO, NO, NO. 407 00:15:42,535 --> 00:15:44,669 YOU. >> NO, NO, NO. THIS COCAINE IS SO WHITE -- 408 00:15:44,671 --> 00:15:46,504 >> NO, NO, NO. THIS COCAINE IS SO WHITE -- >> OH, SORRY. 409 00:15:46,506 --> 00:15:47,638 THIS COCAINE IS SO WHITE -- >> OH, SORRY. HOW WHITE IS IT? 410 00:15:47,640 --> 00:15:48,172 >> OH, SORRY. HOW WHITE IS IT? >> THANK YOU. 411 00:15:48,174 --> 00:15:50,641 HOW WHITE IS IT? >> THANK YOU. IT'S SO WHITE, IT STANDS LIKE 412 00:15:50,643 --> 00:15:54,078 >> THANK YOU. IT'S SO WHITE, IT STANDS LIKE THIS ADMIRING ITS LAWN. 413 00:15:54,080 --> 00:15:56,914 IT'S SO WHITE, IT STANDS LIKE THIS ADMIRING ITS LAWN. >> MY COKE IS SO WHITE -- 414 00:15:56,916 --> 00:15:57,581 THIS ADMIRING ITS LAWN. >> MY COKE IS SO WHITE -- >> LET ME JUST SCOOT BY YOU 415 00:15:57,583 --> 00:16:05,556 >> MY COKE IS SO WHITE -- >> LET ME JUST SCOOT BY YOU THERE. 416 00:16:05,558 --> 00:16:06,057 >> LET ME JUST SCOOT BY YOU THERE. OKAY. 417 00:16:06,059 --> 00:16:06,424 THERE. OKAY. TOODLES. 418 00:16:06,426 --> 00:16:07,091 OKAY. TOODLES. >> IT'S THAT WHITE. 419 00:16:07,093 --> 00:16:08,225 TOODLES. >> IT'S THAT WHITE. >> I ALREADY SAID THAT ONE. 420 00:16:08,227 --> 00:16:09,393 >> IT'S THAT WHITE. >> I ALREADY SAID THAT ONE. >> ALL RIGHT, MAN. 421 00:16:09,395 --> 00:16:10,761 >> I ALREADY SAID THAT ONE. >> ALL RIGHT, MAN. SO WHAT DO YOU THINK? 422 00:16:10,763 --> 00:16:11,829 >> ALL RIGHT, MAN. SO WHAT DO YOU THINK? >> HUH, I DON'T KNOW. 423 00:16:11,831 --> 00:16:12,396 SO WHAT DO YOU THINK? >> HUH, I DON'T KNOW. I STILL CAN'T DECIDE. 424 00:16:12,398 --> 00:16:19,236 >> HUH, I DON'T KNOW. I STILL CAN'T DECIDE. >> HEY. 425 00:16:19,238 --> 00:16:22,039 I STILL CAN'T DECIDE. >> HEY. YOU GUYS LOOKING FOR SOME BLACK 426 00:16:22,041 --> 00:16:23,240 >> HEY. YOU GUYS LOOKING FOR SOME BLACK TAR HEROIN? 427 00:16:23,242 --> 00:16:24,508 YOU GUYS LOOKING FOR SOME BLACK TAR HEROIN? >> WHAT? 428 00:16:24,510 --> 00:16:24,775 TAR HEROIN? >> WHAT? NO. 429 00:16:24,777 --> 00:16:27,411 >> WHAT? NO. >> OH, TOO BAD BECAUSE I'VE GOT 430 00:16:27,413 --> 00:16:29,547 NO. >> OH, TOO BAD BECAUSE I'VE GOT SOME BLACK TAR HEROIN THAT'S SO 431 00:16:29,549 --> 00:16:30,981 >> OH, TOO BAD BECAUSE I'VE GOT SOME BLACK TAR HEROIN THAT'S SO BLACK, IT'S -- YOU KNOW WHAT, 432 00:16:30,983 --> 00:16:31,849 SOME BLACK TAR HEROIN THAT'S SO BLACK, IT'S -- YOU KNOW WHAT, MAYBE I SHOULDN'T SAY. 433 00:16:31,851 --> 00:16:33,217 BLACK, IT'S -- YOU KNOW WHAT, MAYBE I SHOULDN'T SAY. >> NO, NO, NO. 434 00:16:33,219 --> 00:16:34,685 MAYBE I SHOULDN'T SAY. >> NO, NO, NO. WANT TO HEAR IT. 435 00:16:34,687 --> 00:16:35,586 >> NO, NO, NO. WANT TO HEAR IT. GO AHEAD. 436 00:16:35,588 --> 00:16:36,887 WANT TO HEAR IT. GO AHEAD. >> PLEASE TELL US. 437 00:16:36,889 --> 00:16:39,690 GO AHEAD. >> PLEASE TELL US. >> I WAS GOING TO SAY IT'S SO 438 00:16:39,692 --> 00:16:40,357 >> PLEASE TELL US. >> I WAS GOING TO SAY IT'S SO BLACK THAT IT'S STRONG AND 439 00:16:40,359 --> 00:16:43,561 >> I WAS GOING TO SAY IT'S SO BLACK THAT IT'S STRONG AND EQUAL. 440 00:16:43,563 --> 00:16:44,762 BLACK THAT IT'S STRONG AND EQUAL. AND WE SHOULD ALL REALLY GIVE IT 441 00:16:44,764 --> 00:16:45,262 EQUAL. AND WE SHOULD ALL REALLY GIVE IT A CHANCE. 442 00:16:45,264 --> 00:16:47,031 AND WE SHOULD ALL REALLY GIVE IT A CHANCE. YOU KNOW, I'M NOT EVEN HERE. 443 00:16:47,033 --> 00:16:48,099 A CHANCE. YOU KNOW, I'M NOT EVEN HERE. >> THAT'S WHAT I THOUGHT. 444 00:16:48,101 --> 00:16:51,168 YOU KNOW, I'M NOT EVEN HERE. >> THAT'S WHAT I THOUGHT. LIKE I SAID, THIS COKE IS SO 445 00:16:51,170 --> 00:16:53,838 >> THAT'S WHAT I THOUGHT. LIKE I SAID, THIS COKE IS SO WHITE, IT LIKES TO SAY IT'S FROM 446 00:16:53,840 --> 00:16:55,806 LIKE I SAID, THIS COKE IS SO WHITE, IT LIKES TO SAY IT'S FROM CHICAGO, BUT IT'S FROM A SUBURB 447 00:16:55,808 --> 00:16:56,941 WHITE, IT LIKES TO SAY IT'S FROM CHICAGO, BUT IT'S FROM A SUBURB OUTSIDE OF CHICAGO. 448 00:16:56,943 --> 00:17:03,814 CHICAGO, BUT IT'S FROM A SUBURB OUTSIDE OF CHICAGO. >> MY COKE IS 20 PAIRS OF YEEZY 449 00:17:03,816 --> 00:17:04,181 OUTSIDE OF CHICAGO. >> MY COKE IS 20 PAIRS OF YEEZY SNEAKERS. 450 00:17:04,183 --> 00:17:05,182 >> MY COKE IS 20 PAIRS OF YEEZY SNEAKERS. >> THAT DOESN'T SOUND WHITE. 451 00:17:05,184 --> 00:17:06,751 SNEAKERS. >> THAT DOESN'T SOUND WHITE. >> THEY'RE ALL DIRTY. 452 00:17:06,753 --> 00:17:07,785 >> THAT DOESN'T SOUND WHITE. >> THEY'RE ALL DIRTY. >> THAT'S WHITE. 453 00:17:07,787 --> 00:17:09,286 >> THEY'RE ALL DIRTY. >> THAT'S WHITE. >> THAT'S ENOUGH. 454 00:17:09,288 --> 00:17:11,021 >> THAT'S WHITE. >> THAT'S ENOUGH. THOSE ALL SOUND VERY WHITE AND 455 00:17:11,023 --> 00:17:11,322 >> THAT'S ENOUGH. THOSE ALL SOUND VERY WHITE AND PURE. 456 00:17:11,324 --> 00:17:11,989 THOSE ALL SOUND VERY WHITE AND PURE. I CAN'T DECIDE. 457 00:17:11,991 --> 00:17:14,592 PURE. I CAN'T DECIDE. SO I GUESS WE'LL TAKE ONE FROM 458 00:17:14,594 --> 00:17:14,892 I CAN'T DECIDE. SO I GUESS WE'LL TAKE ONE FROM EACH. 459 00:17:14,894 --> 00:17:16,293 SO I GUESS WE'LL TAKE ONE FROM EACH. >> OKAY. 460 00:17:16,295 --> 00:17:16,761 EACH. >> OKAY. >> ALL RIGHT. 461 00:17:16,763 --> 00:17:18,395 >> OKAY. >> ALL RIGHT. >> AND YOU'RE ABSOLUTELY SURE 462 00:17:18,397 --> 00:17:20,498 >> ALL RIGHT. >> AND YOU'RE ABSOLUTELY SURE THERE IS NO FENTANYL IN THIS, 463 00:17:20,500 --> 00:17:20,798 >> AND YOU'RE ABSOLUTELY SURE THERE IS NO FENTANYL IN THIS, RIGHT? 464 00:17:20,800 --> 00:17:21,298 THERE IS NO FENTANYL IN THIS, RIGHT? >> NOBODY SAID -- 465 00:17:21,300 --> 00:17:25,770 RIGHT? >> NOBODY SAID -- >> WELL -- 466 00:17:32,644 --> 00:17:38,182 >>> IT ALL STARTED WITH A BOX ON MY DOORSTEP. >> AND A NOTE WITH A QUESTION. 467 00:17:38,184 --> 00:17:39,850 MY DOORSTEP. >> AND A NOTE WITH A QUESTION. >> I JUST GOT THIS FEELING THAT 468 00:17:39,852 --> 00:17:41,585 >> AND A NOTE WITH A QUESTION. >> I JUST GOT THIS FEELING THAT IT WASN'T THE KIND OF QUESTION 469 00:17:41,587 --> 00:17:43,521 >> I JUST GOT THIS FEELING THAT IT WASN'T THE KIND OF QUESTION YOU COULD SAY NO TO. 470 00:17:43,523 --> 00:17:44,855 IT WASN'T THE KIND OF QUESTION YOU COULD SAY NO TO. >> WILL YOU -- 471 00:17:44,857 --> 00:17:45,856 YOU COULD SAY NO TO. >> WILL YOU -- >> BE MY -- 472 00:17:45,858 --> 00:17:47,358 >> WILL YOU -- >> BE MY -- >> BRIDESMAID. 473 00:17:47,360 --> 00:17:49,426 >> BE MY -- >> BRIDESMAID. >> FROM THE PEOPLE WHO BROUGHT 474 00:17:49,428 --> 00:17:52,696 >> BRIDESMAID. >> FROM THE PEOPLE WHO BROUGHT YOU KEEP SWEET, WILD WILD 475 00:17:52,698 --> 00:17:57,535 >> FROM THE PEOPLE WHO BROUGHT YOU KEEP SWEET, WILD WILD COUNTRY, AND THE DOCUMENTARY 476 00:17:57,537 --> 00:18:00,171 YOU KEEP SWEET, WILD WILD COUNTRY, AND THE DOCUMENTARY COMES A NEW STORY, I WAS A 477 00:18:00,173 --> 00:18:00,571 COUNTRY, AND THE DOCUMENTARY COMES A NEW STORY, I WAS A BRIDESMAID. 478 00:18:00,573 --> 00:18:03,073 COMES A NEW STORY, I WAS A BRIDESMAID. >> EACH YEAR, MORE THAN 6 479 00:18:03,075 --> 00:18:04,008 BRIDESMAID. >> EACH YEAR, MORE THAN 6 MILLION WOMEN FALL INTO THIS 480 00:18:04,010 --> 00:18:05,409 >> EACH YEAR, MORE THAN 6 MILLION WOMEN FALL INTO THIS TYPE OF CULT. 481 00:18:05,411 --> 00:18:07,611 MILLION WOMEN FALL INTO THIS TYPE OF CULT. THEY PREY ON COLLEGE ROOMMATES 482 00:18:07,613 --> 00:18:08,846 TYPE OF CULT. THEY PREY ON COLLEGE ROOMMATES AND SISTERS IN LAW. 483 00:18:08,848 --> 00:18:12,283 THEY PREY ON COLLEGE ROOMMATES AND SISTERS IN LAW. >> THEY SELL YOU ON A ONE DAY. 484 00:18:12,285 --> 00:18:14,118 AND SISTERS IN LAW. >> THEY SELL YOU ON A ONE DAY. THE BUT FOR 18 MONTHS, I WAS 485 00:18:14,120 --> 00:18:16,420 >> THEY SELL YOU ON A ONE DAY. THE BUT FOR 18 MONTHS, I WAS FULLY SUCKED IN. 486 00:18:16,422 --> 00:18:17,655 THE BUT FOR 18 MONTHS, I WAS FULLY SUCKED IN. >> THERE WAS AN EMAIL CHAIN, 487 00:18:17,657 --> 00:18:19,790 FULLY SUCKED IN. >> THERE WAS AN EMAIL CHAIN, GROUP TEXTS, DM, A WHOLE 488 00:18:19,792 --> 00:18:21,425 >> THERE WAS AN EMAIL CHAIN, GROUP TEXTS, DM, A WHOLE CONVERSATION AND VENMO. 489 00:18:21,427 --> 00:18:23,928 GROUP TEXTS, DM, A WHOLE CONVERSATION AND VENMO. >> GOT PULLED INTO A 200 490 00:18:23,930 --> 00:18:25,563 CONVERSATION AND VENMO. >> GOT PULLED INTO A 200 QUESTION POLL ABOUT CUSTOMIZED 491 00:18:25,565 --> 00:18:25,896 >> GOT PULLED INTO A 200 QUESTION POLL ABOUT CUSTOMIZED SHIRTS. 492 00:18:25,898 --> 00:18:28,532 QUESTION POLL ABOUT CUSTOMIZED SHIRTS. WE ENDED UP GOING WITH BRIDE 493 00:18:28,534 --> 00:18:28,866 SHIRTS. WE ENDED UP GOING WITH BRIDE TRIBE. 494 00:18:28,868 --> 00:18:30,568 WE ENDED UP GOING WITH BRIDE TRIBE. >> THEY ALSO TARGET ANOTHER 495 00:18:30,570 --> 00:18:32,703 TRIBE. >> THEY ALSO TARGET ANOTHER VULNERABLE GROUP, OUTGOING GAY 496 00:18:32,705 --> 00:18:33,003 >> THEY ALSO TARGET ANOTHER VULNERABLE GROUP, OUTGOING GAY MEN. 497 00:18:33,005 --> 00:18:34,872 VULNERABLE GROUP, OUTGOING GAY MEN. >> I HAVE BEEN A BRIDESMAID AT 498 00:18:34,874 --> 00:18:35,940 MEN. >> I HAVE BEEN A BRIDESMAID AT NINE WEDDINGS THIS YEAR. 499 00:18:35,942 --> 00:18:37,174 >> I HAVE BEEN A BRIDESMAID AT NINE WEDDINGS THIS YEAR. WHENEVER A GIRL STARTS CALLING 500 00:18:37,176 --> 00:18:41,645 NINE WEDDINGS THIS YEAR. WHENEVER A GIRL STARTS CALLING ME SIS, I KNOW I'M IN TROUBLE. 501 00:18:41,647 --> 00:18:44,348 WHENEVER A GIRL STARTS CALLING ME SIS, I KNOW I'M IN TROUBLE. >> THE BACHELORETTE PARTY IS THE 502 00:18:44,350 --> 00:18:45,482 ME SIS, I KNOW I'M IN TROUBLE. >> THE BACHELORETTE PARTY IS THE FIRST MAJOR RITUAL, ALMOST 503 00:18:45,484 --> 00:18:46,317 >> THE BACHELORETTE PARTY IS THE FIRST MAJOR RITUAL, ALMOST ALWAYS IN NASHVILLE. 504 00:18:46,319 --> 00:18:48,052 FIRST MAJOR RITUAL, ALMOST ALWAYS IN NASHVILLE. >> I TRY TODAY SAY I COULDN'T GO 505 00:18:48,054 --> 00:18:49,119 ALWAYS IN NASHVILLE. >> I TRY TODAY SAY I COULDN'T GO BECAUSE OF MY STUDENT LOANS. 506 00:18:49,121 --> 00:18:51,655 >> I TRY TODAY SAY I COULDN'T GO BECAUSE OF MY STUDENT LOANS. THE MAID OF HONOR TEXTED BACK, 507 00:18:51,657 --> 00:18:55,693 BECAUSE OF MY STUDENT LOANS. THE MAID OF HONOR TEXTED BACK, NO WORRIES WITH A SPARKLE EMOJI. 508 00:18:55,695 --> 00:18:57,328 THE MAID OF HONOR TEXTED BACK, NO WORRIES WITH A SPARKLE EMOJI. I KNEW WHAT THAT MEANT. 509 00:18:57,330 --> 00:19:00,664 NO WORRIES WITH A SPARKLE EMOJI. I KNEW WHAT THAT MEANT. >> AT FIRST, I THOUGHT IT WAS 510 00:19:00,666 --> 00:19:01,432 I KNEW WHAT THAT MEANT. >> AT FIRST, I THOUGHT IT WAS THE BRIDE IN CHARGE, BUT IT WAS 511 00:19:01,434 --> 00:19:03,767 >> AT FIRST, I THOUGHT IT WAS THE BRIDE IN CHARGE, BUT IT WAS THE WOMAN UNDER HER, MICHELLE. 512 00:19:03,769 --> 00:19:05,569 THE BRIDE IN CHARGE, BUT IT WAS THE WOMAN UNDER HER, MICHELLE. >> MICHELLE WAS A SOCIOPATH. 513 00:19:05,571 --> 00:19:07,438 THE WOMAN UNDER HER, MICHELLE. >> MICHELLE WAS A SOCIOPATH. >> FIRST, WE'RE GOING TO BE 514 00:19:07,440 --> 00:19:09,874 >> MICHELLE WAS A SOCIOPATH. >> FIRST, WE'RE GOING TO BE GETTING UP AT 6:00 A.M. FOR A 515 00:19:09,876 --> 00:19:13,177 >> FIRST, WE'RE GOING TO BE GETTING UP AT 6:00 A.M. FOR A POLL DANCE FITNESS CLASS. 516 00:19:13,179 --> 00:19:15,346 GETTING UP AT 6:00 A.M. FOR A POLL DANCE FITNESS CLASS. WE'RE GOING TO BE RUNNING A NINE 517 00:19:15,348 --> 00:19:17,548 POLL DANCE FITNESS CLASS. WE'RE GOING TO BE RUNNING A NINE BIKE PERSON, AND DRINKING, 518 00:19:17,550 --> 00:19:18,082 WE'RE GOING TO BE RUNNING A NINE BIKE PERSON, AND DRINKING, DRINKING, DRINKING. 519 00:19:18,084 --> 00:19:19,750 BIKE PERSON, AND DRINKING, DRINKING, DRINKING. >> I'M NOT FEELING SO GOOD, SO 520 00:19:19,752 --> 00:19:21,952 DRINKING, DRINKING. >> I'M NOT FEELING SO GOOD, SO I'M GOING TO MEET YOU GUYS 521 00:19:21,954 --> 00:19:22,286 >> I'M NOT FEELING SO GOOD, SO I'M GOING TO MEET YOU GUYS LATER. 522 00:19:22,288 --> 00:19:23,821 I'M GOING TO MEET YOU GUYS LATER. >> OH, THAT'S OKAY. 523 00:19:23,823 --> 00:19:27,291 LATER. >> OH, THAT'S OKAY. HEY, BRITTANY, CAN WE TALK FOR A 524 00:19:27,293 --> 00:19:27,691 >> OH, THAT'S OKAY. HEY, BRITTANY, CAN WE TALK FOR A SEC? 525 00:19:27,693 --> 00:19:29,159 HEY, BRITTANY, CAN WE TALK FOR A SEC? >> I DON'T HAVE MANY MEMORIES 526 00:19:29,161 --> 00:19:30,494 SEC? >> I DON'T HAVE MANY MEMORIES FROM THE BACHELORETTE TRIP 527 00:19:30,496 --> 00:19:33,163 >> I DON'T HAVE MANY MEMORIES FROM THE BACHELORETTE TRIP BECAUSE I WAS DRUGGED BY MYSELF. 528 00:19:33,165 --> 00:19:35,199 FROM THE BACHELORETTE TRIP BECAUSE I WAS DRUGGED BY MYSELF. I HAD NO CHOICE. 529 00:19:35,201 --> 00:19:36,934 BECAUSE I WAS DRUGGED BY MYSELF. I HAD NO CHOICE. THESE WOMEN WERE TERRORIZING 530 00:19:36,936 --> 00:19:38,068 I HAD NO CHOICE. THESE WOMEN WERE TERRORIZING EVERY GAY BAR IN TOWN. 531 00:19:38,070 --> 00:19:41,605 THESE WOMEN WERE TERRORIZING EVERY GAY BAR IN TOWN. >> AS WITH ALL CULTS, THERE IS A 532 00:19:41,607 --> 00:19:42,139 EVERY GAY BAR IN TOWN. >> AS WITH ALL CULTS, THERE IS A FINANCIAL ELEMENT. 533 00:19:42,141 --> 00:19:46,310 >> AS WITH ALL CULTS, THERE IS A FINANCIAL ELEMENT. >> I SPENT $300 ON A BRIDESMAID 534 00:19:46,312 --> 00:19:46,610 FINANCIAL ELEMENT. >> I SPENT $300 ON A BRIDESMAID DRESS. 535 00:19:46,612 --> 00:19:47,978 >> I SPENT $300 ON A BRIDESMAID DRESS. THE BRIDES I'VE TRIED OTHER 536 00:19:47,980 --> 00:19:50,948 DRESS. THE BRIDES I'VE TRIED OTHER TIMES TO WEAR IT. 537 00:19:50,950 --> 00:19:54,285 THE BRIDES I'VE TRIED OTHER TIMES TO WEAR IT. WHERE AM I GOING THAT CALLS FOR 538 00:19:54,287 --> 00:19:56,120 TIMES TO WEAR IT. WHERE AM I GOING THAT CALLS FOR A BLUE CHIFFON GOWN? 539 00:19:56,122 --> 00:19:57,955 WHERE AM I GOING THAT CALLS FOR A BLUE CHIFFON GOWN? >> MORE MONEY, MORE GIFTS, THERE 540 00:19:57,957 --> 00:20:00,224 A BLUE CHIFFON GOWN? >> MORE MONEY, MORE GIFTS, THERE WAS ALL THIS PENIS STUFF, 541 00:20:00,226 --> 00:20:02,159 >> MORE MONEY, MORE GIFTS, THERE WAS ALL THIS PENIS STUFF, SASHES, STRAWS, EVERYONE ACTED 542 00:20:02,161 --> 00:20:03,928 WAS ALL THIS PENIS STUFF, SASHES, STRAWS, EVERYONE ACTED LIKE IT WAS HILARIOUS. 543 00:20:03,930 --> 00:20:04,495 SASHES, STRAWS, EVERYONE ACTED LIKE IT WAS HILARIOUS. I DIDN'T UNDERSTAND. 544 00:20:04,497 --> 00:20:06,230 LIKE IT WAS HILARIOUS. I DIDN'T UNDERSTAND. >> THE PENIS STUFF IS VERY 545 00:20:06,232 --> 00:20:06,530 I DIDN'T UNDERSTAND. >> THE PENIS STUFF IS VERY FUNNY. 546 00:20:06,532 --> 00:20:08,132 >> THE PENIS STUFF IS VERY FUNNY. I WILL SAY THAT. 547 00:20:08,134 --> 00:20:10,467 FUNNY. I WILL SAY THAT. >> AND FINALLY, IT WAS TIME FOR 548 00:20:10,469 --> 00:20:10,901 I WILL SAY THAT. >> AND FINALLY, IT WAS TIME FOR THE BIG DAY. 549 00:20:10,903 --> 00:20:13,203 >> AND FINALLY, IT WAS TIME FOR THE BIG DAY. >> I WAS SEPARATED FROM MY 550 00:20:13,205 --> 00:20:15,406 THE BIG DAY. >> I WAS SEPARATED FROM MY BOYFRIEND AND GIVEN A NEW 551 00:20:15,408 --> 00:20:18,542 >> I WAS SEPARATED FROM MY BOYFRIEND AND GIVEN A NEW PARTNER, THE GROOM'S COUSIN 552 00:20:18,544 --> 00:20:21,512 BOYFRIEND AND GIVEN A NEW PARTNER, THE GROOM'S COUSIN DONNY, WHO WAS INEXPLICABLY 61. 553 00:20:21,514 --> 00:20:26,016 PARTNER, THE GROOM'S COUSIN DONNY, WHO WAS INEXPLICABLY 61. >> FINAL RITUAL WAS THE MOST 554 00:20:26,018 --> 00:20:26,383 DONNY, WHO WAS INEXPLICABLY 61. >> FINAL RITUAL WAS THE MOST DEMEANING. 555 00:20:26,385 --> 00:20:28,485 >> FINAL RITUAL WAS THE MOST DEMEANING. WE HAD TO WRITE AND PERFORM 556 00:20:28,487 --> 00:20:33,590 DEMEANING. WE HAD TO WRITE AND PERFORM ORIGINAL LYRICS TO FRESH PRINCE 557 00:20:33,592 --> 00:20:37,194 WE HAD TO WRITE AND PERFORM ORIGINAL LYRICS TO FRESH PRINCE OF BELAIR. 558 00:20:37,196 --> 00:20:39,229 ORIGINAL LYRICS TO FRESH PRINCE OF BELAIR. >> AND THEN, ALL OF A SUDDEN, IT 559 00:20:39,231 --> 00:20:40,531 OF BELAIR. >> AND THEN, ALL OF A SUDDEN, IT WAS OVER. 560 00:20:40,533 --> 00:20:43,968 >> AND THEN, ALL OF A SUDDEN, IT WAS OVER. BUT I JUST GOT ENGAGED. 561 00:20:43,970 --> 00:20:45,069 WAS OVER. BUT I JUST GOT ENGAGED. DON'T WORRY. 562 00:20:45,071 --> 00:20:45,769 BUT I JUST GOT ENGAGED. DON'T WORRY. I'M GOING TO BE SUCH A CHILL 563 00:20:45,771 --> 00:20:52,743 DON'T WORRY. I'M GOING TO BE SUCH A CHILL BRIDE. 564 00:20:52,745 --> 00:20:56,714 I'M GOING TO BE SUCH A CHILL BRIDE. >>> IT'S TIME FOR COUPLE WARS 565 00:20:56,716 --> 00:21:01,118 BRIDE. >>> IT'S TIME FOR COUPLE WARS WITH YOUR HOST, BOB DABILDA. 566 00:21:01,120 --> 00:21:04,154 >>> IT'S TIME FOR COUPLE WARS WITH YOUR HOST, BOB DABILDA. >> WELCOME TO COUPLE GOALS. 567 00:21:04,156 --> 00:21:06,557 WITH YOUR HOST, BOB DABILDA. >> WELCOME TO COUPLE GOALS. LET'S MEET TODAY'S CONTESTANTS. 568 00:21:06,559 --> 00:21:10,794 >> WELCOME TO COUPLE GOALS. LET'S MEET TODAY'S CONTESTANTS. THEY RECENTLY CELEBRATED THEIR 569 00:21:10,796 --> 00:21:11,495 LET'S MEET TODAY'S CONTESTANTS. THEY RECENTLY CELEBRATED THEIR TEN-YEAR ANNIVERSARY, IT'S 570 00:21:11,497 --> 00:21:12,930 THEY RECENTLY CELEBRATED THEIR TEN-YEAR ANNIVERSARY, IT'S THOMAS AND MIA ANDERSON. 571 00:21:12,932 --> 00:21:15,199 TEN-YEAR ANNIVERSARY, IT'S THOMAS AND MIA ANDERSON. AND THEY LIVED ACROSS FROM EACH 572 00:21:15,201 --> 00:21:18,135 THOMAS AND MIA ANDERSON. AND THEY LIVED ACROSS FROM EACH OTHER DURING THE PANDEMIC, IT'S 573 00:21:18,137 --> 00:21:19,870 AND THEY LIVED ACROSS FROM EACH OTHER DURING THE PANDEMIC, IT'S JOHN AND LINDA CRONIN. 