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1
00:00:05,839 --> 00:00:07,407
MY TOOTH IS KILLING ME!,
2
00:00:07,440 --> 00:00:08,751
YOU'RE GONNA BE
TECHNICAL ADVISORS
3
00:00:08,775 --> 00:00:11,211
ON STREET HEAT.
THAT'S A TELEVISION SHOW.
4
00:00:11,244 --> 00:00:12,412
HOLD IT!
5
00:00:13,880 --> 00:00:15,482
CUT. PRINT IT.
6
00:00:15,515 --> 00:00:17,250
THIS WILL BE MY FIRST
HOLLYWOOD WRAP PARTY.
7
00:00:20,120 --> 00:00:22,489
HE'S RUNNING AROUND THIS TOWN
DISFIGURING PEOPLE WITH ACID.
8
00:00:22,522 --> 00:00:23,522
SECURE ALL THE GATES.
9
00:00:25,325 --> 00:00:27,427
I WANT YOU BOTH TO DO
SOMETHING SAFE AND QUIET.
10
00:00:29,796 --> 00:00:32,565
CAPTAIN SAID YOU WERE
INTERESTED IN REALITY.
11
00:00:32,599 --> 00:00:34,634
I WOULDN'T LOSE
MY HEAD OVER THIS.
12
00:01:30,924 --> 00:01:32,725
IT WORKS FOR ME.
13
00:01:35,595 --> 00:01:37,197
WHAT ABOUT
MY TOOTH, HUNTER?
14
00:01:37,230 --> 00:01:38,865
HUNTER, IT'S KILLING ME!
15
00:01:38,898 --> 00:01:40,533
THIS TOOTH IS
DRIVING ME NUTS!
16
00:01:40,567 --> 00:01:42,211
YEAH, WELL, YOU SHOULD HAVE
THOUGHT ABOUT THAT, JESSE,
17
00:01:42,235 --> 00:01:43,379
BEFORE YOU KNOCKED OUT
THE DENTIST.
18
00:01:43,403 --> 00:01:45,738
MAN, THE DUDE WAS COMING
AT ME WITH A NEEDLE.
19
00:01:45,772 --> 00:01:48,842
YOU KNOW HOW I FEEL
ABOUT NEEDLES.
20
00:01:48,875 --> 00:01:50,276
I WANT YOU TO KNOW,
21
00:01:50,310 --> 00:01:53,446
NORMALLY I'M A VERY MEEK
INDIVIDUAL.
22
00:01:53,480 --> 00:01:55,381
RIGHT.
YOU COLLECT CHINA
23
00:01:55,415 --> 00:01:57,217
AND YOU PAINT LITTLE
BUNNIES ON EGGSHELLS.
24
00:01:57,250 --> 00:01:58,017
I HAVE TO LISTEN
TO THIS?
25
00:01:58,051 --> 00:01:59,752
BOOK THIS GUY ON
ASSAULT AND BATTERY,
26
00:01:59,786 --> 00:02:00,887
RESISTING ARREST,
27
00:02:00,920 --> 00:02:02,765
AND AS SOON AS THE VICTIM IS
RELEASED FROM THE HOSPITAL,
28
00:02:02,789 --> 00:02:05,391
HE WILL BE DOWN HERE
TO PRESS CHARGES.
29
00:02:05,425 --> 00:02:08,261
HEY, WHAT ABOUT
MY TOOTH, HUNTER?
30
00:02:08,294 --> 00:02:11,331
I'M GONNA GO BERSERK.
YOU GOTTA DO SOMETHING.
31
00:02:11,364 --> 00:02:12,599
HOLD THAT.
32
00:02:12,632 --> 00:02:14,968
I'M GONNA TEAR
THIS PLACE APART.
33
00:02:15,001 --> 00:02:16,636
EXCUSE ME. COME HERE.
34
00:02:18,972 --> 00:02:22,208
NOW, YOUR TOOTH REALLY
BOTHERS YOU, HUH?
35
00:02:22,242 --> 00:02:23,476
MAN, I'M DYING.
36
00:02:23,510 --> 00:02:25,478
MY HEAD'S ON FIRE.
37
00:02:25,512 --> 00:02:26,922
NOW, I CAN TAKE CARE
OF THIS FOR YOU, JESSE,
38
00:02:26,946 --> 00:02:29,549
FREE OF CHARGE, BUT IT'S
GONNA CAUSE YOU SOME PAIN.
39
00:02:29,582 --> 00:02:31,317
MAN, YOU GOTTA
DO SOMETHING.
40
00:02:31,351 --> 00:02:32,452
NOW, YOU SURE ABOUT THIS?
41
00:02:32,485 --> 00:02:33,386
'CAUSE I NORMALLY
DON'T DO THIS.
42
00:02:33,419 --> 00:02:35,889
HUNTER, I'M GONNA EXPLODE.
YOU GOTTA HELP ME.
43
00:02:38,558 --> 00:02:40,960
WELL...
IS THAT BETTER?
44
00:02:44,664 --> 00:02:45,899
YEAH.
45
00:02:45,932 --> 00:02:48,268
ATTABOY. BOOK HIM!
46
00:02:52,305 --> 00:02:53,973
HOPE THEY COVER THAT
IN HIS DENTAL PLAN.
47
00:02:54,007 --> 00:02:55,007
YEAH.
48
00:02:56,543 --> 00:02:59,279
DID YOU OR DIDN'T YOU TELL ME
WHEN I TOOK OVER THIS JOB
49
00:02:59,312 --> 00:03:01,915
THAT YOU WOULD SHAPE UP AND
START FOLLOWING REGULATIONS?
50
00:03:01,948 --> 00:03:03,750
WELL, IF I
RECALL CORRECTLY,
51
00:03:03,783 --> 00:03:04,894
IT WAS YOU
THAT WAS TELLING ME.
52
00:03:04,918 --> 00:03:06,486
AND YOU AGREED, RIGHT?
53
00:03:06,519 --> 00:03:07,487
Hunter: YES.
54
00:03:07,520 --> 00:03:09,556
NOW, WE EVEN
SHOOK HANDS ON IT.
55
00:03:09,589 --> 00:03:12,659
SO NOW I GET
10 DOZEN HOT CALLS
56
00:03:12,692 --> 00:03:15,728
FROM THE FIRE CHIEF TO
THE CONTROLLER'S OFFICE,
57
00:03:15,762 --> 00:03:18,531
TO OUR OWN CHIEF HIMSELF,
ABOUT A HIGH-SPEED PURSUIT
58
00:03:18,565 --> 00:03:19,699
INVOLVING ONE
SERGEANT HUNTER
59
00:03:19,732 --> 00:03:21,601
THAT'S GONNA
COST THIS CITY A FORTUNE.
60
00:03:21,634 --> 00:03:23,512
NOW, YOU DO KNOW THE RULES
ON HOT PURSUIT, RIGHT?
61
00:03:23,536 --> 00:03:24,637
YES.
62
00:03:24,671 --> 00:03:25,939
YOU AVOID THEM
IN DOWNTOWN AREAS
63
00:03:25,972 --> 00:03:27,473
WHERE PEOPLE
CAN GET HURT, RIGHT?
64
00:03:27,507 --> 00:03:28,474
YES.
65
00:03:28,508 --> 00:03:29,609
YOU CALL FOR ASSISTANCE,
66
00:03:29,642 --> 00:03:30,944
YOU CALL
FOR AIR SURVEILLANCE,
67
00:03:30,977 --> 00:03:32,545
AND YOU DON'T TRY
TO OUTRUN SOMEONE
68
00:03:32,579 --> 00:03:33,479
ON WILSHIRE BOULEVARD.
69
00:03:33,513 --> 00:03:35,582
AND HE KNEW THAT, TOO.
I ALMOST HAD THIS GUY
70
00:03:35,615 --> 00:03:36,792
WHEN HE WENT SOUTH
ON WILSHIRE.
71
00:03:36,816 --> 00:03:38,017
BY THAT TIME,
YOU SHOULD'VE
72
00:03:38,051 --> 00:03:40,019
CALLED IN THE CHOPPERS
AND DROPPED OUT, HUNTER.
73
00:03:40,053 --> 00:03:41,630
HEY, WHAT RULES
ARE WE TALKING ABOUT HERE?
74
00:03:41,654 --> 00:03:43,890
DEL RIO IS WANTED
ON A TRIPLE HOMICIDE.
75
00:03:43,923 --> 00:03:45,058
I MEAN,
IF THERE ARE NO RULES
76
00:03:45,091 --> 00:03:46,826
ABOUT LETTING A TRIPLE
MURDERER GET AWAY,
77
00:03:46,859 --> 00:03:48,494
THERE SURE AS HELL
OUGHTA BE.
78
00:03:48,528 --> 00:03:49,929
WHAT HOMICIDE,
TRIPLE MURDERER?
79
00:03:49,963 --> 00:03:51,531
HE'S WANTED
FOR ARMED ROBBERY.
80
00:03:51,564 --> 00:03:53,533
CAPTAIN, THE CALL
CAME IN ON OUR RADIO.
81
00:03:53,566 --> 00:03:54,834
DEL RIO
SHOT HIS GIRLFRIEND
82
00:03:54,867 --> 00:03:56,736
AND 2 OF HER BROTHERS
IN BOYLE HEIGHTS.
83
00:03:56,769 --> 00:03:58,638
AND WE GOT HIM,
AND NOBODY GOT HURT.
84
00:03:58,671 --> 00:04:01,341
HOW ABOUT 70 FEET OF
DISPLAY WINDOW AT BULLOCK'S?
85
00:04:01,374 --> 00:04:03,610
HOW ABOUT 4 FIRE HYDRANTS
THAT TURNED
86
00:04:03,643 --> 00:04:06,479
THE AMBASSADOR HOTEL'S
FRONT LAWN INTO A LAKE?
87
00:04:06,512 --> 00:04:09,649
NOW, WE'VE ALREADY LOGGED
OVER 80 COMPLAINTS.
88
00:04:09,682 --> 00:04:12,385
WE'LL PROBABLY GET HIT
WITH HALF A DOZEN LAWSUITS
89
00:04:12,418 --> 00:04:14,354
BY THE TIME THIS IS OVER,
AND... WHAT?
90
00:04:14,387 --> 00:04:15,888
PERSONNEL FOLDERS
YOU REQUESTED, SIR.
91
00:04:15,922 --> 00:04:17,357
I THINK WE'LL FIND
OUR MAN IN HERE
92
00:04:17,390 --> 00:04:19,626
FOR THE CHIEF'S
RECRUITMENT POSTER.
