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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,354 --> 00:00:19,394 [ CHEERS AND APPLAUSE ] >>> HELLO, AND WELCOME BACK TO THE OSCARS RED CARPET PRESHOW. 2 00:00:19,396 --> 00:00:21,830 >>> HELLO, AND WELCOME BACK TO THE OSCARS RED CARPET PRESHOW. >> I'M THE MAN INSIDE YOUR HOTEL 3 00:00:21,832 --> 00:00:24,332 THE OSCARS RED CARPET PRESHOW. >> I'M THE MAN INSIDE YOUR HOTEL TV WHO TELLS YOU WHAT THE MOVIES 4 00:00:24,334 --> 00:00:25,767 >> I'M THE MAN INSIDE YOUR HOTEL TV WHO TELLS YOU WHAT THE MOVIES ARE, MARIO LOPEZ. 5 00:00:25,769 --> 00:00:29,704 TV WHO TELLS YOU WHAT THE MOVIES ARE, MARIO LOPEZ. >> AND I'M EITHER MARIA MENOUNOS 6 00:00:29,706 --> 00:00:30,639 ARE, MARIO LOPEZ. >> AND I'M EITHER MARIA MENOUNOS OR KIT HOOVER. 7 00:00:30,641 --> 00:00:31,973 >> AND I'M EITHER MARIA MENOUNOS OR KIT HOOVER. THEY HAVEN'T TOLD ME YET. 8 00:00:31,975 --> 00:00:35,544 OR KIT HOOVER. THEY HAVEN'T TOLD ME YET. >> AND YOU'RE ABOUT TO WATCH THE 9 00:00:35,546 --> 00:00:38,146 THEY HAVEN'T TOLD ME YET. >> AND YOU'RE ABOUT TO WATCH THE 95th ANNUAL ACADEMY AWARDS 10 00:00:38,148 --> 00:00:39,281 >> AND YOU'RE ABOUT TO WATCH THE 95th ANNUAL ACADEMY AWARDS SPONSORED BY OZEMPIC. 11 00:00:39,283 --> 00:00:41,550 95th ANNUAL ACADEMY AWARDS SPONSORED BY OZEMPIC. >> I GUESS EVERYONE IN HOLLYWOOD 12 00:00:41,552 --> 00:00:42,417 SPONSORED BY OZEMPIC. >> I GUESS EVERYONE IN HOLLYWOOD HAS DIABETES. 13 00:00:42,419 --> 00:00:44,086 >> I GUESS EVERYONE IN HOLLYWOOD HAS DIABETES. >> AND WE'RE SO EXCITED TO HAVE 14 00:00:44,088 --> 00:00:46,621 HAS DIABETES. >> AND WE'RE SO EXCITED TO HAVE BEEN STANDING OUTSIDE THE DOGBY 15 00:00:46,623 --> 00:00:48,957 >> AND WE'RE SO EXCITED TO HAVE BEEN STANDING OUTSIDE THE DOGBY THEATE FOR ALM 153 HOURS. 16 00:00:48,959 --> 00:00:51,126 BEEN STANDING OUTSIDE THE DOGBY THEATE FOR ALM 153 HOURS. >> WE HAVE NOT SLEPT OR USED THE 17 00:00:51,128 --> 00:00:51,493 THEATE FOR ALM 153 HOURS. >> WE HAVE NOT SLEPT OR USED THE BATHROOM. 18 00:00:51,495 --> 00:00:53,795 >> WE HAVE NOT SLEPT OR USED THE BATHROOM. OUR ONLY FOOD IS A HANDFUL OF 19 00:00:53,797 --> 00:00:54,996 BATHROOM. OUR ONLY FOOD IS A HANDFUL OF SARDINES THEY THROW AT US. 20 00:00:54,998 --> 00:01:01,069 OUR ONLY FOOD IS A HANDFUL OF SARDINES THEY THROW AT US. >> BUT IT'S ALL WORTH IT TO ASK 21 00:01:01,071 --> 00:01:01,803 SARDINES THEY THROW AT US. >> BUT IT'S ALL WORTH IT TO ASK ANGELA BASSETT IF SHE REALLY DID 22 00:01:01,805 --> 00:01:02,204 >> BUT IT'S ALL WORTH IT TO ASK ANGELA BASSETT IF SHE REALLY DID THE THING. 23 00:01:02,206 --> 00:01:02,571 ANGELA BASSETT IF SHE REALLY DID THE THING. >> OOPS. 24 00:01:02,573 --> 00:01:04,739 THE THING. >> OOPS. WE ALMOST FORGOT, EVERY 30 25 00:01:04,741 --> 00:01:07,209 >> OOPS. WE ALMOST FORGOT, EVERY 30 SECONDS, WE HAVE TO DO A FEW 26 00:01:07,211 --> 00:01:08,910 WE ALMOST FORGOT, EVERY 30 SECONDS, WE HAVE TO DO A FEW AWKWARD PAN-DOWNS TO WOMEN'S 27 00:01:08,912 --> 00:01:09,211 SECONDS, WE HAVE TO DO A FEW AWKWARD PAN-DOWNS TO WOMEN'S FEET. 28 00:01:09,213 --> 00:01:09,611 AWKWARD PAN-DOWNS TO WOMEN'S FEET. HERE WE GO. 29 00:01:09,613 --> 00:01:13,181 FEET. HERE WE GO. ♪ 30 00:01:13,183 --> 00:01:16,351 HERE WE GO. ♪ >> EVERYONE NEEDED TO SEE THAT. 31 00:01:16,353 --> 00:01:18,653 ♪ >> EVERYONE NEEDED TO SEE THAT. >> NOW LAST YEAR'S OSCARS HAD 32 00:01:18,655 --> 00:01:20,455 >> EVERYONE NEEDED TO SEE THAT. >> NOW LAST YEAR'S OSCARS HAD THE SLAP, WHICH IS AWESOME -- I 33 00:01:20,457 --> 00:01:21,623 >> NOW LAST YEAR'S OSCARS HAD THE SLAP, WHICH IS AWESOME -- I MEAN BAD, SO BAD. 34 00:01:21,625 --> 00:01:23,291 THE SLAP, WHICH IS AWESOME -- I MEAN BAD, SO BAD. >> WE HATED ALL THE ATTENTION. 35 00:01:23,293 --> 00:01:25,460 MEAN BAD, SO BAD. >> WE HATED ALL THE ATTENTION. >> SO THIS YEAR, TO MAKE SURE 36 00:01:25,462 --> 00:01:28,497 >> WE HATED ALL THE ATTENTION. >> SO THIS YEAR, TO MAKE SURE NOTHING CRAZY HAPPENS, THE 37 00:01:28,499 --> 00:01:32,968 >> SO THIS YEAR, TO MAKE SURE NOTHING CRAZY HAPPENS, THE ACADEMY HIRED A NEW HEAD OF 38 00:01:32,970 --> 00:01:35,303 NOTHING CRAZY HAPPENS, THE ACADEMY HIRED A NEW HEAD OF SECURITY NOTORIOUSLY CALM AND 39 00:01:35,305 --> 00:01:37,539 ACADEMY HIRED A NEW HEAD OF SECURITY NOTORIOUSLY CALM AND SANE PERSON, MIKE TYSON. 40 00:01:37,541 --> 00:01:38,540 SECURITY NOTORIOUSLY CALM AND SANE PERSON, MIKE TYSON. >> THANK YOU. 41 00:01:38,542 --> 00:01:38,940 SANE PERSON, MIKE TYSON. >> THANK YOU. MY GOODNESS. 42 00:01:38,942 --> 00:01:39,274 >> THANK YOU. MY GOODNESS. OH, WOW. 43 00:01:39,276 --> 00:01:42,043 MY GOODNESS. OH, WOW. THANK YOU. 44 00:01:42,045 --> 00:01:43,778 OH, WOW. THANK YOU. OH, MY GOODNESS. 45 00:01:43,780 --> 00:01:44,980 THANK YOU. OH, MY GOODNESS. THAT'S SO NICE OF Y'ALL. 46 00:01:44,982 --> 00:01:46,081 OH, MY GOODNESS. THAT'S SO NICE OF Y'ALL. THANK YOU SO MUCH. 47 00:01:46,083 --> 00:01:49,351 THAT'S SO NICE OF Y'ALL. THANK YOU SO MUCH. I AM READY TO HANDLE THE 48 00:01:49,353 --> 00:01:51,953 THANK YOU SO MUCH. I AM READY TO HANDLE THE PROCEEDINGS JUDICIOUSLY AND EXPO 49 00:01:51,955 --> 00:01:52,320 I AM READY TO HANDLE THE PROCEEDINGS JUDICIOUSLY AND EXPO DISHSLY. 50 00:01:52,322 --> 00:01:55,590 PROCEEDINGS JUDICIOUSLY AND EXPO DISHSLY. THE FOLLOWING THINGS WILL SET MF 51 00:01:55,592 --> 00:01:57,526 DISHSLY. THE FOLLOWING THINGS WILL SET MF CLAPPING, STATUES OF 52 00:01:57,528 --> 00:02:00,128 THE FOLLOWING THINGS WILL SET MF CLAPPING, STATUES OF PE THAT LAST MORE 53 00:02:00,130 --> 00:02:02,164 CLAPPING, STATUES OF PE THAT LAST MORE THAN TWO HOURS, AND ALSO HEARING 54 00:02:02,166 --> 00:02:04,466 PE THAT LAST MORE THAN TWO HOURS, AND ALSO HEARING THE PH, THE MAGIC OF MOVIES. 55 00:02:04,468 --> 00:02:08,103 THAN TWO HOURS, AND ALSO HEARING THE PH, THE MAGIC OF MOVIES. >> ARE THERE ANY NEW SECURITY 56 00:02:08,105 --> 00:02:09,137 THE PH, THE MAGIC OF MOVIES. >> ARE THERE ANY NEW SECURITY MEASURES IN PLACE? 57 00:02:09,139 --> 00:02:10,338 >> ARE THERE ANY NEW SECURITY MEASURES IN PLACE? >> THANK YOU FOR THAT QUESTION. 58 00:02:10,340 --> 00:02:12,707 MEASURES IN PLACE? >> THANK YOU FOR THAT QUESTION. THIS YEAR, ALL THE NOMINEES HAVE 59 00:02:12,709 --> 00:02:14,276 >> THANK YOU FOR THAT QUESTION. THIS YEAR, ALL THE NOMINEES HAVE BEEN GIVEN TASERS. 60 00:02:14,278 --> 00:02:15,877 THIS YEAR, ALL THE NOMINEES HAVE BEEN GIVEN TASERS. ALL THE SEAT FLE HAVE BEEN 61 00:02:15,879 --> 00:02:20,549 BEEN GIVEN TASERS. ALL THE SEAT FLE HAVE BEEN GIVEN GUNS, KIMMEL HAS 62 00:02:20,551 --> 00:02:23,318 ALL THE SEAT FLE HAVE BEEN GIVEN GUNS, KIMMEL HAS GIVEN A FLAME THROWER. 63 00:02:23,320 --> 00:02:24,519 GIVEN GUNS, KIMMEL HAS GIVEN A FLAME THROWER. >> AND NOT THAT WE'RE HOPING FOR 64 00:02:24,521 --> 00:02:26,421 GIVEN A FLAME THROWER. >> AND NOT THAT WE'RE HOPING FOR THIS, BUT ARE YOU WORRIED WILL 65 00:02:26,423 --> 00:02:27,923 >> AND NOT THAT WE'RE HOPING FOR THIS, BUT ARE YOU WORRIED WILL SMITH IS PLANNING A SECOND 66 00:02:27,925 --> 00:02:28,256 THIS, BUT ARE YOU WORRIED WILL SMITH IS PLANNING A SECOND ATTACK? 67 00:02:28,258 --> 00:02:28,823 SMITH IS PLANNING A SECOND ATTACK? >> YES. 68 00:02:28,825 --> 00:02:31,526 ATTACK? >> YES. WE ARE PLANNING THAT THREAT VERY 69 00:02:31,528 --> 00:02:31,893 >> YES. WE ARE PLANNING THAT THREAT VERY SERIOUSLY. 70 00:02:31,895 --> 00:02:33,662 WE ARE PLANNING THAT THREAT VERY SERIOUSLY. LUCKILY, WE WERE ABLE TO SLIP 71 00:02:33,664 --> 00:02:35,897 SERIOUSLY. LUCKILY, WE WERE ABLE TO SLIP ONE OF THOSE APPLE AIR TAGS INTO 72 00:02:35,899 --> 00:02:37,132 LUCKILY, WE WERE ABLE TO SLIP ONE OF THOSE APPLE AIR TAGS INTO WILL SMITH'S POCKET. 73 00:02:37,134 --> 00:02:39,401 ONE OF THOSE APPLE AIR TAGS INTO WILL SMITH'S POCKET. SO WE KNOW EXACTLY WHERE HE WILL 74 00:02:39,403 --> 00:02:41,269 WILL SMITH'S POCKET. SO WE KNOW EXACTLY WHERE HE WILL BE AT ALL TIMES UNLESS HE 75 00:02:41,271 --> 00:02:42,804 SO WE KNOW EXACTLY WHERE HE WILL BE AT ALL TIMES UNLESS HE CHANGES HIS PANTS. 76 00:02:42,806 --> 00:02:44,139 BE AT ALL TIMES UNLESS HE CHANGES HIS PANTS. STAY FROSTY, EVERYBODY. 77 00:02:44,141 --> 00:02:46,775 CHANGES HIS PANTS. STAY FROSTY, EVERYBODY. >> UH-OH, I'M LEGIT SCARED. 78 00:02:46,777 --> 00:02:49,211 STAY FROSTY, EVERYBODY. >> UH-OH, I'M LEGIT SCARED. >> AND NOW, OF COURSE, THE SHOW 79 00:02:49,213 --> 00:02:51,046 >> UH-OH, I'M LEGIT SCARED. >> AND NOW, OF COURSE, THE SHOW HAS FACED A LOT OF COMPLAINTS 80 00:02:51,048 --> 00:02:52,814 >> AND NOW, OF COURSE, THE SHOW HAS FACED A LOT OF COMPLAINTS ABOUT A LACK OF DIVERSITY. 81 00:02:52,816 --> 00:02:55,183 HAS FACED A LOT OF COMPLAINTS ABOUT A LACK OF DIVERSITY. BUT REMEMBER, OSCAR TURNS 95 82 00:02:55,185 --> 00:02:55,584 ABOUT A LACK OF DIVERSITY. BUT REMEMBER, OSCAR TURNS 95 THIS YEAR. 83 00:02:55,586 --> 00:02:58,787 BUT REMEMBER, OSCAR TURNS 95 THIS YEAR. >> SO IF YOU THINK ABOUT HOW 84 00:02:58,789 --> 00:03:00,722 THIS YEAR. >> SO IF YOU THINK ABOUT HOW RACIST AND SEXIST YOUR GRANDPA 85 00:03:00,724 --> 00:03:05,293 >> SO IF YOU THINK ABOUT HOW RACIST AND SEXIST YOUR GRANDPA WAS AT 95, OSCAR'S LOOKING 86 00:03:05,295 --> 00:03:05,794 RACIST AND SEXIST YOUR GRANDPA WAS AT 95, OSCAR'S LOOKING PRETTY DARN GOOD. 87 00:03:05,796 --> 00:03:07,896 WAS AT 95, OSCAR'S LOOKING PRETTY DARN GOOD. >> SPEAKING OF LOOKING GOOD, 88 00:03:07,898 --> 00:03:09,297 PRETTY DARN GOOD. >> SPEAKING OF LOOKING GOOD, IT'S FIRST TIME NOMINEE FOR BEST 89 00:03:09,299 --> 00:03:11,499 >> SPEAKING OF LOOKING GOOD, IT'S FIRST TIME NOMINEE FOR BEST SUPPORTING ACTRESS, JAMIE LEE 90 00:03:11,501 --> 00:03:11,833 IT'S FIRST TIME NOMINEE FOR BEST SUPPORTING ACTRESS, JAMIE LEE CURTIS. 91 00:03:11,835 --> 00:03:12,867 SUPPORTING ACTRESS, JAMIE LEE CURTIS. >> I MEAN, SERIOUSLY, HOW GREAT 92 00:03:12,869 --> 00:03:16,972 CURTIS. >> I MEAN, SERIOUSLY, HOW GREAT IS THIS? 93 00:03:16,974 --> 00:03:18,506 >> I MEAN, SERIOUSLY, HOW GREAT IS THIS? I SOLD YOGURT THAT MADE YOU 94 00:03:18,508 --> 00:03:20,775 IS THIS? I SOLD YOGURT THAT MADE YOU POOP, AND NOW I'M NOMINATED! 95 00:03:20,777 --> 00:03:24,412 I SOLD YOGURT THAT MADE YOU POOP, AND NOW I'M NOMINATED! [ CHEERS AND APPLAUSE ] 96 00:03:24,414 --> 00:03:27,415 POOP, AND NOW I'M NOMINATED! [ CHEERS AND APPLAUSE ] >> NOW, YOU HAVE BEEN 97 00:03:27,417 --> 00:03:28,617 [ CHEERS AND APPLAUSE ] >> NOW, YOU HAVE BEEN REFRESHINGLY DOWN TO EARTH THIS 98 00:03:28,619 --> 00:03:30,118 >> NOW, YOU HAVE BEEN REFRESHINGLY DOWN TO EARTH THIS WHOLE AWARDS SEASON. 99 00:03:30,120 --> 00:03:32,420 REFRESHINGLY DOWN TO EARTH THIS WHOLE AWARDS SEASON. WHO ARE YOU WEARING TONIGHT? 100 00:03:32,422 --> 00:03:34,356 WHOLE AWARDS SEASON. WHO ARE YOU WEARING TONIGHT? >> KIRKLAND BY COSTCO. 101 00:03:34,358 --> 00:03:37,692 WHO ARE YOU WEARING TONIGHT? >> KIRKLAND BY COSTCO. >> JAMIE, YOU'VE ALSO BEEN SO 102 00:03:37,694 --> 00:03:40,028 >> KIRKLAND BY COSTCO. >> JAMIE, YOU'VE ALSO BEEN SO VOCALLY SUPPORTIVE OF ALL YOUR 103 00:03:40,030 --> 00:03:40,795 >> JAMIE, YOU'VE ALSO BEEN SO VOCALLY SUPPORTIVE OF ALL YOUR FELLOW NOMINEES. 104 00:03:40,797 --> 00:03:44,099 VOCALLY SUPPORTIVE OF ALL YOUR FELLOW NOMINEES. >> WELL, BECAUSE THESE ACTRESSES 105 00:03:44,101 --> 00:03:45,000 FELLOW NOMINEES. >> WELL, BECAUSE THESE ACTRESSES RULE! 106 00:03:45,002 --> 00:03:47,736 >> WELL, BECAUSE THESE ACTRESSES RULE! CATE BLANCHETT, ARE YOU KIDDING 107 00:03:47,738 --> 00:03:48,003 RULE! CATE BLANCHETT, ARE YOU KIDDING ME? 108 00:03:48,005 --> 00:03:50,605 CATE BLANCHETT, ARE YOU KIDDING ME? SHE IS SO -- AM I ALLOWED TO 109 00:03:50,607 --> 00:03:50,905 ME? SHE IS SO -- AM I ALLOWED TO CURSE? 110 00:03:50,907 --> 00:03:51,306 SHE IS SO -- AM I ALLOWED TO CURSE? >> NO. 111 00:03:51,308 --> 00:03:52,507 CURSE? >> NO. >> SHE IS SO -- HOT. 112 00:03:52,509 --> 00:03:57,178 >> NO. >> SHE IS SO -- HOT. AND TAR, OH, MY GOD, TAR WAS 113 00:03:57,180 --> 00:04:05,820 >> SHE IS SO -- HOT. AND TAR, OH, MY GOD, TAR WAS ICONIC, VIVACIOUS, QUEER, VAGUE, 114 00:04:05,822 --> 00:04:08,623 AND TAR, OH, MY GOD, TAR WAS ICONIC, VIVACIOUS, QUEER, VAGUE, CONFUSING, LONG, PARTIALLY IN 115 00:04:08,625 --> 00:04:09,858 ICONIC, VIVACIOUS, QUEER, VAGUE, CONFUSING, LONG, PARTIALLY IN GERMAN, AND IT WAS HANDS DOWN 116 00:04:09,860 --> 00:04:13,094 CONFUSING, LONG, PARTIALLY IN GERMAN, AND IT WAS HANDS DOWN THE FUNNIEST MOVIE OF THE YEAR. 117 00:04:13,096 --> 00:04:14,996 GERMAN, AND IT WAS HANDS DOWN THE FUNNIEST MOVIE OF THE YEAR. AND CAN I SAY ONE MORE THING IN. 118 00:04:14,998 --> 00:04:17,666 THE FUNNIEST MOVIE OF THE YEAR. AND CAN I SAY ONE MORE THING IN. >> I THINK YOU'RE GONNA. 119 00:04:17,668 --> 00:04:23,171 AND CAN I SAY ONE MORE THING IN. >> I THINK YOU'RE GONNA. >> WHAT ARIANA DeBOSE DID AT THE 120 00:04:23,173 --> 00:04:24,773 >> I THINK YOU'RE GONNA. >> WHAT ARIANA DeBOSE DID AT THE BAFTAS WAS FUN. 121 00:04:24,775 --> 00:04:27,142 >> WHAT ARIANA DeBOSE DID AT THE BAFTAS WAS FUN. IT WAS BY FAR THE BEST RAP 122 00:04:27,144 --> 00:04:29,044 BAFTAS WAS FUN. IT WAS BY FAR THE BEST RAP PERFORMANCE I'VE SEEN ALL YEAR. 123 00:04:29,046 --> 00:04:29,577 IT WAS BY FAR THE BEST RAP PERFORMANCE I'VE SEEN ALL YEAR. IT WAS INCREDIBLE. 124 00:04:29,579 --> 00:04:31,780 PERFORMANCE I'VE SEEN ALL YEAR. IT WAS INCREDIBLE. >> WELL, GOOD LUCK, AND HAVE FUN 125 00:04:31,782 --> 00:04:32,147 IT WAS INCREDIBLE. >> WELL, GOOD LUCK, AND HAVE FUN TONIGHT. 126 00:04:32,149 --> 00:04:32,914 >> WELL, GOOD LUCK, AND HAVE FUN TONIGHT. >> OH, NO. 127 00:04:32,916 --> 00:04:34,449 TONIGHT. >> OH, NO. I'M ON MY WAY HOME. 128 00:04:34,451 --> 00:04:36,284 >> OH, NO. I'M ON MY WAY HOME. IT'S WAY PAST MOMMY'S BEDTIME. 129 00:04:36,286 --> 00:04:39,854 I'M ON MY WAY HOME. IT'S WAY PAST MOMMY'S BEDTIME. >> OH, I JUST LOVE HER. 130 00:04:39,856 --> 00:04:42,390 IT'S WAY PAST MOMMY'S BEDTIME. >> OH, I JUST LOVE HER. NOW, ONE GROUP THAT DOESN'T 131 00:04:42,392 --> 00:04:44,192 >> OH, I JUST LOVE HER. NOW, ONE GROUP THAT DOESN'T TRADITIONALLY WATCH THE OSCARS 132 00:04:44,194 --> 00:04:46,594 NOW, ONE GROUP THAT DOESN'T TRADITIONALLY WATCH THE OSCARS ARE DEGENERATE GAMBLERS, AND 133 00:04:46,596 --> 00:04:49,230 TRADITIONALLY WATCH THE OSCARS ARE DEGENERATE GAMBLERS, AND THAT'S WHY THIS YEAR, WE'RE 134 00:04:49,232 --> 00:04:50,365 ARE DEGENERATE GAMBLERS, AND THAT'S WHY THIS YEAR, WE'RE PARTNERING WITH DRAFTKINGS. 135 00:04:50,367 --> 00:04:52,701 THAT'S WHY THIS YEAR, WE'RE PARTNERING WITH DRAFTKINGS. WHAT'S THE LATEST UPDATE, 136 00:04:52,703 --> 00:04:53,034 PARTNERING WITH DRAFTKINGS. WHAT'S THE LATEST UPDATE, FELLAS? 137 00:04:53,036 --> 00:04:55,537 WHAT'S THE LATEST UPDATE, FELLAS? >> WELL, HERE ARE SOME OF THE 138 00:04:55,539 --> 00:04:56,971 FELLAS? >> WELL, HERE ARE SOME OF THE LATEST BETTING LINES. 139 00:04:56,973 --> 00:04:59,708 >> WELL, HERE ARE SOME OF THE LATEST BETTING LINES. THREE TO ONE ODDS THAT A YOUNG 140 00:04:59,710 --> 00:05:02,911 LATEST BETTING LINES. THREE TO ONE ODDS THAT A YOUNG ACTOR BRINGS OUT AN OLD ACTOR IN 141 00:05:02,913 --> 00:05:07,148 THREE TO ONE ODDS THAT A YOUNG ACTOR BRINGS OUT AN OLD ACTOR IN A WHEELCHAIR AND REGRETS IT 142 00:05:07,150 --> 00:05:07,582 ACTOR BRINGS OUT AN OLD ACTOR IN A WHEELCHAIR AND REGRETS IT IMMEDIATELY. 143 00:05:07,584 --> 00:05:10,352 A WHEELCHAIR AND REGRETS IT IMMEDIATELY. >> AND TEN TO ONE THAT SOMEONE 144 00:05:10,354 --> 00:05:12,921 IMMEDIATELY. >> AND TEN TO ONE THAT SOMEONE IN THE END MEMORIAM IS STILL 145 00:05:12,923 --> 00:05:13,254 >> AND TEN TO ONE THAT SOMEONE IN THE END MEMORIAM IS STILL ALIVE. 146 00:05:13,256 --> 00:05:14,656 IN THE END MEMORIAM IS STILL ALIVE. >> WE'RE ALSO SEEING A LOT OF 147 00:05:14,658 --> 00:05:16,958 ALIVE. >> WE'RE ALSO SEEING A LOT OF MOVEMENT IN THE WHO'S GOING TO 148 00:05:16,960 --> 00:05:17,759 >> WE'RE ALSO SEEING A LOT OF MOVEMENT IN THE WHO'S GOING TO MAKE A SURPRISE APPEARANCE POLL. 149 00:05:17,761 --> 00:05:18,693 MOVEMENT IN THE WHO'S GOING TO MAKE A SURPRISE APPEARANCE POLL. >> THAT'S RIGHT. 150 00:05:18,695 --> 00:05:20,428 MAKE A SURPRISE APPEARANCE POLL. >> THAT'S RIGHT. SOME OF THE FAVORITE LONG SHOT 151 00:05:20,430 --> 00:05:26,368 >> THAT'S RIGHT. SOME OF THE FAVORITE LONG SHOT PICK SOS FAR ARE CHRIS ROCK, 152 00:05:26,370 --> 00:05:27,936 SOME OF THE FAVORITE LONG SHOT PICK SOS FAR ARE CHRIS ROCK, JARED FROM SUBWAY, ARMIE HAMMER, 153 00:05:27,938 --> 00:05:31,673 PICK SOS FAR ARE CHRIS ROCK, JARED FROM SUBWAY, ARMIE HAMMER, THE JUDGES THAT OVERTURNED ROE V 154 00:05:31,675 --> 00:05:33,708 JARED FROM SUBWAY, ARMIE HAMMER, THE JUDGES THAT OVERTURNED ROE V WADE, GEORGE SANTOS PRETENDING 155 00:05:33,710 --> 00:05:35,210 THE JUDGES THAT OVERTURNED ROE V WADE, GEORGE SANTOS PRETENDING TO BE TOM CRUISE. 156 00:05:35,212 --> 00:05:38,213 WADE, GEORGE SANTOS PRETENDING TO BE TOM CRUISE. AND HARVEY WEINSTEIN INTRODUCES 157 00:05:38,215 --> 00:05:39,214 TO BE TOM CRUISE. AND HARVEY WEINSTEIN INTRODUCES KANYE WEST. 158 00:05:39,216 --> 00:05:39,547 AND HARVEY WEINSTEIN INTRODUCES KANYE WEST. >> WOW. 159 00:05:39,549 --> 00:05:41,883 KANYE WEST. >> WOW. A GIRL CAN DREAM. 160 00:05:41,885 --> 00:05:43,585 >> WOW. A GIRL CAN DREAM. BUT HOLD THAT THOUGHT BECAUSE 161 00:05:43,587 --> 00:05:44,953 A GIRL CAN DREAM. BUT HOLD THAT THOUGHT BECAUSE I'M TOLD WE HAVE THE STARS OF 162 00:05:44,955 --> 00:05:49,657 BUT HOLD THAT THOUGHT BECAUSE I'M TOLD WE HAVE THE STARS OF THE BANSHEES COLIN FARRELLND 163 00:05:49,659 --> 00:05:53,461 I'M TOLD WE HAVE THE STARS OF THE BANSHEES COLIN FARRELLND BRENDAN DEGREESON. 164 00:05:53,463 --> 00:05:55,530 THE BANSHEES COLIN FARRELLND BRENDAN DEGREESON. HOW DO YOU GUYS LIKE YOUR 165 00:05:55,532 --> 00:05:56,331 BRENDAN DEGREESON. HOW DO YOU GUYS LIKE YOUR CHANCES TONIGHT? 166 00:05:56,333 --> 00:06:04,172 HOW DO YOU GUYS LIKE YOUR CHANCES TONIGHT? >> YOU KNOW, WORDS FOR TROOPS IN 167 00:06:04,174 --> 00:06:18,186 CHANCES TONIGHT? >> YOU KNOW, WORDS FOR TROOPS IN THE BAY. 168 00:06:18,188 --> 00:06:18,620 >> YOU KNOW, WORDS FOR TROOPS IN THE BAY. 169 00:06:18,622 --> 00:06:19,220 THE BAY. [ SPEAKING NON-ENGLISH ] 170 00:06:19,222 --> 00:06:19,554 [ SPEAKING NON-ENGLISH ] >> WOW. 171 00:06:19,556 --> 00:06:21,589 [ SPEAKING NON-ENGLISH ] >> WOW. AND THEY HAVEN'T EVEN STARTED 172 00:06:21,591 --> 00:06:22,023 >> WOW. AND THEY HAVEN'T EVEN STARTED DRINKING YET. 173 00:06:22,025 --> 00:06:24,159 AND THEY HAVEN'T EVEN STARTED DRINKING YET. >> AND THIS IS SO EXCITING. 174 00:06:24,161 --> 00:06:26,094 DRINKING YET. >> AND THIS IS SO EXCITING. I'M BEING TOLD WE HAVE MICHELLE 175 00:06:26,096 --> 00:06:26,461 >> AND THIS IS SO EXCITING. I'M BEING TOLD WE HAVE MICHELLE WILLIAMS. 176 00:06:26,463 --> 00:06:27,662 I'M BEING TOLD WE HAVE MICHELLE WILLIAMS. >> CLOSE. 177 00:06:27,664 --> 00:06:30,432 WILLIAMS. >> CLOSE. IT'S MICHELLE WILLIAMS' JEWISH 178 00:06:30,434 --> 00:06:32,500 >> CLOSE. IT'S MICHELLE WILLIAMS' JEWISH ACTING COACH FOR THE FABLEMANS. 179 00:06:32,502 --> 00:06:33,535 IT'S MICHELLE WILLIAMS' JEWISH ACTING COACH FOR THE FABLEMANS. >> HELLO. 180 00:06:33,537 --> 00:06:35,703 ACTING COACH FOR THE FABLEMANS. >> HELLO. IT'S WONDERFUL TO BE HERE EVEN 181 00:06:35,705 --> 00:06:36,438 >> HELLO. IT'S WONDERFUL TO BE HERE EVEN THOUGH MY HAIR IS -- BUT, I'M 182 00:06:36,440 --> 00:06:38,673 IT'S WONDERFUL TO BE HERE EVEN THOUGH MY HAIR IS -- BUT, I'M HERE. 183 00:06:38,675 --> 00:06:42,744 THOUGH MY HAIR IS -- BUT, I'M HERE. >> SO WAS THE FABLEMAN'S YOUR 184 00:06:42,746 --> 00:06:43,445 HERE. >> SO WAS THE FABLEMAN'S YOUR FIRST HOLLYWOOD PROJECT? 185 00:06:43,447 --> 00:06:45,146 >> SO WAS THE FABLEMAN'S YOUR FIRST HOLLYWOOD PROJECT? >> OH, SWEETIE, NO. 186 00:06:45,148 --> 00:06:47,682 FIRST HOLLYWOOD PROJECT? >> OH, SWEETIE, NO. I WAS ALSO THAT JEWISH ACTING 187 00:06:47,684 --> 00:06:51,853 >> OH, SWEETIE, NO. I WAS ALSO THAT JEWISH ACTING COACH FOR MARVELOUS MISS MAISEL, 188 00:06:51,855 --> 00:06:53,388 I WAS ALSO THAT JEWISH ACTING COACH FOR MARVELOUS MISS MAISEL, AND WEIRDLYOR AVATAR. 189 00:06:53,390 --> 00:06:58,259 COACH FOR MARVELOUS MISS MAISEL, AND WEIRDLYOR AVATAR. I BELIEVE WE HAVE A PHOTO. 190 00:06:58,261 --> 00:07:00,795 AND WEIRDLYOR AVATAR. I BELIEVE WE HAVE A PHOTO. >> AND HOW DID YOU THINK THAT 191 00:07:00,797 --> 00:07:02,197 I BELIEVE WE HAVE A PHOTO. >> AND HOW DID YOU THINK THAT MICHELLE'S PERFORMANCE TURNED 192 00:07:02,199 --> 00:07:02,597 >> AND HOW DID YOU THINK THAT MICHELLE'S PERFORMANCE TURNED OUT? 193 00:07:02,599 --> 00:07:04,799 MICHELLE'S PERFORMANCE TURNED OUT? >> OH, SHE WAS AMAZING. 194 00:07:04,801 --> 00:07:08,169 OUT? >> OH, SHE WAS AMAZING. AND IF I CLOSE MY EYES AND EARS, 195 00:07:08,171 --> 00:07:10,338 >> OH, SHE WAS AMAZING. AND IF I CLOSE MY EYES AND EARS, I THINK SHE IS JEWISH. 196 00:07:10,340 --> 00:07:12,640 AND IF I CLOSE MY EYES AND EARS, I THINK SHE IS JEWISH. NOW, IF YOU'LL EXCUSE ME, I HAVE 197 00:07:12,642 --> 00:07:16,878 I THINK SHE IS JEWISH. NOW, IF YOU'LL EXCUSE ME, I HAVE TO GO FIND MY ACTING COACH, 198 00:07:16,880 --> 00:07:17,345 NOW, IF YOU'LL EXCUSE ME, I HAVE TO GO FIND MY ACTING COACH, CHUCK SCHUMER. 199 00:07:17,347 --> 00:07:18,046 TO GO FIND MY ACTING COACH, CHUCK SCHUMER. >> WOW, I LOD GETTING THAT 200 00:07:18,048 --> 00:07:18,379 CHUCK SCHUMER. >> WOW, I LOD GETTING THAT INCITE. 201 00:07:18,381 --> 00:07:19,481 >> WOW, I LOD GETTING THAT INCITE. >> AND FINALLY, THIS IS A 202 00:07:19,483 --> 00:07:20,849 INCITE. >> AND FINALLY, THIS IS A SURPRISE, BUT WE ARE JOINED BY 203 00:07:20,851 --> 00:07:22,951 >> AND FINALLY, THIS IS A SURPRISE, BUT WE ARE JOINED BY THE ONE AND ONLY TOM CRUISE. 204 00:07:22,953 --> 00:07:23,318 SURPRISE, BUT WE ARE JOINED BY THE ONE AND ONLY TOM CRUISE. >> HELLO. 205 00:07:23,320 --> 00:07:24,853 THE ONE AND ONLY TOM CRUISE. >> HELLO. HI. 206 00:07:24,855 --> 00:07:26,588 >> HELLO. HI. HI. 207 00:07:26,590 --> 00:07:30,358 HI. HI. [ CHEERS AND APPLAUSE ] 208 00:07:30,360 --> 00:07:32,660 HI. [ CHEERS AND APPLAUSE ] IT'S TOM CRUISE HERE. 209 00:07:32,662 --> 00:07:33,228 [ CHEERS AND APPLAUSE ] IT'S TOM CRUISE HERE. WONDERFUL TO BE HERE. 210 00:07:33,230 --> 00:07:35,430 IT'S TOM CRUISE HERE. WONDERFUL TO BE HERE. >> OH, MY GOD. 211 00:07:35,432 --> 00:07:36,464 WONDERFUL TO BE HERE. >> OH, MY GOD. IT'S GEORGE SANTOS. 212 00:07:36,466 --> 00:07:37,665 >> OH, MY GOD. IT'S GEORGE SANTOS. >> NO, NO. 213 00:07:37,667 --> 00:07:40,468 IT'S GEORGE SANTOS. >> NO, NO. I'M DEFINITELY THOMAS Q. CRUISE. 214 00:07:40,470 --> 00:07:44,906 >> NO, NO. I'M DEFINITELY THOMAS Q. CRUISE. STAR OF THIS YEAR'S BLOCK BUSTER 215 00:07:44,908 --> 00:07:47,108 I'M DEFINITELY THOMAS Q. CRUISE. STAR OF THIS YEAR'S BLOCK BUSTER FILM "TOP GUN" 2, TOP BOTTOM. 216 00:07:47,110 --> 00:07:49,177 STAR OF THIS YEAR'S BLOCK BUSTER FILM "TOP GUN" 2, TOP BOTTOM. >> GEORGE, YOU'RE NOT FOOLING 217 00:07:49,179 --> 00:07:49,511 FILM "TOP GUN" 2, TOP BOTTOM. >> GEORGE, YOU'RE NOT FOOLING ANYONE. 