574 00:21:19,872 --> 00:21:20,738 OTHER DURING THE PANDEMIC, IT'S JOHN AND LINDA CRONIN. LET'S GET STARTED. 575 00:21:20,740 --> 00:21:22,639 JOHN AND LINDA CRONIN. LET'S GET STARTED. AS YOU KNOW, YOUR SPOUSES 576 00:21:22,641 --> 00:21:23,874 LET'S GET STARTED. AS YOU KNOW, YOUR SPOUSES ANSWERED A SERIES OF QUESTIONS 577 00:21:23,876 --> 00:21:25,642 AS YOU KNOW, YOUR SPOUSES ANSWERED A SERIES OF QUESTIONS BEFORE THE SHOW, AND IT'S UP TO 578 00:21:25,644 --> 00:21:27,478 ANSWERED A SERIES OF QUESTIONS BEFORE THE SHOW, AND IT'S UP TO YOU TO GUESS WHAT THEY SAID. 579 00:21:27,480 --> 00:21:29,680 BEFORE THE SHOW, AND IT'S UP TO YOU TO GUESS WHAT THEY SAID. QUESTION ONE, WHAT WAS YOUR 580 00:21:29,682 --> 00:21:30,881 YOU TO GUESS WHAT THEY SAID. QUESTION ONE, WHAT WAS YOUR WIFE'S FAVORITE FOOD? 581 00:21:30,883 --> 00:21:33,250 QUESTION ONE, WHAT WAS YOUR WIFE'S FAVORITE FOOD? >> COME ON, BOB, THAT'S EASY. 582 00:21:33,252 --> 00:21:34,952 WIFE'S FAVORITE FOOD? >> COME ON, BOB, THAT'S EASY. SHE'S THE QUEEN OF BURGERS. 583 00:21:34,954 --> 00:21:36,520 >> COME ON, BOB, THAT'S EASY. SHE'S THE QUEEN OF BURGERS. >> LET'S SEE WHAT MIA SAID. 584 00:21:36,522 --> 00:21:37,888 SHE'S THE QUEEN OF BURGERS. >> LET'S SEE WHAT MIA SAID. >> BURGERS. 585 00:21:37,890 --> 00:21:39,189 >> LET'S SEE WHAT MIA SAID. >> BURGERS. I'M THE BURGER QUEEN. 586 00:21:39,191 --> 00:21:39,890 >> BURGERS. I'M THE BURGER QUEEN. >> ALL RIGHT. 587 00:21:39,892 --> 00:21:42,493 I'M THE BURGER QUEEN. >> ALL RIGHT. THE ANDERSONS ARE ON THE BOARD. 588 00:21:42,495 --> 00:21:44,528 >> ALL RIGHT. THE ANDERSONS ARE ON THE BOARD. LET'S GO TO THE CRONINS, JOHN. 589 00:21:44,530 --> 00:21:46,764 THE ANDERSONS ARE ON THE BOARD. LET'S GO TO THE CRONINS, JOHN. >> I'M GOING TO GO WITH MY GUT 590 00:21:46,766 --> 00:21:48,699 LET'S GO TO THE CRONINS, JOHN. >> I'M GOING TO GO WITH MY GUT HERE AND SAY CREPES. 591 00:21:48,701 --> 00:21:52,136 >> I'M GOING TO GO WITH MY GUT HERE AND SAY CREPES. >> OH, NO, I SAID FISH STICKS. 592 00:21:52,138 --> 00:21:53,704 HERE AND SAY CREPES. >> OH, NO, I SAID FISH STICKS. WE'LL GET THEM NEXT TIME, BABE. 593 00:21:53,706 --> 00:21:54,805 >> OH, NO, I SAID FISH STICKS. WE'LL GET THEM NEXT TIME, BABE. >> QUESTION TWO. 594 00:21:54,807 --> 00:21:57,574 WE'LL GET THEM NEXT TIME, BABE. >> QUESTION TWO. WHAT IS YOUR HUSBAND'S GREATEST 595 00:21:57,576 --> 00:21:57,875 >> QUESTION TWO. WHAT IS YOUR HUSBAND'S GREATEST FEAR? 596 00:21:57,877 --> 00:21:59,843 WHAT IS YOUR HUSBAND'S GREATEST FEAR? >> I'VE SEEN THIS MAN IN THE 597 00:21:59,845 --> 00:22:01,779 FEAR? >> I'VE SEEN THIS MAN IN THE GARAGE, ANDND TRUST ME, THE ANSR 598 00:22:01,781 --> 00:22:03,313 >> I'VE SEEN THIS MAN IN THE GARAGE, ANDND TRUST ME, THE ANSR IS SPIDERS. 599 00:22:03,315 --> 00:22:04,648 GARAGE, ANDND TRUST ME, THE ANSR IS SPIDERS. >> ALL RIGHT. 600 00:22:04,650 --> 00:22:06,483 IS SPIDERS. >> ALL RIGHT. MIA SAID SPIDERS, AND THOMAS 601 00:22:06,485 --> 00:22:08,786 >> ALL RIGHT. MIA SAID SPIDERS, AND THOMAS SAID HIS GREATEST FEAR IS -- 602 00:22:08,788 --> 00:22:09,987 MIA SAID SPIDERS, AND THOMAS SAID HIS GREATEST FEAR IS -- THAT YOU'LL FALL DOWN THE STAIRS 603 00:22:09,989 --> 00:22:12,423 SAID HIS GREATEST FEAR IS -- THAT YOU'LL FALL DOWN THE STAIRS AND GET HURT SO BAD THAT I HAVE 604 00:22:12,425 --> 00:22:14,425 THAT YOU'LL FALL DOWN THE STAIRS AND GET HURT SO BAD THAT I HAVE TO GIVE UP MY DREAMS AND SPEND 605 00:22:14,427 --> 00:22:19,496 AND GET HURT SO BAD THAT I HAVE TO GIVE UP MY DREAMS AND SPEND THE REST OF MY LIFE CARING FOR 606 00:22:19,498 --> 00:22:19,763 TO GIVE UP MY DREAMS AND SPEND THE REST OF MY LIFE CARING FOR YOU. 607 00:22:19,765 --> 00:22:20,030 THE REST OF MY LIFE CARING FOR YOU. WOW. 608 00:22:20,032 --> 00:22:21,765 YOU. WOW. SO NO POINTS ON THAT ONE. 609 00:22:21,767 --> 00:22:24,001 WOW. SO NO POINTS ON THAT ONE. >> THAT'S YOUR BIGGEST FEAR? 610 00:22:24,003 --> 00:22:27,271 SO NO POINTS ON THAT ONE. >> THAT'S YOUR BIGGEST FEAR? >> SPIDERS, YEAH. 611 00:22:27,273 --> 00:22:28,272 >> THAT'S YOUR BIGGEST FEAR? >> SPIDERS, YEAH. SHOULD HAVE SAID SPIDERS. 612 00:22:28,274 --> 00:22:29,339 >> SPIDERS, YEAH. SHOULD HAVE SAID SPIDERS. >> OKAY. 613 00:22:29,341 --> 00:22:31,642 SHOULD HAVE SAID SPIDERS. >> OKAY. MOVING ON TO THE CRONINS. 614 00:22:31,644 --> 00:22:33,143 >> OKAY. MOVING ON TO THE CRONINS. LINDA, WHAT IS YOUR HUSBAND'S 615 00:22:33,145 --> 00:22:33,577 MOVING ON TO THE CRONINS. LINDA, WHAT IS YOUR HUSBAND'S GREATEST FEAR? 616 00:22:33,579 --> 00:22:35,746 LINDA, WHAT IS YOUR HUSBAND'S GREATEST FEAR? >> OH, I GOT THIS. 617 00:22:35,748 --> 00:22:36,847 GREATEST FEAR? >> OH, I GOT THIS. IT'S AIRPLANES. 618 00:22:36,849 --> 00:22:38,415 >> OH, I GOT THIS. IT'S AIRPLANES. >> NO, HONEY. 619 00:22:38,417 --> 00:22:39,149 IT'S AIRPLANES. >> NO, HONEY. IT'S SNAKES. 620 00:22:39,151 --> 00:22:39,516 >> NO, HONEY. IT'S SNAKES. REMEMBER? 621 00:22:39,518 --> 00:22:39,817 IT'S SNAKES. REMEMBER? >> OH. 622 00:22:39,819 --> 00:22:43,153 REMEMBER? >> OH. SO CLOSE. 623 00:22:43,155 --> 00:22:46,223 >> OH. SO CLOSE. >> WAS IT, THOUGH? 624 00:22:46,225 --> 00:22:46,924 SO CLOSE. >> WAS IT, THOUGH? WAS IT? 625 00:22:46,926 --> 00:22:47,958 >> WAS IT, THOUGH? WAS IT? >> OKAY. 626 00:22:47,960 --> 00:22:48,659 WAS IT? >> OKAY. NEXT QUESTION. 627 00:22:48,661 --> 00:22:50,160 >> OKAY. NEXT QUESTION. WHAT'S SOMETHING YOU DO IN BED 628 00:22:50,162 --> 00:22:54,264 NEXT QUESTION. WHAT'S SOMETHING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE. 629 00:22:54,266 --> 00:22:55,365 WHAT'S SOMETHING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE. MIA? 630 00:22:55,367 --> 00:22:55,799 THAT YOUR HUSBAND DOES NOT LIKE. MIA? 631 00:22:55,801 --> 00:22:58,936 MIA? >> WELL, THIS IS EMBARRASSING, 632 00:22:58,938 --> 00:23:01,171 >> WELL, THIS IS EMBARRASSING, BUT KISSING HIM BEFORE I BRUSH 633 00:23:01,173 --> 00:23:01,572 >> WELL, THIS IS EMBARRASSING, BUT KISSING HIM BEFORE I BRUSH MY TEETH. 634 00:23:01,574 --> 00:23:03,207 BUT KISSING HIM BEFORE I BRUSH MY TEETH. >> AND THOMAS SAID, SLEEP TOO 635 00:23:03,209 --> 00:23:04,041 MY TEETH. >> AND THOMAS SAID, SLEEP TOO CLOSE TO THE EDGE. 636 00:23:04,043 --> 00:23:05,676 >> AND THOMAS SAID, SLEEP TOO CLOSE TO THE EDGE. >> THOMAS, YOU THINK I'M GOING 637 00:23:05,678 --> 00:23:08,812 CLOSE TO THE EDGE. >> THOMAS, YOU THINK I'M GOING TO FALL OUT OF BED AND BREAK MY 638 00:23:08,814 --> 00:23:09,146 >> THOMAS, YOU THINK I'M GOING TO FALL OUT OF BED AND BREAK MY NECK? 639 00:23:09,148 --> 00:23:09,847 TO FALL OUT OF BED AND BREAK MY NECK? >> WHAT'S THE NEXT QUESTION, 640 00:23:09,849 --> 00:23:12,316 NECK? >> WHAT'S THE NEXT QUESTION, MAN? 641 00:23:12,318 --> 00:23:13,884 >> WHAT'S THE NEXT QUESTION, MAN? >> OVER TO LINDA. 642 00:23:13,886 --> 00:23:15,352 MAN? >> OVER TO LINDA. WHAT'S ONE THING YOU DO IN BED 643 00:23:15,354 --> 00:23:17,121 >> OVER TO LINDA. WHAT'S ONE THING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE? 644 00:23:17,123 --> 00:23:18,122 WHAT'S ONE THING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE? >> I WOULD HAVE TO SAY GET ON 645 00:23:18,124 --> 00:23:19,723 THAT YOUR HUSBAND DOES NOT LIKE? >> I WOULD HAVE TO SAY GET ON TOP. 646 00:23:19,725 --> 00:23:24,027 >> I WOULD HAVE TO SAY GET ON TOP. >> OKAY. 647 00:23:24,029 --> 00:23:25,762 TOP. >> OKAY. AND JOHN SAID -- 648 00:23:25,764 --> 00:23:27,798 >> OKAY. AND JOHN SAID -- >> HOG THE SHEETS, BABE. 649 00:23:27,800 --> 00:23:30,300 AND JOHN SAID -- >> HOG THE SHEETS, BABE. >> ONCE AGAIN, THE CRONINS ARE 650 00:23:30,302 --> 00:23:32,536 >> HOG THE SHEETS, BABE. >> ONCE AGAIN, THE CRONINS ARE NOT REMOTELY ON THE SAME PAGE. 651 00:23:32,538 --> 00:23:34,238 >> ONCE AGAIN, THE CRONINS ARE NOT REMOTELY ON THE SAME PAGE. NEXT QUESTION FOR THE ANDERSONS. 652 00:23:34,240 --> 00:23:34,905 NOT REMOTELY ON THE SAME PAGE. NEXT QUESTION FOR THE ANDERSONS. WHAT WAS YOUR BIGGEST FIGHT 653 00:23:34,907 --> 00:23:36,573 NEXT QUESTION FOR THE ANDERSONS. WHAT WAS YOUR BIGGEST FIGHT ABOUT? 654 00:23:36,575 --> 00:23:38,208 WHAT WAS YOUR BIGGEST FIGHT ABOUT? >> OH, I KNOW THIS ONE. 655 00:23:38,210 --> 00:23:39,443 ABOUT? >> OH, I KNOW THIS ONE. THAT WOULD BE THE BASKETBALL 656 00:23:39,445 --> 00:23:40,410 >> OH, I KNOW THIS ONE. THAT WOULD BE THE BASKETBALL GAME INCIDENT. 657 00:23:40,412 --> 00:23:40,911 THAT WOULD BE THE BASKETBALL GAME INCIDENT. >> OKAY. 658 00:23:40,913 --> 00:23:42,946 GAME INCIDENT. >> OKAY. THOMAS SAYS THE BASKETBALL GAME 659 00:23:42,948 --> 00:23:45,015 >> OKAY. THOMAS SAYS THE BASKETBALL GAME INCIDENT, AND MIA SAYS -- THE 660 00:23:45,017 --> 00:23:47,317 THOMAS SAYS THE BASKETBALL GAME INCIDENT, AND MIA SAYS -- THE TIME I HIT A HALF COURT SHOT AT 661 00:23:47,319 --> 00:23:49,720 INCIDENT, AND MIA SAYS -- THE TIME I HIT A HALF COURT SHOT AT A BASKETBALL GAME AND THEY GAVE 662 00:23:49,722 --> 00:23:51,188 TIME I HIT A HALF COURT SHOT AT A BASKETBALL GAME AND THEY GAVE ME FREE ROCK CLIMBING LESSONS 663 00:23:51,190 --> 00:23:53,690 A BASKETBALL GAME AND THEY GAVE ME FREE ROCK CLIMBING LESSONS FOR LIFE, AND YOU RAN AND 664 00:23:53,692 --> 00:23:56,793 ME FREE ROCK CLIMBING LESSONS FOR LIFE, AND YOU RAN AND RIPPED UP THE CERTIFICATE IN 665 00:23:56,795 --> 00:23:58,328 FOR LIFE, AND YOU RAN AND RIPPED UP THE CERTIFICATE IN FRONT OF THE WHOLE STADIUM. 666 00:23:58,330 --> 00:24:00,197 RIPPED UP THE CERTIFICATE IN FRONT OF THE WHOLE STADIUM. FIVE POINTS FOR THE ANDERSONS. 667 00:24:00,199 --> 00:24:02,900 FRONT OF THE WHOLE STADIUM. FIVE POINTS FOR THE ANDERSONS. >> WE RUNNINGY IT NOW, 668 00:24:02,902 --> 00:24:03,934 FIVE POINTS FOR THE ANDERSONS. >> WE RUNNINGY IT NOW, HUH, BABY? 669 00:24:03,936 --> 00:24:05,769 >> WE RUNNINGY IT NOW, HUH, BABY? >> THAT SOUND MEANS IT'S TIME 670 00:24:05,771 --> 00:24:07,204 HUH, BABY? >> THAT SOUND MEANS IT'S TIME FOR A BONUS QUESTION. 671 00:24:07,206 --> 00:24:09,806 >> THAT SOUND MEANS IT'S TIME FOR A BONUS QUESTION. WHO HAS HAD THE BIGGEST 672 00:24:09,808 --> 00:24:11,208 FOR A BONUS QUESTION. WHO HAS HAD THE BIGGEST INFLUENCE ON YOUR HUSBAND'S 673 00:24:11,210 --> 00:24:12,209 WHO HAS HAD THE BIGGEST INFLUENCE ON YOUR HUSBAND'S LIFE? 674 00:24:12,211 --> 00:24:12,676 INFLUENCE ON YOUR HUSBAND'S LIFE? >> HIS FATHER. 675 00:24:12,678 --> 00:24:13,010 LIFE? >> HIS FATHER. >> YEP. 676 00:24:13,012 --> 00:24:14,878 >> HIS FATHER. >> YEP. MY DAD. 677 00:24:14,880 --> 00:24:16,713 >> YEP. MY DAD. MY PARENTS ARE ACTUALLY HERE 678 00:24:16,715 --> 00:24:17,014 MY DAD. MY PARENTS ARE ACTUALLY HERE TODAY. 679 00:24:17,016 --> 00:24:18,015 MY PARENTS ARE ACTUALLY HERE TODAY. HOW AM I DOING, DAD? 680 00:24:18,017 --> 00:24:29,493 TODAY. HOW AM I DOING, DAD? >> YOU'RE DOING GREAT, SON. 681 00:24:29,495 --> 00:24:33,564 HOW AM I DOING, DAD? >> YOU'RE DOING GREAT, SON. >> BACK TO LINDA. 682 00:24:33,566 --> 00:24:35,832 >> YOU'RE DOING GREAT, SON. >> BACK TO LINDA. WHAT IS YOUR HUSBAND'S DREAM 683 00:24:35,834 --> 00:24:36,266 >> BACK TO LINDA. WHAT IS YOUR HUSBAND'S DREAM VACATION? 684 00:24:36,268 --> 00:24:36,733 WHAT IS YOUR HUSBAND'S DREAM VACATION? >> I DON'T KNOW. 685 00:24:36,735 --> 00:24:40,504 VACATION? >> I DON'T KNOW. >> YEAH.RLD? 686 00:24:40,506 --> 00:24:41,605 >> I DON'T KNOW. >> YEAH.RLD? WORLD. 687 00:24:41,607 --> 00:24:42,739 >> YEAH.RLD? WORLD. NO, YOU IDIOT. 688 00:24:42,741 --> 00:24:44,474 WORLD. NO, YOU IDIOT. I JUST SAID I DON'T LIKE SNAKES. 689 00:24:44,476 --> 00:24:46,977 NO, YOU IDIOT. I JUST SAID I DON'T LIKE SNAKES. >> OOH, CALLING YOUR SPOUSE AN 690 00:24:46,979 --> 00:24:48,245 I JUST SAID I DON'T LIKE SNAKES. >> OOH, CALLING YOUR SPOUSE AN IDIOT AND LOSE A TURN. 691 00:24:48,247 --> 00:24:49,947 >> OOH, CALLING YOUR SPOUSE AN IDIOT AND LOSE A TURN. ALL RIGHT. 692 00:24:49,949 --> 00:24:52,082 IDIOT AND LOSE A TURN. ALL RIGHT. MIA, WHAT'S YOUR HUSBAND'S DREAM 693 00:24:52,084 --> 00:24:52,449 ALL RIGHT. MIA, WHAT'S YOUR HUSBAND'S DREAM VACATION. 694 00:24:52,451 --> 00:24:53,884 MIA, WHAT'S YOUR HUSBAND'S DREAM VACATION. >> AT THIS POINT, WHO KNOWS, BUT 695 00:24:53,886 --> 00:24:55,819 VACATION. >> AT THIS POINT, WHO KNOWS, BUT HE ALWAYS SAID ARUBA. 696 00:24:55,821 --> 00:24:56,153 >> AT THIS POINT, WHO KNOWS, BUT HE ALWAYS SAID ARUBA. >> YES. 697 00:24:56,155 --> 00:24:58,822 HE ALWAYS SAID ARUBA. >> YES. YES, BABY. 698 00:24:58,824 --> 00:24:59,723 >> YES. YES, BABY. >> FINALLY. 699 00:24:59,725 --> 00:25:01,391 YES, BABY. >> FINALLY. THERE'S THE MAN I MARRIED. 700 00:25:01,393 --> 00:25:02,292 >> FINALLY. THERE'S THE MAN I MARRIED. >> UH-HUH. 701 00:25:02,294 --> 00:25:04,828 THERE'S THE MAN I MARRIED. >> UH-HUH. AND WHAT'S THAT LITTLE ASHTRAY? 702 00:25:04,830 --> 00:25:08,632 >> UH-HUH. AND WHAT'S THAT LITTLE ASHTRAY? >> OH, THAT'S JUST THIS. 703 00:25:08,634 --> 00:25:11,201 AND WHAT'S THAT LITTLE ASHTRAY? >> OH, THAT'S JUST THIS. >> AS LONG AS YOU'RE STILL 704 00:25:11,203 --> 00:25:11,602 >> OH, THAT'S JUST THIS. >> AS LONG AS YOU'RE STILL HEALTHY. 705 00:25:11,604 --> 00:25:15,872 >> AS LONG AS YOU'RE STILL HEALTHY. IF NOT, THEN BIG SURF WITH YOUR 706 00:25:15,874 --> 00:25:16,206 HEALTHY. IF NOT, THEN BIG SURF WITH YOUR SISTER. 707 00:25:16,208 --> 00:25:18,442 IF NOT, THEN BIG SURF WITH YOUR SISTER. AFTER YEARS OF CARING FOR YOU 708 00:25:18,444 --> 00:25:19,409 SISTER. AFTER YEARS OF CARING FOR YOU TOGETHER, WE WILL HAVE GROWN 709 00:25:19,411 --> 00:25:21,578 AFTER YEARS OF CARING FOR YOU TOGETHER, WE WILL HAVE GROWN CLOSE IN A WAY WE NEVER 710 00:25:21,580 --> 00:25:23,647 TOGETHER, WE WILL HAVE GROWN CLOSE IN A WAY WE NEVER EXPECTED, AND WHEN WE FINALLY 711 00:25:23,649 --> 00:25:25,849 CLOSE IN A WAY WE NEVER EXPECTED, AND WHEN WE FINALLY CLIMAX TOGETHER UNDER THE 712 00:25:25,851 --> 00:25:27,317 EXPECTED, AND WHEN WE FINALLY CLIMAX TOGETHER UNDER THE REDWOODS, WE'LL HOLD EACH OTHER 713 00:25:27,319 --> 00:25:29,720 CLIMAX TOGETHER UNDER THE REDWOODS, WE'LL HOLD EACH OTHER AND WEEP, NOT JUST BECAUSE THE 714 00:25:29,722 --> 00:25:31,054 REDWOODS, WE'LL HOLD EACH OTHER AND WEEP, NOT JUST BECAUSE THE PLEASURE IS SO INTENSE BUT 715 00:25:31,056 --> 00:25:33,590 AND WEEP, NOT JUST BECAUSE THE PLEASURE IS SO INTENSE BUT BECAUSE WE FINALLY FEEL RELIEF 716 00:25:33,592 --> 00:25:35,392 PLEASURE IS SO INTENSE BUT BECAUSE WE FINALLY FEEL RELIEF FROM OUR TRAGICALLY SHARED 717 00:25:35,394 --> 00:25:35,759 BECAUSE WE FINALLY FEEL RELIEF FROM OUR TRAGICALLY SHARED BURDEN. 718 00:25:35,761 --> 00:25:40,130 FROM OUR TRAGICALLY SHARED BURDEN. WELL, YOU BOTH SAID ARUBA, THAT 719 00:25:40,132 --> 00:25:41,431 BURDEN. WELL, YOU BOTH SAID ARUBA, THAT FIVE POINTS PUTS YOU OVER THE 720 00:25:41,433 --> 00:25:42,332 WELL, YOU BOTH SAID ARUBA, THAT FIVE POINTS PUTS YOU OVER THE TOP. 721 00:25:42,334 --> 00:25:43,567 FIVE POINTS PUTS YOU OVER THE TOP. ANDERSONS, YOU HAVE WON OUR 722 00:25:43,569 --> 00:25:44,001 TOP. ANDERSONS, YOU HAVE WON OUR GRAND PRIZE. 723 00:25:44,003 --> 00:25:45,335 ANDERSONS, YOU HAVE WON OUR GRAND PRIZE. >> WAIT, WE DID? 724 00:25:45,337 --> 00:25:46,937 GRAND PRIZE. >> WAIT, WE DID? >> WE WON, BABY. 725 00:25:46,939 --> 00:25:50,440 >> WAIT, WE DID? >> WE WON, BABY. >> AND THAT IS AN ALL EXPENSES 726 00:25:50,442 --> 00:25:53,310 >> WE WON, BABY. >> AND THAT IS AN ALL EXPENSES PAID TRIP TO BALI'S TEMPLE OF A 727 00:25:53,312 --> 00:25:53,777 >> AND THAT IS AN ALL EXPENSES PAID TRIP TO BALI'S TEMPLE OF A THOUSAND STEPS. 728 00:25:53,779 --> 00:25:58,282 PAID TRIP TO BALI'S TEMPLE OF A THOUSAND STEPS. >> NO! 729 00:26:26,944 --> 00:26:37,554 SHE ALMOST PLOWED INTO US. LUNATIC. >> OH, MY GOD, DAD, DON'T BE SO 730 00:26:37,556 --> 00:26:37,921 LUNATIC. >> OH, MY GOD, DAD, DON'T BE SO AWKWARD. 731 00:26:37,923 --> 00:26:39,356 >> OH, MY GOD, DAD, DON'T BE SO AWKWARD. >> SHE ALMOST CAUSED AN ACCIDENT 732 00:26:39,358 --> 00:26:40,123 AWKWARD. >> SHE ALMOST CAUSED AN ACCIDENT JUST TO SIT THERE IN BUMPER TO 733 00:26:40,125 --> 00:26:43,226 >> SHE ALMOST CAUSED AN ACCIDENT JUST TO SIT THERE IN BUMPER TO BUMPER TRAFFIC. 734 00:26:43,228 --> 00:26:43,493 JUST TO SIT THERE IN BUMPER TO BUMPER TRAFFIC. HEY! 735 00:26:43,495 --> 00:26:45,962 BUMPER TRAFFIC. HEY! HELLO? 736 00:26:45,964 --> 00:26:47,531 HEY! HELLO? HEY! 737 00:26:47,533 --> 00:26:49,900 HELLO? HEY! HEY! 738 00:26:49,902 --> 00:26:54,104 HEY! HEY! >> WHAT? 739 00:26:54,106 --> 00:26:58,141 HEY! >> WHAT? >> YOU CUT ME OFF. 740 00:26:58,143 --> 00:27:00,410 >> WHAT? >> YOU CUT ME OFF. YOU DRIVE CRAZY. 741 00:27:00,412 --> 00:27:03,080 >> YOU CUT ME OFF. YOU DRIVE CRAZY. >> YOU KNOW WHAT? 742 00:27:03,082 --> 00:27:04,781 YOU DRIVE CRAZY. >> YOU KNOW WHAT? EAT -- EAT ME. 743 00:27:04,783 --> 00:27:06,349 >> YOU KNOW WHAT? EAT -- EAT ME. EAT ME. 744 00:27:06,351 --> 00:27:10,120 EAT -- EAT ME. EAT ME. I HAD MY BLINKER ON. 745 00:27:10,122 --> 00:27:13,690 EAT ME. I HAD MY BLINKER ON. >> THAT'S A LIE. 746 00:27:13,692 --> 00:27:15,392 I HAD MY BLINKER ON. >> THAT'S A LIE. YOU LIE. 747 00:27:15,394 --> 00:27:16,560 >> THAT'S A LIE. YOU LIE. SHAME ON YOU. 748 00:27:16,562 --> 00:27:18,495 YOU LIE. SHAME ON YOU. >> OKAY. 749 00:27:18,497 --> 00:27:19,663 SHAME ON YOU. >> OKAY. EAT -- EAT MY BUTT. 750 00:27:19,665 --> 00:27:23,100 >> OKAY. EAT -- EAT MY BUTT. THIS, ALL OF THIS. 751 00:27:23,102 --> 00:27:29,106 EAT -- EAT MY BUTT. THIS, ALL OF THIS. >> YOU, YOU ARE A SAD WOMAN. 