93
00:04:19,659 --> 00:04:20,970
BERNIE, I THOUGHT
THEY TRANSFERRED YOU
94
00:04:20,994 --> 00:04:22,495
TO INTERNAL AFFAIRS.
95
00:04:22,528 --> 00:04:24,039
YES, THEY DID, HUNTER.
JUST HELPING OUT
96
00:04:24,063 --> 00:04:25,632
THE CAPTAIN HERE
ON A SPECIAL PROJECT.
97
00:04:25,665 --> 00:04:28,334
SORRY TO HEAR ABOUT YOUR
LITTLE JOYRIDE TODAY.
98
00:04:28,368 --> 00:04:30,069
HA HA HA.
PEDAL TO THE METAL.
99
00:04:30,103 --> 00:04:32,705
ALL RIGHT. I THINK
YOU BOTH GOT THE MESSAGE.
100
00:04:32,739 --> 00:04:34,040
WELL, ENOUGH SAID.
101
00:04:34,073 --> 00:04:37,043
REPORT
TO THIS ADDRESS.
102
00:04:37,076 --> 00:04:40,680
SATICOY AND VINELAND?
103
00:04:40,713 --> 00:04:44,884
YOU'RE GOING TO BE TECHNICAL
ADVISORS ON
STREET HEAT.
104
00:04:44,917 --> 00:04:46,119
THAT'S A TELEVISION SHOW.
105
00:04:46,152 --> 00:04:47,587
NOW, WAIT A MINUTE.
106
00:04:47,620 --> 00:04:50,523
ISN'T THERE SOME SORT
OF A RULE IN THE BOOK
107
00:04:50,556 --> 00:04:52,792
AGAINST, UH, THE MISUSE
OF POLICE PERSONNEL?
108
00:04:52,825 --> 00:04:54,427
OR ARE WE JUST
BEING PUNISHED
109
00:04:54,460 --> 00:04:56,696
FOR TAKING A HOMICIDAL
MANIAC OFF THE STREETS?
110
00:04:56,729 --> 00:04:59,132
LOOK, I WANT YOU BOTH
TO DO SOMETHING SAFE AND QUIET
111
00:04:59,165 --> 00:05:01,100
UNTIL THE FALLOUT
FROM THIS HIGH-SPEED CHASE
112
00:05:01,134 --> 00:05:02,835
IS GONE AND FORGOTTEN.
NOW, THE PRODUCER
113
00:05:02,869 --> 00:05:05,972
OF STREET HEAT
IS
A PERSONAL FRIEND OF MINE,
114
00:05:06,005 --> 00:05:08,508
BAY FETNER, AND
I PROMISED TO SEND HIM
115
00:05:08,541 --> 00:05:09,876
2 REAL LIVE DETECTIVES.
116
00:05:09,909 --> 00:05:11,044
SEND HIM BERNIE.
117
00:05:12,111 --> 00:05:13,880
HE'S EXPECTING
THE TWO OF YOU.
118
00:05:13,913 --> 00:05:16,516
HE FEELS THE SHOW'S
GOTTEN AWAY FROM REALITY.
119
00:05:16,549 --> 00:05:18,518
I'D LIKE YOU TO POINT OUT
TO HIM WHERE.
120
00:05:22,955 --> 00:05:26,059
CAPTAIN, THESE ARE THE
CANDIDATES I PICKED OUT.
121
00:05:26,092 --> 00:05:28,161
IF YOU DON'T MIND,
LIEUTENANT MARTEL
122
00:05:28,194 --> 00:05:30,096
SUGGESTED I SUBMIT
THIS ONE AS WELL.
123
00:05:31,964 --> 00:05:34,534
OH, BERNIE,
IF I WAS YOU,
124
00:05:34,567 --> 00:05:36,769
I'D GO WITH ONE WITH MORE
AUTHORITY IN THE JAWLINE.
125
00:05:56,889 --> 00:06:02,929
DON'T ASK ME WHY, BUT
THIS IS YOUR NEW CAR.
126
00:06:02,962 --> 00:06:04,530
CAPTAIN'S ORDERS.
127
00:06:05,231 --> 00:06:06,933
YOU KNOW SOMETHING, McCALL?
128
00:06:06,966 --> 00:06:08,067
I THINK YOU'RE
RIGHT.
129
00:06:08,101 --> 00:06:09,602
THE CAPTAIN IS
TRYING TO PUNISH US.
130
00:06:09,635 --> 00:06:12,772
YOU CALL THIS PUNISHMENT?
I CALL THIS GREAT!
131
00:06:12,805 --> 00:06:14,006
NOW, WAIT A MINUTE.
132
00:06:14,040 --> 00:06:15,641
IF IT WASN'T FOR THE
FACT THAT YOU AND I
133
00:06:15,675 --> 00:06:16,876
WERE GONNA GO
BABYSITTING
134
00:06:16,909 --> 00:06:18,511
ON BAY FETNER'S
TELEVISION COMPANY,
135
00:06:18,544 --> 00:06:19,645
WHICH CAR IN
THIS COMPOUND
136
00:06:19,679 --> 00:06:20,856
DO YOU THINK WE'D
BE ISSUED, HUH?
137
00:06:20,880 --> 00:06:22,949
TAKE A LOOK AROUND.
PICK ONE OUT.
138
00:06:25,551 --> 00:06:26,786
WELL, I...
139
00:06:26,819 --> 00:06:29,789
THAT ONE OVER THERE
IS A SURE BET.
140
00:06:29,822 --> 00:06:32,225
LIKE THAT ONE? SOLD.
WE'LL TAKE IT, VERN.
141
00:06:32,258 --> 00:06:33,493
ARE YOU NUTS?
142
00:06:33,526 --> 00:06:34,794
COME ON, MAN.
THE CAPTAIN SAYS
143
00:06:34,827 --> 00:06:36,662
GIVE THEM THE BEST CAR
ON THE LOT.
144
00:06:36,696 --> 00:06:38,197
THIS IS IT.
NOW, TAKE IT, PLEASE.
145
00:06:38,231 --> 00:06:40,666
HUNTER, YOU'RE CRAZY.
146
00:06:40,700 --> 00:06:42,935
HOW CAN YOU PASS UP THIS
BEAUTIFUL PIECE OF MACHINERY
147
00:06:42,969 --> 00:06:44,737
FOR THAT PIECE OF JUNK?
148
00:06:44,771 --> 00:06:46,005
WHAT DID
THE CAPTAIN SAY
149
00:06:46,038 --> 00:06:47,907
THAT BAY FETNER WANTED
ON HIS TELEVISION SHOW?
150
00:06:47,940 --> 00:06:48,908
REALITY, RIGHT?
151
00:06:48,941 --> 00:06:51,444
THAT'S REALITY.
152
00:07:05,224 --> 00:07:06,793
SO, DO YOU WATCH IT?
153
00:07:06,826 --> 00:07:07,794
WATCH WHAT?
154
00:07:07,827 --> 00:07:09,128
STREET HEAT.
155
00:07:09,162 --> 00:07:13,132
OH, WELL, I'VE SEEN
BITS AND PIECES OF IT,
156
00:07:13,166 --> 00:07:14,734
TURNING THE DIAL,
YOU KNOW.
157
00:07:14,767 --> 00:07:16,135
BITS AND PIECES, HUH?
158
00:07:16,169 --> 00:07:18,671
WELL, I MEAN, I DON'T
WATCH IT EVERY WEEK.
159
00:07:18,704 --> 00:07:20,072
I'VE PROBABLY SEEN IT
ONCE OR TWICE
160
00:07:20,106 --> 00:07:21,707
OR SOMETHING LIKE THAT.
IT'S NOT EXACTLY
161
00:07:21,741 --> 00:07:24,210
THE HIGHLIGHT OF MY
TUESDAY NIGHT, YOU KNOW.
162
00:07:24,243 --> 00:07:26,112
COME ON, McCALL, ADMIT IT.
163
00:07:26,145 --> 00:07:28,714
THIS GUY HENDRICKS,
WHO PLAYS STREET,
164
00:07:28,748 --> 00:07:31,751
SENDS OUT VIBES ON YOUR
WAVELENGTH, DOESN'T HE?
165
00:07:31,784 --> 00:07:32,718
FROM WHAT I UNDERSTAND,
166
00:07:32,752 --> 00:07:35,721
WOMEN CAN'T GET ENOUGH
OF THIS GUY. WHO KNOWS?
167
00:07:35,755 --> 00:07:39,192
THIS COULD BE YOUR BIG
OPPORTUNITY HERE TODAY.
168
00:07:39,225 --> 00:07:41,294
IF YOU'RE TRYING TO SAY,
COULD I SING A DUET
169
00:07:41,327 --> 00:07:43,696
WITH SOMEBODY LIKE
J.J. HENDRICKS?
170
00:07:45,031 --> 00:07:46,766
IN A MINUTE.
171
00:08:06,252 --> 00:08:07,320
BOO!
172
00:08:07,353 --> 00:08:08,621
AAH!
AAH!
173
00:09:24,096 --> 00:09:25,131
HOLD IT!
174
00:09:41,981 --> 00:09:43,349
THIS IS STREET.
175
00:09:43,382 --> 00:09:45,985
TELL THEM TO SEND A MEAT WAGON
TO 5th AND ALVARADO.
176
00:09:46,018 --> 00:09:47,420
TELL CAPTAIN GRAYSON
177
00:09:47,453 --> 00:09:49,755
FRANKIE T. GOT
HIS TICKET PUNCHED...
178
00:09:49,789 --> 00:09:51,157
PERMANENTLY.
179
00:09:55,127 --> 00:09:56,696
Director: AND CUT.
180
00:09:56,729 --> 00:09:57,830
PRINT IT.
181
00:10:01,267 --> 00:10:02,702
THERE YOU GO.
182
00:10:02,735 --> 00:10:03,703
AHH.
183
00:10:03,736 --> 00:10:04,704
GOOD JOB.
184
00:10:04,737 --> 00:10:06,405
YOU KNOW, IF
THIS J.J. HENDRICKS
185
00:10:06,439 --> 00:10:08,140
KEEPS FLASHING YOU
THOSE PEARLY WHITES,
186
00:10:08,174 --> 00:10:09,208
YOU'RE GONNA NEED TO BUY
187
00:10:09,241 --> 00:10:11,377
AN AWFUL LARGE
PAIR OF SUNGLASSES.