218 00:07:49,513 --> 00:07:49,944 >> GEORGE, YOU'RE NOT FOOLING ANYONE. >> YEAH. 219 00:07:49,946 --> 00:07:52,680 ANYONE. >> YEAH. EXCEPT I DID, AND NOW I'M IN 220 00:07:52,682 --> 00:07:53,147 >> YEAH. EXCEPT I DID, AND NOW I'M IN CONGRESS. 221 00:07:53,149 --> 00:07:55,116 EXCEPT I DID, AND NOW I'M IN CONGRESS. NOW IF YOU'LL EXCUSE ME, I HAVE 222 00:07:55,118 --> 00:07:57,352 CONGRESS. NOW IF YOU'LL EXCUSE ME, I HAVE TOO BE EVERY EVERYWHERE ALL 223 00:07:57,354 --> 00:07:59,454 NOW IF YOU'LL EXCUSE ME, I HAVE TOO BE EVERY EVERYWHERE ALL AT ONCE. 224 00:07:59,456 --> 00:08:00,088 TOO BE EVERY EVERYWHERE ALL AT ONCE. >> OKAY. 225 00:08:00,090 --> 00:08:01,155 AT ONCE. >> OKAY. HE'S A HOOT. 226 00:08:01,157 --> 00:08:01,856 >> OKAY. HE'S A HOOT. HE'S A HOOT. 227 00:08:01,858 --> 00:08:04,959 HE'S A HOOT. HE'S A HOOT. >> NOW, LET'S TAKE A QUICK 228 00:08:04,961 --> 00:08:06,861 HE'S A HOOT. >> NOW, LET'S TAKE A QUICK BREAK, AND WHEN WE RETURN, WE'LL 229 00:08:06,863 --> 00:08:11,633 >> NOW, LET'S TAKE A QUICK BREAK, AND WHEN WE RETURN, WE'LL BE TALKING WITH PINOCCHIO. 230 00:08:11,635 --> 00:08:13,868 BREAK, AND WHEN WE RETURN, WE'LL BE TALKING WITH PINOCCHIO. >> I'M GOING TO SCARE SO MANY 231 00:08:13,870 --> 00:08:14,168 BE TALKING WITH PINOCCHIO. >> I'M GOING TO SCARE SO MANY KIDS. 232 00:08:14,170 --> 00:08:14,936 >> I'M GOING TO SCARE SO MANY KIDS. >> AND LIVE FROM NEW YORK, IT'S 233 00:08:14,938 --> 00:08:22,677 KIDS. >> AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 234 00:08:22,679 --> 00:08:26,080 >> AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 235 00:08:26,082 --> 00:08:26,881 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 236 00:09:29,411 --> 00:09:30,445 FEATURING -- 237 00:10:07,883 --> 00:10:21,796 MUSICAL GUEST -- THE 1975. AND YOUR HOST, JENNA ORTEGA. LADIES AND GENTLEMEN, JENNA 238 00:10:21,798 --> 00:10:24,532 AND YOUR HOST, JENNA ORTEGA. LADIES AND GENTLEMEN, JENNA ORTEGA! 239 00:10:24,534 --> 00:10:42,116 LADIES AND GENTLEMEN, JENNA ORTEGA! [ CHEERS AND APPLAUSE ] 240 00:10:44,620 --> 00:10:49,457 >>> THANK YOU. THANK YOU GUYS VERY MUCH. I AM SO EXCITED TO BE HERE. 241 00:10:49,459 --> 00:10:56,064 THANK YOU GUYS VERY MUCH. I AM SO EXCITED TO BE HERE. MY NAME IS JENNA ORTEGA. 242 00:10:56,066 --> 00:10:59,233 I AM SO EXCITED TO BE HERE. MY NAME IS JENNA ORTEGA. I'M 20 YEARS OLD, WHICH MAKES ME 243 00:10:59,235 --> 00:11:01,936 MY NAME IS JENNA ORTEGA. I'M 20 YEARS OLD, WHICH MAKES ME THE YOUNGEST HOST THIS SEASON. 244 00:11:01,938 --> 00:11:04,505 I'M 20 YEARS OLD, WHICH MAKES ME THE YOUNGEST HOST THIS SEASON. I ACTUALLY HAVE BEEN ACTING 245 00:11:04,507 --> 00:11:07,241 THE YOUNGEST HOST THIS SEASON. I ACTUALLY HAVE BEEN ACTING SINCE I WAS SEVEN WHEN MY MOM 246 00:11:07,243 --> 00:11:16,250 I ACTUALLY HAVE BEEN ACTING SINCE I WAS SEVEN WHEN MY MOM PUT ME ON FACEBOOK. 247 00:11:16,252 --> 00:11:16,984 SINCE I WAS SEVEN WHEN MY MOM PUT ME ON FACEBOOK. I WAS IN "WEDNESDAY ", "X" AND 248 00:11:16,986 --> 00:11:17,452 PUT ME ON FACEBOOK. I WAS IN "WEDNESDAY ", "X" AND NOW "SCREAM 6." 249 00:11:17,454 --> 00:11:19,320 I WAS IN "WEDNESDAY ", "X" AND NOW "SCREAM 6." A LOT OF PEOPLE ASSUME I AM DARK 250 00:11:19,322 --> 00:11:20,855 NOW "SCREAM 6." A LOT OF PEOPLE ASSUME I AM DARK AND TWISTED BECAUSE OF THESE 251 00:11:20,857 --> 00:11:22,090 A LOT OF PEOPLE ASSUME I AM DARK AND TWISTED BECAUSE OF THESE ROLES I PLAY. 252 00:11:22,092 --> 00:11:24,492 AND TWISTED BECAUSE OF THESE ROLES I PLAY. I'M NOT LIKE THAT AT ALL. 253 00:11:24,494 --> 00:11:25,693 ROLES I PLAY. I'M NOT LIKE THAT AT ALL. I THINK THERE'S JUST SOMETHING 254 00:11:25,695 --> 00:11:28,162 I'M NOT LIKE THAT AT ALL. I THINK THERE'S JUST SOMETHING ABOUT MY FACE WHEN PEOPLE SEE 255 00:11:28,164 --> 00:11:30,398 I THINK THERE'S JUST SOMETHING ABOUT MY FACE WHEN PEOPLE SEE IT, THEY'RE LIKE LET'S THROW 256 00:11:30,400 --> 00:11:30,965 ABOUT MY FACE WHEN PEOPLE SEE IT, THEY'RE LIKE LET'S THROW BLOOD ON THAT. 257 00:11:30,967 --> 00:11:34,001 IT, THEY'RE LIKE LET'S THROW BLOOD ON THAT. BUT I WASN'T ALWAYS IN HORROR 258 00:11:34,003 --> 00:11:34,302 BLOOD ON THAT. BUT I WASN'T ALWAYS IN HORROR FILMS. 259 00:11:34,304 --> 00:11:37,638 BUT I WASN'T ALWAYS IN HORROR FILMS. MY FIRST ACTING ROLE WAS IN A 260 00:11:37,640 --> 00:11:39,407 FILMS. MY FIRST ACTING ROLE WAS IN A COLGATE TOOTH PASTE COMMERCIAL 261 00:11:39,409 --> 00:11:39,907 MY FIRST ACTING ROLE WAS IN A COLGATE TOOTH PASTE COMMERCIAL WHEN I WAS NINE. 262 00:11:39,909 --> 00:11:41,943 COLGATE TOOTH PASTE COMMERCIAL WHEN I WAS NINE. >> WANT TO CATCH THOSE LITTLE 263 00:11:41,945 --> 00:11:43,411 WHEN I WAS NINE. >> WANT TO CATCH THOSE LITTLE NASTIES, YOU KNOW THOSE LITTLE 264 00:11:43,413 --> 00:11:47,048 >> WANT TO CATCH THOSE LITTLE NASTIES, YOU KNOW THOSE LITTLE GERMS THAT HIDE IN YOUR MOUTH? 265 00:11:47,050 --> 00:11:48,316 NASTIES, YOU KNOW THOSE LITTLE GERMS THAT HIDE IN YOUR MOUTH? I'LL BE BACK TONIGHT, INVISIBLE 266 00:11:48,318 --> 00:11:52,754 GERMS THAT HIDE IN YOUR MOUTH? I'LL BE BACK TONIGHT, INVISIBLE NASTIES. 267 00:11:52,756 --> 00:11:53,354 I'LL BE BACK TONIGHT, INVISIBLE NASTIES. [ CHEERS AND APPLAUSE ] 268 00:11:53,356 --> 00:11:56,357 NASTIES. [ CHEERS AND APPLAUSE ] >> I AM STILL THAT EXACT SAME 269 00:11:56,359 --> 00:11:57,125 [ CHEERS AND APPLAUSE ] >> I AM STILL THAT EXACT SAME GIRL. 270 00:11:57,127 --> 00:11:58,926 >> I AM STILL THAT EXACT SAME GIRL. SAME ONE. 271 00:11:58,928 --> 00:12:01,329 GIRL. SAME ONE. IT'S JUST THAT SCARY MUSIC AND 272 00:12:01,331 --> 00:12:02,430 SAME ONE. IT'S JUST THAT SCARY MUSIC AND EDITING CAN MAKE ANYTHING SEEM 273 00:12:02,432 --> 00:12:04,632 IT'S JUST THAT SCARY MUSIC AND EDITING CAN MAKE ANYTHING SEEM LIKE A HORROR FILM. 274 00:12:04,634 --> 00:12:04,966 EDITING CAN MAKE ANYTHING SEEM LIKE A HORROR FILM. WATCH. 275 00:12:04,968 --> 00:12:08,736 LIKE A HORROR FILM. WATCH. >> WANT TO HELP ME CATCH AN 276 00:12:08,738 --> 00:12:09,537 WATCH. >> WANT TO HELP ME CATCH AN INVISIBLE GERM? 277 00:12:09,539 --> 00:12:10,571 >> WANT TO HELP ME CATCH AN INVISIBLE GERM? I'LL BE BACK TONIGHT, INVISIBLE 278 00:12:10,573 --> 00:12:13,441 INVISIBLE GERM? I'LL BE BACK TONIGHT, INVISIBLE NASTIES. 279 00:12:13,443 --> 00:12:19,213 I'LL BE BACK TONIGHT, INVISIBLE NASTIES. [ CHEERS AND APPLAUSE ] 280 00:12:19,215 --> 00:12:22,483 NASTIES. [ CHEERS AND APPLAUSE ] >> I LOVE HORROR MOVIES, BUT 281 00:12:22,485 --> 00:12:23,618 [ CHEERS AND APPLAUSE ] >> I LOVE HORROR MOVIES, BUT HONESTLY, I DON'T GET SCARED 282 00:12:23,620 --> 00:12:24,852 >> I LOVE HORROR MOVIES, BUT HONESTLY, I DON'T GET SCARED VERY EASILY. 283 00:12:24,854 --> 00:12:26,788 HONESTLY, I DON'T GET SCARED VERY EASILY. PART OF THE REASON I WANTED TO 284 00:12:26,790 --> 00:12:30,758 VERY EASILY. PART OF THE REASON I WANTED TO HOST SNL IS I WANTED TO FACE MY 285 00:12:30,760 --> 00:12:31,192 PART OF THE REASON I WANTED TO HOST SNL IS I WANTED TO FACE MY BIGGEST PEER. 286 00:12:31,194 --> 00:12:33,127 HOST SNL IS I WANTED TO FACE MY BIGGEST PEER. HAPPY EXTROVERTED PEOPLE ALWAYS 287 00:12:33,129 --> 00:12:34,295 BIGGEST PEER. HAPPY EXTROVERTED PEOPLE ALWAYS TRYING TO PERFORM. 288 00:12:34,297 --> 00:12:35,696 HAPPY EXTROVERTED PEOPLE ALWAYS TRYING TO PERFORM. EVERYONE HERE HAS BEEN SO KIND, 289 00:12:35,698 --> 00:12:37,064 TRYING TO PERFORM. EVERYONE HERE HAS BEEN SO KIND, AND THIS WEEK HAS BEEN A DREAM 290 00:12:37,066 --> 00:12:37,832 EVERYONE HERE HAS BEEN SO KIND, AND THIS WEEK HAS BEEN A DREAM COME TRUE. 291 00:12:37,834 --> 00:12:39,267 AND THIS WEEK HAS BEEN A DREAM COME TRUE. I'VE GOT A COUPLE OF FRIENDS 292 00:12:39,269 --> 00:12:44,038 COME TRUE. I'VE GOT A COUPLE OF FRIENDS TONIGHT, INCLUDING ONE OF MY 293 00:12:44,040 --> 00:12:49,410 I'VE GOT A COUPLE OF FRIENDS TONIGHT, INCLUDING ONE OF MY COSTARS FROM "WEDNESDAY", FRED 294 00:12:49,412 --> 00:12:49,777 TONIGHT, INCLUDING ONE OF MY COSTARS FROM "WEDNESDAY", FRED ARMISON. 295 00:12:49,779 --> 00:12:51,345 COSTARS FROM "WEDNESDAY", FRED ARMISON. >> DON'T LET ME DISTRACT YOU. 296 00:12:51,347 --> 00:12:54,348 ARMISON. >> DON'T LET ME DISTRACT YOU. I'M JUST HERE TO WATCH WITH 297 00:12:54,350 --> 00:12:56,050 >> DON'T LET ME DISTRACT YOU. I'M JUST HERE TO WATCH WITH THESE PEOPLE THAT ARE BELOW ME. 298 00:12:56,052 --> 00:12:58,085 I'M JUST HERE TO WATCH WITH THESE PEOPLE THAT ARE BELOW ME. >> DID YOU WANT TO COME UP AND 299 00:12:58,087 --> 00:12:59,387 THESE PEOPLE THAT ARE BELOW ME. >> DID YOU WANT TO COME UP AND JOIN ME ON STAGE? 300 00:12:59,389 --> 00:13:01,389 >> DID YOU WANT TO COME UP AND JOIN ME ON STAGE? >> ME, GO UP THERE IN FRONT OF 301 00:13:01,391 --> 00:13:02,723 JOIN ME ON STAGE? >> ME, GO UP THERE IN FRONT OF THE CAMERAS? 302 00:13:02,725 --> 00:13:03,191 >> ME, GO UP THERE IN FRONT OF THE CAMERAS? I COULD NEVER. 303 00:13:03,193 --> 00:13:03,925 THE CAMERAS? I COULD NEVER. >> I'M SORRY. 304 00:13:03,927 --> 00:13:04,458 I COULD NEVER. >> I'M SORRY. YOU DON'T HAVE TO. 305 00:13:04,460 --> 00:13:05,560 >> I'M SORRY. YOU DON'T HAVE TO. >> FINE, I WILL. 306 00:13:05,562 --> 00:13:10,464 YOU DON'T HAVE TO. >> FINE, I WILL. [ CHEERS AND APPLAUSE ] 307 00:13:10,466 --> 00:13:10,765 >> FINE, I WILL. [ CHEERS AND APPLAUSE ] WOW. 308 00:13:10,767 --> 00:13:13,134 [ CHEERS AND APPLAUSE ] WOW. SO THIS IS WHAT IT FEELS LIKE TO 309 00:13:13,136 --> 00:13:15,736 WOW. SO THIS IS WHAT IT FEELS LIKE TO BE ON "SATURDAY NIGHT LIVE." 310 00:13:15,738 --> 00:13:18,272 SO THIS IS WHAT IT FEELS LIKE TO BE ON "SATURDAY NIGHT LIVE." >> YOU WERE ON THE SHOW FOR 11 311 00:13:18,274 --> 00:13:18,639 BE ON "SATURDAY NIGHT LIVE." >> YOU WERE ON THE SHOW FOR 11 SEASONS. 312 00:13:18,641 --> 00:13:19,106 >> YOU WERE ON THE SHOW FOR 11 SEASONS. >> THAT'S SWEET. 313 00:13:19,108 --> 00:13:21,776 SEASONS. >> THAT'S SWEET. THANK YOU. 314 00:13:21,778 --> 00:13:24,712 >> THAT'S SWEET. THANK YOU. >> SERIOUSLY, FRED, I AM SO 315 00:13:24,714 --> 00:13:25,413 THANK YOU. >> SERIOUSLY, FRED, I AM SO HONORED THAT YOU'RE HERE. 316 00:13:25,415 --> 00:13:27,648 >> SERIOUSLY, FRED, I AM SO HONORED THAT YOU'RE HERE. YOU'RE THE REASON I STARTED 317 00:13:27,650 --> 00:13:31,152 HONORED THAT YOU'RE HERE. YOU'RE THE REASON I STARTED WATCHING SNL ACTUALLY. 318 00:13:31,154 --> 00:13:32,787 YOU'RE THE REASON I STARTED WATCHING SNL ACTUALLY. MY FAVORITE SKETCH OF ALL TIME 319 00:13:32,789 --> 00:13:33,921 WATCHING SNL ACTUALLY. MY FAVORITE SKETCH OF ALL TIME IS THE CALIFORNIANS. 320 00:13:33,923 --> 00:13:36,157 MY FAVORITE SKETCH OF ALL TIME IS THE CALIFORNIANS. >> THANKS, JENNA. 321 00:13:36,159 --> 00:13:36,624 IS THE CALIFORNIANS. >> THANKS, JENNA. THAT'S SO NICE. 322 00:13:36,626 --> 00:13:38,860 >> THANKS, JENNA. THAT'S SO NICE. YOU KNOW, THE ORIGINAL IDEA CAME 323 00:13:38,862 --> 00:13:41,329 THAT'S SO NICE. YOU KNOW, THE ORIGINAL IDEA CAME TO ME BECAUSE I WAS GIVING 324 00:13:41,331 --> 00:13:41,796 YOU KNOW, THE ORIGINAL IDEA CAME TO ME BECAUSE I WAS GIVING DIRECTIONS -- 325 00:13:41,798 --> 00:13:43,664 TO ME BECAUSE I WAS GIVING DIRECTIONS -- >> WE FIGURED IT WAS SOMETHING 326 00:13:43,666 --> 00:13:44,031 DIRECTIONS -- >> WE FIGURED IT WAS SOMETHING LIKE THAT. 327 00:13:44,033 --> 00:13:44,465 >> WE FIGURED IT WAS SOMETHING LIKE THAT. IT'S ALL GOOD. 328 00:13:44,467 --> 00:13:45,366 LIKE THAT. IT'S ALL GOOD. THANK YOU, FRED. 329 00:13:45,368 --> 00:13:48,836 IT'S ALL GOOD. THANK YOU, FRED. [ CHEERS AND APPLAUSE ] 330 00:13:48,838 --> 00:13:51,806 THANK YOU, FRED. [ CHEERS AND APPLAUSE ] LIKE I SAID, THIS FEELS LIKE A 331 00:13:51,808 --> 00:13:52,106 [ CHEERS AND APPLAUSE ] LIKE I SAID, THIS FEELS LIKE A DREAM. 332 00:13:52,108 --> 00:13:55,042 LIKE I SAID, THIS FEELS LIKE A DREAM. WHEN I WAS A KID, I WASN'T OLD 333 00:13:55,044 --> 00:13:56,978 DREAM. WHEN I WAS A KID, I WASN'T OLD ENOUGH TO WATCH SNL YET, SO I 334 00:13:56,980 --> 00:13:58,846 WHEN I WAS A KID, I WASN'T OLD ENOUGH TO WATCH SNL YET, SO I TOOK A TOUR OF THE SNL STUDIO 335 00:13:58,848 --> 00:14:00,915 ENOUGH TO WATCH SNL YET, SO I TOOK A TOUR OF THE SNL STUDIO WITH MY PARENTS LIKE SIX YEARS 336 00:14:00,917 --> 00:14:02,183 TOOK A TOUR OF THE SNL STUDIO WITH MY PARENTS LIKE SIX YEARS AGO, AND THEY SAID, MAN, 337 00:14:02,185 --> 00:14:04,151 WITH MY PARENTS LIKE SIX YEARS AGO, AND THEY SAID, MAN, WOULDN'T IT BE AMAZING IF YOU 338 00:14:04,153 --> 00:14:06,320 AGO, AND THEY SAID, MAN, WOULDN'T IT BE AMAZING IF YOU HOSTED SOME DAY, AND IT SEEMED 339 00:14:06,322 --> 00:14:08,055 WOULDN'T IT BE AMAZING IF YOU HOSTED SOME DAY, AND IT SEEMED IMPOSSIBLE THEN, BUT NOW I'M 340 00:14:08,057 --> 00:14:10,691 HOSTED SOME DAY, AND IT SEEMED IMPOSSIBLE THEN, BUT NOW I'M HERE TONIGHT, AND MY PARENTS ARE 341 00:14:10,693 --> 00:14:12,627 IMPOSSIBLE THEN, BUT NOW I'M HERE TONIGHT, AND MY PARENTS ARE IN THE AUDIENCE, AND THEY GET TO 342 00:14:12,629 --> 00:14:15,363 HERE TONIGHT, AND MY PARENTS ARE IN THE AUDIENCE, AND THEY GET TO HEAR ME SAY WE HAVE A GREAT SHOW 343 00:14:15,365 --> 00:14:15,696 IN THE AUDIENCE, AND THEY GET TO HEAR ME SAY WE HAVE A GREAT SHOW FOR YOIG 344 00:14:25,958 --> 00:14:44,675 345 00:14:44,876 --> 00:14:51,949 >>> WELCOME EVERYBODY TO SCHOOL VERSUS SCHOOL WHERE TEACHERS TEAM UP WITH THEIR STAR STUDENTS 346 00:14:51,951 --> 00:14:54,385 VERSUS SCHOOL WHERE TEACHERS TEAM UP WITH THEIR STAR STUDENTS TO WIN BIG BUCKS. 347 00:14:54,387 --> 00:14:56,354 TEAM UP WITH THEIR STAR STUDENTS TO WIN BIG BUCKS. I'M YOUR HOST JAY McCORMICK. 348 00:14:56,356 --> 00:14:58,456 TO WIN BIG BUCKS. I'M YOUR HOST JAY McCORMICK. I WAS THE KEY WITNESS IN A 349 00:14:58,458 --> 00:15:00,591 I'M YOUR HOST JAY McCORMICK. I WAS THE KEY WITNESS IN A HARASSMENT TRIAL OF THIS SHOW'S 350 00:15:00,593 --> 00:15:02,627 I WAS THE KEY WITNESS IN A HARASSMENT TRIAL OF THIS SHOW'S COVID REPRESENTATIVE WHO SWABBED 351 00:15:02,629 --> 00:15:05,296 HARASSMENT TRIAL OF THIS SHOW'S COVID REPRESENTATIVE WHO SWABBED MY ANUS IN LIEU OF MY NOSE EVERY 352 00:15:05,298 --> 00:15:07,832 COVID REPRESENTATIVE WHO SWABBED MY ANUS IN LIEU OF MY NOSE EVERY DAY FOR FIVE MONTHS, BUT THAT'S 353 00:15:07,834 --> 00:15:10,368 MY ANUS IN LIEU OF MY NOSE EVERY DAY FOR FIVE MONTHS, BUT THAT'S ALL IN THE PAST NOW, SO LET'S 354 00:15:10,370 --> 00:15:12,370 DAY FOR FIVE MONTHS, BUT THAT'S ALL IN THE PAST NOW, SO LET'S MEET OUR TEAMS. 355 00:15:12,372 --> 00:15:14,238 ALL IN THE PAST NOW, SO LET'S MEET OUR TEAMS. FROM WEST GROVE HIGH IN NEW 356 00:15:14,240 --> 00:15:17,708 MEET OUR TEAMS. FROM WEST GROVE HIGH IN NEW JERSEY, TEACHER SHEILA CASHMAN 357 00:15:17,710 --> 00:15:21,679 FROM WEST GROVE HIGH IN NEW JERSEY, TEACHER SHEILA CASHMAN AND HER STUDENTS GABE AND MANNY. 358 00:15:21,681 --> 00:15:23,381 JERSEY, TEACHER SHEILA CASHMAN AND HER STUDENTS GABE AND MANNY. I'M TOLD YOUR SCHOOL HAS ONE OF 359 00:15:23,383 --> 00:15:25,816 AND HER STUDENTS GABE AND MANNY. I'M TOLD YOUR SCHOOL HAS ONE OF THE BEST SCIENCE DEPARTMENTS IN 360 00:15:25,818 --> 00:15:26,250 I'M TOLD YOUR SCHOOL HAS ONE OF THE BEST SCIENCE DEPARTMENTS IN THE COUNTRY. 361 00:15:26,252 --> 00:15:29,020 THE BEST SCIENCE DEPARTMENTS IN THE COUNTRY. >> YES, AND YOU CAN SAY IT'S A 362 00:15:29,022 --> 00:15:29,320 THE COUNTRY. >> YES, AND YOU CAN SAY IT'S A PLUS. 363 00:15:29,322 --> 00:15:31,789 >> YES, AND YOU CAN SAY IT'S A PLUS. >> YEAH, THAT'S CUTE. 364 00:15:31,791 --> 00:15:33,691 PLUS. >> YEAH, THAT'S CUTE. NOW LET'S MEET THEIR OPPONENTS 365 00:15:33,693 --> 00:15:36,994 >> YEAH, THAT'S CUTE. NOW LET'S MEET THEIR OPPONENTS FROM PROFESSOR ZANDER'S ACADEMY 366 00:15:36,996 --> 00:15:41,565 NOW LET'S MEET THEIR OPPONENTS FROM PROFESSOR ZANDER'S ACADEMY FOR EXTRAORDINARY CHILDREN, 367 00:15:41,567 --> 00:15:45,636 FROM PROFESSOR ZANDER'S ACADEMY FOR EXTRAORDINARY CHILDREN, PROFESSOR CHANDLISS ZANDER AND 368 00:15:45,638 --> 00:15:47,605 FOR EXTRAORDINARY CHILDREN, PROFESSOR CHANDLISS ZANDER AND HIS STUDENTS ZENA AND KNOCKOUT. 369 00:15:47,607 --> 00:15:52,009 PROFESSOR CHANDLISS ZANDER AND HIS STUDENTS ZENA AND KNOCKOUT. IT SAYS HERE THAT YOUR SCHOOL IS 370 00:15:52,011 --> 00:15:53,044 HIS STUDENTS ZENA AND KNOCKOUT. IT SAYS HERE THAT YOUR SCHOOL IS A 100 ROOM VICTORIAN MANSION 371 00:15:53,046 --> 00:15:55,780 IT SAYS HERE THAT YOUR SCHOOL IS A 100 ROOM VICTORIAN MANSION LOCATED WITHIN A 10,000 ACRE 372 00:15:55,782 --> 00:15:56,247 A 100 ROOM VICTORIAN MANSION LOCATED WITHIN A 10,000 ACRE PRIVATE FOREST. 373 00:15:56,249 --> 00:15:59,150 LOCATED WITHIN A 10,000 ACRE PRIVATE FOREST. >> THAT IS CORRECT. 374 00:15:59,152 --> 00:16:01,452 PRIVATE FOREST. >> THAT IS CORRECT. WE NEED AMPLE SPACE IN WHICH TO 375 00:16:01,454 --> 00:16:03,754 >> THAT IS CORRECT. WE NEED AMPLE SPACE IN WHICH TO TRAIN OUR STUDENTS TO HARNESS 376 00:16:03,756 --> 00:16:06,590 WE NEED AMPLE SPACE IN WHICH TO TRAIN OUR STUDENTS TO HARNESS THEIR INCREDIBLE GIFTS. 377 00:16:06,592 --> 00:16:08,592 TRAIN OUR STUDENTS TO HARNESS THEIR INCREDIBLE GIFTS. >> IF MY GIFTS ARE SO 378 00:16:08,594 --> 00:16:09,727 THEIR INCREDIBLE GIFTS. >> IF MY GIFTS ARE SO INCREDIBLE, THEN WHY WON'T YOU 379 00:16:09,729 --> 00:16:10,961 >> IF MY GIFTS ARE SO INCREDIBLE, THEN WHY WON'T YOU LET ME USE THEM? 380 00:16:10,963 --> 00:16:12,630 INCREDIBLE, THEN WHY WON'T YOU LET ME USE THEM? >> BECAUSE YOU CANNOT YET 381 00:16:12,632 --> 00:16:19,770 LET ME USE THEM? >> BECAUSE YOU CANNOT YET CONTROL THEM, CHILD! 382 00:16:19,772 --> 00:16:21,472 >> BECAUSE YOU CANNOT YET CONTROL THEM, CHILD! >> OKEYDOKEY. 383 00:16:21,474 --> 00:16:23,107 CONTROL THEM, CHILD! >> OKEYDOKEY. LET'S JUST GET TO THE GAME. 384 00:16:23,109 --> 00:16:25,309 >> OKEYDOKEY. LET'S JUST GET TO THE GAME. ARE WE FEELING CONFIDENT TEAM 385 00:16:25,311 --> 00:16:25,609 LET'S JUST GET TO THE GAME. ARE WE FEELING CONFIDENT TEAM SNS. 386 00:16:25,611 --> 00:16:27,044 ARE WE FEELING CONFIDENT TEAM SNS. >> HECK YEAH. 387 00:16:27,046 --> 00:16:31,082 SNS. >> HECK YEAH. PROFESSOR ZANDER'S ACADEMY, 388 00:16:31,084 --> 00:16:31,615 >> HECK YEAH. PROFESSOR ZANDER'S ACADEMY, YOU'RE GOING DOWN. 389 00:16:31,617 --> 00:16:35,019 PROFESSOR ZANDER'S ACADEMY, YOU'RE GOING DOWN. >> WE COULD ENSLAVE YOU! 390 00:16:35,021 --> 00:16:35,653 YOU'RE GOING DOWN. >> WE COULD ENSLAVE YOU! >> NO! 391 00:16:35,655 --> 00:16:37,354 >> WE COULD ENSLAVE YOU! >> NO! >> WELL, THAT'S FUN. 392 00:16:37,356 --> 00:16:38,222 >> NO! >> WELL, THAT'S FUN. ALL RIGHT. 393 00:16:38,224 --> 00:16:38,956 >> WELL, THAT'S FUN. ALL RIGHT. FIRST QUESTION GETS CONTROL OF 394 00:16:38,958 --> 00:16:39,724 ALL RIGHT. FIRST QUESTION GETS CONTROL OF THE BOARD. 395 00:16:39,726 --> 00:16:44,161 FIRST QUESTION GETS CONTROL OF THE BOARD. NAME FOR A RANDOM MODIFICATION 396 00:16:44,163 --> 00:16:48,399 THE BOARD. NAME FOR A RANDOM MODIFICATION OF DNA FROM PARENT TO OFFSPRING. 397 00:16:48,401 --> 00:16:48,699 NAME FOR A RANDOM MODIFICATION OF DNA FROM PARENT TO OFFSPRING. ZENA. 398 00:16:48,701 --> 00:16:49,133 OF DNA FROM PARENT TO OFFSPRING. ZENA. >> MUTATION. 399 00:16:49,135 --> 00:16:49,533 ZENA. >> MUTATION. >> CORRECT. 400 00:16:49,535 --> 00:16:51,769 >> MUTATION. >> CORRECT. >> OH, YES, MUTATION IS A TOPIC 401 00:16:51,771 --> 00:16:53,571 >> CORRECT. >> OH, YES, MUTATION IS A TOPIC IN WHICH WE ARE WELL-VERSED. 402 00:16:53,573 --> 00:16:55,339 >> OH, YES, MUTATION IS A TOPIC IN WHICH WE ARE WELL-VERSED. >> IT'S WHY THEY HATE US. 403 00:16:55,341 --> 00:16:55,706 IN WHICH WE ARE WELL-VERSED. >> IT'S WHY THEY HATE US. >> ZENA. 404 00:16:55,708 --> 00:16:57,641 >> IT'S WHY THEY HATE US. >> ZENA. >> THEY THINK WE'RE FREAKS! 405 00:16:57,643 --> 00:17:02,480 >> ZENA. >> THEY THINK WE'RE FREAKS! >> ENOUGH, CHILD! 406 00:17:02,482 --> 00:17:03,647 >> THEY THINK WE'RE FREAKS! >> ENOUGH, CHILD! >> ALL RIGHT. 407 00:17:03,649 --> 00:17:05,850 >> ENOUGH, CHILD! >> ALL RIGHT. WELL, ZENA, YOU HAVE A CHANCE 408 00:17:05,852 --> 00:17:07,518 >> ALL RIGHT. WELL, ZENA, YOU HAVE A CHANCE FOR EXTRA CREDIT. 409 00:17:07,520 --> 00:17:10,154 WELL, ZENA, YOU HAVE A CHANCE FOR EXTRA CREDIT. THE SUBJECT IS ENGLISH LIT. 410 00:17:10,156 --> 00:17:12,356 FOR EXTRA CREDIT. THE SUBJECT IS ENGLISH LIT. HOW'S YOUR SCHOOL'S ENGLISH 411 00:17:12,358 --> 00:17:12,757 THE SUBJECT IS ENGLISH LIT. HOW'S YOUR SCHOOL'S ENGLISH DEPARTMENT? 412 00:17:12,759 --> 00:17:14,925 HOW'S YOUR SCHOOL'S ENGLISH DEPARTMENT? >> OUR CURRICULUM FOCUSES MORE 413 00:17:14,927 --> 00:17:18,162 DEPARTMENT? >> OUR CURRICULUM FOCUSES MORE ON HARNESSING OUR STUDENTS' 414 00:17:18,164 --> 00:17:18,562 >> OUR CURRICULUM FOCUSES MORE ON HARNESSING OUR STUDENTS' ABILITIES. 415 00:17:18,564 --> 00:17:19,463 ON HARNESSING OUR STUDENTS' ABILITIES. >> YOU ALWAYS DOUBT ME. 416 00:17:19,465 --> 00:17:19,997 ABILITIES. >> YOU ALWAYS DOUBT ME. ASK YOUR QUESTION. 417 00:17:19,999 --> 00:17:23,300 >> YOU ALWAYS DOUBT ME. ASK YOUR QUESTION. >> OKAY THEN. 418 00:17:23,302 --> 00:17:28,272 ASK YOUR QUESTION. >> OKAY THEN. TO BE OR NOT TO BE IS SPOKEN BY 419 00:17:28,274 --> 00:17:31,976 >> OKAY THEN. TO BE OR NOT TO BE IS SPOKEN BY WHICH SHAKESPEARIAN PROTAGONIST? 420 00:17:31,978 --> 00:17:32,343 TO BE OR NOT TO BE IS SPOKEN BY WHICH SHAKESPEARIAN PROTAGONIST? >> TOBY. 421 00:17:32,345 --> 00:17:33,344 WHICH SHAKESPEARIAN PROTAGONIST? >> TOBY. >> WRONG. 422 00:17:33,346 --> 00:17:35,679 >> TOBY. >> WRONG. >> I FAILED! 423 00:17:35,681 --> 00:17:38,215 >> WRONG. >> I FAILED! IS THAT WHAT YOU'RE ALL 424 00:17:38,217 --> 00:17:38,582 >> I FAILED! IS THAT WHAT YOU'RE ALL THINKING? 425 00:17:38,584 --> 00:17:39,683 IS THAT WHAT YOU'RE ALL THINKING? THE FREAK FAILED? 426 00:17:39,685 --> 00:17:43,087 THINKING? THE FREAK FAILED? >> NO, I PROMISE YOU, SWEETIE. 427 00:17:43,089 --> 00:17:45,089 THE FREAK FAILED? >> NO, I PROMISE YOU, SWEETIE. NO ONE IS THINKING THAT. 428 00:17:45,091 --> 00:17:47,258 >> NO, I PROMISE YOU, SWEETIE. NO ONE IS THINKING THAT. >> OH, YOU LIE, YOU PATHETIC 429 00:17:47,260 --> 00:17:47,558 NO ONE IS THINKING THAT. >> OH, YOU LIE, YOU PATHETIC HUMAN! 430 00:17:47,560 --> 00:17:50,828 >> OH, YOU LIE, YOU PATHETIC HUMAN! >> ZENA, NO, YOU COULD KILL HER! 431 00:17:50,830 --> 00:17:53,330 HUMAN! >> ZENA, NO, YOU COULD KILL HER! >> HEY, ALL RIGHT. 432 00:17:53,332 --> 00:17:53,697 >> ZENA, NO, YOU COULD KILL HER! >> HEY, ALL RIGHT. HEY! 433 00:17:53,699 --> 00:17:56,767 >> HEY, ALL RIGHT. HEY! NOW, I JUST GOT BLASTED AND HIT 434 00:17:56,769 --> 00:17:58,202 HEY! NOW, I JUST GOT BLASTED AND HIT IN THE FACE WITH WHAT I CAN ONLY 435 00:17:58,204 --> 00:18:01,605 NOW, I JUST GOT BLASTED AND HIT IN THE FACE WITH WHAT I CAN ONLY DESCRIBE AS ELECTRIC WIND. 436 00:18:01,607 --> 00:18:03,507 IN THE FACE WITH WHAT I CAN ONLY DESCRIBE AS ELECTRIC WIND. BUT SINCE NO POINTS WERE 437 00:18:03,509 --> 00:18:05,176 DESCRIBE AS ELECTRIC WIND. BUT SINCE NO POINTS WERE AWARDED, CONTROL NOW GOES OVER 438 00:18:05,178 --> 00:18:07,278 BUT SINCE NO POINTS WERE AWARDED, CONTROL NOW GOES OVER TO WEST GROVE HIGH WHO ARE YET 439 00:18:07,280 --> 00:18:09,880 AWARDED, CONTROL NOW GOES OVER TO WEST GROVE HIGH WHO ARE YET TO GET ON THE BOARD. 