752 00:27:29,108 --> 00:27:32,743 THIS, ALL OF THIS. >> YOU, YOU ARE A SAD WOMAN. YOU, SAD WOMAN. 753 00:27:32,745 --> 00:27:33,777 >> YOU, YOU ARE A SAD WOMAN. YOU, SAD WOMAN. >> OKAY. 754 00:27:33,779 --> 00:27:35,812 YOU, SAD WOMAN. >> OKAY. WELL, WHY DON'T YOU ROLL DOWN 755 00:27:35,814 --> 00:27:36,747 >> OKAY. WELL, WHY DON'T YOU ROLL DOWN YOUR WINDOW AND SAY THAT TO MY 756 00:27:36,749 --> 00:27:39,349 WELL, WHY DON'T YOU ROLL DOWN YOUR WINDOW AND SAY THAT TO MY FACE? 757 00:27:39,351 --> 00:27:43,787 YOUR WINDOW AND SAY THAT TO MY FACE? >> WHY DID YOU MIME A CRANK? 758 00:27:43,789 --> 00:27:47,724 FACE? >> WHY DID YOU MIME A CRANK? NO CARS HAVE THOSE WINDOWS. 759 00:27:47,726 --> 00:27:48,492 >> WHY DID YOU MIME A CRANK? NO CARS HAVE THOSE WINDOWS. POWER WINDOWS NOW. 760 00:27:48,494 --> 00:27:53,230 NO CARS HAVE THOSE WINDOWS. POWER WINDOWS NOW. DO THIS. 761 00:27:53,232 --> 00:27:53,597 POWER WINDOWS NOW. DO THIS. BOOM. 762 00:27:53,599 --> 00:27:54,731 DO THIS. BOOM. THAT'S GOOD. 763 00:27:54,733 --> 00:27:55,031 BOOM. THAT'S GOOD. BOOM. 764 00:27:55,033 --> 00:27:56,433 THAT'S GOOD. BOOM. >> NO. 765 00:27:56,435 --> 00:27:56,700 BOOM. >> NO. NO. 766 00:27:56,702 --> 00:27:59,202 >> NO. NO. THIS IS TOO SMALL. 767 00:27:59,204 --> 00:28:03,140 NO. THIS IS TOO SMALL. IT WOULDN'T READ. 768 00:28:03,142 --> 00:28:03,640 THIS IS TOO SMALL. IT WOULDN'T READ. >> I GUESS. 769 00:28:03,642 --> 00:28:08,979 IT WOULDN'T READ. >> I GUESS. I GUESS. 770 00:28:08,981 --> 00:28:11,114 >> I GUESS. I GUESS. >> YOU -- YOU ARE SCARED BECAUSE 771 00:28:11,116 --> 00:28:11,648 I GUESS. >> YOU -- YOU ARE SCARED BECAUSE YOU AREN'T A MAN. 772 00:28:11,650 --> 00:28:16,453 >> YOU -- YOU ARE SCARED BECAUSE YOU AREN'T A MAN. YOU'RE NOT A BIG MAN. 773 00:28:16,455 --> 00:28:18,288 YOU AREN'T A MAN. YOU'RE NOT A BIG MAN. >> SHUT UP. 774 00:28:18,290 --> 00:28:18,922 YOU'RE NOT A BIG MAN. >> SHUT UP. SHUT UP. 775 00:28:18,924 --> 00:28:21,224 >> SHUT UP. SHUT UP. I AM A MAN. 776 00:28:21,226 --> 00:28:23,593 SHUT UP. I AM A MAN. I'M A VERY STRONG MAN! 777 00:28:23,595 --> 00:28:26,429 I AM A MAN. I'M A VERY STRONG MAN! >> NO, NO. 778 00:28:26,431 --> 00:28:28,832 I'M A VERY STRONG MAN! >> NO, NO. YOU ARE A LITTLE BITCH. 779 00:28:28,834 --> 00:28:33,236 >> NO, NO. YOU ARE A LITTLE BITCH. YOU'RE A LITTLE BITCH. 780 00:28:33,238 --> 00:28:36,206 YOU ARE A LITTLE BITCH. YOU'RE A LITTLE BITCH. >> IS SHE -- IS SHE USING YOU 781 00:28:36,208 --> 00:28:37,674 YOU'RE A LITTLE BITCH. >> IS SHE -- IS SHE USING YOU FOR THE WORD BITCH? 782 00:28:37,676 --> 00:28:40,877 >> IS SHE -- IS SHE USING YOU FOR THE WORD BITCH? >> THAT IS SO MESSED UP. 783 00:28:40,879 --> 00:28:42,012 FOR THE WORD BITCH? >> THAT IS SO MESSED UP. YOU SUCK. 784 00:28:42,014 --> 00:28:42,712 >> THAT IS SO MESSED UP. YOU SUCK. YOU SUCK! 785 00:28:42,714 --> 00:28:48,752 YOU SUCK. YOU SUCK! >> HEY, DON'T -- DON'T DO THAT! 786 00:28:48,754 --> 00:28:49,886 YOU SUCK! >> HEY, DON'T -- DON'T DO THAT! FIRST OF ALL, I DON'T LOVE THAT 787 00:28:49,888 --> 00:28:55,358 >> HEY, DON'T -- DON'T DO THAT! FIRST OF ALL, I DON'T LOVE THAT YOU USED TWO HANDS. 788 00:28:55,360 --> 00:28:57,227 FIRST OF ALL, I DON'T LOVE THAT YOU USED TWO HANDS. SECOND OF ALL, JUST DON'T DO IT. 789 00:28:57,229 --> 00:28:58,361 YOU USED TWO HANDS. SECOND OF ALL, JUST DON'T DO IT. YOU KNOW WHAT? 790 00:28:58,363 --> 00:29:01,898 SECOND OF ALL, JUST DON'T DO IT. YOU KNOW WHAT? YOU KNOW WHAT, BYE. 791 00:29:01,900 --> 00:29:02,499 YOU KNOW WHAT? YOU KNOW WHAT, BYE. BYE. 792 00:29:02,501 --> 00:29:04,367 YOU KNOW WHAT, BYE. BYE. YOU, NOT WORTH MY TIME. 793 00:29:04,369 --> 00:29:07,404 BYE. YOU, NOT WORTH MY TIME. >> BYE. 794 00:29:07,406 --> 00:29:14,311 YOU, NOT WORTH MY TIME. >> BYE. YOU ARE A GIANT -- THAT'S RIGHT. 795 00:29:14,313 --> 00:29:17,814 >> BYE. YOU ARE A GIANT -- THAT'S RIGHT. >> WHAT WOULD YOUR MOTHER SAY IF 796 00:29:17,816 --> 00:29:22,452 YOU ARE A GIANT -- THAT'S RIGHT. >> WHAT WOULD YOUR MOTHER SAY IF SHE SAW YOU DO THAT? 797 00:29:22,454 --> 00:29:31,127 >> WHAT WOULD YOUR MOTHER SAY IF SHE SAW YOU DO THAT? >> MY MOM TOLD ME TO DO IT. 798 00:29:31,129 --> 00:29:36,099 SHE SAW YOU DO THAT? >> MY MOM TOLD ME TO DO IT. >> SHAME ON YOU. 799 00:29:36,101 --> 00:29:40,403 >> MY MOM TOLD ME TO DO IT. >> SHAME ON YOU. THAT WAS RACIST. 800 00:29:40,405 --> 00:29:42,138 >> SHAME ON YOU. THAT WAS RACIST. >> NO. 801 00:29:42,140 --> 00:29:43,740 THAT WAS RACIST. >> NO. DON'T HATE ALL WHITE PEOPLE, 802 00:29:43,742 --> 00:29:47,377 >> NO. DON'T HATE ALL WHITE PEOPLE, JUST YOU. 803 00:29:47,379 --> 00:29:50,447 DON'T HATE ALL WHITE PEOPLE, JUST YOU. >> BRAVO. 804 00:29:50,449 --> 00:29:50,847 JUST YOU. >> BRAVO. BRAVO. 805 00:29:50,849 --> 00:29:52,716 >> BRAVO. BRAVO. YOU, BAD PERSON. 806 00:29:52,718 --> 00:29:56,152 BRAVO. YOU, BAD PERSON. I FEEL BAD FOR YOUR HUSBAND. 807 00:29:56,154 --> 00:29:58,989 YOU, BAD PERSON. I FEEL BAD FOR YOUR HUSBAND. >> NO HUSBAND. 808 00:29:58,991 --> 00:30:00,090 I FEEL BAD FOR YOUR HUSBAND. >> NO HUSBAND. HE WENT BYE BYE. 809 00:30:00,092 --> 00:30:01,625 >> NO HUSBAND. HE WENT BYE BYE. WE SPLIT UP. 810 00:30:01,627 --> 00:30:04,194 HE WENT BYE BYE. WE SPLIT UP. >> OH. 811 00:30:04,196 --> 00:30:07,964 WE SPLIT UP. >> OH. ME TOO. 812 00:30:07,966 --> 00:30:09,065 >> OH. ME TOO. WIFE LEFT. 813 00:30:09,067 --> 00:30:10,066 ME TOO. WIFE LEFT. BUT IT'S GOOD. 814 00:30:10,068 --> 00:30:11,968 WIFE LEFT. BUT IT'S GOOD. SHE WAS A BITCH. 815 00:30:11,970 --> 00:30:15,238 BUT IT'S GOOD. SHE WAS A BITCH. >> DAD! 816 00:30:15,240 --> 00:30:21,011 SHE WAS A BITCH. >> DAD! >> RESPECT, RESPECT. 817 00:30:21,013 --> 00:30:25,048 >> DAD! >> RESPECT, RESPECT. HEY, THIS MIGHT BE CRAZY. 818 00:30:25,050 --> 00:30:31,087 >> RESPECT, RESPECT. HEY, THIS MIGHT BE CRAZY. BUT ARE YOU HUNGRY? 819 00:30:31,089 --> 00:30:33,690 HEY, THIS MIGHT BE CRAZY. BUT ARE YOU HUNGRY? >> YEAH. 820 00:30:33,692 --> 00:30:38,395 BUT ARE YOU HUNGRY? >> YEAH. I COULD EAT. 821 00:30:38,397 --> 00:30:42,832 >> YEAH. I COULD EAT. >> DO YOU MAYBE WANT TO EAT THIS 822 00:30:42,834 --> 00:30:43,133 I COULD EAT. >> DO YOU MAYBE WANT TO EAT THIS BUTT? 823 00:30:43,135 --> 00:30:49,272 >> DO YOU MAYBE WANT TO EAT THIS BUTT? HUH? 824 00:30:49,274 --> 00:30:49,706 BUTT? HUH? EAT THE BUTT. 825 00:30:49,708 --> 00:30:51,308 HUH? EAT THE BUTT. >> SHAME ON YOU. 826 00:30:51,310 --> 00:30:52,275 EAT THE BUTT. >> SHAME ON YOU. SHAME ON YOU. 827 00:30:52,277 --> 00:30:53,310 >> SHAME ON YOU. SHAME ON YOU. >> YOU SUCK! 828 00:30:53,312 --> 00:30:54,044 SHAME ON YOU. >> YOU SUCK! >> STOP DOING THAT! 829 00:30:54,046 --> 00:31:00,817 >> YOU SUCK! >> STOP DOING THAT! STOP IT! 830 00:31:24,742 --> 00:31:33,416 >>> LADIES AND GENTLEMEN, LIL YACHTY. ♪ 831 00:31:33,418 --> 00:31:33,950 YACHTY. ♪ ♪ SEX SYMBOL 832 00:31:33,952 --> 00:31:39,356 ♪ ♪ SEX SYMBOL THE BLACK SEMINOLE 833 00:31:39,358 --> 00:31:40,457 ♪ SEX SYMBOL THE BLACK SEMINOLE A SEX SYMBOL 834 00:31:40,459 --> 00:31:46,429 THE BLACK SEMINOLE A SEX SYMBOL THE BLACK SEMINOLE ♪ 835 00:31:46,431 --> 00:31:47,497 A SEX SYMBOL THE BLACK SEMINOLE ♪ ♪ AFRICAN RAMBO 836 00:31:47,499 --> 00:31:52,936 THE BLACK SEMINOLE ♪ ♪ AFRICAN RAMBO WITH MORE AMMO 837 00:31:52,938 --> 00:31:54,571 ♪ AFRICAN RAMBO WITH MORE AMMO CAN'T BE ESCAPED 838 00:31:54,573 --> 00:31:56,740 WITH MORE AMMO CAN'T BE ESCAPED I'M ON EVERY CHANNEL ♪ 839 00:31:56,742 --> 00:31:59,476 CAN'T BE ESCAPED I'M ON EVERY CHANNEL ♪ ♪ WHAT'S WRONG 840 00:31:59,478 --> 00:32:00,043 I'M ON EVERY CHANNEL ♪ ♪ WHAT'S WRONG WHAT'S WRONG 841 00:32:00,045 --> 00:32:03,813 ♪ WHAT'S WRONG WHAT'S WRONG MR. MAN ♪ 842 00:32:03,815 --> 00:32:06,016 WHAT'S WRONG MR. MAN ♪ ♪ YOUR EYES ARE LOW 843 00:32:06,018 --> 00:32:07,083 MR. MAN ♪ ♪ YOUR EYES ARE LOW AND YOU'RE WALKING 844 00:32:07,085 --> 00:32:08,718 ♪ YOUR EYES ARE LOW AND YOU'RE WALKING WITH BOTH HANDS 845 00:32:08,720 --> 00:32:11,454 AND YOU'RE WALKING WITH BOTH HANDS ON YOUR HEAD ♪ 846 00:32:11,456 --> 00:32:13,089 WITH BOTH HANDS ON YOUR HEAD ♪ ♪ HIS RESPONSE 847 00:32:13,091 --> 00:32:14,157 ON YOUR HEAD ♪ ♪ HIS RESPONSE HE'S ON A CLEAN 848 00:32:14,159 --> 00:32:16,359 ♪ HIS RESPONSE HE'S ON A CLEAN CLEAN HIGH♪ 849 00:32:16,361 --> 00:32:17,427 HE'S ON A CLEAN CLEAN HIGH♪ ♪ BOTH FEET 850 00:32:17,429 --> 00:32:19,596 CLEAN HIGH♪ ♪ BOTH FEET UP ON THE GROUND 851 00:32:19,598 --> 00:32:22,899 ♪ BOTH FEET UP ON THE GROUND BUT HIS HEAD'S 852 00:32:22,901 --> 00:32:26,703 UP ON THE GROUND BUT HIS HEAD'S WAY WAY WAY IN THE SKY ♪ 853 00:32:26,705 --> 00:32:28,905 BUT HIS HEAD'S WAY WAY WAY IN THE SKY ♪ ♪ 854 00:32:28,907 --> 00:32:30,540 WAY WAY WAY IN THE SKY ♪ ♪ ♪ THE BLACK SEMINOLE 855 00:32:30,542 --> 00:32:36,513 ♪ ♪ THE BLACK SEMINOLE A HEAD GENERAL 856 00:32:36,515 --> 00:32:37,047 ♪ THE BLACK SEMINOLE A HEAD GENERAL DISTANT CONNECTIONS 857 00:32:37,049 --> 00:32:42,519 A HEAD GENERAL DISTANT CONNECTIONS A LARGE INTERVAL ♪ 858 00:32:42,521 --> 00:32:44,154 DISTANT CONNECTIONS A LARGE INTERVAL ♪ ♪ A BLACK MAN WITH 859 00:32:44,156 --> 00:32:49,559 A LARGE INTERVAL ♪ ♪ A BLACK MAN WITH MOUTHS TO FEED 860 00:32:49,561 --> 00:32:50,693 ♪ A BLACK MAN WITH MOUTHS TO FEED EMBRACING EQUALITY 861 00:32:50,695 --> 00:32:56,132 MOUTHS TO FEED EMBRACING EQUALITY THROUGHOUT GREED ♪ 862 00:32:56,134 --> 00:32:58,935 EMBRACING EQUALITY THROUGHOUT GREED ♪ ♪ NO TIME TO JOKE AROUND 863 00:32:58,937 --> 00:33:02,705 THROUGHOUT GREED ♪ ♪ NO TIME TO JOKE AROUND THE KID IS NOW A MAN 864 00:33:02,707 --> 00:33:04,340 ♪ NO TIME TO JOKE AROUND THE KID IS NOW A MAN AND THE SILENCE IS FILLED 865 00:33:04,342 --> 00:33:07,077 THE KID IS NOW A MAN AND THE SILENCE IS FILLED WI REMARKABLE SOUNDS ♪ 866 00:33:07,079 --> 00:33:10,413 AND THE SILENCE IS FILLED WI REMARKABLE SOUNDS ♪ ♪ THIS PART 867 00:33:10,415 --> 00:33:13,683 WI REMARKABLE SOUNDS ♪ ♪ THIS PART I'VE SEEN IN MY DREAMS ♪ 868 00:33:13,685 --> 00:33:16,386 ♪ THIS PART I'VE SEEN IN MY DREAMS ♪ ♪ LOVE IS NOT A LIE 869 00:33:16,388 --> 00:33:19,622 I'VE SEEN IN MY DREAMS ♪ ♪ LOVE IS NOT A LIE IT JUST FEELS LIKE 870 00:33:19,624 --> 00:33:25,628 ♪ LOVE IS NOT A LIE IT JUST FEELS LIKE A TARANTINO MOVIE SCENE ♪ 871 00:33:25,630 --> 00:33:31,601 IT JUST FEELS LIKE A TARANTINO MOVIE SCENE ♪ ♪ 872 00:33:31,603 --> 00:33:37,073 A TARANTINO MOVIE SCENE ♪ ♪ ♪ 873 00:33:37,075 --> 00:33:39,242 ♪ ♪ ♪ EXACTLY ♪ 874 00:33:39,244 --> 00:33:55,558 ♪ ♪ EXACTLY ♪ ♪ 875 00:33:55,560 --> 00:33:57,760 ♪ EXACTLY ♪ ♪ ♪ NOW 876 00:33:57,762 --> 00:34:00,997 ♪ ♪ NOW OH OHH 877 00:34:00,999 --> 00:34:05,368 ♪ NOW OH OHH OHH OHH-OH ♪ 878 00:34:05,370 --> 00:34:11,341 OH OHH OHH OHH-OH ♪ ♪ OHH OHH OH-OH 879 00:34:11,343 --> 00:34:16,779 OHH OHH-OH ♪ ♪ OHH OHH OH-OH OHH OHH-OH OHH-OH OHH-OH 880 00:34:16,781 --> 00:34:24,387 ♪ OHH OHH OH-OH OHH OHH-OH OHH-OH OHH-OH OHH-OHH-OHH OHHH ♪ 881 00:34:24,389 --> 00:34:31,461 OHH OHH-OH OHH-OH OHH-OH OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE 882 00:34:31,463 --> 00:34:34,197 OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE OHH-OHH-OHH OHHH ♪ 883 00:34:34,199 --> 00:34:40,170 ♪ EE-HEE EE-HEE OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE 884 00:34:40,172 --> 00:34:48,344 OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE OHH-OH ♪ 885 00:34:48,346 --> 00:34:53,783 ♪ EE-HEE EE-HEE OHH-OH ♪ ♪ MM-MM MM 886 00:34:53,785 --> 00:34:57,587 OHH-OH ♪ ♪ MM-MM MM MM-HMM MM 887 00:34:57,589 --> 00:35:12,335 ♪ MM-MM MM MM-HMM MM MM-HM MM 888 00:35:12,337 --> 00:35:13,937 MM-HMM MM MM-HM MM MM-MM-HM ♪ 889 00:35:13,939 --> 00:35:18,274 MM-HM MM MM-MM-HM ♪ ♪ YEAH-AH 890 00:35:18,276 --> 00:35:27,550 MM-MM-HM ♪ ♪ YEAH-AH YEAH-AH-AHH 891 00:35:27,552 --> 00:35:42,732 ♪ YEAH-AH YEAH-AH-AHH YEAH YEAH-HEE ♪ 892 00:35:42,734 --> 00:35:44,400 YEAH-AH-AHH YEAH YEAH-HEE ♪ ♪ YEAH-AH 893 00:35:44,402 --> 00:35:50,807 YEAH YEAH-HEE ♪ ♪ YEAH-AH OHH ♪ 894 00:36:18,085 --> 00:36:28,695 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 895 00:36:28,697 --> 00:36:29,862 UPDATE" WITH COLIN JOST AND MICHAEL CHE. >>> THANK YOU VERY MUCH. 896 00:36:29,864 --> 00:36:31,030 MICHAEL CHE. >>> THANK YOU VERY MUCH. GOOD EVENING, EVERYONE. 897 00:36:31,032 --> 00:36:36,736 >>> THANK YOU VERY MUCH. GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 898 00:36:36,738 --> 00:36:38,604 GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 899 00:36:38,606 --> 00:36:40,440 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 900 00:36:40,442 --> 00:36:41,808 I'M MICHAEL CHE. >> I'M COLIN JOST. NEW YORK IS FINALLY CRACKING 901 00:36:41,810 --> 00:36:44,310 >> I'M COLIN JOST. NEW YORK IS FINALLY CRACKING DOWN ON CRIME. 902 00:36:44,312 --> 00:36:45,078 NEW YORK IS FINALLY CRACKING DOWN ON CRIME. FORMER PRESIDENT DONALD TRUMP 903 00:36:45,080 --> 00:36:47,347 DOWN ON CRIME. FORMER PRESIDENT DONALD TRUMP WAS INDICTED IN HIS ROLE IN 904 00:36:47,349 --> 00:36:50,550 FORMER PRESIDENT DONALD TRUMP WAS INDICTED IN HIS ROLE IN PAYING HUSH MONEY TO STORMY 905 00:36:50,552 --> 00:36:52,018 WAS INDICTED IN HIS ROLE IN PAYING HUSH MONEY TO STORMY DANIELS, AND THE TRIAL WILL BE 906 00:36:52,020 --> 00:36:54,320 PAYING HUSH MONEY TO STORMY DANIELS, AND THE TRIAL WILL BE LIKE A STORMY DANIELS MOVIE, 907 00:36:54,322 --> 00:36:56,990 DANIELS, AND THE TRIAL WILL BE LIKE A STORMY DANIELS MOVIE, BECAUSE I'M DEEPLY ASHAMED AT 908 00:36:56,992 --> 00:36:59,592 LIKE A STORMY DANIELS MOVIE, BECAUSE I'M DEEPLY ASHAMED AT HOW EXCITED I AM TO WATCH IT. 909 00:36:59,594 --> 00:37:04,864 BECAUSE I'M DEEPLY ASHAMED AT HOW EXCITED I AM TO WATCH IT. HIS LAWYER, JOE, WHO HE CALLED 910 00:37:04,866 --> 00:37:07,900 HOW EXCITED I AM TO WATCH IT. HIS LAWYER, JOE, WHO HE CALLED JOE TAPIOCA SAID HE WILL NOT BE 911 00:37:07,902 --> 00:37:10,103 HIS LAWYER, JOE, WHO HE CALLED JOE TAPIOCA SAID HE WILL NOT BE PUT IN HAND CUFFS, THOUGH HE 912 00:37:10,105 --> 00:37:14,841 JOE TAPIOCA SAID HE WILL NOT BE PUT IN HAND CUFFS, THOUGH HE WILL WEAR BARACK AWAY HAND CUFF 913 00:37:14,843 --> 00:37:16,976 PUT IN HAND CUFFS, THOUGH HE WILL WEAR BARACK AWAY HAND CUFF AND A SUPERMAN T-SHIRT. 914 00:37:16,978 --> 00:37:19,412 WILL WEAR BARACK AWAY HAND CUFF AND A SUPERMAN T-SHIRT. I'M SURE HE'S HOPING HIS MUG 915 00:37:19,414 --> 00:37:32,358 AND A SUPERMAN T-SHIRT. I'M SURE HE'S HOPING HIS MUG SHOT WILL LOOK COOL LIKE FRANK 916 00:37:32,360 --> 00:37:33,659 I'M SURE HE'S HOPING HIS MUG SHOT WILL LOOK COOL LIKE FRANK 917 00:37:33,661 --> 00:37:34,093 SHOT WILL LOOK COOL LIKE FRANK 918 00:37:34,095 --> 00:37:34,494 SINATRA'S. 919 00:37:34,496 --> 00:37:36,396 SINATRA'S. >> TRUMP WILL BE ALSO CHARGED 920 00:37:36,398 --> 00:37:37,930 SINATRA'S. >> TRUMP WILL BE ALSO CHARGED WITH FRAUD. 921 00:37:37,932 --> 00:37:40,133 >> TRUMP WILL BE ALSO CHARGED WITH FRAUD. PRESIDENT BIDEN ON FRIDAY TOLD 922 00:37:40,135 --> 00:37:43,403 WITH FRAUD. PRESIDENT BIDEN ON FRIDAY TOLD REPORTERS HE HADOMME 923 00:37:43,405 --> 00:37:45,505 PRESIDENT BIDEN ON FRIDAY TOLD REPORTERS HE HADOMME TRUMP'S INDICTMENT, ANDHEN HE 924 00:37:45,507 --> 00:37:50,376 REPORTERS HE HADOMME TRUMP'S INDICTMENT, ANDHEN HE DANCED AWAY LILAGS GUY. 925 00:37:50,378 --> 00:37:52,879 TRUMP'S INDICTMENT, ANDHEN HE DANCED AWAY LILAGS GUY. >> I THINK IN GENERAL, THE 926 00:37:52,881 --> 00:37:54,647 DANCED AWAY LILAGS GUY. >> I THINK IN GENERAL, THE PEOPLE MIGHT BE OVERREACTING TO 927 00:37:54,649 --> 00:37:55,348 >> I THINK IN GENERAL, THE PEOPLE MIGHT BE OVERREACTING TO THIS INDICTMENT. 928 00:37:55,350 --> 00:37:57,116 PEOPLE MIGHT BE OVERREACTING TO THIS INDICTMENT. LIKE AN ACTUAL INDICTMENT ON CNN 929 00:37:57,118 --> 00:37:58,451 THIS INDICTMENT. LIKE AN ACTUAL INDICTMENT ON CNN YESTERDAY WAS NOTHING IN 930 00:37:58,453 --> 00:38:01,621 LIKE AN ACTUAL INDICTMENT ON CNN YESTERDAY WAS NOTHING IN AMERICAN HISTORY APPROACHES THE 931 00:38:01,623 --> 00:38:03,923 YESTERDAY WAS NOTHING IN AMERICAN HISTORY APPROACHES THE CHARGES AND POSSIBLE TRIAL AND 932 00:38:03,925 --> 00:38:04,524 AMERICAN HISTORY APPROACHES THE CHARGES AND POSSIBLE TRIAL AND CONVICTION OF A FORMER 933 00:38:04,526 --> 00:38:04,891 CHARGES AND POSSIBLE TRIAL AND CONVICTION OF A FORMER PRESIDENT. 934 00:38:04,893 --> 00:38:06,659 CONVICTION OF A FORMER PRESIDENT. A MORE ACCURATE HEADLINE WOULD 935 00:38:06,661 --> 00:38:11,998 PRESIDENT. A MORE ACCURATE HEADLINE WOULD BE, MAN WE ALL KNEW WAS CRIMINAL 936 00:38:12,000 --> 00:38:12,732 A MORE ACCURATE HEADLINE WOULD BE, MAN WE ALL KNEW WAS CRIMINAL IS CRIMINAL. 937 00:38:12,734 --> 00:38:14,100 BE, MAN WE ALL KNEW WAS CRIMINAL IS CRIMINAL. I WENT DOWN TO THE COURTHOUSE 938 00:38:14,102 --> 00:38:14,767 IS CRIMINAL. I WENT DOWN TO THE COURTHOUSE TODAY, AND I WAS THE ONLY 939 00:38:14,769 --> 00:38:22,508 I WENT DOWN TO THE COURTHOUSE TODAY, AND I WAS THE ONLY PROTESTOR THERE. 