188
00:10:11,410 --> 00:10:12,678
HUNTER,
CAN I HELP IT
189
00:10:12,712 --> 00:10:13,613
IF THE GUY LIKES
WHAT HE SEES?
190
00:10:13,646 --> 00:10:16,182
COME ON, LOOK AT THE WAY
THEY DRESS THE GUY.
191
00:10:16,215 --> 00:10:19,085
CHARLIE, WHAT'S THIS
OLD HEAP DOING HERE?
192
00:10:19,118 --> 00:10:20,353
OR IS THIS THE ONE
193
00:10:20,386 --> 00:10:21,821
WE'RE GONNA WRECK
DURING THE CHASE?
194
00:10:21,854 --> 00:10:23,222
NO, NO.
THIS IS MY CAR.
195
00:10:24,390 --> 00:10:25,925
YOUR CAR?
196
00:10:25,958 --> 00:10:27,093
YOU MUST BE KIDDING?
197
00:10:27,126 --> 00:10:29,295
CAPTAIN SAID YOU WERE
INTERESTED IN REALITY.
198
00:10:29,328 --> 00:10:31,831
OH, COME ON.
YOU'RE PUTTING ME ON.
199
00:10:31,864 --> 00:10:33,232
SPEAKING OF REALITY,
200
00:10:33,265 --> 00:10:36,836
YOU KNOW, AS A PRODUCER
OF THIS TELEVISION SHOW,
201
00:10:36,869 --> 00:10:38,938
I'D BE MORE CONCERNED ABOUT
HOW YOU DRESS YOUR STAR.
202
00:10:38,971 --> 00:10:41,240
I MEAN, A REAL COP,
A REAL POLICE OFFICER,
203
00:10:41,273 --> 00:10:42,341
WOULD NEVER HAVE
HIS CUFFS
204
00:10:42,375 --> 00:10:44,210
HANGING THAT
CLOSE TO HIS WEAPON.
205
00:10:44,243 --> 00:10:46,946
YOU'RE RIGHT.
YOU'RE ABSOLUTELY RIGHT.
206
00:10:46,979 --> 00:10:48,948
I HEARD A LOT
ABOUT YOU, HUNTER.
207
00:10:48,981 --> 00:10:52,818
CAPTAIN WYLER TELLS ME SOME
INTERESTING STORIES ABOUT YOU.
208
00:10:52,852 --> 00:10:54,453
I'D LIKE
TO HEAR 'EM.
209
00:10:54,487 --> 00:10:56,022
FOLLOW ME,
COME HERE.
210
00:10:57,289 --> 00:10:59,258
HEY, I SEE YOU MET A
COUPLE OF METRO'S FINEST.
211
00:10:59,291 --> 00:11:00,793
STU, I'D LIKE YOU
TO MEET
212
00:11:00,826 --> 00:11:02,762
SERGEANTS McCALL AND HUNTER.
213
00:11:02,795 --> 00:11:03,662
HOW DO YOU DO?
HI.
214
00:11:03,696 --> 00:11:06,232
STU'S HEAD OF PUBLICITY,
SO BE NICE TO HIM.
215
00:11:06,265 --> 00:11:09,068
HAVE YOU THOUGHT ABOUT IT,
LIKE, MAYBE DINNER TONIGHT?
216
00:11:09,101 --> 00:11:10,469
WELL, I WOULD LOVE TO,
217
00:11:10,503 --> 00:11:13,372
BUT I'VE ALREADY MADE
OTHER PLANS FOR TONIGHT.
218
00:11:13,406 --> 00:11:14,407
HOW ABOUT THE WRAP PARTY?
219
00:11:14,440 --> 00:11:16,318
I MEAN, YOU GOTTA AT LEAST
STOP BY THE WRAP PARTY.
220
00:11:16,342 --> 00:11:18,244
I'D LOVE FOR YOU
TO BE THERE.
221
00:11:18,277 --> 00:11:20,980
HEY, J.J., THE REPORTER
FROM THE
TIMES
222
00:11:21,013 --> 00:11:22,381
IS STILL WAITING.
223
00:11:22,415 --> 00:11:24,393
ALL RIGHT, YOU CAN'T KEEP
THE PRESS WAITING, CAN YOU?
224
00:11:24,417 --> 00:11:25,818
I'LL CATCH YOU GUYS LATER.
225
00:11:25,851 --> 00:11:28,220
BAY, GIVE THEM
ANYTHING THEY WANT.
226
00:11:28,254 --> 00:11:29,822
BYE.
227
00:11:29,855 --> 00:11:30,856
BYE.
228
00:11:30,890 --> 00:11:31,890
CIAO.
229
00:11:32,892 --> 00:11:34,093
TERRIFIC GUY.
230
00:11:34,126 --> 00:11:35,094
A PRINCE.
231
00:11:35,127 --> 00:11:37,029
YOU FOLKS
NEED SOMETHING,
232
00:11:37,063 --> 00:11:38,230
JUST HOLLER.
233
00:11:40,533 --> 00:11:42,068
I NEED SOME COFFEE.
234
00:11:44,003 --> 00:11:47,306
HUNTER, COME ON.
IT'S SHOW BIZ.
235
00:11:47,339 --> 00:11:48,974
GLAMOUR,
EXCITEMENT...
236
00:11:49,008 --> 00:11:50,810
J.J. HENDRICKS.
237
00:11:50,843 --> 00:11:52,344
WHY DON'T YOU
JUST RELAX?
238
00:11:52,378 --> 00:11:54,914
JUST LIGHTEN UP,
WILL YA?
239
00:11:54,947 --> 00:11:57,116
A LOT OF INTERESTING
PEOPLE HERE ON THIS SET.
240
00:11:57,149 --> 00:11:58,784
NOW, YOU NEVER KNOW
WHO YOU MIGHT MEET.
241
00:11:58,818 --> 00:11:59,852
HI.
242
00:11:59,885 --> 00:12:00,853
HELLO.
243
00:12:00,886 --> 00:12:03,122
HEY, ARE YOU THE POLICE
OFFICERS THEY SENT OUT?
244
00:12:03,155 --> 00:12:04,790
YEAH, WE CERTAINLY ARE.
245
00:12:04,824 --> 00:12:06,859
THIS IS SERGEANT McCALL.
I'M SERGEANT HUNTER.
246
00:12:06,892 --> 00:12:07,893
OH, WOW!
247
00:12:07,927 --> 00:12:11,397
I BET IT'S EXCITING BEING
INVOLVED IN POLICE WORK.
248
00:12:11,430 --> 00:12:12,431
AH, YES, IT IS.
249
00:12:12,465 --> 00:12:14,500
ALTHOUGH WE
DON'T GET SHOT AT
250
00:12:14,533 --> 00:12:16,235
AS MUCH AS
YOU AND STREET DO.
251
00:12:16,268 --> 00:12:18,104
IN OUR CASE, THE
BULLETS ARE REAL.
252
00:12:18,137 --> 00:12:20,039
WELL, THAT'S
WHAT BOTHERS ME.
253
00:12:20,072 --> 00:12:22,174
I WANTED TO TALK TO YOU
ABOUT THAT,
254
00:12:22,208 --> 00:12:25,411
HOW IT FEELS WHEN
THE BULLETS ARE REAL.
255
00:12:25,444 --> 00:12:27,513
Hendricks: I FEEL
THE SAME WAY ABOUT YOU.
256
00:12:27,546 --> 00:12:28,948
WHY DON'T YOU SWING BY?
257
00:12:28,981 --> 00:12:31,250
YOU KNOW I HATE
UNWINDING ALONE.
258
00:12:31,283 --> 00:12:33,152
YEAH, ME, TOO, BABY.
259
00:12:35,988 --> 00:12:37,508
I WANT TO SHOW YOU
HOW MUCH I LOVE YOU.
260
00:12:41,627 --> 00:12:43,295
AW, HONEY...
261
00:12:43,329 --> 00:12:44,563
HEY!
262
00:12:44,597 --> 00:12:46,265
HELLO?
263
00:12:46,298 --> 00:12:48,000
HELLO?
264
00:12:50,970 --> 00:12:52,037
AAH! AAH!
265
00:13:10,890 --> 00:13:14,927
YOU JUST COULDN'T HELP
PLAY THE HERO, COULD YOU?
266
00:13:17,129 --> 00:13:18,097
WHO FOUND THE BODY?
267
00:13:18,130 --> 00:13:20,166
GIRLFRIEND,
CINDY LARWIN.
268
00:13:20,199 --> 00:13:22,034
SHE'S PRETTY SHAKEN UP,
BUT WHO WOULDN'T BE?
269
00:13:22,067 --> 00:13:24,103
THIS ONE'S LIABLE TO
GIVE ME NIGHTMARES.
270
00:13:24,136 --> 00:13:25,247
WHAT DID THE CORONER
HAVE TO SAY
271
00:13:25,271 --> 00:13:26,872
ABOUT THE PROBABLE
CAUSE OF DEATH?
272
00:13:26,906 --> 00:13:28,107
FRACTURED SKULL.
273
00:13:28,140 --> 00:13:30,109
LOOKS LIKE THIS WAS
THE MURDER WEAPON.
274
00:13:33,279 --> 00:13:35,881
GIVE ME A PLASTIC SACK,
WOULD YOU, RAY?
275
00:13:37,416 --> 00:13:38,918
THANKS.
276
00:13:47,526 --> 00:13:49,662
I WANT YOU TO HAVE THE
LAB LOOK AT THIS RING.
277
00:13:49,695 --> 00:13:51,363
SEE IF THEY CAN COME UP
WITH ANY TYPE
278
00:13:51,397 --> 00:13:53,432
OF SKIN FRAGMENTS
ON IT, WOULD YOU?
279
00:14:03,542 --> 00:14:06,478
WHAT'S YOUR PROBLEM
WITH THIS, HUNTER?
280
00:14:06,512 --> 00:14:10,349
PROBABLY THE SAME PROBLEM
YOU'VE GOT WITH IT.
281
00:14:10,382 --> 00:14:13,652
YEAH, WELL, MINE IS
WHY SOMETHING LIKE ACID?
282
00:14:13,686 --> 00:14:15,254
W-WHY WOULD
SOMEBODY COME IN HERE
283
00:14:15,287 --> 00:14:16,689
AND BURN OFF
HENDRICKS' FACE
284
00:14:16,722 --> 00:14:18,624
AND THEN KILL HIM?
THAT DOESN'T TRACK.
285
00:14:18,657 --> 00:14:20,359
EXCUSE ME,
WHERE'S THE WITNESS?