440 00:18:09,882 --> 00:18:10,981 TO WEST GROVE HIGH WHO ARE YET TO GET ON THE BOARD. ALL RIGHT, WEST GROVE, HERE'S 441 00:18:10,983 --> 00:18:12,383 TO GET ON THE BOARD. ALL RIGHT, WEST GROVE, HERE'S YOUR QUESTION. 442 00:18:12,385 --> 00:18:15,920 ALL RIGHT, WEST GROVE, HERE'S YOUR QUESTION. NAME THE TRIANGLE WHICH HAS 443 00:18:15,922 --> 00:18:16,887 YOUR QUESTION. NAME THE TRIANGLE WHICH HAS THREE SIDES EQUAL OF LENGTH. 444 00:18:16,889 --> 00:18:18,422 NAME THE TRIANGLE WHICH HAS THREE SIDES EQUAL OF LENGTH. >> I THINK THERE'S SOMETHING 445 00:18:18,424 --> 00:18:19,456 THREE SIDES EQUAL OF LENGTH. >> I THINK THERE'S SOMETHING WRONG WITH OUR TEACHER. 446 00:18:19,458 --> 00:18:20,157 >> I THINK THERE'S SOMETHING WRONG WITH OUR TEACHER. >> OKAY. 447 00:18:20,159 --> 00:18:22,560 WRONG WITH OUR TEACHER. >> OKAY. NO POINTS THERE. 448 00:18:22,562 --> 00:18:29,133 >> OKAY. NO POINTS THERE. CONTROL BACK TO PROVFESSOR 449 00:18:29,135 --> 00:18:32,903 NO POINTS THERE. CONTROL BACK TO PROVFESSOR ZANDER'S SCHOO I GUESS. 450 00:18:32,905 --> 00:18:33,537 CONTROL BACK TO PROVFESSOR ZANDER'S SCHOO I GUESS. >> LET ME INTO YOUR MIND. 451 00:18:33,539 --> 00:18:35,940 ZANDER'S SCHOO I GUESS. >> LET ME INTO YOUR MIND. >> I CAN FIGURE IT OUT ON MY 452 00:18:35,942 --> 00:18:36,207 >> LET ME INTO YOUR MIND. >> I CAN FIGURE IT OUT ON MY OWN! 453 00:18:36,209 --> 00:18:42,112 >> I CAN FIGURE IT OUT ON MY OWN! >> I'M TRYING TO HELP YOU, ZENA! 454 00:18:42,114 --> 00:18:44,348 OWN! >> I'M TRYING TO HELP YOU, ZENA! >> GET OUT OF MY HEAD! 455 00:18:44,350 --> 00:18:46,951 >> I'M TRYING TO HELP YOU, ZENA! >> GET OUT OF MY HEAD! >> STOP FIGHTING! 456 00:18:46,953 --> 00:18:49,186 >> GET OUT OF MY HEAD! >> STOP FIGHTING! >> GET ON OUT OF HERE. 457 00:18:49,188 --> 00:18:55,226 >> STOP FIGHTING! >> GET ON OUT OF HERE. WE WERE LOOKING FOR EQUAL 458 00:18:55,228 --> 00:18:56,260 >> GET ON OUT OF HERE. WE WERE LOOKING FOR EQUAL LATERAL TRIANGLE. 459 00:18:56,262 --> 00:18:57,661 WE WERE LOOKING FOR EQUAL LATERAL TRIANGLE. >> I SHOULDN'T BE HERE! 460 00:18:57,663 --> 00:18:59,663 LATERAL TRIANGLE. >> I SHOULDN'T BE HERE! I SHOULD BE ON THE TEAM USING MY 461 00:18:59,665 --> 00:18:59,997 >> I SHOULDN'T BE HERE! I SHOULD BE ON THE TEAM USING MY POWERS. 462 00:18:59,999 --> 00:19:01,232 I SHOULD BE ON THE TEAM USING MY POWERS. >> YOU ARE NOT READY, CHILD! 463 00:19:01,234 --> 00:19:03,000 POWERS. >> YOU ARE NOT READY, CHILD! >> ALL RIGHT. 464 00:19:03,002 --> 00:19:03,968 >> YOU ARE NOT READY, CHILD! >> ALL RIGHT. WE JUST GOING TO TAKE A BREAK, 465 00:19:03,970 --> 00:19:05,903 >> ALL RIGHT. WE JUST GOING TO TAKE A BREAK, LET THINGS CALM DOWN AND SEE IF 466 00:19:05,905 --> 00:19:07,738 WE JUST GOING TO TAKE A BREAK, LET THINGS CALM DOWN AND SEE IF WE CAN GET THAT LADY'S BRAIN 467 00:19:07,740 --> 00:19:09,039 LET THINGS CALM DOWN AND SEE IF WE CAN GET THAT LADY'S BRAIN BACK ONLINE. 468 00:19:09,041 --> 00:19:11,242 WE CAN GET THAT LADY'S BRAIN BACK ONLINE. THIS IS JAY McCORMICK REMINDING 469 00:19:11,244 --> 00:19:13,177 BACK ONLINE. THIS IS JAY McCORMICK REMINDING YOU THAT COVID SWABS GO IN THE 470 00:19:13,179 --> 00:19:14,678 THIS IS JAY McCORMICK REMINDING YOU THAT COVID SWABS GO IN THE NOSE AND NOT THE KEISTER. 471 00:19:14,680 --> 00:19:16,647 YOU THAT COVID SWABS GO IN THE NOSE AND NOT THE KEISTER. FOOL ME ONCE, SHAME ON YOU. 472 00:19:16,649 --> 00:19:18,983 NOSE AND NOT THE KEISTER. FOOL ME ONCE, SHAME ON YOU. FOOL ME EVERY DAY FOR FIVE 473 00:19:18,985 --> 00:19:19,550 FOOL ME ONCE, SHAME ON YOU. FOOL ME EVERY DAY FOR FIVE MONTHS, SHAME ON ME. 474 00:19:19,552 --> 00:19:28,192 FOOL ME EVERY DAY FOR FIVE MONTHS, SHAME ON ME. KEEP IT RIGHT HERE. 475 00:19:28,194 --> 00:19:29,793 MONTHS, SHAME ON ME. KEEP IT RIGHT HERE. >>> I'VE JUST BEEN DOING A LOT 476 00:19:29,795 --> 00:19:31,395 KEEP IT RIGHT HERE. >>> I'VE JUST BEEN DOING A LOT OF PRESS AND THESE DIFFERENT 477 00:19:31,397 --> 00:19:32,463 >>> I'VE JUST BEEN DOING A LOT OF PRESS AND THESE DIFFERENT JOBS, AND DON'T GET ME WRONG. 478 00:19:32,465 --> 00:19:34,064 OF PRESS AND THESE DIFFERENT JOBS, AND DON'T GET ME WRONG. I'M REALLY, REALLY GRATEFUL. 479 00:19:34,066 --> 00:19:34,765 JOBS, AND DON'T GET ME WRONG. I'M REALLY, REALLY GRATEFUL. I'M STARTING TO FEEL A LITTLE 480 00:19:34,767 --> 00:19:35,733 I'M REALLY, REALLY GRATEFUL. I'M STARTING TO FEEL A LITTLE BURNT OUT. 481 00:19:35,735 --> 00:19:36,800 I'M STARTING TO FEEL A LITTLE BURNT OUT. >> THAT SUCKS. 482 00:19:36,802 --> 00:19:37,501 BURNT OUT. >> THAT SUCKS. MARK, ARE YOU READY WITH THE 483 00:19:37,503 --> 00:19:38,969 >> THAT SUCKS. MARK, ARE YOU READY WITH THE PLAY LIST? 484 00:19:38,971 --> 00:19:43,741 MARK, ARE YOU READY WITH THE PLAY LIST? >> AND I GOT THE SLURPIES! 485 00:19:43,743 --> 00:19:44,174 PLAY LIST? >> AND I GOT THE SLURPIES! >> DUDE, NICE. 486 00:19:44,176 --> 00:19:44,842 >> AND I GOT THE SLURPIES! >> DUDE, NICE. >> WHAT ARE YOU GUYS DOING? 487 00:19:44,844 --> 00:19:45,542 >> DUDE, NICE. >> WHAT ARE YOU GUYS DOING? >> WE'RE GOING ON A BEAUTIFUL 488 00:19:45,544 --> 00:19:46,210 >> WHAT ARE YOU GUYS DOING? >> WE'RE GOING ON A BEAUTIFUL CROSS-COUNTRY AMERICAN ROAD 489 00:19:46,212 --> 00:19:46,510 >> WE'RE GOING ON A BEAUTIFUL CROSS-COUNTRY AMERICAN ROAD TRIP. 490 00:19:46,512 --> 00:19:47,511 CROSS-COUNTRY AMERICAN ROAD TRIP. >> JUST US AND THE OPEN ROAD. 491 00:19:47,513 --> 00:19:48,078 TRIP. >> JUST US AND THE OPEN ROAD. GOING TO BE AWESOME. 492 00:19:48,080 --> 00:19:49,179 >> JUST US AND THE OPEN ROAD. GOING TO BE AWESOME. >> WAIT, CAN I COME? 493 00:19:49,181 --> 00:19:53,450 GOING TO BE AWESOME. >> WAIT, CAN I COME? ♪ 494 00:19:53,452 --> 00:19:56,120 >> WAIT, CAN I COME? ♪ ♪ HIT THE OPEN ROAD AND CATCH A 495 00:19:56,122 --> 00:19:56,820 ♪ ♪ HIT THE OPEN ROAD AND CATCH A RIDE, ARMS GETTING TAN ON THE 496 00:19:56,822 --> 00:20:04,194 ♪ HIT THE OPEN ROAD AND CATCH A RIDE, ARMS GETTING TAN ON THE SUNNY SIDE ♪ 497 00:20:04,196 --> 00:20:06,897 RIDE, ARMS GETTING TAN ON THE SUNNY SIDE ♪ ♪ I'M ON THE WHEEL, I'M ON NAV, 498 00:20:06,899 --> 00:20:07,865 SUNNY SIDE ♪ ♪ I'M ON THE WHEEL, I'M ON NAV, I'M ON SNACKS ♪ 499 00:20:07,867 --> 00:20:08,599 ♪ I'M ON THE WHEEL, I'M ON NAV, I'M ON SNACKS ♪ ♪ AND JENNA'S JOB IS TO JUST 500 00:20:08,601 --> 00:20:09,300 I'M ON SNACKS ♪ ♪ AND JENNA'S JOB IS TO JUST RELAX ON A ROAD TRIP, A GREAT 501 00:20:09,302 --> 00:20:11,568 ♪ AND JENNA'S JOB IS TO JUST RELAX ON A ROAD TRIP, A GREAT AMERICAN ROAD TRIP ♪ 502 00:20:11,570 --> 00:20:15,906 RELAX ON A ROAD TRIP, A GREAT AMERICAN ROAD TRIP ♪ ♪ WE'RE GOING ON A ROAD TRIP, 503 00:20:15,908 --> 00:20:19,109 AMERICAN ROAD TRIP ♪ ♪ WE'RE GOING ON A ROAD TRIP, GOING ON A ROAD TRIP, HEY, OH ♪ 504 00:20:19,111 --> 00:20:20,778 ♪ WE'RE GOING ON A ROAD TRIP, GOING ON A ROAD TRIP, HEY, OH ♪ ♪ ROLL DOWN THE WINDOWS TO CLEAR 505 00:20:20,780 --> 00:20:21,312 GOING ON A ROAD TRIP, HEY, OH ♪ ♪ ROLL DOWN THE WINDOWS TO CLEAR YOUR -- 506 00:20:21,314 --> 00:20:22,947 ♪ ROLL DOWN THE WINDOWS TO CLEAR YOUR -- >> WE MISSED THE EXIT. 507 00:20:22,949 --> 00:20:25,082 YOUR -- >> WE MISSED THE EXIT. >> RECALCULATE YOUR ROUTE. 508 00:20:25,084 --> 00:20:25,783 >> WE MISSED THE EXIT. >> RECALCULATE YOUR ROUTE. >> JUST LOOK OUT FOR THE NEXT 509 00:20:25,785 --> 00:20:26,684 >> RECALCULATE YOUR ROUTE. >> JUST LOOK OUT FOR THE NEXT ONE. 510 00:20:26,686 --> 00:20:29,386 >> JUST LOOK OUT FOR THE NEXT ONE. NEED A LITTLE HEADS UP. 511 00:20:29,388 --> 00:20:30,988 ONE. NEED A LITTLE HEADS UP. >> OKAY. 512 00:20:30,990 --> 00:20:31,689 NEED A LITTLE HEADS UP. >> OKAY. IT'S JUST A LITTLE HARD DOING 513 00:20:31,691 --> 00:20:35,392 >> OKAY. IT'S JUST A LITTLE HARD DOING MUSIC AND NAV. 514 00:20:35,394 --> 00:20:36,327 IT'S JUST A LITTLE HARD DOING MUSIC AND NAV. >> PRICE OF BEING SHOTGUN. 515 00:20:36,329 --> 00:20:36,660 MUSIC AND NAV. >> PRICE OF BEING SHOTGUN. >> YEAH. 516 00:20:36,662 --> 00:20:37,227 >> PRICE OF BEING SHOTGUN. >> YEAH. NO, IT'S FINE. 517 00:20:37,229 --> 00:20:37,962 >> YEAH. NO, IT'S FINE. LET'S TRY TO FOCUS ON NAV, ALL 518 00:20:37,964 --> 00:20:38,796 NO, IT'S FINE. LET'S TRY TO FOCUS ON NAV, ALL RIGHT? 519 00:20:38,798 --> 00:20:39,363 LET'S TRY TO FOCUS ON NAV, ALL RIGHT? >> YEAH. 520 00:20:39,365 --> 00:20:40,431 RIGHT? >> YEAH. I'LL FOCUS ON THE NAV. 521 00:20:40,433 --> 00:20:47,905 >> YEAH. I'LL FOCUS ON THE NAV. >> YEAH, THANKS. 522 00:20:47,907 --> 00:20:48,973 I'LL FOCUS ON THE NAV. >> YEAH, THANKS. YOU'RE NOT IN CHARGE OF ME 523 00:20:48,975 --> 00:20:51,108 >> YEAH, THANKS. YOU'RE NOT IN CHARGE OF ME ♪ NOD TO CONVERTIBLES WHEN THEY 524 00:20:51,110 --> 00:20:51,842 YOU'RE NOT IN CHARGE OF ME ♪ NOD TO CONVERTIBLES WHEN THEY PASS, MOON A TRUCK OR PUT YOUR 525 00:20:51,844 --> 00:20:57,147 ♪ NOD TO CONVERTIBLES WHEN THEY PASS, MOON A TRUCK OR PUT YOUR CHEEKS ON THE GLASS ♪ 526 00:20:57,149 --> 00:20:59,316 PASS, MOON A TRUCK OR PUT YOUR CHEEKS ON THE GLASS ♪ ♪ SEE A SIGN THAT SAYS WE'RE 527 00:20:59,318 --> 00:21:02,486 CHEEKS ON THE GLASS ♪ ♪ SEE A SIGN THAT SAYS WE'RE GOING TO HELL ON THE ROAD TRIP, 528 00:21:02,488 --> 00:21:05,856 ♪ SEE A SIGN THAT SAYS WE'RE GOING TO HELL ON THE ROAD TRIP, A GREAT AMERICAN ROAD TRIP ♪ 529 00:21:05,858 --> 00:21:06,357 GOING TO HELL ON THE ROAD TRIP, A GREAT AMERICAN ROAD TRIP ♪ >> I'M SORRY. 530 00:21:06,359 --> 00:21:07,091 A GREAT AMERICAN ROAD TRIP ♪ >> I'M SORRY. CAN WE COOL IT WITH THE SLURPY 531 00:21:07,093 --> 00:21:07,992 >> I'M SORRY. CAN WE COOL IT WITH THE SLURPY FOR A SECOND? 532 00:21:07,994 --> 00:21:08,659 CAN WE COOL IT WITH THE SLURPY FOR A SECOND? IT'S JUST RIGHT IN MY EAR. 533 00:21:08,661 --> 00:21:09,059 FOR A SECOND? IT'S JUST RIGHT IN MY EAR. >> SORRY. 534 00:21:09,061 --> 00:21:13,797 IT'S JUST RIGHT IN MY EAR. >> SORRY. >> IT'S OKAY. 535 00:21:13,799 --> 00:21:17,568 >> SORRY. >> IT'S OKAY. I'M HAPPY TO BUY EVERYONE A 536 00:21:17,570 --> 00:21:19,436 >> IT'S OKAY. I'M HAPPY TO BUY EVERYONE A SLURPY, BUT YOU'RE SUCKING ON 537 00:21:19,438 --> 00:21:21,638 I'M HAPPY TO BUY EVERYONE A SLURPY, BUT YOU'RE SUCKING ON THE -- THERE'S NONE LEFT. 538 00:21:21,640 --> 00:21:24,541 SLURPY, BUT YOU'RE SUCKING ON THE -- THERE'S NONE LEFT. >> CAN YOU SCOOT OVER, YOUR LEG 539 00:21:24,543 --> 00:21:25,576 THE -- THERE'S NONE LEFT. >> CAN YOU SCOOT OVER, YOUR LEG HAIRS ARE SCRATCHING ME. 540 00:21:25,578 --> 00:21:27,611 >> CAN YOU SCOOT OVER, YOUR LEG HAIRS ARE SCRATCHING ME. >> FINE, I'LL MOVE MY LEG. 541 00:21:27,613 --> 00:21:30,381 HAIRS ARE SCRATCHING ME. >> FINE, I'LL MOVE MY LEG. >> DID YOU JUST VENMO REQUEST ME 542 00:21:30,383 --> 00:21:31,315 >> FINE, I'LL MOVE MY LEG. >> DID YOU JUST VENMO REQUEST ME FOR THE SLURPY? 543 00:21:31,317 --> 00:21:34,351 >> DID YOU JUST VENMO REQUEST ME FOR THE SLURPY? >> I DON'T HAVE ANY MONEY, SO. 544 00:21:34,353 --> 00:21:37,554 FOR THE SLURPY? >> I DON'T HAVE ANY MONEY, SO. ♪ WE'RE GOING ON A ROAD TRIP -- 545 00:21:37,556 --> 00:21:41,191 >> I DON'T HAVE ANY MONEY, SO. ♪ WE'RE GOING ON A ROAD TRIP -- >> RECALCULATING ROUTE. 546 00:21:41,193 --> 00:21:44,161 ♪ WE'RE GOING ON A ROAD TRIP -- >> RECALCULATING ROUTE. >> DID WE MISS THE GOD DAMN 547 00:21:44,163 --> 00:21:45,629 >> RECALCULATING ROUTE. >> DID WE MISS THE GOD DAMN COMMIT AGAIN? 548 00:21:45,631 --> 00:21:47,765 >> DID WE MISS THE GOD DAMN COMMIT AGAIN? >> WHO COULD YOU POSSIBLY BE 549 00:21:47,767 --> 00:21:49,666 COMMIT AGAIN? >> WHO COULD YOU POSSIBLY BE TEXTING THAT'S NOT IN THIS CAR. 550 00:21:49,668 --> 00:21:51,869 >> WHO COULD YOU POSSIBLY BE TEXTING THAT'S NOT IN THIS CAR. >> IT WAS MY MOM, MAN. 551 00:21:51,871 --> 00:21:53,337 TEXTING THAT'S NOT IN THIS CAR. >> IT WAS MY MOM, MAN. MY DAD HAD A STROKE. 552 00:21:53,339 --> 00:21:54,171 >> IT WAS MY MOM, MAN. MY DAD HAD A STROKE. SORRY I'M NOT FOCUSSING ON THE 553 00:21:54,173 --> 00:22:01,545 MY DAD HAD A STROKE. SORRY I'M NOT FOCUSSING ON THE NAV! 554 00:22:01,547 --> 00:22:03,380 SORRY I'M NOT FOCUSSING ON THE NAV! I DON'T KNOW WHY I SAID THAT. 555 00:22:03,382 --> 00:22:04,581 NAV! I DON'T KNOW WHY I SAID THAT. HE DID NOT HAVE A STROKE. 556 00:22:04,583 --> 00:22:05,516 I DON'T KNOW WHY I SAID THAT. HE DID NOT HAVE A STROKE. >> LIAR! 557 00:22:05,518 --> 00:22:06,750 HE DID NOT HAVE A STROKE. >> LIAR! >> COME ON, MAN. 558 00:22:06,752 --> 00:22:08,719 >> LIAR! >> COME ON, MAN. >> EVERYBODY, WE'RE HAVING QUIET 559 00:22:08,721 --> 00:22:09,019 >> COME ON, MAN. >> EVERYBODY, WE'RE HAVING QUIET TIME. 560 00:22:09,021 --> 00:22:13,690 >> EVERYBODY, WE'RE HAVING QUIET TIME. READ A BOOK OR SOMETHING. 561 00:22:13,692 --> 00:22:14,458 TIME. READ A BOOK OR SOMETHING. ♪ FINALLY TIME TO CHILL, I CAN 562 00:22:14,460 --> 00:22:15,325 READ A BOOK OR SOMETHING. ♪ FINALLY TIME TO CHILL, I CAN DO WHAT I WANNA, DIVE INTO THE 563 00:22:15,327 --> 00:22:19,663 ♪ FINALLY TIME TO CHILL, I CAN DO WHAT I WANNA, DIVE INTO THE THE NEW MICHELLE OBAMA. 564 00:22:19,665 --> 00:22:21,932 DO WHAT I WANNA, DIVE INTO THE THE NEW MICHELLE OBAMA. >> I'M GOING TO PUKE! 565 00:22:21,934 --> 00:22:24,468 THE NEW MICHELLE OBAMA. >> I'M GOING TO PUKE! PULL OVER RIGHT NOW! 566 00:22:24,470 --> 00:22:26,270 >> I'M GOING TO PUKE! PULL OVER RIGHT NOW! >> 0.3 MILES! 567 00:22:26,272 --> 00:22:32,209 PULL OVER RIGHT NOW! >> 0.3 MILES! >> MARK, THAT MEANS NOTHING TO 568 00:22:32,211 --> 00:22:32,476 >> 0.3 MILES! >> MARK, THAT MEANS NOTHING TO ME. 569 00:22:32,478 --> 00:22:33,811 >> MARK, THAT MEANS NOTHING TO ME. >> YOU TOLD ME TO FOCUS ON THE 570 00:22:33,813 --> 00:22:34,111 ME. >> YOU TOLD ME TO FOCUS ON THE NAV. 571 00:22:34,113 --> 00:22:35,879 >> YOU TOLD ME TO FOCUS ON THE NAV. >> WE'RE GOING HOME! 572 00:22:35,881 --> 00:22:36,146 NAV. >> WE'RE GOING HOME! >>. 573 00:22:36,148 --> 00:22:40,284 >> WE'RE GOING HOME! >>. ♪ LATE AT NIGHT AND I FEEL SO 574 00:22:40,286 --> 00:22:42,853 >>. ♪ LATE AT NIGHT AND I FEEL SO FREE, EVERYONE ASLEEP EXCEPT FOR 575 00:22:42,855 --> 00:22:43,187 ♪ LATE AT NIGHT AND I FEEL SO FREE, EVERYONE ASLEEP EXCEPT FOR ME, ♪ 576 00:22:43,189 --> 00:22:46,757 FREE, EVERYONE ASLEEP EXCEPT FOR ME, ♪ ♪ BIG BRIGHT MOON HANGING IN THE 577 00:22:46,759 --> 00:22:50,094 ME, ♪ ♪ BIG BRIGHT MOON HANGING IN THE SKY, NAV IN MY LAP -- 578 00:22:50,096 --> 00:22:51,528 ♪ BIG BRIGHT MOON HANGING IN THE SKY, NAV IN MY LAP -- >> WHAT JUST HAPPENED? 579 00:22:51,530 --> 00:22:52,296 SKY, NAV IN MY LAP -- >> WHAT JUST HAPPENED? >> NOTHING. 580 00:22:52,298 --> 00:22:54,231 >> WHAT JUST HAPPENED? >> NOTHING. GO BACK TO SLEEP EVERYONE. 581 00:22:54,233 --> 00:22:54,565 >> NOTHING. GO BACK TO SLEEP EVERYONE. THANKS. 582 00:22:54,567 --> 00:22:55,899 GO BACK TO SLEEP EVERYONE. THANKS. WILL YOU TURN THE AC ON? 583 00:22:55,901 --> 00:22:56,633 THANKS. WILL YOU TURN THE AC ON? >> YEAH. 584 00:22:56,635 --> 00:22:57,968 WILL YOU TURN THE AC ON? >> YEAH. YOU HOT OR COLD? 585 00:22:57,970 --> 00:22:58,302 >> YEAH. YOU HOT OR COLD? >> BOTH. 586 00:22:58,304 --> 00:23:04,374 YOU HOT OR COLD? >> BOTH. >> I SAW WHAT YOU DID. 587 00:23:04,376 --> 00:23:09,213 >> BOTH. >> I SAW WHAT YOU DID. ♪ ON A ROAD TRIP ♪ 588 00:23:09,215 --> 00:23:11,181 >> I SAW WHAT YOU DID. ♪ ON A ROAD TRIP ♪ >>> WE'RE SO EXCITED TO BE DOING 589 00:23:11,183 --> 00:23:14,618 ♪ ON A ROAD TRIP ♪ >>> WE'RE SO EXCITED TO BE DOING THIS REMAKE OF "THE PARENT 590 00:23:14,620 --> 00:23:14,918 >>> WE'RE SO EXCITED TO BE DOING THIS REMAKE OF "THE PARENT TRAP." 591 00:23:14,920 --> 00:23:16,687 THIS REMAKE OF "THE PARENT TRAP." WE FOUND SOME PLACES TO UPDATE 592 00:23:16,689 --> 00:23:18,322 TRAP." WE FOUND SOME PLACES TO UPDATE THE ORIGINAL, BUT THE SCENE IN 593 00:23:18,324 --> 00:23:21,325 WE FOUND SOME PLACES TO UPDATE THE ORIGINAL, BUT THE SCENE IN THE CABIN WHERE HALLIE AND ANNIE 594 00:23:21,327 --> 00:23:23,627 THE ORIGINAL, BUT THE SCENE IN THE CABIN WHERE HALLIE AND ANNIE REALIZE THEY'RE TWINS IS SUCH A 595 00:23:23,629 --> 00:23:23,961 THE CABIN WHERE HALLIE AND ANNIE REALIZE THEY'RE TWINS IS SUCH A CLASSIC. 596 00:23:23,963 --> 00:23:26,864 REALIZE THEY'RE TWINS IS SUCH A CLASSIC. WAS. NTED TO LEAVE IT THE WAY IT 597 00:23:26,866 --> 00:23:29,166 CLASSIC. WAS. NTED TO LEAVE IT THE WAY IT >> THIS IS SO SPECIAL. 598 00:23:29,168 --> 00:23:30,067 WAS. NTED TO LEAVE IT THE WAY IT >> THIS IS SO SPECIAL. I'M REALLY GLAD TO BE HERE. 599 00:23:30,069 --> 00:23:32,569 >> THIS IS SO SPECIAL. I'M REALLY GLAD TO BE HERE. >> OBVIOUSLY SINCE YOU'RE 600 00:23:32,571 --> 00:23:35,639 I'M REALLY GLAD TO BE HERE. >> OBVIOUSLY SINCE YOU'RE PRAYING BOTH TWINS, TODAY YOU'LL 601 00:23:35,641 --> 00:23:37,474 >> OBVIOUSLY SINCE YOU'RE PRAYING BOTH TWINS, TODAY YOU'LL BE HALLIE IN THE SCENES, AND 602 00:23:37,476 --> 00:23:40,310 PRAYING BOTH TWINS, TODAY YOU'LL BE HALLIE IN THE SCENES, AND WE'RE GOING TO HAVE ONE OF OUR 603 00:23:40,312 --> 00:23:40,978 BE HALLIE IN THE SCENES, AND WE'RE GOING TO HAVE ONE OF OUR ND REAOU, 604 00:23:40,980 --> 00:23:44,615 WE'RE GOING TO HAVE ONE OF OUR ND REAOU, OK 605 00:23:44,617 --> 00:23:47,818 ND REAOU, OK >> YOU KNOW, YOU CAN JUST CALL 606 00:23:47,820 --> 00:23:48,152 OK >> YOU KNOW, YOU CAN JUST CALL ME RAY. 607 00:23:48,154 --> 00:23:48,785 >> YOU KNOW, YOU CAN JUST CALL ME RAY. THIS IS GOING TO BE FUN. 608 00:23:48,787 --> 00:23:49,953 ME RAY. THIS IS GOING TO BE FUN. I THINK I GET THE GIST. 609 00:23:49,955 --> 00:23:50,854 THIS IS GOING TO BE FUN. I THINK I GET THE GIST. >> OKAY. 610 00:23:50,856 --> 00:23:52,456 I THINK I GET THE GIST. >> OKAY. LET'S START WITH TH SEQUENCE 611 00:23:52,458 --> 00:23:54,625 >> OKAY. LET'S START WITH TH SEQUENCE WHERE HALLIE AND ANNIE ARE 612 00:23:54,627 --> 00:23:56,226 LET'S START WITH TH SEQUENCE WHERE HALLIE AND ANNIE ARE HAVING A LITTLE DISAGREEMENT 613 00:23:56,228 --> 00:23:58,662 WHERE HALLIE AND ANNIE ARE HAVING A LITTLE DISAGREEMENT OVER WHETHER IT'S BEDTIME OR 614 00:23:58,664 --> 00:23:58,929 HAVING A LITTLE DISAGREEMENT OVER WHETHER IT'S BEDTIME OR NOT. 615 00:23:58,931 --> 00:24:00,931 OVER WHETHER IT'S BEDTIME OR NOT. YOU CAN HEAD TO YOUR COTS AND 616 00:24:00,933 --> 00:24:02,866 NOT. YOU CAN HEAD TO YOUR COTS AND WE'LL GET STARTED ALL RIGHT? 617 00:24:02,868 --> 00:24:07,404 YOU CAN HEAD TO YOUR COTS AND WE'LL GET STARTED ALL RIGHT? GREAT AND ACTION. 618 00:24:07,406 --> 00:24:09,373 WE'LL GET STARTED ALL RIGHT? GREAT AND ACTION. >> OFF. 619 00:24:09,375 --> 00:24:12,376 GREAT AND ACTION. >> OFF. >> ON. 620 00:24:12,378 --> 00:24:15,546 >> OFF. >> ON. >> OFF. 621 00:24:15,548 --> 00:24:18,815 >> ON. >> OFF. >> ON. 622 00:24:18,817 --> 00:24:21,185 >> OFF. >> ON. >> TURN THEM OFF! 623 00:24:21,187 --> 00:24:23,587 >> ON. >> TURN THEM OFF! >> YOU ARE SO ANNOYING. 624 00:24:23,589 --> 00:24:25,689 >> TURN THEM OFF! >> YOU ARE SO ANNOYING. >> I'M STARTING TO THINK YOU'RE 625 00:24:25,691 --> 00:24:26,123 >> YOU ARE SO ANNOYING. >> I'M STARTING TO THINK YOU'RE A REAL BITCH! 626 00:24:26,125 --> 00:24:26,456 >> I'M STARTING TO THINK YOU'RE A REAL BITCH! >> OKAY. 627 00:24:26,458 --> 00:24:31,562 A REAL BITCH! >> OKAY. CUT. 628 00:24:31,564 --> 00:24:33,330 >> OKAY. CUT. UMM, SIR, I DON'T THINK THE 629 00:24:33,332 --> 00:24:34,231 CUT. UMM, SIR, I DON'T THINK THE SCRIPT SAID BITCH. 630 00:24:34,233 --> 00:24:36,099 UMM, SIR, I DON'T THINK THE SCRIPT SAID BITCH. >> YEAH, YEAH, SORRY ABOUT THAT. 631 00:24:36,101 --> 00:24:37,968 SCRIPT SAID BITCH. >> YEAH, YEAH, SORRY ABOUT THAT. I DID A LITTLE OFF THE CUFF 632 00:24:37,970 --> 00:24:41,905 >> YEAH, YEAH, SORRY ABOUT THAT. I DID A LITTLE OFF THE CUFF THING LIKE THEY DO ON "CURB." 633 00:24:41,907 --> 00:24:44,675 I DID A LITTLE OFF THE CUFF THING LIKE THEY DO ON "CURB." YOU GUYS WATCH THAT? 634 00:24:44,677 --> 00:24:46,476 THING LIKE THEY DO ON "CURB." YOU GUYS WATCH THAT? >> MAYBE SOMEONE ELSE WANTS TO 635 00:24:46,478 --> 00:24:48,378 YOU GUYS WATCH THAT? >> MAYBE SOMEONE ELSE WANTS TO READ THE LINES LIKE THE ONES 636 00:24:48,380 --> 00:24:51,215 >> MAYBE SOMEONE ELSE WANTS TO READ THE LINES LIKE THE ONES THAT ARE IN THE SCRIPT. 637 00:24:51,217 --> 00:24:51,949 READ THE LINES LIKE THE ONES THAT ARE IN THE SCRIPT. >> WE'RE NEVER GOING TO SEE HIM 638 00:24:51,951 --> 00:24:53,383 THAT ARE IN THE SCRIPT. >> WE'RE NEVER GOING TO SEE HIM IN THE MOVIE, SO IT DOESN'T 639 00:24:53,385 --> 00:24:54,251 >> WE'RE NEVER GOING TO SEE HIM IN THE MOVIE, SO IT DOESN'T MATTER WHAT HE SAYS. 640 00:24:54,253 --> 00:24:56,253 IN THE MOVIE, SO IT DOESN'T MATTER WHAT HE SAYS. >> SHOULD I GO TO THE TOILET AT 641 00:24:56,255 --> 00:25:00,057 MATTER WHAT HE SAYS. >> SHOULD I GO TO THE TOILET AT SOME POINT AND SHE GETS MAD. 642 00:25:00,059 --> 00:25:01,191 >> SHOULD I GO TO THE TOILET AT SOME POINT AND SHE GETS MAD. THAT COULD BE FUN LIKE HER TWIN 643 00:25:01,193 --> 00:25:02,159 SOME POINT AND SHE GETS MAD. THAT COULD BE FUN LIKE HER TWIN IS ALWAYS ON THE TOILET. 644 00:25:02,161 --> 00:25:03,293 THAT COULD BE FUN LIKE HER TWIN IS ALWAYS ON THE TOILET. >> ARE YOU ASKING THAT BECAUSE 645 00:25:03,295 --> 00:25:05,362 IS ALWAYS ON THE TOILET. >> ARE YOU ASKING THAT BECAUSE YOU NEED TO GO TO THE BATHROOM 646 00:25:05,364 --> 00:25:05,629 >> ARE YOU ASKING THAT BECAUSE YOU NEED TO GO TO THE BATHROOM NOW? 647 00:25:05,631 --> 00:25:08,198 YOU NEED TO GO TO THE BATHROOM NOW? >> WELL, I THINK MY CHARACTER 648 00:25:08,200 --> 00:25:09,833 NOW? >> WELL, I THINK MY CHARACTER MIGHT, BUT YOU'RE THE DIRECTOR. 649 00:25:09,835 --> 00:25:11,668 >> WELL, I THINK MY CHARACTER MIGHT, BUT YOU'RE THE DIRECTOR. >> LET'S MOVE ON TO THE NEXT 650 00:25:11,670 --> 00:25:11,935 MIGHT, BUT YOU'RE THE DIRECTOR. >> LET'S MOVE ON TO THE NEXT DAY. 651 00:25:11,937 --> 00:25:14,638 >> LET'S MOVE ON TO THE NEXT DAY. IT STORMED OUTSIDE, SO YOUR 652 00:25:14,640 --> 00:25:15,973 DAY. IT STORMED OUTSIDE, SO YOUR BELONGINGS GOT WET, AND NOW 653 00:25:15,975 --> 00:25:17,708 IT STORMED OUTSIDE, SO YOUR BELONGINGS GOT WET, AND NOW YOU'RE TALKING BY THE WINDOW 654 00:25:17,710 --> 00:25:19,343 BELONGINGS GOT WET, AND NOW YOU'RE TALKING BY THE WINDOW GETTING TO KNOW EACH OTHER. 655 00:25:19,345 --> 00:25:19,743 YOU'RE TALKING BY THE WINDOW GETTING TO KNOW EACH OTHER. AND ACTION. 656 00:25:19,745 --> 00:25:20,644 GETTING TO KNOW EACH OTHER. AND ACTION. >> OH, NO. 657 00:25:20,646 --> 00:25:23,847 AND ACTION. >> OH, NO. >> ARE ANY OF YOUR PICTURES 658 00:25:23,849 --> 00:25:24,348 >> OH, NO. >> ARE ANY OF YOUR PICTURES RUINED? 659 00:25:24,350 --> 00:25:30,354 >> ARE ANY OF YOUR PICTURES RUINED? >> ONLY THE BAUFL SHAWN MENDEZ. 660 00:25:30,356 --> 00:25:31,888 RUINED? >> ONLY THE BAUFL SHAWN MENDEZ. >> WOW, HE IS HOT. 661 00:25:31,890 --> 00:25:35,192 >> ONLY THE BAUFL SHAWN MENDEZ. >> WOW, HE IS HOT. YOU KNOW WHO I LIKE? 662 00:25:35,194 --> 00:25:36,793 >> WOW, HE IS HOT. YOU KNOW WHO I LIKE? LISA RENA. 663 00:25:36,795 --> 00:25:38,562 YOU KNOW WHO I LIKE? LISA RENA. I WOULD LET HER WRECK ME. 664 00:25:38,564 --> 00:25:40,530 LISA RENA. I WOULD LET HER WRECK ME. >> I DON'T KNOW WHAT TO DO HERE. 665 00:25:40,532 --> 00:25:43,300 I WOULD LET HER WRECK ME. >> I DON'T KNOW WHAT TO DO HERE. >> LET'S MOVE ON TO THE OREO 666 00:25:43,302 --> 00:25:43,600 >> I DON'T KNOW WHAT TO DO HERE. >> LET'S MOVE ON TO THE OREO SCENE. 