940 00:38:22,510 --> 00:38:23,876 TODAY, AND I WAS THE ONLY PROTESTOR THERE. >> I TOLD THEM NOT TO LAUGH AT 941 00:38:23,878 --> 00:38:34,187 PROTESTOR THERE. >> I TOLD THEM NOT TO LAUGH AT YOU. 942 00:38:34,189 --> 00:38:39,725 >> I TOLD THEM NOT TO LAUGH AT YOU. [ CHEERS AND APPLAUSE ] 943 00:38:39,727 --> 00:38:43,362 YOU. [ CHEERS AND APPLAUSE ] >> AM I NOT MICCED? 944 00:38:43,364 --> 00:38:45,865 [ CHEERS AND APPLAUSE ] >> AM I NOT MICCED? THEN I WAS LIKE, OH, I JUST 945 00:38:45,867 --> 00:38:46,165 >> AM I NOT MICCED? THEN I WAS LIKE, OH, I JUST SUCK. 946 00:38:46,167 --> 00:38:55,074 THEN I WAS LIKE, OH, I JUST SUCK. >> MOVING RIGHT ALONG -- 947 00:38:55,076 --> 00:38:55,541 SUCK. >> MOVING RIGHT ALONG -- >> YOU'RE EVIL. 948 00:38:55,543 --> 00:38:57,043 >> MOVING RIGHT ALONG -- >> YOU'RE EVIL. >> MARJORIE TAYLOR GREEN PLANS 949 00:38:57,045 --> 00:38:58,744 >> YOU'RE EVIL. >> MARJORIE TAYLOR GREEN PLANS TO COME TO NEW YORK ON TUESDAY 950 00:38:58,746 --> 00:39:01,681 >> MARJORIE TAYLOR GREEN PLANS TO COME TO NEW YORK ON TUESDAY TO PROTEST TRUMP'S INDICTMENT, 951 00:39:01,683 --> 00:39:02,615 TO COME TO NEW YORK ON TUESDAY TO PROTEST TRUMP'S INDICTMENT, BECAUSE APPARENTLY IT TAKES HER 952 00:39:02,617 --> 00:39:04,951 TO PROTEST TRUMP'S INDICTMENT, BECAUSE APPARENTLY IT TAKES HER THREE DAYS TO PUT ON HER JOKER 953 00:39:04,953 --> 00:39:05,284 BECAUSE APPARENTLY IT TAKES HER THREE DAYS TO PUT ON HER JOKER MAKEUP. 954 00:39:05,286 --> 00:39:06,018 THREE DAYS TO PUT ON HER JOKER MAKEUP. THEY'LL PROBABLY LAUGH AT THIS 955 00:39:06,020 --> 00:39:09,255 MAKEUP. THEY'LL PROBABLY LAUGH AT THIS NEXT ONE. 956 00:39:09,257 --> 00:39:10,656 THEY'LL PROBABLY LAUGH AT THIS NEXT ONE. >> THAT'S THE MEANEST THING 957 00:39:10,658 --> 00:39:13,893 NEXT ONE. >> THAT'S THE MEANEST THING YOU'VE EVER DONE TO ME. 958 00:39:13,895 --> 00:39:20,533 >> THAT'S THE MEANEST THING YOU'VE EVER DONE TO ME. I'M COVERED IN SWEAT. 959 00:39:20,535 --> 00:39:23,836 YOU'VE EVER DONE TO ME. I'M COVERED IN SWEAT. [ CHEERS AND APPLAUSE ] 960 00:39:23,838 --> 00:39:26,606 I'M COVERED IN SWEAT. [ CHEERS AND APPLAUSE ] DON'T EVEN DARE! 961 00:39:26,608 --> 00:39:35,515 [ CHEERS AND APPLAUSE ] DON'T EVEN DARE! DON'T YOU EVEN DARE TRY NOW. 962 00:39:35,517 --> 00:39:38,851 DON'T EVEN DARE! DON'T YOU EVEN DARE TRY NOW. FLORIDA GOVERNOR RON DeSANTIS 963 00:39:38,853 --> 00:39:44,857 DON'T YOU EVEN DARE TRY NOW. FLORIDA GOVERNOR RON DeSANTIS WHO THINKS HE'S GASTON, BUT, 964 00:39:44,859 --> 00:39:52,865 FLORIDA GOVERNOR RON DeSANTIS WHO THINKS HE'S GASTON, BUT, GIRL, YOU LeFOU. 965 00:39:52,867 --> 00:39:55,535 WHO THINKS HE'S GASTON, BUT, GIRL, YOU LeFOU. RON DE -- I'M SHAKING. 966 00:39:55,537 --> 00:39:57,670 GIRL, YOU LeFOU. RON DE -- I'M SHAKING. RON DeSANTIS SAID FLORIDA 967 00:39:57,672 --> 00:39:59,372 RON DE -- I'M SHAKING. RON DeSANTIS SAID FLORIDA OFFICIALS WOULD NOT HELP 968 00:39:59,374 --> 00:40:00,873 RON DeSANTIS SAID FLORIDA OFFICIALS WOULD NOT HELP EXTRADITE TRUMP BACK TO NEW YORK 969 00:40:00,875 --> 00:40:03,109 OFFICIALS WOULD NOT HELP EXTRADITE TRUMP BACK TO NEW YORK UNLESS OF COURSE HE AGREES TO 970 00:40:03,111 --> 00:40:03,876 EXTRADITE TRUMP BACK TO NEW YORK UNLESS OF COURSE HE AGREES TO TAKE A BUS LOAD OF MIGRANTS WITH 971 00:40:03,878 --> 00:40:06,812 UNLESS OF COURSE HE AGREES TO TAKE A BUS LOAD OF MIGRANTS WITH HIM. 972 00:40:06,814 --> 00:40:08,915 TAKE A BUS LOAD OF MIGRANTS WITH HIM. >> IN THE WAKE OF THE NATIONAL 973 00:40:08,917 --> 00:40:09,749 HIM. >> IN THE WAKE OF THE NATIONAL SHOOTING, PRESIDENT BIDEN ONCE 974 00:40:09,751 --> 00:40:11,551 >> IN THE WAKE OF THE NATIONAL SHOOTING, PRESIDENT BIDEN ONCE AGAIN CALLED ON CONGRESS TO PASS 975 00:40:11,553 --> 00:40:14,754 SHOOTING, PRESIDENT BIDEN ONCE AGAIN CALLED ON CONGRESS TO PASS AN ASSAULT WEAPONS BAN, OR, HEAR 976 00:40:14,756 --> 00:40:18,157 AGAIN CALLED ON CONGRESS TO PASS AN ASSAULT WEAPONS BAN, OR, HEAR ME OUT, STOP AND FRISK FOR 977 00:40:18,159 --> 00:40:18,491 AN ASSAULT WEAPONS BAN, OR, HEAR ME OUT, STOP AND FRISK FOR WHITES. 978 00:40:18,493 --> 00:40:19,825 ME OUT, STOP AND FRISK FOR WHITES. HOW LONG BEFORE THESE KIDS EARN 979 00:40:19,827 --> 00:40:27,533 WHITES. HOW LONG BEFORE THESE KIDS EARN A STEREO TYPE? 980 00:40:27,535 --> 00:40:30,436 HOW LONG BEFORE THESE KIDS EARN A STEREO TYPE? >> CONGRESSMAN ANDY OGLES WHO 981 00:40:30,438 --> 00:40:33,472 A STEREO TYPE? >> CONGRESSMAN ANDY OGLES WHO RESPECTS THE DISTRICT WHERE THE 982 00:40:33,474 --> 00:40:35,274 >> CONGRESSMAN ANDY OGLES WHO RESPECTS THE DISTRICT WHERE THE NASHVILLE SHOOTING TOOK PLACE IS 983 00:40:35,276 --> 00:40:37,243 RESPECTS THE DISTRICT WHERE THE NASHVILLE SHOOTING TOOK PLACE IS BEING CRITICIZED FOR A CHRISTMAS 984 00:40:37,245 --> 00:40:39,979 NASHVILLE SHOOTING TOOK PLACE IS BEING CRITICIZED FOR A CHRISTMAS CARD WHERE HE AND HIS FAMILY ARE 985 00:40:39,981 --> 00:40:41,214 BEING CRITICIZED FOR A CHRISTMAS CARD WHERE HE AND HIS FAMILY ARE HOLDING ASSAULT RIFLES. 986 00:40:41,216 --> 00:40:43,216 CARD WHERE HE AND HIS FAMILY ARE HOLDING ASSAULT RIFLES. WHO ARE YOU PSYCHOS SENDING 987 00:40:43,218 --> 00:40:44,483 HOLDING ASSAULT RIFLES. WHO ARE YOU PSYCHOS SENDING THESE CARDS TO? 988 00:40:44,485 --> 00:40:46,519 WHO ARE YOU PSYCHOS SENDING THESE CARDS TO? IF I RECEIVED THAT IN THE MAIL, 989 00:40:46,521 --> 00:40:47,320 THESE CARDS TO? IF I RECEIVED THAT IN THE MAIL, I WOULD MOVE. 990 00:40:47,322 --> 00:40:51,257 IF I RECEIVED THAT IN THE MAIL, I WOULD MOVE. ALL THIS CARD TELLS YOU IS I AM 991 00:40:51,259 --> 00:40:52,058 I WOULD MOVE. ALL THIS CARD TELLS YOU IS I AM ARMED, I HAVE TERRIBLE JUDGMENT, 992 00:40:52,060 --> 00:40:54,293 ALL THIS CARD TELLS YOU IS I AM ARMED, I HAVE TERRIBLE JUDGMENT, AND I KNOW WHERE YOU LIVE. 993 00:40:54,295 --> 00:40:56,362 ARMED, I HAVE TERRIBLE JUDGMENT, AND I KNOW WHERE YOU LIVE. >> DEMOCRATIC REPRESENTATIVE 994 00:40:56,364 --> 00:40:59,498 AND I KNOW WHERE YOU LIVE. >> DEMOCRATIC REPRESENTATIVE JAMAL BOWMAN AND THOMAS MASSEY 995 00:40:59,500 --> 00:41:01,934 >> DEMOCRATIC REPRESENTATIVE JAMAL BOWMAN AND THOMAS MASSEY GOT IN A SCREAMING MATCH ON 996 00:41:01,936 --> 00:41:03,936 JAMAL BOWMAN AND THOMAS MASSEY GOT IN A SCREAMING MATCH ON CAPITOL HILL AFTER HE CALLED 997 00:41:03,938 --> 00:41:06,172 GOT IN A SCREAMING MATCH ON CAPITOL HILL AFTER HE CALLED THEM COWARDS FOR OPPOSING GUN 998 00:41:06,174 --> 00:41:06,672 CAPITOL HILL AFTER HE CALLED THEM COWARDS FOR OPPOSING GUN CONTROL. 999 00:41:06,674 --> 00:41:08,841 THEM COWARDS FOR OPPOSING GUN CONTROL. IF THERE'S ONE THING REPUBLICANS 1000 00:41:08,843 --> 00:41:11,644 CONTROL. IF THERE'S ONE THING REPUBLICANS HAVE, IT'S BIG OLD GUTS. 1001 00:41:11,646 --> 00:41:13,346 IF THERE'S ONE THING REPUBLICANS HAVE, IT'S BIG OLD GUTS. >> TRUMP HAS ALSO BEEN PROMOTING 1002 00:41:13,348 --> 00:41:15,248 HAVE, IT'S BIG OLD GUTS. >> TRUMP HAS ALSO BEEN PROMOTING A SONG CALLED JUSTICE FOR ALL, 1003 00:41:15,250 --> 00:41:17,216 >> TRUMP HAS ALSO BEEN PROMOTING A SONG CALLED JUSTICE FOR ALL, WHICH FEATURES HIMSELF AND A 1004 00:41:17,218 --> 00:41:19,385 A SONG CALLED JUSTICE FOR ALL, WHICH FEATURES HIMSELF AND A CHOIR OF MEN JAILED FOR THEIR 1005 00:41:19,387 --> 00:41:21,153 WHICH FEATURES HIMSELF AND A CHOIR OF MEN JAILED FOR THEIR ROLES IN THE JANUARY 6th ATTACK. 1006 00:41:21,155 --> 00:41:24,857 CHOIR OF MEN JAILED FOR THEIR ROLES IN THE JANUARY 6th ATTACK. I FEEL BAD FOR THE JANUARY 6th 1007 00:41:24,859 --> 00:41:26,058 ROLES IN THE JANUARY 6th ATTACK. I FEEL BAD FOR THE JANUARY 6th SINGERS BECAUSE YOU KNOW JAIL 1008 00:41:26,060 --> 00:41:28,160 I FEEL BAD FOR THE JANUARY 6th SINGERS BECAUSE YOU KNOW JAIL GETS MUCH WORSE WHEN THE OTHER 1009 00:41:28,162 --> 00:41:31,063 SINGERS BECAUSE YOU KNOW JAIL GETS MUCH WORSE WHEN THE OTHER PRISONERS FIND OUT YOU'RE IN AN 1010 00:41:31,065 --> 00:41:31,530 GETS MUCH WORSE WHEN THE OTHER PRISONERS FIND OUT YOU'RE IN AN ACAPELLA GROUP. 1011 00:41:31,532 --> 00:41:32,665 PRISONERS FIND OUT YOU'RE IN AN ACAPELLA GROUP. >> LAST WREAK, A FLORIDA 1012 00:41:32,667 --> 00:41:35,334 ACAPELLA GROUP. >> LAST WREAK, A FLORIDA PRINCIPAL WAS FORCED TO RESIGN 1013 00:41:35,336 --> 00:41:38,170 >> LAST WREAK, A FLORIDA PRINCIPAL WAS FORCED TO RESIGN WHEN PARENTS WERE OUTRAGED WHEN 1014 00:41:38,172 --> 00:41:41,707 PRINCIPAL WAS FORCED TO RESIGN WHEN PARENTS WERE OUTRAGED WHEN MICHAEL ANGLO'S STATUE WAS 1015 00:41:41,709 --> 00:41:42,074 WHEN PARENTS WERE OUTRAGED WHEN MICHAEL ANGLO'S STATUE WAS REVEALED. 1016 00:41:42,076 --> 00:41:44,777 MICHAEL ANGLO'S STATUE WAS REVEALED. HERE TO COMMENT, MICHAEL 1017 00:41:44,779 --> 00:41:52,485 REVEALED. HERE TO COMMENT, MICHAEL ANGELO'S DAVID. 1018 00:41:52,487 --> 00:41:53,619 HERE TO COMMENT, MICHAEL ANGELO'S DAVID. >> HEY. 1019 00:41:53,621 --> 00:41:54,387 ANGELO'S DAVID. >> HEY. 1020 00:41:54,389 --> 00:41:55,021 >> HEY. THANKS FOR HAVING ME. 1021 00:41:55,023 --> 00:41:57,290 THANKS FOR HAVING ME. >> MICHAEL ANGELO'S DAVID. 1022 00:41:57,292 --> 00:41:58,691 THANKS FOR HAVING ME. >> MICHAEL ANGELO'S DAVID. I'M SORRY. 1023 00:41:58,693 --> 00:41:59,525 >> MICHAEL ANGELO'S DAVID. I'M SORRY. I'M OVER HERE. 1024 00:41:59,527 --> 00:42:01,360 I'M SORRY. I'M OVER HERE. CAN YOU NOT TURN YOUR HEAD? 1025 00:42:01,362 --> 00:42:03,462 I'M OVER HERE. CAN YOU NOT TURN YOUR HEAD? >> I'VE ACTUALLY NEVER TRIED. 1026 00:42:03,464 --> 00:42:03,929 CAN YOU NOT TURN YOUR HEAD? >> I'VE ACTUALLY NEVER TRIED. LET'S FIND OUT. 1027 00:42:03,931 --> 00:42:12,238 >> I'VE ACTUALLY NEVER TRIED. LET'S FIND OUT. AHH! 1028 00:42:12,240 --> 00:42:15,107 LET'S FIND OUT. AHH! THAT HURT LIKE HELL. 1029 00:42:15,109 --> 00:42:17,109 AHH! THAT HURT LIKE HELL. >> SO DAVID, HOW ARE YOU DEALING 1030 00:42:17,111 --> 00:42:19,278 THAT HURT LIKE HELL. >> SO DAVID, HOW ARE YOU DEALING WITH THIS FLORIDA CONTROVERSY? 1031 00:42:19,280 --> 00:42:21,547 >> SO DAVID, HOW ARE YOU DEALING WITH THIS FLORIDA CONTROVERSY? THOSE PARENTS ARE PRETTY UPSET. 1032 00:42:21,549 --> 00:42:23,949 WITH THIS FLORIDA CONTROVERSY? THOSE PARENTS ARE PRETTY UPSET. >> THOSE PARENTS ARE IGNORANT 1033 00:42:23,951 --> 00:42:24,417 THOSE PARENTS ARE PRETTY UPSET. >> THOSE PARENTS ARE IGNORANT PRUDES. 1034 00:42:24,419 --> 00:42:30,256 >> THOSE PARENTS ARE IGNORANT PRUDES. I'M THE WORLD'S GREATEST 1035 00:42:30,258 --> 00:42:31,023 PRUDES. I'M THE WORLD'S GREATEST SCULPTURE, AND I'M A VERY PRETTY 1036 00:42:31,025 --> 00:42:31,324 I'M THE WORLD'S GREATEST SCULPTURE, AND I'M A VERY PRETTY BOY. 1037 00:42:31,326 --> 00:42:32,625 SCULPTURE, AND I'M A VERY PRETTY BOY. >> SOUNDS LIKE THE PARENTS 1038 00:42:32,627 --> 00:42:34,994 BOY. >> SOUNDS LIKE THE PARENTS DIDN'T WANT THE KIDS TO SEE YOUR 1039 00:42:34,996 --> 00:42:35,361 >> SOUNDS LIKE THE PARENTS DIDN'T WANT THE KIDS TO SEE YOUR PRIVATES. 1040 00:42:35,363 --> 00:42:37,396 DIDN'T WANT THE KIDS TO SEE YOUR PRIVATES. >> I'M PROUD OF MY TINY PENIS 1041 00:42:37,398 --> 00:42:40,299 PRIVATES. >> I'M PROUD OF MY TINY PENIS AND BIG STONED PRUNED. 1042 00:42:40,301 --> 00:42:43,169 >> I'M PROUD OF MY TINY PENIS AND BIG STONED PRUNED. I'M BEAUTIFUL, AND I THINK YOUR 1043 00:42:43,171 --> 00:42:44,203 AND BIG STONED PRUNED. I'M BEAUTIFUL, AND I THINK YOUR AUDIENCE DESERVES TO SEE THAT. 1044 00:42:44,205 --> 00:42:46,172 I'M BEAUTIFUL, AND I THINK YOUR AUDIENCE DESERVES TO SEE THAT. >> NO, YOU CAN'T DO THAT. 1045 00:42:46,174 --> 00:42:48,174 AUDIENCE DESERVES TO SEE THAT. >> NO, YOU CAN'T DO THAT. WHEREAS WRONG WITH YOU PEOPLE? 1046 00:42:48,176 --> 00:42:48,574 >> NO, YOU CAN'T DO THAT. WHEREAS WRONG WITH YOU PEOPLE? >> WHY? 1047 00:42:48,576 --> 00:42:49,975 WHEREAS WRONG WITH YOU PEOPLE? >> WHY? I WANT TO DO THAT. 1048 00:42:49,977 --> 00:42:52,011 >> WHY? I WANT TO DO THAT. >> YOU CAN'T SHOW THAT. 1049 00:42:52,013 --> 00:42:53,579 I WANT TO DO THAT. >> YOU CAN'T SHOW THAT. ONE PARENT SAID IT WAS 1050 00:42:53,581 --> 00:42:54,013 >> YOU CAN'T SHOW THAT. ONE PARENT SAID IT WAS PORNOGRAPHIC. 1051 00:42:54,015 --> 00:42:54,780 ONE PARENT SAID IT WAS PORNOGRAPHIC. >> IT'S ART. 1052 00:42:54,782 --> 00:42:55,981 PORNOGRAPHIC. >> IT'S ART. IT'S NOT PORNOGRAPHY. 1053 00:42:55,983 --> 00:42:56,949 >> IT'S ART. IT'S NOT PORNOGRAPHY. OKAY, WELL, RIGHT NOW, IT'S 1054 00:42:56,951 --> 00:42:59,719 IT'S NOT PORNOGRAPHY. OKAY, WELL, RIGHT NOW, IT'S PORNOGRAPHY. 1055 00:42:59,721 --> 00:43:02,188 OKAY, WELL, RIGHT NOW, IT'S PORNOGRAPHY. I'LL TELL YOU WHEN IT'S ART 1056 00:43:02,190 --> 00:43:02,521 PORNOGRAPHY. I'LL TELL YOU WHEN IT'S ART AGAIN. 1057 00:43:02,523 --> 00:43:03,155 I'LL TELL YOU WHEN IT'S ART AGAIN. >> THAT'S FINE. 1058 00:43:03,157 --> 00:43:04,990 AGAIN. >> THAT'S FINE. IF PEOPLE WANT TO SEE IT, THEY 1059 00:43:04,992 --> 00:43:07,860 >> THAT'S FINE. IF PEOPLE WANT TO SEE IT, THEY CAN GO TO A MUSEUM IN ITALY OR 1060 00:43:07,862 --> 00:43:09,662 IF PEOPLE WANT TO SEE IT, THEY CAN GO TO A MUSEUM IN ITALY OR LOOK AT IT ONLINE. 1061 00:43:09,664 --> 00:43:11,263 CAN GO TO A MUSEUM IN ITALY OR LOOK AT IT ONLINE. >> OH, YOU'RE ONE OF THOSE GUYS. 1062 00:43:11,265 --> 00:43:13,132 LOOK AT IT ONLINE. >> OH, YOU'RE ONE OF THOSE GUYS. I CAN SEE WHATEVER I NEED TO 1063 00:43:13,134 --> 00:43:13,466 >> OH, YOU'RE ONE OF THOSE GUYS. I CAN SEE WHATEVER I NEED TO ONLINE. 1064 00:43:13,468 --> 00:43:14,367 I CAN SEE WHATEVER I NEED TO ONLINE. THAT'S SAD. 1065 00:43:14,369 --> 00:43:17,136 ONLINE. THAT'S SAD. LOOK, I AM FROM THE BIBLE, OKAY? 1066 00:43:17,138 --> 00:43:21,173 THAT'S SAD. LOOK, I AM FROM THE BIBLE, OKAY? I KILLED GOLIATH WITH A TINY 1067 00:43:21,175 --> 00:43:23,509 LOOK, I AM FROM THE BIBLE, OKAY? I KILLED GOLIATH WITH A TINY ROCK AND MY TINY DONG OUT. 1068 00:43:23,511 --> 00:43:25,044 I KILLED GOLIATH WITH A TINY ROCK AND MY TINY DONG OUT. YOU EVER BEEN IN A FIGHT WITH 1069 00:43:25,046 --> 00:43:26,278 ROCK AND MY TINY DONG OUT. YOU EVER BEEN IN A FIGHT WITH YOUR DONG OUT? 1070 00:43:26,280 --> 00:43:26,779 YOU EVER BEEN IN A FIGHT WITH YOUR DONG OUT? >> NO. 1071 00:43:26,781 --> 00:43:27,213 YOUR DONG OUT? >> NO. >> ANSWER ME. 1072 00:43:27,215 --> 00:43:29,048 >> NO. >> ANSWER ME. >> I DID ANSWER YOU. 1073 00:43:29,050 --> 00:43:29,448 >> ANSWER ME. >> I DID ANSWER YOU. I SAID NO. 1074 00:43:29,450 --> 00:43:31,217 >> I DID ANSWER YOU. I SAID NO. >> I'M SERIOUS, CHE. 1075 00:43:31,219 --> 00:43:33,052 I SAID NO. >> I'M SERIOUS, CHE. FIGHT WITH YOUR DONG OUT, YES OR 1076 00:43:33,054 --> 00:43:33,753 >> I'M SERIOUS, CHE. FIGHT WITH YOUR DONG OUT, YES OR NO? 1077 00:43:33,755 --> 00:43:34,220 FIGHT WITH YOUR DONG OUT, YES OR NO? >> NO. 1078 00:43:34,222 --> 00:43:36,389 NO? >> NO. >> WELL, YOU SHOULD TRY IT. 1079 00:43:36,391 --> 00:43:38,391 >> NO. >> WELL, YOU SHOULD TRY IT. IT REALLY DISTRACTS THE OTHER 1080 00:43:38,393 --> 00:43:38,657 >> WELL, YOU SHOULD TRY IT. IT REALLY DISTRACTS THE OTHER GUY. 1081 00:43:38,659 --> 00:43:40,526 IT REALLY DISTRACTS THE OTHER GUY. QUITE A BIT, YOU KNOW WHAT I 1082 00:43:40,528 --> 00:43:40,826 GUY. QUITE A BIT, YOU KNOW WHAT I MEAN? 1083 00:43:40,828 --> 00:43:41,160 QUITE A BIT, YOU KNOW WHAT I MEAN? >> NO. 1084 00:43:41,162 --> 00:43:41,927 MEAN? >> NO. >> YOU KNOW WHAT? 1085 00:43:41,929 --> 00:43:44,930 >> NO. >> YOU KNOW WHAT? I'M JUST GOING TO SHOW IT. 1086 00:43:44,932 --> 00:43:47,199 >> YOU KNOW WHAT? I'M JUST GOING TO SHOW IT. I'LL JUST SHOW IT. 1087 00:43:47,201 --> 00:43:47,767 I'M JUST GOING TO SHOW IT. I'LL JUST SHOW IT. >> PLEASE DON'T, MAN. 1088 00:43:47,769 --> 00:43:48,467 I'LL JUST SHOW IT. >> PLEASE DON'T, MAN. >> COME ON! 1089 00:43:48,469 --> 00:43:51,070 >> PLEASE DON'T, MAN. >> COME ON! WHAT ARE YOU SCARED OF? 1090 00:43:51,072 --> 00:43:53,439 >> COME ON! WHAT ARE YOU SCARED OF? ALL THE BEST ART IS NUDE. 1091 00:43:53,441 --> 00:43:57,877 WHAT ARE YOU SCARED OF? ALL THE BEST ART IS NUDE. ME, NUDE, VENUS DeMILO, NUDE, 1092 00:43:57,879 --> 00:44:00,112 ALL THE BEST ART IS NUDE. ME, NUDE, VENUS DeMILO, NUDE, STATUE OF LIBERTY, SHOWS FEET. 1093 00:44:00,114 --> 00:44:01,213 ME, NUDE, VENUS DeMILO, NUDE, STATUE OF LIBERTY, SHOWS FEET. >> WHAT ARE YOU TALKING ABOUT? 1094 00:44:01,215 --> 00:44:03,582 STATUE OF LIBERTY, SHOWS FEET. >> WHAT ARE YOU TALKING ABOUT? >> YOU HAVE THE MOST BEAUTIFUL 1095 00:44:03,584 --> 00:44:04,984 >> WHAT ARE YOU TALKING ABOUT? >> YOU HAVE THE MOST BEAUTIFUL PIECE OF ART IN THE WORLD NEXT 1096 00:44:04,986 --> 00:44:06,886 >> YOU HAVE THE MOST BEAUTIFUL PIECE OF ART IN THE WORLD NEXT TO YOU AND YOU DON'T WANT TO 1097 00:44:06,888 --> 00:44:07,286 PIECE OF ART IN THE WORLD NEXT TO YOU AND YOU DON'T WANT TO LOOK AT IT. 1098 00:44:07,288 --> 00:44:09,255 TO YOU AND YOU DON'T WANT TO LOOK AT IT. >> I CAN SEE IT NOW. 1099 00:44:09,257 --> 00:44:10,156 LOOK AT IT. >> I CAN SEE IT NOW. >> AND. 1100 00:44:10,158 --> 00:44:12,091 >> I CAN SEE IT NOW. >> AND. >> I'M NO EXPERT, BUT IT'S KIND 1101 00:44:12,093 --> 00:44:12,491 >> AND. >> I'M NO EXPERT, BUT IT'S KIND OF SMALL. 1102 00:44:12,493 --> 00:44:14,860 >> I'M NO EXPERT, BUT IT'S KIND OF SMALL. >> WELL, MOST PEOPLE SEE IT FROM 1103 00:44:14,862 --> 00:44:15,161 OF SMALL. >> WELL, MOST PEOPLE SEE IT FROM BELOW. 