286
00:14:20,392 --> 00:14:23,128
HE WAS JUST LYING THERE.
FIRST I THOUGHT
287
00:14:23,162 --> 00:14:26,065
HE WAS STRETCHED OUT IN
FRONT OF THE FIREPLACE.
288
00:14:28,467 --> 00:14:30,569
THEN I SAW HIS FACE.
289
00:14:32,137 --> 00:14:32,905
TRY NOT TO THINK
ABOUT IT.
290
00:14:32,938 --> 00:14:36,508
JUST TRY TO PUT IT
OUT OF YOUR MIND.
291
00:14:36,542 --> 00:14:40,112
WE WERE GOING
TO BE MARRIED.
292
00:14:40,145 --> 00:14:43,549
NOBODY KNEW THAT,
BUT IT'S TRUE.
293
00:14:43,582 --> 00:14:46,151
EVERYBODY THOUGHT J.J.
WAS THIS "MR. MACHO"
294
00:14:46,185 --> 00:14:50,189
'CAUSE OF THE SHOW.
HE WASN'T. HE WAS
295
00:14:50,222 --> 00:14:53,292
JUST THIS WONDERFUL
GUY WHO LOVED ME.
296
00:14:56,161 --> 00:14:57,663
I'M PREGNANT.
297
00:14:57,696 --> 00:15:01,166
WHEN I TOLD J.J.,
HE WAS SO EXCITED.
298
00:15:02,668 --> 00:15:04,103
HE SAID
ALL HE WANTED TO DO
299
00:15:04,136 --> 00:15:06,105
WAS BE WITH ME
AND HAVE BABIES.
300
00:15:07,573 --> 00:15:12,278
I KNOW THAT
SOUNDS CRAZY.
301
00:15:12,311 --> 00:15:14,446
BUT IT'S ALL
HE COULD TALK ABOUT.
302
00:15:14,480 --> 00:15:18,484
THIS WAS GOING TO BE HIS
LAST SEASON ON THE SHOW.
303
00:15:18,517 --> 00:15:20,753
HE WAS GONNA DO MOVIES.
304
00:15:20,786 --> 00:15:25,424
HE WOULDN'T HAVE
TO WORK SO HARD.
305
00:15:25,457 --> 00:15:27,559
WE COULD BE
TOGETHER MORE.
306
00:15:30,029 --> 00:15:34,199
HE LOVED ME.
HE REALLY DID.
307
00:15:41,106 --> 00:15:42,741
BAY FETNER'S
BEEN CALLING ME.
308
00:15:42,775 --> 00:15:44,076
I'VE BEEN
AVOIDING HIS CALLS,
309
00:15:44,109 --> 00:15:46,011
I DON'T KNOW
WHAT TO SAY TO HIM.
310
00:15:46,045 --> 00:15:47,789
DO YOU HAVE ANYTHING AT
ALL THAT I CAN TELL HIM?
311
00:15:47,813 --> 00:15:49,415
YEAH, I HAVE.
312
00:15:49,448 --> 00:15:51,383
FETNER CALLED HENDRICKS
A REAL PRINCE.
313
00:15:51,417 --> 00:15:53,295
WELL, I CHECKED HIM OUT.
THE GUY WASN'T A PRINCE,
314
00:15:53,319 --> 00:15:54,520
HE WAS A CREEP.
HE HIT ON ME,
315
00:15:54,553 --> 00:15:56,488
HE HIT ON
EVERY GIRL AROUND.
316
00:15:56,522 --> 00:15:58,624
HE GOT SOME POOR GIRL NAMED
CINDY LARWIN PREGNANT
317
00:15:58,657 --> 00:15:59,792
AND INTO THINKING
318
00:15:59,825 --> 00:16:01,393
THAT SHE WAS THE ONLY
WOMAN IN HIS LIFE.
319
00:16:01,427 --> 00:16:02,671
NOW, WHO KNOWS HOW
MANY MORE THERE WERE?
320
00:16:02,695 --> 00:16:04,063
AND I THINK WITH
A GUY LIKE THAT,
321
00:16:04,096 --> 00:16:05,331
YOU GOT A LOT
OF MOTIVE.
322
00:16:05,364 --> 00:16:06,732
I WANT A LIST
OF ALL THE WOMEN
323
00:16:06,765 --> 00:16:08,200
THAT HENDRICKS
WAS INVOLVED WITH.
324
00:16:08,233 --> 00:16:09,468
YOU GOT IT.
I'M WORKING ON IT.
325
00:16:09,501 --> 00:16:11,503
THE MEDICAL EXAMINER'S
OFFICE REPORTS
326
00:16:11,537 --> 00:16:15,240
THAT HENDRICKS WAS SPRAYED
WITH ACID, THEN KILLED.
327
00:16:15,274 --> 00:16:16,675
NOW, MY QUESTION
TO YOU IS,
328
00:16:16,709 --> 00:16:18,143
"WHY WOULD
YOU KILL SOMEBODY
329
00:16:18,177 --> 00:16:20,079
WHEN YOU ONLY CAME THERE
TO DISFIGURE HIM?"
330
00:16:20,112 --> 00:16:22,147
THAT'S A GOOD QUESTION.
GOT A GOOD ANSWER?
331
00:16:22,181 --> 00:16:25,384
WELL, WE FOUND FRAGMENTS
OF LATEX RUBBER
332
00:16:25,417 --> 00:16:26,652
AND RED DYE
ON HENDRICKS' RING.
333
00:16:26,685 --> 00:16:28,821
NOW, PERHAPS THIS FELLOW
HE WAS FIGHTING WITH
334
00:16:28,854 --> 00:16:30,756
WAS WEARING SOME SORT
OF A HALLOWEEN MASK,
335
00:16:30,789 --> 00:16:32,691
AND IN THE STRUGGLE
HE REVEALED HIMSELF,
336
00:16:32,725 --> 00:16:34,760
AND THE GUY HAD
NO OTHER ALTERNATIVE
337
00:16:34,793 --> 00:16:35,794
BUT TO KILL HIM.
338
00:16:35,828 --> 00:16:38,597
OK. WE'RE MOVING.
339
00:16:38,630 --> 00:16:40,132
BUT I GOT A QUESTION.
340
00:16:40,165 --> 00:16:41,834
HOW DO YOU DO IT?
341
00:16:41,867 --> 00:16:42,835
DO WHAT?
342
00:16:42,868 --> 00:16:44,670
I SEND YOU AWAY FROM HERE
343
00:16:44,703 --> 00:16:46,147
TO GET YOU OUT
OF MY HAIR FOR A WHILE,
344
00:16:46,171 --> 00:16:50,542
AND A HOMICIDE CASE,
A MEDIA EVENT CASE, NO LESS,
345
00:16:50,576 --> 00:16:52,745
FALLS RIGHT
INTO YOUR LAPS.
346
00:16:52,778 --> 00:16:54,346
HOW DO YOU MANAGE THAT?
347
00:16:54,380 --> 00:16:56,582
EXTREMELY LUCKY,
I GUESS.
348
00:16:56,615 --> 00:16:59,752
REMEMBER THAT WRAP PARTY
I WAS INVITED TO?
349
00:16:59,785 --> 00:17:02,454
YES, I DO, BUT I DON'T
BELIEVE THEY'RE GOING
350
00:17:02,488 --> 00:17:04,099
TO HAVE TOO MUCH TO
CELEBRATE NOW, DO YOU?
351
00:17:04,123 --> 00:17:05,758
McCall: YOU DON'T KNOW
HOLLYWOOD, HUNTER.
352
00:17:16,435 --> 00:17:17,436
AAAH!
353
00:17:27,279 --> 00:17:29,581
IS THIS MY IMAGINATION
OR DID WE JUST STEP DOWN
354
00:17:29,615 --> 00:17:30,816
INTO A MALE
BEAUTY CONTEST?
355
00:17:30,849 --> 00:17:32,451
HA HA HA HA HA.
356
00:17:32,484 --> 00:17:34,553
IT'S CALLED LOOKING
FOR THE NEW GUY, HUNTER.
357
00:17:34,586 --> 00:17:37,189
THE ROLE DOESN'T EXACTLY
CALL FOR A FEMALE LEAD.
358
00:17:38,557 --> 00:17:39,525
AH.
359
00:17:39,558 --> 00:17:41,427
THANK YOU.
THANK YOU.
360
00:17:41,460 --> 00:17:44,163
WELL, SO GLAD
YOU COULD MAKE IT.
361
00:17:44,196 --> 00:17:45,364
YEAH.
NICE TURNOUT.
362
00:17:45,397 --> 00:17:46,832
I KNOW HOW THIS
MUST LOOK,
363
00:17:46,865 --> 00:17:48,434
I MEAN, IT'S ONLY
BEEN 2 DAYS
364
00:17:48,467 --> 00:17:50,669
AFTER IT ALL HAPPENED,
RIGHT?
365
00:17:50,702 --> 00:17:51,837
YOU DIDN'T KNOW J.J.
366
00:17:51,870 --> 00:17:54,173
HE WOULDN'T WANT
HIS FRIENDS BEING DEPRESSED.
367
00:17:54,206 --> 00:17:55,674
HE'D WANT THEM
OUT HAVING FUN,
368
00:17:55,707 --> 00:17:58,911
LIKE THIS, SHARING
THE JOY OF KNOWING HIM.
369
00:17:58,944 --> 00:18:00,312
A GUY LIKE J.J.
370
00:18:00,345 --> 00:18:01,656
MUST HAVE HAD A LOT
OF GOOD FRIENDS.
371
00:18:01,680 --> 00:18:03,715
OH, HE WAS ONE OF
THE BEST-LIKED GUYS
372
00:18:03,749 --> 00:18:04,750
IN OUR BUSINESS.
373
00:18:04,783 --> 00:18:06,418
HE WAS A REAL
SWEETHEART.
374
00:18:06,452 --> 00:18:08,821
THE MAN WAS
A CARING INDIVIDUAL,
375
00:18:08,854 --> 00:18:10,255
YOU KNOW WHAT I MEAN?
376
00:18:10,289 --> 00:18:12,558
PEOPLE'S FEELINGS
MEANT A LOT TO HIM.
377
00:18:12,591 --> 00:18:14,426
YEAH, I GUESS
HE WAS A REAL SAINT.
378
00:18:14,460 --> 00:18:16,428
Man: BAY, HEY, BAY,
HOW ARE YOU?
379
00:18:16,462 --> 00:18:19,665
ALAN, BABY, SO GLAD
YOU COULD MAKE IT.