667 00:25:43,602 --> 00:25:45,769 >> LET'S MOVE ON TO THE OREO SCENE. YOU'RE BONDING, REALIZE YOU HAVE 668 00:25:45,771 --> 00:25:48,038 SCENE. YOU'RE BONDING, REALIZE YOU HAVE A LOT IN COMMON, AND GO. 669 00:25:48,040 --> 00:25:50,574 YOU'RE BONDING, REALIZE YOU HAVE A LOT IN COMMON, AND GO. >> WANT TO EAT SOME OREOS? 670 00:25:50,576 --> 00:25:52,743 A LOT IN COMMON, AND GO. >> WANT TO EAT SOME OREOS? MAY SOUND WEIRD, BUT I EAT THEM 671 00:25:52,745 --> 00:25:53,644 >> WANT TO EAT SOME OREOS? MAY SOUND WEIRD, BUT I EAT THEM WITH PEANUT BUTTER. 672 00:25:53,646 --> 00:25:55,145 MAY SOUND WEIRD, BUT I EAT THEM WITH PEANUT BUTTER. >> WELL, F ME. 673 00:25:55,147 --> 00:25:55,946 WITH PEANUT BUTTER. >> WELL, F ME. SO DO I! 674 00:25:55,948 --> 00:25:57,214 >> WELL, F ME. SO DO I! >> WOW, NO WAY. 675 00:25:57,216 --> 00:25:59,816 SO DO I! >> WOW, NO WAY. I WONDER WHAT ELSE WE HAVE IN 676 00:25:59,818 --> 00:26:00,150 >> WOW, NO WAY. I WONDER WHAT ELSE WE HAVE IN COMMON. 677 00:26:00,152 --> 00:26:03,954 I WONDER WHAT ELSE WE HAVE IN COMMON. >> YOU LIKE SCHLITZ BEER? 678 00:26:03,956 --> 00:26:07,190 COMMON. >> YOU LIKE SCHLITZ BEER? >> WHAT? 679 00:26:07,192 --> 00:26:07,457 >> YOU LIKE SCHLITZ BEER? >> WHAT? NO. 680 00:26:07,459 --> 00:26:09,126 >> WHAT? NO. ANYWAY, HOW OLD ARE YOU? 681 00:26:09,128 --> 00:26:10,661 NO. ANYWAY, HOW OLD ARE YOU? >> 56. 682 00:26:10,663 --> 00:26:12,562 ANYWAY, HOW OLD ARE YOU? >> 56. OH, FOR THIS, 11. 683 00:26:12,564 --> 00:26:14,731 >> 56. OH, FOR THIS, 11. MY BIRTHDAY'S IN OCTOBER. 684 00:26:14,733 --> 00:26:16,166 OH, FOR THIS, 11. MY BIRTHDAY'S IN OCTOBER. >> ME TOO. 685 00:26:16,168 --> 00:26:18,669 MY BIRTHDAY'S IN OCTOBER. >> ME TOO. >> THIS IS TRIPPING ME OUT. 686 00:26:18,671 --> 00:26:20,170 >> ME TOO. >> THIS IS TRIPPING ME OUT. LET'S SEE IF WE HAVE A PICTURE 687 00:26:20,172 --> 00:26:24,007 >> THIS IS TRIPPING ME OUT. LET'S SEE IF WE HAVE A PICTURE OF OUR PARENTS THAT WAS RIPPED 688 00:26:24,009 --> 00:26:26,576 LET'S SEE IF WE HAVE A PICTURE OF OUR PARENTS THAT WAS RIPPED IN HALF TO SEE IF WE'RE TWIN 689 00:26:26,578 --> 00:26:29,579 OF OUR PARENTS THAT WAS RIPPED IN HALF TO SEE IF WE'RE TWIN SFWLS NOT THERE YET. 690 00:26:29,581 --> 00:26:30,714 IN HALF TO SEE IF WE'RE TWIN SFWLS NOT THERE YET. JUST JUMP AHEAD TO WHERE 691 00:26:30,716 --> 00:26:35,686 SFWLS NOT THERE YET. JUST JUMP AHEAD TO WHERE HALLIE'S PACING, PUTTING IT ALL 692 00:26:35,688 --> 00:26:36,053 JUST JUMP AHEAD TO WHERE HALLIE'S PACING, PUTTING IT ALL TOGETHER. 693 00:26:36,055 --> 00:26:36,553 HALLIE'S PACING, PUTTING IT ALL TOGETHER. >> THINK ABOUT IT. 694 00:26:36,555 --> 00:26:37,988 TOGETHER. >> THINK ABOUT IT. I ONLY HAVE A FATHER, AND YOU 695 00:26:37,990 --> 00:26:38,855 >> THINK ABOUT IT. I ONLY HAVE A FATHER, AND YOU ONLY HAVE A MOTHER. 696 00:26:38,857 --> 00:26:40,390 I ONLY HAVE A FATHER, AND YOU ONLY HAVE A MOTHER. >> OH, YEAH? 697 00:26:40,392 --> 00:26:41,958 ONLY HAVE A MOTHER. >> OH, YEAH? >> YOU'VE NEVER SEEN YOUR DAD, 698 00:26:41,960 --> 00:26:44,728 >> OH, YEAH? >> YOU'VE NEVER SEEN YOUR DAD, AND I'VE NEVER SEEN MY MOM. 699 00:26:44,730 --> 00:26:45,696 >> YOU'VE NEVER SEEN YOUR DAD, AND I'VE NEVER SEEN MY MOM. >> SO YOU THINK WE'RE TWINS OR 700 00:26:45,698 --> 00:26:47,130 AND I'VE NEVER SEEN MY MOM. >> SO YOU THINK WE'RE TWINS OR NOT YET? 701 00:26:47,132 --> 00:26:49,066 >> SO YOU THINK WE'RE TWINS OR NOT YET? >> YOU HAVE ONE OLD PICTURE OF 702 00:26:49,068 --> 00:26:51,168 NOT YET? >> YOU HAVE ONE OLD PICTURE OF YOUR MOM, AND I HAVE ONE OLD 703 00:26:51,170 --> 00:26:52,002 >> YOU HAVE ONE OLD PICTURE OF YOUR MOM, AND I HAVE ONE OLD PICTURE OF MY DAD. 704 00:26:52,004 --> 00:26:58,442 YOUR MOM, AND I HAVE ONE OLD PICTURE OF MY DAD. >> YEAH, LIKE IN THAT LINDSEY 705 00:26:58,444 --> 00:27:01,678 PICTURE OF MY DAD. >> YEAH, LIKE IN THAT LINDSEY LOHAN MOVIE ABOUT THE TWIN. 706 00:27:01,680 --> 00:27:03,947 >> YEAH, LIKE IN THAT LINDSEY LOHAN MOVIE ABOUT THE TWIN. >> AT LEAST YOURS IS A WHOLE 707 00:27:03,949 --> 00:27:04,314 LOHAN MOVIE ABOUT THE TWIN. >> AT LEAST YOURS IS A WHOLE PICTURE. 708 00:27:04,316 --> 00:27:05,982 >> AT LEAST YOURS IS A WHOLE PICTURE. >> A WHOLE PICTURE? 709 00:27:05,984 --> 00:27:07,818 PICTURE. >> A WHOLE PICTURE? YOU'RE 11. 710 00:27:07,820 --> 00:27:08,752 >> A WHOLE PICTURE? YOU'RE 11. DON'T LOOK AT THOSE. 711 00:27:08,754 --> 00:27:10,887 YOU'RE 11. DON'T LOOK AT THOSE. >> MY PICTURE IS PATHETIC AND 712 00:27:10,889 --> 00:27:12,422 DON'T LOOK AT THOSE. >> MY PICTURE IS PATHETIC AND RIPPED DOWN THE MIDDLE. 713 00:27:12,424 --> 00:27:14,324 >> MY PICTURE IS PATHETIC AND RIPPED DOWN THE MIDDLE. >> NOW BOTH RUN AND GET YOUR 714 00:27:14,326 --> 00:27:15,092 RIPPED DOWN THE MIDDLE. >> NOW BOTH RUN AND GET YOUR HALVES OF THE PICTURE. 715 00:27:15,094 --> 00:27:15,859 >> NOW BOTH RUN AND GET YOUR HALVES OF THE PICTURE. >> HERE IT IS. 716 00:27:15,861 --> 00:27:17,027 HALVES OF THE PICTURE. >> HERE IT IS. THE PICTURE OF MY DAD. 717 00:27:17,029 --> 00:27:17,761 >> HERE IT IS. THE PICTURE OF MY DAD. >> OKAY. 718 00:27:17,763 --> 00:27:18,729 THE PICTURE OF MY DAD. >> OKAY. I GOT MINE. 719 00:27:18,731 --> 00:27:22,499 >> OKAY. I GOT MINE. >> ON THE COUNT OF THREE, WE'LL 720 00:27:22,501 --> 00:27:24,434 I GOT MINE. >> ON THE COUNT OF THREE, WE'LL SHOW THEM TO EACH OTHER, OKAY? 721 00:27:24,436 --> 00:27:24,801 >> ON THE COUNT OF THREE, WE'LL SHOW THEM TO EACH OTHER, OKAY? >> OKAY. 722 00:27:24,803 --> 00:27:28,538 SHOW THEM TO EACH OTHER, OKAY? >> OKAY. >> ONE, TWO, THREE. 723 00:27:28,540 --> 00:27:32,008 >> OKAY. >> ONE, TWO, THREE. >> WHOA. 724 00:27:32,010 --> 00:27:34,745 >> ONE, TWO, THREE. >> WHOA. LESLIE MAN AND ED HELMS. 725 00:27:34,747 --> 00:27:36,246 >> WHOA. LESLIE MAN AND ED HELMS. IS THIS FOR STREAMING. 726 00:27:36,248 --> 00:27:38,648 LESLIE MAN AND ED HELMS. IS THIS FOR STREAMING. >> SO IF YOUR MOM IS MY MOM AND 727 00:27:38,650 --> 00:27:41,284 IS THIS FOR STREAMING. >> SO IF YOUR MOM IS MY MOM AND MY DAD IS YOUR BAD AND WE'RE 728 00:27:41,286 --> 00:27:43,453 >> SO IF YOUR MOM IS MY MOM AND MY DAD IS YOUR BAD AND WE'RE BOTH BORN ON OCTOBER 11th, THEN 729 00:27:43,455 --> 00:27:46,223 MY DAD IS YOUR BAD AND WE'RE BOTH BORN ON OCTOBER 11th, THEN YOU AND I ARE LIKE SISTERS. 730 00:27:46,225 --> 00:27:47,557 BOTH BORN ON OCTOBER 11th, THEN YOU AND I ARE LIKE SISTERS. >> SISTERS? 731 00:27:47,559 --> 00:27:49,192 YOU AND I ARE LIKE SISTERS. >> SISTERS? HALLIE, WE'RE FREAKING TWINS. 732 00:27:49,194 --> 00:27:49,593 >> SISTERS? HALLIE, WE'RE FREAKING TWINS. >> ANNIE. 733 00:27:49,595 --> 00:27:52,496 HALLIE, WE'RE FREAKING TWINS. >> ANNIE. >> OH, MY GOD, WOW, I'M LIKE 734 00:27:52,498 --> 00:27:52,929 >> ANNIE. >> OH, MY GOD, WOW, I'M LIKE CRYING NOW. 735 00:27:52,931 --> 00:27:54,197 >> OH, MY GOD, WOW, I'M LIKE CRYING NOW. >> THIS IS AMAZING. 736 00:27:54,199 --> 00:27:56,700 CRYING NOW. >> THIS IS AMAZING. >> SO THEY JUST SPLIT US UP? 737 00:27:56,702 --> 00:27:59,035 >> THIS IS AMAZING. >> SO THEY JUST SPLIT US UP? WHY WOULD THEY DO THAT TO US? 738 00:27:59,037 --> 00:28:00,437 >> SO THEY JUST SPLIT US UP? WHY WOULD THEY DO THAT TO US? WE'VE GOT TO KILL EM. 739 00:28:00,439 --> 00:28:01,538 WHY WOULD THEY DO THAT TO US? WE'VE GOT TO KILL EM. >> THERE'S TWO OF US. 740 00:28:01,540 --> 00:28:03,173 WE'VE GOT TO KILL EM. >> THERE'S TWO OF US. >> IF WE WORK TOGETHER, WE CAN 741 00:28:03,175 --> 00:28:03,807 >> THERE'S TWO OF US. >> IF WE WORK TOGETHER, WE CAN KILL THEM. 742 00:28:03,809 --> 00:28:04,941 >> IF WE WORK TOGETHER, WE CAN KILL THEM. I'M KIDDING. 743 00:28:04,943 --> 00:28:05,375 KILL THEM. I'M KIDDING. I LOVE YOU. 744 00:28:05,377 --> 00:28:05,976 I'M KIDDING. I LOVE YOU. >> AND CUT. 745 00:28:05,978 --> 00:28:07,010 I LOVE YOU. >> AND CUT. WOW, THAT WAS IT. 746 00:28:07,012 --> 00:28:08,745 >> AND CUT. WOW, THAT WAS IT. THANK YOU BOTH FOR THOSE 747 00:28:08,747 --> 00:28:09,179 WOW, THAT WAS IT. THANK YOU BOTH FOR THOSE PERFORMANCES. 748 00:28:09,181 --> 00:28:09,746 THANK YOU BOTH FOR THOSE PERFORMANCES. I'M BLOWN AWAY. 749 00:28:09,748 --> 00:28:11,181 PERFORMANCES. I'M BLOWN AWAY. THIS IS GOING TO BE A HIT, AND 750 00:28:11,183 --> 00:28:11,815 I'M BLOWN AWAY. THIS IS GOING TO BE A HIT, AND I'LL SEE YOU BOTH AT THE 751 00:28:11,817 --> 00:28:15,252 THIS IS GOING TO BE A HIT, AND I'LL SEE YOU BOTH AT THE PREMIER. 752 00:28:44,048 --> 00:28:51,488 >> Announcer: YOU'RE WATCHING MTV. AT NINE, IT'S THREE STRAIGHT 753 00:28:51,490 --> 00:28:52,122 MTV. AT NINE, IT'S THREE STRAIGHT DAYS OF "RIDICULOUSNESS." 754 00:28:52,124 --> 00:28:53,824 AT NINE, IT'S THREE STRAIGHT DAYS OF "RIDICULOUSNESS." BUT FIRST, AN ALL NEW 755 00:28:53,826 --> 00:28:54,724 DAYS OF "RIDICULOUSNESS." BUT FIRST, AN ALL NEW "RIDICULOUSNESS." 756 00:28:54,726 --> 00:28:56,259 BUT FIRST, AN ALL NEW "RIDICULOUSNESS." >>> WHAT IS UP, WHAT IS UP? 757 00:28:56,261 --> 00:28:59,596 "RIDICULOUSNESS." >>> WHAT IS UP, WHAT IS UP? WELCOME TO "RIDILOUSNESS." 758 00:28:59,598 --> 00:29:01,431 >>> WHAT IS UP, WHAT IS UP? WELCOME TO "RIDILOUSNESS." I'M ROB DYEK, AND YOU WOULDN'T 759 00:29:01,433 --> 00:29:03,099 WELCOME TO "RIDILOUSNESS." I'M ROB DYEK, AND YOU WOULDN'T KNOW IT FROM MY CLOTHES, BUT I'M 760 00:29:03,101 --> 00:29:06,436 I'M ROB DYEK, AND YOU WOULDN'T KNOW IT FROM MY CLOTHES, BUT I'M ALMOST 50, Y'ALL. 761 00:29:06,438 --> 00:29:08,705 KNOW IT FROM MY CLOTHES, BUT I'M ALMOST 50, Y'ALL. JOINING ME AS ALWAYS, STEELO 762 00:29:08,707 --> 00:29:10,974 ALMOST 50, Y'ALL. JOINING ME AS ALWAYS, STEELO BRIM AND CHANEL WEST COAST. 763 00:29:10,976 --> 00:29:12,409 JOINING ME AS ALWAYS, STEELO BRIM AND CHANEL WEST COAST. >> WHAT UP, ROB? 764 00:29:12,411 --> 00:29:14,344 BRIM AND CHANEL WEST COAST. >> WHAT UP, ROB? >> I'M ALREADY LAUGHING. 765 00:29:14,346 --> 00:29:16,179 >> WHAT UP, ROB? >> I'M ALREADY LAUGHING. >> AND TODAY'S SPECIAL GUEST, 766 00:29:16,181 --> 00:29:19,049 >> I'M ALREADY LAUGHING. >> AND TODAY'S SPECIAL GUEST, YOU KNOW HER FROM TIKTOK, IT'S 767 00:29:19,051 --> 00:29:21,084 >> AND TODAY'S SPECIAL GUEST, YOU KNOW HER FROM TIKTOK, IT'S LEE LEE TWO TIMES. 768 00:29:21,086 --> 00:29:23,286 YOU KNOW HER FROM TIKTOK, IT'S LEE LEE TWO TIMES. >> YO, WHAT UP, WHAT UP? 769 00:29:23,288 --> 00:29:26,623 LEE LEE TWO TIMES. >> YO, WHAT UP, WHAT UP? >> YO, CONGRATS ON ALL YOUR 770 00:29:26,625 --> 00:29:28,992 >> YO, WHAT UP, WHAT UP? >> YO, CONGRATS ON ALL YOUR SUCCESS AND FOR LOOKING FINE AS 771 00:29:28,994 --> 00:29:29,292 >> YO, CONGRATS ON ALL YOUR SUCCESS AND FOR LOOKING FINE AS HELL. 772 00:29:29,294 --> 00:29:30,026 SUCCESS AND FOR LOOKING FINE AS HELL. >> THANK YOU. 773 00:29:30,028 --> 00:29:30,694 HELL. >> THANK YOU. THANK YOU. 774 00:29:30,696 --> 00:29:31,127 >> THANK YOU. THANK YOU. YEAH. 775 00:29:31,129 --> 00:29:34,931 THANK YOU. YEAH. JUST TURNED 17 LAST WEEK! 776 00:29:34,933 --> 00:29:38,702 YEAH. JUST TURNED 17 LAST WEEK! >> 17! 777 00:29:38,704 --> 00:29:39,002 JUST TURNED 17 LAST WEEK! >> 17! OOPSY! 778 00:29:39,004 --> 00:29:41,271 >> 17! OOPSY! I MEANT FINE AS HELL AS A 779 00:29:41,273 --> 00:29:41,605 OOPSY! I MEANT FINE AS HELL AS A FRIEND. 780 00:29:41,607 --> 00:29:43,607 I MEANT FINE AS HELL AS A FRIEND. ALL RIGHT. 781 00:29:43,609 --> 00:29:46,243 FRIEND. ALL RIGHT. LET'S WATCH SOME VIDS, KIDS. 782 00:29:46,245 --> 00:29:48,178 ALL RIGHT. LET'S WATCH SOME VIDS, KIDS. THIS IS FALLING OFF. 783 00:29:48,180 --> 00:29:50,046 LET'S WATCH SOME VIDS, KIDS. THIS IS FALLING OFF. FIRST, PEEP THESE FOOLS PARTYING 784 00:29:50,048 --> 00:29:52,883 THIS IS FALLING OFF. FIRST, PEEP THESE FOOLS PARTYING ON A BOAT UP IN HERE. 785 00:29:52,885 --> 00:29:53,516 FIRST, PEEP THESE FOOLS PARTYING ON A BOAT UP IN HERE. OH, OOPSY. 786 00:29:53,518 --> 00:29:54,684 ON A BOAT UP IN HERE. OH, OOPSY. >> WHITE GIRL OVERBOARD. 787 00:29:54,686 --> 00:29:57,053 OH, OOPSY. >> WHITE GIRL OVERBOARD. >> THAT LOOKED LIKE IT HURT, YO. 788 00:29:57,055 --> 00:29:58,955 >> WHITE GIRL OVERBOARD. >> THAT LOOKED LIKE IT HURT, YO. >> SEE THAT'S WHY MY ASS DON'T 789 00:29:58,957 --> 00:29:59,656 >> THAT LOOKED LIKE IT HURT, YO. >> SEE THAT'S WHY MY ASS DON'T MESS WITH BOATS. 790 00:29:59,658 --> 00:30:01,024 >> SEE THAT'S WHY MY ASS DON'T MESS WITH BOATS. >> YEAH, I FEEL YOU. 791 00:30:01,026 --> 00:30:06,630 MESS WITH BOATS. >> YEAH, I FEEL YOU. I WAS ON THIS FAMILY VACAY ONE 792 00:30:06,632 --> 00:30:06,930 >> YEAH, I FEEL YOU. I WAS ON THIS FAMILY VACAY ONE TIME. 793 00:30:06,932 --> 00:30:10,000 I WAS ON THIS FAMILY VACAY ONE TIME. MY COUSIN HAILEY WAS DOING THAT 794 00:30:10,002 --> 00:30:12,302 TIME. MY COUSIN HAILEY WAS DOING THAT WHITE GIRL SELFIE POSE AND WE 795 00:30:12,304 --> 00:30:15,538 MY COUSIN HAILEY WAS DOING THAT WHITE GIRL SELFIE POSE AND WE HIT A WAVE, AND BAM! 796 00:30:15,540 --> 00:30:17,340 WHITE GIRL SELFIE POSE AND WE HIT A WAVE, AND BAM! SHE FELL RIGHT OFF THAT BOAT AND 797 00:30:17,342 --> 00:30:21,645 HIT A WAVE, AND BAM! SHE FELL RIGHT OFF THAT BOAT AND FELL UNDER, BUT THE PROPELLER 798 00:30:21,647 --> 00:30:23,713 SHE FELL RIGHT OFF THAT BOAT AND FELL UNDER, BUT THE PROPELLER HIT HER AND HER HEAD FELL OFF. 799 00:30:23,715 --> 00:30:26,082 FELL UNDER, BUT THE PROPELLER HIT HER AND HER HEAD FELL OFF. >> OH, MY GOD. 800 00:30:26,084 --> 00:30:26,750 HIT HER AND HER HEAD FELL OFF. >> OH, MY GOD. THAT IS HORRIFIC. 801 00:30:26,752 --> 00:30:29,252 >> OH, MY GOD. THAT IS HORRIFIC. >> AND THE WORST PART WAS 802 00:30:29,254 --> 00:30:31,221 THAT IS HORRIFIC. >> AND THE WORST PART WAS BECAUSE LIKE ALL THE BLOOD, A 803 00:30:31,223 --> 00:30:33,857 >> AND THE WORST PART WAS BECAUSE LIKE ALL THE BLOOD, A HUNTING FINDING NEMO FISH CAME 804 00:30:33,859 --> 00:30:36,993 BECAUSE LIKE ALL THE BLOOD, A HUNTING FINDING NEMO FISH CAME AROUND AND STARTED EATING AT HER 805 00:30:36,995 --> 00:30:37,294 HUNTING FINDING NEMO FISH CAME AROUND AND STARTED EATING AT HER HEAD. 806 00:30:37,296 --> 00:30:41,031 AROUND AND STARTED EATING AT HER HEAD. >> I'M SO SORRY, GIRL. 807 00:30:41,033 --> 00:30:44,067 HEAD. >> I'M SO SORRY, GIRL. >> YEAH, YEAH, ME TOO. 808 00:30:44,069 --> 00:30:45,235 >> I'M SO SORRY, GIRL. >> YEAH, YEAH, ME TOO. LET'S PEEP ANOTHER VID. 809 00:30:45,237 --> 00:30:47,971 >> YEAH, YEAH, ME TOO. LET'S PEEP ANOTHER VID. LET TRY TO KEEP OUR ANECDOTES 810 00:30:47,973 --> 00:30:52,542 LET'S PEEP ANOTHER VID. LET TRY TO KEEP OUR ANECDOTES MORE FUN, LESS TRAGIC AND 811 00:30:52,544 --> 00:30:52,909 LET TRY TO KEEP OUR ANECDOTES MORE FUN, LESS TRAGIC AND UPSETTING. 812 00:30:52,911 --> 00:30:53,376 MORE FUN, LESS TRAGIC AND UPSETTING. CHECK THIS OUT. 813 00:30:53,378 --> 00:30:55,979 UPSETTING. CHECK THIS OUT. YO, THIS CAT, DUDE, WHAT, UH-OH, 814 00:30:55,981 --> 00:30:58,348 CHECK THIS OUT. YO, THIS CAT, DUDE, WHAT, UH-OH, CUP HEAD. 815 00:30:58,350 --> 00:31:01,584 YO, THIS CAT, DUDE, WHAT, UH-OH, CUP HEAD. UH-OH, YO THAT CAT WAS TRIPPING. 816 00:31:01,586 --> 00:31:05,088 CUP HEAD. UH-OH, YO THAT CAT WAS TRIPPING. CHANEL LIKED THAT ONE RIGHT 817 00:31:05,090 --> 00:31:05,422 UH-OH, YO THAT CAT WAS TRIPPING. CHANEL LIKED THAT ONE RIGHT THERE. 818 00:31:05,424 --> 00:31:06,756 CHANEL LIKED THAT ONE RIGHT THERE. >> YO, I CAN'T, I CAN'T, YO. 819 00:31:06,758 --> 00:31:08,224 THERE. >> YO, I CAN'T, I CAN'T, YO. >> YO, CATS ARE A TRIP. 820 00:31:08,226 --> 00:31:10,026 >> YO, I CAN'T, I CAN'T, YO. >> YO, CATS ARE A TRIP. >> YEAH, MAN, THEY CRAZY. 821 00:31:10,028 --> 00:31:14,898 >> YO, CATS ARE A TRIP. >> YEAH, MAN, THEY CRAZY. >> LIKE GROWING UP, OUR CAT 822 00:31:14,900 --> 00:31:17,033 >> YEAH, MAN, THEY CRAZY. >> LIKE GROWING UP, OUR CAT SADIE WAS ALWAYS GETTING 823 00:31:17,035 --> 00:31:17,400 >> LIKE GROWING UP, OUR CAT SADIE WAS ALWAYS GETTING PREGNANT. 824 00:31:17,402 --> 00:31:19,069 SADIE WAS ALWAYS GETTING PREGNANT. >> SO SADIE A HO. 825 00:31:19,071 --> 00:31:20,337 PREGNANT. >> SO SADIE A HO. >> FOR REAL. 826 00:31:20,339 --> 00:31:23,640 >> SO SADIE A HO. >> FOR REAL. SHE WAS GIVING BIRTH ONE TIME 827 00:31:23,642 --> 00:31:24,341 >> FOR REAL. SHE WAS GIVING BIRTH ONE TIME AND SIX KITTENS COMING OUT. 828 00:31:24,343 --> 00:31:26,476 SHE WAS GIVING BIRTH ONE TIME AND SIX KITTENS COMING OUT. >> ALL OF THEM LOOKING DIFFERENT 829 00:31:26,478 --> 00:31:28,411 AND SIX KITTENS COMING OUT. >> ALL OF THEM LOOKING DIFFERENT THAN THEY DADDY. 830 00:31:28,413 --> 00:31:29,779 >> ALL OF THEM LOOKING DIFFERENT THAN THEY DADDY. SADIE, WHO YOU SMASHING? 831 00:31:29,781 --> 00:31:33,516 THAN THEY DADDY. SADIE, WHO YOU SMASHING? >> THEY CAME OUT FUSED INTO ONE 832 00:31:33,518 --> 00:31:36,019 SADIE, WHO YOU SMASHING? >> THEY CAME OUT FUSED INTO ONE BIG FURRY BALL OF CAT PARTS. 833 00:31:36,021 --> 00:31:38,588 >> THEY CAME OUT FUSED INTO ONE BIG FURRY BALL OF CAT PARTS. EARS, TAILS, ALL STICKING OUT. 834 00:31:38,590 --> 00:31:40,323 BIG FURRY BALL OF CAT PARTS. EARS, TAILS, ALL STICKING OUT. IT WAS NOT FIRE. 835 00:31:40,325 --> 00:31:43,860 EARS, TAILS, ALL STICKING OUT. IT WAS NOT FIRE. >> HA-HA-HA. 836 00:31:43,862 --> 00:31:45,228 IT WAS NOT FIRE. >> HA-HA-HA. CHANEL, YOU GOT A CAT. 837 00:31:45,230 --> 00:31:46,162 >> HA-HA-HA. CHANEL, YOU GOT A CAT. YOU GOT ANY FUNNY CAT STORIES, 838 00:31:46,164 --> 00:31:49,599 CHANEL, YOU GOT A CAT. YOU GOT ANY FUNNY CAT STORIES, GIRL? 839 00:31:49,601 --> 00:31:51,334 YOU GOT ANY FUNNY CAT STORIES, GIRL? >> WAS THE CAT ALIVE? 840 00:31:51,336 --> 00:31:52,268 GIRL? >> WAS THE CAT ALIVE? >> YEAH. 841 00:31:52,270 --> 00:31:52,802 >> WAS THE CAT ALIVE? >> YEAH. YEAH. 842 00:31:52,804 --> 00:31:55,171 >> YEAH. YEAH. BUT LIKE IT DIDN'T HAVE A MOUTH, 843 00:31:55,173 --> 00:31:58,808 YEAH. BUT LIKE IT DIDN'T HAVE A MOUTH, SO IT WAS SCREAMING FROM THE 844 00:31:58,810 --> 00:32:02,078 BUT LIKE IT DIDN'T HAVE A MOUTH, SO IT WAS SCREAMING FROM THE INSIDE LIKE MM! 845 00:32:02,080 --> 00:32:03,313 SO IT WAS SCREAMING FROM THE INSIDE LIKE MM! >> YEAH. 846 00:32:03,315 --> 00:32:03,613 INSIDE LIKE MM! >> YEAH. YEAH. 847 00:32:03,615 --> 00:32:03,913 >> YEAH. YEAH. YEAH. 848 00:32:03,915 --> 00:32:05,615 YEAH. YEAH. YOU DON'T NEED TO KEEP MAKING 849 00:32:05,617 --> 00:32:09,152 YEAH. YOU DON'T NEED TO KEEP MAKING THAT NOISE, LEE LEE, WE GOT IT. 850 00:32:09,154 --> 00:32:09,819 YOU DON'T NEED TO KEEP MAKING THAT NOISE, LEE LEE, WE GOT IT. ALL RIGHT. 851 00:32:09,821 --> 00:32:11,888 THAT NOISE, LEE LEE, WE GOT IT. ALL RIGHT. WE GOING TO PLAY WHAT'S GOING TO 852 00:32:11,890 --> 00:32:13,089 ALL RIGHT. WE GOING TO PLAY WHAT'S GOING TO GO DOWN. 853 00:32:13,091 --> 00:32:15,191 WE GOING TO PLAY WHAT'S GOING TO GO DOWN. HERE'S THE FIRST FRAME OF OUR 854 00:32:15,193 --> 00:32:17,193 GO DOWN. HERE'S THE FIRST FRAME OF OUR NEXT VID. 855 00:32:17,195 --> 00:32:19,029 HERE'S THE FIRST FRAME OF OUR NEXT VID. UH-OH, WE GOT A DUDE IN THE 856 00:32:19,031 --> 00:32:20,830 NEXT VID. UH-OH, WE GOT A DUDE IN THE LAUNDRY BASKET AT THE TOP OF 857 00:32:20,832 --> 00:32:22,198 UH-OH, WE GOT A DUDE IN THE LAUNDRY BASKET AT THE TOP OF SOME STAIRS. 858 00:32:22,200 --> 00:32:25,301 LAUNDRY BASKET AT THE TOP OF SOME STAIRS. STEELO, WHAT'S GOING TO GO DOWN? 859 00:32:25,303 --> 00:32:26,936 SOME STAIRS. STEELO, WHAT'S GOING TO GO DOWN? >> I THINK THAT DUDE'S FLYING 860 00:32:26,938 --> 00:32:28,638 STEELO, WHAT'S GOING TO GO DOWN? >> I THINK THAT DUDE'S FLYING OUT OF THAT THING ON THE FIRST 861 00:32:28,640 --> 00:32:29,139 >> I THINK THAT DUDE'S FLYING OUT OF THAT THING ON THE FIRST STAIR, MAN. 862 00:32:29,141 --> 00:32:30,840 OUT OF THAT THING ON THE FIRST STAIR, MAN. WHAT YOU THINK, CHANEL? 863 00:32:30,842 --> 00:32:31,641 STAIR, MAN. WHAT YOU THINK, CHANEL? >> SAME. 864 00:32:31,643 --> 00:32:33,543 WHAT YOU THINK, CHANEL? >> SAME. SO HOW LONG DID THAT CAT HAVE TO 865 00:32:33,545 --> 00:32:33,843 >> SAME. SO HOW LONG DID THAT CAT HAVE TO LIVE? 866 00:32:33,845 --> 00:32:36,279 SO HOW LONG DID THAT CAT HAVE TO LIVE? >> YO, NO MORE CAT BALL. 867 00:32:36,281 --> 00:32:36,579 LIVE? >> YO, NO MORE CAT BALL. OKAY? 868 00:32:36,581 --> 00:32:38,648 >> YO, NO MORE CAT BALL. OKAY? THE CAT BALL'S WEIRD AND SAT. 869 00:32:38,650 --> 00:32:40,650 OKAY? THE CAT BALL'S WEIRD AND SAT. IT'S NOT THE VIBE OF THE SHOW, 870 00:32:40,652 --> 00:32:40,950 THE CAT BALL'S WEIRD AND SAT. IT'S NOT THE VIBE OF THE SHOW, OKAY? 871 00:32:40,952 --> 00:32:43,987 IT'S NOT THE VIBE OF THE SHOW, OKAY? >> YEAH, I GOT TO AGREE ON THAT, 872 00:32:43,989 --> 00:32:44,254 OKAY? >> YEAH, I GOT TO AGREE ON THAT, MAN. 873 00:32:44,256 --> 00:32:45,155 >> YEAH, I GOT TO AGREE ON THAT, MAN. LET KILL THE CAT BALL. 874 00:32:45,157 --> 00:32:47,690 MAN. LET KILL THE CAT BALL. >> ACTUALLY, THE MOM CAT KILLED 875 00:32:47,692 --> 00:32:48,158 LET KILL THE CAT BALL. >> ACTUALLY, THE MOM CAT KILLED THE CAT BALL. 876 00:32:48,160 --> 00:32:51,895 >> ACTUALLY, THE MOM CAT KILLED THE CAT BALL. >> YO, NO MORE CAT BALL, YO. 877 00:32:51,897 --> 00:32:53,129 THE CAT BALL. >> YO, NO MORE CAT BALL, YO. THAT CAT BALL IS DONE. 878 00:32:53,131 --> 00:32:53,463 >> YO, NO MORE CAT BALL, YO. THAT CAT BALL IS DONE. PLEASE. 879 00:32:53,465 --> 00:32:54,531 THAT CAT BALL IS DONE. PLEASE. OKAY, LEE LEE, WHAT DO YOU THINK 880 00:32:54,533 --> 00:32:56,666 PLEASE. OKAY, LEE LEE, WHAT DO YOU THINK IS GOING TO GO DOWN IN THIS VID? 881 00:32:56,668 --> 00:32:59,202 OKAY, LEE LEE, WHAT DO YOU THINK IS GOING TO GO DOWN IN THIS VID? >> I THINK THIS WHITE BOY GOING 882 00:32:59,204 --> 00:33:01,838 IS GOING TO GO DOWN IN THIS VID? >> I THINK THIS WHITE BOY GOING TO MAKE IT ALL THE WAY DOWN TO 883 00:33:01,840 --> 00:33:04,274 >> I THINK THIS WHITE BOY GOING TO MAKE IT ALL THE WAY DOWN TO THE BOTTOM OF THE STAIRS AND 884 00:33:04,276 --> 00:33:05,942 TO MAKE IT ALL THE WAY DOWN TO THE BOTTOM OF THE STAIRS AND JUMP OUT AND START WILDING. 885 00:33:05,944 --> 00:33:07,510 THE BOTTOM OF THE STAIRS AND JUMP OUT AND START WILDING. >> THEN HE'S GOING TO FALL ON 886 00:33:07,512 --> 00:33:08,278 JUMP OUT AND START WILDING. >> THEN HE'S GOING TO FALL ON HIS ASS? 887 00:33:08,280 --> 00:33:08,945 >> THEN HE'S GOING TO FALL ON HIS ASS? >> NO. 888 00:33:08,947 --> 00:33:10,580 HIS ASS? >> NO. HE'S GOING TO GET A TEXT THAT 889 00:33:10,582 --> 00:33:12,615 >> NO. HE'S GOING TO GET A TEXT THAT SAYS HIS PARENTS WERE MURDERED. 890 00:33:12,617 --> 00:33:14,517 HE'S GOING TO GET A TEXT THAT SAYS HIS PARENTS WERE MURDERED. >> NOPE, NOT THAT. 891 00:33:14,519 --> 00:33:16,653 SAYS HIS PARENTS WERE MURDERED. >> NOPE, NOT THAT. WE'RE GOING TO TAKE A QUICK 892 00:33:16,655 --> 00:33:19,055 >> NOPE, NOT THAT. WE'RE GOING TO TAKE A QUICK BREAK, RESET THE VIBE, AND WE'LL 893 00:33:19,057 --> 00:33:20,156 WE'RE GOING TO TAKE A QUICK BREAK, RESET THE VIBE, AND WE'LL BE BACK WITH MORE 894 00:33:20,158 --> 00:33:20,690 BREAK, RESET THE VIBE, AND WE'LL BE BACK WITH MORE "RIDICULOUSNESS." 