1104 00:44:15,163 --> 00:44:16,595 >> WELL, MOST PEOPLE SEE IT FROM BELOW. DO YOU WANT TO COME UNDER AND 1105 00:44:16,597 --> 00:44:17,830 BELOW. DO YOU WANT TO COME UNDER AND SEE IT FROM BELOW? 1106 00:44:17,832 --> 00:44:18,964 DO YOU WANT TO COME UNDER AND SEE IT FROM BELOW? >> NO, I DO NOT. 1107 00:44:18,966 --> 00:44:21,967 SEE IT FROM BELOW? >> NO, I DO NOT. >> WELL, WHILE YOU'RE LOOKING AT 1108 00:44:21,969 --> 00:44:23,269 >> NO, I DO NOT. >> WELL, WHILE YOU'RE LOOKING AT IT, DO YOU NOTICE HOW THE HAIR 1109 00:44:23,271 --> 00:44:25,805 >> WELL, WHILE YOU'RE LOOKING AT IT, DO YOU NOTICE HOW THE HAIR UP HERE IS THE SAME DOWN HERE? 1110 00:44:25,807 --> 00:44:28,307 IT, DO YOU NOTICE HOW THE HAIR UP HERE IS THE SAME DOWN HERE? THAT'S NOT LIKE RIGHT, RIGHT? 1111 00:44:28,309 --> 00:44:29,275 UP HERE IS THE SAME DOWN HERE? THAT'S NOT LIKE RIGHT, RIGHT? IT'S TOO THICK. 1112 00:44:29,277 --> 00:44:30,309 THAT'S NOT LIKE RIGHT, RIGHT? IT'S TOO THICK. IT'S LIKE ROCKS, LOOK. 1113 00:44:30,311 --> 00:44:34,580 IT'S TOO THICK. IT'S LIKE ROCKS, LOOK. >> DUDE, NO. 1114 00:44:34,582 --> 00:44:35,881 IT'S LIKE ROCKS, LOOK. >> DUDE, NO. DON'T SHOW THAT, PLEASE. 1115 00:44:35,883 --> 00:44:37,016 >> DUDE, NO. DON'T SHOW THAT, PLEASE. >> IT'S JUST ROCKS. 1116 00:44:37,018 --> 00:44:39,018 DON'T SHOW THAT, PLEASE. >> IT'S JUST ROCKS. GOD, AMERICANS ARE UPTIGHT. 1117 00:44:39,020 --> 00:44:41,854 >> IT'S JUST ROCKS. GOD, AMERICANS ARE UPTIGHT. DID YOU KNOW IN THE ITALIAN 1118 00:44:41,856 --> 00:44:45,357 GOD, AMERICANS ARE UPTIGHT. DID YOU KNOW IN THE ITALIAN VERSION OF SNL YOU CAN SHOW FULL 1119 00:44:45,359 --> 00:44:45,758 DID YOU KNOW IN THE ITALIAN VERSION OF SNL YOU CAN SHOW FULL PENETRATION? 1120 00:44:45,760 --> 00:44:53,732 VERSION OF SNL YOU CAN SHOW FULL PENETRATION? >> WHAT? 1121 00:44:53,734 --> 00:44:54,166 PENETRATION? >> WHAT? 1122 00:44:54,168 --> 00:44:55,534 >> WHAT? YOU KNOW WHAT, IF YOU WANT TO 1123 00:44:55,536 --> 00:44:57,570 YOU KNOW WHAT, IF YOU WANT TO SHOW IT SO BAD, JUST SHOW IT. 1124 00:44:57,572 --> 00:44:58,337 YOU KNOW WHAT, IF YOU WANT TO SHOW IT SO BAD, JUST SHOW IT. WE'RE ALL WATCHING. 1125 00:44:58,339 --> 00:45:00,940 SHOW IT SO BAD, JUST SHOW IT. WE'RE ALL WATCHING. >> WELL, NOW I'M SHY. 1126 00:45:00,942 --> 00:45:04,643 WE'RE ALL WATCHING. >> WELL, NOW I'M SHY. >> MICHAEL ANGELO'S DAVID, 1127 00:45:04,645 --> 00:45:05,010 >> WELL, NOW I'M SHY. >> MICHAEL ANGELO'S DAVID, EVERYBODY. 1128 00:45:05,012 --> 00:45:10,382 >> MICHAEL ANGELO'S DAVID, EVERYBODY. GET OUT OF HERE! 1129 00:45:10,384 --> 00:45:11,617 EVERYBODY. GET OUT OF HERE! >> APPLE HAS LAUNCHED A NEW 1130 00:45:11,619 --> 00:45:13,052 GET OUT OF HERE! >> APPLE HAS LAUNCHED A NEW FEATURE CALLED PAY LATER THAT 1131 00:45:13,054 --> 00:45:15,154 >> APPLE HAS LAUNCHED A NEW FEATURE CALLED PAY LATER THAT LETS USERS SPREAD OUT PAYMENTS 1132 00:45:15,156 --> 00:45:17,523 FEATURE CALLED PAY LATER THAT LETS USERS SPREAD OUT PAYMENTS FOR APPS OVER THE COURSE OF SIX 1133 00:45:17,525 --> 00:45:17,857 LETS USERS SPREAD OUT PAYMENTS FOR APPS OVER THE COURSE OF SIX WEEKS. 1134 00:45:17,859 --> 00:45:19,792 FOR APPS OVER THE COURSE OF SIX WEEKS. THIS HAS ALSO LAUNCHED MY NEW 1135 00:45:19,794 --> 00:45:23,596 WEEKS. THIS HAS ALSO LAUNCHED MY NEW FAVORITE INSULT, YO MAMA IS SO 1136 00:45:23,598 --> 00:45:26,131 THIS HAS ALSO LAUNCHED MY NEW FAVORITE INSULT, YO MAMA IS SO POOR, SHE PUT CANDY CRUSH ON LA 1137 00:45:26,133 --> 00:45:26,432 FAVORITE INSULT, YO MAMA IS SO POOR, SHE PUT CANDY CRUSH ON LA AWAY. 1138 00:45:26,434 --> 00:45:28,434 POOR, SHE PUT CANDY CRUSH ON LA AWAY. >> AFTER A RECENT CHEMICAL SPILL 1139 00:45:28,436 --> 00:45:29,835 AWAY. >> AFTER A RECENT CHEMICAL SPILL IN THE DELAWARE RIVER, 1140 00:45:29,837 --> 00:45:31,637 >> AFTER A RECENT CHEMICAL SPILL IN THE DELAWARE RIVER, PHILADELPHIA OFFICIALS SAY THE 1141 00:45:31,639 --> 00:45:33,806 IN THE DELAWARE RIVER, PHILADELPHIA OFFICIALS SAY THE CITY'S DRINKING WATER IS FINALLY 1142 00:45:33,808 --> 00:45:35,040 PHILADELPHIA OFFICIALS SAY THE CITY'S DRINKING WATER IS FINALLY SAFE, UNLESS IT'S BEING HANDED 1143 00:45:35,042 --> 00:45:39,345 CITY'S DRINKING WATER IS FINALLY SAFE, UNLESS IT'S BEING HANDED TO YOU BY THIS PHILADELPHIAN. 1144 00:45:39,347 --> 00:45:42,314 SAFE, UNLESS IT'S BEING HANDED TO YOU BY THIS PHILADELPHIAN. YOU GUYS DON'T LIKE SAFETY 1145 00:45:42,316 --> 00:45:42,715 TO YOU BY THIS PHILADELPHIAN. YOU GUYS DON'T LIKE SAFETY PRECAUTIONS? 1146 00:45:42,717 --> 00:45:45,317 YOU GUYS DON'T LIKE SAFETY PRECAUTIONS? CUP NOODLES HAS INTRODUCED A 1147 00:45:45,319 --> 00:45:47,119 PRECAUTIONS? CUP NOODLES HAS INTRODUCED A BREAKFAST VERSION OF THEIR 1148 00:45:47,121 --> 00:45:49,555 CUP NOODLES HAS INTRODUCED A BREAKFAST VERSION OF THEIR INSTANT RAMON. 1149 00:45:49,557 --> 00:45:52,625 BREAKFAST VERSION OF THEIR INSTANT RAMON. THE FLAVOR WILL BE CALLED, "MOM 1150 00:45:52,627 --> 00:45:55,594 INSTANT RAMON. THE FLAVOR WILL BE CALLED, "MOM LEFT." 1151 00:45:55,596 --> 00:45:57,997 THE FLAVOR WILL BE CALLED, "MOM LEFT." I LIKE THIS CROWD A LOT, MAN. 1152 00:45:57,999 --> 00:45:58,330 LEFT." I LIKE THIS CROWD A LOT, MAN. >> YEAH. 1153 00:45:58,332 --> 00:46:02,568 I LIKE THIS CROWD A LOT, MAN. >> YEAH. YEAH, ME TOO. 1154 00:46:02,570 --> 00:46:09,174 >> YEAH. YEAH, ME TOO. AGREED. 1155 00:46:09,176 --> 00:46:10,075 YEAH, ME TOO. AGREED. AN 89-YEAR-OLD JAPANESE MAN HAS 1156 00:46:10,077 --> 00:46:12,378 AGREED. AN 89-YEAR-OLD JAPANESE MAN HAS BEEN RECOGNIZED AS THE OLDEST 1157 00:46:12,380 --> 00:46:13,946 AN 89-YEAR-OLD JAPANESE MAN HAS BEEN RECOGNIZED AS THE OLDEST MALE SURFER EVER. 1158 00:46:13,948 --> 00:46:18,217 BEEN RECOGNIZED AS THE OLDEST MALE SURFER EVER. HE TRULY EMBODIES THE SURFING 1159 00:46:18,219 --> 00:46:19,618 MALE SURFER EVER. HE TRULY EMBODIES THE SURFING LIFESTYLE BECAUSE EVERY PART OF 1160 00:46:19,620 --> 00:46:21,754 HE TRULY EMBODIES THE SURFING LIFESTYLE BECAUSE EVERY PART OF HIS BODY HANGS LOOSE. 1161 00:46:21,756 --> 00:46:22,821 LIFESTYLE BECAUSE EVERY PART OF HIS BODY HANGS LOOSE. NEW YORK CITY IS EXPECTED TO END 1162 00:46:22,823 --> 00:46:24,957 HIS BODY HANGS LOOSE. NEW YORK CITY IS EXPECTED TO END THE WINTER WITH THE LOWEST 1163 00:46:24,959 --> 00:46:26,025 NEW YORK CITY IS EXPECTED TO END THE WINTER WITH THE LOWEST SNOWFALL ON RECORD. 1164 00:46:26,027 --> 00:46:31,564 THE WINTER WITH THE LOWEST SNOWFALL ON RECORD. YOU LYING SON OF A BITCH. 1165 00:46:31,566 --> 00:46:34,133 SNOWFALL ON RECORD. YOU LYING SON OF A BITCH. >> NEW YORK CITY FIRE DEPARTMENT 1166 00:46:34,135 --> 00:46:36,168 YOU LYING SON OF A BITCH. >> NEW YORK CITY FIRE DEPARTMENT RESCUED FIVE CHILDREN WHO GOT 1167 00:46:36,170 --> 00:46:39,905 >> NEW YORK CITY FIRE DEPARTMENT RESCUED FIVE CHILDREN WHO GOT THEMSELVES LOST IN THE STATEN 1168 00:46:39,907 --> 00:46:43,175 RESCUED FIVE CHILDREN WHO GOT THEMSELVES LOST IN THE STATEN ISLAND SUER SYSTEM. 1169 00:46:43,177 --> 00:46:44,310 THEMSELVES LOST IN THE STATEN ISLAND SUER SYSTEM. IT'S HARD TO BELIEVE A PLACE 1170 00:46:44,312 --> 00:46:46,979 ISLAND SUER SYSTEM. IT'S HARD TO BELIEVE A PLACE THAT FILTHY AND DISGUSTING HAS A 1171 00:46:46,981 --> 00:46:48,213 IT'S HARD TO BELIEVE A PLACE THAT FILTHY AND DISGUSTING HAS A SUER SYSTEM. 1172 00:46:48,215 --> 00:46:51,083 THAT FILTHY AND DISGUSTING HAS A SUER SYSTEM. BUILD A BEAR HAS INTRODUCED A 1173 00:46:51,085 --> 00:46:52,151 SUER SYSTEM. BUILD A BEAR HAS INTRODUCED A NEW RUE PAUL DOLL. 1174 00:46:52,153 --> 00:46:53,419 BUILD A BEAR HAS INTRODUCED A NEW RUE PAUL DOLL. AND HONESTLY, AFTER A FEW BEERS, 1175 00:46:53,421 --> 00:46:59,024 NEW RUE PAUL DOLL. AND HONESTLY, AFTER A FEW BEERS, I WOULD. 1176 00:46:59,026 --> 00:47:00,559 AND HONESTLY, AFTER A FEW BEERS, I WOULD. >> NEW YORK CITY OFFICIALS 1177 00:47:00,561 --> 00:47:01,493 I WOULD. >> NEW YORK CITY OFFICIALS ANNOUNCED THEY WILL STOP CALLING 1178 00:47:01,495 --> 00:47:03,462 >> NEW YORK CITY OFFICIALS ANNOUNCED THEY WILL STOP CALLING THE CITY'S PARK BATHROOMS 1179 00:47:03,464 --> 00:47:04,930 ANNOUNCED THEY WILL STOP CALLING THE CITY'S PARK BATHROOMS COMFORT STATIONS AND WILL 1180 00:47:04,932 --> 00:47:06,832 THE CITY'S PARK BATHROOMS COMFORT STATIONS AND WILL INSTEAD CALL THEM THE MORE 1181 00:47:06,834 --> 00:47:16,642 COMFORT STATIONS AND WILL INSTEAD CALL THEM THE MORE ACCURATE STANK SHACKS. 1182 00:47:16,644 --> 00:47:20,012 INSTEAD CALL THEM THE MORE ACCURATE STANK SHACKS. SAVED A MAN AFTER HE INSERTED A 1183 00:47:20,014 --> 00:47:23,215 ACCURATE STANK SHACKS. SAVED A MAN AFTER HE INSERTED A WATER GLASS INTO HIS RECTUM FOR 1184 00:47:23,217 --> 00:47:26,485 SAVED A MAN AFTER HE INSERTED A WATER GLASS INTO HIS RECTUM FOR SEXUAL GRATIFICATION, AND IT GOT 1185 00:47:26,487 --> 00:47:26,785 WATER GLASS INTO HIS RECTUM FOR SEXUAL GRATIFICATION, AND IT GOT STUFF. 1186 00:47:26,787 --> 00:47:28,954 SEXUAL GRATIFICATION, AND IT GOT STUFF. I THINK HE FELT POSITIVE ABOUT 1187 00:47:28,956 --> 00:47:30,255 STUFF. I THINK HE FELT POSITIVE ABOUT THE EXPERIENCE BECAUSE HE SAID 1188 00:47:30,257 --> 00:47:31,991 I THINK HE FELT POSITIVE ABOUT THE EXPERIENCE BECAUSE HE SAID THE GLASS WAS HALF FULL. 1189 00:47:31,993 --> 00:47:33,993 THE EXPERIENCE BECAUSE HE SAID THE GLASS WAS HALF FULL. >> THE FIRST MARIJUANA 1190 00:47:33,995 --> 00:47:35,961 THE GLASS WAS HALF FULL. >> THE FIRST MARIJUANA DISPENSARY OWNED BY A WOMAN HAS 1191 00:47:35,963 --> 00:47:38,964 >> THE FIRST MARIJUANA DISPENSARY OWNED BY A WOMAN HAS OPENED IN QUEENS NEW YORK. 1192 00:47:38,966 --> 00:47:40,566 DISPENSARY OWNED BY A WOMAN HAS OPENED IN QUEENS NEW YORK. UNFORTUNATELY, THEY HAD TO SHUT 1193 00:47:40,568 --> 00:47:41,433 OPENED IN QUEENS NEW YORK. UNFORTUNATELY, THEY HAD TO SHUT DOWN BECAUSE SHE COULDN'T OPEN 1194 00:47:41,435 --> 00:47:47,539 UNFORTUNATELY, THEY HAD TO SHUT DOWN BECAUSE SHE COULDN'T OPEN THE WEED JARS ON HER OWN. 1195 00:47:47,541 --> 00:47:49,141 DOWN BECAUSE SHE COULDN'T OPEN THE WEED JARS ON HER OWN. >> SIMMER DOWN. 1196 00:47:49,143 --> 00:47:51,610 THE WEED JARS ON HER OWN. >> SIMMER DOWN. A SPERM DONOR IN THE NETHERLANDS 1197 00:47:51,612 --> 00:47:53,912 >> SIMMER DOWN. A SPERM DONOR IN THE NETHERLANDS WHO ALLEGEDLY FATHERED MORE THAN 1198 00:47:53,914 --> 00:47:55,581 A SPERM DONOR IN THE NETHERLANDS WHO ALLEGEDLY FATHERED MORE THAN 500 CHILDREN IS BEING SUED FOR 1199 00:47:55,583 --> 00:47:57,082 WHO ALLEGEDLY FATHERED MORE THAN 500 CHILDREN IS BEING SUED FOR INCREASING THE RISK OF 1200 00:47:57,084 --> 00:47:58,751 500 CHILDREN IS BEING SUED FOR INCREASING THE RISK OF ACCIDENTAL INCEST AMONG THE 1201 00:47:58,753 --> 00:47:59,051 INCREASING THE RISK OF ACCIDENTAL INCEST AMONG THE KIDS. 1202 00:47:59,053 --> 00:48:01,587 ACCIDENTAL INCEST AMONG THE KIDS. ACCIDENTAL INCEST IS ALSO THE 1203 00:48:01,589 --> 00:48:02,321 KIDS. ACCIDENTAL INCEST IS ALSO THE TITLE OF THE WORST AMERICAN PIE 1204 00:48:02,323 --> 00:48:04,657 ACCIDENTAL INCEST IS ALSO THE TITLE OF THE WORST AMERICAN PIE SEQUEL. 1205 00:48:04,659 --> 00:48:07,926 TITLE OF THE WORST AMERICAN PIE SEQUEL. WELL, GUYS, IT'S APRIL, AND THAT 1206 00:48:07,928 --> 00:48:09,695 SEQUEL. WELL, GUYS, IT'S APRIL, AND THAT CAN ONLY MEAN ONE THING, THE 1207 00:48:09,697 --> 00:48:11,263 WELL, GUYS, IT'S APRIL, AND THAT CAN ONLY MEAN ONE THING, THE CELEBRATION OF SHORT MEN THAT 1208 00:48:11,265 --> 00:48:14,466 CAN ONLY MEAN ONE THING, THE CELEBRATION OF SHORT MEN THAT THE INTERNET HAS DUBBED SHORT 1209 00:48:14,468 --> 00:48:16,669 CELEBRATION OF SHORT MEN THAT THE INTERNET HAS DUBBED SHORT KING SPRING. 1210 00:48:16,671 --> 00:48:17,670 THE INTERNET HAS DUBBED SHORT KING SPRING. HERE TO COMMENT IS OUR VERY OWN 1211 00:48:17,672 --> 00:48:20,172 KING SPRING. HERE TO COMMENT IS OUR VERY OWN SHORT KING, MARCELLO HERNANDEZ. 1212 00:48:20,174 --> 00:48:21,507 HERE TO COMMENT IS OUR VERY OWN SHORT KING, MARCELLO HERNANDEZ. >> HEY, COLIN. 1213 00:48:21,509 --> 00:48:22,908 SHORT KING, MARCELLO HERNANDEZ. >> HEY, COLIN. IT'S GREAT TO BE HERE. 1214 00:48:22,910 --> 00:48:24,677 >> HEY, COLIN. IT'S GREAT TO BE HERE. >> HEY, MARCELLO. 1215 00:48:24,679 --> 00:48:26,078 IT'S GREAT TO BE HERE. >> HEY, MARCELLO. THANKS FOR BEING HERE. 1216 00:48:26,080 --> 00:48:27,312 >> HEY, MARCELLO. THANKS FOR BEING HERE. CAN YOU WALK US THROUGH WHAT IT 1217 00:48:27,314 --> 00:48:28,614 THANKS FOR BEING HERE. CAN YOU WALK US THROUGH WHAT IT MEANS TO BE A SHORT KING? 1218 00:48:28,616 --> 00:48:30,649 CAN YOU WALK US THROUGH WHAT IT MEANS TO BE A SHORT KING? >> COLIN, IT'S BASICALLY 1219 00:48:30,651 --> 00:48:33,185 MEANS TO BE A SHORT KING? >> COLIN, IT'S BASICALLY SOMETHING WOMEN SAY AS IF IT'S A 1220 00:48:33,187 --> 00:48:33,585 >> COLIN, IT'S BASICALLY SOMETHING WOMEN SAY AS IF IT'S A COMPLIMENT. 1221 00:48:33,587 --> 00:48:45,698 SOMETHING WOMEN SAY AS IF IT'S A COMPLIMENT. BUT IT'S KIND OF CONDESCENDING. 1222 00:48:45,700 --> 00:48:48,033 COMPLIMENT. BUT IT'S KIND OF CONDESCENDING. >> WELL, IF IT HELPS, I NEVER 1223 00:48:48,035 --> 00:48:50,736 BUT IT'S KIND OF CONDESCENDING. >> WELL, IF IT HELPS, I NEVER THOUGHT OF YOU AS A SHORT MAN, 1224 00:48:50,738 --> 00:48:51,437 >> WELL, IF IT HELPS, I NEVER THOUGHT OF YOU AS A SHORT MAN, AND YOU'RE WELCOME FOR THAT. 1225 00:48:51,439 --> 00:48:52,771 THOUGHT OF YOU AS A SHORT MAN, AND YOU'RE WELCOME FOR THAT. >> I KNOW I'M SHORT. 1226 00:48:52,773 --> 00:48:55,274 AND YOU'RE WELCOME FOR THAT. >> I KNOW I'M SHORT. WHEN I LIE ABOUT MY HEIGHT, I 1227 00:48:55,276 --> 00:48:58,377 >> I KNOW I'M SHORT. WHEN I LIE ABOUT MY HEIGHT, I SAY I'M 5'9", WHICH MEANS I'M 1228 00:48:58,379 --> 00:49:00,546 WHEN I LIE ABOUT MY HEIGHT, I SAY I'M 5'9", WHICH MEANS I'M REALLY 5'7" 1/2, AND I'M LYING 1229 00:49:00,548 --> 00:49:01,847 SAY I'M 5'9", WHICH MEANS I'M REALLY 5'7" 1/2, AND I'M LYING ABOUT THE HALF. 1230 00:49:01,849 --> 00:49:03,849 REALLY 5'7" 1/2, AND I'M LYING ABOUT THE HALF. WHAT HEIGHT DO YOU SAY, COLIN? 1231 00:49:03,851 --> 00:49:04,983 ABOUT THE HALF. WHAT HEIGHT DO YOU SAY, COLIN? >> I'M 6 FEET. 1232 00:49:04,985 --> 00:49:07,219 WHAT HEIGHT DO YOU SAY, COLIN? >> I'M 6 FEET. >> SO YOU'RE 5'9"? 1233 00:49:07,221 --> 00:49:08,821 >> I'M 6 FEET. >> SO YOU'RE 5'9"? >> NO, I'M 6 FEET. 1234 00:49:08,823 --> 00:49:10,556 >> SO YOU'RE 5'9"? >> NO, I'M 6 FEET. >> IF YOU WERE 6 FEET, YOU WOULD 1235 00:49:10,558 --> 00:49:11,623 >> NO, I'M 6 FEET. >> IF YOU WERE 6 FEET, YOU WOULD SAY 6'2". 1236 00:49:11,625 --> 00:49:14,159 >> IF YOU WERE 6 FEET, YOU WOULD SAY 6'2". >> I'M EXACTLY 6 FEET. 1237 00:49:14,161 --> 00:49:15,527 SAY 6'2". >> I'M EXACTLY 6 FEET. >> THEN LET'S STAND BACK TO 1238 00:49:15,529 --> 00:49:15,828 >> I'M EXACTLY 6 FEET. >> THEN LET'S STAND BACK TO BACK. 1239 00:49:15,830 --> 00:49:16,895 >> THEN LET'S STAND BACK TO BACK. >> I DON'T WANT TO DO THAT. 1240 00:49:16,897 --> 00:49:18,497 BACK. >> I DON'T WANT TO DO THAT. >> INTERESTING. 1241 00:49:18,499 --> 00:49:20,365 >> I DON'T WANT TO DO THAT. >> INTERESTING. COLIN, SHORT INC. CANS LIKE US 1242 00:49:20,367 --> 00:49:22,134 >> INTERESTING. COLIN, SHORT INC. CANS LIKE US SHOULD BE PROUD OF OUR HERITAGE. 1243 00:49:22,136 --> 00:49:24,336 COLIN, SHORT INC. CANS LIKE US SHOULD BE PROUD OF OUR HERITAGE. WE COME FROM A LONG LINE OF 1244 00:49:24,338 --> 00:49:28,140 SHOULD BE PROUD OF OUR HERITAGE. WE COME FROM A LONG LINE OF GREATS, KEVIN HART, BRUNO MARS, 1245 00:49:28,142 --> 00:49:30,743 WE COME FROM A LONG LINE OF GREATS, KEVIN HART, BRUNO MARS, PRINCE, THE MINIONS, AL PACINO, 1246 00:49:30,745 --> 00:49:35,848 GREATS, KEVIN HART, BRUNO MARS, PRINCE, THE MINIONS, AL PACINO, MARK WAHLBERG, JACK BLACK, YODA, 1247 00:49:35,850 --> 00:49:38,584 PRINCE, THE MINIONS, AL PACINO, MARK WAHLBERG, JACK BLACK, YODA, TOM HOLLAND, LIL WANE, RIGHT 1248 00:49:38,586 --> 00:49:40,586 MARK WAHLBERG, JACK BLACK, YODA, TOM HOLLAND, LIL WANE, RIGHT THERE IN THE NAME, MARTIN SHORT, 1249 00:49:40,588 --> 00:49:43,222 TOM HOLLAND, LIL WANE, RIGHT THERE IN THE NAME, MARTIN SHORT, AGAIN, RIGHT THERE IN THE NAME. 1250 00:49:43,224 --> 00:49:46,291 THERE IN THE NAME, MARTIN SHORT, AGAIN, RIGHT THERE IN THE NAME. BEETHOVEN, THE COMPOSER, WAS 1251 00:49:46,293 --> 00:49:48,193 AGAIN, RIGHT THERE IN THE NAME. BEETHOVEN, THE COMPOSER, WAS 5'6", AND THE DOG WAS EVEN 1252 00:49:48,195 --> 00:49:48,560 BEETHOVEN, THE COMPOSER, WAS 5'6", AND THE DOG WAS EVEN SHORTER. 1253 00:49:48,562 --> 00:49:49,061 5'6", AND THE DOG WAS EVEN SHORTER. >> GREAT TO KNOW. 1254 00:49:49,063 --> 00:49:50,362 SHORTER. >> GREAT TO KNOW. I THINK WE GET IT. 1255 00:49:50,364 --> 00:49:53,465 >> GREAT TO KNOW. I THINK WE GET IT. >> NOW LET'S THINK OF SOME TALL 1256 00:49:53,467 --> 00:49:54,166 I THINK WE GET IT. >> NOW LET'S THINK OF SOME TALL GUYS. 1257 00:49:54,168 --> 00:49:59,204 >> NOW LET'S THINK OF SOME TALL GUYS. OSAMA BIN LADEN IS 6'4", ARMIE 1258 00:49:59,206 --> 00:50:00,639 GUYS. OSAMA BIN LADEN IS 6'4", ARMIE HAMMER, 7'3". 1259 00:50:00,641 --> 00:50:03,242 OSAMA BIN LADEN IS 6'4", ARMIE HAMMER, 7'3". >> ARMIE HAMMER IS NOT 7'3". 