380
00:18:19,698 --> 00:18:20,799
ENJOY YOURSELVES.
381
00:18:20,833 --> 00:18:22,201
Bay: ALAN.
382
00:19:11,683 --> 00:19:12,985
I JUST HAD TO
GET OUT OF THERE.
383
00:19:13,018 --> 00:19:15,254
OH, I KNOW
WHAT YOU MEAN.
384
00:19:15,287 --> 00:19:18,657
NOW, CINDY, IF I CAN HELP YOU
WITH ANYTHING, PLEASE...
385
00:19:18,690 --> 00:19:20,526
YOU'VE ALREADY DONE
ENOUGH ALREADY, PEG.
386
00:19:20,559 --> 00:19:22,594
YOU WERE THERE WHEN
I NEEDED A FRIEND.
387
00:19:24,329 --> 00:19:26,298
I JUST DON'T UNDERSTAND IT.
EVERY TIME
388
00:19:26,331 --> 00:19:28,834
I GET INVOLVED WITH SOMEONE,
SOMETHING TERRIBLE HAPPENS.
389
00:19:28,867 --> 00:19:30,636
WHAT YOU NEED
IS SOME WORK,
390
00:19:30,669 --> 00:19:32,814
SOMETHING TO KEEP YOU BUSY
AND HELP YOU THROUGH ALL THIS.
391
00:19:32,838 --> 00:19:34,373
NOW, IT'LL BE
A COUPLE OF MONTHS
392
00:19:34,406 --> 00:19:35,908
BEFORE YOU SHOW, SO...
393
00:19:35,941 --> 00:19:37,976
I DON'T STILL THINK
I'M UP TO IT.
394
00:19:38,010 --> 00:19:39,678
MAYBE AFTER
THE BABY'S BORN.
395
00:19:39,711 --> 00:19:42,848
AAAH! AAAAH!
396
00:19:42,881 --> 00:19:43,881
AAAAH!
397
00:19:45,017 --> 00:19:46,251
LOOK, MY ARM.
398
00:20:18,750 --> 00:20:21,453
THEY GOT AN APB
OUT ON THE CAR.
399
00:20:21,486 --> 00:20:23,522
PROBABLY WIND UP
BEING STOLEN
400
00:20:23,555 --> 00:20:24,623
FROM SOME PARKING LOT.
401
00:20:29,628 --> 00:20:31,296
YOU TWO
GOT HERE FAST.
402
00:20:31,330 --> 00:20:32,698
WELL, WE WERE
ALREADY HERE.
403
00:20:32,731 --> 00:20:33,799
WE WERE INVITED,
404
00:20:33,832 --> 00:20:35,567
GUESTS OF YOUR
FRIEND, MR. FETNER.
405
00:20:37,536 --> 00:20:39,338
YOU WERE HERE
AND THE GUY GOT AWAY?
406
00:20:39,371 --> 00:20:40,872
YEAH, WE WERE HERE
AND HE GOT AWAY.
407
00:20:40,906 --> 00:20:42,674
COULDN'T HOLD ON
TO HIM, HUH?
408
00:20:42,708 --> 00:20:43,675
NO.
409
00:20:43,709 --> 00:20:45,877
UH, SERGEANT HUNTER
SAVED MY LIFE.
410
00:20:45,911 --> 00:20:47,312
IF IT WASN'T
FOR HIS ACTIONS
411
00:20:47,346 --> 00:20:49,448
AND SERGEANT McCALL'S
QUICK THINKING,
412
00:20:49,481 --> 00:20:50,849
I'D PROBABLY
BE ON MY WAY
413
00:20:50,882 --> 00:20:51,984
TO A BURN UNIT
RIGHT NOW.
414
00:20:52,017 --> 00:20:52,985
McCall: THIS IS
PEGGY SULLIVAN.
415
00:20:53,018 --> 00:20:54,319
SHE'S THE CASTING
DIRECTOR
416
00:20:54,353 --> 00:20:55,387
ON THE
STREET HEAT
SERIES.
417
00:20:55,420 --> 00:20:57,356
DID YOU GET
ANY KIND OF A LOOK
418
00:20:57,389 --> 00:20:58,490
AT ALL AT THIS GUY?
419
00:20:58,523 --> 00:21:00,926
YES, I DID.
420
00:21:00,959 --> 00:21:02,561
I'VE BEEN AFRAID
TO SAY THIS
421
00:21:02,594 --> 00:21:04,563
'CAUSE I REALLY DIDN'T
SEE HIM THAT WELL,
422
00:21:04,596 --> 00:21:07,065
BUT FOR A SPLIT SECOND
I THOUGHT OF DAVID TALON.
423
00:21:07,099 --> 00:21:08,567
OH, WITH A SKI MASK ON?
424
00:21:08,600 --> 00:21:12,004
I'M A CASTING DIRECTOR.
I STUDY ACTORS' PHYSIQUES.
425
00:21:12,037 --> 00:21:14,706
YOU KNOW, THE WAY
THEY WALK, TALK.
426
00:21:14,740 --> 00:21:19,378
THERE WAS SOMETHING ABOUT
HIS SILHOUETTE, HIS POSTURE.
427
00:21:19,411 --> 00:21:20,879
I'M NOT SAYING
IT WAS DAVID.
428
00:21:20,912 --> 00:21:22,080
IT COULDN'T BE, BUT...
429
00:21:22,114 --> 00:21:23,882
DAVID TALON.
I'VE HEARD OF HIM.
430
00:21:23,915 --> 00:21:26,385
HE WAS THE ORIGINAL
LEAD ON
STREET HEAT.
431
00:21:26,418 --> 00:21:27,686
THERE WAS AN ACCIDENT,
432
00:21:27,719 --> 00:21:30,022
AND J.J. REPLACED HIM
ON THE SHOW.
433
00:21:30,055 --> 00:21:31,089
WHAT HAPPENED?
434
00:21:31,123 --> 00:21:34,893
WELL, HE WAS INTO DRUGS
LONG BEFORE HE GOT THE JOB.
435
00:21:34,926 --> 00:21:36,828
WITH SUCCESS,
IT GOT WORSE.
436
00:21:36,862 --> 00:21:38,697
IT GOT TO THE POINT
WHERE HE WAS FREE-BASING
437
00:21:38,730 --> 00:21:39,998
ONE DAY
IN HIS DRESSING ROOM
438
00:21:40,032 --> 00:21:41,833
AND IT BLEW UP
IN HIS FACE.
439
00:21:41,867 --> 00:21:44,870
AND HE DECIDED TO BLAME
ALL OF US FOR WHAT HAPPENED.
440
00:21:44,903 --> 00:21:46,071
WHAT DO YOU MEAN
441
00:21:46,104 --> 00:21:47,739
BLAME ALL OF YOU
FOR WHAT HAPPENED?
442
00:21:47,773 --> 00:21:51,643
DAVID TALON WAS NOT ONE OF
YOUR NICER PEOPLE IN THIS WORLD.
443
00:21:51,677 --> 00:21:54,446
HE WAS NEUROTIC. HE WAS
UNDER ANALYSIS FOR YEARS.
444
00:21:54,479 --> 00:21:56,481
AND HE WAS CONVINCED
THAT ONE OF US
445
00:21:56,515 --> 00:21:57,816
OR ALL OF US
ON THE SHOW
446
00:21:57,849 --> 00:21:59,685
TAMPERED WITH HIS EQUIPMENT
TO GET RID OF HIM.
447
00:22:10,762 --> 00:22:13,632
WELL, I SEE YOU DECIDED
TO LIVE IN THAT SHIRT.
448
00:22:13,665 --> 00:22:15,400
DON'T WORRY ABOUT HER.
449
00:22:15,434 --> 00:22:17,869
SHE LOVES THE MEN'S ROOM,
DON'T YOU?
450
00:22:17,903 --> 00:22:20,439
CALLED YOU LAST NIGHT
AND NOBODY ANSWERED.
451
00:22:20,472 --> 00:22:21,740
WHERE WERE YOU?
452
00:22:21,773 --> 00:22:23,475
I WAS OUT JOGGING.
453
00:22:23,508 --> 00:22:26,111
OH, IS THAT WHAT
THEY CALL THAT NOW?
454
00:22:26,144 --> 00:22:29,548
YOU'RE A
LAUGH RIOT, ALICE.
455
00:22:29,581 --> 00:22:31,416
OUR SQUIRT GUN KILLER.
456
00:22:31,450 --> 00:22:34,052
I GOT IT FROM
PEG SULLIVAN LAST NIGHT.
457
00:22:38,957 --> 00:22:40,759
I WANT TO TELL YOU
SOMETHING.
458
00:22:40,792 --> 00:22:43,428
DAVID TALON WAS ONE OF
THE FEW PATIENTS I'VE TREATED
459
00:22:43,462 --> 00:22:45,497
WHO HAD ABSOLUTELY
NO REDEEMING QUALITIES.
460
00:22:45,530 --> 00:22:47,466
HE HAD SUCH AN EGO
MEDICAL TERMINOLOGY
461
00:22:47,499 --> 00:22:50,001
DIDN'T COVER IT
UNTIL AFTER HIS ACCIDENT.
462
00:22:50,035 --> 00:22:53,605
THEN HE DEVELOPED SOME CLASSIC
PARANOID CHARACTERISTICS.
463
00:22:53,638 --> 00:22:55,207
PARANOID ENOUGH
TO KILL PEOPLE?
464
00:22:55,240 --> 00:22:56,875
IT'S ALWAYS A POSSIBILITY.
465
00:22:56,908 --> 00:23:00,045
LOOK, DOC, WE'RE AWARE OF
THE MEDICAL ETHICS HERE,
466
00:23:00,078 --> 00:23:01,980
BUT MAYBE YOU
CAN HELP US OUT.
467
00:23:02,013 --> 00:23:04,683
YOU MUST HAVE COPIES OF
YOUR DISCUSSIONS WITH HIM...
468
00:23:04,716 --> 00:23:08,553
NOTES, TAPES, SOMETHING
THAT WE CAN GET A LOOK AT.
469
00:23:08,587 --> 00:23:09,855
YOU MUST BE KIDDING.
470
00:23:09,888 --> 00:23:11,590
DAVID TALON
IS MY PATIENT.
471
00:23:11,623 --> 00:23:14,025
THE TAPES
ARE CONFIDENTIAL.
472
00:23:14,059 --> 00:23:16,027
I WON'T LET YOU
SEE A THING.
473
00:23:16,061 --> 00:23:17,863
YOUR PATIENT'S
A MURDERER.