895 00:33:20,692 --> 00:33:22,592 BE BACK WITH MORE "RIDICULOUSNESS." >> I GOT A PICTURE OF THE CAT 896 00:33:22,594 --> 00:33:24,294 "RIDICULOUSNESS." >> I GOT A PICTURE OF THE CAT BALL IF ANYBODY WANTS TO SEE. 897 00:33:24,296 --> 00:33:38,508 >> I GOT A PICTURE OF THE CAT BALL IF ANYBODY WANTS TO SEE. >> I MEAN, I'LL TAKE A LOOK. 898 00:33:38,510 --> 00:33:39,542 BALL IF ANYBODY WANTS TO SEE. >> I MEAN, I'LL TAKE A LOOK. >>> ZACK. 899 00:33:39,544 --> 00:33:40,710 >> I MEAN, I'LL TAKE A LOOK. >>> ZACK. >> HEY. 900 00:33:40,712 --> 00:33:41,377 >>> ZACK. >> HEY. I'LL CATCH UP WITH YOU GUYS 901 00:33:41,379 --> 00:33:44,314 >> HEY. I'LL CATCH UP WITH YOU GUYS LATER, ALL RIGHT? 902 00:33:44,316 --> 00:33:45,315 I'LL CATCH UP WITH YOU GUYS LATER, ALL RIGHT? HEY, CASEY. 903 00:33:45,317 --> 00:33:46,082 LATER, ALL RIGHT? HEY, CASEY. WHAT ARE YOU DOING HERE? 904 00:33:46,084 --> 00:33:48,218 HEY, CASEY. WHAT ARE YOU DOING HERE? >> I KNOW YOU AND THE GUYS 905 00:33:48,220 --> 00:33:50,220 WHAT ARE YOU DOING HERE? >> I KNOW YOU AND THE GUYS USUALLY HANG OUT AT WAFFLE HOUSE 906 00:33:50,222 --> 00:33:52,255 >> I KNOW YOU AND THE GUYS USUALLY HANG OUT AT WAFFLE HOUSE AFTER YOUR GAMES, SO I FIGURED 907 00:33:52,257 --> 00:33:53,156 USUALLY HANG OUT AT WAFFLE HOUSE AFTER YOUR GAMES, SO I FIGURED YOU WOULD BE HERE. 908 00:33:53,158 --> 00:33:54,491 AFTER YOUR GAMES, SO I FIGURED YOU WOULD BE HERE. I HAVE SOMETHING I NEED TO TELL 909 00:33:54,493 --> 00:33:54,791 YOU WOULD BE HERE. I HAVE SOMETHING I NEED TO TELL YOU. 910 00:33:54,793 --> 00:33:55,458 I HAVE SOMETHING I NEED TO TELL YOU. >> WHAT'S UP? 911 00:33:55,460 --> 00:33:58,027 YOU. >> WHAT'S UP? >> I'M NOT GOING TO STATE NEXT 912 00:33:58,029 --> 00:33:59,362 >> WHAT'S UP? >> I'M NOT GOING TO STATE NEXT YEAR. 913 00:33:59,364 --> 00:34:00,163 >> I'M NOT GOING TO STATE NEXT YEAR. >> HEY! 914 00:34:00,165 --> 00:34:02,098 YEAR. >> HEY! THESE WAFFLES ARE TOO SMALL! 915 00:34:02,100 --> 00:34:03,933 >> HEY! THESE WAFFLES ARE TOO SMALL! >> WE HAD A PLAN. 916 00:34:03,935 --> 00:34:05,802 THESE WAFFLES ARE TOO SMALL! >> WE HAD A PLAN. WE WERE BOTH GOING GO TO STATE 917 00:34:05,804 --> 00:34:07,337 >> WE HAD A PLAN. WE WERE BOTH GOING GO TO STATE THEN MOVE BACK TO TOWN AFTER AND 918 00:34:07,339 --> 00:34:08,938 WE WERE BOTH GOING GO TO STATE THEN MOVE BACK TO TOWN AFTER AND GET MARRIED. 919 00:34:08,940 --> 00:34:10,006 THEN MOVE BACK TO TOWN AFTER AND GET MARRIED. THAT'S WHAT WE WANTED. 920 00:34:10,008 --> 00:34:10,673 GET MARRIED. THAT'S WHAT WE WANTED. >> NO. 921 00:34:10,675 --> 00:34:12,542 THAT'S WHAT WE WANTED. >> NO. THAT'S WHAT YOU WANTED, ZACK. 922 00:34:12,544 --> 00:34:12,942 >> NO. THAT'S WHAT YOU WANTED, ZACK. ALL RIGHT? 923 00:34:12,944 --> 00:34:13,743 THAT'S WHAT YOU WANTED, ZACK. ALL RIGHT? I WANT MORE. 924 00:34:13,745 --> 00:34:16,746 ALL RIGHT? I WANT MORE. MORE THAN STATE, MORE THAN THIS 925 00:34:16,748 --> 00:34:17,046 I WANT MORE. MORE THAN STATE, MORE THAN THIS TOWN. 926 00:34:17,048 --> 00:34:18,715 MORE THAN STATE, MORE THAN THIS TOWN. >> MORE THAN ME. 927 00:34:18,717 --> 00:34:21,384 TOWN. >> MORE THAN ME. >> YEAH. 928 00:34:21,386 --> 00:34:23,286 >> MORE THAN ME. >> YEAH. >> I DON'T UNDERSTAND. 929 00:34:23,288 --> 00:34:24,687 >> YEAH. >> I DON'T UNDERSTAND. WHAT DID I DO WRONG? 930 00:34:24,689 --> 00:34:25,321 >> I DON'T UNDERSTAND. WHAT DID I DO WRONG? >> NOTHING. 931 00:34:25,323 --> 00:34:27,891 WHAT DID I DO WRONG? >> NOTHING. I APPLIED TO THIS MUSIC PROGRAM 932 00:34:27,893 --> 00:34:28,491 >> NOTHING. I APPLIED TO THIS MUSIC PROGRAM IN NEW YORK CITY. 933 00:34:28,493 --> 00:34:32,562 I APPLIED TO THIS MUSIC PROGRAM IN NEW YORK CITY. I GOT IN. 934 00:34:32,564 --> 00:34:34,063 IN NEW YORK CITY. I GOT IN. >> OH, MY GOD. 935 00:34:34,065 --> 00:34:35,565 I GOT IN. >> OH, MY GOD. WHOSE DOG IS THIS? 936 00:34:35,567 --> 00:34:37,767 >> OH, MY GOD. WHOSE DOG IS THIS? >> THAT'S MY DOG. 937 00:34:37,769 --> 00:34:40,103 WHOSE DOG IS THIS? >> THAT'S MY DOG. >> AREN'T YOU GOING SAY 938 00:34:40,105 --> 00:34:40,470 >> THAT'S MY DOG. >> AREN'T YOU GOING SAY ANYTHING? 939 00:34:40,472 --> 00:34:42,272 >> AREN'T YOU GOING SAY ANYTHING? >> GET THIS DOG OUT OF HERE! 940 00:34:42,274 --> 00:34:44,841 ANYTHING? >> GET THIS DOG OUT OF HERE! >> I MEAN, WHAT DO YOU WANT ME 941 00:34:44,843 --> 00:34:47,210 >> GET THIS DOG OUT OF HERE! >> I MEAN, WHAT DO YOU WANT ME TO SAY, CASEY? 942 00:34:47,212 --> 00:34:47,577 >> I MEAN, WHAT DO YOU WANT ME TO SAY, CASEY? CONGRATS? 943 00:34:47,579 --> 00:34:49,646 TO SAY, CASEY? CONGRATS? I'M LOSING THE LOVE OF MY LIFE. 944 00:34:49,648 --> 00:34:51,748 CONGRATS? I'M LOSING THE LOVE OF MY LIFE. >> I'M JUST THE LOVE OF YOUR 945 00:34:51,750 --> 00:34:53,082 I'M LOSING THE LOVE OF MY LIFE. >> I'M JUST THE LOVE OF YOUR LIFE SO FAR. 946 00:34:53,084 --> 00:34:54,117 >> I'M JUST THE LOVE OF YOUR LIFE SO FAR. YOU'LL FIND OTHER GIRLS. 947 00:34:54,119 --> 00:34:57,787 LIFE SO FAR. YOU'LL FIND OTHER GIRLS. >> THEY WON'T BE YOU. 948 00:34:57,789 --> 00:35:00,757 YOU'LL FIND OTHER GIRLS. >> THEY WON'T BE YOU. I JUST -- I CAN'T BELIEVE IT'S 949 00:35:00,759 --> 00:35:01,057 >> THEY WON'T BE YOU. I JUST -- I CAN'T BELIEVE IT'S OVER. 950 00:35:01,059 --> 00:35:02,959 I JUST -- I CAN'T BELIEVE IT'S OVER. WE'VE BEEN TOGETHER SINCE 8th 951 00:35:02,961 --> 00:35:03,293 OVER. WE'VE BEEN TOGETHER SINCE 8th GRADE. 952 00:35:03,295 --> 00:35:03,660 WE'VE BEEN TOGETHER SINCE 8th GRADE. >> I KNOW. 953 00:35:03,662 --> 00:35:06,129 GRADE. >> I KNOW. AND THAT'S THE PROBLEM. 954 00:35:06,131 --> 00:35:06,863 >> I KNOW. AND THAT'S THE PROBLEM. I DON'T KNOW WHO I AM WITHOUT 955 00:35:06,865 --> 00:35:10,300 AND THAT'S THE PROBLEM. I DON'T KNOW WHO I AM WITHOUT YOU. 956 00:35:10,302 --> 00:35:14,270 I DON'T KNOW WHO I AM WITHOUT YOU. >> OH, EXCUSE ME! 957 00:35:14,272 --> 00:35:16,406 YOU. >> OH, EXCUSE ME! >> I OWE IT TO MYSELF TO FIND 958 00:35:16,408 --> 00:35:17,240 >> OH, EXCUSE ME! >> I OWE IT TO MYSELF TO FIND THAT OUT. 959 00:35:17,242 --> 00:35:18,107 >> I OWE IT TO MYSELF TO FIND THAT OUT. TRUST ME. 960 00:35:18,109 --> 00:35:19,776 THAT OUT. TRUST ME. THIS WASN'T AN EASY DECISION. 961 00:35:19,778 --> 00:35:22,378 TRUST ME. THIS WASN'T AN EASY DECISION. >> YOU'RE MAKING A MISTAKE, 962 00:35:22,380 --> 00:35:22,712 THIS WASN'T AN EASY DECISION. >> YOU'RE MAKING A MISTAKE, CASEY. 963 00:35:22,714 --> 00:35:25,181 >> YOU'RE MAKING A MISTAKE, CASEY. >> WE GOT A 724 IN PROGRESS. 964 00:35:25,183 --> 00:35:27,383 CASEY. >> WE GOT A 724 IN PROGRESS. >> MAYBE I AM MAKING A MISTAKE, 965 00:35:27,385 --> 00:35:29,852 >> WE GOT A 724 IN PROGRESS. >> MAYBE I AM MAKING A MISTAKE, BUT ISN'T THAT WHAT GROWING UP 966 00:35:29,854 --> 00:35:30,119 >> MAYBE I AM MAKING A MISTAKE, BUT ISN'T THAT WHAT GROWING UP IS? 967 00:35:30,121 --> 00:35:31,487 BUT ISN'T THAT WHAT GROWING UP IS? IT'S ABOUT TAKING THE BIG 968 00:35:31,489 --> 00:35:34,157 IS? IT'S ABOUT TAKING THE BIG CHANCES, MAKING THE BIG 969 00:35:34,159 --> 00:35:34,524 IT'S ABOUT TAKING THE BIG CHANCES, MAKING THE BIG MISTAKES. 970 00:35:34,526 --> 00:35:36,526 CHANCES, MAKING THE BIG MISTAKES. YOU KNOW, THAT'S HOW WE BECOME 971 00:35:36,528 --> 00:35:37,560 MISTAKES. YOU KNOW, THAT'S HOW WE BECOME WHO WE'RE MEANT TO BE. 972 00:35:37,562 --> 00:35:38,194 YOU KNOW, THAT'S HOW WE BECOME WHO WE'RE MEANT TO BE. >> DO IT! 973 00:35:38,196 --> 00:35:40,096 WHO WE'RE MEANT TO BE. >> DO IT! >> I'LL DO IT. 974 00:35:40,098 --> 00:35:41,497 >> DO IT! >> I'LL DO IT. >> DO IT! 975 00:35:41,499 --> 00:35:42,599 >> I'LL DO IT. >> DO IT! >> IF YOU SAY SO. 976 00:35:42,601 --> 00:35:44,934 >> DO IT! >> IF YOU SAY SO. >> YOU KNOW WHERE I'M PUTTING 977 00:35:44,936 --> 00:35:45,235 >> IF YOU SAY SO. >> YOU KNOW WHERE I'M PUTTING THESE? 978 00:35:45,237 --> 00:35:47,337 >> YOU KNOW WHERE I'M PUTTING THESE? RIGHT DOWN MY PANTS, BABY. 979 00:35:47,339 --> 00:35:48,638 THESE? RIGHT DOWN MY PANTS, BABY. THAT'S WHERE I LIKE IT. 980 00:35:48,640 --> 00:35:50,940 RIGHT DOWN MY PANTS, BABY. THAT'S WHERE I LIKE IT. >> I KNOW THIS IS THE RIGHT 981 00:35:50,942 --> 00:35:51,307 THAT'S WHERE I LIKE IT. >> I KNOW THIS IS THE RIGHT DECISION. 982 00:35:51,309 --> 00:35:54,544 >> I KNOW THIS IS THE RIGHT DECISION. WHO KNOWS, YOU KNOW, MAYBE A FEW 983 00:35:54,546 --> 00:35:57,447 DECISION. WHO KNOWS, YOU KNOW, MAYBE A FEW YEARS FROM NOW, WE'LL FIND EACH 984 00:35:57,449 --> 00:35:58,314 WHO KNOWS, YOU KNOW, MAYBE A FEW YEARS FROM NOW, WE'LL FIND EACH OTHER AGAIN. 985 00:35:58,316 --> 00:36:04,821 YEARS FROM NOW, WE'LL FIND EACH OTHER AGAIN. IF IT'S MEANT TO BE, IT'LL BE. 986 00:36:04,823 --> 00:36:06,789 OTHER AGAIN. IF IT'S MEANT TO BE, IT'LL BE. YOU'LL ALWAYS BE MY FIRST LOVE. 987 00:36:06,791 --> 00:36:09,459 IF IT'S MEANT TO BE, IT'LL BE. YOU'LL ALWAYS BE MY FIRST LOVE. NOTHING CAN CHANGE THAT. 988 00:36:09,461 --> 00:36:11,060 YOU'LL ALWAYS BE MY FIRST LOVE. NOTHING CAN CHANGE THAT. >> I GUESS. 989 00:36:11,062 --> 00:36:26,142 NOTHING CAN CHANGE THAT. >> I GUESS. >> COME HERE. 990 00:36:26,144 --> 00:36:28,611 >> I GUESS. >> COME HERE. >> BIG MISTAKE. 991 00:36:28,613 --> 00:36:31,114 >> COME HERE. >> BIG MISTAKE. >> THANK YOU. 992 00:36:31,116 --> 00:36:31,514 >> BIG MISTAKE. >> THANK YOU. >> FOR WHAT? 993 00:36:31,516 --> 00:36:34,751 >> THANK YOU. >> FOR WHAT? >> EVERYTHING. 994 00:36:34,753 --> 00:36:40,723 >> FOR WHAT? >> EVERYTHING. >> I GUESS THANK YOU TOO. 995 00:36:40,725 --> 00:36:42,458 >> EVERYTHING. >> I GUESS THANK YOU TOO. DO YOU NEED A RIDE HOME? 996 00:36:42,460 --> 00:36:43,393 >> I GUESS THANK YOU TOO. DO YOU NEED A RIDE HOME? >> NO. 997 00:36:43,395 --> 00:36:46,629 DO YOU NEED A RIDE HOME? >> NO. MY DAD DROVE ME. 998 00:36:46,631 --> 00:36:48,898 >> NO. MY DAD DROVE ME. >> YOU READY TO GO, BABY GIRL? 999 00:36:48,900 --> 00:36:51,200 MY DAD DROVE ME. >> YOU READY TO GO, BABY GIRL? >> YEAH, DAD. 1000 00:36:51,202 --> 00:36:53,269 >> YOU READY TO GO, BABY GIRL? >> YEAH, DAD. >> FREE BIRD GOT TO FLY, SON. 1001 00:36:53,271 --> 00:36:59,509 >> YEAH, DAD. >> FREE BIRD GOT TO FLY, SON. ♪ 1002 00:37:25,202 --> 00:37:28,705 >>> LADIES AND GENTLEMEN, THE 1975. [ CHEERS AND APPLAUSE ] 1003 00:37:28,707 --> 00:37:36,846 1975. [ CHEERS AND APPLAUSE ] ♪ 1004 00:37:36,848 --> 00:37:39,515 [ CHEERS AND APPLAUSE ] ♪ ♪ HEARTBEAT IS COMIN' ♪ 1005 00:37:39,517 --> 00:37:41,150 ♪ ♪ HEARTBEAT IS COMIN' ♪ ♪ IN SO STRONG 1006 00:37:41,152 --> 00:37:41,684 ♪ HEARTBEAT IS COMIN' ♪ ♪ IN SO STRONG OH IF YOU 1007 00:37:41,686 --> 00:37:44,353 ♪ IN SO STRONG OH IF YOU DON'T STOP 1008 00:37:44,355 --> 00:37:45,421 OH IF YOU DON'T STOP I'M GONNA NEED ♪ 1009 00:37:45,423 --> 00:37:49,192 DON'T STOP I'M GONNA NEED ♪ ♪ A SECOND ONE 1010 00:37:49,194 --> 00:37:50,793 I'M GONNA NEED ♪ ♪ A SECOND ONE OH THERE'S SOMETHIN' 1011 00:37:50,795 --> 00:37:53,996 ♪ A SECOND ONE OH THERE'S SOMETHIN' I'VE BEEN MEANING TO 1012 00:37:53,998 --> 00:37:56,733 OH THERE'S SOMETHIN' I'VE BEEN MEANING TO SAY TO YOU BABY ♪ 1013 00:37:56,735 --> 00:37:57,800 I'VE BEEN MEANING TO SAY TO YOU BABY ♪ ♪ HOLD THAT THOUGHT 1014 00:37:57,802 --> 00:37:58,901 SAY TO YOU BABY ♪ ♪ HOLD THAT THOUGHT YEAH THERE'S SOMETHIN' 1015 00:37:58,903 --> 00:38:00,536 ♪ HOLD THAT THOUGHT YEAH THERE'S SOMETHIN' I'VE BEEN MEANING TO 1016 00:38:00,538 --> 00:38:03,206 YEAH THERE'S SOMETHIN' I'VE BEEN MEANING TO SAY TO YOU BABY ♪ 1017 00:38:03,208 --> 00:38:06,943 I'VE BEEN MEANING TO SAY TO YOU BABY ♪ ♪ BUT I JUST CAN'T DO IT 1018 00:38:06,945 --> 00:38:09,645 SAY TO YOU BABY ♪ ♪ BUT I JUST CAN'T DO IT WHAT A CALL MOVING IN 1019 00:38:09,647 --> 00:38:10,713 ♪ BUT I JUST CAN'T DO IT WHAT A CALL MOVING IN I FEEL LIKE I CAN 1020 00:38:10,715 --> 00:38:12,315 WHAT A CALL MOVING IN I FEEL LIKE I CAN LOOSEN MY LIPS ♪ 1021 00:38:12,317 --> 00:38:13,416 I FEEL LIKE I CAN LOOSEN MY LIPS ♪ ♪ COME ON SO STRONG 1022 00:38:13,418 --> 00:38:16,652 LOOSEN MY LIPS ♪ ♪ COME ON SO STRONG I CAN SUMMARIZE IT FOR YOU 1023 00:38:16,654 --> 00:38:17,720 ♪ COME ON SO STRONG I CAN SUMMARIZE IT FOR YOU AH 1024 00:38:17,722 --> 00:38:18,821 I CAN SUMMARIZE IT FOR YOU AH IT'S SIMPLE ♪ 1025 00:38:18,823 --> 00:38:19,922 AH IT'S SIMPLE ♪ ♪ AND IT GOES LIKE THIS 1026 00:38:19,924 --> 00:38:22,592 IT'S SIMPLE ♪ ♪ AND IT GOES LIKE THIS I'M IN LOVE WITH YOU 1027 00:38:22,594 --> 00:38:24,227 ♪ AND IT GOES LIKE THIS I'M IN LOVE WITH YOU I-I-I-I 1028 00:38:24,229 --> 00:38:26,362 I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU ♪ 1029 00:38:26,364 --> 00:38:28,030 I-I-I-I I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I 1030 00:38:28,032 --> 00:38:30,166 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I I'M IN LOVE WITH YOU 1031 00:38:30,168 --> 00:38:33,402 ♪ I-I-I-I I'M IN LOVE WITH YOU I-I-I-I 1032 00:38:33,404 --> 00:38:34,470 I'M IN LOVE WITH YOU I-I-I-I IN LOVE WITH YOU ♪ 1033 00:38:34,472 --> 00:38:37,673 I-I-I-I IN LOVE WITH YOU ♪ ♪ I-I-I-I 1034 00:38:37,675 --> 00:38:38,775 IN LOVE WITH YOU ♪ ♪ I-I-I-I SHE'S GOT A BROADSHEET 1035 00:38:38,777 --> 00:38:39,308 ♪ I-I-I-I SHE'S GOT A BROADSHEET SHE'S READING 1036 00:38:39,310 --> 00:38:42,478 SHE'S GOT A BROADSHEET SHE'S READING DOWN THE LIST ♪ 1037 00:38:42,480 --> 00:38:43,079 SHE'S READING DOWN THE LIST ♪ ♪ OF THE GOING WRONGS 1038 00:38:43,081 --> 00:38:44,647 DOWN THE LIST ♪ ♪ OF THE GOING WRONGS OH YEAH YEAH YEAH 1039 00:38:44,649 --> 00:38:45,748 ♪ OF THE GOING WRONGS OH YEAH YEAH YEAH M GETTIN' NO SLEEP 1040 00:38:45,750 --> 00:38:47,350 OH YEAH YEAH YEAH M GETTIN' NO SLEEP BECAUSE I'M ♪ 1041 00:38:47,352 --> 00:38:48,417 M GETTIN' NO SLEEP BECAUSE I'M ♪ ♪ TOSSIN' AND TURNIN' 1042 00:38:48,419 --> 00:38:52,722 BECAUSE I'M ♪ ♪ TOSSIN' AND TURNIN' ALL NIGHT LONG YEAH 1043 00:38:52,724 --> 00:38:53,823 ♪ TOSSIN' AND TURNIN' ALL NIGHT LONG YEAH OH THERE'S SOMEWHERE I'VE 1044 00:38:53,825 --> 00:38:54,357 ALL NIGHT LONG YEAH OH THERE'S SOMEWHERE I'VE SOMEWHERE I'VE ♪ 1045 00:38:54,359 --> 00:38:55,424 OH THERE'S SOMEWHERE I'VE SOMEWHERE I'VE ♪ ♪ BEEN MEANING TO 1046 00:38:55,426 --> 00:38:57,026 SOMEWHERE I'VE ♪ ♪ BEEN MEANING TO MEANING TO 1047 00:38:57,028 --> 00:38:58,661 ♪ BEEN MEANING TO MEANING TO TAKE THE CONVERSATION 1048 00:38:58,663 --> 00:39:00,296 MEANING TO TAKE THE CONVERSATION HOLD THAT THOUGHT ♪ 1049 00:39:00,298 --> 00:39:01,430 TAKE THE CONVERSATION HOLD THAT THOUGHT ♪ ♪ OH THERE'S SOMEWHERE I'VE 1050 00:39:01,432 --> 00:39:01,964 HOLD THAT THOUGHT ♪ ♪ OH THERE'S SOMEWHERE I'VE SOMEWHERE VE 1051 00:39:01,966 --> 00:39:03,032 ♪ OH THERE'S SOMEWHERE I'VE SOMEWHERE VE BEEN MEANING TO 1052 00:39:03,034 --> 00:39:04,667 SOMEWHERE VE BEEN MEANING TO MEANING TO ♪ 1053 00:39:04,669 --> 00:39:06,869 BEEN MEANING TO MEANING TO ♪ ♪ TAKE THE CONVERSATION 1054 00:39:06,871 --> 00:39:08,471 MEANING TO ♪ ♪ TAKE THE CONVERSATION BUT I JUST CAN'T DO IT 1055 00:39:08,473 --> 00:39:10,072 ♪ TAKE THE CONVERSATION BUT I JUST CAN'T DO IT YOU SHOW ME YOUR 1056 00:39:10,074 --> 00:39:10,640 BUT I JUST CAN'T DO IT YOU SHOW ME YOUR YOU SHOW ME YOUR ♪ 1057 00:39:10,642 --> 00:39:11,207 YOU SHOW ME YOUR YOU SHOW ME YOUR ♪ ♪ BLACK GIRL THING 1058 00:39:11,209 --> 00:39:12,775 YOU SHOW ME YOUR ♪ ♪ BLACK GIRL THING BLACK GIRL THING 1059 00:39:12,777 --> 00:39:13,342 ♪ BLACK GIRL THING BLACK GIRL THING PRETENDING THAT I KN 1060 00:39:13,344 --> 00:39:14,944 BLACK GIRL THING PRETENDING THAT I KN WHAT IT IS ♪ 1061 00:39:14,946 --> 00:39:16,612 PRETENDING THAT I KN WHAT IT IS ♪ ♪ I WASN'T LISTENING 1062 00:39:16,614 --> 00:39:18,214 WHAT IT IS ♪ ♪ I WASN'T LISTENING I APOLOGIZE 1063 00:39:18,216 --> 00:39:20,383 ♪ I WASN'T LISTENING I APOLOGIZE AND YOU MEET MY EYES 1064 00:39:20,385 --> 00:39:21,450 I APOLOGIZE AND YOU MEET MY EYES YEAH IT'S SIMPLE ♪ 1065 00:39:21,452 --> 00:39:24,153 AND YOU MEET MY EYES YEAH IT'S SIMPLE ♪ ♪ AND IT GOES LIKE THIS 1066 00:39:24,155 --> 00:39:25,254 YEAH IT'S SIMPLE ♪ ♪ AND IT GOES LIKE THIS I'M IN LOVE WITH YOU 1067 00:39:25,256 --> 00:39:27,390 ♪ AND IT GOES LIKE THIS I'M IN LOVE WITH YOU I-I-I-I 1068 00:39:27,392 --> 00:39:29,559 I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU ♪ 1069 00:39:29,561 --> 00:39:31,194 I-I-I-I I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I 1070 00:39:31,196 --> 00:39:33,296 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I I'M IN LOVE WITH YOU 1071 00:39:33,298 --> 00:39:35,431 ♪ I-I-I-I I'M IN LOVE WITH YOU I-I-I-I 1072 00:39:35,433 --> 00:39:37,066 I'M IN LOVE WITH YOU I-I-I-I IN LOVE WITH YOU ♪ 1073 00:39:37,068 --> 00:39:39,202 I-I-I-I IN LOVE WITH YOU ♪ ♪ I-I-I-I 1074 00:39:39,204 --> 00:39:41,337 IN LOVE WITH YOU ♪ ♪ I-I-I-I I'M IN LOVE WITH YOU 1075 00:39:41,339 --> 00:39:42,939 ♪ I-I-I-I I'M IN LOVE WITH YOU I-I-I-I 1076 00:39:42,941 --> 00:39:45,074 I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU ♪ 1077 00:39:45,076 --> 00:39:46,709 I-I-I-I I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I 1078 00:39:46,711 --> 00:39:48,845 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I I'M IN LOVE WITH YOU 1079 00:39:48,847 --> 00:39:50,947 ♪ I-I-I-I I'M IN LOVE WITH YOU I-I-I-I 1080 00:39:50,949 --> 00:39:52,582 I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU ♪ 1081 00:39:52,584 --> 00:39:55,785 I-I-I-I I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I-I 1082 00:39:55,787 --> 00:39:56,319 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I-I AND YEAH I GOT IT 1083 00:39:56,321 --> 00:39:57,920 ♪ I-I-I-I-I AND YEAH I GOT IT I FOUND IT 1084 00:39:57,922 --> 00:40:00,089 AND YEAH I GOT IT I FOUND IT I'VE JUST GOTTA KEEP IT ♪ 1085 00:40:00,091 --> 00:40:01,691 I FOUND IT I'VE JUST GOTTA KEEP IT ♪ ♪ DON'T HEY YOU MUPPET 1086 00:40:01,693 --> 00:40:03,259 I'VE JUST GOTTA KEEP IT ♪ ♪ DON'T HEY YOU MUPPET IT'S NOT THAT DEEP 1087 00:40:03,261 --> 00:40:04,360 ♪ DON'T HEY YOU MUPPET IT'S NOT THAT DEEP BUT I'VE BEEN 1088 00:40:04,362 --> 00:40:05,962 IT'S NOT THAT DEEP BUT I'VE BEEN COUNTING MY BLESSINGS ♪ 1089 00:40:05,964 --> 00:40:09,198 BUT I'VE BEEN COUNTING MY BLESSINGS ♪ ♪ THINKING THIS THROUGH 1090 00:40:09,200 --> 00:40:10,266 COUNTING MY BLESSINGS ♪ ♪ THINKING THIS THROUGH IT'S LIKE ONE TWO YEAH 1091 00:40:10,268 --> 00:40:11,367 ♪ THINKING THIS THROUGH IT'S LIKE ONE TWO YEAH I'M IN LOVE WITH YOU 1092 00:40:11,369 --> 00:40:14,570 IT'S LIKE ONE TWO YEAH I'M IN LOVE WITH YOU I-I-I-I ♪ 1093 00:40:14,572 --> 00:40:16,739 I'M IN LOVE WITH YOU I-I-I-I ♪ ♪ I'M IN LOVE WITH YOU 1094 00:40:16,741 --> 00:40:18,341 I-I-I-I ♪ ♪ I'M IN LOVE WITH YOU I-I-I-I 1095 00:40:18,343 --> 00:40:20,476 ♪ I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU 1096 00:40:20,478 --> 00:40:22,111 I-I-I-I I'M IN LOVE WITH YOU I-I-I-I ♪ 1097 00:40:22,113 --> 00:40:23,679 I'M IN LOVE WITH YOU I-I-I-I ♪ ♪ I'M IN LOVE WITH YOU 1098 00:40:23,681 --> 00:40:25,281 I-I-I-I ♪ ♪ I'M IN LOVE WITH YOU I-I-I-I 1099 00:40:25,283 --> 00:40:26,349 ♪ I'M IN LOVE WITH YOU I-I-I-I YEAH 1100 00:40:26,351 --> 00:40:28,484 I-I-I-I YEAH I'M IN LOVE WITH YOU ♪ 1101 00:40:28,486 --> 00:40:30,119 YEAH I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I 1102 00:40:30,121 --> 00:40:32,255 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I I'M IN LOVE WITH YOU 1103 00:40:32,257 --> 00:40:34,390 ♪ I-I-I-I I'M IN LOVE WITH YOU I-I-I-I 1104 00:40:34,392 --> 00:40:37,059 I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU ♪ 1105 00:40:37,061 --> 00:40:38,160 I-I-I-I I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I 1106 00:40:38,162 --> 00:40:39,762 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I I'M IN LOVE WITH YOU 1107 00:40:39,764 --> 00:40:40,296 ♪ I-I-I-I I'M IN LOVE WITH YOU I-I-I-I 1108 00:40:40,298 --> 00:40:41,898 I'M IN LOVE WITH YOU I-I-I-I I'M IN LOVE WITH YOU ♪ 1109 00:40:41,900 --> 00:40:47,837 I-I-I-I I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I 1110 00:40:47,839 --> 00:41:01,250 I'M IN LOVE WITH YOU ♪ ♪ I-I-I-I ♪ 1111 00:41:01,252 --> 00:41:05,021 ♪ I-I-I-I ♪ ♪ 1112 00:41:05,023 --> 00:41:16,933 ♪ ♪ ♪ 1113 00:41:16,935 --> 00:41:23,272 ♪ ♪ [ CHEERS AND APPLAUSE ] 1114 00:41:36,086 --> 00:41:42,959 Ja 1115 00:41:43,160 --> 00:41:46,595 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 1116 00:41:46,597 --> 00:41:52,468 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 1117 00:41:52,470 --> 00:41:55,137 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, EVERYONE. 1118 00:41:55,139 --> 00:41:55,871 [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 1119 00:41:55,873 --> 00:41:58,874 >>> GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 1120 00:41:58,876 --> 00:42:04,280 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 1121 00:42:04,282 --> 00:42:06,916 I'M MICHAEL CHE. >> I'M COLIN JOST. THIS WEEKEND, BITTER RIVALS WHO 1122 00:42:06,918 --> 00:42:11,020 >> I'M COLIN JOST. THIS WEEKEND, BITTER RIVALS WHO HAVE BEEN DESPERATELY PANNING 1123 00:42:11,022 --> 00:42:13,155 THIS WEEKEND, BITTER RIVALS WHO HAVE BEEN DESPERATELY PANNING FOR VOTES AND TRYING TO FORCE 1124 00:42:13,157 --> 00:42:15,992 HAVE BEEN DESPERATELY PANNING FOR VOTES AND TRYING TO FORCE THEIR POLITICS ON AMERICA WILL 1125 00:42:15,994 --> 00:42:17,126 FOR VOTES AND TRYING TO FORCE THEIR POLITICS ON AMERICA WILL FINALLY FACE OFF IN PERSON. 1126 00:42:17,128 --> 00:42:18,961 THEIR POLITICS ON AMERICA WILL FINALLY FACE OFF IN PERSON. I'M OF COURSE TALKING ABOUT 1127 00:42:18,963 --> 00:42:19,929 FINALLY FACE OFF IN PERSON. I'M OF COURSE TALKING ABOUT TOMORROW'S OSCARS. 1128 00:42:19,931 --> 00:42:22,665 I'M OF COURSE TALKING ABOUT TOMORROW'S OSCARS. THEY REAPOLOGETICED A REQUEST 1129 00:42:22,667 --> 00:42:25,368 TOMORROW'S OSCARS. THEY REAPOLOGETICED A REQUEST FROM UKRAINIAN PRESIDENT 1130 00:42:25,370 --> 00:42:26,635 THEY REAPOLOGETICED A REQUEST FROM UKRAINIAN PRESIDENT VOLODYMYR ZELENSKYY TO MAKE AN 1131 00:42:26,637 --> 00:42:28,304 FROM UKRAINIAN PRESIDENT VOLODYMYR ZELENSKYY TO MAKE AN APPEARANCE DURING THE OSCARS, 1132 00:42:28,306 --> 00:42:30,673 VOLODYMYR ZELENSKYY TO MAKE AN APPEARANCE DURING THE OSCARS, BUT THEY PROMISE VOLODYMYR 1133 00:42:30,675 --> 00:42:32,975 APPEARANCE DURING THE OSCARS, BUT THEY PROMISE VOLODYMYR ZELENSKYY WILL BE HOW JOHN 1134 00:42:32,977 --> 00:42:36,579 BUT THEY PROMISE VOLODYMYR ZELENSKYY WILL BE HOW JOHN TRAVOLTA ANNOUNCES VIOLA DAVIS. 1135 00:42:36,581 --> 00:42:37,680 ZELENSKYY WILL BE HOW JOHN TRAVOLTA ANNOUNCES VIOLA DAVIS. ORGANIZERS SAID THEY CHANGED THE 1136 00:42:37,682 --> 00:42:39,548 TRAVOLTA ANNOUNCES VIOLA DAVIS. ORGANIZERS SAID THEY CHANGED THE COLOR OF THE ARRIVAL CARPET FROM 1137 00:42:39,550 --> 00:42:41,984 ORGANIZERS SAID THEY CHANGED THE COLOR OF THE ARRIVAL CARPET FROM RED TO CHAMPAGNE SO THE MOOD 1138 00:42:41,986 --> 00:42:42,885 COLOR OF THE ARRIVAL CARPET FROM RED TO CHAMPAGNE SO THE MOOD WOULD BE MORE MELLOW. 