1260 00:50:03,244 --> 00:50:04,176 HAMMER, 7'3". >> ARMIE HAMMER IS NOT 7'3". >> OKAY. 1261 00:50:04,178 --> 00:50:04,877 >> ARMIE HAMMER IS NOT 7'3". >> OKAY. SORRY, I FORGOT YOU TWO WERE 1262 00:50:04,879 --> 00:50:06,912 >> OKAY. SORRY, I FORGOT YOU TWO WERE FRIENDS. 1263 00:50:06,914 --> 00:50:10,249 SORRY, I FORGOT YOU TWO WERE FRIENDS. >> WE'RE FRIENDLY. 1264 00:50:10,251 --> 00:50:11,784 FRIENDS. >> WE'RE FRIENDLY. >> YOU KNOW, THE WORST THING 1265 00:50:11,786 --> 00:50:14,286 >> WE'RE FRIENDLY. >> YOU KNOW, THE WORST THING ABOUT TALL MEN IS WHEN THEY SAY 1266 00:50:14,288 --> 00:50:17,689 >> YOU KNOW, THE WORST THING ABOUT TALL MEN IS WHEN THEY SAY HELLO TO US PETITE PRINCES. 1267 00:50:17,691 --> 00:50:20,092 ABOUT TALL MEN IS WHEN THEY SAY HELLO TO US PETITE PRINCES. THEY GO LOW AND USE A BABY 1268 00:50:20,094 --> 00:50:20,425 HELLO TO US PETITE PRINCES. THEY GO LOW AND USE A BABY VOICE. 1269 00:50:20,427 --> 00:50:22,694 THEY GO LOW AND USE A BABY VOICE. THEY GO, HEY, MAN, EVERYTHING 1270 00:50:22,696 --> 00:50:24,196 VOICE. THEY GO, HEY, MAN, EVERYTHING GOOD DOWN THERE. 1271 00:50:24,198 --> 00:50:25,697 THEY GO, HEY, MAN, EVERYTHING GOOD DOWN THERE. AND WHEN THEY' DONE TALKING TO 1272 00:50:25,699 --> 00:50:27,966 GOOD DOWN THERE. AND WHEN THEY' DONE TALKING TO YOU, IT FEELS LIKE THEY SAY IT, 1273 00:50:27,968 --> 00:50:29,501 AND WHEN THEY' DONE TALKING TO YOU, IT FEELS LIKE THEY SAY IT, WHEN THEY'RE DONE TALKING, THEY 1274 00:50:29,503 --> 00:50:30,269 YOU, IT FEELS LIKE THEY SAY IT, WHEN THEY'RE DONE TALKING, THEY GO, ALL RIGHT, I GOT TO GO BACK 1275 00:50:30,271 --> 00:50:35,007 WHEN THEY'RE DONE TALKING, THEY GO, ALL RIGHT, I GOT TO GO BACK UP. 1276 00:50:35,009 --> 00:50:36,842 GO, ALL RIGHT, I GOT TO GO BACK UP. COLIN, WHAT I'M TRYING TO SAY IS 1277 00:50:36,844 --> 00:50:39,611 UP. COLIN, WHAT I'M TRYING TO SAY IS US TINY TITANS, WE GOT TO 1278 00:50:39,613 --> 00:50:39,978 COLIN, WHAT I'M TRYING TO SAY IS US TINY TITANS, WE GOT TO STICK -- 1279 00:50:39,980 --> 00:50:41,313 US TINY TITANS, WE GOT TO STICK -- >> STOP SAYING US. 1280 00:50:41,315 --> 00:50:43,282 STICK -- >> STOP SAYING US. >> THEN STAND BACK TO BACK WITH 1281 00:50:43,284 --> 00:50:43,549 >> STOP SAYING US. >> THEN STAND BACK TO BACK WITH ME. 1282 00:50:43,551 --> 00:50:43,882 >> THEN STAND BACK TO BACK WITH ME. >> NO. 1283 00:50:43,884 --> 00:50:44,283 ME. >> NO. >> OKAY. 1284 00:50:44,285 --> 00:50:46,451 >> NO. >> OKAY. WELL, LOOK, SHORT KINGS, WE WERE 1285 00:50:46,453 --> 00:50:47,853 >> OKAY. WELL, LOOK, SHORT KINGS, WE WERE BORN KINGS. 1286 00:50:47,855 --> 00:50:49,021 WELL, LOOK, SHORT KINGS, WE WERE BORN KINGS. WE'VE BECOME KINGS. 1287 00:50:49,023 --> 00:50:50,022 BORN KINGS. WE'VE BECOME KINGS. WE'VE DONE THE WORK. 1288 00:50:50,024 --> 00:50:51,590 WE'VE BECOME KINGS. WE'VE DONE THE WORK. WE LEARNED HOW TO DANCE, NOT 1289 00:50:51,592 --> 00:50:55,928 WE'VE DONE THE WORK. WE LEARNED HOW TO DANCE, NOT BECAUSE WE WANTED TO BUT BECAUSE 1290 00:50:55,930 --> 00:50:56,995 WE LEARNED HOW TO DANCE, NOT BECAUSE WE WANTED TO BUT BECAUSE WE HAD TO. 1291 00:50:56,997 --> 00:51:00,933 BECAUSE WE WANTED TO BUT BECAUSE WE HAD TO. TALL GUYS LIKE MICHAEL CHE DON'T 1292 00:51:00,935 --> 00:51:02,201 WE HAD TO. TALL GUYS LIKE MICHAEL CHE DON'T GOT TO LEARN HOW TO DANCE. 1293 00:51:02,203 --> 00:51:03,902 TALL GUYS LIKE MICHAEL CHE DON'T GOT TO LEARN HOW TO DANCE. THEY STAND AT THE BACK OF THE 1294 00:51:03,904 --> 00:51:06,104 GOT TO LEARN HOW TO DANCE. THEY STAND AT THE BACK OF THE PARTY LIKE -- MEANWHILE, YOU AND 1295 00:51:06,106 --> 00:51:07,639 THEY STAND AT THE BACK OF THE PARTY LIKE -- MEANWHILE, YOU AND ME ARE ON THE DANCE FLOOR 1296 00:51:07,641 --> 00:51:08,740 PARTY LIKE -- MEANWHILE, YOU AND ME ARE ON THE DANCE FLOOR WORKING, COLIN. 1297 00:51:08,742 --> 00:51:10,409 ME ARE ON THE DANCE FLOOR WORKING, COLIN. NOT BECAUSE WE WANT TO BUT 1298 00:51:10,411 --> 00:51:11,777 WORKING, COLIN. NOT BECAUSE WE WANT TO BUT BECAUSE WE HAD TO. 1299 00:51:11,779 --> 00:51:13,812 NOT BECAUSE WE WANT TO BUT BECAUSE WE HAD TO. >> AGAIN, I'M 6 FEET TALL. 1300 00:51:13,814 --> 00:51:17,149 BECAUSE WE HAD TO. >> AGAIN, I'M 6 FEET TALL. >> YEAH, YOU'RE A TOWER. 1301 00:51:17,151 --> 00:51:17,482 >> AGAIN, I'M 6 FEET TALL. >> YEAH, YOU'RE A TOWER. ANYWAY. 1302 00:51:17,484 --> 00:51:19,952 >> YEAH, YOU'RE A TOWER. ANYWAY. FOR ALL MY SHORT KINGS WATCHING 1303 00:51:19,954 --> 00:51:21,987 ANYWAY. FOR ALL MY SHORT KINGS WATCHING AT HOME, STAY STRONG, LIVE 1304 00:51:21,989 --> 00:51:23,956 FOR ALL MY SHORT KINGS WATCHING AT HOME, STAY STRONG, LIVE LARGE, AND BE PROUD OF THE TINY 1305 00:51:23,958 --> 00:51:25,257 AT HOME, STAY STRONG, LIVE LARGE, AND BE PROUD OF THE TINY LITTLE PERSON THAT YOU ARE. 1306 00:51:25,259 --> 00:51:27,125 LARGE, AND BE PROUD OF THE TINY LITTLE PERSON THAT YOU ARE. SO LET'S SHOW THEM, COLIN. 1307 00:51:27,127 --> 00:51:28,760 LITTLE PERSON THAT YOU ARE. SO LET'S SHOW THEM, COLIN. STAND UP AND GO BACK TO BACK 1308 00:51:28,762 --> 00:51:29,328 SO LET'S SHOW THEM, COLIN. STAND UP AND GO BACK TO BACK WITH ME. 1309 00:51:29,330 --> 00:51:31,496 STAND UP AND GO BACK TO BACK WITH ME. >> FOR THE LAST TIME, I CAN'T DO 1310 00:51:31,498 --> 00:51:31,797 WITH ME. >> FOR THE LAST TIME, I CAN'T DO THAT. 1311 00:51:31,799 --> 00:51:32,698 >> FOR THE LAST TIME, I CAN'T DO THAT. >> WHY NOT? 1312 00:51:32,700 --> 00:51:33,932 THAT. >> WHY NOT? >> BECAUSE, MARCELLO, I'M 1313 00:51:33,934 --> 00:51:37,336 >> WHY NOT? >> BECAUSE, MARCELLO, I'M ALREADY STANDING. 1314 00:51:37,338 --> 00:51:38,503 >> BECAUSE, MARCELLO, I'M ALREADY STANDING. >> I KNEW IT! 1315 00:51:38,505 --> 00:51:41,940 ALREADY STANDING. >> I KNEW IT! I KNEW IT! 1316 00:51:41,942 --> 00:51:47,880 >> I KNEW IT! I KNEW IT! >> MARCELLO SHORT KING 1317 00:51:47,882 --> 00:51:48,247 I KNEW IT! >> MARCELLO SHORT KING HERNANDEZ. 1318 00:51:48,249 --> 00:51:49,047 >> MARCELLO SHORT KING HERNANDEZ. I'M COLIN JOST. 1319 00:51:49,049 --> 00:51:50,199 HERNANDEZ. I'M COLIN JOST. >> I'M 1320 00:52:14,007 --> 00:52:18,644 >>> OKAY, MRS. MURPHY, YOUR CONTRACTIONS ARE 30 SECONDS APART. 1321 00:52:18,646 --> 00:52:19,912 CONTRACTIONS ARE 30 SECONDS APART. THIS BABY IS COMING. 1322 00:52:19,914 --> 00:52:23,215 APART. THIS BABY IS COMING. >> BUT I'M NOT DUE FOR ANOTHER 1323 00:52:23,217 --> 00:52:23,615 THIS BABY IS COMING. >> BUT I'M NOT DUE FOR ANOTHER TWO WEEKS. 1324 00:52:23,617 --> 00:52:26,251 >> BUT I'M NOT DUE FOR ANOTHER TWO WEEKS. >> I KNOW IT'S SCARY, BUT LISTEN 1325 00:52:26,253 --> 00:52:26,785 TWO WEEKS. >> I KNOW IT'S SCARY, BUT LISTEN TO ME AND BREATHE. 1326 00:52:26,787 --> 00:52:28,654 >> I KNOW IT'S SCARY, BUT LISTEN TO ME AND BREATHE. >> WHAT ABOUT MY MIDWIFE? 1327 00:52:28,656 --> 00:52:29,788 TO ME AND BREATHE. >> WHAT ABOUT MY MIDWIFE? >> HE'S ON HIS WAY. 1328 00:52:29,790 --> 00:52:32,491 >> WHAT ABOUT MY MIDWIFE? >> HE'S ON HIS WAY. >> I NEED HIM HERE! 1329 00:52:32,493 --> 00:52:34,426 >> HE'S ON HIS WAY. >> I NEED HIM HERE! >> CLEAR A PATH, CLEAR A PATH. 1330 00:52:34,428 --> 00:52:35,394 >> I NEED HIM HERE! >> CLEAR A PATH, CLEAR A PATH. I'M THE MIDWIFE. 1331 00:52:35,396 --> 00:52:42,000 >> CLEAR A PATH, CLEAR A PATH. I'M THE MIDWIFE. >> BARRY, THANK GOD. 1332 00:52:42,002 --> 00:52:42,534 I'M THE MIDWIFE. >> BARRY, THANK GOD. 1333 00:52:42,536 --> 00:52:44,169 >> BARRY, THANK GOD. THIS IS MY MIDWIFE BARRY. 1334 00:52:44,171 --> 00:52:47,639 THIS IS MY MIDWIFE BARRY. >> NICE TO MEET YOU, BARRY. 1335 00:52:47,641 --> 00:52:48,240 THIS IS MY MIDWIFE BARRY. >> NICE TO MEET YOU, BARRY. >> ACTUALLY, WE'VE MET. 1336 00:52:48,242 --> 00:52:49,074 >> NICE TO MEET YOU, BARRY. >> ACTUALLY, WE'VE MET. >> I'M SORRY. 1337 00:52:49,076 --> 00:52:50,943 >> ACTUALLY, WE'VE MET. >> I'M SORRY. OF COURSE. 1338 00:52:50,945 --> 00:52:52,844 >> I'M SORRY. OF COURSE. IT IS NICE TO SEE YOU. 1339 00:52:52,846 --> 00:52:57,716 OF COURSE. IT IS NICE TO SEE YOU. SO SHE'S ALREADY DILATED 10 1340 00:52:57,718 --> 00:53:00,686 IT IS NICE TO SEE YOU. SO SHE'S ALREADY DILATED 10 CENTIMETERS, WE'VE GOT TO MOVE 1341 00:53:00,688 --> 00:53:00,986 SO SHE'S ALREADY DILATED 10 CENTIMETERS, WE'VE GOT TO MOVE FAST. 1342 00:53:00,988 --> 00:53:04,723 CENTIMETERS, WE'VE GOT TO MOVE FAST. >> DO YOU REALLY NOT REMEMBER 1343 00:53:04,725 --> 00:53:04,990 FAST. >> DO YOU REALLY NOT REMEMBER ME? 1344 00:53:04,992 --> 00:53:06,558 >> DO YOU REALLY NOT REMEMBER ME? >> SHE'S CROWNING. 1345 00:53:06,560 --> 00:53:08,493 ME? >> SHE'S CROWNING. >> WE MET AT DANIELLE'S 1346 00:53:08,495 --> 00:53:08,860 >> SHE'S CROWNING. >> WE MET AT DANIELLE'S BARBECUE. 1347 00:53:08,862 --> 00:53:10,495 >> WE MET AT DANIELLE'S BARBECUE. >> CAN YOU ASK HER ABOUT THIS 1348 00:53:10,497 --> 00:53:10,796 BARBECUE. >> CAN YOU ASK HER ABOUT THIS LATER? 1349 00:53:10,798 --> 00:53:13,532 >> CAN YOU ASK HER ABOUT THIS LATER? >> FOR SURE. 1350 00:53:13,534 --> 00:53:16,101 LATER? >> FOR SURE. IT WAS THE BARBECUE BEFORE THE 1351 00:53:16,103 --> 00:53:17,169 >> FOR SURE. IT WAS THE BARBECUE BEFORE THE MACKLEMORE CONCERT? 1352 00:53:17,171 --> 00:53:20,472 IT WAS THE BARBECUE BEFORE THE MACKLEMORE CONCERT? >> SO WE MET IN 2012 ONE TIME? 1353 00:53:20,474 --> 00:53:22,140 MACKLEMORE CONCERT? >> SO WE MET IN 2012 ONE TIME? I CAN'T DEAL WITH THIS ONE TIME? 1354 00:53:22,142 --> 00:53:23,709 >> SO WE MET IN 2012 ONE TIME? I CAN'T DEAL WITH THIS ONE TIME? >> REALLY? 1355 00:53:23,711 --> 00:53:26,078 I CAN'T DEAL WITH THIS ONE TIME? >> REALLY? HOW COME WHILE YOU WERE BEING 1356 00:53:26,080 --> 00:53:26,812 >> REALLY? HOW COME WHILE YOU WERE BEING DEFENSIVE, I WAS DELIVERING THIS 1357 00:53:26,814 --> 00:53:36,021 HOW COME WHILE YOU WERE BEING DEFENSIVE, I WAS DELIVERING THIS BABY? 1358 00:53:36,023 --> 00:53:39,057 DEFENSIVE, I WAS DELIVERING THIS BABY? >> PUSH, MRS. SULLIVAN, PUSH. 1359 00:53:39,059 --> 00:53:41,259 BABY? >> PUSH, MRS. SULLIVAN, PUSH. >> IS MY MIDWIFE HERE YET? 1360 00:53:41,261 --> 00:53:42,394 >> PUSH, MRS. SULLIVAN, PUSH. >> IS MY MIDWIFE HERE YET? >> CLEAR A PATH. 1361 00:53:42,396 --> 00:53:44,563 >> IS MY MIDWIFE HERE YET? >> CLEAR A PATH. IT'S BARRY, THE MIDWIFE. 1362 00:53:44,565 --> 00:53:45,897 >> CLEAR A PATH. IT'S BARRY, THE MIDWIFE. >> THAT'S HIM. 1363 00:53:45,899 --> 00:53:46,298 IT'S BARRY, THE MIDWIFE. >> THAT'S HIM. THANK GOD. 1364 00:53:46,300 --> 00:53:48,300 >> THAT'S HIM. THANK GOD. >> BARRY, IT'S NICE TO SEE YOU 1365 00:53:48,302 --> 00:53:48,633 THANK GOD. >> BARRY, IT'S NICE TO SEE YOU AGAIN. 1366 00:53:48,635 --> 00:53:49,534 >> BARRY, IT'S NICE TO SEE YOU AGAIN. >> AGAIN? 1367 00:53:49,536 --> 00:53:50,736 AGAIN. >> AGAIN? OH, HAVE WE MET? 1368 00:53:50,738 --> 00:53:52,904 >> AGAIN? OH, HAVE WE MET? >> ARE YOU SERIOUS? 1369 00:53:52,906 --> 00:53:53,905 OH, HAVE WE MET? >> ARE YOU SERIOUS? >> YEAH. 1370 00:53:53,907 --> 00:53:55,674 >> ARE YOU SERIOUS? >> YEAH. NEVER SEEN YOU BEFORE IN MY 1371 00:53:55,676 --> 00:53:55,974 >> YEAH. NEVER SEEN YOU BEFORE IN MY LIFE. 1372 00:53:55,976 --> 00:53:57,075 NEVER SEEN YOU BEFORE IN MY LIFE. >> I PROMISE YOU HAVE. 1373 00:53:57,077 --> 00:53:58,844 LIFE. >> I PROMISE YOU HAVE. WE MET AT THIS HOSPITAL IN THIS 1374 00:53:58,846 --> 00:53:59,378 >> I PROMISE YOU HAVE. WE MET AT THIS HOSPITAL IN THIS EXACT ROOM. 1375 00:53:59,380 --> 00:54:01,146 WE MET AT THIS HOSPITAL IN THIS EXACT ROOM. >> WHAT IS THE PURPOSE OF THIS? 1376 00:54:01,148 --> 00:54:03,515 EXACT ROOM. >> WHAT IS THE PURPOSE OF THIS? TO EMBARRASS ME? 1377 00:54:03,517 --> 00:54:04,883 >> WHAT IS THE PURPOSE OF THIS? TO EMBARRASS ME? WE'VE NEVER MET. 1378 00:54:04,885 --> 00:54:05,517 TO EMBARRASS ME? WE'VE NEVER MET. GIRL, RESPECT YOURSELF. 1379 00:54:05,519 --> 00:54:06,451 WE'VE NEVER MET. GIRL, RESPECT YOURSELF. >> WHAT'S GOING ON? 1380 00:54:06,453 --> 00:54:07,619 GIRL, RESPECT YOURSELF. >> WHAT'S GOING ON? >> DON'T WORRY. 1381 00:54:07,621 --> 00:54:08,887 >> WHAT'S GOING ON? >> DON'T WORRY. I'LL EXPLAIN. 1382 00:54:08,889 --> 00:54:10,422 >> DON'T WORRY. I'LL EXPLAIN. BARRY IS PRETENDING NOT TO 1383 00:54:10,424 --> 00:54:14,760 I'LL EXPLAIN. BARRY IS PRETENDING NOT TO REMEMBER DR. ROGERS BECAUSE 1384 00:54:14,762 --> 00:54:15,427 BARRY IS PRETENDING NOT TO REMEMBER DR. ROGERS BECAUSE THREE YEARS AGO SHE DIDN'T 1385 00:54:15,429 --> 00:54:17,062 REMEMBER DR. ROGERS BECAUSE THREE YEARS AGO SHE DIDN'T REMEMBER MEETING HIM AT A 1386 00:54:17,064 --> 00:54:17,429 THREE YEARS AGO SHE DIDN'T REMEMBER MEETING HIM AT A BARBECUE. 1387 00:54:17,431 --> 00:54:21,633 REMEMBER MEETING HIM AT A BARBECUE. >> BEFORE A MACKLEMORE CONCERT. 1388 00:54:21,635 --> 00:54:23,201 BARBECUE. >> BEFORE A MACKLEMORE CONCERT. >> MACKLEMORE? 1389 00:54:23,203 --> 00:54:25,937 >> BEFORE A MACKLEMORE CONCERT. >> MACKLEMORE? YOU REALLY REMEMBER ME. 1390 00:54:25,939 --> 00:54:28,673 >> MACKLEMORE? YOU REALLY REMEMBER ME. I'M CURIOUS AS TO WHY. 1391 00:54:28,675 --> 00:54:30,075 YOU REALLY REMEMBER ME. I'M CURIOUS AS TO WHY. ANYWAY, WHILE YOU WERE BEING 1392 00:54:30,077 --> 00:54:31,043 I'M CURIOUS AS TO WHY. ANYWAY, WHILE YOU WERE BEING DR. GASLIGHT, I WAS DELIVERING 1393 00:54:31,045 --> 00:54:36,882 ANYWAY, WHILE YOU WERE BEING DR. GASLIGHT, I WAS DELIVERING THIS BABY. 1394 00:54:36,884 --> 00:54:41,686 DR. GASLIGHT, I WAS DELIVERING THIS BABY. >> THANKS FOR HAVING US AT YOUR 1395 00:54:41,688 --> 00:54:42,220 THIS BABY. >> THANKS FOR HAVING US AT YOUR BARBECUE, DANIELLE. 1396 00:54:42,222 --> 00:54:43,422 >> THANKS FOR HAVING US AT YOUR BARBECUE, DANIELLE. >> NO PROBLEM. 1397 00:54:43,424 --> 00:54:46,324 BARBECUE, DANIELLE. >> NO PROBLEM. I WISH YOU COULD COME TO THE 1398 00:54:46,326 --> 00:54:46,992 >> NO PROBLEM. I WISH YOU COULD COME TO THE MACKLEMORE CONCERT LATER. 1399 00:54:46,994 --> 00:54:47,626 I WISH YOU COULD COME TO THE MACKLEMORE CONCERT LATER. >> I CAN'T. 1400 00:54:47,628 --> 00:54:48,493 MACKLEMORE CONCERT LATER. >> I CAN'T. I HAVE WORK. 1401 00:54:48,495 --> 00:54:50,095 >> I CAN'T. I HAVE WORK. THAT'S WHY I'M DRESSED LIKE 1402 00:54:50,097 --> 00:54:50,395 I HAVE WORK. THAT'S WHY I'M DRESSED LIKE THIS. 1403 00:54:50,397 --> 00:54:52,798 THAT'S WHY I'M DRESSED LIKE THIS. >> CLEAR A PATH FOR BARRY THE 1404 00:54:52,800 --> 00:54:53,365 THIS. >> CLEAR A PATH FOR BARRY THE HUNGRY MIDWIFE. 1405 00:54:53,367 --> 00:54:54,466 >> CLEAR A PATH FOR BARRY THE HUNGRY MIDWIFE. >> HI, I'M JILL. 1406 00:54:54,468 --> 00:54:55,434 HUNGRY MIDWIFE. >> HI, I'M JILL. IT'S NICE TO MEET YOU. 1407 00:54:55,436 --> 00:54:57,235 >> HI, I'M JILL. IT'S NICE TO MEET YOU. >> IT'S NICE TO MEET YOU TOO. 1408 00:54:57,237 --> 00:54:59,004 IT'S NICE TO MEET YOU. >> IT'S NICE TO MEET YOU TOO. WOW, YOU LOVE YOUR HAIR. 1409 00:54:59,006 --> 00:55:00,972 >> IT'S NICE TO MEET YOU TOO. WOW, YOU LOVE YOUR HAIR. I'VE ALWAYS WANTED TO LONG. 1410 00:55:00,974 --> 00:55:01,740 WOW, YOU LOVE YOUR HAIR. I'VE ALWAYS WANTED TO LONG. >> REALLY? 1411 00:55:01,742 --> 00:55:02,974 I'VE ALWAYS WANTED TO LONG. >> REALLY? I DON'T THINK THAT'S A GOOD 1412 00:55:02,976 --> 00:55:03,475 >> REALLY? I DON'T THINK THAT'S A GOOD IDEA. 1413 00:55:03,477 --> 00:55:05,010 I DON'T THINK THAT'S A GOOD IDEA. I WOULDN'T RECOGNIZE YOU IF I 1414 00:55:05,012 --> 00:55:05,844 IDEA. I WOULDN'T RECOGNIZE YOU IF I SAW YOU AGAIN IN THE FUTURE. 1415 00:55:05,846 --> 00:55:22,260 I WOULDN'T RECOGNIZE YOU IF I SAW YOU AGAIN IN THE FUTURE. >> IS THAT A THREAT? 1416 00:55:22,262 --> 00:55:25,530 SAW YOU AGAIN IN THE FUTURE. >> IS THAT A THREAT? >> MRS. MURPHY, LONG TIME NO 1417 00:55:25,532 --> 00:55:25,831 >> IS THAT A THREAT? >> MRS. MURPHY, LONG TIME NO SEE. 1418 00:55:25,833 --> 00:55:27,165 >> MRS. MURPHY, LONG TIME NO SEE. I CAN'T BELIEVE THIS IS BABY 1419 00:55:27,167 --> 00:55:27,599 SEE. I CAN'T BELIEVE THIS IS BABY NUMBER TWO. 1420 00:55:27,601 --> 00:55:28,033 I CAN'T BELIEVE THIS IS BABY NUMBER TWO. >> I KNOW. 1421 00:55:28,035 --> 00:55:29,835 NUMBER TWO. >> I KNOW. LIFE HAPPENS SO FAST. 1422 00:55:29,837 --> 00:55:31,403 >> I KNOW. LIFE HAPPENS SO FAST. OH, AND THIS IS MY MIDWIFE. 1423 00:55:31,405 --> 00:55:33,705 LIFE HAPPENS SO FAST. OH, AND THIS IS MY MIDWIFE. YOU GUYS REMEMBER EACH OTHER, 1424 00:55:33,707 --> 00:55:34,005 OH, AND THIS IS MY MIDWIFE. YOU GUYS REMEMBER EACH OTHER, RIGHT? 1425 00:55:34,007 --> 00:55:39,177 YOU GUYS REMEMBER EACH OTHER, RIGHT? >> ACTUALLY, WE DO. 1426 00:55:39,179 --> 00:55:41,046 RIGHT? >> ACTUALLY, WE DO. I'M SO SORRY, DR. ROGERS. 1427 00:55:41,048 --> 00:55:43,248 >> ACTUALLY, WE DO. I'M SO SORRY, DR. ROGERS. I OWE YOU AN APOLL. 1428 00:55:43,250 --> 00:55:45,517 I'M SO SORRY, DR. ROGERS. I OWE YOU AN APOLL. I PRETENDED NOT TO REMEMBER YOU 1429 00:55:45,519 --> 00:55:46,985 I OWE YOU AN APOLL. I PRETENDED NOT TO REMEMBER YOU BECAUSE YOU DIDN'T REMEMBER ME, 1430 00:55:46,987 --> 00:55:48,520 I PRETENDED NOT TO REMEMBER YOU BECAUSE YOU DIDN'T REMEMBER ME, AND IT MADE ME SO FURIOUS. 1431 00:55:48,522 --> 00:55:50,055 BECAUSE YOU DIDN'T REMEMBER ME, AND IT MADE ME SO FURIOUS. >> I'M SORRY, BARRY. 1432 00:55:50,057 --> 00:55:51,756 AND IT MADE ME SO FURIOUS. >> I'M SORRY, BARRY. I FELT SO BAD THAT I DIDN'T 1433 00:55:51,758 --> 00:55:55,060 >> I'M SORRY, BARRY. I FELT SO BAD THAT I DIDN'T REMEMBER YOU, IT MADE ME FEEL 1434 00:55:55,062 --> 00:55:55,494 I FELT SO BAD THAT I DIDN'T REMEMBER YOU, IT MADE ME FEEL EMBARRASSED. 