474
00:23:17,896 --> 00:23:19,131
HE'S RUNNING AROUND
THIS TOWN
475
00:23:19,164 --> 00:23:20,966
DISFIGURING
PEOPLE WITH ACID.
476
00:23:20,999 --> 00:23:23,535
THE ANSWER,
SERGEANT, IS NO.
477
00:23:23,568 --> 00:23:24,779
YOU CAN TRY
FOR A SEARCH WARRANT
478
00:23:24,803 --> 00:23:26,872
IF YOU LIKE,
BUT YOU WON'T GET ONE,
479
00:23:26,905 --> 00:23:29,808
NOT FROM ANY COURT
I'VE EVER HEARD OF.
480
00:23:41,052 --> 00:23:43,221
WHAT A CHARMER.
481
00:23:43,255 --> 00:23:44,956
HE'S RIGHT, YOU KNOW.
482
00:23:44,990 --> 00:23:46,858
THERE'S NO WAY
WE'RE GOING TO GET A JUDGE
483
00:23:46,892 --> 00:23:50,595
TO GIVE US A COURT ORDER
TO GET AT THOSE RECORDS.
484
00:23:52,564 --> 00:23:54,533
WELL, IT DOESN'T MEAN
WE CAN'T GET THEM
485
00:23:54,566 --> 00:23:56,535
WITH A LITTLE BIT OF
IMAGINATION NOW, DOES IT?
486
00:23:56,568 --> 00:23:57,812
HUNTER, ARE YOU SURE
YOU WANT TO GO AROUND
487
00:23:57,836 --> 00:23:59,137
ONE MORE TIME
WITH THE CAPTAIN?
488
00:23:59,171 --> 00:24:00,605
WELL, WHAT WOULD
YOU LIKE TO DO,
489
00:24:00,639 --> 00:24:02,240
SIT AROUND AND WAIT
FOR THIS TALON GUY
490
00:24:02,274 --> 00:24:04,042
TO GIVE PEGGY SULLIVAN
AN ACID BATH?
491
00:24:08,647 --> 00:24:09,915
โช ...PLAYING
492
00:24:11,883 --> 00:24:13,151
WHO ARE YOU?
493
00:24:13,185 --> 00:24:15,187
WHERE'S LAURA?
494
00:24:15,220 --> 00:24:17,556
WAIT A MINUTE.
YOU CAN'T GO IN THERE.
495
00:24:20,192 --> 00:24:22,627
WHERE'S LAURA?
496
00:24:23,695 --> 00:24:24,872
I'M SORRY, DOLL,
WHAT'D YOU SAY?
497
00:24:24,896 --> 00:24:26,698
I CAN'T HEAR NOTHING
WITH THESE THINGS ON.
498
00:24:26,731 --> 00:24:27,799
WHERE'S LAURA?
499
00:24:27,833 --> 00:24:29,034
OH... OH, LAURA.
500
00:24:29,067 --> 00:24:30,178
LAURA HAD TO GO
TO THE AIRPORT
501
00:24:30,202 --> 00:24:31,536
TO PICK UP
HER MOTHER.
502
00:24:31,570 --> 00:24:33,047
YOU SEE, HER MOTHER'S
COMING IN FROM FRESNO.
503
00:24:33,071 --> 00:24:34,773
AND BELIEVE ME,
THIS IS A REAL DRAG,
504
00:24:34,806 --> 00:24:36,584
AND YOU WOULD KNOW EXACTLY
WHAT I'M TALKING ABOUT
505
00:24:36,608 --> 00:24:38,877
IF YOU EVER
MET HER MOTHER.
506
00:24:38,910 --> 00:24:40,545
YOU CAN'T DO THIS NOW.
507
00:24:42,047 --> 00:24:45,317
YOU CAN'T DO THIS NOW!
508
00:24:45,350 --> 00:24:46,785
HUH?
509
00:24:46,818 --> 00:24:48,720
YOU'RE NOT SUPPOSED
TO SHOW UP UNTIL 6:00.
510
00:24:48,753 --> 00:24:50,956
DR. BRESLEY HAS
A 4:00 APPOINTMENT.
511
00:24:50,989 --> 00:24:55,160
4:00. WELL, UH,
MY WATCH SAYS
512
00:24:55,193 --> 00:24:57,295
IT'S 3:00 HERE.
3... SEE, 3:00.
513
00:24:57,329 --> 00:25:00,265
I CAN BE IN AND OUT OF
HERE IN HALF AN HOUR,
514
00:25:00,298 --> 00:25:01,733
NO PROBLEM,
BUT, SEE, LIKE,
515
00:25:01,766 --> 00:25:03,702
IF I DON'T GET TO CLEAN
THIS OFFICE TODAY,
516
00:25:03,735 --> 00:25:05,246
THEN I HAVE TO COME
BACK FOR NEXT WEEKEND.
517
00:25:05,270 --> 00:25:06,905
AND THEN THE DOCTOR'S
GONNA COME IN HERE,
518
00:25:06,938 --> 00:25:08,874
HE'S GONNA START POPPING
THEM BAD BREATH MINTS
519
00:25:08,907 --> 00:25:09,917
HE'S ALWAYS TAKING.
POPS THEM IN
520
00:25:09,941 --> 00:25:12,344
AND GETS A LITTLE TINFOIL
STUCK BACK IN HIS TEETH,
521
00:25:12,377 --> 00:25:13,845
AND HE THROWS IT
ALL OVER THE CARPET,
522
00:25:13,879 --> 00:25:15,089
AND I PERSONALLY
HAPPEN TO THINK
523
00:25:15,113 --> 00:25:16,153
THIS LOOKS
VERY DISGUSTING,
524
00:25:16,181 --> 00:25:18,125
BUT IF YOU DON'T WANT ME
TO VACUUM, HEY, NO PROBLEM.
525
00:25:18,149 --> 00:25:20,919
OK, BUT YOU GOT TO BE
OUT OF HERE IN 15 MINUTES.
526
00:25:20,952 --> 00:25:23,655
15 MINUTES, FINE.
HALF AN HOUR, 15...
527
00:25:23,688 --> 00:25:28,193
OK, I'LL DO THIS.
OK. 15 MINUTES.
528
00:25:39,671 --> 00:25:42,974
WHAT DID YOU SAY? WAIT,
WAIT, HOLD ON A SECOND.
529
00:25:43,008 --> 00:25:44,609
HOLD ON A SECOND.
530
00:26:40,799 --> 00:26:42,043
Talon, on tape:
THEY WERE JEALOUS.
531
00:26:42,067 --> 00:26:45,070
THEY ALL KNEW I WAS WHAT
HELD THE SHOW TOGETHER.
532
00:26:45,103 --> 00:26:47,339
I WAS
THE
STAR, MAN,
AND THEY KNEW IT.
533
00:27:00,719 --> 00:27:02,787
HOW MUCH LONGER
ARE YOU GONNA BE?
534
00:27:02,821 --> 00:27:03,688
HUH?
535
00:27:03,722 --> 00:27:06,291
YOU SAID THIS WOULD
ONLY TAKE 15 MINUTES.
536
00:27:06,324 --> 00:27:09,127
SECONDS. I WILL BE GONE
IN MERE SECONDS.
537
00:27:14,065 --> 00:27:16,034
Talon: THEY ALL
CONSPIRED TO GET ME.
538
00:27:16,067 --> 00:27:17,802
EVERY ONE OF THEM
HAD HIS OWN REASON
539
00:27:17,836 --> 00:27:19,738
FOR WANTING ME
OFF THAT SHOW.
540
00:27:19,771 --> 00:27:22,007
THEY RIGGED THAT ETHER
TO EXPLODE.
541
00:27:22,040 --> 00:27:25,043
J.J., THAT CREEP FETNER,
542
00:27:25,076 --> 00:27:29,414
AND THE SLUT. THEY COULDN'T
WAIT TO GET RID OF ME.
543
00:27:29,447 --> 00:27:31,783
Bresley: WE'VE BEEN
THROUGH ALL THIS BEFORE.
544
00:27:31,816 --> 00:27:34,786
IT WAS AN ACCIDENT, JUST
AN UNFORTUNATE ACCIDENT.
545
00:27:34,819 --> 00:27:37,422
NOW, NO ONE TAMPERED WITH
YOUR FREE-BASING EQUIPMENT.
546
00:27:37,455 --> 00:27:39,257
CAN'T YOU
GET THAT STRAIGHT?
547
00:27:45,330 --> 00:27:46,264
THIS IS L-56.
548
00:27:46,297 --> 00:27:49,801
I'VE GOT A POSSIBLE 187
AT BAY FETNER'S PLACE,
549
00:27:49,834 --> 00:27:53,271
1133 ST. WAVERLY ROAD.
WE'RE ON OUR WAY THERE NOW.
550
00:27:53,304 --> 00:27:55,907
REQUEST A BACKUP. AND
MAKE SURE YOU SEND A UNIT
551
00:27:55,940 --> 00:27:57,909
OVER TO PEG SULLIVAN'S
PLACE. OUT.
552
00:27:57,942 --> 00:27:59,244
Radio: IT JUST
CAME IN, SERGEANT,
553
00:27:59,277 --> 00:28:01,279
THAT BAY FETNER WAS
FOUND 10 MINUTES AGO.
554
00:28:01,312 --> 00:28:02,981
SOMEONE ATTACKED HIM
WITH ACID.
555
00:28:03,014 --> 00:28:04,849
SAME M.O. AS
THE HENDRICKS CASE.
556
00:28:04,883 --> 00:28:06,885
IS HE ALIVE?
557
00:28:06,918 --> 00:28:08,486
ACCORDING TO THE
PARAMEDICS, HE'LL LIVE,
558
00:28:08,520 --> 00:28:10,155
BUT HE'LL BE
BADLY SCARRED.
559
00:28:10,188 --> 00:28:11,923
WELL, YOU BETTER
TELL CAPTAIN WYLER.
560
00:28:11,956 --> 00:28:13,067
FETNER'S
A GOOD FRIEND OF HIS.
561
00:28:13,091 --> 00:28:16,027
WHAT ABOUT THAT NUMBER WE GOT
FROM TALON'S PSYCHIATRIST?
562
00:28:16,061 --> 00:28:19,230
DID YOU GET
AN ADDRESS ON THAT?
563
00:28:19,264 --> 00:28:21,966
THE STATMAN HOTEL,
OVER ON 3rd AND FOUNTAIN.
564
00:28:22,000 --> 00:28:23,134
L-56 OUT.