1139 00:42:42,887 --> 00:42:43,652 RED TO CHAMPAGNE SO THE MOOD WOULD BE MORE MELLOW. I DON'T KNOW. 1140 00:42:43,654 --> 00:42:45,888 WOULD BE MORE MELLOW. I DON'T KNOW. SWITCHING FROM RED TO CHAMPAGNE 1141 00:42:45,890 --> 00:42:46,822 I DON'T KNOW. SWITCHING FROM RED TO CHAMPAGNE USUALLY TURNS ME INTO A FULL ON 1142 00:42:46,824 --> 00:42:49,525 SWITCHING FROM RED TO CHAMPAGNE USUALLY TURNS ME INTO A FULL ON BITCH. 1143 00:42:49,527 --> 00:42:52,561 USUALLY TURNS ME INTO A FULL ON BITCH. >>> PRESIDENT BIDEN PROPOSED HIS 1144 00:42:52,563 --> 00:42:54,163 BITCH. >>> PRESIDENT BIDEN PROPOSED HIS BUDGET THAT WOULD HELP FUND 1145 00:42:54,165 --> 00:43:00,369 >>> PRESIDENT BIDEN PROPOSED HIS BUDGET THAT WOULD HELP FUND MEDICARE WITH A 25% TAX ON 1146 00:43:00,371 --> 00:43:00,803 BUDGET THAT WOULD HELP FUND MEDICARE WITH A 25% TAX ON MILLIONAIRES. 1147 00:43:00,805 --> 00:43:03,105 MEDICARE WITH A 25% TAX ON MILLIONAIRES. HA, TAKE THAT, RIHANNA. 1148 00:43:03,107 --> 00:43:05,408 MILLIONAIRES. HA, TAKE THAT, RIHANNA. PRESIDENT BIDEN'S PROPOSED 1149 00:43:05,410 --> 00:43:09,145 HA, TAKE THAT, RIHANNA. PRESIDENT BIDEN'S PROPOSED BUDGET INCLUDED $400 MILLION TO 1150 00:43:09,147 --> 00:43:11,313 PRESIDENT BIDEN'S PROPOSED BUDGET INCLUDED $400 MILLION TO TARGET THE NUMBER ONE SOURCE OF 1151 00:43:11,315 --> 00:43:12,214 BUDGET INCLUDED $400 MILLION TO TARGET THE NUMBER ONE SOURCE OF CHINESE DISINFORMATION, FORTUNE 1152 00:43:12,216 --> 00:43:18,854 TARGET THE NUMBER ONE SOURCE OF CHINESE DISINFORMATION, FORTUNE COOKIES. 1153 00:43:18,856 --> 00:43:22,124 CHINESE DISINFORMATION, FORTUNE COOKIES. >>> TUCKER CARLSON SEEN HERE 1154 00:43:22,126 --> 00:43:25,761 COOKIES. >>> TUCKER CARLSON SEEN HERE LAUGHING AT A DOG LOCKED IN A 1155 00:43:25,763 --> 00:43:29,732 >>> TUCKER CARLSON SEEN HERE LAUGHING AT A DOG LOCKED IN A HOT CAR RELEASED SECURITY 1156 00:43:29,734 --> 00:43:31,233 LAUGHING AT A DOG LOCKED IN A HOT CAR RELEASED SECURITY FOOTAGE FROM THE JANUARY 6 1157 00:43:31,235 --> 00:43:33,002 HOT CAR RELEASED SECURITY FOOTAGE FROM THE JANUARY 6 ATTACKS WITH THE VIOLENCE EDITED 1158 00:43:33,004 --> 00:43:34,970 FOOTAGE FROM THE JANUARY 6 ATTACKS WITH THE VIOLENCE EDITED OUT AND SAID IT PROVES IT WAS A 1159 00:43:34,972 --> 00:43:36,338 ATTACKS WITH THE VIOLENCE EDITED OUT AND SAID IT PROVES IT WAS A PEACEFUL GATHERING. 1160 00:43:36,340 --> 00:43:37,940 OUT AND SAID IT PROVES IT WAS A PEACEFUL GATHERING. WHICH IS LIKE EDITING ALL THE 1161 00:43:37,942 --> 00:43:40,576 PEACEFUL GATHERING. WHICH IS LIKE EDITING ALL THE SEX OUT OF A PORN VIDEO AND 1162 00:43:40,578 --> 00:43:42,645 WHICH IS LIKE EDITING ALL THE SEX OUT OF A PORN VIDEO AND SAYING IT'S A SHORT FILM ABOUT 1163 00:43:42,647 --> 00:43:43,546 SEX OUT OF A PORN VIDEO AND SAYING IT'S A SHORT FILM ABOUT BEING A STEP MOM. 1164 00:43:43,548 --> 00:43:46,482 SAYING IT'S A SHORT FILM ABOUT BEING A STEP MOM. >>> NEW DOCUMENTS FROM THE 1165 00:43:46,484 --> 00:43:47,450 BEING A STEP MOM. >>> NEW DOCUMENTS FROM THE DOMINION LAWSUIT REVEALED TEXTS 1166 00:43:47,452 --> 00:43:49,151 >>> NEW DOCUMENTS FROM THE DOMINION LAWSUIT REVEALED TEXTS FROM TUCKER CARLSON IN WHICH HE 1167 00:43:49,153 --> 00:43:51,487 DOMINION LAWSUIT REVEALED TEXTS FROM TUCKER CARLSON IN WHICH HE SAYS HE HATES DONALD TRUMP 1168 00:43:51,489 --> 00:43:53,355 FROM TUCKER CARLSON IN WHICH HE SAYS HE HATES DONALD TRUMP PASSIONATELY AND CAN'T WAIT 1169 00:43:53,357 --> 00:43:55,624 SAYS HE HATES DONALD TRUMP PASSIONATELY AND CAN'T WAIT UNTIL HE'S ABLE TO IGNORE HIM. 1170 00:43:55,626 --> 00:43:57,493 PASSIONATELY AND CAN'T WAIT UNTIL HE'S ABLE TO IGNORE HIM. THAT MUST SUCK TO GO ON TV AND 1171 00:43:57,495 --> 00:44:03,065 UNTIL HE'S ABLE TO IGNORE HIM. THAT MUST SUCK TO GO ON TV AND MAKE FRIENDS WITH SOME PSYCHOTIC 1172 00:44:03,067 --> 00:44:03,833 THAT MUST SUCK TO GO ON TV AND MAKE FRIENDS WITH SOME PSYCHOTIC BIG GOT JUST BECAUSE IT'S GOOD 1173 00:44:03,835 --> 00:44:04,700 MAKE FRIENDS WITH SOME PSYCHOTIC BIG GOT JUST BECAUSE IT'S GOOD FOR THE SHOW. 1174 00:44:04,702 --> 00:44:07,570 BIG GOT JUST BECAUSE IT'S GOOD FOR THE SHOW. ANYWAY, BACK TO YOU, COLIN. 1175 00:44:07,572 --> 00:44:12,608 FOR THE SHOW. ANYWAY, BACK TO YOU, COLIN. >> I DON'T GET IT. 1176 00:44:12,610 --> 00:44:16,545 ANYWAY, BACK TO YOU, COLIN. >> I DON'T GET IT. RUE PAUL HARSHLY CRITICIZED 1177 00:44:16,547 --> 00:44:19,515 >> I DON'T GET IT. RUE PAUL HARSHLY CRITICIZED LAWMAKERS WHO BANNED DRAG SHOWS, 1178 00:44:19,517 --> 00:44:21,550 RUE PAUL HARSHLY CRITICIZED LAWMAKERS WHO BANNED DRAG SHOWS, AND LET ME JUST SAY, I GOT TO 1179 00:44:21,552 --> 00:44:24,053 LAWMAKERS WHO BANNED DRAG SHOWS, AND LET ME JUST SAY, I GOT TO SERVE REALNESS ON THIS ONE. 1180 00:44:24,055 --> 00:44:26,589 AND LET ME JUST SAY, I GOT TO SERVE REALNESS ON THIS ONE. THESE DUSTY BREEDERS ARE RESTING 1181 00:44:26,591 --> 00:44:32,161 SERVE REALNESS ON THIS ONE. THESE DUSTY BREEDERS ARE RESTING ON UGLY, AND I AM GAGGING ON IT. 1182 00:44:32,163 --> 00:44:34,296 THESE DUSTY BREEDERS ARE RESTING ON UGLY, AND I AM GAGGING ON IT. I'M SORRY, GUYS, BEFORE THE 1183 00:44:34,298 --> 00:44:35,631 ON UGLY, AND I AM GAGGING ON IT. I'M SORRY, GUYS, BEFORE THE SHOW, I SWITCHED FROM RED TO 1184 00:44:35,633 --> 00:44:40,236 I'M SORRY, GUYS, BEFORE THE SHOW, I SWITCHED FROM RED TO CHAMPAGNE. 1185 00:44:40,238 --> 00:44:42,738 SHOW, I SWITCHED FROM RED TO CHAMPAGNE. >>> OH, BOY. 1186 00:44:42,740 --> 00:44:44,206 CHAMPAGNE. >>> OH, BOY. PRESIDENT BIDEN SAID THAT HE 1187 00:44:44,208 --> 00:44:45,541 >>> OH, BOY. PRESIDENT BIDEN SAID THAT HE SUPPORTS A BILL THAT WOULD ALLOW 1188 00:44:45,543 --> 00:44:47,543 PRESIDENT BIDEN SAID THAT HE SUPPORTS A BILL THAT WOULD ALLOW THE GOVERNMENT TO BAN TIKTOK. 1189 00:44:47,545 --> 00:44:49,211 SUPPORTS A BILL THAT WOULD ALLOW THE GOVERNMENT TO BAN TIKTOK. BUT ONLY BECAUSE BIDEN THINKS 1190 00:44:49,213 --> 00:44:51,480 THE GOVERNMENT TO BAN TIKTOK. BUT ONLY BECAUSE BIDEN THINKS TIKTOK IS A GANG MEMBER FROM HIS 1191 00:44:51,482 --> 00:44:53,983 BUT ONLY BECAUSE BIDEN THINKS TIKTOK IS A GANG MEMBER FROM HIS OLD NEIGHBORHOOD. 1192 00:44:53,985 --> 00:44:56,986 TIKTOK IS A GANG MEMBER FROM HIS OLD NEIGHBORHOOD. >>> AFTER WALGREENS ANNOUNCED 1193 00:44:56,988 --> 00:44:57,753 OLD NEIGHBORHOOD. >>> AFTER WALGREENS ANNOUNCED THEY WILL STOP SELLING ABORTION 1194 00:44:57,755 --> 00:45:02,057 >>> AFTER WALGREENS ANNOUNCED THEY WILL STOP SELLING ABORTION PILLS IN 21 STATES, CVS HAS 1195 00:45:02,059 --> 00:45:03,659 THEY WILL STOP SELLING ABORTION PILLS IN 21 STATES, CVS HAS REMAINED SILENT. 1196 00:45:03,661 --> 00:45:05,528 PILLS IN 21 STATES, CVS HAS REMAINED SILENT. WHILE OVER AT RITE AID, YOU CAN 1197 00:45:05,530 --> 00:45:08,731 REMAINED SILENT. WHILE OVER AT RITE AID, YOU CAN JUST GRAB A PILL FROM THE TAKE 1198 00:45:08,733 --> 00:45:09,532 WHILE OVER AT RITE AID, YOU CAN JUST GRAB A PILL FROM THE TAKE ABORTION LEAVE ABORTION TRAY. 1199 00:45:09,534 --> 00:45:11,901 JUST GRAB A PILL FROM THE TAKE ABORTION LEAVE ABORTION TRAY. >>> IT WAS REPORTED THAT THE 1200 00:45:11,903 --> 00:45:14,436 ABORTION LEAVE ABORTION TRAY. >>> IT WAS REPORTED THAT THE ORGANIZERS OF KING CHARLES' 1201 00:45:14,438 --> 00:45:16,372 >>> IT WAS REPORTED THAT THE ORGANIZERS OF KING CHARLES' CORONATION HAVE OFFICIALLY 1202 00:45:16,374 --> 00:45:18,140 ORGANIZERS OF KING CHARLES' CORONATION HAVE OFFICIALLY INVITED MEGHAN MARKLE -- AND 1203 00:45:18,142 --> 00:45:19,975 CORONATION HAVE OFFICIALLY INVITED MEGHAN MARKLE -- AND THIS IS NICE -- AT A STARTING 1204 00:45:19,977 --> 00:45:22,678 INVITED MEGHAN MARKLE -- AND THIS IS NICE -- AT A STARTING SALARY OF $19 AN HOUR. 1205 00:45:22,680 --> 00:45:25,748 THIS IS NICE -- AT A STARTING SALARY OF $19 AN HOUR. THAT SEEMS VERY GENEROUS, GUYS. 1206 00:45:25,750 --> 00:45:27,850 SALARY OF $19 AN HOUR. THAT SEEMS VERY GENEROUS, GUYS. >>> THIS WEEK, TENNESSEE 1207 00:45:27,852 --> 00:45:31,187 THAT SEEMS VERY GENEROUS, GUYS. >>> THIS WEEK, TENNESSEE LIEUTENANT GOVERNOR RANDY 1208 00:45:31,189 --> 00:45:32,688 >>> THIS WEEK, TENNESSEE LIEUTENANT GOVERNOR RANDY McNALLY WAS CAUGHT USING HIS 1209 00:45:32,690 --> 00:45:35,024 LIEUTENANT GOVERNOR RANDY McNALLY WAS CAUGHT USING HIS VERIFIED INSTAGRAM ACCOUNT TO 1210 00:45:35,026 --> 00:45:37,459 McNALLY WAS CAUGHT USING HIS VERIFIED INSTAGRAM ACCOUNT TO ENGAGE WITH PROVOCATIVE PHOTOS 1211 00:45:37,461 --> 00:45:39,295 VERIFIED INSTAGRAM ACCOUNT TO ENGAGE WITH PROVOCATIVE PHOTOS OF A GAY YOUNG MAN. 1212 00:45:39,297 --> 00:45:44,433 ENGAGE WITH PROVOCATIVE PHOTOS OF A GAY YOUNG MAN. HERE TO COMMENT THE GOVERNOR 1213 00:45:44,435 --> 00:45:44,800 OF A GAY YOUNG MAN. HERE TO COMMENT THE GOVERNOR McNALLY. 1214 00:45:44,802 --> 00:45:46,735 HERE TO COMMENT THE GOVERNOR McNALLY. >> SORRY I'M LATE. 1215 00:45:46,737 --> 00:45:49,338 McNALLY. >> SORRY I'M LATE. I SPENT ALL DAY PRINTING OUT MAP 1216 00:45:49,340 --> 00:45:50,573 >> SORRY I'M LATE. I SPENT ALL DAY PRINTING OUT MAP QUEST DIRECTIONS. 1217 00:45:50,575 --> 00:45:52,274 I SPENT ALL DAY PRINTING OUT MAP QUEST DIRECTIONS. I DON'T KNOW IF YOU NOTICED, BUT 1218 00:45:52,276 --> 00:45:53,776 QUEST DIRECTIONS. I DON'T KNOW IF YOU NOTICED, BUT I'M NOT GOOD AT THE INTERNET. 1219 00:45:53,778 --> 00:45:55,644 I DON'T KNOW IF YOU NOTICED, BUT I'M NOT GOOD AT THE INTERNET. >> YOU'RE A MARRIED MAN WHO 1220 00:45:55,646 --> 00:45:58,881 I'M NOT GOOD AT THE INTERNET. >> YOU'RE A MARRIED MAN WHO SUPPORTS TENNESSEE'S ANTI-DRAG 1221 00:45:58,883 --> 00:45:59,215 >> YOU'RE A MARRIED MAN WHO SUPPORTS TENNESSEE'S ANTI-DRAG LAWS. 1222 00:45:59,217 --> 00:46:00,849 SUPPORTS TENNESSEE'S ANTI-DRAG LAWS. CAN YOU KU EXPLAIN WHY YOU 1223 00:46:00,851 --> 00:46:03,786 LAWS. CAN YOU KU EXPLAIN WHY YOU COMMENTED ON A THIRST TRAP, YOU 1224 00:46:03,788 --> 00:46:06,455 CAN YOU KU EXPLAIN WHY YOU COMMENTED ON A THIRST TRAP, YOU CAN TURN A RAINY DAY INTO 1225 00:46:06,457 --> 00:46:07,590 COMMENTED ON A THIRST TRAP, YOU CAN TURN A RAINY DAY INTO RAINBOWS AND SUNSHINE? 1226 00:46:07,592 --> 00:46:09,491 CAN TURN A RAINY DAY INTO RAINBOWS AND SUNSHINE? I DIDN'T THINK PEOPLE WOULD FIND 1227 00:46:09,493 --> 00:46:11,560 RAINBOWS AND SUNSHINE? I DIDN'T THINK PEOPLE WOULD FIND OUT BECAUSE I USED A SCREEN 1228 00:46:11,562 --> 00:46:11,860 I DIDN'T THINK PEOPLE WOULD FIND OUT BECAUSE I USED A SCREEN NAME. 1229 00:46:11,862 --> 00:46:13,662 OUT BECAUSE I USED A SCREEN NAME. >> WHAT IS THE SCREEN NAME? 1230 00:46:13,664 --> 00:46:15,631 NAME. >> WHAT IS THE SCREEN NAME? >> LIEUTENANT GOVERNOR McNALLY. 1231 00:46:15,633 --> 00:46:18,367 >> WHAT IS THE SCREEN NAME? >> LIEUTENANT GOVERNOR McNALLY. >> YOU SEE HOW THIS COULD BE A 1232 00:46:18,369 --> 00:46:18,701 >> LIEUTENANT GOVERNOR McNALLY. >> YOU SEE HOW THIS COULD BE A PROBLEM. 1233 00:46:18,703 --> 00:46:21,370 >> YOU SEE HOW THIS COULD BE A PROBLEM. ALSO I WANT TO POINT OUT YOU 1234 00:46:21,372 --> 00:46:24,006 PROBLEM. ALSO I WANT TO POINT OUT YOU COMMENTED THREE HEARTS AND THREE 1235 00:46:24,008 --> 00:46:26,408 ALSO I WANT TO POINT OUT YOU COMMENTED THREE HEARTS AND THREE FIRE EMOJIS ON THIS NAKED PHOTO 1236 00:46:26,410 --> 00:46:27,876 COMMENTED THREE HEARTS AND THREE FIRE EMOJIS ON THIS NAKED PHOTO OF THE SAME YOUNG GAY MAN. 1237 00:46:27,878 --> 00:46:30,379 FIRE EMOJIS ON THIS NAKED PHOTO OF THE SAME YOUNG GAY MAN. >> WELL, COLIN, I DON'T 1238 00:46:30,381 --> 00:46:30,879 OF THE SAME YOUNG GAY MAN. >> WELL, COLIN, I DON'T DISCRIMINATE. 1239 00:46:30,881 --> 00:46:34,516 >> WELL, COLIN, I DON'T DISCRIMINATE. I COMMENT ON PHOTOS OF ALL 1240 00:46:34,518 --> 00:46:34,950 DISCRIMINATE. I COMMENT ON PHOTOS OF ALL ORIENTATIONS. 1241 00:46:34,952 --> 00:46:36,352 I COMMENT ON PHOTOS OF ALL ORIENTATIONS. ORIENTATIONS LIKE FROM THE SIDE, 1242 00:46:36,354 --> 00:46:39,021 ORIENTATIONS. ORIENTATIONS LIKE FROM THE SIDE, FROM THE FRONT, FROM THE BACK. 1243 00:46:39,023 --> 00:46:41,423 ORIENTATIONS LIKE FROM THE SIDE, FROM THE FRONT, FROM THE BACK. THERE DOES NOT HAVE TO BE A 1244 00:46:41,425 --> 00:46:42,891 FROM THE FRONT, FROM THE BACK. THERE DOES NOT HAVE TO BE A BUTT, BUT IT HELPS. 1245 00:46:42,893 --> 00:46:45,394 THERE DOES NOT HAVE TO BE A BUTT, BUT IT HELPS. WHATEVER THE PHOTO, IT'S MY JOB 1246 00:46:45,396 --> 00:46:48,297 BUTT, BUT IT HELPS. WHATEVER THE PHOTO, IT'S MY JOB TO ENCOURAGE MY CONSTITUENTS. 1247 00:46:48,299 --> 00:46:50,232 WHATEVER THE PHOTO, IT'S MY JOB TO ENCOURAGE MY CONSTITUENTS. >> I THINK IT'S JUST SOME 1248 00:46:50,234 --> 00:46:52,434 TO ENCOURAGE MY CONSTITUENTS. >> I THINK IT'S JUST SOME CONFUSION ABOUT YOUR BELIEFS. 1249 00:46:52,436 --> 00:46:54,036 >> I THINK IT'S JUST SOME CONFUSION ABOUT YOUR BELIEFS. >> COLIN, I STAND BY MY 1250 00:46:54,038 --> 00:46:55,604 CONFUSION ABOUT YOUR BELIEFS. >> COLIN, I STAND BY MY TRADITIONAL VALUES. 1251 00:46:55,606 --> 00:46:56,338 >> COLIN, I STAND BY MY TRADITIONAL VALUES. I BELIEVE A WOMAN SHOULD BE IN 1252 00:46:56,340 --> 00:46:59,642 TRADITIONAL VALUES. I BELIEVE A WOMAN SHOULD BE IN THE HOME, AND A MAN SHOULD BE 1253 00:46:59,644 --> 00:47:02,011 I BELIEVE A WOMAN SHOULD BE IN THE HOME, AND A MAN SHOULD BE 143 POUNDS AND DANCING TO DUA 1254 00:47:02,013 --> 00:47:02,311 THE HOME, AND A MAN SHOULD BE 143 POUNDS AND DANCING TO DUA LIPA. 1255 00:47:02,313 --> 00:47:03,679 143 POUNDS AND DANCING TO DUA LIPA. >> OKAY. 1256 00:47:03,681 --> 00:47:05,047 LIPA. >> OKAY. YOU -- OKAY. 1257 00:47:05,049 --> 00:47:05,347 >> OKAY. YOU -- OKAY. YES. 1258 00:47:05,349 --> 00:47:10,452 YOU -- OKAY. YES. YOU'RE VERY CUTE, BUT YOU ARE -- 1259 00:47:10,454 --> 00:47:14,657 YES. YOU'RE VERY CUTE, BUT YOU ARE -- YOU ARE CLAIMING THESE 1260 00:47:14,659 --> 00:47:17,026 YOU'RE VERY CUTE, BUT YOU ARE -- YOU ARE CLAIMING THESE INTERACTIONS ARE INNOCENT, BUT 1261 00:47:17,028 --> 00:47:18,694 YOU ARE CLAIMING THESE INTERACTIONS ARE INNOCENT, BUT IT DOES NOT LOOK GOOD. 1262 00:47:18,696 --> 00:47:20,362 INTERACTIONS ARE INNOCENT, BUT IT DOES NOT LOOK GOOD. >> I'M JUST LOOKING OUT FOR THE 1263 00:47:20,364 --> 00:47:23,098 IT DOES NOT LOOK GOOD. >> I'M JUST LOOKING OUT FOR THE LITTLE GUY, JOE AVERAGE, EVERY 1264 00:47:23,100 --> 00:47:24,233 >> I'M JUST LOOKING OUT FOR THE LITTLE GUY, JOE AVERAGE, EVERY TOM, DICK, AND HAIRLESS. 1265 00:47:24,235 --> 00:47:26,602 LITTLE GUY, JOE AVERAGE, EVERY TOM, DICK, AND HAIRLESS. >> I THINK SO THE PEOPLE OF 1266 00:47:26,604 --> 00:47:27,870 TOM, DICK, AND HAIRLESS. >> I THINK SO THE PEOPLE OF TENNESSEE FEEL MISLED. 1267 00:47:27,872 --> 00:47:29,838 >> I THINK SO THE PEOPLE OF TENNESSEE FEEL MISLED. >> IT'S NO BIG DEAL. 1268 00:47:29,840 --> 00:47:31,640 TENNESSEE FEEL MISLED. >> IT'S NO BIG DEAL. I'M JUST LOOKING. 1269 00:47:31,642 --> 00:47:34,109 >> IT'S NO BIG DEAL. I'M JUST LOOKING. LOOKING AT PICTURES ON ZILLOW 1270 00:47:34,111 --> 00:47:36,378 I'M JUST LOOKING. LOOKING AT PICTURES ON ZILLOW DOESN'T MAKE ME A HOMEOWNER, 1271 00:47:36,380 --> 00:47:40,516 LOOKING AT PICTURES ON ZILLOW DOESN'T MAKE ME A HOMEOWNER, ALTHOUGH I HAVE DONE A FEW 3D 1272 00:47:40,518 --> 00:47:40,849 DOESN'T MAKE ME A HOMEOWNER, ALTHOUGH I HAVE DONE A FEW 3D TOURS. 1273 00:47:40,851 --> 00:47:41,216 ALTHOUGH I HAVE DONE A FEW 3D TOURS. >> RANDY. 1274 00:47:41,218 --> 00:47:44,887 TOURS. >> RANDY. >> RANDY BY NAME, RANDY BY 1275 00:47:44,889 --> 00:47:45,220 >> RANDY. >> RANDY BY NAME, RANDY BY NATURE. 1276 00:47:45,222 --> 00:47:48,557 >> RANDY BY NAME, RANDY BY NATURE. >> WHY ARE YOU INTERACTING WITH 1277 00:47:48,559 --> 00:47:51,927 NATURE. >> WHY ARE YOU INTERACTING WITH THESE YOUNG MEN? 1278 00:47:51,929 --> 00:47:52,828 >> WHY ARE YOU INTERACTING WITH THESE YOUNG MEN? >> BECAUSE I'M TALKING TO VOTERS 1279 00:47:52,830 --> 00:47:55,898 THESE YOUNG MEN? >> BECAUSE I'M TALKING TO VOTERS OR PEOPLE WHO COULD VOTE IN THE 1280 00:47:55,900 --> 00:47:56,265 >> BECAUSE I'M TALKING TO VOTERS OR PEOPLE WHO COULD VOTE IN THE FUTURE. 1281 00:47:56,267 --> 00:47:58,067 OR PEOPLE WHO COULD VOTE IN THE FUTURE. I'M A PROUD CONSERVATIVE. 1282 00:47:58,069 --> 00:48:00,569 FUTURE. I'M A PROUD CONSERVATIVE. I RESPECT POLICE OFFICERS, FIRE 1283 00:48:00,571 --> 00:48:03,038 I'M A PROUD CONSERVATIVE. I RESPECT POLICE OFFICERS, FIRE FIGHTERS, ANY MAN WHO PUTS HIS 1284 00:48:03,040 --> 00:48:04,606 I RESPECT POLICE OFFICERS, FIRE FIGHTERS, ANY MAN WHO PUTS HIS BODY ONLINE FOR OTHERS. 1285 00:48:04,608 --> 00:48:06,241 FIGHTERS, ANY MAN WHO PUTS HIS BODY ONLINE FOR OTHERS. >> DO YOU MEAN ON THE LINE FOR 1286 00:48:06,243 --> 00:48:06,575 BODY ONLINE FOR OTHERS. >> DO YOU MEAN ON THE LINE FOR OTHERS? 1287 00:48:06,577 --> 00:48:07,943 >> DO YOU MEAN ON THE LINE FOR OTHERS? >> WHAT DID I SAY? 1288 00:48:07,945 --> 00:48:10,045 OTHERS? >> WHAT DID I SAY? BY THE WAY, ANY CHANCE YOU CAN 1289 00:48:10,047 --> 00:48:11,914 >> WHAT DID I SAY? BY THE WAY, ANY CHANCE YOU CAN PRINT ME OUT ANOTHER MAP QUEST? 1290 00:48:11,916 --> 00:48:13,849 BY THE WAY, ANY CHANCE YOU CAN PRINT ME OUT ANOTHER MAP QUEST? I'M TRYING TO GET TO FLAMING 1291 00:48:13,851 --> 00:48:14,216 PRINT ME OUT ANOTHER MAP QUEST? I'M TRYING TO GET TO FLAMING SADDLES. 1292 00:48:14,218 --> 00:48:15,951 I'M TRYING TO GET TO FLAMING SADDLES. >> RAN DID I, FOLKS ARE CALLING 1293 00:48:15,953 --> 00:48:19,088 SADDLES. >> RAN DID I, FOLKS ARE CALLING YOU A HYPOCRITE FOR ENFORCING 1294 00:48:19,090 --> 00:48:21,990 >> RAN DID I, FOLKS ARE CALLING YOU A HYPOCRITE FOR ENFORCING ANTILBGTQ LAWS WHILE SEEMING TO 1295 00:48:21,992 --> 00:48:22,925 YOU A HYPOCRITE FOR ENFORCING ANTILBGTQ LAWS WHILE SEEMING TO ENJOY QUEER CONTENT. 1296 00:48:22,927 --> 00:48:24,793 ANTILBGTQ LAWS WHILE SEEMING TO ENJOY QUEER CONTENT. >> WHAT DO YOU WANT ME TO SAY? 1297 00:48:24,795 --> 00:48:26,195 ENJOY QUEER CONTENT. >> WHAT DO YOU WANT ME TO SAY? I'M A HYPOCRITE? 1298 00:48:26,197 --> 00:48:28,497 >> WHAT DO YOU WANT ME TO SAY? I'M A HYPOCRITE? THAT I WAS FLIRTING WITH A 1299 00:48:28,499 --> 00:48:29,865 I'M A HYPOCRITE? THAT I WAS FLIRTING WITH A 20-YEAR-OLD DANCING AROUND IN 1300 00:48:29,867 --> 00:48:31,467 THAT I WAS FLIRTING WITH A 20-YEAR-OLD DANCING AROUND IN HIS FINE WASHABLES? 1301 00:48:31,469 --> 00:48:33,936 20-YEAR-OLD DANCING AROUND IN HIS FINE WASHABLES? THAT I MADE IT LEGAL TO HAVE 1302 00:48:33,938 --> 00:48:37,439 HIS FINE WASHABLES? THAT I MADE IT LEGAL TO HAVE GUNS IN LIBRARIES BUT NOT DRAG 1303 00:48:37,441 --> 00:48:37,773 THAT I MADE IT LEGAL TO HAVE GUNS IN LIBRARIES BUT NOT DRAG QUEENS? 1304 00:48:37,775 --> 00:48:39,775 GUNS IN LIBRARIES BUT NOT DRAG QUEENS? THAT I PUBLICLY HATE THINGS THAT 1305 00:48:39,777 --> 00:48:40,843 QUEENS? THAT I PUBLICLY HATE THINGS THAT I SECRETLY LIKE? 1306 00:48:40,845 --> 00:48:42,277 THAT I PUBLICLY HATE THINGS THAT I SECRETLY LIKE? BOTH REPUBLICANS AND DEMOCRATS 1307 00:48:42,279 --> 00:48:44,847 I SECRETLY LIKE? BOTH REPUBLICANS AND DEMOCRATS ARE TELLING ME TO GET OFF 1308 00:48:44,849 --> 00:48:47,316 BOTH REPUBLICANS AND DEMOCRATS ARE TELLING ME TO GET OFF INSTAGRAM, AND GUESS THAT, I 1309 00:48:47,318 --> 00:48:48,016 ARE TELLING ME TO GET OFF INSTAGRAM, AND GUESS THAT, I WILL BECAUSE I FORGOT MY 1310 00:48:48,018 --> 00:48:50,619 INSTAGRAM, AND GUESS THAT, I WILL BECAUSE I FORGOT MY PASSWORD. 1311 00:48:50,621 --> 00:48:52,621 WILL BECAUSE I FORGOT MY PASSWORD. >> RANDY McNALLY, EVERYONE. 1312 00:48:52,623 --> 00:48:54,590 PASSWORD. >> RANDY McNALLY, EVERYONE. >> MEET ME AT FLAMING SADDLES. 1313 00:48:54,592 --> 00:48:58,160 >> RANDY McNALLY, EVERYONE. >> MEET ME AT FLAMING SADDLES. >> ANY TIME. 1314 00:48:58,162 --> 00:48:58,761 >> MEET ME AT FLAMING SADDLES. >> ANY TIME. [ CHEERS AND APPLAUSE ] 1315 00:48:58,763 --> 00:49:00,696 >> ANY TIME. [ CHEERS AND APPLAUSE ] >>> A DEEP SEA DIVER HAS 1316 00:49:00,698 --> 00:49:02,664 [ CHEERS AND APPLAUSE ] >>> A DEEP SEA DIVER HAS ANNOUNCED PLANS TO SET A NEW 1317 00:49:02,666 --> 00:49:05,067 >>> A DEEP SEA DIVER HAS ANNOUNCED PLANS TO SET A NEW WORLD RECORD BY LIVING UNDER 1318 00:49:05,069 --> 00:49:06,301 ANNOUNCED PLANS TO SET A NEW WORLD RECORD BY LIVING UNDER WATER FOR 100 DAYS. 1319 00:49:06,303 --> 00:49:08,804 WORLD RECORD BY LIVING UNDER WATER FOR 100 DAYS. I FEEL LIKE THE RECORD IS LONGER 1320 00:49:08,806 --> 00:49:09,505 WATER FOR 100 DAYS. I FEEL LIKE THE RECORD IS LONGER THAN THAT, SAID THE PEOPLE OF 1321 00:49:09,507 --> 00:49:12,508 I FEEL LIKE THE RECORD IS LONGER THAN THAT, SAID THE PEOPLE OF NEW ORLEANS. 1322 00:49:12,510 --> 00:49:13,242 THAN THAT, SAID THE PEOPLE OF NEW ORLEANS. I DON'T KNOW WHY I THOUGHT THAT 1323 00:49:13,244 --> 00:49:16,245 NEW ORLEANS. I DON'T KNOW WHY I THOUGHT THAT WOULD MAKE YOU LAUGH. 1324 00:49:16,247 --> 00:49:19,715 I DON'T KNOW WHY I THOUGHT THAT WOULD MAKE YOU LAUGH. >>> A MAN IN FLORIDA SAID HE WAS 1325 00:49:19,717 --> 00:49:20,916 WOULD MAKE YOU LAUGH. >>> A MAN IN FLORIDA SAID HE WAS SURPRISED WHEN HE HEARD A KNOCK 1326 00:49:20,918 --> 00:49:24,420 >>> A MAN IN FLORIDA SAID HE WAS SURPRISED WHEN HE HEARD A KNOCK AT THE DOOR AND IT TURNED OUT TO 1327 00:49:24,422 --> 00:49:24,887 SURPRISED WHEN HE HEARD A KNOCK AT THE DOOR AND IT TURNED OUT TO BE AN ALLIGATOR. 1328 00:49:24,889 --> 00:49:26,054 AT THE DOOR AND IT TURNED OUT TO BE AN ALLIGATOR. EVEN MORE SURPRISING, IT WAS 1329 00:49:26,056 --> 00:49:29,324 BE AN ALLIGATOR. EVEN MORE SURPRISING, IT WAS DOING THE THING FROM "LOVE 1330 00:49:29,326 --> 00:49:29,725 EVEN MORE SURPRISING, IT WAS DOING THE THING FROM "LOVE ACTUALLY". 1331 00:49:29,727 --> 00:49:30,959 DOING THE THING FROM "LOVE ACTUALLY". >>> OFFICIALS IN BERLIN 1332 00:49:30,961 --> 00:49:32,728 ACTUALLY". >>> OFFICIALS IN BERLIN ANNOUNCED THAT WOMEN WILL NOW BE 1333 00:49:32,730 --> 00:49:34,396 >>> OFFICIALS IN BERLIN ANNOUNCED THAT WOMEN WILL NOW BE ALLOWED TO GO TOPLESS AT THE 1334 00:49:34,398 --> 00:49:36,465 ANNOUNCED THAT WOMEN WILL NOW BE ALLOWED TO GO TOPLESS AT THE CITY'S POOLS, BUT OFFICIALS ALSO 1335 00:49:36,467 --> 00:49:38,434 ALLOWED TO GO TOPLESS AT THE CITY'S POOLS, BUT OFFICIALS ALSO SAID TO BE AWARE IT'S NOT GOING 1336 00:49:38,436 --> 00:49:41,003 CITY'S POOLS, BUT OFFICIALS ALSO SAID TO BE AWARE IT'S NOT GOING TO BE THE ONES YOU WANT. 1337 00:49:41,005 --> 00:49:43,472 SAID TO BE AWARE IT'S NOT GOING TO BE THE ONES YOU WANT. >>> ACCORDING TO A NEW REPORT, 1338 00:49:43,474 --> 00:49:46,708 TO BE THE ONES YOU WANT. >>> ACCORDING TO A NEW REPORT, BY 2035, MORE THAN HALF OF THE 1339 00:49:46,710 --> 00:49:48,177 >>> ACCORDING TO A NEW REPORT, BY 2035, MORE THAN HALF OF THE WORLD'S POPULATION WILL BE JUST 1340 00:49:48,179 --> 00:49:51,113 BY 2035, MORE THAN HALF OF THE WORLD'S POPULATION WILL BE JUST HOW I LIKE THEM. 1341 00:49:51,115 --> 00:49:56,785 WORLD'S POPULATION WILL BE JUST HOW I LIKE THEM. >>> A PHOTO HAS GONE VIRAL OF A 1342 00:49:56,787 --> 00:49:58,253 HOW I LIKE THEM. >>> A PHOTO HAS GONE VIRAL OF A 98-YEAR-OLD WOMAN IN KENTUCKY 1343 00:49:58,255 --> 00:50:00,355 >>> A PHOTO HAS GONE VIRAL OF A 98-YEAR-OLD WOMAN IN KENTUCKY MEETING HER FIRST GREAT GREAT 1344 00:50:00,357 --> 00:50:01,657 98-YEAR-OLD WOMAN IN KENTUCKY MEETING HER FIRST GREAT GREAT GREAT GRAND CHILD. 