1435 00:55:55,496 --> 00:55:56,194 REMEMBER YOU, IT MADE ME FEEL EMBARRASSED. >> ARE YOU SERIOUS? 1436 00:55:56,196 --> 00:55:59,931 EMBARRASSED. >> ARE YOU SERIOUS? I WAS BEING AN EMOTIONAL JERK. 1437 00:55:59,933 --> 00:56:01,133 >> ARE YOU SERIOUS? I WAS BEING AN EMOTIONAL JERK. >> OH, MY GOD. 1438 00:56:01,135 --> 00:56:02,834 I WAS BEING AN EMOTIONAL JERK. >> OH, MY GOD. DID WE MISS IT? 1439 00:56:02,836 --> 00:56:04,703 >> OH, MY GOD. DID WE MISS IT? HONEY, WE GOT HERE AS FAST AS WE 1440 00:56:04,705 --> 00:56:05,036 DID WE MISS IT? HONEY, WE GOT HERE AS FAST AS WE COULD. 1441 00:56:05,038 --> 00:56:05,570 HONEY, WE GOT HERE AS FAST AS WE COULD. >> IT'S OKAY. 1442 00:56:05,572 --> 00:56:09,007 COULD. >> IT'S OKAY. THIS IS MY HUSBAND AND MY FIRST 1443 00:56:09,009 --> 00:56:10,175 >> IT'S OKAY. THIS IS MY HUSBAND AND MY FIRST DAUGHTER KAYLA, YOU DELIVERED 1444 00:56:10,177 --> 00:56:10,475 THIS IS MY HUSBAND AND MY FIRST DAUGHTER KAYLA, YOU DELIVERED HER. 1445 00:56:10,477 --> 00:56:12,144 DAUGHTER KAYLA, YOU DELIVERED HER. >> HI, KAYLA! 1446 00:56:12,146 --> 00:56:13,111 HER. >> HI, KAYLA! >> NICE TO MEET YOU. 1447 00:56:13,113 --> 00:56:15,213 >> HI, KAYLA! >> NICE TO MEET YOU. >> ACTUALLY, WE'VE MET. 1448 00:56:15,215 --> 00:56:16,281 >> NICE TO MEET YOU. >> ACTUALLY, WE'VE MET. >> WELL, THEN IT'S NICE TO SEE 1449 00:56:16,283 --> 00:56:47,779 >> ACTUALLY, WE'VE MET. >> WELL, THEN IT'S NICE TO SEE YOU, OKAY? 1450 00:56:47,781 --> 00:56:53,385 >> WELL, THEN IT'S NICE TO SEE YOU, OKAY? >>> ONCE AGAIN, LIL YACHTY. 1451 00:56:53,387 --> 00:56:55,053 YOU, OKAY? >>> ONCE AGAIN, LIL YACHTY. ♪ 1452 00:56:55,055 --> 00:56:57,722 >>> ONCE AGAIN, LIL YACHTY. ♪ ♪ 1453 00:56:57,724 --> 00:57:10,302 ♪ ♪ ♪ 1454 00:57:10,304 --> 00:57:12,003 ♪ ♪ ♪ IMAGINE LIFE WITHOUT ME 1455 00:57:12,005 --> 00:57:14,172 ♪ ♪ IMAGINE LIFE WITHOUT ME IT'S A WASTE OF TIME 1456 00:57:14,174 --> 00:57:15,807 ♪ IMAGINE LIFE WITHOUT ME IT'S A WASTE OF TIME YOU WANT THE KIND OF LOVE 1457 00:57:15,809 --> 00:57:17,442 IT'S A WASTE OF TIME YOU WANT THE KIND OF LOVE THAT CAN MAKE A CHILD ♪ 1458 00:57:17,444 --> 00:57:25,684 YOU WANT THE KIND OF LOVE THAT CAN MAKE A CHILD ♪ ♪ DON'T WANT JUST ANYBODY 1459 00:57:25,686 --> 00:57:26,218 THAT CAN MAKE A CHILD ♪ ♪ DON'T WANT JUST ANYBODY MM YEAH ♪ 1460 00:57:26,220 --> 00:57:27,852 ♪ DON'T WANT JUST ANYBODY MM YEAH ♪ ♪ GOOD LOVE FILLS 1461 00:57:27,854 --> 00:57:28,453 MM YEAH ♪ ♪ GOOD LOVE FILLS MY BODY UP LIKE A GLASS 1462 00:57:28,455 --> 00:57:29,988 ♪ GOOD LOVE FILLS MY BODY UP LIKE A GLASS WHEN YOU POUR IT ALL OUT ♪ 1463 00:57:29,990 --> 00:57:31,089 MY BODY UP LIKE A GLASS WHEN YOU POUR IT ALL OUT ♪ ♪ IF YOU KNOW ME 1464 00:57:31,091 --> 00:57:32,123 WHEN YOU POUR IT ALL OUT ♪ ♪ IF YOU KNOW ME YOU KNOW I MIND 1465 00:57:32,125 --> 00:57:32,691 ♪ IF YOU KNOW ME YOU KNOW I MIND SOMEONE LIKE ME 1466 00:57:32,693 --> 00:57:34,826 YOU KNOW I MIND SOMEONE LIKE ME IS HARD TO FIND ♪ 1467 00:57:34,828 --> 00:57:36,027 SOMEONE LIKE ME IS HARD TO FIND ♪ ♪ NOT MISTAKEN 1468 00:57:36,029 --> 00:57:36,595 IS HARD TO FIND ♪ ♪ NOT MISTAKEN IF I'M THERE 1469 00:57:36,597 --> 00:57:38,230 ♪ NOT MISTAKEN IF I'M THERE WELL AWARE 1470 00:57:38,232 --> 00:57:40,365 IF I'M THERE WELL AWARE YOU ARE ALWAYS MINE ♪ 1471 00:57:40,367 --> 00:57:42,567 WELL AWARE YOU ARE ALWAYS MINE ♪ ♪ AND STILL 1472 00:57:42,569 --> 00:57:46,905 YOU ARE ALWAYS MINE ♪ ♪ AND STILL YOU SEEM SO SURPRISED 1473 00:57:46,907 --> 00:57:47,439 ♪ AND STILL YOU SEEM SO SURPRISED WHEN YOU'RE ALWAYS 1474 00:57:47,441 --> 00:57:52,344 YOU SEEM SO SURPRISED WHEN YOU'RE ALWAYS GON' BE MINE ♪ 1475 00:57:52,346 --> 00:57:53,979 WHEN YOU'RE ALWAYS GON' BE MINE ♪ ♪ I WANNA BE WHERE YOU ARE 1476 00:57:53,981 --> 00:57:56,181 GON' BE MINE ♪ ♪ I WANNA BE WHERE YOU ARE I JUST CAN'T WALK AWAY 1477 00:57:56,183 --> 00:57:58,883 ♪ I WANNA BE WHERE YOU ARE I JUST CAN'T WALK AWAY YOU DRIVE ME CRAZY AH 1478 00:57:58,885 --> 00:58:00,518 I JUST CAN'T WALK AWAY YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ 1479 00:58:00,520 --> 00:58:01,052 YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ ♪ AND I WANNA 1480 00:58:01,054 --> 00:58:03,221 I LOSE IT LOSE IT ♪ ♪ AND I WANNA BE WHERE YOU ARE 1481 00:58:03,223 --> 00:58:05,423 ♪ AND I WANNA BE WHERE YOU ARE I JUST CAN'T WALK AWAY ♪ 1482 00:58:05,425 --> 00:58:08,159 BE WHERE YOU ARE I JUST CAN'T WALK AWAY ♪ ♪ YOU DRIVE ME CRAZY AH 1483 00:58:08,161 --> 00:58:09,761 I JUST CAN'T WALK AWAY ♪ ♪ YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ 1484 00:58:09,763 --> 00:58:12,530 ♪ YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ ♪ IMAGINE ME 1485 00:58:12,532 --> 00:58:14,132 I LOSE IT LOSE IT ♪ ♪ IMAGINE ME CIRCLIN' THROUGH LIFE 1486 00:58:14,134 --> 00:58:17,369 ♪ IMAGINE ME CIRCLIN' THROUGH LIFE WITHOUT A PIECE OF YOU ♪ 1487 00:58:17,371 --> 00:58:18,470 CIRCLIN' THROUGH LIFE WITHOUT A PIECE OF YOU ♪ ♪ SEVEN OUT OF SEVEN DAYS 1488 00:58:18,472 --> 00:58:20,138 WITHOUT A PIECE OF YOU ♪ ♪ SEVEN OUT OF SEVEN DAYS I'M NEEDIN' YOU 1489 00:58:20,140 --> 00:58:20,672 ♪ SEVEN OUT OF SEVEN DAYS I'M NEEDIN' YOU YOU BRIN' LIFE 1490 00:58:20,674 --> 00:58:27,245 I'M NEEDIN' YOU YOU BRIN' LIFE TO THE PARTY ♪ 1491 00:58:27,247 --> 00:58:28,313 YOU BRIN' LIFE TO THE PARTY ♪ ♪ MM-MM AH AH AH 1492 00:58:28,315 --> 00:58:30,515 TO THE PARTY ♪ ♪ MM-MM AH AH AH GOOD LOVE FEELS LIKE 1493 00:58:30,517 --> 00:58:31,116 ♪ MM-MM AH AH AH GOOD LOVE FEELS LIKE BUTTERFLIES SUFFOCATIN' 1494 00:58:31,118 --> 00:58:32,684 GOOD LOVE FEELS LIKE BUTTERFLIES SUFFOCATIN' YOUR INSIDES ♪ 1495 00:58:32,686 --> 00:58:33,785 BUTTERFLIES SUFFOCATIN' YOUR INSIDES ♪ ♪ OH IT'S A LATE NIGHT 1496 00:58:33,787 --> 00:58:34,853 YOUR INSIDES ♪ ♪ OH IT'S A LATE NIGHT YOU KNOW I TRY 1497 00:58:34,855 --> 00:58:35,387 ♪ OH IT'S A LATE NIGHT YOU KNOW I TRY I CANNOT PICTURE 1498 00:58:35,389 --> 00:58:37,055 YOU KNOW I TRY I CANNOT PICTURE WHEN YOU RIDE ♪ 1499 00:58:37,057 --> 00:58:38,123 I CANNOT PICTURE WHEN YOU RIDE ♪ ♪ I'M MISTAKEN 1500 00:58:38,125 --> 00:58:38,723 WHEN YOU RIDE ♪ ♪ I'M MISTAKEN THINKIN' YOU WERE TAKEN 1501 00:58:38,725 --> 00:58:40,325 ♪ I'M MISTAKEN THINKIN' YOU WERE TAKEN KNOWIN' NOW 1502 00:58:40,327 --> 00:58:42,594 THINKIN' YOU WERE TAKEN KNOWIN' NOW YOU WERE ALWAYS MINE ♪ 1503 00:58:42,596 --> 00:58:49,401 KNOWIN' NOW YOU WERE ALWAYS MINE ♪ ♪ AND STILL 1504 00:58:49,403 --> 00:58:51,202 YOU WERE ALWAYS MINE ♪ ♪ AND STILL YOU SEEM SO SURPRISE ED 1505 00:58:51,204 --> 00:58:51,703 ♪ AND STILL YOU SEEM SO SURPRISE ED WHEN YOU'RE ALWAYS 1506 00:58:51,705 --> 00:58:58,076 YOU SEEM SO SURPRISE ED WHEN YOU'RE ALWAYS GON' BE MINE ♪ 1507 00:58:58,078 --> 00:58:59,144 WHEN YOU'RE ALWAYS GON' BE MINE ♪ ♪ 1508 00:58:59,146 --> 00:59:06,251 GON' BE MINE ♪ ♪ ♪ YEAH YEAH YEAH 1509 00:59:06,253 --> 00:59:07,319 ♪ ♪ YEAH YEAH YEAH MM HMM 1510 00:59:07,321 --> 00:59:13,825 ♪ YEAH YEAH YEAH MM HMM MM HMM-MM ♪ 1511 00:59:13,827 --> 00:59:23,768 MM HMM MM HMM-MM ♪ ♪ 1512 00:59:23,770 --> 00:59:24,369 MM HMM-MM ♪ ♪ ♪ RARELY EVER MISSIN' 1513 00:59:24,371 --> 00:59:24,869 ♪ ♪ RARELY EVER MISSIN' TALK IS CHEAP 1514 00:59:24,871 --> 00:59:26,471 ♪ RARELY EVER MISSIN' TALK IS CHEAP AND TIME IS TICKIN' ♪ 1515 00:59:26,473 --> 00:59:27,572 TALK IS CHEAP AND TIME IS TICKIN' ♪ ♪ RARELY EVER TRICKIN' 1516 00:59:27,574 --> 00:59:28,640 AND TIME IS TICKIN' ♪ ♪ RARELY EVER TRICKIN' CATCH ME SLIPPIN' 1517 00:59:28,642 --> 00:59:31,876 ♪ RARELY EVER TRICKIN' CATCH ME SLIPPIN' ♪ I'M ON MISSION' ♪ 1518 00:59:31,878 --> 00:59:36,381 CATCH ME SLIPPIN' ♪ I'M ON MISSION' ♪ PAYIN' MILLIONS 1519 00:59:36,383 --> 00:59:38,683 ♪ I'M ON MISSION' ♪ PAYIN' MILLIONS I'M TAKING YOU OUT TO EAT 1520 00:59:38,685 --> 00:59:39,217 PAYIN' MILLIONS I'M TAKING YOU OUT TO EAT OKAY OKAY OKAY ♪ 1521 00:59:39,219 --> 00:59:39,751 I'M TAKING YOU OUT TO EAT OKAY OKAY OKAY ♪ ♪ OUT LATE NIGHT 1522 00:59:39,753 --> 00:59:40,218 OKAY OKAY OKAY ♪ ♪ OUT LATE NIGHT I'M SINNIN' 1523 00:59:40,220 --> 00:59:40,752 ♪ OUT LATE NIGHT I'M SINNIN' STILL A CHRISTIAN 1524 00:59:40,754 --> 00:59:41,920 I'M SINNIN' STILL A CHRISTIAN DON'T TELL MY DEACON ♪ 1525 00:59:41,922 --> 00:59:42,954 STILL A CHRISTIAN DON'T TELL MY DEACON ♪ ♪ I MEAN PASTOR 1526 00:59:42,956 --> 00:59:45,090 DON'T TELL MY DEACON ♪ ♪ I MEAN PASTOR OIL HER DOWN 1527 00:59:45,092 --> 00:59:47,859 ♪ I MEAN PASTOR OIL HER DOWN NOT TALKIN' CASTOR ♪ 1528 00:59:47,861 --> 00:59:48,460 OIL HER DOWN NOT TALKIN' CASTOR ♪ ♪ RIDIN' 'ROUND WITH 1529 00:59:48,462 --> 00:59:49,027 NOT TALKIN' CASTOR ♪ ♪ RIDIN' 'ROUND WITH SIX-SEVEN WITH NO TINT 1530 00:59:49,029 --> 00:59:49,994 ♪ RIDIN' 'ROUND WITH SIX-SEVEN WITH NO TINT YOU CAN TELL I'M PIMPIN' ♪ 1531 00:59:49,996 --> 00:59:50,662 SIX-SEVEN WITH NO TINT YOU CAN TELL I'M PIMPIN' ♪ ♪ BIG FOUR-FIVE ON MY HIP 1532 00:59:50,664 --> 00:59:56,134 YOU CAN TELL I'M PIMPIN' ♪ ♪ BIG FOUR-FIVE ON MY HIP LOOK LIKE I'M LIMPIN' 1533 00:59:56,136 --> 00:59:58,069 ♪ BIG FOUR-FIVE ON MY HIP LOOK LIKE I'M LIMPIN' ALWAYS SIMPIN ♪ 1534 00:59:58,071 --> 00:59:58,803 LOOK LIKE I'M LIMPIN' ALWAYS SIMPIN ♪ ♪ ONE OF MY COUSINS CRIPPIN' 1535 00:59:58,805 --> 00:59:59,270 ALWAYS SIMPIN ♪ ♪ ONE OF MY COUSINS CRIPPIN' ALWAYS GRIPPIN' 1536 00:59:59,272 --> 00:59:59,871 ♪ ONE OF MY COUSINS CRIPPIN' ALWAYS GRIPPIN' STUFF GET DANGEROUS ♪ 1537 00:59:59,873 --> 01:00:00,505 ALWAYS GRIPPIN' STUFF GET DANGEROUS ♪ ♪ ALWAYS KEEP IT PLAYER 1538 01:00:00,507 --> 01:00:00,972 STUFF GET DANGEROUS ♪ ♪ ALWAYS KEEP IT PLAYER WE CAN SWAP OUT 1539 01:00:00,974 --> 01:00:01,606 ♪ ALWAYS KEEP IT PLAYER WE CAN SWAP OUT SWAP OUT SWAP OUT SWAP OUT 1540 01:00:01,608 --> 01:00:02,307 WE CAN SWAP OUT SWAP OUT SWAP OUT SWAP OUT ♪ OKAY 1541 01:00:02,309 --> 01:00:02,841 SWAP OUT SWAP OUT SWAP OUT ♪ OKAY ONLY LOVE MY MOTHER 1542 01:00:02,843 --> 01:00:08,313 ♪ OKAY ONLY LOVE MY MOTHER MY SISTER MY DAUGHTER ♪ 1543 01:00:08,315 --> 01:00:10,248 ONLY LOVE MY MOTHER MY SISTER MY DAUGHTER ♪ ♪ ALL Y'ALL GET SLAUGHTERED, 1544 01:00:10,250 --> 01:00:10,682 MY SISTER MY DAUGHTER ♪ ♪ ALL Y'ALL GET SLAUGHTERED, CAN'T BE MINE 1545 01:00:10,684 --> 01:00:14,486 ♪ ALL Y'ALL GET SLAUGHTERED, CAN'T BE MINE PRAY TO THE FATHER ♪ 1546 01:00:14,488 --> 01:00:19,924 CAN'T BE MINE PRAY TO THE FATHER ♪ ♪ MM HM 1547 01:00:19,926 --> 01:00:21,526 PRAY TO THE FATHER ♪ ♪ MM HM MMM HMM 1548 01:00:21,528 --> 01:00:28,066 ♪ MM HM MMM HMM MM-HM ♪ 1549 01:00:28,068 --> 01:00:34,339 MMM HMM MM-HM ♪ ♪ 1550 01:00:34,341 --> 01:00:52,240 MM-HM ♪ ♪ [ CHEERS AND APPLAUSE ] 1551 01:00:52,242 --> 01:00:55,176 ♪ [ CHEERS AND APPLAUSE ] >>> SO, JANET, HOW'S YOUR FIRST 1552 01:00:55,178 --> 01:00:57,078 [ CHEERS AND APPLAUSE ] >>> SO, JANET, HOW'S YOUR FIRST MONTH HERE BEEN? 1553 01:00:57,080 --> 01:00:58,213 >>> SO, JANET, HOW'S YOUR FIRST MONTH HERE BEEN? >> IT'S BEEN GREAT. 1554 01:00:58,215 --> 01:01:00,281 MONTH HERE BEEN? >> IT'S BEEN GREAT. I'M SO HAPPY TO BE WORKING HERE. 1555 01:01:00,283 --> 01:01:01,950 >> IT'S BEEN GREAT. I'M SO HAPPY TO BE WORKING HERE. >> WE'RE LUCKY TO HAVE YOU. 1556 01:01:01,952 --> 01:01:03,485 I'M SO HAPPY TO BE WORKING HERE. >> WE'RE LUCKY TO HAVE YOU. >> I DON'T WANT TO MAKE THIS A 1557 01:01:03,487 --> 01:01:04,185 >> WE'RE LUCKY TO HAVE YOU. >> I DON'T WANT TO MAKE THIS A BIG DEAL. 1558 01:01:04,187 --> 01:01:06,721 >> I DON'T WANT TO MAKE THIS A BIG DEAL. I THINK DANIELS HAS BEEN WEIRD 1559 01:01:06,723 --> 01:01:07,288 BIG DEAL. I THINK DANIELS HAS BEEN WEIRD TO ME. 1560 01:01:07,290 --> 01:01:10,492 I THINK DANIELS HAS BEEN WEIRD TO ME. >> HE'S ALWAYS BEEN COOL TO ME. 1561 01:01:10,494 --> 01:01:11,126 TO ME. >> HE'S ALWAYS BEEN COOL TO ME. >> IT'S PROBABLY NOTHING. 1562 01:01:11,128 --> 01:01:12,193 >> HE'S ALWAYS BEEN COOL TO ME. >> IT'S PROBABLY NOTHING. FORGET I SAID ANYTHING. 1563 01:01:12,195 --> 01:01:14,562 >> IT'S PROBABLY NOTHING. FORGET I SAID ANYTHING. >> HEY, MURPHY, HOW ARE YOU? 1564 01:01:14,564 --> 01:01:15,730 FORGET I SAID ANYTHING. >> HEY, MURPHY, HOW ARE YOU? HOW ARE THE KIDS? 1565 01:01:15,732 --> 01:01:16,731 >> HEY, MURPHY, HOW ARE YOU? HOW ARE THE KIDS? >> THEY'RE GOOD. 1566 01:01:16,733 --> 01:01:19,634 HOW ARE THE KIDS? >> THEY'RE GOOD. JUST SENT MY OLDEST OFF TO PENN 1567 01:01:19,636 --> 01:01:19,968 >> THEY'RE GOOD. JUST SENT MY OLDEST OFF TO PENN STATE. 1568 01:01:19,970 --> 01:01:22,670 JUST SENT MY OLDEST OFF TO PENN STATE. >> GOSH, THAT MUST BE HARD -- ON 1569 01:01:22,672 --> 01:01:24,672 STATE. >> GOSH, THAT MUST BE HARD -- ON THE OLD BANK ACCOUNT. 1570 01:01:24,674 --> 01:01:26,374 >> GOSH, THAT MUST BE HARD -- ON THE OLD BANK ACCOUNT. AND WE HITTING THE LINKS LATER 1571 01:01:26,376 --> 01:01:31,079 THE OLD BANK ACCOUNT. AND WE HITTING THE LINKS LATER OR WHAT, BUDDY? 1572 01:01:31,081 --> 01:01:33,381 AND WE HITTING THE LINKS LATER OR WHAT, BUDDY? >> 5:00 ON THE DOT, DANIELS. 1573 01:01:33,383 --> 01:01:36,751 OR WHAT, BUDDY? >> 5:00 ON THE DOT, DANIELS. >> LOOKING FORWARD TO IT. 1574 01:01:36,753 --> 01:01:42,490 >> 5:00 ON THE DOT, DANIELS. >> LOOKING FORWARD TO IT. AND SIMMONS, BIG BUTT, SETTING 1575 01:01:42,492 --> 01:01:44,559 >> LOOKING FORWARD TO IT. AND SIMMONS, BIG BUTT, SETTING OFF THE PENIS ALARM. 1576 01:01:44,561 --> 01:01:46,728 AND SIMMONS, BIG BUTT, SETTING OFF THE PENIS ALARM. MURPHY, YOU GET THAT REPORT INTO 1577 01:01:46,730 --> 01:01:47,795 OFF THE PENIS ALARM. MURPHY, YOU GET THAT REPORT INTO ME BY MONDAY OR WHAT? 1578 01:01:47,797 --> 01:01:50,165 MURPHY, YOU GET THAT REPORT INTO ME BY MONDAY OR WHAT? >> ABSOLUTELY. 1579 01:01:50,167 --> 01:01:52,934 ME BY MONDAY OR WHAT? >> ABSOLUTELY. >> AND BEFORE I FORGET, WE GOT A 1580 01:01:52,936 --> 01:01:54,702 >> ABSOLUTELY. >> AND BEFORE I FORGET, WE GOT A COMPANY WIDE ZOOM MEETING AT 1581 01:01:54,704 --> 01:01:56,771 >> AND BEFORE I FORGET, WE GOT A COMPANY WIDE ZOOM MEETING AT 6:00 WHERE I'LL BE ZOOMING IN ON 1582 01:01:56,773 --> 01:01:58,473 COMPANY WIDE ZOOM MEETING AT 6:00 WHERE I'LL BE ZOOMING IN ON THOSE BOOBIES. 1583 01:01:58,475 --> 01:02:00,475 6:00 WHERE I'LL BE ZOOMING IN ON THOSE BOOBIES. COMPUTER ENHANCE, ENGAGING X-RAY 1584 01:02:00,477 --> 01:02:07,582 THOSE BOOBIES. COMPUTER ENHANCE, ENGAGING X-RAY VISION. 1585 01:02:07,584 --> 01:02:10,051 COMPUTER ENHANCE, ENGAGING X-RAY VISION. HOUSTON, WE HAVE NIPPLE! 1586 01:02:10,053 --> 01:02:12,587 VISION. HOUSTON, WE HAVE NIPPLE! >> MURPHY, LISTEN, THAT TURNER 1587 01:02:12,589 --> 01:02:14,155 HOUSTON, WE HAVE NIPPLE! >> MURPHY, LISTEN, THAT TURNER FILE IS NOT GOING TO FILE 1588 01:02:14,157 --> 01:02:14,956 >> MURPHY, LISTEN, THAT TURNER FILE IS NOT GOING TO FILE ITSELF, A RIGHT? 1589 01:02:14,958 --> 01:02:16,958 FILE IS NOT GOING TO FILE ITSELF, A RIGHT? >> SO YOU GUYS SAW THAT, RIGHT? 1590 01:02:16,960 --> 01:02:18,426 ITSELF, A RIGHT? >> SO YOU GUYS SAW THAT, RIGHT? >> SAW WHAT? 1591 01:02:18,428 --> 01:02:21,896 >> SO YOU GUYS SAW THAT, RIGHT? >> SAW WHAT? >> DANIELS, WHEN HE TALKED TO 1592 01:02:21,898 --> 01:02:23,364 >> SAW WHAT? >> DANIELS, WHEN HE TALKED TO ME, HE DID AN IMPRESSION OF A 1593 01:02:23,366 --> 01:02:23,798 >> DANIELS, WHEN HE TALKED TO ME, HE DID AN IMPRESSION OF A SEX COMPUTER. 1594 01:02:23,800 --> 01:02:26,467 ME, HE DID AN IMPRESSION OF A SEX COMPUTER. >> I THOUGHT HE WAS BEING GOOFY, 1595 01:02:26,469 --> 01:02:27,502 SEX COMPUTER. >> I THOUGHT HE WAS BEING GOOFY, BUT I'M OLD SCHOOL. 1596 01:02:27,504 --> 01:02:28,603 >> I THOUGHT HE WAS BEING GOOFY, BUT I'M OLD SCHOOL. >> IF YOU'RE HAVING A PROBLEM 1597 01:02:28,605 --> 01:02:31,005 BUT I'M OLD SCHOOL. >> IF YOU'RE HAVING A PROBLEM WITH HIM, YOU CAN ALWAYS TALK TO 1598 01:02:31,007 --> 01:02:31,339 >> IF YOU'RE HAVING A PROBLEM WITH HIM, YOU CAN ALWAYS TALK TO BENSON. 1599 01:02:31,341 --> 01:02:32,707 WITH HIM, YOU CAN ALWAYS TALK TO BENSON. >> BENSON? 1600 01:02:32,709 --> 01:02:33,041 BENSON. >> BENSON? REALLY? 1601 01:02:33,043 --> 01:02:34,108 >> BENSON? REALLY? >> TOTALLY. 1602 01:02:34,110 --> 01:02:35,210 REALLY? >> TOTALLY. HE'S BEEN HERE FOREVER. 1603 01:02:35,212 --> 01:02:37,212 >> TOTALLY. HE'S BEEN HERE FOREVER. HE JUST GETS IT. 1604 01:02:37,214 --> 01:02:37,812 HE'S BEEN HERE FOREVER. HE JUST GETS IT. SPEAKING OF THE DEVIL. 1605 01:02:37,814 --> 01:02:40,682 HE JUST GETS IT. SPEAKING OF THE DEVIL. >> LOOKY HERE, ALL OF MY 1606 01:02:40,684 --> 01:02:41,182 SPEAKING OF THE DEVIL. >> LOOKY HERE, ALL OF MY FAVORITE PEOPLE. 1607 01:02:41,184 --> 01:02:41,649 >> LOOKY HERE, ALL OF MY FAVORITE PEOPLE. >> HOW ARE YOU? 1608 01:02:41,651 --> 01:02:44,519 FAVORITE PEOPLE. >> HOW ARE YOU? >> I WANT TO THANK YOU AGAIN FOR 1609 01:02:44,521 --> 01:02:46,688 >> HOW ARE YOU? >> I WANT TO THANK YOU AGAIN FOR SHOWING UP TO MY GRANDDAUGHTER'S 1610 01:02:46,690 --> 01:02:47,455 >> I WANT TO THANK YOU AGAIN FOR SHOWING UP TO MY GRANDDAUGHTER'S FOOD DRIVE. 1611 01:02:47,457 --> 01:02:48,356 SHOWING UP TO MY GRANDDAUGHTER'S FOOD DRIVE. IT MEANT THE WORLD. 1612 01:02:48,358 --> 01:02:50,558 FOOD DRIVE. IT MEANT THE WORLD. >> ANYTHING FOR YOU, BENSON. 