565
00:28:49,260 --> 00:28:51,863
THIS GUY REALLY OUGHT TO
HAVE HIS LOCKS CHANGED.
566
00:29:10,115 --> 00:29:11,182
HUNTER.
567
00:29:11,216 --> 00:29:12,951
YEAH?
568
00:29:14,519 --> 00:29:18,223
PAYCHECK STUB FROM
THE SUNSET WAX MUSEUM.
569
00:30:25,523 --> 00:30:28,560
NOTHING LIKE A WALK THROUGH
A MURDERERS' ROW, HUH?
570
00:30:28,593 --> 00:30:29,894
I DON'T KNOW ABOUT YOU,
571
00:30:29,928 --> 00:30:31,930
BUT THIS PLACE
GIVES ME THE CREEPS.
572
00:31:00,658 --> 00:31:02,994
HEY, WHAT ARE YOU
DOING IN HERE?
573
00:31:03,027 --> 00:31:06,331
I DIDN'T HEAR
ANYONE KNOCK.
574
00:31:06,364 --> 00:31:07,608
IN CASE YOU DIDN'T
SEE IT, THERE'S A SIGN
575
00:31:07,632 --> 00:31:09,934
OUT FRONT THAT SAYS
"EMPLOYEES ONLY."
576
00:31:09,968 --> 00:31:11,703
WE ASSUME, MR. TALON,
577
00:31:11,736 --> 00:31:13,471
YOU'VE BEEN
LISTENING TO THE NEWS.
578
00:31:13,504 --> 00:31:15,673
WE ALSO ASSUME YOU'RE AWARE
THAT A LOT OF PEOPLE
579
00:31:15,707 --> 00:31:18,409
YOU KNEW OR ONCE
WORKED WITH ARE NOW DEAD
580
00:31:18,443 --> 00:31:20,154
OR IN THE HOSPITAL WITH
THEIR FACES BURNED OFF.
581
00:31:20,178 --> 00:31:21,946
YEAH, I HEARD ABOUT THAT
ON THE RADIO.
582
00:31:21,980 --> 00:31:22,947
THAT'S TOO BAD.
583
00:31:22,981 --> 00:31:24,482
YEAH, IT WAS.
584
00:31:24,515 --> 00:31:27,118
I GUESS YOU ALSO KNOW,
THEN, THAT J.J HENDRICKS
585
00:31:27,151 --> 00:31:28,391
WAS FOUND MUTILATED
AND MURDERED
586
00:31:28,419 --> 00:31:29,563
AT HIS HOME
ON THURSDAY NIGHT.
587
00:31:29,587 --> 00:31:31,456
I GUESS YOU KNEW HIM
PRETTY WELL, DIDN'T YOU?
588
00:31:31,489 --> 00:31:34,158
NO, NOT VERY WELL.
HE WAS JUST A GUY
589
00:31:34,192 --> 00:31:38,096
WHO DID WALK-ONS
IN STREET HEAT,
SO...
590
00:31:38,129 --> 00:31:40,231
DON'T EXPECT ME
TO GRIEVE FOR THE GUY.
591
00:31:40,265 --> 00:31:42,400
I'M GONNA ASK YOU WHERE
YOU WERE THURSDAY NIGHT.
592
00:31:42,433 --> 00:31:43,501
THAT'S THE NIGHT
593
00:31:43,534 --> 00:31:45,370
J.J. HENDRICKS GOT
HIS FACE BURNED OFF
594
00:31:45,403 --> 00:31:48,606
AND HIS BRAINS BASHED IN.
BUT BEFORE I DO,
595
00:31:48,640 --> 00:31:51,342
SERGEANT McCALL WANTS
TO GIVE YOU A MESSAGE.
596
00:31:51,376 --> 00:31:52,586
"YOU HAVE THE RIGHT
TO REMAIN SILENT."
597
00:31:52,610 --> 00:31:53,678
WHOA... HEY, HEY,
HEY, HEY,
598
00:31:53,711 --> 00:31:56,214
I USED TO RECITE
THAT CRAP ON MY SHOW,
599
00:31:56,247 --> 00:31:57,515
SO FORGET ABOUT IT.
600
00:31:59,250 --> 00:32:01,653
THURSDAY NIGHT,
LET'S SEE. OH, YES,
601
00:32:01,686 --> 00:32:03,421
I WAS TAKING IN
A MOVIE.
602
00:32:03,454 --> 00:32:05,590
I LIKE TO SIT
IN THE DARK.
603
00:32:05,623 --> 00:32:08,059
MAYBE YOU AND I CAN
HAVE A CUP OF COFFEE,
604
00:32:08,092 --> 00:32:09,294
I'LL TELL YOU
ALL ABOUT IT.
605
00:32:15,400 --> 00:32:16,734
PRETTY GOOD
LIKENESS, HUH?
606
00:32:19,637 --> 00:32:22,073
YEAH, EVER SINCE
OLD J.J. DIED,
607
00:32:22,106 --> 00:32:23,241
HE'S HOTTER THAN EVER.
608
00:32:29,180 --> 00:32:31,716
WE'RE MAKING UP A NEW
BUNCH OF FIGURES OF HIM.
609
00:32:34,352 --> 00:32:36,354
I JUST FOUND THIS
OLD HEAD LYING AROUND.
610
00:32:36,387 --> 00:32:40,224
THOUGHT
I'D GET RID OF IT.
611
00:32:40,258 --> 00:32:42,327
I BET A GUY
LIKE YOU HAS ACCESS
612
00:32:42,360 --> 00:32:44,996
TO A LOT OF CHEMICALS
AND ACIDS, HUH?
613
00:32:49,133 --> 00:32:53,037
HEY, IF YOU'VE GOT SOME
KIND OF CASE AGAINST ME,
614
00:32:53,071 --> 00:32:55,473
ARREST ME, AND
I'LL CALL MY LAWYER
615
00:32:55,506 --> 00:32:57,475
AND WE'LL SEE
WHAT HAPPENS.
616
00:32:57,508 --> 00:32:59,510
IF NOT, WHY
DON'T YOU LEAVE?
617
00:32:59,544 --> 00:33:01,112
LOOK, WHAT
HAPPENED TO YOU
618
00:33:01,145 --> 00:33:03,314
WAS A TERRIBLE,
TRAGIC ACCIDENT.
619
00:33:03,348 --> 00:33:05,583
BUT WHAT YOU'RE DOING NOW
IS NOT GONNA HELP THINGS,
620
00:33:05,616 --> 00:33:06,751
AND IT'S NOT GONNA MAKE
621
00:33:06,784 --> 00:33:08,119
ANYTHING BETTER
FOR YOURSELF.
622
00:33:08,152 --> 00:33:10,755
YOU THINK I'M SICK?
YOU THINK THE EXPLOSION
623
00:33:10,788 --> 00:33:13,157
IN THE DRESSING ROOM
WAS AN ACCIDENT?
624
00:33:13,191 --> 00:33:14,692
WELL, YOU WEREN'T
THERE, LADY,
625
00:33:14,726 --> 00:33:18,229
AND I WAS, AND
IT WAS NO ACCIDENT.
626
00:33:18,262 --> 00:33:20,531
NOW GET OUT OF HERE!
627
00:33:20,565 --> 00:33:22,667
GET OUT!
628
00:33:41,319 --> 00:33:42,286
McCall:
WHAT DO YOU THINK?
629
00:33:42,320 --> 00:33:44,522
WHY DON'T YOU GET OVER
TO PEGGY SULLIVAN'S HOUSE?
630
00:33:44,555 --> 00:33:45,866
IF THIS GUY IS
GONNA MAKE HIS MOVE,
631
00:33:45,890 --> 00:33:48,159
I WANT ONE OF US
TO BE THERE.
632
00:33:48,192 --> 00:33:50,395
I'M GONNA CHECK OUT
HIS WORKSHOP.
633
00:36:23,948 --> 00:36:26,250
PEG WASN'T THE ONE
THAT TALON WAS REFERRING TO
634
00:36:26,284 --> 00:36:28,386
ON BRESLEY'S TAPE.
HE WASN'T AFTER HER AT ALL.
635
00:36:28,419 --> 00:36:29,887
LOOKS THAT WAY,
DOESN'T IT?
636
00:36:29,921 --> 00:36:32,723
KNOWING HIS OLD GIRLFRIEND
WAS INVOLVED WITH HENDRICKS,
637
00:36:32,757 --> 00:36:35,793
THAT WOULD MAKE TALON
NUTS, WOULDN'T IT?
638
00:36:35,826 --> 00:36:36,928
THIS IS L-56.
639
00:36:36,961 --> 00:36:39,030
PATCH ME THROUGH
TO A LIEUTENANT DeMARCO
640
00:36:39,063 --> 00:36:41,032
IN MISSING PERSONS,
WOULD YOU?
641
00:36:41,065 --> 00:36:43,801
DeMarco: WHAT CAN
I DO FOR YOU, HUNTER?
642
00:36:43,834 --> 00:36:45,870
LOU, WE'VE BEEN TRYING
TO LOCATE A WOMAN
643
00:36:45,903 --> 00:36:47,805
BY THE NAME
OF CINDY LARWIN.
644
00:36:47,838 --> 00:36:49,840
NOW, WE'VE TRIED HER
LAST KNOWN ADDRESS
645
00:36:49,874 --> 00:36:51,943
AND HER PARENTS' HOUSE.
WE'VE COME UP WITH NOTHING.
646
00:36:51,976 --> 00:36:53,854
NOW, YOU'RE THE EXPERT, WE
WANT YOU TO FIND HER FOR US.
647
00:36:53,878 --> 00:36:56,447
I'VE GOT A NAME AND
A NUMBER FOR YOU:
648
00:36:56,480 --> 00:36:59,750
PEGGY SULLIVAN,
555-3792.
649
00:36:59,784 --> 00:37:00,751
NOW, SHE'LL BE
ABLE TO GIVE YOU
650
00:37:00,785 --> 00:37:02,954
SOME INFORMATION
TO START OFF WITH.
651
00:37:02,987 --> 00:37:04,322
DeMarco: OK, GOT IT.
652
00:37:04,355 --> 00:37:05,599
BUT CAN I ASK YOU
THE SAME QUESTION
653
00:37:05,623 --> 00:37:07,592
I ALWAYS ASK WITH
A MISSING PERSON...
654
00:37:07,625 --> 00:37:08,802
DO YOU REALLY THINK
THEY'RE MISSING
655
00:37:08,826 --> 00:37:10,328
OR DO YOU THINK
THEY'RE DEAD?