1345 00:50:01,659 --> 00:50:04,726 MEETING HER FIRST GREAT GREAT GREAT GRAND CHILD. WOW, I WISH I HAD GOTTEN TO MEET 1346 00:50:04,728 --> 00:50:07,796 GREAT GRAND CHILD. WOW, I WISH I HAD GOTTEN TO MEET MY GREAT GREAT GREAT GRANDMOTHER 1347 00:50:07,798 --> 00:50:09,331 WOW, I WISH I HAD GOTTEN TO MEET MY GREAT GREAT GREAT GRANDMOTHER SO I COULD HAVE TOLD HER, DON'T 1348 00:50:09,333 --> 00:50:11,834 MY GREAT GREAT GREAT GRANDMOTHER SO I COULD HAVE TOLD HER, DON'T GET ON THAT BOAT! 1349 00:50:11,836 --> 00:50:14,203 SO I COULD HAVE TOLD HER, DON'T GET ON THAT BOAT! I EVEN TRIED ACTING DURING THAT 1350 00:50:14,205 --> 00:50:15,404 GET ON THAT BOAT! I EVEN TRIED ACTING DURING THAT ONE, MAN. 1351 00:50:15,406 --> 00:50:17,206 I EVEN TRIED ACTING DURING THAT ONE, MAN. >>> THERE IS A TREND ON TIKTOK 1352 00:50:17,208 --> 00:50:19,541 ONE, MAN. >>> THERE IS A TREND ON TIKTOK OF PEOPLE EATING ORANGES IN 1353 00:50:19,543 --> 00:50:21,677 >>> THERE IS A TREND ON TIKTOK OF PEOPLE EATING ORANGES IN SHOWERS CLAIMING THAT IT REDUCES 1354 00:50:21,679 --> 00:50:23,178 OF PEOPLE EATING ORANGES IN SHOWERS CLAIMING THAT IT REDUCES STRESS AND ANXIETY. 1355 00:50:23,180 --> 00:50:25,113 SHOWERS CLAIMING THAT IT REDUCES STRESS AND ANXIETY. BUT IF YOU'RE COMFORTABLE 1356 00:50:25,115 --> 00:50:26,615 STRESS AND ANXIETY. BUT IF YOU'RE COMFORTABLE FILMING YOURSELF EATING IN THE 1357 00:50:26,617 --> 00:50:27,449 BUT IF YOU'RE COMFORTABLE FILMING YOURSELF EATING IN THE SHOWER, I WOULD ARGUE YOU DON'T 1358 00:50:27,451 --> 00:50:31,820 FILMING YOURSELF EATING IN THE SHOWER, I WOULD ARGUE YOU DON'T HAVE ENOUGH ANXIETY. 1359 00:50:31,822 --> 00:50:35,757 SHOWER, I WOULD ARGUE YOU DON'T HAVE ENOUGH ANXIETY. >>> A NEW STUDY FINDS THAT LONG 1360 00:50:35,759 --> 00:50:36,525 HAVE ENOUGH ANXIETY. >>> A NEW STUDY FINDS THAT LONG DISTANCE RUNNING DOES NOT CAUSE 1361 00:50:36,527 --> 00:50:40,929 >>> A NEW STUDY FINDS THAT LONG DISTANCE RUNNING DOES NOT CAUSE WEAR AND TEAR ON MARATHONERS' 1362 00:50:40,931 --> 00:50:43,932 DISTANCE RUNNING DOES NOT CAUSE WEAR AND TEAR ON MARATHONERS' KNEES, BUT IT DOES SAND THEIR 1363 00:50:43,934 --> 00:50:44,766 WEAR AND TEAR ON MARATHONERS' KNEES, BUT IT DOES SAND THEIR NIPPLES CLEAN OFF. 1364 00:50:44,768 --> 00:50:46,335 KNEES, BUT IT DOES SAND THEIR NIPPLES CLEAN OFF. >>> WEDNESDAY WAS INTERNATIONAL 1365 00:50:46,337 --> 00:50:50,172 NIPPLES CLEAN OFF. >>> WEDNESDAY WAS INTERNATIONAL WOMEN'S DAY -- I SAID WAS. 1366 00:50:50,174 --> 00:50:51,240 >>> WEDNESDAY WAS INTERNATIONAL WOMEN'S DAY -- I SAID WAS. NEXT JOKE. 1367 00:50:51,242 --> 00:50:52,407 WOMEN'S DAY -- I SAID WAS. NEXT JOKE. >>> A NEW STUDY FINDS -- 1368 00:50:52,409 --> 00:50:56,278 NEXT JOKE. >>> A NEW STUDY FINDS -- [ LAUGHTER ] 1369 00:50:56,280 --> 00:50:58,647 >>> A NEW STUDY FINDS -- [ LAUGHTER ] A NEW STUDY FINDS SOME NEW YORK 1370 00:50:58,649 --> 00:51:01,183 [ LAUGHTER ] A NEW STUDY FINDS SOME NEW YORK CITY RATS CARRY THE VIRUS THAT 1371 00:51:01,185 --> 00:51:04,319 A NEW STUDY FINDS SOME NEW YORK CITY RATS CARRY THE VIRUS THAT CAUSES COVID, WHICH IS WHY I 1372 00:51:04,321 --> 00:51:05,787 CITY RATS CARRY THE VIRUS THAT CAUSES COVID, WHICH IS WHY I ALWAYS ORDER MINE WELL DONE. 1373 00:51:05,789 --> 00:51:09,191 CAUSES COVID, WHICH IS WHY I ALWAYS ORDER MINE WELL DONE. >>> WELL, GUYS, WE -- WE ONLY 1374 00:51:09,193 --> 00:51:11,360 ALWAYS ORDER MINE WELL DONE. >>> WELL, GUYS, WE -- WE ONLY HAVE ABOUT A MINUTE LEFT OF THE 1375 00:51:11,362 --> 00:51:12,327 >>> WELL, GUYS, WE -- WE ONLY HAVE ABOUT A MINUTE LEFT OF THE END OF UPDATE. 1376 00:51:12,329 --> 00:51:14,997 HAVE ABOUT A MINUTE LEFT OF THE END OF UPDATE. HERE TO FILL IT WITH SOME RANDOM 1377 00:51:14,999 --> 00:51:15,664 END OF UPDATE. HERE TO FILL IT WITH SOME RANDOM IMPRESSIONS IS JAMES AUSTIN 1378 00:51:15,666 --> 00:51:18,600 HERE TO FILL IT WITH SOME RANDOM IMPRESSIONS IS JAMES AUSTIN JOHNSON. 1379 00:51:18,602 --> 00:51:19,234 IMPRESSIONS IS JAMES AUSTIN JOHNSON. >> WOW. 1380 00:51:19,236 --> 00:51:20,302 JOHNSON. >> WOW. >> ALL RIGHT. 1381 00:51:20,304 --> 00:51:24,273 >> WOW. >> ALL RIGHT. JAMES, WHAT IS YOUR FIRST 1382 00:51:24,275 --> 00:51:24,673 >> ALL RIGHT. JAMES, WHAT IS YOUR FIRST IMPRESSION? 1383 00:51:24,675 --> 00:51:30,212 JAMES, WHAT IS YOUR FIRST IMPRESSION? >> THIS IS ADAM DRIVER AS KYLA 1384 00:51:30,214 --> 00:51:32,714 IMPRESSION? >> THIS IS ADAM DRIVER AS KYLA FROM STAR WARS ON THE SHOW 1385 00:51:32,716 --> 00:51:33,015 >> THIS IS ADAM DRIVER AS KYLA FROM STAR WARS ON THE SHOW GIRLS. 1386 00:51:33,017 --> 00:51:34,283 FROM STAR WARS ON THE SHOW GIRLS. DO YOU KNOW HOW DIFFICULT IT IS 1387 00:51:34,285 --> 00:51:37,152 GIRLS. DO YOU KNOW HOW DIFFICULT IT IS TO BE ON THE DARK SIDE OF THE 1388 00:51:37,154 --> 00:51:37,486 DO YOU KNOW HOW DIFFICULT IT IS TO BE ON THE DARK SIDE OF THE FORCE? 1389 00:51:37,488 --> 00:51:38,720 TO BE ON THE DARK SIDE OF THE FORCE? NO, YOU DON'T BECAUSE YOU'RE A 1390 00:51:38,722 --> 00:51:39,021 FORCE? NO, YOU DON'T BECAUSE YOU'RE A CHILD! 1391 00:51:39,023 --> 00:51:41,924 NO, YOU DON'T BECAUSE YOU'RE A CHILD! >> OKAY. 1392 00:51:41,926 --> 00:51:42,558 CHILD! >> OKAY. GREAT, GREAT. 1393 00:51:42,560 --> 00:51:43,258 >> OKAY. GREAT, GREAT. ALL RIGHT. 1394 00:51:43,260 --> 00:51:43,559 GREAT, GREAT. ALL RIGHT. WAIT. 1395 00:51:43,561 --> 00:51:44,326 ALL RIGHT. WAIT. ALL RIGHT. 1396 00:51:44,328 --> 00:51:46,361 WAIT. ALL RIGHT. WHAT ELSE YOU GOT? 1397 00:51:46,363 --> 00:51:48,764 ALL RIGHT. WHAT ELSE YOU GOT? >> BATMAN AND HE'S READING 1398 00:51:48,766 --> 00:51:50,499 WHAT ELSE YOU GOT? >> BATMAN AND HE'S READING WHERE'S WALDO. 1399 00:51:50,501 --> 00:51:53,135 >> BATMAN AND HE'S READING WHERE'S WALDO. >> BATMAN READING WHERE'S WAL. 1400 00:51:53,137 --> 00:51:55,637 WHERE'S WALDO. >> BATMAN READING WHERE'S WAL. >> WHERE IS HE? 1401 00:51:55,639 --> 00:51:56,638 >> BATMAN READING WHERE'S WAL. >> WHERE IS HE? >> OKAY. 1402 00:51:56,640 --> 00:51:57,539 >> WHERE IS HE? >> OKAY. ALL RIGHT. 1403 00:51:57,541 --> 00:51:58,106 >> OKAY. ALL RIGHT. OKAY. 1404 00:51:58,108 --> 00:51:59,441 ALL RIGHT. OKAY. WELL, THAT'S GREAT. 1405 00:51:59,443 --> 00:52:00,609 OKAY. WELL, THAT'S GREAT. I THINK WE'RE ALREADY RUNNING 1406 00:52:00,611 --> 00:52:03,512 WELL, THAT'S GREAT. I THINK WE'RE ALREADY RUNNING OUT OF TIME. 1407 00:52:03,514 --> 00:52:03,812 I THINK WE'RE ALREADY RUNNING OUT OF TIME. OKAY. 1408 00:52:03,814 --> 00:52:06,848 OUT OF TIME. OKAY. >> THIS NEXT IMPRESSION WOULD 1409 00:52:06,850 --> 00:52:08,884 OKAY. >> THIS NEXT IMPRESSION WOULD MAKE A GREAT SKETCH ON THE SHOW. 1410 00:52:08,886 --> 00:52:09,484 >> THIS NEXT IMPRESSION WOULD MAKE A GREAT SKETCH ON THE SHOW. YOU SHOULD CONSIDER IT. 1411 00:52:09,486 --> 00:52:10,819 MAKE A GREAT SKETCH ON THE SHOW. YOU SHOULD CONSIDER IT. >> SURE. 1412 00:52:10,821 --> 00:52:14,256 YOU SHOULD CONSIDER IT. >> SURE. >> THIS IS JAY-Z AND HE'S 1413 00:52:14,258 --> 00:52:14,656 >> SURE. >> THIS IS JAY-Z AND HE'S DOWNSTAIRS. 1414 00:52:14,658 --> 00:52:15,591 >> THIS IS JAY-Z AND HE'S DOWNSTAIRS. >> OKAY. 1415 00:52:15,593 --> 00:52:23,465 DOWNSTAIRS. >> OKAY. >> BUSEY, BUSEY, BEYONCE. 1416 00:52:23,467 --> 00:52:28,470 >> OKAY. >> BUSEY, BUSEY, BEYONCE. >> HOLD ON. 1417 00:52:28,472 --> 00:52:31,006 >> BUSEY, BUSEY, BEYONCE. >> HOLD ON. HOW WOULD YOU PLAY JAY-Z? 1418 00:52:31,008 --> 00:52:32,841 >> HOLD ON. HOW WOULD YOU PLAY JAY-Z? >> HE WOULD BE DOWNSTAIRS. 1419 00:52:32,843 --> 00:52:35,577 HOW WOULD YOU PLAY JAY-Z? >> HE WOULD BE DOWNSTAIRS. YOU DON'T SEE HIM BECAUSE HE'S 1420 00:52:35,579 --> 00:52:35,978 >> HE WOULD BE DOWNSTAIRS. YOU DON'T SEE HIM BECAUSE HE'S DOWNSTAIRS. 1421 00:52:35,980 --> 00:52:37,212 YOU DON'T SEE HIM BECAUSE HE'S DOWNSTAIRS. >> I DON'T THINK YOU PUT MUCH 1422 00:52:37,214 --> 00:52:37,779 DOWNSTAIRS. >> I DON'T THINK YOU PUT MUCH THOUGHT INTO THIS. 1423 00:52:37,781 --> 00:52:41,850 >> I DON'T THINK YOU PUT MUCH THOUGHT INTO THIS. >> I HAVE A STOCK PILE OF 1424 00:52:41,852 --> 00:52:42,584 THOUGHT INTO THIS. >> I HAVE A STOCK PILE OF USELESS TWO SECOND IMPRESSIONS 1425 00:52:42,586 --> 00:52:44,886 >> I HAVE A STOCK PILE OF USELESS TWO SECOND IMPRESSIONS THAT I DON'T KNOW WHAT TO DO 1426 00:52:44,888 --> 00:52:45,821 USELESS TWO SECOND IMPRESSIONS THAT I DON'T KNOW WHAT TO DO WITH, SO I KIND OF THOUGHT, WHY 1427 00:52:45,823 --> 00:52:48,156 THAT I DON'T KNOW WHAT TO DO WITH, SO I KIND OF THOUGHT, WHY NOT DO THEM ON UPDATE WHERE IT 1428 00:52:48,158 --> 00:52:50,525 WITH, SO I KIND OF THOUGHT, WHY NOT DO THEM ON UPDATE WHERE IT DOESN'T REALLY MATTER. 1429 00:52:50,527 --> 00:52:52,928 NOT DO THEM ON UPDATE WHERE IT DOESN'T REALLY MATTER. BUT I HAVE TO GET THESE 1430 00:52:52,930 --> 00:52:53,895 DOESN'T REALLY MATTER. BUT I HAVE TO GET THESE IMPRESSIONS OUT. 1431 00:52:53,897 --> 00:52:55,931 BUT I HAVE TO GET THESE IMPRESSIONS OUT. IT'S MY BRAND. 1432 00:52:55,933 --> 00:52:57,532 IMPRESSIONS OUT. IT'S MY BRAND. BARTENDERS WON'T EVEN LOOK AT ME 1433 00:52:57,534 --> 00:52:59,534 IT'S MY BRAND. BARTENDERS WON'T EVEN LOOK AT ME AT THE AFTERPARTY IF I DON'T DO 1434 00:52:59,536 --> 00:53:00,402 BARTENDERS WON'T EVEN LOOK AT ME AT THE AFTERPARTY IF I DON'T DO MY TRUMP VOICE. 1435 00:53:00,404 --> 00:53:02,204 AT THE AFTERPARTY IF I DON'T DO MY TRUMP VOICE. WE HAVE BEEN WAITING A VERY LONG 1436 00:53:02,206 --> 00:53:04,640 MY TRUMP VOICE. WE HAVE BEEN WAITING A VERY LONG TIME FOR THAT NEGRONI. 1437 00:53:04,642 --> 00:53:07,175 WE HAVE BEEN WAITING A VERY LONG TIME FOR THAT NEGRONI. THIS IS MUCH TOO LONG. 1438 00:53:07,177 --> 00:53:10,345 TIME FOR THAT NEGRONI. THIS IS MUCH TOO LONG. IT'S A THREE INGREDIENT GREEN. 1439 00:53:10,347 --> 00:53:12,147 THIS IS MUCH TOO LONG. IT'S A THREE INGREDIENT GREEN. IT'S VERY, VERY SWEET. 1440 00:53:12,149 --> 00:53:13,749 IT'S A THREE INGREDIENT GREEN. IT'S VERY, VERY SWEET. I LOVE MY NEGRONI. 1441 00:53:13,751 --> 00:53:16,451 IT'S VERY, VERY SWEET. I LOVE MY NEGRONI. >> WE HAVE TIME FOR ONE MORE 1442 00:53:16,453 --> 00:53:18,186 I LOVE MY NEGRONI. >> WE HAVE TIME FOR ONE MORE IMPRESSION, BUT IT'S GOT TO BE 1443 00:53:18,188 --> 00:53:18,520 >> WE HAVE TIME FOR ONE MORE IMPRESSION, BUT IT'S GOT TO BE QUICK. 1444 00:53:18,522 --> 00:53:20,889 IMPRESSION, BUT IT'S GOT TO BE QUICK. >> I'VE GOT THE PERFECT ONE. 1445 00:53:20,891 --> 00:53:23,091 QUICK. >> I'VE GOT THE PERFECT ONE. THIS IS BOB DYLAN'S CELL PHONE 1446 00:53:23,093 --> 00:53:27,029 >> I'VE GOT THE PERFECT ONE. THIS IS BOB DYLAN'S CELL PHONE ON VIBRATE. 1447 00:53:27,031 --> 00:53:29,431 THIS IS BOB DYLAN'S CELL PHONE ON VIBRATE. HEY, HEY, HEY. 1448 00:53:29,433 --> 00:53:31,900 ON VIBRATE. HEY, HEY, HEY. >> JAMES AUSTIN JOHNSON, 1449 00:53:31,902 --> 00:53:32,267 HEY, HEY, HEY. >> JAMES AUSTIN JOHNSON, EVERYONE. 1450 00:53:32,269 --> 00:53:58,093 >> JAMES AUSTIN JOHNSON, EVERYONE. FOR "WEEK 1451 00:53:58,095 --> 00:54:00,629 EVERYONE. FOR "WEEK >>> FATHER, CAN YOU SAVE HER? 1452 00:54:00,631 --> 00:54:03,965 FOR "WEEK >>> FATHER, CAN YOU SAVE HER? CAN YOU SAVE MY DAUGHTER? 1453 00:54:03,967 --> 00:54:04,933 >>> FATHER, CAN YOU SAVE HER? CAN YOU SAVE MY DAUGHTER? >> WITHOUT FATHER MURPHY, I 1454 00:54:04,935 --> 00:54:07,469 CAN YOU SAVE MY DAUGHTER? >> WITHOUT FATHER MURPHY, I CAN'T PERFORM AN EXORCISM ALONE. 1455 00:54:07,471 --> 00:54:09,337 >> WITHOUT FATHER MURPHY, I CAN'T PERFORM AN EXORCISM ALONE. >> YOU WILL ROT IN HELL. 1456 00:54:09,339 --> 00:54:11,173 CAN'T PERFORM AN EXORCISM ALONE. >> YOU WILL ROT IN HELL. >> HONEY, HEAR MY VOICE. 1457 00:54:11,175 --> 00:54:13,708 >> YOU WILL ROT IN HELL. >> HONEY, HEAR MY VOICE. I KNOW YOU'RE STILL IN THERE, 1458 00:54:13,710 --> 00:54:14,042 >> HONEY, HEAR MY VOICE. I KNOW YOU'RE STILL IN THERE, CLAIRE. 1459 00:54:14,044 --> 00:54:15,377 I KNOW YOU'RE STILL IN THERE, CLAIRE. >> DID SOMEONE JUST KNOCK ON OUR 1460 00:54:15,379 --> 00:54:15,677 CLAIRE. >> DID SOMEONE JUST KNOCK ON OUR DOOR? 1461 00:54:15,679 --> 00:54:19,147 >> DID SOMEONE JUST KNOCK ON OUR DOOR? >> HELLO? 1462 00:54:19,149 --> 00:54:21,016 DOOR? >> HELLO? IT'S THE MIDDLE OF THE NIGHT. 1463 00:54:21,018 --> 00:54:23,018 >> HELLO? IT'S THE MIDDLE OF THE NIGHT. WHAT IS ALL THE RUCCUS? 1464 00:54:23,020 --> 00:54:26,254 IT'S THE MIDDLE OF THE NIGHT. WHAT IS ALL THE RUCCUS? >> OH, FATHER, THIS IS OUR 1465 00:54:26,256 --> 00:54:28,290 WHAT IS ALL THE RUCCUS? >> OH, FATHER, THIS IS OUR UPSTAIRS NEIGHBOR, MRS. SHAW. 1466 00:54:28,292 --> 00:54:33,762 >> OH, FATHER, THIS IS OUR UPSTAIRS NEIGHBOR, MRS. SHAW. >> AND I SHAWED HAVE BEEN ASLEEP 1467 00:54:33,764 --> 00:54:36,431 UPSTAIRS NEIGHBOR, MRS. SHAW. >> AND I SHAWED HAVE BEEN ASLEEP 45 MINUTES AGO, BUT I SUPPOSE 1468 00:54:36,433 --> 00:54:37,132 >> AND I SHAWED HAVE BEEN ASLEEP 45 MINUTES AGO, BUT I SUPPOSE YOU ALL DECIDE TODAY THROW A 1469 00:54:37,134 --> 00:54:37,732 45 MINUTES AGO, BUT I SUPPOSE YOU ALL DECIDE TODAY THROW A PARTY ON A TUESDAY. 1470 00:54:37,734 --> 00:54:38,934 YOU ALL DECIDE TODAY THROW A PARTY ON A TUESDAY. >> THIS ISN'T A PARTY. 1471 00:54:38,936 --> 00:54:40,802 PARTY ON A TUESDAY. >> THIS ISN'T A PARTY. >> IT'S OUR DAUGHTER. 1472 00:54:40,804 --> 00:54:42,070 >> THIS ISN'T A PARTY. >> IT'S OUR DAUGHTER. SHE'S BEEN POSSESSED. 1473 00:54:42,072 --> 00:54:44,840 >> IT'S OUR DAUGHTER. SHE'S BEEN POSSESSED. >> WE'RE WAITING FOR FATHER 1474 00:54:44,842 --> 00:54:45,173 SHE'S BEEN POSSESSED. >> WE'RE WAITING FOR FATHER MURPHY. 1475 00:54:45,175 --> 00:54:46,641 >> WE'RE WAITING FOR FATHER MURPHY. >> Y'ALL DON'T HAVE TO WAIT. 1476 00:54:46,643 --> 00:54:47,042 MURPHY. >> Y'ALL DON'T HAVE TO WAIT. I'LL DO IT. 1477 00:54:47,044 --> 00:54:48,043 >> Y'ALL DON'T HAVE TO WAIT. I'LL DO IT. >> DO WHAT? 1478 00:54:48,045 --> 00:54:48,944 I'LL DO IT. >> DO WHAT? >> THE EXORCISM. 1479 00:54:48,946 --> 00:54:51,279 >> DO WHAT? >> THE EXORCISM. I'M GETTING MY SLEEP TONIGHT. 1480 00:54:51,281 --> 00:54:52,547 >> THE EXORCISM. I'M GETTING MY SLEEP TONIGHT. >> AHH! 1481 00:54:52,549 --> 00:54:54,182 I'M GETTING MY SLEEP TONIGHT. >> AHH! >> AHH! 1482 00:54:54,184 --> 00:54:56,451 >> AHH! >> AHH! SEE I CAN DO IT TOO, OKAY? 1483 00:54:56,453 --> 00:54:58,153 >> AHH! SEE I CAN DO IT TOO, OKAY? YOU DON'T SCARE ME, SWEETIE. 1484 00:54:58,155 --> 00:54:59,421 SEE I CAN DO IT TOO, OKAY? YOU DON'T SCARE ME, SWEETIE. >> YOU SHOULD BE CAREFUL. 1485 00:54:59,423 --> 00:55:01,022 YOU DON'T SCARE ME, SWEETIE. >> YOU SHOULD BE CAREFUL. YOU'RE IN OVER YOUR HEAD. 1486 00:55:01,024 --> 00:55:02,958 >> YOU SHOULD BE CAREFUL. YOU'RE IN OVER YOUR HEAD. >> I'LL LET YOU KNOW I HAVE BEEN 1487 00:55:02,960 --> 00:55:05,393 YOU'RE IN OVER YOUR HEAD. >> I'LL LET YOU KNOW I HAVE BEEN A CROSSING GUARD AT NASSAU AND 1488 00:55:05,395 --> 00:55:07,662 >> I'LL LET YOU KNOW I HAVE BEEN A CROSSING GUARD AT NASSAU AND EDGE MONT FOR SIX YEARS. 1489 00:55:07,664 --> 00:55:08,263 A CROSSING GUARD AT NASSAU AND EDGE MONT FOR SIX YEARS. THAT'S SIX LANES. 1490 00:55:08,265 --> 00:55:11,666 EDGE MONT FOR SIX YEARS. THAT'S SIX LANES. EVERY DAY, I'M THE ONLY THING 1491 00:55:11,668 --> 00:55:14,970 THAT'S SIX LANES. EVERY DAY, I'M THE ONLY THING STOPPING 5th GRADERS FROM 1492 00:55:14,972 --> 00:55:20,775 EVERY DAY, I'M THE ONLY THING STOPPING 5th GRADERS FROM GETTING SENT TO HELL BY A U.P.S. 1493 00:55:20,777 --> 00:55:21,076 STOPPING 5th GRADERS FROM GETTING SENT TO HELL BY A U.P.S. TRUCK. 1494 00:55:21,078 --> 00:55:21,376 GETTING SENT TO HELL BY A U.P.S. TRUCK. HELLO? 1495 00:55:21,378 --> 00:55:23,445 TRUCK. HELLO? OKAY, YOU NEED TO GET OUT. 1496 00:55:23,447 --> 00:55:25,247 HELLO? OKAY, YOU NEED TO GET OUT. USE YOUR WORDS. 1497 00:55:25,249 --> 00:55:28,250 OKAY, YOU NEED TO GET OUT. USE YOUR WORDS. >> SUCK MY BUTT! 1498 00:55:28,252 --> 00:55:30,152 USE YOUR WORDS. >> SUCK MY BUTT! >> NO, MA'AM, I DON'T DO ALL 1499 00:55:30,154 --> 00:55:30,452 >> SUCK MY BUTT! >> NO, MA'AM, I DON'T DO ALL THAT. 1500 00:55:30,454 --> 00:55:32,554 >> NO, MA'AM, I DON'T DO ALL THAT. I TOSSED SALAD ONCE, AND I WAS 1501 00:55:32,556 --> 00:55:34,589 THAT. I TOSSED SALAD ONCE, AND I WAS LIKE, THIS AIN'T FOR ME. 1502 00:55:34,591 --> 00:55:37,025 I TOSSED SALAD ONCE, AND I WAS LIKE, THIS AIN'T FOR ME. >> MAYBE WE SHOULD WAIT FOR THE 1503 00:55:37,027 --> 00:55:37,559 LIKE, THIS AIN'T FOR ME. >> MAYBE WE SHOULD WAIT FOR THE PRIEST, MRS. SHAW. 1504 00:55:37,561 --> 00:55:38,393 >> MAYBE WE SHOULD WAIT FOR THE PRIEST, MRS. SHAW. >> OH, NO. 1505 00:55:38,395 --> 00:55:42,130 PRIEST, MRS. SHAW. >> OH, NO. I NEED TO GET MY EIGHT HOURS. 1506 00:55:42,132 --> 00:55:44,166 >> OH, NO. I NEED TO GET MY EIGHT HOURS. UH-OH, WHERE'S SHE GOING? 1507 00:55:44,168 --> 00:55:46,902 I NEED TO GET MY EIGHT HOURS. UH-OH, WHERE'S SHE GOING? >> YOU'RE GOING TO HELL, YOU 1508 00:55:46,904 --> 00:55:48,370 UH-OH, WHERE'S SHE GOING? >> YOU'RE GOING TO HELL, YOU STUPID WHORE. 1509 00:55:48,372 --> 00:55:49,771 >> YOU'RE GOING TO HELL, YOU STUPID WHORE. >> STUPID WHAT NOW? 1510 00:55:49,773 --> 00:55:51,406 STUPID WHORE. >> STUPID WHAT NOW? OH, HONEY, YOU'RE GOING TO HAVE 1511 00:55:51,408 --> 00:55:53,408 >> STUPID WHAT NOW? OH, HONEY, YOU'RE GOING TO HAVE TO DO BETTER THAN THAT. 1512 00:55:53,410 --> 00:55:55,510 OH, HONEY, YOU'RE GOING TO HAVE TO DO BETTER THAN THAT. YESTERDAY, A THIRD GRADER CALLED 1513 00:55:55,512 --> 00:55:59,814 TO DO BETTER THAN THAT. YESTERDAY, A THIRD GRADER CALLED ME A USED UP SKANK. 1514 00:55:59,816 --> 00:56:01,316 YESTERDAY, A THIRD GRADER CALLED ME A USED UP SKANK. WHAT ELSE YOU GOT? 1515 00:56:01,318 --> 00:56:04,719 ME A USED UP SKANK. WHAT ELSE YOU GOT? >> YOU'RE AN UGLY -- UMM -- 1516 00:56:04,721 --> 00:56:06,454 WHAT ELSE YOU GOT? >> YOU'RE AN UGLY -- UMM -- >> UMM WHAT? 1517 00:56:06,456 --> 00:56:08,456 >> YOU'RE AN UGLY -- UMM -- >> UMM WHAT? LOOK AT YOU STUTTERING. 1518 00:56:08,458 --> 00:56:10,592 >> UMM WHAT? LOOK AT YOU STUTTERING. SIT YOUR ASS DOWN BEFORE I TURN 1519 00:56:10,594 --> 00:56:11,660 LOOK AT YOU STUTTERING. SIT YOUR ASS DOWN BEFORE I TURN ON THE CEILING FAN. 1520 00:56:11,662 --> 00:56:12,527 SIT YOUR ASS DOWN BEFORE I TURN ON THE CEILING FAN. THAT'S WHAT I THOUGHT. 1521 00:56:12,529 --> 00:56:13,929 ON THE CEILING FAN. THAT'S WHAT I THOUGHT. >> IS IT WORKING? 1522 00:56:13,931 --> 00:56:15,330 THAT'S WHAT I THOUGHT. >> IS IT WORKING? >> YEAH, IT IS. 1523 00:56:15,332 --> 00:56:16,765 >> IS IT WORKING? >> YEAH, IT IS. THAT'S EXACTLY WHAT I THOUGHT. 1524 00:56:16,767 --> 00:56:18,133 >> YEAH, IT IS. THAT'S EXACTLY WHAT I THOUGHT. >> LET ME OUT. 1525 00:56:18,135 --> 00:56:21,903 THAT'S EXACTLY WHAT I THOUGHT. >> LET ME OUT. >> SHE'S EXPELLING THE DEMON. 1526 00:56:21,905 --> 00:56:22,671 >> LET ME OUT. >> SHE'S EXPELLING THE DEMON. QUICK, WE'LL NEED A NEW VESSEL. 1527 00:56:22,673 --> 00:56:26,241 >> SHE'S EXPELLING THE DEMON. QUICK, WE'LL NEED A NEW VESSEL. >> I GOT YOU A VESSEL ALL RIGHT. 1528 00:56:26,243 --> 00:56:26,541 QUICK, WE'LL NEED A NEW VESSEL. >> I GOT YOU A VESSEL ALL RIGHT. FRANK! 1529 00:56:26,543 --> 00:56:28,176 >> I GOT YOU A VESSEL ALL RIGHT. FRANK! GET DOWN HERE, FRANK! 1530 00:56:28,178 --> 00:56:29,811 FRANK! GET DOWN HERE, FRANK! >> WOMAN, WHAT YOU WANT? 1531 00:56:29,813 --> 00:56:32,280 GET DOWN HERE, FRANK! >> WOMAN, WHAT YOU WANT? I'M TRYING TO SLEEP. 1532 00:56:32,282 --> 00:56:35,317 >> WOMAN, WHAT YOU WANT? I'M TRYING TO SLEEP. >> YOU CAN'T SLEEP IF YOU'RE 1533 00:56:35,319 --> 00:56:35,650 I'M TRYING TO SLEEP. >> YOU CAN'T SLEEP IF YOU'RE TALKING. 1534 00:56:35,652 --> 00:56:38,687 >> YOU CAN'T SLEEP IF YOU'RE TALKING. AND LITTLE GIRL, YOUR ASS BETTER 1535 00:56:38,689 --> 00:56:40,455 TALKING. AND LITTLE GIRL, YOUR ASS BETTER NOT BE LEVITATING BACK THERE. 1536 00:56:40,457 --> 00:56:43,491 AND LITTLE GIRL, YOUR ASS BETTER NOT BE LEVITATING BACK THERE. >> SORRY, MRS. SHAW. 1537 00:56:43,493 --> 00:56:44,659 NOT BE LEVITATING BACK THERE. >> SORRY, MRS. SHAW. >> THANK YOU, BABY. 1538 00:56:44,661 --> 00:56:47,095 >> SORRY, MRS. SHAW. >> THANK YOU, BABY. >> WAKING MY ASS UP AT 9:00 P.M. 1539 00:56:47,097 --> 00:56:48,563 >> THANK YOU, BABY. >> WAKING MY ASS UP AT 9:00 P.M. IN THE MIDDLE OF THE NIGHT. 1540 00:56:48,565 --> 00:56:50,665 >> WAKING MY ASS UP AT 9:00 P.M. IN THE MIDDLE OF THE NIGHT. >> WE DOING AN EXORCISM, FRANK. 1541 00:56:50,667 --> 00:56:53,835 IN THE MIDDLE OF THE NIGHT. >> WE DOING AN EXORCISM, FRANK. >> WELL, I SHAWED HAVE BEEN 1542 00:56:53,837 --> 00:56:55,270 >> WE DOING AN EXORCISM, FRANK. >> WELL, I SHAWED HAVE BEEN ASLEEP 47 MINUTES AGO. 1543 00:56:55,272 --> 00:56:56,871 >> WELL, I SHAWED HAVE BEEN ASLEEP 47 MINUTES AGO. >> WE KNOW, BABY. 1544 00:56:56,873 --> 00:56:58,974 ASLEEP 47 MINUTES AGO. >> WE KNOW, BABY. NOW YOU GOT TO BE A VESSEL FOR 1545 00:56:58,976 --> 00:57:00,342 >> WE KNOW, BABY. NOW YOU GOT TO BE A VESSEL FOR THIS HERE DEMON. 1546 00:57:00,344 --> 00:57:01,509 NOW YOU GOT TO BE A VESSEL FOR THIS HERE DEMON. >> I DON'T WANT DO THAT. 1547 00:57:01,511 --> 00:57:04,579 THIS HERE DEMON. >> I DON'T WANT DO THAT. >> IF YOU DON'T DO IT, I'LL 1548 00:57:04,581 --> 00:57:06,448 >> I DON'T WANT DO THAT. >> IF YOU DON'T DO IT, I'LL CANCEL OUR SEX DATE NEXT WEEK. 1549 00:57:06,450 --> 00:57:07,315 >> IF YOU DON'T DO IT, I'LL CANCEL OUR SEX DATE NEXT WEEK. >> OKAY. 1550 00:57:07,317 --> 00:57:08,917 CANCEL OUR SEX DATE NEXT WEEK. >> OKAY. FOUND MY WEAK SPOT. 1551 00:57:08,919 --> 00:57:10,352 >> OKAY. FOUND MY WEAK SPOT. LET ME GET SITUATED FIRST. 1552 00:57:10,354 --> 00:57:10,919 FOUND MY WEAK SPOT. LET ME GET SITUATED FIRST. ALL RIGHT. 1553 00:57:10,921 --> 00:57:11,653 LET ME GET SITUATED FIRST. ALL RIGHT. COME ON NOW, DEMON. 1554 00:57:11,655 --> 00:57:17,525 ALL RIGHT. COME ON NOW, DEMON. DO YOUR WORST. 1555 00:57:17,527 --> 00:57:20,095 COME ON NOW, DEMON. DO YOUR WORST. >> OH, MY GOD. 1556 00:57:20,097 --> 00:57:22,264 DO YOUR WORST. >> OH, MY GOD. MOM, DAD, WHAT JUST HAPPENED? 1557 00:57:22,266 --> 00:57:28,336 >> OH, MY GOD. MOM, DAD, WHAT JUST HAPPENED? WHY ARE THE SHAWS IN OUR HOUSE? 1558 00:57:28,338 --> 00:57:30,338 MOM, DAD, WHAT JUST HAPPENED? WHY ARE THE SHAWS IN OUR HOUSE? SHOULDN'T THEY BE ASLEEP? 1559 00:57:30,340 --> 00:57:32,140 WHY ARE THE SHAWS IN OUR HOUSE? SHOULDN'T THEY BE ASLEEP? >> WE CAN'T THANK YOU ENOUGH. 1560 00:57:32,142 --> 00:57:33,575 SHOULDN'T THEY BE ASLEEP? >> WE CAN'T THANK YOU ENOUGH. >> IT'S ALL GOOD. 1561 00:57:33,577 --> 00:57:34,843 >> WE CAN'T THANK YOU ENOUGH. >> IT'S ALL GOOD. Y'ALL SLEEP TIGHT NOW. 1562 00:57:34,845 --> 00:57:37,912 >> IT'S ALL GOOD. Y'ALL SLEEP TIGHT NOW. COME ON, FRANK. 1563 00:57:37,914 --> 00:57:38,213 Y'ALL SLEEP TIGHT NOW. COME ON, FRANK. FRANK? 1564 00:57:38,215 --> 00:57:41,549 COME ON, FRANK. FRANK? >> I DON'T LIKE DIZZY! 