1613 01:02:50,560 --> 01:02:52,560 IT MEANT THE WORLD. >> ANYTHING FOR YOU, BENSON. >> WE FED 500 FAMILIES IN NEED 1614 01:02:52,562 --> 01:02:54,429 >> ANYTHING FOR YOU, BENSON. >> WE FED 500 FAMILIES IN NEED BECAUSE OF YOU GUYS. 1615 01:02:54,431 --> 01:02:57,765 >> WE FED 500 FAMILIES IN NEED BECAUSE OF YOU GUYS. I MEAN, SIMMONS, I KNOW IT MEANT 1616 01:02:57,767 --> 01:02:58,967 BECAUSE OF YOU GUYS. I MEAN, SIMMONS, I KNOW IT MEANT THE WORLD TO MY GRANDDAUGHTER 1617 01:02:58,969 --> 01:03:00,134 I MEAN, SIMMONS, I KNOW IT MEANT THE WORLD TO MY GRANDDAUGHTER THAT YOU BROUGHT THOSE. 1618 01:03:00,136 --> 01:03:01,135 THE WORLD TO MY GRANDDAUGHTER THAT YOU BROUGHT THOSE. >> THOSE WHAT? 1619 01:03:01,137 --> 01:03:04,539 THAT YOU BROUGHT THOSE. >> THOSE WHAT? >> WHY, THOSE BIG BUTTERED YAMS, 1620 01:03:04,541 --> 01:03:05,006 >> THOSE WHAT? >> WHY, THOSE BIG BUTTERED YAMS, OF COURSE. 1621 01:03:05,008 --> 01:03:07,642 >> WHY, THOSE BIG BUTTERED YAMS, OF COURSE. WHAT I WOULD DO TO JUMP OFF A 1622 01:03:07,644 --> 01:03:09,444 OF COURSE. WHAT I WOULD DO TO JUMP OFF A DIVING BOARD AND CANNON BALL 1623 01:03:09,446 --> 01:03:11,179 WHAT I WOULD DO TO JUMP OFF A DIVING BOARD AND CANNON BALL INTO THAT CLEAVAGE. 1624 01:03:11,181 --> 01:03:11,512 DIVING BOARD AND CANNON BALL INTO THAT CLEAVAGE. HELP! 1625 01:03:11,514 --> 01:03:12,981 INTO THAT CLEAVAGE. HELP! I'MDROWNING! 1626 01:03:12,983 --> 01:03:15,216 HELP! I'MDROWNING! BUT DON'T SAVE I WANT TO DIE 1627 01:03:15,218 --> 01:03:16,017 I'MDROWNING! BUT DON'T SAVE I WANT TO DIE IN THERE. 1628 01:03:16,019 --> 01:03:18,152 BUT DON'T SAVE I WANT TO DIE IN THERE. ALL RIGHT, TEAM, IF YOU NEED 1629 01:03:18,154 --> 01:03:21,756 IN THERE. ALL RIGHT, TEAM, IF YOU NEED ANYTHING AT ALL, GIVE ME A CALL. 1630 01:03:21,758 --> 01:03:22,824 ALL RIGHT, TEAM, IF YOU NEED ANYTHING AT ALL, GIVE ME A CALL. I WOULD DO ANYTHING FOR YOU 1631 01:03:22,826 --> 01:03:23,224 ANYTHING AT ALL, GIVE ME A CALL. I WOULD DO ANYTHING FOR YOU GUYS. 1632 01:03:23,226 --> 01:03:24,826 I WOULD DO ANYTHING FOR YOU GUYS. I WOULD EVEN ADOPT THOSE 1633 01:03:24,828 --> 01:03:26,694 GUYS. I WOULD EVEN ADOPT THOSE GORGEOUS TWINS AND RAISE THEM IN 1634 01:03:26,696 --> 01:03:30,131 I WOULD EVEN ADOPT THOSE GORGEOUS TWINS AND RAISE THEM IN A HOTEL LIKE ZACK AND CODY. 1635 01:03:30,133 --> 01:03:33,501 GORGEOUS TWINS AND RAISE THEM IN A HOTEL LIKE ZACK AND CODY. DUTY CALLS, SEE YOU GUYS LATER. 1636 01:03:33,503 --> 01:03:34,335 A HOTEL LIKE ZACK AND CODY. DUTY CALLS, SEE YOU GUYS LATER. LOVE YOU GUYS. 1637 01:03:34,337 --> 01:03:39,941 DUTY CALLS, SEE YOU GUYS LATER. LOVE YOU GUYS. >> LOVE YOU, MAN. 1638 01:03:39,943 --> 01:03:40,708 LOVE YOU GUYS. >> LOVE YOU, MAN. >> YOU GUYS NOTICED THAT, RIGHT? 1639 01:03:40,710 --> 01:03:43,144 >> LOVE YOU, MAN. >> YOU GUYS NOTICED THAT, RIGHT? >> I WANT TO SAY YES SO YOU 1640 01:03:43,146 --> 01:03:45,446 >> YOU GUYS NOTICED THAT, RIGHT? >> I WANT TO SAY YES SO YOU DON'T FEEL CRAZY, BUT NO. 1641 01:03:45,448 --> 01:03:47,815 >> I WANT TO SAY YES SO YOU DON'T FEEL CRAZY, BUT NO. >> HOW? 1642 01:03:47,817 --> 01:03:50,251 DON'T FEEL CRAZY, BUT NO. >> HOW? >> THIS IS INSANE. 1643 01:03:50,253 --> 01:03:53,421 >> HOW? >> THIS IS INSANE. >> I'M HEATHER FROM HR, AND IF 1644 01:03:53,423 --> 01:03:55,256 >> THIS IS INSANE. >> I'M HEATHER FROM HR, AND IF ANYONE IS MAKING YOU 1645 01:03:55,258 --> 01:03:57,125 >> I'M HEATHER FROM HR, AND IF ANYONE IS MAKING YOU UNCOMFORTABLE, WE WILL HANDLE IT 1646 01:03:57,127 --> 01:04:00,295 ANYONE IS MAKING YOU UNCOMFORTABLE, WE WILL HANDLE IT RIGHT NOW IN A COMPANY-WIDE 1647 01:04:00,297 --> 01:04:00,662 UNCOMFORTABLE, WE WILL HANDLE IT RIGHT NOW IN A COMPANY-WIDE MEETING. 1648 01:04:00,664 --> 01:04:01,095 RIGHT NOW IN A COMPANY-WIDE MEETING. >> THANK YOU. 1649 01:04:01,097 --> 01:04:03,831 MEETING. >> THANK YOU. >> BUT FIRST, WE HAVE A MUSICAL 1650 01:04:03,833 --> 01:04:05,700 >> THANK YOU. >> BUT FIRST, WE HAVE A MUSICAL PERFORMANCE FROM THE PENIS 1651 01:04:05,702 --> 01:04:06,067 >> BUT FIRST, WE HAVE A MUSICAL PERFORMANCE FROM THE PENIS BROTHERS. 1652 01:04:06,069 --> 01:04:06,601 PERFORMANCE FROM THE PENIS BROTHERS. >> WHAT IS GOING ON? 1653 01:04:06,603 --> 01:04:08,202 BROTHERS. >> WHAT IS GOING ON? >> COME ON, Y'ALL. 1654 01:04:08,204 --> 01:04:11,306 >> WHAT IS GOING ON? >> COME ON, Y'ALL. THIS ONE GOES OUT TO OUR TWO 1655 01:04:11,308 --> 01:04:12,173 >> COME ON, Y'ALL. THIS ONE GOES OUT TO OUR TWO FAVORITE LADIES. 1656 01:04:12,175 --> 01:04:14,442 THIS ONE GOES OUT TO OUR TWO FAVORITE LADIES. SIMMONS LEFT, AND SIMMONS RIGHT, 1657 01:04:14,444 --> 01:04:14,776 FAVORITE LADIES. SIMMONS LEFT, AND SIMMONS RIGHT, Y'ALL. 1658 01:04:14,778 --> 01:04:17,912 SIMMONS LEFT, AND SIMMONS RIGHT, Y'ALL. >> OH, MY GOD, THE PENIS 1659 01:04:17,914 --> 01:04:18,446 Y'ALL. >> OH, MY GOD, THE PENIS BROTHERS. 1660 01:04:18,448 --> 01:04:19,814 >> OH, MY GOD, THE PENIS BROTHERS. >> THE MOMENT YOU'VE ALL BEEN 1661 01:04:19,816 --> 01:04:24,152 BROTHERS. >> THE MOMENT YOU'VE ALL BEEN WAITING FOR, THE BROTHERS BONGO 1662 01:04:24,154 --> 01:04:24,619 >> THE MOMENT YOU'VE ALL BEEN WAITING FOR, THE BROTHERS BONGO BOOB EXPERIENCE. 1663 01:04:24,621 --> 01:04:33,428 WAITING FOR, THE BROTHERS BONGO BOOB EXPERIENCE. ♪ 1664 01:04:33,430 --> 01:04:35,663 BOOB EXPERIENCE. ♪ >> HOW I IT MAKING THAT SOUND? 1665 01:04:35,665 --> 01:04:37,765 ♪ >> HOW I IT MAKING THAT SOUND? >> MURPHY, YOU GOT THAT FILE FOR 1666 01:04:37,767 --> 01:04:38,666 >> HOW I IT MAKING THAT SOUND? >> MURPHY, YOU GOT THAT FILE FOR ME OR WHAT? 1667 01:04:38,668 --> 01:04:40,501 >> MURPHY, YOU GOT THAT FILE FOR ME OR WHAT? >> HEY, I DO, DANIELS. 1668 01:04:40,503 --> 01:04:43,304 ME OR WHAT? >> HEY, I DO, DANIELS. BY THE WAY, I GOT AN EMAIL FROM 1669 01:04:43,306 --> 01:04:43,971 >> HEY, I DO, DANIELS. BY THE WAY, I GOT AN EMAIL FROM CORPORATE, AND YOU'RE BOTH 1670 01:04:43,973 --> 01:05:05,676 BY THE WAY, I GOT AN EMAIL FROM CORPORATE, AND YOU'RE BOTH FIRED. 1671 01:05:05,678 --> 01:05:06,644 CORPORATE, AND YOU'RE BOTH FIRED. >>> THIS IS NEW YORK. 1672 01:05:06,646 --> 01:05:10,148 FIRED. >>> THIS IS NEW YORK. THE MELTING POT OF OVER THREE 1673 01:05:10,150 --> 01:05:12,683 >>> THIS IS NEW YORK. THE MELTING POT OF OVER THREE CULTURES, AND FOOD IS ITS 1674 01:05:12,685 --> 01:05:13,217 THE MELTING POT OF OVER THREE CULTURES, AND FOOD IS ITS UNIVERSAL LANGUAGE. 1675 01:05:13,219 --> 01:05:15,586 CULTURES, AND FOOD IS ITS UNIVERSAL LANGUAGE. >> MY NAME IS ROCCO. 1676 01:05:15,588 --> 01:05:16,054 UNIVERSAL LANGUAGE. >> MY NAME IS ROCCO. >> HEAVY CAT. 1677 01:05:16,056 --> 01:05:17,422 >> MY NAME IS ROCCO. >> HEAVY CAT. >> AND MY NAME IS DONALD TRUMP. 1678 01:05:17,424 --> 01:05:20,158 >> HEAVY CAT. >> AND MY NAME IS DONALD TRUMP. WE MOVED HERE FOR COLLEGE, AND 1679 01:05:20,160 --> 01:05:22,160 >> AND MY NAME IS DONALD TRUMP. WE MOVED HERE FOR COLLEGE, AND WE'VE BEEN HERE EVER SINCE 1680 01:05:22,162 --> 01:05:22,693 WE MOVED HERE FOR COLLEGE, AND WE'VE BEEN HERE EVER SINCE EXCEPT FOR COVID. 1681 01:05:22,695 --> 01:05:24,262 WE'VE BEEN HERE EVER SINCE EXCEPT FOR COVID. >> TODAY, WE'RE GOING TO SHOW 1682 01:05:24,264 --> 01:05:26,497 EXCEPT FOR COVID. >> TODAY, WE'RE GOING TO SHOW YOU OUR NEW YORK, THE REAL NEW 1683 01:05:26,499 --> 01:05:27,598 >> TODAY, WE'RE GOING TO SHOW YOU OUR NEW YORK, THE REAL NEW YORK, ONE BITE AT A TIME. 1684 01:05:27,600 --> 01:05:29,267 YOU OUR NEW YORK, THE REAL NEW YORK, ONE BITE AT A TIME. >> THIS IS STREET EATS. 1685 01:05:29,269 --> 01:05:31,569 YORK, ONE BITE AT A TIME. >> THIS IS STREET EATS. TODAY, WE ARE IN THE MIDDLE OF 1686 01:05:31,571 --> 01:05:34,005 >> THIS IS STREET EATS. TODAY, WE ARE IN THE MIDDLE OF JAMAICAN PART OF THE CITY, 1687 01:05:34,007 --> 01:05:35,740 TODAY, WE ARE IN THE MIDDLE OF JAMAICAN PART OF THE CITY, JAMAICAN QUEEN, AND WE ARE ON 1688 01:05:35,742 --> 01:05:38,576 JAMAICAN PART OF THE CITY, JAMAICAN QUEEN, AND WE ARE ON THE HUNT FOR SOME AUTHENTIC JERK 1689 01:05:38,578 --> 01:05:38,943 JAMAICAN QUEEN, AND WE ARE ON THE HUNT FOR SOME AUTHENTIC JERK CHICKEN. 1690 01:05:38,945 --> 01:05:47,618 THE HUNT FOR SOME AUTHENTIC JERK CHICKEN. >> AND QUEENS MAKE SOME NOISE! 1691 01:05:47,620 --> 01:05:51,489 CHICKEN. >> AND QUEENS MAKE SOME NOISE! >> RICE, THE STINKING MAN'S 1692 01:05:51,491 --> 01:05:51,823 >> AND QUEENS MAKE SOME NOISE! >> RICE, THE STINKING MAN'S CHIPS. 1693 01:05:51,825 --> 01:05:53,191 >> RICE, THE STINKING MAN'S CHIPS. >> WHAT THE HELL ARE Y'ALL 1694 01:05:53,193 --> 01:05:53,658 CHIPS. >> WHAT THE HELL ARE Y'ALL DOING? 1695 01:05:53,660 --> 01:05:55,626 >> WHAT THE HELL ARE Y'ALL DOING? >> WE'RE JUST HERE TO FIND OUT 1696 01:05:55,628 --> 01:05:58,096 DOING? >> WE'RE JUST HERE TO FIND OUT WHAT JA-MAKES YOUR FOOD SO 1697 01:05:58,098 --> 01:05:58,463 >> WE'RE JUST HERE TO FIND OUT WHAT JA-MAKES YOUR FOOD SO SPECIAL. 1698 01:05:58,465 --> 01:05:59,263 WHAT JA-MAKES YOUR FOOD SO SPECIAL. >> GOT IT. 1699 01:05:59,265 --> 01:06:01,699 SPECIAL. >> GOT IT. SO Y'ALL JUST MOVED HERE FOR 1700 01:06:01,701 --> 01:06:02,366 >> GOT IT. SO Y'ALL JUST MOVED HERE FOR CONNECTICUT, RIGHT? 1701 01:06:02,368 --> 01:06:03,468 SO Y'ALL JUST MOVED HERE FOR CONNECTICUT, RIGHT? YOU HAVE TO STOP YELLING. 1702 01:06:03,470 --> 01:06:05,870 CONNECTICUT, RIGHT? YOU HAVE TO STOP YELLING. >> WELL, I NOTICED YOU WERE 1703 01:06:05,872 --> 01:06:07,338 YOU HAVE TO STOP YELLING. >> WELL, I NOTICED YOU WERE SELLING DELICIOUS JAMAICAN FOOD, 1704 01:06:07,340 --> 01:06:09,207 >> WELL, I NOTICED YOU WERE SELLING DELICIOUS JAMAICAN FOOD, BUT YOU YOURSELF ARE NOT 1705 01:06:09,209 --> 01:06:09,574 SELLING DELICIOUS JAMAICAN FOOD, BUT YOU YOURSELF ARE NOT JAMAICAN. 1706 01:06:09,576 --> 01:06:10,441 BUT YOU YOURSELF ARE NOT JAMAICAN. TELL US ABOUT THAT. 1707 01:06:10,443 --> 01:06:12,577 JAMAICAN. TELL US ABOUT THAT. >> NO, I'M JAMAICAN. 1708 01:06:12,579 --> 01:06:17,281 TELL US ABOUT THAT. >> NO, I'M JAMAICAN. >> HOW WOULD THAT BE -- 1709 01:06:17,283 --> 01:06:19,383 >> NO, I'M JAMAICAN. >> HOW WOULD THAT BE -- >> SPOTS LIKE THAT ARE EXACTLY 1710 01:06:19,385 --> 01:06:22,320 >> HOW WOULD THAT BE -- >> SPOTS LIKE THAT ARE EXACTLY WHAT MAKES NEW YORK SO GREAT. 1711 01:06:22,322 --> 01:06:23,421 >> SPOTS LIKE THAT ARE EXACTLY WHAT MAKES NEW YORK SO GREAT. TACO, OH, SPICY. 1712 01:06:23,423 --> 01:06:26,124 WHAT MAKES NEW YORK SO GREAT. TACO, OH, SPICY. >> SO YOU WANT JERK CHICKEN WITH 1713 01:06:26,126 --> 01:06:29,360 TACO, OH, SPICY. >> SO YOU WANT JERK CHICKEN WITH NO CAYENNE, NO CUMIN, SALT, 1714 01:06:29,362 --> 01:06:29,694 >> SO YOU WANT JERK CHICKEN WITH NO CAYENNE, NO CUMIN, SALT, PEPPER? 1715 01:06:29,696 --> 01:06:30,928 NO CAYENNE, NO CUMIN, SALT, PEPPER? >> NOPE, CAN'T DO IT. 1716 01:06:30,930 --> 01:06:32,997 PEPPER? >> NOPE, CAN'T DO IT. >> SO YOU JUST WANT A BLANK ASS 1717 01:06:32,999 --> 01:06:35,199 >> NOPE, CAN'T DO IT. >> SO YOU JUST WANT A BLANK ASS PIECE OF CHICKEN? 1718 01:06:35,201 --> 01:06:38,503 >> SO YOU JUST WANT A BLANK ASS PIECE OF CHICKEN? >> WHAT'S GOING ON HERE? 1719 01:06:38,505 --> 01:06:39,003 PIECE OF CHICKEN? >> WHAT'S GOING ON HERE? >> IN NEW YORK. 1720 01:06:39,005 --> 01:06:41,205 >> WHAT'S GOING ON HERE? >> IN NEW YORK. >> NEXT, WE DECIDED TO HIT UP A 1721 01:06:41,207 --> 01:06:44,242 >> IN NEW YORK. >> NEXT, WE DECIDED TO HIT UP A NEW YORK STAPLE, SO WE HEADED 1722 01:06:44,244 --> 01:06:46,477 >> NEXT, WE DECIDED TO HIT UP A NEW YORK STAPLE, SO WE HEADED ALL THE WAY UP AND WE WALKED 1723 01:06:46,479 --> 01:06:48,246 NEW YORK STAPLE, SO WE HEADED ALL THE WAY UP AND WE WALKED HERE BECAUSE WE COULD NOT FIND 1724 01:06:48,248 --> 01:06:48,679 ALL THE WAY UP AND WE WALKED HERE BECAUSE WE COULD NOT FIND THE ONE SAY. 1725 01:06:48,681 --> 01:06:50,148 HERE BECAUSE WE COULD NOT FIND THE ONE SAY. >> KEEP GOING THIS WAY? 1726 01:06:50,150 --> 01:06:51,716 THE ONE SAY. >> KEEP GOING THIS WAY? >> RULE NUMBER ONE, YOU'VE GOT 1727 01:06:51,718 --> 01:06:54,218 >> KEEP GOING THIS WAY? >> RULE NUMBER ONE, YOU'VE GOT TO ORDER LIKE A NEW YORKER. 1728 01:06:54,220 --> 01:06:57,555 >> RULE NUMBER ONE, YOU'VE GOT TO ORDER LIKE A NEW YORKER. HEY, YO, BOSS, LET ME GET SOME 1729 01:06:57,557 --> 01:06:58,322 TO ORDER LIKE A NEW YORKER. HEY, YO, BOSS, LET ME GET SOME MAYO AND BREAD. 1730 01:06:58,324 --> 01:07:00,258 HEY, YO, BOSS, LET ME GET SOME MAYO AND BREAD. >> HEY, THERE'S A LINE. 1731 01:07:00,260 --> 01:07:02,527 MAYO AND BREAD. >> HEY, THERE'S A LINE. >> I GOT IT. 1732 01:07:02,529 --> 01:07:07,498 >> HEY, THERE'S A LINE. >> I GOT IT. HEY, FORGET ABOUT -- 1733 01:07:07,500 --> 01:07:09,400 >> I GOT IT. HEY, FORGET ABOUT -- >> MY FATHER IS A LAWYER! 1734 01:07:09,402 --> 01:07:11,936 HEY, FORGET ABOUT -- >> MY FATHER IS A LAWYER! >> CAN'T CUT THE LINE, MAN. 1735 01:07:11,938 --> 01:07:13,070 >> MY FATHER IS A LAWYER! >> CAN'T CUT THE LINE, MAN. WE'VE BEEN WORKING ALL DAY. 1736 01:07:13,072 --> 01:07:15,406 >> CAN'T CUT THE LINE, MAN. WE'VE BEEN WORKING ALL DAY. >> WELL, I HOPE THE BUILDING 1737 01:07:15,408 --> 01:07:17,208 WE'VE BEEN WORKING ALL DAY. >> WELL, I HOPE THE BUILDING YOU'RE WORKING ON EXPLODES. 1738 01:07:17,210 --> 01:07:20,745 >> WELL, I HOPE THE BUILDING YOU'RE WORKING ON EXPLODES. THEY HATED US THERE. 1739 01:07:20,747 --> 01:07:23,648 YOU'RE WORKING ON EXPLODES. THEY HATED US THERE. BUT AT LEAST WE HAVE FRIENDS IN 1740 01:07:23,650 --> 01:07:26,150 THEY HATED US THERE. BUT AT LEAST WE HAVE FRIENDS IN THAT FAKE JAMAICAN LADY. 1741 01:07:26,152 --> 01:07:26,684 BUT AT LEAST WE HAVE FRIENDS IN THAT FAKE JAMAICAN LADY. SHE LOVED US. 1742 01:07:26,686 --> 01:07:29,320 THAT FAKE JAMAICAN LADY. SHE LOVED US. >> I HATED THEM, BUT I READ THE 1743 01:07:29,322 --> 01:07:31,656 SHE LOVED US. >> I HATED THEM, BUT I READ THE COMMENTS ON THEIR VIDEOS, AND NO 1744 01:07:31,658 --> 01:07:32,857 >> I HATED THEM, BUT I READ THE COMMENTS ON THEIR VIDEOS, AND NO ONE SHOULD HAVE TO READ THAT 1745 01:07:32,859 --> 01:07:34,091 COMMENTS ON THEIR VIDEOS, AND NO ONE SHOULD HAVE TO READ THAT ABOUT THEMSELVES. 1746 01:07:34,093 --> 01:07:38,129 ONE SHOULD HAVE TO READ THAT ABOUT THEMSELVES. THE NICEST ONE I SAW SAID GAY 1747 01:07:38,131 --> 01:07:38,429 ABOUT THEMSELVES. THE NICEST ONE I SAW SAID GAY FAIL. 1748 01:07:38,431 --> 01:07:39,330 THE NICEST ONE I SAW SAID GAY FAIL. I MADE THEM SOME PLAIN ASS 1749 01:07:39,332 --> 01:07:41,465 FAIL. I MADE THEM SOME PLAIN ASS CHICKEN, AND THEY LOVED IT. 1750 01:07:41,467 --> 01:07:42,867 I MADE THEM SOME PLAIN ASS CHICKEN, AND THEY LOVED IT. >> AUTHENTIC JERK CHICKEN. 1751 01:07:42,869 --> 01:07:43,901 CHICKEN, AND THEY LOVED IT. >> AUTHENTIC JERK CHICKEN. >> WHAT A BEAUTIFUL NEW YORK 1752 01:07:43,903 --> 01:07:44,202 >> AUTHENTIC JERK CHICKEN. >> WHAT A BEAUTIFUL NEW YORK DAY. 1753 01:07:44,204 --> 01:07:48,072 >> WHAT A BEAUTIFUL NEW YORK DAY. WE HAD SOME CHICKEN. 1754 01:07:48,074 --> 01:07:49,740 DAY. WE HAD SOME CHICKEN. NO ONE CAN DO IT LIKE US. 1755 01:07:49,742 --> 01:08:11,128 WE HAD SOME CHICKEN. NO ONE CAN DO IT LIKE US. >> NEW YORK! 1756 01:08:11,130 --> 01:08:12,663 NO ONE CAN DO IT LIKE US. >> NEW YORK! AND THEIR INCREDIBLE BAND. 1757 01:08:12,665 --> 01:08:14,765 >> NEW YORK! AND THEIR INCREDIBLE BAND. I WANT TO SAY THANK YOU TO MY 1758 01:08:14,767 --> 01:08:17,735 AND THEIR INCREDIBLE BAND. I WANT TO SAY THANK YOU TO MY ENTIRE CAST THAT DID A 1759 01:08:17,737 --> 01:08:20,238 I WANT TO SAY THANK YOU TO MY ENTIRE CAST THAT DID A WONDERFUL, WONDERFUL -- THEY DID 1760 01:08:20,240 --> 01:08:24,075 ENTIRE CAST THAT DID A WONDERFUL, WONDERFUL -- THEY DID IT -- WHAT DO YOU CALL IT? 1761 01:08:24,077 --> 01:08:26,744 WONDERFUL, WONDERFUL -- THEY DID IT -- WHAT DO YOU CALL IT? PANEL WITHOUT ME TODAY BECAUSE I 1762 01:08:26,746 --> 01:08:29,380 IT -- WHAT DO YOU CALL IT? PANEL WITHOUT ME TODAY BECAUSE I WAS HOSTING SNL. 1763 01:08:29,382 --> 01:08:32,016 PANEL WITHOUT ME TODAY BECAUSE I WAS HOSTING SNL. I WANT TO THANK EVERYBODY AT 1764 01:08:32,018 --> 01:08:33,584 WAS HOSTING SNL. I WANT TO THANK EVERYBODY AT ABBOTT ELEMENTARY FOR HELPING ME 1765 01:08:33,586 --> 01:08:34,185 I WANT TO THANK EVERYBODY AT ABBOTT ELEMENTARY FOR HELPING ME GET HERE. 1766 01:08:34,187 --> 01:08:35,953 ABBOTT ELEMENTARY FOR HELPING ME GET HERE. THANK YOU TO MY FANS AND FAMILY, 1767 01:08:35,955 --> 01:08:37,321 GET HERE. THANK YOU TO MY FANS AND FAMILY, WHO SOME OF THEM ARE HERE 1768 01:08:37,323 --> 01:08:37,655 THANK YOU TO MY FANS AND FAMILY, WHO SOME OF THEM ARE HERE TONIGHT. 1769 01:08:37,657 --> 01:08:39,523 WHO SOME OF THEM ARE HERE TONIGHT. I WANT TO SAY THANK YOU TO THIS 1770 01:08:39,525 --> 01:08:41,158 TONIGHT. I WANT TO SAY THANK YOU TO THIS INCREDIBLE CREW, THE PEOPLE AT 1771 01:08:41,160 --> 01:08:43,027 I WANT TO SAY THANK YOU TO THIS INCREDIBLE CREW, THE PEOPLE AT SNL WORK SO HARD, AND THEY ARE 1772 01:08:43,029 --> 01:08:44,996 INCREDIBLE CREW, THE PEOPLE AT SNL WORK SO HARD, AND THEY ARE UNREAL, AND THEY DO IT EVERY 1773 01:08:44,998 --> 01:08:47,298 SNL WORK SO HARD, AND THEY ARE UNREAL, AND THEY DO IT EVERY WEEK, AND IT'S NUTS, THE CAST, 1774 01:08:47,300 --> 01:08:47,648 UNREAL, AND THEY DO IT EVERY WEEK, AND IT'S NUTS, THE CAST, THE EW, IT'S I 192330

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.