656
00:37:10,361 --> 00:37:11,929
WELL, I DON'T KNOW
THE ANSWER TO THAT,
657
00:37:11,963 --> 00:37:13,006
BUT WE'RE ABOUT
TO DO SOMETHING
658
00:37:13,030 --> 00:37:15,433
THAT MIGHT JUST ANSWER THAT
QUESTION FOR ALL OF US.
659
00:37:15,466 --> 00:37:16,734
L-56 OUT.
660
00:37:21,606 --> 00:37:24,375
AND YOU'RE SURE
TALON'S AFTER HER?
661
00:37:24,408 --> 00:37:25,610
WE WOULDN'T BET
AGAINST IT.
662
00:37:25,643 --> 00:37:26,853
ALL YOU GOTTA DO
IS GET THE STUDIO
663
00:37:26,877 --> 00:37:28,813
TO TAKE OUT AN AD IN
TOMORROW MORNING'S TRADES
664
00:37:28,846 --> 00:37:31,649
THAT CINDY LARWIN IS GOING
TO BE A GUEST ACTRESS
665
00:37:31,682 --> 00:37:33,050
ON ONE OF YOUR
TELEVISION SHOWS.
666
00:37:33,084 --> 00:37:34,986
IT'S NO PROBLEM,
BUT THERE'S NO WAY
667
00:37:35,019 --> 00:37:37,421
ANYONE CAN GET ON THIS LOT
WHO ISN'T AUTHORIZED TO.
668
00:37:37,455 --> 00:37:39,590
WE HAVE ARMED GUARDS
AT ALL 3 GATES
669
00:37:39,624 --> 00:37:41,892
AND DAVID TALON KNOWS
THAT. HE WON'T SHOW UP.
670
00:37:48,566 --> 00:37:50,034
SAM, THIS IS HARRY
671
00:37:50,067 --> 00:37:50,935
OVER IN MAINTENANCE.
672
00:37:50,968 --> 00:37:54,405
WE'VE GOT A BLOOMING LEAK
OVER ON STAGE 4.
673
00:37:54,438 --> 00:37:55,673
A BLOODY PIPE'S BUSTED.
674
00:37:55,706 --> 00:37:58,709
I CALLED WILCOX PLUMBING,
675
00:37:58,743 --> 00:38:00,745
UM, SHOOT 'EM THROUGH
WHEN THEY GET THERE,
676
00:38:00,778 --> 00:38:01,812
WILL YOU, GUY?
677
00:38:46,090 --> 00:38:48,793
GOT A CALL ABOUT
A BROKEN PIPE.
678
00:38:48,826 --> 00:38:50,728
RIGHT. HOLD ON A SECOND.
679
00:38:54,865 --> 00:38:57,535
SOUND STAGE 4. IT'S OVER
AT THE OTHER SIDE OF THE LOT.
680
00:38:57,568 --> 00:38:59,146
GO DOWN THE ROAD
UNTIL YOU GET TO WARDROBE.
681
00:38:59,170 --> 00:39:00,438
YOU CAN'T MISS IT.
682
00:39:00,471 --> 00:39:01,839
GOT IT. THANKS.
ALL RIGHT.
683
00:39:37,241 --> 00:39:38,542
FREEZE!
684
00:39:38,576 --> 00:39:39,710
DROP THE GUN
RIGHT NOW.
685
00:39:39,744 --> 00:39:41,412
DROP IT. DROP IT.
686
00:39:44,982 --> 00:39:46,784
TURN AROUND, PUT YOUR
HANDS BEHIND YOUR HEAD.
687
00:39:49,687 --> 00:39:51,655
DON'T MOVE A MUSCLE.
688
00:39:51,689 --> 00:39:52,923
HUNTER, I GOT HIM.
MOVE IN.
689
00:39:52,957 --> 00:39:53,958
Radio:
I'M ON MY WAY.
690
00:40:08,873 --> 00:40:10,875
McCALL!
691
00:40:10,908 --> 00:40:12,510
I'M OK!
692
00:41:36,994 --> 00:41:38,963
SECURITY,
THIS IS SERGEANT McCALL.
693
00:41:38,996 --> 00:41:40,941
WE HAVE A WOUNDED SUSPECT
TRYING TO LEAVE THE LOT.
694
00:41:40,965 --> 00:41:41,999
SECURE ALL THE GATES.
695
00:41:53,310 --> 00:41:54,812
Dispatcher:
YOU'RE PATCHED THROUGH
696
00:41:54,845 --> 00:41:56,347
TO THAT NUMBER, SERGEANT.
697
00:41:56,380 --> 00:41:57,314
DR. BRESLEY.
698
00:41:57,348 --> 00:41:59,216
Dr. Bresley: YOU DON'T
GIVE UP, DO YOU, HUNTER?
699
00:41:59,250 --> 00:42:01,218
YOUR PATIENT JUST
CAUGHT A BULLET
700
00:42:01,252 --> 00:42:02,953
TRYING TO OFF
ANOTHER VICTIM.
701
00:42:02,987 --> 00:42:04,688
NOW, HE'S NOT AT
HIS HOTEL ROOM
702
00:42:04,722 --> 00:42:06,366
AND HE'S CERTAINLY NOT GOING
TO CHECK INTO A HOSPITAL
703
00:42:06,390 --> 00:42:08,025
WITH THAT KIND
OF A BULLET WOUND.
704
00:42:08,058 --> 00:42:09,960
WE'RE ON OUR WAY
TO THE WAX MUSEUM.
705
00:42:09,994 --> 00:42:11,795
IF THIS GUY SHOWS UP
AT YOUR PLACE,
706
00:42:11,829 --> 00:42:12,796
HOLD ON TO HIM.
707
00:42:12,830 --> 00:42:14,899
HE WON'T
SHOW UP HERE, HUNTER.
708
00:42:14,932 --> 00:42:16,033
HE DOESN'T LIKE ME.
709
00:42:16,066 --> 00:42:17,034
WONDER WHY?
710
00:42:17,067 --> 00:42:18,168
AND IF HE DID,
711
00:42:18,202 --> 00:42:19,637
I WOULDN'T VIOLATE
MEDICAL ETHICS
712
00:42:19,670 --> 00:42:20,604
AND CALL YOU.
713
00:42:20,638 --> 00:42:22,640
BUT I THINK YOU'RE HEADED
FOR THE RIGHT PLACE.
714
00:42:22,673 --> 00:42:24,675
THAT WAX MUSEUM IS
PROBABLY THE ONLY PLACE
715
00:42:24,708 --> 00:42:25,910
HE FEELS SAFE AT.
716
00:42:25,943 --> 00:42:27,811
IT'S NOT REALITY.
717
00:44:44,415 --> 00:44:45,415
HOLD IT, TALON!
718
00:45:01,031 --> 00:45:02,766
AAH!
719
00:45:31,962 --> 00:45:33,831
SIR...
720
00:45:33,864 --> 00:45:36,200
HERE'S THE PICTURE OF
HENDERSON YOU WANTED.
721
00:45:36,233 --> 00:45:38,302
OH, YEAH. PUT IT
OVER THERE WITH THE OTHERS.
722
00:45:40,537 --> 00:45:43,273
WHO, UH...
723
00:45:43,307 --> 00:45:45,876
WHO SUBMITTED
THIS ONE, SIR?
724
00:45:47,077 --> 00:45:48,045
FOWLER.
725
00:45:48,078 --> 00:45:50,414
I DIDN'T KNOW
YOU WERE, UH,
726
00:45:50,447 --> 00:45:51,849
CONSIDERING
HUNTER, SIR.
727
00:45:52,883 --> 00:45:54,985
COME IN, HUNTER, McCALL.
728
00:45:55,018 --> 00:45:56,186
WANT TO SEE US?
729
00:45:56,220 --> 00:45:58,255
I JUST GOT WORD
ON THE CAR YOU'RE USING.
730
00:45:58,288 --> 00:46:00,991
YOU DIDN'T TAKE THE ONE
I ORDERED FOR YOU. WHY?
731
00:46:01,024 --> 00:46:02,593
WELL, I FIGURED
IT WAS A MEMO MIX-UP.
732
00:46:02,626 --> 00:46:04,304
YOU KNOW, WITH THE
HIGH-SPEED CHASE AND ALL,
733
00:46:04,328 --> 00:46:05,996
I THOUGHT YOU MIGHT
BE SAVING THAT CAR
734
00:46:06,029 --> 00:46:08,432
FOR SOMEBODY LIKE,
UH, BERNIE.
735
00:46:08,465 --> 00:46:12,035
HUNTER, NEXT TIME SOMEBODY
TELLS YOU I GAVE AN ORDER,
736
00:46:12,069 --> 00:46:13,504
TAKE THEIR WORD FOR IT.
737
00:46:13,537 --> 00:46:15,272
I GAVE IT,
AND I MEANT IT.
738
00:46:15,305 --> 00:46:16,607
RIGHT?
RIGHT.
739
00:46:16,640 --> 00:46:17,875
LET ME ASK YOU
A QUESTION.
740
00:46:17,908 --> 00:46:19,276
WHY IS MY PICTURE
IN HERE?
741
00:46:19,309 --> 00:46:20,978
IT WAS SENT IN
AS A POSSIBILITY
742
00:46:21,011 --> 00:46:22,379
FOR THE RECRUITMENT POSTER.
743
00:46:22,412 --> 00:46:23,380
OH, LISTEN,
DON'T DO THAT.
744
00:46:23,413 --> 00:46:24,524
DON'T CONSIDER ME
FOR THAT, OK?
745
00:46:24,548 --> 00:46:25,883
I DON'T LIKE PUBLICITY.
746
00:46:25,916 --> 00:46:27,918
WELL, I'M GLAD
TO HEAR THAT, HUNTER.
747
00:46:27,951 --> 00:46:29,119
BUT DON'T WORRY ABOUT IT.
748
00:46:29,153 --> 00:46:30,554
YOU'RE NOT
UNDER CONSIDERATION.
749
00:46:30,587 --> 00:46:33,123
NEITHER ARE YOU,
TERWILLIGER.
750
00:46:33,157 --> 00:46:34,391
NEITHER ARE THOSE GUYS.
751
00:46:34,424 --> 00:46:36,160
AS A MATTER OF FACT,
IF YOU WANT TO SEE
752
00:46:36,193 --> 00:46:38,529
WHO I'M GONNA USE
IN THE POSTER...
753
00:46:38,562 --> 00:46:40,164
TAKE A LOOK.
54237
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