1565 00:58:04,640 --> 00:58:11,813 >>> ONCE AGAIN, THE 1975. [ CHEERS AND APPLAUSE ] ♪ I'VE BEEN SUICIDAL ♪ 1566 00:58:11,815 --> 00:58:13,481 [ CHEERS AND APPLAUSE ] ♪ I'VE BEEN SUICIDAL ♪ ♪ YOU'VE BEEN GONE FOR WEEKS 1567 00:58:13,483 --> 00:58:15,083 ♪ I'VE BEEN SUICIDAL ♪ ♪ YOU'VE BEEN GONE FOR WEEKS IF I'M UNDECIDED 1568 00:58:15,085 --> 00:58:17,752 ♪ YOU'VE BEEN GONE FOR WEEKS IF I'M UNDECIDED WILL YOU DECIDE FOR ME 1569 00:58:17,754 --> 00:58:18,820 IF I'M UNDECIDED WILL YOU DECIDE FOR ME BABY I'LL DO ANYTHING ♪ 1570 00:58:18,822 --> 00:58:19,921 WILL YOU DECIDE FOR ME BABY I'LL DO ANYTHING ♪ ♪ THAT YOU WANNA 1571 00:58:19,923 --> 00:58:20,989 BABY I'LL DO ANYTHING ♪ ♪ THAT YOU WANNA I'LL TRY ANYTHING 1572 00:58:20,991 --> 00:58:22,057 ♪ THAT YOU WANNA I'LL TRY ANYTHING THAT YOU WANNA 1573 00:58:22,059 --> 00:58:23,658 I'LL TRY ANYTHING THAT YOU WANNA I'LL TRY ♪ 1574 00:58:23,660 --> 00:58:26,861 THAT YOU WANNA I'LL TRY ♪ ♪ 'CAUSE YOU'RE ON MY MIND 1575 00:58:26,863 --> 00:58:31,299 I'LL TRY ♪ ♪ 'CAUSE YOU'RE ON MY MIND OH CAROLINE 1576 00:58:31,301 --> 00:58:31,833 ♪ 'CAUSE YOU'RE ON MY MIND OH CAROLINE I WANNA GET IT RIGHT 1577 00:58:31,835 --> 00:58:35,603 OH CAROLINE I WANNA GET IT RIGHT THIS TIME ♪ 1578 00:58:35,605 --> 00:58:37,238 I WANNA GET IT RIGHT THIS TIME ♪ ♪ 'CAUSE YOU'RE ALWAYS 1579 00:58:37,240 --> 00:58:41,042 THIS TIME ♪ ♪ 'CAUSE YOU'RE ALWAYS ON MY MIND 1580 00:58:41,044 --> 00:58:47,048 ♪ 'CAUSE YOU'RE ALWAYS ON MY MIND OH CAROLINE 1581 00:58:47,050 --> 00:58:48,650 ON MY MIND OH CAROLINE ♪ GETTING SUICIDAL 1582 00:58:48,652 --> 00:58:51,353 OH CAROLINE ♪ GETTING SUICIDAL IT'S HONESTLY NOT FOR ME 1583 00:58:51,355 --> 00:58:53,555 ♪ GETTING SUICIDAL IT'S HONESTLY NOT FOR ME I'M GETTIN' ON MY NERVES 1584 00:58:53,557 --> 00:58:56,257 IT'S HONESTLY NOT FOR ME I'M GETTIN' ON MY NERVES BY GETTIN' ON MY KNEES ♪ 1585 00:58:56,259 --> 00:58:57,325 I'M GETTIN' ON MY NERVES BY GETTIN' ON MY KNEES ♪ ♪ GETTING CUCKE 1586 00:58:57,327 --> 00:58:59,494 BY GETTIN' ON MY KNEES ♪ ♪ GETTING CUCKE I DON'T NEED IT 1587 00:58:59,496 --> 00:59:01,629 ♪ GETTING CUCKE I DON'T NEED IT THE PLACE I WANT TO BE 1588 00:59:01,631 --> 00:59:04,299 I DON'T NEED IT THE PLACE I WANT TO BE IS SOMEWHERE IN YOUR HEART ♪ 1589 00:59:04,301 --> 00:59:05,367 THE PLACE I WANT TO BE IS SOMEWHERE IN YOUR HEART ♪ ♪ SOMEWHERE GUARANTEED 1590 00:59:05,369 --> 00:59:06,434 IS SOMEWHERE IN YOUR HEART ♪ ♪ SOMEWHERE GUARANTEED 'CAUSE BABY 1591 00:59:06,436 --> 00:59:07,001 ♪ SOMEWHERE GUARANTEED 'CAUSE BABY I'LL DO ANYTHING 1592 00:59:07,003 --> 00:59:08,603 'CAUSE BABY I'LL DO ANYTHING THAT YOU WANNA ♪ 1593 00:59:08,605 --> 00:59:09,671 I'LL DO ANYTHING THAT YOU WANNA ♪ ♪ I'LL TRY ANYTHING 1594 00:59:09,673 --> 00:59:10,772 THAT YOU WANNA ♪ ♪ I'LL TRY ANYTHING THAT YOU WANNA 1595 00:59:10,774 --> 00:59:12,374 ♪ I'LL TRY ANYTHING THAT YOU WANNA I'LL FIND MYSELF 1596 00:59:12,376 --> 00:59:15,677 THAT YOU WANNA I'LL FIND MYSELF IN THE MOONLIGHT ♪ 1597 00:59:15,679 --> 00:59:16,177 I'LL FIND MYSELF IN THE MOONLIGHT ♪ ♪ 'CAUSE BABY 1598 00:59:16,179 --> 00:59:17,278 IN THE MOONLIGHT ♪ ♪ 'CAUSE BABY I WANT EVERYTHING 1599 00:59:17,280 --> 00:59:18,346 ♪ 'CAUSE BABY I WANT EVERYTHING THAT YOU WANNA 1600 00:59:18,348 --> 00:59:18,913 I WANT EVERYTHING THAT YOU WANNA AND I'VE TRIED TO ♪ 1601 00:59:18,915 --> 00:59:20,515 THAT YOU WANNA AND I'VE TRIED TO ♪ ♪ JUST BE ME 1602 00:59:20,517 --> 00:59:21,616 AND I'VE TRIED TO ♪ ♪ JUST BE ME LIKE A THOUSAND TIMES 1603 00:59:21,618 --> 00:59:25,387 ♪ JUST BE ME LIKE A THOUSAND TIMES BUT YOU'RE ON MY MIND 1604 00:59:25,389 --> 00:59:29,691 LIKE A THOUSAND TIMES BUT YOU'RE ON MY MIND OH CAROLINE ♪ 1605 00:59:29,693 --> 00:59:30,759 BUT YOU'RE ON MY MIND OH CAROLINE ♪ ♪ I WANNAET IT RIGHT 1606 00:59:30,761 --> 00:59:34,028 OH CAROLINE ♪ ♪ I WANNAET IT RIGHT THIS TIME 1607 00:59:34,030 --> 00:59:35,597 ♪ I WANNAET IT RIGHT THIS TIME 'CAUSE YOU'RE ALWAYS 1608 00:59:35,599 --> 00:59:42,103 THIS TIME 'CAUSE YOU'RE ALWAYS ON MY MIND ♪ 1609 00:59:42,105 --> 00:59:42,670 'CAUSE YOU'RE ALWAYS ON MY MIND ♪ ♪ ALWAYS ON MY MIND 1610 00:59:42,672 --> 00:59:44,239 ON MY MIND ♪ ♪ ALWAYS ON MY MIND OH CAROLINE 1611 00:59:44,241 --> 00:59:47,976 ♪ ALWAYS ON MY MIND OH CAROLINE OH I'VE TRIED TO FIND 1612 00:59:47,978 --> 00:59:49,611 OH CAROLINE OH I'VE TRIED TO FIND ANOTHER NAME ♪ 1613 00:59:49,613 --> 00:59:54,482 OH I'VE TRIED TO FIND ANOTHER NAME ♪ ♪ A THOUSAND TIMES 1614 00:59:54,484 --> 00:59:59,320 ANOTHER NAME ♪ ♪ A THOUSAND TIMES BUT THE ONLY ONE THAT RHYMES 1615 00:59:59,322 --> 00:59:59,821 ♪ A THOUSAND TIMES BUT THE ONLY ONE THAT RHYMES ALWAYS ON MY MIND 1616 00:59:59,823 --> 01:00:06,895 BUT THE ONLY ONE THAT RHYMES ALWAYS ON MY MIND IS OH CAROLINE ♪ 1617 01:00:06,897 --> 01:00:07,996 ALWAYS ON MY MIND IS OH CAROLINE ♪ ♪ JUST GIVE ME 1618 01:00:07,998 --> 01:00:09,597 IS OH CAROLINE ♪ ♪ JUST GIVE ME ONE MORE CHANCE TONIGHT 1619 01:00:09,599 --> 01:00:11,733 ♪ JUST GIVE ME ONE MORE CHANCE TONIGHT I DON'T WANT TO WASTE 1620 01:00:11,735 --> 01:00:16,604 ONE MORE CHANCE TONIGHT I DON'T WANT TO WASTE MY LIFE WITHOUT YOU BABY ♪ 1621 01:00:16,606 --> 01:00:18,239 I DON'T WANT TO WASTE MY LIFE WITHOUT YOU BABY ♪ ♪ NO I DON'T WANT TO 1622 01:00:18,241 --> 01:00:19,307 MY LIFE WITHOUT YOU BABY ♪ ♪ NO I DON'T WANT TO WASTE MY LIFE WITHOUT YOU 1623 01:00:19,309 --> 01:00:23,044 ♪ NO I DON'T WANT TO WASTE MY LIFE WITHOUT YOU BABY 1624 01:00:23,046 --> 01:00:27,348 WASTE MY LIFE WITHOUT YOU BABY OH CAROLINE ♪ 1625 01:00:27,350 --> 01:00:32,187 BABY OH CAROLINE ♪ ♪ GET IT RIGHT THIS TIME 1626 01:00:32,189 --> 01:00:34,889 OH CAROLINE ♪ ♪ GET IT RIGHT THIS TIME ALWAYS ON MY MIND 1627 01:00:34,891 --> 01:00:37,025 ♪ GET IT RIGHT THIS TIME ALWAYS ON MY MIND I WANNA GET IT RIGHT 1628 01:00:37,027 --> 01:00:39,727 ALWAYS ON MY MIND I WANNA GET IT RIGHT BUT YOU'RE ON MY MIND ♪ 1629 01:00:39,729 --> 01:00:44,532 I WANNA GET IT RIGHT BUT YOU'RE ON MY MIND ♪ ♪ OH CAROLINE 1630 01:00:44,534 --> 01:00:45,600 BUT YOU'RE ON MY MIND ♪ ♪ OH CAROLINE I WANNA GET IT RIGHT 1631 01:00:45,602 --> 01:00:48,803 ♪ OH CAROLINE I WANNA GET IT RIGHT THIS TIME 1632 01:00:48,805 --> 01:00:49,871 I WANNA GET IT RIGHT THIS TIME 'CAUSE YOU'RE ALWAYS ♪ 1633 01:00:49,873 --> 01:00:51,506 THIS TIME 'CAUSE YOU'RE ALWAYS ♪ ♪ ON MY MIND 1634 01:00:51,508 --> 01:00:54,709 'CAUSE YOU'RE ALWAYS ♪ ♪ ON MY MIND ALWAYS ON MY MIND 1635 01:00:54,711 --> 01:00:56,344 ♪ ON MY MIND ALWAYS ON MY MIND OH CAROLINE 1636 01:00:56,346 --> 01:01:02,016 ALWAYS ON MY MIND OH CAROLINE OH CAROLINE ♪ 1637 01:01:02,018 --> 01:01:04,752 OH CAROLINE OH CAROLINE ♪ >> SING IT, JAMIE. 1638 01:01:04,754 --> 01:01:05,820 OH CAROLINE ♪ >> SING IT, JAMIE. ♪ I WANNA GET IT RIGHT 1639 01:01:05,822 --> 01:01:09,057 >> SING IT, JAMIE. ♪ I WANNA GET IT RIGHT THIS TIME 1640 01:01:09,059 --> 01:01:13,928 ♪ I WANNA GET IT RIGHT THIS TIME ALWAYS ON MY MIND 1641 01:01:13,930 --> 01:01:18,266 THIS TIME ALWAYS ON MY MIND OH CAROLINE ♪ 1642 01:01:18,268 --> 01:01:28,443 ALWAYS ON MY MIND OH CAROLINE ♪ ♪ 1643 01:01:28,445 --> 01:01:29,577 OH CAROLINE ♪ ♪ ♪ 1644 01:01:29,579 --> 01:01:41,489 ♪ ♪ ♪ 1645 01:01:41,491 --> 01:01:46,394 ♪ ♪ [ CHEERS AND APPLAUSE ] 1646 01:02:00,376 --> 01:02:07,415 >>> ALL RIGHT, TROOPS. I'M NOT GOING TO SUGAR COAT IT. SINCE BREAKING OFF FROM DONALDS 1647 01:02:07,417 --> 01:02:09,484 I'M NOT GOING TO SUGAR COAT IT. SINCE BREAKING OFF FROM DONALDS DONALDS DOMINGUEZ TO FORM 1648 01:02:09,486 --> 01:02:11,386 SINCE BREAKING OFF FROM DONALDS DONALDS DOMINGUEZ TO FORM DONALDS AND DOMINGUEZ, WE HAVE 1649 01:02:11,388 --> 01:02:14,622 DONALDS DOMINGUEZ TO FORM DONALDS AND DOMINGUEZ, WE HAVE NOT LANDED A SINGLE NEW CLIENT. 1650 01:02:14,624 --> 01:02:16,524 DONALDS AND DOMINGUEZ, WE HAVE NOT LANDED A SINGLE NEW CLIENT. YOU KNOW WHY THAT IS? 1651 01:02:16,526 --> 01:02:18,826 NOT LANDED A SINGLE NEW CLIENT. YOU KNOW WHY THAT IS? >> IT'S BECAUSE DONALD DONALDS 1652 01:02:18,828 --> 01:02:20,261 YOU KNOW WHY THAT IS? >> IT'S BECAUSE DONALD DONALDS DOMINGUEZ HAD A PHONE NUMBER TO 1653 01:02:20,263 --> 01:02:22,163 >> IT'S BECAUSE DONALD DONALDS DOMINGUEZ HAD A PHONE NUMBER TO REMEMBER, AND EVERYONE IN TOWN 1654 01:02:22,165 --> 01:02:25,366 DOMINGUEZ HAD A PHONE NUMBER TO REMEMBER, AND EVERYONE IN TOWN KNOWS THEIR FAMOUS PHONE NUMBER 1655 01:02:25,368 --> 01:02:25,700 REMEMBER, AND EVERYONE IN TOWN KNOWS THEIR FAMOUS PHONE NUMBER JINGLE. 1656 01:02:25,702 --> 01:02:26,167 KNOWS THEIR FAMOUS PHONE NUMBER JINGLE. >> THAT'S RIGHT. 1657 01:02:26,169 --> 01:02:27,101 JINGLE. >> THAT'S RIGHT. WE DON'T HAVE THAT. 1658 01:02:27,103 --> 01:02:33,641 >> THAT'S RIGHT. WE DON'T HAVE THAT. >> OUR NUMBER IS 1-672-555-0136. 1659 01:02:33,643 --> 01:02:35,944 WE DON'T HAVE THAT. >> OUR NUMBER IS 1-672-555-0136. >> WHAT WE NEED IS TO TURN THAT 1660 01:02:35,946 --> 01:02:39,514 >> OUR NUMBER IS 1-672-555-0136. >> WHAT WE NEED IS TO TURN THAT NUMBER INTO A SUPPER CATCHY 1661 01:02:39,516 --> 01:02:39,847 >> WHAT WE NEED IS TO TURN THAT NUMBER INTO A SUPPER CATCHY JINGLE. 1662 01:02:39,849 --> 01:02:42,750 NUMBER INTO A SUPPER CATCHY JINGLE. >> THERE'S NO WAY TO CREATE A 1663 01:02:42,752 --> 01:02:45,353 JINGLE. >> THERE'S NO WAY TO CREATE A CATCHY JINGLE WITH A NUMBER LIKE 1664 01:02:45,355 --> 01:02:45,653 >> THERE'S NO WAY TO CREATE A CATCHY JINGLE WITH A NUMBER LIKE THAT. 1665 01:02:45,655 --> 01:02:48,089 CATCHY JINGLE WITH A NUMBER LIKE THAT. >> LAST TUESDAY, MITCHELL AND I 1666 01:02:48,091 --> 01:02:49,724 THAT. >> LAST TUESDAY, MITCHELL AND I WERE AT LUCCIANO'S. 1667 01:02:49,726 --> 01:02:51,826 >> LAST TUESDAY, MITCHELL AND I WERE AT LUCCIANO'S. >> AND YES, I WAS DRINKING -- 1668 01:02:51,828 --> 01:02:54,462 WERE AT LUCCIANO'S. >> AND YES, I WAS DRINKING -- NO, I WAS GETTING TANKED. 1669 01:02:54,464 --> 01:02:57,932 >> AND YES, I WAS DRINKING -- NO, I WAS GETTING TANKED. >> MITCHELL GOT TANKED AND 1670 01:02:57,934 --> 01:02:58,333 NO, I WAS GETTING TANKED. >> MITCHELL GOT TANKED AND LUCCIANO'S. 1671 01:02:58,335 --> 01:03:01,469 >> MITCHELL GOT TANKED AND LUCCIANO'S. BUT THEN THIS BAND GOT UP ON THE 1672 01:03:01,471 --> 01:03:05,039 LUCCIANO'S. BUT THEN THIS BAND GOT UP ON THE STAGE AND SANG THE MOST IF YOU 1673 01:03:05,041 --> 01:03:06,074 BUT THEN THIS BAND GOT UP ON THE STAGE AND SANG THE MOST IF YOU THINK HOOKS I HAD EVER HEARD. 1674 01:03:06,076 --> 01:03:07,308 STAGE AND SANG THE MOST IF YOU THINK HOOKS I HAD EVER HEARD. COME ON IN, GUY. 1675 01:03:07,310 --> 01:03:08,242 THINK HOOKS I HAD EVER HEARD. COME ON IN, GUY. >> HEY, THERE. 1676 01:03:08,244 --> 01:03:09,744 COME ON IN, GUY. >> HEY, THERE. >> HELLO, LAWYERS. 1677 01:03:09,746 --> 01:03:10,511 >> HEY, THERE. >> HELLO, LAWYERS. >> WE ARE SOUL BOOTH. 1678 01:03:10,513 --> 01:03:11,446 >> HELLO, LAWYERS. >> WE ARE SOUL BOOTH. >> LADIES AND GENTLEMEN, THIS IS 1679 01:03:11,448 --> 01:03:13,548 >> WE ARE SOUL BOOTH. >> LADIES AND GENTLEMEN, THIS IS SOUL BOOTH, AND THEY'RE HERE TO 1680 01:03:13,550 --> 01:03:14,215 >> LADIES AND GENTLEMEN, THIS IS SOUL BOOTH, AND THEY'RE HERE TO SAVE US. 1681 01:03:14,217 --> 01:03:17,752 SOUL BOOTH, AND THEY'RE HERE TO SAVE US. >> WORKED OUT A FEW DEMOS FOR 1682 01:03:17,754 --> 01:03:18,086 SAVE US. >> WORKED OUT A FEW DEMOS FOR Y'ALL. 1683 01:03:18,088 --> 01:03:20,888 >> WORKED OUT A FEW DEMOS FOR Y'ALL. >> WE HEARD YOU NEEDED A POP IF 1684 01:03:20,890 --> 01:03:23,124 Y'ALL. >> WE HEARD YOU NEEDED A POP IF YOU THINK HOOK THAT WILL STICK 1685 01:03:23,126 --> 01:03:24,959 >> WE HEARD YOU NEEDED A POP IF YOU THINK HOOK THAT WILL STICK ON THE MIND LIKE GRAPEVINES. 1686 01:03:24,961 --> 01:03:26,427 YOU THINK HOOK THAT WILL STICK ON THE MIND LIKE GRAPEVINES. >> MAYBE SOMETHING LIKE THIS. 1687 01:03:26,429 --> 01:03:27,328 ON THE MIND LIKE GRAPEVINES. >> MAYBE SOMETHING LIKE THIS. DO YOU REMEMBER THIS ONE? 1688 01:03:27,330 --> 01:03:29,330 >> MAYBE SOMETHING LIKE THIS. DO YOU REMEMBER THIS ONE? >> OH, I DO. 1689 01:03:29,332 --> 01:03:32,200 DO YOU REMEMBER THIS ONE? >> OH, I DO. >> THEY AIN'T READY. 1690 01:03:32,202 --> 01:03:38,373 >> OH, I DO. >> THEY AIN'T READY. >> HERE WE GO. 1691 01:03:38,375 --> 01:03:46,814 >> THEY AIN'T READY. >> HERE WE GO. ♪ ONE -- SIX-SEVEN -- TWO ♪ 1692 01:03:46,816 --> 01:03:51,452 >> HERE WE GO. ♪ ONE -- SIX-SEVEN -- TWO ♪ ♪ THEN THREE STRAIGHT FIVES, THE 1693 01:03:51,454 --> 01:04:02,196 ♪ ONE -- SIX-SEVEN -- TWO ♪ ♪ THEN THREE STRAIGHT FIVES, THE NEXT NUMBER IS O! 1694 01:04:02,198 --> 01:04:06,701 ♪ THEN THREE STRAIGHT FIVES, THE NEXT NUMBER IS O! ♪ ONE -- THREE -- AND SIX ♪ 1695 01:04:06,703 --> 01:04:09,871 NEXT NUMBER IS O! ♪ ONE -- THREE -- AND SIX ♪ ♪ WHO YOU GONNA CALL, WHO YOU 1696 01:04:09,873 --> 01:04:15,510 ♪ ONE -- THREE -- AND SIX ♪ ♪ WHO YOU GONNA CALL, WHO YOU GONNA CALL, TELL THEM ♪ 1697 01:04:15,512 --> 01:04:19,447 ♪ WHO YOU GONNA CALL, WHO YOU GONNA CALL, TELL THEM ♪ ♪ DONALDS AND DOMINGUEZ ♪ 1698 01:04:19,449 --> 01:04:21,115 GONNA CALL, TELL THEM ♪ ♪ DONALDS AND DOMINGUEZ ♪ >> GUYS, I'M SORRY. 1699 01:04:21,117 --> 01:04:22,350 ♪ DONALDS AND DOMINGUEZ ♪ >> GUYS, I'M SORRY. I DON'T THINK THAT'S GOING TO 1700 01:04:22,352 --> 01:04:22,784 >> GUYS, I'M SORRY. I DON'T THINK THAT'S GOING TO WORK FOR US. 1701 01:04:22,786 --> 01:04:24,318 I DON'T THINK THAT'S GOING TO WORK FOR US. >> WHY IS THAT? 1702 01:04:24,320 --> 01:04:25,820 WORK FOR US. >> WHY IS THAT? >> JUST DOESN'T SOUND LIKE WHAT 1703 01:04:25,822 --> 01:04:27,855 >> WHY IS THAT? >> JUST DOESN'T SOUND LIKE WHAT WE HEARD AT LUCCIANO'S. 1704 01:04:27,857 --> 01:04:31,626 >> JUST DOESN'T SOUND LIKE WHAT WE HEARD AT LUCCIANO'S. >> OH, YOU WANT THAT LUCCIANO 1705 01:04:31,628 --> 01:04:31,926 WE HEARD AT LUCCIANO'S. >> OH, YOU WANT THAT LUCCIANO SOUND? 1706 01:04:31,928 --> 01:04:32,760 >> OH, YOU WANT THAT LUCCIANO SOUND? >> YES. 1707 01:04:32,762 --> 01:04:35,296 SOUND? >> YES. THIS TRACK SHOULD MAKE ME FEEL 1708 01:04:35,298 --> 01:04:38,399 >> YES. THIS TRACK SHOULD MAKE ME FEEL LIKE I'M TANKED UP AT LOOCH, 1709 01:04:38,401 --> 01:04:38,800 THIS TRACK SHOULD MAKE ME FEEL LIKE I'M TANKED UP AT LOOCH, UNDERSTOOD? 1710 01:04:38,802 --> 01:04:40,034 LIKE I'M TANKED UP AT LOOCH, UNDERSTOOD? >> LOUD AND CLEAR. 1711 01:04:40,036 --> 01:04:40,401 UNDERSTOOD? >> LOUD AND CLEAR. CRYSTAL. 1712 01:04:40,403 --> 01:04:41,769 >> LOUD AND CLEAR. CRYSTAL. >> AND THE NUMBERS SHOULD BE 1713 01:04:41,771 --> 01:04:43,971 CRYSTAL. >> AND THE NUMBERS SHOULD BE CLOSER TOGETHER. 1714 01:04:43,973 --> 01:04:44,305 >> AND THE NUMBERS SHOULD BE CLOSER TOGETHER. >> YEAH. 1715 01:04:44,307 --> 01:04:45,073 CLOSER TOGETHER. >> YEAH. I THINK THE NUMBERS SHOULD BE 1716 01:04:45,075 --> 01:04:45,840 >> YEAH. I THINK THE NUMBERS SHOULD BE MUCH CLOSER TOGETHER. 1717 01:04:45,842 --> 01:04:47,041 I THINK THE NUMBERS SHOULD BE MUCH CLOSER TOGETHER. >> UH-HUH. 1718 01:04:47,043 --> 01:04:50,411 MUCH CLOSER TOGETHER. >> UH-HUH. SO MAYBE SOMETHING LIKE THIS. 1719 01:04:50,413 --> 01:04:52,480 >> UH-HUH. SO MAYBE SOMETHING LIKE THIS. DO YOU REMEMBER THIS ONE? 1720 01:04:52,482 --> 01:04:53,781 SO MAYBE SOMETHING LIKE THIS. DO YOU REMEMBER THIS ONE? THEY AIN'T READY. 1721 01:04:53,783 --> 01:04:54,415 DO YOU REMEMBER THIS ONE? THEY AIN'T READY. COME ON. 1722 01:04:54,417 --> 01:04:54,816 THEY AIN'T READY. COME ON. HERE WE GO. 1723 01:04:54,818 --> 01:05:02,423 COME ON. HERE WE GO. HERE WE GO. 1724 01:05:02,425 --> 01:05:03,024 HERE WE GO. HERE WE GO. ♪ ONE THOUSAND-SIX 1725 01:05:03,026 --> 01:05:03,491 HERE WE GO. ♪ ONE THOUSAND-SIX HUNDRED SEVENTY 1726 01:05:03,493 --> 01:05:04,092 ♪ ONE THOUSAND-SIX HUNDRED SEVENTY TWO-FIVE MILLION-FIVE 1727 01:05:04,094 --> 01:05:04,759 HUNDRED SEVENTY TWO-FIVE MILLION-FIVE HUNDRED-FIFTY OUSAND-ONE 1728 01:05:04,761 --> 01:05:08,963 TWO-FIVE MILLION-FIVE HUNDRED-FIFTY OUSAND-ONE HUNDRED THIRTY SIX ♪ 1729 01:05:08,965 --> 01:05:11,666 HUNDRED-FIFTY OUSAND-ONE HUNDRED THIRTY SIX ♪ ♪ DONALDS AND DOMINGUEZ ♪ 1730 01:05:11,668 --> 01:05:14,902 HUNDRED THIRTY SIX ♪ ♪ DONALDS AND DOMINGUEZ ♪ >> GUYS, GUYS, COME ON, THAT'S 1731 01:05:14,904 --> 01:05:15,403 ♪ DONALDS AND DOMINGUEZ ♪ >> GUYS, GUYS, COME ON, THAT'S TOTALLY WRONG. 1732 01:05:15,405 --> 01:05:17,705 >> GUYS, GUYS, COME ON, THAT'S TOTALLY WRONG. YOU CALL THAT A LOOCHED UP 1733 01:05:17,707 --> 01:05:18,272 TOTALLY WRONG. YOU CALL THAT A LOOCHED UP TRACK? 1734 01:05:18,274 --> 01:05:23,277 YOU CALL THAT A LOOCHED UP TRACK? >> I SHOULD FEEL FIVE DEEP 1735 01:05:23,279 --> 01:05:25,146 TRACK? >> I SHOULD FEEL FIVE DEEP POSTED UP AT LOOCH RIGHT ABOUT 1736 01:05:25,148 --> 01:05:25,446 >> I SHOULD FEEL FIVE DEEP POSTED UP AT LOOCH RIGHT ABOUT NOW. 1737 01:05:25,448 --> 01:05:26,814 POSTED UP AT LOOCH RIGHT ABOUT NOW. >> WHAT'S TO HARD ABOUT THAT. 1738 01:05:26,816 --> 01:05:28,983 NOW. >> WHAT'S TO HARD ABOUT THAT. >> WHAT'S TO HARD ABOUT WRITING 1739 01:05:28,985 --> 01:05:32,286 >> WHAT'S TO HARD ABOUT THAT. >> WHAT'S TO HARD ABOUT WRITING A JINGLE THAT FEELED LIKE I'M 1740 01:05:32,288 --> 01:05:33,821 >> WHAT'S TO HARD ABOUT WRITING A JINGLE THAT FEELED LIKE I'M GETTING DAKED DOWN IN THE BACK 1741 01:05:33,823 --> 01:05:35,056 A JINGLE THAT FEELED LIKE I'M GETTING DAKED DOWN IN THE BACK OF LOOCH? 1742 01:05:35,058 --> 01:05:36,858 GETTING DAKED DOWN IN THE BACK OF LOOCH? THEY'RE ABOUT TO KOOT ME OFF, 1743 01:05:36,860 --> 01:05:39,093 OF LOOCH? THEY'RE ABOUT TO KOOT ME OFF, BUT THEN THAT BARTENDER IN THE 1744 01:05:39,095 --> 01:05:48,269 THEY'RE ABOUT TO KOOT ME OFF, BUT THEN THAT BARTENDER IN THE BACK ACTING LIKE BIALIK. 1745 01:05:48,271 --> 01:05:49,270 BUT THEN THAT BARTENDER IN THE BACK ACTING LIKE BIALIK. >> THE NUMBERS SHOULD BE 1746 01:05:49,272 --> 01:05:50,505 BACK ACTING LIKE BIALIK. >> THE NUMBERS SHOULD BE PRESENTED LIKE A PHONE NUMBER. 1747 01:05:50,507 --> 01:05:53,608 >> THE NUMBERS SHOULD BE PRESENTED LIKE A PHONE NUMBER. >> OR JUST ANYWHERE NEAR THAT 1748 01:05:53,610 --> 01:05:54,075 PRESENTED LIKE A PHONE NUMBER. >> OR JUST ANYWHERE NEAR THAT WOULD BE GREAT. 1749 01:05:54,077 --> 01:05:56,144 >> OR JUST ANYWHERE NEAR THAT WOULD BE GREAT. >> I THINK WE MIGHT HAVE JUST 1750 01:05:56,146 --> 01:05:59,147 WOULD BE GREAT. >> I THINK WE MIGHT HAVE JUST THE THING. 1751 01:05:59,149 --> 01:06:00,548 >> I THINK WE MIGHT HAVE JUST THE THING. >> ABSOLUTELY. 1752 01:06:00,550 --> 01:06:01,616 THE THING. >> ABSOLUTELY. >> LET'S TAKE A TRIP. 1753 01:06:01,618 --> 01:06:03,184 >> ABSOLUTELY. >> LET'S TAKE A TRIP. I WANT TO TAKE YOU SOMEWHERE 1754 01:06:03,186 --> 01:06:05,686 >> LET'S TAKE A TRIP. I WANT TO TAKE YOU SOMEWHERE WHERE THERE IS NO RACE, NO 1755 01:06:05,688 --> 01:06:10,958 I WANT TO TAKE YOU SOMEWHERE WHERE THERE IS NO RACE, NO RELIGION, A LITTLE PLACE WE CALL 1756 01:06:10,960 --> 01:06:11,259 WHERE THERE IS NO RACE, NO RELIGION, A LITTLE PLACE WE CALL HOME. 1757 01:06:11,261 --> 01:06:14,962 RELIGION, A LITTLE PLACE WE CALL HOME. BUT YOU MAY KNOW AS LUCCIANO'S. 1758 01:06:14,964 --> 01:06:16,464 HOME. BUT YOU MAY KNOW AS LUCCIANO'S. HERE WE GO. 1759 01:06:16,466 --> 01:06:17,064 BUT YOU MAY KNOW AS LUCCIANO'S. HERE WE GO. ♪ ONE THOUSAND-SIX 1760 01:06:17,066 --> 01:06:17,565 HERE WE GO. ♪ ONE THOUSAND-SIX HUNDRED SEVENTY 1761 01:06:17,567 --> 01:06:18,166 ♪ ONE THOUSAND-SIX HUNDRED SEVENTY TWO-FIVE MILLION-FIVE 1762 01:06:18,168 --> 01:06:19,133 HUNDRED SEVENTY TWO-FIVE MILLION-FIVE HUNDRED-FIFTY THOUSAND-ONE 1763 01:06:19,135 --> 01:06:23,871 TWO-FIVE MILLION-FIVE HUNDRED-FIFTY THOUSAND-ONE HUNDRED THIRTY SIX ♪ 1764 01:06:23,873 --> 01:06:24,672 HUNDRED-FIFTY THOUSAND-ONE HUNDRED THIRTY SIX ♪ >> ONE MORE TIME. 1765 01:06:24,674 --> 01:06:26,974 HUNDRED THIRTY SIX ♪ >> ONE MORE TIME. THAT FEELS SO GOOD. 1766 01:06:26,976 --> 01:06:27,575 >> ONE MORE TIME. THAT FEELS SO GOOD. ♪ ONE THOUSAND-SIX 1767 01:06:27,577 --> 01:06:28,109 THAT FEELS SO GOOD. ♪ ONE THOUSAND-SIX HUNDRED SEVENTY 1768 01:06:28,111 --> 01:06:28,709 ♪ ONE THOUSAND-SIX HUNDRED SEVENTY TWO-FIVE MIL-FIVE 1769 01:06:28,711 --> 01:06:29,377 HUNDRED SEVENTY TWO-FIVE MIL-FIVE HUNDRED-FIFTY THOUSAND-ONE 1770 01:06:29,379 --> 01:06:32,246 TWO-FIVE MIL-FIVE HUNDRED-FIFTY THOUSAND-ONE NDTHIRIX ♪ 1771 01:06:32,248 --> 01:06:37,552 HUNDRED-FIFTY THOUSAND-ONE NDTHIRIX ♪ SO, WHAT DO YOINK? 1772 01:06:37,554 --> 01:06:45,092 NDTHIRIX ♪ SO, WHAT DO YOINK? IS LUCHI?LL, DID THEY DO IT? 1773 01:06:45,094 --> 01:06:47,328 SO, WHAT DO YOINK? IS LUCHI?LL, DID THEY DO IT? >> NOT ONLY CAN I NOW PERFECT 1774 01:06:47,330 --> 01:06:49,096 IS LUCHI?LL, DID THEY DO IT? >> NOT ONLY CAN I NOW PERFECT RE THE PHONE NUMBER OF 1775 01:06:49,098 --> 01:06:50,798 >> NOT ONLY CAN I NOW PERFECT RE THE PHONE NUMBER OF LA OFFICE, BUT MORE 1776 01:06:50,800 --> 01:06:54,135 RE THE PHONE NUMBER OF LA OFFICE, BUT MORE IMPORTANTLY, I FEEL ABSOLUTELY 1777 01:06:54,137 --> 01:07:00,041 LA OFFICE, BUT MORE IMPORTANTLY, I FEEL ABSOLUTELY ASS-OUT DAKED DOWN AND LOOCHED 1778 01:07:00,043 --> 01:07:00,341 IMPORTANTLY, I FEEL ABSOLUTELY ASS-OUT DAKED DOWN AND LOOCHED UP. 1779 01:07:00,343 --> 01:07:03,311 ASS-OUT DAKED DOWN AND LOOCHED UP. MY ONLY QUESTION IS -- HOW MUCH? 1780 01:07:03,313 --> 01:07:05,479 UP. MY ONLY QUESTION IS -- HOW MUCH? >> $10,000. 1781 01:07:05,481 --> 01:07:05,813 MY ONLY QUESTION IS -- HOW MUCH? >> $10,000. >> LESS. 1782 01:07:05,815 --> 01:07:07,415 >> $10,000. >> LESS. >> 40 EACH. 1783 01:07:07,417 --> 01:07:13,588 >> LESS. >> 40 EACH. >> DEAL. 1784 01:07:13,590 --> 01:07:59,166 >> 40 EACH. >> DEAL. >> 1785 01:07:59,168 --> 01:08:04,105 >> DEAL. >> >>> I WANT TO THANK THE 1975. 1786 01:08:04,107 --> 01:08:07,942 >> >>> I WANT TO THANK THE 1975. FRED ARMISON, THE WONDERFUL, SO, 1787 01:08:07,944 --> 01:08:11,912 >>> I WANT TO THANK THE 1975. FRED ARMISON, THE WONDERFUL, SO, SO FUNNY CAST, JERRY, DONNA, 1788 01:08:11,914 --> 01:08:13,914 FRED ARMISON, THE WONDERFUL, SO, SO FUNNY CAST, JERRY, DONNA, KATIE, MY TEAM OF COURSE. 1789 01:08:13,916 --> 01:08:16,050 SO FUNNY CAST, JERRY, DONNA, KATIE, MY TEAM OF COURSE. THE CREW, I FEEL LIKE THIS HAS 1790 01:08:16,052 --> 01:08:17,885 KATIE, MY TEAM OF COURSE. THE CREW, I FEEL LIKE THIS HAS JUST BEEN SUCH A WONDERFUL 1791 01:08:17,887 --> 01:08:19,120 THE CREW, I FEEL LIKE THIS HAS JUST BEEN SUCH A WONDERFUL EXPERIENCE, AND I'M REALLY, 1792 01:08:19,122 --> 01:08:19,920 JUST BEEN SUCH A WONDERFUL EXPERIENCE, AND I'M REALLY, REALLY GRATEFUL. 1793 01:08:19,922 --> 01:08:22,423 EXPERIENCE, AND I'M REALLY, REALLY GRATEFUL. THANK YOU GUYS FOR WATCHING AND 1794 01:08:22,425 --> 01:08:25,726 REALLY GRATEFUL. THANK YOU GUYS FOR WATCHING AND LETTING US BE RIDICULOUS AND 1795 01:08:25,728 --> 01:08:26,527 THANK YOU GUYS FOR WATCHING AND LETTING US BE RIDICULOUS AND LETTING ME DO THIS FOR THE FIRST 1796 01:08:26,529 --> 01:08:28,863 LETTING US BE RIDICULOUS AND LETTING ME DO THIS FOR THE FIRST TIME. 1797 01:08:28,865 --> 01:08:32,099 LETTING ME DO THIS FOR THE FIRST TIME. [ CHEERS AND APPLAUSE ] 196532